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*Criterion Winter 02-4.16 - Divinity School - University of Chicago

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A bedtrick, just to be sure everyone’s in on the joke,<br />

is “sex with a partner who pretends to be someone else. . . .”<br />

and not to impose a prefabricated formula over diverse and<br />

paradoxical material. One suspects that Arendt was rather<br />

more systematic than that, and it is clear that Pr<strong>of</strong>essor<br />

Doniger is, too. In fact, she has encyclopedic tendencies: she<br />

is a collector.<br />

A few more words about the complex arrangement <strong>of</strong> this<br />

text. Each chapter is divided into two parts. The first part presents<br />

the texts and contextualizes the story, most <strong>of</strong>ten a Hindu<br />

story, with variations on the theme. Pr<strong>of</strong>essor Doniger goes on<br />

to <strong>of</strong>fer a broader interpretation at the conclusion <strong>of</strong> each<br />

chapter that she calls an “approach,” <strong>of</strong> which there are ten:<br />

philosophy, psychology, zoology, feminism, theology, law,<br />

critical studies, queer theory, rhetoric, and structuralism.<br />

Pr<strong>of</strong>essor Doniger’s way <strong>of</strong> working <strong>of</strong>fers what she calls “the<br />

textual and methodological equivalent <strong>of</strong> the kind <strong>of</strong> ‘thick<br />

description’ that Clifford Geertz has prescribed for anthropological<br />

fieldwork.” Here I picked up an immediate connection<br />

to a way <strong>of</strong> working in at least a few <strong>of</strong> my books. Geertz’s<br />

Interpretation <strong>of</strong> Cultures was important for me as I made good<br />

my escape from the confines <strong>of</strong> positivistic social science, which<br />

in my case was an inoculation that never took. My Women and<br />

War best exemplifies this Geertzian approach, although the<br />

most theological <strong>of</strong> my books, Who Are We? in its kulturcritik<br />

sections, is rather Geertzian as well. One final quote on the<br />

capacious playfulness <strong>of</strong> Pr<strong>of</strong>essor Doniger’s approach: “I am<br />

poaching in these preserves”—her many approaches is the<br />

reference here—“making commando raids to pick up any<br />

ideas I can find that shed light on the tricks played in the<br />

dark; I am using the theories that I know, the ones that I<br />

like, the ones that make sense to me for this problem.”<br />

She takes up her stories in the conviction that none <strong>of</strong><br />

them can be reduced to their social contexts, no more than the<br />

meaning <strong>of</strong> the political theories <strong>of</strong> Machiavelli, Hobbes, or<br />

Rousseau is exhausted by elaborating on life in strife-ridden<br />

Florence, or civil-war-addled England, or Catholic-Huguenot,<br />

prerevolutionary France. There is universal significance to<br />

find in their reflections on, and that grew out <strong>of</strong>, the contexts<br />

in which they found themselves. For any great thinker, <strong>of</strong><br />

course, his or her context is not limited to that which is in<br />

an immediate surround. Machiavelli communed with busts<br />

28 WINTER 20<strong>02</strong><br />

<strong>of</strong> the ancients that dotted his study when he came in from<br />

a day on the farm. Hobbes immersed himself in Thucydides<br />

as well as geometry. Rousseau gobbled up anthropology like<br />

a hungry child with a bag <strong>of</strong> M&Ms. Thinkers help to make<br />

their contexts.<br />

A bedtrick, just to be sure everyone’s in on the joke, is<br />

“sex with a partner who pretends to be someone else. The<br />

bedtrick contests the intimate relationship between sex and<br />

gender, power and identity, raising a number <strong>of</strong> questions:<br />

Why weren’t you able to tell the difference in the dark? And<br />

why does it matter so much? Why is this story told over and<br />

over again? Why do we find it compelling? What deep human<br />

concerns does it respond to? How unique and unmistakable<br />

is one lover to another? Can you recognize your lover in the<br />

dark? Can true love always tell the difference? Is it the body<br />

that is desired, or the mind? How does sex change if we do<br />

or do not know who our partner actually is? And, at the bottom<br />

<strong>of</strong> it all, does sex tell the truth or lie?”<br />

Pr<strong>of</strong>essor Doniger finds cross-cultural significances in the<br />

universality <strong>of</strong> bedtricks that range from “lighthearted comedy<br />

and farce” to tension, leading sometimes unto death, between<br />

restraint and desire. They range from the cruel and rapacious<br />

to the tender and self-giving. Sometimes all sorts <strong>of</strong> bits are<br />

mingled in. For example: sex with a five-headed cobra—the<br />

snake had turned into the human image <strong>of</strong> the husband <strong>of</strong><br />

Kamakshi when he entered her bed—is not exactly my cup<br />

<strong>of</strong> tea. But the cobra, the king <strong>of</strong> snakes, winds up being selfgiving<br />

unto death, killing himself (when he might have killed<br />

her) as his lady is curled up sleeping next to her husband and<br />

the child he has fathered. I found this story oddly affecting,<br />

probably because it has something to do with animals, so let<br />

me focus for a moment on the zoology approach assayed by<br />

Pr<strong>of</strong>essor Doniger.<br />

The chapter that precedes the discussion <strong>of</strong> the zoology<br />

approach is called “Waking up in Bed with an Animal,” both<br />

literally and metaphorically, as it turns out. There are all sorts<br />

<strong>of</strong> masquerades and disguises here. Sometimes the humans<br />

know their partners are humans bewitched to become animals.<br />

Sometimes the animal lover is first encountered in human<br />

form and then reveals its animality. This is not, for the most

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