A" -rf Hackerman shrugs off low ratings of grad programs - Rice ...
A" -rf Hackerman shrugs off low ratings of grad programs - Rice ...
A" -rf Hackerman shrugs off low ratings of grad programs - Rice ...
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-<strong>rf</strong><br />
, <strong>Hackerman</strong> <strong>shrugs</strong> <strong><strong>of</strong>f</strong> <strong>low</strong> <strong>ratings</strong> <strong>of</strong> <strong>grad</strong> <strong>programs</strong><br />
by Chris Ekren<br />
University President Norman<br />
<strong>Hackerman</strong> has expressed little<br />
concern over the mediocre <strong>ratings</strong><br />
<strong>of</strong> <strong>Rice</strong>'s <strong>grad</strong>uate program in<br />
recent surveys that place <strong>Rice</strong><br />
be<strong>low</strong> many colleges. The surveys<br />
polled university faculty members<br />
across the country, and ranked<br />
institutions on the basis <strong>of</strong> quality,<br />
effectiveness, improvement and<br />
the faculty's familiarity with the<br />
institution.<br />
At the <strong>Rice</strong> faculty meeting held<br />
Friday, January 28, <strong>Hackerman</strong><br />
stated, "We'll have to be satisfied<br />
with our own assessment, good or<br />
bad."<br />
<strong>Hackerman</strong> argued that <strong>Rice</strong><br />
should not worry itself with polls,<br />
as the small and under<strong>grad</strong>uateoriented<br />
nature <strong>of</strong> <strong>Rice</strong> places it at<br />
a disadvantage in <strong>grad</strong>uate polls.<br />
Commented <strong>Hackerman</strong>, "We<br />
ought to be unconcerned about<br />
<strong>ratings</strong> and not being on the list <strong>of</strong><br />
Volume 70, Number 19<br />
best schools. We should be<br />
concerned about our scholarship.<br />
This attitude should not be taken<br />
as complacency, however."<br />
President Norman <strong>Hackerman</strong><br />
He added, "Jones and Lindsay<br />
(one <strong>of</strong> the studies) made a point to<br />
correlate the relationship between<br />
the size <strong>of</strong> a department and the<br />
potentiality <strong>of</strong> being rated in an<br />
opinion poll. Except for Cal Tech,<br />
it is impossible for a small<br />
institution to insert itself in the top<br />
section.<br />
"Good <strong>ratings</strong> require large<br />
departments; 30 to 70 people. We<br />
have a maximum <strong>of</strong> fifteen people<br />
in a given department."<br />
<strong>Hackerman</strong> continued, "<strong>Rice</strong><br />
will never make these lists in my<br />
opinion. The chances are so small<br />
as to be zero.<br />
"At <strong>Rice</strong>, the quality <strong>of</strong> learning<br />
is spread uniformly across students<br />
and faculty. Most other places<br />
have a dichotomy between<br />
research activity and <strong>grad</strong>uate<br />
instruction. <strong>Rice</strong> pr<strong>of</strong>essors are<br />
interested in both students and<br />
research. I suggest we not deviate<br />
from our dual interests."<br />
Electrical engineering Pr<strong>of</strong>essor<br />
Sydney Burrus suggested that the<br />
poll results be taken seriously. Said<br />
Burrus, "In the rankings <strong>Rice</strong> is<br />
shown to decrease. That bothers<br />
me. The other schools haven't<br />
gotten all that bigger or better."<br />
Burrus .elaborated, "In the<br />
perception <strong>of</strong> outsiders, our<br />
quality has decreased. Whether the<br />
perception is true or not, such a<br />
perception is bad for <strong>Rice</strong>.<br />
"Our reputation, our image<br />
affects the quality <strong>of</strong> students and<br />
pr<strong>of</strong>essors we attract. Roughly the<br />
same people that completed this<br />
survey are the type that review<br />
grant proposals. These peers <strong>of</strong><br />
ours review our papers when they<br />
are submitted for publication.<br />
Their opinion matters."<br />
Material science Pr<strong>of</strong>essor<br />
