Annual Report (10.1 MB PDF) - Cleveland Museum of Art

ANNUAL REPORT 

January 1, 2005–June 30, 2006

ANNUAL REPORT 

January 1, 2005–June 30, 2006

Cover: With a 

coordinated museumwide 

effort, the entire 

collection was 

deinstalled during the 

spring of 2005. 

Above: Director-to-be 

Timothy Rub addresses 

the staff on the day of 

his appointment in 

January 2006. 

2

4 Board of Trustees 

5 Trustee Committees 

6 Director 

10 Chairman 

12 President 

14 Renovation and Expansion 

20 Collections 

54 Exhibitions 

64 Performing Arts, Music, and Film 

70 Community Support 

108 Education and Public Programs 

124 Staff 

129 Financial Report 

130 Treasurer 

The Cleveland 

Museum of Art 

11150 East Boulevard 

Cleveland, Ohio 

44106-1797 

Copyright © 2006 



All rights reserved. 

No part of this 

publication may be 

reproduced or 

transmitted in any 

form or by any 

means, electronic or 

mechanical, without 

the prior written 

permission of the 

Cleveland Museum 

of Art. 

The Annual Report 

was produced by 

the External Affairs 

division of the 



Writing: Individual 

departments plus 

Gregory M. Donley 

Editing: Barbara J. 

Bradley and Kathleen 

Mills 

Design: Thomas H. 

Barnard 

Production: Charles 

Szabla 

Printing: Great Lakes 

Integrated 

The type is Bembo 

and TheSans adapted 

for this publication. 

For photography 

credits, see p. 128. 

3

Board of Trustees 

Officers 

James T. Bartlett, 

President 

Michael J. Horvitz, 

Chairman 

Ellen Stirn Mavec, 

Vice President 

William R. 

Robertson, Vice 

President 

Katharine Lee Reid, 

Consulting Director 

(until April 2006) 

Timothy Rub, 

Director (as of April 

2006) 

Janet G. Ashe, 

Secretary and 

Treasurer 

Roberto A. Prcela, 

Assistant Secretary of 

the Board 

4 

Standing Trustees 

Virginia N. Barbato 

James T. Bartlett 

James S. Berkman 

Charles P. Bolton 

Sarah S. Cutler 

Helen Forbes-Fields 

Robert W. Gillespie 

George Gund III 

Michael J. Horvitz 

Charles S. Hyle 

Anne Hollis Ireland 

Adrienne Lash Jones 

Susan Kaesgen 

Robert M. Kaye 

Nancy F. Keithley 

Jeffrey D. Kelly 

R. Steven Kestner 

Alex Machaskee 

William P. Madar 

Ellen Stirn Mavec 

S. Sterling 

McMillan III 

Rev. Dr. Otis Moss Jr. 

Stephen E. Myers 

Alfred M. Rankin Jr. 

James A. Ratner 

William R. 

Robertson 

Elliott L. Schlang 

David M. Schneider 

Mark Schwartz 

Eugene Stevens 

Ex Officio 

Linda McGinty, 

Womens Council 

Timothy Rub, 


2006) 

Trustees Emeriti 

Peter B. Lewis 

Michael Sherwin 

Richard T. Watson 

Life Trustees 

Elisabeth H. 

Alexander 

Quentin Alexander 

Leigh Carter 

James H. Dempsey Jr. 

Mrs. Edward A. 

Kilroy Jr. 

Jon A. Lindseth 

Mrs. Alfred M. 

Rankin 

Donna S. Reid 

Edwin M. Roth 

Frances P. Taft 

Paul J. Vignos, M.D. 

Alton W. Whitehouse 

Dr. Norman 

Zaworski 

Theodore Roszak 

(American, 1907–1981); 

White and Steel Polars, 

1945; painted wood, 

steel, iron, and 

Plexiglas; 271.8 x 40.6 x 

40.6 cm; Leonard C. 

Hanna Jr. Fund 

2005.144. 

Honorary Trustees 

Mrs. Noah L. Butkin 

Mrs. Ellen Wade 

Chinn 

Mrs. John Flower 

Mrs. Robert I. Gale Jr. 

Robert D. Gries 

Ms. Agnes Gund 

Mrs. John Hildt 

Ward Kelley 

Dr. Sherman E. Lee 

Milton Maltz 

Eleanor Bonnie 

McCoy 

John C. Morley 

Mary Schiller Myers 

Jane Nord 

Mrs. R. Henry 

Norweb Jr. 

James S. Reid 

Barbara S. Robinson 

Viktor Schreckengost 

Laura Siegal 

Evan Hopkins Turner 

Iris Wolstein

Trustee Committees 

Standing 

Committees 

Collections 

Elliott L. Schlang, 

Chair 



George Gund III 








ex officio 

Committee on 

Trustees 

William R. 

Robertson, Chair 

Sarah S. Cutler, 

Co-Chair 









Compensation 


Chair 




Executive 


Chair 





Adrienne Lash Jones 






William R. 

Robertson 

Finance 

William P. Madar, 

Chair 






William R. 

Robertson 



Investment 

Alfred M. Rankin Jr., 

Chair 




S. Sterling 

McMillan III 

William R. 

Robertson 





Advisory 

Committees 

Accessions Advisory 


Chair 

Elisabeth H. 

Alexander 



Helen Forbes Fields 

Dorothy T. Hildt 

Marguerite B. 

Humphrey 

Robert H. Jackson 

Mrs. Edward A. 

Kilroy Jr. 


Tamar Maltz 



Rankin 

Edwin M. Roth 

Mark Schwartz 


Paul J. Vignos Jr., 

M.D. 

Iris Wolstein 

Dr. Norman W. 

Zaworski 



African American 

Community Task 

Force 

Adrienne Lash Jones, 

Chair 

Montrie Rucker 

Adams 

June S. Antoine 

Emma Benning 

Albert Bright 

Margot James 

Copeland 

James Crosby 

Helen Forbes Fields 

Giesele Greene, M.D. 

Ms. Bert Laurelle G. 

Holt 

Bracy Lewis 

Franklin Martin 

The Reverend 

Marvin McMickle 

Grace Lee Mims 

Steven A. Minter 


Greg Reese 

Dr. Lawrence 

Simpson 

Andrew Venable 



Education 

Adrienne Lash Jones, 

Chair 

Virginia N. Barbato, 

Co-Chair 

James S. Berkman 

Jeanette Grasselli 

Brown 

Leigh Carter 

Sr. Maureen Doyle 

Carol S. Franklin 

Debra Guren 

Mrs. Bert Laurelle G. 

Holt 

Susan W. MacDonald 

S. Sterling 

McMillan III 



Susan H. Turben 

Paul J. Vignos Jr., 

M.D. 

Sally H. Wertheim 



Exhibitions & 

Marketing 

Eugene Stevens, 

Chair 


Charles S. Hyle 


Susan Potter 

David Ricanati 

W. Allen Shapard 



Fine Arts Garden 

Ruth Eppig, 

Chairman 

Elisabeth H. 

Alexander 

Terri Hamilton 

Brown 

Perrin Carpenter 

Mrs. Ellen Wade 

Chinn 

Jennifer Coleman 

Fluker 

Mrs. Allen Ford 

Mrs. Morley 

Hitchcock 

Brian Holley 

John G. Michalko II 

Donald Morrison 

Natalie Saiklay 

Clara D. Sherwin 

Mrs. Charles Weller 

Dr. Norman W. 

Zaworski 



Information 

Technology 

Anne Hollis Ireland, 

Chair 

Sylvie Bon 

Dr. Delos M. 

Cosgrove III 

Jennie S. Hwang 

Trevor Jones 

Joseph P. Keithley 

Bruce V. Mavec 




Ad Hoc Committees 

Campaign Cabinet 

Ellen Stirn Mavec, 

Chair 







Donna S. Reid 


of Art Building 

Oversight 

Committee 


Chair 



James A. Ratner 

Donna S. Reid 

Legislative Affairs 

Jon A. Lindseth, 

Chair 





Donna S. Reid 




5

Timothy Rub is 

introduced to the 

staff of the 



6 

Curator of Prints Jane 

Glaubinger greets the 

new director while 

Curator Emeritus Stan 

Czuma looks on. 

From the Director 

As even a cursory glance at this annual report will reveal, the past year at 

the Cleveland Museum of Art has been, in a word, transformational. While 

some might be skeptical about the merits of such a claim, in this case—and at 

this time in the history of this institution—it is, I believe, entirely justified. 

Consider the facts: more than 40,000 objects were moved during the 

course of five months as we closed our galleries and reluctantly put our 

world-renowned collection, in its entirety, in storage; fully half of our staff 

relocated to temporary quarters in an office building in downtown 

Cleveland; and, most significant, a renovation and expansion project 

started that will, when completed, leave virtually no part of the museum 

untouched. 

While 2005-06—the period covered by this annual report—has not 

been a time, as the saying goes, for the faint of heart, it has also brought 

out the best in our staff, our trustees, and our community. To our many 

members and friends we owe a debt of gratitude both for the patience they 

have shown while the museum has been closed and for the enthusiasm 

they have expressed for our ambitious capital project. To our trustees and 

donors who have supported the first phase of this work, we are deeply 

grateful for their generous contributions to an initiative that they believe is 

vitally important not only to the future of this institution, but also to our 

city and our region. Finally, we are especially thankful for the efforts of our

Tours continued— 

with a few detours— 

as galleries closed for 

renovation. 

staff throughout this entire process. Without their goodwill and determination, 

we could not have accomplished so much in such a short period. 

Although the dominant theme of the past year has been the closing of 

the museum to prepare for the beginning of our renovation and expansion, 

it should not go unremarked that an equally important focus of our 

work was how we could continue to serve the Cleveland community during 

a time when our customary means of doing so—galleries, classrooms, 

and the several wonderful performance spaces we have in Marcel Breuer’s 

great 1971 addition to the museum—were closed to the public. Again, 

much credit is due to our trustees, who encouraged us to find different 

ways of making the museum accessible, and to our staff, who demonstrated 

a great deal of creativity in bringing the museum to the public in 

many different venues in and around Cleveland. In the process we made 

many new friends for the museum, forged new institutional partnerships, 

and learned much more about the community—or, better yet, communities—that 

we serve. 

Most notable among these efforts was the development of exhibitions 

such as The Persistence of Geometry, a groundbreaking collaboration with 

our sister institution MOCA Cleveland, and long-term loans to other 

institutions such as the Allen Memorial Art Museum at Oberlin College. 

They also included highly acclaimed performances in a number of differ- 

7

Parade the Circle 

made its annual 

appearance in June 

2005 and again in 

2006. Crowds and 

marchers alike took 

the construction in 

stride. 

8 

In one of his first 

official trips as 

director, Timothy Rub 

traveled to Beijing 

for the opening of 

From Monet to Picasso: 

Masterworks from 

the Cleveland Museum 


ent spaces throughout the city as the VIVA! & Gala Around Town series 

made a virtue of necessity and became nomadic, as it were, for the year. 

Finally, the Education department maintained the museum’s rich traditions 

of community engagement by presenting many of its core programs 

at schools and community centers. 

All this work—some of it new, some of it the continuation of programming 

we would have otherwise presented at our home in University 

Circle—was considered vitally important to the successful implementation 

of a broad strategy that called for the museum to remain active and accessible 

even during the brief period of time (a little less than a year, from 

December 2005 to October 2006) that our facility had to be closed to the 

public in order to complete much-needed improvements to infrastructure 

and the renovation of the Breuer building. What is more, it took place 

against the backdrop of a range of activities such as the development of 

exhibitions, the acquisition of new works of art, and research on the 

collection that are and will always remain at the heart of our enterprise. 

Once again, it is worth noting that we are at the beginning of a comprehensive 

effort to renovate our home in University Circle that will, 

when it is completed in 2011, have achieved many important goals. First 

and foremost, this project will provide a setting that is a worthy complement 

to our superb collection and much more space for its presentation 

than was hitherto available for this purpose. It will also work much 

more effectively, providing adequate facilities for the care and storage of 

the collection, well-equipped working areas for our staff, and expanded 

amenities for the public. Third, with new classrooms and distancelearning 

studios, a renovated auditorium, lecture hall, and recital hall, 

a spacious new home for Ingalls Library, and an innovative center for

Studio classes 

continued in the old 

classrooms until the 

summer of 2005. 

With only peaceful 

intentions, installation 

crew member Hannah 

Ries hoists a 16thcentury 

German 

halberd as the Armor 

Court is emptied of 

works of art. Mark 

McClintock holds a 

piece of foam to 

protect the top of the 

display case as Evelyn 

Hayes looks on. 

lifelong learning, it will enable us once again to place proper emphasis on 

the educational mission of this institution, Finally, the superb design that 

Rafael Viñoly has prepared for this project will enable the Cleveland 

Museum of Art to serve—as any museum of this stature should—as one of 

the principal destination points for visitors to our city and one of its finest 

civic spaces, a place that every member of our community can look to 

with pride and a sense of accomplishment. 

Having come to Cleveland last April to assume my duties as the seventh 

director of this institution, I was struck by the palpable sense of 

excitement that the start of our renovation and expansion had created. 

It has been seen—quite rightly, in my opinion—not only as a necessary 

step in the renewal of one of this country’s finest art museums but also as 

an affirmation of a strong belief in the future of this city and the region 

that it serves. It is a great time to be in Cleveland and at the Cleveland 

Museum of Art. 

Timothy Rub 

Director and Chief Executive Officer 

9

10 

Seen from the roof of 

the 1916 (south) 

building, steel framing 

and the construction 

fence begin to suggest 

the form of the new 

east wing. 

From the Chairman 

As the period of this report came to a close at the end of June, much had 

been accomplished in the museum’s renovation and expansion project. In 

the remodeled Breuer education wing, we could see bright and welcoming 

classrooms and facilities on the lower level. Upstairs, the library’s new 

home, with a clerestory roof casting soft light on a new reading room, was 

taking shape. 

Outside, glass panels now frame in a new vestibule to provide direct 

indoor access from the parking garage and brighten the entry into the 

north lobby. The words “welcome” affixed to the glass in a dozen different 

languages reinforce the point. The transparency not only invites visitors 

in, but allows people standing inside the museum to see out into the 

lovely Wade Oval park. 

Meanwhile, construction on the new east wing already suggests the 

shape of the addition and indicates to us all how glorious the new museum 

will be, with an expansive special exhibitions area on the lower level 

and airy new spaces for the permanent collection above. 

While the physical transformation of the museum is impressive, this 

project is really about art and people—and how our museum can be the 

best in the world at bringing them together. We firmly believe that the 

connection between art and people has extraordinary potential to enhance 

lives, and that is why we are so committed to carrying forward this ambitious 

project.

Housed in the last 

galleries to close for 

renovation, the 

ancient Egyptian and 

Roman collections 

saw even more school 

tours than usual in the 

spring of 2005. 

Riley Lewis, Jason Clark, 

Jaysen Lewis, Bryan 

Clark, and Nicholas 

Witchey push open 

the south doors during 

the October 2005 

groundbreaking 

ceremony. 

Our great museum adds measurable value to our region’s economic 

life—between $40 million and $50 million of economic impact in a typical 

exhibition year, according to research done by the Cleveland Partnership 

for Arts and Culture. More importantly, however, the museum contributes 

in ways that are beyond measure, by enriching daily life and by 

inspiring individuals to appreciate other times and cultures and explore 

new horizons. Art can do things not possible by anything else. 

While the museum’s great collection has been off view in Cleveland, 

it has hardly been on holiday. Objects from our famed holdings have been 

touring the world as ambassadors for our museum and our city. Not only 

do the touring exhibitions allow new audiences around the world to see 

our extraordinary works of art, they have also helped us strengthen important 

partnerships with the other great institutions with whom we have 

shared our collections. These relationships will pave the way for fine exhibitions 

to come to Cleveland in the future. 

On behalf of the museum’s many communities—from local citizens, 

to regional visitors, to the international art community—I thank all of our 

supporters for helping the Cleveland Museum of Art carry out its crucial 

mission to collect, care for, and share great works of art with everyone. 


11

12 

The museum’s efforts 

to give appropriate 

attention to contemporary 

art found resourceful 

solutions, such 

as the conversion of a 

storage area into 

Project 244. When the 

expansion and renovation 

is complete, traveling 

exhibitions and the 

permanent collection 

alike will be presented 

in attractive new 

spaces with helpful 

interpretive features. 

From the President 

Once again we celebrate a year of enormous progress at the Cleveland 

Museum of Art. As June ended we were well along in the construction 

phase involving the original 1916 (south) building, the Breuer education 

wing, the new parking garage, and now an east wing that is rising out of 

the ground along East Boulevard. Since then we have been able to reopen 

the museum on a limited basis to accommodate special events and present 

the exciting and profoundly moving exhibition Barcelona & Modernity. In 

the short span of months since our shutdown to accelerate the construction 

process, we are back in business on home ground. Even though we are still 

operating in limited space and amid construction, the reaction of our members 

and the general public has been electrifying. We really were missed. 

In addition to the construction project, the museum has continued to 

move forward with its capital campaign in exemplary fashion. We are very 

pleased with the support we have received from our inner circle of friends 

and are now working out the details of the next, more public phase of the 

campaign. Meanwhile, we are deeply indebted to our members and trustees 

for continuing their stellar contributions to the annual operating fund that 

make possible the wide array of programs and services we offer to the community 

year after year. Thanks to your generosity, we continue to operate

David Abbott, director 

of the George Gund 

Foundation, discusses 

the model of Rafael 

Viñoly’s expanded 

Cleveland Museum of 

Art at a reception in the 

museum’s north lobby. 

in the black during a period when we are asking a broad audience to support 

our capital campaign, a very important element in our success. 

One of the most significant changes during the past 18 months was 

completing the search for our new director, Timothy Rub. Timothy 

joined us last April as Katharine Lee Reid’s successor. As you know, 

Katharine led the museum through a period of tumultuous change, including 

identifying Rafael Vinõly as our architect, designing a new museum, 

planning and initiating the capital-raising phase of our project, and 

preparing the museum for a period of partial shutdown and construction. 

At the same time, she continued working closely with the curators to produce 

several brilliant acquisitions and hire new curatorial talent, all the 

while maintaining balanced budgets. 

Timothy Rub joins us at an important if not critical moment. Already 

he has shown the strong leadership skills and community outreach so vital 

to keeping us on track as the building and capital campaign progress. We 

are fortunate to have him at the helm; his considerable management experience 

and art background are just what we need. So far I can speak for 

the board of trustees and the staff in saying he is a great pleasure to work 

with and an inspired leader. 

We are in an exciting time for the Cleveland Museum of Art, one of 

the most forward-looking and energized periods in our history. I thank all 

of you for your support and encouragement, and look forward to helping 

shape our future as it unfolds in the months and years to come. 


13

The new lower-level 

special exhibition area 

takes shape during 

the early summer of 

2006. 

14 

renovation and expansion

Rafael Viñoly at the 

October 2005 

groundbreaking. 

Literally hours after the Board of Trustees voted on March 7, 2005, to go 

ahead with the first phase of the expansion and renovation project, art 

handlers began removing works of art from the museum’s galleries. The 

decision to close our facility for a brief period and keep the entire collection 

in the building complex was both mission-driven and economic. 

While it might have been possible to store substantial portions of the collection 

at remote sites, the transportation of large numbers of works of art 

would have posed unpredictable risks to their safety; furthermore, very 

few storage facilities can meet the humidity, temperature, and security requirements 

to keep the collection safe. It became clear that the very best 

place to store the collection during construction was within our own 

walls, where climate control and security already met museum standards 

and the movement of art would be minimal and as safe as possible. 

Once that issue was settled, discussion turned to whether parts of the 

collection could be kept on view during the completion of the project. 

Renovation and construction around the 1971 Marcel Breuer building 

entrance would necessitate closing the north doors for approximately six 

months. During that time, intrepid visitors could have used the south entrance 

steps to the 1916 building, but this would have meant delaying the 

start of the renovation of that structure until the fall of 2006 and its 

completion until the fall of 2009. Additional complications arising from 

the movement of our collection and staff within the building would have 

resulted in an overall delay in the project completion date of about two 

years had the museum elected to try to keep some of the galleries open 

during the project. Those extra years of labor and the rising cost of materials 

would likely have added tens of millions of dollars to the total budget. 

Having already raised $116 million toward the $258 million project 

budget, the Board of Trustees elected to minimize the time required to 

complete the project and maximize the value of the investment they had 

decided to make in renovating and expanding our facility. 

Thus, with one eye on the well-being of the art and the other on the 

budget, the museum elected to move the entire collection into the 1958 

building and proceed immediately with renovations of the Breuer and 

1916 buildings so that those spaces could reopen to the public as soon as 

possible. Simultaneously, construction of the new east wing also began. As 

the work is completed, the collections will be reinstalled in the renovated 

15

Director of Design and 

Architecture Jeffrey 

Strean explains the 

arrangement of the 

Asian collection using a 

large-scale foam model 

at the offices of 

consulting architects 

Collins Gordon Bostwick 

in Cleveland. 

16 

Curator of Decorative 

Art and Design 

Stephen Harrison 

(right) reviews 

installation plans 

with gallery design 

specialists Elroy 

Quenroe (left) and 

John Klink (center) of 

Quenroe Associates. 

and new spaces. To accommodate displaced staff (totaling nearly half of 

the museum’s employees), the museum leased a floor of the Penton Media 

Building on East 9th Street in downtown Cleveland, where many administrative 

functions will be based until the end of the building project. 

After the board vote in March, the galleries were progressively closed 

and the 1958 building rooms converted to storage areas, with the last of 

the permanent collection galleries closing in June. That spring, construction 

began on a new central utility plant on the site of a former staff parking 

area. The new plant consolidates the utilities supplied to all existing 

buildings as well as the new construction. The 1916 building underwent a 

much-needed utility and wiring upgrade and asbestos abatement to bring 

it up to current code requirements and ensure that it can function effectively 

for decades to come. In mid summer, preparations began for the 

excavation of the new east wing. A groundbreaking ceremony on October 

1 officially launched the new construction. 

Portions of the galleries housing ancient and contemporary art in the 

1958 and Breuer buildings were reconfigured to allow presentation of the 

first NEO Show during the summer and then the Arts & Crafts exhibition 

in the fall. In early January 2006 the museum closed to the public entirely 

so that renovations in and around the north entrance could proceed. 

Among those tasks was excavating just outside the entrance to lay utility 

pipes to connect the new east wing and 1916 building to the central 

utility plant. Meanwhile the heating, ventilation, and air-conditioning 

equipment in the Breuer building was removed (much of it via crane 

through the roof ) and replaced with an efficient new system. During the 

summer months renovations began on the skylights on the roof of the 

1916 building. 

The Breuer building began to reopen in the summer of 2006, with 

renovated classrooms and offices and significant improvements to the lecture 

and recital halls. (Gartner Auditorium is a separate project to be com-

The degree of complex 

advance planning 

involved in the building 

project is evident in the 

carefully arranged stacks 

of reinforcing rod to be 

used in the construction 

of the new east wing. 

pleted in 2008.) The change that will be most apparent to visitors is the 

provision of an angular glass enclosure under the entrance canopy that creates 

a protected foyer for people coming in through the main entrance or, 

when the additions to our parking garage are completed, entering through 

a new tunnel that will connect the building and garage. 

The progress that has been made in the 16 months since the Board of 

Trustees voted to proceed is, by any measure, impressive, and it is now 

possible not simply to envision the new museum, but to see it taking shape 

before our eyes. When completed, the project will increase the museum’s 

total size to 588,000 square feet, including new galleries, innovative education 

and interpretation facilities, greatly improved visitor amenities, and 

a new set of gracious public spaces infused with air and light. 

17

Mayor Jane Campbell 

joins President James T. 

Bartlett, Chairman 



Katharine Lee Reid, and 

local schoolchildren in 

the symbolic placing of 

stones. 

Area religious leaders 

congregate before the 

ceremony. 

18 

Groundbreaking 

By noon on Saturday, October 1, 2005, 

an eclectic crowd had gathered on the 

south terrace for the official kickoff of 

the museum’s transformation project. 

Board President James Bartlett and 

Chairman Michael Horvitz were there, 

with other members of the Board of 

Trustees, most of the senior staff, and 

Consulting Director Katharine Lee Reid. 

Project architect Rafael Viñoly visited 

with Cleveland Mayor Jane Campbell, 

Councilwoman Sabra Pierce Scott, 

other government and community 

representatives, and members of the 

media. Gathered near the podium were 

the members of the Greater Cleveland 

Choral Chapter gospel choir and leaders 

of half a dozen religious communities. 

After remarks from James Bartlett 

and Katharine Lee Reid, architect Rafael 

Viñoly expressed his gratitude at being 

able to work on the project. “The results 

can be sublime. You’ve got one of the 

great art collections in the world . . . in 

one of the most spectacular pieces of 

landscape architecture in this country.” 

Each of the six religious leaders 

then took a few minutes to offer a 

blessing. “When we see a thing of 

beauty,” said Rabbi Eric Bram, “we are 

taught to bless it.” Imam Ramez 

Islambouli counseled, “Let us embrace 

the promise held out to us in our working, 

as well as in our dreaming.” Reverend 

Dr. Otis Moss noted the museum’s 

role as “a place where all traditions 

and cultures find common ground and 

mutual respect. This is a cathedral of 

excellence and it is every generation’s 

job to help complete it.” Reverend 

David Novak’s blessing affirmed each 

person’s role in seeing and appreciating 

beauty. In a soft tenor voice, 

Venkatachalapati Samuvrala sang a 

Hindu blessing traditional for such 

occasions, and then Lobsang Tendar 

performed a Buddhist “Removal 

of Obstacles” chant, his deep voice 

mesmerizing the audience. 

The symbolic laying of stones followed, 

with each of the leaders placing 

a small marble block in a sand-filled 

platform. Then a group of local children 

ascended the south steps and 

opened the doors to the original building, 

its interior empty in preparation 

for restoration. The assembled crowds 

walked up the steps and entered the 

building. From that moment until 4:00 

that afternoon, people were free to 

wander in and walk through to the 

north entrance—one last look at these 

beloved spaces until the restoration is 

complete. 

Visitors shared a variety of thoughts 

about the project. Nine-year-old 

Maggie Bour was looking forward to 

the day the galleries would reopen. 

“The part I’ll miss the most will be the 

Asian art. But I just like art in general. 

It’s fun to just go in there and let your 

imagination go wild.”

To architect Robert Madison, “What 

is happening is that two strong architectural 

statements—the classical 

original building and Breuer’s modern 

addition—are finally being brought 

together in a great resolution.” He 

smiled and paused. “It’s a symphony 

of glass and steel.” 

The Reverend Dr. Otis 

Moss Jr. talks with 

architect Robert 

Madison. 

The day included not 

only formal ceremony, 

but performances and 

hands-on art 

activities. 

19

Collections 

Intense effort went into moving the collection from the public galleries 

to storage and into all of the complexities related to organizing traveling 

exhibitions, yet these activities were only part of what the curatorial staff 

accomplished during 2005 and 2006. All the while, the museum’s curators 

continued their efforts to bring the finest works of art into the permanent 

collection. The Theodore Roszak sculpture illustrated on page 4, for 

example, a stunning modernist creation nearly nine feet tall, will stand as a 

veritable exclamation point when the modern galleries reopen. 

21

Previous pages: The 

system for storing the 

collection introduced 

some interesting 

neighbors to one 

another. Here, Claes 

Oldenburg’s giant 

toothpaste tube rests 

among medieval 

armaments. 

22 

Grave Stele (Relief), 

about 50 bc; Southern 

Asia Minor, Pamphylia, 

Hellenistic Greek; 

marble; 73.6 x 42.5 cm; 

Gift of James E. and 

Elizabeth J. Ferrell 

2005.52. 

The Cleveland Museum of Art is widely admired for the scope and 

quality of its acquisitions. During the past 18 months, we have lived up to 

this reputation: works of art from around the globe and covering a broad 

span of time entered the collection. From Pamphylia in Southern Asia 

Minor came a striking example of Hellenistic marble sculpture, Grave Stele 

(Relief) of about 50 BC. From our own hemisphere came three spectacular 

gold nose ornaments made by the Moche people of ancient Peru around 

AD 100–300, along with a half of a tunic, woven between AD 500 and 

1000, that is among the finest tapestries ever created in the ancient Americas. 

From Europe and joining the medieval collection came two French 

manuscript leaves—one from a book of hours from about 1415 by a follower 

of the Limbourg brothers (Netherlandish), part of a group donated 

by Jeanne Miles Blackburn, and another from around 1467–70 illuminated 

by Simon Marmion and depicting scenes from the life of St. Denis. 

African Art acquired two important works from the 1800s during the 

18-month period: an ivory figurine from the Lega people of the Demo-

Nose Ornament with 

Serpents and Longnecked 

Birds, ad 100– 

300; Central Andes, 

Moche people; gold 

alloy and silver; 7.6 x 

13.9 cm; Severance and 

Greta Millikin Purchase 

Fund 2005.177. 

Follower of the 

Limbourg Brothers 

(Netherlandish) 

(France, Paris[?]); Leaf 

from a Book of Hours: 

St. Matthew, about 

1415; ink, tempera, and 

gold on vellum; 18.1 x 

13 cm; The Jeanne 

Miles Blackburn 

Collection 2005.204. 

cratic Republic of the Congo and a reliquary guardian figure created by 

the Kota people of Gabon. Simultaneously, Asian Art acquired a ritual 

wine vessel made in China around 1300 to 1100 BC, a complete Indian 

manuscript depicting the life of Christ (dated 1602), and contemporary 

works by Chinese artists Lí Huayi and Wucius Wong. 

A major American painting entitled Go Down Death from 1934 by the 

important African-American artist Aaron Douglas was a wonderful 

addition to the museum’s collection of works by Harlem Renaissance 

artists. European Painting and Sculpture, 1900–1945, added a symbolist 

landscape of 1900 called Evening Mood—Lidingö by the Swedish artist 

Eugène Jansson. 

The museum continued to be active in the area of contemporary art. 

Longtime supporter Agnes Gund donated Jim Hodges’s beautiful In Blue, 

1996, Sean Scully’s Wall of Light Rose, 2003, and Cai Guo Qiang’s Pine 

Forest and Wolf, 2005. 

Strides in the area of photography were also made through the 

purchase of Richard Avedon’s iconic portrait Ronald Fisher, Beekeeper, 

Davis, California, May 9, 1981 and the gift of an entire portfolio of 

photographs by Barbara Bosworth from trustee Mark Schwartz and his 

wife, Bettina Katz. 

23

24 

Reliquary Guardian 

Figure, 1800s; Gabon, 

Kota people; wood and 

metalwork; h. 61 cm; 

Purchase from the J. H. 

Wade Fund 2005.2. 

The drawings collection added a fine watercolor landscape from 1888 

by the Hudson River school painter Jasper F. Cropsey. Major prints by 

Caspar David Friedrich (Footbridge with Cross before Trees at a River, about 

1803), Emile Bernard (Breton Scenes, 1896), Max Beckmann (Group Portrait 

Eden Bar, 1923), and Pablo Picasso (Faun Revealing a Sleeping Woman, 

1936, from the Vollard Suite) were among the additions to the collection. 

Of special note were 91 works by Gustave Baumann, a gift from his 

daughter, Ann Baumann. 

In the areas of Decorative Art and Textiles two exceptional examples 

of 18th-century European design were added: a gilded overmantel mirror 

from about 1745 attributed to the English designer Matthias Lock and a 

pair of French bed hangings made of wool and silk needlework from 

1710–20. A group of Toshiko Takaezu ceramics joined the collection of 

contemporary decorative art. 

During the year the curatorial area saw the departure of one curator 

and the arrival of two others. Dr. Stanislaw J. Czuma retired as the 

George P. Bickford Curator of Indian and Southeast Asian Art after 33

Wine Vessel (Jia), 

1300–1100 bc; China, 

Shang dynasty; 

bronze; h. 50.8 cm; 

John L. Severance 

Fund 2005.54. 

Jesus Asleep During a 

Storm at Sea, plate 19 

of Masinama (Life of 

Christ) Manuscript; 

dated 1602; India, 

Allahabad, Mughal 

period; ink, color, and 

gold on paper; 26.3 x 

15.7 cm; John L. 

Severance Fund 

2005.145.19. 

years of distinguished service. Mark Cole, formerly curator of American 

art at the Columbus Museum of Art, was appointed associate curator of 

American painting and sculpture. Stephen G. Harrison joined the staff as 

curator of decorative art and design. Before coming to Cleveland, 

Harrison served in curatorial positions at the High Museum of Art in 

Atlanta and the Dallas Museum of Art. 

The Conservation department greeted Sari Uricheck, who had previously 

worked at the Metropolitan Museum of Art in New York, as associate 

conservator of objects, and Juliette Jacqmin, a graduate of the Institut 

National du Patrimoine in Paris, who joined the staff as a Kress Fellow 

in Objects Conservation. The department was extremely busy during the 

18-month period, treating specific works of art as well as evaluating 

numerous others that are part of the world tours of various collections. 

One of the major accomplishments for Conservation was the completion 

of the survey of Chinese, Japanese, and Korean paintings. All information 

on the condition of these works of art was compiled and placed in 

a database in the collections management system. This information pro- 

25

Aaron Douglas 

(American, 1899–1979); 

Go Down Death, 1934; 

oil on Masonite; 121.9 x 

91.5 cm; John L. 

26 

Severance Fund and 

Gift of Prof. and Mrs. 

David C. Driskell 

2005.181.

William Henry Fox 

Talbot (British, 1800– 

1877); Winter Trees 

Reflected in a Pond, 

1841–42; salted paper 

print from calotype 

negative; 16.4 x 19.1 cm; 



Toshiko Takaezu 

(American, b. 1922); 

about 1990s; Gift of 

the Artist. From left: 

Alchemy Gold Moon; 

stoneware; h. 69.9 cm, 

diam. 69.5 cm; 

2005.190. Black Moon; 

stoneware; h. 52.1 cm, 

diam. 57.8 cm; 2005.191. 

Alchemy Gold; stoneware; 

h. 155.9 cm, diam. 

68.3 cm; 2005.189. 

Yellow Moon; porcelain; 

h. 36.9 cm, diam. 26.4 

cm; 2005.196. Tall White 

Form; stoneware; h. 75.9 

cm, diam. 38.1 cm; 

2005.192. Cobalt Blue 

Form; porcelain; h. 53.7 


2005.194. Tall Mauve 

Form; stoneware; h. 

64.5 cm, diam. 29.9 cm; 

2005.193. Pink/White 

Form; porcelain; h. 32.4 


2005.197. Purple Form; 

porcelain; h. 37.8 cm, 

diam. 21.6 cm; 2005.195. 

vided a quick assessment of which paintings could be used in the proposed 

traveling exhibitions. Painting treatments that were completed by Marcia 

Steele included Joseph Paelinck’s Self Portrait, John Rogers Cox’s Gray and 

Gold, and Edgar Degas’s portrait of Stefania Primicile Carafa. The treatment 

of Mori Sosen’s Monkeys in a Cherry Tree and Monkeys on a Rock 

Ledge progressed very well with the mounting silks and colors being selected 

by Jennifer Perry, in consultation with curator Anita Chung. Major 

paper treatments completed by Moyna Stanton included Auguste Renoir’s 

Mother and Child pastel, Giuseppe Vasi’s The Campo Vaccino engraving, and 

22 watercolors from The World of Things by Kamisaka Sekka. 

The museum’s image database also expanded, with nearly 9,000 additional 

images from the collection added to the website. Among many 

other features, Collections Online allows visitors to create their own personal 

collections, an opportunity not lost on Lowery Stokes Sims, who 

publicly credited this feature for helping her create and shape the exhibition 

The Persistence of Geometry. Collections Online received national recognition 

twice in 2006. First, the National Endowment for the Humanities 

selected the CMA website for inclusion in EDSITEment (http:// 

www.edsitement.neh.gov/) as “one of the best online resources for education 

in the humanities”; it also won a 2006 Muse Award from the 

American Association of Museums. The number of individuals visiting the 

website climbed to over three million, nearly twice the number recorded 

the year before. The vast majority of those who viewed the CMA website 

did so to view images and information on the collection. 

27

New tech meets old 

tech: visitors don 

1950s-style 3D glasses 

to experience a video 

interactive piece. 

Director of New Media 

Initiatives Holly 

Witchey explains the 

museum’s interactive 

exploration of Pablo 

Picasso’s La Vie. 

28 

Ingenuity Festival 

On Labor Day weekend in 2005, the 

museum participated in the inaugural 

Ingenuity Festival, a multifaceted event 

in downtown Cleveland fusing art and 

technology that involved hundreds of 

artists and performers and attracted 

more than 70,000 attendees. 

The opening-night extravaganza, 

Traffic Jam, was created by Robin 

VanLear, artistic director of the 

museum’s Community Arts department 

and longtime artistic director of 

Parade the Circle. Museum members 

had the opportunity to attend a special 

preview reception the evening of the 

opening ceremony. The museum temporarily 

occupied a storefront at the 

corner of Euclid Avenue and East 6th 

Street and assembled a multimedia 

spectacle that included interactive and 

interpretive technology, along with the 

model of the new museum. Visitors 

could view a 3D animation of the 

museum’s medieval Table Fountain and 

a hologram of the ancient Anatolian 

Stargazer (subtitled 5,000-Year-Old 

Woman), and they could interactively 

explore Picasso’s Blue Period masterpiece 

La Vie. Families donned special 

glasses to view the premiere of a 3D 

video depicting a French writing desk 

from the collection, which was 

directed by noted local video artist and 

filmmaker Kasumi. Some elements 

of the CMA pavilion displays were 

adapted from works in the concurrent 

NEO Show at the museum and from 

long-standing collaborations between 

the museum’s Information Technology 

department, Case Western Reserve 

University, and the Cleveland 

Institute of Art. 

In 2006, the Community Arts department 

contributed a Chalk Festival 

preview to the Ingenuity festivities for 

that year, including kinetic music by 

the Panic Steel Drum Ensemble and a 

collaborative street painting by 

Barbara Chira, Jesse Rhinehart, and 

Jan Stickney, as well as a family interactive 

street-painting workshop.

MOCA Collaborations 

The CMA pavilion at 

Euclid and East 6th 

Street was a focus of 

activity throughout 

the inaugural 

Ingenuity Festival. 

29

Acquisitions 

Figurine, 1800s; 

Democratic Republic 

of the Congo, Lega 

people; ivory; h. 17.5 

cm; Purchase from the 

J. H. Wade Fund 

2005.3. 

Plank Mask, possibly 

early 1900s; Democratic 

Republic of the 

Congo, Bembe people; 

wood and pigment; 

h. 46 cm; Leonard C. 

Hanna Jr. Fund 

2006.116. 

30 

African Art 

Figurine, 1800s; Democratic Republic of the 

Congo, Lega people; ivory; h. 17.5 cm; Purchase 

from the J. H. Wade Fund 2005.3. 

Hat, early 1900s; Democratic Republic of the 

Congo, Lega people; cowrie shells, beads, 

elephant tail, and cord; h. 55.9 cm; Norman 

O. Stone and Ella A. Stone Memorial Fund 

2005.56. 

Reliquary Guardian Figure, 1800s; Gabon, Kota 

people; wood and metalwork; h. 61 cm; Purchase 


Plank Mask, possibly early 1900s; Democratic 

Republic of the Congo, Bembe people; wood 

and pigment; h. 46 cm; Leonard C. Hanna Jr. 

Fund 2006.116. 

American Art 

Aaron Douglas (American, 1899–1979); Go 

Down Death, 1934; oil on Masonite; 121.9 x 

91.5 cm; John L. Severance Fund and Gift of 

Prof. and Mrs. David C. Driskell 2005.181. 

Theodore Roszak (American, 1907–1981); 

White and Steel Polars, 1945; painted wood, 

steel, iron, and Plexiglas; 271.8 x 40.6 x 40.6 

cm overall; Leonard C. Hanna Jr. Fund 

2005.144. 

Ancient Art 

Grave Stele (Relief), about 50 BC; Southern Asia 

Minor, Pamphylia, Hellenistic Greek; marble; 

73.6 x 42.5 cm; Gift of James E. and Elizabeth 

J. Ferrell 2005.52. 

Woman’s Belt Hanger (Zone), about 725–675 

BC; Greece, Geometric period; bronze; w. 

32.5 cm; The Jane B. Tripp Charitable Lead 

Annuity Trust 2006.5.

Half of a Sleeved Tunic, 

ad 500–1000; Central 

Andes, Wari or 

Tiwanaku people; 

single-interlocked 

tapestry; cotton and 

camelid fiber; 88.5 x 

102 cm; J. H. Wade 

Fund 2005.53. Detail 

at far right. 

Woman’s Belt Hanger 

(Zone), about 725–675 

BC; Greece, Geometric 

period; bronze; w. 32.5 

cm; The Jane B. Tripp 

Charitable Lead 

Annuity Trust 2006.5. 

Art of the Ancient Americas 

Fragment of a Mantle with Oculate Being, 200 

BC–AD 1; Central Andes, Paracas people (possibly 

Carhua); double-cloth; cotton; 74.9 x 

108 cm; Dudley P. Allen Fund 2005.19. 

Half of a Sleeved Tunic, AD 500–1000; Central 

Andes, Wari or Tiwanaku people; singleinterlocked 

tapestry; cotton and camelid fiber; 

88.5 x 102 cm; J. H. Wade Fund 2005.53. 

Mastiff Bat Vessel, AD 50–200; Central Andes, 

Moche people; ceramic and slip; 18.4 x 17.7 x 

15.6 cm; John L. Severance Fund 2005.6. 

Nose Ornament with Human Head and Condors 

Attacking Humans, AD 100–300; Central Andes, 

Moche people; gold alloy; 9.5 x 16.5 x 1.6 cm; 

Severance and Greta Millikin Purchase Fund 

2005.175. 

Nose Ornament with Serpents and Long-necked 

Birds, AD 100–300; Central Andes, Moche 

people; gold alloy and silver; 7.6 x 13.9 cm; 


2005.177. 

Nose Ornament with Decapitators and Human 

Heads, AD 100–300; Central Andes, Moche 

people; gold alloy and silver; 8.8 x 14 cm; 


2005.176. 

Panel from the End of a Sash, 700 BC–AD 1; 

Central Andes, Paracas people (possibly 

Carhua or Chucho); tapestry and plain weave; 

cotton and camelid fiber; 26 x 16.3 cm; 

Dudley P. Allen Fund 2005.18. 

Textile Fragment with Frontal Deity Heads, Felines, 

and Interlace Pattern, 700–400 BC; Central 

Andes, Paracas people (possibly Yauca Valley); 

double-cloth with structural embroidery; 

camelid fiber; 83.2 x 21.6 cm; Dudley P. Allen 

Fund 2005.14. 

Textile Fragment with Interlace Pattern, 700–400 

BC; Central Andes, Paracas people (possibly 

Yauca Valley); brocaded plain weave; cotton 

and camelid fiber; 51.8 x 21.3 cm; Dudley P. 

Allen Fund 2005.15. 

Textile Fragment with Three Frontal Deities and 

Interlace Pattern, 700–400 BC; Central Andes, 

Paracas people (possibly Yauca Valley); 

double-cloth with structural embroidery; 

camelid fiber; 101.3 x 22.8 cm; Dudley P. 

Allen Fund 2005.13. 

Tunic with Double-headed Serpents, 700 BC–AD 

1; Central Andes, Paracas people (possibly 

Carhua); gauze; cotton; 136.5 x 65.4 cm; 

Dudley P. Allen Fund 2005.17. 

Tunic with Profile Animals and Checkerboards, 700 

BC–AD 1; Central Andes, Paracas people; dyepatterned 

plain weave; cotton; 72.4 x 104.1 

cm; Dudley P. Allen Fund 2005.16. 

Other Pre-Columbian textiles are listed under 

Textiles. 

31

Wucius Wong (Wang 

Wuxie, Chinese, b. 

1936); Valley of the 

Heart No. 9, 1998; ink 

and color on paper; 94 

x 213.4 cm; Alma 

Kroeger Fund 2006.1. 

32 

Cai Guo Qiang 

(Chinese, b. 1957); 

Pine Forest and Wolf, 

2005; exploded 

gunpowder, fuse, 

and burned paper 

backed on wood; 4 

panels, 230.2 x 77.6 

cm each, 230.2 x 

310.4 cm overall; Gift 

of Agnes Gund 

2006.134.a–d. 

Asian Art 

Ewer: Changsha Ware, 800s; China, Hunan 

province, Changsha kilns, Tang dynasty; 

stoneware with green glaze and brown spots; 

h. 29.2 cm, w. 19.8 cm, rim diam. 10.3 cm; 

Edward L. Whittemore Fund 2005.57. 

Hollow-legged Tripod (Li), late 2000–early 1000 

BC; China, Inner Mongolia, lower stratum of 

the Xiajiadian culture, Neolithic period; dark 

gray earthenware; h. 22.9 cm, rim diam. 17 

cm; Gift of Mr. and Mrs. Thomas French 

2005.20. 

Wine Vessel (Jia), 1300–1100 BC; China, Shang 

dynasty; bronze; h. 50.8 cm; John L. Severance 

Fund 2005.54. 

Lí Huayi (Chinese, b. 1948); Earth Landscape, 

about 2004; ink and color on paper; 88.9 x 

180.3 cm; Norman O. Stone and Ella A. 

Stone Memorial Fund 2006.115. 

Wucius Wong (Wang Wuxie, Chinese, b. 

1936); Valley of the Heart No. 9, 1998; ink and 

color on paper; 94 x 213.4 cm; Alma Kroeger 

Fund 2006.1.

Sean Scully (American, 

b. 1945); Wall of Light 

Rose, 2003; oil on linen; 

213.4 x 243.4 x 6.3 cm; 

Gift of Agnes Gund 

and Daniel Shapiro 

2005.142. 

Contemporary Art 

Cai Guo Qiang (Chinese, b. 1957); Pine Forest 

and Wolf, 2005; exploded gunpowder, fuse, 

and burned paper backed on wood; 4 panels, 

230.2 x 77.6 cm each, 230.2 x 310.4 cm overall; 

Gift of Agnes Gund 2006.134.a–d. 

Jim Hodges (American, b. 1957); In Blue, 

1996; silk flowers and thread; 396 x 259 cm 

overall; Gift of Agnes Gund in honor of 

Katharine Lee Reid 2005.140. 

Hildur Ásgeirsdóttir Jónsson (Icelandic, b. 

1963); Sand Storm, 2005; warp-faced plain 

weave; silk, painted with dye before weaving; 

198 x 104 cm overall; Robert A. Mann Fund 

2005.146. 

Benjamin Kinsley (American, b. 1982); 

Gesichtsmusik, 2004; video and sound; 2:20 

minutes; Gift of Robert M. Kaye 2005.141. 

Martin Kline (American, b. 1961); Cleveland 

Mural 2003, 2003; paintstick on canvas; 165.8 

x 57.9 cm overall; Gift of Agnes Gund and 

Daniel Shapiro 2005.62. 

Steve McCallum (American, b. 1951); City 

Skip, 1984; acrylic on canvas; 213.3 x 213.3 

cm overall; Gift of Mr. and Mrs. Michael Striar 

2005.154. 

Sean Scully (American, b. 1945); Wall of Light 

Rose, 2003; oil on linen; 213.4 x 243.4 x 6.3 

cm; Gift of Agnes Gund and Daniel Shapiro 

2005.142. 

Decorative Art and Design 

Rudy Autio (American, b. 1926); Cherry Hill, 

1992; glazed stoneware; 53 x 54.6 x 37.5 cm; 

Gift of Francine and Benson Pilloff 2005.188. 

William Carlson (American, b. 1950); 

Prägnanz, about 1990; glass and granite; 94.6 x 

49.5 x 35.5 cm; Gift of Francine and Benson 

Pilloff 2005.186.a–c. 

Sydney Cash (American, b. 1941); Trifold, 

about 1990; mixed media; 37.2 x 26.8 x 18.5 

cm; Gift of Francine and Benson Pilloff 

2005.184. 

José Chardiet (American, b. Cuba, 1956); 

Yellow Monster Vase, 1991; blown glass; h. 43 

cm, diam. 34.5 cm; Gift of Francine and 

Benson Pilloff 2005.183. 

Designed by Charles Eames (American, 1907– 

1978), manufactured by Herman Miller; Pair of 

Chairs (LCW), designed 1946; plywood; 73.3 

x 49.5 x 55.9 cm; Gift of Audra and George 

Rose 2006.124–25. 

Designed by Alexander Girard (American, 

1907–1993), manufactured by Herman Miller; 

Arm Chair and Ottoman, about 1967; upholstery, 

aluminum legs and supports; chair: 66 x 

101.6 x 68.5 cm; ottoman: 43.1 x 71.1 x 41.9 

cm; The Mary Spedding Milliken Memorial 

Fund 2006.117.1–2. 

Attributed to Matthias Lock (English, about 

1710–1765); Overmantel Mirror, about 1745; 

carved giltwood and glass; 78 x 186 cm; Purchase 


33

Flora C. Mace (American, b. 1949) and Joey 

Kirkpatrick (American, b. 1952); Pear, 1997; 

blown glass; 68 x 36.9 cm; Gift of Francine 

and Benson Pilloff 2005.182. 

William Morris (American, b. 1957); Standing 

Stone, 1989; mold-blown glass; 121.5 x 35.5 x 

23 cm; Gift of Francine and Benson Pilloff 

2005.185. 

Stephen Powell (American, b. 1951); Radiant 

Seat Jones, 1991; mold-blown glass; 84.8 x 56 x 

19.2 cm; Gift of Francine and Benson Pilloff 

2005.187. 

Toshiko Takaezu (American, b. 1922); about 

1990s; 9 objects; Gift of the Artist. Alchemy 

Gold; stoneware; h. 155.9 cm, diam. 68.3 cm; 

2005.189. Alchemy Gold Moon; stoneware; h. 

69.9 cm, diam. 69.5 cm; 2005.190. Black 

Moon; stoneware; h. 52.1 cm, diam. 57.8 cm; 

2005.191. Cobalt Blue Form; porcelain; h. 53.7 

cm, diam. 26.4 cm; 2005.194. Pink/White 

Form; porcelain; h. 32.4 cm, diam. 19.1 cm; 

2005.197. Purple Form; porcelain; h. 37.8 cm, 

diam. 21.6 cm; 2005.195. Tall Mauve Form; 

stoneware; h. 64.5 cm, diam. 29.9 cm; 

2005.193. Tall White Form; stoneware; h. 75.9 

cm, diam. 38.1 cm; 2005.192. Yellow Moon; 

porcelain; h. 36.9 cm, diam. 26.4 cm; 

2005.196. 

34 

Drawings 

John White Abbott (British, 1763–1851); Near 

New Bridge on the Dart Devon, 1800; watercolor; 

17.9 x 26.9 cm; Gift of The Painting 

and Drawing Society of the Cleveland Museum 

of Art 2005.200. 

Gustave Baumann (American, b. Germany, 

1881–1971); 25 works; Gift of Ann Baumann. 

Aspens, about 1925; gouache; 29 x 36.5 cm; 

2005.454. Aspens, about 1925; gouache over 

graphite; 36.3 x 29 cm; 2005.455. Brown 

County, 1909–16; gouache; 28.2 x 25.4 cm; 

2005.456. Building, 1917; watercolor over 

graphite; 35.5 x 44.3 cm; 2005.457. Church in 

New Mexico in Landscape, about 1925; gouache; 

28.1 x 29.2 cm; 2005.458. Church with Three 

Bells, about 1925; pastel over graphite; 25.7 x 

33.3 cm; 2005.459. Cliff Dwellings, about 1924; 

gouache over graphite; 31.9 x 29.8 cm; 

2006.460. Corn Dance, about 1924; gouache; 

28 x 24.2 cm; 2005.461. Flowers in Blue and 

Black Striped Vase, about 1915; gouache over 

graphite; 45.8 x 32.2 cm; 2005.463. Flowers on 

Black Striped Background, about 1915; gouache 

over graphite; 41 x 29.5 cm; 2005.462. Grand 

Canyon, about 1919; gouache; 33 x 28.4 cm; 

2005.464. Hill with Trees, 1920; gouache; 28.2 

x 25.5 cm; 2005.465. Hollyhock Garden, Santa 

Fe, about 1920; gouache over graphite; 29.7 x 

36.2 cm; 2005.466. House and Garden, 1917; 

watercolor over graphite; 29.8 x 32.6 cm; 

2005.467. Madison Square (recto), 1917, watercolor; 

Building (verso), graphite; 43.6 x 34.9 

cm; 2005.468.a–b. Nashville, Brown County, 

Indiana, 1909–16; gouache; 27.9 x 25.5 cm; 

2005.469. Old Santa Fe, about 1924; pastel and 

graphite; 17 x 18.8 cm; 2005.470. Pelican 

Rookery #93, 1928; gouache over graphite; 

37.2 x 31.3 cm; 2005.471. Pines Grand Cañon, 

about 1920; gouache over graphite; 36.4 x 35.7 

cm; 2005.472. Provincetown Docks, 1917; 

gouache over graphite; 29.7 x 29.6 cm; 

2005.473. Sanctuario Chimayo, about 1920; 

gouache; 24.5 x 28.1 cm; 2005.474. Squash, 

1906–16; gouache over graphite; 25.2 x 30.4 

cm; 2005.475. Trampas, about 1920; pastel 

over graphite; 14.4 x 18.7 cm; 2005.476. Tree 

Stump, 1909–16; gouache; 22.2 x 23.4 cm; 

2005.477. Two Trees, about 1924; gouache 

over graphite; 36.5 x 33.5 cm; 2005.478. 

Muirhead Bone (British, 1876–1953); 5 works; 

1921; watercolor and graphite; Gift of Dr. and 

Mrs. William L. Huffman. Entering Bergen; 11.2 

x 25.2 cm; 2005.151. Entering Bergen; 9 x 25.2 

cm; 2005.152. Entering Bergen; 14.9 x 25.3 cm; 

2005.153. Noonday, Lake Roxen, Sweden; 25.4 

x 35.6 cm; 2005.149. Storm Ending, Norwegian 

Fjord; 25.2 x 35.2 cm; 2005.150. 

David Cox (British, 1783–1859); On the 

Thames, about 1830; watercolor; 19.8 x 27.1 

cm; Gift of The Painting and Drawing Society 

of the Cleveland Museum of Art 2005.201. 

Jasper F. Cropsey (American, 1823–1900); 

Landscape (Hastings-on-Hudson), 1888; watercolor 

over graphite; 39.5 x 57 cm; Partial Gift 

of Harry and Nina Pollock and Mr. and Mrs. 

Richard W. Whitehill Art Purchase Endowment 

Fund 2005.342. 

Peter De Wint (British, 1784–1849); Neath 

Abbey, about 1820; watercolor; 16 x 23.2 cm; 

Gift of The Painting and Drawing Society of 

the Cleveland Museum of Art 2005.198. 

Jean Dubuffet (French, 1901–1985); Tree 

(Arbre), 1964; pen and black ink; 33.4 x 24.9 

cm; Gift of Louise S. Richards 2005.276.

Attributed to Matthias 

Lock (English, about 

1710–1765); Overmantel 

Mirror, about 1745; 

carved giltwood and 

glass; 78 x 186 cm; 



David Cox (British, 

1783–1859); On the 

Thames, about 1830; 

watercolor; 19.8 x 27.1 

cm; Gift of The 

Painting and Drawing 

Society of the 


Art 2005.201. 

Henri Harpignies (French, 1819–1916); 

Sorente, Bains de la Reine Jeanne; black and 

white chalk; 21.7 x 28.5 cm; Gift of Louise S. 

Richards 2005.284. 

Mabel A. Hewit (American, 1903–1987); 3 

works; Gift of Mr. and Mrs. William Jurey in 

memory of Mabel A. Hewit. Sketchbook #1; 

graphite, crayon, and chalk; 25.5 x 20 cm; 

2005.343.a–jjjj. Sketchbook #2; graphite and 

watercolor; 26 x 20 cm; 2005.344.a–nnnn. 

Sketchbook #3; graphite, charcoal, and pastel; 

23 x 18 cm; 2005.345.a–z. 

Lee Hoffmann (American, 1923–2003); Fashion 

Design for Women’s Clothing; black chalk; 

49.6 x 34 cm; Bequest of Lee K. Hoffmann 

2005.66. 

Jasper F. Cropsey 

(American, 1823– 

1900); Landscape 

(Hastings-on-Hudson), 

1888; watercolor over 

graphite; 39.5 x 57 cm; 

Partial Gift of Harry 

and Nina Pollock and 

Mr. and Mrs. Richard 

W. Whitehill Art 

Purchase Endowment 

Fund 2005.342. 

Eugène Isabey (French, 1803–1886); Studies of 

Wood and Farm Implements; graphite; 21.5 x 14 

cm; Gift of Louise S. Richards 2005.287. 

Martin Kline (American, b. 1961); 3 works; 

black paintstick; Gift of Agnes Gund and 

David Shapiro. Cleveland Mural Drawing #1, 

November 14, 2003, 2003; 104.3 x 66.2 cm; 

2005.63. Cleveland Mural Drawing #2, November 

15, 2003, 2003; 104.4 x 66 cm; 2005.64. 

Cleveland Mural Drawing #3, November 16–17, 

2003, 2003; 104 x 66 cm; 2005.65. 

Dr. Thomas Monro (British, 1759–1833); 

Landscape (recto); black chalk and gray wash; 

Studies of Heads (verso); black chalk; 15.6 x 23 

cm; Gift of Louise S. Richards 2005.300.a–b. 

Michel Angelo Rooker (British, 1746–1801); 

Inside the East End of Nettley Abbey, 1794; 

graphite and gray wash; 23.5 x 30.2 cm; Gift 

of The Painting and Drawing Society of the 

Cleveland Museum of Art 2005.199. 

George M. Ross (American, 1887–1994); 

Industrial: Pouring Steel, 1946; watercolor; 55.4 

x 38.3 cm; Gift of Judith Clark Fredrichs and 

Ross Gordon Fredrichs 2005.67. 

Paul B. Travis (American, 1891–1975); Standing 

Figure (recto), 1940; colored ink; Woman in 

Landscape (verso); watercolor and gouache; 

45.3 x 30 cm; Gift of Pamela Elizabeth Ward 

in loving memory of her parents, William E. 

and Evelyn Svec Ward 2005.120.a–b. 

35

European Painting and Sculpture, 

1900–1945 

Eugène Jansson (Swedish, 1862–1915); Evening 

Mood—Lidingö (Aftonstämning—Lidingö), 1900; 

oil on canvas; 90.1 x 168.6 cm; Mr. and Mrs. 

William H. Marlatt Fund 2005.4. 

Indian and Southeast Asian Art 

Dog, 1800s; India, Company school; 3 works; 

ink and color on paper, with graphite inscription 

below; Gift of Pamela Elizabeth Ward in 

loving memory of her parents, William E. and 

Evelyn Svec Ward. 16.8 x 21.1 cm; 2005.73. 

17.1 x 21.1 cm; 2005.74. 17 x 21.2 cm; 

2005.75. 

Caparisoned Elephant with a Mahout, dated 1761; 

India, Rajasthan, Mewar school; ink and color 

on paper; 20.6 x 21.4 cm; Gift of Dr. Norman 

Zaworski 2005.202. 

Devotional Painting (Female Figure), second half 

of 1900s; Eastern India, Bihar State, Mithila or 

Madhubani school; ink and color on paper; 



and Evelyn Svec Ward 2005.79. 

Head of a Young Man, 1800s; India, Company 

school; ink with color and graphite (underdrawing) 

on paper; 7 x 7 cm; Gift of Pamela 

Elizabeth Ward in loving memory of her 

parents, William E. and Evelyn Svec Ward 

2005.72. 

Illustration to the Mahabharata, about 1800; India, 

Maharashtra, Paithan school; ink and color 

on paper; 28.2 x 41.5 cm; Gift of Professor 

Walter and Nesta Spink in honor of Stanislaw 

Czuma 2005.68. 

