ANNUAL REPORT 2003 - Cleveland Museum of Art

ARcover2003.p65 1 

6/1/2004, 11:41 PM 

THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2003 

ANNUAL REPORT 2003 

1

Annual Report 2003 

ARpp01-21.p65 1 

6/1/2004, 11:45 PM

The Cleveland 

Museum of Art 

11150 East 

Boulevard 

Cleveland, Ohio 

44106-1797 

Copyright © 2004 



All rights reserved. 

No portion of this 

publication may be 

reproduced in any 

form whatsoever 

without the prior 

written permission of 

the Cleveland 

Museum of Art. 

When prominent Cleveland 

interior designer Nicholas J. 

Velloney died in August, he 

left his entire estate to the 

museum. In addition to 

valuable real estate, the 

estate included a remarkable 

collection of decorative 

objects and works on paper, 

from which he stipulated 

that the museum be given 

any works that it wished to 

accession, with the balance 

to be sold and any remaining 

profit donated to the 

museum. These two icecream 

coolers are among the 

delightful objects that now 

make their home in the 

museum, thanks to Mr. 

Velloney’s generous gift. 

Factory of Jacob-Petit 

(French, 1830–65). Pair of 

Covered Ice Cream Pails, 

about 1840; gilt porcelain; 

42.5 x 27.3 x 27 cm and 42.5 

x 27.7 x 26.6 cm; Bequest 

of Nicholas J. Velloney 

2003.250.1.a–c; 

2003.250.2.a–b. 

2 

Cover: School 

children are enthralled 

with the ten lithographs 

in Color 

Numeral Series (courtesy 

Margo Leavin 

Gallery, Los Angeles), 

on view in the 

landmark exhibition 

Jasper Johns: Numbers. 

Frontispiece: The 

museum and lagoon 

in winter. 

The Annual Report 

was produced by the 

External Affairs 

division of the 

Cleveland Museum of 

Art. 

Narrative: Gregory 

M. Donley 

Editing: Barbara J. 

Bradley and Kathleen 

Mills 

Design: Thomas H. 

Barnard 

Production: Charles 

Szabla 

Printing: Great Lakes 

Lithograph 

The type is Bembo 

and TheSans adapted 

for this publication. 

Composed with 

Adobe PC 

PageMaker 6.5. 

Photography credits: 

Works of art in the 

collection were photographed 

by museum 

photographers 

Howard Agriesti and 

Gary Kirchenbauer; 

the photographs are 

copyright by the 


Art. The works of art 

themselves may also 

be protected by copy- 

ARpp01-21.p65 2 

6/8/2004, 4:29 PM 

right in the United 

States of America or 

abroad and may not 

be reproduced in any 

form or medium 

without permission 

from the copyright 

holders. The following 

photographers are 

acknowledged: 

Howard Agresti: pp. 

1, 7, 8 (all), 10 (both), 

36, 38, 40, 43, 44 

(middle and bottom), 

48, 50, 84 (both), 85; 

Thomas H. Barnard: 

p. 90 (left); David 

Brichford: cover, pp. 

6 (bottom), 9 (top), 

35 (all), 42, 45 (top), 

46, 68, 72, 82, 87, 92, 

100; Becky Bristol: p. 

95; Philip Brutz: pp. 

90 (right), 96; © 

Disney/Pixar: p. 94; 

Gregory M. Donley: 

pp. 9 (left), 12, 13, 

37, 39, 44 (top), 45 

(bottom), 47 (bottom), 

49 (top), 67, 

71, 77, 79, 80, 89 

(all); Ann Koslow: p. 

71 (left); Shannon 

Masterson: p. 86; 

Deirdre Vodanoff: p. 

49 (bottom); Hunter 

Walter: p. 47 (top and 

middle).

4 Board of Trustees 

5 Trustee Committees 

6 Director 

10 Chairman 

11 President 

14 Collections 

38 Exhibitions 

48 Community Support 

82 Education, Public Programs, 

and Outreach 

96 Staff 

101 Financial Report 

102 Treasurer 

ARpp01-21.p65 3 

6/8/2004, 4:29 PM 

3

4 

Board of Trustees 

Officers 

James T. Bartlett, 

President 

Michael J. Horvitz, 

Chairman 

Ellen Stirn Mavec, 

Vice President 

William R. 

Robertson, Vice 

President 

Katharine Lee Reid, 

Director, CEO, and 

Secretary 

Janet Ashe, Treasurer 

Roberto A. Prcela, 

Assistant Secretary 

Standing Trustees 

Virginia N. Barbato 

James T. Bartlett 

Charles P. Bolton 

Sarah S. Cutler 

Robert W. Gillespie 

George Gund III 

Michael J. Horvitz 

George M. 

Humphrey II 

Anne Hollis Ireland 

Adrienne Lash Jones 

Robert M. Kaye 

Nancy F. Keithley 

William P. Madar 

Ellen Stirn Mavec 

S. Sterling 

McMillan III 

Rev. Dr. Otis Moss Jr. 

Stephen E. Myers 

Alfred M. Rankin Jr. 

James A. Ratner 

William R. 

Robertson 

Elliott L. Schlang 

Eugene Stevens 

Richard T. Watson 

Ex Officio 

Daniel F. Austin, 

Corporate Council 

Janet W. Coquillette, 

Womens Council 

David Gottesman, 

Young Friends 


Director 

Trustees Emeriti 

Peter B. Lewis 

Michael Sherwin 

Life Trustees 

Elisabeth H. 

Alexander 

Quentin Alexander 

Leigh Carter 

James H. Dempsey Jr. 

Mrs. Edward A. 

Kilroy Jr. 

Jon A. Lindseth 

Morton L. Mandel 

George Oliva Jr. 

Mrs. Alfred M. 

Rankin 

Donna S. Reid 

Edwin M. Roth 

Frances P. Taft 

Dr. Paul J. Vignos Jr. 

Alton W. 

Whitehouse 

Dr. Norman W. 

Zaworski 

ARpp01-21.p65 4 

6/1/2004, 11:45 PM 

Honorary Trustees 

Mrs. Noah L. Butkin 

Mrs. Ellen Wade 

Chinn 

Mrs. John B. 

Dempsey 

Joseph M. Erdelac 

Mrs. John Flower 

Mrs. Robert I. 

Gale Jr. 

Robert D. Gries 

Mrs. John Hildt 

Ward Kelley 

Dr. Sherman E. Lee 

Milton Maltz 

Tamar Maltz 

Eleanor Bonnie 

McCoy 

Mary Schiller Myers 

Mrs. R. Henry 

Norweb Jr. 

Barbara S. Robinson 

Viktor 

Schreckengost 

Laura Siegal 

Evan Hopkins 

Turner

Trustee Committees 

Standing 

Committees 

Executive 


Chairman 






Donna S. Reid 

William R. 

Robertson 


ex officio 



Committee on 

Trustees 

William R. 

Robertson, 

Chairman 



Adrienne L. Jones 








Finance 

William P. Madar, 

Chairman 



William R. 

Robertson 





Collections 

Elliott L. Schlang, 

Chairman 


George Gund III 





Stephen E. Myers 


Donna S. Reid 






Investment 

Alfred M. Rankin 

Jr., Chairman 



S. Sterling 

McMillan III 

James A. Ratner 

William R. 

Robertson 







Compensation 


Chairman 




Advisory 

Committees 

Accessions 

Advisory 


Chairman 

Elisabeth H. 

Alexander 


Katherine Bolton 


Mrs. Joseph Ceruti 

Helen Forbes Fields 

Mrs. John Hildt 

Marguerite B. 

Humphrey 

Robert H. Jackson 

Mrs. Edward A. 

Kilroy Jr. 

Tamar Maltz 



Rankin 

Edwin M. Roth 

Mark Schwartz 



Dr. Norman W. 

Zaworski 





African-American 

Advisory 

Committee 

Adrienne Lash Jones, 

Chairman 

Montrie Rucker 

Adams 

June S. Antoine 

Emma Benning 

Albert Bright 

Margot James 

Copeland 

James Crosby 

Helen Forbes Fields 

Giesele Greene, M.D. 

Bert Laurelle G. Holt 

Bracy Lewis 

Franklin Martin 

Rev. Marvin 

McMickle 

A. Grace Lee Mims 

Steven A. Minter 


Sharon Patton 

Greg Reese 

Dr. Lawrence 

Simpson 

Andrew Venable 





Education 

Adrienne Lash Jones, 

Chairman 

Virginia N. Barbato 

James S. Berkman 

Jeanette Grasselli 

Brown 

Leigh Carter 

Sr. Maureen Doyle 

Carol S. Franklin 

Debra Guren 

Bert Laurelle G. Holt 

George M. 

Humphrey II 

Susan W. MacDonald 

S. Sterling 

McMillan III 



Susan H. Turben 


Sally H. Wertheim 





ARpp01-21.p65 5 

6/8/2004, 4:11 PM 

Fine Arts Garden 

Ruth Eppig, 

Chairman 

Elisabeth H. 

Alexander 

Terri Hamilton 

Brown 

Perrin Carpenter 


Chinn 

Jennifer Coleman 

Fluker 

Mrs. Allen Ford 

Mrs. Morley 

Hitchcock 

Brian Holley 

John G. Michalko II 

Donald Morrison 

Natalie Saiklay 

Clara D. Sherwin 

Charles Weller 

Dr. Norman W. 

Zaworski 





Information 

Technology 

Bruce V. Mavec, 

Chairman 

Sylvie Bon 

Dr. Delos M. 

Cosgrove III 

Jennie S. Hwang 

Trevor Jones 

Joseph P. Keithley 

William Mulligan 

Linda Rae 






Ad Hoc 

Committees 


Building Oversight 


Chairman 



Donna S. Reid 




Campaign Cabinet 

Planning 

Ellen Stirn Mavec, 

Chairman 







Donna S. Reid 



Legislative Affairs 

Jon A. Lindseth, 

Chairman 


George M. 

Humphrey II 




Donna S. Reid 




5

From the 

Director 

6 

The installation of the 

Draped in Splendor 

exhibition offered the 

opportunity to present 

great Renaissance 

textiles and related 

paintings from the 

permanent collection. 

Early in the year, the museum introduced Rafael Viñoly’s exciting designs 

for the museum expansion. As this process has evolved, it has become 

more and more apparent that this project is about much more than simply 

creating more and better space within the walls of this institution. It is 

about building this community. 

The arts in northeastern Ohio generate more than a billion dollars in 

business activity annually, and in an increasingly knowledge-based 

economy, they are critical for attracting and retaining talented and highly 

educated people. The predominance of such people among our citizenry, 

in turn, further strengthens the environment for all those involved in creative 

life. The museum has a central role to play in fostering a vital arts 

community here. 

To understand how this role has evolved over the years and envision 

how we can shape its future, it is necessary to recall where we began and 

retrace our steps. The museum’s founding plan was visionary and straightforward: 

to play a major civic role in Cleveland and to establish this city 

among the great metropolises of the country. Our founders created a 

beautiful building, filled it with great art from around the world, presented 

it with grandeur and clarity, and opened the doors for all to enjoy. 

As demand grew for space for galleries, classrooms, and offices, the original 

museum evolved into a mosaic of buildings through additions built in 

1958, 1971, and 1983. Today, we have a comprehensive collection of art 

renowned the world over, but our building complex is a maze-like amalgamation 

that is confusing for our visitors. The expansion project is driven 

not only by the need for more space, but by the notion that physical 

spaces should do everything possible to help visitors connect with art. 

In shaping our plans, community involvement was a priority. Two 

public events in 2003 were designed to engage the citizens of our region 

ARpp01-21.p65 6 

6/1/2004, 11:45 PM

Children in museum 

art classes take an 

inspirational stroll 

through the galleries 

before heading to the 

studio to create their 

own works of art. 

in shaping the expansion project. First, Rafael Viñoly discussed his designs 

in a February 6 forum, coordinated by Cleveland Public Art, at the Ohio 

Theatre. The plan shows a significant increase in space, but the configuration 

of that space is perhaps just as important. Not only is the gallery 

circulation more rational, but the strategic incorporation of windows 

provides views into our beautiful parkland setting as well as natural light, 

enhancing the beauty of interior spaces and offering an important aid to 

navigation. The effect of the expansion on the surrounding neighborhood 

will be impressive, with new emphasis given to the western edge of the 

building and the landscape toward Martin Luther King Jr. Drive. A resto- 

ration of this lovely park area, viewable through banks of windows looking 

out from above the wooded hillside, will create a striking new public 

space for the citizens of greater Cleveland. All parking is in an expanded 

facility, with some surface area reclaimed as parkland. The overall attitude 

expressed in the design is one of openness toward and participation in the 

life of the neighborhood; this is a public space that invites people to commune 

with works of art and with each other. The response to this first 

presentation was enthusiastic and encouraging. 

On November 19, about 500 friends of the arts filled Gartner Auditorium 

for a multimedia presentation on the interior of their new museum. 

During the year, the museum’s curators and I worked with the architects 

to refine the ways in which the space is used within the established “footprint.” 

As a result, the team found resourceful ways of using the allotted 

area and creative ways of presenting the collections to their best advantage 

ARpp01-21.p65 7 

6/1/2004, 11:45 PM 

7

Left to right: Councilwoman 

Patricia Britt, 

Cleveland Public Library 

director Andrew 

Venable, Cleveland 

mayor Jane Campbell, 

Cleveland Music School 

Settlement director 

Deputy Director for 

Collections and 

Programs Charles 

Venable (right) with 

Heather Hodges, 

ambassador to 

Moldova, and Robert 

Sopplesa, curator, Art 

in Embassies Program. 

8 

The MetaScape 

exhibition introduced 

the Project 244 gallery. 

Daniel Windham, Western 

Reserve Historical 

Society director Patrick 

Reymann, and councilwoman 

Sabra Pierce 

Scott march in Parade 

the Circle. 

in greatly improved galleries. The total gross area of the current museum 

complex is about 389,000 square feet; Viñoly’s plan now provides approximately 

585,000 square feet. Perhaps more important than the increase 

in gross area is the use of that space. The current museum has net 

usable area of about 58% of the total square footage, while the Viñoly plan 

achieves 62%—a remarkable spatial efficiency. The number of covered 

parking spaces will climb from 495 to approximately 650. The thoughtful 

and constructive response to this forum was both immensely useful and 

deeply gratifying. I know it will result in a better museum for the future. 

Thinking of this bright future is wonderfully exciting, but the 

museum’s present-day activity brings its own share of satisfaction. The 

year saw some wonderful acquisitions, from the monumental Neoclassical 

paintings of Charles Meynier and the large canvas by Lee Krasner, to delightful 

objects of more intimate scale, such as Jean Dubuffet’s collage incorporating 

butterfly wings and the engaging bust of a young boy by 

Augusta Savage. 

Exhibitions covered their usual broad territory, introducing to Cleveland 

audiences all manner of unexpected treasures. Special events such as 

the multimedia Fast Forward party in November and our participation in 

Cleveland Public Art’s LuminoCity event in the Cleveland Trust Building 

downtown in December demonstrated our ongoing appeal to young and 

broad audiences. We will continue to present and collaborate in innovative 

events in the future. 

The year was not without its difficulties. The protracted dip in the 

value of the museum’s endowments and trusts, combined with the effects 

of the overall weakness in the regional economy, strained the operating 

budget. The situation was exacerbated by the long 1990s economic boom, 

because the value of the endowments and trusts grew uninterrupted for 

ARpp01-21.p65 8 

6/8/2004, 4:11 PM

Students in Susan 

Gray Bé’s painting 

class work in the 

medieval galleries. 

Celebrate Africa Day 

coincided with the 

reopening of the 

gallery of the art of 

sub-Saharan Africa. 

more than eight years so that, even within the constrictions of the 

museum’s conservative spending rule, funds were generated to expand 

existing efforts and create new initiatives throughout the 1990s. Certainly 

the museum was able to undertake efforts that would not have been possible 

in a more typical economic climate. But, with the end of the boom, 

the museum inevitably ended up with higher operating expenses than it 

could responsibly sustain, and, in July 2003, it was necessary to undertake 

the painful task of laying off staff and eliminating unfilled positions. Because 

the spending rule operates on a five-year average, the operating 

budget will remain tight for some years even though the value of the endowments 

and trusts rebounded significantly during 2003. Despite these 

challenges, I am pleased to report that the museum continues to be free to 

all, with all its galleries and educational resources open and available so 

that the efforts of the past decade have paid off for the public. All the important 

new programs the museum created and improved during that time 

continue to thrive today. At year’s end, the museum’s operating budget 

was in the black, with a surplus of about $55,000. My heartfelt thanks go 

to our trustees’ support and to our staff, who individually managed resources 

with special care and worked even harder and longer to keep this 

museum in its solid financial condition. That strong base—economic and 

human—will be the foundation for a bright future. 

Katharine Lee Reid 

Director 

ARpp01-21.p65 9 

6/8/2004, 4:12 PM 

9

From the 

Chairman 

10 

The museum’s ambitious renovation and expansion plans continued to 

take shape during 2003, as trustees and staff worked with the architects to 

finalize the design. Our vision for this great institution remains unchanged, 

and this vision guides and informs all our decisions. We intend 

to make our facilities as great as the works of art they house and the communities 

they serve. The world knows that this city has a great collection 

of art. When the building project is concluded, it will also know that 

Cleveland has one of the greatest museum experiences in the world and 

that the museum truly is a beacon of creativity for the entire region. 

The enhancement of the Cleveland Museum of Art will dramatically 

improve our visitors’ experience, beginning with their approach to the 

museum and extending through every facet of their visit. A renovated and 

restored Breuer building will be rededicated to its original educational 

function and will house a state-of-the-art Lifelong Learning Center. The 

landmark 1916 building will be completely renovated. Redesigned gallery 

space will allow each object on view to stand out, and new interpretive 

aids will enrich the stories art can tell. Visitors will also be able to enjoy a 

new restaurant, a more inviting retail space, and easier parking. What will 

not change is the opportunity to experience the highest level of artistic 

creativity across centuries and cultures. 

Although the renovation and expansion plans intensified in 2003, the 

museum continued to bring our community extraordinary opportunities 

to experience art and culture through diverse exhibitions and programs. 

All of us appreciate the community’s continued support of these ongoing 

activities, especially in a challenging economic time. 

This museum is one of the great assets of Cleveland and northeast 

Ohio. We thank all who contributed to a successful 2003 for their 

generosity and dedication. Your support helps ensure that the Cleveland 

Museum of Art will remain a treasure for future generations. 


Chairman 

ARpp01-21.p65 10 

6/1/2004, 11:45 PM

From the 

President 

The year 2003 was one of transition and challenge for the Cleveland Museum 

of Art, yet it ended on a high note of progress and accomplishment. 

As we entered the year, we faced a sobering situation: The value of 

our endowments, whose earnings fund about two-thirds of operating 

expenses, continued to fall in weak markets. The regional and national 

economy were still weak, putting additional pressures on our revenues, 

donor support, and attendance. Meanwhile, although much progress had 

been made, plans for our visionary renovation and expansion were far 

from complete, and the staff faced yet another year living dual lives: running 

the museum on a daily basis, and simultaneously devoting enormous 

energy and intellectual resources to designing the future. The latter is a 

particularly formidable task, since there is no “off the shelf” solution: 

The Cleveland Museum of Art is unique in so many ways that its future 

configuration demands careful thought at every level of detail. Finally, 

with open positions yet to be filled and a few retirements on the horizon, 

we anticipated significant change in our curatorial ranks. Looking back, 

one of our most crucial tasks was to ensure the strength and stability of 

this most important resource during a period of transition. 

Happily, by the year’s end, few of these concerns lingered. Our endowment 

had a strong recovery, the economy was much improved, and 

our donors lent incredible support financially and otherwise. Curatorial 

work has continued apace. The building design, meanwhile, had progressed 

to a near-final vision, a relief to those working on the project and 

to the Board as well. 

From the Board perspective, we are deeply grateful to Katharine Reid 

and her staff, who provided vital input to the building project in its final 

design phase while continuing to meet the highest standards in providing 

visitor and educational services—all on a constrained budget. Many staff 

members worked long hours and contributed key insights in an extraordinary 

show of support for the long-term vision of the institution. Despite 

the clouded horizon when we entered the year, we emerged from 2003 a 

much stronger, more tightly managed, and vibrant institution. 

In 2004 we embark from this higher plateau. We are nearing the end 

of the design phase of the building; we are making steady progress in the 

“silent phase” of our capital campaign; and our programs have never been 

more robust or well received. We continue to attract more than 100,000 

students to the museum for guided tours each year and to reach tens of 

thousands more through outreach and distance learning programs, both 

live and via the Internet. Our attendance hovers near the half-million 

mark despite a continuing sluggish Cleveland economy. Finally, the 

museum finished the year with a small operating surplus. 

ARpp01-21.p65 11 

6/1/2004, 11:45 PM 

11

12 

Instructor Karen 

Levinsky leads a fifthgrade 

class from 

Canterbury 

Elementary School in 

Cleveland Heights. 

As we survey the landscape of art museums in the United States, 

we find many, like Cleveland, are embarked upon expansion projects 

whose origins date to the prosperous 1990s. However, many of our peer 

institutions are severely hampered in these efforts by operating deficits 

brought on by funding pressures in the weakened economy; most are not 

as fortunate as Cleveland in terms of its strong financial position and level 

of community support. Simply stated, we are in an enviable situation. 

We intend to continue to capitalize on our strengths and deliver to 

our community a new vision for the building, which will include 

wonderfully stimulating and refreshing ways of interpreting and presenting 

our world-class collections. At the same time, we shall continue our 

long tradition of providing educational programs and events that reflect 

our desire to serve our community at the highest level of quality. 

It is an exciting time to be involved in this museum. I hope you share 

that excitement, and that you will continue your generous and thoughtful 

support. 


President 

ARpp01-21.p65 12 

6/1/2004, 11:45 PM

Attendees at a 

February forum at the 

Ohio Theatre examine 

Rafael Viñoly’s 

dramatic scale model 

showing how the 

museum and its site 

will look when the 

expansion project is 

complete. 

Architecture Forums 

Two public events in 2003 were 

designed to engage the citizens of our 

region in shaping the museum expansion 

project. First, Rafael Viñoly 

discussed his designs in a February 6 

forum, coordinated by Cleveland Public 

Art, at the Ohio Theatre. A large model 

of the entire museum site, including 

the Fine Arts Garden and lagoon, filled 

the stage, and an array of remotecontrolled 

video cameras allowed the 

architect to give the audience a “tour” 

of his model. In a question-and-answer 

session after the presentation, Viñoly 

and director Katharine Lee Reid 

discussed the key goals of the plan: 

to increase space, rationalize the circulation 

scheme, and help open the 

museum up to the surrounding community. 

At the end of the evening, the 

audience was invited to come on stage 

and examine the model. The technical 

prowess of the museum’s Information 

Technology staff not only made the 

evening possible, but has allowed Web 

site visitors to relive the forum online. 

On November 19 in Gartner Auditorium, 

the second forum was built 

around a multimedia presentation on 

the interior of the new museum. 

During the year, staff members had 

ARpp01-21.p65 13 

6/1/2004, 11:45 PM 

worked with the architects to refine 

the ways in which the space is used 

within the established “footprint.” As 

a result, the team found resourceful 

ways of using the allotted area and 

achieved a major increase in gallery 

space. In the weeks before the forum, 

the Viñoly office in New York worked 

on computer-generated renderings of 

selected spaces. Views included a 

high-tech-but-inviting family learning 

center, a sample interpretive gallery, 

and various other gallery and exhibition 

spaces. The audience was particularly 

engaged by the simulated 

journey around the museum exterior, 

which culminated in a promenade 

through the new museum entrance, 

into the sunlit, glass-covered great 

court. Another fringe benefit of the 

design refinements was the creation 

of glass-walled galleries at the ends of 

the new east and west wings. These 

spaces help create the illusion that the 

new and old portions of the building 

don’t actually touch; they also offer 

the opportunity to display sculpture in 

plain view of passersby outside, representing 

in a particularly direct way the 

simple but powerful idea of bringing 

art to the community. 

13 13

Charles Meynier 

(French, 1768–1832). 

Clio, Muse of History, 

1800; oil on canvas; 

273 x 176 cm; 

Severance and Greta 

Millikin Purchase Fund 

2003.6.5. 

14 

ARpp01-21.p65 14 

6/8/2004, 4:12 PM

Early in the year, the 

museum acquired a suite 

of five grand paintings by 

the French Neoclassical 

artist Charles Meynier, 

making the CMA the only 

U.S. musuem posessing 

such an ensemble. The 

context of our great 

strength in late 18th- and 

early 19th-century French 

painting makes this 

acquisition especially 

important. Depicting 

prominent mythological 

figures, the large canvases 

were created starting in 

1798 on commission for a 

patron whose fortunes 

ran dry before the artist 

could complete the set. 

Miraculously, the group 

of five remained intact and 

in remarkable condition. 

Collections 

During 2003, 523 works of art came into the collection. Highlights 

among them are two 19th-century carved figures from the Democratic 

Republic of the Congo; Gamin, a hand-painted plaster bust by the 

Harlem Renaissance artist Augusta Savage; and a ceramic Oculate Being 

Mask made between 300 BC and 1 AD in present-day coastal Peru. The 

bequest of Nicholas J. Velloney brought many objects to the collection, 

from Sèvres porcelain and British silver by Paul Storr to earthenware 

from the Josiah Wedgwood Factory. Entering the Asian collections were 

notable calligraphic scrolls from Mr. and Mrs. Robert T. Gow. 

Former CMA gallery designer William Ward gave his large and 

impressive collection of Indian Kalighat paintings; the museum now 

possesses the single largest collection of these “folk” paintings in the 

United States. 

The year’s biggest acquisitions of paintings were literally the largest: 

a suite of five floor-to-ceiling compositions on mythological subjects by 

the French Neoclassical painter Charles Meynier and the expansive 1960 

canvas Celebration by the American artist Lee Krasner—the first painting 

by her to join the collection. 

The museum also added works on paper by André Breton, Kenneth 

Dingwall, Jean Dubuffet, Jean-Auguste-Dominique Ingres, Jean-François 

Millet, Henry G. Keller, and Alfred Maurer (three gouaches, a gift from 

Tommy and Gill LiPuma); five illuminated manuscripts from the Jeanne 

Miles Blackburn Collection; photographs given by the George Gund 

Foundation in honor of David Bergholz as well as a fine collection of 

photographs by Judith K. McMillan; and prints by, among others, Gustave 

Baumann, James Ensor, Donald Judd, Henri Rivière, Walter Sickert, and 

Cleveland artist Mabel Hewit, who learned the white line woodcut technique 

from Blanche Lazzell (subject of an exhibition here in 2002)—the 

first of several donations of material that will culminate in an exhibition 

in summer 2005. 

Notable textiles included a floral silk from Iran’s Safavid dynasty 

(1501-1722), and a resist-dyed raffia palm fiber man’s garment from the 

Ivory Coast. 

The activities and accomplishments of the curators varied greatly this 

year. Sylvain Bellenger was awarded the Chevalier des Arts et Lettres by 

the French government for his contribution to French culture and will be 

knighted in 2004. Michael Bennett received the Award of Achievement 

ARpp01-21.p65 15 

6/1/2004, 11:45 PM 

15

Charles Meynier 

(French, 1768–1832). 

Polymnia, Muse of 

Eloquence, 1800; oil 

on canvas; 275 x 177 

cm; Severance and 

Greta Millikin 

Purchase Fund 


16 

Color Proofing: 

Call Dean YOder 231-7880 

ARpp01-21.p65 16 

6/8/2004, 4:13 PM

Iran, Safavid dynasty 

(1501–1722). Floral Silk 

on a Golden Ground, 

1650–1700; complementary 

weft-faced 

twill with inner warps 

(samit); silk, gilt-metal 

and silver-metal 

thread; 50.1 x 27.5 cm; 

John L. Severance Fund 

2003.96. 

in the cultural exhibition category for the 2002 exhibition Magna Graecia: 

Greek Art from South Italy and Sicily from Northern Ohio Live. He also 

helped establish an endowed lecture called The John and Helen Collis 

Lecture, which will cover topics related to ancient Greek and Byzantine 

art; the lectures begin in 2004. Susan Bergh worked with the organizing 

committee to create the American Association of Museum Curators. She 

and Heather Lemonedes represent the museum on the AAMC Council. 

Stan Czuma was local curator for the national exhibition The Sensuous and 

the Sacred: Chola Bronzes from South India. Carter Foster completed a fellowship 

at the Clark Art Institute in Williamstown in May and June to 

research images of life classes in 18th-century France and mounted the 

exhibition Jasper Johns: Numbers. Jane Glaubinger organized the exhibition 

Against the Grain: Woodcuts from the Collection. Louise Mackie curated the 

experimental exhibition Draped in Splendor: Renaissance Textiles and the 

Church and worked with the New Media department to develop the 

touch-screen interactive “How to Look at Textiles.” Constantine Petridis 

completed the reinstallation of the Art of Sub-Saharan Africa gallery 

ARpp01-21.p65 17 

6/1/2004, 11:45 PM 

17

South Coast, Peru, 

Paracas (Cavernas) 

style (700 BC–AD 1). 

Oculate Being Mask, 

300 BC–AD 1; ceramic, 

resin-based paint; 

diam. 23.9 cm; 

Purchase from the J. H. 

Wade Fund 2003.39. 

18 

(which opened on October 12) and the catalogue South of the Sahara: 

Selected Works of African Art. Jeffrey Grove and Carter Foster co-curated 

the exhibition Drawing Modern: Works from the Agnes Gund Collection. 

The publications office simultaneously produced three ambitious books: 

Drawing Modern: Works from the Agnes Gund Collection; Jasper Johns: 

Numbers; and South of the Sahara: Selected Works of African Art, all published 

in October. 

The museum hired two new staff members in the collections and 

programs area. Holger Klein, the first Robert P. Bergman Curator of 

Medieval Art, starts in the fall of 2004, and a new Asian paintings conservator, 

Jennifer Perry, will work at the Freer Gallery in Washington, D.C. 

as part of a new collaboration program with that institution. 

Cross-departmental teams also worked hard to shape ideas for the 

museum expansion project, including, among other things, a high-tech 

family learning center. A team of curators and educators took a whirlwind 

“field trip” to see what a number of the most technologically advanced 

museums are using now and planning for the coming years. One glimpse 

into the future appeared in the museum’s new gallery of Sub-Saharan 

African art: a video-interactive device simultaneously provides contextual 

information for gallery visitors, contains in-depth lesson plans designed to 

be accessed by teachers who are leading classes in the gallery, and allows 

ARpp01-21.p65 18 

6/1/2004, 11:45 PM

Augusta Savage 

(American, 1892–1962). 

Gamin, about 1929–30; 

hand-painted plaster; 

44.5 x 24.2 x 20.4 cm; 

Purchase from the J. H. 


ARpp01-21.p65 19 

6/8/2004, 4:13 PM 

19

Late Shang–early 

Western Zhou period 

(1200–1000 BC). Ding; 

bronze; h. 57.4 cm; 


Millikin Purchase Fund 


20 

for live, real-time videoconferencing with scholars or students at remote 

sites. Also employing technology in inventive ways was the touch-screen 

interactive display in the Draped in Splendor exhibition that enables visitors 

to learn all about the construction and uses of Renaissance textiles. 

The museum’s Web site was enhanced with thousands of additional 

records of objects from the permanent collection, all accessible through 

a searchable database. 

A total of 268 objects were lent to 62 exhibitions at 83 different 

venues. Among the numerous works treated in the conservation labs, of 

particular note was the so-called Schlägl altarpiece depicting the Passion 

of Christ. One exciting conservation project took place across the Atlantic 

Ocean via an Internet 2 video-data connection that allowed Cleveland 

conservators and their colleagues at the Centre de Recherche et de 

Restauration des Musées de France at the Louvre in Paris to collaborate 

on research of rare French ceramics. 

ARpp01-21.p65 20 

6/1/2004, 11:45 PM

Lee Krasner 

(American, 1908– 

1984). Celebration, 


234.3 x 468.6 cm; 

Purchase from the 

J. H. Wade Fund 


Lee Krasner 

The museum was fortunate to acquire 

its largest Abstract Expressionist 

painting this year, when Lee Krasner’s 

expansive Celebration came into the 

collection. Associate Curator of Contemporary 

Art Jeffrey Grove says the 

painting “expresses powerful emotional 

energy, alternately ferocious 

and lyrical.” With arcs of pigment that 

drip and splatter across its surface, the 

work exemplifies “action painting,” in 

which the finished work expresses the 

accumulation of the energetic physical 

movements the artist made in the 

process of dispersing paint over the 

canvas. The work is a unique statement 

in Krasner’s career—indeed, 

it is actually two paintings in one. 

Originally painted in 1957 and titled 

Upstream #2, the canvas was marked 

by a lush palette and interlocking 

organic forms. In 1960, the artist 

repainted it using more somber tones 

of umber, cream, and white to refine 

and reshape the composition. These 

different groups of gestures, made at 

different times, reflect conflicting 

ARpp01-21.p65 21 

6/1/2004, 11:45 PM 

emotional states. Celebration reconciles 

both in a single, vibrant work. Unlike 

the more purely abstract paintings 

of her iconic husband, Jackson Pollock, 

Krasner’s work incorporates figural 

representation and nonobjective 

gestures in counterpoint, creating a 

layered, complex composition, full of 

tension and vitality. 

Krasner was the only female member 

of the first generation of Abstract 

Expressionist painters. She created an 

influential series of large-scale action 

paintings between 1957 and 1962. Abstract 

Expressionism is a term coined 

to characterize the work of artists who 

struggled to reconcile the formal elements 

of European modernists—such 

as Matisse and Picasso—with an exploration 

of philosophical and psychological 

impulses through nonobjective 

images. Celebration is an eloquent 

summation of the goals of that movement 

and an engaging, even joyful 

image: a wonderful addition to the 

museum’s collection. 

21

Acquisitions 

22 

Democratic Republic 

of the Congo, possibly 

Yombe people. Mother 

and Child Figure 

(pfemba), mid to late 

1800s; wood; 26 cm; 

Andrew R. and Martha 

Holden Jennings Fund 


Democratic Republic 

of the Congo, 

Hungaan people. Male 

Figure, mid to late 

1800s; wood; 68 cm; 

Andrew R. and Martha 

Holden Jennings Fund 


African Art 

Democratic Republic of the Congo, possibly 

Yombe people. Mother and Child Figure 

(pfemba), mid to late 1800s; wood; 26 cm; 

Andrew R. and Martha Holden Jennings Fund 


Democratic Republic of the Congo, Hungaan 

people. Male Figure, mid to late 1800s; wood; 

68 cm; Andrew R. and Martha Holden 

Jennings Fund 2003.36. 

Art of the Ancient Americas 

South Coast, Peru, Paracas (Cavernas) style 

(700 BC–AD 1). Oculate Being Mask, 300 BC– 

AD 1; ceramic, resin-based paint; diam. 23.9 

cm; Purchase from the J. H. Wade Fund 


Lucy Martin Lewis (New Mexico, Acoma 

Pueblo, about 1900–1992). Vessel, 1900s; 

ceramic; diam. 15.7 cm, h. 11.7 cm; Gift of 

Frances and David Dickenson in memory of 

Sarah Dickenson and Jeffrey Cudlip 2003.345. 

María Martinez (New Mexico, San Ildefonso 

Pueblo, about 1887–1980). Vessel, 1900s; 

ceramic; diam. 9.5 cm, h. 7 cm; Gift of 



María Martinez (New Mexico, San Ildefonso 

Pueblo, about 1887–1980) and Popovi Da 

(New Mexico, San Ildefonso Pueblo, 1921– 

1971). Plate, after 1955; ceramic; diam. 30 cm, 

h. 5.6 cm; Gift of Frances and David 

Dickenson in memory of Sarah Dickenson and 

Jeffrey Cudlip 2003.348. 

Helen Naha (Naja) (Feather Woman) (Arizona, 

Tewa-Hopi, 1922–1993). Vessel, 1900s; 

ARpp22-37.p65 22 

6/1/2004, 11:50 PM 

ceramic; diam. 35.1 cm, h. 15 cm; Gift of 



Joy Navasie (Frog Woman) (Arizona, Tewa- 

Hopi, b. 1919). Vessel, about 1960(?); ceramic; 

diam. 15.2 cm, h. 12.2 cm; Gift of Frances 

and David Dickenson in memory of Sarah 

Dickenson and Jeffrey Cudlip 2003.349. 

Nathan Youngblood (New Mexico, Santa 

Clara Pueblo, b. 1954). Plate, late 1900s; 

ceramic; diam. 29.1 cm, h. 5.3 cm; Gift of 



Chinese Art 

Late Shang–early Western Zhou period (1200– 

1000 BC). Ding; bronze; h. 57.4 cm; Severance 

and Greta Millikin Purchase Fund 2003.2. 

Jiangxi Province, Song dynasty (960–1279). 

Cloud-shaped Pillow: Qingbai Ware, 1100s; 

glazed porcelain; w. 17.6 cm, h. 10 cm; Gift of 

various donors to the Department of Asian Art 

(by exchange) 2003.88. 

Yuan dynasty (1279–1368). Two hanging 

scrolls; ink on silk; 134.3 x 62.6 cm; The 

Severance and Greta Millikin Purchase Fund. 

Ink Bamboo in Four Seasons: Spring; 2003.87.1. 

Ink Bamboo in Four Seasons: Autumn; 2003.87.2. 

Qing dynasty (1644–1911). Portrait of Buddhist 

Monks of Obaku Sect, 1600s; hanging scroll; 

ink and color on paper; 134 x 77.5 cm; Gift of 

Mr. and Mrs. Robert T. Gow 2003.352. 

Qing dynasty. Tree Root, before 1800s; wood 

with carved base; h. 82 cm (with base); Gift of 

various donors to the Department of Asian Art 

(by exchange) 2003.44. 

Qing dynasty, Kangxi mark and period (1662– 

1722). Jar with Flowers, Rocks, and Pheasants; 

enameled porcelain, with susancai (plain threecolor) 

decoration; h. 42.3 cm, diam. 35.5 cm; 

Bequest of Nicholas J. Velloney 2003.258. 

Qing dynasty, Yongzheng mark and period 

(1723–35). Bequest of Nicholas J. Velloney. 

Small Dish with Yellow Enamel; enameled porcelain; 

diam. 7.7 cm, h. 1.8 cm; 2003.260. Pair 

of Bowls with Yellow Glaze; glazed porcelain; 

diam. 14.8 cm, h. 6.7 cm; 2003.259.1–2. 

Qing dynasty, Qianlong mark and period 


Dish with Green Glaze and Carved Floral Designs; 

glazed porcelain; diam. 27.7 cm, h. 5.3 

cm; 2003.262. Small Dish with Yellow Enamel; 

enameled porcelain; diam. 8.8 cm, h. 3 cm; 


Qing dynasty, Daoguang mark and period 


Bowl with Yellow Glaze; glazed porcelain; diam. 

14.7 cm, h. 6.8 cm; 2003.263. Large Bowl with 

Yellow Enamel; enameled porcelain; diam. 38.5 

cm, h. 16.5 cm; 2003.264. 

Hung Hsien (Chinese-American, b. 1933). 

Frozen Landscape, 1985–90; hanging scroll; ink 

and color on paper; 107.3 x 62.2 cm; Gift of 

Dr. and Mrs. Ju-hsi Chou 2003.286. 

Yushan Daozong (Chinese, 1629–1709). Gift 

of Mr. and Mrs. Robert T. Gow. Calligraphy

in Cursive Style; horizontal scroll; ink on paper; 

28.5 x 65.5 cm; 2003.353. Calligraphy in Cursive 

Style; hanging scroll; ink on paper; 128 x 28.5 

cm; 2003.354. 

Contemporary Art 

Robert Gober (American, b. 1954). Untitled, 

1990; wax, wood, leather shoe, cotton fabric, 

human hair; 29.6 x 16 x 51.2 cm; Dorothea 

Wright Hamilton Fund 2003.226. 

Lee Krasner (American, 1908–1984). Celebration, 

1960; oil on canvas; 234.3 x 468.6 cm; 

Purchase from the J. H. Wade Fund 2003.227. 

Frank Stella (American, b. 1936). Gray Scramble 

(Single), VIII, 1968; synthetic polymer paint on 

canvas; 175.2 x 175.2 cm; Anonymous Gift 


Decorative Arts 

England. Figure, about 1800; earthenware; 47.5 

x 39.2 x 18.6 cm; Bequest of Nicholas J. 

Velloney 2003.249. 

England, Staffordshire. Tea Caddy with Lid, 

about 1750–1800; earthenware; with cover 13 

x 8.5 x 6.4 cm; Bequest of Nicholas J. Velloney 

2003.247.a–b. 

France, Paris. Centerpiece, about 1830–50; gilt 

bronze with enamel flowers; 51 x 38.2 x 26.4 

cm (with flowers); Bequest of Nicholas J. 

Velloney 2003.256.a–b. 

Yuan dynasty (1279– 

1368). Two hanging 

scrolls; ink on silk; 

each 134.3 x 62.6 cm; 

The Severance and 


Purchase Fund. Ink 

Bamboo in Four 

Seasons: Spring; 

2003.87.1. Ink Bamboo 

in Four Seasons: 

Autumn; 2003.87.2. 

France, Paris. Neoclassical Three-Branch Candelabrum 

with Shade, about 1800; gilt bronze and 

iron; 74.5 x 41.5 x 39.9 cm; Bequest of 

Nicholas J. Velloney 2003.257.a–b. 

United States, probably. Place Setting (five 

glasses, bowl, and plate), about 1890–1920; 

glass; h. 20.3, 19.9, 17.8, 16, 15.2 cm (glasses); 

6 x 12 cm (bowl); 1.7 x 16.6 cm (plate); Bequest 

of Nicholas J. Velloney 2003.252.1–7. 

Rick Dillingham (American, 1952–1994). 

Vessel: Mad 85-1, 1985; ceramic, diam. 28 cm, 

h. 19.1 cm; Gift of Frances and David 

Dickenson in memory of Sarah Dickenson and 

Jeffrey Cudlip 2003.351. 

Elkington & Co. (British). Neo-Rococo Coffee 

Pot, about 1850; silver and ivory; 32 x 23.8 x 

15.4 cm; Bequest of Nicholas J. Velloney 


Daubron frères (French). Charger, 1878; glazed 

and gilt earthenware; diam. 33 cm; Gift of 

Charles L. Venable and Martin K. Webb in 

honor of Henry H. Hawley 2003.52. 

Georges Jacob (French, 1739–1814). Bequest 

of Nicholas J. Velloney. Fire Screen, about 

1780; gilded wood; 100.5 x 70.4 x 41 cm; 

2003.253. Oval Stool, about 1780; gilded 

wood; 40.6 x 47.2 cm; 2003.254. 

ARpp22-37.p65 23 

6/1/2004, 11:50 PM 

Factory of Jacob-Petit (French, 1830–65). Pair 

of Covered Ice Cream Pails, about 1840; gilt 

porcelain; 42.5 x 27.3 x 27 cm and 42.5 x 27.7 

x 26.6 cm; Bequest of Nicholas J. Velloney 

2003.250.1.a–c; 2003.250.2.a–b. 

Samuel Kirk (American, 1793–1872). Neo 

Rococo Coffee Pot, about 1840; silver and ivory; 

30.4 x 23.5 x 12 cm; Bequest of Nicholas J. 


Maison Cardeilhac (French). Dessert Knife and 

Fork, about 1880; gilt silver and ivory; knife 

25.2 x 1.9 x 1.3 cm; fork 21.4 x 2.1 x 1.9 cm; 

Bequest of Nicholas J. Velloney 2003.245.1–2. 

Jean Prouvé (French, 1901–1984). Compass 

Armchair, about 1950; steel, aluminum, wood, 

and plastic; 78 x 59 x 52 cm; The Mary 

Spedding Milliken Memorial Fund, gift of the 

Foster Family Foundation and the Trideca 

Society in honor of Henry Hawley 2003.93. 

Sèvres Factory (French, est. 1756). Cream Jug, 

designed 1788, made 1831–34; gilt porcelain; 

17.1 x 9.2 x 12.1 cm; Bequest of Nicholas J. 


Paul Storr (British, 1771–1844). Dessert Fork 

and Spoon with Hunt Scenes, 1822; gilt silver; 

fork 21.1 x 3 x 3 cm; spoon 22.5 x 4.6 x 3.5 

cm; Bequest of Nicholas J. Velloney 

2003.244.1–2. 

23

Qing dynasty (1644– 

1911). Portrait of 

Buddhist Monks of 

Obaku Sect, 1600s; 

hanging scroll; ink and 

color on paper; 134 x 

77.5 cm; Gift of Mr. 

and Mrs. Robert T. 

Gow 2003.352. 

24 

Frank Stella 

(American, b. 1936). 

Gray Scramble (Single), 

VIII, 1968; synthetic 

polymer paint on 

canvas; 175.2 x 175.2 

cm; Anonymous Gift 


Designed by Kem Weber (American, b. Germany, 

1889–1963), manufactured by Grand 

Rapids Chair Company. Armchair and Sideboard 

from “The Kem Weber Group,” 1928–29; chair: 

painted wood with synthetic leather; 105.4 x 

53.4 x 50.8 cm; sideboard: painted wood; 

83.9 x 182.8 x 48.3 cm; The Mary Spedding 

Milliken Memorial Fund 2003.4.1–2. 

Josiah Wedgwood Factory (British, est. 1759). 

Wicker-Work Covered Basket on Stand, about 

1780–1840; earthenware; 18 x 19.7 x 19.7 cm; 

Bequest of Nicholas J. Velloney 2003.248.a–c. 

Drawings 

Anonymous (British?). Crouching Male Nude, 

1900–1950; red chalk; 28.7 x 39.2 cm; 


Anonymous (British?). Seated Female Nude from 

the Rear, 1900–1950; red chalk; 39.4 x 29.1 

cm; Bequest of Nicholas J. Velloney 2003.270. 

Anonymous (British?). Standing Male Nude, 

1900–1950; red chalk; 39.1 x 27.9 cm; 


Anonymous (French). Compositional Sketches 

after Raphael and Other Artists, 1700s; graphite; 

Bequest of Nicholas J. Velloney. 19.3 x 23.1 

cm; 2003.276.a. 19.2 x 23.1 cm; 2003.276.b. 

Anonymous (Italian). Three Head Studies, 

1600s; red and black chalk; 8.4 x 18.6 cm; 


ARpp22-37.p65 24 

6/1/2004, 11:50 PM 

Will Barnet (American, b. 1911). The Dream, 

2002; “carbon pencil” and oil paint; 69.2 x 

47.3 cm; Gift of The Print Club of Cleveland 


Carl Bloch (Danish, 1834–1890). Standing 

Woman and Child, 1850–90; pen and brown 

ink, brush and brown wash; 27.8 x 15.9 cm; 

James Parmelee Fund 2003.229. 

Cecco Bravo (Italian, 1607–1661). Study of a 

Standing Male Nude, with a Study of Head in 

Three-Quarter Profile, about 1640; red chalk; 

40.2 x 25 cm; Gift of Mr. and Mrs. Theodore 

Alfred in memory of Carey Croneis 2003.288. 

André Breton (French, 1896–1966). Portrait of 

Joyce Mansour, about 1935; ink on coated 

calendered paper (décalcomanie), three parts; 

John L. Severance Fund. 22 x 10.2 cm; 

2003.95.a. 22 x 10 cm; 2003.95.b. 22 x 9.6 

cm; 2003.95.c. 

Jules Chapoval (French, 1919–1951). Untitled, 

1945; charcoal; 30.3 x 23.9 cm. Gift of Sylvain 

Bellenger in honor of Carter Foster and in 

recognition of their friendship and collaboration 


Kenneth Dingwall (Scottish, b. 1938). Behind 

the Mirror, 2001; graphite and casein; 33.5 x 

48.4 cm, Gift of the artist 2003.97. 

Jean Dubuffet (French, 1901–1985). Untitled, 

1957; collage (butterfly wings and india ink); 

26.8 x 36.2 cm; Gift from the Trust of Frank 

H. Porter 2003.291.

Robert Gober 


Untitled, 1990; wax, 

wood, leather shoe, 

cotton fabric, human 

hair; 29.6 x 16 x 51.2 

cm; Dorothea Wright 

Hamilton Fund 


Marcantonio Franceschini (Italian, 1648– 

1729). Study of a Young Woman Playing a Tambourine, 

and Studies of an Arm, Hands, and Feet 

(Studies for “Miriam Leading the Chorus of 

Women Who Give Thanks for the Routing of 

Pharoah”), about 1711; red chalk; 25.3 x 35.1 

cm; Gift of Nancy West 2003.7. 

Ellen Gallagher (American, b. 1965). Bouffant 

Pride, 2003; handmade collage, cutout, painting 

and photogravure on rag paper; 34.3 x 

25.5 cm; Mr. and Mrs. James A. Saks Fund 


Jean-Auguste-Dominique Ingres (French, 

1780–1867). Studies of Hands and Study of a 

Foot (Studies for Windows in the Chapel of Saint 

Ferdinand, Paris), 1842; graphite with traces of 

white heightening; 31.2 x 23.5 cm; Purchase 

from the J. H. Wade Fund 2003.37. 

Henry G. Keller (American, 1869–1949). The 

Beach at Sunnyside, Ohio, late 1930s; watercolor; 

35.5 x 51.1 cm; Gift of Katherine 

Prescott in memory of Clara E. Lucioli 


Alfred Maurer (American, 1868–1932). Effie, 

about 1929; gouache; 54.6 x 45.7 cm; Gift of 

Tommy and Gill LiPuma in loving memory of 

Sam and Rose LiPuma 2003.53. Tan Still Life, 

about 1932; gouache; 25.4 x 37.9 cm; Gift of 


Josephine LiPuma Kestner 2003.55. Two 

Heads, about 1931; gouache with brown/black 

ink and oil paint; 52.9 x 44.7 cm; Gift of 


Sam and Rose LiPuma 2003.54. 

Anton Mauve, Dutch (1838–1888). Shepherd 

with His Flock, about 1870; pen and brown ink; 

10.2 x 16.5 cm; Gift of Mr. and Mrs. 

Theodore Alfred in memory of Carey Croneis 


Jean-François Millet (French, 1814–1875). 

Portrait of Narcisse Virgile Diaz de la Peña, 1848; 

black chalk with heightening in pale greenblue 

chalk; 61.4 x 48.7 cm; John L. Severance 

Fund 2003.41. 

William McGregor Paxton (American, 1869– 

1941). Bequest of Nicholas J. Velloney. Female 

Nude Seen from the Rear, about 1913; graphite; 

30.2 x 22.3 cm; 2003.268. Female Nude with 

Outstretched Arms, about 1913; graphite; 30.2 x 

22.5 cm; 2003.269. Nude Child Seen from the 

Rear, 1913; graphite; 35.3 x 25 cm; 2003.267. 

Charles Paul Renouard (French, 1845–1924). 

Standing Woman, about 1900; black crayon; 

20.8 x 12 cm; Bequest of Nicholas J. Velloney 


George Richmond (British, 1809–1896). Two 

Male Figures, about 1829; pen and brown ink; 

14.9 x 16 cm; James Parmelee Fund 2003.228. 

Attributed to Antonio Tempesta (Italian, 

1555–1630). Rearing Horse and Rider (two 

works), about 1600; Bequest of Nicholas J. 

Velloney. Red chalk; 20.6 x 17.1 cm; 

2003.273. Red chalk counterproof; 19.5 x 

16.7 cm; 2003.274. 

Robert van Audenaerd (Dutch, 1663–1743). 

Van Audenaerd Album (after Carlo Maratti), 

ARpp22-37.p65 25 

6/1/2004, 11:50 PM 

c. 1720–30; bound volume of 34 drawings and 

reproductive engravings; 56.7 x 43.7 x 4.4 cm; 

Gift of Mr. and Mrs. Theodore Alfred in 

memory of Carey Croneis 2003.290.a–hh. 

Joseph Vernet (French, 1714–1789). Sheet of 

Studies: Seated Man, Head of a Dog, Seated 

Woman, 1700s; red chalk (seated man); pen 

and brown ink over black chalk (seated 

woman); black chalk (head of dog); 12.4 x 

12.7 cm; Bequest of Nicholas J. Velloney 


Max Weber (American, 1881–1961). Study of 

Four Female Nudes, 1912; watercolor and 

graphite; 31.9 x 20.6 cm; Gift of Richard and 

Edward Feinberg, from the collection of Dr. 

Isadore Feinberg and Dr. Rose S. Hartmann 

Feinberg 2003.82. 

Attributed to Federico Zuccaro (Italian, 1540/ 

2–1609). Genre Scene of Young Men Playing a 

Game; pen and brown ink and brush and 

brown wash over graphite; 13.7 x 20.1 cm; 


memory of Carey Croneis 2003.289. 

Indian and South East Asian Art 

India, Deccan, Aurangabad. Gujari Ragini 

(Krishna with Gopis Playing the Flute), from the 

“Ragamala Series,” about 1750; painting, ink 

and color on paper; 24.3 x 14 cm; Gift of Jack 

and Jeanette Walton in memory of his grandparents, 

Dr. and Mrs. E. K. Zaworski 


India, Calcutta. Kalighat painting, 1800s; Gift 

of William E. Ward in memory of his wife, 

Evelyn Svec Ward. Unknown subject; black 

ink, color, and graphite underdrawing on 

paper; 30.4 x 25.5 cm; 2003.109.a. Unknown 

subject; black ink, color, and graphite underdrawing 

on paper; 25.3 x 30.3 cm; 2003.124. 

Unknown subject; woodcut with black ink on 

paper; 27.8 x 41.7 cm; 2003.139. Anantasayan 

(Vishnu Reclining on Servant Anata); woodcut 

with black ink on paper; 26.5 x 40.8 cm; 

2003.140. Balarma and Krishna; black ink, 

color, and graphite underdrawing on paper; 

45.3 x 27.9 cm; 2003.168. A Barber Cleaning 

the Ear of a Courtesan; black ink, color, and 

silver paint on paper; 45.3 x 28.4 cm; 

2003.117. A Barber Cleaning the Ear of a Courtesan; 

woodcut with black ink on paper; 45.5 x 

28.2 cm; 2003.118. Battle Scene; black ink and 

hand-colored with yellow, red, and green on 

paper; 26.8 x 41.6 cm; 2003.111.b. Calcutta 

“Man about Town” Smoking Marsela Pipe; black 

ink, color, silver paint, and graphite underdrawing 

on paper; 45.7 x 28 cm; 2003.145. 

Das Avataras, Ten Incarnations of Vishnu; black 

ink and hand-colored with red, green, and 

yellow on paper; 28.3 x 42.7 cm; 2003.114.b. 

Diana or Artemis; black ink, color, silver paint, 

and graphite underdrawing on paper; 45.4 x 

27.8 cm; 2003.147. Durga; black ink, color, 

silver paint, and graphite underdrawing on 

paper; 45.6 x 27.6 cm; 2003.157.b. Durga and 

Her Lion Killing Maheshasura; black ink, color, 

and silver paint on paper; 45.8 x 28.3 cm; 

2003.103. Durga or Ganesha Janani(?); ink, 

25

Banwari (Indian). The 

Game of Wolf Running 

in Tabriz, a Folio from 

a Third Set of Akbar 

Nama (History of 

Akbar), about 1595– 

1600; ink and color on 

paper; 32.2 x 19.2 cm 

(image), 35.2 x 23.8 cm 

(leaf); Alma Kroeger 


26 

color, and silver paint on paper; 44.2 x 27.9 

cm; 2003.169. Dusmanta Garlanding 

Shakumtala; black ink, color, silver paint, and 

graphite underdrawing on paper; 13.6 x 8.7 

cm; 2003.141. Gajalakshmi; black ink, color, 

and silver paint, and graphite underdrawing on 

paper; 43 x 27.7 cm; 2003.149. Ganesha; black 

ink, color, and graphite underdrawing on paper; 

45.3 x 27.5 cm; 2003.166. Ganesha; black 


on paper; 43 x 27.4 cm; 2003.98. 

Garuda Carrying Balarama and Krishna; black 


on paper; 45.2 x 27.8 cm; 2003.134.b. 