Franz Brotzen also believes that<br />
<strong>Rice</strong>'s evaluation should be taken<br />
seriously. Said Brotzen, "We are in<br />
the top ten nationally in terms <strong>of</strong><br />
endowment. We certainly are not<br />
even near the top ten in research.<br />
<strong>Rice</strong> is good, yes, but for the<br />
money it has it should be much<br />
better."<br />
THRESHER<br />
Friday, February 4, 1983<br />
Faculty council tables changes in <strong>grad</strong>e policy<br />
by Paul Havlak<br />
The Faculty Council voted last<br />
Friday to table a set <strong>of</strong><br />
recommendations from the<br />
Committee on Examinations and<br />
Standing that proposed <strong>grad</strong>ing<br />
changes.<br />
The Committee had recommended:<br />
"a. that a minimum <strong>grad</strong>e point<br />
average (GPA) for all courses<br />
taken at <strong>Rice</strong> and for all courses in<br />
fulfillment <strong>of</strong> the major taken at<br />
<strong>Rice</strong> be established as a<br />
requirement for <strong>grad</strong>uation.<br />
"b. That the minimum GPA for<br />
all courses taken at <strong>Rice</strong> be 1.67;<br />
that the minimum GPA for all<br />
courses in fulfillment <strong>of</strong> the major<br />
taken at <strong>Rice</strong> be 2.00.<br />
"c. To prevent confusion<br />
between the student's GPA and the<br />
present <strong>grad</strong>ing system, that the<br />
<strong>grad</strong>ing system at <strong>Rice</strong> be changed<br />
GSA finds student housing<br />
by Bruce Davies<br />
Through an agreement with the<br />
<strong>Rice</strong> Graduate Student Association<br />
and the University <strong>of</strong><br />
Houston, <strong>grad</strong>uate students can<br />
now be housed at a housing facility<br />
adjacent to the U <strong>of</strong> H downtown<br />
college.<br />
According to Judy Harper <strong>of</strong> the<br />
U <strong>of</strong> H General Office, <strong>Rice</strong><br />
Graduate Students will be charged<br />
$293.33 monthly for room and<br />
board. That includes maid service<br />
twice a week. Students wanting<br />
singles will be charged $436.66 a<br />
month. The facility also provides<br />
covered parking, a gameroom,<br />
study halls and a swimming pool.<br />
"The only drawback is that it's<br />
not on campus," said GSA<br />
Houston Committee member<br />
Sergio Cabrera, "but it's still a<br />
pretty good deal." The board<br />
consists <strong>of</strong> 13 meals a week,<br />
breakfast and dinner on Monday<br />
through Saturday, and one mea||<br />
on Sunday.<br />
The arrangement originates<br />
from the GSA housing committee<br />
which has sought ways to ease the<br />
burdens on first year <strong>grad</strong><br />
students, especially the large<br />
number <strong>of</strong> out <strong>of</strong> state and foreign<br />
students.<br />
GSA Chairperson Nicole Dolby<br />
states that "This is just a temporary<br />
situation to ease the immediate<br />
burden. We are still talking to the<br />
administration about the <strong>grad</strong>uate<br />
housing problem," said Dolby.<br />
The facility being <strong><strong>of</strong>f</strong>ered by the<br />
U <strong>of</strong> H was originally a hotel that<br />
was purchased by the downtown<br />
campus in 1980 and converted for<br />
use by university students. "It<br />
looked like a relatively nice hotel,"<br />
said Cabrera, "but everything isn't<br />
exactly brand new."<br />
Cabrera, who help to negotiate<br />
the agreement, said that there are<br />
approximately 40 spaces available<br />
for immediate occupancy, and that<br />
the rooms looked "fairly large."<br />
Students interested can contact<br />
Judy Harper <strong>of</strong> the U <strong>of</strong> H General<br />
Office at 225-1781, extensions 122<br />
or 123, or Nicole Dolby, GSA<br />
chairperson at 527-8101, x2580.<br />
•H<br />
Did rains bury someone in the Mudd Building?<br />
M<br />
from 1, 2, 3, 4. 5 to A, B, C, D, F,<br />
