Norman J. Penny - pictish-mithraism.com
Norman J. Penny - pictish-mithraism.com
Norman J. Penny - pictish-mithraism.com
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9 Pictish Stones Deciphered – the Roman Mithraic Connection<br />
To avoid introducing a new terminology, the symbol names used here are those popularly found in<br />
Pictish Symbol Stone texts and web-sites.<br />
The Stones contain carvings which are either symbols without immediate clear meaning or items<br />
which on the surface may require no interpretation. In reality if there are “secrets” which obscure or<br />
protect “mysteries” then every symbol and other item will have a meaning, possibly several; and so<br />
require interpretation. Some of the shapes might be thought of as symbols but could be<br />
embellishments added at the discretion of the carver or, simply, errors. Deciphering 100% of the<br />
shapes may be overly ambitious – I will initially stick with the more abundant. Some bear<br />
resemblance to tamgas (Central Asian markings used to identify property or cattle and also with<br />
wider use to represent birds and other meanings) but none so far researched fit. Looking at<br />
Scandinavian symbols some similarities with Pictish symbols can be found but not with a high<br />
correlation. Often they are described as “unique” bearing no resemblance to symbols or marks or<br />
depictions seen anywhere else but this can be a way of dismissing further investigation. Overall they<br />
surely must “evoke” something.<br />
A few examples of the “crescent” shape seen on Pictish Stones can be seen on Roman carvings –<br />
some taken from around Hadrian’s Wall now in the Great North Museum, Newcastle and from<br />
Cappuck, Roxburghshire now in the National Museum of Scotland, Edinburgh. The Cappuck Roman<br />
carving also has a Boar – not dis-similar to the Knocknagael Stone (in the foyer of the Highland<br />
Council, Inverness) which is the symbol of the Roman Twentieth Legion further prompting a Roman<br />
connection.<br />
Cappuck Stone – courtesy of NMS, Edinburgh (X.FR567)<br />
In deciphering the symbols on the Stones there is always a need to consider context. The greatest<br />
over-riding difference between Pictish and other Mithraic symbolism is that, almost exclusively, the<br />
Pictish symbols are outside. Hence it might be deduced that the seeming lack of Tauroctony<br />
symbolism is due to the fact that the “bull killing” does not need to be represented – it can be seen<br />
in the night sky (Perseus representing Mithras over Taurus the bull).<br />
Pictish Stone Symbols<br />
The clearly identifiable symbols are listed overleaf. The first four groupings account for two-thirds of<br />
the symbols. The additional, more obvious (maybe?) items include (in no particular order):-<br />
Christian (Latin) Cross – often with squares or circles by the intersection.<br />
A person or groups on foot - variously with axe, spear, shield.<br />
A person or groups on horseback – variously with sword, shield, horn.<br />
People holding boxes.<br />
Bulls.<br />
Bossed circles.<br />
Decorative interlace patterns.<br />
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