Textiles Set <strong>of</strong> Five Garments, 1200–1460s; Central Andes, Chimú people; plain and gauze weaves, weft brocading; cotton; Norman O. Stone and Ella A. Stone Memorial Fund. Band with Tassels; 306 x 5.5 cm; 2005.5.5. Loincloth; 244 x 90 cm; 2005.5.2. Mantle or Hanging; 142 x 270 cm; 2005.5.1. Padded Hat; 124.5 x 31.7 cm; 2005.5.4. Turban; 139.7 x 139.7 cm; 2005.5.3. Fichu, about 1875–80; France or Belgium; composite lace, machine-made netting (reseau), Brussels bobbin lace, and French needle point lace; linen; 193 x 53.3 cm; Gift <strong>of</strong> Anne E. Wardwell 2005.133. Lace Fan, about 1860; Belgium; Brussels bobbin lace; linen; frame: mother-<strong>of</strong>-pearl and ivory; 30.5 x 50.8 x 3.2 cm; Gift <strong>of</strong> Anne E. Wardwell 2005.132. Pair <strong>of</strong> Needlework Bed Hangings in the Bizarre Style, 1710–20; France; tent and cross stitch embroidery on canvas; silk and wool; 279.5 x 82.5 cm each; Leonard C. Hanna Jr. Fund 2006.2.1–2. Venetian Lace Table Setting, 1930s; Italy, Venice, probably the Burano Lace School; needle lace; linen; Gift <strong>of</strong> Mr. and Mrs. Richard Crile Garretson. 12 Doilies; 16.5 x 15.9 cm; 2005.37.4.1–12. 12 Monogrammed Napkins; 33 x 69.8 cm; 2005.37.3.1–12. 12 Placemats; 38.1 x 51.8 cm; 2005.37.1.1–12. Runner; 68.9 x 239.3 cm; 2005.37.2. Woman’s Bridal Dress, late 1800s; China, Qing dynasty; 3 objects; embroidery; silk and gilt-metal thread; Gift <strong>of</strong> Elizabeth Wade Sedgwick. Dragon Jacket; 104.2 x 153 cm; 2005.135.1. Pleated Skirt; 94.6 x 86.4 cm; 2005.135.2. Tabard; 11.8 x 73.7 cm; 2005.135.3. James Bassler (American, b. 1933); Old Glory, 1992; tapestry weave with eccentric wefts; linen, waxed; 180.4 x 317.5 cm; Gift <strong>of</strong> The Textile <strong>Art</strong> Alliance 2005.131. Jon Eric Riis (American, b. 1945); Hearts <strong>of</strong> Gold, Male and Female #3, 2002; tapestry weave; silk and gold metallic thread; display dimensions: 80 cm shoulder to hem, 177.1 cm sleeve end to sleeve end; woven dimensions: 160.6 x 177.1 cm; Gift <strong>of</strong> the Textile <strong>Art</strong> Alliance and Purchase from the Karl B. Goldfield Trust 2006.123.1–2. Evelyn Svec Ward (American, 1921–1989); 2 objects; Gift <strong>of</strong> Pamela Elizabeth Ward. Ishidoro, 1977; needle-manipulated fiber; burlap, cotton thread, and wood base; 35.5 x 20.4 x 20.4 cm; 2005.136. Shard, 1981; looping and knitting, shaped and stiffened; sisal, henequen, ixtle, cotton, and linen thread; 152.4 x 147.3 x 26.7 cm; 2005.137. Evelyn Svec Ward; Oaxaca Series, 1983; collage and couching; ixtle and cotton thread, clay beads (from Oaxaca), and cotton canvas; 25.4 x 20.32 cm; Gift <strong>of</strong> Janet Yost 2005.134. Other Pre-Columbian textiles are listed under <strong>Art</strong> <strong>of</strong> the Ancient Americas. Education <strong>Art</strong> Collection Two Women Playing Instruments; Japan; color woodcut; 25.4 x 30.5 cm; Gift <strong>of</strong> Lt. Col. Franklin D. Morrison and Norma T. Morrison 2005.1002. Women Interior and Exterior; Japan; color woodcut; 25.4 x 30.5 cm; Gift <strong>of</strong> Lt. Col. Franklin D. Morrison and Norma T. Morrison 2005.1001. Women with Interior Screen; Japan; color woodcut; 25.4 x 30.5 cm; Gift <strong>of</strong> Lt. Col. Franklin D. Morrison and Norma T. Morrison 2005.1003. In the style <strong>of</strong> Ando Hiroshige ( Japanese, 1797–1858); Sudden Rain, 19th century; color woodcut; 25.4 x 30.5 cm; Gift <strong>of</strong> Lt. Col. Franklin D. Morrison and Norma T. Morrison 2005.1000. Padded Hat, 1200– 1460s; Central Andes, Chimú people; plain and gauze weaves, weft brocading; cotton; 124.5 x 31.7 cm; Norman O. Stone and Ella A. Stone Memorial Fund 2005.5.4. 49
The Jonah Marbles, Early Christian sculptures, ancient Italian ro<strong>of</strong> ornaments, Egyptian c<strong>of</strong>fin covers, and Monet’s Water Lilies all headed to new quarters in temporary storage areas. 50
- Page 1 and 2: ANNUAL REPORT January 1, 2005-June
- Page 3 and 4: Cover: With a coordinated museumwid
- Page 5 and 6: Board of Trustees Officers James T.