36 

Large, Multi-armed Figure Facing Left; second half 



36.5 x 26.9 cm; Gift of Pamela Elizabeth Ward 



Large, Multi-armed Figure Facing Out; second half 






Large Multi-armed Figure with Hearts in Margin; 

second half of 1900s; Eastern India, Bihar State, 

Mithila or Madhubani school; ink and color on 

paper; 36.2 x 27 cm; Gift of Pamela Elizabeth 

Ward in loving memory of her parents, 

William E. and Evelyn Svec Ward 2005.86. 

Masinama (Life of Christ) Manuscript, dated 1602; 

India, Allahabad, Mughal period; 24 full-size 

illustrations with 160 folios of text; ink, color, 

and gold on paper; approximately 26 x 15 cm 

each; John L. Severance Fund. Plate 1, The 

Flowering of Aaron’s Rod; 2005.145.1. Plate 2, 

Annunciation; 2005.145.2. Plate 3, Journey to 

Bethlehem; 2005.145.3. Plate 4, The Inn at 

Bethlehem; 2005.145.4. Plate 5, The Magi Follow 

the Star; 2005.145.5. Plate 6, Magi Kneeling 

before Christ; 2005.145.6. Plate 7, The Three 

Wise Men Bow before Jesus; 2005.145.7. Plate 8, 

Presentation in the Temple; 2005.145.8. Plate 9, 

John the Baptist Recognizes Christ by the Appearance 

of a Dove; 2005.145.9. Plate 10, Mary 

Magdelene at the Foot of Christ; 2005.145.10. 

Plate 11, The Head of John the Baptist Presented to 

Salome; 2005.145.11. Plate 12, Jesus in the Tun 

Mountains near Nazareth Where He Chooses 

Eugène Jansson 

(Swedish, 1862– 

1915); Evening 

Mood—Lidingö 

(Aftonstämning— 

Lidingö), 1900; oil on 

canvas; 90.1 x 168.6 

cm; Mr. and Mrs. 

William H. Marlatt 

Fund 2005.4. 

Twelve of His Followers and Calls Them Apostles; 

2005.145.12. Plate 13, The Marriage at Cana; 

2005.145.13. Plate 14, Moses Prays for Deliverance 

from a Plague of Serpents; 2005.145.14. Plate 

15, Angels Minister to Jesus; 2005.145.15. Plate 

16, The Daughter of Jairus Being Brought Back to 

Life by Christ; 2005.145.16. Plate 17, Jesus Entertained 

at the Pharisee’s House; 2005.145.17. 

Plate 18, Elijah Fed by Ravens; 2005.145.18. 

Plate 19, Jesus Asleep During a Storm at Sea; 

2005.145.19. Plate 20, In Jerusalem the Scribes 

and Pharisees Bring an Adulterous Woman before 

Christ for Justice; 2005.145.20. Plate 21, Jesus in 

the Temple; 2005.145.21. Plate 22, The Entry 

into Jerusalem; 2005.145.22. Plate 23, The 

Scourging of Jesus; 2005.145.23. Plate 24, Mary 

Being Taken to a Place Where Girls Are Being 

Prepared for Their Future; 2005.145.24. 

Portrait of a Man, late 1700s; India, Pahari 

school; ink and color on paper; 7.3 x 5.5 cm; 

Gift of Pamela Elizabeth Ward in loving 

memory of her parents, William E. and Evelyn 

Svec Ward 2005.69. 

Rider and Four-legged Bovine Creature in Mauve, 

Chartreuse, and Black Palette, second half of 

1900s; Eastern India, Bihar State, Mithila or 





Rider and Four-legged Bovine Creature with Border 

of Colored Squares, second half of 1900s; Eastern 

India, Bihar State, Mithila or Madhubani 

school; ink and color on paper; 41.5 x 26.5 cm; 



Svec Ward 2005.81.

Rider and Four-legged Bovine Creature with Border 

of Colored Squares, Purple, Orange, and Magenta 

Palette with Inscription at Top and Bottom, second 

half of 1900s; Eastern India, Bihar State, 


paper; 51.8 x 34.3 cm; Gift of Pamela Elizabeth 



Rider and Four-legged Creature with Floral Motif, 

second half of 1900s; Eastern India, Bihar State, 


paper; 40.7 x 26 cm; Gift of Pamela Elizabeth 



Sketch of a Woman with an Elephant and Other 

Animals on Reverse, 1700s; India, Pahari; ink 

and color on paper; 12 x 11 cm; Gift of Pamela 

Elizabeth Ward in loving memory of her 

parents, William E. and Evelyn Svec Ward 

2005.71. 

Two Women, second half of 1700s; India, Jodhpur; 

ink and color on paper; 8.5 x 9.4 cm; Gift 

of Pamela Elizabeth Ward in loving memory of 

her parents, William E. and Evelyn Svec Ward 

2005.70. 

Simon Marmion 

(French, active in 

Flanders, 1425–89); 

Excised Leaf with 

Scenes from the Life of 

Saint Denis from the 

Breviary of Charles the 

Bold and Margaret of 

York, about 1467–70; 

ink, tempera, and gold 

on vellum; 16 x 11.9 cm; 

John L. Severance Fund 

2005.55. 

Two Women Facing Each Other, second half of 



25.3 x 27.1 cm; Gift of Pamela Elizabeth Ward 



Woman in Profile Facing Left, second half of 






Woman with Two Children Playing Ball, second 

half of 1900s; Eastern India, Bihar State, 


paper; 27 x 23.3 cm; Gift of Pamela Elizabeth 



Jamini Roy (Indian, 1882–1972); Krishna and 

the Bull Nandi; gouache; 31.4 x 43.3 cm; Gift 

of Pamela Elizabeth Ward in loving memory of 


2005.76. 

Attributed to Nainsukh (Indian, 1710–1778); 

Two Elephants Fighting in a Courtyard before 

Muhammad Shah, about 1730–40; ink 

and color on paper; 62.5 x 42 cm; John L. 

Severance Fund 2005.1.a–b. 

Medieval Art 

Leaf from a Book of Hours: Ape Hunting Wild 

Boars, about 1500–1510; France, Paris or 

Rouen; ink, tempera, and liquid gold on 

vellum; 18.1 x 12.9 cm; The Jeanne Miles 

Blackburn Collection 2006.13.a–b. 

Leaf from a Book of Hours: Initial D, early 1400s; 

England; ink, tempera, and gold on vellum; 

15.2 x 11.4 cm; The Jeanne Miles Blackburn 


Leaf from a Book of Hours: Initial D, about 1400; 

France, probably Soissons; ink, tempera, and 

gold on vellum; 15.5 x 11.5 cm; The Jeanne 

Miles Blackburn Collection 2005.203. 

Leaf from a Book of Hours: Initial V with Floral 

Border, about 1460–1500; Austria(?) or 

Bohemia(?); ink, tempera, and gold on vellum; 



Leaf from a Book of Hours: The Raising of the 

Cross, 1510–20; Germany, Nuremberg; tempera 

and liquid gold on vellum; 18.7 x 13.4 

cm; The Jeanne Miles Blackburn Collection 

2006.14. 

Leaf from a Book of Hours: St. Bartholomew, 

about 1440–60; Flanders, Bruges(?); ink, tempera, 

and gold on vellum; 12.5 x 8.5 cm; The 

Jeanne Miles Blackburn Collection 2006.11. 

37

38 

Charles Marville 

(French, 1818–1879); 

Opéra (Rostral Column), 

about 1875; albumen 

print from wet 

collodion negative; 35.4 

x 26.7 cm (mounted); 

Purchase from the Karl 

B. Goldfield Trust 

2006.6. 

Leaf from a Psalter: Initial D with King David in 

Prayer before an Altar and Christ in a Cloud, 

about 1270–80; England, Oxford(?); ink, tempera, 



Leaf from a Psalter and Prayerbook: Initial E with 

Ornamental Border Containing a Seated Satyr and 

a Bird Eating Grapes, about 1524; North Germany, 

Hildesheim(?); ink, tempera, and liquid 

gold on vellum; 16.6 x 13.5 cm; The Jeanne 

Miles Blackburn Collection 2006.15.a–b. 

Circle of Coëtivy Master (France, Paris); Leaf 

from a Book of Hours: Angel Chasing a Devil, 

about 1460; ink, tempera, and gold on vellum; 


Collection 2005.206.a–b. 

Circle or workshop of the Leber Group 

(France, Paris); Leaf from a Latin Bible: Initial A 

and Initial A: Judith Beheading Holofernes, about 

1230–40; ink and tempera on vellum; 14.8 x 

10.4 cm; The Jeanne Miles Blackburn Collection 

2005.207. 

Follower of the Limbourg Brothers (Netherlandish) 

(France, Paris[?]); Leaf from a Book of 

Hours: St. Matthew, about 1415; ink, tempera, 

and gold on vellum; 18.1 x 13 cm; The Jeanne 

Miles Blackburn Collection 2005.204. 

Circle of Maître François (Central France); 

Leaf from a Book of Hours: The Betrayal of Christ, 

about 1470–85; ink, tempera, and gold on 

vellum; 12.4 x 9.3 cm; The Jeanne Miles 

Blackburn Collection 2005.208. 

Simon Marmion (French, active in Flanders, 

1425–89); Excised Leaf with Scenes from the Life 

of Saint Denis from the Breviary of Charles the 

Bold and Margaret of York, about 1467–70; ink, 

tempera, and gold on vellum; 16 x 11.9 cm; 

John L. Severance Fund 2005.55. 

Workshop of Master of Guillebert de Mets 

(Flemish); Leaf from a Book of Hours: Initial D 

with Foliated Border, 1410–45; ink, tempera, 



Seneca Master (Italian, active about 1307–25); 

Medallion from the Border of a Latin Bible: The 

Sixth Day of Creation, early 1300s; tempera on 

vellum; diam. 7 cm; The Jeanne Miles 

Blackburn Collection 2006.9.

Photography 

Herbert Ascherman Jr. (American, b. 1947); 

2001; 8 gelatin silver prints; Gift of the Artist. 

Anna Arnold, Painter; 23.3 x 23.2 cm; 

2005.106. Douglas Max Utter, Painter, 23.2 x 

23.2 cm; 2005.102. Judith Saloman, Ceramicist; 

23.3 x 23.2 cm; 2005.108. Mark Soppeland, 

Sculptor; 23.3 x 23.2 cm; 2005.107. Phyllis 

Seltzer, Painter; 23.3 x 23.2 cm; 2005.105. 

Phyllis Sloane, Painter; 23.3 x 23.2 cm; 2005.12. 

Rev. Albert Wagner, Painter; 23.3 x 23.2 cm; 

2005.103. Virgie Patton, Painter; 23.2 x 23.3 

cm; 2005.104. 

Herbert Ascherman Jr.; Fred Schmidt, Sculptor, 

2001; gelatin silver print; 22.8 x 22.8 cm; Gift 

of Jane Glaubinger 2005.21. 

Herbert Ascherman Jr.; 2001; 11 gelatin silver 

prints; Gift of William S. Lipscomb in memory 

of his father, James S. Lipscomb. Chris Pekoc, 

Photographer; 23.3 x 23.3 cm; 2005.25. David 

Davis, Sculptor; 23.3 x 23.3 cm; 2005.33. Don 

Harvey, Work on Paper; 23.3 x 23.3 cm; 

2005.27. George Fitzpatrick, Work on Paper; 

23.3 x 23.3 cm; 2005.24. George Kozman, 

Painter; 23.3 x 23.3 cm; 2005.30. Janice 

Lessman-Moss, Fiber; 23.3 x 23.3 cm; 2005.28. 

John Sargent, Painter; 23.3 x 23.3 cm; 2005.31. 

Laurence Channing, Work on Paper; 23.2 x 23.2 

cm; 2005.23. Malcolm Brown, Painter; 23.3 x 

23.3 cm; 2005.22. Penny Rakoff, Photographer; 

23.3 x 23.3 cm; 2005.29. Robert Thurmer, 

Sculptor; 23.3 x 23.3 cm; 2005.32; Viktor 

Schreckengost, Designer; 23.3 x 23.3 cm; 

2005.26. 

Herbert Ascherman Jr.; 2001; 4 gelatin silver 

prints; John L. Severence Fund. H. Carroll 

Cassil, Work on Paper, 23.2 x 23.2 cm; 2005.8. 

John Clague, Sculptor; 23.3 x 23.3 cm; 2005.9. 

John Pearson, Painter; 23.3 x 23.3 cm; 2005.10. 

Joseph McCullough, Painter; 23.3 x 23.3 cm; 

2005.11. 

Richard Avedon (American, 1923–2004); 

Ronald Fischer, Beekeeper, Davis, California, May 

9, 1981, 1981, printed 1985; gelatin silver 

print; 114.3 x 142.8 cm; Leonard C. Hanna Jr. 

Fund 2005.143. 

Henri Béchard (French, active 1869–1880s); 

1870s; 2 albumen prints from wet collodion 

negatives; Mr. and Mrs. Richard W. Whitehill 

Art Purchase Endowment Fund. Thebes, The 

Colossi of Memnon; 36 x 26.9 cm; 2006.119. 

Thebes, Temple of the Ramesseum, Interior of the 

Hypostyle Hall; 36 x 26.9 cm; 2006.118. 

Barbara Bosworth (American, b. 1953); 

printed 2004; 71 gelatin silver prints; Gift of 

Mark Schwartz and Bettina Katz. Former National 

Champion American Elm, Kansas, 2001; 

20.1 x 49.5 cm; 2006.59. National Champion 

Aloe Yucca, Georgia, 2002; 24.5 x 20.1 cm; 

2005.354. National Champion American Beech, 

Ohio, 1990; 20.1 x 24 cm; 2006.46. National 

Champion American Elm, Kansas, 1990; 20.1 x 

49.6 cm; 2005.362. National Champion American 

Smoketree, Indiana, 2001; 24.9 x 59.4 cm; 

2006.45. National Champion Blackjack Oak, 

Georgia, 1999; 24.6 x 59.5 cm; 2005.361. National 

Champion Black Locust, New York, 1991; 


Black Oak, Connecticut, 2001; 24.9 x 59.6 cm; 

2005.378. National Champion Bur Oak, Kentucky, 

1991; 20.1 x 40.4 cm; 2005.351. National 

Champion Butternut, Oregon, 1993; 19.9 x 

24.7 cm; 2006.51. National Champion California 

Buckeye, 2002; 20.1 x 24.7 cm; 2006.55. National 

Champion Chinkapin Oak, Kentucky, 

2002; 24.9 x 59.7 cm; 2005.379. National 

Champion Coast Redwood, California, 1994; 24.8 

x 59.1 cm; 2005.367. National Champion Common 

Hackberry, Illinois, 2001; 24.8 x 39.3 cm; 

2006.42.a–b. National Champion Common Pear, 

Ohio, 2002; 24.7 x 58.8 cm; 2006.28. National 

Champion Common Pear, Washington, 1994; 


Darlington Oak, Georgia, 1999; 24.6 x 59.5 cm; 

2005.348. National Champion Durand Oak, 

Georgia, 1999; 25 x 59.4 cm; 2006.54. National 

Champion Elliottia, Georgia, 2002; 24.9 x 59.4 

cm; 2005.380. National Champion Emory Oak, 

Arizona, 2001; 24.6 x 39.7 cm; 2005.374.a–b. 

National Champion Fremont Cottonwood, Arizona, 

2001; 24.8 x 59.5 cm; 2006.38. National 

Champion Giant Sequoia, California, 1994; 24.7 

x 39.2 cm; 2005.350. National Champion 

Golden (White) Willow, Michigan, 1992; 24.6 x 

39.3 cm; 2006.53.a–b. National Champion 

Green Ash, Michigan, 1992; 24.6 x 59.4 cm; 

2005.365. National Champion Gumbo-limbo, 

Florida, 1995; 24.7 x 59.6 cm; 2005.370. National 

Champion Joshua-tree, California, 2002; 


Longbeak Eucalyptus, Arizona, 2001; 24.8 x 59.4 

cm; 2005.352. National Champion Mazzard 

Cherry, Pennsylvania, 1994; 24.7 x 39.7 cm; 

2005.368.a–b. National Champion Monterey 

Cypress, California, 2002; 24.6 x 40 cm; 

2006.34. National Champion Mountain Paper 

Birch, Michigan, 1994; 20.1 x 24.7 cm; 

2006.40. National Champion Northern Red Oak, 

New York, 1990; 20.1 x 24.7 cm; 2005.358. 

National Champion Northern Red Oak, New 

York, 1991; 20.1 x 24.7 cm; 2005.359. National 

Champion Ohio Buckeye, Ohio, 2004; 24.8 x 

59.2 cm; 2005.364. National Champion Osageorange, 

Virginia, 2002; 24.7 x 59.4 cm; 

2005.375. National Champion Pacific Madrone, 

California, 1994; 20 x 49.4 cm; 2006.37.a. 

National Champion Pacific Madrone, California, 

1994; 20.1 x 24.7 cm; 2006.37.b. National 

Champion Paper Birch, Maine, 1991; 30.1 x 59.4 

cm; 2006.47. National Champion Pignut 

Hickory, Georgia, 2002; 25 x 59.4 cm; 

2005.381. National Champion Pitch Pine, New 

Hampshire, 2003; 24.8 x 59.5 cm; 2006.32. 

National Champion Plains Cottonwood, Colorado, 

1991; 24.6 x 39.9 cm; 2005.377. National 

Champion Pussy Willow, Rhode Island, 1992; 


Red Mangrove, Florida, 1995; 24.9 x 59.5 cm; 

2006.48. National Champion Royal Paulownia, 

Indiana, 1991; 20.1 x 24.7 cm; 2006.29. National 

Champion Saguaro, Arizona, 2001; 24.8 x 

59.5 cm; 2005.357. National Champion Sand 

Live Oak, Florida, 2002; 24.8 x 58.8 cm; 

2005.353. National Champion Scarlet Oak, Kentucky, 

2002; 24.8 x 59.4 cm; 2006.57. National 

Champion Scarlet Oak, Michigan, 1992; 24.8 x 

59.4 cm; 2006.52. National Champion Siberian 

Elm, Colorado, 25.1 x 59.5 cm; 2005.360. Na- 

tional Champion Siberian Elm, Ohio, 2002; 24.7 

x 59.5 cm; 2006.31. National Champion 

Singleleaf Ash, Colorado, 2001; 24.7 x 59.3 cm; 

2005.349. National Champion Sitka Spruce, 

Oregon, 1993; 24.7 x 59.3 cm; 2006.27. National 

Champion Slippery Elm, Ohio, 2000; 24.7 

x 59.5 cm; 2006.41. National Champion Slippery 

Elm with Jeffrey, Ohio, 2002; 24.6 x 59.5 cm; 

2005.347. National Champion Southern Redcedar, 

Florida, 1994; 24.8 x 59.7 cm; 2006.39. National 

Champion Southern Red Oak, Georgia, 

1999; 24.7 x 59.5 cm; 2006.30. National 

Champion Strangler Fig, Florida, 1995; 25 x 59.5 

cm; 2006.43. National Champion Sugarberry, 

South Carolina, 1994; 25 x 59.5 cm; 2006.26. 

National Champion Swamp White Oak, 2002; 25 

x 59.5 cm; 2006.56. National Champion Sycamore, 

Kentucky, 2002; 24.8 x 59.5 cm; 

2006.49. National Champion Sycamore with 

Katie, Ohio, 1990; 24.6 x 40 cm; 2005.373. 

National Champion Tuliptree Yellow-poplar, Virginia, 

1992; 24.8 x 59.5 cm; 2006.44. National 

Champion Turkey Oak, Georgia, 1994; 20.1 x 

24.7 cm; 2005.369. National Champion Twowing 

Silverbell, Ohio, 2002; 25.1 x 59.2 cm; 

2006.25. National Champion Valley Oak, California, 

1994; 24.6 x 59.5 cm; 2005.371. National 

Champion Velvet Mesquite, Arizona, 2001; 


Waterlocust, Pennsylvania, 2000; 24.4 x 59.5 

cm; 2005.366. National Champion Weeping 

Willow, Michigan, 1992; 24.7 x 39.6 cm; 

2005.376. National Champion Western Larch, 

Montana, 1996; 25.2 x 59.4 cm; 2006.58. National 

Champion Western Paper Birch, Washington, 

1993; 24.7 x 59.5 cm; 2006.50. National 

Champion Western Redcedar, Washington, 1993; 


White Oak, Maryland, 1992; 24.5 x 59.5 cm; 

2005.372. 

Margaret Bourke-White (American, 1904– 

1971); Heaped ore outside steel plant, brought by 

shipping along Great Lakes, 1930; gelatin silver 

print; 23.6 x 31.3 cm; Andrew R. and Martha 

Holden Jennings Fund 2005.341. 

Philip Brutz (American, b. 1962); 2005; 4 

stereoscopic chromogenic transparencies; 5.1 x 

5.1 cm; Gift of the Artist. Asbestos Abatement, 

1916 Building; 2006.13.a. Ball of Rebar, Site 

Preparation; 2006.129.a. Mechanical Room, 1916 

Freight Elevator; 2006.131.a. Number 2 Fan 

Room, 1916 Building; 2006.132.a. 

Philip Brutz; 2005; 12 stereoscopic chromogenic 

transparencies; 5 x 5 cm; The Jane B. 

Tripp Charitable Lead Annuity. Armor Court; 

2006.102.a. Deinstallation of Renaissance Fireplace; 

2006.105.a. Interior Garden Court; 

2006.103.a. Looking at Art; 2006.111.a. Painting 

Frames and Ironwork; 2006.107.a. Plaster Model 

of the 1916 Building Made in 1912; 2006.109.a. 

Skylights, 1916 Building; 2006.101.a. Stella; 

2006.106.a. Tapestries and Renaissance Fireplace; 

2006.104.a. Temporary Art; 2006.100.a. Temporary 

Art Storage; 2006.108.a. Temporary Art 

Storage; 2006.110.a. 

Linda Butler (American, b. 1947); 1994; 10 

gelatin silver prints; The George Gund Foundation 

Collection in honor of David Bergholz, 

39

Curator of Photography 

Tom E. Hinson proudly 

welcomes Richard 

Avedon’s Ronald 

Fischer, Beekeeper, 

Davis, California, May 9, 

1981 (Leonard C. Hanna 

Jr. Fund 2005.143) from 

the photographer’s 

landmark series of 

large-scale portraits, In 

the American West. 

The Cleveland Museum of Art. The Broadway 

School of Music; 34.2 x 26.7 cm; 2005.211. The 

Cleveland Museum of Art; 26 x 34.2 cm; 

2005.209. The Cleveland Play House; 34.2 x 

25.5 cm; 2005.218. The Crawford Auto-Aviation 

Museum; 33.6 x 26.2 cm; 2005.217. The Sculpture 

Center; 34.6 x 26.4 cm; 2005.212. The 

State Theatre; 34.4 x 27 cm; 2005.215. Severance 

Hall; 26.6 x 34 cm; 2005.213. Severance Hall; 

34.3 x 26.8 cm; 2005.214. Trinity Cathedral; 

34.5 x 26.9 cm; 2005.216. The Western Reserve 

Historical Society; 32.7 x 24 cm; 2005.210. 

Linda Butler; 2005, printed 2006; 26 chromogenic 

process color prints; The Jane B. 

Tripp Charitable Lead Annuity and Gift of the 

Artist. 20th Century Paintings and Sculpture in 

Temporary Storage; 26.7 x 33.3 cm; 2006.85. 

Armor Court with Boxes; 48.4 x 57.2 cm; 

2006.99. Armor Court with Rider and Horse; 

34.3 x 26.2 cm; 2006.97. Deinstalled Noguchi; 

47.6 x 38.2 cm; 2006.93. Deinstalling Stella; 

26.2 x 31.9 cm; 2006.90. Detail of French 

Marble Sculpture; 32.7 x 26.2 cm; 2006.89. 

Detail of a Medieval Griffin; 26.2 x 30 cm; 

2006.80. Detail, Noguchi Sculpture; 48.8 x 38.7 

cm; 2006.92. Detail of Stella; 26.2 x 32.5 cm; 

2006.91. Distant View Towards the Egyptian 

Galleries; 60.9 x 58.5 cm; 2006.74. Egyptian 

Sarcophagus in Storage; 26.2 x 33.7 cm; 2006.76. 

40 

European Sculpture in Storage; 38.2 x 45.9 cm; 

2006.88. Garden Court Capitals with 1916 

Newspaper; 26.2 x 32.6 cm; 2006.83. Greek 

Bronze Draped; 39.8 x 38.2 cm; 2006.78. Greek 

Bronze in the Interior Garden Court; 33.8 x 25.6 

cm; 2006.77. Greek Bronze in Storage; 34.3 x 

23.9 cm; 2006.79. Griffins in Storage; 26.2 x 

32.7 cm; 2006.81. Japanese Guardians and Asian 

Sculpture in Storage; 41.9 x 38.2 cm; 2006.87. 

Looking at Art; 33.8 x 25.9 cm; 2006.94. 

Mayan Stele; 26.2 x 32.7 cm; 2006.82. Medieval 

Capital and Head of Buddha in Storage; 44.6 x 

38.2 cm; 2006.96. Moving a Sarcophagus; 26.2 x 

32.7 cm; 2006.75. Painting and Furniture Storage; 

25.6 x 33.8 cm; 2006.86. Removing Saddle; 

32.9 x 26.4 cm; 2006.98. Rolling Up a Tapestry; 

18.2 x 48.8 cm; 2006.84. Segal Sculpture in 

Storage; 23.3 x 33.8 cm; 2006.95. 

Linda Connor (American, b. 1944); Boy Bathing, 

Angkor Thom, Cambodia, 2001; gelatin 

silver print; 20.1 x 24.6 cm; Gift of Friends of 

Photography; 2006.67. 

Valdir Cruz (Brazilian, b. 1954); gelatin silver 

prints, selenium toned; Gift of Mr. and Mrs. 

Michael Striar. Guarapuava Series: Guarapuava, 

Paraná, Brazil; 18 prints. 1991; 34.6 x 34.1 cm; 

2005.89.1. 1991; 35 x 34.7 cm; 2005.89.2. 

1990; 35 x 34.6 cm; 2005.89.4. 1990; 35 x 

34.6 cm; 2005.89.5. 1990; 35.3 x 35.2 cm; 

2005.89.7. 1990; 35.3 x 35.2 cm; 2005.89.8. 

1990; 35.3 x 35.2 cm; 2005.89.9. 1990; 38.5 x 

37.7 cm; 2005.89.10. 1992; 38 x 38 cm; 

2005.89.11. 1992; 38.3 x 38.1 cm; 2005.89.12. 

1992; 31.7 x 48 cm; 2005.89.13. 1990; 32.1 x 

48 cm; 2005.89.14. 1990; 32.1 x 48 cm; 

2005.89.15. 1990; 46.2 x 30.9 cm; 2005.89.16. 

1990; 32.4 x 47.6 cm; 2005.89.17. 1990; 31.7 

x 47.2 cm; 2005.89.18. 2002; 38.8 x 49.3 cm; 

2005.89.19. 2002; 49 x 38.6 cm; 2005.89.20. 

Guarapuava Series, 1990; 2 prints. Tropieros II, 

Paraná, Brazil; 33.9 x 34.6 cm; 2005.89.3. 

‘Tropieros Group,’ Guarapuava, Paraná, Brazil; 

34 x 34.8 cm; 2005.89.6. Kaxinawa Series: 

Brazil (Border with Peru), 1999; 3 prints. 47.9 x 

32.2 cm; 2005.90.7. 32.3 x 48.4 cm; 

2005.90.9. 32.3 x 48.7 cm; 2005.90.10. 

Yanomami Series: Siapes Mountain Range, Upper 

Orinco River, Venezuela; 8 prints. 1996; 48.2 x 

32 cm; 2005.90.1. 1996; 32.2 48.4 cm; 

2005.90.5. 1996; 32.2 x 48.4 cm; 2005.90.6. 

1996; 31.7 x 47.5 cm; 2005.90.8. 1997; 32.3 x 

48.2 cm; 2005.90.2. 1997; 32.1 x 47.9 cm; 

2005.90.3. 1997; 19.1 x 48.5 cm; 2005.90.4. 

1997; 48.1 x 32.2 cm; 2005.90.11. 

William DeLappa (American, 1943–2006); The 

Portraits of Violet and Al, about 1973; 28 gelatin 

silver prints; Gift of the Artist. 1; 35.3 x 27.2 

cm; 2005.93.1. 2; 35.3 x 27.2 cm; 2005.93.2. 

3; 35.3 x 27.2 cm; 2005.93.3. 4; 27.3 x 34.9

cm; 2005.93.4. 5; 27.2 x 35.3 cm; 2005.93.5. 

6; 27.3 x 35.1 cm; 2005.93.6. 7; 35 x 27.2 cm; 

2005.93.7. 8; 27.3 x 35.3 cm; 2005.93.8. 9; 

27.5 x 35.2 cm; 2005.93.9. 10; 27.3 x 35.2 

cm; 2005.93.10. 11; 27.4 x 35.2 cm; 

2005.93.11. 12; 27.4 x 35.2 cm; 2005.93.12. 

13; 27.4 x 35.4 cm; 2005.93.13. 14; 27.3 x 

35.3 cm; 2005.93.14. 15; 27.2 x 34.9 cm; 

2005.93.15. 16; 35.3 x 27.3 cm; 2005.93.16. 

17; 27.4 x 35.2 cm; 2005.93.17. 18; 27.4 x 

35.3 cm; 2005.93.18. 19; 34.3 x 27.2 cm; 

2005.93.19. 20; 27.2 x 34.9 cm; 2005.93.20. 

21; 27.4 x 35.3 cm; 2005.93.21. 22; 27.4 x 

35.3 cm; 2005.93.22. 23; 27.3 x 34.9 cm; 

2005.93.23. 24; 27.4 x 35.2 cm; 2005.93.24. 

25; 27.5 x 35.5 cm; 2005.93.25. 26; 27.4 x 

36.4 cm; 2005.93.26. 27; 35.3 x 27.4 cm; 

2005.93.27. 28; 27.3 x 34.9 cm; 2005.93.28. 

Pierre Jean Delbarre (French, b. 1826, active 

1860s); Auguste Vacquerie, about 1860; 

albumenized salt print from a wet collodion 

negative; 37.4 x 27.7 cm; A. W. Ellenberger 

Sr. Memorial Endowment Fund 2005.59. 

Burhan Dogançay (Turkish, b. 1929); 1986; 3 

prints; Anonymous Gift. Bridge of Dreams #99, 

printed 1999; platinum print; 24.5 x 16.2 cm; 

2006.126. Bridge of Dreams #101, printed 

1999; platinum print; 24.5 x 16.2 cm; 

2006.127. Twin Towers, printed 2006; gelatin 

silver print; 68.5 x 102.8 cm; 2006.128. 

Kevin Jerome Everson (American, b. 1965) 

and Michael Loderstedt (American, b. 1958); 

Viaduct, 1992; gelatin silver print; 119.2 x 

162.7 cm; Gift of Joan Tomkins and William 

Busta 2005.94. 

Roger Fenton (British, 1819–1869); Drawing 

by Raphael Sanzio in the British Museum, 1856; 

salted paper print from a wet collodion negative; 

22.6 x 31.1 cm; The Sarah Stern Michael 

Fund 2005.60. 

Lee Friedlander (American, b. 1934); 

Cleveland, OH, 2002, 2002, printed 2003; 

gelatin silver print; 37.9 x 37.4 cm; Gift of 

Friends of Photography and Jeffrey Fraenkel 

and Frish Brandt 2005.49. 

Simon Johan (Norweigan, b. 1973); Untitled 

#102, 2001, printed 2004; chromogenic process 

color print; 112.7 x 112 cm; Gift of 

Friends of Photography 2005.38. 

Mark Klett (American, b. 1952) and Byron 

Wolfe (American, b. 1967); Sentinel Dome 

Connecting Three Views by Carleton Watkins, 

2003, printed 2005; 53.4 x 166.2 cm; Gift of 

William S. Lipscomb in memory of his father, 

James S. Lipscomb 2006.63. 

William Laven (American, b. 1957); AV8 

Harrier, 2005; inkjet print, Roland carbon 

pigment print with Hahnemuhle paper; 81.2 x 

52.3 cm; Gift of Friends of Photography 

2006.65. 

Michael Loderstedt (American, b. 1958); View 

of Waccamaw Neck, SC, Site of First European 

Colonial Attempt in America (1526), 2004; chromogenic 

process color print; 101.6 x 126.7 

cm; Gift of the Robert A. Mann Fund 

2005.147. 

Sal Lopes (American, b. 1943); Horse Spirits 

#067 California, 1998, 1998; platinum print; 

30.5 x 40.9 cm; Gift of Bob and Jane Herbst 

2005.40. 

Scott MacGregor (American, b. 1953); Young 

Irish Girl in a Passing Window, 1978; chromogenic 

process color print; 22.6 x 34.3 cm; 

Gift of Louise S. Richards 2005.295. 

Charles Marville (French, 1818–1879); Opéra 

(Rostral Column), about 1875; albumen print 

from wet collodion negative; 35.4 x 26.7 cm 

(mounted); Purchase from the Karl B. 

Goldfield Trust 2006.6. 

Philippe Mazaud (American, b. 1957); Solar 

Road, 2002, printed 2005; gelatin silver print; 

63.2 x 86.5 cm; Gift of Friends of Photography 

2006.66. 

Laura McPhee (American, b. 1958); Saree 

Shop, Newmarket, Kolkta, India, 1998, printed 

2005; chromogenic process color print; 75.8 x 

95.7 cm; Gift of Friends of Photography 

2006.64. 

Susan Meiselas (American, b. 1948); First Day 

of Popular Insurrection, Nicaragua, 1978, printed 

2005; chromogenic process color print; 39.4 x 

59.1 cm; Gift of the Julius L. Greenfield Photography 

Acquisition Fund in honor of his 

grandson Harry Singer’s 50th birthday 

2005.139. 

Andrea Modica (American, b. 1960); Fountain, 

Colorado, 2000, printed 2004; platinum/palladium 

print; 19 x 23.9 cm; Gift of Friends of 

Photography 2005.50. 

Andrew Moore (American, b. 1957); Green 

Trucks, White Nights, Solovki, 2002; chromogenic 

process color print; 76.2 x 101.6 cm; Gift 

of Friends of Photography 2006.68. 

Pierre Petit (French, 1832–1909); Gustave 

Doré, 1860; albumen print from wet collodion 

negative; 25 x 19 cm; James Parmelee Fund 

2005.58. 

Nancy Rexroth (American, b. 1946); 1970; 2 

gelatin silver prints; Gift of Friends of Photography. 

My Mother, Pennsville, OH; 10.3 x 10.5 

cm; 2005.41. A Woman’s Bed, Logan, OH; 

10.8 x 11.3 cm; 2005.42. 

Brad Richman (American, b. 1971); Chicago, 

Illinois, June 8, 1997, 1997, printed 2000; gelatin 

silver print; 45.6 x 57.9 cm; Gift of Linda 

Butler, William Lipscomb, and Robert Mosher 

2005.39. 

Thomas Roma (American, b. 1950); 5 gelatin 

silver prints; Gift of Friends of Photography. 

Found in Brooklyn, Brooklyn, NY, 1986, printed 

later; 24.4 x 32.6 cm; 2005.44. Found in Brooklyn, 

Brooklyn, NY, 1981, printed later; 21.9 x 

32.3 cm; 2005.45. Found in Brooklyn, Brooklyn, 

NY, 1986, printed later; 24.2 x 32.6 cm; 

2005.46. Higher Ground, Brooklyn, NY, 1993, 

printed later; 24.4 x 32.3 cm; 2005.47. Higher 

Ground, Brooklyn, NY, 1993, printed later; 24.2 

x 32 cm; 2005.48. 

Thomas Roma; Higher Ground, Brooklyn, NY, 

1993, printed later; gelatin silver print; 24.2 x 

32 cm; Gift of Judith K. and S. Sterling 

McMillan Photography Purchase Fund 

2005.43. 

Sebastiao Salgado (Brazilian, b. 1944); Churchgate 

Station, Bombay, India, 1995, printed 2005; 

gelatin silver print; 29.5 x 43.9 cm; Gift of the 

Julius L. Greenfield Memorial Photography 

Fund 2005.51. 

Carle Edwin Semon (American, 1877–1950); 

Portrait of a Japanese Woman, first half of the 

1900s; platinum print; 17.8 x 12.7 cm; John L. 

Severance Fund 2005.7. 

Joni Sternbach (American, b. 1953); Ocean 

Details (99.01.11) #3, about 1999; platinum/ 

palladium print; 11.9 x 16.9 cm; Gift of the 

Artist 2005.88. 

Jock Sturges (American, b. 1947); 18 gelatin 

silver prints; Gift of John M. Kimpel. Arianne, 

Montalivet, France, 1990; 47.3 x 37.4 cm; 

2005.219. Arianne, Montalivet, France, 1991; 

47.4 x 37 cm; 2006.21. Brooke, Northern California, 

1985; 48.3 x 37.8 cm; 2006.18. Cecile, 

Montalivet, France, 1993; 48.2 x 38 cm; 

2006.20. Cecile, Montalivet, France, 1993; 47.3 x 

37.4 cm; 2006.23. Flore, Montcreson, France, 

1991; 37.3 x 47.6 cm; 2005.220. Iris, 

Montalivet, France, 1991; 37.4 x 47.3 cm; 

2005.222. Lotte, Montalivet, France, 1997; 46.5 

x 36.5 cm; 2005.224. Maia, Arles, France, 1990; 

47.5 x 37.4 cm; 2006.17. Melanie, Vanessa, and 

Tracey, Montalivet, France, 1994; 47.1 x 37 cm; 

2005.223. Mike and Chicken, Northern California, 

1993; 37.2 x 47.5 cm; 2006.16. Minna, 

Northern California, 1981; 47.4 x 37.1 cm; 

2006.19. Minna, Northern California, 1980; 48.5 

x 37.2 cm; 2005.221. Minna, Northern California, 

2000; 47.7 x 37.3 cm; 2005.227. Nadia 

and Brigitte, Montalivet, France, 1998; 36.7 x 

46.7 cm; 2005.225. Sara, Montalivet, France, 

1998; 37 x 47.4 cm; 2005.226. Sarah, Northern 

California, 1994; 48 x 36.7 cm; 2006.22. Scoil 

Mhuire #39, County Galway, Ireland, 1996; 

47.4 x 37.4 cm; 2006.24. 

William Henry Fox Talbot (British, 1800– 

1877); Winter Trees Reflected in a Pond, 1841– 

42; salted paper print from calotype negative; 

16.4 x 19.1 cm; Purchase from the J. H. Wade 

Fund 2006.4. 

Spencer Tunick (American, b. 1967); Ohio 4 

(Museum of Contemporary Art Cleveland), 2004; 

chromogenic process color print; 76.2 x 95.3 

cm; Gift of Mark Schwartz and Bettina Katz 

2005.346. 

Joseph Vitone (American, b. 1954); printed 

2005; 2 gelatin silver prints; Gift of the Artist. 

Marjorie Angel with daughter, Rebecca Barile, on 

Rebecca’s porch with flag, Akron, Ohio, 2003; 

44.1 x 55.5 cm; 2005.92. Salvatore Vitone and 

Grace Falitico, brother and sister, Stow, Ohio, 

1999; 44 x 55.5 cm; 2005.91. 

James Welling (American, b. 1951); 2004; 7 

chromogenic process color prints; Gift of the 

Artist. #1, 25.3 x 20.8 cm; 2005.96. #10, 25.2 

x 20.1 cm; 2005.101. #17, 25 x 19.9 cm; 

2005.99. #18, 25.3 x 20.2 cm; 2005.100. #19, 

25.3 x 20.2 cm; 2005.98. #28, 25.3 x 20.1 

cm; 2005.95. #31, 25.3 x 20.1 cm; 2005.97. 

41

42 

Max Beckmann 

(German, 1884–1950); 

Group Portrait Eden 

Bar, 1923; woodcut; 

49.5 x 49.5 cm; 



Prints 

Anonymous (French); Roman Charity, 1542; 

etching; 14.3 x 32.2 cm; Herbert p. 130, no. 

24; Gift of Louise S. Richards 2005.261. 

Anonymous (German); Solar System Surrounded 

by Animals, 16th century; etching; 27 x 36.2 


Sigmund Abeles (American, b. 1934); Toward 

the End, published 1969; 14 prints; Gift of 

Louise S. Richards. Afternoon Memories, 1966; 

etching; 20 x 14.9 cm; McLean and Drake 70; 

2005.258.4. Aged Rabbi, 1966; etching; 20 x 

15 cm; McLean and Drake 72; 2005.258.6. 

Colophon, 1969; 2005.258.14. Dedication Page: 

Hands Folded, 1966; drypoint; 4 x 6.5 cm; 

McLean and Drake 68; 2005.258.2. Earl, 1966; 

etching; 19.8 x 15 cm; McLean and Drake 74; 

2005.258.8. Frontispiece: Old Woman Eating 

with Bowl and Spoon, 1966; etching; 5.4 x 10 

cm; McLean and Drake 67; 2005.258.1. Loving 

Older Couple, 1966; etching with chine collé; 

20 x 14.9 cm; McLean and Drake 71; 

2005.258.5. Muybridge Sitting, 1969; etching; 

14.9 x 22.4 cm; McLean and Drake 76; 

2005.258.10. My Father as Patient, 1966; etching; 

14.8 x 20.3 cm; McLean and Drake 78; 

2005.258.12. Reaching Out, 1966; etching and 

engraving; 19.8 x 14.8 cm; McLean and Drake 

73; 2005.258.7. Sleeping Woman at Diagonal, 

1968; etching; 20.2 x 12.5 cm; McLean and 

Drake 75; 2005.258.9. Snoring Bald Man, 1966; 

etching; 20.3 x 14.7 cm; McLean and Drake 

77; 2005.258.11. Stuart’s Grandmother, 1968; 

etching; 15.2 x 13.6 cm; McLean and Drake 

69; 2005.258.3. Woman Being Fed with Spoon, 

1969; etching printed in brown; 20 x 14.9 cm; 

McLean and Drake 78a; 2005.258.13. 

Norman Ackroyd (British, b. 1938); Perimeter 

Rainbow, 1970; color aquatint; 45.4 x 45.2 cm; 


Stanley Anderson (British, 1884–1966); 5 

prints; Gift of Carole W. and Charles B. 

Rosenblatt. The Fallen Star, 1929; engraving; 

18.2 x 21.6 cm; Hardie 129; 2005.382. 

Hedgelaying, after 1932; engraving; 10.1 x 7.7 

cm; 2005.383. A Mayfair Backwater: Crabb’s 

Opponent, 1930; drypoint; 19.6 x 23.8 cm; 

Hardie 132; 2005.384. Morning on the Seine, 

1930; engraving; 17.7 x 24.3 cm; Hardie 133; 

2005.385. Pan in Fulham, 1932; engraving; 

18.7 x 19.2 cm; Hardie 143; 2005.386. 

Appiani (Italian); Satyr, second half of 1900s; 

softground etching; 13.8 x 8.3 cm; Gift of 

Louise S. Richards 2005.262. 

Umetaro Azechi ( Japanese, 1902–1999); Bird 

and Mountaineer, 1957; color woodcut; 55.4 x 

36.2 cm; Gift of friends of the Department of 

Prints and Drawings in memory of William E. 

Ward 2005.174. 

Albert Winslow Barker (American, 1874– 

1947); 2 lithographs; Gift of Louise S. 

Richards. Mount Alverno Bridge; 17.5 x 12.1 

cm; 2005.264. Tenant House; 11 x 15.2 cm; 

2005.263.

Federico Barocci (Italian, about 1535–1612); 

The Annunciation, about 1585; etching and 

engraving; 43.8 x 31 cm; Pillsbury and 

Richards 75; Purchase from the J. H. Wade 

Fund 2005.178. 

Gustave Baumann (American, b. Germany, 

1881–1971); 65 color woodcuts; Gift of Ann 

Baumann. Apple Blossoms, 1917; 24.4 x 28.8 

cm; 2005.400. April, 1930; 33.2 x 32.9 cm; 

2005.401. Arroya Chamisa, 1927, printed 1956; 

24 x 28.5 cm; 2005.402. Aspen Red River, 

1925; 28.5 x 28 cm; 2005.403. Aspen Summer, 

1920, printed 1946; 24.1 x 28.8 cm; 2005.404. 

Aspen Thicket, 1943; 27.6 x 24.6 cm; 2005.405. 

Atalaya Peak or Talaya Peak, 1925, printed 

1947; 24.1 x 28.4 cm; 2005.406. Autumnal 

Glory, 1921, printed 1936; 33.3 x 32.9 cm; 

2005.407. Big Day or Country Circus, 1909; 

17.5 x 23.5 cm; 2005.408. Big Timber Upper 

Pecos, 1924; 23.5 x 28.2 cm; 2005.409. Cedar 

Grand Cañon, 1919; 33.1 x 33.2 cm; 2005.410. 

Chicago Northwest or The Old Willow, 1908; 17 

x 18.3 cm; 2005.411. Church Ranchos de Taos, 

1919; 24.2 x 28.9 cm; 2005.412. Corn Dance 

Santa Clara, 1924, printed after 1932; 15.2 x 

19.3 cm; 2005.413. Desert Creatures, Desert 

Rock Garden, Lava and White Sands, Black 

Lava/White Sands, White Sand and Lava, or 

Malpai and White Sands, 1951, printed 1967; 

25.2 x 38.3 cm; 2005.414. Eagle Ceremony at 

Tesque Pueblo, 1932; 16.5 x 16.4 cm; 2005.415. 

El Santo (The Saint), 1919; 24.7 x 28.7 cm; 

2005.416. Fifth Avenue, 1917; 33.8 x 28.2 cm; 

2005.417. Fisherman Hut or Fishing Hut on the 

North Shore, 1907; 18.1 x 18.2 cm; 2005.418. 

Fox Lake Farmyard, 1907; 17.5 x 22.7 cm; 

2005.419. Harvest Time Taos, 1945; 24.4 x 28.4 

cm; 2005.420. Hidden Meaning, 1962; 30.6 x 

32.7 cm; 2005.421. Hillside Woods, 1924; 27.1 

x 24.6 cm; 2005.422. Idle Fleet (small), 1918, 

printed 1926; 24.2 x 27.9 cm; 2005.423. 

Malapai, 1927; 24 x 28.6 cm; 2005.425. Mending 

the Seine, 1917; 24.6 x 28.5 cm; 2005.426. 

Nobody Is Home, 1948; 27.4 x 24.8 cm; 

2005.427. October Night, 1919; 24.2 x 28.7 cm; 

2005.428. Old Santa Fe, 1924, printed 1930; 

15.3 x 19.5 cm; 2005.429. Pines Grand Canyon 

or Pines Grand Cañon, 1920; 32.9 x 32.9 cm; 

2005.430. Point Lobos (small), 1936; 20.6 x 20.9 

cm; 2005.431. Rain, 1938; 20.7 x 20.8 cm; 

2005.432. Redwood, 1934; 33 x 32.8 cm; 

2005.433. Rio Pecos, 1920, printed 1937; 27.5 

x 24.9 cm; 2005.434. Rose Farm, 1919; 24.1 x 

28.8 cm; 2005.435. Salt Creek, 1919, printed 

1927; 24.3 x 28.8 cm; 2005.436. San 

Geronimo, 1924, printed after 1932; 18.2 x 15.2 

cm; 2005.437. Sandia Mountains, 1921; 24.6 x 

28.2 cm; 2005.438. Sequoia Forest, 1960; 32.8 x 

33 cm; 2005.439. The Shoemaker, The Cobbler, 

or Illustrator at Work, 1908, printed 1909; 18 x 

23 cm; 2005.440. Singverin, 1909; 19.6 x 35 

cm; 2005.441. South Water Street or Grain 

Elevators, 1908; 22.3 x 14.7 cm; 2005.442. 

Spring Freshet, 1915; 27.8 x 24.6 cm; 2005.443. 

Spring New Mexico, 1924, printed 1936; 24 x 

28.7 cm; 2005.444. Spring Seranade, 1927; 24.2 

x 28.8 cm; 2005.445. Sycamore, 1915; 27.3 x 

24.7 cm; 2005.446. Tares, 1952; 15.3 x 32 cm; 

2005.447. Teatro Torito, 1931; 20.3 x 17.8 cm; 

2005.448. Three Pines, 1925, printed 1956; 

27.8 x 24.6 cm; 2005.449. Tulips, 1930; 33.1 x 

32.5 cm; 2005.450. Waiting to be Counted, 

1954, printed 1957; 32.5 x 41.6 cm; 2005.451. 

Winter Corral, 1950, printed 1961; 38.4 x 32.7 

cm; 2005.452. Woodland Meadows, 1917; 24.5 

x 28.7 cm; 2005.453. Portfolio of 12 woodcuts. 

In the Hills O Brown, 1910, printed 1914. 

At the Forge, The Blacksmith Shop, or The Forge, 

23 x 33.6 cm; 2005.424.1. The Court House 

Yard, 23 x 33.5 cm; 2005.424.2. The Door 

Yards or A Backyard, 23.1 x 33.4 cm; 

2005.424.3. In the Hills O Brown or In the Hills 

of Indiana, 23.1 x 33.6 cm; 2005.424.4. Mathis 

Alley, 23.2 x 33.6 cm; 2005.424.5. The Print 

Shop, Brown County Democrat, County Print 

Shop or Printing That Democrat, 22.8 x 33.4 cm; 

2005.424.6. The Rug Weaver, 22.9 x 33.5 cm; 

2005.424.7. The Swimmin Hole, The Suspension 

Bridge, The Swimming Hole, The Swingin’ Bridge, 

or The Swimmin Pool, 23.1 x 33.8 cm; 

2005.424.8. Talking It Over or Clinching the 

Argument, 23 x 33.3 cm; 2005.424.9. Town 

Gossips, An Evening Chat, or Village Gossips, 

23.2 x 33.4 cm; 2005.424.10. The Town of 

Nashville, 23.2 x 33.6 cm; 2005.424.11. The 

Wagon Builder, The Wagon Shop or The Wagon 

Maker, 23 x 33.5 cm; 2005.424.12. 

Max Beckmann (German, 1884–1950); Group 

Portrait Eden Bar (Gruppenbildnis Edenbar), 1923; 

woodcut; 49.5 x 49.5 cm; Hofmaier 277, state 

II b/II b; Purchase from the J. H. Wade Fund 

2006.112. 

Stefano della Bella (Italian, 1610–1664); 

Woman Seated on a Stool, about 1620s–30s, 

etching, 15.4 x 13 cm, DeVesme/Massar 206, 


Emile Bernard (French, 1868–1941); 1896; 6 

lithographs printed on 3 sheets of paper; Purchase 

from the J. H. Wade Fund. Breton Scenes: 

Title page (Les Bretonneries Page de titre); 31.4 x 

24.7 cm; Morane 9; 2005.180.1.a; Breton 

Scenes: The Return from the Pilgrimage (Les 

Bretonneries: Le retour du pardon); 31.7 x 24.8 

cm; Morane 10; 2005.180.1.b. Breton Women 

Making Haystacks (Bretonnes faisant les foins); 

25.7 x 32.8 cm; Morane 12; 2005.180.3.a; 

Wedding in Bretagne (La noce en Bretagne); 24 x 

30 cm; Morane 15; 2005.180.3.b. Cafe Concert 

Singer (La chanteuse du café-concert), 1888; 28.8 x 

23.1 cm; Morane 5, state II/II; 2005.180.2.a; 

Breton Women Gathering in the Harvest (Bretonnes 

faisant la moisson); 24.3 x 29.9 cm; Morane 16; 

2005.180.2.b. 

Christi Birchfield (American, b. 1983); Untitled, 

2004; etching with graphite, ink, colored 

pencil, and collage; 57.15 x 76.2 cm; Robert 

A. Mann Fund 2005.148. 

Abraham Blooteling (Dutch, 1640–1690); 

Various Lions (Variae Leonum Icones) (after 

Rubens); 4 etchings; Hollstein 103–6, state 

III/III; Gift of Louise S. Richards. 14 x 18 cm; 

2005.266.1. 13.9 x 18.2 cm; 2005.266.2. 13.3 

x 17.7 cm; 2005.266.3. 14 x 17.8 cm; 

2005.266.4. 

Félix Bracquemond (French, 1833–1914); 25 

prints; Gift of John Bonebrake. Alfonse Legros, 

1861, printed 1875; 17.1 x 11.9 cm; Béraldi 

73, state II/II; 2005.242. Baudelaire (after Emil 

de Roy), 1869; etching and drypoint; 10.8 x 

8.6 cm; Béraldi 11, state III/IV; 2005.248. 

Charles Méryon, 1884; heliogravure after etching 

of 1853; 20.5 x 14.5 cm; Bouillon 77, state 

IV/IV; 2005.256. Don Quichote (Don Quichotte) 

(after Goya), 1860; etching in brown ink; 23.7 

x 15.7; Béraldi 286, state II/II; 2005.250. 

Erasmus (after Holbein), 1863; etching; 31.5 x 

25.6 cm; Béraldi 39, state VIII/X; 2005.232. 

The French Cock (Le Coq de France), 1893; etching; 

33.3 x 23 cm; Delteil (L’Artiste) 11, state 

I/II; 2005.244. Frontispiece for “New Works of 

Champfleury, The Friends of Nature: Portrait de 

Champfleury” (Frontispice pour “Oeuvres nouvelles 

de Champfleury, Les Amis de la Nature: Portrait 

de Champfleury”) (after Gustave Courbet), 

1859; etching; 15.1 x 9.3; Bouillon 374, state 

IV/IV; 2005.247. The Hare (Lièvre) (after A. de 

Balleroy), 1865; softground etching and drypoint; 

18 x 25.5 cm; Béraldi 277; 2005.249. 

The Seine at Bas-Meudon with the Seguin and 

Mottiaux Islands (La Seine au Bas-Meudon, avec 

l’Ile Seguin et l’Ile des Mottiaux), 1868; etching; 

16 x 23 cm; Béraldi 187, state IV/IV; 

2005.255. The Large Rabbit (Jeannot Lapin), 

1891, printed 1894; etching and drypoint; 24.2 

x 34.3 cm; Delteil (L’Artiste) 9; 2005.235. The 

Maidservant (La Servante) (after H. Leys), 1868; 

etching; 25.8 x 15.5 cm; Béraldi 280, state 

IV.I/IV.I.IIb; 2005.253. Moles (Les Taupes), 

1854, printed 1866; etching; 27.2 x 20 cm; 

Bouillon 134, state VI/VII; 2005.233. The Old 

Cock (Le Vieux Coq), 1882; etching in brown 

ink; 34.9 x 27 cm; Béraldi 222, state IV/V; 

2005.245. The Pheasants (Les Faisans), 1899; 

etching; 32.5 x 24.4 cm; 2005.243. Portrait of 

Meyer Heine, 1860s; etching; 22 x 24.5 cm; 

Béraldi 80, state III/III; 2005.239. The Raven 

(Le corbeau), 1854; etching; 23.5 x 18.5 cm; 

Bouillon 115, state V/VI; 2005.234. The Sea 

(La Mer), 1905; etching; 39.5 x 27.3 cm; 

2005.241. The Storks (Les Cigognes), 1865; 

etching; 24.5 x 18.7 cm; Béraldi 179, state II/ 

II; 2005.252. The Table (La Table) (after H. 

Leys), 1868; etching; 26 x 18.5 cm; Béraldi 

280, state IV.IIb/IV.IIb; 2005.254. Teals 

(Sarcelles), 1853, printed 1864; etching; 27.2 x 

33 cm; Bouillon 111, state IV/V; 2005.237. 

The Terrace of the Villa Brancas, 1876; etching 

and engraving; 25.4 x 35.4; Béraldi 215, state 

VIII/VIII; 2005.240. The Top of the Swing-door 

(Le Haut d’un Battant de Porte), 1852, printed 

1865; etching; 30.3 x 39.7 cm; Bouillon 110, 

state VIII/X; 2005.238. The Unknown 

(L’Inconnu), 1862; etching and drypoint; 18.9 x 

32.4; Béraldi 174, state III/III; 2005.236. The 

Vulture (Le Gypaete), 1904; etching; 36.4 x 

26.5; Fonds français 493, state II/II; 2005.246. 

Winter or Wolf in the Snow (Hiver or Le Loup 

dans la neige) (Der wolf im Schnee), 1862, printed 

1907; etching; 20.6 x 31.9 cm; Béraldi 180, 

state V/V; 2005.251. 

43

Caspar David Friedrich 

(German, 1774–1840); 

Footbridge with Cross 

before Tree at a River, 

about 1803; etching; 

9.2 x 15.2 cm; Gift of 

the Print Club of 

Cleveland 2006.133. 

Félix Bracquemond; Aspens on the Bank of the 

Seine (Trembles au Bord de la Seine); etching and 

drypoint; 10.2 x 15.2 cm; Béraldi 218, state II/ 

III; Gift of Louise S. Richards 2005.267. 

Arthur Briscoe (British, 1873–1943); The 

Anchor, 1930; etching; 17.7 x 16.2 cm; Hurst 

268; in James Laver, A Complete Catalogue of 

the Etchings and Drypoints of Arthur Briscoe 

(1930); Gift of Carole W. and Charles B. 

Rosenblatt 2005.172. 

Jacques Callot (French, 1592–1635); The 

Temptation of St. Anthony (second version) (La 

Tentation de St. Antoine), 1635; etching; 31 x 

45.8 cm; Lieure 1416, state II/V; Purchase 


Elizabeth Catlett (American, b. 1915); Man, 

1975, printed 2003; 44.8 x 30 cm; The Print 

Club of Cleveland Publication Number 83, 

2005. Gift of the Print Club of Cleveland. 

Woodcut and color linocut; 2005.36. Proof; 

2005.34. BAT; 2005.35. 

Edgar Chahine (French, b. Italy, 1874–1947); 

4 prints; Gift of Carole W. and Charles B. 

Rosenblatt. The Sardine Fishermen (Les 

Sardinieres), 1931; etching; 21.7 x 31.8 cm; 

Tabanelli 419, state III/III; 2005.390. Venice, 

Baratteri Bridge (Venise Ponte dei Baratteri), 1923; 

etching and drypoint; 32 x 21.9 cm; Tabanelli 

375, state III/III; 2005.387. Venice, Fondamenta 

dei Greci (Venise Fondamenta dei Greci), 1923; 

etching and drypoint; 17.4 x 22 cm; Tabanelli 

376; 2005.388. Venice, St. Mark Basilica (Venise 

La Basilica di San Marco), 1923; etching and 

drypoint; 31.9 x 21.9 cm; Tabanelli 378, state 

II/II; 2005.389. 

44 

Allaert Claesz (Netherlandish, active 1520–55); 

Fight among Eleven Warriors (after Pollaiuolo); 

engraving; 4.6 x 15.8 cm; Hollstein 153; John 

L. Severance Fund 2005.61. 

Roland Clark (American, 1874–1957); 4 

prints; Gift of Carole W. and Charles B. 

Rosenblatt. Inbound, about 1937; etching and 

drypoint; 16.2 x 11.4 cm; Ordeman p. 111; in 

Roland Clark, Gunner’s Dawn (1937); 

2005.392. The Morning Flight, about 1938; 

drypoint; 28.7 x 22.1 cm; Ordeman p. 108; 

2005.393. Open Water, 1928; drypoint; 37.7 x 

30.3 cm; Ordeman p. 87; 2005.391. 

Warrington Colescott (American, b. 1921); 

Picasso at Mougins: The etchings, 2002; color 

etching, aquatint, and softground etching; 45.1 

x 60.6 cm; Gift of Carole W. and Charles B. 

Rosenblatt 2005.394. 

Adriaen Collaert (Flemish, about 1560–1618); 

Otilia Bavara (after Maarten de Vos); engraving; 

17.7 x 21.9 cm; Gift of Louise S. Richards 

2005.268. 

