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Screen Sizes Impact on Picture and Sound - Dolby Laboratories Inc.

Screen Sizes Impact on Picture and Sound - Dolby Laboratories Inc.

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of around 35 mm, suggesting a screen angle of around 50 degrees. Some new<br />

theatres are now being planned with lenses as short as 28, 26, or even 24 mm 4<br />

.<br />

<str<strong>on</strong>g>Screen</str<strong>on</strong>g> Angle<br />

70<br />

60<br />

50<br />

40<br />

30<br />

20 20 30 40 50 60 70<br />

Lens Focal Length in mm<br />

Figure 9: Lens focal length <strong>and</strong> subtended screen angle<br />

Now look at Figure 10, which shows the likely room ratio (length to breadth)<br />

plotted against lens focal length. Maintaining the assumpti<strong>on</strong> of the screen being<br />

85 percent of the auditorium width, it can be seen that short focal length lenses<br />

in the area of 26 mm are likely to mean a room ratio close to 1:1, i.e., close to<br />

square, with all the attendant likelihood of bad sound.<br />

Room Ratio<br />

Cinematography<br />

3.0<br />

2.0<br />

1.0<br />

0<br />

20 30 40 50 60 70<br />

Lens Focal Length in mm<br />

11<br />

90%<br />

Figure 10: Lens focal length <strong>and</strong> room ratio<br />

There is another issue that should be addressed briefly—the intenti<strong>on</strong> of the<br />

cinematographer. It seems apparent that a cinematographer will frame a shot<br />

differently, depending <strong>on</strong> whether it is intended for theatrical projecti<strong>on</strong> or <strong>on</strong>ly<br />

televisi<strong>on</strong>. The televisi<strong>on</strong> versi<strong>on</strong> will have more close-ups, <strong>and</strong> less background<br />

85%

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