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The Amore Opera Company

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Norah Scheinman Stage Manager<br />

Norah is from Weston, Connecticut. Norah will receive her MFA in Stage<br />

Management from Rutgers University next spring. As a member of the<br />

Rutgers <strong>The</strong>ater <strong>Company</strong> she has worked on: <strong>The</strong> Last Days of Judas<br />

Iscariot, Dying City, Laundry and Bourbon, Egyptology, and Triumph of<br />

Love. Her thesis production will be Spring Awakening directed by Anders<br />

Cato. In the past, she has had the honor of working with FringeNYC,<br />

13th St. Repertory <strong>Company</strong>, <strong>The</strong> Atlantic <strong>The</strong>ater <strong>Company</strong> and <strong>The</strong><br />

Santa Fe <strong>Opera</strong>.<br />

Courtenay Schowalter Frasquita, Associate Producer<br />

Courtenay, a soprano, has performed with <strong>The</strong> Voices of Women, <strong>The</strong><br />

Musica Bella Orchestra of New York, <strong>The</strong> <strong>Opera</strong> Project, Bacchanalia<br />

Baroque Ensemble, Brooklyn Repertory <strong>Opera</strong>, the Hillyer Festival<br />

Orchestra and <strong>Opera</strong> Boston. Ms. Schowalter is part of the Art Song Preservation<br />

Society of New York, the Voices of Women recital group, and she<br />

is delighted to join <strong>Amore</strong> <strong>Opera</strong> this year. She lives in Brooklyn, NY, and<br />

studies voice with Margaret Lattimore.<br />

Petr Shikin Ensemble<br />

Baritone Petr made his debut in 2002 as Paris in “Romeo et Juliette”. A<br />

complete artist, Petr has a huge repertoire that includes opera arias in different<br />

languages, art songs, russian folk songs, popular songs, duets etc.<br />

Since 2009 Mr.Shikin has been a member of Inna Leytush’s studio in NYC<br />

where he has been coached on operatic standard repertoire. His recent<br />

appearances include King Melchior in <strong>The</strong> Amahl and the night visitors<br />

and Lockit in <strong>The</strong> Beggar’s opera. He performs with “Allegro singers” on<br />

a regular basis bringing the beauty of music to people<br />

Benjamin Sloman Don Jose<br />

An Australian tenor, Benjamin has performed internationally on opera<br />

stages and as soloist in recitals and concerts. Hailed as “a voice of staggering<br />

power and technical excellence ... sophisticated and stylish” and<br />

“a first rate tenor with a golden sound”. He recently sang Cavarodossi<br />

(Tosca) with the <strong>Amore</strong> <strong>Opera</strong>. Other recent performances include, Riccardo<br />

(Un Ballo), Pollione (Norma), Duca (Rigoletto), Pinkerton (Madama<br />

Butterfly), Don Jose (Carmen), Avito (L’<strong>Amore</strong> dei Tre Re), Siegmund (Die<br />

Walküre), Turiddu (Cavalleria Rusticana), and Canio (Pagliacci) for companies<br />

such as the NJ Verismo <strong>Opera</strong>, Sydney Lyric <strong>Opera</strong>, Verdi Society<br />

of America and Regina <strong>Opera</strong>.<br />

Alan Smulen Dancaïro<br />

Alan is a baritone from Bayonne, New Jersey and has been seen performing<br />

in the New York Metro area for many years. Locally, he has performed<br />

with New Jersey State Repertory <strong>Opera</strong>, Amato <strong>Opera</strong> <strong>The</strong>ater,<br />

Hudson <strong>Opera</strong> <strong>The</strong>ater, Verismo <strong>Opera</strong> of Northern Jersey and <strong>The</strong> Little<br />

<strong>Opera</strong> <strong>Company</strong> of New Jersey. As a original member of <strong>Amore</strong> <strong>Opera</strong>,<br />

he appeared in all the six productions appearing in the roles of Schaunard<br />

in La Boheme, Baron Zeta in <strong>The</strong> Merry Widow and Papageno in<br />

<strong>The</strong> Magic Flute, the Sacristan in Tosca and Frosch in Die Fledermaus.

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