Annual Report (10.1 MB PDF) - Cleveland Museum of Art

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Half of a Sleeved Tunic, ad 500–1000; Central Andes, Wari or Tiwanaku people; single-interlocked tapestry; cotton and camelid fiber; 88.5 x 102 cm; J. H. Wade Fund 2005.53. Detail at far right. Woman’s Belt Hanger (Zone), about 725–675 BC; Greece, Geometric period; bronze; w. 32.5 cm; The Jane B. Tripp Charitable Lead Annuity Trust 2006.5. Art of the Ancient Americas Fragment of a Mantle with Oculate Being, 200 BC–AD 1; Central Andes, Paracas people (possibly Carhua); double-cloth; cotton; 74.9 x 108 cm; Dudley P. Allen Fund 2005.19. Half of a Sleeved Tunic, AD 500–1000; Central Andes, Wari or Tiwanaku people; singleinterlocked tapestry; cotton and camelid fiber; 88.5 x 102 cm; J. H. Wade Fund 2005.53. Mastiff Bat Vessel, AD 50–200; Central Andes, Moche people; ceramic and slip; 18.4 x 17.7 x 15.6 cm; John L. Severance Fund 2005.6. Nose Ornament with Human Head and Condors Attacking Humans, AD 100–300; Central Andes, Moche people; gold alloy; 9.5 x 16.5 x 1.6 cm; Severance and Greta Millikin Purchase Fund 2005.175. Nose Ornament with Serpents and Long-necked Birds, AD 100–300; Central Andes, Moche people; gold alloy and silver; 7.6 x 13.9 cm; Severance and Greta Millikin Purchase Fund 2005.177. Nose Ornament with Decapitators and Human Heads, AD 100–300; Central Andes, Moche people; gold alloy and silver; 8.8 x 14 cm; Severance and Greta Millikin Purchase Fund 2005.176. Panel from the End of a Sash, 700 BC–AD 1; Central Andes, Paracas people (possibly Carhua or Chucho); tapestry and plain weave; cotton and camelid fiber; 26 x 16.3 cm; Dudley P. Allen Fund 2005.18. Textile Fragment with Frontal Deity Heads, Felines, and Interlace Pattern, 700–400 BC; Central Andes, Paracas people (possibly Yauca Valley); double-cloth with structural embroidery; camelid fiber; 83.2 x 21.6 cm; Dudley P. Allen Fund 2005.14. Textile Fragment with Interlace Pattern, 700–400 BC; Central Andes, Paracas people (possibly Yauca Valley); brocaded plain weave; cotton and camelid fiber; 51.8 x 21.3 cm; Dudley P. Allen Fund 2005.15. Textile Fragment with Three Frontal Deities and Interlace Pattern, 700–400 BC; Central Andes, Paracas people (possibly Yauca Valley); double-cloth with structural embroidery; camelid fiber; 101.3 x 22.8 cm; Dudley P. Allen Fund 2005.13. Tunic with Double-headed Serpents, 700 BC–AD 1; Central Andes, Paracas people (possibly Carhua); gauze; cotton; 136.5 x 65.4 cm; Dudley P. Allen Fund 2005.17. Tunic with Profile Animals and Checkerboards, 700 BC–AD 1; Central Andes, Paracas people; dyepatterned plain weave; cotton; 72.4 x 104.1 cm; Dudley P. Allen Fund 2005.16. Other Pre-Columbian textiles are listed under Textiles. 31
Wucius Wong (Wang Wuxie, Chinese, b. 1936); Valley of the Heart No. 9, 1998; ink and color on paper; 94 x 213.4 cm; Alma Kroeger Fund 2006.1. 32 Cai Guo Qiang (Chinese, b. 1957); Pine Forest and Wolf, 2005; exploded gunpowder, fuse, and burned paper backed on wood; 4 panels, 230.2 x 77.6 cm each, 230.2 x 310.4 cm overall; Gift of Agnes Gund 2006.134.a–d. Asian Art Ewer: Changsha Ware, 800s; China, Hunan province, Changsha kilns, Tang dynasty; stoneware with green glaze and brown spots; h. 29.2 cm, w. 19.8 cm, rim diam. 10.3 cm; Edward L. Whittemore Fund 2005.57. Hollow-legged Tripod (Li), late 2000–early 1000 BC; China, Inner Mongolia, lower stratum of the Xiajiadian culture, Neolithic period; dark gray earthenware; h. 22.9 cm, rim diam. 17 cm; Gift of Mr. and Mrs. Thomas French 2005.20. Wine Vessel (Jia), 1300–1100 BC; China, Shang dynasty; bronze; h. 50.8 cm; John L. Severance Fund 2005.54. Lí Huayi (Chinese, b. 1948); Earth Landscape, about 2004; ink and color on paper; 88.9 x 180.3 cm; Norman O. Stone and Ella A. Stone Memorial Fund 2006.115. Wucius Wong (Wang Wuxie, Chinese, b. 1936); Valley of the Heart No. 9, 1998; ink and color on paper; 94 x 213.4 cm; Alma Kroeger Fund 2006.1.
