06.04.2013 Views

Tonal Notation of Indic scripts in Mainland Southeast Asia

Tonal Notation of Indic scripts in Mainland Southeast Asia

Tonal Notation of Indic scripts in Mainland Southeast Asia

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

2.3 Correspondence between modern and Mahathenapati Anandathura<br />

Maunghnan Inscription’s spell<strong>in</strong>gs<br />

The <strong>in</strong>tricate tonal notation system <strong>of</strong> Burmese script shown above<br />

is partly due to the diachronic change it has suffered s<strong>in</strong>ce its birth. In<br />

the earliest stage <strong>of</strong> the script, how were the tonal opposition reflected<br />

<strong>in</strong> spell<strong>in</strong>gs?<br />

The oldest Burmese <strong>in</strong>scriptions <strong>in</strong> existence are <strong>of</strong> the early 12th<br />

century. Inscriptions <strong>of</strong> the period <strong>in</strong>clud<strong>in</strong>g famous Rajakumar (Myazedi)<br />

Inscription (AD 1112) show spell<strong>in</strong>g variance. It seems to be the late<br />

12c or the early 13c when Burmese orthography was established for the<br />

first time.<br />

Nishi (1999b) refers as the best model <strong>of</strong> the standard OB (=Old<br />

Burmese) orthography to the first pillar <strong>of</strong> Mahathenapati Anandathura<br />

Maunghnan Inscription (Great General Anandathura and His Consort<br />

Inscription) <strong>of</strong> four faces (585–7 ME/AD 1223–5), now <strong>in</strong> the <strong>in</strong>scription<br />

shed <strong>of</strong> Lehmyethna Temple <strong>in</strong> Bagan. 6 Despite the length <strong>of</strong> 229<br />

l<strong>in</strong>es, the <strong>in</strong>scriptions show the strik<strong>in</strong>g consistency <strong>in</strong> spell<strong>in</strong>g.<br />

Below we show the spell<strong>in</strong>gs <strong>of</strong> non-checked rhymes <strong>of</strong> Mod.B and<br />

the correspond<strong>in</strong>g spell<strong>in</strong>gs <strong>of</strong> Anandathura Inscription.<br />

(11) Mod.B Mod.B Anandathura<br />

sounds spell<strong>in</strong>gs spell<strong>in</strong>gs 7<br />

/-a(L)/ ßA {-aa}<br />

/-a(H)/ ßA: {-aa:}<br />

ßA {-aa}<br />

/-a(C)/ ß {-a} ß {-a}<br />

/-i(L)/ ߯ {-ii}<br />

/-i(H)/ ߯: {-ii:}<br />

߯ {-ii}<br />

/-i(C)/ ߢ {-i} ߢ {-i}<br />

/-u(L)/ ßU {-uu}<br />

/-u(H)/ ßU: {-uu:}<br />

ßU {-uu}<br />

/-u(C)/ ßu {-u} ßu {-u}<br />

/-E(L)/ ßy¸ {-ay’} ßy¸{-ay’} | ßAy¸{-ay’}<br />

/-E(H)/ ߲ {-aY} ßy¸{-ay’}<br />

/-E(C)/ ߲ä< {-aY.} ßy¸<br />

a {-ay=@’}<br />

6

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!