Zoroastrian Saviour Imagery and Its Influence on ... - Kaveh Farrokh
Zoroastrian Saviour Imagery and Its Influence on ... - Kaveh Farrokh
Zoroastrian Saviour Imagery and Its Influence on ... - Kaveh Farrokh
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C<strong>on</strong>clusi<strong>on</strong><br />
<str<strong>on</strong>g>Zoroastrian</str<strong>on</strong>g> <str<strong>on</strong>g>Saviour</str<strong>on</strong>g> <str<strong>on</strong>g>Imagery</str<strong>on</strong>g><br />
This study is, of necessity, a limited <strong>on</strong>e, but certain points have<br />
emerged. The development in the eschatological imagery in the inter-<br />
testamental period, a development which is usually attributed, in part<br />
at least, to Iranian influence, involves a corresp<strong>on</strong>ding development in<br />
the c<strong>on</strong>cept of the saviour: he is said to defeat the dem<strong>on</strong>s, the dead<br />
are raised at his coming or by him, <str<strong>on</strong>g>and</str<strong>on</strong>g> he introduces <str<strong>on</strong>g>and</str<strong>on</strong>g> administers<br />
the eschatological judgement. Precisely the same functi<strong>on</strong>s are carried<br />
out by the <str<strong>on</strong>g>Zoroastrian</str<strong>on</strong>g> saviour Sosyant, <str<strong>on</strong>g>and</str<strong>on</strong>g> since the apocalyptic set-<br />
ting of both is so similar <strong>on</strong>e might reas<strong>on</strong>ably c<strong>on</strong>clude that the deve-<br />
lopment in the Judeo-Christian saviour imagery is indebted to Iranian<br />
influence.<br />
One point should be noted. There does not seem to be <strong>on</strong>e Jewish or<br />
Christian figure which has been taken over in toto. The influence is<br />
of a more fragmentary nature than has sometimes been suggested. 75a)<br />
It is spread over a number of figures: the priestly saviour <str<strong>on</strong>g>and</str<strong>on</strong>g> his defeat<br />
of the dem<strong>on</strong>s, the Elect One as judge, <str<strong>on</strong>g>and</str<strong>on</strong>g> the resurrecti<strong>on</strong> of the<br />
dead at the coming of the S<strong>on</strong> of Man or Messiah. It is in the New<br />
Testament that the various functi<strong>on</strong>s are attributed to <strong>on</strong>e figure. It<br />
should also be noted that the effect of the influence has not been to<br />
introduce a new or alien idea, but rather to develop <str<strong>on</strong>g>and</str<strong>on</strong>g> modify of<br />
existing c<strong>on</strong>cepts. Thus the Messiah, who originally suppressed the<br />
enemies of Israel <str<strong>on</strong>g>and</str<strong>on</strong>g> established God's own nati<strong>on</strong>, now defeats the<br />
forces of evil, <str<strong>on</strong>g>and</str<strong>on</strong>g> at his coming men are raised to share in God's king-<br />
dom. One cannot underst<str<strong>on</strong>g>and</str<strong>on</strong>g> the developed idea without looking both<br />
at the Old Testament <str<strong>on</strong>g>and</str<strong>on</strong>g> at the source of influence, Iran. Indeed, there<br />
is a third factor to be taken into account before a proper underst<str<strong>on</strong>g>and</str<strong>on</strong>g>ing<br />
of the development can be gained - the historical situati<strong>on</strong>.<br />
The Historical Background<br />
A study of the historical background to the questi<strong>on</strong> of influence<br />
deserves far more attenti<strong>on</strong> than it is usually accorded, for two reas<strong>on</strong>s.<br />
In the first place, although <strong>on</strong>e must stress the Old Testament back-<br />
ground to the developed imagery, the development is nevertheless a<br />
major <strong>on</strong>e involving the adaptati<strong>on</strong> of a new mythology. But religi<strong>on</strong>s<br />
do not cast off <str<strong>on</strong>g>and</str<strong>on</strong>g> take <strong>on</strong> new mythologies lightly. Myths are not<br />
75a) e.g. by the 'History of Religious School'.<br />
I79