Gaur and Nitai; black ink, color, and some 


cm; 2003.115. The Goddess Ganga; black ink, 


29.8 x 22.5 cm; 2003.127. The Goddess Ganga; 

black ink, color, silver paint, and graphite 

underdrawing on paper; 45.1 x 27.6 cm; 

2003.158. Hanuman with Rama and Lakshmana 

on His Shoulders; black ink, color, and silver 

paint on paper; 45.7 x 29.4 cm; 2003.120. 

Hari-Hara; black ink, color, silver paint, and 


cm; 2003.99. Hari-Hara; black ink, color, and 


2003.100.a. Jagannatha Trio; black ink, color, 


paper; 45.5 x 28 cm; 2003.135.b. Jailer Receiving 

Mahant of Tarakeshwar in Prison; black ink, 

color, silver paint, and graphite underdrawing 

on paper; 45 x 28 cm; 2003.105. Jatayu 

(Rama’s Mythical Bird) Hinders Ravana’s 

Chariot, Trying to Prevent the Abduction of Sita; 

black ink, color, and silver paint, and graphite 


2003.109.b. Jatayu (Rama’s Mythical Bird) 

Hinders Ravana’s Chariot, Trying to Prevent the 

Abduction of Sita; woodcut with black ink on 

paper; 40.6 x 26.5 cm; 2003.111.a. Kalaketu 

Receiving a Boon from the Goddess Chandi; black 



Kali; black ink and color paint on paper; 28 x 

21.5 cm; 2003.116. Kali; black ink, color, and 

silver paint on paper; 45.9 x 28 cm; 

2003.110.a. Kali; black ink, color, silver paint, 

and graphite underdrawing on paper; 45.4 x 28 

cm; 2003.163. Kali; black ink, color, silver 

paint, and graphite underdrawing on paper; 

44.8 x 27.8 cm; 2003.164. Kali Standing on 

Shiva; black ink and color on paper; 30 x 25.5 

cm; 2003.110.b. Kaliyahi-Marddaka-Krishna 

(Krishna Destroying Snake-Demon Kaliya); black 

ink, color, and graphite underdrawing on 

paper; 25.4 x 20.4 cm; 2003.113.a. Kartika 

(Karttikeya); black ink, color, silver paint, and 


cm; 2003.151. Krishna Standing by Radha Who 

Is Seated on a Chair; black ink, color, silver 

paint, and graphite underdrawing on paper; 

45.4 x 27.7 cm; 2003.155. Krishna as Kali Worshiped 

by Radha; black ink, color, and silver 

paint on paper; 45.7 x 27.8 cm; 2003.113.b. 

Krishna in His Childhood Asking for Butter from 

Yoshoda; black ink, color, silver paint, and 

graphite underdrawing on paper; 45.7 x 28 

cm; 2003.112. Krishna Ferrying Radha across the 

ARpp22-37.p65 26 

6/1/2004, 11:50 PM 

Yumna; black ink, color, and silver paint on 

paper; 45.8 x 27.6 cm; 2003.129.a. Krishna 

Ferrying Radha across the Yumna with an Old 

Woman; black ink, color, silver paint, and 


cm; 2003.130. Krishna Stroking Radha’s Feet; 

black ink, color, and graphite underdrawing on 

paper; 45.4 x 27.9 cm; 2003.133.b. Krishna 

Stroking Radha’s Feet; woodcut with black ink 

on paper; 40.6 x 26.6 cm; 2003.136. Krishna 

Stroking Radha’s Feet; black ink, color, and 

silver paint on paper; 40.4 x 28 cm; 2003.138. 

Krishna Weighted against Precious Objects(?); 

black ink and hand-colored with green, 

yellow, and red on paper; 28.5 x 45 cm; 

2003.107.b. Lakshmi and Sarasvati; black ink, 

color, and graphite drawing on paper; 30.1 x 

25.5 cm; 2003.121. Lakshmi and Sarasvati; 

black ink, color, and silver paint on paper; 45.3 

x 28.4 cm; 2003.150.b. Lav and Kush, Sons of 

Rama(?); black ink, color, silver paint, and 


cm; 2003.154. Mahant of Tarakeshwar Rides on 

an Elephant; black ink, color, silver paint, and 


cm; 2003.104. Manasa, the Snake Goddess; 


underdrawing on paper; 33 x 25.3 cm; 

2003.106. Matsya, Fish Avatara of Vishnu, black 



Megha-Nada (Indrajit, Son of Radha); black ink, 


on paper; 45.5 x 27.6 cm; 2003.119. The Mutiny 

Heroine Rani Lakshmi Bai of Shansi; black 



Parvati Placing a Wedding Garland on Shiva; 


underdrawing on paper; 45.6 x 28 cm; 

2003.108.a. Parvati Placing a Wedding Garland 

on Shiva; black ink, color, silver paint, and 


cm; 2003.129.b. Pravira Kneeling at the Feet of 

Jana; black ink, color, silver paint, and graphite 

underdrawing on paper; 15 x 10.3 cm; 

2003.142. Prostitutes; black ink, color, and 


2003.107.a. Radha and Krishna; black ink, 


on paper; 45.6 x 27.7 cm; 2003.156.b. Radha 

and Krishna; black ink, color, silver paint, and 


cm; 2003.167. Radha Stroking Krishna’s Feet; 

woodcut with black ink on paper; 40.6 x 26.5 

cm; 2003.137. Rai Raja; black ink, color, and 


cm; 2003.123. Raja Riding a Horse; black ink, 

color paint, and graphite underdrawing on 

paper; 45.4 x 27.8 cm; 2003.161. Rama and 

Hanuman Holding an Uprooted Tree, Rescues Sita; 

black ink and color on paper; 35 x 25.9 cm; 

2003.150.a. Rama and Sita; black ink, color, 

and graphite underdrawing on paper; 31 x 25.6 

cm; 2003.134.a. Rama and Sita Enthroned with 

Lakshmana and Hanumanan Attending; black 

ink, color, and graphite underdrawing on paper; 

45.5 x 27.5 cm; 2003.152. Rama and Sita 

in Royal Palace; woodcut with black ink and 

handcolored with yellow, green, and red paint

on paper; 27 x 38.6 cm; 2003.156.a. Ravana; 



2003.148. Seven Heroes or Warriors Killing 

Abhimanya, Son of Arjuna; black ink, color, 


paper; 45.6 x 27.7 cm; 2003.144. Shiva and 

Parvati; black ink, color, silver paint, and 


cm; 2003.162. Shiva Bearing Aloft the Body of 

His Spouse Who Has Died in Childbirth; black 



Sitala, Goddess of Smallpox; black ink, color, 


paper; 45.5 x 27.7 cm; 2003.157.a. 

Trivikramapada (Three Steps of Vishnu); black 



Vaishnva Devotee with Two Women; black ink, 


on paper; 45.4 x 27.8 cm; 2003.101. Vastrahavan 

(Krishna Steals the Clothes of the Milkmaids); 


underdrawing on paper; 45.5 x 28 cm; 

2003.114.a. Vasudeva (Krishna’s father) Fleeing 

with the Infant Krishna Encounters a Cobra; black 


on paper; 45 x 27.7 cm; 2003.153. 

Vasudeva (Krishna’s father) Fleeing with Krishna 

Encounters a Cobra and a Jackal; black ink, color, 

and silver paint on paper; 45.5 x 28.2 cm; 

2003.100.b. Vishnu and Lakshmi; black ink, 


on paper; 45.6 x 27.7 cm; 2003.132. Vishnu in 

Female Form of Mohini Carrying Amrita for the 

Gods; black ink and color on paper; 29.5 x 25 

cm; 2003.122. Winged Apsara with a Horn; 



2003.135.a. Woman Playing Music; black ink, 


30.7 x 25.7 cm; 2003.133.a. Worship of the 

Infant Krishna; black ink, color, and silver paint 

on paper; 29 x 25 cm; 2003.128. Yasoda and 

Krishna; black ink, color, silver paint, and 

graphite underdrawing on paper; 42 x 26 cm; 

2003.159. Yasoda and Krishna; black ink, color, 


paper; 45 x 27.8 cm; 2003.160. Yasoda Churning 

Butter; black ink, color, silver paint, and 


cm; 2003.108.b. Yasoda Holding Krishna and 

Radha; black ink, color, silver paint, and 


cm; 2003.125. Yasoda Taking the Infant Krishna 

for a Walk; black ink, color, and graphite underdrawing 


India, Rajasthan, Mewar School. Krishna and 

Gopis (Cowherd Girls), about 1660; ink and 

color on paper; 23.5 x 17.5 cm; Gift of Dr. 

Norman Zaworski 2003.343. 

Banwari (Indian). The Game of Wolf Running in 

Tabriz, a Folio from a Third Set of Akbar Nama 

(History of Akbar), about 1595–1600; ink and 

color on paper; 32.2 x 19.2 cm (image), 35.2 x 

23.8 cm (leaf); Alma Kroeger Fund 2003.38. 

Medieval Art 

South Flanders. Leaf from an Antiphonary: Initial 

Q with Saints Peter and Paul, about 1325; ink, 

tempera, and gold on vellum; 32.3 x 21.9 cm; 

The Jeanne Miles Blackburn Collection 


Noël Bellemare (French, Paris, active 1520– 

1546) and the 1520s Hours Workshop. Two 

Leaves from a Book of Hours: David in Prayer and 

a Text Leaf with an Illuminated Border, about 

1530–35; ink, tempera, and liquid gold on 

vellum; 11.2 x 6.4 cm (each leaf ); The Jeanne 

Miles Blackburn Collection 2003.174.1–2. 

Attavante degli Attavanti (Italian, Florence, 

1452–1520/25) and Workshop. Leaf from a 

Gradual: Initial P with the Nativity, about 1500; 

ink, tempera, and gold on vellum; 59.8 x 4.1 

cm; The Jeanne Miles Blackburn Collection 


Henri d’Orquevaulx (French, Metz, active 

about 1420–1430). Leaf from a Book of Hours: 

The Visitation, about 1420; ink, tempera, and 

gold on vellum; 16.1 x 12.5 cm; The Jeanne 

Miles Blackburn Collection 2003.172. 

Seneca Master (Italian, active about 1307– 

1325). Medallion from the Border of a Latin Bible: 

The Expulsion of Adam and Eve from Paradise, 

early 1300s; tempera on vellum; diam. 7 cm; 

The Jeanne Miles Blackburn Collection 


ARpp22-37.p65 27 

6/1/2004, 11:50 PM 

American Painting and Sculpture 

Ralph Earl (American, 1751–1801). Moses 

Seymour, Jr., 1789; oil on canvas; 120.7 x 90.2 

cm; Gift of Mrs. George S. Lockwood Jr. in 

loving memory of her husband 2003.285. 

Augusta Savage (American, 1892–1962). 

Gamin, about 1929–30; hand-painted plaster; 

44.5 x 24.2 x 20.4 cm; Purchase from the J. H. 


European Painting and Sculpture 

Edouard Detaille (French, 1848–1912). 

Soldiers, about 1892; oil on panel; 20.7 x 17.2 

cm; Gift of John Bonebrake 2003.357. 

Charles Meynier (French, 1768–1832). Oil on 

canvas; Severance and Greta Millikin Purchase 

Fund. Apollo, God of Light, Eloquence, and Fine 

Arts with Urania, Muse of Astronomy, 1798; 

275 x 235 cm; 2003.6.3. Calliope, Muse of Epic 

Poetry, 1798; 275 x 177 cm; 2003.6.4. Clio, 

Muse of History, 1800; 273 x 176 cm; 2003.6.5. 

Erato, Muse of Lyrical Poetry, 1800; 273 x 176 

cm; 2003.6.2. Polymnia, Muse of Eloquence, 

1800; 275 x 177 cm; 2003.6.1. 

Frans Pourbus the Younger (Flemish, 1569– 

1622). Louis XIII (1601–1643) as a Child, 

1611; oil on canvas; 159.3 x 95.3 cm; Mr. and 

Mrs. William H. Marlatt Fund 2003.225. 

Frans Pourbus the 

Younger (Flemish, 

1569–1622). Louis XIII 

(1601–1643) as a Child, 


159.3 x 95.3 cm; Mr. 

and Mrs. William H. 

Marlatt Fund 


27

European Painting and Sculpture, 

1900–1945 

Jean Hélion (French, 1904–1987). Composition, 

1934; oil on canvas; 130.8 x 161.9 cm; Jointly 

owned by Dorothy Tremaine Hildt and the 

Cleveland Museum of Art 2003.428. 

Jacques Hérold (Romanian, 1910–1987). 

Crystallization of the Forest, 1946; oil on panel; 

60 x 73 cm; John L. Severance Fund 2003.94. 

Photography 

Shimon Attie (American, b. 1957). Slide 

Projection at the Central Train Station, Dresden, 

Germany, 1993 (printed 2003); chromogenic 

process color print (Ektacolor); ed.1/15; 59.9 x 

40.8 cm; Anonymous gift in memory of David 

“Ted” Baiman 2003.342. 

Dmitri Baltermants (Russian, 1912–1990). 

Grief, 1942 (printed early 1990s); gelatin silver 

print; ed. 17/25; 38.9 x 47.2 cm; Gift of 

Patricia and Mark Stillman 2003.308. 

Dawoud Bey (American, b. 1953). 1993; two 

gelatin silver prints; The George Gund Foundation 

Collection in honor of David Bergholz, 

The Cleveland Museum of Art. Monique and 

Deborah Stover; 13 x 16.6 cm (each), 26.8 x 

33.9 cm (overall); 2003.205.a–d. Carmen and 

Ricardo Cordero, Larry Green Jr., Petronila Velez, 

Carmen Torres, Jasmine Green; 9.6 x 12.2 cm 

(each), 19.5 x 50.9 cm (overall); 2003.206.a–h. 

Jayne Hinds Bidaut (American, b. 1965). 

Common Egret (Casmerodius albus), 2001; tintype; 

25.5 x 20.3 cm; Gift of William S. 

Lipscomb in memory of his father, James S. 

Lipscomb 2003.8. 

Michael Book (American, b. 1951). 1990; 14 



The Cleveland Museum of Art. Cleveland; 34.1 

x 45.4 cm; 2003.177. Collinwood; East 152nd 

and Yorick; 34.2 x 45.4 cm; 2003.178. 

Collinwood; Saranac and Pepper; 34.1 x 45.4 cm; 

2003.188. Detroit Shoreway; West 48th and 

Clinton; 34.2 x 45.4 cm; 2003.180. Hough; East 

75th and Lexington; 34.1 x 45.4 cm; 2003.185. 

Hough; East 77th and Lexington; 34.1 x 45.4 

cm; 2003.179. Hough; East 79th and La Grange; 

34.1 x 45.4 cm; 2003.186. Little Italy; 37.3 x 

45.4 cm; 2003.176. Near West Side; Columbus 

and Franklin; 34.1 x 45.4 cm; 2003.182. Ohio 

City; Woodbine and West 31st Place; 34 x 45.4 

cm; 2003.187. Tremont; Starkweather and West 

7th; 34.2 x 45.4 cm; 2003.184. Tremont; West 

5th and Jefferson; 34.3 x 45.5 cm; 2003.189. 

Union-Miles; Revere and East 112th; 34.1 x 45.4 

cm; 2003.183. Woodland East; East 82nd and 

Gill; 34.2 x 45.5 cm; 2003.181. 

Barbara Bosworth (American, b. 1953). 2001; 

two gelatin silver prints; The George Gund 

Foundation Collection in honor of David 

Bergholz, The Cleveland Museum of Art. 

Bedford Reservation; 24.5 x 19.7 cm (each), 24.5 

x 59 cm (overall); 2003.217. South Chagrin 

Reservation; 24.8 x 19.7 cm (each), 24.8 x 59 

cm (overall); 2003.218. 

28 

Margaret Bourke-White (American, 1904– 

1971). Terminal Tower, 1928; gelatin silver 

print; 49.4 x 37.2 cm; Gift of Huntington 

Bank 2003.361. 

Linda Butler (American, b. 1947). 1994; two 



The Cleveland Museum of Art. The Cleveland 

Museum of Art; 34.3 x 26.8 cm; 2003.219. 

Afro-American Cultural and Historical Society 

Museum; 33.8 x 25.9 cm; 2003.220. 

Ellen Carey (American, b. 1952). Constructivist 

Portrait, 1983; gelatin silver print, toned and 

painted; 45.7 x 51.5 cm; Gift of Dorothy 

Handelman 2003.309. 

Lois Conner (American, b. 1951). 1991; 13 

platinum prints; ed. 1/25; The George Gund 

Foundation Collection in honor of David 

Bergholz, The Cleveland Museum of Art. 

From Chippewa Road Bridge, 16.6 x 42 cm; 

2003.201. From Control Tower near Carter Road 

Bridge; 16.6 x 42 cm (each), 16.6 x 126 cm 

(overall); 2003.195.a–d. Guildhall Building 

(View of Southwestern Cleveland), 16.6 x 42 cm; 

2003.193. Hillside Road and Canal Road, 16.6 x 

42 cm; 2003.202. Inner Harbor, 16.6 x 42 cm; 

2003.191. Lower Level of Lorain-Carnegie Bridge, 

16.6 x 42 cm; 2003.190. LTV Steel; 16.6 x 42 

cm (each), 16.6 x 168 cm (overall); 

2003.196.a–d. Ohio Canal Towpath near Conrail 

Trestle, 16.6 x 42 cm; 2003.198. Ohio Canal 

Towpath near Conrail Trestle, 16.6 x 42 cm; 

2003.199. Riverview Road near Columbia Road, 

16.6 x 42 cm; 2003.200. Rooftop—Old River 

Road, 16.6 x 42 cm; 2003.192. Under Veterans 

Memorial Bridge, 16.6 x 42 cm; 2003.194. Under 

Veterans Memorial Bridge, 16.6 x 42 cm; 


Lois Conner. Twenty-five gelatin silver prints, 

toned; AP 3/5; from Angkor Wat, Cambodia 

Vision of the God-Kings, 1993; Gift of Mark 

Schwartz and Bettina Katz. Angkor Wat (artifact 

from an interior courtyard); 16.8 x 42 cm 

2003.307.19. Angkor Wat (backlit path to temple); 

16.6 x 41.9 cm; 2003.307.12. Angkor Wat 

(collenade); 16.8 x 42 cm; 2003.307.11. Angkor 

Wat (diptych interior courtyard); 42 x 33.4 cm 

2003.307.4. Angkor Wat (diptych of frieze); 16.8 

x 72.5 cm; 2003.307.10. Angkor Wat (first tier 

northern aisle); 16.8 x 42 cm; 2003.307.1. 

Angkor Wat (library); 16.7 x 42 cm; 

2003.307.18. Angkor Wat (path by banyan); 

16.7 x 42 cm; 2003.307.15. Angkor Wat (portrait 

of monks); 16.5 x 42 cm; 2003.307.9. Angkor 

Wat (single goddess on right); 16.8 x 42 cm; 

2003.307.3. Angkor Wat (view of path from above 

the ruins); 16.8 x 42 cm; 2003.307.23. Angkor 

Wat (wall of Apsaras, western entrance); 16.8 x 

41.9 cm; 2003.307.7. Angkor Wat, Angkor 

Thom (alley of giants facing south); 16.6 x 42 cm; 

2003.307.6. Angkor Wat, Bayon (diptych, second 

level facing south); 44.9 x 33.2 cm; 2003.307.24. 

Angkor Wat, Bayon (interior gallery facing north); 

16.5 x 42 cm; 2003.307.2. Angkor Wat, Bayon 

(looking south in rain); 16.9 x 42.1 cm; 

2003.307.22. Angkor Wat, Preah Khan (tree root 

consuming ruins); 16.8 x 41.9 cm; 2003.307.20. 

Banyon, Angkor Wat (central terrace facing west); 

ARpp22-37.p65 28 

6/1/2004, 11:50 PM 

16.8 x 42 cm; 2003.307.13. Banyon, Angkor 

Wat (lion guards on the principal façade facing east); 

16.8 x 42.2 cm; 2003.307.16. Courtyard 

Diptych; 16.8 x 81.4 cm; 2003.307.8. Elephant 

Terrace, Angkor Wat (facing the Royal Palace); 

16.8 x 42 cm; 2003.307.21. Exterior in Fog; 

16.8 x 41.9 cm; 2003.307.25. Ta Prohm, 

Angkor Wat (diptych, snake tree); 42 x 33.3 cm; 

2003.307.5. Ta Prohm, Angkor Wat (portraits 

of girls); 16.8 x 41.8 cm; 2003.307.14. Udon 

(elephant sculpture); 16.7 x 42 cm; 2003.307.17. 

Gregory Conniff (American, b. 1944). 1996; 

two gelatin silver prints; 24.6 x 24.7 cm; The 

George Gund Foundation Collection in honor 

of David Bergholz, The Cleveland Museum 

of Art. East 35th and Cedar; 2003.209. Jefferson 

and Professor; 2003.208. 

Davis Brothers (American). Twin Babies, about 

1870; salted paper print, hand-colored; 24 x 

19.2 cm; Gift of Charles Isaacs and Carol 

Nigro 2003.302. 

Larry Fink (American, b. 1941). 1998; two 



The Cleveland Museum of Art. Cleveland 

School of the Arts; 37.4 x 38.2 cm; 2003.211. 

Cleveland School of the Arts; ed. 9/10; 37.4 x 

37.8 cm; 2003.212. 

Lee Friedlander (American, b. 1934). 1995; 

two gelatin silver prints; 26.2 x 26 cm; The 


of David Bergholz, The Cleveland Museum 

of Art Lincoln Electric; 2003.207. Orlando Baking 

Company; 2003.221. 

Terri Garland (American, b. 1953). Two chromogenic 

process color prints; Gift of Russ 

Anderson Martin Luther King Day, Pulaski, TN, 

1990 (printed 1992); ed. 6/35; 27.5 x 41.4 cm; 

2003.359. McDonough, GA, 1990 (printed 

1991); ed. 2/35; 27.2 x 40 cm; 2003.360. 

Frank Gohlke (American, b. 1942). 1997; 

two gelatin silver prints; ed. 1/10; The George 

Gund Foundation Collection in honor of 

David Bergholz, The Cleveland Museum of 

Art. Breezevale Cove, Rocky River; View North; 

34.3 x 34.5 cm; 2003.175. Gwinn Estate, 

Bratenahl; View North; 24.3 x 34.4 cm; 


David Goldes (American, b. 1947). Water 

Balance, 1994 (printed 2002); gelatin silver 

print; ed. 12/15; 72.1 x 95.7 cm; Gift of 

Friends of Photography 2003.14. 

Alex Harris (American, b. 1949). Cordova, 

New Mexico, Looking North from Bobby Sanchez’s 

1964 Chevrolet Impala, June 1987, 1987; 

chromogenic process color print; 46.4 x 58.2 

cm; Gift of William S. Lipscomb in memory 

of his father, James S. Lipscomb 2003.306. 

Todd Hido (American, b. 1968). Untitled 

#2421, 1999; chromogenic process color 

print; ed. 3/19; 96.5 x 76 cm; Norman O. 

Stone and Ella A. Stone Memorial Fund 

2003.9.

William Henry Jackson (American, 1843– 

1942). Echo Cliffs, Grand River Canyon, 1890s; 

photochrome; 26.7 x 52.7 cm; Gift of Charles 

Isaacs and Carol Nigro 2003.292. 

Douglas Lucak (American, b. 1959). 1999; two 

gelatin silver prints, toned; ed. 1/10; The 


of David Bergholz, The Cleveland Museum of 

Art. Kinsman and Woodland Hill; 8.7 x 8.6 cm; 

2003.214. Mt. Pleasant and Corletts; 8.6 x 8.6 


Judith K. McMillan (American, b. 1945). 

Norman O. Stone and Ella A. Stone Memorial 

Fund. Balto’s Friends: Cicadas, 1994 (printed 

2000); gelatin silver print, toned; ed. 4/25; 

20.8 x 16.5 cm; 2003.236.1. Balto’s Friends: 

Moles, 1994 (printed 2000); gelatin silver print, 

toned; ed. 1/25; 20.8 x 16.5 cm; 2003.236.3. 

Balto’s Friends: Scarlet Tanager, 1994 (printed 

2000); gelatin silver print, toned; ed. 2/25; 

20.9 x 16.5 cm; 2003.236.4. Balto’s Friends: 

Stick Insects and Mantis, 1994 (printed 2000); 

gelatin silver print, toned; ed. 3/25; 20.9 x 

16.5 cm; 2003.236.2. Optic Exploration: 

Bugmansia x candida (Angel’s Trumpet), 2000; 


36.9 cm; 2003.230. Optic Exploration: Corylus 

avellana “contorta” (Harry Lauder’s Walking 

Stick), 2000; gelatin silver print, toned; ed. 2/ 

25; 22.8 x 17.9 cm; 2003.234. Optic Exploration: 

Nymphaea (Water Lily), 1998; gelatin silver 

Margaret Bourke- 

White (American, 

1904–1971). Terminal 

Tower, 1928; gelatin 

silver print; 49.4 x 37.2 

cm; Gift of 

Huntington Bank 


print, toned; ed. 15/25; 22.9 x 17.7 cm; 

2003.233. Optic Exploration: Papaver somniferum 

(Opium Poppy), 1998; gelatin silver print, 

toned; ed. 8/25; 22.8 x 17.9 cm; 2003.232. 

Optic Exploration: Paphiopedlium (Paph Orchid), 

1999; gelatin silver print, toned; ed. 8/15; 46.9 

x 36.9 cm; 2003.231. Optic Exploration: 

Polygonatum biflorum (Solomon’s Seal), 2001; 


17.9 cm; 2003.235. Unnoticed Landscape #52- 

11, 1992; platinum paladium print; 9.5 x 12 

cm; 2003.238. Unnoticed Landscape #59-9, 

1992; platinum paladium print; 9.4 x 12 cm; 


Judith K. McMillan. 1994 (printed 2000); two 

gelatin silver prints, toned; ed. 2/25; Gift of 

the artist. Balto’s Friends: Beetles; 21 x 16.4 cm; 

2003.236.6. Balto’s Friends: Millipedes; 20.8 x 

16.5 cm; 2003.236.5. 

DoDo Jin Ming (Chinese, b. 1955). 2001; 

three gelatin silver prints; Gift of Friends of 

Photography. Free Element V; ed. 9/15; 37.4 x 

48.7 cm; 2003.12. Free Element IX; ed. 1/15; 

36.7 x 48.2 cm; 2003.10. Free Element XXIX; 

ed. 1/15; 36.9 x 48.6 cm; 2003.11. 

Nicholas Nixon (American, b. 1947). 2000; 

two gelatin silver prints; 24.5 x 19.6 cm; The 



Art. The Free Medical Clinic of Greater Cleveland; 

ARpp22-37.p65 29 

6/1/2004, 11:50 PM 

2003.215. The Free Medical Clinic of Greater 

Cleveland; 2003.216. 

Tokihiro Sato ( Japanese, b. 1957). Horned 

Melon, 1994; gelatin silver prints; 42.8 x 145.8 

cm; Gift of Charles Isaacs and Carol Nigro 


Judith Joy Ross (American, b. 1946). 1992; 

two gold-toned printing-out paper prints; The 



Art. Svyatoslav Gera; 24.5 x 19.4 cm; 2003.204. 

Yusra Kazmi; 24.4 x 19.5 cm; 2003.203. 

Arthur Rothstein (American, 1915–1985). 

Fifteen gelatin silver prints (printed 1981) from 

Arthur Rothstein portfolio; Gift of Alan and 

Monah L. Gettner. At a Charity Ball, New York 

City, 1951; 23.5 x 22.9 cm; 2003.57.14. 

American Soldiers in Nightclub, Vienna, Austria, 

1947; 30.7 x 22.7 cm; 2003.57.13. Boy with 

Chicken, Hungjao, China, 1945; 30.4 x 22.9 cm; 

2003.57.5. Burial of Famine Victim, Hengyang, 

China, 1946; 30.5 x 22.8 cm; 2003.57.8. The 

Burma Road, 1945; 22.7 x 22.4 cm; 2003.57.6. 

Coal Miners, Wales, 1947; 30.8 x 22.9 cm; 

2003.57.9. Famine Victim, Hengyang, China, 

1946; 30.7 x 22.7 cm; 2003.57.7. Farmers in the 

Market, Tocco, Italy, 1947; 20.7 x 30.3 cm; 

2003.57.11. George Washington Carver, 

Tuskegee, Alabama, 1941; 30.5 x 23.1 cm; 

2003.57.4. Hotel de Paris, Exterior, Georgetown, 

Colorado, 1939; 22.7 x 29.4 cm; 2003.57.2. 

29

Young Coal Miner, Wales, 1947; 30.3 x 22.8 

cm; 2003.57.10. John Marin in His Studio, 

Hoboken, New Jersey, 1949; 23.2 x 30.4 cm; 

2003.57.12. Pool Hall, Culp, Illinois, 1940; 23 x 

30.5 cm; 2003.57.3. Rockland, Maine, 1937; 

20.4 x 30.5 cm; 2003.57.15. Sheepherder’s 

Camp, Montana, 1939; 22.9 x 30.7 cm; 


Jerry N. Uelsmann (American, b. 1934). Life/ 

Metaphor, 2002; gelatin silver print; 30.8 x 26.3 

cm; Gift of Friends of Photography 2003.13. 

Oliver H. Willard (American, d. 1875, active 

1850s–1870s). Young Man in Athletic Outfit, 

about 1857; salted paper print from wet collodion 

negative; 21.5 x 16.5 cm; Gift of Charles 

Isaacs and Carol Nigro 2003.304. 

Jeffrey A. Wolin (American, b. 1951). Sako 

Hoffman, b. 1930, Buenos Aires, Argentina, 

1992–94 (printed mid 1990s); gelatin silver 

print, toned; ed. 5/6; 37.9 x 47.3 cm; Anonymous 

gift in memory of David “Ted” Baiman 


Unidentified photographer (American). Boy 

with Cigar, about 1855; daguerreotype, tinted, 

sixth-plate; 8.3 x 7 cm; Gift of Charles Isaacs 

and Carol Nigro 2003.298. 

Unidentified photographer (American). Girl 

with Doll, 1850s; daguerreotype, sixth-plate; 

8.3 x 7 cm; Gift of Charles Isaacs and Carol 


Unidentified photographer (American). The 

Hold-Up, 1880s; tintype, whole-plate; 21.6 x 

16.5 cm; Gift of Charles Isaacs and Carol 


Unidentified photographer (American). Mother 

and Child, about 1860; ambrotype, tinted, 

sixth-plate; 8.3 x 7 cm; Gift of Charles Isaacs 


Unidentified photographer (American). Portrait 

of Man Leaning away from Camera, late 1840s; 

daguerreotype, quarter-plate; 10.8 x 8.3 cm; 

Gift of Charles Isaacs and Carol Nigro 


Unidentified photographer (American). Post- 

Mortem on Pillow, Vertical, about 1850; ambrotype, 

tinted, sixth-plate; 7 x 8.3 cm; Gift of 

Charles Isaacs and Carol Nigro 2003.294. 

Unidentified photographer (American). Statue 

of a Youth in Large Hat (from a John R. Johnston 

album), before 1857; salted paper print from 

wet collodion negative; 17.8 x 12.9 cm; Gift 

of Charles Isaacs and Carol Nigro 2003.301. 

Unidentified photographer (American). Two 

Men Staging a Fight in a Studio, about 1860; 

tintype, sixth-plate in full case; 6.7 x 8 cm; 

Gift of Charles Isaacs and Carol Nigro 


Unidentified photographer (American). Two 

Oxen and Driver, 1850s; daguerreotype, sixthplate; 

7 x 8.3 cm; Gift of Charles Isaacs and 

Carol Nigro 2003.295. 

Unidentified photographer (American). 

Unititled, about 1855; tintype; 5.9 x 4 cm; Gift 

of Charles Isaacs and Carol Nigro 2003.298.a. 

30 

Unidentified photographer (American). Young 

Woman in Bloomers, about 1855; daguerreotype, 

tinted and gilted highlights, half-plate; 

14 x 10.8 cm; Gift of Charles Isaacs and Carol 


Unidentified photographer (American, 

Harrison?). Allegorical Study of a Woman, late 

1850s; salted paper print from a wet collodion 

negative; 18.7 x 13.5 cm; Gift of Charles Isaacs 


Unidentified photographer (Japanese). Untitled, 

about 1870s; albumen print from wet collodion 

negative, hand colored; 40.2 x 52.2 cm; 

Gift of Mitzie Verne 2003.358. 

Prints 

Anonymous (Dutch). Copy of Cornelis Cort: 

Christ Giving the Key of the Church to St. 

Peter (after Girolamo Muziano), about 1567; 

etching and engraving; 27.5 x 20.4 cm (sheet); 


memory of Carey Croneis 2003.312. 

Ron Adams (American, b. 1934). Blackburn, 

2002; color lithograph; 63.2 x 88.7 cm; John 

L. Severance Fund 2003.34. 

Andrew F. Affleck (British, 1874–1935). 

Palazzo Contanni, Venice, 1920–29; etching 

and drypoint; 35.2 x 19 cm; Gift of Carole W. 

and Charles B. Rosenblatt 2003.334. 

Frank Armington (Canadian, 1876–1941). 

Rain, Place de la Concorde, Paris (La Pluie, Place 

de la Concorde, Paris), 1924; drypoint; 21.1 x 

28.8 cm; Gift of Carole W. and Charles B. 

Rosenblatt 2003.333. 

John Taylor Arms (American, 1887–1953). 

Two etchings; Gift of Richard and Edward 

Feinberg, from the collection of Dr. Isadore 

Feinberg and Dr. Rose S. Hartmann Feinberg. 

French Church Series: Notre Dame Du Val, 

Provins, 1931; 22.1 x 13.2 cm; Fletcher 240, 

state II/II; 2003.64. French Church Series: 

Rocamadour, 1927; 34.8 x 25.3 cm; Fletcher 

186, state I/II; 2003.63. 

Will Barnet (American, b. 1911). The Dream, 

2002; two color lithographs; The Print Club of 

Cleveland Publication No. 81, 2003. Gift of 

The Print Club of Cleveland. BAT 61.5 x 

40.6 cm; 2003.59. 61.5 x 40.6 cm; 2003.60. 

Gustave Baumann (American, b. Germany, 

1881–1971). Summer Clouds, 1924 (printed 

1956); John L. Severance Fund. Color woodcut; 

26.5 x 23.6 cm; 2003.240. Six wood 

blocks. Black; 29.2 x 25.2 cm; 2003.241.6. 

Blue; 29.3 x 25.2 cm; 2003.241.1. Green; 

29.2 x 25.2 cm; 2003.241.3. Pink; 29.3 x 25.5 

cm; 2003.241.5. Purple; 29.3 x 25.3 cm; 

2003.241.2. Yellow; 29.2 x 25.2 cm; 

2003.241.4. Ten progressive proofs. Black; 

26.7 x 23.5 cm; 2003.242.1. Black and ochre; 

27.5 x 24.5 cm; 2003.242.3. Blue; 26 x 23.5 

cm; 2003.242.4. Blue, ochre, and black; 27.5 x 

24.5 cm; 2003.242.5. Gray; 17.1 x 23.8; 

2003.242.10. Green; 6.7 x 23.7 cm; 

2003.242.6. Green, blue, ochre, and black; 

ARpp22-37.p65 30 

6/1/2004, 11:50 PM 

27.5 x 24.5 cm; 2003.242.7. Ochre; 27.5 x 

24.5 cm; 2003.242.2. Pink; 6.7 x 21.7 cm; 

2003.242.8. Pink, blue, green, ochre, and 

black; 27.5 x 24.5 cm; 2003.242.9. 

John Biggers (American, 1924–2001). The Four 

Seasons, 1990; lithograph printed in black and 

brown; 57.2 x 78.8 cm; John L. Severance 


Louis-Marin Bonnet (French, 1736–1793). 

1774; two color chalk-manner etchings and 

engraving with applied gold leaf; Carole W. 

and Charles B. Rosenblatt Endowment Fund. 

The Woman ta King Coffee; 28.5 x 23.3 cm; 

Hérold 294; 2003.49. The Milk Woman; 28.3 x 

23.3 cm; Hérold 295; 2003.50. 

Pierre Brébiette (French, c. 1598–c. 1650). 

St. George Preparing for His Martyrdom (after 

Veronese), 1600s; engraving and etching; 34.1 

x 23.5 cm; Fonds Français II.48; Gift of Mr. 

and Mrs. Theodore Alfred in memory of 

Carey Croneis 2003.310. 

Bolton Brown (American, 1864–1963). Figures 

on Road through Woods, about 1920?; lithograph; 

10.5 x 16.1 cm; Adams 1022; Gift of 

Carole W. and Charles B. Rosenblatt 


Karl Ludwig Bernhard Buchhorn (German, 

1770–1856). The Young Beggars (Die 

Bettlerjugend), about 1800; eight aquatints; 

Nagler 9; John L. Severance Fund. 23.7 x 18.4 

cm; 2003.25. 25.3 x 19.6 cm; 2003.26. 25.1 x 

19.5 cm; 2003.27. 25.2 x 20 cm; 2003.28. 25.1 

x 19.4 cm; 2003.29. 25.4 x 20; 2003.30. 25.2 x 

19.5 cm; 2003.31. 25.3 x 19.9 cm; 2003.32. 

Marc Chagall (Russian, 1887–1985). The 

Fables of Jean de La Fontaine: Death and the 

Woodcutter (La Fontaine Fables: Le Mort et le 

Bucheron), 1952; etching, hand-colored with 

watercolor; 29.3 x 23.7 cm; Cramer 22, pl. 8; 

Gift of Richard and Edward Feinberg, from 

the collection of Dr. Isadore Feinberg and 

Dr. Rose S. Hartmann Feinberg 2003.65. 

Nicolas-François Chifflart (French, 1825– 

1901). Melancholy (Le Mélancolie), etching; 27.9 

x 19 cm; Gift of Sylvain Bellenger in honor of 

Heather Lemonedes 2003.414. 

Eugène Delâtre (French, 1854–1938). The 

Solferino Bridge: Nocturnal Effect (Le Pont de 

Solférino: Effet Nocturne), about 1898; color 

aquatint and etching; 32.6 x 49.8 cm; John L. 

Severance Fund 2003.20. 

Marcellin Gilbert Desboutin (French, 1823– 

1902). Jules Jacquemart, about 1900; etching; 

27.2 x 19.2 cm; Gift of John Bonebrake 


Louis Desplaces (French, 1682–1739). Rape 

of the Sabines (after Charles Joseph Natoire), 

1700s; engraving; 32.8 x 19.9 cm; Fond 

Français VII.96; Gift of Mr. and Mrs. 

Theodore Alfred in memory of Carey Croneis 


Edouard Detaille (French, 1848–1912). Gift of 

John Bonebrake. Riflemen (Fuseliers Marins), 

1887; color photogravure enhanced with 

roulette; 29.7 x 21.3 cm; 2003.410. An Uhlan 

(Un Uhlan); etching and drypoint; 31.4 x 23.6 

cm; Béraldi 1; 2003.411.

Jim Dine (American, b. 1935). Braid (first state), 

1972; etching; 90 x 60.2 cm; Williams College 

148; John L. Severance Fund 2003.16. 

Kerr Eby (American, 1889–1946). Hatchet 

Cove, 1937; etching, aquatint, and sandpaper 

ground; 22.9 x 35.3 cm; Giardina 194; 

Gift of Richard and Edward Feinberg, from 

the collection of Dr. Isadore Feinberg and 

Dr. Rose S. Hartmann Feinberg 2003.66. 

James Ensor (Belgian, 1860–1949). The 

Cathedral, 1886; etching; 24.2 x 18.8 cm; 

Taevernier 7, state I/III; Gift of The Print 

Club of Cleveland 2003.46. 

Yoshisuke Funasaka (Japanese, b. 1939). Two 

color screenprints; Gift of William E. Ward in 

memory of his wife, Evelyn Svec Ward. 

Lemon, 1970; 54.7 x 42.8 cm; 2003.316. My 

Space and My Dimension, 1984; 18 x 17 cm; 


Georges Godin (French, active 1897–1904). 

The Yellow Evening (Le Soir Jeaune), about 1904; 

color aquatint; 21.3 x 28.1 cm; Gift of Henry 

Ott-Hansen in memory of Anne Buckley Ott- 

Hansen 2003.51. 

Norbert Goeneutte (French, 1854–1894). 

Fancy (Fantaisie), 1877; etching; 29.4 x 20.7 

cm; Gift of Elizabeth Carroll Shearer in honor 

of Charlotte Trenkamp’s 100th birthday 


Red Grooms (American, b. 1937). Nineteenth- 

Century Artists: Rodin, 1976; drypoint; 12.5 x 

10 cm; Knestrick 58; Gift of Carole W. and 

Charles B. Rosenblatt 2003.336. 

Henri de Groux (Belgian, 1866–1930). 

The Vintages! (Les Vendanges!). Gift of John 

Bonebrake. The Abandoned Vine (La Vigne 

Abondonnée), 1894; lithograph; 34.2 x 23.6 cm; 

2003.400. Place of Devastation (Coin de 

Campagne Devestée), 1894; lithograph; 20.6 x 

26.5 cm; 2003.402. Seven Owls and a Serpent 

(Sept hiboux et un serpent), about 1900; lithograph; 

48.8 x 40.1 cm; 2003.404. Title Page 

(Page de titre), 1894; lithograph and letterpress; 

20.2 x 20.7 cm; 2003.401. The Vintages! (Les 

Vendanges!), 1894; letterpress; 59.6 x 42.9 cm; 


Henri de Groux. Standard Bearer, 1893; lithograph; 

27.6 x 21.5 cm; Stein and Karshan 31; 

Gift of John Bonebrake 2003.399. 

Charles Guilloux (French, 1866–1946). The 

Deluge or Landscape with Poplars (L’inondation or 

Paysage aux Peupliers), 1893; color lithograph; 

20.7 x 28.8 cm; Stein and Karshan 34; John L. 


Robert Gwathmey (American, 1903–1988). 

Farmer’s Wife, 1954; color screenprint; 43.3 x 

33.5 cm; Williams 12; James Parmelee Fund 


Francis Seymour Haden (British, 1818–1910). 

Mytton Hall, 1859; drypoint; 11.9 x 25.7 cm; 

Schneiderman 19, state III/V; Gift of Richard 

and Edward Feinberg, from the collection of 

Dr. Isadore Feinberg and Dr. Rose S. 

Hartmann Feinberg 2003.67. 

Katsunori Hamanishi (Japanese, b. 1949). 

Untitled; mezzotint; 9.9 x 9.9 cm; Gift of 

William E. Ward in memory of his wife, 

Evelyn Svec Ward 2003.320. 

Shigeru Hatsuyama (Japanese, 1897–1973). 

Kotomo Ni Noborareru Ki, 1960; color woodcut; 

31.7 x 36.2 cm; Gift of William E. Ward 

in memory of his wife, Evelyn Svec Ward 


Joseph Hecht (French, 1891–1951). Paris: The 

Eiffel Tower (Paris: La Tour Eiffel), 1933; engraving; 

28 x 35.4 cm; Tonneau-Ryckelynck 

and Plumart 234; Gift of Elizabeth Carroll 

Shearer in honor of Jane Glaubinger 2003.324. 

Mabel A. Hewit (American, 1903–1987). Gift 

of Mr. and Mrs. William Jurey in memory 

of Mabel A. Hewit. Around the Camp Stove, 

about 1935; color woodcut; 27.5 x 22.7 cm; 

2003.369. Back Fence Gossip, about 1935; color 

woodcut; 30.4 x 20.2 cm; 2003.370. Boy on a 

Raft, about 1935; color woodcut; 28.8 x 35.7 

cm; 2003.363. Boy on a Raft and Landscape of 

Maurita, about 1935; double-sided woodblock; 

28.3 x 35.9 cm; 2003.364.a–b. Houses, about 

1940; color woodcut; 23.5 x 35 cm; 2003.366. 

The Jersey Shore, about 1940; color woodcut; 

28.7 x 18.8 cm; 2003.367. Out of Doors Painting 

Class, about 1940; color woodcut; 31.5 x 

23.7 cm; 2003.371. Out of Doors Painting 

Class and Townscape with Two Trees, about 

1940; double-sided woodblock; 31.3 x 23.5 

cm; 2003.373.a–b. Sandwich Men, about 1940; 

color woodcut; 27.2 x 20.6 cm; 2003.372. 

Sun Bathing, about 1935; color woodcut; 27.7 

x 30.3 cm; 2003.362. The Village Well, 1955; 

color woodcut; 27.6 x 21.2 cm; 2003.368. 

Woman Washing Clothes, about 1935; color 

woodcut; 35.6 x 24.4 cm; 2003.365. 

Howard Hodgkin (British, b. 1932). In the 

Museum of Modern Art: All Alone in the Museum 

of Modern Art, 1979; softground etching with 

hand-coloring; 74.7 x 98.2 cm; Tate Gallery 

24; Gift of Phyllis Sloane in memory of David 

Davis 2003.224. 

Wenceslaus Hollar (Bohemian, 1607–1677). 

Four etchings; Bequest of Nicholas J. 

Velloney. Amoenissimae aliquot locorvm . . . : 

Plate 5, Augsburg, 1635; 5.8 x 9.3 cm; 

Pennington 699; 2003.280. Moated Town Gate, 

1676; 5.8 x 13.5 cm; Pennington 781; 

2003.278. Nobilis Mulier Anglica in Vestitu 

Hiemali, 1643; 9.2 x 6.1 cm; Pennington 1884, 

state III/III; 2003.281. The Waterhouse, 1665; 

9.1 x 12.7 cm; Pennington 920, state I/III; 


François Houtin (French, b. 1950). Dwellings of 

the Nymph: First Dwelling of the Nymph (Frontispiece) 

(Nymphées: 1ère Nymphée [Frontispiece]), 

2002; etching; 20.4 x 17.8 cm; Armstrong and 

Broutta 312; Gift of Ray W. Clarke in 

memory of Moselle Taylor Meals 2003.62. 

Jules Jacquemart (French, 1837–1880). Four 

etchings; Gift of John Bonebrake. A Genoise 

(Une Genoise), 1877; 27 x 19.7 cm; Béraldi 

388; 2003.408. Saucer with Rich Enameled 

Ground and Medallion Representing the Goddess 

Kouanin, about 1877; 18.9 x 12.8 cm; Gonse 

ARpp22-37.p65 31 

6/1/2004, 11:50 PM 

James Ensor (Belgian, 

1860–1949). The 

Cathedral, 1886; 

etching; 24.2 x 18.8 cm; 

Taevernier 7, state I/III; 

Gift of The Print Club 

of Cleveland 2003.46. 

31

William Henry 

Johnson (American, 

1901–1970). Fright, 

1942–43; color 

screenprint with hand 

coloring; 43.1 x 35 cm; 

Dudley P. Allen Fund 


63; 2003.407. Ivory and Celadon (Ivoire et 

Celadons), 1872; 12.4 x 22.3 cm; 2003.406. 

Plants of the Greenhouse (Pates de Serre), 1872; 

36.4 x 26.6 cm; Gonse 332; 2003.409. 

Jasper Johns (American, b. 1930). Flags I, 

1973; color screenprint; Field 128; 69.8 x 88.9 

cm; Jointly owned by Dorothy Tremaine 

Hildt and the Cleveland Museum of Art 


William Henry Johnson (American, 1901– 

1970). Fright, 1942–43; color screenprint with 

hand coloring; 43.1 x 35 cm; Dudley P. Allen 


Donald Judd (American, 1928–1994). Untitled, 

1988; ten woodcuts printed in red; 59.9 x 79.9 

cm; Schellmann, Jörg, and Jitta 157–66; Mr. 

and Mrs. Richard W. Whitehill Art Purchase 

Endowment Fund 2003.92.1–10. 

Rockwell Kent (American, 1882–1971). Six 

lithographs; Gift of Richard and Edward 



Beowulf: Beowulf, 1931; 35 x 26.7 cm; Jones 72; 

2003.71. The Cheshire Academy, 1947; 27.7 x 

37.7 cm; Jones 142; 2003.73. Farewell, 1931; 

14.4 x 10 cm; Jones 61; 2003.69. Hero, 1931; 

30.8 x 23 cm; Jones 69; 2003.70. Prometheus 

Unchained, 1938; 35.6 x 28.9 cm; Jones 119; 

2003.72. Waldo Peirce, 1928; 24.8 x 18.7 cm; 

Jones 30; 2003.68. 

Yasuhide Kobashi ( Japanese, b. 1931). 

Darkmoon, 1960; color woodcut with pinwheel 

punctures; 34.7 x 22.8 cm; Gift of 

William E. Ward in memory of his wife, 

Evelyn Svec Ward 2003.319. 

32 

Armin Landeck (American, 1905–1984). 

Gift of Carole W. and Charles B. Rosenblatt. 

Approaching Storm, Manhattan, 1937; drypoint; 

23.2 x 21.5 cm; Kraeft 65; 2003.327. Housetops—14th 

Street, 1937; drypoint and sandpaper 

ground; 20.9 x 28.6 cm; Kraeft 66; 2003.328. 

Restaurant, 1951; engraving; 29.8 x 40.1 cm; 

Kraeft 109; 2003.330. Studio Interior, No. 2, 

1936; drypoint; 24.5 x 31 cm; Kraeft 58; 

2003.326. Window on 14th Street, 1949; drypoint 

and engraving; 31.1 x 14.6 cm; Kraeft 

103; 2003.329. 

Alphonse Legros (French, 1837–1911). The 

Pear Thief, No. 1, about 1890; etching; 22.7 x 

15.1 cm; Malassis and Thibaudeau 138, state 

III/III; Gift of Richard and Edward Feinberg, 

from the collection of Dr. Isadore Feinberg 

and Dr. Rose S. Hartmann Feinberg 2003.74. 

Jean Le Pautre (French, 1618–1682). Decorative 

Urn, 1600s; two etchings; Le Blanc II.536.15– 

20; Bequest of Nicholas J. Velloney. 23.1 x 

15.3 cm; 2003.282. 23 x 15.8 cm; 2003.283. 

Roy Lichtenstein (American, 1923–1997). 

Merton of the Movies, 1968; color screenprint on 

silver foil; 76 x 50.8 cm; Corlett 61; Gift of 

Mr. and Mrs. Martin Karlin 2003.84. 

George Longfish (American, b. Canada, 1942). 

Modern Times, 1994; three color photo and 

offset lithographs; Gift of Gloria and Leon 

Plevin in memory of Walter Caldwell. 105.8 x 

76.5 cm; 2003.325.a. 105.8 x 76.5 cm; 

2003.325.b. 105.5 x 76.6 cm; 2003.325.c. 

ARpp22-37.p65 32 

6/1/2004, 11:50 PM 

Claude Lorrain (French, 1604/5–1682). Landscape 

with Brigands (Scène de brigands), 1633; 

etching; 13.1 x 20 cm; Mannocci 11, state 

VII/IX; Gift of John Bonebrake 2003.412. 

Haku Maki (Japanese, b. 1924). Poem 70-72, 

1970; embossed color relief; 57.6 x 40.5 cm; 

Gift of William E. Ward in memory of his 

wife, Evelyn Svec Ward 2003.318. 

Henri Matisse (French, 1869–1954). Portrait of 

Claude D, 1946; lithograph on chine collé; 

35.2 x 27.5 cm; Dutuit 585; Gift of Julie and 

Greg Hubert 2003.415. 

James McBey (British, 1883–1959). Two etchings; 

Gift of Richard and Edward Feinberg, 


and Dr. Rose S. Hartmann Feinberg. A Norfolk 

Village, 1915; 13.9 x 21.6 cm; Hardie 158, 

published state; 2003.76. The Pool, 1914; 24.3 

x 36.2 cm; Hardie 150, published state; 


Joan Miró (Spanish, 1893–1983). From Here 

and There: Figures by the Sea, 1934; color 

pochoir; 32.8 x 27.5 cm; Dupin 13; John L. 


Jackson Lee Nesbitt (American, b. 1913). Old 

Man with Violin, 1955; etching; 32.8 x 27.4 

cm; Gift of Carole W. and Charles B. 


Bror Julius Olsson Nordfeldt (American, b. 

Sweden, 1878–1955). The Village Green, Twilight, 

1906; color woodcut; 32.5 x 21.6 cm; 

Donovan 18; John L. Severance Fund 


Gio Pomodoro (Italian, b. 1930). Five color 

lithographs from Tamarind Squares, 1967; Gift 

of Margo H. Leavin. Tamarind Squares II, Black 

Seal; 76.2 x 56.8 cm; Tamarind 2066; 

2003.417. Tamarind Squares VI, Double Green 

Seal; 75.9 x 56.5; Tamarind 2070; 2003.418. 

Tamarind Squares XIII, Double Red Spiral; 76.3 

x 56.3 cm; Tamarind 2074; 2003.419. Tamarind 

Squares XV, Four Circles I; 76.3 x 56.1 cm; 

Tamarind 2076; 2003.420. Tamarind Squares 

XVI, Four Circles II; 56.3 x 76.2; Tamarind 

2076, state II; 2003.421. 

Martin Puryear (American, b. 1941). Untitled, 

1999; etching 45.3 x 60.5 cm; John L. 


Andrew Raftery (American, b. 1962). Suit 

Shopping: An Engraved Narrative, 2000–2002; 

engraving from four plates on four sheets of 

paper (three joined); paper folder; Gift of 

Friends in memory of Ann Bassett and Tom 

Johnson. Single sheet: 37.8 x 52.8 cm; 

2003.15.1. Tri-fold sheet: 37.8 x 23.3 cm, 

2003.15.2.a; 37.9 x 46.5 cm, 2003.15.2.b: 37.9 

x 22.9 cm, 2003.15.2.c. 

Robert Rauschenberg (American, b. 1925). 

Illegal Tender L.A.: Fence, 1991; color lithograph; 

113.1 x 76.5 cm; Gift of Gemini G.E.L. 

in honor of Arthur Feldman’s 88th birthday; 


Henri Rivière (French, 1864–1951). Two 

color lithographs; Gift of Friends in memory of 

Anne Buckley Ott-Hansen. The Aspects of

Nature: Sunset (Les Aspects de la nature: 

Le Coucher du Soleil), 1898; 54.6 x 83.6 cm; 

Fields, p. 76; 2003.47. The Enchanted Hours: 

The Night (La Féerie des Heures: La Nuit), 1902; 

24 x 60 cm; Fields, p. 77; 2003.48. 

Henri Rivière. 21 color lithographs; Gift of 

John Bonebrake. Aspects of Nature: The Bay 

(Les Aspects de la Nature: La Baie), 1897; 54.9 x 

83 cm; Fields, p. 76, pl. 1; 2003.378. Aspects of 

Nature: The Cliff (Les Aspects de la Nature: La 

Falaise), 1897; 55 x 82.7 cm; Fields, p. 76, pl. 

3; 2003.384. Aspects of Nature: The Island (Les 

Aspects de la Nature: L’lle), 1898; 54.5 x 83 cm; 

Fields, p. 76, pl. 7; 2003.385. Aspects of Nature: 

The Stream (Les Aspects de la Nature: Le 

Ruisseau), 1898; 55 x 82.5 cm; Fields, p. 76, pl. 

12; 2003.379. Aspects of Nature: The Woods, in 

Winter (Les Aspects de la Nature: Le Bois, 

L’hiver), 1898; 54.7 x 83 cm; Fields, p. 76, pl. 

9; 2003.383. The Beautiful Countryside in 

Brittany: The Bay of Douarnenez (Le Beau Pays 

de Bretagne: La Baie de Douarnenez), 1916; 22.9 

x 35.4 cm; Fields, p. 80, pl. 19; 2003.382. The 

Beautiful Countryside of Brittany: The Beech- 

Grove in Kerzadern (Le Beau Pays de Bretagne: Le 

Bois de hêtres à Kerzadern), 1917; 23 x 35.7 cm; 

Fields, p. 80, pl. 20; 2003.374. The Beautiful 

Countryside in Brittany: The Island of Bréhat (Le 

Beau Pays de Bretagne: L’Ile Bréhat), 1913; 22.8 

x 35.2 cm; Fields, p. 79, pl. 16; 2003.381. The 

Beautiful Countryside in Brittany: The Old Mill at 

Loguivy (Le Beau Pays de Bretagne: Le Vieux 

Moulin à Loguivy), 1910; 23 x 35.6 cm; Fields, 

p. 79, pl. 13; 2003.377. The Beautiful Countryside 

in Brittany: The Port of Ploumanac’h (Le Beau 

Pays de Bretagne: Le Port de Ploumanac’h), 1914; 

23.1 x 35.7; Fields, p. 79, pl. 17; 2003.376. 