Hans Collaert II (Flemish, 1566–1628); Holy 

Jerome (Sanctimonialis Hierosolymitana) (after 

Maarten de Vos); engraving; 17.7 x 22.5 cm; 


Alan Crane (American, 1901–1969); Farm by 

the Sea; lithograph; 24.8 x 34.9 cm; Gift of 


Cornelis van Dalen II (Dutch, 1638–about 

1664); A Man with a Ham, Just Cut (after 

Cornelis Bloemaert); engraving; 14.5 x 11.9 


Georges Darcy (French, 20th century); Gold 

and Colors (Or et Couleurs): Plates VI, IX, XI, 

XII, XVI, XVII, XIX, about 1925; color 

pochoir; 35.5 x 25.4 cm each; Education Art 

Collection 2005.311–17. 

Charles François Daubigny (French, 1817– 

1878); The Winter Garden (Le Jardin d’Hiver), 

1842–43; etching; 19.1 x 27.5 cm; Melot 46, 

state III/IV; Gift of Louise S. Richards 

2005.271. 

Jennifer Dickson (Canadian, b. 1936); Tarot for 

the Hanged Man, 1972; photo etching printed 

in brown; 60.4 x 40 cm; Gift of Louise S. 


Richard Diebenkorn (American, 1922–1993); 

Seated Woman with Hands Crossed, 1965; lithograph 

printed in red; 64.2 x 48.8 cm; Gift of 

Susan A. and Charles M. Young 2005.339. 

Jim Dine (American, b. 1935); Four Kinds of 

Pubic Hair, 1971; 4 etchings; Gift of Judith and 

James A. Saks. 28.9 x 21.5 cm; Williams College 

39; 2005.130.1. 29.1 x 21.4 cm; Williams 

College 40; 2005.130.2. 29.3 x 21.7 cm; Williams 

College 41; 2005.130.3. 29.1 x 21.6 cm; 

Williams College 42; 2005.130.4. 

Marylyn Dintenfass (American, b. 1943); Good 

and Plenty Solo 2, 2003; color monotype; 60.2 

x 60.7 cm; Gift of John Driscoll 2005.399. 

Piero Dorazio (Italian, b. 1927); 2 works; Gift 

of Louise S. Richards. Two (Deux), 1965; drypoint; 

26.4 x 15.6 cm; 2005.275. Untitled, 

1962; etching and aquatint; 8.2 x 11.1 cm; 

2005.274. 

Yizhak Elyashiv (Israeli, b. 1964); Gift of the 

Artist. Preparatory #1, 2003; engraved, embossed, 

and stamped steel plate, printed in 

blue; 29.7 x 29.4 cm; 2005.109. Preparatory 

#2, 2003; engraved, embossed, and stamped 

steel plate, and 5 paper plates; 29.6 x 29.4 cm; 

2005.110. Preparatory #3, 2003; 2 engraved, 

embossed, and stamped steel plates, printed in 

blue; 59.3 x 29.4 cm; 2005.111. Preparatory 

#4, 2003; 2 engraved, embossed, and stamped

steel plates, and 4 paper plates; 59.3 x 29.4 cm; 

2005.112. Preparatory #5, 2003; 2 engraved, 

embossed, and stamped steel plates, and 18 

paper plates; 59.3 x 29.4 cm; 2005.113. Preparatory 

#6, 2004; 2 engraved, embossed, and 

stamped steel plates, and 19 paper plates; 59.3 

x 29.4 cm; 2005.114. 

Yizhak Elyashiv. Untitled (Section from a 

“Handful of Grains Map”). The Print Club of 

Cleveland Special Publication for 2005. Gift 

of the Print Club of Cleveland. 2 engraved, 

embossed, and stamped steel plates, and 17 

printed paper plates. 2005; upper platemark: 

29.6 x 29.5 cm; lower platemark: 29.7 x 29.4 

cm; 2005.117. BAT, 2005; upper platemark: 

29.6 x 29.5 cm; lower platemark: 29.7 x 29.5 

cm; 2005.118. Preparatory #7, 2003; upper 

platemark: 29.6 x 29.5 cm; lower platemark: 

29.7 x 29.5 cm; 2005.119. 

Stephen Fisher (American, b. 1954); Menagerie, 

2005; aquatint; 35.2 x 38 cm; Gift of Sandra 

and Gary Kaufman in honor of the Fine Print 

Fair 2006.71. 

Albert Flamen (Flemish, about 1620–after 

1669); Fresh Water Fish, Part II: Epelanus, 

L’Esplan; etching; Illustrated Bartsch 179; 10.4 

x 17.7 cm, Gift of Louise S. Richards 

2005.277. 

Richard Florsheim (American, 1916–1979); 

Night Storm, 1969; lithograph; 35.4 x 25 cm; 

Cole 211; Bequest of Isadore Warshawsky 

2005.347. 

Caspar David Friedrich (German, 1774–1840); 

Footbridge with Cross before Tree at a River (Steg 

mit Brückenkreuz vor Baumgruppe am Fluss), 

about 1803; etching; 9.2 x 15.2 cm; Börsch- 

Supan/Jähning 107; Gift of the Print Club of 

Cleveland 2006.133. 

Yoshisuke Funasaka ( Japanese, b. 1939); My 

Space and My Dimension: No. 515, 1977; color 

woodcut and lithograph; 52.7 x 71.2 cm; Gift 

of Louise S. Richards 2005.278. 

Robert Gaywood (British, 1650–about 1711); 

Cecilia, Lady Killigrew; etching; Pennington 

1449; 25 x 19.5 cm; Gift of Louise S. Richards 

2005.279. 

Henry J. Glintenkamp (American, 1887– 

1946); Radio City Construction, 1932; wood 

engraving; 17.7 x 12.7 cm; Gift of the Cleveland 

Museum of Art Ingalls Library 2005.115. 

Francisco de Goya (Spanish, 1746–1828); The 

Little Prisoner; etching; 10.6 x 8.4 cm; Harris 

26, state III/IV; Gift of Louise S. Richards 

2005.280. 

Henri Guérard (French, 1846–1897); Dinner 

Invitation (Dîner Dentu), about 1882; etching 

and aquatint; 13.1 x 16.9 cm; Béraldi 3; Gift of 


David Haberman (American, b. 1938); NOVA 

Portfolio: Vanishing Species, 1973; relief intaglio; 

48 x 57 cm; Gift of Louise S. Richards 

2005.301.1. 

Arnoud van Halen (called Aquila) (Dutch, 

1673–1732); Self-Portrait; mezzotint; 25.2 x 

17.4 cm; Gift of Louise S. Richards 2005.282. 

Katsunori Hamanishi ( Japanese, b. 1949); 

Combination-Curve No. 1; mezzotint; 59.6 x 


Childe Hassam (American, 1859–1935); 

Scuttle-Hole Pond, 1927; etching; 7.3 x 12.6 

cm; Cortissoz 315; Gift of Louise S. Richards 

2005.285. 

Kawase Hasui ( Japanese, 1883–1957); Azuma 

Gorge (Azuma kyø), 1943; color woodcut; 33.3 

x 24.1 cm; Brown 470; Gift of Lt. Col. 

Franklin D. Morrison and Norma T. Morrison 

2005.479. 

Joris Hoefnagel (Flemish, 1542–1601); Archetypes 

and Studies (Archetypa Studiaque) (after 

Jacob Hoefnagel), 1592; 2 engravings; Vignau- 

Wilberg edition I/VI; Anne Elizabeth Wilson 

Memorial Fund. Death is the line that marks the 

end of all (Part II, plate 5) (Mors ultima linea 

rerum); 15.6 x 20.8 cm; 2006.121. What can 

emerge in keeping with such a cavernous promise? 

(Part IV, plate 2) (Quid dignum tanto feret hic 

promissor hiatu?); 15.7 x 21.1 cm; 2006.122. 

Wenceslaus Hollar (Bohemian, 1607–1677); 

Muscarum Scarabeorum, vermiumque Variae Figure 

& Formae: A Moth, Three Butterflies, and Two 

Beetles, 1646; etching; 8.1 x 11.9 cm; 

Pennington 2168, state I/III; Alma and Robert 

D. Milne Fund 2006.120. 

Winslow Homer (American, 1836–1910); 

Waiting for a Bite, 1874; wood engraving; 23.1 

x 35 cm; Beam 215; Gift of Louise S. Richards 

2005.286. 

Yun-Fei Ji (Chinese, b. 1963); Public Grain, 

2004; color etching and aquatint on chine 

collé; 71 x 62 cm; Gift of Judith and James A. 

Saks 2005.257. 

Johann Ulrich Krauss (German, 1655–1719); 

L’Art Ancien Zurich: View in the Church of the 

Franciscans, Barfüsser-Kirche (after Johann 

Andreas Graf ), 1681; etching; Hollstein 266, 

state II/III; 48.5 x 32.3 cm; Gift of Louise S. 


Shigeki Kuroda ( Japanese, b. 1953); 2 etchings, 

aquatint, and roulette; Gift of Louise S. 

Richards. K and B; 7.1 x 19.7 cm; 2005.290. 

K 81; 18.1 x 9.9 cm; 2005.291. 

Shigeki Kuroda. Untitled, 1981; etching; 10.5 x 

29.5 cm; Gift of Pamela Elizabeth Ward in 

loving memory of her parents, William E. and 

Evelyn Svec Ward 2005.128. 

Henri-Eugène Le Sidaner (French, 1862– 

1939); The House in Moonlight (La Maison au 

clair de lune), 1909; 3 lithographs; Gift of Louise 

S. Richards. 22.8 x 15.8 cm; 2005.292. 22.9 x 

15.8 cm; 2005.293. 22.6 x 16.1 cm; 2005.294. 

Haku Maki ( Japanese, b. 1924); Poem 12–42; 

embossed woodcut; 28 x 44.6 cm; Gift of 

Pamela Elizabeth Ward in loving memory of 


2005.122. 

Albert Marquet (French, 1872–1947); Paris 

1937, 1937; etching; 33.8 x 28.4 cm; Gift of 


45

Federico Barocci (Italian, 

about 1535–1612); The 

Annunciation, about 

1585; etching and 

engraving; 43.8 x 31 cm; 



46 

Naoko Matsubara (Canadian, b. Japan, 1937); 

Boston Public Library, 1969; woodcut; 31 x 44 


Winston Eugene McGee (American, b. 1924); 

NOVA Portfolio: Untitled, 1973; lithograph; 

40.8 x 57 cm; Gift of Louise S. Richards 

2005.301.2. 

Friedrich Meckseper (German, b. 1936); Still 

Life, Plate 2, Pear (Nature morte, Blatt 2, Birne), 

1974; color etching, aquatint, drypoint, and 

roulette; 34 x 43.7 cm; Cramer 155; Gift of 

Carole W. and Charles B. Rosenblatt 

2005.395. 

Claude Mellan (French, 1598–1688); Henriette- 

Marie of England, Duchess of Orleans (Henriette- 

Marie d’Angleterre, duchesse d’Orléans); 2 engravings; 

Gift of Louise S. Richards. 18.8 x 13.5 

cm; Fonds français 184, state I; 2005.298. 14.2 

x 10.5 cm; Fonds français 184, state III; 

2005.299. 

Leon Gordon Miller (American, 1917–1985); 

NOVA Portfolio: Eclipse, 1973; screenprint; 


2005.301.3. 

Joan Mitchell (American, 1926–1992); Trees I, 

1992; color lithograph (diptych); 144.9 x 104.6 

cm and 144.7 x 104.8 cm; Alma and Robert 

D. Milne Fund and Gift of Mary Ryan Gallery, 

Inc. 2005.138. 

Clarence Morgan (American, b. 1950); Suite 

#2, 2005; 3 color lithographs, etching, and 

screenprint with chine collé; Gift of Deborah 

G. and Kenneth S. Cohen. Faithful Manipulation; 

25.4 x 25.4 cm; 2006.70.1. The Science of 

Symmetry; 25.1 x 25.2 cm; 2006.70.2. Interrupted 

Universe; 25.4 x 25.5 cm; 2006.70.3. 

Robert Allen Nelson (American, b. 1925); 

NOVA Portfolio: Pirate Mouse Thinking, 1973; 

lithograph, screenprint, collage, and graphite; 


2005.301.4. 

William Nicholson (British, 1872–1949); 4 

color lithographs; Gift of John Bonebrake. “An 

Almanac of Twelve Sports”: Cover, published 

1897, postdated 1898; 32 x 25.8 cm; Campbell 

33; 2005.228. “An Alphabet”: Cover, published 

1897, postdated 1899; 31.3 x 25.8 cm; 

Campbell 25; 2005.229. “The Square Book of 

Animals”: Cover, published 1899, postdated 

1900; 28.3 x 28.5 cm; Campbell 73; 2005.230. 

“London Types”: Cover, published 1898; 33.8 x 

29 cm; Campbell 53; 2005.231. 

Maud Oakes (American, 1903–1990); Where 

the Two Came to Their Father: A Navaho War 

Ceremonial (after Jeff King), 1942–43; 7 

screenprints; Gift of the Cleveland Museum of 

Art Ingalls Library. Plate 1, Mountain around 

Which Moving Was Done; 16.5 x 38; 

2005.310.1. Plate 2, Sand Dune Monster, 21.3 x 

46.4 cm; 2005.310.2. Plate 5, Sun’s House, 

18.7 x 53.3 cm; 2005.310.5. Plate 8, Guessing 

Tests; 39.2 x 55.9 cm; 2005.310.8. Plate 12, 

Holy Ones Standing on Top of Holy Mountains, 

30.4 x 48 cm; 2005.310.12. Plate 13, Twelve 

Holy People; 28.3 x 56.6 cm; 2005.310.13. Plate 

18, Big Wind Painting; 39.2 x 49.3 cm; 

2005.310.18.

Maud Oakes. Where the Two Came to Their 

Father: A Navaho War Ceremonial (after Jeff 

King), 1942–43; 11 screenprints; Gift of Dr. 

and Mrs. Thomas Munro. Plate 3, Rock that 

Claps Together; 26.4 x 55.9 cm; 2005.310.3. 

Plate 4, Across Water; 33.3 x 53.1 cm; 

2005.310.4. Plate 6, Lightning Armor Houser; 41 

x 54.3 cm; 2005.310.6. Plate 7, Concerning-the- 

Skies Painting; 41.2 x 53 cm; 2005.310.7. Plate 

9, Hot Spring; 33.8 x 54.2 cm; 2005.310.9. 

Plate 10, Talking God Painting; 23.2 x 55.9 cm; 

2005.310.10. Plate 11, Navajo Mountain; 25.5 x 

23.1 cm; 2005.310.11. Plate 14, Earth and Sky; 

35.4 x 56.6 cm; 2005.310.14. Plate 15, Big 

Bear Painting; 33.4 x 42 cm; 2005.310.15. Plate 

16, Big Snake Painting; 36.5 x 44.7 cm; 

2005.310.16. Plate 17, Big Thunder Painting; 

41.5 x 50.5 cm; 2005.310.17. 

Pablo Picasso (Spanish, 1881–1973); Vollard 

Suite: Faun Revealing a Sleeping Woman (Suite 

Vollard: Faune dévoilant une Dormeuse), 1936; 

etching and aquatint; 31.7 x 41.9 cm; Baer 

609, state VI, B, a/VI, B, d; Leonard C. 

Hanna Jr. Fund 2006.113. 

Paulus Pontius (Flemish, 1603–1658); 

Theodorus VanLonius (after Anthony van 

Dyck); engraving; 24.8 x 17.6 cm; Wurzbach 

94; Gift of Louise S. Richards 2005.302. 

Jean-François Raffaelli (French, 1850–1924); 

The Knifesharpener (Le Rémouleur), 1907; drypoint; 

22 x 46.9 cm; Delteil 76, state I/III; Gift 

of Elizabeth Carroll Shearer in memory of 

Robert Lundie Shearer 2005.340. 

Eegyvudluk Ragee (Canadian, 1920–1983); 

Sea Spirit, 1965; stonecut; 31.1 x 42.6 cm; Gift 

of Louise S. Richards 2005.288. 

Johann Christian Reinhart (German, 1761– 

1847); Heroic Landscapes (Heroische Landschaft); 6 

etchings; Carole W. and Charles B. Rosenblatt 

Endowment Fund. Cattle Crossing the River 

(Die durch den Fluss ziehende Viehherde), 1795; 

42.9 x 53.8 cm; Feuchtmayr A 76, state IV/IV; 

2006.72.1. The Shepherd’s Dance on the Bridge 

(Der Hirtentanz auf der Brücke), 1792; 28 x 35.8 

cm; Feuchtmayr A 77, state V/V; 2006.72.2. 

Landscape with the Temptation of Christ (Die 

Landschaft mit der Versuchung Christi), 1799; 

28.1 x 36.1 cm; Feuchtmayr A 78, state III/III; 

2006.72.3. Landscape with Town and River (Die 

Landschaft mit Stadt und Brücke), 1799; 27.9 x 

36 cm; Feuchtmayr A 79, state IV/IV; 

2006.72.4. The Satyr and the Nymph (Der Satyr 

und die Nymphe), 1799; 21.3 x 29.5 cm; 

Feuchtmayr A 80, state III/III; 2006.72.5. 

Satyr Playing the Flute (Der flötende Satyr), 1795; 

20.7 x 28.8 cm; Feuchtmayr A 81, state III/III; 

2006.72.6. 

Louis Rosenberg (American, 1890–1983); 

Ontario Street Grading and Temporary Ramps 

April 1929, 1929; etching; 19.3 x 29 cm; Gift 

of Carole W. and Charles B. Rosenblatt 

2005.116. 

James Rosenquist (American, b. 1933); ½ 

Sunglass, Landing Net, Triangle, 1974; liftground 

etching, drypoint, sandblasted mezzotint, and 

photo transfer; 45.5 x 89.7 cm; Glenn 80; Gift 

of Diane and Arthur Stupay 2005.398. 

Theodore Roszak (American, 1907–1981); 

Staten Island, 1934; color lithograph; 37 x 42.8 

cm; Mr. and Mrs. Richard W. Whitehill Art 

Purchase Endowment Fund 2006.7. 

Judith Rothschild (American, 1921–1993); 

Composition, 1946; color screenprint; 18.8 x 24 

cm; Alma and Robert D. Milne Fund 2006.73. 

Georges Rouault (French, 1871–1958); Reincarnations 

of Père Ubu: The Liberated Black Man 

(Réincarnations du Père Ubu: Le Noir Libéré), 

1928; heliogravure, etching, and aquatint; 21.1 

x 29.7 cm; Chapon 15b/15b; Gift of Louise S. 


Alison Saar (American, b. 1956); Kiss on a 

Rope, 2001; color woodcut; Dr. Gerard and 

Phyllis Seltzer Fund 2006.69. 

Francis Sansom (British, active 1780s–1815) 

(after Sydenham Edwards); The Botanical Magazine 

or Flower Garden Displayed; 7 engravings 

with hand coloring; 20.1 x 11.6 cm; Gift of 

The Cleveland Museum of Art Ingalls Library. 

Plate 883, Euphorbia Petiolaris. Long-stalked 

Spurge, 1805; 2005.332. Plate 892, Althaea 

Flexuosa. Seringapatam A Hollyhock, 1805; 

2005.333. Plate 929, Symphyum Asperrim. 

Prickley Comfrey, 1806; 2005.334. Plate 931, 

Phytolacca Decandra. Virginian Poke, 1806; 

2005.335. Plate 933, Protea Mucronifolia. Daggerleaved 

Protea, 1806; 2005.336. Plate 944, 

Dillwynia Glaberrima. Smooth-leaved Dillwynnia, 

1806; 2005.337. Plate 966, Erica Elegans. Elegant 

Heath, 1806; 20.1 x 12.3 cm; 2005.338. 

Richard Schneider (American, b. 1937); 

NOVA Portfolio: Mustaka, 1973; screenprint; 


2005.301.5. 

Eugène Alain Séguy (French, 1890–1985); 

Samarkand: 20 Compositions in the Oriental Taste 

(Samarkande: 20 compositions dans le goût oriental): 

Plates 2, 7–13, 16–20, about 1914; color 

pochoir; 35.2 x 26.1; Education Art Collection 

2005.319–31. 

Phyllis Seltzer (American, b. 1928); NOVA 

Portfolio: Environment for a Topless Dancer; ozalid 

on sepia mylar; 56.1 x 48.5 cm; Gift of Louise 

S. Richards 2005.301.7. 

Christoffel van Sichem II (Dutch, 1577–1658); 

Portrait of Thomas Münzer, 1609; engraving; 

17.3 x 12.6 cm; Wurzbach 22; Gift of Louise 

S. Richards 2005.304. 

Phyllis Sloane (American, b. 1921); NOVA 

Portfolio: Nude, 1973; screenprint; 24.8 x 35.8 

cm; Gift of Louise S. Richards 2005.301.8. 

Mitsuaki Sora ( Japanese, b. 1933); 3 works; 



Svec Ward. Untitled, 1971; woodcut; 46 x 31.5 

cm; 2005.123. Untitled, 1970; color woodcut; 

16.1 x 22.8 cm; 2005.125. Untitled, 1970; color 

woodcut; 16 x 22.5 cm; 2005.126. 

Steven Sorman (American, b. 1948); 60 works; 

Gift of the artist in memory of Pegram 

Harrison. as well i, 2001; lithograph and chine 

collé colored by hand with paint; state I/III; 

49.2 x 40.1 cm; 2005.161. as well ii, 2001; 

lithograph and chine collé colored by hand 

with paint; state II/III; 50.2 x 39 cm; 

2005.162. as well iii, 2001; lithograph and 

chine collé colored by hand with watercolor; 

trial proof of state III/III; 49.6 x 39 cm; 

2005.163. Bohemian Flats, 1993: 2 color woodcuts 

and engraving on chine collé; 76.2 x 56 

cm; 2005.156; 76.1 x 56.3 cm; 2005.157. the 

familiar planets, 2000: 2 photocopies, etching, 

and chine collé; 30.3 x 13.9 cm; 2005.158. 

24.8 x 12.5 cm; 2005.159. going back to look in 

the mirror, 1982; lithograph, monotype, and 

collage; 59.7 x 92.7 cm; 2005.165. half light 

series, is was will be, 1991; 3 works. Color 

mezzzotint and drypoint; state II/III; 100.2 x 

81.2 cm; 2005.167. Mezzotint; trial proof of 

state II/III; 100.1 x 81.1 cm; 2005.168. 

Mezzotint; state III/III; 100.1 x 81.1 cm; 

2005.169. Lessons from the Russian, 1999: book 

with cover, title page, and 21 mezzotints and 

color engraving; 29 x 20.3 cm; 2005.170.1–23. 

one another, 2003; etching, aquatint, and bronzing; 

platemark a: 45.6 x 29.9 cm, platemark b: 

15.1 x 11.3 cm; 2005.166. the singing bridge, 

1980; color lithograph, linocut, woodcut, 

etching, aquatint, and screenprint; 58.3 x 45.5 

cm; 2005.164. These Stations (Next Page), 1990: 

15 color lithographs and chine collé. Title Page; 

76.7 x 56.2 cm; 2005.155.1. I; 77.3 x 56.6 cm; 

2005.155.2. II; 76.8 x 56.8 cm; 2005.155.3. 

III; 76.5 x 56.8 cm; 2005.155.4. IV; 76.6 x 

56.2 cm; 2005.155.5. V; 76.6 x 56.2 cm; 

2005.155.6. VI; 76.4 x 56.5 cm; 2005.155.7. 

VII; 76.4 x 56.8 cm; 2005.155.8. VIII; 76.6 x 

57 cm; 2005.155.9. IX; 76.5 x 56.5 cm; 

2005.155.10. X; 76.8 x 56.6 cm; 2005.155.11. 

XI; 76.2 x 56.6 cm; 2005.155.12. XII; 76.5 x 

57 cm; 2005.155.13. XIII; 76.8 x 56.3 cm; 

2005.155.14. XIV; 76.5 x 56.6 cm; 

2005.155.15. Colophon; lithograph; 77 x 56.1 

cm; 2005.155.16. usual sense, 1999; 5 etchings, 

chine collé, and watercolor. i; 30.5 x 21.9 cm; 

2005.157.1. ii; 29.8 x 21.9 cm; 2005.157.2. iii; 

29.9 x 21.8 cm; 2005.157.3. iv; 30.2 x 21.9 

cm; 2005.157.4. v; 30.6 x 21.8 cm; 

2005.157.5. what this is, 1980; 5 color etchings 

and aquatint. come in; 22.3 x 17.3 cm; 

2005.160.1. sit down; 22.3 x 17.2 cm; 

2005.160.2. eat; 22.4 x 17.2 cm; 2005.160.3. 

rest; 22.5 x 17.2 cm; 2005.160.4. tell me; 22.3 x 

17.2 cm; 2005.160.5. 

Steven Sorman. for wont; 30 x 41.5 cm; The 

Print Club of Cleveland Publication No. 84, 

2006. Gift of the Print Club of Cleveland. 

Etching and collage (woodcut on hand-painted 

Japanese paper), 2004; 2006.61. BAT, 2002–4; 

2006.60. Trial proof, 2003; 2006.62. 

Marko Spalatin (American, b. Croatia, 1945); 

Lumen Series: Slots, 1970; color screenprint; 

46.2 x 38 cm; Wilfer p. 34; Gift of Louise S. 


47

Needlework Bed 

Hanging in the Bizarre 

Style, 1710–20 (one of 

two hangings); 

France; tent and cross 

stitch embroidery on 

canvas; silk and wool; 

279.5 x 82.5 cm; 

Leonard C. Hanna Jr. 

Fund 2006.2.2. 

48 

Gary Spinosa (American, b. 1925); NOVA 

Portfolio: Dawn; etching and aquatint; 27 x 22.5 

cm; Gift of Louise S. Richards 2005.301.6. 

Benton Spruance (American, 1904–1967); The 

People Work, 1937; 4 lithographs; Severance 

and Greta Millikin Purchase Fund. Morning; 

34.8 x 48 cm; Fine and Looney 141; 

2006.114.1. Noon; 35.2 x 48 cm; Fine and 

Looney 142; 2006.114.2. Evening; 34.6 x 48.2 

cm; Fine and Looney 143; 2006.114.3. Night; 

34.6 x 48.1 cm; Fine and Looney 144; 

2006.114.4. 

Herman van Swanevelt (Dutch, about 1600– 

1655); Landscape with Satyrs; etching; 11.4 x 

16.5 cm; Hollstein 29; Gift of Louise S. 


Martin F. W. J. Szutter (American, b. 1938); 

NOVA Portfolio: American Grandeur; photo 

screenprint; 50.5 x 40.3 cm; Gift of Louise S. 

Richards 2005.301.9. 

Rufino Tamayo (Mexican, 1899–1991); Gift 

of Pamela Elizabeth Ward in loving memory 

of her parents, William E. and Evelyn Svec 

Ward. Clock without Time (Reloj sin Tiempo), 

1977; color relief print; 56 x 74.2 cm; Pereda 

237; 2005.124. Two Faces (Dos Caras), 1973; 

color lithograph; 56 x 76.3 cm; Pereda 155; 

2005.127. Watermelons (Sandías), 1972; color 

lithograph; 90 x 64.2 cm; Pereda 133; 

2005.129. 

Ryokei Tanaka ( Japanese, b. 1933); Big Tree, 

1981; etching and aquatint; 26.7 x 34.6 cm; 


Auguste H. Thomas (French, 20th century); 

Forms and Colors (Formes et couleurs): Plate 2, 

1921; color pochoir; 38.9 x 26.1 cm; Education 

Art Collection 2005.318. 

Lill Tschudi (Swiss, b. 1911); Ski-Joring, 1937, 

printed 1992, published 1995; linocut; 31.8 x 

31.7 cm; Coppel LT 54; Gift of Carole W. 

and Charles B. Rosenblatt 2005.396. 

Antoni Waterloo (Dutch, 1609–1690); A 

Gateway; etching; 15.6 x 20.5 cm; Hollstein 

100, state II/II; Gift of Louise S. Richards 

2005.308. 

John Woodrow Wilson (American, b. 1922); 

Father and Child, 1970; color lithograph; 50.2 x 


Gen Yamaguchi ( Japanese, 1903–1976); Wok, 

1957; color woodcut; 48.2 x 38.7 cm; Gift of 

friends of the Department of Prints and Drawings 

in memory of William E. Ward 2005.173. 

Gen Yamanaka ( Japanese, b. 1954); White 

Night, 1990; color woodcut; 47 x 33.1 cm; 



Svec Ward 2005.121.

Textiles 

Set of Five Garments, 1200–1460s; Central 

Andes, Chimú people; plain and gauze 

weaves, weft brocading; cotton; Norman O. 

Stone and Ella A. Stone Memorial Fund. Band 

with Tassels; 306 x 5.5 cm; 2005.5.5. Loincloth; 

244 x 90 cm; 2005.5.2. Mantle or Hanging; 142 

x 270 cm; 2005.5.1. Padded Hat; 124.5 x 31.7 

cm; 2005.5.4. Turban; 139.7 x 139.7 cm; 

2005.5.3. 

Fichu, about 1875–80; France or Belgium; 

composite lace, machine-made netting (reseau), 

Brussels bobbin lace, and French needle 

point lace; linen; 193 x 53.3 cm; Gift of Anne 

E. Wardwell 2005.133. 

Lace Fan, about 1860; Belgium; Brussels bobbin 

lace; linen; frame: mother-of-pearl and 

ivory; 30.5 x 50.8 x 3.2 cm; Gift of Anne E. 

Wardwell 2005.132. 

Pair of Needlework Bed Hangings in the Bizarre 

Style, 1710–20; France; tent and cross stitch 

embroidery on canvas; silk and wool; 279.5 x 

82.5 cm each; Leonard C. Hanna Jr. Fund 

2006.2.1–2. 

Venetian Lace Table Setting, 1930s; Italy, 

Venice, probably the Burano Lace School; 

needle lace; linen; Gift of Mr. and Mrs. 

Richard Crile Garretson. 12 Doilies; 16.5 x 

15.9 cm; 2005.37.4.1–12. 12 Monogrammed 

Napkins; 33 x 69.8 cm; 2005.37.3.1–12. 12 

Placemats; 38.1 x 51.8 cm; 2005.37.1.1–12. 

Runner; 68.9 x 239.3 cm; 2005.37.2. 

Woman’s Bridal Dress, late 1800s; China, 

Qing dynasty; 3 objects; embroidery; silk and 

gilt-metal thread; Gift of Elizabeth Wade 

Sedgwick. Dragon Jacket; 104.2 x 153 cm; 

2005.135.1. Pleated Skirt; 94.6 x 86.4 cm; 

2005.135.2. Tabard; 11.8 x 73.7 cm; 

2005.135.3. 

James Bassler (American, b. 1933); Old Glory, 

1992; tapestry weave with eccentric wefts; 

linen, waxed; 180.4 x 317.5 cm; Gift of The 

Textile Art Alliance 2005.131. 

Jon Eric Riis (American, b. 1945); Hearts of 

Gold, Male and Female #3, 2002; tapestry 

weave; silk and gold metallic thread; display 

dimensions: 80 cm shoulder to hem, 177.1 cm 

sleeve end to sleeve end; woven dimensions: 

160.6 x 177.1 cm; Gift of the Textile Art Alliance 

and Purchase from the Karl B. Goldfield 

Trust 2006.123.1–2. 

Evelyn Svec Ward (American, 1921–1989); 2 

objects; Gift of Pamela Elizabeth Ward. 

Ishidoro, 1977; needle-manipulated fiber; burlap, 

cotton thread, and wood base; 35.5 x 20.4 

x 20.4 cm; 2005.136. Shard, 1981; looping and 

knitting, shaped and stiffened; sisal, henequen, 

ixtle, cotton, and linen thread; 152.4 x 147.3 x 

26.7 cm; 2005.137. 

Evelyn Svec Ward; Oaxaca Series, 1983; collage 

and couching; ixtle and cotton thread, clay 

beads (from Oaxaca), and cotton canvas; 25.4 

x 20.32 cm; Gift of Janet Yost 2005.134. 

Other Pre-Columbian textiles are listed under 

Art of the Ancient Americas. 

Education Art Collection 

Two Women Playing Instruments; Japan; color 

woodcut; 25.4 x 30.5 cm; Gift of Lt. Col. 


2005.1002. 

Women Interior and Exterior; Japan; color woodcut; 

25.4 x 30.5 cm; Gift of Lt. Col. Franklin 

D. Morrison and Norma T. Morrison 

2005.1001. 

Women with Interior Screen; Japan; color woodcut; 

25.4 x 30.5 cm; Gift of Lt. Col. Franklin 

D. Morrison and Norma T. Morrison 

2005.1003. 

In the style of Ando Hiroshige ( Japanese, 

1797–1858); Sudden Rain, 19th century; color 

woodcut; 25.4 x 30.5 cm; Gift of Lt. Col. 


2005.1000. 

Padded Hat, 1200– 

1460s; Central Andes, 

Chimú people; plain 

and gauze weaves, 

weft brocading; 

cotton; 124.5 x 31.7 cm; 

Norman O. Stone and 

Ella A. Stone Memorial 

Fund 2005.5.4. 

49

The Jonah Marbles, 

Early Christian 

sculptures, ancient 

Italian roof ornaments, 

Egyptian coffin covers, 

and Monet’s Water 

Lilies all headed to new 

quarters in temporary 

storage areas. 

50

Deinstallation 

The museum expansion project has 

occasioned many unprecedented moments, 

but the most striking may have 

occurred during the complete and 

rapid deinstallation of the collection. 

For the first time in the museum’s history, 

every work of art in every gallery 

was removed from its wall, pedestal, 

or case so that the renovation and 

construction could proceed. Work on 

this monumental task began literally 

minutes after the board of trustees 

voted to approve the project on March 

7, 2005. 

Within days, selected galleries had 

already been closed to provide staging 

areas so that works of art could be 

prepared for long-term storage. First 

to close were the westernmost galleries 

containing European and American 

art from the 18th century through the 

present day. Then, from the middle of 

March through early June, a few galleries 

closed about every two weeks, 

until all that remained open were the 

galleries of ancient art and those 

spaces reserved for The NEO Show, 

which ran from July into early September. 

In the autumn, the only galleries 

open were those dedicated to the 

Arts & Crafts exhibition. The museum 

printed temporary maps showing 

dates for gallery closures so that visitors 

could plan to see favorite works 

before they went into storage. 

The installation crew, supplemented 

by helpers from other parts of 

the staff, carried out this monumental 

and complex task on a very brisk 

schedule. The Conservation department 

and Registrar’s Office monitored 

and managed the entire process. 

Special storage units were built ensuring 

the safety of the works of art as 

well as their accessibility so they could 

be moved for conservation work, lent 

for traveling exhibitions, and—beginning 

in 2007—reinstalled in renovated 

and new galleries right here. 

51

Loans to Other 

Institutions 

52 

Albuquerque Museum, New Mexico 

El Alma de España (The Soul of Spain) 

Albuquerque Museum; Salvador Dalí 

Museum, Saint Petersburg, Florida 

Picasso to Plensa: A Century of Art from Spain 

Allen Memorial Art Museum, Oberlin 

College, Ohio 

Two paintings rotations 

Allen Memorial Art Museum; The Museum of 

Fine Arts, Houston 

The Splendor of Ruins in French Landscape 

Painting, 1640–1800 

Beijing World Art Museum; Mori Arts 

Center, Tokyo; Hangaram Art Center, Seoul; 

Seoul Olympic Museum of Art; Vancouver 

Art Gallery, Canada; Frist Center for the 

Visual Arts, Nashville; Kimbell Art Museum, 

Fort Worth 

From Monet to Picasso: Modern Masters from the 

Cleveland Museum of Art 

The Butler Institute of American Art, 

Trumbull County Branch, Howland, Ohio 

Pierre Soulages: American Selections 

Carnegie Museum of Art, Pittsburgh 

Fierce Friends: Artists & Animals, 1750–1920 

Cleveland Artists Foundation (organizer); Beck 

Center for the Arts, Lakewood, Ohio 

Edris Eckhardt: Visionary and Innovator in 

American Studio Ceramics and Glass 

Joseph Motto (1892–1965): A Jazz Age Journey 

from Cleveland to Florence 

Cleveland Metroparks Zoo 

Animals in Art: Clay Creatures by Viktor 

Schreckengost 

The Cleveland Museum of Art (organizer) in 

cooperation with the Réunion des Musées 

Nationaux, Paris; Musée du Louvre, Paris; The 

Art Institute of Chicago; The Metropolitan 

Museum of Art, New York; Montreal 

Museum of Fine Arts 

Girodet: Romantic Rebel 

The Columbus Museum of Art, Ohio 

Bringing Modernism Home: Ohio Decorative Arts, 

1890–1960 

Renoir’s Women 

Dallas Museum of Art; Renwick Gallery of the 

National Museum of American Art, 

Smithsonian Institution, Washington; Nevada 

Museum of Art, Reno; The Wolfsonian– 

Florida International University, Miami; The 

Dixon Gallery and Gardens, Memphis 

Modernism in American Silver: 20th-Century 

Design 

Davenport Museum of Art, Iowa (organizer); 

Figge Art Museum, Davenport; Tacoma Art 

Museum, Washington 

The Great American Thing: Modern Art and 

National Identity, 1915–1935 

Exhibitions International, New York 

(organizer); Seattle Art Museum; Toledo 

Museum of Art; Dallas Museum of Art; 

Carnegie Museum of Art 

Louis Comfort Tiffany: Artist for the Ages 

The Fine Arts Museums of San Francisco, 

California Palace of the Legion of Honor; 

North Carolina Museum of Art, Raleigh; The 


Monet in Normandy 

Flint Institute of Arts, Michigan 

To Be or Not to Be: 400 Years of Vanitas Painting 

Fondation Beyeler, Riehen, Switzerland; 

Kunstsammlung Nordhein-Westfalen, 

Düsseldorf, Germany 

Henri Matisse: Interiors with Women 

Frances Lehman Loeb Art Center, Vassar 

College, Poughkeepsie, New York; John and 

Mable Ringling Museum of Art, Sarasota, 

Florida; The Speed Art Museum, Louisville 

Time and Transformation in Seventeenth-century 

Dutch Art 

Governor’s Residence Foundation, Bexley, 

Ohio 

Long-term loan 

Hanna House, University Hospitals, Cleveland 

Long-term loan 

Helly Nahmad Gallery, New York 

Fernand Léger Retrospective 

Imperial War Museum, London; National 

Gallery of Ireland, Dublin 

William Orpen: Politics, Sex and Death 

J. Paul Getty Museum of Art, Los Angeles; 

The Museum of Fine Arts, Houston 

Courbet and the Modern Landscape 

Kyoto National Museum 

Soga Shohaku (1730–81) 

The Metropolitan Museum of Art 

Defining Yongle: Imperial Art in Early Fifteenth- 

Century China 

Fra Angelico 

Max Ernst: A Retrospective 

Peter Paul Rubens (1577–1640): The Drawings 

The Metropolitan Museum of Art; Prague 

Castle Picture Gallery, Czech Republic 

Prague: The Crown of Bohemia 

Michael C. Carlos Museum, Emory 

University, Atlanta 

Long-term loan

MOCA Cleveland 

Drawn, Exposed, and Impressed: Recent Works on 

Paper from the Cleveland Museum of Art 

The Persistence of Geometry: Form, Content, and 

Culture in the Collection of the Cleveland Museum 

of Art 

Transitions: Linda Butler and Philip Brutz 

Photographs 

Montreal Museum of Fine Arts, Quebec; 

Centre de la Vielle de Charité, Marseilles, 

France 

Right Under the Sun: Painting in Provence from 

Classicism to Modernism (1750–1920) 

Musée d’Art et d’Histoire, Geneva; Musée 

Rath, Geneva 

Richard Wagner: Visions d’artistes. D’Auguste 

Renoir à Anselm Kiefer 

Museo Nacional Centro de Arte Reina Sofia, 

Madrid 

Juan Gris (1887–1927) 

The Palace of the Planet King: Philip IV and 

the Buen Retiro 

Picasso: Tradición y Vanguardia 

Museo Nazionale di San Matteo, Pisa 

Cimabue a Pisa 

Museo Thyssen-Bornemisza, Madrid; Palazzo 

dei Diamanti, Ferrara, Italy 

Corot. Nature, Emotion, Souvenir 

Museum Het Valkhof, Nijmegen, The 

Netherlands 

Limbourg Brothers, Nijmegen Masters at the French 

Court (1400–1416) 

Museum of Fine Arts of St. Petersburg, Florida 

Claude Monet and Modernist London 

The Museum of Modern Art; Los Angeles 

County Museum of Art; Musée d’Orsay, Paris 

Cézanne and Pissarro: Making Modernism 

National Gallery of Art, Washington 

Bellini, Giorgione, Titian, and the Renaissance of 

Venetian Painting 

National Gallery of Art; The Art Institute of 

Chicago 

Toulouse-Lautrec and Montmartre 

National Gallery of Art; The Art Institute of 

Chicago; The Fine Arts Museums of San 

Francisco, M. H de Young Museum 

Charles Sheeler: Mediums and Messages 

National Gallery of Art; Los Angeles County 

Museum of Art; International Center of 

Photography, New York 

André Kertész 

National Gallery of Art; The Museum of 

Modern Art 

Dada 

National Gallery of Art; Musée Granet, Aixen-Provence 

Cézanne in Provence 

National Gallery of Canada, Ottawa 

Leonardo, Michelangelo, and the Renaissance in 

Florence 

National Gallery, London; Museum of Fine 

Arts, Boston; The Metropolitan Museum of 

Art 

Americans in Paris 

National Museum of Western Art, Tokyo 

Georges de la Tour 

National Museum of Western Art; Musée 

d’Orsay 

Rodin/Carrière: Interferences 

North Carolina Museum of Art 

The Potter’s Eye: Art and Tradition in North 

Carolina Pottery 

Oklahoma City Museum of Art 

Artist as Narrator: Nineteenth-century Narrative 

Art in England and France 

Tempests and Romantic Visionaries: Images of 

Storms in European and American Art, 1750– 

1950 

Patrimonio Nacional, Madrid (organizer); 

Palacio Real de Madrid; Meadows Museum, 

Southern Methodist University, Dallas 

Juan van der Hamen y Léon and the Court of 

Madrid 

The Phillips Collection, Washington; Modern 

Art Museum of Fort Worth; Cincinnati Art 

Museum; The Metropolitan Museum of Art 

Sean Scully: Wall of Light 

Princeton University Art Museum, New 

Jersey 

Recarving China’s Past: The Art, Archaeology and 

Architecture of the “Wu Family Shrines” 

Réunion des Musées Nationaux (organizer); 

Musée Adrien Dubouché, Limoges, France 

Félix Bracquemond (1833–1914) et les Arts 

Décoratifs Du Japonisme à l’Art Nouveau 

Réunion des Musées Nationaux (organizer); 

Galeries du Grand Palais, Paris; Neue 

Nationalgalerie, Berlin 

Genie et folie en Occident: Une histoire de la 

mélancolie 

Museum of Art, Rhode Island School of 

Design, Providence 

Edgar Degas: Six Friends at Dieppe 

Rijksmuseum, Amsterdam (organizer); Van 

Gogh Museum, Amsterdam 

Rembrandt–Caravaggio 

Royal Academy of Arts, London; Los Angeles 

County Museum of Art 

Master of Landscape: Jacob van Ruisdael’s 

Paintings, Drawings and Etchings 

Smart Museum of Art, University of Chicago; 

Grey Art Gallery, New York University Art 

Collection 

Paper Museums: The Reproductive Print in Europe, 

1500–1800 

Staatsgalerie Stuttgart, Germany 

The Discovery of Landscape: Netherlandish 

Landscape Painting of the 16th and 17th Centuries 

Städelsches Kunstinstitut und Städtische 

Galerie, Frankfurt am Main, Germany 

Egypt–Greece–Rome 

Sterling and Francine Clark Art Institute, 

Williamstown, Massachusetts; J. Paul Getty 


Jacques-Louis David: Empire to Exile 

Tate Modern, London; Galeries du Grand 

Palais; National Gallery of Art 

Jungles in Paris: The Paintings of Henri Rousseau 

Western Reserve Historical Society, Cleveland 

Millionaires’ Row: The Legacy of Euclid Avenue 

Yale University Art Gallery, New Haven; 

Hammer Museum, University of California, 

Los Angeles 

The Société Anonyme: Modernism for America 

53

Artist Wyna Liu of 

Oberlin and a friend 

examine Pupa, a 

sculpture by Kate 

Budd of the University 

of Akron, on view in 

The NEO Show. 

Visitors enjoy 

Masterworks from The 

Phillips Collection in 

the spring of 2005. 

Exhibitions 

In the 18 months from the first of January 2005 to the last day of June 

2006, the museum went from presenting a traditional array of shows in 

familiar galleries at 11150 East Boulevard to a truly worldwide program 

that took exhibitions from the collection across town and across the globe. 

The first major loan exhibition during the period was Masterworks from 

The Phillips Collection, February 20 to May 29, 2005, bringing 59 celebrated 

European paintings from the 19th and early 20th centuries that 

were collected by Duncan Phillips, founder and creator of the museum 

that bears his name in Washington, D.C. In the installation here five 

works by Van Gogh, Degas, Braque, and Odilon Redon hung adjacent to 

similar compositions by the same artists from the collection of the Cleveland 

Museum of Art, providing a unique opportunity to compare these 

remarkable pictures. The show had the distinction of being the last one to 

be presented in the Breuer special exhibition gallery, which will become 

the Lifelong Learning Center in the renovated education wing. From 

October 16, 2005 to January 8, 2006, The Arts & Crafts Movement in Europe 

and America, 1880–1920: Design for the Modern World was presented in a 

temporary special exhibition space created in galleries 201–10, 239, and 

241–42. At the turn of the last century, many artists and artisans in Great 

Britain, Europe, and the United States sought to create a new, more expressive 

language of design based on handcraftsmanship, an honest use of 

materials, and human scale. With more than 300 works of art, this exhibition 

celebrated the enormous influence the Arts and Crafts movement had 

on design in the modern world. For a study gallery of the Arts & Crafts 

show, the New Media department developed “The Attic,” an interactive 

55

56 

Quiet contemplation, 

and not: The Arts & 

Crafts exhibition 

(right) invited a 

peaceful stroll while 

The NEO Show (below) 

was anything but 

tranquil, especially 

Benjamin Kinsley’s 

prize-winning video 

Gesichtsmusik. 

that brought insight and fun to the exploration of Victorian-era art. A version 

of “The Attic” is available on the museum’s website. 

Between those two loan exhibitions The NEO Show was presented 

July 10 to September 4 in a sequence of galleries formerly dedicated to 

contemporary art. As the term “NEO” suggests, this show was something 

new and different, as well as centered on artists from northeast Ohio. A 

juried exhibition of works, The NEO Show demonstrated that art of this 

region holds its own nationally and internationally in terms of quality and 

possesses its own distinctive spirit. 

As the museum’s renovation and expansion project got under way, a 

number of small spaces within the building complex saw their final employment 

as special exhibition galleries. From Leipzig: Works from the Ovitz 

Family Collection, January 30–May 1, 2005, was Associate Curator of Contemporary 

Art Jeffrey Grove’s last exhibition before leaving to join the 

modern and contemporary art department at Atlanta’s High Museum of 

Art, and it was the last of the innovative Project 244 series of exhibitions. 

From Leipzig presented the work of a group of artists—primarily painters—who 

studied at the Leipzig Academy in the 1990s. Michaël Borremans: 

Hallucination and Reality filled the Project 244 space as well as the adjacent 

galleries from May 22 to September 4. It was the Belgian artist’s first solo 

museum exhibition in the United States. Meanwhile, Drawn with Light: 

Pioneering French Photography from the Cleveland Museum of Art (complementing 

the Phillips Collection exhibition) was on view from February 26 

to June 16 in galleries 103–105, the final show in the corridor gallery devoted 

to photography. The renovated and expanded museum will offer 

improved dedicated spaces for the presentation of rotating exhibitions of 

contemporary art and photography. 

In January, the museum building closed entirely for six months and 

the exhibition program refocused on outside venues. As part of an ongo

Director Timothy Rub 

and Curator of 

Photography Tom E. 

Hinson flank Lowery 

Stokes Sims of the 

Studio Museum in 

Harlem, guest curator 

for The Persistence of 

Geometry at MOCA 

Cleveland. 

Director Timothy Rub, 

President James 

Bartlett, officials from 

Chinese museums, 

and other dignitaries 

participate in a 

ceremonial cutting of 

ribbons to inaugurate 

From Monet to Picasso 

at the World Art 

Museum in Beijing. 

ing series of collaborations, the museum and MOCA Cleveland (which 

exhibits art but does not collect) launched a joint exhibition program employing 

MOCA’s upper mezzanine gallery for a series of shows highlighting 

prints, drawings, and photographs from the CMA. The winter exhibition, 

Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland 

Museum of Art ( January 20–May 7), was followed by Transitions: 

Linda Butler and Philip Brutz Photographs ( June 9–August 20) in the summer 

of 2006. Then, in MOCA’s main galleries, The Persistence of Geometry: 

Form, Content, and Culture in the Collection of the Cleveland Museum of Art 

ran from June 9 to August 20. Guest curator Dr. Lowery Stokes Sims used 

the permanent collection to examine how geometric structures and abstract 

visual vocabularies have communicated meaning throughout the 

visual history of humankind. In the modern era, these forms served as vehicles 

for revolutionary distillations of form and narrative and as the foundations 

for conceptual and social models of new societal values. 

The museum also collaborated with nontraditional partners to present 

its collections in new light, with small presentations at Oberlin College’s 

Allen Memorial Art Museum and at the Cleveland Metroparks Zoo. 

Halfway around the world, Cleveland made a global step with the first 

in a group of traveling exhibitions drawn from the collection whose presentation 

was made possible by the closure of galleries for the renovation 

and expansion project. Opening to great fanfare in China, From Monet to 

57

58 

The director speaks 

on television in the 

galleries of the Beijing 

World Art Museum. 

In a pre-interview 

briefing, the reporter 

assured the director 

that it would play to a 

small audience—only 

50 million. 

At a crowded press 

conference, World Art 

Museum Registrar Min 

Sun and CMA Paintings 

Conservator Marcia 

Steele examine Vincent 

van Gogh’s The Large 

Plane Trees as it is 

uncrated. 

Picasso: Masterworks from the Cleveland Museum of Art ran at the Beijing 

World Art Museum from May 26 to August 27, 2006, gathering 60 of the 

museum’s most acclaimed European paintings and sculptures from the late 

19th and early 20th centuries. And Paris, New York, Chicago, and 

Montreal enjoyed Romantic Rebel: Anne-Louis Girodet, which was organized 

by the Cleveland Museum of Art in cooperation with French museums 

and the Metropolitan Museum of Art in New York, but could not 

be shown in Cleveland because of the construction schedule. This exhibition 

on this little-known French painter, a student of David, was the first 

major monographic international exhibition of Girodet’s work.

World Tour 

Long before the renovation and expansion 

project began, the curatorial 

and exhibitions staff had been exploring 

ideas for using the project as an 

opportunity to share the collection 

with the wider world. “At first we 

were planning to keep half our galleries 

open during construction,” recalls 

Charles Venable, deputy director for 

collections and programs, “but with 

the board’s decision to close down 

completely in March 2005, suddenly 

the entire collection was available.” 

As soon as the art world learned 

that the galleries would be closed for a 

while, colleagues from other museums 

began to call. “While we could 

have opted to lend many works singly 

or in small groups to many museums 

around the world,” says Venable, “we 

decided it made more sense to develop 

several exhibitions drawn from 

the permanent collection and circulate 

them. We organized tours that would 

expose the collection to new audiences 

in Asian, European, and American 

cities, while bringing several of 

these shows back to Cleveland so our 

members could share in the excitement 

too.” 

To Director of Exhibitions Heidi 

Strean, trying to coordinate loan exhibitions 

around the evolving construction 

schedule was particularly challenging. 

“It was clear that the collection 

could yield numerous successful 

exhibitions,” she says. “The problem 

was we had to organize tours during 

the time periods available before the 

works had to be back in Cleveland for 

installation in new galleries.” Those 

logistical challenges were largely overcome, 

and before long a number of 

local and international exhibitions 

were planned. Close to home, The 

Persistence of Geometry brought works 

from the collection to MOCA Cleveland, 

which also featured shows from 

the CMA photography collection. 

Meanwhile, From Monet to Picasso: 

Masterworks from the Cleveland Museum 

of Art set off for Beijing, Tokyo, 

Seoul, Vancouver, Nashville, and Fort 

Worth, with a scheduled stop in Cleveland 

in 2007. Sacred Gifts and Worldly 

Treasures: Medieval Masterworks from 

the Cleveland Museum of Art is scheduled 

to travel to the National Museum 

of Bavaria in Munich and the J. Paul 

Getty Museum in Los Angeles. Plans 

for traveling exhibitions of highlights 

from the Japanese collection and 

Chinese paintings are also near 

completion. In addition, numerous 

loans of small groups of objects were 

organized, with works visiting Oberlin 

College, the Cleveland Metroparks 

Zoo, MOCA Cleveland, the Maltz 

Museum of Jewish Heritage, and the 

Frick Collection in New York City. 

To Venable, the initiative is about 

more than sharing CMA works of art. 

“We wanted to exhibit the very best 

the collection has to offer, but on top 

of that we also wanted to talk about 

Cleveland as a city with amenities 

such as a great orchestra and a great 

art museum, to create a positive image. 

I think in the world right now 

there’s not really a negative image of 

Cleveland—it’s more that people just 

don’t know much about the city at all. 

Touring our great art as ambassadors 

for the city is a wonderful way to raise 

the city’s profile.” 

Familiar face in a new 

place: Renoir’s portrait 

of Romaine Lacaux as 

installed in the World 

Art Museum galleries 

(above) and on 

promotional banners in 

the streets of Beijing 

(below). 

59

Loan Exhibitions 

The Phillips Collection 

exhibition brought 

about a reunion 

between two versions 

of a famous work by 

van Gogh: Cleveland’s 

Large Plane Trees (left) 

and The Road Menders 

60 

(right) from 

Washington. A tag on 

the back of the Phillips 

painting indicates 

that it had visited 

Cleveland before, in 

1948, just before the 

Phillips acquired it. 

Masterworks from The Phillips 

Collection 

February 20–May 29, 2005 

Masterworks from The Phillips Collection featured 

77 celebrated European paintings from the 

19th and early 20th centuries. Duncan Phillips 

(1886–1966) spent more than 50 years assembling 

his collection of European and American 

art, said to be among the best in private hands. 

The centerpiece of the exhibition was Auguste 

Renoir’s Luncheon of the Boating Party, a masterpiece 

that rarely travels outside Washington. 

The show also included works by Georges 

Braque, Paul Cézanne, Gustave Courbet, 

Honoré Daumier, Edgar Degas, Vincent van 

Gogh, Wassily Kandinsky, Paul Klee, Henri 

Matisse, Claude Monet, and Pablo Picasso, 

among others. Earlier works by El Greco, 

Chardin, Delacroix, and Ingres added to this 

examination of the evolution of modern art. 

Works by van Gogh, Degas, Braque, and 

Odilon Redon hung adjacent to similar compositions 

by the same artists from the Cleveland 

Museum of Art’s collection, providing a 

unique opportunity for comparison. Curated 

by Tom E. Hinson. 

This exhibition was organized by The Phillips 

Collection, Washington, D.C. Funding was 

provided in part by the generous support of 

the Cuyahoga County Board of Commissioners. 

Promotional support was provided by The 

Plain Dealer, Cleveland Hopkins International 

Airport, 107.3 The Wave, and 89.7 WKSU. 

The Cleveland Museum of Art receives operating 

support from the Ohio Arts Council. 

The NEO Show 

July 10–September 4, 2005 

As the name NEO suggests, this show was 

new and different. A version of the museum’s 

May Show, it consisted of works by artists from 

northeast Ohio. Residents of ten counties— 

Ashland, Ashtabula, Cuyahoga, Erie, Geauga, 

Huron, Lake, Lorain, Mahoning, Medina, 

Portage, Stark, Trumbull, and Wayne—were 

eligible. Media included painting, sculpture, 

design, video, installation, film, drawing, photography, 

printmaking, performance, decorative 

arts, and crafts. The jurors were Jane 

Farver, director of the List Visual Arts Center 

at MIT in Cambridge; Louis Grachos, director 

of the Albright-Knox Art Gallery in Buffalo; 

and Jeffrey Grove, CMA curator of contemporary 

art. During the run of the show, artists 

gave public lectures about their works and the 

jurors took part in a symposium that focused 

on defining regionalism. Curated by Jeffrey 

Grove. 

This exhibition was free to everyone thanks to 

Hahn Loeser + Parks LLP and other generous 

donors. Artists’ prizes and the exhibition catalogue 

were made available through a generous 

grant from Dominion. Additional support was 

provided by the George Gund Foundation. 

The exhibition was made possible through 

collaboration with the Intermuseum Conservation 

Association. Promotional support provided 

by The Plain Dealer, 90.3 WCPN, and 

RTA.

The Arts & Crafts Movement in Europe 

and America, 1880–1920: Design for the 

Modern World 

October 16, 2005–January 8, 2006 

At the turn of the previous century, many 

artists and artisans in Great Britain, Europe, and 

the United States sought to create a new, 

more expressive language of design based on 

handcraftsmanship, an honest use of materials, 

and human scale. Their work developed in 

sharp contrast to the mechanized production of 

the Industrial Revolution and came to be 

known as the Arts and Crafts movement. With 

more than 300 works of art, this exhibition 

celebrated the enormous influence the Arts and 

Crafts movement had on design in the modern 

world. Organized by the Los Angeles County 

Museum of Art. Curated by Stephen Harrison. 

This exhibition was organized by the Los 

Angeles County Museum of Art and made 

possible by Max Palevsky. This project was 

supported in part by an award from the 

National Endowment for the Arts, which believes 

that a great nation deserves great art. The 

Cleveland showing was made possible through 

the support of Chase. Promotional support was 

provided by The Plain Dealer and 89.7 WKSU. 

Romantic Rebel: Anne-Louis Girodet 

Not on view in Cleveland 

This exhibition was the first major monographic 

international exhibition of the work of 

Anne-Louis Girodet-Trioson (1767–1824), one 

of the earliest proponents of the Romantic 

movement. He explored new subject matter, 

including accounts of the New World and 

contemporary interpretations of Celtic legends. 

His most famous works, such as the Sleep of 

Endymion, 1791, the Burial of Atala, 1808, and 

the Riot of Cairo, 1810, strike a balance between 

the calmer neoclassicism of his master, 

Jacques-Louis David (1748–1825), and a more 

active, progressive style. The exhibition drew 

from a variety of European and American collections, 

including the Musée du Louvre. The 

tour for Romantic Rebel includes the Louvre, 

Paris, September 19, 2005–January 2, 2006; 

The Art Institute of Chicago, February 11– 

April 30, 2006; The Metropolitan Museum of 

Art, New York, May 22–August 27, 2006; 

Musée des Beaux-Arts de Montréal, October 

12, 2006–January 21, 2007. Curated by Sylvain 

Bellenger. 

The exhibition was organized by The 

Cleveland Museum of Art in cooperation with 

the Réunion des Musées Nationaux, Paris, the 

Musée du Louvre, Paris, and the Metropolitan 

Museum of Art, New York. The exhibition 

was made possible through the generous 

support of the Isaacson Draper Foundation 

and The Florence Gould Foundation. Major 

funding was provided by the Getty Research 

Institute and the Getty Grant Program. 

