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Ellipsis, brachylogy and other forms of brevity in speech in ... - DWC

Ellipsis, brachylogy and other forms of brevity in speech in ... - DWC

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ELLIPSIS, BRACHYLOGY AND OTHER FORMS OF BREVITY 7<br />

hearer have <strong>in</strong> us<strong>in</strong>g or hear<strong>in</strong>g a case <strong>of</strong> ellipsis consciously to seek for<br />

the term or terms omitted, though they may have a more or less fa<strong>in</strong>t<br />

notion <strong>of</strong> <strong>in</strong>tend<strong>in</strong>g or underst<strong>and</strong><strong>in</strong>g more than what has been said or<br />

heard. The omission is, as long as the case <strong>of</strong> ellipsis is not petrified,17)<br />

supplied by context <strong>and</strong> situation. It follows that part <strong>of</strong> the cases <strong>of</strong><br />

ellipsis occurr<strong>in</strong>g <strong>in</strong> an ancient text may, for a modern reader, be very<br />

difficult to recognize, to discover or to · underst<strong>and</strong>. If the situation is<br />

temporally <strong>and</strong> locally the same for both speaker <strong>and</strong> listener , a s<strong>in</strong>gle<br />

word may <strong>of</strong> ten suffice, but if they are not or if one comes to hear or to<br />

read words which are ambiguous <strong>brevity</strong> may even easily l<strong>and</strong> those who<br />

know a language very weIl <strong>in</strong> difficulties: <strong>in</strong> the French cette femme aime<br />

80n fils plus que 80n mari it is not clear whether mari is subject or object.<br />

It follows that neither phrases such as the French plutót mourir! ; queUe<br />

horreur! or the Dutch pauze!; br<strong>and</strong>! "fire" - to which l<strong>in</strong>guistically<br />

speak<strong>in</strong>g noth<strong>in</strong>g is to he supplied - nor omissions <strong>of</strong> those elements<br />

which for a correct underst<strong>and</strong><strong>in</strong>g <strong>of</strong> the utterance are essential may be<br />

considered ellipses. Nor is an ellipsis a sous-entendu, that is: the nonrepetition<br />

<strong>of</strong> an element which occurs <strong>in</strong> the same context: he i8 8ix feet<br />

high, 8he five; he was dark <strong>and</strong> hi8 'br<strong>other</strong> fair, an aposiopesis,18) or a<br />

<strong>brachylogy</strong> <strong>of</strong> which there may occur a great variety <strong>of</strong> sub-types, e.g.<br />

Hes. Op. 515 c5là él'VOV fJodç eeXE.al, oMé f-ll'V laXEl (viz. él'VÓÇ) "he goes even<br />

through an ox's hide; it (the hide as subject, but not expressed) does not<br />

stop him". It will therefore he necessary to reconsider, as far as will be<br />

possible, a large part <strong>of</strong> the places marked as elliptical by our predecessors,<br />

hecause, to quote Schuchardt,19) term<strong>in</strong>ological uncerta<strong>in</strong>ties have the<br />

same effect on research as foghas on shipp<strong>in</strong>g. If they are left unsettled<br />

they may be the source <strong>of</strong> much confusion.<br />

In colloquial language, among speakers who know each <strong>other</strong> weIl, or<br />

who he<strong>in</strong>g <strong>of</strong> the same iiltellectuallevel take <strong>in</strong>terest <strong>in</strong> the same occupations,<br />

ellipsis is a very common phenomenon. As soon as they f<strong>in</strong>d themselves<br />

confronted with a well-known situation or are to speak about<br />

familiar subjects - <strong>and</strong> <strong>in</strong> these circles most situations are apt <strong>of</strong> ten to<br />

return, <strong>and</strong> most subjects <strong>of</strong> conversation are familiar - they may underst<strong>and</strong><br />

each <strong>other</strong> with half a word. The context <strong>and</strong> situation supply the<br />

hearer with so many elements which are necessary for the right underst<strong>and</strong><strong>in</strong>g<br />

<strong>of</strong> an utterance, <strong>and</strong> so <strong>of</strong> ten enable the speaker to leave out<br />

what is - or sometimes what is thought to be - superfluous, especially<br />

when he supplies by gestures what he omits <strong>in</strong> speak<strong>in</strong>g. It is from<br />

the very situation clear that the subject <strong>of</strong> an ancient Roman epitaph<br />

17) M. Bréal, Essai de sémantique 5 , Paris 1921, eh. 15; E. Well<strong>and</strong>er, Studien<br />

zum Bedeutungsw<strong>and</strong>el im Deutsehen, 3 vol., Uppsala 1927-1928, passim; S. Ullmann,<br />

The pr<strong>in</strong>eiples <strong>of</strong> semanties, Glasgow 1951, 116f.; 238ff. For Fr. capitale <<br />

ville capitale etc. see also Bally, o.c., p. 147.<br />

18) Otherwise: H. Paul, Deutsehe Grammatik, IV, Halle a.S. 1920, p. 378?<br />

19) Hugo Schuehardt, Brevier, zusammengestelltvonL. Spitzer, HalleS. 1928, p.334.

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