The Beautiful Countryside in Brittany: Street in 

Tréboul (Le Beau Pays de Bretagne: Rue à 

Tréboul), 1899; 23.1 x 34.9 cm; Fields, pp. 76– 

77, pl. 2; 2003.380. The Beautiful Countryside in 

Brittany: View of Kermarie (Le Beau Pays de 

Bretagne: Le Trieux à Kermarie), 1912; 22.9 x 

35.4 cm; Fields, p. 79, pl. 15; 2003.375. Parisian 

Landscapes: The Borough of Perros-Guirec 

(Paysages Parisiens: Le Bourg de Perros-Guirec), 

1896; 14.9 x 23 cm; Fields, p. 75, pl. 26; 

2003.388. Parisian Landscapes: The Fortifications 

(Paysages Parisiens: Les Fortifications), 1900; 52.5 

x 82 cm; Fields, p. 77, pl. 5; 2003.387. Parisian 

Landscapes: Paris Seen from Montmartre (Paysages 

Parisiens: Paris vu de Montmartre), 1900; 52.3 x 

82.2 cm; Fields, p. 77, pl. 2; 2003.386. Thirty- 

Six Views of the Eiffel Tower: From Bas-Meudon, 

Old Wash Boat (Trente-six vues de la Tour Eiffel: 

Du Bas-Meudon-Vieux Lavoir), 1902; 17 x 21.2 

cm; Fields, p. 78; pl. 29; 2003.394. Thirty-Six 

Views of the Eiffel Tower: From Behind Frémiet’s 

Elk, Trocadero (Trente-six vues de la Tour Eiffel: 

Derrière l’Elan de Frémiet, Trocadéro), 1902; 21.1 

x 17 cm; Fields, p. 78, pl. 27; 2003.392. 

Thirty-Six Views of the Eiffel Tower: From 

Lamarck Street (Trente-six vues de la Tour Eiffel: 

De la rue Lamarck), 1902; 17 x 21.1 cm; Fields, 

p. 78, pl. 14; 2003.389. Thirty-Six Views of the 

Eiffel Tower: From the Grenelle Bridge (Trente-six 

vues de la Tour Eiffel: Du Pont de Grenelle), 

1902; 17 x 21.2 cm; Fields, p. 78, pl. 20; 

2003.391. Thirty-Six Views of the Eiffel Tower: 

From the Quai de Grenelle (Trente-six vues de la 

Tour Eiffel: Du Quai de Grenelle), 1902; 17 x 

21.2 cm; Fields, p. 78, pl. 18; 2003.390. Thirty- 

Six Views of the Eiffel Tower: From the Quai de 

Javel (Switchman’s Shanty) [Trente-six vues de la 

Tour Eiffel: Du Quai de Javel (Baraque 

d’Aguilleur)], 1902; 17 x 21.2 cm; Fields, p. 78, 

pl. 28; 2003.393. 

Henri Rivière. Gift of John Bonebrake. The 

Prodigal Son (L’Enfant Prodigue), 1895; 15 color 

lithographs, bound; 24.5 x 32.2 cm; Fields, p. 

74; 2003.396.a–o. The Progress of the Stars (La 

Marche à L’Etoile), 1890; 18 color lithographs, 

bound; 24.5 x 32.2 cm; Fields, p. 74; 

2003.395.a–r. The Wandering Jew (Le Juif Errant), 

1896; portfolio of 9 color lithographs; 

not in Fields. 23 x 60.6 cm; 2003.397.1.a–i. 15 

x 11.7 cm; 2003.397.2. 18.5 x 24.9 cm; 

2003.397.3. 18.5 x 24.8 cm; 2003.397.4. 18.6 


2003.397.6. 18.6 x 24.8 cm; 2003.397.7. 18.5 



Ernest David Roth (American, b. Germany, 

1879–1964). Toledo, The Approach, Spain, 

1921; etching; 28.2 x 29 cm; Whitmore 73; 

Gift of Carole W. and Charles B. Rosenblatt 


William Ryland (British, 1732–1783). Untitled 

and Corsica e Satiro (after Filippo Lauri), 1762– 

63; two chalk-manner etchings and engraving 

printed in red on one sheet; Untitled; 22.7 x 

22.5 cm; Corsica e Satiro; 15.7 x 19.7 cm; Bequest 

of Nicholas J. Velloney 2003.284. 

Abel Schlicht (German, 1754–1826). Subterranean 

Jail for the Stage (Unterirdisches Gefängnis für 

die Schaubühne), 1788; etching and aquatint; 49 

x 63 cm; Nagler 16 (?); John L. Severance 


Micah Schwaberow (American, b. 1948). 

Limantour 2: Evensong, 2001; color woodcut; 

12.6 x 25.5 cm; Gift of The Verne Collection 


Yamamoto Shoun (Japanese, 1870–1965). 

Children Playing: Snowman, 1907; color woodcut; 

20.4 x 30.2 cm; Gift of Frederick, Tina, 

and Zoe Zwegat 2003.413. 

Walter Sickert (British, 1860–1942). John L. 

Severance Fund. Dieppe, La Rue Notre Dame, 

1909; etching and aquatint; 39 x 27 cm; 

Bromberg 134, state XI/XVI; 2003.21. Sally: 

The Small Plate, about 1911; etching printed in 

brown ink; 26.5 x 22 cm; Bromberg 142, state 

I/IV; 2003.22. 

John Sloan (American, 1871–1951). 1916; two 

etchings; Gift of Richard and Edward 



Calf Love; 10.6 x 6.9 cm; Morse 182; 2003.78. 

McSorley’s Back Room; 13.4 x 17.8 cm; Morse 

181, state III/III; 2003.77. 

ARpp22-37.p65 33 

6/1/2004, 11:50 PM 

Théophile Alexandre Steinlen (French, 1859– 

1923). Henri Rivière, lithographic frontispiece 

in Henri Rivière, peintre et imagier, 1907; 17.6 x 

14.2 cm; Crauzat 286; Gift of John Bonebrake 


Walesse Ting (American, b. China, 1929). 

Chinese Moonlight: 63 Poems by 33 Poets; 

four color lithographs; 27 x 38 cm; Gift of 

Elizabeth Carroll Shearer in memory of Robert 

Lundie Shearer. Butterfly Gun; 2003.223.a. 

Singing in the Rain; 2003.223.b. Twinkling Star; 

2003.223.c. Iris Bursting; 2003.223.d. 

Paul Travis (American, 1891–1975). Mt. 

Kilimanjaro from the Air, 1932; lithograph; 18 x 

27.6 cm; Gift of Carole W. and Charles B. 


Jan van de Velde (Dutch, 1593–1641). Star of 

Kings, a night-piece (after Pieter Molyn); engraving; 

20.8 x 16.4 cm; Hollstein 149; Gift of 

The Print Club of Cleveland 2003.45. 

Horace Vernet (French, 1789–1863). The 

Man-Servant of Limier Rising from Bed (Lever du 

Valet de Limier), 1818; lithograph in black and 

blue; 15 x 19.4 cm; Bequest of Nicholas J. 


Sadao Watanabe (Japanese, 1913–1996). The 

Miracle of the Oil Pot, 1960; woodcut and stencil; 

52 x 44.6 cm; Gift of William E. Ward in 

memory of his wife, Evelyn Svec Ward 


Max Weber (American, 1881–1961). Two 

linocuts; Gift of Richard and Edward 



Prayer, 1920; 22.7 x 7.1 cm; Rubenstein 32; 

2003.83. The Workers, 1937–40; 22 x 28.7 cm; 

Rubenstein 43; 2003.81. 

James McNeill Whistler (American, 1834– 

1903). Gift of Richard and Edward Feinberg, 


and Dr. Rose S. Hartmann Feinberg. Drouet, 

1859; etching; 22.5 x 15.1 cm; Kennedy 55 

after state II/II; 2003.79. The Fair, 1895–96; 

lithograph; 23.5 x 18.7 cm; Chicago 135, state 

II/II; 2003.80. 

Terry Winters (American, b. 1949). Untitled, 

1988; etching, softground etching, and spitbite 

aquatint; 70.8 x 57.2 cm; Sojka 33; Gift of 

Margo H. Leavin and Wendy W. Brandow 


Ralph Woehrman (American, b. 1940). Golden 

Eagle; drypoint; 22.1 x 26 cm; Gift of Carole 

W. and Charles B. Rosenblatt 2003.338. 

Amy Worthen (American, b. 1946). The Voyage 

of the “Chiaretta,” 1998–99; engraving and 

roulette printed in brown on two sheets; Gift 

of Amy N. and Thomas F. Worthen in honor 

of the 50th anniversary of Dr. Gerard and 

Phyllis Seltzer. 22.8 x 38.8 cm; 2003.222.a. 

22.8 x 38.7 cm; 2003.222.b. 

Masaji Yoshida ( Japanese, 1917–1971). Two 

color woodcuts; Gift of William E. Ward in 

memory of his wife, Evelyn Svec Ward. 

Ground No. 4, 1960; 42 x 18.5 cm; 2003.314. 

No. 1, 1958; 45 x 37.7 cm; 2003.313. 

33

Manufactured by 

Maison Henry 

Bertrand (French). 

Chrysanthemums, 

1925; twill-based 

jacquard weave; silk, 

artificial gold thread; 

325 x 106.7 cm; John L. 

Severance Fund 


34 

Textiles 

Democratic Republic of the Congo. Fragment 

of Woman’s Overskirt (ncaka), late 1800s or early 

1900s; raffia palm fiber; 121.4 x 33.3 cm; John 


Democratic Republic of the Congo. Woman’s 

Overskirt (ncaka), late 1800s or early 1900s; 

raffia palm fiber, European tradecloth; 413.2 x 

63.6 cm; John L. Severance Fund 2003.90. 

India, Coromandel Coast. Chintz Bed Cover 

or Hanging with a Japanese-Inspired Pattern, 

right half, 1700–1750; drawn resist, painted 

mordants, dyed (two reds, two blues, purple, 

brown, green); cotton; 284.5 x 136 cm; John 


Iran, Safavid dynasty (1501–1722). Floral Silk 

on a Golden Ground, 1650–1700; complementary 

weft-faced twill with inner warps (samit); 

silk, gilt-metal and silver-metal thread; 50.1 x 

27.5 cm; John L. Severance Fund 2003.96. 

Ivory Coast, Dida people. Man’s Garment, 

possibly early 1900s; resist dyed raffia palm 

fiber (Raphia ruffia or R. vinifera); 169.8 x 211.5 

cm; John L. Severance Fund 2003.89. 

Morocco, Tetouan. Silk Portiere, 1800s; 

complementary warp-faced plain weave with 

areas of double cloth; silk; 313.5 x 62.3 cm; 

Gift of The Textile Art Alliance 2003.86. 

Turkey, Istanbul. Velvet Panel with an Italian 

Pattern, 1575–1600; brocaded velvet; silk, 

cotton, and gilt-metal thread; 170 x 241 cm; 

Andrew R. and Martha Holden Jennings Fund 


James Bassler (American, b. 1933). Cube, 

Promissory Note, 2003; waxed linen, scaffold 

warps; 5.1 x 5.1 x 2.5 cm; Gift of Mildred 

Constantine 2003.427. 

Virginia Davis (American, b. 1930). Gift of 

Mildred Constantine. Denim: Cut, 2003; warp 

ikat with cut warps; linen; 20.3 x 20.3 x 2.4 

cm; 2003.425. Denim: Faded, 2003; warp ikat 

with abraided warps: linen; 20.3 x 20.3 x 2.4 


ARpp22-37.p65 34 

6/1/2004, 11:50 PM 

Rockwell Kent (American, 1882–1971). 

Manufactured by Charles Bloom Inc. Harvest 

Time, 1949; printed on textured period cloth 

(cotton and synthetic fibers); 94.3 x 110.5 cm; 

Gift of The Textile Art Alliance 2003.339. 

Maria Kipp (American, 1900–1988). Textile 

Sample (two works), about 1960; plain weave: 

rayon, wool, cotton, linen; Gift of Charles L. 

Venable and Martin K. Webb. 147.3 x 135.9 

cm; 2003.85.1. 140.9 x 134.6 cm; 2003.85.2. 

Manufactured by Maison Henry Bertrand 

(French). Chrysanthemums, 1925; twill-based 

jacquard weave; silk, artificial gold thread; 325 

x 106.7 cm; John L. Severance Fund 2003.42. 

Mariette Rousseau Vermette (Canadian, b. 

1926). #644, 2003; plain weave with supplementary 

weft patterning: wool, synthetic fiber; 

33 x 33.6 x 4.5 cm; Gift of Mildred 

Constantine 2003.423. 

Wendy Weiss (American, b. 1957). Field, 

2003; cotton and metal thread float over exposed 

copper wire; 9.5 x 22.8 x 17.8 cm; Gift 

of Mildred Constantine 2003.424. 

Education Art Collection 

Helen Cordero (New Mexico, Cochiti 

Pueblo, 1915–1994). Turtle with Seven Children; 

ceramic; 19.1 x 28 cm; Gift of Frances and 

David Dickenson in memory of Sarah 

Dickenson and Jeffrey Cudlip 2003.1002. 

Joseph Domjan (American, 1907–1992). Color 

woodcuts; Gift of Evelyn Domjan in memory 

of her husband, Joseph Domjan. Feng-Huang I; 

58.5 x 44.5 cm (sheet); 2003.1000. Rose Phoenix, 

1971; 50.8 x 66.1 cm (sheet); 2003.1001.

Visitors celebrate the 

reopening of the 



African Gallery 

The gallery of Art of Sub-Saharan Africa 

reopened on October 12, 2003, after 

being closed for one year for reinstallation, 

showcasing the cream of the 

museum’s collection with 58 objects in 

wood, terracotta, brass, ivory, cloth, 

and other media. The majority of works 

are wooden masks and figures made in 

West and Central Africa in the late 19th 

to early 20th centuries. 

The gallery is organized geographically 

according to four broad cultural 

regions—the Western Sudan, the 

Guinea Coast, Nigeria, and the Congo 

Basin—an arrangement that illustrates 

the formal and stylistic relationships 

between neighboring artistic traditions 

and emphasizes the uniqueness of 

the arts of distinct ethnic groups. The 

gallery not only presents the objects 

beautifully, but also provides interpretive 

information including wall text, 

object labels, and field photographs. 

This information presents African art 

as part of a complex cultural network 

with interwoven threads of material 

and spiritual life. A state-of-the-art 

interactive multimedia display focuses 

on a crest mask of the Ejagham people 

of Nigeria, showing how the object 

was used in its original setting as part 

ARpp22-37.p65 35 

6/1/2004, 11:51 PM 

of a dynamic and kinetic art form, and 

how it now helps us understand the 

continuity between past traditions 

and the present. The video-interactive 

device not only provides contextual 

information for gallery visitors, but 

contains in-depth content accessible 

only to teachers leading classes 

in the gallery and also brings live 

videoconferencing with scholars or 

students from remote sites right into 

the gallery. 

The reinstallation was made possible 

by a generous grant from the 

Cleveland Foundation. The grant allowed 

the museum to articulate its 

African art collection in a more innovative 

and meaningful manner and 

connect the installation’s relationship 

to African-American culture. The fully 

illustrated catalogue South of the 

Sahara: Selected Works of African Art, 

written by Associate Curator of African 

Art Constantine Petridis, won a gold 

award in the Ohio Museums Association 

annual visual communications 

competition. 

35

Loans to Other 

Institutions 

Installation on the 

south lawn of 

Tony Smith’s 1967 

sculpture, Source 

(painted steel, Gift of 

the Metropolitan Bank 

& Trust Company 

2001.256). 

36 

Addison Gallery of American Art, Phillips 

Academy, Andover, Massachusetts; AXA 

Gallery, New York; Marion Koogler McNay 

Art Museum, San Antonio; Museum Jean 

Tinguely, Basel 

Miracle in the Scrap Heap: The Sculpture of 

Richard Stankiewicz 

Akron Art Museum, Ohio 

Rodin: A Magnificent Obsession—Selections from 

the Iris and B. Gerald Cantor Foundation 

American Federation of Arts (organizing 

institution). The Frick Collection, New York 

The Drawings of François Boucher 

American Textile History Museum, Lowell, 

Massachusetts 

Generations/Transformations: American Fiber Art 

The Art Institute of Chicago; Arthur M. 

Sackler Gallery, Smithsonian Institution, 

Washington 

Himalayas: An Aesthetic Adventure 

The Art Institute of Chicago; Philadelphia 

Museum of Art; Van Gogh Museum, 

Amsterdam 

Manet and the Sea 

Asia Society Galleries, New York; Palazzo 

Reale, Milan 

Hunt for Paradise: Court Arts of Iran, 1501–1576 

Asian Art Museum of San Francisco 

Goryeo Dynasty: Korea’s Age of Enlightenment 

Aspen Art Museum, Colorado 

Robert Mangold: Paintings, 1990–2002 

Birmingham Museum of Art, Alabama 

(organizing institution); National Museum of 

Modern Art, Kyoto; Sakura City Museum, 

Japan 

Kamisakka Sekka: Rimpa Master—Pioneer of 

Modern Design 

Bruce Museum of Arts and Sciences, 

Greenwich, Connecticut; Norton Museum of 

Art, West Palm Beach, Florida 

JFK and Art 

Canton Museum of Art, Ohio; Springfield 

Museum of Art, Ohio 

In Clear Light: The Triumph of Ohio 

Watercolorists 

Cleveland Artists Foundation (organizing 

institution). Beck Center for the Arts, 

Lakewood, Ohio 

Drawn to Perfection: Jean and Paul Ulen and the 

Slade School Legacy in Cleveland 

The Cleveland Museum of Art; Los Angeles 

County Museum of Art 

Jasper Johns: Numbers 

Columbus Museum of Art, Ohio; Mary and 

Leigh Block Museum of Art, Northwestern 

University, Evanston, Illinois 

American Expressionism 

Decorative Arts Center of Ohio, Lancaster, 

Ohio 

Ohio Is My Dwelling Place: Schoolgirl 

Embroideries, 1803–1850 

ARpp22-37.p65 36 

6/1/2004, 11:51 PM 

French Academy in Rome, Villa Medici; 

Dahesh Museum of Art, New York 

Maesta di Roma, da Napoleone all’Unita d’Italia: 

Da Ingres á Degas: Les artistes française á Rome 

(title in Rome). French Artists in Rome, Ingres to 

Degas (title in New York) 

Galleria Nazionale d’Arte Moderna, Rome 


Capitale delle Arti 

Governor’s Residence Foundation, Bexley, 

Ohio 

Long-term loan to the Ohio governor’s residence 

Great Lakes Science Center, Cleveland 

China: 7000 Years of Discovery 

Heckscher Museum of Art, Huntington, New 

York 

The Golden Age of American Impressionism 

High Museum of Art, Atlanta; Detroit 

Institute of Arts 

After Whistler: The Artist and His Influence on 

American Painting 

Hood Museum of Art, Hanover, New 

Hampshire; Onassis Foundation, New York; 

Cincinnati Art Museum; J. Paul Getty 

Museum of Art, Los Angeles 

Coming of Age in Ancient Greece 

J. Paul Getty Museum, Los Angeles 

Illuminating the Renaissance: The Triumph of 

Flemish Manuscript Painting in Europe 

Japan Society Gallery, New York 

Transmitting Forms of Divinity: Early Buddhist 

Art from Korea and Japan 

Junta de Castilla y Leon (organizing 

institution). Museo Parroquial de Santa Eulalia, 

Paredes de Nava, Palencia, Spain 

Pedro Berruguete: El Primer Pinto Renacentista de 

la Corona de Castilla 

Kunsthaus Zurich, Switzerland 

Georgia O’Keeffe 

Kunsthistorisches Museum, Vienna; 

Kulturstiftung Ruhr, Essen, Germany 

Flemish Landscapes 

Linea d’ombra (organizing institution). Casa 

dei Carraesi, Treviso, Italy 

L’oro e l’azzurro, I Colori del Sud da Cézanne a 

Bonnard 

Los Angeles County Museum of Art; 

Columbus Museum of Art, Ohio 

The Circle of Bliss: Buddhist Meditational Art 

Mattatuck Museum, Waterbury, Connecticut; 

Newington Cropsey Foundation, Hastings-on- 

Hudson, New York 

Picture Perfect: The Art of Northwest Connecticut 

Memorial Art Gallery of the University of 

Rochester, New York; Terra Museum of 

American Art, Chicago; Georgia Museum of 

Art, Georgia University, Athens; Vero Beach 

Museum of Art, Florida 

Leaving for the Country: George Bellows at 

Woodstock

The Metropolitan Museum of Art, New York 

El Greco 


Manet and the Civil War 


Manet/Velázquez: The French Taste for Spanish 

Painting 


Turning Point: Oribe and the Arts of Sixteenth- 

Century Japan 

The Metropolitan Museum of Art, New York; 

Amon Carter Museum of Art, Fort Worth; 

National Gallery of Art, Washington 

Hudson River School Visions: The Landscapes of 

Sanford R. Gifford 

Musée de la Musique, Paris 

North India: The Glory of Princes, Tribute to the 

Gods 

Museum of Contemporary Art, San Diego; 

Museum of Fine Arts, Houston; Whitney 

Museum of American Art, New York 

Ellsworth Kelly: Red, Green, Blue 

Museum of Fine Arts, Houston; The 

Cleveland Museum of Art 

The History of Japanese Photography 

Museum of the City of New York 

Glass and Glamour: Steuben’s Modern Moment, 

1930–1960 

Museo Thyssen-Bornemisza, Madrid 

Musical Analogies, Kandinsky and His 

Contemporaries 

National Academy of Design Museum, 

New York; San Diego Museum of Art 

George Inness and the Visionary Landscape 

National Gallery-Alexandros Soutzos 

Museum, Athens, Greece 

In the Light of Apollo—Italian Renaissance and 

Greece 

National Gallery of Art, Washington 

Small Wonders: Dutch Still Lifes by Adriaen 

Coorte 

National Gallery of Art, Washington; Musée 

des Beaux-Arts de Montréal, Québec 

Edouard Vuillard 

National Gallery of Art, Washington; San 

Francisco Museum of Modern Art 

The Art of Romare Bearden 

National Galleries of Scotland (organizing 

institution). Gallery of the Royal Scottish 

Academy, Edinburgh 

Monet: The Seine and the Sea, Vetheuil and 

Normandy 

Österreicheisch Galerie Belvedere, Vienna 

Friedrich von Amerling 

Palazzo dei Diamanti, Ferrara, Italy; Gallery of 

the Royal Scottish Academy, Edinburgh 

Edgar Degas and the Italians in Paris 

Palazzo Reale, Milan 

Il Gran Teatro del Mondo: L’Anime e il Volto del 

Settecento 

Portland Art Museum, Oregon; Birmingham 

Museum of Art, Alabama; Meadows Museum, 

Southern Methodist University, Dallas 

The Triumph of French Painting: Seventeenth 

Century Masterpieces from the Museums of 

FRAME 

Princeton University Art Museum, New 

Jersey; Museum of Fine Arts, Houston 

The Centaur’s Smile: The Human Animal in 

Early Greek Art 

Réunion des Musées Nationaux (organizing 

institution). Musée du Louvre, Paris; The 

Metropolitan Museum of Art, New York 

L’Espirit Créateur de Pigalle á Canova: Terres 

cuites européennes (title in Paris). Playing with 

Fire: European Terracotta Models, 1740–1840 

(title in New York) 

Riffe Gallery, Columbus, Ohio; Butler 

Institute of American Art, Youngstown, Ohio 

The State of the Arts: A Celebration of Ohio’s 

Rich Artistic Heritage 

San Francisco Museum of Modern Art; Los 

Angeles County Museum of Art; Museum of 

Fine Arts, Houston; The Metropolitan 

Museum of Art, New York 

Diane Arbus 

ARpp22-37.p65 37 

6/1/2004, 11:51 PM 

Conservator Larry 

Sisson examines 

objects to be included 

in the reinstalled 



Scudiere del Quirinale, Rome 


Universale ed Eterna 

Sociedad Estatal para la Accíon Cultural 

Exterior (organizing institution). Palacio Real 

de Madrid, Spain 

Courts of the Baroque Age: From Bernini and 

Velázquez to Luca Giordano 

Tate Britain, London; Minneapolis Institute of 

Arts; The Metropolitan Museum of Art, New 

York 

Constable to Delacroix: British Art and the French 

Romantics (title in London). Crossing the 

Channel: British and French Painting in the Age of 

Romanticism (title in United States) 

Toledo Museum of Art, Ohio 

Van Gogh: Fields: The “Poppy Field” and the 

Artist’s Debate 

Turin State Archives, Italy 

Vittorio Alfieri: Artistocratico Ribelle 

Walters Art Museum, Baltimore; Columbus 

Museum of Art, Ohio; Portland Art Museum, 

Oregon 

Fabergé’s Menagerie: The Animal Creations of the 

Fabergé Workshop 

Whitney Museum of American Art, New 

York 

Elie Nadelman: Sculptor of Modern Life 

37

Associate Curator 

of Contemporary Art 

Jeffrey Grove (striding) 

and artist Trenton 

Doyle Hancock (right) 

supervise the 

installation of the 

Project 244 exhibition 

Moments in Mound 

History. 

38 

ARpp38-47.p65 38 

6/1/2004, 11:54 PM

Visitors enjoy the 

sublime pleasures of 

The Sensuous and the 

Sacred: Chola Bronzes 

from South India. 

Exhibitions 

Exhibitions in the north gallery explored two millennia and three continents. 

The Gilded Age: Treasures from the Smithsonian American Art Museum, 

paired with Cleveland Collects American Art of the Gilded Age, February 23- 

May 18, examined how art reflected American society’s aspirations during 

a period when this nation was somewhat fitfully rising to “first world” 

stature. Summer brought the elegant and beautiful exhibition The Sensuous 

and the Sacred: Chola Bronzes from South India, July 6-September 14. 

Among the show’s memorable qualities was how it made clear the stellar 

quality of Cleveland’s collection of Chola bronze sculpture. Autumn featured 

two exhibitions on contemporary art, Drawing Modern: Works from 

the Agnes Gund Collection and Jasper Johns: Numbers, both on view October 

26, 2003-January 11, 2004. The museum published a handsome full-color 

catalogue for each show. Agnes Gund’s collection is both a survey of 

mid-to-late 20th-century works on paper and a fascinating reflection of 

the taste of a discerning and remarkably consistent collector. In one of a 

number of interesting events accompanying the exhibition, Agnes Gund 

and artist Frank Stella appeared together in a rare public dialogue about 

contemporary art. The Jasper Johns exhibition was the first large-scale 

show to examine one of the artist’s signature bodies of work: his highspirited 

exploration of the numerals 0 through 9, which demonstrates his 

mastery of nearly every imaginable two-dimensional medium. 

ARpp38-47.p65 39 

6/1/2004, 11:54 PM 

39

A partnership with 

Cleveland Hopkins 

International Airport 

allowed museum 

banners to brighten 

the concourses. 

Shown here: banners 

for Jasper Johns: 

Numbers and Drawing 

Modern. 

40 

In the south galleries, the year began with Treasures of a Lost Art: Italian 

Manuscript Painting of the Middle Ages and Renaissance, February 23-May 4, 

from the collection of the Metropolitan Museum of Art. A display of selections 

from Cleveland’s own fine collection—the other great group of 

manuscripts in the United States—complemented the exhibition. Next 

came the revelatory show The History of Japanese Photography, May 25–July 

20, organized by the Museum of Fine Arts, Houston, which showed the 

intriguing ways in which the evolution of photography in Japan paralleled 

that in Europe and especially the United States in terms of style and technique, 

while the subject matter and cultural themes remained strongly 

Japanese. Curator of Prints Jane Glaubinger found a golden opportunity to 

show off the museum’s extraordinary collection of relief prints (woodcuts, 

wood engravings, and linoleum cuts) in the exhibition Against the Grain: 

Woodcuts from the Collection, August 17-November 9. The year concluded 

with Voyage of Discovery: The Landscape Photographs of Ray K. Metzker, 

December 7, 2003-February 29, 2004, organized by the Philadelphia 

Museum of Art and curated by retired Cleveland Museum of Art director 

Evan H. Turner. Metzker, who established his reputation with stark and 

dynamic urban images, first showed his landscape photographs here in a 

small show in 1991. The more than 100 images in this exhibition demonstrated 

that the photographer’s initial foray into landscape subjects was no 

whimsical detour, but the first steps into a rich new territory that Metzker 

has made entirely his own. The photographer and former director Turner 

appeared together in a public dialogue to mark the occasion. 

Shows in gallery 103–5 continued our commitment to contemporary 

photography, with exhibitions including Interior Portraits: Zwelethu 

Mthethwa Photographs; Points of Light: Sato Tokihiro Photographs; Indian 

Temples: Masumi Hayashi Photographs; Peru 1983: Aaron Siskind Photographs 

(a 100th-birthday tribute); and Assumed Identities: Nikki S. Lee Photographs, 

while other exhibitions celebrated the museum’s growing permanent collection: 

The Charles Isaacs and Carol Nigro Collection of American Photography 

and Signs of Life: Recent Photography Acquisitions. During the year, photographers 

Nikki S. Lee and Masumi Hayashi offered lectures about their work. 

New on the exhibition scene this year was a lively series presented in a 

space formerly used for art storage. Project 244 brought three innovative 

shows, MetaScape, March 16-June 15, featuring cutting-edge art exploring 

the landscape; Aernout Mik, July 13-November 16, a thought-provoking 

video installation; and Trenton Doyle Hancock: Moments in Mound History, 

December 14, 2003-April 4, 2004, a multimedia experience that earned 

the first annual Joyce Award, which honors arts institutions in the Midwest 

that commission and promote the work of artists of color. 

The museum’s exhibitions continue to bring to Cleveland audiences 

the finest in artistic production from across the ages and around the globe. 

ARpp38-47.p65 40 

6/1/2004, 11:54 PM

Loan Exhibitions 

Interior Portraits: Zwelethu Mthethwa 

Photographs 

February 15–April 23, 2003 

Gallery 105 

Zwelethu Mthethwa (b. 1960) creates colorful 

portraits that celebrate the spirit of people 

living in postapartheid South Africa. The 

exhibition included seven of these large-scale 

images (38 x 51 inches), which capture 

intriguing details of the shantytown dwellings, 

such as walls papered with pages from 

magazines and newspapers and other creative 

improvisations. Curated by Tom Hinson. 

The Gilded Age: Treasures from the 

Smithsonian American Art Museum 

February 23–May 18, 2003 

North Gallery 

This exhibition featured works by artists who 

brought a new sophistication and elegance into 

American art from the 1870s through the 

1920s. Wealthy industrialists eager to acquire 

culture began to collect the works of American 

artists who had achieved international recognition. 

John Singer Sargent, Irving Wiles, and 

Cecilia Beaux created portraits of these new 

patrons, while John La Farge and Augustus 

Saint-Gaudens made luxurious artworks for 

their homes. Artists Louis Comfort Tiffany, 

Frederick Arthur Bridgman, Henry Ossawa 

Tanner, and Charles Sprague Pearce responded 

to the era’s fascination with exotic Middle 

Eastern and Egyptian cultures. Renaissanceinspired 

paintings by Abbott Thayer express 

the period’s refinement. Albert Pinkham 

Ryder’s works symbolize the generation’s 

idealized strivings, while the rugged landscapes 

of Winslow Homer convey the conflict between 

social and industrial forces. 

The Gilded Age was one of the eight Treasures 

to Go exhibitions from the Smithsonian 

American Art Museum that toured the nation 

through early 2003. The Principal Financial 

Group was a proud partner in presenting 

these treasures to the American people. 

The Cleveland showing was supported by 

Dominion. Curated in Cleveland by Henry 

Adams. 

Treasures of a Lost Art: Italian 

Manuscript Painting of the Middle Ages 

and Renaissance 


South Galleries 

This exhibition presented to the public for the 

first time the impressive collection of Italian 

illuminated manuscripts formed by Robert 

Lehman (1891–1969). Comparable only to the 

Cini Collection in Venice in its breadth and 

scope, Lehman’s collection comprises 145 

pieces ranging in date from the 13th to the 

16th century and equally divided among the 

major centers of manuscript production in 

Italy. The CMA installation featured 66 

manuscript sheets and cuttings from the 

ARpp38-47.p65 41 

6/1/2004, 11:54 PM 

collection of the Metropolitan Museum of Art 

and a private collection on long-term loan to 

that institution. Included were works by some 

of the most famous names in Italian painting, 

such as Duccio di Buoninsegna, Stefano da 

Verona, and Cosimo Tura, as well as visually 

stunning examples by leading figures in the 

history of Italian manuscript illumination. 

The exhibition was organized by The 

Metropolitan Museum of Art. Curated in 

Cleveland by Stephen Fliegel. 

The Charles Isaacs and Carol Nigro 

Collection of American Photography 

April 26–September 10, 2003 

Galleries 103, 104 

In 2002 the Cleveland Museum of Art 

acquired the Charles Isaacs and Carol Nigro 

Collection of American Photography, 

containing 22 stunning images that range in 

date from 1850 to 1911. The group includes 

eight daguerreotypes that represent iconic 

examples of the artistic achievement, diverse 

subject matter, and technical excellence that 

made American daguerreotypy one of the 

outstanding accomplishments in the history of 

photography. The newly acquired photographs 

also include some of the finest works, most in 

the technique of albumen prints from wet 

collodion negatives, by landscape photographers 

of the American West such as Charles 

L. Weed, Timothy O’Sullivan, and William 

Henry Jackson. Rare platinum prints by 

Thomas Eakins and Alvin Langdon Coburn 

further distinguish the collection. Curated by 

Tom Hinson. 

Points of Light: Sato Tokihiro 

Photographs 

April 26–July 9, 2003 

Gallery 105 

As a prelude and complement to The History of 

Japanese Photography, Sato Tokihiro’s 

conceptual works were featured in a solo show 

of 12 black-and-white photographs. Moving 

about with either a penlight or a mirror that 

reflects light into his camera lens during long, 

timed exposures, Sato (b. 1957) inserts point or 

tracery of light into urban, domestic, and 

natural scenes, infusing them with a sense of 

energy and mystery. Curated by Tom Hinson. 

41


May 25–July 20, 2003 

South Galleries, Gallery 113 

This groundbreaking exhibition was the first in 

the West to chronicle Japan’s extraordinary 

contribution to the history of photography. 

Since 1995, the Japan Foundation and the 

Museum of Fine Arts, Houston have been 

working on this project, which coincided with 

a burst of scholarly research in Japan. Some of 

the most beautiful images created in photography 

are Japanese, yet only works by those 

few artists who established international 

reputations after World War II are known 

outside Japan. The exhibition included more 

than 170 images by 60 photographers as well as 

some books and magazines. Works ranged in 

size from 4 x 5 inches to 4 x 5 feet. Many 

were borrowed from Japan, with additional 

loans from collections in the United States, 

Germany, and France. The catalogue was the 

first extensive history of Japanese art 

photography to be published in a Western 

language. 

The History of Japanese Photography was 

organized by the Japan Foundation and the 

Museum of Fine Arts, Houston. National 

sponsorship provided by Continental Airlines. 

Additional funding provided by the National 

Endowment for the Arts and the National 

Endowment for the Humanities. Promotional 

support was provided by The Wave 107.3 and 

Northern Ohio Live. Curated in Cleveland by 

Tom Hinson. 


demonstrates how 

much a great artist can 

do with just ten digits. 

42 

The Sensuous and the Sacred: 

Chola Bronzes from South India 

July 6–September 14, 2003 

North Gallery 

South Indian bronzes, especially bronzes produced 

under the reign of the Chola dynasty 

between the 9th and 13th centuries, are famed 

for their subtlety of modeling and fluent outline 

of form. Balancing graceful realism and 

heroic classicism, Chola bronzes are among the 

best known and most admired objects of art 

from the subcontinent. Drawn from important 

collections of temple bronzes in the United 

States and Europe, this exhibition of approximately 

95 works presented the first major 

survey of the art of Chola bronzes. Organized 

in three thematic sections, the exhibition focused 

on the iconography of the Hindu gods 

Shiva and Vishnu, along with examples of 

Buddhist bronzes. While approximately 60 of 

the objects were from the Chola period, later 

bronze pieces were introduced in order to 

expand the iconographic scheme and place the 

Chola work in a larger context of South Indian 

bronze sculpture. Photomurals of temples, as 

well as bronze statuary fully draped, ornamented, 

and ready for processional rituals, 

recreated the context in which these religious 

icons are seen and worshiped in South Indian 

temples today. 

The exhibition was organized by the American 

Federation of Arts and the Arthur M. Sackler 

Gallery, Smithsonian Institution. The 

exhibition was supported by the National 

Endowment for the Humanities and The 

Rockefeller Foundation. Additional exhibition 

support was provided by Gilbert and Ann 

ARpp38-47.p65 42 

6/1/2004, 11:54 PM 

Kinney, and the Benefactors Circle of the 

AFA. The catalogue was supported by the E. 

Rhodes and Leona B. Carpenter Foundation. 

The Cleveland showing was supported in part 

by Malcolm E. Kenney and the Malcolm E. 

Kenney Special Exhibitions Endowment Fund. 

Promotional support provided by The Plain 

Dealer, City Visitor, and WCLV 104.9 FM. 

Curated in Cleveland by Stan Czuma. 

Indian Temples: Masumi Hayashi 

Photographs 


Gallery 105 

A master of large-scale, multiple-image 

panoramas, including series on Japanese- 

American internment camps and on EPA 

Superfund sites, this Cleveland-based artist 

(b. 1945) has turned her attention to sites of 

ancestral worship—ancient, and still in use 

today. As a complement to The Sensuous and 

the Sacred, this exhibition included seven of her 

color images, created during three trips to 

India in 2000–2002. Curated by Tom Hinson. 

Peru 1983: Aaron Siskind Photographs 

September 13–November 19, 2003 

Gallery 103, 104, 105 

Most famous for his abstract, close-up images 

of deteriorating walls, peeling paint, and torn 

billboards made in black-and-white during the 

mid 20th century, Aaron Siskind (1903–1991) 

helped expand the visual repertoire of 

photography for generations to follow. This 

exhibition, honoring the 100th anniversary of 

the artist’s birth, featured 30 vintage prints. 

Curated by Tom Hinson.

The Jasper Johns 

exhibition drew 

important loans from 

major international 

collections in the first 

exhibition to focus on 

this major theme of 

the artist’s career. 

Drawing Modern: Works from the Agnes 

Gund Collection 

October 26, 2003–January 11, 2004 

North Gallery 

One of the true tastemakers of postwar art in 

America, Cleveland native Agnes Gund has 

been collecting drawings for several decades. 

Her collection includes major pieces by some 

of the 20th century’s most important artists, 

including Arshile Gorky, Paul Klee, Roy 

Lichtenstein, Jasper Johns, Ellsworth Kelly, 

Louise Bourgeois, Eve Hesse, Brice Marden, 

Bruce Nauman, and Cy Twombly. In addition 

to these well-established artists, Gund also 

seeks out the works of a younger generation. 

Recent works in the show included pieces by 

Gabriel Orozco, William Kentridge, and 

Rosemary Trockel. 

This exhibition was supported in part by Hahn 

Loeser + Parks LLP. Promotional support 

provided by Cleveland Magazine, The Plain 

Dealer, The Wave 107.3 FM, 89.7 WKSU, 

Continental Airlines, and Cleveland Hopkins 

International Airport. Curated by Carter Foster 

and Jeffrey Grove. 


October 26, 2003–January 11, 2004 

North Gallery 

This exhibition was the first to concentrate in 

depth on a single subject by Jasper Johns (b. 

1930), one of the major artists of the postwar 

era. In 1955, Johns made a series of encaustic 

and collage paintings of single numbers on a 

rectangular field, called “Figures,” and then 

developed variations on this format, such as a 

sequenced repetition of the numerals in a grid 

format, the numerals in a double row, and the 

ten numerals superimposed on one another. 

These works are considered among the finest 

made by the artist. Although drawn from all 

periods of the artist’s career, this exhibition of 

37 works focused on the years between 1955 

and 1963 and included painting, drawing, 

collage, and printmaking. The exhibition was 

on view at the Los Angeles County Museum 

of Art later in 2004. 

Jasper Johns: Numbers was supported in part 

through the generosity of Agnes Gund and 

Daniel Shapiro. Promotional support provided 

by Cleveland Magazine, The Plain Dealer, The 

Wave 107.3 FM, 89.7 WKSU, Continental 

Airlines, and Cleveland Hopkins International 

Airport. Curated by Carter Foster with guest 

curator Roberta Bernstein. 

Assumed Identities: Nikki S. Lee 

Photographs 

November 22, 2003–January 21, 2004 

Gallery 105 

Born in Korea, the New York–based artist 

Nikki S. Lee explores disparate subcultural 

identities by integrating herself into selected 

communities. She accomplishes this immersion 

through a prolonged period of research and 

then by adopting a given social group’s code 

of dress and identifying accoutrements, its 

recognizable behavior, and body language. 

With the aid of elaborate makeup and 

wardrobe, she lives the life of a given group, 

such as a punk, a yuppie, a tourist, and an 

elderly woman, for days or months. The 

photographs, taken by someone else with a 

snapshot camera, always include Lee and often 

people from the community she is examining. 

Twelve of her casual color images from various 

projects were featured in this exhibition. 

Lee has a keen eye for social detail and her 

work is enriched by humor and satire. Curated 

by Tom Hinson. 

Signs of Life: Recent Photography 

Acquisitions 

November 22, 2003–April 7, 2004 

Galleries 103, 104 

Signs of Life was the third installment in a yearlong 

survey of images added to the museum’s 

photography holdings during the past decade. 

ARpp38-47.p65 43 

6/1/2004, 11:54 PM 

Featured works represent the 164-year history 

of the medium and show the collection’s chronological 

breadth, aesthetic achievement, and 

technical innovation. They reflect photographers’ 

interest since the medium’s invention to 

visit not easily accessible, often distant sites 

marked by physical and cultural significance. 

These ten photographs demonstrated artists’ 

ongoing desire to satisfy visual curiosity and to 

overcome logistical challenges in such settings 

as Africa, the Middle East, China, Mexico, the 

United States, and the moon. Curated by Tom 

Hinson. 

Voyage of Discovery: The Landscape 

Photographs of Ray K. Metzker 

December 7, 2003–February 29, 2004 


This exhibition of 107 images taken between 

1985 and 1998 was the first major survey of the 

landscape photographs of Ray K. Metzker 

(b. 1931), a pioneering image maker of the past 

four decades. During a trip to Tuscany in 

1985, the artist abruptly switched from photographing 

the urban subjects most associated 

with his career to photographing the landscape, 

often subjects he perceived as metaphors for 

human situations. Metzker has worked in many 

locations, including Southern France, Turkey, 

the East Coast of the United States, Door 

County in Wisconsin, and since 1994, almost 

exclusively in Moab, Utah. The show was 

co-selected by former Cleveland museum 

director Evan H. Turner, who also wrote for 

the accompanying catalogue an essay and 

chronology that investigates the evolution of 

Metzker’s photography and the influence 

of historical landscape painters, especially 

Constable, Turner, Monet, Klimt, and others, 

on his work. 

This exhibition was organized by the Alfred 

Stieglitz Center of the Philadelphia Museum of 

Art. Promotional support provided by WCLV 

104.9 FM. Curated in Cleveland by Tom 

Hinson. 

43

Project 244 

Project 244 was supported in part by an 

anonymous gift. 

MetaScape 

March 16–June 15, 2003 

This exhibition featured the work of four 

artists who approach the traditional premise of 

the landscape in radical new ways. One work 

by each of the four artists was included. 

Benjamin Edwards (American, b. 1970), The 

Pusan Experience, 2002, acrylic and texture 

mediums on canvas, Morton G. Neumann 

Family Collection. Torben Giehler (American, 

b. Germany, 1973), K2-North Spur, 2002, 

acrylic on canvas, Courtesy Collection 

Helgeson, Oslo, Norway, and Leo Koenig, 

Inc. Julie Mehretu (American, b. Ethiopia, 

1970), Babel Unleashed, 2001, ink and acrylic 

on canvas, Collection Walker Art Center, 

Minneapolis; T. B. Walker Acquisition Fund, 

2001. Yutaka Sone (Japanese, b. 1965), Highway 

Junction 110-105, 2002, carved marble, 

courtesy David Zwirner, New York. Curated 

by Jeffrey Grove. 

Aernout Mik 

July 13–November 16, 2003 

Dutch artist Aernout Mik’s unorthodox films 

appear to violate all conventions regarding 

cinematic structure and technique. There 

is no clear storyline, no interaction among 

characters, no long shots or close-ups, and 

no dialogue. What Mik offers instead is a 

contemporary analysis of group behavior that 

communicates by defying and denying narrative 

integrity. By questioning the conclusiveness 

of social and behavioral expectations, he 

challenges us to question the power we invest 

in our own perceptions. Mik’s Project 244 

exhibition, his first show in America, consisted 

of two of his most recent films, Park (2002) 

and Pulverous (2003). Curated by Jeffrey Grove. 

Trenton Doyle Hancock: Moments in 

Mound History 

December 14, 2003–April 4, 2004 

Trenton Doyle Hancock’s rich, inventive work 

addresses the emotional conflicts surrounding 

life, death, and the nature of good versus evil 

through an inspired, idiosyncratic narrative of 

his own design. Central to the symbolism and 

mythology of Hancock’s tale is a cast of characters 

who are embroiled in an epic struggle 

of carnal and spiritual forces. Hancock tempers 

his examination of weighty issues with a ribald 

sense of humor and an intuitive, inspired 

working process that embeds surprising elements 

and images within his densely populated 

stories. For his Cleveland exhibition, Hancock 

created an installation that included a sitespecific 

wall drawing, wallpaper he designed, 

watercolors, drawings, etchings, and a new 

painting that chronicles his ongoing, semiautobiographical 

battle with elemental and 

cultural forces. Raised in Paris, Texas, 

Hancock currently resides in Houston. Curated 


44 

Project 244 

In March, the museum introduced 

Project 244, a new gallery dedicated 

exclusively to changing exhibitions of 

contemporary art. Located in a former 

storage area in the existing contemporary 

galleries on the museum’s second 

level, the new space features three 

special exhibitions annually that focus 

on new and exciting contemporary 

works and artists. On the occasion of 

the opening, Director Katharine Lee 

Reid said: “Project 244 underscores this 

museum’s commitment to showing 

new and experimental work as part of 

our responsibility as a comprehensive 

art museum. Our small, selective 

shows will give viewers a taste of some 

of the most forward-looking, visually 

innovative artists working today.” 

Project 244 exhibitions got off to an 

auspicious start with MetaScape (below), 

featuring the work of four artists 

who approach the traditional premise 

of the landscape in radical ways. 

Benjamin Edwards, Torben Giehler, 

Julie Mehretu, and Yutaka Sone represent 

a new generation of artists whose 

collective vision has been informed by 

MetaScape 

Aernout Mik 

ARpp38-47.p65 44 

6/1/2004, 11:54 PM 

Trenton Doyle 

Hancock discusses his 

work with educator 

Karen Levinsky. 

revolutions in digital technology, mass 

media, and commodity culture. Next 

came a video installation by the Dutch 

artist Aernout Mik (top), for which a 

temporary tangential wall was added 

to the entry passage of the gallery. The 

year concluded with a lively installation 

by Trenton Doyle Hancock (bottom), 

for which the museum won the 

2003 Joyce Award in the visual arts. In 

its inaugural year, the Joyce Awards 

honored arts institutions in major 

Midwestern cities that commissioned 

and promoted the work of artists of 

color. The museum was the sole visual 

arts institution to be so honored 

among more than 50 proposals. 

Project 244 fills an important role in 

providing museum visitors a glimpse 

into the exciting world of cutting-edge 

contemporary art.

Permanent 

Collection 

Exhibitions 

Visitors explore the 

computer-interactive 

features designed to 

complement Draped 

in Splendor. 

Cleveland Collects American Art of the 

Gilded Age 


North Gallery 

The Cleveland Museum of Art was founded at 

the end of the Gilded Age and, during its early 

years, assembled a superb collection of 

paintings from that period, including 

masterworks by Winslow Homer, Thomas 

Eakins, and Albert Pinkham Ryder. A notable 

feature of the museum’s collection is its 

seriousness. The paintings seldom depict lighthearted 

moments but tend, instead, to focus on 

the grand and tragic issues of the human 

condition. Shown in conjunction with The 

Gilded Age: Treasures from the Smithsonian 

American Art Museum. Curated by Henry 

Adams. 

Against the Grain: Woodcuts from the 

Collection 

August 17–November 9, 2003 


Using the museum’s collection, the exhibition 

traced the development of printing carved 

woodblocks on paper in Europe and America. 

Woodcut is the oldest printmaking medium in 

the West. The first prints, produced in Europe 

in the early 15th century, were simple religious 

images colored by hand with watercolor. 

In the late 1490s Albrecht Dürer raised the 

artistic level of woodcuts, producing refined, 

sophisticated works. By the 16th century, 

color was printed, too, and woodcuts served a 

wide range of religious, secular, and political 

purposes. Dormant for the next 200 years, the 

medium was revived in 19th-century France, 

influenced by Japanese color woodcuts. Artists 

such as Paul Gauguin and Edvard Munch 

experimented extensively, carving the block 

ARpp38-47.p65 45 

6/1/2004, 11:54 PM 

with an unprecedented boldness and vigor. 

Artists continue to exploit the characteristics 

unique to woodcut, achieving a variety of 

effects. The related media of wood engraving 

and linoleum cut were included as well. 

Curated by Jane Glaubinger. 

Manuscripts in Gallery 216 

December 15, 2002–August 3, 2003 

Gallery 216 

Before Gutenberg’s invention of printing with 

movable type in the mid 15th century, books 

produced in the Middle Ages were written 

by hand. The copying of books occurred in 

monasteries all across Europe and allowed for 

church services to be conducted and monastic 

life to exist. By about 1200, the great age of 

monastic illumination was almost over. 

During the final 300 years of the Middle Ages, 

illuminated manuscripts were instead produced 

mainly by lay professionals whose activities 

were centered in major cities—Paris, Rouen, 

and Le Mans in France, Bruges, Belgium, 

Cologne, Germany, Bologna, Italy, and 

London, England. Manuscripts were also 

custom-made by illuminators privately employed 

by important patrons such as Jean de 

Berry, Philip the Bold, Anne de Bretagne, and 

the Duke of Bedford. Whereas the early sacred 

texts of the monastic orders were illuminated 

primarily to glorify God, the sumptuous decorations 

of many later manuscripts were valued 

by lay men and women as beautiful, precious 

works of art. Curated by Stephen Fliegel. 

Draped in Splendor: Renaissance Textiles 

and the Church 

September 7, 2003–September 26, 2004 

Gallery 216 

Throughout history, precious works of art 

have been used in the worship of God. The 

finest textiles decorated the high altar in a 

church and clothed the clergy in splendid 

vestments. Textiles of high quality were also 

often featured as luxury goods that symbolized 

wealth and power. In Renaissance Europe, 

resplendent textiles enriched not only 

Christian churches but also religious paintings. 

Textile manufacturing and trade were large 

components of the Renaissance economy, 

often imported from towns such as Florence, 

which was renowned for its superior fabrics. 

Paintings, in marked contrast, were not 

granted such value or prestige. This exhibition 

features textiles displayed in churches or 

depicted in religious paintings. Included are 

rare altar frontals plus ecclesiastical vestments; 

in addition, prestigious textiles are shown 

adjacent to paintings featuring similar fabrics, 

such as the brocaded silks beside Robert 

Campin’s St. John the Baptist and the opulent 

pomegranate velvets beside paintings depicting 

comparable status symbols. A touch-screen 

interactive, How to Look at Textiles, lets visitors 

explore information and images about textile 

use, pattern, fiber, dye, structure, and 

condition in an engaging way. The lighting 

illustrates how the angle of light alters the 

appearance of fabrics. Curated by Louise W. 

Mackie. 

45

Face painting on 

Celebrate Africa Day 

46 

Reinstallation 

Art of Sub-Saharan Africa 

Gallery reopened to the public October 12, 

2003 

The birthplace of humankind, Africa is home 

to a wide range of cultures and artistic traditions. 

This gallery presents a selection of the 

museum’s collection of African art from regions 

south of the Sahara, with the majority 

being wood-carved masks and figures made in 

West and Central Africa in the late 19th or 

early 20th century. Archaeological works in 

metal and terracotta testify to the antiquity of 

sub-Saharan civilizations. The arts of ancient 

Egypt and Islamic North Africa are on view in 

galleries 203–7. The layout of the newly installed 

gallery emphasizes formal and stylistic 

relationships between neighboring artistic 

traditions; works that show similarities in both 

form and meaning are grouped together in one 

of four cultural regions. The text and field 

photographs accompanying the objects illustrate 

that art is connected with many aspects of 

material and spiritual life. Gallery cards discuss 

themes that cut across ethnic and geographical 

borders. Every work of art is embedded in a 

broad cultural context, a point made especially 

clear in the touch-screen interactive that 

highlights the museum’s headdress from the 

Ejagham people of Nigeria. This multimedia 

presentation also addresses the continuation of 

traditions into the present and the export of 

sub-Saharan African culture and art to the 

Americas. Curated by Constantine Petridis. 

Object in Focus Exhibitions 

January 7–March 9, 2003 

Male and Female Spirit Spouse Figures 

Figure of a Spirit Wife and Figure of a Spirit 

Husband, early 1900s, Côte d’Ivoire, Baule 

people, wood, beads, Gift of Katherine C. 

White 1971.298; 1971.297. Organized by 

Constantine Petridis with assistance from 

Justyna Drozdek. 

March 11–May 11, 2003 

Fifteenth-century Sienese Paintings: 

A Question of Forgery 

Sano di Pietro (Italian, 1406–1481), Virgin and 

Child, 1400s, tempera and gold on wood, 

Gift of Mrs. Henry White Cannon 1944.56. 

Sano di Pietro, Virgin and Child Adored by 

Saints Mary Magdalen and Nicolas of Bari; Christ 

Crucified with the Virgin and Saint John the 

Evangelist, 1400s, tempera and gold on wood, 

Gift of Mrs. B. P. Pole, Mr. and Mrs. Guerdon 

S. Holden, Mrs. Windsor T. White, and the 

L. E. Holden Fund 1924.199. Imitator of Sano 

di Pietro, possibly Icilio Federico Joni (Italian, 

1866–193?), Virgin and Child with Angels, 

possibly late 1800s or early 1900s, tempera and 

gold on wood, Bequest of James Parmelee 

1940.536. Organized by Stanton Thomas and 

Linnaea Saunders. 

ARpp38-47.p65 46 

6/1/2004, 11:54 PM 

May 13–July 13, 2003 

Degas’ Jockeys 

Edgar Degas (French, 1834–1917), Before the 

Race, about 1887–89, pastel, Bequest of 

Leonard C. Hanna Jr. 1958.27. Edgar Degas, 

The Jockey, about 1885–1900, charcoal, Gift of 

the Print Club of Cleveland 1927.301. Edgar 

Degas, Horse and Rider, about 1890, black 

chalk, collection of Muriel Butkin. Henri de 

Toulouse-Lautrec (French, 1864–1901), The 

Jockey, 1899, color lithograph, Mr. and Mrs. 

Charles G. Prasse Collection 1967.234. 

Organized by Heather Lemonedes. 


Kundika 

Kundika: Water Ewer, late 1100s, Korea, 

Goryeo period (AD 918–1392), celadon ware 

with incised decoration, Gift of John L. 

Severance 1921.631.a–b. Kundika: Water Ewer, 

late 1100s, Korea, bronze, Seventy-fifth 

anniversary gift of David S. Utterberg 1991.58. 

