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Bulgaria e-book - iMedia

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encourage local industries.<br />

The postal, telegraphic, and telephonic facilities in <strong>Bulgaria</strong> are<br />

quite equal to the average of Europe. There are about 200 post offices,<br />

about 7000 miles of telegraph wires, and 600 miles of long-distance<br />

telephone. The postal and telegraph administration yields a small<br />

surplus to the treasury.<br />

An Old Street in Philippopolis<br />

As to the trade of <strong>Bulgaria</strong> the present is a difficult time to<br />

calculate its value, but before the war the imports were of an annual<br />

value of about £4,000,000, and the exports of an annual value of<br />

about £4,500,000. The chief import trade is from Austria. England,<br />

Turkey, and Germany then follow in that order. The chief markets<br />

for <strong>Bulgaria</strong>n exports are Turkey, England, Germany, and Austria.<br />

The chief financial institution of the country is the <strong>Bulgaria</strong>n National<br />

Bank, which is a State institution, 87 per cent of its profits going to<br />

the <strong>Bulgaria</strong>n Government. There are also State savings banks which<br />

are much favoured by the thrifty peasantry, there being about 30,000<br />

depositors.<br />

The monetary units which have been adopted by <strong>Bulgaria</strong> are the<br />

lev (having the value of one franc) and the stotinka (centime), being<br />

the hundredth part of a lev. For some years after the creation of the<br />

Principality, the Government found it impossible to introduce any<br />

national coins. It had to permit the circulation of all kinds of foreign<br />

money—Servian, Roumanian, Russian, etc. In 1881 the Government<br />

put into circulation two million francs of <strong>Bulgaria</strong>n copper money,<br />

but these, as well as the twelve millions of silver money which<br />

were issued in 1883-1884, proved quite insufficient to drive away<br />

the foreign money, so that the latter continued to be used in all<br />

commercial transactions. It was not until 1887 that the Government<br />

prohibited the circulation of Servian and Roumanian coins. Later<br />

Russian money was also prohibited, and there is now a purely<br />

national currency. On the outbreak of the war in 1913 a moratorium<br />

was declared, and the internal finance of the country was managed<br />

on a paper currency. The confidence of the people kept this paper<br />

money at its full value. I was never able to get any concession in<br />

exchanging English gold for paper.<br />

<strong>Bulgaria</strong>, notwithstanding all the preoccupations of a young<br />

nation, finds time to encourage the arts. As the illustrations to<br />

this volume will show, there is a flourishing school of native art<br />

in <strong>Bulgaria</strong>. To Nicolas Pavlovitch (born 1835, died 1889) belongs<br />

the honour of having been the father of modern <strong>Bulgaria</strong>n art. He<br />

graduated at the academies in Vienna and Munich, and, after visiting<br />

the various museums in Dresden and Prague, exhibited during 1860<br />

in Belgrade two pictures whose subjects had been suggested by<br />

ancient <strong>Bulgaria</strong>n history. He then went to Petrograd and Moscow.<br />

In 1861 he returned to his native country, where he endeavoured, by<br />

means of his lithographs and pictures of subjects both ancient and<br />

modern, to stimulate his compatriots to political and intellectual life.<br />

He also tried to reform and modernise church painting in accordance<br />

with the requirements of modern artistic technique, and made two<br />

unsuccessful attempts at opening a school of painting. He painted<br />

portraits, and, in the palace of the Pasha of Roustchouk, he illustrated<br />

a Turkish history of the Janissaries.<br />

In 1896 a State school of painting was founded at Sofia, and there<br />

is now a fine art gallery in the capital. But most of the artistic impulse<br />

has come from abroad, and the most notable names in <strong>Bulgaria</strong>n art<br />

after that of Pavlovitch are Piotrovsky (Polish), Boloungaro (Italian),<br />

de Fourçade (French), Sliapin (Russian). The first art exhibition was<br />

organised in 1887 by Ivan Angeloff, teacher in the Gymnasium of<br />

Sofia and a graduate of the Munich Academy of Fine Arts. This<br />

exhibition, which contained three pictures painted in <strong>Bulgaria</strong> and a<br />

number of sketches and studies dating from the artist’s student days<br />

in Munich, as well as drawings by students of the Gymnasium, was<br />

held in one of the drawing-rooms of the Gymnasium in honour of the<br />

Prince, who had recently been elected to the <strong>Bulgaria</strong>n throne. Some

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