where a GPA corresponding to A<br />
is 4.00.<br />
"d. That a current updated GPA<br />
be shown on the student's<br />
permanent record in the registrar's<br />
<strong><strong>of</strong>f</strong>ice."<br />
After students complained that<br />
they were ill-informed about the<br />
proposal at the Student<br />
Association senate meeting on<br />
January 24, several students met<br />
with President Norman <strong>Hackerman</strong><br />
and Dean <strong>of</strong> Under<strong>grad</strong>uate<br />
Affirs Katherine Brown to voice<br />
their opinion. When SA President<br />
Mary Ellen Trunko presented a<br />
petition to the Faculty Council last<br />
Friday asking that the changes (c)<br />
and (d) be put <strong><strong>of</strong>f</strong> until more<br />
student input can be gathered, the<br />
council sent the proposal back to<br />
the Committee on Examinations<br />
and Standing.<br />
The petition, signed by<br />
hundreds <strong>of</strong> students from at least<br />
six colleges, stated:<br />
"This policy (<strong>of</strong> not putting<br />
GPAs on transcripts) prevents<br />
employer and <strong>grad</strong>uate school<br />
'pigeon-holing' because it does not<br />
reduce an individual's accomplishments<br />
at <strong>Rice</strong> to a single number.<br />
Director <strong>of</strong> Student Advising<br />
H.C. Clark agreed somewhat with<br />
this opinion remarking,<br />
"(Calculating a GPA) is deriving a<br />
number to fit a transcript without<br />
looking at the quality <strong>of</strong> the work<br />
done."<br />
The petition also stated, "These<br />
proposed changes may affect the<br />
academic atmosphere at <strong>Rice</strong>. The<br />
distribution system could suffer as<br />
students looked for 'rolls' to raise<br />
their GPAs. Pr<strong>of</strong>essors <strong>of</strong> more<br />
Brotzen continued, "Dr.<br />
<strong>Hackerman</strong> may be correct in that<br />
we have a good faculty. I think so.<br />
We may have the best product in<br />
the world, though, and it will be<br />
useless if we don't sell it."<br />
He refuted <strong>Hackerman</strong>'s<br />
justi' ation, stating, "The size<br />
argument just doesn't hold water.<br />
Cal Tech is smaller than <strong>Rice</strong>.<br />
Stanford has the same or fewer<br />
people in its chemical engineering<br />
department, as well as Delaware,<br />
Princeton and others above us.<br />
The University <strong>of</strong> Houston is<br />
ranked way above us in chemical<br />
engineering."<br />
Brotzen emphasized, "We are<br />
not listed in the top ten in any<br />
discipline. Any."<br />
Commented Brotzen, "What is<br />
most distressing is <strong>Rice</strong>'s <strong>low</strong><br />
improvement scores. Other<br />
schools are passing us right and<br />
left, schools <strong>of</strong> less money and<br />
see Pr<strong>of</strong>s, page 6<br />
INSIDE:<br />
• Introducing a new comic strip<br />
that doesn't copy Doonesbury, p.<br />
» Ntozake Shange takes on <strong>Rice</strong>,<br />
(but will <strong>Rice</strong> take on her?), p. 9<br />
• Prodigies give artists' rendi-<br />
Today is the deadline for<br />
adding courses and pass,/fail<br />
designations.<br />
Measles' vaccinations will be<br />
given from 2-5 p.m. today in the<br />
Wiess PDR.<br />
Campaign statements for<br />
campus-wide <strong><strong>of</strong>f</strong>ices are due Feb.<br />
13 by 5 p.m. in Thresher <strong><strong>of</strong>f</strong>ice<br />
difficult courses might fee!<br />
pressured to change their <strong>grad</strong>ing<br />
standards to keep up enrollment in<br />
their classes."<br />
Clark also noted that the old<br />
quality requirement in which 50<br />
percent <strong>of</strong> a student's credit hours<br />
must rate a 3 or better for<br />
<strong>grad</strong>uation, "encourages students<br />
to experiment with courses they<br />
might not otherwise take."<br />
The petitioners also argued,<br />
"Currently, a team approach to the<br />