Kundika: Water Ewer, late 1100s, Korea, 

bronze, Seventy-fifth anniversary gift of 

Robert Moore 1992.141. Organized by 

Michael Cunningham. 

September 16–November 23, 2003 

Karel Appel and the Legacy of COBRA 

Karel Appel (Dutch, b. 1921), Des Animaux, 

1957, oil on canvas, In memory of Mattis Y. 

Goldman, Gift of his wife, Ruth, and children, 

Carole and Alvin 1967.79. Lucebert (Dutch, 

1924–1994), Nymphenspiel, 1960, oil on canvas, 

Gift of Mrs. Gordon D. Meals 1966.139. 

Pierre Alechinsky (Belgian, b. 1927) and 

Christian Dotremont (Belgian, 1922–1979), 21 

Etchings and Poems: Poem, 1960, etching and 

aquatint, John L. Severance Fund 1994.163.1. 

Organized by Cathleen Chaffee. 

November 25, 2003–January 4, 2004 

Countess Széchenyi and Her Prestigious 

Kashmir Shawl 

Ferdinand Georg Waldmüller (Austrian, 1793– 

1865), Countess Széchenyi, 1828, oil on fabric 

or cloth(?), John L. Severance Fund 1988.57. 

Kashmir Shawl, India, Kashmir, Afghan period, 

about 1820–25, twill tapestry, double interlocked: 

wool, Gift of Mrs. Arthur Loesser 

1952.190. Organized by Louise W. Mackie.

Fast Forward 

On Friday night, November 7, 2003, the 

museum pushed back its normal 9:00 

closing time to 1:00 AM for Fast Forward: 

CMA Celebrates Contemporary 

Art, a multimedia event built around a 

visit and talk by the influential video 

artist Bill Viola. Throughout the museum, 

video and computer-interactive 

art projects by students from the 

Cleveland Institute of Art were installed, 

and not only for the benefit of 

onlookers. The tireless Bill Viola spent 

much of the evening working with the 

students to critique their projects as 

visitors listened in—an unconventional 

and most rewarding educational experience 

for all concerned. The timing of 

the event corresponded with the 

museum’s Project 244 exhibition as 

well, a dual video installation by the 

Dutch artist Aernout Mik. Downstairs, 

key examples from Viola’s body of 

work screened in the lecture hall. The 

events were presented in collaboration 

with the Mary Schiller Myers School of 

Art at the University of Akron. 

ARpp38-47.p65 47 

6/8/2004, 4:14 PM 

Legendary video artist 

Bill Viola shared 

thoughts with multimedia 

students from 

the Cleveland Institute 

of Art. 

Meanwhile, a party was going on. 

The interior garden court was transformed 

into a full-blast sensory experience 

of flashing lights, pulsing electronic 

music improvised on the spot, 

and suitably energetic dancing. The 

north lobby featured a somewhat mellower 

scene with live funk and jazz 

music. And a Nia Coffeehouse with poetry 

readings enlivened the museum 

café. A cash bar and other refreshments 

rounded out the setting. 

For more than 1,300 visitors (not all 

of them under 25, either), Fast Forward 

was a rare and welcome opportunity 

to experience the museum in a different 

light(s) and certainly at a different 

volume. 

The interior garden 

court was temporarily 

recast as a technorave 

dance scene. 

47


chairman Michael 

Horvitz and daughter 

Elizabeth march in 

Parade the Circle. 

48 

Community Support 

The museum’s past benefactors established a financial foundation that allows 

this institution to maintain a high level of service to the public even 

through fluctuations in the economic climate. Because the museum is 

funded almost entirely by private contributions, the recent strain on state 

and federal budgets has had a less severe effect on the museum than on 

other institutions that depend more heavily on government funding. 

Although it is a private institution, the museum’s mission is public, and its 

presence in this community makes living in Cleveland a rare and special 

experience. Fewer than a dozen cities in the world have art collections of 

this caliber in their midst, and only a few open their doors to all citizens 

free of charge. Our fundraising and financial management effort, therefore, 

is critical to the successful pursuit of our community mission. Such 

contributions are investments in the vitality of northeast Ohio. 

Thanks to the continued generosity of the northeast Ohio community, 

Development and Membership raised $5,299,991 in annual operating 

support in 2003. We are especially grateful to our trustees who, for the 

second year in a row, significantly increased their annual unrestricted support. 

Again this year, many trustees were Patron Sponsors, members at the 

highest level of our Donor Circles program. We also thank our Circles 

Leadership Committee, led by Nicki and Bob Gudbranson, for their 

unflagging energy and commitment. Their efforts resulted in the strongest 

Donor Circles program ever. As in 2002, the program exceeded its goal, 

contributing more than $1,540,000 in unrestricted operating support. The 

museum received strong grant support from foundations and government 

agencies with about $1,845,000 raised for a variety of museum programs 

and initiatives. Notable grants included $496,750 from the U.S. Department 

of Education for the ARTS.21 Program; $244,969 in second-year 

funding from The Freeman Foundation for Asian Odyssey: A National 

K-12 Interdisciplinary Curriculum Model; and $50,000 from the Joyce 

Foundation to support the Trenton Doyle Hancock show in Project 244. 

The museum was honored to be chosen as one of just four recipients of 

the Joyce Foundation’s first awards outside of its home base in Chicago. 

The museum has always had a strong foundation of support through 

its dedicated members. In 2003, membership renewals were stronger than 

in years past, and the museum ended the year with over 23,000 member 

households. Our planned giving efforts were successful, as endowment 

gifts continued to increase and four new endowments were established. 

ARpp48-81.p65 48 

6/1/2004, 11:57 PM

A special luncheon in 

December honored 

the most dedicated 

volunteers of 2003. 


member Dr. Adrienne 

Jones (right) and 

guest Mrs. Beatrice 

Richie enjoy a latespring 

Hat Tea. 

We also saw an increase in bequests to the building endowment. The 

Legacy Society added 13 new members, and we thank all those who 

continue to include the museum in their estate plans. 

The office of Volunteer Initiatives continued to find ways to help 

people support the museum with time and talent. Our 599 volunteers 

worked 31,977 hours for a total donation of time worth $526,000, calculated 

at $16.45 an hour, the national rate for volunteer time. Of these 

volunteers, 96 worked in the museum’s internship program; they completed 

7,680 hours of work in various areas of the museum, most notably 

Curatorial and Education. Another major component was the Womens 

Council, whose members donated 9,720 volunteer hours, the equivalent 

of $160,000 in value. After completing a three-week behind-the-scenes 

orientation (coordinated by Volunteer Initiatives), 36 provisional Womens 

Council members were added to the current membership. 

The 653-member Womens Council has a threefold purpose: fundraising, 

volunteerism, and education. The council donated $45,000 to the 

museum: $25,000 to support Parade the Circle Celebration; $15,000 to 

the Bus Fund to help schools take field trips to the museum; and $5,000 

for ongoing support to the Museum Ambassadors program for teens. The 

endowment fund for pedestal flower arrangements currently stands at 

more than $104,000. Womens Council members work at the information 

desk and in the docent program, arrange flowers, provide decorations and 

flowers for museum events, participate in community arts events, organize 

advocacy support, and assist staff members and curators, to name a few 

volunteer jobs. The Ready Volunteers Committee continues to respond 

to unusual and unexpected demands and to help out willingly at the last 

minute. Two new programs are Circle Series and Circle Neighbors, aimed 

at acquainting CMA volunteers with what’s new in Circle institutions. 

In External Affairs, the Media Relations department revolutionized its 

communication with the news media in February when it began to post 

ARpp48-81.p65 49 

6/1/2004, 11:57 PM 

49

50 

news releases and media kits, including images, on our Web site’s online 

“News Desk.” Editorial coverage increased 3% from 2002 to 2003, resulting 

in free coverage that would have cost more than $210,000 as paid advertising. 

The new technology also saved the museum at least $30,000 by 

nearly eliminating postage and printing for press releases. The museum 

enjoyed consistent national coverage in the New York Times, Wall Street 

Journal, Art Newspaper, and major magazines such as Veranda, Enroute, and 

Diversion. More national reporters visited the museum to review our exhibitions 

than have in years past. The Marketing department developed new 

avenues for reaching college audiences, including announcements on college 

radio stations, brochures distributed in student centers, and communications 

through art and music departments. Meanwhile, Cleveland 

Hopkins International Airport became a valuable partner as museum exhibition 

banners have begun to brighten the concourses. 

The Outreach and Audience Development department collaborated 

with Education and Public Programs staff on many initiatives. A new affiliate 

group, the Friends of African and African-American Art, was officially 

chartered in January 2003 and jumped into action during the year. 

The Indian community was energized by the Chola Bronzes exhibition 

and provided not only many visitors to the show, but an impressive 

amount of media coverage. The Museum Ambassadors program continued 

to engage high school students from greater Cleveland in the life of 

the museum, and the students again led a vibrant daylong celebration of 

their ambassadorship, playing host to hundreds of guests from their home 

schools and neighborhoods. Finally, the Convening the Community initiative 

led the community’s efforts to bring people of diverse backgrounds 

together in the common cause of enhancing the quality of life we all 

share—forging together a bright future for our city and region. 

ARpp48-81.p65 50 

6/1/2004, 11:57 PM

Circles Leadership 

Committee 

Nicki and Robert N. 

Gudbranson, Co- 

Chairs 


Founders Society 

Chair 

Naomi Singer, 

President’s Circle 

Chair 

Donald M. Jack and 

Lee Warshawsky, 

Director’s Circle 

Chairs 

Richard E. Beeman 

McKey Berkman 

William R. Calfee 

Kimberly S. and 

Samuel S. Hartwell 

Adrienne L. Jones 


Betty J. Kemper 

Morton Q. Levin 


Katherine Moroscak 

Michael J. Peterman 

Francine Pilloff 

Leon M. Plevin 

Florence KZ Pollack 

Donna S. Reid 


David L. Selman 

William W. Taft 

Helen N. Tomlinson 

Joyce B. Weidenkopf 

Hannah S. Weil 

Trudy Wiesenberger 

Planned Giving 

Council 2003 

Gary L. Dinner, 

Chair 

Richard B. 

Ainsworth Jr. 

Thomas S. Allen 

Gordon A. Anhold 

James S. Aussem 

P. Thomas Austin 

Laurence A. Bartell 


Jeffrey M. Biggar 

Gary B. Bilchik 

Terry L. Bork 

Patricia L. Boyarko 

Herbert L. 

Braverman 

David J. Brown 

Nancy A. Burgess 

J. Donald Cairns 

Peter H. Calfee 

Peter J. Chudyk 

Charles M. Ciuni 

Ronald B. Cohen 

David E. Cook 

Hedy T. Demsey 

Rebecca H. Dent 

Carina S. Diamond 

Gary J. Dietsch 

Emily A. Drake 

Heather Ettinger 

Robert R. Galloway 

Stephen H. Gariepy 

James A. Goldsmith 

Kevin Goldsmith 

Sally Gries 

Ronald G. Gymer 

Ellen E. Halfon 

David P. Handke Jr. 

Oliver C. Henkel Jr. 

Kenneth G. 

Hochman 

Gregory T. Holtz 

William J. Hyde 

Brian J. Jereb 

Mark A. Kikta 

Stephen J. Knerly Jr. 

Roy A. Krall 

Neil Kurit 

Donald W. 

Laubacher 

Robert K. Lease 

Herbert B. Levine 

Vincent J. Massa 

Wayne D. Minich 

M. Elizabeth 

Monihan 

Patrick S. Mullin 

Joseph V. Pease Jr. 

Andrew I. Press 

Charles Ratner 

Richard C. Renkert 

Frank M. Rizzo 

Sara K. Robechek 

James D. Roseman 

Patrick Saccogna 

Bradley J. Schlang 

Paul J. Schlather 

Walter S. Schwartz 

Gary S. Shamis 

John F. Shelley 

Roger L. Shumaker 

Mark A. Skvoretz 

John E. Smeltz 

Karen W. Spero 

Richard T. Spotz Jr. 

Mark F. Swary 

Robert A. Valente 

Missia H. Vaselaney 

Catherine G. Veres 

Gloria A. Walas 


Jeffry L. Weiler 

Marcia J. Wexberg 

Drew E. Wright 

Alan E. Yanowitz 

Gary A. Zwick 

Corporate Council 

Daniel F. Austin, 

McDonald 

Investments Inc., 

Chair 

Paul Clark, National 

City Corp. 

James M. Dickey, 

Accenture LLP 

Chris Fisher, Royal 

Appliance Mfg. Co. 

Paul Fissel, Fifth 

Third Bank 

Celso R. Gilberti, 

Gilberti Studios 

International 

Beth H. Hallisy, 

Marcus Thomas 

William Hamann, 

Charter One 

Financial 

Oliver C. Henkel, 

Thompson Hine LLP 

Conway G. Ivy, The 

Sherwin-Williams 

Company 

Robert H. Jackson, 

Kohrman Jackson & 

Krantz 

Roy E. Klein, Bank 

One, N.A. 

John C. Morley, 

Evergreen Ventures 

Patrick S. Mullin, 

Deloitte & Touche 

Brad Norrick, Marsh 

USA, Inc. 

Robert A. Rieger, 

Ferro Corporation 

Dr. Larry J. B. 

Robinson,+ 

Robinson Investment 

Company 


LJR Great Lakes 

Review 

Richey Smith, 

Richey Industries, 

Inc. 

Richard Stovsky, 

Pricewaterhouse- 

Coopers 

John Switzer, 

KPMG LLP 

+ deceased 

ARpp48-81.p65 51 

6/1/2004, 11:57 PM 

Museum Council 

Betty Armington 

Michele Beyer 

Al Borowitz 

Helen Borowitz 

Marilyn Brentlinger 

Paul Brentlinger 

Harvey Buchanan 

Muriel Butkin 

Ellen Chinn 

Jeannette Dempsey 

Joe Erdelac 

Maxeen Flower 

Virginia Foley 

Frannie Gale 

Barbara Gratry 

Jerome Gratry 

Bob Gries 

Sally Gries 

Agnes Gund 

Debbie Guren 

Mary Louise Hahn 

Shad Hartwell Jr. 

Dee Hildt 

Arlene Holden 

Arthur Holden Jr. 

Jennie Jones 

Helen Kangesser 

Ward Kelley Jr. 

Charlotte Kramer 

Carolyn Lampl 

Toby Devan Lewis 

Alex Machaskee 

Thomas Mann 

Nancy-Clay 

Marsteller 

Eleanor McCoy 

Edith Miller 

Ted Miller 

Lindsay 

Morgenthaler 


Lucia S. Nash 

Libby Norweb 

Al Ratner 

Audrey Ratner 

Betty Ratner 

Bill Reinberger 

Bob Reinberger 

Doris Reinberger 

Mary Ann 

Reinberger 

Barbara Robinson 

Honey Rosenthal 

Phyllis Seltzer 

Phyllis Sloane 

Sally Smith 

Ted Smith 

Cara Stirn 

Mary Wasmer 

Lucy Weller 

Lydia Williams 

Odette Wurzburger 

51

Alfred Maurer 

(American, 1868–1932). 

Two Heads, about 

1931; gouache with 

brown/black ink and 

oil paint; 52.9 x 44.7 

cm; Gift of Tommy 

and Gill LiPuma in 

loving memory of Sam 

and Rose LiPuma 


52 

Donors of 

Works of Art 

Mr. and Mrs. 

Theodore Alfred in 

memory of Carey 

Croneis 

Russ Anderson 

Anonymous Gift 

Anonymous gift in 

memory of David 

“Ted” Baiman 

Sylvain Bellenger in 

honor of Carter 

Foster and in 

recognition of their 

friendship and 

collaboration 

Sylvain Bellenger in 

honor of Heather 

Lemonedes 

The Jeanne Miles 

Blackburn Collection 

John Bonebrake 

Dr. and Mrs. Ju-hsi 

Chou 

Ray W. Clarke in 

memory of Moselle 

Taylor Meals 

Mildred Constantine 

Frances and David 

Dickenson in 

memory of Sarah 

Dickenson and 

Jeffrey Cudlip 

Kenneth Dingwall 

Evelyn Domjan in 

memory of her 

husband, Joseph 

Domjan 

Richard and Edward 

Feinberg, from 

the collection of 

Dr. Isadore Feinberg 

and Dr. Rose S. 

Hartmann Feinberg 

The Foster Family 

Foundation and 

the Trideca Society 

in honor of Henry 

Hawley 

Friends in memory 

of Ann Bassett and 

Tom Johnson 

Friends in memory 

of Anne Buckley 

Ott-Hansen 

Friends of 

Photography 

ARpp48-81.p65 52 

6/1/2004, 11:57 PM 

Gemini G.E.L. in 

honor of Arthur 

Feldman’s 88th 

birthday 

Alan and Monah L. 

Gettner 

Mr. and Mrs. Robert 

T. Gow 

The George Gund 

Foundation 

Collection in honor 

of David Bergholz, 



Dorothy Handelman 

Dorothy Tremaine 

Hildt 

Julie and Greg 

Hubert 

Huntington Bank 

Charles Isaacs and 

Carol Nigro 

Mr. and Mrs. 

William Jurey in 

memory of Mabel A. 

Hewit 

Mr. and Mrs. Martin 

Karlin 

Margo H. Leavin 

Margo H. Leavin 

and Wendy W. 

Brandow 

William S. Lipscomb 

in memory of his 

father, James S. 

Lipscomb 

Tommy and Gill 

LiPuma in loving 

memory of Josephine 

LiPuma Kestner 

Tommy and Gill 

LiPuma in loving 

memory of Sam and 

Rose LiPuma 

Mrs. George S. 

Lockwood Jr. in 

loving memory of 

her husband 

Judith K. McMillan 

Henry Ott-Hansen 

in memory of Anne 

Buckley Ott-Hansen 

Gloria and Leon 

Plevin in memory of 

Walter Caldwell 

The Trust of Frank 

H. Porter 

Katherine Prescott in 

memory of Clara E. 

Lucioli 

The Print Club of 

Cleveland 

Carole W. and 

Charles B. Rosenblatt 

Mr. and Mrs. James 

A. Saks Fund 

Mark Schwartz and 

Bettina Katz 

Elizabeth Carroll 

Shearer in honor of 

Charlotte Trenkamp’s 

100th birthday 


Shearer in honor of 

Jane Glaubinger 


Shearer in memory 

of Robert Lundie 

Shearer 

Phyllis Sloane in 

memory of David 

Davis 

Patricia and Mark 

Stillman 

The Textile Art 

Alliance 

Various donors to 

the department of 

Asian Art (by 

exchange) 

Bequest of Nicholas 

J. Velloney 

Charles L. Venable 

and Martin K. Webb 


and Markin K. 

Webb in honor of 

Henry Hawley 

The Verne 

Collection 

Mitzie Verne 

Jack and Jeanette 

Walton in memory 

of his grandparents, 

Dr. and Mrs. E. K. 

Zaworski 

William E. Ward in 

memory of his wife, 

Evelyn Svec Ward 

Nancy West 

Amy N. and Thomas 

F. Worthen in honor 

of the 50th 

anniversary of Dr. 

Gerard and Phyllis 

Seltzer 

Dr. Norman 

Zaworski 

Frederick, Tina, and 

Zoe Zwegat

Benefactors 

Judith K. McMillan 


Optic Exploration: 

Papaver somniferum 

(Opium Poppy), 1998; 

gelatin silver print, 

toned; ed. 8/25; 22.8 x 

17.9 cm; Norman O. 

Stone and Ella A. 

Stone Memorial Fund 

2003.232 

The Cleveland Museum 

of Art recognizes 

the cumulative 

giving of individuals, 

corporations, and 

organizations. 

Patron Benefactor 

($1,000,000 or 

more) 

Anonymous 

The Mildred 

Andrews Fund 

Mr. and Mrs. George 

P. Bickford 

Helen E. Brown 

Mr. and Mrs. Noah 

L. Butkin 


Foundation 

Thomas L. Fawick 

Mr. and Mrs. 

Lawrence A. 

Fleischman 

Mr. and Mrs. Ernest 

L. Gartner 

Mr. and Mrs. 

Alexander Ginn 

Helen Wade Greene 


C. Gruener 

Agnes Gund 

Dorothea Wright 

Hamilton 

Leonard C. Hanna 

Jr. 

Stanley Hess 

Mrs. Liberty E. 

Holden 

Lois U. Horvitz 

Mr. and Mrs. 


The HRH Family 

Foundations 

Virginia Hubbell 

David S. Ingalls and 

Family 

Institute of Museum 

and Library Services 

Andrew R. and 

Martha Holden 

Jennings 

Lila Wallace– 

Reader’s Digest Fund 

Mr. and Mrs. 

William H. Marlatt 

The Andrew W. 

Mellon Foundation 

Mr. and Mrs. 

Severance A. Millikin 

National City 

National Endowment 

for the Arts 

Ohio Arts Council 

Georgia O’Keeffe 

The F. J. O’Neill 

Charitable 

Corporation 

Mr. and Mrs. A. 

Dean Perry 

Elisabeth Severance 

Prentiss 


S. Reid Jr. 

The Reinberger 

Foundation 

John L. Severance 

Carol and Michael 

Sherwin 

Mr. and Mrs. Kelvin 

Smith 

The Kelvin and 

Eleanor Smith 

Foundation 

State of Ohio 

Lockwood 

Thompson 

Mr. and Mrs. 

Richard Whitehill 

Mr. and Mrs. Paul 

D. Wurzburger 

Justin and Silvia 

Zverina 

Foundation 

Benefactor 

($500,000 to 

$999,999) 

Anonymous 

BP America 

Hon. Joseph P. 

Carroll and Mrs. 

Carroll 


Chinn 

Nelson Goodman 

The George Gund 

Foundation 

Hahn Loeser & Parks 

LLP 

Frances S. Ingalls 

Mr. and Mrs. William 

Powell Jones 

Lillian M. Kern 

KeyBank 

ARpp48-81.p65 53 

6/1/2004, 11:57 PM 

Alma Kroeger 

Mr. and Mrs. 

Thomas A. Mann 

William G. Mather 

Mr. and Mrs. Bruce 

V. Mavec 

National Endowment 

for the Humanities 

Mr. and Mrs. R. 

Henry Norweb 

Francis F. Prentiss 



PTS Foundation 

Mr. and Mrs. Alfred 

M. Rankin 

Grace Rainey Rogers 

SBC 

Communications Inc. 

Mr. and Mrs. Ellery 

Sedgwick Jr. 

The Sherwick Fund 

Elizabeth M. Skala 

Squire Sanders & 

Dempsey 

United Technologies 

Corporation 

Dr. and Mrs. Paul J. 

Vignos Jr. 

Mrs. J. H. Wade 

The Womens 

Council of the 

Cleveland Museum 

of Art 

Dr. Norman W. 

Zaworski 

Benefactor Fellow 

($250,000 to 

$499,999) 

Anonymous 

Mr. and Mrs. 


Raymond Q. and 

Elizabeth R. 

Armington 

Pamela Pratt and 

Garner Tullis 

Auchincloss 

Hanna H. and James 

T. Bartlett 

Louis Dudley 

Beaumont 

The Louis D. 

Beaumont 

Foundation 

Mike and Annie 

Belkin 

Emma R. Berne 

Emily E. and Dudley 

S. Blossom Jr. 

Leigh and Mary 

Carter 

Martha and Thomas 

Carter 

Mr. and Mrs. 

Warren H. Corning 

CVJ Corporation 

Robert H. Ellsworth 

Josephine P. and 

Dorothy Burnham 

Everett 

The J. Paul Getty 

Trust 

Morton Glaser 

Gladys B. Goetz 

George Gund III and 

Iara Lee 

Mr. and Mrs. 

Graham Gund 

Peter and Peggy 

Horvitz 


D. Ireland III 

Mr. and Mrs. Joseph 

P. Keithley 

Malcolm E. Kenney 

The Kresge 

Foundation 

Helen A. and 

Fredrick S. Lamb 

Mr. and Mrs. Jon A. 

Lindseth 

Rosemarie and 

Leighton R. Longhi 

Amanda and William 

P. Madar 

Robert A. Mann 

MBNA America 

Systems 

Elizabeth Briggs 

Merry 

Metropolitan Savings 

Bank 

Thomas P. Miller 

India E. Minshall 

NACCO Industries, 

Inc. 

Lucia S. Nash 

Ohio SchoolNet 

Commission 

Leonna Prasse 

Mildred Andrews 

Putnam 

Peter Putnam 

David Rollins 

53

Alexandre P. 

Rosenberg 

Sarah and Edwin 

Roth 

The Sears-Swetland 

Foundation 


N. Sherwin 

John and Frances M. 

Sherwin 

Nancy Baxter 

Skallerup 

Kathleen E. Smith 

Katherine Holden 

Thayer 

Mrs. Chester D. 

Tripp 

U.S. Department of 

Commerce 

William E. Ward 

Katherine C. White 

Mr. and Mrs. Lewis 

C. Williams 

Endowment 

Benefactor 

($100,000 to 

$249,999) 

Anonymous 

Dudley P. Allen 

American Greetings 

Corporation 

AT&T Foundation 

Bank One, N.A. 

Vernon W. Baxter 

Maud K. Bell 

Mildred K. Bickel 

Henri Rivière (French, 

1864–1951). Aspects of 

Nature: The Cliff (Les 

Aspects de la Nature: 

La Falaise), 1897; color 

lithograph; 55 x 82.7 

cm; Fields, p. 76, pl. 3; 

Gift of John Bonebrake 


54 

The Family of Mrs. 

Robert H. Bishop 

Jeanne Miles 

Blackburn 

Elizabeth B. Blossom 

Mrs. Benjamin P. 

Bole 

Ronald and Isabelle 

Brown 

Mr. and Mrs. Willard 

Brown 

Ella Brummer 

E. Rhodes and 

Leona B. Carpenter 

Foundation 

The Chubb 

Corporation 

Mrs. Harold T. Clark 


Clinic Foundation 

Cleveland Society 

for Contemporary 

Art 

The George W. 

Codrington 

Charitable 

Foundation 

Helen C. Cole 

Collacot Foundation 

Mildred Constantine 

Mr. and Mrs. 

Benedict Crowell 

Henry G. Dalton 

Dorothy Dehner 


H. Dempsey Jr. 

Mrs. John B. 

Dempsey 

Edna H. Doller 

Dominion East Ohio 

Mr. and Mrs. John 

D. Drinko 

Zoann and Warren 

Dusenbury 

Louise Rorimer 

Dushkin 

Eaton Corporation 

Edith Virginia Enkler 

Ernst & Young LLP 

Mr. and Mrs. 

Raymond F. Evans 

Eleanor and Morris 

Everett 

Marie and Hubert 

Fairchild 

Jane Iglauer Fallon 

Bruce Ferrini 

FirstEnergy 

Maxeen and John 

Flower 

Hollis French 

Robert and Ann 

Friedman 


I. Gale Jr. 

The GAR 

Foundation 


W. Gillespie 

William J. Gordon 

The Florence Gould 

Foundation 

Elizabeth Firestone 

Graham Foundation 

Edward B. Greene 

Lucile and Robert 

H. Gries Charity 

Fund 

Musa Gustan 

Carl E. Haas 

The Hadden 

Foundation 


Hadden Sr. 

Mrs. Salmon P. Halle 

Mr. and Mrs. 

Newman T. 

Halvorson 

Mrs. Leonard C. 

Hanna 

Mrs. Charles W. 

Harkness 

Edward S. Harkness 

Henry Hawley 

Rudolf J. Heinemann 

The Hershey Family 

Mr. and Mrs. 

Lawrence Hitchcock 

Michael Hoffman 

Mr. and Mrs. Arthur 

S. Holden 


Horner 

Dr. Gertrude 

Hornung 

George M. and 

Pamela S. Humphrey 

Fund 

ARpp48-81.p65 54 

6/8/2004, 4:16 PM 

Mr and Mrs. George 

M. Humphrey II 

Mrs. Albert S. Ingalls 

International 

Business Machines 

Corp. 


D. Ireland 

Virginia Jones 

Louis D. Kacalieff, 

M.D. 

Susan Kaesgen 

The Kangesser 

Foundation 

George S. Kendrick 

Mr. and Mrs. 

Edward A. Kilroy Jr. 

Ralph Thrall King 

Fred W. Koehler 

The Samuel H. Kress 

Foundation 

Mr. and Mrs. Jack 

W. Lampl Jr. 

Harley C. Lee 

Dr. and Mrs. 

Sherman E. Lee 

Mr. and Mrs. 

Herbert F. Leisy 



D. MacDonald 

Caroline 

Macnaughton 

Elizabeth Ring 

Mather and William 

Gwinn Mather Fund 

The S. Livingston 

Mather Charitable 

Trust 

Stephan Mazoh 

Mrs. Malcolm 

McBride 

Margaret H. S. 

McCarthy 


McCoy 

Mrs. Norman F. 

McDonough 

Mrs. P. J. McMyler 

Moselle Taylor 

Meals 

The Mellen 

Foundation 

Mr. and Mrs. 

Edward H. Merrin 

Samuel Merrin 

William Mathewson 

Milliken 

David and Lindsay 

Morgenthaler 

Sally S. and John C. 

Morley 

Barrie Morrison 

Gordon K. Mott 

The Murch 

Foundation 

The John P. Murphy 

Foundation 

Louis S. and Mary 

Schiller Myers 

Mrs. R. Henry 

Norweb Jr. 


Oliva Jr.

Lillian and Derek 

Ostergard 

Park-Ohio Holdings 

James Parmelee 

Robert deSteacy 

Paxton 

Payne Fund, Inc. 

Mrs. Rudolph J. 

Pepke 

Mary Witt Perkins 

Mr. and Mrs. Frank 

H. Porter 


M. Rankin Jr. 

Mr. and Mrs. Max 

Ratner 

Sarah P. and William 

R. Robertson 

Larry and Barbara S. 

Robinson 

Carole and Charles 

Rosenblatt 

The Samuel 

Rosenthal 

Foundation 

Mr. and Mrs. 

Albrecht Saalfield 


A. Saks 


H. Sampliner 

Mr. and Mrs. Gilbert 

P. Schafer 

Mr. and Mrs. Ralph 

S. Schmitt 

Ethelyne Seligman 

Dr. Gerard and 


Mrs. John L. 

Severance 

John and Frances W. 

Sherwin 

Rabbi Daniel and 

Adele Silver 

Mr. and Mrs. 


Louise Hawley Stone 

Norman W. and Ella 

A. Stone 

Mitsuru Tajima 


E. Taplin Jr. 

Mr. and Mrs. 

Richard B. Tullis 

Charlotte Vander 

Veer 

G. Garretson Wade 

George Garretson 

Wade Charitable 

Trust #2 

Mr. and Mrs. Jeptha 

H. Wade III 

Evelyn S. and 


Worcester R. Warner 

The Raymond John 

Wean Foundation 

Mr. and Mrs. Alton 

W. Whitehouse Jr. 


B. Williams 

Mary Jo Wise 

Janette Wright 

Benefactor 

($50,000 to 

$99,999) 

Anonymous 

1525 Foundation 

Charles Abel 

Shuree Abrams 

Accenture LLP 

Mrs. Frances Almirall 

Amica Insurance 

Mrs. and Mrs. 

Matthew Andrews 

Mr. and Mrs. Arnold 

S. Askin 

Lester P. and 

Marjorie W. Aurbach 

Mrs. S. Prentiss 

Baldwin 

Bank Leu AG 

Mr. and Mrs. 

Randall J. Barbato 

Theodore S. and 

Marcella M. Bard 

Dr. Ronald and 

Diane Bell 

Milena M. 

Benesovsky 

BF Goodrich 

Company/Tremco 

Foundation 

Ruth Blumka 

Mr. and Mrs. Charles 

P. Bolton 

Mrs. Chester C. 

Bolton 

Kathryn G. Bondy 

Mr. and Mrs. 

Wilbert S. Brewer 

Carol Brewster 

The Britton Fund 

Dr. and Mrs. Jerald 

S. Brodkey 


Brown and Glenn R. 

Brown 

Louise Ingalls Brown 

Edith Burrous 

Margaret Uhl 

Burrows 

Julius Cahen 

Mrs. Henry White 

Cannon 

Central National 

Bank 

Charter One Bank 

Mr and Mrs. M. 

Roger Clapp 

Mr. and Mrs. Harold 

Terry Clark 

Cleveland-Cliffs, Inc. 


M. Coe 


F. Colin 

Stella M. Collins 

Mrs. John Lyon 

Collyer 

Daniel S. Connelly 

George B. Coombe 

Mrs. James W. 

Corrigan 

Alan Covell and K. 

Pak-Covell 

Mr. and Mrs. Wilbur 

A. Cowett 

Mr. and Mrs Robert 

R. Cull 

David E. and 

Bernice Sapirstein 

Davis 

Helen and Albert J. 

DeGulis 

Dr. and Mrs. 

Richard C. Distad 

William Dove 

Dr. and Mrs. Paul G. 

Ecker 

Mr. and Mrs. 

Howard P. Eells Jr. 

Natasha Eilenberg 

A. W. Ellenberger Sr. 

Heinz Eppler 


Mr. and Mrs. 

Giuseppe Eskanazi 

Dr. and Mrs. Warren 

C. Fargo 


L. Feldman 


Pamela Humphrey 

Firman 

The Ford 

Foundation 

Mrs. James Albert 

Ford 

Ford Motor 

Company 

Forest City 

Enterprises, Inc. 

Mrs. Robert J. 

Frackelton 

The Family of 

Elizabeth Ege 

Freudenheim 

The Giant Eagle 

Foundation 

Marian Sheidler 

Gilbert 

Lucille F. Goldsmith 

(Lady) Marie Louise 

Gollan 

Joseph T. Gorman 

Mr. and Mrs. 

Richard I. Goss 

Josephine Grasselli 

Ann and Richard 

Gridley 

Thomas M. Hague 

Edgar A. Hahn 

Janice Hammond 

and Edward 

Hemmelgarn 

Mrs. Howard M. 

Hanna 

Mrs. Edward S. 

Harkness 

Mr. and Mrs. 

Osborne Hauge 

Mr. and Mrs. Victor 

Hauge 

Ruth C. Heede 

Hiroshi Hirota 

Liberty E. Holden 

Dr. and Mrs. Ralph 

F. Hollander 


H. Hord 

Dr. and Mrs. Roger 

Y. K. Hsu 

Mr. and Mrs. 

Benjamin S. Hubbell 

Jr. 

The Gilbert W. 

and Louise Ireland 

Humphrey 

Foundation 

Marguerite B. 

Humphrey 

Helen Humphreys 

ARpp48-81.p65 55 

6/8/2004, 4:16 PM 

Jean-Auguste- 

Dominique Ingres 

(French, 1780–1867). 

Studies of Hands and 

Study of a Foot 

(Studies for Windows 

in the Chapel of Saint 

Ferdinand, Paris), 1842; 

graphite with traces 

of white heightening; 

31.2 x 23.5 cm; 

Purchase from the 

J. H. Wade Fund 


55

Unidentified 

photographer 

(American). Young 

Woman in Bloomers, 

about 1855; 

daguerreotype, tinted 

and gilted highlights, 

half-plate; 14 x 10.8 

cm; Gift of Charles 

Isaacs and Carol Nigro 


56 

Jarmila Hyncik 

David S. Ingalls Jr. 

Kate Ireland 


Livingston Ireland 

Charles Isaacs and 

Carol Nigro 

Mr. and Mrs. 

Raymond T. Jackson 

Barbara Jacobs 

The Japan Foundation 

Mr. and Mrs. Homer 

H. Johnson 

Jones Day 


Kaminsky 


Harry D. Kendrick 

Mrs. Ralph Thrall 

King 

Irene Kissell 

R. P. Kitaj 

Mr. and Mrs. 

G. Robert Klein 

Mr. and Mrs. 

J. J. Klejman 

Kotecki Monuments, 

Inc. 

KPMG LLP 

William Krause 

Mr. and Mrs. Dennis 

W. LaBarre 

Rogerio Lam 

Mr. and Mrs. Oscar J. 

Lange 

The Laub Foundation 

Mrs. Raymond E. 

Lawrence 

Mary B. Lee 

Linden Trust 

Jack B. List 

Testamentary Trust 

Mr. and Mrs. Herbert 

M. Litton 

LTV Steel Company 

Henry Luce 

Foundation, Inc. 

Mr. and Mrs. 

Theodore M. Luntz 

Brian and Florence 

Mahony 


Mallon 

Jack and Lilyan 

Mandel 

Joseph and Florence 

Mandel 

Morton and Barbara 

Mandel 

Samuel Mather 

Mrs. William G. 

Mather 

Virginia Hosford 

Mathis 

Kathryn Arns May 

McDonald 

Investments 

Aline McDowell 

Judith K. and S. 

Sterling McMillan III 

Dr. and Mrs. Ruben 

F. Mettler 

Dr. Leo Mildenberg 

Mr. and Mrs. Eugene 

R. Miles 


D. Milne 


S. Minoff 

Mrs. Paul Moore 

Nellie W. Morris 

Dr. and Mrs. Thomas 

Munro 

The David and Inez 

Myers Foundation 

Mr. and Mrs. Stephen 

Myers 

Klaus F. Naumann 


A. Nelson 

Nordson Corporation 

David Z. Norton 

Laurence H. Norton 

The Norton-White- 

Gale Trust 

Earle W. Oglebay 

Mr. and Mrs. 

Frederick S. C. Perry 

Hobson L. Pittman 

John and Mary 

Preston 

Louise S. Richards 

RJF International 

Mr. and Mrs. John D. 

Rockefeller III 

John D. Rockefeller 

Jr. 

Mr. and Mrs. James J. 

Rorimer 

Milton C. Rose 


S. Roseman 

Rosenberg and 

Stiebel Inc. 

ARpp48-81.p65 56 

6/1/2004, 11:57 PM 

Mr. and Mrs. J. King 

Rosendale 

Gloria Ross 

Dr. and Mrs. Ronald 

J. Ross 

RPM, Inc. 

Arthur Sachs 

Mr. and Mrs. Maurice 

Saltzman 

Martha Bell Sanders 

William B. Sanders 

Dr. and Mrs. Robert 

Schermer 

Mr. and Mrs. Elliott 

L. Schlang 

Florence B. Selden 

Boake and Marian 

Sells 

Isosuke Setsu 

Takako and Iwao 

Setsu 

Mr. and Mrs. Francis 

M. Sherwin 

Sherwin-Williams 

Company 

Asa and Patricia 

Shiverick 

Mr. and Mrs. Alvin 

A. Siegal 

Morris Siegel 

Mrs. Aye Simon 



A. Spring Jr. 

Lillian and Henry 

Steinberg 

Mr. and Mrs. Oscar 

H. Steiner 

Frank Stella 

Ester R. Stern 

Mr. and Mrs. Howard 

F. Stirn 

Mr. and Mrs. Donald 

W. Strang 

Mr. and Mrs. Seth C. 

Taft 

Mr. and Mrs. Nelson 

S. Talbott 

Textile Arts Club 


Victor Thaw 

The Timken 

Company 


Tishman 

Toshiba International 

Foundation 


C. Treuhaft 

TRW Foundation 

Mr. and Mrs. John F. 

Turben 

Brenda and Evan 

Turner 

Mr. and Mrs. Thomas 

V. H. Vail 

Mrs. Jacob W. 

Vanderwerf 

Gertrude L. Vrana 

Mildred E. Walker 

Helen B. Warner 

Mrs. Worcester R. 

Warner 

Mr. and Mrs. Richard 

T. Watson 

The Weatherhead 

Foundation 

The S. K. Wellman 

Foundation 

Mr. and Mrs. Fred 

White Jr. 

Mrs. Windsor T. 

White 

Mr. and Mrs. Hugh 

R. Whiting 

Edward L. 

Whittemore 

Doris and Ed Wiener 

Ralph L. Wilson 

John Wise 

Helen B. Zink 

Tessim Zorach 

Anton and Rose 

Zverina Fund 

Frances S. Zverina

Legacy Society 

2003 

The Cleveland Museum 

of Art thanks 

the many members of 

the Legacy Society, 

including those who 

wish to remain anonymous, 

for their generosity 

and support. 

Legacy Society members 

have included the 

museum in their 

estate plans. These 

planned gifts help 

insure the museum’s 

future for generations 

to come. 

Jean-François Millet 

(French, 1814–1875). 

Portrait of Narcisse 

Virgile Diaz de la Peña, 

1848; black chalk with 

heightening in pale 

green-blue chalk; 61.4 

x 48.7 cm; John L. 

Severance Fund 


+ deceased 

Martha Aarons 

Shuree Abrams 

Carolyn Adelstein 

Norman W. and 

Helen T. Allison 

Herbert Ascherman Jr. 

Marjorie Weil 

Aurbach+ 

Frances and Andrew 

Babinsky 

Doris Govan 

Ballengee+ 

Laurence and Nancy 

Bartell 

James T. and Hanna 

H. Bartlett Charitable 

Trust 

Norma E. Battes 

Mrs. Matthew A. 

Baxter+ 

Mr. and Mrs. Behm 

Carolyn H. Bemis 

Nancy Harris 

Beresford 

Dorothy A. and Don 

A. Berlincourt 

Mildred K. Bickel+ 

Dr. Harold and Lillian 

Bilsky 

Catherine F. Paris 

Biskind 

Flora Blumenthal 

Alfred C. Body 

John C. Bonebrake 

Helen and Albert 

Borowitz 

Ruth Gedeon Boza 

Gracey Bradley 

Louise Bradley 

Mrs. Wilbert S. 

Brewer+ 

Helen E. Brown+ 


Brown and Glenn R. 

Brown 

Ronald and Isabelle 

Brown+ 

Pauline+ and Clark 

Evans Bruner 

Dr. and Mrs. Harvey 

Buchanan 

Rita Whearty 

Buchanan 

Fred and Linda 

Buchler 

Alexander W. 

Budden 

Sally M. Buesch 

Honnie and Stanley 

Busch 

Pauline Bushman 

Milan and Jeanne 

Busta 

Ellen Wade Chinn 

Ray W. Clarke 

Betsy Nebel Cohen 

Karen M. and 

Kenneth L. Conley 

Martine V. Conway 

and Gerald A. 

Conway 

Mr. and Mrs. 

Kenneth Cooley 

George B. Coombe+ 

Mrs. John (Louise) 

Cooper 

Vincent R. Crew 

Ran K. Datta 

Bernice M. and 

David E.+ Davis 

E. Barbara Davis 

Helen+ and Al 

DeGulis 

Mrs. John B. 

Dempsey 

Edna H. Doller+ 

ARpp48-81.p65 57 

6/1/2004, 11:58 PM 

Mark Dreger in 

memory of Kelly 

Dreger 

Elizabeth Drinko 


Duvin 

Bernard and Sheila 

Eckstein 

Caroline Emeny+ 

Elaine S. Engeln 

Edith Virginia 

Enkler+ 

Dr. and Mrs. Michael 

D. Eppig 

Heather Ettinger 

Eleanor Everett 

Arline C. Failor+ 

Hubert L. Fairchild 

Jane Iglauer Fallon+ 

Elizabeth Ludwig 

Fennell 

S. Jay Ferrari 

Mr. and Mrs. C. J. 

Fiordalis 

Marilyn L. Fisher 

Maxeen and John 

Flower 

Virginia Foley 

Richard Lee Francis 

Edward L. Franke+ 

Mrs. Ralph I. Fried+ 

Mrs. Carl H. 

Ganzenmueller 

Phyllis Asquith Gary 

Dr. James E. Gibbs 

James W. Gifford+ 

F. David Gill 

Rocco Gioia 

Gladys B. Goetz+ 

Leonard C. Gradeck 

Ruth Thompson 

Grandin 


C. Gridley 

Anne Groves 

Mary T. Gruber+ 

Mr.+ and Mrs. David 

L. Grund 

Agnes Gund and 

Daniel Shapiro 

Graham Gund 

Joseph E. Guttman+ 


C. Hageman+ 

Edward Halbe 

Marvin G. Halber+ 

57

Noël Bellemare 

(French, Paris, active 

1520–1546) and the 

1520s Hours 

Workshop. Two Leaves 

from a Book of Hours: 

David in Prayer and a 

Text Leaf with an 

Illuminated Border, 

about 1530–35; ink, 

tempera, and liquid 

gold on vellum; 11.2 x 

6.4 cm (each leaf); The 

Jeanne Miles 

Blackburn Collection 

2003.174.1–2. 

58 

Virginia Halvorson+ 

James J. Hamilton 

David A. Hardie and 

Howard John Link+ 

Jane Hanson Harris+ 

Thomas and Joan 

Hartshorne 

D.J. Hassler 

Masumi Hayashi 

Mr. and Mrs. Wade 

Farley Helms 

Dorothy P. Herron 

Rice Hershey 

Mary C. Hill 

Tom Hinson and 

Diana Tittle 


S. Holden Jr. 

Dr. and Mrs. Ralph 

F. Hollander+ 

Dr. Gertrude 

Seymour Hornung+ 

Mr. and Mrs. Michael 

J. Horvitz 

Patience Cameron 

Hoskins 

Elizabeth A. Hosmer 

Virginia Hubbell+ 



Carola B. Hunt 

Grace Ellen Huntley+ 

Mary E. Huth+ 

Jarmila Hyncik+ 

Dr. and Mrs. Scott R. 

Inkley 

B. Scott Isquick 

Donald M. Jack Jr. 

Karen L. Jackson 

Sharon Faith Jacobs 

Robert J. Jergens 

Tom L. Johnson+ 

Adrienne L. Jones, 

M.D., and L. Morris 

Jones, M.D. 

Mr. and Mrs. E. 

Bradley Jones 

Virginia Jones+ 


M.D.+ 

Etole and Julian 

Kahan 

Andrew Kahane 

Audrey Regan 

Kardos+ 

Aileen and Julian 

Kassen 


F. Keithley+ 

Patricia Kelley 

John Kelly 


Patricia Kenney 

Lillian M. Kern+ 

Nancy H. Kiefer 

Mr. and Mrs. Edward 

A. Kilroy Jr. 

ARpp48-81.p65 58 

6/1/2004, 11:58 PM 

Mary F. King 

Mr. and Mrs.+ 

G. Robert Klein 

Jay Robert Klein 

Thea Klestadt 

Gina and Richard 

Klym 

Margery A. Kowalski 

Mrs. Arthur Kozlow 

Helen A. and 

Fredrick S. Lamb 

Carolyn C. Lampl 

Mrs. Samuel H. 

Lamport 

Mildred Lerch+ 

Roger J. Lerch 

Ellen Levine 

Jon and Virginia 

Lindseth 

Dr. and Mrs. Sidney 

Lobe 

Mary Luetkemeyer 

and Alfred Cahen 

Nancy+ and Byron 

Lutman 

Carolyn White 

MacNaughton+ 

Alice D. Malone 

Jack N. Mandel 


Mr. and Mrs. Samuel 

Mann 

Karen Lee Marano 

Wilbur J. Markstrom 

Dr. and Mrs. Sanford 

E. Marovitz 

Miss Isabel Marting+ 


V. Mavec 

Kathryn Arns May+ 

Malcolm L. 

McBride+ 

Mary W. and William 

K. McClung 


McCoy

Marguerite H. 

McGrath 

Judith and Ted 

McMillan 

William W. and 

Pamela M. McMillan 

Ivan Mezi 

Edith and Ted Miller 

Lynn Underwood 

Minnich 

Alice Mitchell 


A. Mitchell 

Beryl and Irv Moore 

Geraldine M. Moose 

Bessie Corso 

Morgan+ 

Gordon K. Mott+ 

J. P. Mower+ 

Margaret and 

Werner+ Mueller 

Anthony C. Nassif, 

M.D. 


Oliva III 


Marilyn B. Opatrny 

Mrs. James M. 

Osborne+ 

Aurel F. Ostendorf+ 

Frederick Woodworth 

Pattison 

Robert De Steacy 

Paxton+ 

Jiangxi Province, Song 

dynasty (960–1279). 

Cloud-shaped Pillow: 

Qingbai Ware, 1100s; 

glazed porcelain; w. 

17.6 cm, h. 10 cm; Gift 

of various donors to 

the Department of 

Asian Art (by 

exchange) 2003.88. 

Mrs. Rudolph J. 

Pepke 

Mrs. A. Dean Perry+ 

Mr. and Mrs. Peter 

Pfouts 

Emily M. Phillips 


Jean C. Price+ 

Lois S.+ and Stanley 

M. Proctor 

Dr. and Mrs. Frank 

Rack 

M. Neal Rains 


Rankin 

Donna and James 

Reid 

Robert S. and Sylvia 

K. Reitman 

David Rollins+ 

James J. Roop 

Audra L. and George 

M. Rose 

Jackie and Norton 

Rose 

Carole W. and 

Charles B. Rosenblatt 


J. Ross 

Aurelie A. Sabol 

Marjorie Bell Sachs 


A. Saks 

James Scheid 

Elliott L. and Gail C. 

Schlang 

A. Benedict 

Schneider, M.D. 

Bryan K. Schwegler 

Elizabeth Wade 

Sedgwick 

Ralph and Roslyn 

Seed 

Kate M. Sellers 



Mrs. William H. 

Shackleton 

Larry and Margaret 

Shaffer 

Dr. and Mrs. Daniel J. 

Shapiro 


Shearer 

Dr. Walter Sheppe 

Kathleen Burke 

Sherwin+ 

Michael and Carol 

Sherwin 

Newson H. and 

Gloria J. Shewitz 

Patricia and Asa+ 

Shiverick 


Shrier 

Miriam, Stanley and 

Kenneth Shuler 

Rosalind and Sidney+ 

H. Silber 

Adele Z. and Daniel+ 

Silver 

Dr. and Mrs. John A. 

Sims 

Naomi G. Singer 

Alden and Ellen D. 

Smith 

Kathleen E. Smith+ 

Katherine Solender 

and Dr. William E. 

Katzin 

Rochelle A. Solomon 

Barbara J. Stanford 

Lois C. and Thomas 

G. Stauffer 

Dr. Willard D. Steck 

Saundra K. Stemen 

Ester R. Stern+ 

Dr. Myron B. and 

Helene Stern 

Eleanor E. Stone+ 

Lois and Stanley M. 

Stone 

Zenta Sulcs+ 

The Irving Sunshine 

Family 

Frances P. and Seth 

Taft 

Josephine and Nelson 

Talbott 

Susan and Andrew 

Talton 

Charles H. Teare 

ARpp48-81.p65 59 

6/1/2004, 11:58 PM 

Fred+ and Betty 

Toguchi 

Mrs. William C. 

Treuhaft+ 

Mr.+ and Mrs. 

Richard B. Tullis 

Dorothy Ann Turick 


Turner 


A. Urban 

Mary Louise Vail+ 

Marshall A. Veigel 

Nicholas J. Velloney+ 

Catherine G. Veres 


Vignos Jr. 


Elizabeth H. and 

David H. Warshawsky 

Mr. and Mrs. John C. 

Wasmer Jr. 

Mrs. Daniel T. 

Weidenthal 

Mr. and Mrs. 

Frederick Weizman 

Dr. Joyce West 

Marcia J. Wexberg 

and Kenneth D. 

Singer 

Marilyn J. White 



Hugh and Sherry 

Whiting 

Douglas Wick 

Burt T. Williams 

Mrs. Lewis C. 

Williams 

Mr. and Mrs. Roy L. 

Williams 

Mary Jo Wise+ 

Lenora R. Wolf+ 

Mrs. Paul Wurzburger 

Dr. William F. 

Zornow 

59

Named 

Endowment Funds 

for Art Purchase, 

Specific Purpose, 

and Operations 

The following list 

salutes the individuals, 

families, and 

organizations whose 

named endowment 

funds for art purchase, 

specific purpose, and 

operations provide an 

assured source of 

income for the museum 

and serve as a 

lasting legacy to their 

generosity and foresight. 

Based on market 

value as of December 

31, 2003 

**new fund or activity 

in 2003 

60 


Art Purchase 

$10,000,000 

and more 

Leonard C. Hanna Jr. 

Bequest 


H. Marlatt Fund 

Severance A. and 


$1,000,000 to 

$5,999,999 


Hamilton 

Andrew R. and 

Martha Holden 

Jennings 

$400,000 to 

$999,999 

Delia E. Holden 

Lillian M. Kern 

Memorial Fund 

Alma Kroeger 

Edwin R. and Harriet 

Pelton Perkins 


W. Whitehill 

$250,000 to 

$399,999 

Edward L. 

Whittemore 

$100,000 to 

$249,999 

Ronald and Isabelle G. 

Brown** 

John and Helen Collis 

Family** 

Charlotte Ekker and 

Charlotte Vanderveer 

Hershey Family Fund 

Louis Severance 

Higgins 

L. E. Holden 


M.D. 

Alma and Robert 

Milne 

James A. Parmelee 

Charles B. and Carole 

W. Rosenblatt 

Jane B. Tripp 

Up to $99,999 

John Cook Memorial 

Fund 

A. W. Ellenberger Sr. 

Ruthe and Heinz 

Eppler 

Julius L. Greenfield 


Tom L. Johnson 

Roger J. Lerch in 

memory of Carl J. Lerch 

and Winifred J. Lerch** 

Mary Spedding 

Milliken Memorial 

Judith and James A. 

Saks in memory of 

Lynn and Dr. Joseph 

Tomarkin** 




Shearer 

Nicholas J. Velloney 


E. Ward** 

Anne Elizabeth 

Wilson Fund 


Specific Purpose 

$1,000,000 and 

more 

Robert P. Bergman, 

Curatorial Chair for 

Medieval Art** 

Robert P. Bergman 

Memorial Fund** 

George P. Bickford, 

Curatorial Chair for 

Indian and Southeast 

Asian Art 

Ernest L. and Louise 

M. Gartner Fund 

Andrew W. Mellon 

Foundation 


Foundation Fund for 

Publications and 

Research 

Reinberger 

Foundation 

John and Frances 

Sherwin Fine Arts 

Garden 

The Paul J. and Edith 

Ingalls Vignos Jr. 

Curator of European 

Painting** 

$500,000 to 

$999,999 

Rufus M. Ullman** 

Delia H. White 

Anton and Rose 

Zverina Music Fund** 

$250,000 to 

$499,999 

The Noah L. Butkin 

Fund 

Ellen Wade Chinn 

Harold T. Clark 

Educational 

Extension Fund 

Marie K. and Hubert 

L. Fairchild Fund** 

Marianne Millikin 

Hadden Fund 

F. J. O’Neill 

Rose E. Zverina 

$100,000 to 

$249,999 

Mildred K. Bickel 

The FUNd at the 



L. E. Holden 

Gertrude S. Hornung 


Special Exhibitions** 

Zane Bland Odenkirk 

and Magdalena 

Maillard Odenkirk 

Charlotte F. J. 

Vanderveer 


Flower Fund** 

Up to $99,999 

Anonymous** 

Lydia May Ames 

Mr. and Mrs. 

Matthew Andrews 

Robert Blank Art 

Scholarship Fund 

Arthur, Asenath, and 

Walter H. Blodgett 

Memorial Fund 

Kelly Dreger** 

Louise M. Dunn 

Fund 

Netta Faris 

Fine Arts Garden 

The Gallery Group 

Gilpin Scholarship 

Fund of Karamu 

House 

ARpp48-81.p65 60 

6/1/2004, 11:58 PM 


C. Hageman in 

memory of Mrs. Elta 

Albaugh Schleiff 

Charlotte L. Halas 

Flora E. Hard 

Memorial Fund 

Guerdon Stearns 

Holden 

Dorothy Humel 

Hovorka Musical Arts 

Fund 

Frank and Margaret 

Hyncik Memorial 

Fund 

Albertha T. Jennings 

Musical Arts 

Ellen Bonnie Mandel 

Children’s Education 

Fund 


Herman R. Marshall 

Memorial 

Malcolm Martin 

Ethel Cable McCabe 

Thomas Munro 

Memorial Fund 

S. Louise Pattison 

Preservation and 

Conservation of Asian 

Paintings 

Mr. and Mrs. Edd A. 

Ruggles Memorial 

Fund 

Adolph Benedict and 

Ila Roberts Schneider 

Memorial Music 

Fund 

Charles Frederick 

Schweinfurth 

Scholarship 

H. E. Weeks 

Memorial for Art and 

Architecture 

Mary H. White 

Dorothy H. Zak 


Operations 

$10,000,000 

and more 


Bequest 

Membership 

Endowment 

$1,000,000 to 

$5,999,999 


Benjamin S. Hubbell 

Family Fund 

Andrew R. and 

Martha Holden 

Jennings 

William G. Mather 

Mr. and Mrs. James S. 

