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Richard Cassell Zuniga<br />
Acclaimed by the New York Times as “vocally robust, with ample<br />
charisma and self-possession,” a Dramatic Baritone, Richard created<br />
the role of the Magician in Francis Thorne’s Mario and the Magician, in<br />
NYC. <strong>The</strong> award-winning recording was released on Albany Records.<br />
<strong>The</strong> Juilliard-trained baritone has a repertoire of over 50 roles, from<br />
Amonasro to Baron Zeta. He has appeared with many major US companies,<br />
including New York City <strong>Opera</strong>, Cleveland <strong>Opera</strong>, San Antonio<br />
<strong>Opera</strong>, Los Angeles Lyric <strong>Opera</strong>, San Francisco Lyric <strong>Opera</strong>, Aspen<br />
<strong>Opera</strong> <strong>The</strong>atre and the Berkshire Music Festival at Tanglewood, and<br />
<strong>Amore</strong>. Additionally, he has extensive professional credits in Europe<br />
and Asia.<br />
Richard Cerullo Scenic Designer<br />
Richard was scenic designer for the Amato <strong>Opera</strong> for over 38 years<br />
and it is his collective work of over thirty productions which have<br />
been presented to the <strong>Amore</strong> by the Amato <strong>Opera</strong>. For this current<br />
production, Richard has redesigned his original conception. Richard<br />
got his early training at the Manhattan School of Art and Design, but<br />
first became interested in designing for the stage at the Jean Cocteau<br />
Repertory <strong>Company</strong> on the Bowery. His designs for the Amato <strong>Opera</strong><br />
were regularly greeted with high praise by the press.<br />
Alison Taylor Cheeseman Mercédès<br />
Alison has sung in opera, theater, orchestral and dance performances<br />
in NYC and points north, with organizations including Pocket <strong>Opera</strong><br />
of New York, Amato <strong>Opera</strong>, Liederkranz <strong>Opera</strong> <strong>The</strong>atre, dell’Arte <strong>Opera</strong>,<br />
Yard Arts! <strong>Opera</strong>, Human <strong>Company</strong>, New York State Early Music<br />
Association, and the Christopher Caines Dance <strong>Company</strong>. Favorite<br />
roles include Cherubino (Le Nozze di Figaro), alto soloist in Pergolesi’s<br />
Stabat Mater, and the Voice of Orpheus in Human <strong>Company</strong>’s Orpheus<br />
and Eurydice. She is delighted to perform with <strong>Amore</strong> <strong>Opera</strong> again<br />
after having such a grand time as Prince Orlofsky (Die Fledermaus)<br />
this past winter.<br />
Allen Cooper Ensemble<br />
Allen has sung in the Amato <strong>Opera</strong> and then with the <strong>Amore</strong> <strong>Opera</strong><br />
for the last 17 years. He graduated from NYU with an M.A. in Music<br />
Education. He also plays chamber music (piano) with a group at the<br />
92nd st Y. He sings with the St. Ceeilia Chorus. He is glad to be back<br />
once again, singing with <strong>Amore</strong>.<br />
Rashard Deleston Moralès<br />
Rashard, baritone, has sung roles including, Papageno in Die Zauberflöte,<br />
Peter (Father) in Hansel and Gretel, Escamillo and Morales<br />
in Carmen, Figaro in Barber of Seville, Aeneas in Dido and Aeneas,<br />
Marullo in Rigoletto, Spinelloccio in Gianni Schicchi, Yamadori in<br />
Madame Butterfly, Idomeneo as Idomeneo, and Fenton in Falstaff. He<br />
earned his BM from DePaul University. He graduated with a MM from<br />
the Manhattan School of Music. Since graduating he has performed<br />
with Bleeker Street <strong>Opera</strong>, <strong>Amore</strong> <strong>Opera</strong>, <strong>Opera</strong> <strong>Company</strong> of Brooklyn,<br />
and New York Lyric <strong>Opera</strong> <strong>The</strong>ater. He currently studies with the<br />
legendary Mignon Dunn.