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APRIL 1 TO NOVEMBER 2 Niagara-on-the - Shaw Festival Theatre

APRIL 1 TO NOVEMBER 2 Niagara-on-the - Shaw Festival Theatre

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Follies: In C<strong>on</strong>cert<br />

FOUR PERFORMANCES ONLY<br />

AUG 29, SEPT 12, SEPT 27 AND OCT 4<br />

8PM, FESTIVAL THEATRE<br />

WEEKEND RATES APPLY<br />

Book by JAMES GOLDMAN<br />

Music and Lyrics by STEPHEN SONDHEIM<br />

Directed by VALERIE MOORE<br />

Musical directi<strong>on</strong> by PAUL SPORTELLI<br />

Presented through special arrangement with<br />

Music <strong>Theatre</strong> Internati<strong>on</strong>al (MTI). All authorized<br />

performance materials are also supplied by MTI.<br />

421 West 54th Street, New York, NY 10019<br />

Ph<strong>on</strong>e: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com<br />

Reading Series<br />

~If <strong>Shaw</strong> Were<br />

Alive Today?<br />

Staged readings of full-length<br />

plays by members of <strong>the</strong> Acting<br />

Ensemble. 11am.<br />

<strong>Festival</strong> <strong>Theatre</strong> Rehearsal Studio<br />

To book call <strong>the</strong> Box Office<br />

Bernard <strong>Shaw</strong> was a brilliant<br />

provocateur whose plays challenged<br />

<strong>the</strong> assumpti<strong>on</strong>s <strong>on</strong> which pers<strong>on</strong>al<br />

and political decisi<strong>on</strong>s are made.<br />

It’s a traditi<strong>on</strong> upheld by many<br />

writers since, and Artistic Director<br />

Jackie Maxwell and Director Eda<br />

Holmes have chosen plays that<br />

represent c<strong>on</strong>temporary writing<br />

at its best – witty and compelling,<br />

with a distinct modern-day<br />

perspective. We think Bernard<br />

<strong>Shaw</strong> would approve!<br />

24<br />

“Broadway Baby”, “I’m Still Here”, “In Buddy’s Eyes”,<br />

“Losing My Mind” – celebrated c<strong>on</strong>temporary<br />

Broadway standards that all come from Stephen<br />

S<strong>on</strong>dheim’s legendary musical, Follies. We’re<br />

presenting <strong>the</strong> bittersweet tale of <strong>the</strong> reuni<strong>on</strong> of<br />

Broadway showgirls and <strong>the</strong> men in <strong>the</strong>ir lives in c<strong>on</strong>cert<br />

form, so sit back and enjoy our simple and sophisticated<br />

versi<strong>on</strong> of this brilliant musical. Book so<strong>on</strong> – <strong>the</strong>re are<br />

<strong>on</strong>ly four performances!<br />

The original Broadway producti<strong>on</strong> of Follies opened <strong>on</strong> April 4, 1971<br />

at <strong>the</strong> Winter Garden <strong>Theatre</strong>, New York and ran for 522 performances.<br />

It w<strong>on</strong> seven T<strong>on</strong>y Awards, including Best Music and Lyrics (Stephen<br />

S<strong>on</strong>dheim) and Best Director (Harold Prince and Michael Bennett).<br />

The Road<br />

to Mecca<br />

July 13<br />

By Athol Fugard<br />

Directed by<br />

Goldie Semple<br />

Serious<br />

M<strong>on</strong>ey<br />

August 16<br />

By Caryl Churchill<br />

Directed by<br />

Eda Holmes<br />

The League<br />

of Nathans<br />

August 31<br />

By Jas<strong>on</strong> Sherman<br />

Directed by<br />

Jackie Maxwell<br />

The Steward<br />

of Christendom<br />

September 20<br />

By Sebastian Barry<br />

Directed by<br />

Neil Munro<br />

A leading voice in South Africa, Athol Fugard raises<br />

political questi<strong>on</strong>s with a poetry that charts <strong>the</strong><br />

complex relati<strong>on</strong>ships am<strong>on</strong>g that regi<strong>on</strong>’s peoples.<br />

Miss Helen, a reclusive, elderly Afrikaner, has spent<br />

<strong>the</strong> past three years turning her home into a work<br />

of art. When <strong>the</strong> people in town d<strong>on</strong>’t approve,<br />

a battle of wills erupts.<br />

Feminist, socialist, satirist – British playwright<br />

Caryl Churchill has explored issues of modern<br />

life since <strong>the</strong> 1970s, often in an unc<strong>on</strong>venti<strong>on</strong>al<br />

way. This play takes us into <strong>the</strong> world of <strong>the</strong><br />

L<strong>on</strong>d<strong>on</strong> Stock Market in <strong>the</strong> 1980s in a wickedly<br />

funny satire about financial wheeler-dealers –<br />

all in rhyming verse!<br />

Canadian Jas<strong>on</strong> Sherman’s plays are remarkable<br />

for <strong>the</strong>ir mix of humour and a willingness to ask<br />

<strong>the</strong> big questi<strong>on</strong>s. A late-night call reunites three<br />

childhood friends – all named Nathan. From<br />

<strong>the</strong>ir boyhood meetings in <strong>the</strong> backyard, to <strong>the</strong>ir<br />

questi<strong>on</strong>s of what it means to be Jewish, <strong>the</strong>y<br />

grapple with loyalty, friendship and humanity.<br />

Committed to a County Home in Baltinglass,<br />

Co. Dublin, 1932, Thomas Dunne, ex-Chief<br />

Superintendent of <strong>the</strong> Dublin Metropolitan<br />

Police, c<strong>on</strong>fr<strong>on</strong>ts <strong>the</strong> dem<strong>on</strong>s of his past.<br />

A haunting memory play with poetry that<br />

rivals Sean O’Casey and J.M. Synge.

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