Reid Jr.** 


Thayer 

$500,000 to 

$999,999 

Charles R. and Emma 

M. Berne Memorial 

Fund 

Roberta Holden Bole 

Josephine P. and 

Dorothy B. Everett 


Hamilton 

Louise H. and David 

S. Ingalls 

Alison Loren and 

Leslie Burt Fund in 

memory of Albert and 

Doris Glaser 

F. J. O’Neill 


W. Whitehill 

Silvia and Justin 

Zverina Fund in 

memory of Lillie and 

Adolph Wunderlich 

$250,000 to 

$499,999 

George P. Bickford 

Julia Cobb and 

Benedict Crowell 

Memorial Fund 

Elizabeth G. Drinko 

Charles W. Harkness 

Margaret Huntington 

Smith McCarthy 

Richard B. and 

Chaille H. Tullis 

Anna L. Vanderwerf 

Memorial Fund

G. Garretson Wade 

Lewis C. and Lydia 

Williams 

$100,000 to 

$249,999 

Quentin and 

Elisabeth Alexander 

Julia and James 

Dempsey 

Frances W. and David 

S. Ingalls 


A. Kilroy Jr. 

Ada E. Koehler 

Memorial 


H. Marlatt Fund 

Estate of Malcolm L. 

McBride 

Ruth K. McDonough 

Laurence H. Norton 

Helen G. and A. 

Dean Perry 

Paul J. and Edith 

Ingalls Vignos 

Alton and Helen 

Whitehouse 

Lewis B. and Helen 

C. Williams 

Up to $99,999 


Walter H. Blodgett 

Memorial Fund 

Mr. and Mrs. Wilbert 

S. Brewer 

Noah and Muriel 

Butkin 

Julius Cahan 

Mrs. Harold T. Clark 

Memorial 

Mary Elder Crawford 

Nancy W. Danford 

Bernard and Sheila 

Eckstein 

Adele C. and Howard 

P. Eells Jr. 

Eleanor and Morris 

Everett 

Elsa C. and Warren 

C. Fargo 

Robert I. Gale Jr. and 

Frances W. Gale** 

Newman T. and 

Virginia M. 

Halvorson** 


S. Holden Jr. 

Ralph and Mildred 

Hollander 


J. Horvitz 

James D. and 

Cornelia W. Ireland 

James Endowment** 

Caroline 

MacNaughton 

Mr. and Mrs. 

Severance A. Millikin 

David and Dorothy 

Morris Memorial 


Oliva Jr. 

Rudolph J. Pepke 

Memorial 


M. Rankin 

Mr. and Mrs. Louis 

Rorimer Memorial** 

William B. Sanders 

Glenn C. Sheidler 

Francis M. and 

Margaret Halle 

Sherwin 

James N. and 

Kathleen B. Sherwin 

Margaret E. and Frank 

E. Taplin Jr.** 

Jane B. Tripp 


Wade Memorial 

Worcester Reed and 

Cornelia Blakemore 

Warner Memorial 

Paul D. and Odette 

V. Wurzburger 

Ralph Earl (American, 

1751–1801). Moses 

Seymour, Jr., 1789; oil 

on canvas; 120.7 x 90.2 

cm; Gift of Mrs. 

George S. Lockwood Jr. 

in loving memory of 

her husband 2003.285. 

ARpp48-81.p65 61 

6/8/2004, 4:16 PM 

61

Individual and 

Contributing 

Membership 

Endowments for 

General 

Operations 

The following list 

salutes the individuals, 

families, and 


named membership 

endowment funds for 

operations provide an 

assured source of 

income for the museum 

and serve as a 

lasting legacy to their 

generosity and foresight. 

Based on cumulative 

giving as of December 

31, 2003 

**new fund or activity 

in 2003 

Mabel A. Hewit 

(American, 1903–1987), 

Out of Doors Painting 

Class, about 1940; 

color woodcut; 31.5 x 

23.7 cm; Gift of Mr. 

and Mrs. William Jurey 

in memory of Mabel A. 

Hewit 2003.371. 

62 

$25,000 to $49,999 

Anonymous #5 

Marie N. Agee 


Walter Blodgett 

Memorial 

Myrta Jones Cannon 

Howard Melville 

Hanna III Memorial 


Memorial 

David H. Jacobs 

Franny Tewksbury 

and Ralph T. King 

Memorial 

G. Robert and Mary 

Elizabeth Klein 

Jack and Carolyn 

Lampl 

Patricia C. LeMaster 

Memorial 

Aline McDowell 

Memorial 


R. Miles 

Ralph J. Mueller 

Memorial 

Carl L. and Florence 

B. Selden 

John and Frances W. 

Sherwin 


S. Talbott Fund in 

memory of Mr. and 

Mrs. Edwin Kirk 

Large 

Frank E. and Edith S. 

Taplin Memorial 


V. H. Vail 

Dr. William F. 

Zornow 

$10,000 to $24,999 

Anonymous #3 

Anonymous #9** 

Raymond Q. and 

Elizabeth Riely 

Armington 

Barbara J. and 

Matthew A. Baxter 

Virginia R. 

Billinghurst Memorial 

Eleanor and Sevier 

Bonnie 

Frances Kelleher 

Bradner 

Linda Bole Brooks 

Memorial 

Louise Brown 

Katherine Ward 

Burrell 

The Champney Fund 

Harold T. Clark 

Cleveland-Cliffs 

Foundation 

Phyllis G. and Jacob 

D. Cox Jr. Memorial 

Estelle M. and Alton 

C. Dustin Memorial 

Pamela Humphrey 

Firman 

Mr. and Mrs. J. 

Harrington Glidden 

Edgar A. Hahn 

Robert L. and Lois 

M. Hays 



George M. and 


Albert S. Ingalls Jr. 

Memorial 

David S. Ingalls Jr. 

Ann J. and E. Bradley 

Jones 

Ruthalia Keim 

Richard and Gina 

Klym 

Harley C. and 

Elizabeth K. Lee 

Helen S. Leisy 

Memorial 

Robert Arthur Mann 

Samuel and Grace 

Mann 

Judith K. and S. 

Sterling McMillan III** 

Donna and Ruben 

Mettler 

Marilyn B. Opatrny 

Aurel F. Ostendorf 

S. V. Palda Memorial 

Franklin and Helen 

Elizabeth Rockefeller 

Memorial 

Daniel and Adele Z. 

Silver** 

Chester D. Tripp 

Atheline M. and John 

S. Wilbur 

Womens Council of 



Susan Barber 

Woodhill Memorial 

Dr. and Mrs. E. K. 

Zaworski Memorial 

Up to $9,999 

Anonymous #1 

Anonymous #2 

Anonymous #8 

Anonymous #10 

Frances Adams and 

Mary E. Adams 

Memorial 

Walter S. and Mabel 

Croston Adams 

Alfred S. and Estelle 

G. Andrews 

Stella Minor Arntisdale 

Eva M. Baker 

Memorial 

S. Prentiss Baldwin 

Memorial 


Beverly Barksdale 

Esther K. and Elmer 

G. Beamer Foundation 

Mr. and Mrs. Arnold 

Bellowe 

W. Dominick Benes 

Memorial 

George P. and Clara 

G. Bickford 

George T. Bishop 

Memorial 

Roberta Holden Bole 

Memorial 

Alfred M. and 

Palmyre C. Bonhard 

Memorial 


Borowitz 

Alva Bradley 

Memorial 

ARpp48-81.p65 62 

6/1/2004, 11:58 PM 

Mr. and Mrs. Morris 

A. Bradley 

Emma G. Brassington 

Memorial 

Arthur L. and 

Virginia Brockway 

Arthur D. and 

Marion W. Brooks 

Memorial 

The Oliver and 

Harriet G. Brooks 

Memorial 

Glenn and Jenny 

Brown 

Helen C. Brown 

Erza and Rose 

Brudno Memorial 

Polly S. and Clark E. 

Bruner 

Laura Merryweather 

Burgess Memorial 

Mr. and Mrs. 

Courtney Burton 

Alice Carothers 

Memorial 

Katherine Hodell 

Chilcote Memorial 

Alvah Stone and 

Adele Corning 

Chisolm Memorial 

Kenneth L. and 

Karen M. Conley 

Charles E. Cooper 

Delos and Anita 

Cosgrove 

Tina V. Cowgill 

Mrs. Harry J. 

Crawford 

Harris Creech 

Mary Elizabeth 

Crawford Croxton 

Nathan L. Dauby 

Memorial 

Bernice and David E. 

Davis 

Elaine Davis Memorial 


DeGulis** 

Elizabeth Brainard 

Thomson Denison 

Memorial 

Edwin A. Dodd 

Mr. and Mrs. John R. 

Donnell 

Daniel W. Dority 

Memorial 


P. Duvin 

William Joseph 

Eastman Memorial 

Ella C. Edison 

Maud Stager Eells and 

Howard Parmelee 

Mr. and Mrs. 

Frederick L. Emeny 

Sam W. and Florence 

Taylor Emerson 


D. Eppig 

Alwin C. and 

Charlotte F. Ernst 

Memorial 

Neil and Marian 

Evans 


Fallon 

Adolph J. and Esther 

S. Farber Memorial 

Paul Louis and Edith 

Lehman Feiss 

Memorial 

James Edward Ferris 

Memorial 

C. J. and Elizabeth 

Fiordalis 

Royal and Pamela H. 

Firman Jr. 

Flesheim Foundation 

Mr. and Mrs. Walter 

L. Flory 

Mary Eileen Fogarty 

Kate L. Fontius 

Memorial 

Dr. and Mrs. Finley 

M. K. Foster 

I. T. Frary Memorial 

Karen Freeman 

Miriam and Harry M. 

Friedman 

Edward M. Fritz 

Memorial 

W. Yost Fulton 

Frederick William 

Gehring Memorial 

Hulda B. Gehring 

Myron E. and Rose 

B. Glass 

Mary G. and Frances 

K. Glidden Memorial 

George C. Gordon 


G. Goulder Memorial 

Mr. and Mrs. Gary 

Graffman 

C. A. Grasselli 

Memorial 

Edward Grasselli 

Memorial

Jacques Hérold 

(Romanian, 1910– 

1987). Crystallization 

of the Forest, 1946; oil 

on panel; 60 x 73 cm; 



Mr. and Mrs. Jerome 

Gratry 

John Adam Green 


K. Greisinger 

Martina D. Grenwis 


C. Gridley 

Frank J. and Anastasia 

M. Grossman 

Memorial** 

Mrs. Ray J. Groves 

Mr. and Mrs. David 

L. Grund 

Agnes Gund 

Memorial 

George Gund III, 

Agnes Gund, Gordon 

Gund, Graham de C. 

Gund, Geoffrey de C. 

Gund, and Louise L. 

Gund 


C. Hageman 

Georgia S. Haggerty 

Bertha Halber 

Eugene S. and 

Blanche R. Halle 

Memorial 

Helen C. Halle 

Salmon P. Halle 

Memorial 

Harold A. and 

Claribel B. Hallstein 

Florence A. Hamilton 

Colburn Haskell 

Memorial 


Heller 

Birdie B. Herzog 

Memorial 

Laurence A. and 

Margarete S. Higgins 

Eleanor Hilliard 

Memorial 

Mrs. J. Howard 

Holan 

Elinor Irwin Holden 

Memorial 

Allen C. and Louise 

Q. Holmes 

Helen Chisholm 

Hord 

Mr. and Mrs. Bird W. 

Housum Memorial 

Mrs. Gene C. 

Hutchinson 

Albert S. Ingalls 

Jane Taft Ingalls 

Richard Inglis 

Memorial 


Inkley 

Ireland Foundation 

Paul F. and Lucretia 

B. Ireland 

Mr. and Mrs. Henry 

L. Jackson 

Issac and Jennie B. 

Joseph Memorial 


M.D. 

I. Theodore Kahn 

Mrs. I. Theodore 

Kahn 

Samuel S. and 

Dorothy D. Kates 

Marie and John Kern 

Memorial 

Charles G. King III 

Memorial 

Mr. and Mrs. W. 

Griffin King Jr. 

Louise Delaney 

Kiphuth Memorial 

Jessie Effler Kneisel 

Ella Konigslow 

Elroy J. Kulas 

Memorial 

Dr. and Mrs. Victor 

C. Laughlin 

Caral Gimbel 

Lebworth 

Mr. and Mrs. Elmer 

Lindseth 


Lobe 

William A. Lowry 


C. Lucas Memorial 

Mr. and Mrs. John S. 

Lucas 

Marilyn Lurie 

Memorial 

Charlmer F. Lutz 

Memorial 

Hilda B. Lyman 

Memorial 

Isabel Marting 

Grace Harman 

Mather Memorial 

Katherine L. Mather 

Memorial 

William G. and 

Elizabeth R. Mather 

Mike Matsko 

Memorial 

Ruth A. Matson 

Kathryn Arns May 

Clara Mayer 

Memorial 

William B. McAllister 

Memorial 

Malcolm L. and Lucia 

McCurdy McBride 

Ellen E. and Lewis A. 

McCreary Memorial 

Mr. and Mrs. S. 

Sterling McMillan 

Moselle Taylor Meals 


J. Mendelsohn 

ARpp48-81.p65 63 

6/1/2004, 11:58 PM 

Frederick Metcalf 

Memorial 

H. Oothout Milliken 

Memorial 

Hugh K. Milliken 

Memorial 

Thomas S. and Marie 

E. Milliken Memorial 

Julia Severance 

Millikin 

Anna Willett Miter 

and Harry Fancher 

Memorial 

Fanny Hanna Moore 

Mrs. J. E. Morley 

Mrs. Cox Morrill 

Gordon K. Mott 

Mr. and Mrs. Werner 

D. Mueller 

Jeanie C. Murray 

Mary and Louis S. 

Myers Foundation 

Robert C. Norton 

Harry D. and Blanche 

E. Norvell 

John O’Connor 

Crispin and Kate 

Oglebay Memorial 


Oliva III 

William M. O’Neill 

Marion A. and 

Amelia G. Parsons 

Memorial 

G. G. G. Peckham 

Memorial 

Mrs. Heaton 

Pennington 

Drake T. Perry 

Mr. and Mrs. M. H. 

Pierce 

Mary B. S. Pollock 


F. Pope 

Eda Sherwin Prescott 

John B. Putnam 

Memorial 

Frank J. and Rita M. 

Rack 

Lucille Ralls 

Memorial 

Robert S. and Sylvia 

K. Reitman 

James McElroy 

Richardson Memorial 

Lillian Rosenbaum 

Memorial 


J. Ross 

Walter Ross 

Walter D. Sayle 

Mrs. William Cramp 

Scheetz Jr. 

Else Schmelzer 

Heinz Schneider 

Ellen Schultz 

63

Charles P. and Ella R. 

Scovill Memorial 

The Sears-Swetland 

Foundation 

Elizabeth and Ellery 

Sedgwick 

Mary H. Severance 

Memorial 

Samuel Paisley Shane 

Memorial 

Perin Shirley 

Memorial 

Vladimir G. and 

Mary Kingsbury 

Simkhovitch 

Memorial 

Allard and Margaret 

E. Smith 

James A. and 

Elizabeth B. D. Smith 

Memorial 

Nathalie C. Spence 

Memorial 

Marion H. Spiller 

Louis Stearn 

Avery L. Sterner 

Memorial 

Nathalie B. Steuer 

Memorial 

Judith Helen and 

Martha A. Stewart 

Memorial 


M. Stickney 

Morris and Maxeen 

Stone 

Selina J. Sullivan 

Memorial 

Seth and Frances Taft 


Farrand Taplin 

Stan Thomas 


Turner 

Joseph and Edwin 

Upson Memorial 

Mary Southworth 

Upson 

Samuel H. and Bessie 

Shaw Urdang 

Memorial 

Dorothy T. Van 

Loozen Memorial 

Visible Language 


Wade Memorial 

Whitney and 

Florence S. Warner 

Memorial 


Wasmer Jr. 

64 

Sada D. Watters 

Memorial 

Mrs. Daniel T. 

Weidenthal 


L. Weston 

Roy M. Wheeler 

Memorial 

Kathleen F. Whidden 

Memorial 

Martha W. White 

Miriam Norton 

White 

Roland W. White 

Memorial 

Walter C. White 

Memorial 


R. Whiting 

Mr. and Mrs. Douglas 

Wick 

R. C. Williams 

Captain and Mrs. 

Thomas Wilson 

Memorial 

Boris Witzer 

Memorial 

Elbert C. and 

Henrietta S. Wixom 

Memorial 

J. D. Wright 

Clara Gordon York 

Wilbur H. and 

Robert L. Zink 

William H. and 

Bertha S. Zink 

Memorial 

General Operating 

Endowment 

Contributors 

The Figgie Family 

Charitable Foundation, 

Inc. 

Robert F. and 

Elizabeth B. Flaherty 

Estate of David J. 

Rollins 

Estate of Kathleen E. 

Smith 

Building 

Endowment 

Contributors 

Victoria W. Braucher 

Laura A. Hugus 

Muriel Kozlow 

Maxine Goodman 

Levin 

Elizabeth Briggs 

Merry 

Alice O. Vana 

Helen Zmek 

Trust Fund Income 

for Art Purchase, 

Specific Purpose, 

and Operations 

The following list acknowledges 

the individuals 

and families 

whose trusts provided 

income to the museum 

in 2003. 

Art Purchase 

Dudley P. Allen 

Karl B. Goldfield 


Millikin 


Norman O. Stone 

and Ella A. Stone 

Memorial 

J. H. Wade 

Specific Purpose 


Hermon A. Kelley 

Art Library 

P. J. McMyler Musical 

Endowment 

Operations 

Harry F. and Edna J. 

Burmester 

Caroline E. Coit 

Henry G. Dalton 

General Endowment 

Guerdon S. Holden 

John Huntington Art 

and Polytechnic Trust 

Hinman B. Hurlbut 

Horace Kelley Art 

Foundation 

William Curtis 

Morton, Maud 

Morton, and 

Kathleen Morton 

Elisabeth Severance 

Prentiss 


Thayer Fund #3 

John Mason Walter 

and Jeanne M. Walter 

Memorial 


Capital Gifts 

The following list acknowledges 

the individuals, 

families, and 


generosity supported 

capital projects. 

The Abington 

Foundation 

Mr. and Mrs. Leigh 

Carter 

Mr. and Mrs. 

Alexander M. Cutler 

Garden Club of 



W. Gillespie 


D. Gries 

Holden Parks Trust 


J. Horvitz 

The HRH Family 

Foundations 

Patience Humphrey 

Mr. and Mrs. Dieter 

Kaesgen 


P. Keithley 


J. Knerly Jr. 


P. Madar 

Elizabeth Ring 

Mather and William 

Gwinn Mather Fund 

S. Livingston Mather 

Charitable Trust 




Morley 

Reverend Dr. and 

Mrs. Otis Moss Jr. 

MTD Products Inc. 

Payne Fund Inc. 

The Perkins 

Charitable Foundation 

Mr. and Mrs. Bryan 

S. Reid 


Reid Jr. 

Sara M. Ringle 

ARpp48-81.p65 64 

6/1/2004, 11:58 PM 

Mr. and Mrs. Marvin 

Ritzenberg 


R. Robertson 


M. Schneider 

Mr. and Mrs. Viktor 

Schreckengost 

Sears-Swetland 

Family Foundation 

Second Foundation 

Sherwick Fund 

Kelvin and Eleanor 

Smith Foundation 


R. Stevens 


Turben 

Robert A. Vertocnik 


T. Watson 

Raymond John Wean 

Foudation 

Louinia Mae 

Whittlesey 

Dr. Norman W. 

Zaworski 

Restricted Gifts 

(Special Projects, 

Programs, and 

Exhibitions) 

$100,000 or More 


Foundation 

The Freeman 

Foundation 

The United States 

Department of 

Education 

$25,000 to $99,999 

Agnes Gund and 

Daniel Shapiro 

Hahn Loeser + Parks, 

LLP 

The Joyce 

Foundation 

The Samuel H. Kress 

Foundation 

The National 

Endowment for the 

Arts 

Sky Bank 




$10,000 to $24,999 

American Express 

Dominion 

Foundation 

Zoann L. Dusenbury 


James E. and 

Elizabeth Ferrell 

The Kulas 

Foundation 

The Andrew W. 

Mellon Foundation 

SBC Foundation 

Tops Friendly 

Markets Foundation 




Young Audiences of 

Greater Cleveland 

$2,500 to $9,999 

Betty Katz 

Kaufmann’s, A 

Division of the May 

Department Stores 

Company 

The Laub Foundation 

Target Stores 

Under $2,500 

Anonymous 

Christina W. Black 

Gallery Group, Inc. 

Vincent McGee 

Mr. and Mrs. John G. 

Nestor 

Red Bull North 

America, Inc. 

Louise N. Robbins 


Mr. and Mrs. Brit 

Stenson 


P. Traggio 

Wipper Family Fund

Annual Giving 

Designed by Kem 

Weber (American, b. 

Germany, 1889–1963), 

manufactured by 

Grand Rapids Chair 

Company. Armchair 

from “The Kem Weber 

Group,” 1928–29; 

painted wood with 

synthetic leather; 

105.4 x 53.4 x 50.8 cm; 

The Mary Spedding 

Milliken Memorial 

Fund 2003.4.1. 

Annual Giving includes 

all gifts to support the 

museum’s annual 

operating budget. We 

wish to thank members 

of our donors 

circles and corporate 

membership programs, 

patron and contributing 

members, and the 

many others who 

contributed to the 

annual giving program 

in 2003. 

$25,000 or more 


T. Bartlett 

Mr. and Mrs. Leigh 

Carter 

Mr. and Mrs. 

Alexander M. Cutler 


W. Gillespie 

George Gund III and 

Iara Lee 

Janice Hammond and 

Edward Hemmelgarn 


J. Horvitz 

Robert M. Kaye and 

Diane Upright 


P. Keithley 


William P. and 

Amanda C. Madar 

Barbara and Morton 

Mandel 


V. Mavec 


M. Rankin Jr. 


Rankin 


Ratner 


Reid Jr. 


Sherwin 


R. Stevens 

$10,000 to $24,999 

Mr. and Mrs. B. 

Charles Ames 

Mr. and Mrs. Randall 

J. Barbato 


P. Bolton 


Mrs. Austin B. Chinn 

Mrs. Warren 

Dusenbury 


D. Eppig 


Dr. and Mrs. John 

Flower 

Joseph T. Gorman 


D. Gries 


Hildt 


D. Ireland III 

Barbara Jacobs 

Mr. and Mrs. 

Hayward Kendall 

Kelley Jr. 


A. Kilroy Jr. 


Koch 

Mr. and Mrs. Dennis 

W. LaBarre 

Toby Devan Lewis 

Mr. and Mrs. Jon A. 

Lindseth 


C. McCoy Jr. 




B. Milgram Jr. 


S. Minoff 


T. Morgenthaler 


Morley 



E. Myers 

Lucia S. Nash 

Mr. and Mrs. Eric T. 

Nord 

Mrs. R. Henry 

Norweb Jr. 

Andrew K. Rayburn 


R. Robertson 

ARpp48-81.p65 65 

6/1/2004, 11:58 PM 

Barbara S. Robinson 

Edwin M. Roth 


S. Rutledge 

Mr. and Mrs. Elliott 

L. Schlang 

Dr. and Mrs. Gerard 

Seltzer 

Mr. and Mrs. Alvin 

A. Siegal 

Mr. and Mrs. Steven 

Spilman 


Turben 


Vignos Jr. 

$5,000 to $9,999 

Mr. and Mrs. 


Mr. and Mrs. Daniel 

F. Austin 

James and McKey 

Berkman 

Richard J. Blum and 

Harriet L. Warm 

Mr. and Mrs. Paul S. 

Brentlinger 

Mrs. M. Roger Clapp 

Mr. and Mrs. Morton 

Cohen 

Mr. and Mrs. Gerald 

A. Conway 


R. Cull 

Lois J. Davis 

Helen+ and Albert J. 

DeGulis 



S. Friedman 


C. Gridley 


N. Gudbranson 

Mrs. Harry Richard 

Horvitz 

Joan Horvitz 

Lillian L. Hudimac 

Marguerite B. 

Humphrey 


M. Jack Jr. 


H. Jackson 

Helen Kangesser 


A. Kern 

Mrs. Jack W. Lampl Jr. 

Mr. and Mrs. Milton 

Maltz 

Dr. Nancy-Clay 

Marsteller 


A. Mitchell 


J. O’Neill Jr. 

Michael S. Ovitz 

Mr. and Mrs. Leon 

M. Plevin 

Mr. and Mrs. Albert 

B. Ratner 


S. Reitman 

Mr.+ and Mrs. 

Leighton Rosenthal 


A. Saks 


M. Schneider 

Mr. and Mrs. Viktor 

Schreckengost 

Leonard S. Schwartz 

and Charlotte R. 

Kramer 

Mark Schwartz and 

Dr. Bettina Katz 

Mr. and Mrs. Boake 

A. Sells 


C. Smith 

Richard A. Statesir 

and Georganne 

Vartorella 

Mr. and Mrs. Howard 

Fenno Stirn 


S. Talbott 


Haber Warshawsky 


D. Weller 

Mrs. Paul 

Wurzburger 

Dr. Norman W. 

Zaworski 

65

66 

$2,500 to $4,999 

Anonymous 

Mr. and Mrs. Paul R. 

Abbey 


Chace Anderson 

Elizabeth L. 

Armington 

Dr. Ronald and 

Diane Bell 

Mrs. Robert P. 

Bergman 


B. Brandon 


R. Calfee 


B. Chapman Jr. 

Dr. and Mrs. John 

Collis 


H. Coquillette 

Dr. and Mrs. Delos 

Marshall Cosgrove III 

Dr. and Mrs. Dale H. 

Cowan 


Daniels 

Dr. and Mrs. Richard 

C. Distad 


P. Duvin 

Mrs. Morris Everett 

Mr. and Mrs. Allen 

H. Ford 

Judith Gerson 


A. Goodman 

Right Reverend and 

Mrs. J. Clark Grew 


H. Gunning 


R. Hatch III 

Mrs. Charles Hickox 

Mrs. Edwin R. Hill 

Elizabeth A. Holan 


S. Holden Jr. 

Dr. and Mrs. William 

L. Huffman 

James R. Janetz 

Drs. Morris and 

Adrienne Jones 

Mr. and Mrs. Dieter 

Kaesgen 

Mr. and Mrs. John E. 

Katzenmeyer 

Ralph and Terry 

Kovel 

Mr. and Mrs. Marvin 

L. Lader 

Mr. and Mrs. Kurt 

Liljedahl 


A. Lozick 

Mr. and Mrs. Randall 

D. Luke 

William MacDonald 

Jr. 

Dr. and Mrs. Patrick 

M. McCarthy 

Lester Theodore and 

Edith D. Miller 


W. Morris 

Donald W. Morrison 

Creighton B. Murch 

and Janice A. Smith 

Mr. and Mrs. Tod 

Oliva 


M. Osborne Jr. 



A. Quintrell 

Dr. and Mrs. Louis 

Rakita 

Katharine and Bryan 

Reid 


A. Rieger 

Mr. and Mrs. Norton 

W. Rose 

Prof. Alan Miles 

Ruben and Judge 

Betty Willis Ruben 

Clarine Saks 

Mr. and Mrs. Paul J. 

Schlather 

Bob and Cindy 

Schneider 


L. Selman 

John L. Selman 

Kim Sherwin 

Mr. and Mrs. Edwin 

Z. Singer 


W. Sloan 


Smeltz 

Brit and Kate Stenson 


D. Sullivan 

Mr. and Mrs. Neil 

Thompson 


K. Wamelink 


F. Wasmer 

Nancy N. West 




R. Wiesenberger 

Mrs. Lewis C. 

Williams 


L. Zoeller 

Frances R. Zverina 

$1,000 to $2,499 


W. Adams 

Stanley and Hope 

Adelstein 


B. Ainsworth Jr. 

Mr. and Mrs. 

Theodore M. Alfred 

Mr. and Mrs. 

Norman W. Allison 

Barbara J. Arison 

Agnes M. Armstrong 

Janet G. and Gregory 

J. Ashe 

Graham G. Ashmead, 

M.D. 


T. Barratt 

Thomas C. Barry 

Mr. and Mrs. 

Laurence Bartell 


C. Bartlett 

Mrs. Patrick H. Beall 


E. Beeman 

Mr. and Mrs. Jules 

Belkin 

Dr. Robert B. Benyo 


M. Biggar 

Ted and Catherine 

Biskind 

William P. Blair III 

Mrs. Lawrence 

Blumenthal 


Borowitz 


E. Boyatzis 

James J. Branagan 

Mr. and Mrs. Jack L. 

Brown Jr. 

Kenneth L. Brown 

ARpp48-81.p65 66 

6/1/2004, 11:58 PM 

Shirley T. Brown 


G. Brownell II 


Bruml 


Buchanan 

Alexander W. Budden 

John F. Burke Jr. and 

Nancy A. Fuerst 

Linda R. Butler and 

Steven E. Nissen, 

M.D. 

William E. and 

Patricia A. Butler 

Mrs. Sumner Canary 

Mrs. Arthur F. Carey 

Mr. and Mrs. Harry 

Carlson 

Ruth Anna Carlson 

and Albert Leonetti 


B. Carr 

Maria and Laura 

Cashy 

Kimberly and George 

B. Chapman III 

Corning Chisholm 

Mr. and Mrs. Homer 

D. W. Chisholm 


A. Collier 


D. Conrad 


E. Conway 

Mr. and Mrs. Brian 

Cook 


G. Corrado 


W. Cristal 

Mr. and Mrs. 

Timothy J. Curtiss 

Patricia F. Cusick 


E. Daane 

Mrs. S. L. Dancyger 


Danforth 


B. Daroff 

Mrs. David E. Davis 

Shirley B. Dawson 

Pete and Margaret 

Dobbins 


Drinko 

Marian Drost 

Tamara Durn and 

Rick Doody 

Gertrude A. Dyson 


M. Eiben 

Dr. and Mrs. Henry 

Eisenberg 

Dr. and Mrs. R. 

Bennett Eppes 


Esarove 

Mr. and Mrs. Jeff 

Ettinger 


Evans 

Mr. and Mrs. Warren 

W. Farr Jr. 


Felder 

Dr. and Mrs. Aaron 

E. Feldman 


Femec 

Lauren and Scott Fine 

Mrs. Seth M. Fitchet 


Fletcher 

Mr. and Mrs. 

Frederick Floyd 

Mrs. George Foley 

Charles D. and 

Charlotte A. Fowler 

Howard J. Freedman 

and Rita Montlack 

Mr. and Mrs. Ted H. 

Frost 

Mr. and Mrs. Peter L. 

Galvin 

Mrs. Richard N. 

Ganger 

Stephen H. Gariepy, 

Esq. 

Alison W. Gee 

Mr. and Mrs. Stuart 

Giller 


M. Ginn 

Dr. and Mrs. Victor 

M. Goldberg 

Sally A. Good 

Mr. and Mrs. Andrew 

L. Green 


B. Griswold 

Mrs. Jerome Grover 

Heather Guess 


Guren

Visitors pause in 

gallery 240. 

Elaine Grasselli 

Hadden 


H. Hahn 

Mr. and Mrs. Jeffrey 

Halpern 

Mrs. Milford J. Harris 


L. Hartford 


L. Hartford III 


S. Hartwell 

Dr. and Mrs. Shattuck 

Wellman Hartwell Jr. 


F. Hastings 

Mr. and Mrs. Kenneth 

F. Hegyes 


Herschman 

Edith F. and Morrie 

E. Hirsch 


R. Hollington 

Ralph and Sarah 

Horwitz 

Dorothy Humel 

Hovorka 

Patience and George 


Mr. and Mrs. 

Norman Hyams 


A. Immerman 

Mr. and Mrs. E. Dale 

Inkley 


Inkley 

Mr. and Mrs. Fred 

Isenstadt 

B. Scott Isquick 

Mr. and Mrs. Stanley 

T. Jaros 


T. Jeffery Jr. 

Candace M. Jones 

Mr. and Mrs. 

Theodore T. Jones 

Trevor and Jennie 

Jones 

William R. Joseph 

and Sarah J. Sager 

Dr. and Mrs. Donald 

W. Junglas 

Henri Pell Junod Jr. 


Fisher Kahn 


E. Kalberer 


Kaplan 

Mrs. George M. 

Kaufman 

Hilary and Robert 

Kendis 


J. Kichler 

Kenneth H. Kirtz 


S. Kiser 


J. Knerly Jr. 

Mr. and Mrs. Stewart 

Kohl 

Clayton R. Koppes 

Mr. and Mrs. Alan M. 

Krause 


J. Lafave Jr. 


Wade Laisy 


E. Lamm 

Dr. and Mrs. 


Mr. and Mrs. Morton 

Q. Levin 


A. Little 


Lobe 

ARpp48-81.p65 67 

6/1/2004, 11:58 PM 


D. Lundin 

Dr. Alvin and Lorrie 

Magid 

Dr. Harold and 

Suzanne Mars 

Mrs. Walter A. 

Marting 

Mr. and Mrs. 

Alexander McAfee 

Mr. and Mrs. Sean 

McAvoy 

Elizabeth McBride 

Claire and Sandy 

McMillan 


Messerman 

Mr. and Mrs. 

Anthony R. Michel 

Dr. and Mrs. Beno 

Michel 


M. Mino 

Steve and Dolly 

Minter 

Mr. and Mrs. Dan T. 

Moore III 


Keith Morgan 

Shirley O. Morgan 


J. Moroscak 


J. Morse 

Dr. and Mrs. Roland 

W. Moskowitz 

Reverend Dr. and 

Mrs. Otis Moss 

Helen M. Murway 


D. Neary 

Mrs. James Nelson 


Nestor 

Mr. and Mrs. Francis 

Wynne Neville 

Daurine Noll 

Mr. and Mrs. Brad 

Norrick 


Mrs. F. J. O’Neill 

Mrs. Donald C. 

Opatrny 

Mr. and Mrs. Harvey 

Oppmann 

Mr. and Mrs. Jon H. 

Outcalt 

Mr. and Mrs. C. W. 

Eliot Paine 


Paris 

Bob and Trisha Pavey 

67

Students complete 

projects during Art in 

Bloom, a special program 

presented by the 

Museum Ambassadors, 

featuring representatives 

from area high 

schools. 

68 


J. Peterman 


Mr. and Mrs. Larry I. 

Pollock 


H. Porter Jr. 


P. Price 

Cynthia E. Rallis 

Bruce T. Rankin 

Charles B. and Carole 

W. Rosenblatt 


J. Roth 

Mr. and Mrs. Vaughn 

P. Rubin 

Florence Brewster 

Rutter 

Marjorie Bell Sachs 

Mr. and Mrs. 

Raymond T. Sawyer 


J. Schlageter 

Marcia R. Schreibman 

Mr. and Mrs. Oliver 

E. Seikel 


J. Sherwin 


Shrier 

Mr. and Mrs. Gary 

M. Siegel 

Mr. and Mrs. 

Lawrence N. Siegler 

Mrs. Daniel J. Silver 

Susan N. Silverberg 


L. Simon 



Smith 

Mr. and Mrs. Richey 

Smith 

Mr. and Mrs. Ward 

Smith 


L. Smythe Jr. 


H. Smythe 


and Dr. William E. 

Katzin 


H. Spitz 

Dr. and Mrs. 

Gottfried K. Spring 

R. Thomas and Meg 

Harris Stanton 

Dr. Willard D. Steck 


Steigerwald 


H. Steinbrink 

Mr. and Mrs. Leonard 

Stein-Sapir 

Drs. Timothy 

Stephens and 

Consuelo M. Sousa+ 

Mr. and Mrs. 

Lawrence E. Stewart 

Dr.+ and Mrs. Ralph 

Straffon 

Mr. and Mrs. John K. 

Sullivan 

Mr. and Mrs. Daniel 

C. Sussen 

Mary E. Suzor 

Dr. Kenneth F. 

Swanson 

Mr. and Mrs. Seth C. 

Taft 


W. Taft 


M. Thornton Jr. 


Mr. and Mrs. Leonard 

K. Tower 

Mrs. George S. Traub 


Turner 


F. Vail Jr. 

Robert A. Valente, 

CFP 


van Dijk 

Tinkham Veale II 

Mrs. Daniel Verne 

Mrs. Myron Viny 

Drs. Steven Ward and 

Barbara Brown 


W. Weidenkopf 


R. Weil 


A. Weinberger 

William H. West 

Dr. and Mrs. Edward 

L. Westbrook 

Mrs. McKinley 

Whittlesey 

Edward Wilkof 

Mr. and Mrs. Loyal 

W. Wilson 

ARpp48-81.p65 68 

6/1/2004, 11:58 PM 

Mr. and Mrs. Ivan J. 

Winfield 

Mrs. James A. Winton 

Mr. and Mrs. Bertram 

L. Wolstein 


C. Woodcock 

John Michael Zayac 

and Dr. Marie Simon 

Mr. and Mrs. 

Kenneth Zeisler 

$500 to $999 

Emily A. Adams 


W. Adler 

Harish and Seetha 

Aiyar 

Ruth M. Anderson 

Dr. and Mrs. Albert 

C. Antoine 

Joseph Babin 

Dale A. Bacik 

Dennis Barrie and 

Kathleen H. Coakley 

Dr. Nejad Behzadi 

Leon W. Blazey Jr. 

Rabbi and Mrs. 

Richard A. Block 


L. Blumer 

Mrs. Morris A. 

Bradley II 

Dr. and Mrs. Ben H. 

Brouhard 

Ronald Brown+ 

Mr. and Mrs. J. C. 

Butler 

Eleanor A. Campbell 

Dr.+ and Mrs. 

Thomas F. Campbell 

Rita and Tim Carroll 

Elizabeth Chapman 

and Roy Knipper 

Mrs. Ralph A. 

Colbert 


B. Cornell 

Joseph R. Cortese 

Jody Dana 


V. Debevec 


H. deConingh Jr. 


P. Demeter 


L. Deming 

Christopher W. 

Fisher 

Jane Frankel 

Mr. and Mrs. John R. 

Fraylick 

Robert Friedman 

and Elizabeth R. 

MacGowan 

Drs. Joseph Frolkis 

and Beth A. 

Overmoyer 

Marjorie K. Garson 

Mr. and Mrs. Nicholas 

T. Giorgianni 


Guinness 


P. Handke Jr. 

Elizabeth A. Hecht

Dr. Roberta K. 

Helfgott 


G. Hill 

P. Andrew Hisey 

Mr. and Mrs. 

Conway G. Ivy 

Mr. and Mrs. Norbert 

R. Jaworowski 

Anne and Joe Juster 

Mr. and Mrs. Eric J. 

Klieber 

Mr. and Mrs. Greg 

Krivchenia 

Rose Mary Kubik 


J. LaFond 

Mr. and Mrs. John N. 

Lauer 


P. Locke 

Robert Lucak and 

Gabrielle Alicia 

Lawrence 

Mr. and Mrs. Neil 

Luria 

Susan W. MacDonald 

Alice D. Malone 


E. Marovitz 


H. Masterson 

James A. and Marsha 

P. Mateyka 

Dr. and Mrs. Matig 

Mavissakalian 

Nicole Visconsi 

Mawby 

Mr. and Mrs. Julien 

L. McCall 

George Minowada 

and Paradi Mirmirani 

Lloyd D. Moore 

Andrea A. Morris 

Sarah Yoshiko 

Murakami 

Murlan Jerry 

Murphy Jr. 

Mr. and Mrs. Rod 

Naro 

Mr. and Mrs. Kevin 

O’Donnell 

Rita Pearlman 

Graham A. Peters 

Thomas F. Peterson Jr. 

Mrs. Charles E. Petot 

Peter Pfouts 

Jean Z. Piety 

Mr. and Mrs. Nick 

Pontikos 

Mr. and Mrs. Christopher 

F. Pretsch 

Robert W. Price 


Prim 

Beth and David 

Ricanati 

Mary S. Roark 

Mr. and Mrs. John S. 

Rodewig 

Mrs. Martin 

Rosskamm 


C. Ruhl 


J. Schenkelberg 

James R. Schutte 

Adrian L. Scott 


Seidenfeld 

Leah Gary Shaikh 

Carsten W. Sierck 

and W. Allen Shapard 

Dr. Paula Silverman 

and Robert M. Wolff 

Mr. and Mrs. 

Timothy Skola 

David K. Smith 

Patrick T. Soltis 

Omer F. Spurlock 

Mrs. Richard W. 

Spurney 

Lanie Strassburger 

Debra G. Strassman 

Jeffrey W. Strean 

Mr. and Mrs. Andrew 

P. Talton 

Jennifer Thomas and 

Stephen Washington 

Mr. and Mrs. W. 

Hayden Thompson 

John D. Thorp 

Mr. and Mrs. John H. 

Vinton 

Honorable and Mrs. 

William F. B. Vodrey 

J. Weyman Vogel 

Eileen J. Walsh 


W. Walton 


D. Watson 

Shelby White and 

Leon Levy 


L. Ziegler 

$250 to $499 

Mr. and Mrs. James J. 

Abel 

Sandra J. and Charles 

Abookire Jr. 


F. Adler 

Sylvia K. Adler 

M. Stacey Alatis 

Sawsan T. Alhaddad 

and Dr. Ali Alhaddad 

Kim Almendinger 

and Susan Shaver 

John A. Anderson 

Mrs. John F. 

Anderson 

Oakley V. Andrews 

Judith Ann Armstrong 


M. Aron 

Patricia M. Ashton 

Mr. and Mrs. P. 

Thomas Austin 

Christopher Greer 

Axelrod 

Dalia M. Baker 

Arthur W. Bayer Jr. 


L. Bayman 

Suzanne M. Beatrice 

Mr. and Mrs. C. 

Bruce Beattie 

Mr. and Mrs. Calvin 

C. Benning 


W. Bercaw 

John P. Bergren and 

Sarah M. Evans 


H. Berick 

Mr. and Mrs. Don A. 

Berlincourt 

Dr. and Mrs. Frederic 

C. Bishko 


D. Blaser 

Mr. and Mrs. Paul H. 

Bodden 

Michael Phillip 

Bogomolny 

Georgette B. Bohr 

Lynn Boukalik 


M. Bourne 

Renee Boykin 

Dr. Christopher P. 

Brandt and Dr. Beth 

Brandt Sersig 

Mary Ann Crowther 

Brennan 

Deborah Brindza 

Mrs. Charles S. 

Britton II 

Richard H. Brown 


J. Brown 


E. Bruner II 


Budzilek 

Mr. and Mrs. Tom 

W. Bunn 

Dr. and Mrs. Everett 

C. Burgess 

Dr. Bonnie Burman 

Janet R. Burnside 

Mary Ellen Cabbage 

Mrs. Allan E. Carlson 

Willie Glenn Carter 

Sammy L. Catania 

and Roberta Rocco 

Emilie Cathry 

Mrs. William B. 

Chamberlin 

Dr. Altagracia M. 

Chavez 


Cherry 

Mary E. Chilcote 

Mr. and Mrs. Peter J. 

Chudyk 

Verlie P. Ciriello 


A. Clark 

Mr. and Mrs. 

Kenneth S. Cohen 


S. Colquhoun 


J. Comerford 

Joy L. Comey 

Dr. Gwendolyn J. 

Cooke 

Mrs. Alfred R. 

Cooper 

Johnnie D. Cooper 


C. Corn 

Lisa S. Cortese 

ARpp48-81.p65 69 

6/1/2004, 11:58 PM 

Mr. and Mrs. Barring 

Coughlin 

Mrs. J. Kenneth 

Cozier 

John P. Craig 

Mr. and Mrs. Chester 

F. Crone 

Frederick S. Cross, 

M.D. 


L. Culbertson 

Kathryn Curtis 

Mr. and Mrs. 

Raymond L. 

Cushing Jr. 


F. Dalton III 


W. Danford 

Ranajit K. Datta 

Mrs. Robert C. Davis 

Mr. and Mrs. Ronald 

J. Davis 

Sally M. Davis 

Mr. and Mrs. Myron 

R. Day 

Elizabeth J. Deucher 

Mr. and Mrs. Neil A. 

Dick 

Wanda H. Dickey 

Dr. and Mrs. Paul E. 

DiCorleto 

Marilyn N. Doerr 


Dolinsky 

Dr. Richard Eckert 

and Dr. Ellen Rorke 


R. Ennis 


M. Farley 

Mary Lou Ferbert 

Mr. and Mrs. Darrell 

A. Fields 

Michael S. Folkman 

David J. Fornari 


A. Fox, D.D.S. 

Michael Frank, M.D., 

J.D. 

Mr. and Mrs. Earl R. 

Franklin 


K. Fribourg 


L. Furry 


T. Garrett 


D. Geib 

Mr. and Mrs. John H. 

Gerber 

Christopher L. 

Gibbons 


Glaser 

Honorable Leonard 

Goldstein 

Mr. and Mrs. Lowell 

K. Good 

David Goodman and 

Barbara Hawley 

David B. Goshien 

Dr. and Mrs. Francis 

A. Greicius Jr. 

Dr. Kathleen S. 

Grieser 

Mr. and Mrs. Dale E. 

Griffen 


C. Griffith Jr. 

Sally K. Griswold 

Dr. and Mrs. 

Laurence K. Groves 

Laura A. Gunn 

Joseph F. Hahn, 

M.D. 

Mrs. John D. Hansen 


R. Hardis 


D. Harnett 

Judith D. Harris and 

Alan Gordon Lipson 


E. Harris 

Mrs. Clint E. Hart 

Charles Duane 

Hartman 

Dr. William L. 

Hassler 


Hastings 

Mr. and Mrs. Craig 

Heberton III 

Lee Heinen 

Dr. Thomas S. 

Heines 


Herrick 

Dr. and Mrs. Norman 

R. Hertzer 

Edward D. Hester 

Mr. and Mrs. John J. 

Hetzer 

69

70 

Robert T. Hexter 

Tom E. Hinson and 

Diana S. Tittle 

Mr. and Mrs. D. 

Peter Hochberg 

Goldie Hoffman 


Hoffman 

Mr. and Mrs. Harry 

L. Holmes 

Rita S. Hubar 

Jackie P. Hudson 

Jonathan J. Hunt, 

Esq. and Ashanti D. 

Trent 

Mr. and Mrs. Don C. 

Iler 

Terence Isakov, M.D. 


J. Izant Jr. 

Carl M. Jenks 

Robert B. Jensen 


M. Jones 

Mr. and Mrs. Dwight 

S. Jordan 

Mr. and Mrs. 

Nicholas Katanic 

Mrs. Joseph H. Keller 


Kendrick 


T. Kitson 

Ruth E. Klein 

Mr. and Mrs. Grant 

Kloppman 

Dr. Vilma L. Kohn 

Paul J. Korshin 

Ronald H. Krasney, 

M.D. 

Paula R. Krasowski 

Dr. Marian Kresl 

Mr. and Mrs. Leo M. 

Krulitz 

Mr. and Mrs. Gregory 

G. Kruszka 


R. Kuepper 

Mr. and Mrs. Peter A. 

Kuhn 

Dr. and Mrs. Frederic 

W. Lafferty 

John T. Lai 

Ellen and Howard 

Landau 


W. Lang 

Dr. and Mrs. Stephen 

Lau 

Dr. Michael B. and 

Pamela Barron Leach 

W. Geoffrey Lefferts 

Mr. and Mrs. Bertram 

H. Lefkowich 

Dr. and Mrs. Phillip 

Lerner 

Doris Linge 


J. Liskay 


A. Little 


Lobo 

Mary Beth Loud 

Dr. Jeffrey Lubell 

Byron O. Lutman 

Keren K. Lux 

Alex Machaskee 


W. Mackie 

Douglas L. 

MacTaggart 

Mrs. James I. Mahler 

Dr. Stephen A. and 

Mary Ann Gregg 

Mahoney 

Mrs. Arthur D. 

Maine 

Dr. and Mrs. Carlos 

A. Maldonado 


A. Manuel 

Wilbur J. Markstrom 

Florence G. Marsh 

Christine J. Mastandrea 


Matts Jr. 

Dr. Charles Mbanefo, 

M.D. 


D. McCreery 


McDonald 

Gloria B. McDowell 

James H. McInerney 

Jr. and Jenifer Neils 

Mr. and Mrs. F. Rush 

McKnight 

Dr. Robert McNutt 

Mr. and Mrs. Carl E. 

Melzer 

David W. Merzweiler 


Monroe Michener 

Theodore C. Monty 

Marie Morelli 

Jill Morse 

Mr. and Mrs. Jack D. 

Moskal 

Bert W. Moyar 


L. Mueckenheim 

Mr. and Mrs. Carl F. 

Muller 

Richard J. Murway 


B. Musgrave 

Mark Myers and 

Barbara A. Hanselman 

Philip C. Narten 

Dr. Linn W. Newman 


M. Nosek 

Terry Novak 

Mr. and Mrs. Eric M. 

Oakley 


Oberndorf 

Mr. and Mrs. 

Lawrence E. Oscar 

Dr. and Mrs. Chanho 

Park 


A. Pendry 

Dr. and Mrs. Charles 

A. Peter 

Brooke W. Phillips 

Dr. and Mrs. Franklin 

H. Plotkin 

Elinor G. Polster 

Mr. and Mrs. Alan G. 

Poorman 

Mr. and Mrs. 

Nicholas S. Potter 

Mr. and Mrs. Gage L. 

Price 

Sylvia Profenna 

Marie Quintana and 

Robert Sikora 

Dr. and Mrs. Mehdi 

Razavi 

Constance Rebar 

Dr. Mary Ellen Reitz 

Dr. Robert W. 

Reynolds 

Margaret Ann 

Richmond 

Diane Rigney 


T. Roberts 

Franklyn W. Roesch 


R. Rose 

ARpp48-81.p65 70 

6/1/2004, 11:58 PM 

J. K. Kota Rossi 


M. Rothenberg 

Mr. and Mrs. Jon R. 

Ruhlman 


F. Rust 

Mr. and Mrs. Ray E. 

Saccany 


M. Saganich 

Barbara J. Samolis 


F. Santa-Emma 

Dorothy M. Sawyer 


J. Scaravilli 

Margaret Schloss 

Else Schmelzer 

Linda B. Schneider 

Mr. and Mrs. John B. 

Schulze 

Drs. Michael and 

Joanne Schwartz 

Dr. Susan W. 

Schwartz 

Mr. and Mrs. Larry 

M. Shane 

Dr. and Mrs. Bruce 

W. Sherman 

Mrs. John Sherwin Jr. 

Mr. and Mrs. 

Newson H. Shewitz 


B. Shifrin 

Josephine A. and 

Michael Simon 

Mr. and Mrs. David J. 

Skrabec 

Karen A. Skunta 

Allan Slovenkay 

Valeria J. Sobecki 

Marvin Solganik 


D. Springer 

Dr. and Mrs. Frank J. 

Staub 

Mrs. S. Finley Stay 


M. Stickney 

Judith E. Stock 

Rose Strauss 

Bob Strickland 

Joanne L. Student 


M. Stupay 


Sulak 

Sandra S. Sullivan 


P. Sunderhaft 


W. Sweeney 

Mrs. Anselm Talalay 


T. Tanaka 

Mr. and Mrs. 

Kenneth E. Taylor 

Ronald E. Teare 

Mr. and Mrs. Laurent 

P. Texier 

Ann E. Thurston 

Dr. Robert L. 

Tomsak 

Mr. and Mrs. Martin 

G. Trembly 

Scott Truhan 

Dr. Hugh A. Turner 

and Mrs. Vicki L. 

Brown-Turner 

Mr. and Mrs. 

Lawrence C. 

Turnock 


R. Underwood 

Fred R. Unwin Jr. 


V. H. Vail 

Audrey Wahl 

Dr. and Mrs. Richard 

A. Walsh 

Mrs. James L. 

Wamsley Jr. 

Yair and Carol 

Weinstock 

Steve B. Wheeler 


L. Whitehouse 

Mr. and Mrs. H. 

Robert Wismar Jr. 

Lois Wolf 

Gail Chin Wong 


S. Young 


S. Young 

Ruth G. Zander- 

Sindelar

Attendees of the 

annual corporate 

dinner relax in the 

gracious interior 

garden court. 

The Armor Court’s 

striking installation 

always draws attention. 

Matching Gift 

Companies 

Aetna Foundation 

American Express 

Foundation 

Barnes Group 


BP Foundation, Inc. 

The CIGNA 

Foundation 

CNA Foundation 

The George W. 

Codrington 

Charitable 

Foundation 

Community 

Partnership for Arts 

and Culture 

Dominion Foundation 


Emerson Electric 

Company 

ExxonMobil 

Foundation 

FirstEnergy 

Foundation 

FM Global Foundation 

The J. Paul Getty 

Trust 

The Goodyear Tire & 

Rubber Company 

W.W. Grainger, Inc. 

Harris Bank 

Foundation 

IBM Corporation 

Johnson & Johnson 

Family of Companies 

Key Foundation 

The Kresge 

Foundation 

The Lamson & 

Sessions Foundation 

LexisNexis 

The Lubrizol 

Foundation 

Mellon Financial 

Corporation 

Foundation 

Merrill Lynch & Co. 


The J. P. Morgan 

Chase Foundation 


Inc. 

National City Bank 

Nordson Corporation 

Oglebay Norton 

Foundation 

The Pfizer Foundation 

PPG Industries 

Foundation 

The Prudential 

Foundation 

Rockwell 

International 

Corporation Trust 

SBC Foundation 

Unilever United States 


The UPS Foundation 

Verizon Foundation 

W. W. Grainger, Inc. 

World Reach, Inc. 

ARpp48-81.p65 71 

6/1/2004, 11:58 PM 

Unrestricted Gifts, 

Foundations and 

Other 

Organizations 

$100,000 or more 

Ohio Arts Council 

The Kelvin and 

Eleanor Smith 

Foundation 

$25,000–$99,999 

Institute of Museum 

and Library Services 

$10,000–$24,999 

The Britton Fund 

The George W. 

Codrington 


Payne Fund, Inc. 

SCH Foundation 

The Smith Charitable 

Lead Trust 

S. K. Wellman 

Foundation 

$2,500–$9,999 

Brutocao Family 

Foundation 

Collacott Foundation 

Hankins Foundation 

Thomas Hoyt and 

Katharine Brooks 

Jones Foundation 

George M. and 


Fund 

The Katherine 

Kenyon Lippitt 

Foundation 

S. Livingston Mather 


Murch Foundation 

John P. Murphy 

Foundation 

David and Inez Myers 

Foundation 

Sedgwick Fund 

Sherwick Fund 

Lois C. and Thomas 

G. Stauffer 

Foundation 

The George 

Garretson Wade 

Charitable Trust #2 

WCLV Foundation 

$1,000–$2,499 

Kenneth L. Calhoun 


Harry K. Fox and 

Emma R. Fox 


The Victor C. 

Laughlin, M.D. 


The Charles J. and 

Patricia Perry Nock 

Fund 

Under $1,000 

J. H. and E. V. Wade 

Fund at the Boston 

Foundation 

71

Unrestricted Gifts, 

Corporations 

Corporate Sustainer 

$25,000 or more 

IntelliNet 

Corporation 

MBNA Marketing 

Systems 

National City Bank 

Sage Cleveland 

Foundation 

Corporate Founder 

$15,000–$24,999 

Cleveland Clinic 

Foundation 

Hahn Loeser + Parks, 

LLP 


Inc. 

Corporate 

Benefactor 

$10,000–$14,9999 

Bank One, N.A. 

Charter One 

Financial 

Fifth Third Bank 

Giant Eagle 

Foundation 

KeyCorp 

Medical Mutual of 

Ohio 

Corporate Patron 

$5,000–$9,999 

Brush Engineered 

Materials, Inc. 

Cintas Corporation 

Continental Airlines, 

Inc. 

72 

Dominion 


GE Consumer 

Products 

Jones Day 

Keithley Instruments, 

Inc. 

