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Norman J. Penny - pictish-mithraism.com

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Looking Skywards<br />

Through the day (clear day) the sun is the most visible planet (it was considered to be a planet in<br />

time frame of Roman Mithraism) followed by the moon, then on occasion, other planets (such as<br />

Venus) and brighter stars. Through the night (clear night) the zodiac and a much wider set of stars is<br />

visible – in fact, broadly a hemisphere of the universe. This sky <strong>com</strong>ponent replaces much of the<br />

iconography of the indoor mithraeum quite simply as it is not needed. In the night sky the relevant<br />

constellations can be seen – dependent on the time of year. The plough will point to the pole star.<br />

Any other star - indeed galaxy - formations, otherwise represented in the indoor mithraeum<br />

(including the Milky Way), will be seen outdoors by the observer on Earth.<br />

Therefore, in designing the terrestrial part of the Open-Air Mithraeum there is arguably no need to<br />

include the planets and stars as such – maybe just their relationship within the mystery and/or<br />

indicators towards their location. However, there may be aspects of the view skywards, otherwise<br />

depicted but obscured in the Mithraeum, which are visible to anyone (Mithraist or not) that need to<br />

have their context made unclear e.g. through astrological references.<br />

The symbols on the Stones might then need to obscure something that may be deduced directly<br />

from looking at the sky or, conversely, Stone based symbols could rely on the sky view to <strong>com</strong>plete<br />

the symbol. Nothing should be obvious to the uninitiated. Furthermore, a Stone based symbol could<br />

be used as an indicator to use part of the sky view to decipher the symbol or, simply, to be a pointer.<br />

The big difficulty, then, in designing the Open-Air Mithraeum Stone is what to include because the<br />

sky (at night in particular) contains elements that are in the indoor Mithraeum and what to exclude<br />

from the design – an icon may not be needed when the real thing is visible.<br />

Orientation and Location<br />

If the intent is to mimic the indoor Mithraeum then replication of layout, orientation and location is<br />

necessary. The indoor Mithraea seem to have specific East/West orientation; good examples are<br />

those in Ostia. The Tauroctony is at the East end; the benches are set on the North side facing South<br />

and the South side facing North; the entrance is at the West end so anyone entering faces towards<br />

the Tauroctony. All this gives orientation along a specific axis and facilitates observing where the sun<br />

and moon rise and set plus gives a reference point for knowing the equinox and solstice locations.<br />

Indoor Mithraea are located close to running water – partly, probably, for practical purposes but<br />

maybe to ensure all elements are present and visible – earth, air, fire and water.<br />

In some places several Mithraea are built in close proximity to one another – maybe providing<br />

different but <strong>com</strong>plementary functions.<br />

Conclusion<br />

We now have the rationale and elements for the “Open-Air” Mithraeum. Now we need to see if such<br />

places exist – Pictish Symbol Stones seem to be a contender.<br />

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