rigorous course load at <strong>Rice</strong> is the<br />
rule rather than the exception<br />
see SA, page 8<br />
Campos review masters' safety ideas<br />
by Chris Ekren<br />
The <strong>Rice</strong> Campus Police have<br />
finished reviewing college masters'<br />
suggestions for security<br />
improvements and expect funding<br />
decisions in a matter <strong>of</strong> weeks from<br />
Vice President for Administration<br />
M. Gladu<br />
William W. Akers. According to<br />
Assistant Campus Police Chief<br />
Mary Voswinkel, the majority <strong>of</strong><br />
security spending requests concern<br />
increased lighting around campus<br />
to eliminate dark spots where<br />
students walk and congregate.<br />
"We plan to re-direct the<br />
lighting at Hanszen to*covered<br />
areas in the parking lot currently<br />
dark," said Voswinkel. A woman<br />
was raped the night <strong>of</strong> December 3<br />
in the Hanszen parking lot.<br />
The campos will also<br />
recommend increased lighting in<br />
Allen Center and Lovett College<br />
parking area P-lot, the scene <strong>of</strong> a<br />
rape last spring. Other areas that<br />
should benefit from more<br />
illumination include the Sid<br />
Richardson parking lot, the dirt<br />
parking lot behind Lovett,<br />
shadowed areas around Baker,<br />
and the back <strong>of</strong> Lovett commons.<br />
The lighting plan advocated by<br />
the campus police will concentrate<br />
on the pathways students normally<br />
use at night and the parking lots.<br />
Optimally, a light will be located<br />
every fifty feet.<br />
Said Voswinkel, "We haven't<br />
made many hardware recommendations<br />
beyond the ones about<br />
lights because putting in locks<br />
wouldn't be cost effective. We had<br />
19 thefts in the last month.<br />
Seventeen <strong>of</strong> them were out <strong>of</strong><br />
unlocked rooms. Locks are only<br />
good if they are used."<br />
The Campus Police do not plan<br />
to recommend hiring additional<br />
<strong><strong>of</strong>f</strong>icers, although the department<br />
is currently interviewing to fill one<br />
opening for a patrolman.<br />
Voswinkel commented, "We will<br />
continue to change the patterns <strong>of</strong><br />
patrolling to respond to the area<br />
plagued by thefts."<br />
1'he college requests for more<br />
lighting were organized by Baker<br />
Master Jeffrey Kurtzman.<br />
Voswinkel thinks that Kurtzman's<br />
initial request has caused the<br />
colleges to evaluate their security<br />
situation to everyone's benefit.
Money should be spent<br />
<strong>Rice</strong> University has an endowment <strong>of</strong> about 400 million<br />
dollars. Unfortunately, too much <strong>of</strong> it seems to be gathering<br />
interest. The recent national faculty rankings comparing <strong>Rice</strong><br />
to other institutions tend to support an opinion I have long<br />
held. <strong>Rice</strong> should invest its funds in what it pr<strong>of</strong>esses to believe<br />
in: education.<br />
Specifically, <strong>Rice</strong> should fol<strong>low</strong> the example <strong>of</strong> schools like<br />
Princeton, which plunge millions into teaching and research,<br />
targeting weak departments for extra attention. Princeton<br />
recently decided that it was weak in microbiology, so it is<br />
committing a cool 30 million dollars to excellence. By spending<br />
money on <strong>grad</strong>uate research, Princeton has not compromised<br />
its excellent under<strong>grad</strong>uate program, the program <strong>Rice</strong> was<br />
originally modeled after.<br />
Size in and <strong>of</strong> itself does not confer greatness, and smallness<br />
does not relegate universities to obscurity. With less students to<br />
teach, <strong>Rice</strong> should be able to spend more on the students and<br />
pr<strong>of</strong>essors it does have. Only Princeton has more money per<br />