Project 244 

From Leipzig: Works from the Ovitz 

Family Collection 

January 30–May 1, 2005 

This exhibition focused on the work of a 

group of younger artists—primarily painters— 

who studied at the Leipzig Academy in the 

1990s and are rapidly gaining international 

attention. Recalling the rise of the Neo-Geo 

and New-Image movements in the 1980s or 

the international explosion of young British 

artists in the 1990s, the New Leipzig school 

has made a profound impression on contemporary 

practice. The highly idiosyncratic and 

forceful images of Tim Eitel, Martin Kobe, 

Tilo Baumgärtel, Rosa Loy, Neo Rauch, 

Matthias Weischer, Christoph Ruckhäberle, 

and David Schnell are compelling. They organized 

their first group exhibition outside the 

academy in December 2000, and each quickly 

found gallery representation. In 2002 they 

founded Galerie Liga in Berlin, a space they 

operate as a collective and where they show 

their work and that of other younger artists. 

Curated by Jeffrey Grove. 

Michaël Borremans: Hallucination and 

Reality 

May 22–September 4, 2005 

Organized by the Kunstmuseum Basel, 

Museum für Gegenwartskunst in collaboration 

with the Cleveland Museum of Art and the 

Stedelijk Museum voor Actuele Kunst, Ghent, 

this exhibition was the first solo museum show 

in the United States for Belgian artist Michaël 

Borremans. The 65 works on view, created 

since 1995, included small drawings and paintings 

on cardboard. Often annotated at their 

edges with technical notations, wry musings, 

and construction details, many of Borremans’s 

drawings are “proposals” for public monuments 

that transform architectural platforms, 

emotion and sentiment, and complex postwar 

political ideologies into clever ruminations on 

the human condition. Borremans’s work— 

both satiric and sincere—comments humorously 

on middle-class restraint and the position 

of the artist in contemporary society. Curated 

by Jeffrey Grove. 

Promotional support provided by Angle 

Magazine. 

61

PERMANENT 

COLLECTION 

EXHIBITIONS 

Installation view of 

The Persistence of 

Geometry at MOCA 


62 

Drawn with Light: Pioneering French 

Photography from the Cleveland 


February 26–June 16, 2005 

To complement the exhibition Masterworks 

from The Phillips Collection, this exhibition presented 

selections from the museum’s holdings 

in the area of early French photography: 32 

works by such pictorially inventive and technically 

accomplished 19th- and early 20th-century 

photographers as Édouard Baldus, Gustave 

Le Gray, Henri Le Secq, Nadar, Charles 

Marville, Louis Robert, and Eugène Atget. 

They turned their cameras to record reality— 

common and everyday, natural and constructed. 

The photographs featured many of 

the same subjects examined by the Phillips 

Collection painters, such as portraiture, landscape, 

views of architecture, still life, and 

genre. Curated by Tom E. Hinson. 

CMA@ MOCA 

Main galleries, MOCA Cleveland, 8501 

Carnegie Avenue 

The Persistence of Geometry: Form, 

Content, and Culture in the Collection of 

the Cleveland Museum of Art 

June 9–August 20, 2006 

Drawn from the collection by guest curator 

Lowery Stokes Sims, president of the Studio 

Museum in Harlem, this exhibition examined 

how geometric structures and abstract visual 

vocabularies have communicated meaning 

throughout the visual history of humankind. In 

the modern era, these forms served as vehicles 

for revolutionary distillations of form and narrative 

and as the foundations for conceptual 

and social models of new societal values. How 

the paintings, sculptures, drawings, prints, 

photographs, ceramics, textiles, utensils, and 

furniture from historic and contemporary cultures 

were installed reflected the importance of 

diversity and multiculturalism as prominent 

theoretical modes over the last three decades. 

By “repatterning” the usual methods of organizing 

ideas about art, the exhibition allowed 

the viewer to recognize the centrality of cultures 

considered peripheral, and how cultures 

influence and transform one another. Curated 

by Tom E. Hinson. 

This exhibition was organized by the Cleveland 

Museum of Art in collaboration with 

MOCA Cleveland and was made possible 

through generous grants from the Kulas Foundation 

and the John P. Murphy Foundation. 

Additional support was provided by The 

Contessa Gallery. The Cleveland Museum of 

Art and MOCA Cleveland receive support 

from the Ohio Arts Council. Promotional 

support was provided by 90.3 WCPN.

Guest curator 

Lowery Stokes Sims 

introduces her 

exhibition, The 

Persistence of 

Geometry, at MOCA 


CMA@ MOCA Mezzanine Series 

Mezzanine Gallery, MOCA Cleveland, 8501 

Carnegie Avenue 

Drawn, Exposed, and Impressed: 

Recent Works on Paper from the 


January 20–May 7, 2006 

Produced during the past decade, the drawings, 

photographs, and prints in Drawn, Exposed, 

and Impressed offered a brief survey of the 

outstanding contemporary works on paper that 

have significantly enhanced the collection. 

Arranged in four thematic groups, the 17 

works by 14 artists show varied individual 

approaches under the broad classifications of 

realism and abstraction. Each artist, whether 

well known or just emerging, brings a fresh 

vision and creative vitality to these traditional 

categorizations. Curated by Jane Glaubinger, 

Tom E. Hinson, and Heather Lemonedes. 

Transitions: Linda Butler and Philip 

Brutz Photographs 

June 9–August 20, 2006 

Transitions: Linda Butler and Philip Brutz Photographs 

recorded the relocation of nearly twothirds 

of the museum’s collection. Because of 

the museum’s construction and renovation 

project, 40,000 objects had to be moved from 

the galleries and existing art-storage areas to 

temporary locations. Butler and Brutz spent 

countless hours recording this symphony of 

removing and resettling. Color prints by Butler 

and color stereoscopic transparencies by Brutz 

provided rare behind-the-scenes glimpses of an 

enormous, complex operation. Curated by 

Tom E. Hinson. 

CMA@ The Zoo 

Animals in Art: Clay Creatures by 

Viktor Schreckengost 

Cleveland Metroparks Zoo/Cleveland 

Zoological Society, Zoo Exhibit Hall 

April 29–August 13, 2006 

The exhibition included seven objects by 

Viktor Schreckengost depicting animals from 

the museum’s collection, plus eight of the 

zoo’s ceramic bird tiles. Curated by Stephen 

Harrison. 

CMA@ Oberlin: Rotations 

Oberlin College, Allen Memorial Art Museum 

Jacques-Louis David’s “Cupid and 

Psyche” 

January 31–April 2, 2006 

18th-century British Portraits and 

Landscapes 

April 4–June 4, 2006 

CMA Traveling Exhibitions 

From Monet to Picasso: Masterworks 

from the Cleveland Museum of Art 

Beijing World Art Museum, May 26–August 

27, 2006; Mori Arts Center, Tokyo, September 

9–November 26, 2006; Hangaram Art 

Center, Seoul, December 22, 2006–March 28, 

2007; Seoul Olympic Museum of Art, April 7– 

May 20, 2007; Vancouver Art Gallery, 

Canada, June 9–September 16, 2007; Frist 

Center, Nashville, February 21–June 1, 2008; 

Kimbell Art Museum, Fort Worth, June 22– 

October 5, 2008. 

This exhibition brings together a group of the 

museum’s most acclaimed European works of 

art from the late 19th and early 20th centuries: 

paintings, sculpture, and works on paper by 

Claude Monet, Edgar Degas, Pierre Auguste 

Renoir, Paul Cézanne, Vincent van Gogh, 

Paul Gauguin, Henri Matisse, and Pablo 

Picasso. In addition, stellar works by lesserknown 

artists such as Albert Besnard and 

Giovanni Segantini complement works by 

their more well-known contemporaries. Together 

the works illuminate the breadth of 

creativity in one of the most extraordinary 

epochs in the history of art. Curated by 

William H. Robinson in association with 

Heather Lemonedes. 

From Monet to Picasso 

generated newsworthy 

moments during its run 

in Beijing. 

63

Le Mystère des Voix 

Bulgares performed to 

a packed house at their 

March 2006 concert at 

the Shrine Church of 

St. Stanislaus in Slavic 

Village. 

Reuben Silver as 

“Vasili” in Anton 

Chekhov’s Swan Song 

at Kennedy’s, 

Playhouse Square 

Center. 

Performing Arts, 

Music, and Film 

Established in early 2005, the department of Performing Arts, Music, 

and Film faced an immediate challenge as Gartner Auditorium became 

unavailable when renovation of the Breuer building began that summer. 

Turning this challenge into an opportunity, the museum developed the 

VIVA! & Gala Around Town concert series, visiting landmark performance 

spaces throughout the city, including a number of historic houses of 

worship. More than 27,000 people attended 18 concerts and events— 

representing 12 different countries—at 14 venues around town. Most of 

these performances were either Ohio or Cleveland debuts. 

The season opened with an extraordinary six-week residency by three 

Tibetan monks from the Namgyal Monastery who constructed a Kalachakra 

sand mandala in the stunning rotunda of Cleveland City Hall, putting art 

at the center of civic life. Other highlights included Le Mystère des Voix 

Bulgares at the Shrine Church of St. Stanislaus in Slavic Village, the Kronos 

Quartet’s visually stunning multimedia epic Sun Rings at the Masonic 

Auditorium, two programs of music composed by Osvaldo Golijov at the 

gorgeous Temple-Tifereth Israel and Severance Hall, and adaptations of 

plays by Russian dramatists Nikolai Gogol and Anton Chekhov at Playhouse 

Square Center. The first professionally produced theater presentation 

in the museum’s history, Swan Song + Confessions was directed by Director 

of Performing Arts, Music, and Film Massoud Saidpour and featured 

Cleveland theater luminaries Dorothy and Reuben Silver. 

65

66 

Nothing but sand: 

the Kalachakra sand 

mandala (six feet in 

diameter) completed 

by the three venerable 

lamas from the 

Namgyal Monastery 

at Cleveland City Hall 

during their six-week 

residency. 

The first months of 2005 witnessed the conclusion of the 25th anniversary 

of the Gala Music Series, the 7th annual VIVA! Festival of Performing 

Arts, and Music of the Belle Époque (three performances presented in conjunction 

with the exhibition Masterworks from The Phillips Collection), with 

highlights including the electrifying collaboration between violinist Nadja 

Salerno-Sonnenberg and guitar virtuosos Sérgio and Odair Assad as well as 

the enchanting performance by Çudamani: Dancers & Musicians of Bali. 

Production continued on the series of recordings by Curator Emeritus 

Karel Paukert performing on the McMyler Memorial Organ. Aubade: 

Organ Music of Ohio Composers was released in November 2005 on the 

Azica label, and production on Music from Prague was completed during 

2006 for release in September. A CD of works by J. S. Bach is scheduled 

for 2007. These recordings are especially significant as they capture a tonal 

record of the instrument as it sounded before the renovation of Gartner 

Auditorium began. The museum also made arrangements to house its collection 

of keyboard instruments at carefully selected institutions and residences, 

assuring proper attention to the instruments during the construction 

period. 

Between January 2005 and June 2006, the Panorama Film Series 

presented 102 different feature films (or feature-length programs of short 

films) in 130 separate screenings. Fifty of the films were exclusive

Sand Mandala 

When Gartner Auditorium closed for 

renovation, the museum decided to 

continue its Gala classical and VIVA! 

world music concert offerings, taking 

the opportunity to explore alternative 

venues that included some of the city’s 

musically and architecturally magnificent 

houses of worship as well as one 

particularly important civic building. 

The VIVA! & Gala Around Town series 

opened at Cleveland City Hall with 

Circle of Compassion: The Sand Mandala 

Painting of Tibet, a six-week residency 

(August 27 to October 8, 2005) by three 

Tibetan monks from the Namgyal Monastery, 

the personal monastery of the 

Dalai Lama of Tibet. The monks constructed 

a Kalachakra—the most artistically 

significant and sacred sand 

mandala in Tibetan Buddhism—in city 

hall’s stately rotunda. The presence of 

symbolic Tibetan art within the city’s 

political and civic nerve-center created 

some extraordinary moments of audience 

interaction and fulfilled one of the 

museum’s central missions: to bring 

great art to everyone. After the monks 

had painstakingly laid millions of grains 

of colored sand to create the intricate 

design, in a ritual closing ceremony 

they swept it all away, scattering it into 

the waters of Lake Erie to bless both the 

environment and the community. 

67

68 

Women of Çudamani 

performed sacred 

Balinese Rejang 

dances in Gartner 

Auditorium before it 

closed for renovation. 

Cleveland premieres. This program was housed at the museum until 

September 2005, when it took up temporary residency at Case Western 

Reserve University’s Strosacker Auditorium (where screenings were cosponsored 

by the CWRU Film Society). 

Special guests during this 18-month period included Cleveland 

Heights filmmaker Laura Paglin appearing with three of her films: 

Nightowls of Coventry, Shadow of the Swan, and No Umbrella: Election Day 

in the City. Other guests included Dave Filipi of the Wexner Center in 

Columbus, who presented two programs of rare baseball short films, and 

Venerable Tenzin Thutop, one of the Buddhist monks from the Namgyal 

Monastery, who answered questions after a September screening of 

Werner Herzog’s documentary Wheel of Time. Five musicians provided 

live piano or organ accompaniment to silent films in 2005: Dennis James 

(Asphalt and The Iron Horse), Philip Carli (The Magician and The Crowd), 

David Drazin (Tol’able David and Tramp, Tramp, Tramp), Sebastian Birch 

(Variety and The Wedding March), and Joseph Rubin (Broken Blossoms). 

Three Vietnam veterans spoke after the documentary Winter Soldier in 

February 2006. 

The film program also made unprecedented off-site appearances. In 

March 2006, the museum sponsored six films at the 30th Cleveland International 

Film Festival at Tower City Cinemas. Another screening took 

place at the Memphis Drive-In in May 2006, when “CMA@ The Drive- 

In” offered the 1968 Peter Bogdanovich film Targets (the climax of which 

takes place at a drive-in theater). Between January and May 2005, Associate 

Director for Film John Ewing gave five illustrated talks in a monthly 

series, “Masters of Modern Cinema,” spotlighting Abbas Kiarostami, 

Michael Haneke, Aki Kaurismäki, Hou Hsiao-hsien, and Jean-Pierre and 

Luc Dardenne. Ewing was also a regular guest on WCPN’s “Around 

Noon” radio show during the 18-month period of this report.



The Kronos Quartet 

performed Sun Rings, 

Terry Riley’s 

sumptuous eveninglength 

multimedia 

meditation on space 

exploration, at the 

Masonic Auditorium. 

Gala Music Series 

An Angel’s Voice: The Legend of Farinelli 

performed by Rebel with Derek Lee Ragin, 

countertenor; Concertante: Transfigured 

Night; Defying Gravity: Nadja Salerno- 

Sonnenberg, violin, with Sérgio and Odair 

Assad, guitar; One Voice, Three Contexts: 

Christòpheren Nomura, baritone, with the 

Cavani String Quartet, Modus Ensemble (Tim 

Weiss, director), and pianist David Alpher; and 

Romantic Fervor: The Peabody Trio with 

Walter Van Dyk, narrator. 

VIVA! & Gala Around Town 

Circle of Compassion: The Sand Mandala 

Painting of Tibet; Chanticleer: An Orchestra 

of Voices; Gianmaria Testa; Osvaldo Golijov: 

Musical Alchemy with St. Lawrence String 

Quartet; Todd Palmer, clarinet, Cavani String 

Quartet, and Tracy Rowell, bass; Astrid 

Hadad: Provocative Acts; Marc-André 

Hamelin, piano; Martin Haselböck, organ; 

Korean Dance: Tradition and Creation; 

Kronos Quartet in Terry Riley’s Sun Rings; 

Roby Lakatos Ensemble; Le Mystère des Voix 

Bulgares; Masterpieces of Russian Drama: 

Swan Song + Confessions; Anne Akiko Meyers, 

violin, and Rieko Aizawa, piano; Paco Peña 

Flamenco Dance Company; Karel Paukert: 

Noëls; Trio Joubran: The Art of Improvisation; 

Dawn Upshaw and Friends in Osvaldo 

Golijov’s Ayre; and Vermeer String Quartet. 

VIVA! Festival of Performing Arts 

Mary Black; Çudamani: The Dancers and 

Musicians of Bali; Guinga: Music from Brazil; 

Mayte Martín and Bélen Maya: Flamenco de 

Cámara; and Masters of Persian Music: M. R. 

Shajarian, Hossein Alizadeh, Kayhan Kalhor, 

and Homayoun Shajarian. 

Music of the Belle Époque 

“Music in Fashion: Paris 1920,” lecture/recital 

by Dr. Mary Davis; The Music of Debussy and 

Ravel with Ensemble Bilitis and Janus Trio; 

Karel Paukert, organ. 

Master Classes and Lectures 

Christòpheren Nomura, master class at Cleveland 

Music School Settlement; St. Lawrence 

String Quartet, master class at the Cleveland 

Institute of Music; Paul Cox, “Crossing 

Boundaries: Cross-Cultural Currents in the 

Concert Hall”; Paul Cox and Dr. Mary Davis, 

“The Influence of Antiquity in the Works of 

Debussy”; Paul Cox and Dr. Mary Davis, 

“Poetry in Motion: Poulenc’s Le Bal Masqué”; 

Dana Gooley, “Transfigured Night”; Harold 

Meltzer interviewed by Paul Cox; Steven 

Plank, “The Legend of Farinelli.” 

Panorama Film Series 

Series of note (2005). Outré: four extreme, 

envelope-exploding modern entertainments; 

Renoir Fils (and Films): seven films by Jean 

Renoir, son of Impressionist painter Pierre 

August Renoir; The Rest Is Silents: 18 programs 

of great silent films, the last movies 

shown in Gartner Auditorium before it closed 

for renovation; The Thrill Comedies of Harold 

Lloyd: seven restored features and three shorts 

by the silent screen’s beloved comic daredevil. 

Individual films of note (2005). Asphalt, a restored 

1929 German silent masterpiece, cosponsored 

by the Max Kade Center for German 

Studies at Case; Electric Edwardians: The 

Films of Mitchell & Kenyon, a program of short 

British “actuality” films made between 1900 

and 1913; The House in the Woods, Maurice 

Pialat’s seven-part, six-hour 1971 French television 

miniseries, presented in conjunction 

with the Cleveland Institute of Art 

Cinematheque; The Manhattan Short Film Festival, 

the world’s largest short-film festival, in 

which viewers in Cleveland joined with viewers 

all over America to vote for the winner; 

Memoirs of a Geisha, a special advance screening 

courtesy of Sony Pictures; Star Spangled to 

Death, Ken Jacobs’s seven-hour, four-part, 

decades-in-the-making avant-garde epic, acclaimed 

by J. Hoberman in the Village Voice as 

“the ultimate underground movie”; Watermarks, 

a portrait of seven champion Jewish 

women swimmers, now in their 80s; and 

Zelary, an Oscar-nominated Czech historical 

drama. 

Individual films of note (2006). The Call of 

Cthulhu and Trapped by the Mormons, a double 

feature of 21st-century silent horror films; 

Henri Cartier-Bresson: The Impassioned Eye and 

William Eggleston in the Real World, a photography 

double feature; A State of Mind, a rare 

behind-the-scenes look at North Korea’s Mass 

Games, the largest human spectacle on earth; 

Street Fight, an Oscar-nominated documentary 

feature; and Who Gets to Call It Art?, a portrait 

of influential curator Henry Geldzahler. 

69

Christo and Jeanne- 

Claude not only spoke 

to a large crowd at 

Severance Hall, but 

visited Valley Forge 

High School in Parma 

to talk with students 

as part of the Museum 

Ambassadors program. 

70 

Jim Bartlett talks with 

Frannie Gale at the 

Maltz Museum of 

Jewish Heritage. 

Community Support 

As the museum began its historic transformation, patrons generously 

showed their support for the institution, its programs, and its vision for the 

future with gifts and commitments to the Campaign for the Cleveland 

Museum of Art as well as to the annual operating fund. 

The Board of Trustees voted to move forward with the $258 million 

renovation and expansion project in March 2005, having raised $116.5 

million. As of June 30, 2006, the museum has received more than $137 

million in campaign commitments from 164 individuals, corporations, 

foundations, and government agencies. Among these commitments are 27 

pledges for $1 million or more, including 9 in excess of $5 million. 

Annual support from these constituencies also continues at a strong 

pace as donors from the Cleveland community and beyond have contributed 

more than $6.1 million in operating support over the 18-month 

period covered by this report. Trustees, under the outstanding leadership 

of President James T. Bartlett, gave a total of $1,006,681 of this amount. 

Overall, individual annual fund contributions were $2,368,224. 

Members at all giving levels continued their long-standing tradition of 

loyal support during the initial stage of the museum’s renovation and expansion 

project. The number of member households currently stands at 

more than 16,000. The number of patrons who have made deferred gifts to 

the museum continues to grow, with 13 individuals expressing their intent

Susan Stevens Jaros, 

director of development 

and external affairs, and 

Charles Venable, deputy 

director for collections 

and programs, flank 

Raymond D. Nasher, 

founder of the Nasher 

Sculpture Center and 

Garden in Dallas and 

Duke University’s Nasher 

Museum (the latter designed 

by Rafael Viñoly). 

to provide for the museum through will commitments and another 12 

donors supporting the museum through gift annuities. The Legacy Society, 

individuals who have made planned gifts to the museum, now exceeds 

515 members. 

Corporate support was also strong. Early leadership commitments to 

the capital campaign outpaced all expectations, with only 10 northeast 

Ohio companies giving almost $7 million. At the same time, more than 

140 companies have donated a total of $835,900 to corporate membership 

and exhibition and program sponsorships. Contributing to these and other 

corporate fund-raising efforts was the newly formed Business Leadership 

Council, chaired by trustees Jeffrey D. Kelly and Charles S. Hyle. The 

council explores how the museum can more effectively engage greater 

Cleveland’s corporate community and fosters such commitment. Among 

the notable corporate gifts was one from Baker Hostetler to help celebrate 

the return of traveling exhibitions to the museum in the fall of 2006. The 

firm is the presenting sponsor of Barcelona & Modernity: Picasso, Gaudí, 

Miró, Dalí. Its sponsorship recognizes the importance of the exhibition 

and joyfully commemorates the shared anniversary of the firm and the 

museum’s 90th year of operation. National City Bank gave $100,000, in 

addition to its campaign commitment, to the museum’s collaborative initiative 

with the Cleveland Municipal School District to launch the Cleveland 

School of Architecture and Design this fall in the renovated John 

Hay High School building. These funds allow the museum’s Education 

department to play a leadership role in developing the school’s innovative 

and interdisciplinary arts-based curriculum designed with the museum’s 

encyclopedic permanent collection at its center. 

Foundations and government grant-making agencies also were a critical 

source of support. The museum’s innovative efforts to engage and in- 

71

Guests at the Arts & 

Crafts Circles party 

(left to right): Eugene 

and Janet Blackstone, 

Bob and Nicki 

Gudbranson, and 

Barbara Robinson. 

72 

Katharine Lee Reid 

(center) chats with 

her brother, Tom Lee, 

and Jane Horvitz at 

a reception for the 

retiring director. 

spire its audience were strengthened and sustained through unrestricted 

annual fund gifts of more than $450,000 from 26 foundations. At the same 

time, grant makers from Cleveland and throughout the United States and 

Europe provided exhibition and program-related support. Among these 

commitments was that of the Institut Ramon Llull in Barcelona in support 

of the Barcelona & Modernity exhibition catalogue and public programming 

associated with the exhibition. The institute seeks to promote the Catalan 

language and culture around the world. Closer to home, the Board of 

Cuyahoga County Commissioners again selected the museum as an Arts 

and Culture as Economic (ACE) Development grant recipient, awarding 

$45,000 toward the comprehensive marketing and communications efforts 

to usher in Barcelona & Modernity. 

The museum received a $135,000 grant from American Masterpieces: 

Visual Arts Touring, an initiative of the National Endowment for the 

Arts. Four still-to-be-determined venues will host an exhibition drawn 

from our collection of American photographs to chronicle nearly 100 

years of the nation’s history. This important traveling exhibition will be 

provided to presenting institutions at no cost. Generous gifts from the 

Collacott Foundation and the Murch Foundation supported the dynamic 

VIVA! & Gala Around Town performing arts and music series, and grants 

from the John P. Murphy Foundation and the Kulas Foundation supported 

The Persistence of Geometry: Form, Content, and Culture in the 

Collection of the Cleveland Museum of Art, an exhibition presented at MOCA 


As always, volunteers played a critical role in the life of the museum. 

In all, 651 volunteers donated 63,773 hours not only at the museum, but 

all over greater Cleveland and at the museum’s temporary downtown offices. 

A major group within that volunteer corps is the Womens Council 

of the Cleveland Museum of Art, whose members logged in more than

Sally Cutler and Ellen 

Mavec at Katharine 

Reid’s retirement 

party. 

20,000 hours. In their biggest single event of the 18-month period, the 

Womens Council sponsored a lecture by Christo and Jeanne-Claude who 

discussed their plans for Over the River, a draping of the Arkansas River in 

Colorado. About 1,200 people attended the event, of which 300 or more 

were students admitted at a special student rate. The following day, the 

artists met with students at Valley Forge High School. Many of these 

students were Museum Ambassadors, participants in a program of the 

museum’s Audience Development department that convenes students 

from nine high schools in the greater Cleveland area to meet once a 

month to learn about art, museum careers, and philanthropic 

activities. They spread their new knowledge into their communities, 

schools, and families. All the ambassadors have been spreading the word 

about the museum’s exciting expansion project. The program is partially 

funded by the Womens Council, which also provides facilitators. 

Collaborations with community partner organizations included support 

of Sankofa Fine Art’s Plus Expo; hands-on art activities during the 

Berea Arts Festival in September 2005; and the Urban League’s Do the 

Right Thing parent tribute and day of celebration for participating 

students. The museum also created opportunities in the Hispanic/Latino 

community with the implementation in 2005 of Cafe Bellas Artes, with 

monthly sessions of music, poetry, and fellowship averaging 125 participants. 

The project grew in 2005 with the establishment of partnerships 

with Cleveland State University and Lakeland Community College. 

The Special Events department oversaw the popular Summer Evenings 

and Cool Fridays, and initiated a new kind of happy hour with 

“CMA@ The House of Blues,” a series of talks by curators at the downtown 

Cleveland concert venue and eatery. The department also put on 

many events linked to special exhibitions, including the Impressionist 

Table, Monet’s Garden, and the Impressionist Hat Tea, all tied to the 

Phillips Collection exhibition, as well as a surprise farewell party for 

Katharine Lee Reid in summer 2005. Vibrant Fast Forward parties were 

produced at the museum in February 2005 and then at the Cleveland Institute 

of Art in November. An all-day event organized with the Education 

department celebrated the groundbreaking in October, and special 

parties were held for members at the Kronos Quartet concert in February 

2006 and the Cleveland International Film Festival in March. A new series 

of international tours visited China and Russia as well as sites in Western 

Europe. In all, the department organized approximately 250 events, on 

the museum grounds and around town, from small private luncheons to 

public receptions for 1,500 people or more. 

The Marketing department forged new partnerships and enhanced existing 

ones. The preferred hotel program, instituted in 2004, now includes 

six hotels that provide packages, sell exhibition tickets, offer discount opportunities, 

and promote the museum. A 2005 program introduced 

73

At the director’s 

retirement reception, 

Florence KZ Pollack 

joins Martin Webb 

and Charles Venable. 

74 

“Storytelling at Borders,” bringing Audience Development staff to several 

Borders stores to conduct storytelling, complete with Art Crew characters 

and photo opportunities. A partnership with the Cleveland Hopkins International 

Airport allows the museum to display, free of charge, posters of 

works of art in the C concourse. Moving from planes to trains, the museum 

also instituted a new partnership with Cleveland’s Regional Transit 

Authority called the “Red Line Tour,” wherein the RTA (also free of 

charge) installed framed reproductions of 43 great works of art from the 

collection in seven Red Line rapid stations. To promote the VIVA! & Gala 

Around Town series, the Marketing department arranged a partnership with 

Cuyahoga Community College to run free advertising on the college’s internal 

broadcast system, and the Performing Arts department chose certain 

shows to target to the college crowd and offered deep discounts on tickets. 

The Media Relations office publicized the wide range of exhibitions 

and events at the museum and around the world, helping to keep the public 

abreast of the museum’s continued activity in presenting art and programs 

even as the renovation and expansion project created new challenges 

and opportunities. Meanwhile, the Ticket Center relocated, with minimal 

disruption, to the temporary Shaker Square location. 

The Print Communications office imagined that the quantity of printed 

matter might be somewhat reduced as the galleries closed, but the converse 

proved to be true as the museum sought to ensure that its constituents 

remained informed and understood the variety of off-site programs and 

events that were being offered during the “dark” period of the six-month 

Breuer building closure. Anticipating the shift in programming content as 

the building project began, the Members Magazine was redesigned as of 

January 2005 for greater editorial flexibility (and renamed Cleveland Art). 

During the 18-month period, the department completed more than 700 

projects, from business cards, print advertisements, invitations, and photo 

shoots, to collaborating with the Publications department on the catalogue 

for The Persistence of Geometry. 

In the virtual realm, the External Affairs office helped the New Media 

department shape the website features CMA Builds for the Future and A 

Masterpiece in the Making, which brought visitors right into the museum’s 

renovation and expansion project via photos of the museum in the past, 

present, and future, a live webcam focused on the construction site, answers 

to frequently asked questions, a feature all about Rafael Viñoly, and 

the opportunity to provide feedback on the project. 

As many off-site programs got under way during the summer of 2005, 

the museum launched the “CMA@” graphic program to consistently 

identify concerts, films, classes, exhibitions, and other museum-sponsored 

events that took place at sites around the city.

CMA@ 

A resourceful adaptation of the 

museum’s logo helped to signify the 

dozens of Cleveland Museum of Art 

programs that took place around the 

greater Cleveland area while the renovation 

and expansion project made 

“home base” temporarily unavailable. 

The rich variety of programs and events 

that resulted bore out the adage that 

necessity is the mother of invention. 

The VIVA! and Gala performance series 

ventured out into some of the city’s 

most beautiful (visually and acoustically) 

houses of worship and concert 

halls, museum art classes and the store 

took up temporary residence in a 

Shaker Square retail space, works from 

the museum collection visited nearby 

institutions, and special events took 

place in a variety of locations and 

served diverse audiences. 

Some of the events took groups of 

museum supporters to new venues, 

such as the Maltz Museum of Jewish 

Heritage, site of a Circles reception. 

Children and adults accustomed to 

taking studio art classes at the museum 

traveled instead to the southwest 

quadrant of Shaker Square, 

where art classes were offered in a 

storefront that was temporarily available 

because of ongoing redevelopment 

in the historic shopping district. 

Museum-sponsored concerts were 

presented in Trinity Cathedral, the 

Shrine Church of St. Stanislaus, 

Temple-Tifereth Israel, the Masonic 

Auditorium, and other wonderful 

buildings, while the museum’s growing 

Hispanic audience came along as 

Cafe Bellas Artes moved to Lakeland 

Community College and other sites 

around the city. The popular series of 

Fast Forward parties continued at the 

museum even as construction proceeded, 

and then ventured offsite for 

vibrant events at the Cleveland Institute 

of Art and the Cleveland International 

Film Festival, attracting new, 

predominantly younger audiences 

with techno dance music and latenight 

hours. 

In these ways and more, the closing 

of the building provided an opportunity 

to bring the museum’s audience 

to new locales or introduce the 

museum itself to new people. The 

“CMA@” symbol announced museumsponsored 

events all over the city. 

Top to bottom: Circles 

members gather at 

the Maltz Museum; 

students make art at 

the Shaker Square 

studio; the Cleveland 

Institute of Art hosts a 

Fast Forward party. 

75

Capital Giving 

The following 

individuals, corporations, 

and foundations 

have made generous 

donations to ongoing 

capital projects from 

January 1, 2005 

through June 30, 2006. 

Anonymous (3) 

Emily A. Adams 

AIA Cleveland 

Elizabeth L. 

Armington 

Baker & Hostetler 

Founders Trust 

Baker Hostetler LLP 

Mr. and Mrs. Randall 

J. Barbato 

Mr. and Mrs. James 

T. Bartlett 

James and McKey 

Berkman 

Mr. and Mrs. Glenn 

M. Blair Jr. 

Richard J. Blum and 

Harriet L. Warm 

Mrs. Lawrence 

Blumenthal 

Mr. and Mrs. Charles 

P. Bolton 

Helen and Albert 

Borowitz 

Eva L. and Joseph M. 

Bruening Foundation 

Muriel S. Butkin 

Peter A. and Rita M. 

Carfagna 

Leigh and Mary 

Carter 

Charter One 

Foundation 

Katherine and Lee 

Chilcote Foundation 

Ellen Wade Chin 

Dr. Alfred J. 

Cianflocco and Mary 

Anne Garvey 

Cleveland Foundation 

George W. 

Codrington 

Charitable 

Foundation 

76 

The Helen C. Cole 

Charitable Trust 

Collacott Foundation 

Mr. and Mrs. Robert 

S. Costa 

Alexander M. and 


Mr. and Mrs. David 

A. Daberko 

Mr. and Mrs. Peter 

W. Danford 

Pete and Margaret 

Dobbins 

Mr. and Mrs. John D. 

Drinko 

Jeffrey R. Dross 

Eaton Corporation 

Emerson Electric 

Company 


S. Friedman 

GAR Foundation 

Garden Club of 

Cleveland 


P. Gillespie 


D. Gries 

Mr. and Mrs. John E. 

Guinness 

Agnes Gund and 

Daniel Shapiro 

Ann and Graham 

Gund 

The George Gund 

Foundation 

George Gund III and 

Iara Lee 

Gordon and Llura 

Gund Foundation 

Elaine Grasselli 

Hadden 

Hahn Loeser + Parks 

LLP 

Ann S. Higgins 

Dr. Gerhard 

Hoffmann+ and Mrs. 

Lee Hoffmann+ 

Arlene and Arthur S. 

Holden Jr. 

Constance Holden- 

Somers 

Mr. and Mrs. Michael 

J. Horvitz 

Denis F. Hoynes, Jr. 

Patience and George 

M. Humphrey II 

John Huntington Art 

and Polytechnic Trust 

Jochum-Moll 

Foundation 

The Kangesser 

Foundation 

Mr. and Mrs. 

Sidmond J. Kaplan 


Mr. and Mrs. Joseph 

P. Keithley 

Steven and Denise 

Kestner 

Key Foundation 

Thea Klestadt 

Mr. and Mrs. Stephen 

J. Knerly Jr. 

Arthur Kozlow 

The Kresge 

Foundation 

The Kulas Foundation 

Lorenzo S. Lalli, M.D. 

Mr. and Mrs. 

Fredrick S. Lamb 

Mrs. Jack W. Lampl Jr. 

The George R. and 

Constance P. Lincoln 

Family Foundation 

Alex and Carol 

Machaskee 

The Maltz Family 

Foundation 

The Mandel 

Foundation 

Elizabeth Ring 

Mather and William 

Gwinn Mather Fund 

S. Livingston Mather 


Sarah Holden 

McLaren 

Mr. and Mrs. S. 

Sterling McMillan III 

The Mellen 

Foundation 

Dolly and Steve 

Minter 

+ deceased 

The William A. and 

Margaret N. Mitchell 

Family 

The John C. and Sally 

S. Morley Family 

Foundation 

Dr. and Mrs. Roland 

W. Moskowitz 

Brian and Cynthia 

Murphy 

John P. Murphy 

Foundation 

Murlan and Margaret 

Murphy Sr. 

Ray and Katie 

Murphy 

The Musart Society 


E. Myers 

NACCO Industries, 

Inc. 

Lucia S. Nash 

National City Bank 

Hilda E. Nieman 

Steven E. Nissen, 

M.D., and Linda R. 

Butler 

State of Ohio 

The Payne Fund 

Pfizer Inc. 

The Plain Dealer 

Mr. and Mrs. Leon 

M. Plevin 

Mr. and Mrs. Alfred 

M. Rankin Jr. 


Rankin 

Donna and James 

Reid 

Katharine and 

Bryan Reid 

Sarah P. and William 

R. Robertson 

Charles B. and Carole 

W. Rosenblatt 

Edwin M. Roth 


C. Ruhl 

Sage Cleveland 

Foundation 

Mr. and Mrs. Elliott 

L. Schlang 


M. Schneider 

Dr. and Mrs. Stuart 

B. Sears 

The Sears-Swetland 


Mrs. Harry Setnik 

Shaker Lakes Garden 

Club 

Shifrin Family 

Foundation 

Carl R. Siberski 

Laura and Alvin A. 

Siegal 

The Kelvin and 

Eleanor Smith 

Foundation 

Mr. and Mrs. Eugene 

Stevens 

Mr. and Mrs. Howard 

F. Stirn 

The Irving Sunshine 

Family 

Susan and John 

Turben Foundation 

U.S. Department of 

Transportation 

Nicholas J. Velloney+ 


T. Watson 

Mr. and Mrs. Alton 

W. Whitehouse Jr. 


D. Whitmer 

Dr. Norman W. 

Zaworski 

Mr. and Mrs. William 

L. Ziegler

Donors of Works of Art 

Anonymous Gift 

Herbert Ascherman Jr. 

The Jeanne Miles 

Blackburn Collection 

Ann Baumann 

John Bonebrake 

Philip Brutz 

Linda Butler 

Linda Butler, William 

Lipscomb, and 

Robert Mosher 

Deborah G. and 

Kenneth S. Cohen 

William DeLappa 

John Driscoll 

Prof. and Mrs. David 

C. Driskell 

Yizhak Elyashiv 

James E. and 

Elizabeth J. Ferrell 

Judith Clark Fredrichs 

and Ross Gordon 

Fredrichs 

Mr. and Mrs. Thomas 

French 

Friends of 

Photography 


Photography and 

Jeffrey Fraenkel and 

Frish Brandt 

Friends of the 

Department of Prints 

and Drawings in 

memory of William 

E. Ward 


Crile Garretson 

Jane Glaubinger 

Agnes Gund 



Agnes Gund in 

honor of Katharine 

Lee Reid 


Foundation 

Collection in honor 

of David Bergholz, 



Bob and Jane Herbst 

Bequest of Lee K. 

Hoffmann 

Dr. and Mrs. William 

L. Huffman 


Jurey in memory of 

Mabel A. Hewit 

Sandra and Gary 

Kaufman in honor of 

the Fine Print Fair 


John M. Kimpel 

William S. Lipscomb 

in memory of his 

father, James S. 

Lipscomb 

Judith K. and S. 


The Sarah Stern 

Michael Fund 

Lt. Col. Franklin D. 

Morrison and Norma 

T. Morrison 

Paulette and Kurt 

Olden and Michael 

and Rita Striar in 

memory of Dana 

The Painting and 

Drawing Society of 



Francine and Benson 

Pilloff 

Harry and Nina 

Pollock 

The Print Club of 


Louise S. Richards 

Audra and George 

Rose 

Carole W. and 

Charles B. Rosenblatt 

Judith and James A. 

Saks 

Mark Schwartz and 

Bettina Katz 

Elizabeth Wade 

Sedgwick 

Elizabeth Carroll 

Shearer in memory of 

her husband Robert 

Lundie Shearer 

Steven Sorman in 

memory of Pegram 

Harrison 

Professor Walter and 

Nesta Spink in honor 

of Stanislaw Czuma 

Joni Sternbach 


Striar 

Diane and Arthur 

Stupay 

Toshiko Takaezu 

The Textile Art 

Alliance 

Joan Tomkins and 

William Busta 

Joseph Vitone 

Pamela Elizabeth 

Ward in loving 

memory of her 

parents, William E. 

and Evelyn Svec 

Ward 

Anne E. Wardwell 

Bequest of Isadore 

Warshawsky 

Martin K. Webb and 

Charles L. Venable 

James Welling 

Janet Yost 

Susan A. and Charles 

M. Young 

Dr. Norman 

Zaworski 

Gustave Baumann 

(American, b. 

Germany, 1881–1971); 

Brown County, 1909– 

16; gouache; 28.2 x 

25.4 cm; Gift of Ann 

Baumann 2005.456. 

77

Individual giving 

Annual operating gifts 

provide essential, unrestricted 

support that 

enables the museum to 

direct dollars where the 

need is greatest. We 

are particularly grateful 

to our Donor Circles 

members, Corporate 

members, Annual Fund 

donors, and Patron and 

Contributing level 

members. Thank you 

for such an enduring 

demonstration of support 

during the 18month 

period from 

January 2005 to June 

2006. 

78 

Circles Leadership 

Committee 

Leon M. Plevin, Chair 


Founders Society Chair 

Naomi Singer, 

President’s Circle Chair 

Lee Warshawsky, 

Director’s Circle Chair 

Richard E. Beeman 

McKey Berkman 

Suzanne Blaser 

William R. Calfee 

Deborah W. Cowan 

Ruth Dancyger 

Margaret and Pete 

Dobbins 

Barbara Galvin 

Nicki and Robert N. 

Gudbranson 

Anne Higerd 

Charlene Hyle 

Donald M. Jack 

Adrienne L. Jones 

Candace M. Jones 


Giuliana Koch 


Randall D. Luke 

Katherine Moroscak 

Michael J. Peterman 


Fran and Frank 

Porter Jr. 



David L. Selman 

W. Allen Shapard 

Kate Stenson 

Edith G. and William 

W. Taft 

Helen Tomlinson 

Joyce B. Weidenkopf 

Hannah S. Weil 

Trudy Wiesenberger 

John Zayac 

Paula Zeisler 

+ deceased 

Operating Support 

$25,000 or more 


J. Barbato 


T. Bartlett 

Mr. and Mrs. Leigh 

Carter 




W. Gillespie 

Janice Hammond and 

Edward Hemmelgarn 


J. Horvitz 

Robert M. Kaye and 

Diane Upright 


P. Keithley 

Iara Lee and George 

Gund III 


Mr. and Mrs. Alex 

Machaskee 

Amanda and William 

P. Madar 

Mr. and Mrs. Milton 

Maltz 

Barbara and Morton 

Mandel 

Mr. and Mrs. Bruce 

V. Mavec 


E. Myers 


M. Rankin Jr. 


Rankin 


Reid 


R. Robertson 


M. Schneider 


Sherwin 


Stevens 

$10,000 to $24,999 

Mr. and Mrs. B. 

Charles Ames 

James and McKey 

Berkman 




P. Bolton 



R. Calfee 

Mrs. Austin B. Chinn 

Mrs. M. Roger Clapp 

Mr. and Mrs. Gerald 

A. Conway 

Dr. and Mrs. Michael 

D. Eppig 

Dr. and Mrs. John 

Flower 

Charles D. and 

Charlotte A. Fowler 


D. Gries 


H. Gunning 

Dr. and Mrs. Shattuck 

Wellman Hartwell Jr. 

Mr.+ and Mrs. John 

Hildt 

Mrs. Harry Richard 

Horvitz 

Lillian L. Hudimac 

Marguerite B. 

Humphrey 


James D. Ireland III 


H. Jackson 

Barbara Jacobs+ 

Mr. and Mrs. Dieter 

Kaesgen 

Mr. and Mrs. Edward 

A. Kilroy Jr. 

Mr. and Mrs. Stuart 

F. Kline 

Mr. and Mrs. Jon A. 

Lindseth 

Elizabeth McBride 


C. McCoy Jr. 



Mr. and Mrs. Stanley 

A. Meisel 

Mr. and Mrs. Harold 

S. Minoff 


A. Mitchell 

Mr. and Mrs. John C. 

Morley 


Lucia S. Nash 

Mr. and Mrs. Albert 

B. Ratner 

Andrew K. Rayburn 

and Heather H. Guess 


Dr. and Mrs. Ronald 

J. Ross 

Edwin M. Roth 


L. Schlang 

Dr. and Mrs. Gerard 

Seltzer 

Laura and Alvin A. 

Siegal 


C. Smith 

Mr. and Mrs. Steven 

Spilman 

Mr. and Mrs. John F. 

Turben 


Haber Warshawsky 


T. Watson 


D. Weller 

$5,000 to $9,999 

Anonymous (2) 

Mr. and Mrs. 


Mr. and Mrs. Daniel 

F. Austin 

Mr. and Mrs. Paul S. 

Brentlinger 

Mr. and Mrs. Morton 

Cohen 


E. Conway 


R. Cull 

Lois J. Davis 

Albert J. DeGulis 

Dr. and Mrs. Richard 

C. Distad 

Pete and Margaret 

Dobbins 

Mrs. Morris Everett Sr. 

Hubert L. Fairchild+ 

Mr. and Mrs.+ Allen 

H. Ford 


S. Friedman 

Mrs. Robert I. Gale 

Jr. 

Joseph T. Gorman 


C. Gridley 


N. Gudbranson 

Elaine Grasselli 

Hadden 

Mr. and Mrs. Henry 

R. Hatch III 

Mr. and Mrs. James J. 

Heusinger 

Elizabeth A. Holan 

Mr. and Mrs. Arthur 

S. Holden Jr. 

Charles S. Hyle and 

Charlene Hyle 

Mr. and Mrs. Donald 

M. Jack Jr. 

Mr. and Mrs. Walter 

E. Kalberer 

Helen Kangesser 

Mr. and Mrs. Douglas 

A. Kern 

Mr. and Mrs. Dennis 

W. LaBarre 


J. Lafave Jr. 

Mrs. Jack W. Lampl 

Jr. 

Toby Devan Lewis 


A. Lozick 

Betty C. Madden 

Dr. Nancy-Clay 

Marsteller 


B. Milgram Jr. 

Mr. and Mrs. Eric T. 

Nord 

Mrs. R. Henry 

Norweb Jr. 


J. O’Neill Jr. 

Henry Ott-Hansen 


M. Plevin 

Mr. and Mrs. Larry I. 

Pollock

John White Abbott 

(British, 1763–1851); 

Near New Bridge on 

the Dart Devon, 1800; 

watercolor; 17.9 x 26.9 

cm; Gift of The 

Painting and Drawing 

Society of the 


Art 2005.200. 

Dr. and Mrs. Louis 

Rakita 

Katharine and Bryan 

Reid 

Mrs. Leighton 

Rosenthal+ 


A. Saks 

Mr. and Mrs. Viktor 

Schreckengost 

Leonard S. Schwartz 

and Charlotte R. 

Kramer 


Dr. Bettina Katz 

Mr. and Mrs. Boake 

A. Sells 


L. Selman 

John L. Selman 

Richard A. Statesir 

and Georganne 

Vartorella 

Mr. and Mrs. 

Howard Fenno Stirn 


W. Strang Jr. 


D. Sullivan 

Dr. Paul J. Vignos Jr. 

Mr. and Mrs. Loyal 

W. Wilson 

Iris Wolstein 

Mrs. Paul 

Wurzburger+ 

Dr. Norman W. 

Zaworski 

Mr. and Mrs. 

Kenneth Zeisler 

$2,500 to $4,999 

Mr. and Mrs. Paul R. 

Abbey 

Mr. and Mrs. A. 

Chace Anderson 

Elizabeth L. 

Armington 

Mrs. Patrick H. 

Beall+ 

Marcelle Bergman 

William P. Blair III 


B. Brandon 

Mr. and Mrs. Glenn 

R. Brown 

Francis J. Callahan 

Drs. William A. 

Chilcote Jr. and 

Barbara S. Kaplan 

Dr. and Mrs. John 

Collis 


H. Coquillette 

Deborah W. Cowan 

Mrs. George N. 

Daniels 


P. Duvin 

Scott Fine 

Judith Gerson 

Mrs. Charles Hickox 

Ralph and Sarah 

Horwitz 


L. Huffman 

Mr. and Mrs. B. Scott 

Isquick 

Drs. Morris and 

Adrienne Jones 


Katzenmeyer 


Koch 

Mr. and Mrs. Peter A. 

Kuhn 

Mr. and Mrs. Marvin 

L. Lader 

Mr. and Mrs. John N. 

Lauer 

Mr. and Mrs. Kurt 

Liljedahl 

Mr.+ and Mrs. 

Robert A. Little 


D. Luke 

Susan W. MacDonald 

Lester Theodore+ 

and Edith D. Miller 


T. Morgenthaler 


W. Morris 

Donald W. Morrison 

Creighton B. Murch 

and Janice A. Smith 

Susan B. Murphy 


D. Neary 

Mrs. James Nelson 


M. Osborne Jr. 

Dr. and Mrs. Harry 

W. Pollock 


P. Price 


A. Quintrell 

Mr. and Mrs. Paul J. 

Schlather 

Kim Sherwin 

Mr. and Mrs. Edwin 

Z. Singer 


W. Sloan 


Smeltz 

Brit and Kate Stenson 


W. Taft 

Nelson S. Talbott 

Mr. and Mrs. Neil 

Thompson 


and Martin K. Webb 


K. Wamelink 

Dr. Steven Ward and 

Dr. Barbara Brown 

Nancy N. West 

Shelby White 

$1,000 to $2,499 

Stanley and Hope 

Adelstein 


B. Ainsworth Jr. 

Mr. and Mrs. 

Theodore M. Alfred 

Mr. and Mrs. 

Norman W. Allison 

Ruth M. Anderson 

Dr. and Mrs. Albert 

C. Antoine 

Agnes M. Armstrong 

Roma and George 

Aronoff 

Janet G. and Gregory 

J. Ashe 

Graham G. Ashmead 

M.D. 

Joseph Babin 

Thomas J. Baechle 


T. Barratt 

Dennis Barrie and 

Kathleen H. Coakley 

Mr. and Mrs. C. 

Bruce Beattie 


E. Beeman 

Dr. Nejad Behzadi 

Mr. and Mrs. Jules 

Belkin 

Dr. Ronald and 

Mrs. Diane Bell 

Robert B. Benyo 

Ted and Catherine 

Biskind 

Francis L. Blaschka 


D. Blaser 

Leon W. Blazey Jr. 

Mrs. Lawrence 

Blumenthal 

Dr. and Mrs. Jeffrey 

L. Blumer 


C. Boland 


Borowitz 

Loretta and Jerome 

Borstein 


E. Boyatzis 

James J. Branagan 

Mr. and Mrs. John G. 

Breen 

Kenneth L. Brown 


G. Brownell II 

Cynthia and Robert 

Bruml 

Dr. and Mrs. Harvey 

Buchanan 

John F. Burke Jr. and 

Nancy A. Fuerst 

Linda R. Butler and 

Steven E. Nissen, 

M.D. 

William E. and 

Patricia A. Butler 

Margaret Lang 

Callinan 

Mr. and Mrs. Harry 

Carlson 

Ruth Anna Carlson 

and Albert Leonetti 

Mr. and Mrs. Frank 

H. Carpenter 


B. Carr 

Mr. and Mrs. Kevin 

M. Carr 

Maria and Laura Cashy 

Mr. and Mrs. George 

B. Chapman Jr. 

Kimberly and George 

B. Chapman III 

79

Jean Dubuffet (French, 

1901–1985); Tree, 1964; 

pen and black ink; 33.4 

x 24.9 cm; Gift of 


2005.276. 

80 

Corning Chisholm 

Mr. and Mrs. Homer 

D. W. Chisholm 


W. Clark 

Mr. and Mrs. Frederick 

W. Clarke IV 

Mr. and Mrs. Victor 

J. Cohn 

Richard A. and Diane 

L. Collier 


D. Conrad 

Mr. and Mrs. Evan 

R. Corns 


G. Corrado 


G. Cowan 


W. Cristal 

Patricia F. Cusick 

Mrs. S. L. Dancyger 

Dr. and Mrs. Robert 

B. Daroff 

Shirley B. Dawson 


Drinko 

Marian Drost 


J. Dunn 

Tamara Durn and 

Rick Doody 

Dr. and Mrs. Henry 

Eisenberg 


V. Epp 

Dr. and Mrs. R. 

Bennett Eppes 


Esarove 

Mrs. William H. 

Evans 

Mr. and Mrs. Warren 

W. Farr Jr. 

Dr. and Mrs. Aaron 

E. Feldman 

Mr. and Mrs. Lewis 

Femec 

Helen Forbes-Fields 

and Darrell A. Fields 

Lauren Fine 

Mrs. Seth M. Fitchet 

Mr. and Mrs. John 

Fletcher 

Mr. and Mrs. 

Frederick Floyd 

Mrs. George Foley 

Mr. and Mrs. Earl R. 

Franklin 

Mr. and Mrs. John R. 

Fraylick 

David Fresco and 

Katherine Offutt 

Robert Friedman and 

Elizabeth R. 

MacGowan 

Mr. and Mrs. Ted H. 

Frost 

Mr. and Mrs. Peter L. 

Galvin 

Stephen H. Gariepy 

and Nancy Sin 


J. Garon 

Leah S. Gary 

Alison W. Gee 


Geyer 

Matthew Gobec and 

Doris Clinton-Gobec 

Dr. and Mrs. Victor 

M. Goldberg 

Sally A. Good 

Mr. and Mrs. Andrew 

L. Green 


B. Griswold 

Mrs. Jerome Grover 


Guren 

Mr. and Dr. James R. 

Hackney 


H. Hahn 


E. Harris 


L. Hartford 


F. Hastings 

Mr. and Mrs. 

Jonathan C. Hatch 

Mr. and Mrs. 

Kenneth F. Hegyes 

Mr. and Mrs. Oliver 

C. Henkel Jr. 

Mr. and Mrs. John F. 

Herrick 

Margaret Stone 

Hesslein 

Mr. and Mrs. Jeffrey 

J. Higerd 

Edith F. Hirsch 


R. Hollington 

Dorothy Humel 

Hovorka 

Mr. and Mrs. 

Norman Hyams 


A. Immerman 

Mr. and Mrs. E. Dale 

Inkley 

Dr. and Mrs. Scott R. 

Inkley 

Mr. and Mrs. Fred 

Isenstadt 

Mr. and Mrs. Stanley 

T. Jaros 

Mr. and Mrs. Edwin 

T. Jeffery Jr. 

Candace M. Jones 

Mr. and Mrs. 

Theodore T. Jones 

Trevor and Jennie 

Jones 

William R. Joseph 

and Sarah J. Sager 

Dr. and Mrs. Donald 

W. Junglas 

Henri Pell Junod Jr. 


Fisher Kahn 


Kaplan 

Patricia Keating and 

David Shick 


Kelly 

Hilary and Robert 

Kendis 

Susan and James 

Kendis 


Kendrick 

Mr. and Mrs. R. 

Steven Kestner 


J. Kichler 

Ann F. Kiggen 

Kenneth H. Kirtz 


S. Kiser 


J. Knerly Jr.

Mr. and Mrs. Stewart 

Kohl 

Mr. and Mrs. Alan M. 

Krause 

Dr. John T. Lai 


E. Lamm 

Mr. and Mrs. Samuel 

H. Lamport 


Larson 

Dr. and Mrs. Stephen 

F. Lau 

Dr. and Mrs. 

Sherman E. Lee 

Mr. and Mrs. Morton 

Q. Levin 

Mrs. Sidney Lobe 


Loessin 


D. Lundin 

William MacDonald Jr. 

Alan Markowitz, 

M.D., and Cathy 

Pollard 

Dr. and Mrs. Sanford 

E. Marovitz 

Florence G. Marsh 

Mrs. Walter A. 

Marting 

Charlotte M. 

Masterson 

Mr. and Mrs. 

Alexander McAfee 

Mr. and Mrs.+ Julien 

L. McCall 

Mrs. Frederick S. 

McConnell Jr. 

Mr. and Mrs. 

Anthony R. Michel 

Dr. and Mrs. Beno 

Michel 


M. Mino 

Steve and Dolly Minter 


Malachi Mixon III 

Leslie and Jennifer 

Moeller 

Mr. and Mrs. Dan T. 

Moore III 


Keith Morgan 


J. Moroscak 


J. Morse 

Dr. and Mrs. Roland 

W. Moskowitz 

Mr. and Mrs. Patrick 

S. Mullin 

Helen M. Murway 


Nestor 

Mr. and Mrs. T. F. 

Neubecker 

Mr. and Mrs. Francis 

Wynne Neville 

Daurine Noll 

Mr. and Mrs. Brad 

Norrick 


H. North Jr. 

Mrs. Donald C. 

Opatrny 

Mr. and Mrs. Harvey 

Oppmann 

Mr. and Mrs. Jon H. 

Outcalt 

Bob and Trisha Pavey 


B. Payne 


J. Peterman 

Mrs. Charles E. Petot 

Jean Z. Piety 



H. Porter Jr. 

Steve and Susan 

Potter 


Prim 

Stanley M. Proctor 

Cynthia E. Rallis 

Cathy Randall 

Bruce T. Rankin 


G. Robertson 

Jay F. Rockman and 

Dr. Katherine 

Rockman 


W. Rosenblatt 


J. Roth 

Judge Betty Willis 

Ruben and Professor 

Alan Miles Ruben 

Mr. and Mrs. Vaughn 

P. Rubin 

Florence Brewster 

Rutter 

Marjorie Bell Sachs 

Clarine Saks 

Barbara J. Samolis 

Mr. and Mrs. 

Raymond T. Sawyer 

Linda M. Schlageter 

John and Sally 

Schulze 

Adrian L. Scott 

Mrs. David Seidenfeld 

Mr. and Mrs. Oliver 

E. Seikel 

Dinah Seiver and 

Thomas E. Foster 

Mr. and Mrs. Ashok 

Shendure 

Dennis Sherwin 


J. Sherwin 


Shrier 

Gary and Evelyn 

Siegel 

Mr. and Mrs. 

Lawrence N. Siegler 


L. Simon 

Dr. Marie A. Simon 

and John Michael 

Zayac 

Phyllis Sloane 

Gretchen D. Smith 

Richey and Sandra 

Smith 

Mr. and Mrs. Jeffrey 

H. Smythe 

Katherine Solender 

and Dr. William E. 

Katzin 

Patrick T. Soltis 

Mrs. Donald H. 

Spitz+ 

Dr. and Mrs. 

Gottfried K. Spring 

R. Thomas and Meg 

Harris Stanton 


Steigerwald 

Mr. and Mrs. Leonard 

Stein-Sapir 

Dr. Timothy 

Stephens 

Mr. and Mrs. 

Lawrence E. Stewart 

Mr. and Mrs. Harry 

H. Stone 

Mrs. Sam Gaines 

Stubbins 


M. Stupay 


Sulak 


C. Sussen 

Mary E. Suzor 

Mr. and Mrs. Seth C. 

Taft 

Mr. and Mrs. W. 

Hayden Thompson 

Helen N. Tomlinson 

Mr. and Mrs. Leonard 

K. Tower 

Mrs. George S. Traub 

Mrs. Richard Barclay 

Tullis 

Brenda and Evan 

Turner 


F. Vail Jr. 

Benton Spruance 

(American, 1904–1967); 

Night, 1937; lithograph; 

34.6 x 48.1 cm; 

Severance and Greta 

Millikin Purchase Fund 

2006.114.4. 

81


van Dijk 

Tinkham Veale II 

Mrs. Daniel Verne 

Mrs. Myron Viny 

Mr. and Mrs. Paul J. 

Volpe 


A. Walsh 

Doris H. and Russell 

J. Warren 


D. Watson 

William B. Watterson 


W. Weidenkopf 


R. Weil 

Anne W. Weinberg 

Mr. and Mrs. Jerome 

A. Weinberger 



Mrs. McKinley 

Whittlesey 


R. Wiesenberger 

Ambassador Milton 

A. Wolf+ 

Frances R. Zverina 

$500 to $999 

Nancy A. Adams 


F. Adler 


W. Adler 

Drs. Sawsan T. and 

Ali Alhaddad 

Mr. and Mrs. P. 

Thomas Austin 

Arthur W. Bayer Jr. 

Mr. and Mrs. Eli C. 

Becker 


W. Bercaw 

Mr. and Mrs. Don A. 

Berlincourt 

Mr. and Mrs. 

Lawrence A. 

Blaustein 

Rabbi and Mrs. 

Richard A. Block 

Mr. and Mrs. Paul H. 

Bodden 

82 

Lynn Boukalik 

Mrs. Morris A. 

Bradley II 

Maureen A. Brennan 

Elaine E. Brookes 

Dr. and Mrs. Everett 

C. Burgess 

J. C. and Helen 

Rankin Butler 


C. Butler 

Mary Ellen Cabbage 

Mrs. Thomas F. 