McDonald 

Investments 

McMaster-Carr 

Supply Company 

MTD Products Inc. 

Myers Industries, Inc. 

Noveon, Inc. 

Performance 

Enterprises, Inc. 

Prince & Izant 

Company 

Reich & Tang Asset 

Management L.P. 

Rockwell 

Automation 

The Sherwin- 

Williams Company 

Squire Sanders & 

Dempsey 

Corporate 

Contributor 

$3,000–$4,999 

Baker & Hostetler 

Ernst & Young LLP 

Great Lakes 

Lithograph 

Institutional Capital 

Corporation 

Kohrman Jackson & 

Kranz 

The Lamson & 

Sessions Company 

Lincoln Electric 

Company 

Marsh USA, Inc. 

Northern Haserot Co. 

The Oatey Company 

The Plain Dealer 

Pricewaterhouse- 

Coopers 

Richey Industries, Inc. 

RPM International, 

Inc. 

Thompson Hine LLP 

Corporate Associate 

$1,000–$2,999 

Alliance Capital 

Management 


Corporation 

Anderson-Dubose 

Company 

Applied Industrial 

Technologies, Inc. 

Argo-Tech 

Corporation 

Argus Partners LLC 

Blue Point Capital 

Partners 

The Bonfoey 

Company 

Bonne Bell 

Booz Allen & 

Hamilton, Inc. 

The Chilcote 

Company 

The Chubb Group of 

Insurance Companies 

City Architecture, 

Inc. 

Cleveland-Cliffs, Inc. 

Cohen & Company 

Cole National 

Corporation 

Collins Gordon 

Bostwick Architects 

Cuyahoga 

Community College 

DaimlerChrysler 

Corporation Fund 

Degussa Construction 

Chemicals Inc. 

Deloitte & Touche 

Dingus & Daga Inc. 

Dix & Eaton, Inc. 

Dollar Bank 

Edgepark Surgical, 

Inc. 

EWR Foundation 

The Fedeli Group 

Findley Davies Inc. 

Ford Motor 

Company 

The Gebauer 

Company 

Gilberti Studio 

International, LLC 

Glenmede Trust 

Company 

Gorman-Lavelle 

Corporation 

Great Lakes 

Publishing Company 

Hitachi Medical 

Systems America, Inc. 

IBM Corporation 

ARpp48-81.p65 72 

6/1/2004, 11:58 PM 

ICI Paints North 

America 

International 

Management Group 

Invacare Foundation 

J. M. Smucker 

Company 

John Hancock 

Mutual Life Insurance 

Company 

Kaufmann’s, A 

Division of the May 

Department Stores 

Company 

Kinetico Incorporated 

Linsalata Capital 

Partners 

Lubrizol Foundation 

Luce, Smith & Scott, 

Inc. 

Marcus Thomas LLC 

Margaret W. Wong 

& Associates, Co. 

LPA 

The Millcraft Group 

Mutual of America 

North Coast Energy, 

Inc. 

Ohio Savings Bank 

Orlando Baking 

Company 

Panzica Construction 

Company 

Parker Hannifin 

Corporation 

Provident Bank 

Ralph Tyler 

Companies 

Richard Fleischman 

Architects Inc. 

Richard H. Brown & 

Associates 

Robert P. Madison 

International 

SIFCO Industries 

Sotheby’s 

STERIS Corporation 

Strang Corporation 

Tomco Metal 

Fabricating, Inc. 

US Bank 

Vorys, Sater, 

Seymour & Pease 

Corporate Donor 

under $1,000 

Akron Beacon 

Journal 

Century Business 

Services, Inc. 

Commercial Alloys 

Sales LTD 

Euclid Office Supply 

Garland Company 

Inc. 

Gould Electronics, 

Inc. 

The Hoffman Group 

NetSource 

Neundorfer, Inc. 

Ohio Envelope 

Manufacturing Co. 

Ohio Machinery 

Company 

Wattenmaker 

Advertising, Inc. 

Young students see 

how even great artists 

paint by numbers.

Gifts in Honor of 

James and Hanna 

Bartlett, Happy New 

Year 

Mr. and Mrs. 

Richard C. Bartlett 

George R. Bent 

Mr. and Mrs. 

Wilson H. Bent 

Anne Berk, 

Extraordinary tour 

guide 

Barbara Feldman 

Flora Blumenthal, 

Thank you for your 

graciousness and love 

Jo Ann and Mort 

Schubert 

Gail Calfee, 

Extraordinary tour 

guide 

Howard A. Steindler 

Helen Cherry, 

Outstanding 

Presidency of the 


Helen DeGulis+ 

Marjorie Moskovitz 

Lorelei Stein-Sapir 

Andrea Cole, 

Congratulations on 

graduation from 

Hathaway Brown 

School 

Paula A. Harvan 


Marjorie Lewis 

Moore 

Joseph M. Erdelac, 

Father’s Day 

Connie Erdelac 


Carolyn C. Lampl 

Robert Friedman, 

80th Birthday 

Joan and Jerry 

Silberbach 

A. B. Glickman 

Marjory Klein and 

Paul Gellman 

Eliza Heatherington 

and Michael Lowe, 

marriage 

Mr. and Mrs. Irving 

R. Lackritz 


Strategic 

Frameworking, Inc. 

Madeline Huber and 

Neal Rains, Thank 

you for your 

hospitality 


Magid 

Karen L. Jackson 

Association of 

Fundraising 

Professionals, North 

Central Ohio 

Chapter 

Frank E. Joseph, 75th 

Birthday, and Frank 

and Maddy Joseph, 

45th Wedding 

Anniversary 



Stuart and Terry Ling, 

55th Wedding 

Anniversary 

Mr. and Mrs. Stuart 

J. Ling 

Alan Lipson, 60th 

Birthday 


E. Hirsch 

Wendy Shaw and 

Richard Spivak 

Saralee and Randall 

Luke, Belated happy 

holidays wishes 

Ms. Stephanie Sogg 

Joseph B. Milgram Jr. 

Robert and Jerrie 

Lee Rispoli 


J. Morse, 50th 

Wedding Anniversary 



Barby Oliver, 

Birthday 

Anonymous 

William Ott, Speakers 

Bureau 

Lebanese/Syrian 

Junior Women’s 

League 

Leon and Gloria 

Plevin, Thank you for 

your wonderful 

hospitality 


Magid 

David Ricanati, 

Happy Holidays 

Your employees at 


Merle and Gloria 

Rogen, 55th 


Marge, Jon, 

Michael, and Jimmy 

Chesler 

Martha and Ronald 

Rosenfield, Happy 

Hanukkah 

Mr. and Mrs. Bob 

Hardis 

Elliott Schlang 

C. Philip Cristal 

Gail and Elliott 

Schlang, 40th 



E. Hirsch 

David Koci and Jill 

Selman 

The Occasion of 

Shaker Heights 

Idarose S. Luntz 

Kim Sherwin 

Mr. and Mrs. 

Michael Sherwin 

Joan Silberbach, 

Special birthday 

James and Carol 

Shulman 

Naomi Singer, Special 

birthday 

Mr. and Mrs. 

Norman Hyams 

Barbara Smeltz 

Jay, Julie, Hannah, 

and Andrew Smeltz 

Sophia 

Evan D. Witt 

Charles E. Spahr 

Helen N. 

Tomlinson 

Thank you for tour 

of the permanent 

photography 

collection 

Silver Eye Center 

for Photography, 

Pittsburgh 

Allie and Craig 

Wallace, Thank you 

for your hospitality 


Magid 

David Warshawsky, 

70th Birthday 

Springcreek 

Corporation 

Kittie Warshawsky 

and Tim Tibbitts, 

Matt Warshawsky 

and Theresa Burks, 

Beth and David 

Ricanati 


Wertheim, 50th 


Sue and Gimp 

Fromson 



ARpp48-81.p65 73 

6/1/2004, 11:58 PM 

Gifts in Memory of 

Dr. Robert P. 

Bergman 

Mr. and Mrs. 

Marvin Ritzenberg 

Walter Caldwell 


R. Wiesenberger 

Mrs. Macauley Carter 


R. Hatch III 

Harold Terry Clark, 

Mary Sanders Clark, 

and Marie Oldenkirk 

Clark 

William Sanders 

Clark 

Joseph C. Coakley 

Robin C. Oppmann 

David E. Davis 

Lois Joan Davis 

Helen DeGulis 

Ann T. Lawrence 

Mr. and Mrs. 

Charles B. Lyon 

Cathryn Mecaskey 

Edith and Bill Taft 


C. Woodcock 


Dickey 


Stewart McKnight 

Katherine Firestone 

Gloria W. Resnick 

Nicholas Frankovits 

Paulette Archer 

David L. Chrencik 

Norma Codispoti 

Barbara A. Cole 

The Ebner Family 

Mr. and Mrs. 

William D. Evans 

Mr. and Mrs. 

Thomas G. Gibbons 

Sandra K. Johnson 

Mr. and Mrs. 

Robert Lawrence 


A. Libens 

Mr. and Mrs. 

Patrick C. McCoy 


D. Nicholson 


F. Norris 

James G. Parks 

Mr. and Mrs. Glenn 

L. Prokesh 

Mary T. Razinger 


Schuenemann 

Gregg and Meg 

Searle 

Mr. and Mrs. 

William A. Victory 

Mr. and Mrs. Larry 

R. Zeglin 

Hy Friedman 

Mr. and Mrs. Rhen 

Avner 

Shirley Krassen 

Gregory 

Kronheims 

Furniture, Inc. 

Jane Hammond 

Gail Newman 

Emily Juergens 

(Feline) 

Pamela J. Juergens 

Ruth Therese Julien 


T. Avery 

Lester A. Ballard Jr., 

M.D. 

Mr. and Mrs. 

Robert J. Gunton 

Dr. and Mrs. 

Shattuck Wellman 

Hartwell Jr. 

Richard R. 

Hollington Jr. 

Nancy and Ed 

Jeffery 

Carolyn MacLaren 

David S. MacLaren 

Suzanne MacLaren 

Marra/Majestic Joint 

Venture 

Rita and Richard 

Moore 

Dr. and Mrs. Clyde 

L. Nash Jr. 


Dr. and Mrs. 

Gottfried K. Spring 

Edith and Bill Taft 

Betty Toguchi 

JoAn Vernon 



Nancy L. C. Webb 

Abigail M. Keiter 

Richard A. Keiter 

73

Marika Levas 

Ted and Irene 

Theodore 

Grace A. Matyjas 

Anita R. Brindza 

Lenore K. 

McClelland 

Ann B. Abid 

Dr. and Mrs. 

Bernard Boxerbaum 

Louise and Ruth 

Bueschlen 

Dr. and Mrs. Arthur 

E. Burns 

Cleveland Heights 

Office of Aging: 

Linda Katz, Carolyn 

Brooks, Carol Rich, 

Lynn Barry 

Georgia T. Garner 


L. Katz 

Josephine B. 

McClelland 

Mrs. Harvey E. 

Neville 

Carol and Jim Rich 

Thomas C. 

Rohweder, M.D. 

Barbara S. Smeltz 

L. T. Young 

Helen M. Nash 

Lucia S. Nash 

Anne B. Ott-Hansen 

Betsy and Bob 

Flaherty 

Friends of Anne 

Buckley Ott-Hansen 


Moses Pearl 

The Giomuso 

Family 

Marion Treon Pfouts 

Peter Pfouts 

Margaret 

Cunningham Proctor 

Anonymous 

Dr. Larry J. B. 

Robinson 

Susan Jaros 


C. Morley 

Dr. and Mrs. 

Howard J. Tucker 

74 

Jack Roth 

Sherri Appleton and 

Marty, Sam, and 

Lydia Resnick 

Eleanor A. Smith 

Lucia S. Nash 

Janice Smuda 

Pamela Slater 

Lois S. Sogg 

Madge C. Abrams 

Mrs. Kenneth J. 

Baker 

The Edelsberg 

Family 

Mr. and Mrs. A. B. 

Glickman 


P. Handke Jr. 

Mr. and Mrs. 

Thomas E. Hutch Jr. 

Elizabeth C. 

Stevenson 

Elizabeth Stevenson 

Armandroff 

Charles J. Vajda 

Mr. and Mrs. 

Edward A. Kilroy Jr. 

Jack Waszak 

Edgewater 

Homeowners 

Association 

Irene Jaskowski 

Mr. and Mrs. 

Robert S. Krusoe 

Mrs. Anthony Latina 

and Family 

MESA Project 

Team 

Mr. and Mrs. 

Thomas H. Metzger 

Sr. 

Sabau Furs, Inc. 


Waszak 

Mrs. Jack Waszak 

and Family 

Matthew and 

Rachel Waszak 

Winnie 

Lucia Jezior 

Donors to Ingalls 

Library 

Individuals 

Ann B. Abid 

Henry Adams 

Louis V. Adrean 

Theodore Alfred 

Paul Arnold 

Cary Bluhm 

Ken Boha© 

Elze Bruyninx 

Cathleen Chaffee 

Bruce Christman 

William Conger 

Michael & Carin 

Cunningham 

Stan Czuma 

Jeanne Dunning 

Lloyd Ellis 


Stephen Fliegel 

Carter Foster 

Christine Gaffney 

Frances Gale 

Peggy Prieur Genestie 

Harlan Givelber 

Jeffrey Grove 

Agnes Gund 

Luise Hanold 

Henry Hawley 

David Hayes 

Lloyd Henriksen 

William R. Humm 

John Hunter 

Alyce Jarr 

Nobuko Kajitani 

William Kennedy 

Justin Knowles 

Lewis Koch 

Ellen Landau 


Nathalie Lemoine- 

Bouchard 

Ann T. Lurie 

Nancy McAfee 

Jeff Mermelstein 

Charles J. Meyer 

Ruth A. Nebehay 

Don R. Norenberg 

Julian Opie 

Sara Jane Pearman 

Constantine Petridis 

N. Pümpel 

William Roberts 

Barbara Roux 

Adrian L. Scott 


Mitch Sotka 

David Stephenson 

Bill Toth 

D. G. Tsaousis 

Luis Llobet Tur 

Ian van Coller 


and Martin K. Webb 

Peggy Wardin 

Institutions and 

Organizations 

Abigail Furey 

Access to the Arts 

Acme Fine Art and 

Design 

Acquavella 

Alan Cristea Gallery 

Albert Amor Ltd. 

Alexander and Bonin 

Alexandre Gallery 

Alfonso Dipinti 

Antichi 

Allan Stone Gallery 

Altomani & Sons 

Amarillo Museum 


Americans for the 


Ameringer Yohe 

Fine Art 

Annely Juda Fine Art 

Annex Galleries 

Artemis Greenberg 

Van Doren Gallery 

Atelier R&R 

Avon Lake Public 

Library 

Axel Raben Gallery 

Babcock Galleries 

Baruch College 

Gallery 

Beadleston Gallery 

Bellas Artes 

Ben Janssens 

Oriental Art 

Bentley Gallery 

Bernarducci Meisel 

Gallery 

Bernice Steinbaum 

Gallery 

Berry-Hill Galleries 

ARpp48-81.p65 74 

6/1/2004, 11:58 PM 

Blue Sky, Oregon 

Center for the Arts 

Inc. 

Bluett & Sons 

Blumarts Inc. 

Brent Sikkema 

Brian Haughton 

Antiques 

Bruce Silverstein 

Gallery 

The Burlington 

Magazine 

Publications Limited 

C G Boerner 

Campbell Fine Art 

Carlton Rochell Ltd. 

Carosso, LLC 

Fine Arts 

The Center for 

Book Arts 

Center for 

Documentary Studies 

at Duke University 

Centro Di 

Charles Janoray, LLC 

Cheim & Read 

Chemical Heritage 

Foundation 

Childs Gallery 

Chinese Porcelain 

Company 

Christopher Grimes 

Gallery 

Cleveland State 

University Library 

Conner 


Conner/Rosenkranz 

Consulate General of 

Switzerland 

Council on Library 

and Information 

Resources 

Cristinerose, Josee 

Bienvenu Gallery 

D C Moore Gallery 

D. K. Agencies (P) 

Ltd. 

Dai Ichi Arts, Ltd. 

Daniel Katz Ltd. 

Daniel Malingue 

Gallery 

David Findlay Jr. 


David Koetser Gallery 

Davis & Langdale 

Company, Inc. 

De Pury & 

Luxembourg 

Dickinson Roundell 

Inc. 

Didier Aaron Inc. 

Donald Ellis Gallery 

Doris Weiner Gallery 

Dorsky Gallery 

Dover Street Gallery 

Dunn and Brown 

Contemporary 

Elizabeth Harris 

Gallery 

English Ceramic 

Circle 

Eskenazi Ltd. 

The Fabric Workshop 

and Museum 

Federal Reserve 

Board 

Feigen Contemporary 

The Fine Art Society 

PLC 

Fine Arts Society Ltd. 

Fine Arts Trader 

Finnish American 

Monument 

Committee 

Firelands Association 

of the Visual Arts 

First Street Gallery 

Florida Craftsmen, 

Inc. 

Fondation Angladon- 

Dubrujeaud 

Fondation Beyeler 

Fondation Pierre 

Gianadda 

Forum Gallery 

Frumkin/Duval 

Gallery 

Galerie Baudoin 

Lebon 

Galerie Berinson 

Galerie Berthet 

Aittouarès 

Galerie Beyeler 

Galerie Brusberg 

Berlin 

Galerie Eric Coatalem 

Galerie Henze & 

Ketterer 

Galerie Iris Wazzau 

Galerie Kamel 

Mennour 

Galerie Laurencin 

Galerie Maurice 

Garnier

Galerie Roxane 

Rodriguez 

Galerie Schmit 

Galerie Vidal-Saint 

Phalle 

Galerija Bozidar Jakac 

Gallerie Kornfeld 

Bern 

Gallerie Kurt 

Meissner 

Gallery Schlesinger 

Garton & Co. 

Gary Snyder Fine Art 

George Gund 

Foundation 

Gisèle Croës 

Goedhuis 

Contemporary 

Guarisco Gallery Ltd. 

H. Blairman & Sons 

Habatat Galleries 

Hackett Freedman 

Gallery 

Haim Chanin Fine 


Harlan & Weaver 

The Haworth Press 

Inc. 

Haystack Mountain 

School of Crafts 

Helen Drutt 

Helly Nahmad 

Gallery 

Hilmar M. Klemke 

Kunsthandel oHG 

Hirschl & Adler 

Galleries 

Hirschl & Adler 

Modern 

Hirschl 


Hollis Taggart 

Galleries 

Howard Greenberg 

Gallery 

Hungarian University 

of Craft and Design 

Hyatt Foundation 

In Camera 

Inman Gallery 

Institute of East and 

West Studies 

International House 

of Japan 

International 

Research Center for 

Japanese Studies 

J. J. Lally & Co. 

Jadite Gallery 

James Hyman Fine 

Art LTD 

Jan Johnson 

Janos Gat Gallery 

Jean-Luc Baroni Ltd. 

John Berggruen 

Gallery 

John Pence Gallery 

June Kelly Gallery 

Kang Collection 

Kate de Rothschild 

Keimyung University, 

College of Fine Arts 

Klaber & Klaber 

Klotz/Sirmon Gallery 

Knoedler & Co. 

Koichi Yanagi 

Oriental Fine Arts 

Korea Foundation 

Korean Cultural 

Service 

Kouros Gallery 

Kreisberg Group 

LTD 

L. A. Louver 

LASALLE-SIA 

College of the Arts 

Lawrence Steigrad 

Fine Arts 

Leslie Hindman 

Gallery 

Librairie Erasmus 

Libreria Antiquaria 

Pregliasco 

Locks Gallery 

Louis K. Meisel 

Gallery 

Lowell Libson Ltd. 

Maison de la Culture 

du Japon à Paris 

Mallett and Son Ltd. 

Marlborough Chelsea 

Marlborough Fine 

Art (London) Ltd. 

Marlborough Gallery 

Marlborough 

Graphics Ltd. 

Marsha Mateyka 

Gallery 

Martin Sosin- 

Stratton-Petit 

Foundation 

Matthew Marks 

Gallery 

Matthiesen Fine Art 

Ltd. 

Mattress Factory 

Max Protetch 

McKee Gallery 

Michael Rosenfeld 

Gallery 

Milne Henderson 

Fine Art Ltd 

Ministero per i Beni 

e le Attivita Culturali 

Mita Arts Co., Ltd. 

Mitchell-Innes & 

Nash 

Musée de la Mode et 

du Textile 

Museum of Islamic 


Nancy Hoffman 

Gallery 

National Gallery of 

Australia 

National Institute of 

Informatics 

National Museum 

Directors’ Conference 

Neuberger Berman 

Neuhoff Gallery, Inc. 

Nevill Keating 

Pictures Ltd. 

Newcomb Art 

Gallery 

Nielsen Gallery 

Nohra Haime Gallery 

Noortman Master 

Paintings 

O’Hara Gallery 

P & D Colnaghi 

Pace Gallery 

Pace/MacGill Gallery 

Chelsea 

PaceWildenstein— 

Downtown 

PaceWildenstein II 

Painting Center 

Panmun Book 

Company 

Partridge Fine Arts 

PLC 

Paul Kasmin Gallery 

Paul M. Hertzmann, 

Inc. 

Peter Nahum at The 

Leicester Galleries 

Pierce Galleries, Inc. 

Powerhouse Books 

Prelle & Cie 

Progressive 

Corporation 

Pulitzer Foundation 

for the Arts 

Pureland Learning 

College 

Questroyal Fine Arts, 

LLC 

R. E. Lewis & 

Daughter 

R. S. Johnson 


Research Center for 

Music Iconography 

Ricco Maresca 

Gallery 

Richard Gray Gallery 

Richard Green 

Gallery 

Richard York Gallery 

Riva Gallery 

Riva Yares Gallery 

River Pierce 

Foundation 

Roger Keverne 

Rubin Museum 


S. Mehringer 

Sadie Coles HQ 

SALALM, Inc. 

Salamon & Co. 

Salander-O’Reilly 

Galleries, Inc. 

Scarlet Tanager 

Books 

Sebastian Izzard LLC 

Seraphin Gallery 

Serge Plantureux 

Shepherd & Derom 

Galleries 

Shirley Day 

Siloe Arte y Bibliofilia 

Skeptics Society 

Soho 20 Chelsea 

Gallery 

Spanierman Gallery, 

LLC 

Stephen Daiter 

Gallery 

Susan Schulman, 

Printseller 

Syndicat National des 

Antiquaires 

Thomas Ammann 

Fine Art AG Zurich 

Thomas Gibson Fine 

Art Ltd. 

Thomas Le Claire 

Kunsthandel 

ARpp48-81.p65 75 

6/1/2004, 11:58 PM 

Thomas McCormick 

Gallery 

Tibor de Nagy 

Gallery 

Tony Shafrazi Gallery 

Touching Stone 

Gallery 

Ubu Gallery 

Understanding Islam 

Foundation 

University of Arizona 


University of 

Wisconsin-Madison 

Vance Jordan Fine 

Art Inc. 

Voralberger 

Landesmuseum 

W. B. Brady & Co., 

Inc. 

Waddington Galleries 

Walter Wickiser 

Gallery 

Weisbrod Chinese 

Art Ltd. 

World Ceramic 

Exposition 

Foundation 

Yankee Book 

Peddler, Inc. 

Yoseido Gallery 

75

Affiliated 

Organizations 

76 

The Contemporary 

Art Society 


Robert H. Jackson, 

President 

Barbara S. Robinson, 


Helen Moss, 

Treasurer 

Dian Disantis, 

Secretary 

Albert Albano 

Robert Bostwick 

Brenda Brown 

Nancy Casper 

Rosalie Cohen 

Sanford Fox 

Peter Galvin 

Harriet Goldberg 

Gerald Herschman 

Robert Kiwi 

Dennis Sobol 

Friends of African 

and African- 

American Art 

Montrie Rucker 

Adams 

Karen Ashby, M.D. 

Willia Ashe 

Angela Beasley- 

Fielding 

Carol Becker 

Dawn Bell 

Marcia Bliss 

Margo Bohanon 

Christine Branche 

Carole Brown 

Conella Coulter 

Brown 

Dorothea Brown 

Leon Brown 

Terri Hamilton 

Brown 

Charles Burkett 

Debra Cameron 

Denise Cameron 

Racquel Chatmon 

Wilma Combs 

Gwendolyn Cooke 

Kevin Cronin 

Norma Dansby 

Darrell Fields 


Carolyn Gordon 

James Greene 

Adrian Hewston 

George Holt 

Amy Ruth Isaacs 

Peggy James 

Robert James 

Georginna Kates 

Clayton Koppes 

Carol Lasser 

Genevieve Long 

Annette Lowe 

Mary Shauntee 

Madison 

Franklin Martin 

Lolita McDavid 

Marilyn McDonald 

Lloyd McHamm 

Sharon Milligan 

A. Grace Lee Mims 

Steven Minter 

Merlyn Newland 

Njeri Nuru-Holm 

Edward Parker 

Constantine Petridis 

Peggie Price 

Donna Moore 

Ramsey 

Katharine Lee Reid 

Georgenna Riley 

Cynthia Samples 

Eleanor Forbes 

Shelton 

Lawrence Simpson 

Steven Sims 

Gayle Goodwin Smith 

France S. Taft 

Hilary Taylor 

Pepper Taylor 

Andrew Venable Jr. 

Sara Wallace 

Janet Wilkerson 

Aubrey Willacy 

Hazel Willacy 

Joanne Yarbrough 

ARpp48-81.p65 76 

6/1/2004, 11:58 PM 

Friends of 

Photography 


Mark Schwartz, 

President 

Charles King, 


Bob Herbst, Treasurer 

Eli Becker, Secretary 

Herb Ascherman 

Laura Bidwell 

Abbie Klein 

Bill Lipscomb 

Robert Mosher 

David Moyar 

Garie Waltzer 

Tom Hinson, 


Musart Society 


Carolyn F. Wipper, 

President 

A. Chace Anderson, 

Treasurer 

James Dickinson, 

Esq., Secretary 

Virginia Benade 

Shattuck W. Hartwell 

Jr., Advisory Trustee 

Samuel E. Henes 

Walter Holtkamp 


McCoy 

Toni S. Miller 

Rev. David A. Novak 

Karel Paukert 

Thomas F. Peterson Jr. 


Rankin, Advisory 

Trustee 

Dr. A. Benedict 

Schneider 

Robert Schneider 

Beverly Simmons 

Charles H. Teare 

The Painting and 

Drawing Society 

Governing Board 

Katherine H. Bolton, 

President 

Sally Henkel, 


Carol Michel, 

Secretary 

Don Barney, Treasurer 

Doug Barr, Treasurer 

Ann Ames 


Joseph Keithley 

Peta Moskowitz 


Maggy Woodcock 




Harriet Gould, 

President 

Carol Bosley, 


Meg Collings, 

Secretary 

Henry Ott-Hansen, 

Treasurer 

Richard Cowan 

Mary Dyke 

Phyllis Gary 

Robert Getscher 

Jane Glaubinger 

Donald Jack 

William Martin Jean 

Lisa Kimmel 

Irving Kushner 

Anne Landefeld 

M. Neal Rains 

Cathy Randall 

Joseph Russell 

Larry Santon 

Judy Sogg 

Mary Lane Sullivan 

JoAn Vernon 

Allie Wallace 

Lois Weiss 

Trudy Wiesenberger 

+ deceased

Textile Art Alliance 


Ann Plevin 

Rosenbluth, President 

Sharon Markovic, 


Kathleen Totter, 


Louise W. Mackie, 

Treasurer 

Sharon Bell, Assistant 

Treasurer 

Lana Lowenkamp, 

Recording Secretary 

Jan Burgwinkle, 

Corresponding 

Secretary 

Charlotte Ballas 

Betsy Bruce 

Jamie Fish 

Judy Smith 

The Trideca Society 


Tim Homan, 

President 

Cindy Marx, 


Barry Bradley, 

Treasurer 

Ralph Drake, 

Secretary 

Mark Bassett 

Joanne Calkins 

Helene Love 

Stephen Ockner 

Judith Simon 

Young Friends 

Board of Directors 

David Gottesman, 

President 

Katherine Agle, 


Lauren Wagner 

Schmidt, Secretary 

Carter Edman 

Deborah Koerwitz 

Robyn Pretzloff 

Clifford Wire 

Convening the 

Community 

Advisory Council 

Anita Brindza, 

Executive Director, 

Cudell Improvement, 

Inc., Co-Chair 

Adrienne L. Jones, 

Trustee, Co-Chair 

Mary Bounds, 

Commander, 

Cleveland Police 

Department 

Christina M. Bruch, 

Outreach and 

Retention 

Coordinator, 

Cuyahoga 


Joseph A. Calabrese, 

General Manager & 

CEO, RTA 

Jeri Chaikin, 

Chief Administrative 

Officer, City of 

Shaker Heights 

James Cody, 

Councilman, City of 

Bedford Heights 

Kevin Conwell, 



Margot James 

Copeland, Executive 

Vice President, 

Civic Affairs and 

Corp. Diversity, 

Key Corporation 

Deborah Daberko 

Salvador Gonzalez, 

Manager, Protection 

Services, The 

Cleveland Museum 


Kathryn M. Hall, 

District Director III, 

Cuyahoga 


Jazz Mandair 

Franklin Martin, 

President, The F 

Martin Company 

Kathleen O’Brien, 

Director of Education 

Services, Diocese of 


Sabra Pierce-Scott, 

Councilwoman, City 

of Cleveland 

Greg Reese, Director, 

East Cleveland Public 

Library 

Donna S. Reid, 

Trustee 

Mary Santiago 

Emmett Saunders 

Karon Shaiva 

Janus Small, 

President, Janus Small 

Associates 

Andrew Venable, 

Director, Cleveland 

Public Library 

Loran Wisham, Chief 

of Public Affairs, 

Cleveland City Hall 

Martin Zanotti, 

Mayor, City of Parma 

Heights 

Matt Zone, 



The Sensuous 

and the Sacred: 

Chola Bronzes from 

South India 

Exhibition Advisory 

Committee 

R. Balu 

Guru Bhandari 

Paul Bouley 

Dr. Sunil Chand 

Ronajit K. Datta 

Narinder Dhaliwal 

Pete Dobbins 

Kim Drachenberg 

Barbara Felt 

Maxeen Flower 

Amitava Guha 

Gita Guha 

Betsy Keck 

James McNamara 

Suzanne Moore 

Pat Ricci 

Megan Richards 

P. K. Saha 

Paramjit Singh 

Prakash Sinha 

Sujatha Srinivasan 

Mitsi Wagner 

Rita A. Walters 

Margaret Walton 

Dr. Norman 

Zaworski 

ARpp48-81.p65 77 

6/1/2004, 11:58 PM 

Summer Evenings, 

with a museum full of 

activities and free 

music in the outdoor 

courtyard, has become 

a favorite way to pass 

Wednesday and Friday 

evenings all summer 

long. 

77

Museum Associates 

Dennis Barrie and 

Kathleen H. Coakley 


and Rev. Patricia H. 

Beeman 


Blaser 

Mr. and Mrs. Darnell 

Brown 

Scott Chaikin and 

Mary Beth Cooper 

Mr. and Mrs. 

Frederick W. Clarke 


H. Coquillette 

Mr. and Mrs. Peter J. 

Dobbins 


J. Dunn 

Mr. and Mrs. Tom 

Hallisy 


M. Jack Jr. 

Mr. and Mrs. Kurt 

Liljedahl 

Rev. Tracey Lind and 

Emily Ingalls 

Dr. and Mrs. Patrick 

M. McCarthy 


J. Moroscak 

Dr. and Mrs. Roland 

W. Moskowitz 

Peter Nagusky and 

Kate Hubben 

Mr. and Mrs. Lyman 

F. Narten 

78 


Payne 



D. Roman 

Mary Rosenberg 


Scaravilli 


L. Selman 


Z. Singer 


W. Sloan 

Mr. and Mrs. Brit 

Stenson 

Jack Stinedurf and 

Lori Locke 

Mr. and Mrs. Chuck 

Sweeney 


W. Taft 


Dr. Steven Ward and 

Dr. Barbara Brown 


R. Weil 

John Michael Zayac 

and Dr. Marie Simon 




Janet Coquillette, 

Chairman 

Sabrina Inkley, First 

Vice Chairman 

Diane Stupay, Second 

Vice Chairman 

Mary Ann 

Katzenmeyer, Third 

Vice Chairman 

Carolyn Batcheller, 

Corresponding 

Secretary 

Dorie Farley, Assistant 

Corresponding 

Secretary 

Cathy Randall, 

Recording Secretary 

Carolyn Shanklin, 

Assistant Recording 

Secretary 

Christy Bittenbender, 

Treasurer 

Linda Turner, 

Assistant Treasurer 

Margie Moskovitz 

and Linda Friedman, 

Advocacy 

June Antoine, 

Archivist 

Kate Stenson and 

Ryn Clarke, Benefit 

Dosie Rymond and 

Edith Taft, 

Community Arts 

Hannah Weil, Circle 

Development 

Rooney Moy and 

JoAnne Lake, 

Database and Roster 

Jean Bingay, Docents 

Christine Norman 

and Emily Mueller, 

Flower Fund 

Donna Walsh and 

Elaine Gross, 

Hospitality 

Sabrina Inkley and 

Betsy Hegyes, 

Information Desk 

Josie Anderson and 

Marianne Bernadotte, 

Lecture Series 

Marjorie Bell Sachs, 

Membership 

Department Liaison 

Linda McGinty and 

Jennifer Langston, 

Museum Ambassadors 

Louinia Mae 

Whittlesey and Joan 

Fountain, New 

Members 

Rosemary Deioma 

and Linda McGinty, 

Newsletter 

Judy Bourne and 

Bobbie Carr, 

Nominating 

Mary Trevor and 

Margaret Wilson, 

Orientation/ 

Provisionals 

Sue Spring, 

Photographer 

Dinny Bell, Prints and 

Drawings Department 

Liaison 

Cathy Randall and 

Lorelei Stein-Sapir, 

Product Development 

Kate Stenson and 

Mary Anne Liljedahl, 

Programs 

Melinda Holmes, 

Ready Volunteers 

Catherine Miller and 

Jane Thomas, Special 

Decorations 

Ann Hunter and 

Lynn Quintrell, Study 

Groups 

Lois Bialosky and 

Nancy Goldberg, 

Trips 

Helen Cherry, 


History 

Gail Schlang, Youth 

Initiatives 

Diane DeBevec, 

Museum Liaison 

ARpp48-81.p65 78 

6/1/2004, 11:58 PM 

Docent Association 

Officers and Council 

Members 

Robin Ritz, President 

Pete Dobbins and 

Kate Stenson, Vice- 

Presidents 

Mary Anne Liljedahl 

and Patricia Markey, 

Recording Secretaries 

Erva Barton, 

Corresponding 

Secretary 

Linda Friedman, 

Treasurer 

Anne Berk and Mary 

McClung, Class of 

2000 Representatives 

Nancy Mino and Sue 

Schloss, Class of 2002 

Representatives 

Docent Corps 

Stephen Badman 

Erva Barton 

Sharon Bell 

Anne Berk 

Arlene Bialic 

Jean Bingay 

Jane Bondi 

Karen Bourquin 

Joann Broadbooks 

Claire Brugnoletti 

Gail Calfee 

Kimberly Chapman 

Mary Ann Clymer 

Marie Dellas 

Beth Desberg 

Susan Deutsch 

Pete Dobbins 

Erwin Edelman 

Joan Fletcher 

Caroline Folkman 

Anne Frank 

Mary Kate Fredriksen 

Linda Friedman 

Gail Garon 

Lowell Good 

Kermit Greeneisen 

Marsha Gross 

Joyce Hackbarth 

Karen Hahn 

Maya Hercbergs 

Jay Jackson 

Gwendolyn Johnson 

Pamela Juergens 

Joan Kohn 

Joann Lafferty 


Sandra Littman 

Diane Maher 

Patricia Markey 

Maguy Mavissakalian 

George McCann 

Mary McClung 

Dorothy McIntyre 

Mary Merkel 

Nancy Mino 

William Ott 

Anne Owens 

Robin Ritz 

Catherine Rose 

Lourdes Sanchez 

Sue Schloss 

Sally Schwartz 

Patricia Simpfendorfer 

Peggy Sloan 

Sabrina Spangler 

Jackie Spieler 

Kate Stenson 

Mary Ann Stepka- 

Warner 

Kathy Vilas 

Ann Walling 

Margaret Walton

Connie Abbey 

Anne Adamson 

Carolyn Adelstein 

Catherine Alfred 

Sarah Alhaddad 

Sawsan Alhaddad 

Anne Ames 

Bill Anderson 

Josie Anderson 

Lorraine Anderson 

Scott Anderson 

Carolyn Anthony 

June Antoine 

Debbie Apple-Presser 

Carol Arnold 

Don Arnold 

Patricia Ashton 

Ann Austin 

Stephen Badman 

Margot Baldwin 

Erva Barton 

Catherine Bartzis 

Gerry Bastaich 

Carolyn Batcheller 

Tricia Beeman 

Betsey Bell 

Dinny Bell 

Sharon Bell 

Emma Benning 

Jacqueline Berger 

Anne Berk 

Marianne Bernadotte 

Arlene Bialic 

Lois Bialosky 

Margie Biggar 

Joanne Billiar 

Jean Bingay 

Ellen Bishko 

Christy Bittenbender 

Mary Bittenbender 

Christina Black 

Dorothy Blaha 

Joanne Blazek 

Gert Bleisch 

Flora Blumenthal 

Jane Bondi 

Loretta Borstein 

Judy Bourne 

Karen Bourquin 

Doris Boxerbaum 

Ruth Boza 

Kevaly Bozes 

Volunteers Mary Ann Brennan 

Amanda Brewton 

Joann Broadbooks 

Ann Brown 

Lesley Brown 

Mebby Brown 

Claire Brugnoletti 

Penny Brundege 

Rita Buchanan 

Linda Buchler 

Lynne Bufford 

Frances Buford 

Sally Burton 

Pat Butler 

Gail Calfee 

Jeremy Callahan 

Cassandra Caraffi 

Bonnie Carlson 

Bobbie Carr 

JoAnn Carr 

Dana Carson 

“CWRU Freshman 

Day of Service” 

Volunteers 

Vicki Catozza 

Ryan Chamberlin 

Karen Chaney 

Kimberly Chapman 

Helen Cherry 

Joseph and Karen 

Chinnici 

Susan Choma 

Nancy Cimballa 

Ryn Clarke 

Lou Clay 

Phyllis Cleary 

Sue Clegg 

Mary Ann Clymer 

Shirley Cohen 

Meg Collings 

Esther Collins 

Marty Conway 

Hallie Cook 

Cooperative 

Resources Services 

Volunteers 

Patricia Coppedge 

Janet Coquillette 

Maddy Coquillette 

Inez Corrado 

Rachel Costanzo 

Mary Kay Covington 

Joanne Cowan 

Eloise A. Coxe 

Judy Crawford 

Lois Crawford 

Al and Shirley 

Culbertson 

Margaret Cutter 

Faye D’Amore 

Susan Dahm 

Martha Dalton 

Ruth Dancyger 

Barbara Darragh 

Ranajit Datta 

Barbara Davis 

Lois Davis 

Frances DeBevec 

Maggie DeBevec 


Rosemary Deioma 

Marie Dellas 

Rett Dennis 

Sandy Dennis 

Ninna Denny 

Joellen DeOreo 

Beth Desberg 

Susan Deutsch 

Christine Dewees 

Diane Dick 

Over three days in 

November, artist 

Martin Kline (featured 

in Drawing Modern) 

created a large 

drawing in the lobby. + deceased 

ARpp48-81.p65 79 

6/1/2004, 11:58 PM 

Frances Dickenson 

Pete Dobbins 

Ann Dobelstein 

Patricia Dolak 

Eleanor Donley 

Kay Donovan 

Nancy Doris 

Betty Downie 

Molly Downing 

Jeffrey Doyne 

Katherine Drews 

Valerie Drews 

Mary Dyke 

Michele Eagan 

Linda Easton 

Erwin Edelman 

Betsy Eells 

Alice Eilers 

Ellen Eisenberg 

Dorothy Elliott 

Andrea Ellis 

Alan and Marian 

Englander 

Mary Louise Falkner 

Jack Farkas 

Dorie Farley 

Bonnie Femec 

Andrew Findley 

Ronald and Jamie 

Fish 

Ruth Fisher 

Joan Fitchet 

Joan Fletcher 

Marcia Floyd 

Marianne Foley 

Mary Lou Foley 

Caroline Folkman 

Joan Fountain 

Anne Frank 

Barbara Franklin 

Mary Kate Fredriksen 

Leonard and Susan 

Freed 

Ann Friedman 

Linda Friedman 

Jennifer Fuehrer 

Jean Gaede 

Frannie Gale 

Barbara Galvin 

Mary Gardner 

Gail Garon 

Alicia Hudson Garr 

79

Cool Fridays brought 

music and 

refreshments to the 

interior garden court 

on Friday evenings. 

80 

Marge Garrett 

Jenna Garron 

Robert Getscher 

Anne Ginn 

Ronald and Carol 

Godes 

Nancy Goldberg 

Lowell Good 

Harriet Gould 

Fran Grambo 

Jean Graves 

Kermit and Ann 

Greeneisen 

Wendy Grew 

Carolyn Griffen 

Elaine Gross 

Marsha Gross 

Graham Grund 

Lois Guren 

David Gutter 

Joyce Hackbarth 

Karen Hahn 

Haidi Haiss 

Nola Haiss 

Maryellen Hammer 

Katie Harbage 

Roberta Hardacre 

Thomas Harder 

Margit Harris 

Bill Hartshorn 

Ellen Heberton 

Betsy Hegyes 

Lee Heinen 

Paul Heller 

Bettyann Helms 

Maya Hercbergs 

Pauline Hermann 

Martha Hickox 

Corinne Hill 

Rob and Dale Hilton 

Robin Hitchcock 

Kate Hoffmeyer 

Melinda Holmes 

Jann Holzman 

Carolyn Horn 

Denise Huck 

Ann Hunter 

Sabrina Inkley 

Vicki Isphording 

Donald Jack 

Marta Jack 

James Jackson 

Laurie Jacobs 

Lizzie Jacobs 

Bertha Jaffee 

Lucia Jezior 

Gwendolyn Johnson 

Andrea Joki 

Lawrence Jones 

Amelia Joynes 

Pamela Juergens 

Ann Kahn 

Carolyn Karch 

Donna Kasunic 

Barbara Kathman 

Daniel Katz 

Deanna Katz 

Dudley and Blanche 

Katz 

Mary Ann 

Katzenmeyer 

Patricia Kelley 

Linda Kendall 

Jane Kern 

Key Bank Volunteers 

Evelyn Kiefer 

Nancy Kiefer 

Anne Kilroy 

Ronald Knight Jr. 

Lois Koeckert 

Joan Kohn 

Phyllis Koons 

Elaine Koskie 

Lori Kozlowski 

Universe Krist 

Elyse Krumholz 

Mina Kulber 

Peggy Kundtz 

Julie Kurtock 

Sally Lacombe 

Joann Lafferty 

Karen LaFond 

JoAnne Lake 

Barbara Langlotz 

Jennifer Langston 

Denise Latarski 

Bonnie Lau 

Nancy Lavelle 

Alice Lefkowich 

Ginny Leonard 

Karen Levinsky 


Valerie Linson 

Sandra Littman 

Isabelle Lobe 

Ingrid Loebel 

Nan Lowerre 

Ingrid Luders 

Idarose Luntz 

Peg MacNaughton 

Lorrie Magid 

Diane Maher 

Carole Majewski 

Pamela Maloney 

Marvin Mandel 

Ashley Mann 

Janet Maranciak 

ARpp48-81.p65 80 

6/1/2004, 11:58 PM 

Teri Markel 

Marina Markelov 

Patricia Markey 

Laura Marshall 

Barbara Martien 

Julia Martin 

Ronald Mason 

Stacey Mason 

Shannon Masterson 

Maguy Mavissakalian 

Mary Kay Maxson 

George McCann 

Peggy McCann 

Michelle McCarthy 

Louis McCaskill 

Lenore McClelland 

Mary McClung 

Eveline McElroy 

Linda McGinty 

Patricia McIlraith 

Jacklynn McKenney 

Judith McMillan 

Cathy Mecaskey 

Mary Merkel 

Lorna Mierke 

Betty Miller 

Catherine Miller 

Nancy Mino 

Dolly Minter 

Rita Moore 

Marie Morelli 

Caroline Morgan 

June Morgan 

Florence Moritz 

Andrea Morris 

Anthony Morris 

Betsi Morris 

Helene Morse 

Margie Moskovitz 

Roonie Moy 

Mary Jo Mudgett 

Emily Mueller 

Maureen Mullin 

Simin Naraghipour 

Elisabeth Narkin 

Janet Neary 

Elise Newman 

Gail Newman 

Nancy Newman 

Bern Nineteenofive 

Christine Norman 

June Nosan 

Cristina Novoa 

Alyce Nunn 

Lisa O’Brien 

Sue O’Reilly 

Kimberly Oas 

Helen Orton 

William Ott 

Barb Ottinger 

Anne Owens 

Denese Pappas 

Helen Parker 

Rita Pearlman 

Ethel Pearson 

Bill and Peg Petrovic 

Nina Pettersson 

Emily Phillips 

Carole Phipps 

Susan Pim 

Margaret Plumpton 

Elinor Polster 

Frances Polster 

Melissa Porcelli 

Fran Porter 

Mary Porter 

Charlene Powers 

Elizabeth Powers

Dominique Prout 

Joan Query 

Ella Quintrell 

Lynn Quintrell 

Myra Rachow 

Gavin Raker 

Cathy Randall 

Seema Rao 

Adrienne Rasmus 

Ginger Ratcliffe 

Susie Rathbone 

Howard Reinmuth 

William Remec 

Shirley Ricketts 

Susan Rieger 

Robin Ritz 

Karman Rivera 

Krista Riveron 

Joan Roach 

Georgianna Roberts 

Kathy Rockman 

Monica Rogers 

Thomas Rohweder 

Vivian Rokfalusi 

Catherine Rose 

Carole Rosenblatt 

Phyllis Ross 

Mary Rossi 

Betty Ruben 

Gene Rucker 

Sandra Rueb 

Monica Rust 

Mary Ryan 

Dosie Rymond 

Kaylie Rymond 

Aurelie Sabol 

Margie Sachs 

Marily Sampson 

Lourdes Sanchez 

Mitzi Sands 

Phyllis Saul 

Debbie Schechtman 

Gail Schlang 

Sue Schloss 

Laura Schmidt 

Nancy Schneider 

Dorothy Schnell 

Barbara Schreibman 

Sally Schwartz 

Nancy Seitz 

Marian Sells 

Delayne Shah 

Susan Shah 

Carolyn Shanklin 

Jane Shapard 

Marian Shaughnessy 

Elizabeth Shearer 

Dorothy Shrier 

Molly Silver 

Patricia 

Simpfendorfer 

Naomi Singer 

Marguerite Skorepa 

Adrienne Slane 

Margaret Sloan 

Barbara Smeltz 

Kathleen Smetana 

Chuck Smick 

Billie Smith 

Janice Smith 

Linda Smith- 

Richardson 

Becky Smythe 

Eleanor Snyder 

Judy Sogg 

Sabrina Spangler 

Diane Spelic 

Jackie Spieler 

Sue Spring 

Ruth Stahler 

Julie Stanger 

Rosemary Stanitz- 

Skove 

Don Stebbins 

Shirley Steigman 

Lorelei Stein-Sapir 

Saundra Stemen 

Kate Stenson 

Molly Stenson 

Mary Ann Stepka- 

Warner 

Ruthe Stone 

Diane Stupay 

Ericka Stutler 

Mary Lane Sullivan 

Mary Lou Sullivan 

Nancy Swizynski 

Edith Taft 

May Targett 

Sarah Taylor 

Jane Thomas 

Martha Thompson 

Julia Thornton 

Jean Thorrat 

Christine Tibaldi 

Ruth Toth 

Nina Traub 

Marty and Gail 

Trembly 

Mary Trevor 

Linda Turner 

JoAn Vernon+ 

Kathy Vilas 

Judy Vogt 

Annie Wainwright 

Ann Walling 

Jane Walls 

Donna Walsh 

Elaine Walton 

Margaret Walton 

Marie Walzer 

Winifred Watts 

Hannah Weil 

Lois Weiss 

Lisa Wells 

Michelle White 

Sandy White 

Lori Whittington 

Louinia Mae 

Whittlesey 

Ann Wieland 

Lori Wienke 

Eddy Williams Jr. 

Christina Wilson 

Joan Wilson 

Margaret Wilson 

Monica Wilson 

Myra Wilson 

Nancy Wolpe 

David Woods 

Beatrice Kay Wyse 

Dean Yoder 

Renate Zeissler 

Susan Ziegler 

Betty Zweig 

ARpp48-81.p65 81 

6/1/2004, 11:58 PM 

Interns 

Thomas Anderson 

Matthew Asti 

Ryan Ballard 

Kate Bandy 

Jill Battagline 

Sarah Beiderman 

Elise Birkmeier 

Meagan Bittman 

Noah Bodel 

Carolyn Boebinger 

Jorrit Britschgi 

Lenaia Burbank 

Matthew 

Charboneau 

Donna Choi 

Amy Cimini 

Gabrielle Collier 

Howard Crusey 

Lindsay DeCarlo 

Laura DeFranco 

Alex Dominey 

Justyna Drozdek 

Alicia East 

Carrie Edelstein 

Maria Efimova 

Krista Egger 

Andrew Findley 

Deborah Foise 

Anthony Fritzgerald 

Sayaka Fujioka 

Becky Goede 

Victor Gotinjan 

Mary Griffith 

David Gutter 

Vanessa 

Hagerbaumer 

Renee Hastick 

Brittany Henderson 

Todd Herman 

Genevieve Hill 

Erin Hollenbank 

Amy Horvat 

Whitney Jackson 

Emily Jendrek 

John Kelly 

Katie Kibler 

Jin Hyun Kim 

Julia Kipnis 

Laura Kleinhenz 

Gale Koritansky 

Meredith Lea 

Stanley Lemanski 

Samuel Lewis 

Christina Luka 

Darcy Mahler 

Martha McLaughlin 

Jill Mendenhall 

Dianna Metzler 

Tim Milligan 

John Misheff 

Cherie Morris- 

Shechter 

Katherine Moushey 

Elizabeth Mulligan 

Pari Naraghipour 

Annie Nasvytis 

Alexandra Nicholis 

Miriam Norris 

Amy Noss 

Julia Pankhurst 

Katharine Patrick 

Wei-chun Peng 

Leah Pentelnik 

Ian Petroni 

Anne Putnam 

Sarah Ray 

Taliesin Reid-Haugh 

Story Rhinehart 

Emily Roeder 

Melanie Roll 

Eddie Rosenbaum 

Jonathan Rosenthal 

Lisa Roth 

Thomas Saxe 

Diana Scovil 

Jillian Seaburn 

Michelle Shaland 

Gina Shelling 

Paul Simmons 

Larry Sowders 

Tammy Starzyk 

Kimberly Stevens 

Sarah Stilgenbauer 

Jessica Stork 

Deborah Streeter 

Megan Strobel 

Maisie Swanson 

Sarah Thacker 

Armine Thompson 

Elena Tomorowitz 

Michael Vielhaber 

Lisa Volpe 

Erika Walsh 

Anna Wolfson 

Dennis Wynne 

Katherine Young 

81

82 

Right and facing page: 

The Lantern Festival, 

which includes 

workshops where 

visitors can make their 

own lanterns to carry in 

an outdoor procession, 

has become a favorite 

element of the annual 

Holiday Circlefest every 

December. 

Education, Public 

Programs, and outreach 

Throughout the museum’s history, its presentations of visual art have 

been complemented not only by music and other temporal arts, but by 

educational offerings that help people better understand art and the 

cultures and individuals that create it. In recent years, these activities have 

grown increasingly diverse, reaching far beyond the museum walls into 

communities near and far. 

The museum’s persistence in establishing models for excellence and 

innovation were recognized throughout the year. In January the Musical 

Arts department received the ASCAP award for the most innovative programming 

nationally for the 2001 Aki New Music Series. In May, Curator 

of Musical Arts Karel Paukert received an honorary doctorate from the 

Cleveland Institute of Music. Two programs were nominated for Northern 

Ohio Live awards of achievement: Art and Management: What Can We 

ARpp82-100.p65 82 

6/2/2004, 12:02 AM

Learn from Each Other? (a collaboration with the Weatherhead School of 

Management at Case) and Jim Brown: All American, which featured appearances 

by football legend Jim Brown and celebrated filmmaker Spike Lee. 

Massoud Saidpour, artistic director for Performing Arts and Film, was the 

guest of Arts International to an art forum in Beirut and at the World 

Music Festival in Fez, Morocco. He also served on the NEA panel on 

Multidisciplinary Arts. Marjorie Williams, director of Education and Public 

Programs, represented the museum at the FRAME (French Regional 

American Museums Exchange) conference in Lyon, France that featured 

education issues confronting museums in France and the United States. 

More than 390,000 visitors attended events sponsored by the department 

of Education and Public Programs. Exhibition support programs 

featured international lecturers and artists as well as local talents. The 

Gilded Age: Treasures from the Smithsonian Museum of American Art inspired 

programs related to this era epitomized by Cleveland’s Millionaires’ Row. 

The story of American culture in the late 19th and early 20th century was 

told by programs such as Peace Will Be My Applause: The Soul of W. E. B. 

Dubois and lectures on immigration to Cleveland during the Gilded Age. 

Indian music and rituals sparked summer days during the exhibition 

The Sensuous and the Sacred: Chola Bronzes from South India. An Indian 

Family Festival showcased dancers, musicians, and artists from Cleveland’s 

Indian community to an audience of some 1,300. The festival, coorganized 

by the Shiva Vishnu Temple of Greater Cleveland, began with 

a puja, a Hindu ritual ceremony. In addition, more than 300 teachers attended 

workshops on Indian art and culture. Videya Dehejia of Columbia 

University provided a poetic introduction to the exhibition she curated. 

In the autumn, Cleveland audiences heard from artists and collectors 

who have helped shape public understanding of contemporary art. 

Complementing the exhibition Drawing Modern: Works from the Agnes 

Gund Collection, Agnes Gund and Frank Stella participated in a dialogue 

moderated by Jeffrey Grove. Artists William Kentridge and Judith 

Glantzman—both featured in Agnes Gund’s collection—each gave special 

lectures about their work. 

Intrinsic connections between art and music were celebrated throughout 

the year with a series of gallery talks, Art in Concert, presented before 

selected concerts. The Sound of Art series paired gallery talks and lute 

music of certain eras. 

The year also saw the reinstallation of the gallery of sub-Saharan 

African art. Visitor focus groups helped evaluate the gallery with the professional 

assistance of the Institute for Learning Innovations of Annapolis, 

Maryland. Interviews with visitors and focus groups consisting of families, 

teachers, and both museum members and non-members were conducted 

during the planning process and after the gallery reopened in October. 

ARpp82-100.p65 83 

6/2/2004, 12:02 AM 

83

Parade the Circle 

artistic director Robin 

VanLear “walks the 

walk.” 

84 

“Trace,” the opening 

ensemble for Parade 

the Circle 

Constantine Petridis, associate curator of African art, with Marianna 

Adams of the Institute for Learning Innovations and Education department 

staff members, embraced the process and refined ideas. Public programming 

celebrated the reopening of the gallery. Henry John Drewal of the 

University of Wisconsin in Madison presented the lecture Art Works: The 

Power and Presence of Yoruba Art. Amanda Carlson of the University of 

Hartford added to the programmatic fabric the talk Video and Culture: 

Focusing on the Arts of Ejagham and Eastern Nigeria. 

