Blank verse (unrhymed iambic pentameter), used in ... - SchoolNotes
Blank verse (unrhymed iambic pentameter), used in ... - SchoolNotes
Blank verse (unrhymed iambic pentameter), used in ... - SchoolNotes
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Mr. Borish<br />
AP Literature<br />
<strong>Blank</strong> Verse and Free Verse: What’s the Difference?<br />
<strong>Blank</strong> <strong>verse</strong> (<strong>unrhymed</strong> <strong>iambic</strong> <strong>pentameter</strong>), <strong>used</strong> <strong>in</strong> Shakespeare's dramas<br />
and Milton's Paradise Lost, is one of the most common metrical patterns <strong>in</strong><br />
English poetry.<br />
Example: from Romeo and Juliet Act 1.<br />
PRINCE<br />
Rebellious subjects, enemies to peace,<br />
Profaners of this neighbour-sta<strong>in</strong>ed steel,--<br />
Will they not hear? What, ho! you men, you beasts,<br />
That quench the fire of your pernicious rage<br />
With purple founta<strong>in</strong>s issu<strong>in</strong>g from your ve<strong>in</strong>s,<br />
On pa<strong>in</strong> of torture, from those bloody hands<br />
Throw your mistemper'd weapons to the ground,<br />
And hear the sentence of your moved pr<strong>in</strong>ce.<br />
Three civil brawls, bred of an airy word,<br />
By thee, old Capulet, and Montague,<br />
Have thrice disturb'd the quiet of our streets,<br />
And made Verona's ancient citizens<br />
Cast by their grave beseem<strong>in</strong>g ornaments,<br />
To wield old partisans, <strong>in</strong> hands as old,<br />
Canker'd with peace, to part your canker'd hate:<br />
If ever you disturb our streets aga<strong>in</strong>,<br />
Your lives shall pay the forfeit of the peace.<br />
For this time, all the rest depart away:<br />
You Capulet; shall go along with me:<br />
And, Montague, come you this afternoon,<br />
To know our further pleasure <strong>in</strong> this case,<br />
To old Free-town, our common judgment-place.<br />
Once more, on pa<strong>in</strong> of death, all men depart.<br />
Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO<br />
Will they not hear? What, ho! you men, you beasts, (5) stressed syllables<br />
That quench the fire of your pernicious rage (5) stressed syllables<br />
With purple founta<strong>in</strong>s issu<strong>in</strong>g from your ve<strong>in</strong>s, (5) stressed syllables<br />
On pa<strong>in</strong> of torture, from those bloody hands (5) stressed syllables<br />
Throw your mistemper'd weapons to the ground, (5) stressed syllables<br />
And hear the sentence of your moved pr<strong>in</strong>ce. (5) stressed syllables<br />
Dom<strong>in</strong>ant Pattern = an unstressed syllable followed by a stressed syllable (5 times) = <strong>iambic</strong> <strong>pentameter</strong>.<br />
Non-rhym<strong>in</strong>g <strong>iambic</strong> <strong>pentameter</strong> = BLANK VERSE
FREE VERSE: Poetry that is based on the irregular rhythmic CADENCE or the recurrence, with<br />
variations, of phrases, images, and syntactical patterns rather than the conventional use of METER.<br />
RHYME may or may not be present <strong>in</strong> free <strong>verse</strong>, but when it is, it is <strong>used</strong> with great freedom.<br />
Walt Whitman (1819 - 1892) is often celebrated as the first free <strong>verse</strong> poet <strong>in</strong> English. However, free<br />
<strong>verse</strong> <strong>in</strong> English has a longer history and possibly an even longer past. For example, there is some free<br />
<strong>verse</strong> <strong>in</strong> the Bible (Psalms).<br />
Example: Walt Whitman<br />
“When I heard the Learn’d Astronomer”<br />
When I heard the learn'd astronomer,<br />
When the proofs, the figures, were ranged <strong>in</strong> columns before me,<br />
When I was shown the charts and diagrams, to add, divide, and measure them,<br />
When I sitt<strong>in</strong>g heard the astronomer where he lectured with much applause <strong>in</strong> the lecture-room,<br />
How soon unaccountable I became tired and sick,<br />
Till ris<strong>in</strong>g and glid<strong>in</strong>g out I wander'd off by myself,<br />
In the mystical moist night-air, and from time to time,<br />
Look'd up <strong>in</strong> perfect silence at the stars.<br />
Cadence and sound devices are <strong>used</strong> but there is no evidence of a dom<strong>in</strong>ant metrical pattern.