Speaker Biographies - BFI - British Film Institute
Speaker Biographies - BFI - British Film Institute
Speaker Biographies - BFI - British Film Institute
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UK-India: The Shape of Things to Come<br />
<strong>Speaker</strong> <strong>Biographies</strong><br />
Steve Joberns, Shipleys LLP<br />
Steve qualified as a lawyer in 1991 and in 1992 switched professions to join<br />
Shipleys LLP. He is a Chartered Accountant and member of the Chartered <strong>Institute</strong> of<br />
Taxation and became a principal at Shipleys LLP in 2001. He now looks after a<br />
portfolio of clients that comprises principally entities in the film and television<br />
industries and has a wide experience in dealing with complex multinational coproductions.<br />
Steve has acted as auditor and/or advisor on a large number of productions. Recent<br />
films in which both Steve and Shipleys have been involved are Brideshead Revisited,<br />
How To Lose Friends and Alienate People, Incendiary and Slumdog Millionaire.<br />
He is a regular advisor to both the UK <strong>Film</strong> Council and Department for Culture<br />
Media and Sport.<br />
Parminder Vir OBE, Executive Producer/ Media Consultant<br />
Awarding winning film and television producer with 20 years of production<br />
experience of drama, documentary, current affairs and entertainment working for<br />
the BBC, ITV, Channel Four, major international channels and her own independent<br />
production company, Formation <strong>Film</strong>s.<br />
Consultant with Spectrum Value Partners, developed commercial opportunities for<br />
the growth of UK media and cultural sectors in India. She established Ingenious<br />
World Cinema at Ingenious Media Investments, working with talent from the<br />
emerging markets to produce cross-cultural films for the global market. She sourced<br />
single film projects; structured and negotiated the financing of two international film<br />
slates, executive produced the delivery of the projects to completion, and introduced<br />
new investor base to the company, including high networth individuals, who view<br />
film as an asset class.<br />
She served as a Board Director of the UK <strong>Film</strong> Council (1999-2005) contributed to<br />
developing policy on diversity, co-production treaties, skills training, and specialised<br />
distribution. Non-Executive Director to the Board of Department for Culture, Media<br />
and Sports (DCMS) advising on creative economy, international policy and strategy<br />
for the department and the cultural sector.<br />
Board Director, UK India Business Council, expert Creative Industries, facilitating<br />
business to business flow between the two countries; Charter Member of The Indus<br />
Entrepreneur (TiE), a network committed to promoting entrepreneurship globally<br />
through mentoring, networking and education; a Skillset Patron and Board Director,<br />
Young Vic Theatre.
Regular speaker and panellist at International <strong>Film</strong> Festivals and Media Conferences,<br />
on the subject of International <strong>Film</strong> and Media Finance, Co-Productions and how to<br />
benefit from emerging opportunities in India, China and beyond.<br />
Nasreen Munni Kabir, Documentary <strong>Film</strong>maker/author<br />
Nasreen Munni Kabir is an Indian born, London-based documentary film-<br />
maker/author. Directed several series for Channel 4, including Movie Mahal, Follow<br />
that Star (a profile of Amitabh Bachchan), Lata in her own Voice, and The Inner/Outer<br />
World of Shah Rukh Khan Authored several books on Indian cinema including “Guru<br />
Dutt- a life in cinema” (OUP, India, 1996) “Talking <strong>Film</strong>s/Songs with Javed Akhtar”<br />
(OUP, India 1999, 2005), and “Bollywood, the Indian cinema Story.” Winner of the<br />
first Asian Womens’ Achievement Award in 1999 for her work promoting Indian<br />
cinema in the UK, she is a former <strong>BFI</strong> governor, and continues to work as UK’s<br />
Channel 4’s consultant on Indian cinema, curating their annual film season of 20<br />
Indian films<br />
Justin Marciano, Revolver Entertainment<br />
Justin Marciano founded Revolver Entertainment, currently one of the hottest young<br />
independent film distribution companies in the UK, in 1997 developing projects for<br />
