Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
an author [narrator] speaks in the present tense you get the<br />
feeling that s/he doesn't know any more than you do about what's<br />
happening"(Lyons 460). In contrast she says that the past tense<br />
creates the assumption that the narrator "has sorted events out,<br />
has a perspective on them, [and] has judged them in some<br />
sense"(Lyons 460).<br />
In "Big Bertha Stories" the use of the present tense allows<br />
the reader to experience the action of the story as the<br />
characters themselves experience it. Rather than the usual<br />
filter we get from a traditional narrative we are presented with<br />
a camera-eye view of the events. Information and events are<br />
relayed in a mater-of-fact style, which effectively removes much<br />
of the narrative attitude from these sections. Mason then adds<br />
the character's attitude, in this story Jeanette's thoughts, to<br />
create point of view. For example, on the opening lines we see<br />
that: "Donald is home again, laughing and singing. He comes<br />
home from Central City, Kentucky, near the strip mines, only<br />
when he feels like it, like an absentee landlord checking on his<br />
property" (655). The fist lines read much like a movie script,<br />
an influence, which Mason quickly acknowledges. We see the<br />
present action of Donald's return followed by information<br />
telling us where he comes from and finally Jeanette's attitude<br />
toward his return. The second sentence is a marriage of present<br />
tense distance and character point of view.