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PROPOSED FIRST FLOOR MEZZANINE PLAN - the Public Theater

PROPOSED FIRST FLOOR MEZZANINE PLAN - the Public Theater

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A NEW YORK CITY<br />

LANDMARK:<br />

425 LAFAYETTE STREET<br />

The <strong>Public</strong>’s headquarters on 425 Lafayette Street was<br />

commissioned by John Jacob Astor just before his death in 1848.<br />

This was <strong>the</strong> first of <strong>the</strong> great free public reference libraries in <strong>the</strong><br />

United States and it first opened its doors in 1854 with more than<br />

80,000 volumes. Prior to <strong>the</strong> opening of <strong>the</strong> Astor Library, <strong>the</strong> only<br />

libraries available to <strong>the</strong> public were subscription libraries which<br />

charged a membership fee, and limited access to those who<br />

could pay.<br />

The building is noteworthy, not only for its attractive facade, or<br />

its interior which retains some of New York’s most remarkable<br />

victorian spaces, but for <strong>the</strong> manner in which it was constructed.<br />

The building consists of three independent buildings constructed<br />

over a thirty-year period by architects Alexander Saeltzer (south<br />

wing, 1849-1853), Griffith Thomas (central wing, 1856-1859), and<br />

Thomas Stent (north wing, 1879-1881).<br />

In 1897 an agreement was reached to consolidate a number of<br />

libraries and build The New York <strong>Public</strong> Library at 5th Avenue and<br />

42nd Street. The Astor Library continued to operate until 1911,<br />

when The New York <strong>Public</strong> Library was completed. In 1920 <strong>the</strong><br />

structure was bought by <strong>the</strong> Hebrew Immigrant Aid Society (HIAS)<br />

who remodeled <strong>the</strong> building to serve as a receiving station, aid<br />

center, dormitory and synagogue for thousands of newly arrived<br />

immigrants. Over its 44-year tenancy, HIAS processed and/or<br />

housed approximately 250,000 immigrants – one of whom was<br />

Mandy Patinkin’s grandfa<strong>the</strong>r.<br />

Joe Papp acquired <strong>the</strong> building in 1965 with help from <strong>the</strong> City of<br />

New York and it became one of <strong>the</strong> first buildings to be declared<br />

a New York City Landmark. The <strong>Public</strong> <strong>Theater</strong>’s mission—that<br />

arts should be accessible to all—echoes <strong>the</strong> democratic legacy of<br />

<strong>the</strong> Astor Library that made knowledge available to everyone. The<br />

complex was transformed into a functioning performance center<br />

and still operates as The <strong>Public</strong>’s headquarters, housing five<br />

<strong>the</strong>aters, Joe’s Pub, and administrative and production offices.<br />

The <strong>Public</strong> <strong>Theater</strong>’s facilities<br />

are owned by <strong>the</strong> City of New<br />

York and benefit from public<br />

funds provided through <strong>the</strong> New<br />

York Department of Cultural<br />

Affairs with support from Mayor<br />

Michael R. Bloomberg; Cultural<br />

Affairs Commissioner, Kate<br />

D. Levin; Manhattan Borough<br />

President, Scott M. Stringer; <strong>the</strong><br />

New York City Council including<br />

Council Speaker Christine<br />

C. Quinn, Cultural Affairs<br />

Committee Chair Domenic M.<br />

Recchia, Jr.; Councilmember<br />

Rosie Mendez and <strong>the</strong><br />

Manhattan Delegation.<br />

“The <strong>Public</strong> has earned its premiere place in New York <strong>the</strong>ater’s<br />

past and present many times over. It has been <strong>the</strong> incubator for<br />

legions of <strong>the</strong>ater artists, including me.” —Sam Waterston<br />

<strong>the</strong> public <strong>the</strong>ater 8 <strong>the</strong> public <strong>the</strong>ater 9

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