Page 1 and 2: ANNUAL REPORT January 1, 2005-June
Page 3 and 4: Cover: With a coordinated museumwid
Page 5 and 6: Board of Trustees Officers James T.
Page 7 and 8: Timothy Rub is introduced to the st
Page 9 and 10: Parade the Circle made its annual a
Page 11 and 12: 10 Seen from the roof of the 1916 (
Page 13 and 14: 12 The museum’s efforts to give a
Page 15 and 16: The new lower-level special exhibit
Page 17 and 18: Director of Design and Architecture
Page 19 and 20: Mayor Jane Campbell joins President
Page 22 and 23: Collections Intense effort went int
Page 24 and 25: Nose Ornament with Serpents and Lon
Page 26 and 27: Wine Vessel (Jia), 1300-1100 bc; Ch
Page 28 and 29: William Henry Fox Talbot (British,
Page 30 and 31: MOCA Collaborations The CMA pavilio
Page 34 and 35: Sean Scully (American, b. 1945); Wa
Page 36 and 37: Attributed to Matthias Lock (Englis
Page 38 and 39: Rider and Four-legged Bovine Creatu
Page 40 and 41: Photography Herbert Ascherman Jr. (
Page 42 and 43: cm; 2005.93.4. 5; 27.2 x 35.3 cm; 2
Page 44 and 45: Federico Barocci (Italian, about 15
Page 46 and 47: steel plates, and 4 paper plates; 5
Page 48 and 49: Maud Oakes. Where the Two Came to T
Page 50 and 51: Textiles Set of Five Garments, 1200
Page 52 and 53: Deinstallation The museum expansion
Page 54: MOCA Cleveland Drawn, Exposed, and
Page 57 and 58: 56 Quiet contemplation, and not: Th
Page 59 and 60: 58 The director speaks on televisio
Page 61 and 62: Loan Exhibitions The Phillips Colle
Page 63 and 64: PERMANENT COLLECTION EXHIBITIONS In
Page 66 and 67: Le Mystère des Voix Bulgares perfo
Page 68 and 69: Sand Mandala When Gartner Auditoriu
Page 70 and 71: Performing Arts, Music, and Film Th
Page 72 and 73: Susan Stevens Jaros, director of de
Page 74 and 75: Sally Cutler and Ellen Mavec at Kat
Page 76 and 77: CMA@ A resourceful adaptation of th
Page 78 and 79: Donors of Works of Art Anonymous Gi
Page 80 and 81: John White Abbott (British, 1763-18
Page 82 and 83:
Mr. and Mrs. Stewart Kohl Mr. and M
Page 84 and 85:
Planned Giving Planned Giving Counc
Page 86 and 87:
Mr. and Mrs. Peter Pfouts+ Emily M.
Page 88 and 89:
Nose Ornament with Human Head and C
Page 90 and 91:
George C. Gordon Mr. and Mrs. Herbe
Page 92 and 93:
Corporate support Business Leadersh
Page 94 and 95:
Foundation and Government support O
Page 96 and 97:
Gifts in Memory of . . . from Elias
Page 98 and 99:
Benefactors The Cleveland Museum of
Page 100 and 101:
Mrs. Carol Brewster Dr. and Mrs. Je
Page 102 and 103:
the museum’s joint program with C
Page 104 and 105:
Gertrude Chisholm Joan Fountain Ann
Page 106 and 107:
Volunteers Anne Adamson Carolyn Ade
Page 108 and 109:
Helen Orton William Ott Anne Owens
Page 110 and 111:
The Winter Lights Lantern Festival
Page 112 and 113:
Distance Learning continued in a po
Page 114 and 115:
Mask-making workshops helped kick o
Page 116 and 117:
A significant number of works from
Page 118 and 119:
Docent Kermit Greeneisen answers qu
Page 120 and 121:
Featured artist Anna Arnold works o
Page 122 and 123:
Parade the Circle 2006 Guest artist
Page 124 and 125:
Summary of Attendance, 2005-6 Total
Page 126 and 127:
Human Resources Division Sharon Rea
Page 128 and 129:
Exhibition and Adult Programs Joell
Page 130 and 131:
Financial Report Year Ended June 30
Page 132 and 133:
Revenues Investments—general and
Page 134 and 135:
Statements of Financial Position Ju
Page 136 and 137:
Statement of Activities Six Months
Page 138 and 139:
1. Organization The Cleveland Museu
Page 140 and 141:
3. Temporarily Restricted Net Asset
Page 142 and 143:
The Museum uses the spending rule c
Page 144 and 145:
8. Postretirement Medical Benefits
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Annual Report (10.1 MB PDF) - Cleveland Museum of Art

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