August 2008 — Volume V - the Methodist Church - LID
August 2008 — Volume V - the Methodist Church - LID
August 2008 — Volume V - the Methodist Church - LID
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<strong>Methodist</strong> <strong>Methodist</strong> Link<br />
Link<br />
By: Rev. Amos Browne<br />
Impressions of <strong>the</strong> St. Thomas/St. John<br />
Circuit Aldersgate Service<br />
Rev. Amos Browne is a Nevisian by birth. He has been in Christian<br />
Ministry for more than 40 years; most of which were spent in <strong>the</strong><br />
Missouri Conference of <strong>the</strong> United <strong>Methodist</strong> <strong>Church</strong>. He retired as a<br />
District Superintendent in 2002 and now resides in <strong>the</strong> Nevis Circuit<br />
with his spouse Viola (Trotman)<br />
T<br />
he story is told that a stranger visiting a community<br />
in England asked a Cornishman to explain<br />
<strong>the</strong> obvious morality and spirit of <strong>the</strong> villagers,<br />
He replied, “A man named Wesley passed this<br />
way." The commitment and devotion of <strong>the</strong> people<br />
called <strong>Methodist</strong> of <strong>the</strong> St. Thomas/St. John Circuit<br />
reminds me that <strong>the</strong> Wesleyan legacy has indeed<br />
passed by four congregations. Such was <strong>the</strong> spirit of<br />
hope and promise that reverberated through <strong>the</strong><br />
<strong>2008</strong> Aldersgate combined worship service held at<br />
Christ <strong>Church</strong> on May 18. It was like <strong>the</strong> sound of incoming<br />
showers of rain.<br />
There were four distinctive ingredients of <strong>the</strong> service<br />
that particularly demonstrated that <strong>the</strong> church is<br />
alive and well in <strong>the</strong> circuit.<br />
• The singing of <strong>the</strong> Wesley hymns by <strong>the</strong> respective<br />
choirs and <strong>the</strong>ir congregations.<br />
• The drama presentation by <strong>the</strong> Christ <strong>Church</strong><br />
Confirmation Class.<br />
• The trio rendition by <strong>the</strong> three circuit ministers.<br />
• The general response to <strong>the</strong> proclamation of <strong>the</strong><br />
Word.<br />
That great prince of <strong>Methodist</strong> hymnody, Charles<br />
Wesley, would have been proud of <strong>the</strong> way <strong>the</strong> hymns<br />
attributed to his authorship were sung: #568 by St.<br />
John; #554 by Trinity; #173 by Wesley; #80 by Christ<br />
<strong>Church</strong>. In Select Hymns, 1761, his bro<strong>the</strong>r, John,<br />
outlined Seven Directions for singing <strong>the</strong> hymns of<br />
<strong>the</strong> church. Directions IV and VII read in part:<br />
"Sing lustily and with a good courage ... lift up<br />
your voice with strength."<br />
"Above all, sing spiritually ... Have an eye to<br />
God in every word you sing."<br />
He too, would have applauded <strong>the</strong> way in which St.<br />
John adhered to his suggestion when <strong>the</strong>y sang:<br />
Since <strong>the</strong> Son has made me free,<br />
Let me taste my liberty;<br />
There behold with open face,<br />
Triumph in thy saving grace.<br />
And would have been pleased with Trinity's rendition<br />
of:<br />
I want <strong>the</strong> witness, Lord,<br />
That all I do is right,<br />
According to thy will and word,<br />
Well pleasing in thy sight.<br />
Wesley and Christ <strong>Church</strong> might have moved <strong>the</strong><br />
bro<strong>the</strong>rs to do a "step or two"<br />
when <strong>the</strong> two congregations offered<br />
<strong>the</strong>ir pieces:<br />
0 let me kiss thy bleeding<br />
feet,<br />
And ba<strong>the</strong> and wash<br />
<strong>the</strong>m with my tears<br />
The story of thy love<br />
repeat<br />
In every drooping sinner’s<br />
ears,<br />
Rev. Amos Browne<br />
That all may hear <strong>the</strong><br />
quickening sound,<br />
Since I, even I, have mercy found.<br />
A helpless sold that looks to <strong>the</strong>e<br />
Is sure at last thy face to see,<br />
And all thy goodness to partake;<br />
The sinner who for <strong>the</strong>e doth grieve,<br />
And longs, and labours to believe,<br />
Thou never, never wilt forsake.<br />
By <strong>the</strong> way, it was like a breath of fresh air to hear all<br />
<strong>the</strong> verses of each song sung by <strong>the</strong> respective congregations<br />
led by <strong>the</strong>ir choirs.<br />
The young people’s item was as profound in its content<br />
as it was inspiriting in its artistic presentation.<br />
The skit underscored <strong>the</strong> point that <strong>the</strong> story of early<br />
Methodism in <strong>the</strong>se islands is a story of enduring<br />
love, sacrifice and preserving faith. It also reminded<br />
us that our heritage is not only rooted in <strong>the</strong> soil of<br />
history but grounded in <strong>the</strong> faithfulness of our common<br />
bro<strong>the</strong>rhood.<br />
<strong>Methodist</strong> ministers are thankful for whatever oratorical<br />
gifts <strong>the</strong> Spirit gives to us. But when a good<br />
singing voice is thrown into <strong>the</strong> mix, <strong>the</strong> <strong>Church</strong> considers<br />
it a real bonus. There is no better example that<br />
in <strong>the</strong> circuit where Frankly Manners, Jefferson Niles<br />
and Brian Seymour serve. Those three servants<br />
teamed up and brought down <strong>the</strong> church with <strong>the</strong>ir<br />
rendition of:<br />
Be it my only wisdom here,<br />
To serve <strong>the</strong> Lord with filial fear,<br />
With loving gratitude;<br />
Superior sense may I display,<br />
By shunning every evil way,<br />
And walking in <strong>the</strong> good. (#576)<br />
Page 4<br />
I dare say <strong>the</strong> Circuit was bless with a double portion<br />
of harmony by that trio<strong>—</strong><strong>the</strong> richness of <strong>the</strong> voices<br />
blending toge<strong>the</strong>r and <strong>the</strong> richness of <strong>the</strong> symbolism<br />
(Continued on page 7)