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34 Rhubarb<br />
as she had a job, and money.<br />
Liese drew one of the perfume packets<br />
out of the drawer. She opened it. She<br />
slipped the paper out of its sheath, held it<br />
to her nose. It gave off a whiff of sophistication.<br />
She waited, contented, sitting on<br />
the bed, hands in her lap, her eyes assessing<br />
the low-ceilinged room. She liked its<br />
simplicity, its coolness, its dimness. They<br />
didn’t have many basements in the Chaco.<br />
A basement, she thought now, was like a<br />
cave, like a cocoon, in which to rest and<br />
gain strength to foray in a long-awaited<br />
world.<br />
She heard Nettie’s eager voice—the<br />
call for supper. Liese rubbed the scent<br />
of the paper onto<br />
her wrists and ran<br />
upstairs, arriving at<br />
the table breathless<br />
and smiling. The<br />
cousins smiled back<br />
at her. Their hands<br />
were already folded<br />
for the table prayer.<br />
If they told her she<br />
smelled nice or<br />
questioned her for<br />
wasting a packet,<br />
she’d decided, she’d<br />
compliment them<br />
by declaring this was one of those special<br />
evenings Nettie had mentioned. Her first<br />
in their house.<br />
Neither remarked on the perfume,<br />
however. The dose available on paper must<br />
have been too weak to last.<br />
It didn’t matter. The sensation of the<br />
strip against her skin, the brief aroma of a<br />
new Canadian ritual lingered with her as if<br />
it rendered her more exotic than ever, even<br />
to herself. She was hungry and agreeable to<br />
everything. The homemade tomato soup<br />
and bread were delicious.<br />
After supper, Liese helped with the<br />
dishes, then admitted, to Alvina’s persistent<br />
inquiries, that yes, she was tired.<br />
The cousins’ voices wove around her like<br />
a lullaby, sung in duet, suggesting she get<br />
her night clothes, take a bath, go to bed.<br />
The women showed her the bathroom.<br />
Nettie asked Liese if she knew how to turn<br />
on the taps and Liese said, yes, she did. Of<br />
course, she did, she added, though she kept<br />
her tone light and gracious; they certainly<br />
had taps in the Chaco, she said. She didn’t<br />
mention that they’d installed a water line<br />
into the kitchen just a few months ago,<br />
such a help to her mother, who had always<br />
drawn from a tap on the porch, but she did<br />
say that water was generally scarce in the<br />
Chaco, so they showered instead of bathed,<br />
using a pail of water overhead—a pail with<br />
holes in it. Nettie and Alvina seemed to<br />
find this interesting.<br />
Then the cousins withdrew, pulling the<br />
bathroom door closed behind them like a<br />
final caring cluck. Liese secured her hair in<br />
two loose braids. She took off her clothes.<br />
She drew an inch or two of tepid water and<br />
knelt in it, dabbing the water to her body<br />
until every part of it was moistened. Then<br />
she got out and dried herself and pulled<br />
on her thin summer nightgown. She padded<br />
downstairs and crawled between the<br />
starched and flawless white sheets of her<br />
basement bed. There she lost the last of her<br />
vivid daydream of the future.<br />
It had begun to disappear the moment<br />
she landed—she knows this now—but<br />
the last of it disappeared in that prim Canadian<br />
bed. What was she thinking as her<br />
eyes closed? What did she release with a<br />
satisfied sigh, just before falling away—so<br />
carelessly—from everything, new and old<br />
colliding, into slumber?<br />
She can’t remember.<br />
She should have written something<br />
down. She should have had a notebook<br />
on the flight , blocked that pesky girl from<br />
her lap, set down what she visualized ahead<br />
of her as her gaze and dreams locked into<br />
the clouds. On the airplane, suspended in<br />
that space between ending and beginning,<br />
she must have known—in that clear way<br />
one sees what one wants before one has<br />
it—what she hoped for, what she expected.<br />
She was starting life over in a way more<br />
definite, more decisive, than people usually<br />
attempted. Not escaping, but choosing.<br />
Switching countries. Separating destiny<br />
from origin.<br />
If she’d recorded this, she thinks now,<br />
she could decide whether anything came<br />
true in the manner she hoped. She reminds<br />
herself the landscape of her former desires<br />
can never be fully recovered. It still adheres<br />
to a girl who hid, who watched, who envied,<br />
and then a young woman wrapped in<br />
memories of white. Liese no longer thinks<br />
of herself as an immigrant and her reasons<br />
for coming are thin. As good as gone. She<br />
may never know, at this distance, if they<br />
were good enough. R