the home entertainment market with a single £1000 investment and has driven sales<br />
to their present level of more than £5 million per annum.<br />
Revolver’s most notable titles releases include 13 (TZAMETI), which won Best<br />
First Feature at Venice and the World Cinema Award at Sundance, Werner<br />
Herzog’s GRIZZLY MAN, which premiered at Sundance, THE BEASTIE BOYS: AWESOME<br />
I FUCKIN’ SHOT THAT, which premiered at Sundance, the UK hit KIDULTHOOD.<br />
Australian drama JINDABYNE and French language hit TELL NO ONE, which grossed<br />
£1.2 million at the UK box office.<br />
In 2008 Revolver released the UK's first live action digital 3D movie, U23D. The film<br />
broke box office records in Ireland and played in 45 specially equipped cinemas<br />
across the UK. Other highlights included; FEMALE AGENTS, MY BROTHER IS AN ONLY<br />
CHILD and THE WACKNESS, Sundance ’08 Audience award winner. 2009 titles<br />
include; Cannes winner - TYSON, Van Damme parody - JCVD, JUST ANOTHER LOVE<br />
STORY, FERMATS ROOM and BIG RIVER MAN.<br />
The company will also be the first distributor to collapse all windows in the UK with<br />
26th December release of <strong>British</strong> horror pic MUM & DAD, available simultaneously in<br />
cinemas, PPV, DVD, and electronic sell through and retail.<br />
He is also a graduate of Inside Pictures, a London/Los Angeles film business<br />
programme for UK executives and producers..<br />
Jacqueline Hurt, Olswang
Jacqueline Hurt is a partner in the Media, Communications and Technology Group at<br />
Olswang .<br />
Jacqueline specialises in the production, financing and distribution of films and<br />
television programmes. She has particular expertise in the structuring of multi-party<br />
financings of independent films including co-productions and bringing together<br />
various sources of finance including government subsidies, co-production funds,<br />
distribution pre sales, bank financing and equity and tax-driven funds. Her clients<br />
are wide ranging encompassing US studios and US independents including Sony,<br />
Warner Bros. and Lions Gate, banks and equity and tax-driven financiers including<br />
UK <strong>Film</strong> Council and Aramid Entertainment Fund Limited and UK and European<br />
producers and distributors including Pathe (in both France and the UK) and Gurinder<br />
Chadha's company, Bend It <strong>Film</strong>s Limited.<br />
Jackie has been named a leader in her field by the Legal Media Group's Expert Guide<br />
to the World's Leading Technology, Media and Telecommunication Lawyers, Legal<br />
Business' Legal Experts, by Chambers UK and by The Legal 500.<br />
Hugo Heppell, Screen Yorkshire<br />
Hugo has been Head of Production at Screen Yorkshire since 2003, during which<br />
time he has been associated with 18 feature films including BAFTA and BIFA winning<br />
THIS IS ENGLAND, and the Warp X low budget slate, and the forthcoming THE<br />
DAMNED UNITED and the three RED RIDING films, 1974, 1980 and 1983, all adapted<br />
from the bestselling novels of David Peace. Previously, Hugo taught screenwriting<br />
and produced independent films in New York.<br />
Lorna Harpham, Managed Migration Unit<br />
Lorna joined the Home Office in April 2007 from the private sector, and has been<br />
involved with the sponsor management unit since its formation. She visits various<br />
types of businesses to ensure that employers of work permit holders are aware of<br />
and sufficiently informed about the new points-based immigration system. She is<br />
currently involved in conducting pre-licensing visits to organisations that have<br />
applied to be accepted as sponsors of migrants under the points-based system.<br />
Barbara Follett, Minster for Culture, the Creative Industries and Tourism.<br />
Barbara Follett, MP for Stevenage, was first elected in 1997. This is Ms Follett’s first<br />
Ministerial appointment.<br />
Barbara was a Parliamentary Private Secretary to Tessa Jowell as Minister for Women<br />
2005-06 and Secretary of State for Culture, Media and Sport 2006-07 and to Ruth<br />
Kelly as Minister for Women 2006-07.<br />
Barbara was a member of the Commons Select Committee for International<br />
Development 1997-2001 and Modernisation of the House of Commons 2001-05.