Campbell 

George N. Chandler II 

Kelly Chapman 

Verlie P. Ciriello 

Eileen Clancy 

Darrell A. Clay 

Richard R. Colbert 

and Dr. Ellen D. Rie 

Mr. and Mrs. Owen 

M. Colligan 


S. Colquhoun 

Joy L. Comey 

Mrs. Alfred R. 

Cooper 


C. Corn 

Mr. and Mrs. Chester 

F. Crone 


R. Crowley 


F. Dakin 


W. Danford 

Mr. and Mrs. Kent J. 

Darragh 

Dr. Ranajit K. Datta 

Bruce B. Dayton 


L. Deming 

Dr. and Mrs. Paul E. 

DiCorleto 

Marilyn N. Doerr 

Patricia A. Dolak 

Edward Donnelly and 

Mary Kay DeGrandis 

Kim Gamellia 


T. Garrett 

Marjorie K. Garson 

Mr. and Mrs. Lowell 

K. Good 

Dr. Kathleen S. 

Grieser 

Dr. and Mrs. 

Laurence K. Groves 


Guinness 

Donald Gutierrez 


P. Handke Jr. 

Mrs. John D. Hansen 

Lois and Jerry M. 

Hawn 

Dawn Haynes 

Elizabeth A. Hecht 

Dr. and Mrs. John H. 

Hemann 


L. Herschman 

Mr. and Mrs. John J. 

Hetzer 

Robert T. Hexter 

Mrs. Roland S. Hill 


M. Hosler Jr. 

Mr. and Mrs. 

Wilhelm Huber 

Mr. and Mrs. Norbert 

R. Jaworowski 

Carl M. Jenks 

Robert B. Jensen 


M. Jones 

Mary D. Joyce 

Mr. and Mrs. Lowell 

L. Kampfe 

Mr. and Mrs. Gary 

Kaufman 

Mr. and Mrs. Eric J. 

Klieber 

Mrs. Clark W. 

Knierman 

Deborah L. Koerwitz 

Dr. Ronald H. 

Krasney 

Rose Mary Kubik 


J. LaFond 


G. Lann 


G. Laub 

Mr. and Mrs. Ray 

Leach 

Mr. and Mrs. Bertram 

H. Lefkowich 

Dr. Edith Lerner 

Dr. and Mrs. Stephen 

B. Levine 

Doris Linge 

Dr. and Mrs. Jack 

Lissauer 

Mr. and Mrs. Neil F. 

Luria 

Dr. Alvin and Lorrie 

Magid 

Alice D. Malone 


A. Manuel 

Kay S. Marshall 

Nicole Visconsi 

Mawby 


McDonald 

Linda L. Wagy 

McGinty 

Claire and Sandy 

McMillan 

Jean Palmer Messex 

Mr. and Mrs. Angelo 

S. Milicia 


J. Mintz 

Lloyd D. Moore 

Thomas and 

Katharine Morley 

Dr. Joan R. 

Mortimer 

Lara and Sean Mullen 

Richard J. Murway 

Dr. Linn W. Newman 

Mr. and Mrs. Stuart 

Neye 

Terry Novak 


B. Ornt 

Dr. and Mrs. Chanho 

Park 


R. Pender 


A. Pendry 

Dr. and Mrs. Charles 

A. Peter 

Graham A. Peters 

Judith A. Petraitis 

Peter Pfouts+ 

Dr. and Mrs. Franklin 

H. Plotkin 

Elinor G. Polster 

Linda A. Pontikos 

Mr. and Mrs. Alan G. 

Poorman 

David W. Porter 

Robert W. Price 

Marie Quintana and 

Robert Sikora 

Dr. and Mrs. Mehdi 

Razavi 

Beth and David 

Ricanati 

Diane Rigney 

Alice N. Robbins 

Georgianna T. 

Roberts 


M. Rose 

Mrs. Martin 

Rosskamm 


S. Rutledge 

Mr. and Mrs. Ray E. 

Saccany 

Scott Sazima and 

Kathy Kelly 


J. Scaravilli 


J. Schenkelberg 

James R. Schutte 

Dr. Susan W. 

Schwartz 


W. Seabright 


H. Shafer 

Mr. and Mrs. Larry 

M. Shane 


B. Shifrin 

Carsten Sierck and 

Allen Shapard 

Scott M. Simon 

Stacy Singerman 

David K. Smith 

Mr. and Mrs. Mark 

Smrekar 


D. Springer 

Omer F. Spurlock 

Dr. and Mrs. Frank J. 

Staub 

Jack Stinedurf and 

Lori Locke 

Lanie Strassburger 

Jeffrey and Heidi 

Strean 

Sandra S. Sullivan 

Dr. Kenneth F. 

Swanson 


T. Tanaka 


S. Targett 

Mr. and Mrs. 

Kenneth E. Taylor 

Christopher O. Tracy 

Mr. and Mrs. Sandip 

Vasavada 

Mr. and Mrs. John H. 

Vinton 

Honorable and Mrs. 

William F. B. Vodrey 

Mrs. James L. 

Wamsley Jr. 


W. G. Watson 

Dr. and Mrs. Leslie T. 

Webster Jr. 

Steve B. Wheeler 

Constance S. White, 

M.D. 

Mr. and Mrs. 

Christopher Wick 

Mrs. James A. 

Winton 

Lois Wolf 

Robert M. Wolff and 

Dr. Paula Silverman 

Molly H. Young 

Genevieve Zarnick 

Mr. and Mrs. Scott 

Zeilinger 


A. Zellner 


L. Ziegler 

Special Projects, 

Programming, and 

Exhibition Support 

Malcolm E. Kenney

Planned Giving 


Council 

Stephen H. Gariepy, 

Chair 

Richard E. Beeman, 

Vice Chair 

Richard B. 

Ainsworth Jr. 

Thomas S. Allen 

Gordon A. Anhold 

James S. Aussem 

P. Thomas Austin 

Molly Balunek 

Laurence A. Bartell 

Gary B. Bilchik 

Terry L. Bork 

Herbert L. Braverman 

David J. Brown 

J. Donald Cairns 

Peter H. Calfee 

Angela G. Carlin 

Peter J. Chudyk 

Ronald B. Cohen 

David E. Cook 

Hedy T. Demsey 

Rebecca H. Dent 

Carina S. Diamond 

Gary L. Dinner 

+ deceased 

Emily A. Drake 

Heather Roulston 

Ettinger 

Georgia A. Froelich 

Robert R. Galloway 

James A. Goldsmith 

Sally L. Gries 

Ronald G. Gymer 

Ellen E. Halfon 

David P. Handke Jr. 

Oliver C. Henkel Jr. 

Kenneth G. 

Hochman 

Gregory T. Holtz 

William J. Hyde 

Brian J. Jereb 

Mark A. Kikta 

Stephen J. Knerly Jr. 

James R. Komos 

Roy A. Krall 

Neil B. Kurit 

Donald W. Laubacher 

Robert K. Lease 

Herbert B. Levine 

Wayne D. Minich 

M. Elizabeth 

Monihan 

Patrick S. Mullin 

Joseph V. Pease Jr. 

Andrew I. Press 

Charles L. Ratner 

Richard C. Renkert 

Frank M. Rizzo 

Sara K. Robechek 

James D. Roseman 

Patrick J. Saccogna 

Bradley J. Schlang 

Paul J. Schlather 

Walter S. Schwartz 

Gary S. Shamis 

John F. Shelley 

Roger L. Shumaker 

Mark A. Skvoretz 

John E. Smeltz 

Richard T. Spotz Jr. 

Mark F. Swary 

Robert A. Valente 

Missia H. Vaselaney 

Catherine G. Veres 

Gloria A. Walas 


Jeffry L. Weiler 

Marcia J. Wexberg 

Drew E. Wright 

Alan E. Yanowitz 

Gary A. Zwick 

Legacy Society 

The Cleveland Museum 

of Art thanks the many 

members of the Legacy 

Society, including 

those who wish to 

remain anonymous, for 

their generosity, kindness, 

and support. 

Legacy Society members 

have included the 

museum in their estate 

plans or created endowment 

funds. These 

planned gifts help 

ensure the museum’s 

future for generations 

to come. 

Anonymous 

Martha Aarons 

Mrs. Shuree Abrams 

Carolyn Adelstein 

Norman W. and 

Helen T. Allison 

Hazel M. Anchor 

Herbert Ascherman 

Jr. 

Marjorie Weil 

Aurbach+ 

Frances and Andrew 

D. Babinsky 

Doris Govan 

Ballengee+ 

Laurence and Nancy 

Bartell 

James T. and Hanna 

H. Bartlett Charitable 

Trust 

Norma E. Battes 

Mrs. Matthew A. 

Baxter+ 

Mr. and Mrs. Behm 

Carolyn H. Bemis 

Nancy Harris 

Beresford 

Dorothy A. and Don 

A. Berlincourt 

Mildred K. Bickel+ 

Valentine Bikerman+ 

Dr. Harold and Lillian 

Bilsky 

Catherine F. Paris 

Biskind 

Flora Blumenthal 


C. Body+ 

John C. Bonebrake 


Borowitz 

Ruth Gedeon Boza 

Gracey Bradley 

Louise Bradley 

Mrs. Wilbert S. 

Brewer+ 

Helen E. Brown+ 


Brown and Glenn R. 

Brown 

Ronald and Isabelle 

Brown+ 

Pauline and Clark 

Evans Bruner+ 


Buchanan 

Rita Whearty 

Buchanan 

Fred and Linda 

Buchler 

Alexander W. 

Budden 

Sally M. Buesch 

Honnie and Stanley 

Busch 

Pauline Bushman 

Milan and Jeanne+ 

Busta 

Barbara A. Chambers, 

Ed.D. 

Ellen Wade Chinn 

Ray W. Clarke 

Betsy Nebel Cohen 

Karen M. and 

Kenneth L. Conley 

Martine V. Conway 

and Gerald A. 

Conway 

Mr. and Mrs. 

Kenneth Cooley 

George B. Coombe+ 

Seneca Master (Italian, 

active about 1307–25); 

Medallion from the 

Border of a Latin Bible: 

The Sixth Day of 

Creation, early 1300s; 

tempera on vellum; 

diam. 7 cm; The Jeanne 

Miles Blackburn 


83

84 

Mrs. John (Louise) 

Cooper 

Robert and Reed 

Costa 

Vincent R. Crew 

William S. Cumming 

Ran K. Datta 

Barbara Ann Davis 

Bernice M. and 

David E.+ Davis 

Carol J. Davis 

E. Barbara Davis 

Margie K. Davis+ 

Helen+ and Al 

DeGulis 

Mrs. John B. 

Dempsey+ 

Edna H. Doller+ 

Mark Dreger in 

memory of Kelly 

Dreger 

Elizabeth Drinko 


Duvin 

Bernard and Sheila 

Eckstein 

Caroline Emeny+ 

Elaine S. Engeln 

Edith Virginia 

Enkler+ 


D. Eppig 

Heather Ettinger 

Eleanor Everett 

Patricia J. Factor 

Arline C. Failor+ 

Hubert L. Fairchild+ 

Jane Iglauer Fallon+ 

Frances Fangboner+ 

Elizabeth Ludwig 

Fennell 

S. Jay Ferrari 

Mr. and Mrs. C. J. 

Fiordalis 

Marilyn L. Fisher 

Maxeen and John 

Flower 

Virginia Foley 

Richard Lee Francis 

Edward L. Franke+ 

Mrs. Ralph I. Fried+ 

Leonard F. and 

Catherine L. Fuller+ 

Barbara and Peter 

Galvin 

Mrs. Carl H. 

Ganzenmueller 

Phyllis Asquith Gary 

James E. Gibbs, M.D. 

James W. Gifford+ 

F. David Gill 

Rocco Gioia 

Gladys B. Goetz+ 

Leonard C. Gradeck 

Ruth Thompson 

Grandin 

Elaine Harris Green 


C. Gridley 

Anne Groves 

Mary T. Gruber+ 

Mr.+ and Mrs. David 

L. Grund 



Graham Gund 

Joseph E. Guttman+ 


C. Hageman+ 

Edward Halbe 

Marvin G. Halber+ 

Virginia Halvorson+ 

James J. Hamilton 

David A. Hardie and 

Howard John Link+ 

Jane Hanson Harris+ 

Thomas and Joan 

Hartshorne 

D. J. Hassler 

Masumi Hayashi+ 

Mr. and Mrs. Wade 

Farley Helms 

Dorothy P. Herron+ 

Rice Hershey 

Dorothy Tremaine 

Hildt 

Mary C. Hill+ 

Tom Hinson and 

Diana Tittle 

Dr. Gerhard 

Hoffmann and Mrs. 

Lee Hoffmann+ 


S. Holden Jr. 

Dr. and Mrs. Ralph 

F. Hollander+ 

Dr. Gertrude 

Seymour Hornung+ 


J. Horvitz 

Patience Cameron 

Hoskins 

Elizabeth A. Hosmer 

Virginia Hubbell+ 

Laura A. Hugus+ 



Carola B. Hunt 

Grace Ellen Huntley+ 

Mary E. Huth+ 

Jarmila Hyncik+ 


Inkley 

Edward F. and Mary 

F. Intihar+ 

B. Scott Isquick 

Donald M. Jack Jr. 

Karen L. Jackson 

Sharon Faith Jacobs 

Robert J. Jergens 

Tom L. Johnson+ 

Adrienne L. Jones, 

M.D., and L. Morris 

Jones, M.D. 

Mr. and Mrs. E. 

Bradley Jones 

Virginia Jones+ 

Louis D. Kacalieff, 

M.D.+ 

Etole and Julian 

Kahan 

Andrew Kahane 

Audrey Regan 

Kardos+ 

Aileen and Julian 

Kassen 


F. Keithley+ 

Patricia Kelley 

John Kelly 

Bruce and Eleanor 

Kendrick 

Malcolm E. Kenney 

Patricia Kenney 

Lillian M. Kern+ 

Nancy H. Kiefer 


A. Kilroy Jr. 

Mary F. King+ 

Kenneth Kirtz 

Mr. and Mrs. G. 

Robert Klein+ 

Jay Robert Klein 

Thea Klestadt+ 

Gina and Richard 

Klym 

Margery A. Kowalski 

Mrs. Arthur Kozlow+ 

Helen A.+ and 


Dr. Joan P. Lambros 

Carolyn C. Lampl 

Mrs. Samuel H. 

Lamport 

Mildred Lerch+ 

Roger J. Lerch 

Maxine Goodman 

Levin+ 

Ellen Levine+ 

Jon and Virginia 

Lindseth 

Tommy and Gill 

LiPuma 

Dr.+ and Mrs. Sidney 

Lobe 

Martin A. LoSchiavo 

Mary Luetkemeyer 

and Alfred Cahen 

Nancy+ and Byron 

Lutman 

Carolyn White 

MacNaughton+ 

Alice D. Malone 

Jack N. Mandel 

Robert A. Mann 

Mr. and Mrs. Samuel 

Mann 

Karen Lee Marano 

Kate M. Markert 

Wilbur J. Markstrom 

Dr. and Mrs. Sanford 

E. Marovitz 

Mr. and Mrs. 

Anthony M. 

Martincic 

Isabel Marting+ 


V. Mavec 

Kathryn Arns May+ 

Malcolm L. McBride+ 

Mary W. and William 

K. McClung 


McCoy 

Marguerite H. 

McGrath 

Judith and Ted 

McMillan 

William W. and 

Pamela M. McMillan 

Elizabeth Briggs 

Merry+ 

Robert and Laura 

Messing 

Ivan Mezi 

Edith and Ted+ 

Miller 

Mark J. Miller 

Lynn Underwood 

Minnich 

Alice Mitchell 


A. Mitchell 

Mary B. Moon+ 

Beryl and Irv Moore 

Geraldine M. Moose 

Bessie Corso 

Morgan+ 

Dr. Joan R. 

Mortimer 

Gordon K. Mott+ 

J. P. Mower+ 

Margaret and 

Werner+ Mueller 

Susan B. Murphy 

Anthony C. Nassif, 

M.D. 

Egbert+ and Hilda+ 

Nieman 


Oliva III 

George Oliva Jr. 

Marilyn B. Opatrny 

Mrs. James M. 

Osborne+ 

Aurel F. Ostendorf+ 

Frederick 

Woodworth Pattison 

Robert De Steacy 

Paxton+ 

James Edward Peck+ 

Mrs. Rudolph J. 

Pepke+ 

Mrs. A. Dean Perry+


Pfouts+ 

Emily M. Phillips 


Jean C. Price+ 

Lois S.+ and Stanley 

M. Proctor 

Dr. and Mrs. Frank 

Rack+ 

M. Neal Rains 


Rankin 


Reid 

Robert S. and Sylvia 

K. Reitman 

David Rollins+ 

James J. Roop 

Audra L. and George 

M. Rose 

Jackie and Norton 

Rose 

Carole W. and 



J. Ross 

Aurelie A. Sabol 

Marjorie Bell Sachs 


A. Saks 

James Dalton 

Saunders 

Dr. Franklin+ and 

Helen Charnes 

Schaefer 

James Scheid 

Elliott L. and Gail C. 

Schlang 

A. Benedict 

Schneider, M.D.+ 

Dina Schoonmaker 

Bryan K. Schwegler 

Elizabeth Wade 

Sedgwick 

Ralph and Roslyn 

Seed 

Dr. Gerard and 

Phyllis Seltzer 

Mrs. William H. 

Shackleton 

Larry and Margaret 

Shaffer 

Dr. and Mrs. Daniel J. 

Shapiro 


Shearer 

Dr. Walter Sheppe 

Kathleen Burke 

Sherwin+ 

Michael and Carol 

Sherwin 

Patricia and Asa+ 

Shiverick 


Shrier 

Miriam, Stanley, and 

Kenneth Shuler 

Rosalind and Sidney 

H. Silber+ 

Adele Z. and Daniel+ 

Silver 

Dr. and Mrs. John A. 

Sims 

Naomi G. Singer 

Alden and Ellen D. 

Smith 

Kathleen E. Smith+ 

Katherine Solender 

and Dr. William E. 

Katzin 

Rochelle A. Solomon 

Dr. and Mrs. 

Gottfried K. Spring 

Lia N. Staaf 

Barbara J. Stanford 

Lois C. and Thomas 

G. Stauffer 

Dr. Willard D. Steck 

Saundra K. Stemen 

Ester R. Stern+ 

Dr. Myron B. and 

Helene Stern 

Eleanor E. Stone+ 

Lois and Stanley M. 

Stone 

Zenta Sulcs+ 

The Irving Sunshine 

Family 

Karen K. Sutherland 

Frances P. and Seth 

Taft 

Josephine+ and 

Nelson Talbott 

Susan and Andrew 

Talton 

Frank E. Taplin Jr.+ 

Charles H. Teare 

Fred+ and Betty 

Toguchi 

Mrs. William C. 

Treuhaft+ 

Mr.+ and Mrs. 

Richard B. Tullis 

Dorothy Ann Turick 


Turner 


A. Urban 

Mary Louise Vail+ 

Alice O. Vana+ 

Marshall A. Veigel 

Elliot Veinerman 


Catherine G. Veres 

Dr. and Mrs.+ Paul J. 

Vignos Jr. 

William E. Ward+ 

Elizabeth H. and 

David H. 

Warshawsky 

Isidore Warshawsky+ 


Wasmer Jr. 

Mrs. Daniel T. 

Weidenthal 

Mr. and Mrs. 

Frederick Weizman 

Dr. Joyce West 

Marcia J. Wexberg 

and Kenneth D. 

Singer 

Marilyn J. White 



Hugh and Sherry 

Whiting 

Douglas Wick 

Burt T. Williams 

Mrs. Lewis C. 

Williams 

Mr. Meredith 

Williams 

Mr. and Mrs. Roy L. 

Williams 

Mary Jo Wise+ 

Lenora R. Wolf+ 

Nancy L. Wolpe 

Donald F. Woodcock 

Mrs. Paul 

Wurzburger+ 

Helen Zmek+ 

Dr. William F. 

Zornow+ 

Frances R. Zverina 

Barbara Bosworth 

(American, b. 1953); 

National Champion 

Darlington Oak, 

Georgia, 1999, printed 

2004; gelatin silver 

print; 24.6 x 59.5 cm; 

Gift of Mark Schwartz 

and Bettina Katz 

2005.348. 

85

Named Endowment 

Funds for Art 

Purchase, Specific 

Purpose, and 

Operations 

The following list salutes 

the individuals, 

families, and organizations 

whose named 

endowment funds for 

art purchase, specific 

purpose, and operations 

provide an assured 

source of income 

for the museum and 

serve as a lasting 

legacy to their generosity 

and foresight. 

Based on market value 

as of June 30, 2006. 

** new fund or activity 

in 2005–6 

Mastiff Bat Vessel, ad 

50–200; Central 

Andes, Moche people; 

ceramic and slip; 18.4 

x 17.7 x 15.6 cm; John L. 

Severance Fund 

2005.6. 

86 

Endowment Funds 

Art Purchase 

$10,000,000 and 

more 


Bequest 


H. Marlatt Fund 

Severance A. and 

Greta Millikin 

$1,000,000 to 

$6,999,999 

Dorothea Wright 

Hamilton 

Andrew R. and 

Martha Holden 

Jennings 

Alma Kroeger 

$400,000 to 

$999,999 

Delia E. Holden 

Lillian M. Kern 

Memorial Fund 

Edwin R. and Harriet 

Pelton Perkins 


W. Whitehill 

$250,000 to 

$399,999 

Edward L. Whittemore 

$100,000 to 

$249,999 

Charlotte Ekker and 

Charlotte Vanderveer 

Hershey Family Fund 

Louis Severance 

Higgins 

L. E. Holden 


M.D. 

Alma and Robert 

Milne 

James A. Parmelee 


W. Rosenblatt** 

Jane B. Tripp 

Anne Elizabeth 

Wilson Fund 

Up to $99,999 

John Cook Memorial 

Fund 

A. W. Ellenberger Sr. 

Ruthe and Heinz 

Eppler 

Julius L. Greenfield** 

Maria J. and William 

Aubrey Hall** 

Lawrence Hitchcock 

Tom L. Johnson 

G. M. and J. R. 

Kelly** 

Mr. and Mrs. Roger J. 

Lerch in memory of 

Carl J. Lerch and 

Winifred J. Lerch** 

Mary Spedding 

Milliken Memorial 


Saks in memory of 

Lynn and Dr. Joseph 

Tomarkin** 




Shearer 

Nicholas J. Velloney 


E. Ward 


Specific Purpose 

$1,000,000 and 

more 

Robert P. Bergman, 

Curatorial Chair for 


Robert P. Bergman 

Memorial Fund 

Ernest L. and Louise 

M. Gartner Fund 

Andrew W. Mellon 

Foundation 

Andrew W. Mellon 

Foundation Fund for 

Publications and 

Research 

Reinberger 

Foundation 

John and Frances 

Sherwin Fine Arts 

Garden 

The Paul J. and Edith 

Ingalls Vignos Jr. 

Curator of European 

Painting 

$500,000 to 

$999,999 

George P. Bickford, 

Curatorial Chair for 

Indian and Southeast 


Rufus M. Ullman** 

Nicholas J. Velloney** 

Delia H. White 

Anton and Rose 

Zverina Music Fund 

$250,000 to 

$499,999 

Mildred K. Bickel 

The Noah L. Butkin 

Fund 


Harold T. Clark 

Educational 

Extension Fund 

Marie K. and Hubert 

L. Fairchild Fund** 

The FUNd 

Marianne Millikin 

Hadden Fund 


Special Exhibitions** 

F. J. O’Neill 

Rose E. Zverina** 

$100,000 to 

$249,999 

Mr. and Mrs. 

Matthew Andrews 


G. Brown 

John and Helen Collis 

Family 

Dr. Gerhard and Mrs. 

Lee K. Hoffmann** 

L. E. Holden 

Gertrude S. Hornung 

Zane Bland Odenkirk 

and Magdalena 

Maillard Odenkirk 

Charlotte F. J. 

Vanderveer 


Flower Fund** 

Up to $99,999 

Anonymous** 

Lydia May Ames 

Valentine Bikerman 

Scholarship Fund** 

Robert Blank Art 

Scholarship Fund 

Arthur, Asenath, and 

Walter H. Blodgett 

Memorial Fund 

Kelly Dreger 

Louise M. Dunn 

Fund 

Netta Faris 

Fine Arts Garden 

The Gallery Group** 

Gilpin Scholarship 

Fund of Karamu 

House 


C. Hageman in 

memory of Mrs. Elta 

Albaugh Schleiff 

Charlotte L. Halas 

Flora E. Hard 

Memorial Fund 

Guerdon Stearns 

Holden 

Dorothy Humel 

Hovorka Musical Arts 

Fund 

Frank and Margaret 

Hyncik Memorial 

Fund 


Inkley in memory of 

Katharine Newcomer 

Albertha T. Jennings 

Musical Arts 

Ellen Bonnie Mandel 

Children’s Education 

Fund 


Herman R. Marshall 

Memorial 

Malcolm Martin 

Ethel Cable McCabe 

Thomas Munro 

Memorial Fund 

S. Louise Pattison 

Preservation and 

Conservation of Asian 

Paintings 

Mr. and Mrs. Edd A. 

Ruggles Memorial 

Fund 

Adolph Benedict and 

Ila Roberts Schneider 

Memorial Music 

Fund 

Charles Frederick 

Schweinfurth 

Scholarship 

H. E. Weeks 

Memorial for Art and 

Architecture 

Mary H. White 

Dorothy H. Zak

Nose Ornament with 

Human Head and 

Condors Attacking 

Humans, ad 100–300; 

Central Andes, Moche 

people; gold alloy; 9.5 

x 16.5 x 1.6 cm; 


Millikin Purchase Fund 

2005.175. 


Operating 

$10,000,000 and 

more 


Bequest 

Membership 

Endowment 

$1,000,000 to 

$5,999,999 


Hamilton 


Benjamin S. Hubbell 

Family Fund 

Andrew R. and 

Martha Holden 

Jennings 

William G. Mather 

Mr. and Mrs. James S. 

Reid Jr. 

Katherine Holden 

Thayer 

$500,000 to 

$999,999 

Charles R. and Emma 

M. Berne Memorial 

Fund 

Roberta Holden Bole 

Josephine P. and 

Dorothy B. Everett 

Charles W. Harkness 

Louise H. and David 

S. Ingalls 

Alison Loren and 

Leslie Burt Fund in 

memory of Albert 

and Doris Glaser 

Margaret 

Huntington Smith 

McCarthy 

F. J. O’Neill 

Anna L. Vanderwerf 

Memorial Fund 

Mr. and Mrs. 

Richard W. 

Whitehill 

Silvia and Justin 

Zverina Fund in 

memory of Lillie and 

Adolph Wunderlich 

$250,000 to 

$499,999 

George P. Bickford 

Julia Cobb and 

Benedict Crowell 

Memorial Fund 

Elizabeth G. Drinko 

Richard B. and 

Chaille H. Tullis 

G. Garretson Wade 

Lewis C. and Lydia 

Williams 

$100,000 to 

$249,999 

Quentin and 

Elisabeth Alexander 

Julia and James 

Dempsey 

Frances W. and 

David S. Ingalls 

Mr. and Mrs. 

Edward A. Kilroy Jr. 

Ada E. Koehler 

Memorial 

Mr. and Mrs. 

William H. Marlatt 

Fund 

Estate of Malcolm L. 

McBride 

Ruth K. 

McDonough 

Laurence H. Norton 

Helen G. and 

A. Dean Perry 

William B. Sanders 

Margaret E. and 

Frank E. Taplin Jr. 

Paul J. and Edith 

Ingalls Vignos 

Alton and Helen 

Whitehouse 

Lewis B. and Helen 

C. Williams 

Up to $99,999 


Walter H. Blodgett 

Memorial Fund 

Mr. and Mrs. Wilbert 

S. Brewer 

Noah and Muriel 

Butkin 

Julius Cahan 

Mrs. Harold T. Clark 

Memorial 

Mary Elder Crawford 

Nancy W. Danford 

Bernard and Sheila 

Eckstein 

Adele C. and Howard 

P. Eells Jr. 

Eleanor and Morris 

Everett 

Elsa C. and Warren 

C. Fargo 

Robert I. Gale Jr. and 

Frances W. Gale 

Newman T. and Virginia 

M. Halvorson** 


S. Holden Jr. 

Ralph and Mildred 

Hollander 


J. Horvitz 

James D. and 

Cornelia W. Ireland 

James Endowment** 

Martin A. LoSchiavo** 

Caroline 

MacNaughton 

Mr. and Mrs. 

Severance A. Millikin 

David and Dorothy 

Morris Memorial 


Oliva Jr. 

Rudolph J. Pepke 

Memorial 


M. Rankin 

Mr. and Mrs. Louis 

Rorimer Memorial** 

Glenn C. Sheidler 

Francis M. and 

Margaret Halle 

Sherwin 

James N. and 

Kathleen B. Sherwin 

Jane B. Tripp 

George Garretson 

Wade Memorial 

Worcester Reed and 

Cornelia Blakemore 

Warner Memorial 

Paul D. and Odette 

V. Wurzburger 

87

Individual and 

Contributing 

Endowments for 

General Operations 

The following list 

salutes the individuals, 

families, and organizations 

whose named 

membership endowment 

funds for operations 

provide an assured 

source of income 

for the museum and 

serve as a lasting 

legacy to their generosity 

and foresight. Based 

on cumulative giving as 

of June 30, 2006. 

**New fund or activity 

in 2005–6 

88 

$25,000 to $49,999 

Anonymous #5 

Marie N. Agee 


Walter Blodgett 

Memorial 

Myrta Jones Cannon 

Howard Melville 

Hanna III Memorial 


Memorial 

David H. Jacobs 

Franny Tewksbury 

and Ralph T. King 

Memorial 

G. Robert and Mary 

Elizabeth Klein 

Jack and Carolyn 

Lampl 

Patricia C. LeMaster 

Memorial 

Aline McDowell 

Memorial 


R. Miles 

Ralph J. Mueller 

Memorial 

Carl L. and Florence 

B. Selden 

John and Frances W. 

Sherwin 

Mr. and Mrs. Nelson 

S. Talbott Fund in 

memory of Mr. and 

Mrs. Edwin Kirk 

Large 

Frank E. and Edith S. 

Taplin Memorial 


V. H. Vail 

Dr. William F. 

Zornow 

$10,000 to $24,999 

Anonymous #3 

Anonymous #9 

Raymond Q. and 

Elizabeth Riely 

Armington 

Barbara J. and 

Matthew A. Baxter 

Virginia R. 

Billinghurst Memorial 

Eleanor and Sevier 

Bonnie 

Frances Kelleher 

Bradner 

Linda Bole Brooks 

Memorial 

Louise Brown 

Katherine Ward 

Burrell 

The Champney Fund 

Harold T. Clark 

Cleveland-Cliffs 

Foundation 

Phyllis G. and Jacob 

D. Cox Jr. Memorial 

Mrs. John B. Dempsey** 

Estelle M. and Alton 

C. Dustin Memorial 

Pamela Humphrey 

Firman 

Mr. and Mrs. J. 

Harrington Glidden 

Edgar A. Hahn 

Robert L. and Lois 

M. Hays 



George M. and 

Pamela S. Humphrey 

Albert S. Ingalls 

David S. Ingalls Jr. 

Ruthalia Keim 

Richard and Gina 

Klym 

Harley C. and 

Elizabeth K. Lee 

Helen S. Leisy 

Memorial 

Robert Arthur Mann 

Samuel and Grace 

Mann** 



Donna and Ruben 

Mettler 

Marilyn B. Opatrny 

Aurel F. Ostendorf 

S. V. Palda Memorial 

Franklin and Helen 

Elizabeth Rockefeller 

Memorial 

Daniel and Adele Z. 

Silver 

Chester D. Tripp 

Atheline M. and John 

S. Wilbur 

Womens Council of 



Susan Barber 

Woodhill Memorial 

Dr. and Mrs. E. K. 

Zaworski Memorial 

Up to $9,999 

Anonymous #1 

Anonymous #2 

Anonymous #8 

Anonymous #10 

Frances Adams and 

Mary E. Adams 

Memorial 

Walter S. and Mabel 

Croston Adams 

Alfred S. and Estelle 

G. Andrews 

Stella Minor Arntisdale 

Eva M. Baker 

Memorial 

S. Prentiss Baldwin 

Memorial 


Beverly Barksdale 

Esther K. and Elmer 

G. Beamer Foundation 

Mr. and Mrs. Arnold 

Bellowe 

W. Dominick Benes 

Memorial 

George P. and Clara 

G. Bickford 

George T. Bishop 

Memorial 

Roberta Holden Bole 

Memorial 

Alfred M. and Palmyre 

C. Bonhard Memorial 


Borowitz 

Alva Bradley Memorial 

Mr. and Mrs. Morris 

A. Bradley 

Emma G. Brassington 

Memorial 

Arthur L. and 

Virginia Brockway 

Arthur D. and 

Marion W. Brooks 

Memorial 

The Oliver and 

Harriet G. Brooks 

Memorial 

Glenn and Jenny 

Brown 

Helen C. Brown 

Ezra and Rose 

Brudno Memorial 

Polly S. and Clark E. 

Bruner 

Laura Merryweather 

Burgess Memorial 

Mr. and Mrs. 

Courtney Burton 

Alice Carothers 

Memorial 

Katherine Hodell 

Chilcote Memorial 

Alvah Stone and 

Adele Corning 

Chisolm Memorial 

Kenneth L. and 

Karen M. Conley 

Charles E. Cooper 

Delos and Anita 

Cosgrove 

Tina V. Cowgill 

Mrs. Harry J. 

Crawford 

Harris Creech 

Mary Elizabeth 

Crawford Croxton 

Nathan L. Dauby 

Memorial 

Bernice and David E. 

Davis 

Elaine Davis 

Memorial 


DeGulis 

Elizabeth Brainard 

Thomson Denison 

Memorial 

Edwin A. Dodd 

Mr. and Mrs. John R. 

Donnell 

Daniel W. Dority 

Memorial 


P. Duvin 

William Joseph 

Eastman Memorial 

Ella C. Edison 

Maud Stager Eells and 

Howard Parmelee 

Mr. and Mrs. 

Frederick L. Emeny 

Sam W. and Florence 

Taylor Emerson 


D. Eppig 

Alwin C. and 

Charlotte F. Ernst 

Memorial 

Neil and Marian Evans 


Fallon 

Adolph J. and Esther 

S. Farber Memorial 

Paul Louis and Edith 

Lehman Feiss 

Memorial 

James Edward Ferris 

Memorial 

C. J. and Elizabeth 

Fiordalis 

Royal and Pamela H. 

Firman Jr. 

Flesheim Foundation 

Mr. and Mrs. Walter 

L. Flory 

Mary Eileen Fogarty 

Kate L. Fontius 

Memorial 

Dr. and Mrs. Finley 

M. K. Foster 

I. T. Frary Memorial 

Karen Freeman 

Miriam and Harry M. 

Friedman 

Edward M. Fritz 

Memorial 

W. Yost Fulton 

Frederick William 

Gehring Memorial 

Hulda B. Gehring 

Myron E. and Rose 

B. Glass 

Mary G. and Frances 

K. Glidden Memorial

George C. Gordon 

Mr. and Mrs. Herbert 

G. Goulder Memorial 

Mr. and Mrs. Gary 

Graffman 

C. A. Grasselli 

Memorial 

Edward Grasselli 

Memorial 

Mr. and Mrs. Jerome 

Gratry 

John Adam Green 

Martina D. Grenwis 


C. Gridley 


K. Griesinger 

Frank J. and Anastasia 

M. Grossman 

Memorial** 

Mrs. Ray J. Groves 


L. Grund 

Agnes Gund 

Memorial 

George Gund III, 

Agnes Gund, Gordon 

Gund, Graham de C. 

Gund, Geoffrey de C. 

Gund, and Louise L. 

Gund 

Mr. and Mrs. James C. 

Hageman** 

Georgia S. Haggerty 

Bertha Halber 

Eugene S. and 

Blanche R. Halle 

Memorial 

Helen C. Halle 

Salmon P. Halle 

Memorial 

Harold A. and 

Claribel B. Hallstein 

Florence A. Hamilton 

Colburn Haskell 

Memorial 


Heller 

Birdie B. Herzog 

Memorial 

Laurence A. and 

Margarete S. Higgins 

Eleanor Hilliard 

Memorial 

Mrs. J. Howard 

Holan 

Elinor Irwin Holden 

Memorial 

Allen C. and Louise 

Q. Holmes 

Helen Chisholm 

Hord 

Mr. and Mrs. Bird W. 

Housum Memorial 

Mrs. Gene C. 

Hutchinson 

Albert S. Ingalls Jr. 

Memorial 

Jane Taft Ingalls 

Richard Inglis 

Memorial 


Inkley 

Ireland Foundation 

Paul F. and Lucretia 

B. Ireland 


L. Jackson 

Ann J. and E. Bradley 

Jones 

Issac and Jennie B. 

Joseph Memorial 


M.D. 

I. Theodore Kahn 

Mrs. I. Theodore Kahn 

Samuel S. and 

Dorothy D. Kates 

Marie and John Kern 

Memorial 

Charles G. King III 

Memorial 

Mr. and Mrs. W. 

Griffin King Jr. 

Louise Delaney 

Kiphuth Memorial 

Jessie Effler Kneisel 

Ella Konigslow 

Elroy J. Kulas 

Memorial 

Dr. and Mrs. Victor 

C. Laughlin 

Caral Gimbel 

Lebworth 

Mr. and Mrs. Elmer 

Lindseth 

Dr. and Mrs. Sidney 

Lobe 

William A. Lowry 


C. Lucas Memorial 

Mr. and Mrs. John S. 

Lucas 

Marilyn Lurie 

Memorial 

Charlmer F. Lutz 

Memorial 

Hilda B. Lyman 

Memorial 

Isabel Marting 

Grace Harman 

Mather Memorial 

Katherine L. Mather 

Memorial 

William G. and 

Elizabeth R. Mather 

Mike Matsko 

Memorial 

Ruth A. Matson 

Kathryn Arns May 

Clara Mayer 

Memorial 

William B. McAllister 

Memorial 

Malcolm L. and Lucia 

McCurdy McBride 

Ellen E. and Lewis A. 

McCreary Memorial 


Sterling McMillan 

Moselle Taylor Meals 


J. Mendelsohn 

Frederick Metcalf 

Memorial 

H. Oothout Milliken 

Memorial 

Hugh K. Milliken 

Memorial 

Thomas S. and Marie 

E. Milliken Memorial 

Julia Severance 

Millikin 

Anna Willett Miter 

and Harry Fancher 

Memorial 

Fanny Hanna Moore 

Mrs. J. E. Morley 

Mrs. Cox Morrill 

Gordon K. Mott 

Mr. and Mrs. Werner 

D. Mueller 

Jeanie C. Murray 

Mary and Louis S. 

Myers Foundation 

Robert C. Norton 

Harry D. and Blanche 

E. Norvell 

John O’Connor 

Crispin and Kate 

Oglebay Memorial 


Oliva III 

William M. O’Neill 

Marion A. and 

Amelia G. Parsons 

Memorial 

Mark Klett (American, 

b. 1952) and Byron 

Wolfe (American, b. 

1967); Sentinel Dome 

Connecting Three 

Views by Carleton 

Watkins, 2003, printed 

2005; 53.4 x 166.2 cm; 

Gift of William S. 

Lipscomb in memory 

of his father, James S. 

Lipscomb 2006.63. 

89

When the Phillips 

Collection closed for 

renovation, stars of its 

collection toured the 

nation in the exhibition 

Masterworks from The 

Phillips Collection (right), 

which was in Cleveland 

just as our own 

collection was being 

removed in preparation 

for the renovation and 

expansion project. 

G.G.G. Peckham 

Memorial 

Mrs. Heaton 

Pennington 

Drake T. Perry 

Mr. and Mrs. M. H. 

Pierce 

Mary B. S. Pollock 


F. Pope 

Eda Sherwin Prescott 

John B. Putnam 

Memorial 

Frank J. and Rita M. 

Rack 

Lucille Ralls 

Memorial 

Robert S. and Sylvia 

K. Reitman 

James McElroy 

Richardson Memorial 

Lillian Rosenbaum 

Memorial 


J. Ross 

Walter Ross 

Walter D. Sayle 

Mrs. William Cramp 

Scheetz Jr. 

Else Schmelzer 

Heinz Schneider 

Ellen Schultz 

Charles P. and Ella R. 

Scovill Memorial 

90 


Foundation 

Elizabeth and Ellery 

Sedgwick 

Mary H. Severance 

Memorial 

Samuel Paisley Shane 

Memorial 

Perin Shirley 

Memorial 

Vladimir G. and 

Mary Kingsbury 

Simkhovitch Memorial 

Allard and Margaret 

E. Smith 

James A. and Elizabeth 

B. D. Smith Memorial 

Nathalie C. Spence 

Memorial 

Marion H. Spiller 

Louis Stearn 

Avery L. Sterner 

Memorial 

Nathalie B. Steuer 

Memorial 

Judith Helen and 

Martha A. Stewart 

Memorial 


M. Stickney 

Morris and Maxeen 

Stone 

Selina J. Sullivan 

Memorial 

Seth and Frances Taft 


Farrand Taplin 

Stan Thomas 


Turner 

Joseph and Edwin 

Upson Memorial 

Mary Southworth 

Upson 

Samuel H. and 

Bessie Shaw Urdang 

Memorial 

Dorothy T. Van 

Loozen Memorial 

Visible Language 


Wade Memorial 

Whitney and 

Florence S. Warner 

Memorial 


Wasmer Jr. 

Sada D. Watters 

Memorial 

Mrs. Daniel T. 

Weidenthal 


L. Weston 

Roy M. Wheeler 

Memorial 

Kathleen F. Whidden 

Memorial 

Martha W. White 

Miriam Norton 

White 

Roland W. White 

Memorial 

Walter C. White 

Memorial 

Mr. and Mrs. Hugh 

R. Whiting 


Wick 

R. C. Williams 

Captain and Mrs. 

Thomas Wilson 

Memorial 

Boris Witzer Memorial 

Elbert C. and 

Henrietta S. Wixom 

Memorial 

J. D. Wright 

Clara Gordon York 

Wilbur H. and 

Robert L. Zink 

William H. and 

Bertha S. Zink 

Memorial 

General Operating 

Endowment 

Contributors 

Estate of David J. 

Rollins 

Yale—Class of 1951 

Building 

Endowment 

Contributors 

GAR Foundation 

Trust Fund Income 

for Art Purchase, 

Specific Purpose, 

and Operations 

The following list 

acknowledges the 

individuals and families 

whose trusts 

provided income 

to the museum in 

2005–6. 

Art Purchase 

Dudley P. Allen 

Karl B. Goldfield 


Millikin 


Norman O. Stone 

and Ella A. Stone 

Memorial 

J. H. Wade 

Specific Purpose 


Hermon A. Kelley 

Art Library 

P. J. McMyler 

Musical Endowment 

Operating 

Harry F. and Edna J. 

Burmester 

Caroline E. Coit 

Helen C. Cole 

Henry G. Dalton 

General Endowment 

Guerdon S. Holden 

John Huntington Art 

and Polytechnic Trust 

Hinman B. Hurlbut 

Horace Kelley Art 

Foundation 

William Curtis 

Morton, Maud 

Morton, and 

Kathleen Morton 

Elisabeth Severance 

Prentiss 


Thayer Fund #3 

John Mason Walter 

and Jeanne M. Walter 

Memorial 

William E. Ward

Corporate support 

Business 

Leadership Council 

Charles S. Hyle, 

Co-Chair, Key Bank 

Jeffrey D. Kelly, 

Co-Chair, National 

City Corp. 

Corporate Council 

Paul Clark, National 

City Corp. 

James M. Dickey, 

Accenture LLP 

Celso R. Gilberti, 

Gilberti Studio 

International 

Beth H. Hallisy, 

Marcus Thomas 

William Hamann, 

Charter One 

Financial 

Oliver C. Henkel, 

Thompson Hine 

LLP 

Conway G. Ivy, 

The Sherwin- 

Williams Company 

Robert H. Jackson, 

Kohrman Jackson & 

Krantz 

Roy E. Klein, Bank 

One, N.A. 

John C. Morley, 

Evergreen Ventures 

Patrick S. Mullin, 

Deloitte & Touche 

LLP 

Brad Norrick, Marsh 

USA, Inc. 

David Osborne, 

McCormack 

Advisors 


LJR Great Lakes 

Lithograph 

Richey Smith, 

Richey Industries, 

Inc. 

Rich Stovsky, 

Pricewaterhouse 

Coopers 

John Switzer, 

KPMG LLP 

Kevin Weiss 


Corporate Sustainer 

($25,000 or more) 

Bank of America 

IntelliNet 

Corporation 


Inc. 

Corporate Founder 

($15,000 to 

$24,999) 

Baker Hostetler 


LLP 

Corporate 

Benefactor 

($10,000 to 

$14,999) 

Giant Eagle, Inc. 

Performance 

Enterprises, Inc. 

Corporate Patron 

($5,000 to $9,999) 

Accenture LLP 

American Greetings 

Corporation 

Brush Engineered 

Materials, Inc. 

Charter One Bank 

Chase 

Christie’s 

Cintas Corp. 

Dominion 

Foundation 

Fifth Third Bank 

GE Consumer 

Products 

Jones Day 

Keithley Instruments, 

Inc. 

KPMG LLP 

Lamson & Sessions 

McMaster-Carr 

Supply Company 

MTD Products Inc. 

Myers Industries, Inc. 

Northern Trust Bank 

Prince & Izant 

Company 

Reich & Tang Asset 

Management LP 

Rockwell 

Automation 

RPM International, 

Inc. 

The Sherwin- 

Williams Company 

Squire, Sanders & 

Dempsey LLP 

Wellington 

Management 

Company LLP 

Corporate 

Contributor ($3,000 

to $4,999) 

Central Business 

Group 

Deloitte & Touche 

Ernst & Young LLP 

Institutional Capital 

Corporation 

Lincoln Electric 

Company 

Macy’s 

MAR-BAL, 

Incorporated 

Marous Development 

LLC 

Marsh USA, Inc. 

Nordstrom 

Northern Haserot 

Co. 

Panzica Construction 

Company 

Plain Dealer 

Publishing Co. 

Richey Industries, 

Inc. 

Thompson Hine LLP 

Corporate Associate 

($1,000 to $2,999) 

Alliance Capital 

Management 

Applied Industrial 

Technologies, Inc. 

Argo-Tech 

Corporation 

ArvinMeritor 

Blue Point Capital 

Partners 

Bonfoey Company 

Bonne Bell 

CBIZ, Inc. 

The Chilcote 

Company 

Chubb Group of 

Insurance Companies 

City Architecture, 

Inc. 

Cleveland-Cliffs, Inc. 

Cohen & Company 

Collins Gordon 

Bostwick Architects 

Continental Airlines, 

Inc. 

DaimlerChrysler 

Corporation Fund 

Degussa Construction 

Chemicals, Inc. 

Dix & Eaton, Inc. 

Dollar Bank 

Edgepark Surgical 

Inc. 

Findley Davies Inc. 

FirstEnergy 

Ford Motor 

Company 

Gilberti Studio 

International, LLC 

Gorman-Lavelle 

Corporation 

Great Lakes 

Integrated 

Herbruck, Alder & 

Company 

Hitachi Medical 

Systems America Inc. 

IBM Corporation 

International 

Management Group 

The J. M. Smucker 

Company 

Jo-Ann Stores, Inc. 

Johnson Controls, 

Inc. 

Kinetico Incorporated 

Kohrman Jackson & 

Krantz P.L.L. 

Landau Public 

Relations 

Linsalata Capital 

Partners 

Lubrizol Corporation 

Luce, Smith & Scott, 

Inc. 

Luxottica Retail 

Marcus Thomas 

Margaret W. Wong 

& Associates, Co., 

LPA 

McCarthy, Lebit, 

Crystal & Liffman 

Co., LPA 

Millcraft Group 

Morgan Litho, Inc. 

Mutual of America 

Nordson Corporation 

North Coast Energy, 

Inc. 

Noveon, Inc. 

Ohio CAT 

Ohio Savings Bank 

Parker Hannifin 

Corporation 

Richard Fleischman 

Architects, Inc. 

Robert P. Madison 

International, Inc. 

SE Blueprint 

Sebesta Blomberg 

Associates 

SIFCO Industries, 

Inc. 

STERIS Corporation 

Strang Corporation 

Vorys, Sater, 

Seymour and Pease 

Weston Hurd Fallon 

Paisley & Howley 

LLP 

Corporate Donor 

(under $1,000) 

Commercial Alloys 

Sales LTD. 

The Davey Tree 

Expert Company 

Euclid Office Supply, 

Inc. 

Gould Electronics, 

Inc. 

The Hartford 

The Hoffman Group 

Ohio Envelope 

Manufacturing Co. 

Reliable Runners 


Programs, and 

Exhibitions 

$100,000 or more 

Baker Hostetler 

National City Bank 

$25,000 to $99,999 

Chase 

Dominion 

Foundation 


LLP 

$10,000 to $24,999 


Jo-Ann Stores, Inc. 

$2,000 to $9,999 

Ford Motor 

Company 

Great Lakes Brewing 

Company 

Henkel Consumer 

Adhesives 

Margaret W. Wong 

& Associates, Co., 

LPA 

Target Stores 

Under $2,000 

Gallery Group, Inc. 

Mutual of America 

Passage Events 

91

At the Circles party for 

The NEO Show guest 

Cecily Kamps converses 

with artists Brendan 

Fitzgerald and Andrew 

McEachern. 

92 

Linda Butler and Phillip 

Brutz documented the 

museum’s deinstallation 

process; their 

photographs were on 

view in the mezzanine 

gallery at MOCA Cleveland. 

Here, visitors peer 

through viewers to see 

Brutz’s stereoscopic 

images. 

Matching Gift Companies 

Aetna Foundation, Inc. 

Altria Group, Inc. 

American Express 

Foundation 

Aon Foundation 

BD Matching Gift 

Program 

The Black & Decker 

Corporation 

BP Foundation, Inc. 

Caterpillar 

Foundation 

Chevron Matching 

Gift Program 

Computer Associates 

International, Inc. 

Corning Incorporated 

Foundation 

Degussa Construction 

Chemicals Americas 

Dominion Foundation 


Emerson Electric 

Company 

Energizer Charitable 

Trust 

Eric and Jane Nord 

Foundation 

ExxonMobil 

Foundation 

First Data Western 

Union Foundation 

FirstEnergy 

Foundation 

FM Global Foundation 

General Mills 

Foundation 

Goodrich Foundation 

W. W. Grainger Inc. 

H. J. Heinz Company 

Foundation 

Harris Bank 

Foundation 

IBM Corporation 

The J. P. Morgan 

Chase Foundation 

Johnson & Johnson 

Family of Companies 

Key Foundation 

The Lamson & 

Sessions Foundation 

LexisNexis Cares 

The Lubrizol 

Foundation 

MassMutual Financial 

Group 

The May Department 

Stores Company 

Foundation 

Mellon Financial 

Corporation Fund 

Merrill Lynch & Co. 

Foundation, Inc. 


Inc. 

National Starch 

and Chemical 

Foundation Inc. 

Nordson 

Corporation 

The Pfizer 

Foundation 

Pitney Bowes Inc. 

PPG Industries 

Foundation 

The Progressive 

Insurance 

Foundation 

Rockwell 

International 

Corporation Trust 

SBC Foundation 

SBC Ohio 

SBC Services, Inc. 

The Stanley Works 

Thrivent Financial 

for Lutherans 

UBS Foundation 

USA 

WellPoint 

Foundation 

West Community 

Partnership Program 

World Reach, Inc.

Foundation and 

Government support 


$150,000 or more 

Ohio Arts Council 


Eleanor Smith 

Foundation 

$25,000 to 

$149,000 

Helen Wade Greene 


Sage Cleveland 

Foundation 

$10,000 to $24,999 

George W. Codrington 

Charitable Foundation 

S. Livingston Mather 


The Payne Fund 

SCH Foundation 


Wade Charitable 

Trust #2 

S. K. Wellman 

Foundation 

$5,000 to $9,999 

Corinne L. Dodero 

Trust for the Arts and 

Sciences 

The EWR Foundation 

The Katherine Kenyon 

Lippitt Foundation 

The Murch 

Foundation 

Sedgwick Fund 

Sherwick Fund 

WCLV Foundation 

$2,500 to $4,999 

George M. and Pamela 

S. Humphrey Fund 

The Thomas Hoyt and 

Katharine Brooks Jones 



Foundation 

The Perkins 


Lois C. and Thomas 

G. Stauffer Foundation 

$1,000 to $2,499 

The Harry K. Fox 

and Emma R. Fox 


The Victor C. 

Laughlin, M.D., 

Memorial Trust 

The Charles J. and 

Patricia Perry Nock 

Fund 

David and Inez Myers 

Foundation 


Programming, and 

Exhibition Support 

$150,000 or more 

Institute of Museum 

and Library Services 


Education 

$25,000 to 

$149,000 

Cuyahoga County 

Board of 

Commissioners 

Jimmy Dimora 

Timothy F. Hagan 

Peter Lawson Jones 

The Kulas 

Foundation 


Foundation 

National 

Endowment for the 

Arts 

$10,000 to 

$24,999 

Andrews Foundation 


Foundation 

The Peter Krueger- 

Christie’s 

Foundation 

Stocker Foundation 

$5,000 to $9,999 


The Human Fund 

Laub Foundation 

The Murch 

Foundation 

$1,000 to $4,999 

Nathan L. and 

Regina Herman 

Charitable Fund 

Ohio Humanities 

Council 

The Arts & Crafts 

exhibition proved 

popular mainly because 

the objects on view 

served useful purposes 

in everyday life. 

93

A neon sculpture by 

Jeff Chiplis welcomed 

visitors to the NEO 

Show. 

94 

Tribute 

Gifts in Honor of 

. . . received from 

Sylvia K. Adler, 

90th birthday 

Bernard D. Duber 

Hanna and Jim Bartlett, 

in appreciation of the 

collection and expansion 

plans 

Ann S. Higgins 

Anne Berk, milestone 

birthday 

Amy Berk 

Andrew and Judy 

Blazar and Family 

Betsy and Sylvia 

Blazar 

Larry and Carol 

Blazar 

Dr. Marie Dellas 

Lynn and Erv 

Edelman 

Dr. Bernie and 

Linda Friedman 

Karenruth and 

Sandy Kravitz 

Anclaire Oscar 

Anne Berk, for her 

tour of The Phillips 

Collection 

Renee Chelm 

Mark Cole, Union 

Club presentation 

Moses Cleveland 

Chapter of the 

Daughters of the 

American 

Revolution 

Mrs. David Crocker 

Daphne Crocker 

Barbara and Paul 

Feinberg, special 

anniversary 

Jules and Judy Garel 

Nina and James 

Gibans, 50th wedding 

anniversary 

Ms. Emilie M. 

Barnett 

Carol and Ron Godes, 

50th wedding 

anniversary 

Carolyn and Melvin 

Grossman 

Esther Hunt 

Betsy and Ken Hegyes, 

thank you 

Dr. Alvin and Lorrie 

Magid 

Jack and Judy Kaufman, 

50th wedding 

anniversary 

Lee and Theresa 

Markowitz 

Julie Keefer, 65th 

birthday 

Rosalyn and Henry 

Frank 

Mr. and Mrs. Joseph P. 

Keithley, 30th wedding 

anniversary 

Lester Theodore+ 

and Edith D. Miller 

James Koplow, birthday 

Ruth Rose 

Ellen and Bruce Mavec, 

20th wedding 

anniversary 



William R. Joseph 

and Sarah J. Sager 

Kathy Moroscak, 

friendship 

Emily H. Brasfield 

Dr. Steven E. Nissen 

PPSI, Incorporated 

Bryan Reid, birthday 

Susan and Dieter 

Kaesgen 

David and Beth 

Ricanati, Happy 

Holidays 

Employees of 



W. Rosenblatt, 

commemorating 

granddaughter’s Bat 

Mitzvah 

Ms. Kate Richner 

Timothy Rub, 

21st Century Club 

presentation 

21st Century Club 

Gail Schlang 

Ted and Idarose 

Luntz 

Naomi Singer, birthday 

Julia, Ryan, Greg, 

Phil, and Ann Singer 

Mr. and Mrs. Phillip 

Singer 

Kathy Mead Skerritt 

John and Carol 

Lukanc 

Gerry Slack 

Sarah Todd 

Barbara Smeltz, 

Merry Christmas 

Andrew, Hannah, 

Julie, and Jay Smeltz 

Jack Turben, 

70th birthday 



Lee and David 

Warshawsky, 40th 

wedding anniversary 

Iris and Tom Harvie 

The Weil Family, in 

appreciation of friendship 

Mr. Cary Schmelzer 

Ruth White 


Saks

Gifts in Memory of 

. . . from 

Elias L. Abraham 

Annette A. Jones 

Dorothy Arons 

Jan and Ron 

Silverman and 

Family 

Valentine Bikerman 


C. Angus 


F. Baumann 

Michael and Viola 

A. Bickerman 

Jane T. Blodgett 

Mr. and Mrs. 

Norman and Ann 

Craig 

Mark S. and Karen 

S. Freudenberger 

Hillcrest Art Guild 

Jasper and Fern 

Ingersoll 

Jim and Anne 

Kirkland and Family 

Jennifer Y. B. 

Martin 

Ms. Mary V. Odom 

Mrs. Dina 

Schoonmaker 

Jack and Doris 

Simich 

Mary Bittenbender 

Mr. and Mrs. 

William H. 

Hoffmann 

Myrn K. Philbrick 

Harold Terry Clark, 

Mary Sanders Clark, 

and Marie Odenkirk 

Clark 

William Sanders 

Clark 

William DeLappa 

Oliver H. Perry 

Elementary School 

Stanley Eigner 

Ted and Idarose 

Luntz 

Edward Ellingham 

Thomas W. 

Armstrong 

William J. 

Beckwith Jr. 

Julia and Patrick 

Bernhardt 

Charles Cardona and 

Melinda Gordon 

from Dreyfus 

Institutional 

Stephen M. Clark 

Elizabeth Crow 

Jean and Paul Fissel 

Marcia Grout 

Mr. Thomas R. 

Jacobson 

Mr. and Mrs. J. L. 

Jameson 

Robert J. Kelly 

Leo and Margo 

Knight Jr. 

Randy Kord 

Karoline M. Krailo 

National City 

Corporation 

National City 

Private Client 

Group Finance 

Department 

Mary Grace Pattison 

Mrs. Roseanna 

Petruzzelli 

Mary Ann and 

Michael Protzik 

Dan and Amy 

Reynolds 

S. N. Phelps & 

Company 

Marvin and Suzanne 

Stawicki 

Paul Thomas, Ted 

Tozer, and Todd 

Householder of 

National City 

Mortgage Company 

Theodore W. and F. 

Sandra Tozer 

Luann Vargo 

Richard A. and 

H. Sue Zackroff 

Millie Fingerhut 

Jan and Ron 

Silverman and 

Family 

Marvin and Helen Fox 

Lois Pearson 

Roberts 

Evelyn Galetovich 

Dolores and Larry 

Badar 

Mary A. Edell 

Sheila, Gary, and 

Jandi Faulhammer 

Horizon 

Orthopedic, 

Incorporated 

Marion R. Lightner 

Ed and Georgia 

Pivcevich 

Norman A. and 

Sally A. Visich 

Rebecca Uliss Goldsmith 

Richard and Beverly 

Cunningham 

Mrs. Evelyn 

Newman 

Mrs. Ethel Paley 

Robert Arthur Graham 

Dr. Alan M. Corn 

Richard Haber 

Robert and Ann 

Friedman 

Wai-kam Ho 

Mr. and Mrs. H. 

Carroll Cassill 

Therese Kelly 

Margaret and Edwin 

Miller 

Julian “Bud” Klein 

Mrs. B. M. 

