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an author [narrator] speaks in the present tense you get the<br />

feeling that s/he doesn't know any more than you do about what's<br />

happening"(Lyons 460). In contrast she says that the past tense<br />

creates the assumption that the narrator "has sorted events out,<br />

has a perspective on them, [and] has judged them in some<br />

sense"(Lyons 460).<br />

In "Big Bertha Stories" the use of the present tense allows<br />

the reader to experience the action of the story as the<br />

characters themselves experience it. Rather than the usual<br />

filter we get from a traditional narrative we are presented with<br />

a camera-eye view of the events. Information and events are<br />

relayed in a mater-of-fact style, which effectively removes much<br />

of the narrative attitude from these sections. Mason then adds<br />

the character's attitude, in this story Jeanette's thoughts, to<br />

create point of view. For example, on the opening lines we see<br />

that: "Donald is home again, laughing and singing. He comes<br />

home from Central City, Kentucky, near the strip mines, only<br />

when he feels like it, like an absentee landlord checking on his<br />

property" (655). The fist lines read much like a movie script,<br />

an influence, which Mason quickly acknowledges. We see the<br />

present action of Donald's return followed by information<br />

telling us where he comes from and finally Jeanette's attitude<br />

toward his return. The second sentence is a marriage of present<br />

tense distance and character point of view.

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