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Untitled - Centre for Comparative Literature - University of Toronto

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notes<br />

Parts <strong>of</strong> this paper were presented at the Graduate Student’s Conference <strong>for</strong><br />

Romance Language and <strong>Literature</strong>s at the <strong>University</strong> <strong>of</strong> British Columbia. The<br />

author would also like to thank Dr. D. Jan Mennell <strong>of</strong> Queen’s <strong>University</strong> and<br />

Dr. Cristina Santos <strong>of</strong> Brock <strong>University</strong> <strong>for</strong> their comments and observations<br />

throughout the development <strong>of</strong> this paper.<br />

1 These three authors are seen as having written the canonical “novels <strong>of</strong> the dictator” all<br />

within a couple <strong>of</strong> years <strong>of</strong> one another; Gabriel García Márquez’s El otoño del patriarca<br />

(The Autumn <strong>of</strong> the Patriarch) appeared in 1975, Roa Bastos’ Yo, el supremo (I, the<br />

Supreme) in 1974, and Carpentier’s El recurso del método (Reasons <strong>of</strong> State) in 1974.<br />

Legend has it that the three agreed to write these novels <strong>of</strong> the dictator.<br />

2 All translations are from Gregory Rabassa’s translation <strong>of</strong> Cola de lagartija.<br />

3 “I come with a built-in woman, I’m complete.” (24)<br />

4 “I am complete.” (24)<br />

5 “Manuel’s got three balls, Manuel’s got three balls.” (5)<br />

6 “In my puberty I’d also learned whom to love. When my testicles dropped <strong>for</strong> good and<br />

my sister Estrella complained <strong>for</strong> the fi rst and only time, be<strong>for</strong>e fi nding warm com<strong>for</strong>t<br />

between the two <strong>of</strong> them.” (5)<br />

7 There is, <strong>of</strong> course, another level to this discussion which remains untouched in this<br />

paper: familial relations, questions <strong>of</strong> incest, etc.<br />

8 Sherry Velasco in her recent book Male Delivery: Reproduction, Effeminacy, and Pregnant<br />

Men in Early Modern Spain (2006) includes a chapter which considers popular culture<br />

transverse 45

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