Norman J. Penny - pictish-mithraism.com
Norman J. Penny - pictish-mithraism.com
Norman J. Penny - pictish-mithraism.com
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Looking Skywards<br />
Through the day (clear day) the sun is the most visible planet (it was considered to be a planet in<br />
time frame of Roman Mithraism) followed by the moon, then on occasion, other planets (such as<br />
Venus) and brighter stars. Through the night (clear night) the zodiac and a much wider set of stars is<br />
visible – in fact, broadly a hemisphere of the universe. This sky <strong>com</strong>ponent replaces much of the<br />
iconography of the indoor mithraeum quite simply as it is not needed. In the night sky the relevant<br />
constellations can be seen – dependent on the time of year. The plough will point to the pole star.<br />
Any other star - indeed galaxy - formations, otherwise represented in the indoor mithraeum<br />
(including the Milky Way), will be seen outdoors by the observer on Earth.<br />
Therefore, in designing the terrestrial part of the Open-Air Mithraeum there is arguably no need to<br />
include the planets and stars as such – maybe just their relationship within the mystery and/or<br />
indicators towards their location. However, there may be aspects of the view skywards, otherwise<br />
depicted but obscured in the Mithraeum, which are visible to anyone (Mithraist or not) that need to<br />
have their context made unclear e.g. through astrological references.<br />
The symbols on the Stones might then need to obscure something that may be deduced directly<br />
from looking at the sky or, conversely, Stone based symbols could rely on the sky view to <strong>com</strong>plete<br />
the symbol. Nothing should be obvious to the uninitiated. Furthermore, a Stone based symbol could<br />
be used as an indicator to use part of the sky view to decipher the symbol or, simply, to be a pointer.<br />
The big difficulty, then, in designing the Open-Air Mithraeum Stone is what to include because the<br />
sky (at night in particular) contains elements that are in the indoor Mithraeum and what to exclude<br />
from the design – an icon may not be needed when the real thing is visible.<br />
Orientation and Location<br />
If the intent is to mimic the indoor Mithraeum then replication of layout, orientation and location is<br />
necessary. The indoor Mithraea seem to have specific East/West orientation; good examples are<br />
those in Ostia. The Tauroctony is at the East end; the benches are set on the North side facing South<br />
and the South side facing North; the entrance is at the West end so anyone entering faces towards<br />
the Tauroctony. All this gives orientation along a specific axis and facilitates observing where the sun<br />
and moon rise and set plus gives a reference point for knowing the equinox and solstice locations.<br />
Indoor Mithraea are located close to running water – partly, probably, for practical purposes but<br />
maybe to ensure all elements are present and visible – earth, air, fire and water.<br />
In some places several Mithraea are built in close proximity to one another – maybe providing<br />
different but <strong>com</strong>plementary functions.<br />
Conclusion<br />
We now have the rationale and elements for the “Open-Air” Mithraeum. Now we need to see if such<br />
places exist – Pictish Symbol Stones seem to be a contender.<br />
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