PROPOSED FIRST FLOOR MEZZANINE PLAN - the Public Theater
PROPOSED FIRST FLOOR MEZZANINE PLAN - the Public Theater
PROPOSED FIRST FLOOR MEZZANINE PLAN - the Public Theater
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A NEW YORK CITY<br />
LANDMARK:<br />
425 LAFAYETTE STREET<br />
The <strong>Public</strong>’s headquarters on 425 Lafayette Street was<br />
commissioned by John Jacob Astor just before his death in 1848.<br />
This was <strong>the</strong> first of <strong>the</strong> great free public reference libraries in <strong>the</strong><br />
United States and it first opened its doors in 1854 with more than<br />
80,000 volumes. Prior to <strong>the</strong> opening of <strong>the</strong> Astor Library, <strong>the</strong> only<br />
libraries available to <strong>the</strong> public were subscription libraries which<br />
charged a membership fee, and limited access to those who<br />
could pay.<br />
The building is noteworthy, not only for its attractive facade, or<br />
its interior which retains some of New York’s most remarkable<br />
victorian spaces, but for <strong>the</strong> manner in which it was constructed.<br />
The building consists of three independent buildings constructed<br />
over a thirty-year period by architects Alexander Saeltzer (south<br />
wing, 1849-1853), Griffith Thomas (central wing, 1856-1859), and<br />
Thomas Stent (north wing, 1879-1881).<br />
In 1897 an agreement was reached to consolidate a number of<br />
libraries and build The New York <strong>Public</strong> Library at 5th Avenue and<br />
42nd Street. The Astor Library continued to operate until 1911,<br />
when The New York <strong>Public</strong> Library was completed. In 1920 <strong>the</strong><br />
structure was bought by <strong>the</strong> Hebrew Immigrant Aid Society (HIAS)<br />
who remodeled <strong>the</strong> building to serve as a receiving station, aid<br />
center, dormitory and synagogue for thousands of newly arrived<br />
immigrants. Over its 44-year tenancy, HIAS processed and/or<br />
housed approximately 250,000 immigrants – one of whom was<br />
Mandy Patinkin’s grandfa<strong>the</strong>r.<br />
Joe Papp acquired <strong>the</strong> building in 1965 with help from <strong>the</strong> City of<br />
New York and it became one of <strong>the</strong> first buildings to be declared<br />
a New York City Landmark. The <strong>Public</strong> <strong>Theater</strong>’s mission—that<br />
arts should be accessible to all—echoes <strong>the</strong> democratic legacy of<br />
<strong>the</strong> Astor Library that made knowledge available to everyone. The<br />
complex was transformed into a functioning performance center<br />
and still operates as The <strong>Public</strong>’s headquarters, housing five<br />
<strong>the</strong>aters, Joe’s Pub, and administrative and production offices.<br />
The <strong>Public</strong> <strong>Theater</strong>’s facilities<br />
are owned by <strong>the</strong> City of New<br />
York and benefit from public<br />
funds provided through <strong>the</strong> New<br />
York Department of Cultural<br />
Affairs with support from Mayor<br />
Michael R. Bloomberg; Cultural<br />
Affairs Commissioner, Kate<br />
D. Levin; Manhattan Borough<br />
President, Scott M. Stringer; <strong>the</strong><br />
New York City Council including<br />
Council Speaker Christine<br />
C. Quinn, Cultural Affairs<br />
Committee Chair Domenic M.<br />
Recchia, Jr.; Councilmember<br />
Rosie Mendez and <strong>the</strong><br />
Manhattan Delegation.<br />
“The <strong>Public</strong> has earned its premiere place in New York <strong>the</strong>ater’s<br />
past and present many times over. It has been <strong>the</strong> incubator for<br />
legions of <strong>the</strong>ater artists, including me.” —Sam Waterston<br />
<strong>the</strong> public <strong>the</strong>ater 8 <strong>the</strong> public <strong>the</strong>ater 9