The Distance Learning program successfully launched its fee-based 

program this fall with the completion of an Ohio SchoolNet grant, which 

had been subsidizing the project. Reaching schools throughout Ohio and 

such other states as Illinois, Missouri, New Jersey, New York, Pennsylvania, 

Texas, Wisconsin, and Washington, the service now reaches a record 

audience of more than 18,000, making it the best-attended art museum 

distance learning program in the nation. Sessions are developed with classroom 

teachers so they address specific state learning standards. Technology 

and educational methodologies were integrated in innovative ways to 

inspire interactivity around the museum’s collection during 2003. Under 

a major grant of technology, training, and consultation services from the 

Cisco Learning Institute, the department, in conjunction with Information 

Technology, produced prototype “online” learning modules using 

Egyptian art for this proof of concept. Art to Go, an outreach program 

featuring themed suitcases of objects from the Education Art Collection, 

offers direct, hands-on learning to youth and adults in schools, libraries, 

churches, and community centers. During 2003, Art to Go served more 

than 5,000 youth and adults throughout the city. A collaboration with the 

Great Lakes Science Center’s exhibition China: 7000 Years of Discovery 

featured Chinese material from the education collection of 12,000 objects 

at this offsite venue. A major commitment to art education was seen in the 

ARpp82-100.p65 84 

6/2/2004, 12:02 AM

The “Midnight 

Robber” giant puppet 

strays off the parade 

route to engage the 

crowd. 

65 docents who volunteered more than 8,000 hours to teach more than 

31,000 youth, adults, and families. Docents are friends of the museum 

who give their time to undergo rigorous training in order to help visitors 

discover the world’s diverse artistic and cultural traditions. 

The Teacher Resource Center (TRC) provided services to approximately 

5,000 teachers (who collectively teach approximately 150,000 students) 

at 128 workshops that attracted participants from all over Ohio and 

adjacent states such as Pennsylvania. The TRC held off-site events as well 

in Toledo, Cleveland, and Minneapolis. Museum Art Classes provided 

studio arts education to more than 8,000 youth, 3 to 13 years of age. 

Family Programs attracted new audiences through collaborations with the 

Cleveland Metroparks Zoo and the Cleveland Botanical Garden during 

the summer. Special celebration days, such as Martin Luther King Jr. Day, 

showcased the museum’s diverse collections of Egyptian, African, and 

pre-Columbian art with storytelling, studio activities, and poetry readings. 

African drumming, dance, and special appearances by the Art Crew Bush 

Cow costumed performer greeted visitors numbering more than 1,400. 

Partnerships with the Cleveland Municipal School District strengthened 

during 2003, serving approximately 12,925 students in the museum 

and in classrooms. Thanks to the generosity of the Womens Council’s gift 

for bus transportation, 7,150 of these students toured the museum’s galleries 

at no cost to the schools. During 2003, the museum and Tremont 

Elementary School were awarded a partnership grant through the ICARE 

(Initiative for Cultural Arts in Education) program that features the 

museum’s collection of textiles. The grant provided funding for artist 

residencies, tours to the museum, Art to Go lessons at the school, and participation 

in the Parade the Circle Celebration. Over the year, the total 

attendance to all programs reached 450. Cleveland’s arts magnet schools— 

ARpp82-100.p65 85 

6/2/2004, 12:02 AM 

85

86 

Hands-on workshops 

are a part of many 

family activities at the 

museum. 

Newton D. Baker and the Cleveland School of the Arts—have special 

relationships with the museum. Last year, Cleveland School of the Arts 

students participated in the Parade the Circle Celebration and the summer 

theater camp in conjunction with the Great Lakes Theater Festival Institute 

at Hawken Upper School. The department’s multifaceted programs 

served 89 of the 120 schools in the Cleveland Municipal School District. 

Building relationships with individuals, community organizations, 

schools, and churches throughout northeast Ohio is an enduring commitment 

for the museum. Community outreach events include appearances 

by Parade the Circle’s giant puppets at large-scale community events such 

as Boo at the Zoo, Playhouse Square Foundation Centerfest, the Glenville 

Festival, and the Puerto Rican Parade, as well as Nia Coffeehouse evenings 

that feature jazz and poetry readings and inspire collaborations with 

the Northern Ohio Jazz Society and Cleveland Public Library Main 

Branch. Local talent comes to CMA through these coffee houses and 

events such as November’s Fast Forward, a late-night multimedia-enhanced 

party. Patterns of poetry and music resonated in the community through 

co-presentations with the Heights Arts Collaborative “Poetry in the 

Park,” an interdisciplinary literacy project at Wiley Middle School exploring 

the connection between poetry, dance, and visual art. 

The museum’s annual calendar of festivals, inspired by world traditions, 

nurtures creativity and convenes the community through workshops 

and gala public events. Parade the Circle Celebration 2003 featured guest 

artists from Cuba, Trinidad and Tobago, Mexico, Canada, Minnesota, 

Vermont, and Cleveland. One hundred community groups and a total of 

1,800 participants from throughout the region paraded for an audience of 

approximately 50,000. Directors and trustees from 27 UCI institutions and 

Cleveland’s Mayor Jane Campbell led the revelers around Wade Oval. 

The 14th annual Chalk Festival brought 7,000 visitors to the museum’s 

ARpp82-100.p65 86 

6/8/2004, 4:18 PM

A highlight of the 

LuminoCity project at 

the old Cleveland Trust 

Building in downtown 

Cleveland was A Waltz 

Happening, complete 

with musicians and 

dancers in the building's 

grand rotunda. 

south side to view artists and more than 900 participants creating colorful 

street paintings on the sidewalks. Holiday CircleFest featured lantern 

installations in the museum and on Wade Oval. Visitors made lanterns in 

workshops and then celebrated the season with a procession around the 

Oval. More than 11,000 visitors attended this weekend event. 

World and classical music and dance performances featuring some of 

the finest international artists brought diverse audiences to the museum. 

The department of Performing Arts and Film presented the fifth annual 

VIVA! series and the third summer series Carnevale World Music and Dance. 

More than 14,000 patrons attended approximately 22 events. Many 

performances were presented to capacity crowds, strengthening the 

museum’s well-established position as a first-rate venue for world music 

and dance. Highlights of the year included performances by the energetic 

Habib Koite of Mali, Dance Cuba, and the pan-Gaelic ensemble Boys of 

the Lough. Jazz on the Circle, a collaboration among the museum, the 

Cleveland Orchestra, Cuyahoga Community College, and the Northern 

Ohio Jazz Society, hosted concerts by such legendary artists as bassist 

Charlie Haden. In December, Education, Performing Arts and Film, 

and Musical Arts presented a series of lectures, dance, and music performances 

at the Cleveland Trust Building for the staging of LuminoCity, 

co-sponsored with Cleveland Public Art. Highlights included the Burning 

River Brass and a Waltz Happening, featuring a 16-piece string orchestra 

and six dancers. 

New this year was a reinvented film program, Panorama: Moving 

Pictures @ the Art Museum. Oscar-nominated Pixar animator Pete Docter 

(Monsters, Inc.) presented a special kickoff program of film clips and commentary. 

Forty-two of the 69 films shown during the year were exclusive 

Cleveland premieres, with a total of more than 8,000 viewers. Other 

highlights of the year included an appearance by Time magazine film 

critic Richard Schickel, who introduced a screening of The Magnificent 

Ambersons in April and the Cleveland premiere showing of Girl with a 

Pearl Earring. 

The department of Musical Arts produced 73 concerts and lectures 

serving 13,520 patrons. The Aki New Music Festival included 17 concerts, 

lectures, and a groundbreaking educational partnership with the 

Cleveland Institute of Music during the fall that brought CIM students to 

hear prominent composers and musicians speak in conjunction with the 

Aki festival. The Facets of the Piano series featured five outstanding pianists, 

including Paul Badura-Skoda, Leon Fleisher, Fred Hersch, and Andreas 

Haefliger. The department also hosted the organist Thierry Escaich from 

Notre Dame cathedral. Throughout the year, concertgoers enjoyed a 

wide-ranging repertoire—from Cage’s 4'33" to Shubert’s Winterreise. 

ARpp82-100.p65 87 

6/2/2004, 12:02 AM 

87

School and Teacher Services 

Art to Go 

Events: Conducted 262 suitcase presentations 

for 5,599 students overall. Awarded 79 

scholarships to 28 Cleveland Municipal School 

District (CMSD) schools serving 1,975 students 

(35% of total attendance). Presentations 

made to special groups outside of classrooms 

included: Akron University, Art Teachers 

Summit for CMSD, Borders Books, Cleveland 

Music School Settlement, Cleveland Sight 

Center, Cleveland Plain Dealer, Cleveland 

Public Library (CPL) Brooklyn Branch, CPL 

Downtown Branch, Future Connections, 

Great Lakes Science Center, Library for the 

Blind and Physically Handicapped, Museum 

Council, Ohio Art Educators Conference, 

Ohio Superintendents Summit, The Sherwin- 

Williams Company, Shurmer Place Retirement 

Home, Teacher Resource Center, 

United Methodist Church Berea. 

Presentation topics: Ancient Americas: Art 

from Mesoamerica; The Art of Writing: The 

Origin of the Alphabet; Classical Art: Ancient 

Greece and Rome; Cool Knights: Armor from 

the European Middle Ages and Renaissance; 

Diego Rivera: A Mexican Hero and His Culture; 

Early America: Artistry of a Young Nation; 

Journey to Africa: Art from Central and 

West Africa; Journey to Asia; Journey to Japan: 

A Passport to Japanese Art; Let’s Discover 

Egypt; Masks: Let’s Face It; Materials and 

Techniques of the Artist; The Museum Zoo: 

Animals in Art; Native American Art: Clues 

from the Past; Problem Solving: What in the 

World? 

Scholarships for all CMSD participants including: 

Almira Elementary, Audubon Middle, 

Newton D. Baker Elementary School for the 

Arts, Alexander Graham Bell Elementary, 

Mary Bethune Elementary, Bolton Elementary, 

Brooklawn Elementary, Buckeye–Woodland 

Elementary, Case Elementary, Cleveland 

School of the Arts, Robert Fulton Elementary, 

Joseph Gallagher Elementary, Glenville High, 

Halle Cleveland Learning Center Middle and 

High, Stephen Howe Elementary, Robert 

Jamison CompuTech Center, R. G. Jones 

Elementary, John F. Kennedy High, Kentucky 

Elementary, Lincoln-West High, Douglas 

MacArthur Elementary, John Marshall High, 

McKinley Elementary, Charles A. Mooney 

Middle, Garrett Morgan Cleveland School of 

Science, Oliver Hazard Perry Elementary, 

Marion Seltzer Elementary, Tremont Elementary, 

Waverly Elementary. 

Schools outside Cleveland include: Agnon, 

Archbishop Lyke, Ascension School, Bryden 

Elementary, Canterbury Elementary, Chagrin 

Falls Intermediate, Citizen’s Academy, Coventry 

Elementary, Direction for Tomorrow 

Home School, Gates Mills Elementary, Elenor 

Gerson School, Hannah Gibbons Elementary, 

Greenview Elementary, Hathaway Brown, 

Hawken, Holy Redeemer, Holy Trinity, 

Thomas Jefferson Elementary, Lakewood 

Lutheran, Laurel School, Lutheran West High, 

Mayfield High, Mercer Elementary, Metro 

88 

Catholic, Mt. Auburn, Onaway Elementary, 

Oxford Elementary, Parma Heights Christian 

Academy, Parma High Able Learners, Peaceful 

Children Montessori, Ratner, Raymond 

Elementary, Roxboro Elementary, Shaker 

Heights High, St. Angela Merici, St. Ann’s, 

St. Columkille, St. Gregory the Great, St. 

Josephat, St. Mark’s, St. Michael Elementary, 

St. Robert Bellarmine, St. Terese, St. Vitus, 

University School. 

Art to Go Teachers’ Advisory Committee: 

Emilie Amer-Gannon, Julie Anderson, Ellen 

Battle, Carole Brown, Nancy Dvorak, Sue 

Foley, Cindy Guertin, Kathy Heidleberg, 

Christina Holtier, Kitty Rose, Betty Jo Scurei, 

Sister Mary Francismarie Seiler, Jean Sommers, 

Sue Wilson. 

Art to Go is supported by gifts from Target 

Stores, The Gallery Group, Mrs. Warren 

Dusenbury, Catherine Rose, Mr. and Mrs. 

James D. Neville, Brit and Kate Stenson, Drs. 

Todd and Susan Locke, Mr. and Mrs. Norman 

H. Siegal, Dr. and Mrs. Gordon Hughes. 

Distance Learning 

Class topics: African Art: Secular and 

Supernatural; African Masks; America’s Story 

Through Art (four-part series): America 

Emerging—1700s, America Expanding— 

1801–1861, America Transforming—1861– 

1918, America Enduring—1913–1945; 

Ancient American Art: The Aztec and Their 

Ancestors; The Art of Adornment; Aztec, 

Maya, and More!; The Chemistry of Art (fourpart 

series): Examining the Authenticity of 

Museum Objects, Extending the Senses: Using 

the Electromagnetic Spectrum to Probe Works 

of Art, Restoring Works of Art—Chemistry 

to the Rescue, Paper Chemistry and Conservation; 

Contemporary Art; Egyptomania 

(four-part series): Daily Life, Hieroglyphics, 

Mummification, Animals in Art; Gods and 

Heroes from Greece and Rome; Gods and 

Heroes of the Maya; Harlem Renaissance; 

Impressionism; Knights, Castles, and Kings; 

L’Art de L’Afrique; Math Connections; Medieval 

Masterpieces; Modernism: Early 20th 

Century Art; Museum Careers; Native Americans 

and Settlers: Encounters in Early Ohio 

History; Professional Development: DL and 

Your Curriculum; “Race” Is a Four Letter 

Word; Renaissance Painting: An Overview; 

Scary Art: A Halloween Special; Spanish Art. 

Participants from Ohio communities: Akron, 

Alliance, Avon, Baltimore, Bath, Bealsville, 

Bellbrook, Bellevue, Bellfontaine, Belpre, 

Boardman, Broadview Heights, Byesville, 

Cambridge, Canfield, Canal-Fulton, Canton, 

Celina, Centerville, Chagrin Falls, Cincinnati, 

Cleveland, Columbiana, Columbus, Dover, 

Dresden, East Canton, Enon, Fairborn, 

Fairview Park, Gahanna, Garrettsville, Geneva, 

Gnadenhutten, Hamilton, Hartville, Hilliard, 

Huron, Jefferson, Lakewood, Lebanon, 

Leesburg, Litchfield, Lorain, Massillon, 

Medina, Mentor on the Lake, Metamora, 

Middletown, Montpelier, Mt. Orab, New 

Carlisle, New Philadelphia, New Richmond, 

ARpp82-100.p65 88 

6/8/2004, 4:18 PM 

New Riegel, Newark, Newbury, North Canton, 

North Ridgeville, Oberlin, Parma, Perry, 

Portage, Ravenna, Revere, Richfield, Rock 

Creek, Rocky River, Rootstown, Shelby, 

Sidney, South Euclid, Springfield, Strongsville, 

Thornville, Tiffin, Trenton, Trotwood, Troy, 

Uhrichsville, Vincent, Warren, Waterford, 

West Carrollton, West Milton, Westerville, 

Wickcliffe, Wooster, Xenia, Yellow Springs, 

Youngstown, Zanesville. 

Participants from outside Ohio: Illinois: 

Chicago, Edwardsville; Michigan: AuGres, 

Macomb, Marquette, Novi, Shelby Township, 

Standish, Sterling Heights; Missouri: Valley 

Park; New Jersey: Absecon, Absegami, 

Bay Port, Bridgeton, Galloway, Linden, 

Littlestown, Mays Landing, Neptune, 

Oceanside, Voorhees, Wall, Waterford; 

New York: Albany, Berlin, Carle Place, East 

Chester, Franklin Square, Glen Falls, 

Massapequa, Mount Morris, Pennfield, 

Romulus, Troy, West Hampstead; Pennsylvania: 

Albion, Erie, Fawn Grove, Media, 

Milford, Paint Rock, Philadelphia, Port Washington; 

Texas: Richardson, San Antonio; 

Washington: Kennewick; Wisconsin: Racine. 

School Tour Program 

Students from the following Ohio counties 

and school districts: Allen Co.: Perry Local; 

Ashland Co.: Ashland City; Ashtabula Co.: 

Ashtabula Area City, Conneaut Area City, 

Geneva Area City, Pymatuning Valley Local, 

Youngstown Diocese; Athens Co.: Auglaize, 

New Knoxville Local; Butler Co.: Cincinnati 

Archdiocese, Edgewood City, Hamilton City; 

Columbiana Co.: Columbiana Exempted 

Village, Leetonia Exempted Village; Crawford 

Co.: Bucyrus City; Cuyahoga Co.: Bay Village 

City, Beachwood City, Bedford City, Berea 

City, Brecksville–Broadview Heights, Chagrin 

Falls Exempted Village, Citizens Academy, 

Cleveland Catholic Diocese, Cleveland 

Heights–University Heights City, Cleveland 

Lutheran, Cleveland Municipal, East Cleveland 

City, Euclid City, Garfield Heights City, 

Hope Academy Broadway Campus, Hope 

Academy Cathedral Campus, Hope Academy 

Chapelside Campus, Hope Academy 

Cuyahoga Campus, Hope Academy Lincoln 

Park, Hope Academy North Coast, Horizon 

Science Academy Cleveland, Independence 

Local, International Preparatory, Jewish Education 

Center of Cleveland, Lakewood City, 

Lutheran Schools of Ohio, Maple Heights 

City, Mayfield City, North Olmsted City, Old 

Brooklyn Montessori School, Olmsted Falls 

City, Parma City, Polaris JV, Richmond 

Heights Local, Rocky River City, Shaker 

Heights City, Solon City, Strongsville City, 

Warrensville Heights City, Westlake City; Erie 

Co.: Berlin–Milan Local, Perkins Local; 

Franklin Co.: Bexley City, Canal Winchester 

Local, Columbus City, Columbus Diocese, 

Horizon Science Academy Columbus, Plain 

Local, South-Western City, Upper Arlington 

City, Worthington City; Geauga Co.: Berkshire 

Local, Cardinal Local, Chardon Local, 

Kenston Local, West Geauga Local; Guernsey 

Co.: Cambridge City; Hamilton Co.:

Participants in the 

John Cage Music 

Circus pose for a 

group photo. The 

group included artists 

from around the 

world, many of whom 

had worked with the 

avant-garde artist. 

Composer-pianist 

Chris Auerbach- 

Brown performs John 

Cage’s Suite for Toy 

Piano in the contemporary 

galleries. 

John Cage Music 

Circus 

On one memorable Saturday afternoon 

in November, the Cleveland Museum 

of Art was transformed into a giant 

experimental music performance 

space. The John Cage Music Circus featured 

dozens of performances of Cage 

compositions (more than 30 pieces in 

all) staged all over the museum, with 

sounds from one piece sometimes 

spilling into another and everything 

intermingling with the ambient noise 

of the galleries—an effect the icono- 

clastic composer certainly would have 

loved. The music not only interacted 

with other sound, but with the works 

of visual art, creating unexpected moments—some 

jarring, some magical. 

True to the spirit of the composer, the 

event managed to be uncompromising 

artistically and yet unfailingly 

high-spirited in attitude at the same 

time. The performances ranged in 

tone from abrasive irreverence to 

meditative delicacy. 

The performers included some stars 

of the national contemporary music 

ARpp82-100.p65 89 

6/2/2004, 12:02 AM 

Cellist Chris Gross 

performs John Cage’s 

Cello in front of Anselm 

Kiefer’s Lot’s Frau. 

scene, but also drew heavily on local 

musicians including students and faculty 

from Oberlin, the Cleveland Institutes 

of Music and Art, and the museum. 

The frequently inspired level of 

performance was a testament to the 

extraordinary depth of musical talent 

that thrives in this area. Instruments 

ranged from the traditional—strings, 

keyboards, and percussion—to Cage’s 

signature “prepared piano,” plus electronic 

synthesizers, a toy piano, and a 

humming, buzzing ensemble of vintage 

radios all tuned between stations. 

Near the day’s end, the performers 

observed Cage’s best known work, 

4'33" (four minutes and thirty-three 

seconds of silence). 

The event was part of the Aki Festival 

of New Music (three-time winner 

of the ASCAP/CMA Award for Adventurous 

Programming), which returned 

in 2003, featuring concerts, lectures, 

and films throughout the fall, and 

included works by composers from 

around the world. Another highlight 

of Aki 2003 was the Cleveland community 

providing some 70 wind-up, 

pyramid-shaped metronomes for a 

rare performance of György Ligeti’s 

Poème symphonique for 100 metronomes. 

Aki is the Japanese word 

for autumn, and has been used in 

conjunction with the museum’s new 

music festivals since the 1970s. Aki 

2003 was directed by Paul Cox and 

Karel Paukert. 

89

For many Clevelanders, 

a school visit proves to 

be an early, cherished 

memory of the 

museum. Tens of 

thousands of area 

schoolchildren visit 

every year. 

Cincinnati Archdiocese, Cincinnati City; 

Hardin Co.: Riverdale Local; Holmes Co.: 

West Holmes Local; Huron Co.: Bellevue 

City, Toledo Diocese, Western Reserve Local, 

Willard City; Jackson Co.: Jackson City; Knox 

Co.: Seventh-day Adventist Ohio Conference; 

Lake Co.: Fairport Harbor Exempted Village, 

Mentor Exempted Village, Painesville City 

Local, Perry Local, Wickliffe City; Licking 

Co.: Lakewood Local; Logan Co.: Riverside 

Local; Lorain Co.: Avon Lake City, Avon 

Local, Columbia Local, Elyria City, Firelands 

Local, Lorain City, Midview Local, North 

Ridgeville City, Oberlin City, Wellington 

Exempted Village; Lucas Co.: Ohio Virtual 

Academy, Sylvania City, Toledo Diocese; 

Mahoning Co.: Boardman Local, Western 

Reserve Local, Youngstown Diocese; Medina 

Co.: Black River Local, Brunswick City, 

Buckeye Local, Cloverleaf Local, Highland 

Local, Lutheran Schools of Ohio, Medina City, 

Wadsworth City; Mercer Co.: Cincinnati 

Archdiocese, Morrow Co.: Highland Local, 

Mount Gilead Exempted Village; Ottawa Co.: 

Danbury Local, Toledo Diocese; Portage Co.: 

Aurora City, Field Local, James A. Garfield 

Local, Kent City, Mogadore Local, Ravenna 

City, Rootstown Local, Streetsboro City, Waterloo 

Local, Youngstown Diocese; Richland 

Co.: Clear Fork Valley Local, Crestview Local, 

Plymouth–Shiloh Local; Stark Co.: Canton 

City, Fairless Local, Hope Academy Canton 

Campus, Jackson Local, Plain Local, Tuslaw 

Local, Youngstown Diocese; Summit Co.: 

Akron City, Barberton City, Copley–Fairlawn 

City, Coventry Local, Cuyahoga Falls City, 

Green Local, Hope Academy Brown Street 

Campus, Hudson City, Manchester Local, 

Nordonia Hills City, Revere Local, Stow– 

Munroe Falls City; Trumbull Co.: Maplewood 

Local, Youngstown Diocese; Tuscarawas Co.: 

Claymont City, Columbus, Dover City, 

Garaway Local, New Philadelphia City; Wayne 

Co.: Dalton Local, North Central Local, 

Orrville City, Southeast Local, Wooster City. 

90 

Students from outside Ohio: Indiana: Indiana 

Co.; Kentucky: Rowan Co.; Michigan: 

Calhoun Co.; Pennsylvania: Allegheny Co., 

Beaver Co., Butler Co., Clarion Co., Crawford 

Co., Erie Co., Lawrence Co., Mercer Co., 

Warren Co., Westmoreland Co.; West 

Virginia: Monongalia Co., Ohio Co. 

Teacher Resource Center 

Participants from Ashland, Carroll, 

Columbiana, Coshocton, Crawford, Cuyahoga, 

Delaware, Erie, Franklin, Geauga, Holmes, 

Huron, Lake, Lorain, Lucas, Mahoning, 

Medina, Muskingum, Portage, Richland, Seneca, 

Summit, Stark, Trumbull, Tuscarwaras, 

and Wayne counties, as well as Michigan and 

Pennsylvania. Teachers participate from 33% of 

the CMSD schools. Participants from area 

public and private schools include Jane Addams 

Business Careers Center, Audubon Intermediate, 

Newton D. Baker Elementary School of 

the Arts, A. G. Bell Elementary, Mary Bethune 

Elementary, Case Elementary, Moses 

Cleaveland Elementary, Cleveland School of 

the Arts, Collinwood High, Harry E. Davis 

Elementary, Charles Dickens Elementary, 

Dike Montessori, East Clark, James Gallagher 

Elementary, Elenor Gerson, Glenville High, 

Alexander Hamiliton Middle, Hicks 

Montessori, Margaret Ireland Contemporary 

Academy, R. G. Jones, Charles Mooney 

Elementary, Daniel Morgan Middle, Garrett 

Morgan Cleveland School of Science, Martin 

L. King Jr. Middle School, John F. Kennedy 

High, Lafayette, Lincoln Elementary, Mound 

Elementary, Mt. Auburn Elementary, Old 

Brooklyn Montessori, Patrick Henry Elementary, 

John W. Raper Elementary, Harvey Rice 

Elementary, James F. Rhodes High, Marion 

Seitzer Elementary, South High, Miles Standish 

Elementary, Sunbeam Elementary, Urban 

Community, Villa-Angela/St. Joseph, Walton 

Elementary, Warner Elementary, Watterson– 

Lake Elementary, Willow Elementary. 

ARpp82-100.p65 90 

6/8/2004, 4:18 PM 

Docent Program 

School tour topics: All Creatures Great and 

Small: Animals in Art; Children in Art; Line, 

Shape, and Color; American Art; Arts of the 

African Continent; Arts of the Americas; Arts 

of the Renaissance and Baroque Eras; Castles 

and Knights: An Introduction to Life in the 

Middle Ages; Discover a World of Great Art; 

Dressed for Success; Egypt, Greece, and 

Rome; Face to Face; From Anubis to Zeus: 

Myths and Stories in Art; In the Footsteps of 

Buddha; Journey to Asia; Landscape Escapes; 

Materials of the Artist: How Do They Do 

That?; Modern and Contemporary Art; Sports 

in Art; Speak to the Arts: France; Speak to the 

Arts: Germany; Speak to the Arts: Spain. 

Family and Youth 

Circle Sampler Camp 

Cultural institutions: African-American Museum, 

Cleveland Botanical Garden, Cleveland 

Institute of Art, Cleveland Institute of Music, 

The Cleveland Museum of Art, The Cleveland 

Museum of Natural History, Cleveland 

Play House, HealthSpace Cleveland, Museum 

of Contemporary Art Cleveland, Western 

Reserve Historical Society. 

Instructor: Debbie Apple-Presser. 

Early Learning Initiative 

Cultural institutions: The Children’s Museum 

of Cleveland, Cleveland Botanical Garden, 

Cleveland Institute of Music, The Cleveland 

Museum of Art, Cleveland Museum of Natural 

History, The Cleveland Orchestra, Cleveland 

Play House, Nature Center at Shaker 

Lakes, Western Reserve Historical Society, 

University Circle Incorporated. 

Day care centers: Church of the Covenant, 

The Cleveland Music School Settlement, 

Cleveland Sight Center, Karamu House, 

Daniel Morgan, Louis Pasteur, University 

Hospitals Kindercare, Wade Day Care Center. 

Instructor: Kate Hoffmeyer. 

“Crow Shadows” 

designed by Mark 

Jenks, performed with 

Michael Dreyfuss on 

electric viola, at the 

opening of the Aki 

Festival of New Music 

in the fall.

Family Express 

Topics: PhotoFantasy; The Gilded Age; Dutch 

Treat; Summer Safari; Go Van Gogh; Days of 

Knights; Images of India; Color, Line, Shape; 

Into Africa; Castles and Kings. 

Instructors: Laura Ferrando, Jean Hanslik, 

Arielle Levine, John Sawicki, Victoria 

Slonaker, Jenny Zito. 

Future Connections 

Cultural institutions: Case Western Reserve 

University, The Children’s Museum of 

Cleveland, Cleveland Botanical Gardens, 

Cleveland Institute of Art, Cleveland Institute 

of Music, The Cleveland Museum of Art, 

Cleveland Museum of Natural History, Cleveland 

Play House, Museum of Contemporary 

Art Cleveland, Western Reserve Historical 

Society, University Circle Incorporated. 

Business partners: Allen Bradley Company, 

Cleveland Clinic Foundation, General Electric, 

Jones Day, Judson Park Retirement Community, 

Ohio Savings Bank. 

Mentors: Dyane Hronek Hanslik, Arielle 

Levine. 

Museum Art Classes 

Instructors: Sarah Curry, Laura Ferrando, 

Jeanna Forhan, Kate Hoffmeyer, Connie 

Hozvicka, Arielle Levine, Aileen McKimm, 

Clif Novak, Shreshta Premnath, Carol Pressler, 

Andrea Serafino, Maria Stenina, Kelly 

Williams, Nicole Winrock, Jaymi Zents, Jenny 

Zito. Assistant: Sarah Beiderman. 

Supervisors: Grace Bynum, Dyane Hronek 

Hanslik, Nancy Prudic. 

The Nia Coffeehouse 

Musical performers: Eddie Baccus Jr. Band, 

Jessie Dandy Trio, Zita Rahn Farrel and 

Tantric Pulse, Ray McNiece and Jack My 

Dog, Vince Robinson and the Jazz Poets, 

Straight to the Point, R. A. Washington and 

Vernacular. 

Featured poets: Chosen Prophet, Katie Daley, 

Kelly Harris, Sara Holbrook, Nicki Mack— 

the Redbone Poet, Willie Perdomo and Ace 

Boogie, Joseph Primes, Terry Provost, and 

Vince Robinson in collaboration with the 

Cleveland Public Library, Michael Salinger, 

R. A. Washington, Mary Weems, Ph.D. 

Wiley Middle School Poetry Project 

Poets in residence: Kelly Harris and Q-Nice. 

Dance residency: Michael Medcalf Dance 

Troupe. 

Collaborating institutions: CMA, Heights Arts 

Collaborative, Wiley Middle School. 

Sponsor: Target Stores Arts in Education grant. 

Festivals 

Chalk Festival 

Featured chalk artists: Augusto Bordelois, 

Hector Castellanos, Dexter Davis, George 

Kozmon, Wendy Mahon, A. D. Peters, Jesse 

Rhinehart, Robin VanLear. 

Musicians: Blues DeVille, Roberto Ocasio 

Latin Jazz Project. 

Participating groups: Fireland High; Hayes 

Elementary, Lakewood; Lake Center Christian 

School, Hartville; Mayfield High; Riverside 

High, Painesville; West Carlisle Elementary, 

Keystone; Girl Scout troop from Slippery 

Rock, Pennsylvania. 

Circle of Masks Festival 

Artists: Bruno Casiano, Hector Castellanos, 

Wendy Mahon. 

Movement performers: Antaeus Dance. 

Parade the Circle Celebration 

Guest artists: Amy Ballestad (Minnesota), 

Kelvin Keli Cadiz (Trinidad and Tobago), 

Roaidi Cartaya Carvajal (Cuba), Anne 

Cubberly (Connecticut), Olaf Dannecker 

(Germany), Félix Diaz (Mexico), Ronald Guy 

(Trinidad and Tobago), Brad Harley (Canada), 

Alejandro Calzada Miranda (Cuba), Mary Jo 

Nikolai (Minnesota), Nkhruma Potts (Trinidad 

and Tobago), Michael Lee Poy (Canada, 

Trinidad and Tobago), Rick Simon (Canada), 

Jill VanOrden (Vermont), Rudolph “Murphy” 

Winters (Trinidad and Tobago). 

Artists and support staff: Debbie Apple-Presser, 

Abby Baumgartner, Sue Berry, Philip Brutz, 

Hector Castellanos, Kathy Colquhoun, 

Michael Crouch, Nan Eisenberg, Liza 

Goodell, Jean Graves, Michael Guy-James, 

Dyane Hronek Hanslik, Scott Heiser, Ezra 

Houser, Sally Hudak, Frank Isphording, Vicki 

Isphording, Carl Johnson, Andrea Joki, Wendy 

Mahon, Delia Mannen, Michelle Marschall, 

Katherine Ohl, Maria de Jesus Paz, Nancy 

Prudic, Jesse Rhinehart, Lizzie Roche, 

SAFMOD, Donna Spiegler, Michael Starinsky, 

Jan Stickney, Chuck Supinski, Gail Trembly, 

Vivian Vail, Robin VanLear, Bill Wade, 

Kristin Wade, Craig Woodson. 

2003 poster: Bruno Casiano. 

University Circle Incorporated member institution 

groups: Abington Arms, Cleveland 

Cultural Gardens Federation (African-American 

Cultural Garden), The Cleveland Museum 

of Art (and Young Friends), The Cleveland 

Museum of Natural History (Nature League), 

The Cleveland Music School Settlement, 

Cleveland Public Library (Martin Luther King 

Jr. and Union Branches, Library for the Blind 

and Physically Handicapped), Cleveland Sight 

Center, Fairhill Center, Judson Retirement 

Community, Karamu House Incorporated, 

Lake View Cemetery Association, Nature 

Center at Shaker Lakes, St. Adalbert Church, 

University Circle Incorporated (Community 

Education Department), Young Audiences of 

Greater Cleveland. 

ARpp82-100.p65 91 

6/2/2004, 12:02 AM 

Directors Ensemble: African-American Museum 

(Nancy Nolan-Jones, Executive Director), 

Case Western Reserve University (Edward 

M. Hundert, President), City of Cleveland 

( Jane L. Campbell, Mayor; Patricia Britt, 

Councilwoman, Ward 6; Sabra Pierce Scott, 

Councilwoman, Ward 8; Kevin Conwell, 

Councilman, Ward 9), Cleveland Botanical 

Garden (Brian E. Holley, Director), Cleveland 

Hearing & Speech Center (Bernard P. Henri, 

Executive Director), The Cleveland Institute 

of Art (David L. Deming, President), The 

Cleveland Institute of Music (David Cerone, 

President), The Cleveland Museum of Art 

(Katharine Lee Reid, Director; Michael 

Horvitz, Chairman of the Board; Robert M. 

Kaye, Trustee; Janet Coquillette, President, 

Womens Council of the Cleveland Museum of 

Art), The Cleveland Museum of Natural History 

(Bruce Latimer, Director), The Cleveland 

Music School Settlement (Daniel J. Windham, 

Executive Director), The Cleveland Orchestra 

(Thomas W. Morris, Executive Director), 

Cleveland Public Library (Andrew Venable, 

Director), Cleveland Sight Center (Michael E. 

Grady, Director), HealthSpace Cleveland 

(Patricia Horvath, Executive Director/CEO), 

Nature Center at Shaker Lakes (Nancy King 

Smith, Executive Director), Sky Bank (Marty 

Adams, CEO and President; Richard 

Hollington III, Regional President), University 

Circle Incorporated (Terri Hamilton Brown, 

President; R. Thomas Stanton, Chairman of the 

Board; James D. Ireland III, Trustee), Western 

Reserve Historical Society (Patrick Reymann, 

Executive Director). 

Schools and education groups: Bay Village 

Middle; Brecksville–Broadview Heights High; 

Citizens Academy; Clearview Schools, Lorain: 

Durling Elementary; Cleveland Heights– 

University Heights Schools: Canterbury 

Elementary, Coventry Elementary, Roxboro 

Elementary; Cleveland Municipal School District: 

Newton D. Baker Elementary School of 

the Arts, Buhrer Elementary, Cleveland School 

of the Arts, Charles Dickens Elementary, 

Kentucky Elementary, Martin Luther King Jr. 

School for Law and Municipal Careers, 

Tremont Elementary; Cleveland Music School 

Settlement Pre-School and Day School; Erie, 

Pennsylvania Schools: Harding Elementary; 

Fairview Park Schools: Parkview Intermediate; 

Hawken School; Kent Schools: Davey Elementary; 

Laurel School; Mayfield Schools: Gates 

Mills Elementary; Positive Education Program; 

Ruffing Montessori; St. Adalbert School; 

Strongsville Schools: Chapman Elementary; 

University School. 

Community groups: Abington Arms Art 

Therapy Program; AME Zion Churches; Avon 

Lake Public Library; Beck Center for the Arts; 

Catholic Charities/Hispanic Senior Center; 

Center for Families and Children/RapArt; City 

of Cleveland, Division of Waste Collection and 

Disposal; El Barrio; Episcopal West Side Shared 

Ministry; Fairhill Intergenerational Resource 

Center; Hessler Street/Harmony Park; Hospice 

of Coshoction, Kinship Navigator Program; 

Julia de Burgos Cultural Arts Center; Karamu 

91

House Incorporated; Martin Luther King Jr. 

Civic Center of East Cleveland; Mount Pleasant 

Boys and Girls Club; New Song Community 

Church; Nigerian Community in Greater 

Cleveland; Not in Our Name; Ohio City 

Bicycle Co-op; ParkWorks; Pomerene Center 

for the Arts (Coshocton); Rabbit Run Theater; 

Rainey Institute; St. Philip’s Episcopal 

Church; Sky Bank; Thea Bowman Center; 

Urban League National Achievers Society; 

West Shore Unitarian Universalist Church. 

Music and dance groups: Aquarela Do Mundo; 

Cleveland Contemporary Dance; Cleveland 

Repertory Project (now Verb Ballets); East 

185th St. Drum Circle Dancers (Hareem 

Sharem, YaShara’s Dance Troupe, Dahmia’s 

Turkish Dance Troupe); Inlet Dance Theatre; 

Jerry Keller, Mal Barron, and Tim Miller; 

Mellow Harps Steel Drum Band; New Orleans 

Jazz Ensemble; The Polyrhythmics; 

SAFMOD; Senegalese National Dance Association 

of Ohio; Seven Mile Isle; Ten Point 

Turn; Urban Dance Collective (Cleveland 

School of the Arts); The Wind and Sand 

Dance Company. 

Circle Village activities presenters: African- 

American Museum; The Children’s Museum 

of Cleveland; Cleveland Botanical Garden; 

Cleveland Hearing & Speech Center; The 

Cleveland Institute of Art; The Cleveland 

Institute of Music; The Cleveland Museum of 

Art; The Cleveland Museum of Natural History; 

The Cleveland Music School Settlement; 

The Cleveland Orchestra; The Cleveland 

Public Library; Cleveland School of the Arts; 

Cleveland Sight Center; Dunham Tavern 

Museum; HealthSpace Cleveland; Judson 

Retirement Community; Karamu House Incorporated; 

KinderCare; Museum of Contemporary 

Art Cleveland; Nature Center at Shaker 

Lakes; Ohio College of Podiatric Medicine/ 

Cleveland Food & Ankle Clinic; Ohio Wax 

Museum; Puppetry Guild of Northeastern 

Ohio; Ronald McDonald House of Cleveland; 

The Sculpture Center; Sky Bank; University 

Circle Incorporated (Community Education 

Department); Western Reserve Association 

for the Preservation and Perpetuation of 

Storytelling (WRAPPS); Western Reserve 

Historical Society; Womens Council of the 

Cleveland Museum of Art; Young Audiences 

of Greater Cleveland. 

Pole banner artists (new banners): Riverside 

High, Painesville; Valley Forge High, Parma; 

Kate Hoffmeyer, Joe Ionna, Seema Rao. 

Sponsors: Sky Bank and The Womens Council 

of The Cleveland Museum of Art. Additional 

support from the Ohio Arts Council; 

the Institute of Museum and Library Services; 

the City of Cleveland, Jane L. Campbell, 

Mayor; Cleveland City Council members 

Patricia J. Britt, Ward 6, Sabra Pierce Scott, 

Ward 8, and Kevin Conwell, Ward 9; and the 

Cleveland Coca-Cola Bottling Company. 

Promotional support was provided by 89.7 

WKSU and the Plain Dealer. Artist exchange 

sponsors BWIA West Indies Airways Ltd. and 

Madison Development Company. Special 

thanks to Charlie’s Fabrics and Distillata. 

92 

Winter Lights Lantern Festival 

Environment of Lights installation artists: Mark 

Jenks, Wendy Mahon, Jesse Rhinehart, Robin 

VanLear. 

Soundscape: Greg D’Alessio. 

Musicians: Neil Chastain, Santina Protopapa, 

Agripino Serrano. 

Dancers: Nick Carlisle, Melanie Fioritto, 

Meghan Haas, Trina Hines, James Holloway, 

Ezra Houser, Jennifer Lott, Leila Pelhan, 

Devon Schlegelmilch, Darren Stevenson, Bill 

Wade, Chris Whitney. 

Guest lantern artists: Debbie Apple-Presser, 

Aria Benner, Micheal Costello, Anne 

Cubberly, Rod DeFoe II, Félix Diaz, Debora 

Erksa, Michael Guy-James, Wendy Mahon, 

Delia Mannen, Nancy Prudic, John Ranally, 

Aaron Rapljenovic, Mark Sugiuchi, Kristin 

Wade, Murphy Winters. 

CircleFest Musicians: Ohio Boychoir, Karel 

Paukert. 

Support: Kaufmann’s Department Stores. 

Community Arts Appearances 

City Artists at Work; Cleveland Metroparks 

Zoo, Boo at the Zoo (six days); Cleveland 

Public Art City Expressionz Aerosol Fest; 

Downtown Cleveland Partnership and Sparx 

in the City Lantern Display at May Company; 

Glenville Festival; Legacy Village Opening; 

National City Bank Building; Playhouse 

Square Foundation Centerfest; Pomerene 

Center for the Arts (exhibit, workshop, and 

parade); Puerto Rican Parade; Wade Oval 

Reopening (displays and performance); Sparx 

Lantern Walk; Sparx in the City Urban Gallery 

Hop; Tremont Arts and Cultural Festival; 

Winterfest Candlelight Carriage Parade. 

ARpp82-100.p65 92 

6/2/2004, 12:02 AM 

Exhibition and Adult Programs 

Exhibition-Related Programs 

Elizabeth Catlett: Prints and Sculpture 

Performance: “From Mother to Son,” Karumu 

House’s Theatre Outreach Program (TOP). 

The Gilded Age: Treasures from the Smithsonian 

American Art Museum 

Lectures: Anne Bissonnette, Kent State University: 

“The Significance of the Tea Gown in 

19th-century and Early 20th-century Dress”; 

Dale Hilton, Cleveland Museum of Art: “Pillars 

of Society: Cleveland’s Gilded Age Collectors”; 

John Grabowski, Western Reserve Historical 

Society: “Immigrants, Entrepreneurs, 

and Urban Adolescence”; Tina Musgrave, 

lecturer: “Millionaires’ Row.” 

Lecture courses: Henry Adams, Case Western 

Reserve University: “Artists of the Gilded 

Age.” 

Public events: “Cultural Heritage Day.” 

Treasures of Lost Art: Italian Manuscript Painting of 

the Middle Ages and Renaissance 

Lectures: Pia Palladino, Metropolitan Museum 

of Art: “Treasures of a Lost Art”; Elizabeth 

Teviotdale, Medieval Institute, Western Michigan 

University: “Illumination of Choir Books.” 

MetaScape 

Lecture: Torben Geihler, artist, discussed his 

work. 


Lectures: Anne Tucker, exhibition curator: 

“History of Photography”; Linda Erlich, Case 

Western Reserve University: “Between Motion 

and Stillness: The Human Landscape in 

Japanese Photography and Film”; Elizabeth 

Lillehoj, Depaul University: “The Historical 

Setting for a First Century of Japanese Art”; 

Hitomi Iwasaki, Queens Museum of Art: 

“Contemporary Japanese Photography.” 

The Chola Bronzes 

exhibition provided 

the perfect 

opportunity to 

celebrate Cleveland's 

Indian community.

The Sensuous and the Sacred: Chola Bronzes from 

South India 

Lectures: Vidya Dehejia, exhibition curator: 

“Chola Bronzes”; Mohan Nagaswamy, independent 

scholar: “Chola Architecture and 

Bronzes.” 

Demonstration: Sujatha Srinivasan, dancer: 

“Bimbam.” 

Against the Grain: Woodcuts from the Collection 

Lecture: Richard Field, curator emeritus, Yale 

University Art Gallery: “Gauguin, Munch, and 

Vallotton: The Woodcut in the Late 19th 

Century.” 

Demonstration: Mary Rosenthal, Oberlin 

artist: “Woodcut Techniques.” 

Drawing Modern: Works from the Agnes Gund 

Collection 

Agnes Gund and Frank Stella dialogue, moderated 


Artist talks: Judith Glantzman; William 

Kentridge. 

Reopening of the African Galleries 

Amanda Carlson, University of Hartford: 

“Video and Culture: Focusing on the Arts of 

Ejagham and Eastern Nigeria”; Henry John 

Drewal, University of Wisconsin, Madison: 

“Art Works: The Power and Presence of 

Yoruba Art.” 

Other Lectures 

Marie Lathers, Case Western Reserve University: 

“The Venus de Milo, the Victory of 

Somathrace and the Louvre”; Robert Lubar, 

Institute of Fine Arts, New York: “Dali’s 

DREAM: Incredible, Edible, and Pre-Oedipal 

Beauty”; Khenpo Tsewang Gyatso Rinpoche, 

spiritual director of Palyul Chang-chub 

Dargyeling, Chagrin Falls: “The Wisdom of 

Manjusri”; Kent R. Weeks, American University, 

Cairo: “The Death of the Valley of the 

Kings.” 

Archeological Institute of America 

James A. Harrell, University of Toronto: 

“Ancient Egyptian Mines and Quarries”; 

Jonathan Kenoyer, University of Wisconsin, 

Madison: “Ancient Cities of the Indus Valley”; 

Bradley Lepper, Ohio Historical Society: 

“Serpent and Alligator Mounds in Southern 

Ohio”; Jennifer Neils, Case Western Reserve 

University: “The Greeks in Sicily: A New 

Interpretation of Archaic Morgantina”; John 

Papadopoulos, UCLA: “Minting Identity: 

The Invention of Coinage in Magna Graecia”; 

Payson Sheets, University of Colorado: 

“Excavating Ceren: A Miniature Maya 

‘Pompeii’ ”; Franny Taft, Cleveland Institute 

of Art: “Copan: Still Revealing Surprises”; 

Philip Wanyerka, Cleveland State University: 

“Maya Decipherment”; Marjorie Williams, 

Cleveland Museum of Art: “Quest for Eternity: 

Chinese Archaeological Discoveries”; 

Richard Yerkes, Ohio University: “Herders 

and Hunters on the Great Hungarian Plain, 

4500–4000 BC.” 

Textile Arts Alliance Lecture 

Emily DuBois, textile artist and teacher: 

“Painting and Weaving.” 

Harvey Buchanan Lecture 

Hilliard T. Goldfarb, Montreal Museum of 

Fine Arts: “Cardinal Richelieu and ‘Contemporary 

Art.’ ” 

Continuing Education Classes 

Henry Adams, Case Western Reserve University: 

“Artists of the Gilded Age”; Tom Hinson, 

Cleveland Museum of Art: “History of Japanese 

Photography”; Barbara A. Kathman, 

Patricia Ashton, Mary Woodward, Kate 

Hoffmeyer, and Seema Rao, Cleveland Museum 

of Art: “World of Great Art: Ancient Art 

through Early 19th Century”; Seema Rao, 

Cleveland Museum of Art: “Introduction to 

Tibetan Art”; Saundy Stemen, Educator, 

Cleveland Museum of Art: “History of Photography”; 

Michael Weil, CWRU doctoral 

candidate: “Going for Baroque: From 

Caravaggio to Vermeer”; Marjorie Williams, 

Cleveland Museum of Art: “The Art of Chinese 

Technology.” 

Adult Studio Courses 

Susan Gray Bé: “Painting in Oil,” “Portraiture,” 

“Seasonscapes: Oil Painting Outdoors,” 

and “Summer Views”; Kate Hoffmeyer: 

“Beginning Printmaking”; Sue Kaesgen: “Art 

and Architecture Studio for Adults”; Arielle 

Levine: “Bookmaking,” “Color Studies in 

the Galleries,” and “Papermaking”; Saundy 

Stemen: “Printmaking in Relief”; Jesse 

Rhinehart: “Beginning Watercolor,” “Advanced 

Watercolor,” and “Drawing”; Nathan 

Wasserbauer: “All-day Drawing Workshop.” 

Lifelong Learning and the Arts 

Community Partners 2003: Abington Arms; 

Cuyahoga County Board of Mental Retardation; 

Judson Manor; Judson Park; John Klein; 

McGregor Home; Rosalie Philips; Benjamin 

Rose Community Services Adult Daycare 

Services. 

Content Partners 2003: Center for Sacred 

Landmarks, Cleveland State University; 

Cleveland Botanical Garden; Cleveland Artists 

Foundation; Cleveland Public Art; Nina 

Freedlander Gibans; Holy Trinity Church, 

Lorain; Museum of Contemporary Art, 

Cleveland; Reverend David A. Novak; 

Western Reserve Historical Society. 

ARpp82-100.p65 93 

6/2/2004, 12:02 AM 

Performance and Film 

Performing Arts 

VIVA! Festival of Performing Arts 

Chava Alberstein; Boys of the Lough; Dance 

Cuba; Flamenco Festival: Farruquito y Juana 

Amaya; Habib Koité and Ensemble Bamada; 

Masters of Indian Dance: Guru Kelucharan 

Mohapatra; Music, Dance, & Martial Arts of 

Manipur, India: The Anjika Manipuri Dance 

Troupe; Shobana: The Sensous Dances of 

India. 

Carnevale World Music & Dance Series 

Danse Orientale: The Anahid Sofian Dance 

Company; Dee Dee Bridgewater: The Kurt 

Weill Songbook; Flamenco: The Joaquin “El 

Grilo” Dance Company; Mariza Sings Fado: 

The Passion Songs of Portugal; Solas: Music of 

Ireland; The Blind Boys of Alabama; Tango 

Night: Ensemble Avantango. 

Jazz on the Circle 

Charlie Haden: “Nocturne.” 

MLK Jr. Day Celebration 

The Greater Cleveland Choral Chapter. 

Tri-C JazzFest 

Girl Crazy in Concert. 

LuminoCity 

A Waltz Happening: Groundworks Dancetheater, 

David Shimotakahara, choreographer, 

and the LuminoCity Orchestra, James 

Gaffigan, conductor; Gospel Choir with the 

Greater Cleveland Choral Chapter. 

Cool Fridays 

Indoor Garden Court Music 

Mike Crossen; Cuzz Buzz; dbc; George Foley 

Jazz Trio; The Jody Grind; Galye Klaber; 

Nighthawk; BJ O’Malley; DJ Severiano 

Martinez; Tony Pulizzi; Mika Quan; Mike 

Rotman Trio; Reed Simon Trio; Trail; Under 

the Tree. 

Summer Evenings 

Courtyard Music 

The Eddie Baccus Quartet; Blue Lunch; 

Charged Particles; dbc; The Eric Gould Quartet; 

Grupo Fuego; The Cliff Habian Quartet; 

The Susan Hesse Quartet; The KingBees; The 

Ernie Krivda Jazz Quintet; The Mercurys; The 

Ed Michaels Jazz Quartet; Mr. Downchild and 

the House Rockers; The New Harp Experience; 

Nighthawk; The Trisha O’Brien Quintet; 

The Roberto Ocasio Tropical Jam; The 

Mike Petrone Quartet; The Pillbugs; Reuben’s 

Train; Vince Robinson and the Jazz Poets; 

Rumbá; The Rob Sikora Quintet; Slap; 

Tabaco y Café; Doug Wood. 

93

Film 

Series 

African Film Series 

Four features celebrated the reinstallation of the 

museum’s African galleries. 

Aki Film Series 

Four films with music by important contemporary 

composers augmented the museum’s Aki 

Festival of New Music. 

Gilt Trips 

Seven visually splendid literary adaptations 

complemented the museum’s Gilded Age 

exhibition. 

Holiday Film Festival 

A free, five-film series paid tribute to some of 

the film notables who died during the year. 

Individual Films of Note 

2003 Oscar-Nominated Shorts 

Nine animated and live-action short films. 

Absolut Warhola 

Portrait of the Slovakian village where Andy 

Warhol’s parents were born. 

American Mullet 

Documentary about the much-reviled hairstyle. 

Bonhoeffer 

Documentary about the anti-Nazi German 

theologian. 

La Commune (Paris, 1871) 

Peter Watkins’s six-hour faux documentary 

about the creation and failure of a revolutionary, 

utopian French government. 

From the Other Side 

Documentary about Mexicans who illegally 

cross the U.S. border. 

Pixar animator Pete 

Docter appeared in 

June to talk about his 

work on the movie 

Monsters, Inc. 

94 

Girl with a Pearl Earring 

Special advance screening. 

Greed: A Reconstruction 

Four-hour reconstruction of Erich von 

Stroheim’s mutilated silent masterpiece. 

How’s Your News? 

Five young adults with mental and/or physical 

disabilities travel across America conducting 

man-on-the-street interviews. 

The Leopard 

Restored print (from England) of the 1962 

Italian epic directed by Luchino Visconti. 

Reverend Billy & the Church of Stop Shopping 

Portrait of an anti-globalization performance 

artist. 

Rivers and Tides: Andy Goldsworthy Working with 

Time 

Special advance screening. 

Roxie Hart 

The movie that spawned the musical Chicago. 

Schmelvis: Searching for the King’s Jewish Roots 

Amusing, eye-opening documentary. 

Strange Fruit and Hughes’ Dream Harlem 

Black History Month double feature. 

Yellow Asphalt 

Three-part film about Bedouins in contemporary 

Israel. 

Guests during the year: Pixar animator Pete 

Docter (Monsters, Inc.) presented a special program 

of film clips and commentary as a kickoff 

to the new film series, “Panorama: Moving 

Pictures @ the Art Museum.” (With the new 

name came new ticket prices and new marketing 

initiatives, plus a new emphasis on recent 

first-run films.) Time magazine film critic 

Richard Schickel introduced a screening of 

The Magnificent Ambersons; Canadian filmmaker 

Alan Zweig and Cleveland comic book artist 

Harvey Pekar answered questions after a 

screening of Zweig’s documentary Vinyl; John 

Domer, Ohio maker of highway safety films, 

discussed the genre after a screening of a documentary 

about them, Hell’s Highway; Victoria 

Uris, a Columbus filmmaker, commented on 

her award-winning dance films; and Austrian 

filmmaker Harald Friedl discussed his new 

documentary Africa Representa. Two musicians 

and one band—organist Dennis James of 

Tacoma, Washington, pianist David Drazin of 

Chicago, and Cleveland trio Lingua—provided 

live musical accompaniment to three of the 

year’s silent films (Harold Lloyd’s Girl Shy, 

F. W. Murnau’s Faust, and The Cabinet of 

Dr. Caligari). 


Lectures 

Paul Cox, Rebecca Fischer, Bobby Jackson, 

Peter Laki, Steven Plank, Richard Rodda. 

Gala Music Series 

The Brentano String Quartet; The Fred 

Hersch Trio; Wolfgang Holzmair, baritone 

with Russell Ryan, piano; The Kuss Quartet; 

Andrew Manze, baroque violin; Thomas 

ARpp82-100.p65 94 

6/2/2004, 12:02 AM 

Murray, organ; The Sø Percussion Quartet; 

Alisa Weilerstein, cello with Vivian Hornik 

Weilerstein, piano. 

Musart Matinee Series 

Kathy Chastain, flute with Laurent Boukobza, 

piano; The Cleveland Women’s Orchestra; 

Erato String Quartet; Kotaro Fukuma, piano; 

The Klemperer Trio; Malia Bendi Merad, 

soprano with Aymeric Dupré la Tour, piano/ 

harpsichord; Robert Moncrief, organ; Massimo 

Nosetti, organ; Oberlin Collegium, Steven 

Plank, director; Piano/Ohio Competition; 

Karel Paukert, harpsichord with Sandra Simon, 

soprano, “The Gwinn Mansion Performance”; 

Antonio Pompa-Baldi, piano; St. Paul’s Episcopal 

Church Choir, Handbell and Children’s 

Choir, soloists, and instrumental ensemble, 

Karel Paukert, Steven Plank, Cordetta 

Valthauser, and Richard and Beth Nelson, 

directors: “Annual Holiday Concert”; “A 

Tribute to Dr. A. Benedict Schneider”; 

The University Circle Wind Ensemble, Gary 

Ciepluch, director. 