student than <strong>Rice</strong>, yet over 30 colleges <strong>of</strong>ten overshadow <strong>Rice</strong><br />
in many fields.<br />
<strong>Rice</strong>'s failure to realize its tremendous potential can be<br />
squarely blamed on <strong>Rice</strong>'s administration. A modicum <strong>of</strong> fiscal<br />
conservatism is always prudent. With close to 400 million<br />
dollars, however, <strong>Rice</strong> is very unlikely to wither away. <strong>Rice</strong>'s<br />
Board <strong>of</strong> Governors needs to stop managing investments and<br />
start running an institution <strong>of</strong> higher education.<br />
— Christopher Ekren<br />
Phys Plant fixes my a/c<br />
Last Monday I received a call from the Physical Plant<br />
Director Ed Samfield. He had read about my cold room, and<br />
asked if he could please send his air conditiong expert over to<br />
have a look. I assented, and on Tuesday Tony Ullrich inspected<br />
the vent in my room, affectionately known as 'Dalhart.'<br />
Walking into my room from class Tuesday, I felt a deliciously<br />
foreign sensation: warm air.<br />
"You must have been freezing this winter," Samfield told me<br />
when he checked back later. "We should have heard from you<br />
sooner."<br />
Well, 1 thought he had heard from me sooner. I have told my<br />
B & G representative many times that my room is icy,<br />
Arctic/Antarctic, or a designated Laplander preserve.<br />
1 thought I had gotten the message across. Now it is obvious<br />
that if a student needs repair, he must deal with Physical Plant<br />
directly. Sometimes this is no more efficient than carping to the<br />
B & G, but it least it saves a step.<br />
Physical Plant will not pe<strong>rf</strong>orm any labor until it receives a<br />
work order. My speculation is that students reps fear that<br />
Physical Plant will not let them have their resumd-enhancing<br />
job again if they submit too many work requests.<br />
This fear is everywhere. The Food and Housing director says<br />
he "can't answer for Physical Plant," but will he even ask them<br />
to overhaul the decaying residential buildings on his own<br />
initiative? Will either ask for budget increases?<br />
The campos need another patrol car, but they won't ask for<br />
it. Will Vice President William Akers ask someone for them?<br />
There's an answer out there waiting for the question. Don't<br />
be afraid to ask. Then demand. Make yourself heard until they<br />
do the job. It could get your a/c fixed.<br />
—Jeanne Cooper<br />
knew**., PLEASE! cant**)<br />
W \JEAST WNT 'TIL^NE HEAR.<br />
weVEBKT?<br />
• warn mmc: '.""Hi<br />
The Riec Thresher, February 4, 1983, page 2<br />
NUKING THE HEDGES/by David Curcio<br />
Murder by injection on Death<br />
Row is no better than murder by<br />
handgun in a back alley. In fact, it<br />
is worse. For the killer now is not<br />
some worthless punk wit ha violent<br />
antisocial past, but a sane,<br />
calculating state acting for us all in<br />
the name <strong>of</strong> justice: The street<br />
hoodlum hyped up on drugs<br />
doesn't care or doesn't know <strong>of</strong> the<br />
immorality <strong>of</strong> murder; we know<br />
killing is wrong, yet we sanction it<br />
anyway.<br />
The vain hope <strong>of</strong> preventing<br />
future murders is the standard<br />
justification for capital<br />
punishment. Study after study,<br />
including one in 1978 by the<br />
National Academy <strong>of</strong> Sciences,<br />
has shown that letting the state kill<br />
does not clearly deter people from<br />
killing. While deterrence works<br />
when individuals behave<br />
rationally, murder is most <strong>of</strong>ten an<br />
emotional crime perpetrated by<br />
one who does not weigh the pros<br />
and cons <strong>of</strong> his actions.<br />
Occasionally, the murderer is<br />
aware <strong>of</strong> the consequences, but is<br />
either equally aware <strong>of</strong> the<br />
probability <strong>of</strong> conviction or is<br />
intentionally seeking to take the<br />
