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to see that Jeanette has fooled herself, and adds the nightmare<br />

as interior proof of this fact.<br />

The reader is supposed to understand what she does not--<br />

that Jeanette's problems don't all stem from Donald, though he<br />

certainly contributes to these problems. Essentially Mason<br />

allows Jeanette to fool herself into believing once Donald<br />

enters the V.A. all her problems are solved. Once the decision<br />

is made to enter the V.A., we are told she looks better, is able<br />

to get a job, and starts reading again (669). In fact, Donald's<br />

absence allows her time to reorganizes her life, by getting off<br />

welfare, rearranging her furniture and assuming a new outlook<br />

(669). The reason her resolution is false is that, like her<br />

problems, her solution is created by an exterior event instead<br />

of a true shift in thinking. We see that she believes she is<br />

changing, and we see that Donald is dealing with his loss and<br />

damage, but Jeanette never addresses the true nature of her own<br />

problems.<br />

The final image of the story is the nightmare, which is<br />

used to evoke a feeling rather than a thought. The language<br />

here shifts from the very straightforward style to a more lush,<br />

descriptive style "she is jumping on soft moss" which turns to a<br />

"springy pile of dead bodies"(670). Nowhere else do we get a<br />

description of Jeanette's surroundings. When Donald's<br />

nightmares occur they are told through Jeanette's POV, and not

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