Holdstein 

Fred and Thea Klestadt 

Linda Leach 


Saks 

Lester T. Miller 

Sally Conley 

Jim and Elaine 

Dauterman 


Friedman 

Marta and Don Jack 

Helen Korach 

Nancy Koven 

Mrs. Jack W. 

Lampl Jr. 

Bruce Lilliston 

Mr. and Mrs. 

Stanley Meisel 

William L. and 

Joan H. Ziegler 

Julia F. Mosier 

Marian and Glenn 

M. Blair Jr. 

Elizabeth O. Palmer 

Annette A. Jones 

Lisa S. Sanfilippo 

Robert Petrick 

Pat Deno 

Rick Phillips 

Jan and Ron 

Silverman and 

Family 

Nancy Ball Roudebush 

Sarah Williams 

Sidney Salkin 

Sylvia K. Adler 

Employees of the 

American 

Association for the 

Advancement of 

Science 

Judy Dorfman Bass 

and Stanley Bass 

The Clandon 

Neighborhood 

Kathy and Jack 

Gottlieb 

Margot and Art 

Hoicowitz 

Don Robinson and 

Sara Stein 

Laurel and Irl Rubin 

Ms. Diane A. 

Stahler 

The Sunshine Fund 

Hans Schramek 

Mr. Scott Kahn 

Adalaide Smilanick 

Mrs. Milton Berman 

Paul B. Berman 

Ellen Brown and 

Jonathan Brown 

Mrs. Wendy 

Diamond 

Kahn Kleinman, 

LPA 

Michael and Drue 

Murman 

Deborah and David 

Shifrin 

William A. VanDuzer 

Ms. Marilou Earle 

Elizabeth Zweig 

Mr. and Mrs. Irwin 

J. Apple 

Errol Brick 

John H. Bundy 

Honnie and Stanley 

Busch 

Mrs. Kathleen 

Butler 

Kent Clapp and the 

Medical Mutual 

of Ohio Executive 

Staff 

Mr. and Mrs. 

Robert P. Duvin 

Mrs. Alvin B. Fisher 

Rina and Samuel 

Frankel 

The Gross Family 

Stephen Hoffman 


Isenstadt 

Gary G. and 

Deborah Wechsler 

Kelm 

Jewel Koletsky 

Paula Krulak 

Bruce W. Lang and 

the shareholders of 

Hausser + Taylor 

LLC 

David J. and Cindy 

L. LaRue 

M & J Shafran 

Foundation 

Alex Machaskee 

Drs. Beno Michel 

and Nina Petroff 

Michael Miller 

Mildred Morrison 

The Ratner School 

Mrs. Deborah 

Ratner Salzberg 

Thomas J. Scanlon 

Joan Shafran 

Joseph Shafran 

Mr. and Mrs. 

Michael A. Shemo 

Arline P. Siegelman 

Daniel T. 

Weidenthal, M.D. 

95

96 

Gifts to Ingalls Library 

Individuals 

Ann B. Abid 

Louis V. Adrean 

Margot Baldwin 

Marianne Berardi 

Steve Berger 

John Black 

Hillary Bober 

Jack Perry Brown 

Robert Delford 

Brown 

Rita Buchanan 

Gary Bukovnik 

Caryl Burtner 

Bella Carmely 

Laurence Channing 

Robert Chase 

Alan Chong 

Melissa Cicetti 

Mark Cole 

Paul Cox 

Stan Czuma 

Christine E. 

Edmonson 

Shezza Edris 

Lloyd Ellis 

Jordi Falgàs 

Deanna Bremer Fisher 

Stephen Fliegel 

Nina Gibans 

Cristy Gilbert 


Graham Grund 

Marjorie Guthrie 

John Hagood 

Richard Hallock 

Stephen Harrison 

Henry Hawley 

Sheila Hicks 

Tom Hinson 

Gloria Homolak 

Martin Huberman 

Phillip Iannarelli 


William Kennedy 

Ellen Landau 


Louise Mackie 

Lori Martin 

Louella Mayer 

Marsha Morrow 

Stacie Murry 

Terry Parmelee 

Bruce W. Pepich 

Constantine Petridis 

John Popplestone 

Cynthia Rallis 

Clara Rankin 

Jane Rehl 

Katherine Rheinhardt 



B. Rosenblatt 

Rachel Rosenzweig 

Barbara Roux 

Kate Runde 

Chika Sasaki 

Aude Semat 

Mary Simons 

Nana Tamamoto 

Bert Teunissen 

Louise A. Tiemann 

Esther Tiszavari 

Georgina Toth 


David and Lee 

Warshawsky 

Ruth Weisberg 

G. M. Wilson 

Bettina Witteveen 

Institutions and 

Organizations 

Acme Fine Art and 

Design 

Allan Stone Gallery 

Ameringer Yohe 

Fine Art 

Amitabha Buddhist 

Library 

The Andy Warhol 

Foundation for the 

Visual Arts 

Arte al Dia 

International 

The Art League of 

Cincinnati 

Anthony McCall 

Associates, Inc. 

Ban Garow 


Gallery 

Barbara Gladstone 

Gallery 

Centro Di 

Christie’s Hong Kong 

Ltd. 

Cleveland Public 

Library 

Consulate General 

of Switzerland 

Courtauld Institute 


D. K. Agencies (P) 

Ltd. 

Deutscher 

Kunstverlag 

Fine Arts Program 

Fundacion Blasco de 

Alagon 

Fundació Orfeó 

Català Palau de la 

Música 

Furniture History 

Society 

Galerie Camoin 

Demachy 

Galerie Eric Coatalem 

Galerie Iris Wazzau 

Galerie Jean François 

Baroni 

Galerie Maurice 

Garnier 

Galerie Schwind 

Gesellschaft de 

Keramikfreunde E.V. 

Haystack Mountain 

School of Crafts 

Heribert Tenschert 

Hirschl & Adler 

Modern 

Historical Society of 

Clinton, Michigan 

Hollis Taggart 

Galleries 

IFLA 

Illinois Historical Art 

Project 

International 

Research Center for 

Japanese Studies 

Irvin & Gormley, Inc. 

Japan Society 

(London, England) 

Kang Collection 

Katharina Rich 

Perlow Gallery 

The Khalili 

Collections 

Korean Consulate 

General 

Marie Walsh Sharpe 

Art Foundation 

Matthew Marks 

Gallery 

McLarty’s Choice 

Michael Hoppen 

Gallery LTD 

Middle Eastern 

Culture Center in 

Japan 

Mollerussa Mostra 

d’Art Contemporani 

Museo de Arte Iberico 

“El Cigarralejo” 

National Collage 

Society 

Nordic Institute for 


Panmun Book 

Company 

Partridge Fine Arts 

plc 

Redfern Gallery 

Regione Abruzzo 

Rockrose Publishing 

SALALM, Inc. 

The Salvation Army 

S. Franses Ltd. 

Showtime Quilters 

Guide & Directory 

Spanierman Gallery 

Spelman College 

Museum of Fine Art 

Stephen Daiter 

Gallery 

Susan Schulman, 

Printseller 

Thurgood Marshall 

Scholarship Fund 

U.S. General Services 

Administration 

Ubu Gallery 

The Womens 

Council of the 



William Reese 

Company 

Zwirner & Wirth

Benefactors 

The Cleveland Museum 

of Art recognizes the 

cumulative giving of 

individuals, corporations, 

and organizations. 

We extend our 

deepest appreciation 

to these generous 

donors. 

Patron Benefactor 

($1,000,000 or 

more) 

Anonymous 

The Andrew W. 

Mellon Foundation 


P. Bickford 

Helen E. Brown 

Mr. and Mrs. Noah 

L. Butkin 


Foundation 

Thomas L. Fawick 

Mr. and Mrs. 

Lawrence A. 

Fleischman 

The F. J. O’Neill 

Charitable 

Corporation 

Mr. and Mrs. Ernest 

L. Gartner 


Foundation 

Mr. and Mrs. 

Alexander Ginn 

Helen Wade Greene 


C. Gruener 

Agnes Gund 


Hamilton 

Mrs. Leonard C. 

Hanna 


Mr. Stanley Hess 

Dr. Gerhard 

Hoffmann and Mrs. 

Lee Hoffmann 

Mrs. Liberty E. 

Holden 

Lois U. Horvitz 


J. Horvitz 

The HRH Family 

Foundations 

Virginia Hubbell 

David S. Ingalls and 

Family 

Institute of Museum 

and Library Services 

Louise H. and David 

S. Ingalls Foundation 

Andrew R. and 

Martha Holden 

Jennings 


Eleanor Smith 

Foundation 

Lila Wallace–Reader’s 

Digest Fund 

Mr. and Mrs. Milton 

Maltz 


H. Marlatt 

The Mildred 

Andrews Fund 

Mr. and Mrs. 

Severance A. Millikin 

National City 

National Endowment 

for the Arts 

State of Ohio 

Ohio Arts Council 

Georgia O’Keeffe 


Dean Perry 

Elisabeth Severance 

Prentiss 


M. Rankin 


Reid Jr. 

The Reinberger 

Foundation 


Carol and Michael 

Sherwin 

Mr. and Mrs. Kelvin 

Smith 

Lockwood 

Thompson 


Whitehill 

Mr. and Mrs. Paul D. 

Wurzburger 

Justin and Silvia 

Zverina 

Foundation 

Benefactor 

($500,000 to 

$999,999) 

Anonymous (2) 

Hanna H. and James 

T. Bartlett 

BP America 

Hon. Joseph P. 

Carroll and Mrs. 

Carroll 




The GAR 

Foundation 

Nelson Goodman 

George Gund III and 

Iara Lee 

Hahn Loeser & Parks 

LLP 

Peter and Peggy 

Horvitz 


Powell Jones 


P. Keithley 

Lillian M. Kern 

KeyBank 

Alma Kroeger 

Amanda and William 

P. Madar 


A. Mann 

William G. Mather 


V. Mavec 

National Endowment 

for the Humanities 

Mr. and Mrs. Eric T. 

Nord 


Henry Norweb 

Francis F. Prentiss 



PTS Foundation 

Grace Rainey Rogers 

SBC 

Communications Inc. 


M. Schneider 

Mr. and Mrs. Ellery 

Sedgwick Jr. 

The Sherwick Fund 

Elizabeth M. Skala 

Squire Sanders & 

Dempsey 

United Technologies 

Corporation 


Dr. and Mrs. Paul J. 

Vignos Jr. 

Mrs. J. H. Wade 

Womens Council of 

the Cleveland 


Dr. Norman W. 

Zaworski 

Benefactor Fellow 

($250,000 to 

$499,999) 

Anonymous (4) 

Mr. and Mrs. 


Raymond Q. and 

Elizabeth R. 

Armington 

Louis Dudley 

Beaumont 

Mike and Annie 

Belkin 

Emma R. Berne 

Jeanne Miles 

Blackburn 

Emily E. and Dudley 

S. Blossom Jr. 

Leigh and Mary 

Carter 

Martha and Thomas 

Carter 

Mr. and Mrs. Warren 

H. Corning 

CVJ Corporation 


Drinko 

Robert H. Ellsworth 

Josephine P. and 

Dorothy Burnham 

Everett 

Marie and Hubert 

Fairchild 

Morton Glaser 

Gladys B. Goetz 

Mr. and Mrs. Graham 

Gund 

+ deceased 


S. Holden 


D. Ireland III 

The John P. Murphy 

Foundation 

The J. Paul Getty 

Trust 

Susan and Dieter 

Kaesgen 


The Kresge 

Foundation 

Muriel Kozlow 

Helen A. and 


Dr. and Mrs. 



Mr. and Mrs. Jon A. 

Lindseth 


LiPuma 

Mrs. Lee W. 

Lockwood 

Rosemarie and 

Leighton R. Longhi 

The Louis D. 

Beaumont 

Foundation 


MBNA America 

Systems 

Elizabeth Briggs 

Merry 

Metropolitan Savings 

Bank 

Thomas P. Miller 

India E. Minshall 


Myers 


Inc. 

Lucia S. Nash 

Ohio SchoolNet 

Commission 


H. Porter 

Leonna Prasse 

Mildred Andrews 

Putnam 

Peter Putnam 


R. Robertson 

David Rollins 

Alexandre P. 

Rosenberg 

Carole and Charles 

Rosenblatt 

Edwin Roth 


Bettina Katz 




N. Sherwin 

John and Frances M. 

Sherwin 

Mr. and Mrs. Alvin 

A. Siegal 

Nancy Baxter 

Skallerup 

Kathleen E. Smith 

Mr. and Mrs. 



Thayer 

Mrs. Chester D. 

Tripp 

Pamela Pratt 

Auchincloss and 

Garner Tullis 


Commerce 

Evelyn S. and 

William E. Ward 

William E. Ward 

Katherine C. White 


C. Williams 

Endowment 

Benefactor 

($100,00 to 

$249,999) 

Anonymous (2) 

Dudley P. Allen 


Corporation 

AT&T Foundation 

Baker & Hostetler 

LLP 

Bank One, N.A. 

Mr. and Mrs. 

Randall J. Barbato 

Ann Bassett 

Vernon W. Baxter 

Maud K. Bell 

Mildred K. Bickel 

97

Elizabeth B. Blossom 

Mrs. Benjamin P. 

Bole 


P. Bolton 

The Britton Fund 


Brown 

Mr. and Mrs. Willard 

Brown 

Ella Brummer 

The Chubb 

Corporation 

Mrs. Harold T. Clark 

The Cleveland Clinic 

Foundation 

Cleveland Society for 


Helen C. Cole 


Mildred Constantine 

Mr. and Mrs. 

Benedict Crowell 

Henry G. Dalton 

The David and Inez 

Myers Foundation 

Dorothy Dehner 


H. Dempsey Jr. 

Mrs. John B. Dempsey 

Edna H. Doller 

Dominion East Ohio 

Zoann and Warren 

Dusenbury 

Louise Rorimer 

Dushkin 


Edith Virginia Enkler 

Elizabeth Firestone 

Graham Foundation 

Elizabeth Ring 

Mather and William 

Gwinn Mather Fund 

E. Rhodes and Leona 

B. Carpenter 

Foundation 

Ernst & Young LLP 

Mr. and Mrs. 

Raymond F. Evans 

Eleanor and Morris 

Everett 

Jane Iglauer Fallon 

The Family of Mrs. 

Robert H. Bishop 

98 


E. Ferrell 

Bruce Ferrini 

FirstEnergy 

The Florence Gould 

Foundation 

Maxeen and John 

Flower 

Hollis French 


Friedman 

Charles and 

Marguerite C. 

Galanie 


I. Gale Jr. 


Wade Charitable 

Trust #2 

The George W. 

Codrington 

Charitable 

Foundation 

The Giant Eagle 

Foundation 


W. Gillespie 

William J. Gordon 


T. Gow 

Edward B. Greene 

Ann and Richard 

Gridley 


D. Gries 


Guinness 

Musa Gustan 

Carl E. Haas 

The Hadden 

Foundation 


Hadden Sr. 

Mrs. Salmon P. Halle 

Mr. and Mrs. 

Newman T. 

Halvorson 

Janice Hammond and 

Edward Hemmelgarn 

Mrs. Charles W. 

Harkness 


S. Harkness 

Henry Hawley 

Rudolf J. Heinemann 

Henry Luce 

Foundation, Inc. 

The Hershey Family 

Dorothy Hildt 

Mr. and Mrs. 


Michael Hoffman 


Horner 

Dr. Gertrude 

Hornung 

George M. and 

Pamela S. Humphrey 

Fund 



Mrs. Albert S. Ingalls 

International Business 

Machines Corp. 


D. Ireland 

Charles Isaacs and 

Carol Nigro 

Barbara Jacobs 

Virginia Jones 


Jurey 


M.D. 

The Kangesser 

Foundation 


George S. Kendrick 


A. Kilroy Jr. 

Ralph Thrall King 

Fred W. Koehler 

Mr. and Mrs. Jack W. 

Lampl Jr. 

Harley C. Lee 


F. Leisy 

Mildred Lerch 

Lucile and Robert H. 

Gries Charity Fund 


MacDonald 

Caroline 

Macnaughton 

Morton and Barbara 

Mandel 

Stephan Mazoh 

Mrs. Malcolm 

McBride 

Margaret H. S. 

McCarthy 


McCoy 

Mrs. Norman F. 

McDonough 



Mrs. P. J. McMyler 

Moselle Taylor Meals 

The Mellen 

Foundation 


H. Merrin 

Samuel Merrin 

William Mathewson 

Milliken 

David and Lindsay 

Morgenthaler 

Sally S. and John C. 

Morley 

Barrie Morrison 

Gordon K. Mott 

The Murch 

Foundation 

Louis S. and Mary 

Schiller Myers 

Nordson Corporation 

Mrs. R. Henry 

Norweb Jr. 


Oliva Jr. 

Lillian and Derek 

Ostergard 

Park-Ohio Holdings 

James Parmelee 

Robert deSteacy 

Paxton 

Payne Fund, Inc. 

James Edward Peck 

Mrs. Rudolph J. 

Pepke 

Mary Witt Perkins 


M. Rankin Jr. 

Mr. and Mrs. Max 

Ratner 

The Raymond John 

Wean Foundation 

Larry and Barbara S. 

Robinson 

Mr. and Mrs. 

Albrecht Saalfield 


A. Saks 

Mr. and Mrs. Paul H. 

Sampliner 

The Samuel H. Kress 

Foundation 

The Samuel 

Rosenthal 

Foundation 

Mr. and Mrs. Gilbert 

P. Schafer 


L. Schlang 

Mr. and Mrs. Ralph 

S. Schmitt 

Ethelyne Seligman 

Boake and Marian 

Sells 



Mrs. John L. 

Severance 

Mr. and Mrs. Francis 

M. Sherwin 

John and Frances W. 

Sherwin 

Rabbi Daniel and 

Adele Silver 

The S. K. Wellman 

Foundation 

The S. Livingston 

Mather Charitable 

Trust 

Phyllis Sloane 


F. Stirn 

Louise Hawley Stone 

Norman W. and Ella 

A. Stone 

Susan and John 

Turben Foundation 

Mitsuru Tajima 


E. Taplin Jr. 

Mrs. Henry 

Trenkamp Jr. 


B. Tullis 

Charlotte Vander 

Veer 

G. Garretson Wade 

Mr. and Mrs. Jeptha 

H. Wade III 

Worcester R. Warner 

Mrs. Worcester R. 

Warner 


Haber Warshawsky 


T. Watson 




B. Williams 

Mary Jo Wise 

Janette Wright 

Benefactor 

($50,000 to 

$99,999) 

Anonymous (3) 

1525 Foundation 

Charles Abel 

Shuree Abrams 

Accenture LLP 

Robert H. Adams 

Mrs. Frances Almirall 

Amica Insurance 

Mrs. and Mrs. 

Matthew Andrews 

Anton and Rose 

Zverina Fund 

Mr. and Mrs. Arnold 

S. Askin 

Lester P. and Marjorie 

W. Aurbach 

Mrs. S. Prentiss 

Baldwin 

Bank Leu AG 

Theodore S. and 

Marcella M. Bard 


Diane Bell 

Milena M. 

Benesovsky 


Berkman 

BF Goodrich 

Company/Tremco 

Foundation 



Ruth Blumka 

Mrs. Chester C. 

Bolton 

Kathryn G. Bondy 

John C. Bonebrake 

Mr. and Mrs. Paul S. 

Brentlinger 

Mr. and Mrs. Wilbert 

S. Brewer

Mrs. Carol Brewster 

Dr. and Mrs. Jerald S. 

Brodkey 


Brown and Glenn R. 

Brown 

Louise Ingalls Brown 

Brush Engineered 

Materials, Inc. 

Edith Burrous 

Margaret Uhl 

Burrows 

Julius Cahen 

Mrs. Henry White 

Cannon 

Central National 

Bank 


Mr. and Mrs. M. 

Roger Clapp 


Terry Clark 

Cleveland-Cliffs, Inc. 


M. Coe 


F. Colin 

Stella M. Collins 

Mrs. John Lyon 

Collyer 

Daniel S. Connelly 


A. Conway 

George B. Coombe 

Mrs. James W. 

Corrigan 

Alan Covell and K. 

Pak-Covell 

Mr. and Mrs. Wilbur 

A. Cowett 


R. Cull 

David E. and Bernice 

Sapirstein Davis 

Helen+ and Albert J. 

DeGulis 

Frances F. Dickenson 


C. Distad 

William Dove 

Dr. and Mrs. Paul G. 

Ecker 


P. Eells Jr. 

Natasha Eilenberg 

A. W. Ellenberger Sr. 

Heinz Eppler 

Joseph M. Erdelac 

Mr. and Mrs. 

Giuseppe Eskanazi 

Dr. and Mrs. Warren 

C. Fargo 

The Family of 

Elizabeth Ege 

Freudenheim 


L. Feldman 

Ferro Corporation 

Pamela Humphrey 

Firman 

Allen H. Ford 

Mrs. James Albert 

Ford 

The Ford Foundation 

Ford Motor 

Company 

Forest City 

Enterprises, Inc. 

Mrs. Robert J. 

Frackelton 

Marian Sheidler 

Gilbert 

The Gilbert W. and 

Louise Ireland 

Humphrey 

Foundation 

Lucille F. Goldsmith 

(Lady) Marie Louise 

Gollan 

Joseph T. Gorman 


I. Goss 

Josephine Grasselli 

Mr. and Mrs. Gordon 

Gund 

Thomas M. Hague 

Edgar A. Hahn 

Maria Hall 

Mrs. Howard M. 

Hanna 

Mr. and Mrs. 

Osborne Hauge 


Hauge 

Ruth C. Heede 

Sheila Hicks 

Hiroshi Hirota 

Liberty E. Holden 

Dr. and Mrs. Ralph 

F. Hollander 

Mr. and Mrs. John H. 

Hord 

Dr. and Mrs. Roger 

Y. K. Hsu 

Mr. and Mrs. 

Benjamin S. Hubbell 

Jr. 

Lillian L. Hudimac 

Marguerite B. 

Humphrey 

Helen Humphreys 

Huntington National 

Bank 

Jarmila Hyncik 

David S. Ingalls Jr. 


Inkley 

Kate Ireland 


Livingston Ireland 

Jack B. List 

Testamentary Trust 

Mr. and Mrs. 

Raymond T. Jackson 

The Japan 

Foundation 

Mr. and Mrs. Homer 

H. Johnson 

Jones Day 

Dr. and Mrs. Donald 

W. Junglas 

Mr. and Mrs. Paul 

Kaminsky 

Harry D. Kendrick 


A. Kern 

Mrs. Ralph Thrall 

King 

Irene Kissell 

R. P. Kitaj 

Mr. and Mrs. G. 

Robert Klein 

Mr. and Mrs. J. J. 

Klejman 

Kotecki Monuments, 

Inc. 

KPMG LLP 

William Krause 

Mr. and Mrs. Dennis 

W. LaBarre 

Rogerio Lam 

Mr. and Mrs. Oscar J. 

Lange 

The Laub Foundation 

Mrs. Raymond E. 

Lawrence 

Mary B. Lee 

Linden Trust 


M. Litton 

LTV Steel Company 

Mr. and Mrs. 

Theodore M. Luntz 

Brian and Florence 

Mahony 


Mallon 

Jack and Lilyan 

Mandel 

Joseph and Florence 

Mandel 

Samuel Mather 

Mrs. William G. 

Mather 

Virginia Hosford 

Mathis 

Kathryn Arns May 

Elizabeth McBride 

McDonald 

Investments 

Aline McDowell 

Dr. and Mrs. Ruben 

F. Mettler 

Dr. Leo Mildenberg 


R. Miles 


B. Milgram Jr. 


D. Milne 


S. Minoff 

Mrs. Paul Moore 

Nellie W. Morris 

Dr. and Mrs. Thomas 

Munro 

Klaus F. Naumann 


A. Nelson 

David Z. Norton 

Laurence H. Norton 

The Norton-White- 

Gale Trust 

Earle W. Oglebay 

Mr. and Mrs. 

Frederick S. C. Perry 

Dr. and Mrs. Harlan 

R. Peterjohn 

Hobson L. Pittman 


M. Plevin 

John and Mary 

Preston 


Ratner 



R. Riley 

RJF International 

John D. Rockefeller 

Jr. 


Rockefeller III 

Mr. and Mrs. James J. 

Rorimer 

Milton C. Rose 


S. Roseman 

Rosenberg and 

Stiebel Inc. 

Mr. and Mrs. J. King 

Rosendale 


J. Ross 

Gloria Ross 

RPM, Inc. 

Arthur Sachs 

Mr. and Mrs. Maurice 

Saltzman 

Martha Bell Sanders 

William B. Sanders 


Schermer 

Mr. and Mrs. Viktor 

Schreckengost 

Florence B. Selden 

Isosuke Setsu 

Takako and Iwao 

Setsu 

Sherwin-Williams 

Company 

Asa and Patricia 

Shiverick 

Morris Siegel 

Mrs. Aye Simon 


C. Smith 


Spilman 


A. Spring Jr. 


W. Strang 

Lillian and Henry 

Steinberg 

Mr. and Mrs. Oscar 

H. Steiner 

Frank Stella 

Ester R. Stern 


W. Strang 

Mr. and Mrs. Seth C. 

Taft 

Mr. and Mrs. Nelson 

S. Talbott 

Textile Arts Club 


Victor Thaw 

The Timken 

Company 


Tishman 

Toshiba International 

Foundation 


C. Treuhaft 

TRW Foundation 


Turner 


V. H. Vail 

Mrs. Jacob W. 

Vanderwerf 

Mitzie Verne 

Gertrude L. Vrana 

Mildred E. Walker 

Helen B. Warner 

The Weatherhead 

Foundation 


D. Weller 


White Jr. 

Mrs. Windsor T. 

White 

Mr. and Mrs. Hugh 

R. Whiting 

Edward L. 

Whittemore 

Doris and Ed Wiener 

Ralph L. Wilson 

John Wise 

Helen B. Zink 

Helen Zmek 

Tessim Zorach 

Frances S. Zverina 

99

Developed as an 

interactive component 

of the Arts & Crafts 

exhibition, “The Attic” 

continued with a 

life of its own as a 

website. To see it, set 

your browser to 

www.museumattic.org. 

100 

The Attic 

The Arts & Crafts exhibition in the fall 

of 2005 inspired the New Media department 

to develop an innovative 

multimedia presentation, “The Attic.” 

“We wanted to create something that 

would be family-friendly,” recalls Director 

of New Media Holly Witchey, 

“not so much a linear, scholarly treatment 

of Victorian-era interior furnishings, 

but something that would encourage 

people to explore. Many of 

the works in the exhibition were 

things people had lived with and used 

in their daily lives, which gave us the 

idea of an attic as a great place to 

rummage around in and discover 

wonderful and interesting things—a 

nonfrightening attic.” The resulting 

feature appeared in a special room of 

the exhibition and is now available 

online. Set your browser to 

www.museumattic.org. 

After selecting a particular object, a 

visitor can choose from three basic activities: 

zoom in and examine details 

at greater magnification; look through 

a book full of information about the 

object; and read a newspaper that ties 

the object to major news stories from 

the year it was made. A principal goal 

was to put visitors in contact with 

some of the background information 

about the works of art a museum 

accumulates. The “book” includes a 

wealth of material: facts, images, 

drawings, and maps from curatorial 

files presented in a scrapbook manner; 

Victorian slide shows that provide 

slightly irreverent introductions to 

major topics; and a quiz feature that 

allows visitors to test their knowledge. 

The intent is to give the visitor an attic 

stuffed with fabulous objects and provide 

tools to learn about those objects 

in a meaningful way. People will 

stumble across new things all the 

time, but also find familiar things, 

thus reinforcing the idea that it’s okay 

not to know everything. The fun is in 

the adventure and the learning. The 

approach incorporated both a seriousness 

of purpose and a sense of humor. 

Contributors to the project included 

CMA curators Stephen Harrison and 

Charles Venable, Education department 

chief Marjorie Williams, Michael 

Hilliard in the New Media department, 

and Dana Cowan, a Ph.D. candidate in

the museum’s joint program with 

Case Western Reserve University’s 

department of Art History. 

Rory Matthews, longtime CMA collaborator 

whose well-known projects 

include the online presentation of the 

Royal Collection in Britain and a DVD 

exploration of the art of Joseph Cornell, 

designed and produced the site. 

The Cleveland Museum of Art 

will, of course, add more doors to the 

Attic in order to explore new topics, 

but the long-range hope is that other 

museums will soon create their own 

doors, making www.museumattic.org 

a rich collaborative resource for people 

everywhere. 

101

Affiliated 

Organizations 

The Womens Council, 

one of the sponsors 

for Parade the Circle in 

2006, used their 

parade entry to hint at 

an event scheduled 

for the fall—a concert 

by the orchestra Pink 

Martini. 

102 


Society 


Robert H. Jackson, 

President 

Barbara Robinson, 


Sanford Fox, 

Treasurer 

Dian Disantis, 

Secretary 

Albert Albano 

Robert Bostwick 

Brenda Brown 

Kathleen Coakley 

Rosalie Cohen 

Richard Ferris 

Harriet Goldberg 

John Katzenmeyer 

Robert Kiwi 

Ellen Landau 

Beno Michel 

Peta Moskowitz 

Stephanie Wiles 

Friends of African 

and African- 



Helen Forbes-Fields, 

President 

Franklin Martin, 


Alfred Bright, 

Secretary 

Gayle Goodwin 

Smith, Treasurer 

Charles Burkett Jr. 

Cynthia Samples 

Mark Cole, Museum 

Advisor 


Photography 


(2005) 

Mark Schwartz, 

President 

Robert Herbst, Vice 

President 

Charles Burkett, 

Treasurer 

Katherine Solender, 

Secretary 

Laura Bidwell 

Linda Butler 

Jennie Jones 

William Lipscomb 

Nancy Stuart 

Garie Waltzer 

John Williams 


(2006) 

Robert Herbst, 

President 

Jennie Jones, Vice 

President 

Charles Burkett, 

Treasurer 

Katherine Solender, 

Secretary 

Linda Butler 

Jennie Jones 

Abby Klein 

Deborah Pinter 

Nancy Stuart 

Michael Weil 

John Williams 

Tom Hinson, 

Museum Advisor 

Musart Society 


Robert Schneider, 

President 

(as of June 2005) 

Carolyn F. Wipper, 

President 

(until June 2005) 

James Dickinson, 

Esq., Secretary 

Shattuck W. 

Hartwell Jr., 

Advisory Trustee 

Mrs. Alfred Rankin, 

Advisory Trustee 

A. Chace Anderson, 

Treasurer 

Virginia Belveal 

Mary Davis 

Samuel E. Henes 

Walter Holtkamp Jr. 


McCoy 

Toni S. Miller 

Beverly Simmons 

Charles H. Teare 

Karel Paukert, 

Curator Emeritus 

Painting and 

Drawing Society 


(2005) 

Tony Brant, 

President 

Albert DeGulis, 

Treasurer 

Carol Michel, 

Secretary 

Katherine Bolton 

Peta Moskowitz 

Anne Ames 

Pat Brownell 

Joan Fountain 

Ann Gridley 


Patricia Stillman 

Nancy West 


(2006) 

Tony Brant, 

President 

Albert DeGulis, 

Treasurer 

Anne Ames 

Patricia Ashton 

Pat Brownell

Gertrude Chisholm 

Joan Fountain 

Ann Gridley 



Nancy West 

Norman Zaworski 

Mark Cole, Museum 

Advisor 

Heather Lemonedes, 


William Robinson, 





Charles Rosenblatt, 

President 

Kenneth Hegyes, 


Henry Ott-Hansen, 

Treasurer 

Carol E. Bosley 

Richard Cowan 


Carter Edman 


Mary Ann Garvey 

Phyllis Gary 

Robert Getscher 


Pearl Hachen 

Donald M. Jack Jr. 

William Martin Jean 

Irving Kushner 

Gloria Plevin 

M. Neal Rains 

Joseph Russell 

Larry Santon 

Judith Sogg 


Allie Wallace 

Lois Weiss 

Trudy Wiesenberger 

Nancy Wolpe 

Textile Art Alliance 


(2005) 

June O’Neil, 

President 

Katherine Dunlevey, 


Kathryn Levy, 

Assistant Treasurer 

Judith Smith, 

Recording Secretary 

Christy Gray, 

Communications 

Coordinator 

Mary LouAlexander 

Charlotte Ballas 

Julie Clemens 

Jan Gibson 

Catherine Keith 

Sara Mack 

Susan McNamara 

Jean Sommer 

Mary Ann Weber 


(2006) 

Katherine Dunlevey, 

President 

Martha Young, Vice 

President 

Catherine Keith, 

Assistant Treasurer 

Jan Gibson, 


Catherine Lee, 


Coordinator 

Leslie Alperin 


Mary Ann Conn- 

Brody 

Doris Hill 

Karen Hoffman- 

Hinkle 

Susan McNamara 

Melissa O’Grady 

Jean Sommer 

Carlyn Yanda 

Louise Mackie, 


The Trideca Society 


(2005 only) 

Henry Hawley, 

President 

Judith Simon, Vice 

President 

Jean Caldwell, 

Secretary 

Barry Bradley, 

Treasurer 

Mark Bassett 

Shirley Dawson 

Cindy Marx 

Stephen Ockner 

Dean Zimmerman 

Young Friends 

Board of Directors 

(2005 only) 

Carter Edman, 

President 

Christopher Wick, 


Deborah Koerwitz, 

Treasurer 

Lauren Wagner- 

Schmidt, Secretary 

Michael Dunn 

Robert Hauptman 

Maureen Leech 

Jennifer Wick 

Clifford Wire 

Convening the 

Community 

Advisory Council 

Anita Brindza, 

Co-Chair 

Adrienne Jones, 

Co-Chair 

Mary Bounds 

Christina M. Bruch 

Joseph A. Calabrese 

Jeri Chaikin 

James Cody 

Councilman Kevin 

Conwell 

Margot James 

Copeland 

Deborah Daberko 

Theasha Danielly 

Ella Fong 

Miriam Gonzalez- 

Lugo 

Kathryn M. Hall 

Latisha M. James 

Durga Chandran 

Jaipuri 

Jazz Mandair 

Franklin Martin 

Joseph Meissner 

Erica Merritt 

Stanley Miller 

Kathleen O’Brien 

Maritza L. Perez 

Councilwoman 

Sabra Pierce-Scott 

Greg Reese 

Donna Reid 

Gia Hoa Ryan 

Mary Santiago 

Emmett Saunders 

Aref Shafik 

Karon Shaiva 

Janus Small 

Lorraine Vega 

Andrew Venable 

Lorna Wisham 

Mayor Martin 

Zanotti 

Councilman Matt 

Zone 

Museum 

Associates 

Dave Abbott 

Tony Brant 

Joanne Clark 

Richard Clark 

Charles Edelsberg 

Leslie Edelsberg 

Marvin Feldstein 

Stephen Gariepy 

Carol Geyer 

David Geyer 

Susan Hanna 

Karen Hiller 

William Hiller 

Ralph Horwitz 

Sarah Horwitz 

Jennifer Leach 

Ray Leach 

Bruce Loessin 

Susan Loessin 

Alan Markowitz 

Cathy Pollard 

Cici Riley 

Edward Riley Jr. 

Jan Roller 

Carole Rosenblatt 

Charles Rosenblatt 

John Shields 

Laura Shields 

Nancy Sin 

Lee Warshawsky 

Scott Westover 

103


Ambassadors 

Schools and Faculty 

Bedford High 

School, Dagmar 

Clements 

Cleveland School of 

the Arts, Ms. Evan 

Koehler 

East High School, 

Colette Dowling 

Lincoln West High 

School, Carolyn 

Hope 

Padua Franciscan 

High School, Laurie 

Strompfel and Mary 

Remington 

Shaker Heights High 

School, Eileen 

Blattner, Dr. Ronald 

Morgan, Gerimae 

Kleiman, Jasmene 

Corbitt, David 

Peterjohn, R. Jeffrey 

Lewis, Ms. Freddie 

Holman, and Renee 

Larue 

Shaw High School, 

Irene Shinkle 

Strongsville High 

School, Ellen 

Goodworth, Joanna 

Pusti, Kristi Trussa, 

and Terri Harbart 

Valley Forge High 

School, Andrea 

Harchar, Karen 

Fulop, and Mrs. Kim 

Weber 

Facilitators and 

Volunteers 

Adrienne Rasmus, 

Chair 

Ellen Bishko and 

Diane Stupay, 

Co-Chairs 



Thomasine Clark, 

Project Coordinator 

Gail Calfee 

Elaine Gross 

Margit Harris 

Mary Ann 

Katzenmeyer 

Sandra Rueb 

Gail Schlang 

Karen Sethman 

104 

Master Ambassadors 

April Audie, Valley 

Forge 

Elizabeth Bonthius, 

Shaker 

Lisa-Ann Cameron, 

Shaw 

Kayleigh Fitch, 

Valley Forge 

Melissa Garcia, 

Bedford 

James Kozich, Padua 

Franciscan 

Tyler Martin, 

Strongsville 

Kari Masevice, 

Valley Forge 

Javon Mottley, Shaw 

Erin O’Connor, 


Marika Peplowski, 


the Arts 

Anna Ronis, Shaker 

Jennifer Seda, Padua 

Franciscan 

Dan Shinkle, Shaker 

Nathaniel Slany, 

Strongsville 

Wendy Teel, 

Lincoln West 

Nicholas Travarca, 

Bedford 

Kelsey Wagner, 

Bedford 

Erica Williams, 

Bedford 

Alexia Willmon, 

Shaw 

Alexandra Zoloty, 

Valley Forge 

Apprentice 

Ambassadors 

Stolina Qirjazi, 

Intern, Strongsville 

Loren Bates, Bedford 

Brittany Boyd, East 

Lindsay Brom, Padua 

Franciscan 

Kristen 

Campobenedetto, 


Catherine Campbell- 

Morrison, Shaker 

Yesenia Castro, 

Lincoln-West 

Robert Crump, 

Shaw 

Shalimma Fadzl, 

Bedford 

Ivory Flowers, 

Lincoln West 

Deontay Foster, 

Shaw 

Tiffany Hall, 


the Arts 

Jennifer Hill, East 

Theresa Hood, Shaw 

Aamina Jenkins, East 

Adrienne King, 

Strongsville 

Alexander Lubera, 

Valley Forge 

Sara Massey, Valley 

Forge 

Joe Radloff, Bedford 

Sam Rutchick, 

Shaker 

Nicole Scheuer, 

Strongsville 

Adrienne Starr, Shaw 

Paul Szeltner, 

Strongsville 

Jessica Tuma, Padua 

Franciscan 

Lauren Weinberger, 

Shaker 

Genita Whitley, East 


of the Cleveland 


Officers 


Chair 

Kate Stenson, First 

Vice Chair 

Sabrina Inkley, 

Second Vice Chair 

Christy 

Bittenbender, Third 

Vice Chair 

Carolyn Horn, 

Corresponding 

Secretary 

Margaret Wilson, 

Assistant 

Corresponding 

Secretary 

Ryn Clarke, 


Dosie Rymond, 

Assistant Recording 

Secretar 

Christine Norman, 

Treasurer 

Marianne 

Bernadotte, Assistant 

Treasurer 

Standing/Special 

Committees 

Advocacy, Pat Plotkin 

and Ellen Schermer 

Archives, Carolyn 

Shanklin 

Benefit, Jennifer 

Langston 

Cleveland Collects/ 

Parade the Circle, 

Helen Cherry 

Circle Development, 

Margie Sachs 

Community Arts, 

Zoe Tyler and 

Dorothy Ceruti 

Database/Roster, 

Rooney Moy and 

JoAnne Lake 

Hospitality, Lois 

Davis and Joan 

Fitchet 

Information Desk, 

Joanne Cowan and 

Sabrina Inkley 

Lecture Series, Josie 

Anderson and 

Marianne Bernadotte 

Membership 

Department Liaison, 

Louinia Mae 

Whittlesly 


Ambassadors, 

Adrienne Rasmus, 

Ellen Bishko, and 

Diane Stupay 

New Members, Pam 

Isquick and Judy 

Bourne 

Newsletter, Lucia 

Jezior and Debbie 

Latson 

Nominating, Edie 

Taft and Donna Walsh 

Orientation, Mary 

Anne Liljedahl and 

Thomasine Clark 

Pedestal Arrangers, 

Emily Mueller and 

Dorie Farley 

Photographers, 

Margie Moskovitz 

and Lucia Jezior 

Provisionals, Margaret 

Wilson 

Prints/Drawing 

Liaison, Dinny Bell 

Product 

Development, Lorelei 

Stein-Sapir and 

Ruthe Stone 

Programs, Sally 

Smith and Kate 

Stenson 

Ready Volunteers, 

Melinda Holmes 

Special Decorations, 

Cathy Miller and 

Jane Thomas 

Study Groups, Peggy 

Sloan and June 

Nosan 

Subscriptions/Capital 

Campaign, Janet 

Coquillette and Joan 

Fountain 

Trips, Lois Bialosky 

and Nancy Goldberg 

Youth Initiatives, 

Gail Schlang 

Museum Liaison, 

Diane DeBevec 

Docent Association 

Officers 

Robin Ritz, 

President 

Peter Dobbins and 

Kate Stenson, Vice 

Presidents 

Erva Barton, 

Corresponding 

Secretary 

Erwin A. Edleman 

and Pat Markey, 

Recording 

Secretaries 

Linda Friedman, 

Treasurer 

Joann M. 

Broadbooks, Mary 

McClung, Nancy 

Mino, and Sue 

Schloss, Membersat-Large 

Docent Corps 

Stephen Badman 

Erva Barton 

Sharon Bell 

Anne Berk 

Arlene Bialic 

Jane A. Bondi 

Joann M. 

Broadbooks 

Claire Brugnoletti 

Gail B. Calfee 

Ran Datta 

Marie Dellas 

Beth Desberg 

Susan Deutsch 

Peter Dobbins 

Erwin A. Edelman 

Joan S. Fletcher 

Anne S. Frank 

Mary Kate 

Fredriksen 


Gail S. Garon 

Lowell K. Good 

Kermit W. 

Greeneisen 

Marsha Gross 

Joyce S. Hackbarth 

Karen Hahn 

Maya Hercbergs 

J. Jackson III 

Gwen Johnson 

Joan E. Kohn 

Joann Lafferty 

Mary Anne Liljedahl 

Sandra Littman 

Diane Maher 

Patricia Markey 

Maguy Mavissakalian 

George Frederic 

McCann 

Mary McClung 

Nancy Mino 

Helene Morse 

William Ott 

Anne C. Owens 

Robin Ritz 

Catherine Rose 

Lourdes Sanchez 

Susan Schloss 

Sally Schwartz 

Patricia 

Simpfendorfer 

Margaret Sloan 

Saabrin Spangler 

Jacqueline Spieler 

Kate Stenson 

Mary Ann Stepka- 

Warner 

Kathy Vilas 

Ann Walling 

Margaret W. Walton

Volunteers 

Anne Adamson 

Carolyn Adelstein 

Catherine Alfred 

Sara Allison 

Jinai Amos 

Bill Anderson 

Josie Anderson 

Lorraine Anderson 

Scott Anderson 

June Antoine 

Carol Arnold 

Don Arnold 

Ann Austin 

Stephen Badman 

Margot Baldwin 


Erva Barton 

Cherie Bauer 

Dee Beacham 

Aerielle and Tom 

Bedell 

Nick Bedell 

Ted Bedell 

Dinny Bell 

Sharon Bell 

Emma Benning 

Anne Berk 

Marianne Bernadotte 

Arlene Bialic 

Lois Bialosky 

Margie Biggar 

Joanne Billiar 

Dean Birchfield 

Ellen and Fred 

Bishko 

Christy Bittenbender 

Paige Blackburn 

Dorothy Blaha 

Suzanne Blaser 

Phyllis Blau 

Gert Bleisch 

Susan Block 

Lois Bluhm 

Flora Blumenthal 

Hilary Bober 

Joyce Bock 

Sandi Bohl 

Muffy Boland 

Jane Bondi 

Elda Borroni 

Judy Bourne 

Karen and Butch 

Bourquin 

Doris Boxerbaum 

Caroline Boylin 

Ruth Boza 

Kevaly Bozes 

Barbara Bradley 

Emily Brasfield 

Joan and John 

Brickley 

Joann Broadbooks 

Mebby Brown 

Pat Brownell 

Claire Brugnoletti 

Rita Buchanan 

Lenaia Burbank 

Meg Burgess 

Sally Burton 

Pat Butler 

Grace Bynum 

Jean Caldwell 

Gail Calfee 

Lynn Cameron 

Margaret Carpenter 

Dana Carson 

Morena Carter 

Rita Cerne 

Dorothy Ceruti 

Ryan Chamberlain 

Jennifer Chaykowski 

Helen Cherry 

Camille Chesley 

Karen and Joseph 

Chinnici 

Diane Chou 

Thomasine Clark 

Kathryn Clarke 

Lou Clay 

Phyllis Cleary 

Sue Clegg 

Julie Clemens 

Suzette Cohen 

Margaret Collings 

Esther Collins 

Kathy Colquhoun 

Lucille Conde 

Marty Conway 

Christine Coolik 

Pat Coppedge 

Janet Coquillette 

Paula Corbin Bryant 

Inez Corrado 

Carol Costin 

Mary Kay 

Covington 

Joanne Cowan 

Eloise A. Coxe 

Lois Crawford 

Shirley and Al+ 

Culbertson 

Phyllis Cunningham 

Maria Cutler 

CWRU “Case 

AmeriCorp 

Students” 

CWRU “Case for 

Community Day” 

Sarah Czika 

Deborah Daberko 

Susan Dahm 

Faye D’Amore 

Mark Darden 

Wyleane Darden 

Ranajit Datta 

Barbara Davis 

Lois Davis 

Kit DeFazio 


Rosemary Deioma 

Marie Dellas 

Linda DeMarco 

Beth Desberg 

Susan Deutsch 

Bonnie Dick 

Diane Dick 

Pete Dobbins 

Pat Dohoda 

Patricia Dolak 

Eleanor Donley 

Kay Donovan 

Molly Downing 

Jeffrey Doyne 

Cassandra Dracup 

Katherine Dunlevey 

Michael Dunn 

Linda Easton 

Erwin Edelman 

Betsy Eells 

Allie Eilers 

Leatrice Emeruwa 

Lee Ensign 

Pam Esch 

Leigh Fabens 

Mary Louise Falkner 

Doris Farley 

Dorothy Farley 

John Farley 

Bonnie Femec 

+ deceased 

Keith Filip 

Jamie and Ronald 

Fish 

Joan Fitchet 

Joan Fletcher 

Marcia Floyd 

Mary Lou Foley 

Caroline Folkman 

Joan Fountain 

Charlotte Fowler 

Anne and Howard 

Frank 

Barbara Franklin 

Judy Fredrichs 

Mary Kate 

Fredriksen 

Susan and Leonard 

Freed 

Ann Friedman 


Jean Gaede 

Frances Gale 

Liz Gallagher 


Mary Gardner 

Gail Garon 

Alicia Garr 

Brooke Garratt 

Jane Garrett 

Marjorie Garrett 

Mary Anne Garvey 

Carey Gibbons 

Jan Gibson 

Nancy Gilbert 

Ann Gillespie 

Anne Ginn 

Carol and Ronald 

Godes 

Nancy Goldberg 

Lowell Good 

Ann and Kermit 

Greeneisen 

Karen Gregg 

Carolyn Griffen 

Erika Gromosky 

Elaine Gross 

Marsha Gross 

Graham Grund 

Lois Guren 

Pearl Hachen 

Joyce Hackbarth 

Karen Hahn 

Haidi Haiss 

Julia Haiss 

Nola Haiss 

105

Spectators at the 2006 

Parade the Circle could 

pose for a photo with 

Armorman, a character 

inspired by the 

museum’s suit of halfarmor 

made in 1590 by 

Pompeo della Cesa. 

106 

Theresa Haiss 

Tiffany Hall 

Rick Hamilton 

Roberta Hardacre 

Margit Harris 

Phil Hart 

Bill Hartshorn 

Betsy and Kenneth 

Hegyes 

Lee Heinen 

Bettyann Helms 

Maya Hercbergs 

Polly Hermann 

Maryanne Hertzer 

Martha Hickox 

Dale Hilton 

Ingrid Hoegner 

Carol Holder 

Melinda Holmes 

Jann Holzman 

Carolyn Horn 

Jim Hubert 

Steven Hubert 

Denise Huck 

Charles Hudson 

Colleen Ialacci 

Katherine Ingalls 

Sabrina Inkley 

Vicki Isphording 

Pamela Isquick 

Marta and Donald 

Jack 

James Jackson 

John Jackson 

Laurie Jacobs 

Beth Jaworski 

Megan Jaworski 

Lucia Jezior 

Gwendolyn Johnson 

Amelia Joynes 

Susan Kaesgen 

Ann Kahn 

Richard Karberg 

Carolyn Karch 

Dorothy Kasper 

Wilma Kasper 

Joan Kassan 

Donna Kasunic 

Barbara Kathman 

Blanche and Dudley 

Katz 

Mary Ann 

Katzenmeyer 

Catherine Keith 

Patricia Kelley 

John Kelly 

Jane Kern 

Judith Kessler Smith 

KeyBank 

“Neighbors Make 

the Difference” 

Evelyn Kiefer 

Katherine and Dicc 

Klann 

Robin Koch 

Lois Koeckert 

Joan Kohn 

Phyllis Koons 

Alex Kosenko 

Elaine Koskie 

Ann Koslow 

Eden Kovacik 

Kathleen Kovacik 

Gwen Kraeff 

Universe Krist 

Margaret Krudy 

Patricia Kuenzig 

Peggy Kundtz 

Julie Kurtock 

Pilar LaBianca 

Sally Lacombe 

Joann Lafferty 

JoAnne Lake 

Carolyn Lampl 

Kim Landsdowne 

Joanne and Robert 

Lane 

Miranda Lange 

Barbara Langlotz 

Jennifer Langston 

Kim Lansdowne 

Debbie Latson 

Bonnie Lau 

Braden Lau 

Julie Lau 

Megan Lau 

Michael Lau 

Nancy Lavelle 

Ginny Leonard 

Freda Levenson 

Sheila Levine 

Kathryn Levy 

Sue Lewis 

Cathy Lewis-Wright 

Debra Light 

Mary Anne Liljedahl 

Sandra Littman 

Julie Lobo 

Nan Lowerre 

Idarose Luntz 

Keith Lutz 

Sara Mack 

Lorrie Magid 

Diane Maher 

Carole Majewski 

Pamela Maloney 

Marvin Mandel 

Janet Maranciak 

Teri Markel 

Patricia Markey 

Audrey and Russell 

Marxen 

Sheila Matter 

Maguy Mavissakalian 

George McCann 

Mary McClung 

Eveline McElroy 

Linda McGinty 

Patricia McIlraith 

Jacklynn McKenney 

Judith McMillan 

Dorothy McNulty 

Reathel McWhorter 

Carol Mealy 

Cathy Mecaskey 

Mary Merkel 

Lorna Mierke 

Betty Miller 

Catherine Miller 

Suzanne Miller 

Nancy Mino 

Dolly Minter 

Rita Moore 

Marie Morelli 

Claire Morgan 

June Morgan 

Kathy Moroscak 

Andrea Morris 

Betsi Morris 

Helene Morse 

Marjorie Moskovitz 

Rooney Moy 

Mary Jo Mudgett 

Emily Mueller 

Lara Mullen 

Janet Neary 

Elise Newman 

Christine Norman 

June Nosan 

Alyce Nunn 

Lisa O’Brien 

June O’Neil 

Sandra Ong

Helen Orton 

William Ott 

Anne Owens 

Becky Owens 

Denese Pappas 

Edward Parsons 

Rita Pearlman 

Ethel Pearson 

Mary Ann Perry 

Christine Pesch 

Peg and Bill Petrovic 

Nina Pettersson 

Emily Phillips 

Susan Pim 

Alicia Pletnewski 

Patricia Plotkin 

Margaret Plumpton 

Elinor Polster 

Frankie Polster 

Fran Porter 

Mary Porter 

Charlene Powers 

Lisa Powers 

Fillareta Qirjazi 

Stolina Qirjazi 

Ella Quintrell 

Lynn Quintrell 

Cathy Randall 

Seema Rao 

Adrienne Rasmus 

Virginia Ratcliffe 

Susan Rathbone 

Howard Reinmuth 

Mary Reynolds 

Shirley Ann Ricketts 

Robin Ritz 

Georgianna Roberts 

Erin Robinson 

Rocky River High 

School Fine Arts 

Club 

Claire Rogers 

Monica Rogers 

Thomas Rohweder 

Vivian Rokfalusi 

Catherine Rose 

Carole Rosenblatt 

Cindy Ross 

Phyllis Ross 

Mary Rossi 

Lisa Roth 

Sandra Rueb 

Monica Rust 

Mary Ryan 

Dosie Rymond 

Aurelie Sabol 

Marjorie Sachs 

Clarine Saks 

Andrea Sander 

Mitzi Sands 

Ellen Schermer 

Gail Schlang 

Susan Schloss 

Nancy Schneider 

Barbara and Arnold 

Schreibman 

Karen Schumaker 

Tracy Schwab 

Sally Schwartz 

Linda Sebok 

Marian Sells 

Karen Sethman 

David Shack 

Carolyn Shanklin 

Jane Shapard 

Marian Shaughnessy 

David Shaw 

Elizabeth Shearer 

Laura Shields 

Dorothy Shrier 

Sue Sifritt 

Patricia 

Simpfendorfer 

Marguerite Skorepa 

Margaret Sloan 

Barbara Smeltz 

Charles Smick 

Bille Smith 

Janice Smith 

Nan Smith 

Sally Smith 

Linda Smith- 

Richardson 

Malinda Smyth 

Becky Smythe 

Nancy Sneed 

Jean Sommer 

Sabrina Spangler 

Diane Spelic 

Jackie Spieler 

Toula Spirtos 

Sue Spring 

Julie Stanger 

Rosemary Stanitz- 

Skove 

Shirley Steigman 

Lorelei Stein-Sapir 

Kate Stenson 

Mary Ann Stepka- 

Warner 

Ruthe Stone 

Diane Stupay 

Mary Lane Sullivan 

Mary Lou Sullivan 

Nancy Swizynski 

Edith Taft 

Will Taft 

May Targett 

Sarah Taylor 

Myra Tesluk 

Jane Thomas 

Martha Thompson 

Julia Thornton 

Jean Thorrat 

Kimberly Tilley 

Allison Tillinger 

Melissa Titman 

Diana Tittle 

Ruth Toth 

Kathleen Totter 

Gail and Marty 

Trembly 

Mary Trevor 

Pat Triggs 

Kim Troy 

Rob Tweddle 

Zoe Tyler 

Peter Udycz 

University School 

Senior Service Day 

Beverly Vail 

Barbara Van Dyke 

Nona Vickers 

Kathy Vilas 

Deirdre Vodanoff 

Annie Wainwright 

Barbara Walker 

Ann Walling 

Donna Walsh 

Hunter Walter 

Margaret Walton 

Marie Walzer 

Ellie Ward 

Raquel Wasserman 

Mary Ann Weber 

Lettie Webster 

Hannah Weil 

Eric Weinberger 

Lois Weiss 

Lisa Wells 

Joyce Wells- 

Corrigan 

Suzanne Westbrook 

Lori Whittington 

Louinia Mae 

Whittlesey 

Ann Wieland 

Betty Williams 

Joan Wilson 

Margaret Wilson 

Marjorie Wilson 

Monica Wilson 

Nancy Wolpe 

Bruce Woodward 

Linda Woodward 

Maggie Xu 

Sana and Jean-Pierre 

Yared 

Renate Zeissler 

Susan Ziegler 

Interns 

Gerald Abt 

Julia Barber 

Colleen Barni 

Elsie Baron 

Beth Baucum 

Barbara Becker 

Lisa Bergrin 

Paula Blackman 

Brad Blahnik 

Carolyn Boebinger 

Patrice Boyer 

Kristen Bucher 

Matthew 

Charboneau 

Sasha Chusid 

Alexandra Collins 

Dana Cowen 

Reagan Duplisea 

Alicia East 

Brenna Elliott 

Caroline Falivena 

Matthew Fantone 

Erica Fisher 

Katherine Gundlach 

Caroline Guscott 

Dana Hardy 

Lacey Harrington 

Katherine Hartwyk 

Hollie Hayes 

James Horvath 

Michael Jaskiw 

Heather Johnson 

Lori Karpinecz 

Erin Kenney 

SeJeong Kim 

Alexandria Kotoch 

Lisa Kren 

Lauren Kuntzman 

Bonnie Laessig 

Julie Lafferty 

Adam LaPorta 

Christina Larson 

Lorenza Macchi 

Aimee Marcereau 

Amy Marshalek 

Lori Ann Martin 

Jill Mendenhall 

Thomas Mendenhall 

Frank Miller 

Tami Miller 

Joanne Morse 

Jennifer Napier 

Elisabeth Narkin 

Meghan Olis 

Erin Perme 

Christine Pesch 

Jane Pierce 

Ariel Pruitt 

Myra Rasmussen 

Sarah Ratner 

Sarah Rey 

Dartrell Ronney- 

Chapman 

Lisa Roth 

Samatha 

Schidemantle 

Ann Schorgl 

Aimee Skinner 

Holly Smigelski 

Jessica Stork 

Tyler Trolio 

Ellie Ward 

Alesha Washington 

Meghan Williams 

Emily Wilson 

Lydia Yun 

Meredith Zitron 

107

After a brief 

interruption when the 

education wing 

closed, studio classes 

for young people 

resumed at Shaker 

Square. 

108

The Winter Lights 

Lantern Festival 

brought magical 

illumination to Wade 

Oval in December 

2005. 

Education and 

Public Programs 

Three events in a three-month period—“Laying Foundations for the 

Future” on October 1, 2005, the opening of CMA@ Shaker Square in 

November, and the closing of the museum in January 2006—were seminal 

for education and public programs at the museum. 

The department of Education and Public Programs was the organizing 

agent for “Laying Foundations for the Future,” the official groundbreaking 

ceremony for the museum’s renovation and expansion project. All-day 

activities commemorated this watershed moment in the history of the 

museum. Cleveland’s civic and religious leaders who attended the noon 

ceremony included Mayor Jane Campbell, Rabbi Eric Baum, Imam 

Ramez Islambouli, Rev. Dr. Otis Moss Jr., Rev. David Novak, 

Venkatachalapati Samnuvrala, the Venerable Lobsang Tendar, and members 

of the Greater Cleveland Choral Chapter under the direction of 

Richard J. Smith, in addition to museum trustees and architect Rafael 

Viñoly. Family activities enlivened the Fine Arts Garden in the afternoon, 

and the day ended with a rousing “Party under the Stars” in the outdoor 

garden court. About 1,200 people attended the day-long program. 

Off-site activities continued in the community while galleries and 

classrooms in the museum closed and education staff and offices relocated 

within the building. Most notably, a corner retail space on Shaker Square 

became home to art classes and the Ticket Center from November 2005 

109

Hands-on art activities 

were part of the 

museum's offerings 

for the citywide 

celebration of Martin 

Luther King Jr. Day in 

January 2005. 

110 

The 2005 Chalk 

Festival enlivened the 

south terrace. 

through the end of July 2006. In addition, most of the department—staff, 

programs, the parade off-site workshop space, two distance learning studios, 

and the Education Art Collection of 18,000 objects—moved during 

the summer months of 2005 as galleries and facilities in the Breuer wing 

closed. With the closing of the Arts & Crafts exhibition in early January, 

the entire museum was closed for six months so that renovations could 

take place in and around the north entrance, but department activities 

continued uninterrupted. 