Barbara has been on the following Commons backbench committees:<br />
- Vice-chair PLP Departmental Committee for Trade and Industry 1997-2000, 2002-<br />
04;<br />
- PLP Eastern Regional Group:<br />
Chair 1999-2006, Hon Secretary 2006-;<br />
- Chair PLP Committee for Women from 2005.<br />
Barbara, Born in Jamaica in 1942, lives in Knebworth with her husband, author Ken<br />
Follett and their two dogs. Between them they have five children and two<br />
grandchildren.<br />
Peter Carlton, <strong>Film</strong>4<br />
Peter Carlton is Senior Commissioning Executive at <strong>Film</strong>4, the theatrical feature arm<br />
of Channel 4 Television. His passion for different approaches to film-making and<br />
new talent has borne fruit in a continuing slate of edgy, distinctive films that is at the<br />
heart of <strong>Film</strong>4's commitment to enlarging the boundaries of popular cinema.<br />
At <strong>Film</strong>4, Carlton has been responsible for films such as Miranda July’s Me & You &<br />
Everyone We Know (winner of the Camera d’Or and Grand Prix de la Semaine de la<br />
Critique at Cannes 2005), Shane Meadows' This Is England (Best <strong>British</strong> <strong>Film</strong>, BAFTA<br />
2008), Julien Temple's The Future Is Unwritten - Joe Strummer, David MacKenzie's<br />
Hallam Foe, Lenny Abrahamson's Garage (Prix FIPRESCI Cannes 2007) as well as<br />
Steve McQueen's debut feature Hunger. In addition, Carlton was one of the architects<br />
behind Warp X, the digital mini-studio in which <strong>Film</strong>4 is a founding partner, whose<br />
first two productions A Complete History of My Sexual Failures and Donkey Punch<br />
premiered at Sundance 2008.<br />
Cary Sawnhey, <strong>Film</strong> curator/screenwriter<br />
Cary Sawhney is a film curator and screenwriter with 17 years experience in UK<br />
exhibition sector. He is Director of ImagineAsia Ltd, which aims to promote South<br />
Asian independent film with exhibitors and distributors. His background includes,<br />
Curator or <strong>Film</strong> Interpretation at National Museum of Media, Bradford, where he set<br />
up Bite The Mango <strong>Film</strong> Festival; Head of Diversity at <strong>British</strong> <strong>Film</strong> <strong>Institute</strong> where he<br />
led the UK-wide ImagineAsia <strong>Film</strong> Festival, and he is currently Director of Happy Soul<br />
<strong>Film</strong> Festival, Official South Asian Adviser to London <strong>Film</strong> Festival and has strong<br />
links with Indian filmmakers. He is in development with several screenplays.<br />
Asoke Mukerji, Deputy High Commissioner of India<br />
Asoke Mukerji was born in 1955. He is a career diplomat. He joined the Indian<br />
Foreign Service in July 1978.<br />
Prior to his assignment as Deputy High Commissioner of India to the United<br />
Kingdom, Mr Mukerji was Ambassador of India to the Republic of Kazakhstan. He has<br />
been Deputy Chief of Mission in the Embassy of India to the Russian Federation,<br />
Consul General of India in Dubai, Charge d’affaires of India in Uzbekistan, Tajikistan
and Turkmenistan, Consul General of India in the Soviet Central Asian Republics, and<br />
held diplomatic assignments in Belgrade, Washington D.C.<br />
Mr Mukerji was a Delegate of India to the World Trade Organization in Geneva<br />
between 1995-98.<br />
Himesh Kar, UK <strong>Film</strong> Council<br />
Prior to joining the UK <strong>Film</strong> Council’s New Cinema Fund as a Senior Executive,<br />
Himesh Kar worked as a development producer at Tony Garnett's World Productions<br />
and as an agent representing writers and directors at the William Morris Agency (UK).<br />
Kar spent two formative years working in Los Angeles, gaining invaluable experience<br />
in films and television. Whilst there he worked for Fried <strong>Film</strong>s (GODZILLA), A Band<br />
Apart (JACKIE BROWN, GOOD WILL HUNTING) and John Wells Productions (ER, THE<br />
WESTWING).<br />
At the New Cinema Fund, Kar oversees the assessment, financing and production of<br />
feature films (ADULTHOOD, BRICK LANE, GENOVA, THE WIND THAT SHAKES THE<br />
BARLEY - Palme D’Or Cannes 2006), as well as overseeing feature documentaries<br />
including MAN ON WIRE, DEEP WATER and LIVE FOREVER.<br />
Paul Mayeda Berges<br />
Paul and his writing partner Gurinder Chadha have collaborated on six<br />
films which have received international acclaim. Their first, WHAT'S COOKING?, was<br />
the Opening Night <strong>Film</strong> of the 2000 Sundance <strong>Film</strong> Festival. The film – the first<br />
<strong>British</strong> script to be invited to the prestigious Sundance <strong>Institute</strong>'s Writer's Lab – was<br />
nominated<br />
for a Humanitas Prize in the States and Best <strong>British</strong> Screenplay at the London <strong>Film</strong><br />
Critics' Circle Awards. The film was voted joint audience award winner in the New<br />
York <strong>Film</strong> Critics' 2000 season (tied with BILLY ELLIOT). Their next, BEND IT LIKE<br />
BECKHAM, is the highest grossing <strong>British</strong>-financed, <strong>British</strong>-distributed film, ever in<br />
the UK box-office. The<br />
award-winning film was a critical and commercial success internationally and<br />
received a Golden Globe Nomination for Best Picture (Musical or Comedy), a BAFTA<br />
Nomination for Best <strong>British</strong> <strong>Film</strong>, a European <strong>Film</strong> Academy Nomination for Best <strong>Film</strong>,<br />
and a Writers Guild of America Nomination for Best Original Screenplay.<br />
BRIDE & PREJUDICE, their musical which married Jane Austen and Bollywood, was the<br />
first film ever to open at number one in the box office in the UK and India on the<br />
same day. In 2005, Paul directed his debut feature, THE MISTRESS OF SPICES, a<br />
magical tale starring Aishwarya Rai and Dylan Mcdermott, which premiered at the<br />
Toronto <strong>Film</strong> Festival before its international release.
