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rhubarb magazine

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34 Rhubarb<br />

as she had a job, and money.<br />

Liese drew one of the perfume packets<br />

out of the drawer. She opened it. She<br />

slipped the paper out of its sheath, held it<br />

to her nose. It gave off a whiff of sophistication.<br />

She waited, contented, sitting on<br />

the bed, hands in her lap, her eyes assessing<br />

the low-ceilinged room. She liked its<br />

simplicity, its coolness, its dimness. They<br />

didn’t have many basements in the Chaco.<br />

A basement, she thought now, was like a<br />

cave, like a cocoon, in which to rest and<br />

gain strength to foray in a long-awaited<br />

world.<br />

She heard Nettie’s eager voice—the<br />

call for supper. Liese rubbed the scent<br />

of the paper onto<br />

her wrists and ran<br />

upstairs, arriving at<br />

the table breathless<br />

and smiling. The<br />

cousins smiled back<br />

at her. Their hands<br />

were already folded<br />

for the table prayer.<br />

If they told her she<br />

smelled nice or<br />

questioned her for<br />

wasting a packet,<br />

she’d decided, she’d<br />

compliment them<br />

by declaring this was one of those special<br />

evenings Nettie had mentioned. Her first<br />

in their house.<br />

Neither remarked on the perfume,<br />

however. The dose available on paper must<br />

have been too weak to last.<br />

It didn’t matter. The sensation of the<br />

strip against her skin, the brief aroma of a<br />

new Canadian ritual lingered with her as if<br />

it rendered her more exotic than ever, even<br />

to herself. She was hungry and agreeable to<br />

everything. The homemade tomato soup<br />

and bread were delicious.<br />

After supper, Liese helped with the<br />

dishes, then admitted, to Alvina’s persistent<br />

inquiries, that yes, she was tired.<br />

The cousins’ voices wove around her like<br />

a lullaby, sung in duet, suggesting she get<br />

her night clothes, take a bath, go to bed.<br />

The women showed her the bathroom.<br />

Nettie asked Liese if she knew how to turn<br />

on the taps and Liese said, yes, she did. Of<br />

course, she did, she added, though she kept<br />

her tone light and gracious; they certainly<br />

had taps in the Chaco, she said. She didn’t<br />

mention that they’d installed a water line<br />

into the kitchen just a few months ago,<br />

such a help to her mother, who had always<br />

drawn from a tap on the porch, but she did<br />

say that water was generally scarce in the<br />

Chaco, so they showered instead of bathed,<br />

using a pail of water overhead—a pail with<br />

holes in it. Nettie and Alvina seemed to<br />

find this interesting.<br />

Then the cousins withdrew, pulling the<br />

bathroom door closed behind them like a<br />

final caring cluck. Liese secured her hair in<br />

two loose braids. She took off her clothes.<br />

She drew an inch or two of tepid water and<br />

knelt in it, dabbing the water to her body<br />

until every part of it was moistened. Then<br />

she got out and dried herself and pulled<br />

on her thin summer nightgown. She padded<br />

downstairs and crawled between the<br />

starched and flawless white sheets of her<br />

basement bed. There she lost the last of her<br />

vivid daydream of the future.<br />

It had begun to disappear the moment<br />

she landed—she knows this now—but<br />

the last of it disappeared in that prim Canadian<br />

bed. What was she thinking as her<br />

eyes closed? What did she release with a<br />

satisfied sigh, just before falling away—so<br />

carelessly—from everything, new and old<br />

colliding, into slumber?<br />

She can’t remember.<br />

She should have written something<br />

down. She should have had a notebook<br />

on the flight , blocked that pesky girl from<br />

her lap, set down what she visualized ahead<br />

of her as her gaze and dreams locked into<br />

the clouds. On the airplane, suspended in<br />

that space between ending and beginning,<br />

she must have known—in that clear way<br />

one sees what one wants before one has<br />

it—what she hoped for, what she expected.<br />

She was starting life over in a way more<br />

definite, more decisive, than people usually<br />

attempted. Not escaping, but choosing.<br />

Switching countries. Separating destiny<br />

from origin.<br />

If she’d recorded this, she thinks now,<br />

she could decide whether anything came<br />

true in the manner she hoped. She reminds<br />

herself the landscape of her former desires<br />

can never be fully recovered. It still adheres<br />

to a girl who hid, who watched, who envied,<br />

and then a young woman wrapped in<br />

memories of white. Liese no longer thinks<br />

of herself as an immigrant and her reasons<br />

for coming are thin. As good as gone. She<br />

may never know, at this distance, if they<br />

were good enough. R

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