risk and bask in the publicity. As a<br />
general deterrent, capital<br />
punishment is a farce.<br />
The real reasons behind the<br />
death penalty are as emotional as<br />
the original killer's motives. Fear<br />
<strong>of</strong> a growing crime rate and the<br />
satisfaction gained from<br />
retribution lurk behind" the<br />
deterrence theory. The fear,<br />
though understandable, is<br />
exaggerated; while the murder rate<br />
has increased in recent decades, it<br />
has now levelled <strong><strong>of</strong>f</strong> at 9.8 per<br />
100,000 population: the same rate<br />
as fifty years ago. Nonetheless, this<br />
powe<strong>rf</strong>ul emotional force has<br />
fostered a movement to make<br />
punishment more severe and less<br />
humane than our current system <strong>of</strong><br />
incarceration and death. It would<br />
be better to channel this force<br />
towards more effective and<br />
positive actions such as controlling<br />
handguns, which are involved in<br />
half <strong>of</strong> American murders.<br />
Retribution does satisfy a<br />
legitimate human and social need.<br />
It convinces us that our system<br />
works in conquering evil.<br />
However, a society that needs to<br />
resort to murder to preserve its<br />
legitimacy hardly seems worth<br />
defending. The doctrine <strong>of</strong> an eye<br />
for an eye serves only to equalize<br />
the moral fabric <strong>of</strong> society with<br />
that <strong>of</strong> its <strong>low</strong>est element.<br />
In response to the inevitable<br />
"what if someone you loved was<br />
n<br />
murdered" question, I have this<br />
answer: while my immediate<br />
reaction would be vengeance, in<br />
the long run, I would rather have<br />
the murderer, not I, live with the<br />
guilt. A lifetime injail is betterthan<br />
a lengthy appeal that dredges up<br />
the horrible memory again and<br />
again. Also, what if someone you<br />
loved was on Death Row?<br />
Partly in recognition <strong>of</strong> the<br />
baseness <strong>of</strong> capital punishment,<br />
some semblance <strong>of</strong> humanism has<br />
been coupled with the fear and the<br />
wrath. Numerous safeguards,<br />
including the lengthy and<br />
expensive appeals process, were<br />
created to ensure that no innocent<br />
person is put to death, and to make<br />
the whole procedure a little less<br />
discriminatory.<br />
More recently, there has been a<br />
trend in America towards<br />
"humane executions." Thus, cells<br />
on Death Row are painted blue<br />
and yel<strong>low</strong>, some have televisions<br />
and, in Texas at least,<br />
UJ<br />
iDccum<br />
HnxCOl U V<br />
electrocuting the person has been<br />
replaced with an allegedly painless<br />
lethal injection.<br />
These "reforms" are the ultimate<br />
in hypocrisy; swabbing the victim's<br />
arm with alcohol before injecting<br />
the poison does not make the<br />
killing any less real or evil.<br />
Replacing the electric chair with a<br />
gurney does not relieve us <strong>of</strong> the<br />
responsiblity for the death.<br />
No one has the right to take<br />
another's life regardless <strong>of</strong> what<br />
that person may have done.<br />
Society does have a right to<br />
remove those who violate this<br />
fundamental proscription from the<br />
mainstream, that is what those hell<br />
holes we call corrections<br />
institutions are for. Killing can<br />
never be justified as a deterrent; it<br />
is done not in pursuit <strong>of</strong> what is<br />
right, but rather in response to a<br />
barbaric element in all <strong>of</strong> us.<br />
Capital punishment is not justice,<br />
it is murder.<br />
Patty Cleary News Editor<br />
Deborah Knaff Fine Arts Editor<br />
Mark Mitchell Sports Editor<br />
John Krueger... Back Page Editor<br />
* * *<br />
Todd Cornett Advertising Manager<br />
Lorraine Farrell Managing Editor<br />
Conrad Reining Photography Editor<br />
