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GARY CLARK,JR.

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Larry McCray is a bear of a man. His massive arms make him look<br />

more ready to bear hug his guitars than to coax biting emotional tones<br />

from it. McCray was born in 1960, so it’s no surprise that his blues<br />

incorporates elements of all genres of music – rock, soul, funk, and<br />

jazz. His guitar style suggests he was influenced by everyone from<br />

B.B. King to George Benson, Guitar Slim, Slim Harpo, and back to<br />

Freddie King.<br />

“I term my sound as rhythm rock,” says McCray. “I’m trying to take<br />

the blues stigma off the music. When you have that [blues] on your<br />

resume, sometimes it can hold you back from a lot of opportunities that<br />

are out there for other people. When you put blues on it, people take a<br />

different opinion toward what I do. If a white man plays the blues we call<br />

that rock and roll. If I play the same thing it’s blues. That’s just how<br />

people regard the situation.<br />

“Rhythm rock is just a different name for the same old shit. It’s all<br />

about marketing out here now. I have never claimed to be a blues<br />

purist, so my sound leans to a lot of different things other than blues.<br />

I have a lot to offer in other aspects of music. I believe that music is<br />

music and the more genres you can tie together, that’s more<br />

PHOTOGRAPHY © DUSTY SCOTT<br />

Larry<br />

McCray<br />

MY<br />

GUITAR<br />

SPEAKS<br />

MY<br />

HEART<br />

by Art Tipaldi<br />

BLUES REVUE 19

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