- Page 7 and 8: Timothy Rub is introduced to the st
- Page 9 and 10: Parade the Circle made its annual a
- Page 11 and 12: 10 Seen from the roof of the 1916 (
- Page 13 and 14: 12 The museum’s efforts to give a
- Page 15 and 16: The new lower-level special exhibit
- Page 17 and 18: Director of Design and Architecture
- Page 19 and 20: Mayor Jane Campbell joins President
- Page 22 and 23: Collections Intense effort went int
- Page 24 and 25: Nose Ornament with Serpents and Lon
- Page 26 and 27: Wine Vessel (Jia), 1300-1100 bc; Ch
- Page 28 and 29: William Henry Fox Talbot (British,
- Page 30 and 31: MOCA Collaborations The CMA pavilio
- Page 32 and 33: Half of a Sleeved Tunic, ad 500-100
- Page 34 and 35: Sean Scully (American, b. 1945); Wa
- Page 36 and 37: Attributed to Matthias Lock (Englis
- Page 38 and 39: Rider and Four-legged Bovine Creatu
- Page 40 and 41: Photography Herbert Ascherman Jr. (
- Page 42 and 43: cm; 2005.93.4. 5; 27.2 x 35.3 cm; 2
- Page 44 and 45: Federico Barocci (Italian, about 15
- Page 46 and 47: steel plates, and 4 paper plates; 5
- Page 48 and 49: Maud Oakes. Where the Two Came to T
- Page 52 and 53: Deinstallation The museum expansion
- Page 54: MOCA Cleveland Drawn, Exposed, and
- Page 57 and 58: 56 Quiet contemplation, and not: Th
- Page 59 and 60: 58 The director speaks on televisio
- Page 61 and 62: Loan Exhibitions The Phillips Colle
- Page 63 and 64: PERMANENT COLLECTION EXHIBITIONS In
- Page 66 and 67: Le Mystère des Voix Bulgares perfo
- Page 68 and 69: Sand Mandala When Gartner Auditoriu
- Page 70 and 71: Performing Arts, Music, and Film Th
- Page 72 and 73: Susan Stevens Jaros, director of de
- Page 74 and 75: Sally Cutler and Ellen Mavec at Kat
- Page 76 and 77: CMA@ A resourceful adaptation of th
- Page 78 and 79: Donors of Works of Art Anonymous Gi
- Page 80 and 81: John White Abbott (British, 1763-18
- Page 82 and 83: Mr. and Mrs. Stewart Kohl Mr. and M
- Page 84 and 85: Planned Giving Planned Giving Counc
- Page 86 and 87: Mr. and Mrs. Peter Pfouts+ Emily M.
- Page 88 and 89: Nose Ornament with Human Head and C
- Page 90 and 91: George C. Gordon Mr. and Mrs. Herbe
- Page 92 and 93: Corporate support Business Leadersh
- Page 94 and 95: Foundation and Government support O
- Page 96 and 97: Gifts in Memory of . . . from Elias
- Page 98 and 99: Benefactors The Cleveland Museum of
- Page 100 and 101:
Mrs. Carol Brewster Dr. and Mrs. Je
- Page 102 and 103:
the museum’s joint program with C
- Page 104 and 105:
Gertrude Chisholm Joan Fountain Ann
- Page 106 and 107:
Volunteers Anne Adamson Carolyn Ade
- Page 108 and 109:
Helen Orton William Ott Anne Owens
- Page 110 and 111:
The Winter Lights Lantern Festival
- Page 112 and 113:
Distance Learning continued in a po
- Page 114 and 115:
Mask-making workshops helped kick o
- Page 116 and 117:
A significant number of works from
- Page 118 and 119:
Docent Kermit Greeneisen answers qu
- Page 120 and 121:
Featured artist Anna Arnold works o
- Page 122 and 123:
Parade the Circle 2006 Guest artist
- Page 124 and 125:
Summary of Attendance, 2005-6 Total
- Page 126 and 127:
Human Resources Division Sharon Rea
- Page 128 and 129:
Exhibition and Adult Programs Joell
- Page 130 and 131:
Financial Report Year Ended June 30
- Page 132 and 133:
Revenues Investments—general and
- Page 134 and 135:
Statements of Financial Position Ju
- Page 136 and 137:
Statement of Activities Six Months
- Page 138 and 139:
1. Organization The Cleveland Museu
- Page 140 and 141:
3. Temporarily Restricted Net Asset
- Page 142 and 143:
The Museum uses the spending rule c
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8. Postretirement Medical Benefits