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August 2008 — Volume V - the Methodist Church - LID

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<strong>Methodist</strong> <strong>Methodist</strong> Link<br />

Link<br />

By: Rev. Amos Browne<br />

Impressions of <strong>the</strong> St. Thomas/St. John<br />

Circuit Aldersgate Service<br />

Rev. Amos Browne is a Nevisian by birth. He has been in Christian<br />

Ministry for more than 40 years; most of which were spent in <strong>the</strong><br />

Missouri Conference of <strong>the</strong> United <strong>Methodist</strong> <strong>Church</strong>. He retired as a<br />

District Superintendent in 2002 and now resides in <strong>the</strong> Nevis Circuit<br />

with his spouse Viola (Trotman)<br />

T<br />

he story is told that a stranger visiting a community<br />

in England asked a Cornishman to explain<br />

<strong>the</strong> obvious morality and spirit of <strong>the</strong> villagers,<br />

He replied, “A man named Wesley passed this<br />

way." The commitment and devotion of <strong>the</strong> people<br />

called <strong>Methodist</strong> of <strong>the</strong> St. Thomas/St. John Circuit<br />

reminds me that <strong>the</strong> Wesleyan legacy has indeed<br />

passed by four congregations. Such was <strong>the</strong> spirit of<br />

hope and promise that reverberated through <strong>the</strong><br />

<strong>2008</strong> Aldersgate combined worship service held at<br />

Christ <strong>Church</strong> on May 18. It was like <strong>the</strong> sound of incoming<br />

showers of rain.<br />

There were four distinctive ingredients of <strong>the</strong> service<br />

that particularly demonstrated that <strong>the</strong> church is<br />

alive and well in <strong>the</strong> circuit.<br />

• The singing of <strong>the</strong> Wesley hymns by <strong>the</strong> respective<br />

choirs and <strong>the</strong>ir congregations.<br />

• The drama presentation by <strong>the</strong> Christ <strong>Church</strong><br />

Confirmation Class.<br />

• The trio rendition by <strong>the</strong> three circuit ministers.<br />

• The general response to <strong>the</strong> proclamation of <strong>the</strong><br />

Word.<br />

That great prince of <strong>Methodist</strong> hymnody, Charles<br />

Wesley, would have been proud of <strong>the</strong> way <strong>the</strong> hymns<br />

attributed to his authorship were sung: #568 by St.<br />

John; #554 by Trinity; #173 by Wesley; #80 by Christ<br />

<strong>Church</strong>. In Select Hymns, 1761, his bro<strong>the</strong>r, John,<br />

outlined Seven Directions for singing <strong>the</strong> hymns of<br />

<strong>the</strong> church. Directions IV and VII read in part:<br />

"Sing lustily and with a good courage ... lift up<br />

your voice with strength."<br />

"Above all, sing spiritually ... Have an eye to<br />

God in every word you sing."<br />

He too, would have applauded <strong>the</strong> way in which St.<br />

John adhered to his suggestion when <strong>the</strong>y sang:<br />

Since <strong>the</strong> Son has made me free,<br />

Let me taste my liberty;<br />

There behold with open face,<br />

Triumph in thy saving grace.<br />

And would have been pleased with Trinity's rendition<br />

of:<br />

I want <strong>the</strong> witness, Lord,<br />

That all I do is right,<br />

According to thy will and word,<br />

Well pleasing in thy sight.<br />

Wesley and Christ <strong>Church</strong> might have moved <strong>the</strong><br />

bro<strong>the</strong>rs to do a "step or two"<br />

when <strong>the</strong> two congregations offered<br />

<strong>the</strong>ir pieces:<br />

0 let me kiss thy bleeding<br />

feet,<br />

And ba<strong>the</strong> and wash<br />

<strong>the</strong>m with my tears<br />

The story of thy love<br />

repeat<br />

In every drooping sinner’s<br />

ears,<br />

Rev. Amos Browne<br />

That all may hear <strong>the</strong><br />

quickening sound,<br />

Since I, even I, have mercy found.<br />

A helpless sold that looks to <strong>the</strong>e<br />

Is sure at last thy face to see,<br />

And all thy goodness to partake;<br />

The sinner who for <strong>the</strong>e doth grieve,<br />

And longs, and labours to believe,<br />

Thou never, never wilt forsake.<br />

By <strong>the</strong> way, it was like a breath of fresh air to hear all<br />

<strong>the</strong> verses of each song sung by <strong>the</strong> respective congregations<br />

led by <strong>the</strong>ir choirs.<br />

The young people’s item was as profound in its content<br />

as it was inspiriting in its artistic presentation.<br />

The skit underscored <strong>the</strong> point that <strong>the</strong> story of early<br />

Methodism in <strong>the</strong>se islands is a story of enduring<br />

love, sacrifice and preserving faith. It also reminded<br />

us that our heritage is not only rooted in <strong>the</strong> soil of<br />

history but grounded in <strong>the</strong> faithfulness of our common<br />

bro<strong>the</strong>rhood.<br />

<strong>Methodist</strong> ministers are thankful for whatever oratorical<br />

gifts <strong>the</strong> Spirit gives to us. But when a good<br />

singing voice is thrown into <strong>the</strong> mix, <strong>the</strong> <strong>Church</strong> considers<br />

it a real bonus. There is no better example that<br />

in <strong>the</strong> circuit where Frankly Manners, Jefferson Niles<br />

and Brian Seymour serve. Those three servants<br />

teamed up and brought down <strong>the</strong> church with <strong>the</strong>ir<br />

rendition of:<br />

Be it my only wisdom here,<br />

To serve <strong>the</strong> Lord with filial fear,<br />

With loving gratitude;<br />

Superior sense may I display,<br />

By shunning every evil way,<br />

And walking in <strong>the</strong> good. (#576)<br />

Page 4<br />

I dare say <strong>the</strong> Circuit was bless with a double portion<br />

of harmony by that trio<strong>—</strong><strong>the</strong> richness of <strong>the</strong> voices<br />

blending toge<strong>the</strong>r and <strong>the</strong> richness of <strong>the</strong> symbolism<br />

(Continued on page 7)

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