Facets of the Piano Series 

Paul Badura-Skoda, fortepiano; Leon Fleicher, 

piano; Andreas Haefliger, piano; Fred Hersch, 

jazz piano; Andrius Zlabys, piano. 

Aki Festival of New Music 

Opening performance “Incremental Cadenza” 

with Art Acts, Robin VanLear, director; Composers 

in the Heights; The Corigliano String 

Quartet; Robert Dick, flutes; Ensemble Sirius, 

Michael Fowler, piano with Stuart Gerber, 

percussion: “The Music of Karlheinz 

Stockhausen”; John Harbison: “A Talk with 

John Harbison”; Olli Kortekangas: “The Little 

Big Land of Music: A Composer’s View” (lecture); 

The New String Quartet Project; Marilyn 

Nonken, piano: “The Music of Tristan Murail”; 

The Oberlin Contemporary Ensemble, 

Timothy Weiss, director: “Korvat auki! (Ears 

Open): New Music from Finland” and “The 

Music of Joan Tower”; The Pacifica Quartet: 

“Elliott Carter: The Complete String Quartets”; 

Percussion Group Cincinnati: “A John Cage 

Music Circus”; The Sø Percussion Quartet. 

Musart Mondial Series 

Jason Vieaux, guitar; Vermeer String Quartet. 

Summer Evenings 

ENCORE School for Strings Quartet Performance; 

Thierry Escaich, organ; James Higdon, 

organ; Lyric Opera Cleveland; Organ Plus: 

Music for Organ and Instruments 

Karel Paukert, organ; Daniel Shapiro, piano; 

Van/Biran duo piano. 

Curator’s Organ and Keyboard Recitals 

Karel Paukert, 20 recitals and five 

demonstrations.

Summary of Attendance 

Total Attendance, Museum 


450,544 

Chalk Festival 7,000 

Community Arts, offsite events 102,640 

Circle of Masks 675 

Parade the Circle Celebration 52,603 

Winter Lights Lantern Festival 11,000 

Total 

School and Teacher Services 

173,918 

Art to Go 5,599 

Distance Learning 18,410 

Self-guided groups 20,870 

Staff-guided and docent-guided groups 33,184 

Studio programs 2,038 

Teacher Resource Center 2,269 

Teacher Resource Center offsite 2,420 

Monitored drawing in the galleries 84 

ICARE grant 594 

Total 

Family and Youth Programs 

85,468 

Community outreach programs 3,429* 

Family workshops 2,134 

Storytelling 166 

High school programs 1,682* 

Asian Odyssey 1,055* 

Future Connections 500* 

Theater Arts Camp 127 

Museum Art Classes 8,140* 

Special youth programs 1,125* 

Early Learning Initiative 1,025 

Circle Sampler Camp 100 

Special Days 3,672 

Martin Luther King Jr. Day 1,408 

Cultural Heritage Day 580 

Indian Festival Day 1,684 

Total 

For Adults 

20,348 

CWRU classes 14,066* 

CWRU audit classes for members 2,324* 

Gallery talks 3,380 

Highlights tours by docents 3,106 

Public lectures 7,698 

Recorded tours 8,866 

Chola Bronzes 1,770 

Magna Graecia 607 

Sight and Sound 6,489 

Self-guided groups 1,845 

Staff-guided groups 715 

Docent-guided groups 7,045 

Studio classes 5,520* 

Life-long Learning Program 3,460* 

Total 58,025 

Film 8,178 


Performing Arts 

12,087 

Jazz on the Circle 

Summer Evenings (Wednesdays and 

686 

Fridays) (door count) 

Carnevale World Music and 

24,788 

Dance 4,900 

VIVA! Festival of Performing Arts 5,664 

Other concerts, festivals, and workshops 2,485 

Total 33,623 

Grand Total 

*reflects multi-attendance 

391,647 

Ingalls Library 

Book Library 

Cataloging 

Books cataloged 6,794 titles in 8,117 items 

includes books, serials, electronic resources, 

microforms, scores, and video and audio 

recordings, in Roman and CJK scripts 

Volume count as of 

December 31, 2003 304,646 titles 

in 383,627 volumes 

Book repairs 916 

Headings added to ArtNACO 119 

Acquisitions 

Books ordered 4,022 

Books received 5,528 

Gifts received 2,168 

Exchanges received 1,273 

Public Services 

Staff use (February–December) 2,566 

Nonstaff users registered 5,329 

Book circulation 37,119 

CMA staff 24,583 

CWRU 7,895 

Members 911 

Other researchers 3,730 

Books shelved 32,683 

Reference questions answered 2,009 

includes 333 email questions 

Books handled via courier run 5,244 

Interlibrary loans 1,117 

291 as borrower; 757 as lender 

Serials 

Total serial titles 2,991 

Total active titles 1,598 

Total serials checked in 4,045 

Titles cataloged 110 

Sales catalogs received 1,830 

Volumes bound 2,810 

SCIPIO (Sales Catalog Index 

Project Input Online) 

Records added 1,830 

Total records in online system 80,069 

ARpp82-100.p65 95 

6/2/2004, 12:02 AM 

Volunteer Julie 

Stanger enters slide 

information into the 

image library’s 

Re:Discovery online 

database. 

Image Library 

Slides borrowed 27,280 

CMA staff 4,813 

CWRU 14,586 

Public 7,881 

Slide borrowers 888 

CMA staff 214 

CWRU 447 

Public 227 

Slides filed 35,674 

Videos borrowed 66 

Videos watched 61 

Videos owned 1,074 

Acquisitions 

Digital images photographed 651 

Digital images purchased 5,620 

Digital Processing 

Slides scanned 4,833 

Slides printed 936 

Cataloging 

Entered 5,848 

Cataloged 3,874 

Records online in Re:Discovery 178,490 

Images online in Re:Discovery 49,404 

Archives 

Records accessioned 138 cubic feet 

Records processed 63 cubic feet 

Total holdings as 

December 31, 2003 2,100 cubic feet 

Finding aids/box lists prepared 7 

Records sent to offsite storage 78 cubic feet 

File titles added to database 1,985 

Reference requests, total 212 

CMA staff 152 

Public 60 

95

Staff 

Robin VanLear, artistic 

director of Community 

Arts, puts the finishing 

touches on the chalk 

drawing she created to 

celebrate the reopening 

of the gallery of the art 

of sub-Saharan Africa, 

prior to the annual 

Chalk Festival. 

96 

Director’s Office 


Director and Chief 

Executive Officer 

Roberto Prcela, 

Secretary of the 

Board 

Lynn Williams, 

Executive Assistant 

Barbara Kasperski, 

Administrative 

Assistant 

Administration 

Janet Ashe, Deputy 

Director of 

Administration and 

Treasurer 

Design and 

Architecture 

Division 

Jeffrey Strean, 

Director of Design 

and Architecture 

Andrew Gutierrez, 

Architectural 

Draftsman 

Elizabeth Krage, 

Project Coordinator, 

Building Project 

Amy Draves, 


Assistant* 

Elisa Meadows, 


Assistant* 

Design 

JoAnn Dickey, 

Graphic Designer 

Terra Pileski, 

Production 

Designer* 

Mary Thomas, 

Production 

Designer* 

Chris Tyler, Lighting 

Designer 

Randall Von Ryan, 

Director, Museum 

Planning and 

Construction 

Administrator 

Exhibition Production 

Howard Oliver, 

Museum 

Technician/Painter 

Gerald L. Smith, 

Carpenter/Museum 

Technician 

Installation 

Jeff Falsgraf, Chief of 

Installation 

Joseph R. Blaser Jr., 

Lead Technician, 

Permanent 

Collection 

Robin Roth, 

Graphics Technician 

Philip Brutz, 

Installation 

Technician 

Tim Gaewsky, 

Installation 

Technician 

Mark McClintock, 

Installation 

Technician 

Barbara Konrad, 

Installation 

Technician* 

Operations 

Division 

Ian Herron, Director 

of Operations 

Facilities 

Thomas Catalioti, 

Facilities Manager 

Tonya Shaffer, 

Assistant to the 

Facilities Manager 

James F. Rudisille, 

Electrician 

Robin Presley, 

Facilities Painter 

Construction Services 

Mark Unick, 

Foreman, 

Construction 

Services 

Dominique Halley, 

Construction 

Services Technician 

Engineering 

Joseph Z. Jamrus, 

Engineering 

Supervisor 

Anthony Lee, 

Facilities Technician 

Frank Babudar, 3rd 

Shift Engineer 

Thomas J. Cari, 

Engineer 

Anthony Ceo, 

Engineer 

Richard Friend, 3rd 


Pete Joksimovich, 

2nd Shift Engineer 

Mel Matowitz, 2nd 


Fred E. Sanders, 

Engineer 

* part-time 

ARpp82-100.p65 96 

6/2/2004, 12:02 AM 

Building Services 

David Blom, 

Building Services 

Supervisor 

Artice (Joe) Savage, 

Group Leader/ 

General Cleaner 

Shawn Burns, 


LaTonya Cozart, 


Susan Evan, General 

Cleaner 

Brian Ferguson, 


Brian Fields, General 

Cleaner 

Rebecca Harrison, 


Deanna Miller, 


Hercules Riley, 


Ibn Taylor, General 

Cleaner 

John Weems, 


Cynthia Wiggins, 


Monica Wiggins, 


Avila Winston, 


Grounds 

Thomas Hornberger, 

Grounds Supervisor 

Ronald L. Crosby, 

Group Leader/ 

Groundskeeper 

Allen C. Jesunas, 

Grounds Assistant 

Lott Crosby, 

Groundskeeper 

William Foster, 

Groundskeeper 

Joseph L. Hrovat, 

Groundskeeper 

John Sawicki, 

Groundskeeper 

Richard Korosi, 

Groundskeeper* 

Protection Services 

Brad Clark, Chief of 

Protection Services 

Carol Camloh, 

Coordinator 

Jeff Cahill, Manager 

Salvador Gonzalez, 

Manager 

Carolyn M. Ivanye, 

Manager 

Jaime Juarez, 

Manager 

Frederick D. Martin 

Jr., Manager 

Steven Witalis, 

Manager 

William McGee, 

Electronic Security 

Coordinator 

Robert Andrews, 

Supervisor 

James Donovan, 

Supervisor 

Ken Haffner, 

Supervisor 

Eugene Irwin, 

Supervisor 

Carol Meyers, 

Supervisor 

David Setny, 

Supervisor 

Kamilia Abadier, 

Guard 

Soad Al Rashidy, 

Guard* 

Marcus Altus, 

Guard* 

Amber Aras, Guard* 

Maria Aras, Guard 

Alexander Armond, 

Guard* 

Ian Bailey, Guard* 

Guan Barnes, 

Guard* 

Bruce Briggs, 

Guard* 

Frank Cacciacarro, 

Guard 

Ed Cade, Guard* 

Jonathan Cahill, 

Guard* 

David Carter, 

Guard* 

Adam Clark, Guard* 

Mervin Clary, Guard 

Margarita Claudio, 

Guard 

Jonathan Clemente, 

Guard*

Clint Clore, Guard 

Elizabeth Copan, 

Guard* 

Leroy Coston, 

Guard* 

Candice Dangerfield, 

Guard* 

Blanca Dario, 

Guard* 

Dexter Davis, Guard 

Jonah De Rivera, 

Guard* 

Connie Devadoss, 

Guard* 

Antoinette Dudley, 

Guard* 

James Earl, Guard* 

Charles Ellis, Guard 

Ilya Elnatanov, 

Guard* 

Carolyn Ernst, 

Guard* 

Michael Evans, 

Guard 

Stacy Foreman, 

Guard* 

Ted Frisco, Guard* 

Gabe Gaskins, 

Guard* 

Elizabeth Germano, 

Guard* 

Leonard Gipson Jr., 

Guard 

Adrienne Grady, 

Guard* 

Alexander Gulkin, 

Guard* 

Charmane Harris, 

Guard* 

Clifford Hicks, 

Guard 

Abdullah Ibrahim, 

Guard* 

Kenneth Jones, 

Guard* 

Willie Jones, Guard* 

Gerald Karecki, 

Guard 

Walter Karoly, 

Guard* 

Jon Keppel, Guard* 

Dwayne Kirkland, 

Guard 

Anne Laperriere, 

Guard* 

Dontae Hines 

Linder, Guard* 

David Lukanc, 

Guard* 

Emmil Makram, 

Guard* 

Louris Malaty, Guard 

David McElhaney, 

Guard* 

Felice McLin, Guard 

James McNamara, 

Guard 

Salwa Melek, Guard 

George Meluch, 

Guard* 

Valentine Mihalek, 

Guard* 

Matthew Muccio, 

Guard* 

Teresa Najarro, 

Guard 

Daniel Neforos, 

Guard* 

Bern Ninteenofive, 

Guard* 

Adam Noble, 

Guard* 

Vincent Nolasco, 

Guard* 

James Norris, 

Guard* 

Robert Norton, 

Guard* 

Dezso Novota, 

Guard 

Robert Pruitt, 

Guard* 

Vladimir Rasshivkin, 

Guard 

James Rauchfleisch, 

Guard* 

Timothy Roach, 

Guard 

Jason Rudolf, 

Guard* 

Morgan Scagliotti, 

Guard* 

Abram Shneyder, 

Guard 

Bion St. Bernard, 

Guard* 

Alec Stewart, 

Guard* 

Reginald Sturdivant, 

Guard 

Marti Thomas, 

Guard 

Martin Tkac Jr., 

Guard 

Alexander Verni, 

Guard 

Janet Voss, Guard 

Lauren Voss, Guard* 

Seretha Walker, 

Guard* 

John Williams, 

Guard 

Cary Yancey, 

Guard* 

George Youssef, 

Guard 

Richard Zywczyk, 

Guard* 

Alton Avery, Night 

Watch Person 

John Beukemann, 

Night Watch 

Person* 

Vincent D’Amico, 

Night Watch Person 

Anthony Dudley, 

Night Watch 

Person* 

Derrick Fields, Night 

Watch Person* 

Lawrence Fitch, 


Lee Hebebrand, 


Leonard Kile, Night 

Watch Person 

David Robbins, 


John Somogyi, 


Carey Yancey, Night 

Watch Person 

Museum Store 

John Baburek, Buyer 

Diana Borcz, 

Product Developer/ 

Visual Merchandise 

Coordinator 

Dedeja Tsiranany, 

Office Coordinator 

Nancy Vasse-Hansel, 

Wholesale 

Coordinator 

Hedvig Novota, 

Senior Assistant 

Manager 

Carolyn Guy, Selling 

Supervisor 

Patrick Cassidy, Sales 

Assistant* 

Rachel Coon, Sales 

Assistant* 

Mary Howarth, Sales 

Assistant* 

Robert Jaffe, Sales 

Assistant* 

Saul Kammen, Sales 

Assistant* 

Joan Larson, Sales 

Assistant* 

Richard Napoli, 

Sales Assistant* 

Tony Shields, Sales 

Assistant* 

Charlotte Stein, Sales 

Assistant* 

Barbara Wayne, Sales 

Assistant* 

Operations and 

Warehousing 

Marvin Bell, 

Museum Receiver 

Renee Suich, 

Warehouse 

Supervisor 

Michael Meredith, 

Warehouse Assistant 

Supervisor 

Michael Jones, 

Warehouse 

Assistant* 

Distribution Services 

Wanda Ankrom, 


Supervisor 

Kimberly Grice, 


Associate 

Alberta Daniels, 

Delivery Person 

Food Service 

John Royak, Food 

Service Manager 

Denise Cooper, 

Food Service 

Representative* 

Anthony Dudley, 

Food Service 


Derrick Fields, Food 

Service 


Patricia Folds, Food 

Service 


Tonya Pearl, Food 

Service 


Diondra Penland, 

Food Service 


Taisha Polk, Food 

Service 


ARpp82-100.p65 97 

6/2/2004, 12:02 AM 

Jermaine Ross, Food 

Service 


Yvonne Somerville, 

Food Service 


Michael Stephens, 

Food Service 


Laura Swopes, Food 

Service 


Darryl Wesley, Food 

Service 


Maketa White, Food 

Service 


Finance Division 

Connie Pomeroy, 

Finance and 

Purchasing 

Administrator 

Accounting 

Ed Bauer, Controller 

Russ Klimczuk, 

Manager of Financial 

Planning 

Kimberly Cerar, 

Assistant Controller 

Christine Hoge, 

Endowment 

Accountant 

Amy Banko, 

Construction/ 

Development 

Accountant 

Karen Pinson, 

Accounts Receivable 

Specialist 

Melady McCartney, 

Accounts Payable 

Specialist 

Patricia Hunter, 

Payroll Coordinator 

Human Resources 

Division 

Sharon Reaves, 

Director of Human 

Resources 

Sara Allison, Human 

Resources 

Administrator 

Heather Weisenseel, 

Human Resources 

Administrator 

Carla Petersen, 

Benefits Specialist 


Programs 

Charles L. Venable, 

Deputy Director for 


Programs 

Lynn Cameron, 


Conservation 

Division 

D. Bruce Christman, 

Chief Conservator 

Marcia C. Steele, 

Conservator of 

Paintings 

Kenneth Bé, 

Associate 


Paintings 

Moyna Stanton, 

Associate 

Conservator of Paper 

Robin Hanson, 

Assistant Conservator 

of Textiles 

Beth Wolfe, Textile 

Conservation 

Technician 

Lawrence Sisson, 

Assistant Conservator 

of Objects 

James George, 

Preparator 

Joan Neubecker, 

Preparator 

Charles Eiben, 

Preparator for Prints 

and Drawings 

Marta Oriola-Folch, 

Contract 


Paintings 

Linnea Saunders, 

Contract 


Paintings 

Judith DeVere, 


97

Curatorial Division 

African Art and Art of 

the Ancient Americas 

Susan Bergh, 

Associate Curator of 

Art of the Ancient 

Americas 

Constantine Petridis, 


African Art 

Carol A. Ciulla, 


Lisa Binder, 

Curatorial Intern 

Ancient Art 

Michael Bennett, 

Curator of Greek 

and Roman Art 

Rachel Rosenzweig, 

Curatorial Assistant 

David Smart, Senior 

Assistant 

Asian Art 

Ju-hsi Chou, Curator 

of Chinese Art 

Stanislaw J. Czuma, 

George P. Bickford 

Curator of Indian 

and Southeast Asian 


Nancy Grossman, 


Beth Sandersblevans, 

Senior 

Assistant 

Anita Chung, 


Research Fellow 

Decorative Arts 

Carol A. Ciulla, 


Charlotte Vignon, 


Research Fellow 

98 

Contemporary Art and 

Photography 

Jeffrey Grove, 



Tom E. Hinson, 

Curator of 

Photography 

Cathleen Chaffee, 


European and 

American Painting and 

Sculpture 

Sylvain Bellenger, 

The Paul J. and 

Edith Ingalls Vignos 

Jr. Curator of 

European Paintings 

William H. 

Robinson, Curator 

of Modern European 


Kathleen McKeever, 


June de Phillips, 


Guillaume Nicoud, 

Research Assistant 

Margaret Burgess, 


Foundation 

Curatorial Fellow 


Stephen N. Fliegel, 



Rachel Rosenzweig, 


Todd Herman, Kress 

Fellow 

Prints and Drawings 

Carter Foster, 

Curator of Drawings 

Jane Glaubinger, 

Curator of Prints 

Heather Lemonedes, 

Assistant Curator of 

Prints 

Joan Brickley, 


Textiles and Islamic 


Louise W. Mackie, 

Curator of Textiles 

and Islamic Art 

Chris Ujcich, Senior 

Assistant 

Collections Care 

Division 

Exhibition Office 

Heidi Domine, Head 

of Exhibitions 

Marlene Haas, 

Exhibitions 

Coordinator 

Photographic and 

Digital Imaging 

Services 

Howard T. Agriesti, 

Chief Photographer 

Gary Kirchenbauer, 

Associate 

Photographer 

David Brichford, 

Darkroom and 

Imaging Technician 

Bruce Shewitz, 

Assistant Manager 

Publications 

Laurence Channing, 

Head of Publications 

Barbara J. Bradley, 

Senior Editor 

Jane Takac Panza, 

Editor 

Registrar’s Office 

Mary E. Suzor, Chief 

Registrar 

Carolyn T. Thum, 

Associate Registrar 

Gretchen Shie 

Miller, Associate 

Registrar for Loans 

Beth A. Gresham, 

Associate Registrar 

for Exhibitions* 

Jennifer Qualiotto, 

Assistant Registrar 

Jeanette Saunders, 

Assistant Registrar* 

Bridget Weber, 


Andrea S. Bour, 


for Collections 

Information* 

Monica Wolf, Rights 

and Reproduction 

Coordinator 

Jinai Amos, 

Department Assistant 

Andrew Rock, 

Packing Specialist 

Jeff Witt, Art 

Handler/Packing 

Assistant 

Ingalls Library and 

Archives 

Ann B. Abid, Head 

Librarian 

Louis Adrean, 

Associate Librarian 

for Public Services 

Elizabeth Lantz, 

Assistant Librarian 

for Acquisitions* 

Frederick Friedman- 

Romell, Systems 

Librarian 

Maria C. Downey, 

Serials Librarian 

Lori Ann Thorrat, 

Head Cataloger 

Melanie Seal, 

Cataloger 

Christine Edmonson, 

Interlibrary Loan 

Librarian 

Helen Platten, 

Reference Librarian* 

Pamela Braverman, 

Acquisitions 

Assistant* 

Marsha Morrow, 

Acquisitions Assistant 

Stacie A. Murry, 

Cataloging Assistant 

Michael Becroft, 

Serials Assistant 

Jennifer Vickers, 

Circulation Assistant 

Jennifer Smith, 

Library Assistant 

Elizabeth Berke, 


Assistant 

Maureen Cowan, 

Library Technician* 

Sara Jane Pearman, 

Image Librarian 

William Kennedy, 

Slide Cataloger 

Becky Bristol, 

Circulation 

Assistant/Accessioner 

Lisa Wells, Image 

Cataloger* 

Andrew Findley, 

Image Digitizer* 

Leslie Cade, 

Archivist 

Hillary Bober, 

Assistant Archivist 

ARpp82-100.p65 98 

6/2/2004, 12:02 AM 

Education and 

Public Programs 

Division 

Marjorie Williams, 


Education and Public 

Programs 

Kathleen 

Colquhoun, 


Joellen DeOreo, 

Associate Director, 

Exhibitions and 

Adult Programs 

Colleen Cross, 

Special Programs 

Coordinator 

Shannon Masterson, 

Department Head, 

Education Programs 

Cavana I. O. 

Faithwalker, Assistant 

Director, 

Community 

Outreach 

Dyane Hanslik, 

Assistant Director, 

Family and Youth 

Programs 

Dale Hilton, 



Program 

David Shaw, 


Technical Support 

Manager 

Susan Martis, 


Assistant 

Frank Isphording, 


Project Coordinator* 

Mary Ryan, Distance 

Learning Scheduler* 

Barbara A. Kathman, 



Roberta Laster, 


Assistant* 

Michael Starinsky, 



Department 

Alicia Hudson Garr, 



Department 

Jean Graves, Art to 

Go Curriculum 

Writer 

Mary Kate 

Frederickson, Art to 

Go Instructor 

Karen Bourquin, Art 

to Go Assistant* 

Mary Ann Popovich, 


Teacher Resource 

Center (TRC) 

Christine Bizay- 

Vuyancih, TRC 

Assistant* 

Claire Lee Rogers, 


School and Family 

Services 

Massoud Saidpour, 

Artistic Director, 

Performing Arts and 

Film 

Jeremy Shubrook, 

Production 

Coordinator 

John Ewing, 


Film* 

Michael St. Clair, 


Audio Visual 

Services 

Laszlo Vince, AV 

Assistant 

Tim Harry, AV 

Assistant* 

Robin VanLear, 

Artistic Director, 


Nan Eisenberg, 

Coordinator, 


Gail Trembly, 


Assistant 

Mary Woodward, 

Education 

Coordinator* 

Seema Rao, 

Coordinator, Special 

Programs 

Karen Gregg, 

Scheduling 

Administrator 

Penelope D. 

Buchanan, 

Consultant 

Katherine Klann, 

Assistant* 

Anne Kowalski, 

Assistant*


Karel Paukert, 

Curator 

Paul Cox, Assistant 

Curator 

Michael McKay, 

Assistant* 

Development and 


Susan Jaros, Deputy 


Development and 


Jacqueline Kelling, 

Campaign 

Coordinator and 

Division Manager 

Linda Goldstein, 


Development 

Division 

Cynthia Rallis, 


Development 

Connie Breth, 


Assistant 

Kim McCarty, 


Corporate Relations 

Kari Phillips, 

Corporate Relations 

Manager 

Amy Martin, 


Individual Giving 

Dana Myers, 

Individual Giving 

Manager 

Biserka Mikleus, 

Development 

Assistant 

Rebecca Greene, 

Planned Giving 

Assistant 

Patricia J. Butler, 

Support Services 

Administrator 

Racheal Seibert, 

Research Associate 

Denise Kozlowski, 

Development 

Assistant 

Jack Stinedurf, 


Development 

Joan O’Brien, 


Grants and 

Government 

Relations 

Membership 

Andrea Krist, 


Membership 

Bill Davenport, 

Membership 

Assistant 

Maureen Kelly, 

Membership 

Assistant 

Rob Sikora, 

Membership 

Assistant 

Christine Wright, 

Membership 

Assistant 


Division 

Donna Brock, 

Director of External 

Affairs 

Marketing 

Communications 

Rebecca Murphy, 


Marketing 


Nina Arrowood, 

Marketing Associate 

Thomas H. Barnard, 

Graphic Designer 

Gregory M. Donley, 

Senior Writer/ 

Designer, External 

Affairs 

Charles Szabla, 

Production Manager 

Mel Horvath, Printer 

Blaine Stojkov, Press 

Operator 


Rob Bruder, Media 

Relations 

Coordinator 

Julie Limpach, Media 

Relations 

Coordinator 

Guest and Member 

Services 

John Alan, Manager, 

Guest and Member 

Services 

Beverly Essinger, 

Ticket Center 

Assistant Supervisor 

Karen Wellman, 

Ticket Center 

Assistant Supervisor 

Emily Austin-Rose, 

Ticket Agent* 

Sarah Biederman, 

Ticket Agent* 

Karrie Childs, Ticket 

Agent* 

Patricia Dolak, 

Ticket Agent* 

Cynthia Green, 

Ticket Agent* 

Sharon Jacobs, 

Ticket Agent* 

Martha Jacoby, 

Ticket Agent* 

John Kelly, Ticket 

Agent* 

Lori O’Connor, 

Ticket Agent* 

Margaret Day, 

Group Sales 

Coordinator 

Fay Grinage, 

Switchboard 

Operator 

Outreach and Audience 

Development 

Cathy Lewis-Wright, 


Outreach and 

Audience 

Development 

Constituent 

Relations Division 

Karen Carr, Director 

of Constituent 

Relations, Protocol, 

and Events 

Special Events 

Ann Koslow, 

Manager, Special 

Events 

Eliza Parkin, Special 

Events Coordinator 

Gretchen Denaro, 

Department 

Administrator 

Hunter Walter, 


Assistant 

Volunteer Initiatives 

Diane De Bevec, 


Volunteer Initiatives 

Liz Pim, 

Coordinator 

ARpp82-100.p65 99 

6/2/2004, 12:02 AM 

Information 

Technology 

Leonard Steinbach, 

Chief Information 

Officer 

Judy Fredrichs, IT 

Administrator 

Information Services 

Douglas Hiwiller, 

Information Services 

Manager 

Robert Hlad, 

Systems Coordinator 

Margo Frey, User 

Support Specialist 

Marvin Richardson, 

User Support 

Specialist 

New Media Initiatives 

Holly Witchey, 

Manager, New 

Media Initiatives 

Michael Hilliard, 

Assistant Manager, 

New Media 

Initiatives 

Network Services 

Tom Hood, 

Network Manager 

Robert Nuhn, 

Assistant Network 

Manager 

Department Support 

Specialists 

Dave Andrews, 

Administration 

Mike Brugnoni, 

Digital Imaging 

Linda Wetzel, 

Development/ 

External Affairs and 

Education 

Eric Nardone, 

Educational 

Technologist 

99

100 

Not only can you 

touch it—you can 

even play hopscotch 

on it. The annual 

Chalk Festival provides 

many such opportunities, 

as here on 

the south plaza. 

ARpp82-100.p65 100 

6/8/2004, 4:19 PM

Financial Report 2003 

ARppp101-112.p65 101 

6/2/2004, 12:04 AM 

101

102 

TREASURER 

Financially, we have concluded 2003 with a balanced budget and a strong 

balance sheet, bolstered by the improvement in the endowment. 

The museum’s net assets increased by $104.7 million with a $92.2 million 

improvement in the endowment balance. We also recognized an increase 

in pledges receivable as we continue to prepare for the expansion and 

renovation project. 

The market declines from the previous three years adversely affect the 

spending rule and the funds from the endowment that can be drawn upon 

to meet operating expenses. This will be especially evident for the budget 

years 2004 and 2005. Therefore, the museum proactively reduced 

expenses by approximately 10% in order to maintain a balanced budget. 

This was a difficult process, with every area contributing to meet this goal. 

The majority of the reductions were implemented in July 2003, which has 

positioned us well for the next two years. We will continue to be 

proactive by investigating potential revenue streams in the future and 

keeping an ever-vigilant eye on expenses. 

Janet G. Ashe 

Deputy Director of Administration and Treasurer 

ARppp101-112.p65 102 

6/2/2004, 12:04 AM

Revenues 

Investments—general 

and specific purpose 69.6% 

Individual, corporate, 

and government gifts 

and grants 25.6% 

Programs and 

miscellaneous 4.0% 

Retail and fee income 

(net) 0.8% 

Operating Expenditures 

Curatorial, conservation, 

and programs 36.5% 

Design, building, and 

depreciation 31.3% 

Administrative and 

retirees 16.6% 

Membership and 

development 15.6% 

Summary of Key Finance Data 

Years ended December 31 (in thousands) 2003 2002 2001 2000 1999 

Investment $368,099.9 $316,259.8 $384,347.8 $408,479.2 $406,350.5 

Charitable perpetual trusts 289,775.5 249,369.2 295,188.1 325,558.7 351,752.1 

Total 657,875.4 565,629.0 679,535.9 734,037.9 758,102.6 

Art purchases 8,404.7 14,003.0 13,990.0 5,472.7 16,892.1 

Unrestricted revenue and support 33,904.6 33,678.9 31,535.6 31,039.9 27,712.6 

Operating expenses 33,850.0 33,658.4 31,531.4 30,922.6 28,446.0 

Excess (deficiency) of operating revenue and 

support over operating expenses 54.6 20.5 4.2 117.3 (733.4) A 

Five-year average $ (107.4) 

A. Includes a one-time, post-employment benefit expense of $944.2 

ARppp101-112.p65 103 

6/2/2004, 12:04 AM 

103

104 

Report of Independent Auditors 


The Cleveland Museum of Art 

We have audited the accompanying statements of financial position of the 

Cleveland Museum of Art as of December 31, 2003 and 2002, and the 

related statements of activities and cash flows for the years then ended. 

These financial statements are the responsibility of the Cleveland Museum 

of Art’s management. Our responsibility is to express an opinion on these 

financial statements based on our audits. 

We conducted our audits in accordance with auditing standards 

generally accepted in the United States. Those standards require that we 

plan and perform the audit to obtain reasonable assurance about whether 

the financial statements are free of material misstatement. An audit 

includes examining, on a test basis, evidence supporting the amounts and 

disclosures in the financial statements. An audit also includes assessing the 

accounting principles used and significant estimates made by management, 

as well as evaluating the overall financial statement presentation. We 

believe that our audits provide a reasonable basis for our opinion. 

In our opinion, the financial statements referred to above present 

fairly, in all material respects, the financial position of the Cleveland 

Museum of Art as of December 31, 2003 and 2002, and the changes in its 

net assets and its cash flows for the years then ended in conformity with 

accounting principles generally accepted in the United States. 

April 23, 2004 

Cleveland, Ohio 

ARppp101-112.p65 104 

6/2/2004, 12:04 AM

Statements of Financial Position 

December 31, 2003 December 31, 2002 

Assets 

Cash and cash equivalents $ 5,895,733 $ 5,948,314 

Accounts receivable 363,313 395,719 

Inventories 491,343 822,970 

Prepaid expenses and other current assets 951,360 1,297,292 

Investments (Note 6) 368,099,940 316,259,812 

Buildings and equipment: 

Buildings and improvements 29,416,509 29,158,493 

Equipment 13,813,705 12,658,051 

Construction in progress 21,451,668 14,714,546 

64,681,882 56,531,090 

Less accumulated depreciation 33,565,507 31,544,956 

Total buildings and equipment—net 31,116,375 24,986,134 

Other assets: 

Charitable perpetual trusts 289,775,520 249,369,196 

Pledges receivable 19,888,527 11,879,660 

Other 673,507 892,084 

Total assets $717,255,618 $ 611,851,181 


Liabilities and net assets 

Liabilities: 

Accounts payable $ 7,738,929 $ 5,244,345 

Accrued expenses 829,963 892,337 

Short-term borrowings 5,250,000 7,440,000 

Deferred revenue 337,997 300,759 

Other liabilities 6,321,468 6,391,562 

Total liabilities 20,478,357 20,269,003 

Net assets: 

Unrestricted 172,362,762 153,919,509 

Temporarily restricted 214,894,722 168,549,216 

Permanently restricted 309,519,777 269,113,453 

Total net assets 696,777,261 591,582,178 

Total liabilities and net assets $717,255,618 $ 611,851,181 

See notes to financial statements. 

ARppp101-112.p65 105 

6/2/2004, 12:04 AM 

105

Statement of Activities 

Year ended December 31, 2003 

Temporarily Permanently 

Unrestricted Restricted Restricted Total 

Revenues and support 

Contributions and memberships $ 3,299,662 $ 3,299,662 

Trust fund revenues 

Gifts from independent dedicated trusts: 

2,801,170 $ 159,503 2,960,673 

John Huntington Art and Polytechnic Trust 4,226,271 4,226,271 

Horace Kelley Art Foundation 340,000 340,000 

Grants 962,967 350,880 1,313,847 

Program revenues 720,188 720,188 

Special events 544,900 544,900 

Other 386,479 481,544 868,023 

Stores, café, parking, and products 2,790,058 2,790,058 

Grants and gifts for specific capital expenditures 

Investment return designated for 

12,194,063 12,194,063 

current operations (Note 6) 

Net assets released from restrictions used 

14,455,102 335,422 14,790,524 

for operations (Note 5) 3,377,830 (3,377,830) 

Total revenues and support 33,904,627 10,143,582 44,048,209 

Expenses 

Curatorial, conservation, and registrar 6,668,617 6,668,617 

Design and security expenses 6,542,591 6,542,591 

Education, library, and extensions 4,205,813 4,205,813 

Publications, printing, and photography 555,968 555,968 

Membership services 423,333 423,333 

Development, special events, and visitor services 4,441,772 4,441,772 

Administration 5,199,457 5,199,457 

Specific building repairs and maintenance 1,246,832 1,246,832 


Depreciation 2,020,551 2,020,551 

Total expenses 33,850,055 33,850,055 

Excess of revenues and support over expenses 

before other changes in net assets 54,572 10,143,582 10,198,154 

Other changes in net assets 

Endowment and trust income for art purchases 13,108,449 13,108,449 

Net assets released from restrictions used to fund 

acquisition of art objects (Note 5) 8,404,699 (8,404,699) 

Expenditures for the acquisition of art objects (8,404,699) (8,404,699) 

Gifts, contributions, and other changes 111,563 942,014 1,053,577 

Investment return (loss) after amounts 

designated (Note 6) 20,058,962 28,774,316 48,833,278 


for capital (Note 5) 220,145 (220,145) 

Change in fair value of charitable perpetual trusts $ 40,406,324 $ 40,406,324 

Reclassification of net assets (Note 2) (2,001,989) 2,001,989 

Increase in net assets 18,443,253 46,345,506 40,406,324 105,195,083 

Net assets at January 1, 2003 153,919,509 168,549,216 269,113,453 591,582,178 

Net assets at December 31, 2003 $172,362,762 $214,894,722 $ 309,519,777 $696,777,261 


106 

ARppp101-112.p65 106 

6/2/2004, 12:04 AM

Statement of Activities 

Year ended December 31, 2002 


Unrestricted Restricted Restricted Total 

Revenues and support 

Contributions and memberships $ 3,597,861 $ 3,597,861 

Trust fund revenues 

Gifts from independent dedicated trusts: 

3,106,425 $ 182,221 3,288,646 

John Huntington Art and Polytechnic Trust 4,900,000 4,900,000 

Horace Kelley Art Foundation 365,000 365,000 

Grants 821,303 1,178,102 1,999,405 

Program revenues 1,431,865 1,431,865 

Special events 688,333 688,333 

Other 69,310 422,810 492,120 


Grants and gifts for specific capital expenditures 

Investment return designated for 

2,059,605 2,059,605 

current operations (Note 6) 


13,409,884 343,840 13,753,724 

for operations (Note 5) 1,899,183 (1,899,183) 

Total revenues and support 33,678,920 2,287,395 35,966,315 

Expenses 

Curatorial, conservation, and registrar 6,668,645 6,668,645 

Design and security expenses 6,584,738 6,584,738 

Education, library, and extensions 4,236,387 4,236,387 

Publications, printing, and photography 630,003 630,003 

Membership services 660,425 660,425 

Development, special events, and visitor services 3,870,990 3,870,990 

Administration 5,745,327 5,745,327 

Specific building repairs and maintenance 186,507 186,507 


Depreciation 2,049,221 2,049,221 

Total expenses 33,658,379 33,658,379 

Excess of revenues and support over expenses 

before other changes in net assets 20,541 2,287,395 2,307,936 

Other changes in net assets 

Endowment and trust income for art purchases 12,928,128 12,928,128 

Net assets released from restrictions used to fund 

acquisition of art objects (Note 5) 14,003,047 (14,003,047) 

Expenditures for the acquisition of art objects (14,003,047) (14,003,047) 

Gifts, contributions, and other changes 688,720 605,002 1,293,722 

Investment return (loss) after amounts 

designated (Note 6) (40,097,387) (27,940,700) (68,038,087) 


for capital (Note 5) 2,930,995 (2,930,995) 

Change in fair value of charitable perpetual trusts $ (45,818,974) (45,818,974) 

Reclassification of net assets (Note 2) (3,079,161) 3,079,161 

Decrease in net assets (39,536,292) (25,975,056) (45,818,974) (111,330,322) 

Net assets at January 1, 2002 193,455,801 194,524,272 314,932,427 702,912,500 

Net assets at December 31, 2002 $ 153,919,509 $ 168,549,216 $ 269,113,453 $ 591,582,178 


ARppp101-112.p65 107 

6/8/2004, 4:21 PM 

107

Statements of Cash Flows 


Reconciliation of change in net assets to net cash 

used in operating activities 

Increase (decrease) in net assets 

Adjustments to reconcile increase (decrease) in net assets to cash 

used in operating activities: 

$105,195,083 $ (111,330,322) 

Depreciation 2,020,551 2,049,221 

Investment (gain) loss—net (73,015,913) 46,004,648 

(Increase) decrease in fair value of charitable perpetual trusts 

Changes provided by (used in) operating assets and liabilities: 

(40,406,324) 45,818,974 

Decrease in accounts receivable 32,406 76,974 

Decrease in inventories 331,627 169,187 

Decrease in prepaid expenses and other current assets 345,932 970,345 

(Increase) decrease in pledges receivable (8,008,867) 2,086,037 

Decrease in other assets 218,577 143,342 

Increase (decrease) in accounts payable 2,494,584 (1,372,548) 

Decrease in other liabilities and accrued expenses (132,468) (141,987) 

Increase (decrease) in deferred revenue 37,238 (91,265) 

Net cash used in operating activities $ (10,887,574) $ (15,617,394) 

Cash flows (used in) provided by financing activities 

Proceeds from short-term borrowings 4,440,000 

Payments on short-term borrowings (2,190,000) 

Net cash (used in) provided by financing activities (2,190,000) 4,440,000 

Cash flows provided by investing activities 

Purchases of buildings and equipment (8,150,792) (8,694,864) 

Proceeds from sales and maturities of investments 203,379,885 118,961,089 

Purchases of investments (182,204,100) (96,877,737) 

Net cash provided by investing activities 13,024,993 13,388,488 

Net (decrease) increase in cash and cash equivalents (52,581) 2,211,094 

Cash and cash equivalents at beginning of year 5,948,314 3,737,220 

Cash and cash equivalents at end of year $ 5,895,733 $ 5,948,314 


108 

ARppp101-112.p65 108 

6/2/2004, 12:04 AM

Notes to Financial Statements 

1. Organization 

2. Significant 

Accounting 

Policies 

The Cleveland Museum of Art (the Museum) 

maintains in the City of Cleveland a museum 

of art of the widest scope for the benefit of the 

public. 

Use of Estimates 

The preparation of financial statements in 

conformity with accounting principles generally 

accepted in the United States requires 

management to make estimates and assumptions 

that affect the amounts reported in the 

financial statements and accompanying notes. 

Actual results could differ from those estimates. 

Temporarily and Permanently Restricted Net 

Assets 

Temporarily restricted net assets are used to 

differentiate resources, the use of which is 

restricted by donors or grantors to a specific 

time period or for a specific purpose, from 

resources on which no restrictions have been 

placed or that arise from the general operations 

of the Museum. 

Temporarily restricted gifts, grants, and bequests 

are recorded as additions to temporarily 

restricted net assets in the period received. 

When restricted net assets are expended for 

their stipulated purpose, temporarily restricted 

net assets become unrestricted net assets and 

are reported in the statement of activities as net 

assets released from restrictions. For temporarily 

restricted net assets used for major capital 

projects, the Museum records the additions to 

temporarily restricted net assets and then reports 

the annual depreciation expense as a 

reclassification to unrestricted net assets as net 

assets released from restrictions. There were no 

such reclassifications in the 2003 or 2002 statement 

of activities. 

Permanently restricted net assets consist of 

amounts held in perpetuity or for terms designated 

by donors. Earnings on investments, 

unless restricted by donors, of the permanently 

restricted net assets are included in unrestricted 

revenues and other changes in net assets. Restricted 

earnings are recorded as temporarily 

restricted revenues until amounts are expended 

in accordance with the donors’ specifications. 

Art Collection 

In keeping with standard museum practice, 

purchases for the collection are recorded as 

expenditures for the acquisition of art objects 

in the statement of activities in the year in 

which the objects are acquired. Proceeds from 

the deaccession of art objects are recorded as 

temporarily restricted net assets and are restricted 

to the acquisition of other art objects. 

The collections, which were acquired via purchases 

and contributions, are not recorded as 

assets on the statement of financial position. 

Cash Equivalents 

Cash equivalents are highly liquid investments 

with a maturity of three months or less when 

purchased. Cash equivalents are measured at 

fair value in the statements of financial position 

and exclude amounts restricted or designated 

for long-term purposes. 

Inventories 

Inventories consist of merchandise available for 

sale and are stated at the lower of average cost 

or market. 

Investment Income 

Investment income, including realized gains 

(losses), is added to (deducted from) the appropriate 

unrestricted or temporarily restricted net 

assets. Unrealized gains (losses) are added to 

(deducted from) the applicable unrestricted, 

temporarily, or permanently restricted net 

assets. 

Financial Instruments 

The carrying values of accounts receivable, 

accounts payable, accrued expenses, and shortterm 

borrowings are reasonable estimates of 

their fair value due to the short-term nature of 

these financial instruments. 

Donated Services 

No amounts have been reflected in the financial 

statements for donated services. The Museum 

pays for most services requiring specific 

expertise. However, many individuals volunteer 

their time and perform a variety of tasks 

that assist the Museum with various programs. 

Special Exhibitions 

Prepaid expenses and deferred revenue include 

expenditures and revenues in connection with 

the development of special exhibitions. Revenues 

and expenses are recognized pro-rata 

over the life of the exhibition. Revenues include 

such items as corporate and individual 

sponsorships. The expenditures generally include 

such items as research, travel, insurance, 

transportation, and other costs related to the 

development and installation of the exhibition. 

Contributions 

Unconditional pledges to give cash, marketable 

securities, and other assets are reported at fair 

value and discounted to present value at the 

date the pledge is made to the extent estimated 

to be collectible by the Museum. Conditional 

promises to give and indications of intentions 

to give are not recognized until the condition 

is satisfied. Pledges received with donor restrictions 

that limit the use of the donated assets are 

reported as either temporarily or permanently 

restricted support, or other changes in net 

ARppp101-112.p65 109 

6/2/2004, 12:04 AM 

109

3. Temporarily 

Restricted Net 

Assets 

Temporarily restricted 

net assets are 

available for the 

following purposes at 

December 31: 

110 

assets. When a donor restriction expires, that 

is, when a stipulated time restriction ends or 

purpose restriction is accomplished, temporarily 

restricted net assets are reclassified to 

unrestricted net assets and reported in the 

statement of activities as net assets released 

from restrictions. 

2003 2002 

Pledges due: 

In less than one year $ 5,147,905 $ 3,244,687 

In one to five years 12,283,488 5,113,320 

Greater than five years 7,277,337 7,647,337 

24,708,730 16,005,344 

Discount on pledges (4,820,203) (4,125,684) 

Charitable Perpetual Trusts 

The Museum is the sole income beneficiary of 

several charitable perpetual trusts and a partial 

income beneficiary of other charitable perpetual 

trusts. Because the trusts are not controlled 

by the Museum, the assets are classified 

as permanently restricted net assets. The charitable 

perpetual trusts are presented at the fair 

value of the Museum’s portion of the underlying 

trust assets. The fair value of the charitable 

perpetual trusts increased (decreased) by 

$40,406,324 and ($45,818,974) in 2003 and 

2002, respectively, and the increase (decrease) 

was classified as a permanently restricted other 

change in net assets, within the statement of 

activities. Income distributed to the Museum 

by the trusts amounted to $11,243,283 and 

$13,202,055 in 2003 and 2002, respectively, 

and was classified as unrestricted and temporarily 

restricted revenue in trust fund revenues 

and gifts from independent dedicated trusts, 

including income restricted for acquisition of 

art objects of $3,716,339 and $4,648,409, in 

2003 and 2002, respectively, which was classified 

as an other change in temporarily restricted 

net assets. 

Buildings and Equipment 

Buildings and equipment are carried at cost. 

Depreciation is computed by the straight-line 

method using the estimated useful lives of the 

assets. 

$ 19,888,527 $ 11,879,660 

During 2000, the Museum undertook a 

project to restore and renovate the original 

1916 building and surrounding walkways and 

landscaping. Included in operating expenses for 

2002 are $186,507 related to the assessment 

and phase one segments of the project. There 

were no similar expenses incurred in 2003. 

Phase one expenses primarily relate to repair 

and maintenance of the exterior of the 1916 

building. Phases two and three relate to expenditures 

that are capital in nature and prolong 

the useful life of the buildings. Included in 

construction in progress and net assets released 

from restriction used for capital at December 

31, 2003 and 2002 are $220,145 and 

$2,930,995, respectively, related to the capital 

phases of the project. 

The Museum also undertook a project to restore 

and maintain the area referred to as the 

Fine Arts Garden, which is located south of 

the front entrance to the 1916 building. For 

2003, a total of $1.3 million was included in 

operating expenses related to this undertaking. 

In addition, approximately $13 million has 

been committed for architect/contractor fees 

related to new construction and renovation of 

existing facilities of which $7.7 million has 

been expended and is included in construction 

in progress at December 31, 2003. 

Reclassifications 

In 2003 and 2002 certain assets were reclassified 

from unrestricted to temporarily restricted 

based on a review or modification of donor 

specifications. 


Acquisition of art $156,044,057 $ 128,791,644 

Specific operating activities: 

Curatorial and conservation 8,071,845 6,766,681 

Education and extensions 5,232,059 3,209,751 

Library 1,805,463 1,573,918 

Publications, printing, and photography 4,057,092 1,794,309 

Musical programming 3,453,041 2,995,441 

Buildings, grounds, and protection services 31,307,877 19,360,166 

Fine Arts Garden 2,486,826 2,137,632 

Sundry 2,436,462 1,919,674 

Total temporarily restricted net assets $214,894,722 $ 168,549,216 

ARppp101-112.p65 110 

6/2/2004, 12:04 AM

4. Permanently 

Restricted Net 

Assets 

Permanently restricted 

net assets are amounts 

held in perpetuity, or 

for terms designated by 

donors, the income 

from which is expendable 

to support the 

following purposes at 

December 31: 

5. Net Assets 

Released from 

Restrictions 

Net assets were released 

from restrictions 

during 2003 and 

2002 by incurring 

expenses or making 

capital expenditures 

satisfying the restricted 

purposes as 

follows: 

6. Investments 

Fair Value 

Fair value, based on 

quoted market 

prices, of investments 

at December 31 are 

as follows: 

Investment Returns 

The following summarizes 

returns from 

the Museum’s investments 

and the 

related classifications 

in the statements of 

activities: 


Purchase of art $100,480,396 $ 88,957,826 

Specific operating activities 4,633,867 4,223,552 

General operating activities 204,405,514 175,932,075 

Total permanently restricted net assets $309,519,777 $ 269,113,453 


Acquisition of art $ 8,404,699 $ 14,003,047 

Specific operating activities: 

Curatorial and conservation $ 1,564,272 $ 414,369 

Education and extensions 149,358 551,005 

Library 55,359 24,731 

Musical programming 179,142 139,001 

Fine Arts Garden 97,304 280,592 

Sundry 85,564 302,978 

Buildings, repair, and maintenance 1,246,831 186,507 


for operations $ 3,377,830 $ 1,899,183 

Net assets released from restrictions used for 

capital expenditures were $220,145 and 

$2,930,995 for 2003 and 2002, respectively. 


Cash and cash equivalents $ 3,556,714 $ 3,900,912 

Bonds and combined bond funds 43,384,319 57,040,936 

Stocks and combined stock funds 316,303,807 252,300,445 

Other assets 4,855,100 3,017,519 

$368,099,940 $ 316,259,812 


2003 Unrestricted Restricted Restricted 

Dividends and interest $ 1,592,064 $ 1,801,809 

Realized and unrealized gains net 

of realized and unrealized losses 32,922,000 36,700,040 

Change in fair value of charitable perpetual trusts $ 40,406,324 

Investment return 34,514,064 38,501,849 40,406,324 

Investment return designated for current operations (14,455,102) (335,422) 

Investment return after amounts designated (9,392,110) 

Investment return after amounts designated $ 20,058,962 $ 28,774,316 $ 40,406,324 

2002 

Dividends and interest $ 3,254,229 $ 4,059,470 

Realized and unrealized losses net 

of realized and unrealized gains (29,941,732) (23,376,615) 

Change in fair value of charitable perpetual trusts $ (45,818,974) 

Investment return (loss) (26,687,503) (19,317,145) (45,818,974) 

Investment return designated for current operations (13,409,884) (343,840) 

Investment return after amounts designated (8,279,715) 

Investment return (loss) after amounts designated $ (40,097,387) $ (27,940,700) $ (45,818,974) 

ARppp101-112.p65 111 

6/2/2004, 12:04 AM 

111

Spending Rule 

Concept 

112 

The Museum uses the spending rule concept 

in making distributions from its investments. 

In doing so, the Museum takes into account 

the distributions from the charitable perpetual 

trusts. Under this method, a portion of its 

investment earnings is recorded as unrestricted 

revenue. For 2003 and 2002, the amount of 

investment income used by the Museum for its 

operations and purchases of art was calculated 

7. Pension The Museum converted from a contributory 

defined benefit pension plan (the Plan) for eligible 

employees to a noncontributory defined 

benefit plan on January 1, 2002. Eligible participants 

in the Plan on December 31, 2001 

were given the option of continuing to contribute 

to the contributory defined benefit plan. 

For those employees not making this election, 

their accumulated benefit was converted to the 

The following table 

sets forth the funded 

status of the Plan at 

December 31: 

The following table 

summarizes the net 

periodic pension cost 

and other activity 

related to the Plan 

for the year ended 

December 31: 

8. Postretirement Medical Benefits 

The Museum provides health care benefits 

upon retirement to certain employees meeting 

eligibility requirements as of December 31, 

2001. No other employees are eligible to receive 

these health care benefits after that date. 

The Museum’s policy is to fund the annual 

costs of these benefits from unrestricted assets 

of the Museum. The Museum paid 

postretirement medical benefits of $434,713 

and $341,824 in 2003 and 2002, respectively. 

The Museum had net postretirement benefit 

expense of $397,950 and $380,390 at December 

31, 2003 and 2002, respectively. The accumulated 

postretirement medical benefit obligation 

was approximately $5.3 and $5.4 million 

at December 31, 2003 and 2002, respectively, 

and is included in other liabilities. The 

postretirement benefit obligation was actuarially 

determined with a discount rate of 6.25% 

using a spending rate of 5.0% of the market 

value of the investments for the prior twentyquarter 

average ending September 30 of the 

prior year, as adjusted (subject to certain limitations) 

for inflation and additional contributions. 

Investment returns in excess of (less 

than) amounts designated for current operations 

are classified as other changes in net assets 

in the statement of activities. 

noncontributory defined benefit plan (the Plan). 

For either contributing or noncontributing participants, 

benefits under the Plan are based on 

years of service and the final five-year average 

compensation. It is the policy of the Museum to 

fund with an insurance company at least the 

minimum amounts required by the Employee 

Retirement Income Security Act. Plan assets are 

invested in group annuity contracts. 


Benefit obligation at year end $ 20,200,023 $ 17,799,789 

Fair value of plan assets at year end 21,213,204 20,511,873 

Overfunded status of the plan $ 1,013,181 $ 2,712,084 

Prepaid benefit cost recognized in the 

statements of financial position $ 149,301 $ 495,782 


Weighted-average assumptions as of December 31: 

Discount rate 6.25% 6.75% 

Expected rate of return on plan assets 7.00% 7.00% 

Compensation growth rate 3.00% 3.00% 


Net periodic benefit cost $ 346,481 $ 271,356 

Employer contributions 

Employee contributions 114,446 118,511 

Benefits paid 969,803 973,749 

In addition, effective January 1, 2002 the 

Museum initiated a 401(k) savings plan. The 

Museum matches employee contributions at a 

rate of 50% of the first 4% of total compensa- 

and 6.75% in 2003 and 2002, respectively. The 

health care cost trend rate for 2004 is 14% 

decreasing to an ultimate rate of 5.5% in 2008. 

9. Financing Arrangements 

At December 31, 2003 and 2002, the Museum 

has $5,250,000 and $4,440,000 of short-term 

borrowings under a line of credit with a bank. 

The amounts borrowed under the line of 

credit bears interest at the London Interbank 

Offering Rate (LIBOR) plus 75 basis points 

(1.91% to 1.92% at December 31, 2003 and 

2.17% to 2.51% at December 31, 2002) and is 

payable on demand. The unused portion of 

the line of credit, $14,750,000 and 

$15,560,000 at December 31, 2003 and 2002, 

respectively, can be drawn upon as needed. 

The Museum incurred interest expense on the 

line of credit of approximately $20,000 and 

$25,000 in 2003 and 2002. Interest payments 

tion. The Museum’s contributions to the 401(k) 

plan were $170,482 and $190,324 in 2003 and 

2002, respectively. 

ARppp101-112.p65 112 

6/2/2004, 12:04 AM 

amounted to approximately $97,000 and 

$22,000 in 2003 and 2002, respectively. 

At December 31, 2002, the Museum had 

$3,000,000 of short-term borrowings under a 

demand note with a bank. No amounts were 

outstanding under the line at December 31, 

2003. The amount borrowed under the note 

bears interest at LIBOR plus 30 basis points 

(1.93% at December 31, 2002) and is payable 

on demand. The Museum incurred interest 

expense on the note of approximately $44,000 

and $72,000 in 2003 and 2002. Interest payments 

amounted to approximately $54,000 and 

$73,000 in 2003 and 2002, respectively. 

10. Income Taxes 

The Museum is a non-profit organization and 

is exempt from federal income taxes on related 

income under Section 501(c)(3) of the Internal 

Revenue Code.

ANNUAL REPORT 2003 - Cleveland Museum of Art

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?