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Blank verse (unrhymed iambic pentameter), used in ... - SchoolNotes

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Mr. Borish<br />

AP Literature<br />

<strong>Blank</strong> Verse and Free Verse: What’s the Difference?<br />

<strong>Blank</strong> <strong>verse</strong> (<strong>unrhymed</strong> <strong>iambic</strong> <strong>pentameter</strong>), <strong>used</strong> <strong>in</strong> Shakespeare's dramas<br />

and Milton's Paradise Lost, is one of the most common metrical patterns <strong>in</strong><br />

English poetry.<br />

Example: from Romeo and Juliet Act 1.<br />

PRINCE<br />

Rebellious subjects, enemies to peace,<br />

Profaners of this neighbour-sta<strong>in</strong>ed steel,--<br />

Will they not hear? What, ho! you men, you beasts,<br />

That quench the fire of your pernicious rage<br />

With purple founta<strong>in</strong>s issu<strong>in</strong>g from your ve<strong>in</strong>s,<br />

On pa<strong>in</strong> of torture, from those bloody hands<br />

Throw your mistemper'd weapons to the ground,<br />

And hear the sentence of your moved pr<strong>in</strong>ce.<br />

Three civil brawls, bred of an airy word,<br />

By thee, old Capulet, and Montague,<br />

Have thrice disturb'd the quiet of our streets,<br />

And made Verona's ancient citizens<br />

Cast by their grave beseem<strong>in</strong>g ornaments,<br />

To wield old partisans, <strong>in</strong> hands as old,<br />

Canker'd with peace, to part your canker'd hate:<br />

If ever you disturb our streets aga<strong>in</strong>,<br />

Your lives shall pay the forfeit of the peace.<br />

For this time, all the rest depart away:<br />

You Capulet; shall go along with me:<br />

And, Montague, come you this afternoon,<br />

To know our further pleasure <strong>in</strong> this case,<br />

To old Free-town, our common judgment-place.<br />

Once more, on pa<strong>in</strong> of death, all men depart.<br />

Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO<br />

Will they not hear? What, ho! you men, you beasts, (5) stressed syllables<br />

That quench the fire of your pernicious rage (5) stressed syllables<br />

With purple founta<strong>in</strong>s issu<strong>in</strong>g from your ve<strong>in</strong>s, (5) stressed syllables<br />

On pa<strong>in</strong> of torture, from those bloody hands (5) stressed syllables<br />

Throw your mistemper'd weapons to the ground, (5) stressed syllables<br />

And hear the sentence of your moved pr<strong>in</strong>ce. (5) stressed syllables<br />

Dom<strong>in</strong>ant Pattern = an unstressed syllable followed by a stressed syllable (5 times) = <strong>iambic</strong> <strong>pentameter</strong>.<br />

Non-rhym<strong>in</strong>g <strong>iambic</strong> <strong>pentameter</strong> = BLANK VERSE


FREE VERSE: Poetry that is based on the irregular rhythmic CADENCE or the recurrence, with<br />

variations, of phrases, images, and syntactical patterns rather than the conventional use of METER.<br />

RHYME may or may not be present <strong>in</strong> free <strong>verse</strong>, but when it is, it is <strong>used</strong> with great freedom.<br />

Walt Whitman (1819 - 1892) is often celebrated as the first free <strong>verse</strong> poet <strong>in</strong> English. However, free<br />

<strong>verse</strong> <strong>in</strong> English has a longer history and possibly an even longer past. For example, there is some free<br />

<strong>verse</strong> <strong>in</strong> the Bible (Psalms).<br />

Example: Walt Whitman<br />

“When I heard the Learn’d Astronomer”<br />

When I heard the learn'd astronomer,<br />

When the proofs, the figures, were ranged <strong>in</strong> columns before me,<br />

When I was shown the charts and diagrams, to add, divide, and measure them,<br />

When I sitt<strong>in</strong>g heard the astronomer where he lectured with much applause <strong>in</strong> the lecture-room,<br />

How soon unaccountable I became tired and sick,<br />

Till ris<strong>in</strong>g and glid<strong>in</strong>g out I wander'd off by myself,<br />

In the mystical moist night-air, and from time to time,<br />

Look'd up <strong>in</strong> perfect silence at the stars.<br />

Cadence and sound devices are <strong>used</strong> but there is no evidence of a dom<strong>in</strong>ant metrical pattern.

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