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English 6341 SEMINAR IN AMERICAN DRAMA - Angelo State ...

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Tentative Schedule<br />

T 1/15 Introduction: Reading Drama as a Genre<br />

Lecture/Discussion: Provincetown and the New American Drama<br />

Susan Glaspell, “Trifles” (1916) [handout]<br />

T 1/22 Lecture/Discussion: Modernism, Expressionism, and Comedy<br />

Eugene O’Neill, The Emperor Jones (1920) and The Hairy Ape (1922)<br />

T 1/29 Student Presentation: Freud, Jung, and Mythological Criticism<br />

O’Neill, The Iceman Cometh (1939)<br />

T 2/5 Student Presentation: Nietzsche on Tragedy<br />

O’Neill, Long Day’s Journey into Night (1941)<br />

T 2/12 Student Presentation: Marxist Criticism and Left-wing Theater of the 1930s<br />

Clifford Odets, Waiting for Lefty (1935) and Awake and Sing (1935)<br />

T 2/19 Student Presentation: The Southern Renaissance<br />

Tennessee Williams, Streetcar Named Desire (1947)<br />

T 2/26 Mid-term Exam<br />

T 3/5 Student Presentation: Arthur Miller’s Moral Vision<br />

Arthur Miller, Death of a Salesman (1949)<br />

T 3/12 Spring Break<br />

T 3/19 Student Presentation: Theater of the Absurd<br />

Edward Albee, The Zoo Story (1959) and The American Dream (1961)<br />

T 3/26 Student Presentation: Naturalism and Postmodernism<br />

Albee, Who’s Afraid of Virginia Woolf (1962)<br />

T 4/2 Student Presentation: African-American Drama<br />

August Wilson, Ma Rainey’s Black Bottom (1982)<br />

T 4/9 Student Presentation: Gender Theory and Feminist Criticism<br />

Marsha Norman, ‘night Mother (1983)<br />

T 4/16 Student Presentation: Post-colonialist Criticism<br />

Lynn Nottage, Ruined (2010)<br />

T 4/23 Conference Papers<br />

T 4/30 Conference Papers and Review<br />

T 5/7 Final Exam<br />

4

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