In 2006, he wrote a segment in PARIS JE T'AIME, in which 18 directors made a short<br />
film about a differnet arrondisement in Paris. Directors included the Coen Brothers,<br />
Alfonso Cuaron, Gus Van Sant, Walter Salles, etc. Berges & Chadha's latest writing<br />
collaboration is<br />
ANGUS, THONGS AND PERFECT SNOGGING, which is being released by Paramount<br />
internationally in 2008/9.<br />
Paul is the former Director of the San Francisco International Asian American <strong>Film</strong><br />
Festival. He has taught screenwriting to High School and University students and<br />
programmed films for US Public<br />
Television.<br />
Dina Dattani- Private Consultant<br />
Dattani is a private Consultant now working in Mumbai and London, having qualified<br />
and worked as a Corporate/Commercial Lawyer in London ( as Partner untill 2007).<br />
She headed the Media and Entertainment Practice of Nishith Desai Associates last<br />
year in Mumbai, and now as a Private Consultant is working primarily with<br />
independent film producers, directors, writers and talent in India and from overseas<br />
who wish to make films in India. This work includes financial structuring of film<br />
productions, all legal and tax aspects of the structuring , including negotiating,<br />
drafting all types of media transactions, film production agreement, distribution<br />
agreements. She has also assisted Private Equity investors making investment in the<br />
media industry in India across radio, TV, print, film production companies . Clients<br />
include major studios now doing business in India and most of the media.film<br />
companies in India.<br />
She has also been advising Indian media companies on AIM listing in London and<br />
raising of funds through other capital markets for investment into India.<br />
CLARE CREAN, The Works International<br />
Clare Crean is currently Sales Manager for The Works International handling all rights<br />
deals to territories worldwide. Clare has 15 years of experience in theatrical and<br />
television film sales. Commencing her film career at J&M Entertainment, Clare joined<br />
The Works (formerly known as The Sales Co.) in 1999.<br />
The Works<br />
The Works was established in 1986 and is one of Europe’s leading sales agents.<br />
Over the last few years, The Works has cemented its position in the marketplace with<br />
a string of commercial and artistic successes. In recent years these have included<br />
Michael Winterbottom’s THE ROAD TO GUANTANAMO (Silver Bear, Berlin <strong>Film</strong>
Festival), IN THIS WORLD (Golden Bear, Berlin <strong>Film</strong> Festival) and A COCK AND BULL<br />
STORY; Gurinder Chadha’s BEND IT LIKE BECKHAM (box office smash in the UK, US<br />
and worldwide); Niki Caro’s WHALE RIDER (Oscar nomination, Best Actress); Pawel<br />
Pawlikowski’s MY SUMMER OF LOVE (BAFTA, Outstanding <strong>British</strong> <strong>Film</strong>); Ken Loach’s<br />
SWEET SIXTEEN (Best Screenplay, Cannes <strong>Film</strong> Festival) and AE FOND KISS; and Sarah<br />
Gavron’s BRICK LANE.<br />
New titles for 2008 include SOMERS TOWN from director/writer SHANE MEADOWS<br />
(Winner of the Michael Powell Award, Edinburgh 2008) and the multi award winning<br />
MAN ON WIRE from director James Marsh.<br />
The Works International is a wholly owned subsidiary of The Works Media Group Plc.<br />
Mr. Shibasish Sarkar, Reliance<br />
Mr. Shibasish Sarkar is a qualified Chartered Accountant & has done Masters in<br />
Business Administration. He is the CFO of Motion Picture division of Reliance<br />
Entertainment and also heads the Commercial aspect of Production / Acquisition /<br />
Distribution of Motion Picture. He has a vast experience in Entertainment Industry<br />
with prior stints with noted Indian film companies like Studio 18, Percept Picture<br />
Company and UTV.<br />
Prior to Media & Entertainment, he had worked across multiple industries in FMCG<br />
and Manufacturing with brands like Godrej Sara Lee, Shaw Wallace in India and South<br />
East Asia.