An expected drop in program attendance was counterbalanced by new 

partnerships with community businesses, colleges, and libraries; overall, 

attendance fell by only 21%, attributed entirely to the suspension of school 

tours that had been taught in the permanent collection galleries. The strategic 

goal during the renovation of the education facilities has been to 

maintain a vibrant presence in the community by emphasizing the outreach 

programs—Distance Learning, Art To Go, and Community Arts— 

and creating new partnerships with other institutions. 

The Distance Learning program, which presents interactive videoconferencing 

classes to K–12 audiences around the country, was one 

of eight Cleveland projects to participate in the Community Wealth Ventures 

program, which assists nonprofits in realizing the entrepreneurial 

opportunities of their programs so they can become financially selfsustaining. 

A resulting three-year business plan seeks to cover costs and 

reach 50,000 students and teachers annually. In addition to the school-age 

audience, the studios and staff created a semester-long class on non- 

Western art for students at Bradley University in Peoria, Illinois, and will 

continue to offer programs to university-level students.

Distance Learning 

continued in a portion 

of the building that was 

relatively unaffected by 

construction. Here, 

Debbie Apple-Presser 

talks about a painting 

by Henri Matisse (right) 

and Arielle Levine 

(below, on monitor) 

discusses a headdress 

from the Ejagham 

people while Tony 

Fritzgerald (at the 

controls) monitors the 

session. 

Data about the entire Art To Go collection of 18,000 objects was entered 

into Apelles, the museum’s collections management system, which 

helped in the review of works of art by curators and consultants. In April, 

Bruce Bernstein of the National Museum of the American Indian and 

CMA staff including Susan Bergh, associate curator of the art of the ancient 

Americas, assessed the Native American ceramics and basketry; as a 

result, some 160 objects were transferred into the permanent collection. 

The education collection was moved into temporary storage during the 

first phase of the expansion project. Yet docent teachers increased from 

10 to 20 (thanks to an influx of gallery docents), four new suitcases were 

developed, and an art car was acquired—all of which allowed increased 

service to schools. 

Teachers from the museum’s constituent schools were very accommodating 

in spring 2005 as galleries closed for the building project. Typically, 

111

Art To Go 

presentations brought 

works from the 

Education Art 

Collection to schools 

around the area. 

112 

more school tours are scheduled in May and June than during any other 

months, but the museum’s docents were undeterred and showed considerable 

flexibility and commitment as they continued their service in creative 

new ways. Docents who did not assist in Art To Go taught special 

exhibitions at the museum and at neighboring institutions including 

MOCA Cleveland and the Maltz Museum of Jewish Heritage, as well as 

introducing school groups to the sand mandala presentation at City Hall. 

The school tour program participated in a study of Cleveland Municipal 

School District (CMSD) classes that come to the museum as part of the 

school tour programs at University Circle institutions. Conducted by the 

Institute for Learning Innovation, the study will provide the basis for new 

curricula. 

Professional development opportunities for teachers continued at the 

museum until June 2005, and thereafter at partner institutions. More 

than 120 workshops were presented to more than 900 teachers. 

Family and youth programs moved off-site during July 2005, with a 

dozen events—most at area libraries—in the summer and fall; all programs 

relocated to Shaker Square when that space was ready. New partnerships 

built around adult classes were forged with Baldwin-Wallace East in 

Beachwood and the Tri-C Cooperate College East in Warrensville 

Heights. The Art & Fiction book club brought together Education and

Mask-making 

workshops helped kick 

off parade season in 

April 2005 and again 

in 2006. 

Ingalls Library staff to offer discussions about the genre of art fiction. Art 

appreciation classes on the history of art featured the museum’s collections 

and special exhibitions. Thirteen lunchtime and after-work architectural 

walking tours in Cleveland—and even one to Chicago—accented the 

programming. 

Partnerships with schools and teachers thrived. The 27-year Asianthemed 

collaboration with Shaker Heights and Beachwood high schools 

became an outreach program with CMA staff teaching classes at the 

schools. The $750,000 Freeman Foundation grant, now in its last year, 

funded a student exchange with the Shanghai Foreign Language School in 

China and Takatori High School in Japan. Simultaneously, the department 

developed a new project with the CMSD, becoming the lead partner in 

the creation of the School of Architecture and Design at the renovated 

John Hay High School, which opened in the fall of 2006; the museum’s 

collection and construction projects will become a learning laboratory. 

The department also expanded its networks into the education communities 

by actively participating in professional organizations. 

Community Arts, a major outreach arm during this pivotal time, continued 

its dynamic festivals, always the culmination of numerous off-site 

studio programs. During the 18-month period, the off-site studio moved 

to Columbus Road in the Flats for increased space and enhanced security. 

Two parade seasons brought 100,000 spectators to the circle, and approximately 

3,200 people from the community danced through the parades. 

In 2006 the public parade studios were temporarily situated on the Case 

campus. Parade staff and ensembles appeared at cultural institutions 

throughout the city, most notably at the 2005 Ingenuity Festival, for 

which Robin VanLear designed the opening ceremony. About 400 skateboarders 

and dancers performed to the premiere of a composition by 

composer Greg D’Alessio, assisted by Paul Cox. Also at Ingenuity, the 

CMA pavilion featured a fusion of art and technology where visitors could 

view a 3D animation of the medieval Table Fountain and a hologram of 

the Stone Age Stargazer or explore Picasso’s La Vie. Families donned special 

glasses to view the debut of a 3D video about the museum’s French 

Writing Desk directed by noted local video artist and filmmaker Kasumi. 

Education and Information Technology staff members also collaborated to 

present a unique educational event, co-sponsored with MOCA Cleveland, 

the Cleveland Institute of Art, Museum Computer Network, and Case 

and co-chaired by CMA Chief Information Officer Len Steinbach: Understanding 

the New Dynamic: Art, Technology, and the Mind was a two-day 

international symposium on the relationship of technology, new media, 

art, and the brain in association with MOCA Cleveland’s All Digital 

exhibition. Steinbach moderated the panel at a public program featuring 

digital artists, museum educators, and cognitive scientists. 

113

The Moonlady and 

Her Husband, an 

ensemble from the 

Chinese Academy of 

Cleveland, performed 

an acrobatic dance 

during the 2006 

Parade the Circle. 

114 

Major federal grants from the Institute of Museum and Library 

Services (IMLS) and the U.S. Department of Education leveraged the 

department’s work in the community. Through an IMLS grant— 

$500,000 for two years—the museum forged partnerships with Cuyahoga 

County Public Library branches in Mayfield Village and Maple Heights 

using interactive videoconferencing equipment. Teen audiences participated 

in poetry workshops and slams, while adults learned about art and 

the places where it was created in a lecture series titled Destinations in Art. 

The Educators Academy explored the integration of CMA and library resources 

around themes of literacy, diversity, and technology. 

The ETTA (Education through the Arts) grant from the Department 

of Education provided $209,800 for research in planning program installa- 

tions for the Lifelong Learning Center, which is scheduled to open by 

2010. Teacher workshops during the summer of 2005 identified possible 

interdisciplinary, curricular-rich themes for the center, while staff visits 

to children’s museums, science centers, and art museums in this country 

and Europe provided valuable insight into the possibilities of immersive 

interactive learning environments. Gallagher & Associates of Bethesda, 

Maryland, worked with CMA staff in planning the design of the center. 

The Lifelong Learning Center will be the final element in the Arts and 

Education Center, whose mission is to help visitors of all ages and backgrounds 

find pleasure and meaning in art in general and in the museum’s 

collection in particular.

A significant number 

of works from the 

Education Art Collection 

were re-evaluated and 

transferred to the 

permanent collection. 

Artist-archaeologist 

Kenneth Chapman, a 

key figure in Santa 

Fe’s School of 

American Research 

(SAR), made many 

drawings of motifs 

from Indian pottery 

like those shown here 

Olla (Water Jar), 1850– 

60; United States, 

Southwest, Zuñi 

Pueblo; ceramic, slip; 

Gift of Amelia Elizabeth 

White 1937.898. 

(above and borders at 

right). In 1922, SAR 

sponsored the first 

southwest Indian Fair, 

the precursor of 

today’s enormously 

popular Santa Fe 

Indian Market. 

Native North 

American Transfers 

Since June 2005, the museum’s collection 

of Native North American art has 

been impressively increased by the addition 

of some 225 baskets, ceramics, 

textiles, and works on paper. All were 

transferred from other areas within 

the museum, most from an obscure 

and intriguing collection tended by 

the Education Department and a few 

screenprints from Ingalls Library as 

well. The transfers—identified with 

the help of the outside expert consultants 

Dr. Laurie Webster (textiles) and 

Dr. Bruce Bernstein (baskets, ceramics)—were 

prompted by the building 

expansion project and the increased 

gallery space that it will provide for 

Native North American arts. The objects 

that remain in the Education Art 

Collection will be put to use in the Art 

To Go program, which takes art into 

area schools. 

The regions best represented by the 

transferred objects are the Southwest 

and the West. All 30 of the transferred 

textiles are of Navajo, Pueblo, or 

Basketry Food or 

Serving Bowl 

(Presentation Bowl), 

1880–90; United 

States, Great Basin, 

Panamint-Shoshone; 

plant fiber and 

northern Mexican origin; Pueblo or ancestral 

Pueblo artists also created the 

50 ceramics. They include 20 bowls of 

New Mexico’s ancient Mimbres culture, 

painted with charming figures or 

bold geometric designs, and a group 

of graceful 19th-century Zuñi ollas 

(water jars). Baskets range from very 

large Apache jars to miraculously tiny 

miniatures created by a Pomo 

(California) weaver to demonstrate 

her virtuoso skill. The works on paper 

include watercolors by Julian Martínez 

and Awa Tsireh (Alfonso Roybal) of 

koshare (sacred clown) performances 

at the San Ildefonso Pueblo, the Anglo 

artist Kenneth Chapman’s many drawings 

of motifs on Pueblo pottery, and 

several others. 

Kenneth M. Chapman 

(American, 1875–1968); 

Drawings of Three 

Designs from the 

Pottery of the San 

Ildefonso Pueblo, New 

Mexico, before 1928; 

orange-shafted flicker 

quills; diam. 49.5 cm; 

Presented by William 

Albert Price in 

memory of Mrs. 

William Albert Price 

1917.482. 

top, h. 25.4 cm, 

1928.47; middle (left), 

h. 24.5 cm, 1928.66; 

bottom, h. 25.4 cm, 

1928.41; Educational 

Purchase Fund. 

115

School and Teacher Services 

Art to Go and the Education Art Collection 

Presentation topics. Ancient Americas: Art 

from Mesoamerica; The Art of Writing: The 

Origin of the Alphabet; Artists of Our Region; 

China: Art and Technology; Classical Art: 

Ancient Greece and Rome; Cool Knights: 

Armor from the European Middle Ages and 

Renaissance; Diego Rivera: A Mexican Hero 

and His Culture; Early America: Artistry of a 

Young Nation; Journey to Africa: Art from 

Central and West Africa; Journey to Asia; 

Journey to Japan: A Passport to Japanese Art; 

Let’s Discover Egypt; Masks: Let’s Face It; 

Materials and Techniques of the Artist; 

The Museum Zoo: Animals in Art; Native 

American Art: Clues from the Past; Oodles 

and Oodles of Lines and Shapes; and Problem 

Solving: What in the World? 

CMSD participants. Almira Elementary, 

Audubon Middle, Newton D. Baker 

Elementary School for the Arts, Alexander 

Graham Bell Elementary, Bethune Elementary, 

Brooklawn Elementary, Buckeye– 

Woodland Elementary, Case Elementary, 

Clark Elementary, Cleveland School of the 

Creativity continued 

at the Shaker Square 

studio in early 2006. 

116 

Arts, Collinwood High School, Mary 

Cranwood Elementary, Paul Dunbar Elementary, 

Euclid Park Elementary, Benjamin 

Franklin Elementary, Robert Fulton 

Elementary, Joseph Gallagher Elementary, 

Glenville High School, Stephen Howe 

Elementary, Robert H. Jamison Computech, 

R. G. Jones Elementary, Kentucky Elementary, 

John F. Kennedy High School, Lincoln 

West High School, Douglas MacArthur 

Elementary, John Marshall High School, 

McKinley Elementary, Mound Elementary, 

Oliver Hazard Perry Elementary, Captain 

Arthur Roth Elementary, Marion Seltzer 

Elementary, Tremont Elementary, Charles A. 

Mooney Elementary, Walton Elementary, 

Watterson–Lake Elementary, and Waverly 

Elementary. 

Schools outside Cleveland. Agnon, All Saints 

of St. John Vianney, Art House, Ascension, 

Bryden Elementary, Canterbury Elementary, 

Chagrin Falls Intermediate, Citizen’s Academy, 

Coventry Elementary, Direction for 

Tomorrow Home School, Dike Montessori, 

Fuchs Mizrahi School, Gates Mills Elementary, 

Eleanor Gerson School, Hannah Gibbons 

Elementary, Greenview Elementary, 

Hathaway Brown, Hawken, Highland 

Elementary, Holy Cross Elementary, Holy 

Redeemer, Holy Trinity, Thomas Jefferson 

Elementary, Lakewood Lutheran, Laurel, 

Lutheran West High, Mayfield High School, 

Mercer Elementary, Mt. Auburn, Parma 

Heights Christian Academy, Parma High 

School Able Learners, Onaway Elementary, 

Oxford Elementary, Ratner School, Raymond 

Elementary, Roxboro Elementary, Ruffing 

Montessori, Shaker Heights High School, 

St. Ann’s, St. Columkille, St. Gregory the 

Great, St. Josephat, St. Mark’s School, St. 

Michael Elementary, St. Robert Bellarmine, 

St. Terese, University Settlement, University 

School, Valley Forge High School, and 

Woodbury Elementary. 

Teachers Advisory Committee. Ellen Battle, 

Carole Brown, Nancy Dvorak, Sue Foley, 

Cindy Guertin, Kathy Heidleberg, Dale 

Hilton, Christina Holtier, Phil Klienhentz, 

Shannon Masterson, John Prim, Joan Querry, 

Kitty Rose, Michael Starinsky, Betty Jo Scurei, 

Sister Mary Francismarie Seiler, Jean Sommers, 

and Sue Wilson. 


Class topics. A Is for Animal; A Is for Apple; 

African Art: Secular and Supernatural; African 

Masks; America’s Story through Art (5-part 

series): America Emerging (1700s), America 

Expanding (1801–61), America Transforming 

(1861–1918), America Enduring (1913–45), 

and America Diversifying (1945–2000); Ancient 

American Art: The Aztec and Their 

Ancestors; Arms, Armor, and Simple Machines; 

Art and Science: Natural Dyes; Art and 

Science: Photography (2-part series): How 

Does a Camera Work? and What Makes a 

Good Photograph?; The Art of Adornment; 

Aztec, Maya, and More!; Contemporary Art; 

Diversity, Neighborhoods, and Urban Issues; 

Egyptomania (4-part series): Daily Life, Hieroglyphics, 

Mummification, Animals in Art; 

Eye on the Moon; Form, Function, and Faith; 

From Estruscan to Modern: A Panorama of 

Italian Art; Gods and Heroes from Greece and 

Rome; Gods and Heroes of India; Gods and 

Heroes of the Maya; Harlem Renaissance; 

Impressionism; Japanese Art: Humble and 

Bold; Knights, Castles, and Kings; L’Art de 

L’Afrique; Math Connections; Medieval Masterpieces; 

Modernism: Early 20th-Century Art; 

Museum Careers; Native Americans and 

Settlers: Encounters in Early Ohio History; 

Professional Development: DL and Your 

Curriculum; “Race” Is a Four-Letter Word; 

Renaissance Painting: An Overview; 

Scary Art: A Halloween Special; Survey of 

Non-Western Art (13 university-level 

videoconferences); Spanish Art; and Tessellation 

Exploration. 

Communities served in the United States and 

abroad. England: Pinner; Arkansas: Sterling; 

Alabama: Huntsville; California: Quincy and 

San Rafael; Colorado: Durango; Connecticut: 

East Hartford; Florida: Fort Lauderdale and 

Naples; Illinois: Chicago and Peoria; Indiana: 

Bluffton, East Chicago, Gary, Indianapolis, 

Lanesville, Nashville, Nineveh, Noblesville, 

Petersburg, Shelbyville, Tell City, Williamsport, 

and Zionsville; Kentucky: Frankfort; Louisiana: 

New Orleans; Massachusetts: Belchertown, 

Concord, Dalton, Revere, Shelburne, and 

South Deerfield; Maine: Raymond; Michigan: 

Algonac, Alma, Bay City, Berrien Springs, 

Bridgman, Canton, Corunna, Fraser, Fremont, 

Galien, Gladwin, Grand Rapids, Holland, 

Lapeer, Michigan City, New Buffalo, Owosso, 

Roscommon, Saginaw, Spring Lake, St. 

Joseph, Sterling Heights, Watervliet, West 

Olive, and Zeeland; Minnesota: Cambridge; 

Missouri: Osage Beach and Otterville; Mississippi: 

Hattiesburg; North Carolina: Durham 

and Wallace; New Hampshire: Penacook; 

New Jersey: Alloway, Camden, Galloway, 

Hillsborough, Lincroft, Linden, Mays Landing, 

Neptune, Sandy Hook, Sewell, Shamong, 

Sicklerville, Wall, and Williamstown; New 

York: Albany, Amsterdam, Ardsley, Bayport, 

Belleville, Bethpage, Burnt Hills, Carle Place, 

Cheektowaga, Copiague, Deer Park, East 

Moriches, Eastchester, Elmira, Elmsford, 

Farmingdale, Freeport, Garnerville, Glen 

Head, Hamburg, Hampton Bays, Henrietta, 

Hicksville, Horseheads, Irvington, Levittown, 

Lido Beach, Massapequa, Merrick, Miller 

Place, Mt. Morris, North Massapequa, New 

York, Oceanside, Palmyra, Patchogue, Port 

Jefferson Station, Rocky Point, Roslyn Heights, 

Scarsdale, Schenectady, Scotia, Staten Island, 

Valley Stream, West Hempstead, Wellsville, 

West Nyack, White Plains, and Williamsville; 

Ohio: Akron, Alliance, Ashtabula, Atwater, 

Avon, Bartlett, Beachwood, Bellbrook, 

Bellefontaine, Bellevue, Belmont, Berea, 

Bluffton, Brunswick, Byesville, Cambridge, 

Canal Fulton, Canton, Chagrin Falls, 

Cincinnati, Cleveland, Columbus, Concord 

Township, Crooksville, Dayton, Dennison,

Docent Kermit 

Greeneisen answers 

questions during a 

school group tour of 

the Asian galleries in 

the spring of 2005. 

Young artists learn 

about silkscreen 

printing. 

Dresden, Elyria, Franklin, Fremont, Gates 

Mills, Granville, Hamilton, Haviland, Ironton, 

Jackson, Jamestown, Johnstown, Kent, Kirtland, 

Lagrange, Lisbon, Little Hocking, Lorain, 

Lyndhurst, Mason, Massillon, McDermott, 

Mentor, Middlefield, Middletown, Minerva, 

Newark, North Canton, North Ridgeville, 

Oberlin, Painesville, Parma, Pepper Pike, 

Perrysburg, Piketon, Poland, Proctorville, 

Richfield, Rocky River, Sandusky, Shaker 

Heights, Sheffield, Springfield, St. Clairsville, 

Steubenville, Streetsboro, Strongsville, 

Thornville, Tiffin, Tiro, Turin, Uhrichsville, 

Vincent, Walnut Creek, Wickliffe, Youngstown, 

and Zanesville; Pennsylvania: Allentown, 

Bala Cynwyd, California, Catasauqua, 

Easton, Emmaus, Erie, Fort Washington, 

Glenside, Media, Milford, Old Forge, and 

Pottstown; Tennessee: Chattanooga and Nashville; 

Texas: Amarillo, Arlington, Clarendon, 

College Station, Copperas Cove, Corpus 

Christi, Dallas, Godley, Houston, Lubbock, 

Magnolia, Mansfield, Mont Belvieu, Quinlan, 

Richardson, San Antonio, and Waco; Virginia: 

Alexandria, Reston, and Wirtz; Washington: 

Shelton and Skokomish Nation; Wisconsin: 

Greendale, La Crosse, and Neenah. 

Docent Program 

School tour topics. All Creatures Great and 

Small: Animals in Art; Children in Art; 

American Art; Arts of the African Continent; 

Arts of the Americas; Arts of the Renaissance 

and Baroque Eras; Castles and Knights: An 

Introduction to Life in the Middle Ages; 

Discover a World of Great Art; Dressed for 

Success; Egypt, Greece, and Rome; Face to 

Face; From Anubis to Zeus: Myths and Stories 

in Art; In the Footsteps of Buddha; Journey to 

Asia; Landscape Escapes; Line, Shape, and 

Color; Materials of the Artist: How Do They 

Do That?; Modern and Contemporary Art; 

Speak to the Arts: France; Speak to the Arts: 

German; Speak to the Arts: Spain; and Sports 

in Art. 

School Tour Program 

Students from Ohio counties and school districts. 

Allen: Lima City, Perry Local, and 

Wapakoneta City; Ashland: Ashland City and 

Crestview Local; Ashtabula: Grand Valley 

Local and Jefferson Area Local; Butler: Cincinnati 

Archdiocese; Clark: Cincinnati Archdiocese; 

Cuyahoga: Bay Village City, Beachwood 

City, Bedford City, Berea City, Brecksville– 

Broadview Heights, Chagrin Falls Exempted 

Village, Citizens Academy, Cleveland Catholic 

Diocese, Cleveland Heights–University 

Heights City, Cleveland Lutheran High 

School, Cleveland Municipal, Cuyahoga 

Heights Local, East Cleveland City, Euclid 

City, Fairview Park City, Hope Academy 

Cathedral Campus, the Intergenerational Jewish 

Education Center of Cleveland, Lakewood 

City, Lutheran Schools of Ohio, Maple 

Heights City, Mayfield City, North Olmsted 

City, North Royalton City, Old Brooklyn 

Montessori School, Olmsted Falls City, Orange 

City, Parma City, Polaris JV, Rocky 

River City, Shaker Heights City, Solon City, 

Strongsville City, Warrensville Heights City, 

and Westlake City; Delaware: Delaware JV; 

Erie: Berlin-Milan Local, Perkins Local, and 

Vermilion Local; Franklin: Canal Winchester 

Local, Columbus City, Columbus Diocese, 

and Horizon Science Academy Columbus; 

Geauga: Chardon Local, Cleveland Catholic 

Diocese, Newbury Local, and West Geauga 

Local; Guernsey: Cambridge City; Hamilton: 

Cincinnati Archdiocese; Henry: Patrick Henry 

117

Local; Holmes: West Holmes Local; Huron: 

Norwalk City and Western Reserve Local; 

Jackson: Jackson City; Knox: Mount Vernon 

City; Lake: Cleveland Catholic Diocese, 

Kirtland Local, Painesville City Local, Painesville 

Township Local, and Willoughby–Eastlake 

City; Logan: Riverside Local; Lorain: Amherst 

Exempted Village, Avon Lake City, Avon 

Local, Columbia Local, Firelands Local, 

Keystone Local, Lorain City, Midview Local, 

North Ridgeville City, and Oberlin City; 

Lucas: Springfield Local and Toledo City; 

Mahoning: Austintown Local, Boardman 

Local, Summit Academy–Youngstown, 

Youngstown Community, and Youngstown 

Diocese; Medina: Brunswick City, Highland 

Local, Medina City, and Wadsworth City; 

Montgomery: Cincinnati Archdiocese; 

Morrow: Highland Local and Mount Gilead 

Exempted Village; Muskingum: Zanesville 

City; Ottawa: Danbury Local; Portage: Aurora 

City, James A. Garfield Local, Kent City, 

Ravenna City, and Waterloo Local; Richland: 

Clear Fork Valley Local and Mansfield City; 

Seneca: Tiffin City; Shelby: Sidney City; Stark: 

Fairless Local, Lake Local, Marlington Local, 

Minerva Local, North Canton City, and Perry 

Local; Summit: Akron City, Cleveland Catholic 

Diocese, Manchester Local, Nordonia Hills 

City, Revere Local, Springfield Local, Stow- 

Munroe Falls City, Tallmadge City, and 

Twinsburg City; Trumbull: Brookfield Local, 

Lakeview Local, McDonald Local, and Niles 

City; Tuscarawas: Garaway Local, New 

Philadelphia City, and Strasburg-Franklin 

Local; Wayne: Chippewa Local, Green Local, 

Orrville City, Rittman Exempted Village, 

Southeast Local, and Wooster City; and 

Wood: Otsego Local. 

Students from other states and counties. 

Kentucky: Madison; Maryland: Anne Arundel; 

Michigan: Ingham, Jackson, Lapeer, and 

Wayne; New Jersey: Morris; New York: 

Allegany, Chautauqua, Crawford, Erie, 

Franklin, Lawrence, and Mercer; and West 

Virginia: Brooke. 

Students from other countries and provinces. 

Canada: Ontario. 

Special Outreach Programs 

Nia Coffeehouse collaboration with Cleveland 

Heights Libraries. 

House band: Vince Robinson and the Jazz 

Poets. 

Performers: Eddie Harris, Derrick James, Nick 

Moore, Duane Morris, Chuck Orange, Greg 

Pickett, and Vince Robinson. 

Guest musician: violinist Wanda Sobieska. 

Guest poets: Kelly Harris and Vince Robinson. 

118 

Family and Youth 

Circle Sampler Camp 

Cultural institutions: African American Museum, 

Cleveland Botanical Garden, Cleveland 

Institute of Art (CIA), Cleveland Institute of 

Music (CIM), Cleveland Museum of Art 

(CMA), Cleveland Museum of Natural History 

(CMNH), Cleveland Play House, 

HealthSpace Cleveland, MOCA Cleveland, 

and Western Reserve Historical Society 

(WRHS). 

Instructors: Debbie Apple-Presser and Mary 

Ryan. 

Early Learning Initiative 

Cultural institutions: Children’s Museum of 

Cleveland, CIM, Cleveland Botanical Garden, 

Cleveland Orchestra, Cleveland Play House, 

CMA, CMNH, Nature Center at Shaker 

Lakes, WRHS, and UCI. 

Day care centers: Church of the Covenant, 

Cleveland Sight Center, Cleveland Music 

School Settlement (CMSS), Daniel Morgan, 

Louis Pasteur, Karamu House, University 

Hospitals Kindercare, and Wade Day Care 

Center. 

Instructor: Kate Hoffmeyer. 

Future Connections 

Cultural institutions: Case Western Reserve 

University (Case), Children’s Museum of 

Cleveland, CIA, CIM, Cleveland Botanical 

Garden, Cleveland Play House, CMA, 

CMNH, MOCA Cleveland, WRHS, and 

UCI. 

Business partners: Allen Bradley Company, 

Cleveland Clinic Foundation, General Electric, 

Hard Hatted Women, Jones Day, Judson Park 

Retirement Community, and Ohio Savings 

Bank. 

Mentors: Dyane Hronek Hanslik and Arielle 

Levine. 

Museum Art Classes 

Instructors: Candice Dangerfield, Pamela 

Dodds, Dessi Ehrlich, Laura Ferrando, Jeanna 

Forhan, Lisa Focaretto, Rich Garr, Justin 

Garasz, Ashley Gerst, Kate Hoffmeyer, Shari 

Jamison, Christie Klubnik, Arielle Levine, 

Michaelle Marschall, Laura Marsh, Aileen 

McKimm, Kiel Mills, Cliff Novak, Colleen 

O’Malley, Carol Pressler, Alex Prudic-Dennis, 

Shawn Prudic-Dennis, Mary Ryan, Pam Sika, 

Jess Stork, Jaymi Zents, and Jenny Zito. 

Administrative assistants: Sarah Biederman and 

Mary Ryan. 

Supervisors: Dyane Hronek Hanslik and 

Nancy Prudic. 

SLAM IT! 

IMLS grant program collaboration with 

MOCA Cleveland. 

Band: Vince Robinson and the Jazz Poets. 

Poet MCs: Kelly Harris and Michael Salinger. 

Youth slam poets: Asheley Lewis, Jonathon 

Lykes, Mary Seats, and Anna Shvets. 

Special guest poets: Eris Dyson (Zion), Kelly 

Harris, Meredith Holmes (City of Cleveland 

Heights Poet Laureate), Michelle “Shelly” 

Rankins, Michael Salinger, Steven B. Smith, 

and Kathy Ireland Walker-Smith. 

IMLS poets/instructors: Kelly Harris, Vince 

Robinson, Beth Ann Sadowski, Michael 

Salinger, Steven B. Smith, and R. A. 

Washington. 

Festivals 

Chalk Festival 

Featured chalk artists: Anna Arnold, Augusto 

Bordelois, Dan Cherney, Barbara Chira, 

Wendy Mahon, Jesse Rhinehart, Story 

Rhinehart, and Robin VanLear. 

Musicians: Blues de Ville and Roberto 

Ocasio’s Latin Jazz Project. 

Participating groups: Firelands High (Oberlin), 

Hershey Montessori Farm School (Huntsburg), 

Hickory Ridge Elementary (Brunswick), Lake 

Center Christian School (Hartville), North 

Olmsted Schools, Riverside High (Painesville), 

and Girl Scout Troop 1658 (Parma). 

A Sparx Gallery Hop featured event. 

Circle of Masks Festival 

Artists: Wendy Mahon and Ian Petroni. 

Movement performers: MorrisonDance and 

Story Rhinehart Group. 

Parade the Circle Celebration 2005 

Guest artists: Pedro Adorno (Puerto Rico), 

Amy Ballestad (Minnesota), Kelvin Keli Cadiz 

(Trinidad and Tobago), Anne Cubberly 

(Connecticut), Sharon Epperson (New York), 

Ronald Guy (Trinidad and Tobago), Michael 

Guy-James (Trinidad and Tobago), Brad 

Harley (Canada), Oliver Hospedales (Trinidad 

and Tobago), Ana Paula Jones (Brazil), Mary 

Jo Nikolai (Minnesota), Nkhruma Potts 

(Trinidad and Tobago), Rick Simon (Canada), 

Cathy Vigo (Puerto Rico), and Rudolph 

“Murphy” Winters (Trinidad and Tobago). 

Artists and support staff: Debbie Apple-Presser, 

Abby Baumgartner, Sue Berry, Philip Brutz, 

Hector Castellanos-Lara, Kathy Colquhoun, 

Michael Crouch, Kathy Curnow, Maureen 

Dixon, Nan Eisenberg, Liza Goodell, Dyane 

Hronek Hanslik, Taliesin Reid Haugh, D. 

Scott Heiser, Vicki Isphording, Mark Jenks, 

Barbara A. Kathman, Wendy Mahon, Julia 

Pankhurst, Ian Petroni, Nancy Prudic, Jesse 

Rhinehart, Story Rhinehart, Lizzie Roche, 

Donna Spiegler, Jan Stickney, Chuck Supinski, 

Gail Trembly, Robin VanLear, Bill Wade, and 

Craig Woodson. 

Poster: Jesse Rhinehart. T-shirt: Mark Jenks. 

UCI member institution groups: Abington 

Arms, the Children’s Museum of Cleveland, 

Cleveland Public Library (CPL), CMA and the 

Womens Council of the CMA, CMNH,

Featured artist Anna 

Arnold works on her 

drawing on the south 

steps during the 2005 

Chalk Festival. 

CMSS, Judson Retirement Community, 

Karamu House Inc., Lake View Cemetery, 

Mount Zion Congregational Church, St. 

Adalbert Church, the Sculpture Center. 

Directors ensemble: Case (Edward M. Hundert, 

president), CIM (David Cerone, president), 

City of Cleveland ( Jane L. Campbell, mayor; 

Patricia Britt, Ward 6 councilwoman; Kevin 

Conwell, Ward 9 councilman), Cleveland 

Hearing and Speech Center (Bernard P. Henri, 

executive director), CMA (Katharine Lee 

Reid, director, and James T. Bartlett, president) 

and the Womens Council of the CMA 

(Linda McGinty, chair), CMNH (Bruce 

Latimer, executive director), CPL (Andrew 

Venable, director), Dunham Tavern Museum 

(Garrit Wamelink, president), Epworth-Euclid 

United Methodist Church (L. Chris Martin, 

pastor), Judson Retirement Community 

(Cynthia Dunn, president), Lake View Cemetery 

(William L. Garrison, president and CEO), 

MOCA Cleveland ( Jill Sndyer, executive 

director), Mount Zion Congregational Church 

(Paul Hobson Sadler Sr., pastor), Nature 

Center at Shaker Lakes (Nancy King Smith, 

executive director), the Sculpture Center 

(Lisa Winstel, executive director), UCI (Terri 

Hamilton Brown, president), University 

Hospitals Health System ( Jeffrey C. Boutelle 

Sr., vice president, Marketing and Communications), 

WRHS (Patrick H. Reymann, 

president and CEO), and Young Audiences 

of Greater Cleveland (Marsha Dobrzynski, 

executive director). 

Schools and education groups: Andrews School; 

Citizens’ Academy; Cleveland Heights– 

University Heights Schools: Canterbury 

Elementary, Coventry Elementary, and Fairfax 

Elementary; CMSD: Cleveland School of 

the Arts and Charles Dickens Elementary; 

CMSS Preschool and Day School; Cooperative 

Nursery School at Heights Christian 

Church; Fairview Park Schools: Parkview 

Intermediate; Hathaway Brown School; Holy 

Name Elementary; Laurel School; Old Brooklyn 

Montessori School (2 groups); Peaceful 

Children’s Montessori School; Positive 

Education Program; St. Adalbert Enrichment 

Program; Strongsville Schools: Chapman 

Elementary; and University School. 

Community groups: Abington Arms Art 

Therapy Program; Art House; Art on Wheels, 

Inc.; Arts Collinwood; Benjamin Rose Adult 

Day Program; Bridgeway Inc./Denison Playhouse; 

Café Bellas Artes; Catholic Charities/ 

Hispanic Senior Center; Center for Families 

and Children/RapArt; the Children’s Museum 

of Cleveland; Chinese Academy of Cleveland; 

Cleveland Heights–University Heights Public 

Library; Cleveland Public Theatre Brick 

City Players; CMNH Book Explorers; CPL; 

Cuyahoga County Board of Mental Retardation 

and Developmental Disabilities; Families 

with Children from China of Greater 

Cleveland; Girl Scouts of Lake Erie Council 

Junior Troop 598; Global Awareness Through 

the Arts (& Sciences); Goodrich–Gannett 

Neighborhood Center; Hessler Street Fair; 

Jewish Big Brother/Big Sister Association; 

Judson at University Circle; Julia de Burgos 

Cultural Arts Center; Karamu House Inc.; 

Lakeview Terrace Community Center; Mount 

Zion Congregational Church UCC; Northeast 

Ohio’s Own OooEeee Teen Talent Troupe; 

Ohio City Bike Co-op Passport Project; 

Pomerene Center for the Arts; Rainey Institute; 

Raízes da Tradição Institute (Brazil); 

Sierra Club Inner City Outings; the Sculpture 

Center; Thea Bowman Center; and Trinity 

Commons. 

Music and dance groups: Agua, Sol y Sereno 

(Puerto Rico); Aphrodesiatics; Chris Hovan 

and Friends; Cleveland School of the Arts 

Student Dancers; Dahmia’s Turkish Dance; 

Galiana Belly Dance; Inlet Dance Theatre; 

Jerry Keller, Mal Barron, and Tim Miller 

(Saxophoneville); Maravilhas; Mellow Harps 

Steel Band; New Orleans Jazz Ensemble; Panic 

Steel Ensemble; Pharaoh’s Daughters; 

Polyrhythmics with Wall of Sound; Sisters in 

Dance; Yeleni; and Yiddishe Cup. 

Circle Village activities presenters: Children’s 

Museum of Cleveland, CIA, CIM, Cleveland 

Botanical Garden, Cleveland Hearing and 

Speech Center, Cleveland Orchestra, CMA, 

CMNH, CMSS, CPL, Dunham Tavern Museum, 

Epworth-Euclid United Methodist 

Church, HealthSpace Cleveland, Karamu 

House Inc., KinderCare, Lake View Cemetery, 

Montessori School at Holy Rosary, 

MOCA Cleveland, Nature Center at Shaker 

Lakes, Ohio College of Podiatric Medicine/ 

Cleveland Foot & Ankle Clinic, Puppetry 

Guild of Northeastern Ohio, Ronald 

McDonald House of Cleveland, Western Reserve 

Association for the Preservation and 

Perpetuation of Storytelling (WRAPPS), 

WRHS; Womens Council of the CMA, and 

Young Audiences of Greater Cleveland. 

Pole banner artists (new banners): CPL, 

Langston Hughes Branch; Kate Hoffmeyer; 

Vicki Isphording; Walt Wali Neil; Seema Rao; 

Mary Ryan; Horizon Science Academy; and 

CMA High School Museum Ambassadors 

from Padua Franciscan, Shaw (East Cleveland 

Schools), and Valley Forge (Parma Schools). 

Sponsors: The Womens Council of the 

Cleveland Museum of Art. Additional support 

from the Ohio Arts Council; the Cleveland 

Coca-Cola Bottling Company; Plidco; Target 

Corp; the City of Cleveland, Jane L. 

Campbell, Mayor; Cleveland City Council 

members Patricia J. Britt, Ward 6, Sabra Pierce 

Scott, Ward 8, and Kevin Conwell, Ward 9; 

Cuyahoga County Board of Commissioners 

Jimmy Dimora, Timothy F. Hagan, and Peter 

Lawson Jones. Promotional support provided 

by 89.7 WKSU, The Plain Dealer, and Northern 

Ohio Live. Special thanks to Jo-Ann Stores, 

Charlie’s Fabrics, and Distillata. Outreach 

support from Young Friends of the Cleveland 

Museum of Art. 

119

Abington Arms's “Crazy 

Mixed-up Circus” from 

2005 Parade the Circle. 

First Living Expressions International 

Conference 

Held at Case. Presented by CMA Community 

Arts department with Case and Raízes da 

Tradição Institute (Brazil). 

Presenters: Agua, Sol y Sereno, Puerto Rico 

(Pedro Adorno, founder and director); the Arts 

League of Michigan (Oliver Ragale Jr., president); 

Brazil (Leonardo Brant, vice-chairman, 

International Network for Cultural Diversity; 

Fábio de Sá Cesnik, lawyer and partner, 

Cesnik, Quintino and Salinas; Ana Paula Jones, 

founder and director, Raízes da Tradição 

Institute; and Sergio Sá Leitão, assistant to the 

minister of culture); the Cleveland Foundation 

(Kathleen Cerveny, program director, Arts and 

Cultural Programs and Initiatives); CMA 

(Massoud Saidpour, director, Performing Arts, 

Music, and Film; Robin VanLear, artistic 

director, Community Arts; Marjorie Williams, 

director, Education and Public Programs); 

Cleveland State University (Donald Ramos, 

department of history); Immigrant Worker 

Project ( Jeff Stewart, director); Ingenuity 

Festival ( James Levin, co-director); Ohio Arts 

Council ( Jami Goldstein, communications 

manager); and World Music Institute (Isabel 

Soffer, associate director). 

Performance: Panic Steel Ensemble. 

120 

Winter Lights Lantern Festival 

Environment of Lights installation artists: 

Michael Guy-James, Mark Jenks, Wendy 

Mahon, Jesse Rhinehart, Mark Sugiuchi, 

Robin VanLear. Technical assistance: Michael 

Guy-James, Carl Johnson. Puppets: Joshua 

Brown, Melissa Gruca, Scott Heiser, Ian 

Petroni, Bill Wade, Christopher Whitney. 

Dancers: Meghan Haas, Story Rhinehart, 

Lizzie Roche. Umbrella Dancers: Rebecca 

Inman, Margret Ludlow, Leila Pelhan, Allison 

Prucha. 

Music: John Spuzzillo Percussion Group. 

Guest lantern artists: Debbie Apple-Presser, 

Hector Castellanos-Lara, Michael Guy-James, 

Tim Haas, Wendy Mahon, Abby Maier, Ian 

Petroni, Nancy Prudic, Story Rhinehart, and 

Lizzie Roche. 

Winter Lights lantern-making workshops at 

Cleveland Botanical Garden. 

CircleFest music: Hathaway Brown Bravuras. 

Celebrity readers: Margaret Bernstein, Plain 

Dealer; Gregory Johnson, the Urban League; 

Kim Johnson, WZAK; and Mark Ribbins, 

WNWV. 

The Winter Lights Lantern Festival was supported 

by Cleveland Public Power. 

Community Arts Appearances 

Akron Children’s Hospital Opening; 

Cleveland Botanical Garden WinterShow; 

Cleveland Indians pre-game; Cleveland 

Metroparks Zoo, Boo at the Zoo (8 days); 

CMA Fast Forward at CIA; CMA Foundation 

Day; CMA Summer Courtyard; Discover the 

Lakefront at North Coast Harbor (11 appearances); 

El Dia de los Muertos; First United 

Methodist Church; Ingenuity Festival; National 

City Bank Building; North Union 

Farmers Market at Crocker Park (2 appearances); 

North Union Farmers Market at 

Shaker Square (8 appearances); Ocasio Foundation 

at Lake Erie College; ParkWorks Discover 

the Lakefront at North Coast Harbor (2 

appearances); Punderson State Park Corporate 

Dinner; Sparx Street Beats (5 appearances); 

Stan Hywet Hall and Gardens (2 days); 

Tremont Arts and Cultural Festival (2 days); 

UCI Fall for the Circle; University Circle 

Scarecrows; UCI Wade Oval Wednesdays; and 

Warehouse District Street Festival. 

Circle of Masks Festival at Shaker Square 

2006 

Artists: Debbie Apple-Presser and Abby Maier. 

Movement performers: MorrisonDance.

Parade the Circle 2006 

Guest artists: Mauricio Alves (Brazil), Kelvin 

Keli Cadiz (Trinidad and Tobago), Liza 

Goodell (Pennsylvania), Ronald Guy (Trinidad 

and Tobago), Michael Guy-James (Trinidad 

and Tobago), Brad Harley (Canada), Ana Paula 

Jones (Brazil), Nkhruma Potts (Trinidad and 

Tobago), Myra Rasmussen (Oregon), Inskip 

Rochford (Trinidad and Tobago), Rick Simon 

(Canada), Kelvin “Zuzie” St. Rose (Trinidad 

and Tobago), and Rudolph “Murphy” Winters 

(Trinidad and Tobago). 

Artists and support staff: Debbie Apple-Presser, 

Abby Baumgartner, Sue Berry, Chris Auerbach 

Brown, Hector Castellanos-Lara, Kathy 

Colquhoun, Michael Crouch, Joe DeJarnette, 

Maureen Dixon, Nan Eisenberg, Dyane 

Hronek Hanslik, Taliesin Reid Haugh, D. 

Scott Heiser, Vicki Isphording, Mark Jenks, 

Carl Johnson, Buff Jozsa, Barbara A. Kathman, 

Sheila Keller, Wendy Mahon, Abby Maier, 

Julia Pankhurst, Ian Petroni, Nancy Prudic, 

Jesse Rhinehart, Story Rhinehart, Lizzie 

Roche, Donna Spiegler, Jan Stickney, Chuck 

Supinski, Gail Trembly, Robin VanLear, Bill 

Wade, and Craig Woodson. 

Poster and T-shirt: Story Rhinehart. 

UCI member institution groups: Abington 

Arms, Benjamin Rose, the Children’s Museum 

of Cleveland, CMA, CMNH, CMSS, CPL, 

Judson at University Circle, Lake View Cemetery, 

Mount Zion Congregational Church, 

and the Womens Council of the CMA. 

Directors ensemble: Children’s Museum of 

Cleveland ( Jeffrey A. Saxon, president and 

executive director), Cleveland Hearing and 

Speech Center (Bernard P. Henri, executive 

director), CIA (David Deming, president), 

CIM (David Cerone, president), CMA 

(Timothy Rub, director, and James T. Bartlett, 

president) and the Womens Council of the 

CMA (Linda McGinty, chair), CMNH (Bruce 

Latimer, executive director), CPL (Andrew 

Venable, director), Cleveland Sight Center 

(Michael E. Grady, director); Dunham Tavern 

Museum (Marsha French, co-president), 

Epworth-Euclid United Methodist Church 

(L. Chris Martin, pastor), Judson Services Inc. 

(Cynthia H. Dunn, president and CEO), 

MOCA Cleveland ( Jill Snyder, executive director), 

Mount Zion Congregational Church 

(Paul Hobson Sadler Sr., pastor), Musical Arts 

Association ( James D. Ireland III, president), 

Nature Center at Shaker Lakes (Steve Cadwell, 

executive director), UCI (Chris Ronayne, 

president, and R. Thomas Stanton, chairman), 

WRHS (Patrick H. Reymann, president and 

CEO), and Young Audiences of Greater 

Cleveland (Marsha Dobrzynski, executive 

director). 

School and education groups: Bedford City 

Schools: Carylwood Intermediate, Bedford 

High; Brunswick High (3 groups); Citizens’ 

Academy; Cleveland Heights–University 

Heights Schools: Coventry Elementary, Fairfax 

Elementary, Cleveland Heights High Art Club; 

CMSD Motivation Through Excellence Pro- 

gram: Audubon, Mary M. Bethune, George 

Washington Carver; CMSS Preschool and Day 

School; CMA Museum Ambassadors from 

Strongsville High, Valley Forge High (Parma 

Schools), and Padua Franciscan High; Fairview 

Park Schools: Parkview Intermediate Art Club; 

Holy Name Elementary; Laurel School; 

Mayfield Schools: Mayfield Middle; Old 

Brooklyn Montessori School; Peaceful Children 

Montessori School; St. Joseph Elementary; 

Shaker Heights Schools: Woodbury Elementary; 

South Euclid–Lyndhurst Schools: 

Ridgebury Elementary, Sunview Elementary; 

Strongsville Schools: Chapman Elementary and 

Strongsville High. 

Community groups: Abington Arms Art 

Therapy Program; Art House; Art on Wheels, 

Inc.; Benjamin Rose; Broadway Project on 

Public Art; Catholic Charities/Hispanic Senior 

Center; Center for Families and Children/ 

RapArt; Cleveland Magazine; Cleveland Peace 

Action; Concordia Care; The Children’s Museum 

of Cleveland; The Chinese Academy of 

Cleveland; CMNH Book Explorers; Cleveland 

Public Theatre Brick City Theatre; CPL; 

Cuyahoga County Board of Mental Retardation 

and Developmental Disabilities (2 groups); 

Daisy Scouts of East Cleveland; Despertar 

Community Association (Brazil); Girl Scouts of 

Lake Erie Council Troop 598; Global Awareness 

through the Arts (& Sciences); Golden 

Ciphers; Goodrich-Gannett Neighborhood 

Center; Great Lakes Theater Festival; Hessler 

Street; Judson at University Circle; Lakeview 

Terrace Community Center; Miguate (Mayan 

Immigrants from Guatemala); Mount Zion 

Congregational Church; Northeast Ohio’s 

Own OooEeee Teen Talent Troupe; Ohio 

City Bike Co-op Passport Project; Rainey 

Institute; Raízes da Tradição Institute (Brazil); 

Sierra Club Inner City Outings; University 

Settlement; and Woodbury Road Neighbors. 

Music and dance groups: 7 Mile Island; 

Aquarela do Mundo; Brunswick High; Cheryl 

and Cheryl; Chris Hovan and Friends; Gypsy 

Soul; Hareem Shar’eem; Inlet Dance Theatre 

Company and Student Dancers; Jerry Keller, 

Mal Barron, Norman Tischler, and Tim Miller 

(The Cleveland Saxtet); Panic Steel Ensemble; 

Pharaoh’s Daughters; Polyrhythmics Featuring 

Wall of Sound; and Sutphen School of Music at 

Phillis Wheatley Association. 

Circle Village activities presenters: Children’s 

Museum of Cleveland, Cleveland Botanical 

Garden, Cleveland Hearing and Speech Center, 

CIA, CIM, CMA, CMNH, CMSS, Cleveland 

Orchestra, Cleveland Play House, CPL, 

Dunham Tavern Museum, Epworth-Euclid 

United Methodist Church, Huntington 

National Bank, Judson at University Circle, 

Karamu House Inc., KinderCare, Lake View 

Cemetery, MOCA Cleveland, Nature Center 

at Shaker Lakes, Ohio College of Podiatric 

Medicine/Cleveland Foot & Ankle Clinic, 

Puppetry Guild of Northeastern Ohio, Ronald 

McDonald House of Cleveland, WRAPPS, 

WRHS, Womens Council of the CMA, and 

Young Audiences of Greater Cleveland. 

Parade the Circle 

artistic director Robin 

VanLear works on a 

giant puppet head. 

Pole banner artists (new banners): Brunswick 

High, Cleveland Hearing and Speech Center, 

Hawken School, Kate Hoffmeyer, Horizon 

Science Academy, and New Life Community. 

Sponsors: The Womens Council of the 

Cleveland Museum of Art. Additional support 

from the Ohio Arts Council; the Cleveland 

Coca-Cola Bottling Company; the City of 

Cleveland, Frank G. Jackson, mayor; Cleveland 

City Council members Patricia J. Britt, Ward 6, 

Sabra Pierce Scott, Ward 8, and Kevin 

Conwell, Ward 9; Cuyahoga County Board of 

Commissioners Jimmy Dimora, Timothy F. 

Hagan, and Peter Lawson Jones; Huntington 

National Bank; Case; and Plidco. Promotional 

support provided by 89.7 WKSU and Cleveland 

Magazine. Special thanks to Charlie’s Fabrics 

and Distillata. Outreach support from Young 

Friends of the Cleveland Museum of Art. 

Community Arts Appearances 

January–June 2006. Allen Memorial Art Museum 

Chalk Festival and Workshop (Oberlin), 

Coventry Street Fair, Grand Prix of Cleveland 

(2 days), Larchmere Street Festival, North 

Union Farmers Market at Crocker Park, North 

Union Farmers Market at Shaker Square (4 

appearances), Meet Me at the Mall (2 appearances), 

Movie under the Stars, Orange High 

School Spring Fair, ParkWorks, Sparx Street 

Beats, and University Heights Memorial Day 

Parade. 

121

Adult Programs 

Exhibition Programs 

Dukes & Angels: Art from the Court of Burgundy 

1364–1419 

Lecture: Colin Eisler, Robert Lehman Professor 

of Fine Arts, Institute of Fine Arts, 

New York University, “Theatrical Illusion 

and the Art of the Court of Burgundy, circa 

1400.” 

From Leipzig 

Lectures: Saul Ostrow, CIA, “The Leipzig 

School”; and Andrea Falcione Feldman, 

curator, Ortiz Family Collection, “From 

Leipzig.” 

Masterworks from The Phillips Collection 

Lectures: Jay Gates, director, the Phillips 

Collection, “Renoir’s Luncheon of the Boating 

Party and Beyond: Duncan Phillips as a Collector”; 

Richard R. Brettell, professor, University 

of Texas at Dallas, “The Unspoken 

Rivalry between Collectors Duncan Phillips 

and Albert Barnes”; Debra N. Mancoff, author 

and scholar, “Monet’s Garden”; Margaret 

E. Burgess, CMA, “Duncan Phillips 

Paintings and CMA Comparisons”; and 

Alexandra Leaf, independent scholar, “The 

Impressionist Table.” 

The NEO Show 

Artist lecturers: Nina Barcellona, Elaine 

Battles, Brian Benchek, John Beukemann, 

Philip Brutz, Kathy Buszkiewicz, Shane 

Carrico, Laurence Channing, Jeffry Chiplis, 

Terry Clark, Blake Cook, Jeff Falsgraf, Mary 

Lou Ferbert, George Fitzpatrick, Carol 

Hummel, Benjamin Kinsley, Eva Kwong, 

Jason Lee, Stephen Litchfield, Kathy Lynn, 

Brigitte Martin, Andrew McAllister, Loren 

Naji, Jeanne Reagan, Mark Reigelman, 

Dante Rodriguez, and James Seward. 

Visions of Japan: Prints and Paintings from 

Cleveland Collections 

Lecture: Mitzi Verne, collector, and Michael 

Verne, director, the Verne Gallery, “Visions 

of Japan: Personal Insights.” 

Lecture course: Marjorie Williams, CMA, 

“Visions of Japan.” 

Demonstration: Paul Arnold, artist, Oberlin, 

“Woodblock Printing Techniques.” 

CMA@ MOCA 

The Persistence of Geometry 

It’s Geometric Family Day. 

Transitions: Linda Butler and Philip Brutz 

Lecturers: Linda Butler and Philip Brutz. 

122 

Lecture Series 

Archaeological Institute of America Series 

Kathleen Lynch, University of Cincinnati, 

“Sex Sells, But Who’s Buying? Erotic Imagery 

on Attic Vases”; Suzanne Richard, Gannon 

University, “Khirbet Iskander ( Jordan): 

A City in Collapse at the End of the Early 

Bronze Age”; and Stuart Manning, University 

of Toronto, “Origins of Minoan Palaces.” 

The Annual John and Helen Collis Lecture 

Dr. Helen C. Evans, curator for Byzantine art, 

department of Medieval Art and the Cloisters, 

the Metropolitan Museum of Art, “Art and 

Empire—Byzantium: Faith and Power at The 

Metropolitan Museum of Art.” 

Other Lectures 

Henry Adams, Case, “Thomas Eakins”; 

Charlotte Vignon, CMA, “Collecting 

18th-Century French Decorative Art during 

the American Golden Age (1880–1930)”; and 

Seema Rao, CMA, “The Art of Flora: Depiction 

of Flowers in Western and Eastern Art.” 

Lecture Courses 

Education department staff, “Art Appreciation 

for Beginners: Egypt, Greece, Rome, Early 

Christian and Byzantine, Romanesque, 

Gothic, Italian Renaissance, Northern Renaissance, 

Baroque Italy and Spain, 18th-Century 

France, and 19th-Century France,” “Destinations 

in Art History: The Taj Mahal and the 

Emperors of India, Versailles, and Buddhist 

Temples in Japan,” and “Art and Faith Lecture 

Series: Hinduism, Buddhism, Christianity, 

Islam, and Judaism”; Education department 

staff and Ingalls Library staff, “The Art and 

Fiction Book Club”; Stephen Fliegel, CMA, 

and Rev. David A. Novak, pastor of Holy 

Trinity Church, Lorain, “Faith and Power: 

Meaning in Christian Art in the Middle Ages”; 

Dale Hilton, CMA, “America’s Stories Lecture 

Series”; Seema Rao, CMA, “Tibetan Art”; 

and Michael St. Clair, CMA, “Architecture 

Thursdays: The Architecture of Cleveland in 

Walking Tours.” 

A class on Chinese 

ink brush painting 

delighted adult 

students. 

Studio Courses 

Education staff: Art Extravaganza Studio Open 

House. Debbie Apple-Presser: Explorations in 

Textiles; Stories in Your Life: Textile Scrolls; 

Materials of the Artist: Egg Tempera and Gold 

Leaf; and Pursemaking. Susan Gray Bé: Oil 

Painting in the Galleries; Portraiture; Painting 

in Oil; Still Life; Drawing for the Painter; 

Seasonscapes; Composition in Oil; Drawing 

and Painting from Life; and Botanical Arts 

Classes. Emily Blaser: Jewelry. Robert Dasher: 

Trompe L’Oeil. Charles Eiben: Basics of 

Framing. Laura Ferrando: Art Sampler: Explorations 

for Beginners; Mosaics; and Weaving. 

Dyane Hronek Hanslik: Watercolor. Kate 

Hoffmeyer: How Do You Draw from the 

Right Side of the Brain?; Relief Printmaking; 

Printmaking; Drawing the Human Figure; 

Introduction to Painting; and Introduction to 

Drawing. Diane Klann: Calligraphy. George 

Kozmon: Drawing the Figure. Mitzi Lai: Chinese 

Brush Painting and The Art of Chinese 

Brush Painting—A Focus on Orchids. Arielle 

Levine: Memory Books and Memorybooks 

and Bookmaking. A. D. Peters: Oil Pastels. 

Shresta Premnath: Digital Photography. Jesse 

Rhinehart: Advanced Watercolor; Drawing; 

Watercolor in the Evenings; and Beginning 

Watercolor. Judy Smith: Quilting for Today. 

Jaymi Zents: Papercrafting; Dollmaking; Beading; 

and Classical Figurative Sculpture.

Summary of Attendance, 2005–6 

Total Attendance, Museum 334,234 

Education and Public Programs 

Community Arts 

Chalk Festival 4,000 

Circle of Masks 1,250 

Community Arts (off-site events) 134,840 

Parade the Circle Celebration 103,000 

Winter Lights Lantern Festival 11,000 

Total 254,090 

School and Teacher Services 

Art To Go 8,535 

Distance Learning 28,129 

Docent-led groups (children) 23,781 

Freeman grant 840 

IMLS grant teacher programs 47 

Monitored drawing 169 

School studio programs 1,826 

Self-guided groups (children) 11,369 

Staff-guided groups (children) 2,792 

Teacher Resource Center 409 

Teacher Resource Center (off-site) 341 

Total 78,238 

Family and Youth Programs 

Community outreach programs 958 

Family workshops 930 

High school programs 174* 

Martin Luther King Jr. Day 2,103 

Museum Art Classes 4,377* 

SLAM IT! (IMLS program) 46 

Special youth programs 699* 

Total 9,587 

For Adults 

Case audit classes for members 666* 

Case classes 7,254* 

Docent-led groups 1,096 

Docent-led gallery talks 1,612 

Docent-led highlights tours 1,549 

Lifelong learning programs 388* 

Public lectures 1,456 

Recorded tours 1,160 

Self-guided groups 2,252 

Staff-guided groups 6,853 

Staff-led gallery talks 1,684 

Studio classes 6,978* 

Total 32,948 

Grand Total, Education 374,863 

*reflects multi-attendance 

Performing Arts, Music, and Film 

Gala Music Series 2,683 

Master classes and lectures 311 

Music of the Belle Époque 325 

Panorama Film Series 5,495 

VIVA! & Gala Around Town 27,373 

VIVA! Festival of Performing Arts 3,261 

Total 39,448 

Grand Total 414,311 

Ingalls Library 

Website 1,466,762 visits 

Top three requested items, in order: image 

collection, book collection, and May Show 

database 

Book Library 

Cataloging 

Books cataloged 9,411 titles in 9,557 items 

includes books, serials, electronic resources, 

microforms, scores, and video and audio 

recordings, in Roman and CJK scripts 

Volume count as of 

June 30, 2006 

325,743 titles in 418,743 volumes 

Book repairs 2,721 

Headings added to ArtNACO 135 

Acquisitions 

Books ordered 5,171 

Books received 8,651 

Gifts received 1,811 

Exchanges received 1,051 

Public Services 

Staff use 2,260 

Nonstaff users registered 3,898 

Book circulation 32,652 

Museum staff 19,977 

Case 10,161 

Members 768 

Other researchers 1,746 

Books shelved 43,774 

Reference questions answered 1,905 

including 614 e-mail questions 

Website questions answered 121 

Books handled via courier run 4,825 

Interlibrary loans 1,613 

284 as borrower, 1,329 as lender 

Serials 

Total serial titles 3,086 

Current subscriptions and memberships 1,151 

New subscriptions 31 

Current serials gifts and exchanges 480 

Total serial issues received 7,175 

Total serials holdings 53,754 

Volumes bound 

SCIPIO (Sales Catalog Index Project 

Input Online) 

Sales catalogs received and 

4,342 

records added 2,918 

Total records in online system 84,993 

Image Library 

Images downloaded from catalog 

(since 1/1/2006) 1,645 

Images scanned for patrons/ 

CMA faculty 9,560 

BackStage digitization project 83,990 

Image plus data 56,850 

Image only 27,140 

CMA image catalog and storage facilities 

Records in Zoph (images) only 178,188 

Records online in Re:Discovery 

(cataloged data and metadata) 229,482 

Acquisitions 

Digital images purchased 852 

Cataloging 

Entered 5,029 

Cataloged 16,219 

Archives 

Records accessioned 502 cubic feet 

Records processed 50 cubic feet 

Plus 65 drawers of architectural drawings, 

approximately 6,000 drawings 

Total holdings 

as of June 30, 2006 2,323 cubic feet 

Plus 65 drawers of architectural drawings 

and electronic records 

Finding aids/box lists prepared 15 

Record schedules implemented 14 

Reference questions answered 314 

Museum staff 203 

Public 111 

123

Staff 

124 

Director’s Office 

Katharine Lee Reid, 


(until April 2006) 

Timothy Rub, 


2006) 

Roberto Prcela, 

Assistant Secretary of 

the Board 

Judy Bennington, 

Executive Assistant 

Administration 

Janet Ashe, Deputy 

Director of 

Administration and 

Treasurer 

Cindy Ross, 


Design and 

Architecture 

Division 

Jeffrey Strean, 

Director of Design 

and Architecture 

Andrew Gutierrez, 

Exhibition Designer 

Amy Draves, 

Administrative 

Assistant 

Design 

JoAnn Dickey, 

Graphic Designer 

Terra Pileski, 

Production Designer 

Mary Thomas, 

Production 

Designer* 

Installation 

Jeff Falsgraf, Chief of 

Installation 

Joseph R. Blaser Jr., 

Lead Technician, 

Permanent 

Collection 

Robin Roth, 

Graphics Technician 

Gerald L. Smith+ 

Carpenter/Museum 

Technician 

Robin Presley, 

Facilities Painter 

Philip Brutz, 

Installation 

Technician 

* part-time 

+ deceased 

Mark McClintock, 

Installation 

Technician 

Hannah Ries, 

Installation 

Technician 

Dante Rodriguez, 

Installation 

Technician* 

Operations Division 

Facilities 

Thomas Catalioti, 

Director of Facilities 

Tonya Shaffer, 

Assistant to the 

Facilities Manager 

Bern Ninteenofive, 

General Helper 

Construction Services 

Mark Unick, 

Foreman, 

Construction 

Services 

Dominique Halley, 

Construction 

Services Technician 

Engineering 

Joseph Z. Jamrus, 

Engineering 

Supervisor 

Anthony Lee, 

Facilities Technician 

Frank Babudar, 

Engineer 

Thomas J. Cari, 

Engineer 

Anthony Ceo, 

Engineer 

Fred E. Sanders, 

Engineer 

Ibn Taylor, Engineer 

Building Services 

Joe Savage, Building 

Services Supervisor 

Shawn Burns, 

General Cleaner 

LaTonya Cozart, 


Susan Evan, General 

Cleaner 

Brian Ferguson, 


Brian Fields, General 

Cleaner 

Rebecca Harrison, 


Deanna Miller, 


Bobby Shoulders, 


John Weems, 


Cynthia Wiggins, 


Monica Wiggins, 


Avila Winston, 


Grounds 

Thomas Hornberger, 

Grounds Supervisor 

Ronald L. Crosby, 

Group Leader/ 

Groundskeeper 

Allen C. Jesunas, 

Grounds Assistant 

Lott Crosby, 

Groundskeeper 

William Foster, 

Groundskeeper 

Joseph L. Hrovat, 

Groundskeeper 

John Sawicki, 

Groundskeeper 

Protection Services 

Peter Mroczkiewicz, 


Protection Services 

Carol Camloh, 

Coordinator 

Jeff Cahill, Manager 

Salvador Gonzalez, 

Manager 

Carolyn M. Ivanye, 

Manager 

Jaime Juarez, 

Manager 

Frederick D. Martin 

Jr., Manager 

Steven Witalis, 

Manager 

William McGee, 

Electronic Security 

Coordinator 

Robert Andrews, 

Supervisor 

James Donovan, 

Supervisor 

Ken Haffner, 

Supervisor 

Eugene Irwin, 

Supervisor 

Carol Meyers, 

Supervisor 

David Setny, 

Supervisor 

Kamilia Abadier, 

Guard 

Frank Cacciacarro, 

Guard 

Mervin Clary, Guard 

Dexter Davis, Guard 

Charles Ellis, Guard 

Michael Evans, 

Guard 

Leonard Gipson Jr., 

Guard 

Alexander Gulkin, 

Guard 

Clifford Hicks, 

Guard 

Louris Malaty, Guard 

James McNamara, 

Guard 

Salwa Melek, Guard 

Teresa Najarro, 

Guard 

Dezso Novota, 

Guard 

Timothy Roach, 

Guard 

Abram Shneyder, 

Guard 

Reginald Sturdivant, 

Guard 

Martin Tkac Jr., 

Guard 

Alexander Verni, 

Guard 

Janet Voss, Guard 

George Youssef, 

Guard 

Alton Avery, Night 

Watch Person 

Vincent D’Amico, 

Night Watch Person 

Lawrence Fitch, 


Lee Hebebrand, 


Leonard Kile, Night 

Watch Person 

Dwayne Kirkland, 


David Robbins, 


John Somogyi, 


John Williams, Night 

Watch Person 

Carey Yancey, Night 

Watch Person 

Museum Store 

Catherine Surratt, 

Manager, Retail and 

Merchandising 

John Baburek, 

Buyer/Product 

Developer 

Dedeja Tsiranany, 

Office Coordinator/ 

Retail Analyst 

Hedvig Novota, 

Senior Assistant 

Manager 

Rachel Coon, Sales 

Assistant* 

Tony Shields, Sales 

Assistant* 

Renee Suich, 

Warehouse 

Supervisor 

Distribution Services 

Wanda Ankrom, 


Supervisor 

Kimberly Grice, 


Associate 

Michael Meredith, 

Assistant Supervisor 

of Shipping and 

Receiving 

Finance Division 

Accounting 

Ed Bauer, Assistant 

Treasurer and 

Controller 

Russ Klimczuk, 

Manager of Financial 

Planning 

Kimberly Cerar, 

Assistant Controller 

Amy Banko, 

Construction/ 

Development 

Accountant 

Christine Hoge, 

Endowment 

Accountant 

Karen Pinson, 

Accounts Receivable 

Specialist 

Patricia Wilson, 

Payroll Coordinator

Human Resources 

Division 

Sharon Reaves, 

Director of Human 

Resources 

Sara Allison, Human 

Resources 

Administrator 

Carla Petersen, 

Benefits Specialist 

Heather Weisenseel, 

Human Resources 

Administrator* 

Collections and 

Programs 

Charles Venable, 

Ph.D., Deputy 

Director for 

Collections and 

Programs 

Lynn Cameron, 


Moving the entire 

collection allowed the 

photography studio 

its first opportunity to 

rephotograph many 

masterworks of the 

collection using its 

state-of-the-art digital 

imaging system. 

Conservation 

Division 

D. Bruce Christman, 

Chief Conservator 

Marcia C. Steele, 

Conservator of 

Paintings 

Jennifer Perry, 

Associate Conservator 

of Asian Paintings* 

Robin Hanson, 


of Textiles 

Beth Wolfe, Textile 

Conservation 

Technician 

Moyna Stanton, 

Paper Conservator 

Sari Uricheck, 


of Objects 

James George, 

Preparator 

Joan Neubecker, 

Preparator 

Jennifer French, 

Mellon Fellow, 

Objects Conservation 

Juliette Jacqmin, Kress 

Fellow, Objects 

Conservation 

Judy Devere, Senior 

Assistant (retired 

September 2005) 

Katarina 

Kirchenbauer, Senior 

Assistant 

Curatorial Division 

African Art 

Constantine Petridis, 

Ph.D., Associate 

Curator of African 


Lisa Simmons, 

Curatorial Assistant 

Ancient Art 

Michael Bennett, 

Ph.D., Curator of 

Greek and Roman 


David Smart, Ph.D., 


Art of the Ancient 

Americas 

Susan E. Bergh, 

Ph.D., Associate 

Curator of Art of the 

Ancient Americas 

Lisa Simmons, 



Stanislaw J. Czuma, 

Ph.D., The George P. 

Bickford Curator of 

Indian and Southeast 

Asian Art (retired 

November 2005) 

Anita Chung, Ph.D., 

Associate Curator of 

Chinese Art 

Nancy Grossman, 


Contemporary Art and 

Photography 

Tom E. Hinson, 

Curator of 

Photography 

Robin Koch, 


Decorative Art and 

Design 

Stephen Harrison, 

Curator of Decorative 

Art and Design 

Carol A. Ciulla, 


European and 


William H. 

Robinson, Ph.D., 

Curator of Modern 

European Art 

Mark Cole, Ph.D., 

Associate Curator of 

American Painting 

and Sculpture 

Jordi Falgàs, 

Cleveland Fellow for 

Modern Art 

Anthony Morris, 

Research Assistant 

June de Phillips, 



Holger Klein, Ph.D., 

The Robert P. 

Bergman Curator of 


Stephen N. Fliegel, 

Curator of Medieval 


Elizabeth Saluk, 


Prints and Drawings 

Jane Glaubinger, 

Ph.D., Curator of 

Prints 

Heather Lemonedes, 

Ph.D., Assistant 

Curator of Prints and 

Drawings 

Joan Brickley, 


Textiles and Islamic Art 

Louise W. Mackie, 

Curator of Textiles 

and Islamic Art 

Deirdre Vodanoff, 


125

Nearly half of the 

museum staff relocated 

to the Penton Media 

Building in downtown 

Cleveland as the building 

project got under 

way. Here, Robin Koch, 

curatorial assistant in 

Contemporary Art and 

Photography, works 

in the curatorial area 

of the temporary office 

space. 

126 

Collections Care 

Division 

Exhibition Office 

Heidi Domine Strean, 


Exhibitions 

Morena Carter, 

Exhibitions 

Coordinator 

Ruth Weible, 

Exhibitions Assistant 

Ingalls Library and 

Archives 

Library 

Elizabeth A. Lantz, 

Director of Library 

and Archives 

Elizabeth Berke, 


Assistant 

Louis Adrean, 

Associate Librarian for 

Reader and 

Circulation Services 

Christine Edmonson, 

Reference/ 

Interlibrary Loan 

Librarian 

Ken Burington, 

Library Assistant* 

Shezza Edris, Library 

Assistant* 

Jennifer Smith, 

Library Assistant 

Jennifer Vickers, 

Circulation Assistant 

Helen F. Carter, 

Assistant Librarian for 

Acquisitions 

Tyler Trolio, Gifts 

and Exchanges 

Assistant* 

Marsha Morrow, 

Acquisitions Assistant 

Frederick Friedman- 

Romell, Systems 

Librarian and Interim 

Image Librarian 

Steven Szatmary, 

Systems Librarian* 

Maria C. Downey, 

Serials Librarian 

Michael Becroft, 

Serials Assistant 

Lori Thorrat, 

Associate Librarian for 

Bibliographic Access 

Christine Bardwell, 

Library Technician* 

Violet Ryder, Library 

Technician* 

Joanna Maniglia, 

Cataloger* 

Stacie A. Murry, 

Cataloging Assistant 

Melanie Seal, 

Cataloger 

Sara Jane Pearman, 

Image Librarian 

(retired October 

2005) 

Becky Bristol, Image 

Manager 

William Kennedy, 

Image Cataloger 

Erin Robinson, 

Image Cataloger* 

Archives 

Leslie Cade, Archivist 

and Records Manager 

Hillary Bober, 

Assistant Archivist 

Photographic and 

Digital Imaging Services 

Howard T. Agriesti, 

Chief Photographer 

Gary Kirchenbauer, 

Associate 

Photographer 

David Brichford, 

Photo and Digital 

Imaging Technician 

Bruce Shewitz, 

Assistant Manager 

Publications 

Laurence Channing, 


Publications 

Barbara J. Bradley, 

Senior Editor 

Jane Takac Panza, 

Editor 

Registrar’s Office 

Mary Suzor, Chief 

Registrar 

Gretchen Shie Miller, 

Associate Registrar 

for Loans 

Bridget Weber, 

Assistant Registrar 

Kathleen Kornell, 

Rights and 

Reproductions 

Coordinator 

Jennifer Qualiotto, 

Assistant Registrar* 

Jeanette Saunders, 

Assistant Registrar* 

Andrea S. Bour, 

Assistant Registrar for 

Collections 

Information* 

Kristen Bucher, 

Department 

Assistant* 

Larry Sisson, Packing 

Specialist 

Education and 

Public Programs 

Division 

Marjorie Williams, 

Director of Education 

and Public Programs 

Kathleen Colquhoun, 

Special Projects 

Coordinator 

Jinai Amos, 


Assistant 

Art To Go 

Michael Starinsky, 

Associate Director, 

Education Art 

Collection 

Alicia Hudson Garr, 

Assistant Director, Art 

To Go 

Karen Bourquin, 

Assistant, Art To Go* 

Mary Kate 

Frederiksen, 

Instructor, Art To 

Go* 


Robin VanLear, 

Artistic Director, 


Nan Eisenberg, 

Coordinator, 


Gail Trembly, 

Assistant, Community 

Arts 

Community Outreach 

Cavana I. O. 

Faithwalker, Assistant 

Director, Community 

Outreach 


Dale Hilton, 

Director, Distance 

Learning 

David Shaw, Director 

of Technical 

Operations, Distance 

Learning 

Arielle Levine, 


Instructor 

Lenaia Burbank, 


Scheduler* 


Barbara A. Kathman, 

Assistant Director, 


Jennie Devaney, 

Assistant*

Exhibition and Adult 

Programs 

Joellen DeOreo, 


Exhibition and Adult 

Programs 

Shannon Masterson, 


Exhibition and 

Teacher Programs 

Seema Rao, 

Coordinator, Special 

Education Programs 

Michael St. Clair, 

Department Head, 

AV Services 

Les Vince, AV 

Assistant 

Timothy Harry, AV 

Assistant* 

Family and Youth 

Dyane Hronek 

Hanslik, Assistant 

Director, Family and 

Youth Programs 

Mary Ryan, 

Assistant* 

School and Teacher 

Services 

Claire Lee Rogers, 


School and Teacher 

Services 

Karen Gregg, 

Scheduling 

Administrator 

Katherine Klann, 

Assistant* 

Teacher Resource Center 

Mary Ann Popovich, 

Assistant Director, 

Teacher Resource 

Center (retired 

December 2005)* 

Anthony Fritzgerald, 

IMLS Technical 

Assistant* 



Division 

Massoud Saidpour, 

Director, Performing 

Arts, Music, and Film 

John Ewing, 


Film 

Jeremy Shubrook, 

Manager, Office and 

Production 

Michael McKay, 

Assistant Manager, 

Office Operations 

Caren Babich, 


Assistant 

Development and 

External Affairs 

Susan Jaros, Deputy 


Development and 


Jacqueline Kelling, 

Campaign 

Coordinator and 

Division Manager 

Linda Goldstein, 


Development 

Division 

Development 

Jack Stinedurf, 


Development 

Liz Irwin, 


Assistant 

Amy Martin, 


Individual Giving 

Jennifer Porter, 


Manager 

Biserka Mikleus, 


Coordinator 

Katherine McNally, 

Development 

Assistant 

Kathleen Branscomb, 


Coordinator 

Patricia J. Butler, 

Support Services 

Administrator 

Karen Wellman, 

Development 

Assistant 

Cindy Naegele, 


Development Services 

Ali Lombardo, 

Research Associate 

Joan O’Brien, 


Grants and 

Government 

Relations 

Rachel Rosenzweig, 

Ph.D., Foundation 

Relations 

Coordinator 

Membership 

Mary Wheelock, 


Membership 

Tom Denk, Senior 

Membership Assistant 

Maureen Kelly, 


John Kelly, 



Division 

Donna Brock, 

Director of External 

Affairs 

Robine Andrako, 

Assistant 

Marketing 

Rebecca Murphy, 


Marketing 

Nina Arrowood, 

Marketing Associate 

Thomas H. Barnard 

III, Senior Graphic 

Designer 

Gregory M. Donley, 

Senior Writer/ 

Designer, External 

Affairs 

Charles Szabla, 

Production Manager 

Mel Horvath, Printer 

Blaine Stojkov, Press 

Operator 


Rob Bruder, Media 

Relations 

Coordinator 

Jill Mendenhall, 

Media Relations 

Coordinator 

Guest and Member 

Services 

John Alan, Manager, 

Guest and Member 

Services 

Beverly Essinger, 

Ticket Center 

Assistant Supervisor 

Gina DeSantis, Ticket 

Agent* 

Douglas Dear, Ticket 

Agent* 

Patricia Dolak, Ticket 

Agent* 

John C. Dunigan, 

Ticket Agent* 

Susan Flickinger, 

Ticket Agent* 

Martha Jacoby, 

Ticket Agent* 

Faye Grinage, 

Switchboard 

Operator 

Outreach and Audience 

Development 

Cathy Lewis-Wright, 


Audience 

Development 

Lisa Roth, Outreach 

Assistant* 

Constituent 

Relations Division 

Karen Carr, Director 

of Constituent 

Relations, Protocol, 

and Events 

Special Events 

John Royak, Food 

Service Manager 

Ann Koslow, 

Manager, Special 

Events 

Eliza Parkin, Senior 


Coordinator 

Hunter Walter, 


Conference and 


Martha Lattie, 

Affiliate Group 

Coordinator 

Margaret Day, 


Assistant 

Volunteer Initiatives 

Diane De Bevec, 


Volunteer Initiatives 

Liz Pim, Volunteer 

Placement Manager 

Information 

Technology 

Leonard Steinbach, 

Chief Information 

Officer 

Judy Fredrichs, IT 

Department 

Administrator 

Information Services 

Douglas Hiwiller, 

Information 

Technology Manager 

Robert Hlad, Systems 

Coordinator 

Allison Hegedus, 

User Support 

Specialist 

Marvin Richardson, 

User Support 

Specialist 

New Media Intiatives 

Holly Witchey, 

Ph.D., Director of 

New Media 

Initiatives 

Michael Hilliard, 


New Media 

Initiatives 

Network Services 

Tom Hood, Network 

Manager 

Robert Nuhn, 

Assistant Network 

Manager 

Department Support 

Dave Andrews, 


Specialist 

(Administration) 

Linda Wetzel, 


Specialist 

(Development/ 

External Affairs and 

Education) 

127

128 

Statuary from around 

the museum grounds 

set up camp on a hill 

overlooking Doan Brook. 

Works of art in the collection were 

photographed by museum photographers 

Howard Agriesti and Gary Kirchenbauer; these 

photographs are copyright by the Cleveland 

Museum of Art. The works of art themselves 

may be protected by copyright in the United 

States or abroad and may not be reproduced 

in any form or medium without permission 

from the copyright holders. The following 

photographers are acknowledged: Howard 

Agriesti: pp. 1, 2, 6 (both), 16 (bottom), 50 

(top), 51 (top), 64, 65, 66, 68, 71, 125; David 

Brichford: back cover and pp. 8, 9 (top), 10 

(both), 11 (bottom), 12 (top), 14, 17, 18 (both), 

19 (lower right), 29 (top), 55, 56 (top), 67 

(top), 75 (center), 90, 100 (top), 102, 108, 110 

(bottom), 113, 116, 117 (top), 119, 120, 123; 

Philip Brutz: pp. 109, 114, 121; Anita Chung: 

pp. 58 (top), 59 (top); Eric Clark: p. 106; 

Distance Learning staff: p. 111 (top); Greg 

Donley: pp. 7, 11 (top), 12 (bottom), 15, 16 

(top), 19 (top and lower left), 40, 50–51 

(bottom), 60 (both), 126, 128; Sue Foley: p. 

112; Barbara A. Kathman: p. 117 (bottom); 

Rory Matthews: pp. 100 (bottom), 101; Frank 

Miller: pp. 19 (center), 28 (both), 29 (bottom), 

67 (bottom, both), 110 (top); Robert A. 

Muller: pp. 13, 54, 56 (bottom), 57 (top), 62, 

63 (top), 70 (bottom), 72 (both), 73, 74, 75 

(top and bottom), 92 (both), 93, 94; © Zoran 

Orlic: p. 69; Seema Rao: p. 122; Adrienne 

Rasmus: p. 70 (top); Larry Sisson: pp. 58 

(bottom), 59 (bottom); Michael Starinsky: p. 

115 (top left); Les Vince: front cover and pp. 9 

(bottom), 20–21, 51 (center), 111 (center); 

courtesy World Art Museum, Beijing: pp. 8 

(bottom), 57 (bottom), 63 (bottom).

Financial Report 

Year Ended June 30, 2006, and Six Months Ended June 30, 2005 

129

130 

TREASURER 

Since our last annual report, which covered the calendar year 2004, two 

significant financial events have occurred for the Cleveland Museum of Art. 

First, in 2005 we converted to a June 30 fiscal year-end, which will 

allow us to align ourselves more closely with other institutions in the art 

museum world. This conversion resulted in the issuance of statements 

consisting of a six-month stub period for the period ending June 30, 2005. 

Our financial results for June 30, 2005 were negative due to one-time 

charges related to the renovation and expansion of the building, including 

the write-off of assets not fully depreciated at the start of the project, 

certain expenses related to the debt offering, and severance for retired or 

severed employees. Excluding these one-time charges of approximately 

$2.4 million, the deficit would be approximately $450,000 for the six 

months, which was anticipated because of timing differences. To give you 

some comparative data on an annual basis, in the five-year Summary of 

Key Financial Data (see p. 131) we have included unaudited 12-month 

results from June 30, 2005. Excluding the one-time expenses, the museum 

would have had a positive result for the 12-month period. Audited 

comparative financial statements will again be available at year-end 

June 30, 2007. 

Second, in October 2006 the museum issued $90 million in taxexempt 

bonds through the Cleveland-Cuyahoga County Port Authority 

for its expansion and renovation project using Nat City Investments, Inc. 

and KeyBanc Capital Markets as underwriters for the bonds. For this debt 

offering the museum underwent a review by Standard and Poor’s. 

Standard and Poor’s recognized the financial strength of the museum by 

issuing an AAA rating in connection with the bond issue, the highest 

rating an institution can receive. In connection with the $90 million 

Cultural Facility Revenue Bonds, the museum entered into an 8-year 

floating-to-fixed rate swap. The swap is intended to limit the museum’s 

interest rate exposure during construction. 

The financial picture at June 30, 2006 remains strong with a balanced 

operating budget and solid investment performance within the endowment, 

net of withdrawals. 

Janet G. Ashe 

Deputy Director of Administration and Treasurer

Revenues 

Investments—general 

and specific purpose 71.5% 

Individual, corporate, 

and government gifts 

and grants 25.7% 

Programs and 

miscellaneous 2.8% 

Operating Expenditures 

Design, building, and 

depreciation 26.7% 

Membership and 

development 17.8% 

Curatorial, conservation, 

and programs 33.2% 

Administrative and 

retirees 22.3% 

Summary of Key Financial Data 

Audited year 

Unaudited 

12 months Audited years 

ended June 30 ended June 30 ended December 31 

(in thousands) 2006 2005 2004 2003 2002 

Investment $ 402,671.6 $382,052.4 $388,322.3 $368,099.9 $316,259.8 

Charitable perpetual trusts 323,698.5 302,479.0 307,080.2 289,775.5 249,369.2 

Total 726,370.1 684,531.4 695,402.5 657,875.4 565,629.0 

Art purchases 4,748.3 6,820.1 13,878.6 8,404.7 14,003.0 

Unrestricted revenue and support 29,481.3 32,430.7 31,607.9 33,904.6 33,678.9 

Operating expenses 

Excess (deficiency) of operating revenue and 

29,479.7 34,223.5 31,584.9 33,850.0 33,658.4 

support over operating expenses 1.6 (1,792.8) 23.0 54.6 20.5 

Less one-time expenses 2,390.0A Comparative annualized operating position 

excluding one-time charge 1.6 597.2 23.0 54.6 20.5 

Five-year average (excluding one-time charge) $139.4 

A. Includes one-time charges for building construction, severance 

131

132 

Report of Independent Auditors 

We have audited the accompanying statements of financial position of the 

Cleveland Museum of Art (the Museum) as of June 30, 2006 and 2005, 

and the related statements of activities and cash flows for the year ended 

June 30, 2006, and six months ended June 30, 2005. These financial 

statements are the responsibility of the Museum’s management. Our 

responsibility is to express an opinion on these financial statements based 

on our audits. 

We conducted our audits in accordance with auditing standards 

generally accepted in the United States. Those standards require that we 

plan and perform the audit to obtain reasonable assurance about whether 

the financial statements are free of material misstatement. We were not 

engaged to perform an audit of the Museum’s internal control over 

financial reporting. Our audits included consideration of internal control 

over financial reporting as a basis for designing audit procedures that are 

appropriate in the circumstances, but not for the purpose of expressing an 

opinion on the effectiveness of the Museum’s internal control over 

financial reporting. Accordingly, we express no such opinion. An audit 

also includes examining, on a test basis, evidence supporting the amounts 

and disclosures in the financial statements, assessing the accounting 

principles used and significant estimates made by management, and 

evaluating the overall financial statement presentation. We believe that 

our audits provide a reasonable basis for our opinion. 

In our opinion, the financial statements referred to above present 

fairly, in all material respects, the financial position of the Museum as of 

June 30, 2006 and 2005, and the changes in its net assets and its cash flows 

for the year ended June 30, 2006 and six months ended June 30, 2005, in 

conformity with accounting principles generally accepted in the United 

States. 

November 1, 2006

Statements of Financial Position 

June 30, 2006 June 30, 2005 

Assets 

Current assets: 

Cash and cash equivalents $ 3,347,921 $ 5,153,423 

Short-term investments 26,749,248 1,580,948 

Funds held by bond trustees 32,231,871 

Accounts receivable 399,430 139,056 

Inventories 220,763 266,043 

Other current assets 49,075,284 53,010,865 

Total current assets 112,024,517 60,150,335 

Investments 402,671,629 382,052,362 

Buildings and equipment: 

Buildings and improvements 41,470,755 34,247,718 

Equipment 13,875,258 13,246,205 

Construction-in-progress 79,774,186 28,665,680 

135,120,199 76,159,603 

Less accumulated depreciation 36,751,197 34,488,429 

Total buildings and equipment – net 98,369,002 41,671,174 

Other assets: 

Deferred issuance costs – net 985,127 

Charitable perpetual trusts 323,698,463 305,479,045 

Pledges receivable 25,547,379 30,886,065 

Other 2,621,113 604,324 

Total other assets 352,852,082 336,969,434 

Total assets $965,917,230 $ 820,843,305 

June 30, 2006 June 30, 2005 

Liabilities and net assets 

Current liabilities: 

Accounts payable and accrued expenses $ 12,166,648 $ 4,879,484 

Short-term borrowings 10,000,000 

Deferred revenue 1,146,558 382,847 

Other current liabilities 47,567,023 51,553,266 

Total current liabilities 60,880,229 66,815,597 

Long-term debt 90,000,000 

Other liabilities: 

Accrued postretirement medical benefits 5,256,711 5,391,180 

Other 1,955,350 1,663,878 

7,212,061 7,055,058 

Total liabilities 158,092,290 73,870,655 

Net assets: 

Unrestricted 180,244,347 171,449,196 

Temporarily restricted 284,137,873 250,300,152 

Permanently restricted 343,442,720 325,223,302 

Total net assets 807,824,940 746,972,650 

Total liabilities and net assets $965,917,230 $ 820,843,305 

See notes to financial statements. 

133

Statement of Activities 

Year Ended June 30, 2006 

Temporarily Permanently 

Unrestricted Restricted Restricted Total 

Revenues and support 

Contributions and memberships $ 3,438,897 $ 3,438,897 

Trust fund revenues 

Gifts from independent dedicated trusts: 

$ 3,138,748 $ 178,986 3,317,734 

John Huntington Art and Polytechnic Trust 4,629,167 4,629,167 

Horace Kelley Art Foundation 340,000 340,000 

Grants 591,152 152,502 743,654 

Program revenues 553,372 553,372 

Special events 489,793 489,793 

Other 411,290 1,034,140 1,445,430 

Stores, café, parking, and products 691,691 691,691 

Grants and gifts for specific capital expenditures 13,224,067 13,224,067 

Investment return designated for current operations 12,309,890 1,030,135 13,340,025 

Net assets released from restrictions used for operations 2,887,296 (2,887,296) 

Total revenues and support 29,481,296 12,732,534 42,213,830 

Expenses 

Curatorial, conservation, and registrar 4,544,953 4,544,953 

Design and security expenses 5,751,185 5,751,185 

Education, library, and extensions 4,362,155 4,362,155 

Publications, printing, and photography 576,142 576,142 

Membership services 330,713 330,713 

Development, special events, and visitor services 4,755,459 4,755,459 

Administration 6,367,302 6,367,302 

Specific building repairs and maintenance 76,854 76,854 


Depreciation 1,784,922 1,784,922 

Total expenses 29,479,655 29,479,655 

Excess of revenues and support over expenses 

before changes in net assets 1,641 12,732,534 12,734,175 

Other changes in net assets 

Trust revenue designated for art purchases 4,867,654 4,867,654 

Investment return designated for art purchases 2,605,053 2,605,053 

Proceeds from the sale of art objects 415,800 415,800 

Net assets released from restrictions used to fund 

acquisition of art objects 4,748,300 (4,748,300) 

Expenditures for the acquisition of art objects (4,748,300) (4,748,300) 

Gifts, contributions, and other changes 91,622 1,055,891 1,147,513 

Investment return after amounts designated 7,358,762 16,909,089 24,267,851 

Change in fair value of derivative instrument 1,820,971 1,820,971 

Change in fair value of charitable perpetual trusts $ 18,219,418 18,219,418 

Cumulative effect of change in accounting principle (477,845) (477,845) 

Increase in net assets 8,795,151 33,837,721 18,219,418 60,852,290 

Net assets at beginning of year 171,449,196 250,300,152 325,223,302 746,972,650 

Net assets at end of year $180,244,347 $284,137,873 $ 343,442,720 $ 807,824,940 


134

Statement of Activities 

Six Months Ended June 30, 2005 


Unrestricted Restricted Restricted Total 

Revenues and support 

Contributions and memberships $ 1,213,516 $ 1,213,516 

Trust fund revenues 

Gifts from independent dedicated trusts: 

1,534,441 $ 87,264 1,621,705 

John Huntington Art and Polytechnic Trust 2,525,000 2,525,000 

Horace Kelley Art Foundation 215,000 215,000 

Grants 973,173 202,172 1,175,345 

Program revenues 236,249 236,249 

Special events 64,711 64,711 

Other 234,415 49,790 284,205 

Stores, café, parking, and products 1,024,249 1,024,249 

Grants and gifts for specific capital expenditures 11,728,463 11,728,463 

Investment return designated for current operations 6,118,372 365,628 6,484,000 

Net assets released from restrictions used for operations 1,172,003 (1,172,003) 

Total revenues and support 15,311,129 11,261,314 26,572,443 

Expenses 

Curatorial, conservation, and registrar 3,664,777 3,664,777 

Design and security expenses 3,192,829 3,192,829 

Education, library, and extensions 2,254,947 2,254,947 

Publications, printing, and photography 328,954 328,954 

Membership services 139,355 139,355 

Development, special events, and visitor services 2,281,030 2,281,030 

Administration 3,571,067 3,571,067 


Depreciation 1,050,250 1,050,250 

Loss on disposal of fixed assets 952,121 952,121 

Total expenses 18,223,664 18,223,664 

(Deficiency) excess of revenues and support over 

expenses before other changes in net assets (2,912,535) 11,261,314 8,348,779 

Other changes in net assets 

Trust revenue designated for art purchases 2,337,225 2,337,225 

Investment return designated for art purchases 3,950,000 3,950,000 

Net assets released from restrictions used to fund 

acquisition of art objects 2,791,938 (2,791,938) 

Expenditures for the acquisition of art objects (2,791,938) (2,791,938) 

Gifts, contributions, and other changes ( 17,949) 464,174 446,225 

Investment (loss) after amounts designated (4,035,378) (2,078,476) (6,113,854) 

Change in fair value of charitable perpetual trusts $ (1,601,180) (1,601,180) 

(Decrease) increase in net assets (6,965,862) 13,142,299 (1,601,180) 4,575,257 

Net assets at January 1, 2005 178,415,058 237,157,853 326,824,482 742,397,393 

Net assets at June 30, 2005 $ 171,449,196 $ 250,300,152 $ 325,223,302 $ 746,972,650 


135

Statements of Cash Flows 

Year Ended Six Months Ended 

June 30, 2006 June 30, 2005 

Reconciliation of change in net assets to net cash 

used in operating activities 

Increase in net assets 

Adjustments to reconcile increase in net assets to 

cash provided by (used in) operating activities: 

$ 60,852,290 $ 4,575,257 

Depreciation 1,784,923 1,050,250 

Change in fair value of derivative instrument (1,820,971) 

Cumulative effect of change in accounting principle 477,845 

Loss on disposal of fixed assets 952,121 

Net realized and unrealized gains on long-term investments 

Changes provided by (used in) operating assets and liabilities: 

(36,021,786) (2,335,567) 

(Increase) decrease in accounts receivable (260,374) 232,359 

Decrease in inventories and other current assets 3,980,861 1,945,326 

Decrease (increase) in pledges receivable 5,338,686 (6,999,911) 

(Increase) decrease in other assets (195,818) 195,816 

Increase (decrease) in accounts payable and accrued expenses 7,287,164 (6,152,079) 

Increase in deferred revenue 763,711 227,836 

(Decrease) in other current liabilities 

(Decrease) increase in accrued postretirement 

(3,986,243) (2,429,560) 

medical benefits (134,469) 75,124 

Increase in other liabilities 291,472 740,186 

Net cash provided by (used in) operating activities $ 38,357,291 $ (7,922,842) 

Financing activities 

Proceeds from long-term debt 90,000,000 

Amortization of deferred issuance costs (985,127) 

Payments on short-term borrowings (10,000,000) (1,250,000) 

Net cash provided by (used in) financing activities 79,014,873 (1,250,000) 

Investing activities 

Purchases of buildings and equipment (58,960,596) (5,285,865) 

(Increase) in short-term investments (25,168,300) (1,580,948) 

(Increase) in investments held by trustee (32,231,871) 

(Increase) decrease in fair value of charitable perpetual trusts (18,219,418) 1,601,180 

Proceeds from sales and maturities of investments 19,936,004 10,616,676 

Purchases of investments (4,533,485) (2,011,098) 

Net cash (used in) provided by investing activities (119,177,666) 3,339,945 

Net (decrease) in cash and cash equivalents (1,805,502) (5,832,897) 

Cash and cash equivalents at beginning of year 5,153,423 10,986,320 

Cash and cash equivalents at end of year $ 3,347,921 $ 5,153,423 


136

1. Organization The Cleveland Museum of Art (the Museum) 

maintains in the City of Cleveland a museum 

of art of the widest scope for the benefit of the 

public. 

2. Significant 

Accounting Policies 

Notes to Financial Statements 

Change in Year-End 

The Museum’s year-end changed from December 

31 to June 30 starting June 30, 2005. 

As a result, the financial statements reflect the 

year ended June 30, 2006, and the six-month 

period ended on June 30, 2005. The conversion 

to a fiscal calendar brings the Museum in 

line with other cultural institutions and enables 

the Museum to budget educational programs to 

coincide with the traditional school calendar. It 

also provides flexibility for the Museum to 

adjust expenditures, if necessary, based on calendar 

year-end contributions that comprise a 

significant portion of yearly contributed revenue. 

Twelve-month comparative financials 

will be available beginning with the June 30, 

2007 financial statements. 

Use of Estimates 

The preparation of financial statements in conformity 

with accounting principles generally 

accepted in the United States requires management 

to make estimates and assumptions that 

affect the amounts reported in the financial 

statements and accompanying notes. Actual 

results could differ from those estimates. 

Temporarily and Permanently Restricted Net Assets 

Temporarily restricted net assets are used to 

differentiate resources, the use of which is 

restricted by donors or grantors to a specific 

time period or for a specific purpose, from 

resources on which no restrictions have been 

placed or that arise from the general operations 

of the Museum. Temporarily restricted gifts, 

grants, and bequests are recorded as additions 

to temporarily restricted net assets in the period 

received. When restricted net assets are expended 

for their stipulated purpose or time 

restriction expires, temporarily restricted net 

assets become unrestricted net assets and are 

reported in the statements of activities as net 

assets released from restrictions. For temporarily 

restricted net assets used for major capital 

projects, the Museum records the additions to 

temporarily restricted net assets and then 

records a reclassification to unrestricted net 

assets as net assets released from restrictions for 

an amount equal to annual depreciation. There 

were no such reclassifications in the 2006 or 

2005 statements of activities. 

Permanently restricted net assets consist of 

amounts held in perpetuity or for terms designated 

by donors. Earnings on investments, 

unless restricted by donors of the permanently 

restricted net assets, are included in unrestricted 

revenues and other changes in net assets. Restricted 

earnings are classified as temporarily 

Year Ended June 30, 2006, and 

Six Months Ended June 30, 2005 

restricted net assets until amounts are expended 

in accordance with the donors’ specifications. 

Art Collection 

The Museum’s collections are made up of art 

objects and artifacts of historical significance 

that are held for educational, research, scientific, 

and curatorial purposes. Each of the items 

is cataloged, preserved, and cared for, and 

activities verifying their existence and assessing 

their condition are performed continuously. 

Purchases for the collection are recorded as 

expenditures for the acquisition of art objects 

in the statements of activities in the year in 

which the objects are acquired. Proceeds from 

the deaccession of art objects are recorded as 

temporarily restricted net assets and are restricted 

to the acquisition of other art objects. 

In keeping with standard museum practice, the 

collections, which were acquired via purchases 

and contributions, are not recognized as assets 

on the statements of financial position. 

Cash Equivalents 

Cash equivalents are highly liquid investments 

with a maturity of three months or less when 

purchased. Cash equivalents are measured at 

fair value in the statements of financial position 

and exclude amounts restricted or designated 

for long-term purposes. 

Inventories 

Inventories consist of merchandise available for 

sale and are stated at the lower of average cost 

or market. 

Investment Income 

Investment income, including realized gains 

(losses), is added to (deducted from) the appropriate 

unrestricted or temporarily restricted net 

assets. Unrealized gains (losses) are added to 

(deducted from) the applicable unrestricted, 

temporarily, or permanently restricted net 

assets. 

Financial Instruments 

The carrying values of accounts receivable, 

accounts payable, accrued expenses, and shortterm 

borrowings are reasonable estimates of 

their fair value due to the short-term nature of 

these financial instruments. 

Donated Services 

No amounts have been reflected in the financial 

statements for donated services. The Museum 

pays for most services requiring specific 

expertise. However, many individuals volunteer 

their time and perform a variety of tasks 

that assist the Museum with various programs. 

137

138 

Special Exhibitions 

Other current assets and deferred revenue include 

expenditures and revenues in connection 

with the development of special exhibitions. 

Revenues and expenses are recognized pro rata 

over the life of the exhibition. Revenues include 

such items as corporate and individual 

sponsorships. The expenditures generally include 

such items as research, travel, insurance, 

transportation, and other costs related to the 

development and installation of the exhibition. 

Contributions 

Unconditional pledges to give cash, marketable 

securities, and other assets are reported at fair 

value and discounted to present value at the 

date the pledge is made to the extent estimated 

to be collectible by the Museum. Conditional 

promises to give and indications of intentions to 

give are not recognized until the condition is 

satisfied. Pledges received with donor restrictions 

that limit the use of the donated assets are 

reported as either temporarily or permanently 

restricted support, or other changes in net assets 

if designated for long-term investment. When a 

donor restriction expires, that is, when a stipulated 

time restriction ends or purpose restriction 

is accomplished, temporarily restricted net assets 

are reclassified to unrestricted net assets and 

reported in the statements of activities as net 

assets released from restrictions. 

June 30, 2006 June 30, 2005 

Pledges due: 

In less than one year $ 4,023,558 $ 6,378,480 

In one to five years 19,903,059 22,063,629 

Greater than five years 7,361,049 8,060,752 

Present value discount on pledges 

31,287,666 36,502,861 

(3.25% –5.38% discount rate) (5,740,287) (5,616,796) 

Buildings and Equipment 

Buildings and equipment are carried at cost. 

Expenditures that substantially increase the 

useful lives of existing assets are capitalized. 

Routine maintenance and repairs are expensed 

as incurred. Depreciation is computed by the 

straight-line method using the estimated useful 

lives of the assets. Buildings and improvements 

are assigned a useful life of up to forty years. 

Equipment is assigned a useful life ranging from 

three to five years. Interest cost incurred on 

borrowed funds during the period of construction 

of capital assets is capitalized as a component 

of the cost of acquiring those assets. 

The Museum is undertaking a major construction, 

renovation, and expansion project. In 

total, approximately $77.8 million and $26.4 

million have been expended and included in 

construction-in-progress related to the expansion 

and renovation project at June 30, 2006 

and 2005, respectively. In connection with this 

project, the Museum identified certain buildings 

and equipment that will no longer be used. 

The net book value of these assets of $952,121 

was recorded as a loss on disposal of fixed assets 

in the statement of activities for the six months 

ended June 30, 2005. 

Other Current Assets and Liabilities 

Other current assets and liabilities at June 30, 

2006 and 2005, include $47.6 million and $51.6 

million, respectively, of collateral investments 

related to securities lending whereby certain 

securities in the Museum’s portfolio were 

loaned to other institutions generally for a short 

period of time. The Museum receives as collateral 

the market value of securities borrowed 

plus a premium approximating 2% of the market 

value of those securities. In accordance with 

Statement of Financial Accounting Standards 

(SFAS) No. 140, Accounting for Transfers and 

Servicing of Financial Assets and Extinguishment of 

Liabilities, the Museum recorded the collateral 

received as both a current asset and a current 

liability since the Museum is obligated to return 

the collateral upon the return of the borrowed 

securities. Also included in other current assets 

are deferred exhibition expenses of $0.9 million 

and $0.4 million, grants and other receivables of 

$0.3 million and $0.7 million, and prepaid expenses 

of $0.3 million as of June 30, 2006 and 

2005, respectively. 

Asset Retirement Obligations 

Asset retirement obligations (ARO) are legal 

obligations associated with the retirement of 

long-lived assets. These liabilities are initially 

recorded at fair value and the related asset re- 

$ 25,547,379 $ 30,886,065 

tirement costs are capitalized by increasing the 

carrying amount of the related assets by the 

same amount as the liability. Asset retirement 

costs are depreciated over the useful lives of the 

related assets. Subsequent to initial recognition, 

the Museum records year-to-year changes in 

the ARO liability resulting from the passage of 

time and revisions to either the timing or the 

amount of the original estimate of undiscounted 

cash flows. 

Derivative Instruments and Hedge Activities 

The Museum follows SFAS No. 133, Accounting 

for Derivative Instruments and Hedging Activities, 

which was amended by SFAS No. 138, Accounting 

for Certain Derivative Instruments and 

Hedging Activities, to account for its derivative 

instruments. FAS No. 133 requires the Museum 

to recognize its derivative instruments as 

either an asset or liability in the statement of 

financial position at fair value. The gain or loss 

on the derivative instrument is recognized in 

the statement of activities in the period of 

change.

3. Temporarily 

Restricted Net 

Assets 

Temporarily restricted 

net assets are 

available for the 

following purposes: 

4. Permanently 

Restricted Net 

Assets 

Permanently restricted 

net assets are amounts 

held in perpetuity, or 

for terms designated 

by donors, the income 

from which is expendable 

to support the 

following purposes: 

5. Net Assets 

Released from 

Restrictions 

Net assets were 

released from restrictions 

by incurring 

expenses or making 

capital expenditures 

satisfying the restricted 

purposes as 

follows: 

June 30, 2006 June 30, 2005 

Acquisition of art $181,960,459 $ 164,209,933 

Specific operating activities: 

Curatorial and conservation 16,179,861 10,794,249 

Education and extensions 4,027,713 3,760,628 

Library 2,078,214 2,148,297 

Publications, printing, and photography 4,723,490 4,470,324 

Musical programming 3,787,719 3,598,829 

Buildings, grounds, and protection services 65,688,414 55,938,619 

Fine Arts Garden 3,144,151 2,715,338 

Sundry 2,547,852 2,663,935 

Total temporarily restricted net assets $284,137,873 $ 250,300,152 

June 30, 2006 June 30, 2005 

Purchase of art $116,661,201 $ 107,237,716 

Specific operating activities 5,018,741 4,765,544 

General operating activities 221,762,778 213,220,042 

Total permanently restricted net assets $343,442,720 $ 325,223,302 


June 30, 2006 June 30, 2005 

Acquisition of art $ 4,748,300 $ 2,791,938 

Specific operating activities: 

Curatorial and conservation $ 1,256,144 $ 946,497 

Education and extensions 685,997 51,044 

Library 61,358 31,203 

Musical programming 186,717 59,288 

Fine Arts Garden 595,001 57,867 

Sundry 21,195 26,104 

Buildings, repair, and maintenance 80,884 

Net assets released from restrictions used for operations $ 2,887,296 $ 1,172,003 

139

6. Investments 

and Charitable 

Perpetual Trusts 

The following summarizes 

returns from 

the Museum’s investments 

and charitable 

perpetual trusts 

and the related classifications 

in the statements 

of activities. 

140 

The fair value of Museum investments is based 

on quoted market prices, except for other 

investments, primarily limited partnerships or 

limited liability corporations (i.e., alternative 

investments), for which fair value is estimated 

in an unquoted market. Fair value of alternative 

investments is generally determined by 

principal market makers or an investment 

manager of the individual investment fund, 

including audited financial statements of the 

alternative investments. Generally, fair value of 

alternative investments reflects net contributions 

to the investee and an ownership share of 

realized and unrealized investment income and 

expenses. 

Alternative investments include certain interests 

in absolute return (hedge funds), private 

equity, or fixed income depending on the legal 

structure, and investment strategy of the underlying 

manager. The Museum invests in 

limited partnerships and commingled vehicles, 

some of which employ traditional strategies 

(long only) in readily marketable securities 

(liquid equities or bonds traded on exchanges) 

and others of which employ less traditional 

strategies (long and short equity or fixed income, 

event driven, macro, relative value, and 

arbitrage strategies) that may include the use of 

options, futures, and other derivative instruments. 

Because alternative investments are not 

readily marketable, their estimated fair value is 

subject to uncertainty and therefore may differ 

from the value that would have been used had 

a ready market for such investments existed. 

Such difference could be material. 

The Museum is the sole income beneficiary of 

several charitable perpetual trusts and a partial 

income beneficiary of other charitable perpetual 

trusts. Because the trusts are not controlled 

by the Museum, the assets are classified 

as permanently restricted net assets. The charitable 

perpetual trusts are presented at the fair 

value of the Museum’s portion of the underlying 

trust assets. The change in the fair value of 

the charitable perpetual trusts is classified as a 

change in permanently restricted net assets 

within the statements of activities. 

Museum investments consist of the following: 

June 30, 2006 June 30, 2005 

Cash and cash equivalents $ 6,254,585 $ 3,929,956 

Bonds and combined bond funds 47,057,607 49,218,575 

Stocks and combined stock funds 238,046,695 238,026,611 

Alternative investments 111,312,742 90,877,220 

402,671,629 382,052,362 

Charitable perpetual trusts 323,698,463 305,479,045 

$726,370,092 $ 687,531,407 


Year ended June 30, 2006 Unrestricted Restricted Restricted 

Dividends and interest $ 2,016,165 $ 2,174,978 

Realized and unrealized gains net of 

realized and unrealized losses 17,652,487 18,369,299 

Change in fair value of charitable perpetual trusts $ 18,219,418 

Investment return 19,668,652 20,544,277 18,219,418 

Investment return designated for current operations (12,309,890) (1,030,135) 

Investment return designated for art purchases (2,605,053) 

Investment income after amounts designated $ 7,358,762 $ 16,909,089 $ 18,219,418 

Six months ended June 30, 2005 

Dividends and interest $ 968,291 $ 1,016,287 

Realized and unrealized gains net of 

realized and unrealized losses 1,114,703 1,220,864 

Change in fair value of charitable perpetual trusts $ (1,601,180) 

Investment return 2,082,994 2,237,151 (1,601,180) 

Investment return designated for current operations (6,118,372) (365,627) 

Investment return designated for art purchases (3,950,000) 

Investment (loss) after amounts designated $ (4,035,378) $ (2,078,476) $ (1,601,180)

The Museum uses the spending rule concept in 

making distributions from its investments. In 

doing so, the Museum takes into account the 

distributions from the charitable perpetual trusts. 

Under this method, a portion of its investment 

earnings is recorded as unrestricted revenue. 

The amount of investment income used by the 

Museum for its operations and purchases of art 

is calculated using a spending rate of between 

4.5% to 5.5% of the market value of the investments 

for the prior 20-quarter average ended 

March 31, 2005 for fiscal year ended June 30, 

2006 and September 30, 2004 for the fiscal year 

ended June 30, 2005, as adjusted (subject to 

certain limitations) for inflation and additional 

contributions. For fiscal 2006 and 2005, the 

calculations resulted in an annual spending rate 

of 5.0%. Investment returns in excess of (less 

than) amounts designated for current operations 

are classified as other changes in net assets in the 

statements of activities. 

7. Benefit Plans The Museum converted from a contributory 

defined benefit pension plan for eligible employees 

to a noncontributory defined benefit 

pension plan (the Plan) on January 1, 2002. 

Eligible participants in the Plan on December 

31, 2001 were given the option of continuing 

to contribute to the Plan. For those employees 

not making this election, their accumulated 

benefit was converted to the noncontributory 

defined benefit plan. For either contributing or 

noncontributing participants, benefits under 

the Plan are based on years of service and the 

Weighted-average 

assumptions are as 

follows: 

final five-year average compensation. It is the 

policy of the Museum to fund with an insurance 

company at least the minimum amounts 

required by the Employee Retirement Income 

Security Act. Plan assets are invested in group 

annuity contracts. 

The Museum uses December 31 as the measurement 

date for the Plan. The following 

table sets forth the actuarial present value of 

benefit obligations and aggregate funded status 

of the Plan: 

June 30, 2006 June 30, 2005 

Projected benefit obligation $ (22,163,299) $ (22,312,669) 

Fair value of plan assets 21,589,528 22,252,106 

Underfunded status of the plan (573,771) (60,563) 

Unrecognized prior service cost 113,040 165,035 

Unrecognized net actuarial loss (gain) 610,033 (150,986) 

Prepaid (accrued) pension cost in statements 

of financial position $ 149,302 $ (46,514) 

Accumulated benefit obligation $ 20,059,336 $ 20,121,328 

June 30, 2006 June 30, 2005 

Discount—liability 6.25% 5.75% 

Discount—cost 5.75% 6.00% 

Expected rate of return on plan assets 7.00% 7.00% 

Compensation growth rate 3.00% 3.00% 

The assumptions used in the actuarial valuations 

were established by the Museum in conjunction 

with its actuary. The weighted-average 

rates of increase in compensation were established 

based upon the Museum’s long-term 

internal compensation plans. The expected 

long-term weighted-average rate of return on 

plan assets was established using the Museum’s 

target asset allocation for equity and fixed 

income and the historical average rates of return 

for equity and fixed income adjusted by an assessment 

of possible future influences that could 

cause the returns to trail long-term patterns. 

141

The following information 

is provided 

for the defined benefit 

plan of the Museum 

for: 

142 


June 30, 2006 June 30, 2005 

Components of net periodic benefit cost: 

Service cost $ 682,046 $ 310,275 

Interest cost 1,250,773 616,689 

Expected return on plan assets (1,535,288) (757,147) 

Amortization of prior service cost 51,995 25,998 

$ 449,526 $ 195,815 

Employer contributions $ 645,342 

Employee contributions 84,575 $ 51,136 

Benefits paid 1,223,914 523,918 

Actual (loss) return on plan assets (168,581) 787,117 

The Plan invests in an unallocated immediate 

participation guarantee group annuity contract 

with John Hancock Life Insurance Company 

(the Insurer). The Insurer credits the Plan’s 

deposits that are intended to provide future 

benefits to present employees to an account 

that is invested with other assets of the Insurer. 

The account is credited with its share of 

the Insurer’s actual investment income. The 

actual asset allocations by asset category are 

as follows: 

June 30, 2006 June 30, 2005 

Debt securities 94% 94% 

Equity securities 2 2 

Real estate 2 2 

Other 2 2 

Total 100% 100% 

In August 2005, the Museum made a payment 

to the Plan totaling $195,816 related to the 

pension expense for the first six months of 

2005. The Museum expects to make a contribution 

of $481,356 to the Plan in 2006. 

Benefit payments over the next five fiscal years 

are estimated as follows: 2007 – $1,179,079; 

2008 – $1,204,741; 2009 – $1,213,185; 

2010 – $1,278,023; 2011 – $1,317,541; and 

in the aggregate for the five years thereafter is 

$7,186,468. 

In addition, effective January 1, 2002 the 

Museum initiated a 401(k) savings plan. The 

Museum matches employee contributions at 

a rate of 50% of the first 4% of total compensation. 

The Museum’s contributions to the 

401(k) plan were $175,478 and $88,879 for the 

year ended June 30, 2006 and the six months 

ended June 30, 2005, respectively.

8. Postretirement 

Medical Benefits 

The Museum provides health care benefits 

upon retirement to certain employees meeting 

eligibility requirements as of December 31, 

2001, and contractually required additions. No 

other employees are eligible to receive these 

postretirement heath care benefits. The 

Museum’s policy is to fund the annual costs of 

these benefits from unrestricted net assets of 

the Museum. 

The following information is provided for the 

Museum’s postretirement medical benefits: 

June 30, 2006 June 30, 2005 

Benefit obligation $ 4,783,686 $ 5,604,373 

Fair value of plan assets 

Underfunded status of the plan $ (4,783,686) $ (5,604,373) 

(Accrued) postretirement medical benefits in 

statements of financial position $ (5,256,711) $ (5,391,180) 

The discount rate used in determining the 

accumulated postretirement benefit obligation 

was 6.25% and 5.5% at June 30, 2006 and 

2005, respectively. The health care cost trend 

rate used is 12.0% for fiscal year 2006 declining 

to 5.5% by 2014. A one-percentage-point 

increase or decrease in the health care cost 

trend rate would have increased or decreased 

the fiscal 2006 service and interest costs in total 

by $26,800 and $23,700, respectively. 


June 30, 2006 June 30, 2005 

Components of net periodic benefit cost 

recognized in the statements of activities: 

Interest cost $ 294,991 $ 149,786 

Amortization of prior service cost (26,230) (13,115) 

$ 268,761 $ 136,671 

Employer contributions $ 403,229 $ 193,401 

Employee contributions 18,075 17,045 

Benefits paid $ 421,304 $ 210,446 

The gross benefits expected to be paid in each 

year for the fiscal years 2007-2011 are 

$483,175, $500,408, $515,532, $523,653, and 

$528,011, respectively. The anticipated benefits 

to be paid in the five years 2012-2016 are 

$2,437,202. The Medicare Part D subsidy 

reduced the postretirement medical benefit 

obligation by $266,000 in fiscal 2006 and reduces 

the payments by approximately $70,000 

on average beginning in fiscal 2006. Beginning 

in January 2007, the Museum will no longer 

offer prescription drug coverage to Medicare 

eligible retirees. The effect of this change is not 

yet determined or recorded in the financial 

statements. 

143

9. Financing 

Arrangements and 

Long-term 

Obligations 

144 

Short-term Financing Arrangements 

At June 30, 2005, the Museum had 

$10,000,000 of short-term borrowings outstanding 

under a line of credit and two demand 

notes with various banks. The Museum 

did not have any short-term borrowings at 

June 30, 2006. Interest rates on the London 

Interbank Offering Rate (LIBOR) based loans 

range from 3.49% to 4.58% and 2.86% to 

4.16% at June 30, 2006 and 2005, respectively. 

Operating Lease 

In fiscal 2005, the Museum entered into a 

three-year operating lease for office space, with 

an option for an additional two years. Total 

rental expense for the year-end June 30, 2006, 

and the six months ended June 30, 2005, was 

$402,690 and $26,650, respectively. Minimum 

operating lease payments for each of the next 

two fiscal years are approximately $330,000. 

Cultural Facility Revenue Bonds 

In October 2005, pursuant to certain agreements 

between the Museum and the Cleveland- 

Cuyahoga Port Authority, the Cleveland- 

Cuyahoga Port Authority issued $90 million in 

variable rate, tax exempt Cultural Facility 

Revenue Bonds (The Cleveland Museum of 

Art Project) (the Bonds), Series 2005, payable 

October 1, 2040. The proceeds of the Bonds 

will be used to finance the Museum’s construction, 

renovation and expansion project. 

The Bonds were issued in four series: (i) the 

Series A Bonds in the principal amount of 

$30,000,000, (ii) the Series B Bonds in the 

principal amount of $20,000,000, (iii) the 

Series C Bonds in the principal amount of 

$20,000,000, and (iv) the Series D Bonds in 

the principal amount of $20,000,000. The 

Bonds have adjustable methods of interest rate 

determination and interest payment dates, and 

were in weekly variable rate mode on June 30, 

2006 bearing interest at 3.97% (range from 

2.6% to 3.98% during the year ended June 30, 

2006). 

While the Cultural Facility Revenue Bonds 

are not a direct indebtedness of the Museum, 

10. Income Taxes The Museum is a nonprofit organization and is 

exempt from federal income taxes on related 

income under Section 501(c)(3) of the Internal 

Revenue Code. 

11. Impact of 

Recently Issued 

Accounting 

Standard 

In March 2005, the Financial Accounting Standards 

Board (FASB) issued Interpretation No. 

47, Accounting for Conditional Asset Retirement 

Obligations (FIN 47), which clarifies the term 

“conditional asset retirement obligation” as 

used in FASB Statement No. 143, Accounting for 

Asset Retirement Obligations. FIN 47 clarifies that 

an entity is required to recognize a liability for 

the fair value of a conditional asset retirement 

obligation if a settlement date and fair value of 

the liability can be reasonably estimated. 

the loan agreement with the Cleveland- 

Cuyahoga Port Authority obligates the Museum 

to make payments equal to the principal 

of and premium, if any, and interest on the 

respective Bonds, whether at maturity, upon 

acceleration, or upon redemption. Bond 

Service Charges due on the Bonds will be 

required to be made by the Museum as loan 

payments under the agreement. Interest only 

payments are required to be made until 

October 1, 2036. 

Unamortized financing costs are amortized 

over the period the obligation is outstanding 

using the bonds outstanding method. 

Interest Rate Swap 

In connection with the $90,000,000 Cultural 

Facility Revenue Bonds, the Museum entered 

into a floating-to-fixed rate swap. The swap 

consists of a $90 million 8-year floating-tofixed 

rate swap whereby the Museum pays a 

fixed rate of 3.341% and receives 70% of 

1-month LIBOR. The nominal amount of the 

swap will begin to decline on July 1, 2008 and 

will continue to decline until maturity on 

January 1, 2014. This derivative instrument is 

not designated as a hedging instrument. At 

June 30, 2006, the fair value of the swap agreement, 

based on mid-market levels as of the 

close of business that day, was $1,820,971 due 

from the counterparty and has been recorded 

in other assets on the statements of financial 

position. The change in fair value of the swap 

agreement is recorded in other changes in net 

assets on the statement of activities. Net interest 

cost incurred under the swap agreement 

was $55,187 for fiscal 2006 and was capitalized 

as an addition to construction-in-progress. 

Interest 

Interest paid was approximately $2.3 million 

and $153,000 in fiscal 2006 and for the six 

months ended June 30, 2005, respectively. 

Capitalized interest was approximately $1.2 

million in fiscal 2006, net of interest income 

earned on the investment of bond proceeds of 

$1.5 million. 

The Museum adopted FIN 47 in fiscal 2006 

and recorded an ARO liability of $477,845 as 

of June 30, 2006 for known and identifiable 

abatement issues related to future construction 

projects. Upon implementing FIN 47, the 

Museum recorded a $477,845 charge at June 

30, 2006, which is reported as a cumulative 

effect of change in accounting principle in the 

fiscal 2006 statement of activities.

Annual Report (10.1 MB PDF) - Cleveland Museum of Art

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?