Matt Petersen "Copy Editor<br />
Jay Grob Senior Editor<br />
Jeanne Cooper<br />
Editor<br />
Sandra Wasson<br />
Business Manager<br />
Contributing Staff<br />
Assistant Editors David Koralek (Advertising)<br />
Alan Mathiowetz (Sports), Ray Isle (Photography),<br />
Contributing Editors Michele Gillespie,<br />
Harry Wade, Chris Ekren, David Curcio<br />
Graphics Lynn Lytton, John Lemr,<br />
Debbie T oletovich<br />
News Staff Paul Havlak, Bob Terry, Larry Lesser<br />
Sumit Nanda, Ian Davidson, Brad Sevetson<br />
Chris Dieckmann, Joseph Halcyon<br />
Fine Arts Staff Chris Boyer, Ge<strong><strong>of</strong>f</strong>rey Westergard<br />
Andrew Tullis, Barry Watkins, Ge<strong><strong>of</strong>f</strong> Spradley<br />
John Krueger, Ray Isle, Paige Pool, Recta Achari<br />
John Svatek, Allison Kennamer, Rick Hunt<br />
Sports Staff Steve Bailey, Carolyn Burr,<br />
Heather Gillespie, Ed Brittingham, Ed Swartz, Genie Lutz<br />
Kay Abrahams, Mike Friedman, Steve Corbato, Joseph Halcyon<br />
Production Staff Alysha Webb, John Krueger<br />
Susan Sheridan, Elaine Bienkowski, Renate Neuendo<strong>rf</strong><br />
Joyce Ivy, Mark Rome, His ham Smed<br />
Sarah Jordan, Karin Murphy<br />
Photography Staff Tom Cassidy, John Gibson<br />
MikeGladu, David Dean<br />
Business Staff<br />
Assistant Business Manager Susan Brown<br />
Circ lation..' Matt Petersen<br />
Subscriptions David Steffens<br />
Staff Michelle Grant, Jane Mitchell, Kay Gratke<br />
The <strong>Rice</strong> Thresher, the <strong><strong>of</strong>f</strong>icial student newspaper at <strong>Rice</strong> University since 1916, is published<br />
each Friday during the school year, except during examination periods and holidays, by the<br />
students <strong>of</strong> <strong>Rice</strong> U niversity. Editorial and business <strong><strong>of</strong>f</strong>ices are located on the second floor <strong>of</strong> the<br />
<strong>Rice</strong> Memorial Center, P.O. Box 1892, Houston, Texas 77251. Telephone (713) 527-4801 or<br />
527-4802. Advertising information available upon request. Mail subscription rate: $20.00<br />
domestic, $40.00 international, (via first class mail). The opinions expressed herein are not<br />
necessarily those <strong>of</strong> anyone except the writer Obviously.<br />
®I982. The <strong>Rice</strong> Thresher. All rights reserved. xiSS^taS>t<br />
® n<br />
Dux femina facti.
BEYOND THE HEDGES/by Michele Gillespie<br />
Pizza Thugs: Part Two<br />
Aggies indicted for heist<br />
Two former Texas A&M<br />
football players, dismissed in<br />
December by head coach Jackie<br />
Sherill after they allegedly stole a<br />
pizza from a delivery man, have<br />
received misdemeanor indictments<br />
from the Brazos County grand<br />
jurors.<br />
In an indictment alleging assault<br />
and theft, the grand jury named<br />
former A&M freshman defensive<br />
end. Gary Rogers and former<br />
junior linebacker Burnis Simon.<br />
Witnesses for the case included<br />
Rogers, Simon, Sherill and the<br />
delivery man, Brenton Bailey.<br />
Beside dismissal from the<br />
football team and indictment, the<br />
perpetrators <strong>of</strong> the "Pizza Heist<br />
Case" must now undergo<br />
university disciplinary proceedings,<br />
according to A&M<br />
Student Affairs Office Assistant<br />
Director Bill Kibler.<br />
Simon and Rogers have received<br />
notification <strong>of</strong> the proceedings and<br />
must respond by requesting formal<br />
hearings or Kibler will hear the<br />
case without their presence.<br />
Possible disciplinary measures<br />
range from a reprimand to<br />
permanent suspension.<br />
Though Simon and Rogers<br />
attest to a different version <strong>of</strong> the<br />
incident. Bailey, maintains that he<br />
was requested to deliver a pizza to<br />
Room 306C in Cain Hall. Upon<br />
reaching 306C, he discovered the<br />
room was a broom closet and then<br />
was grabbed from behind by two<br />
large men in hoods. One man fled<br />
with the pizza and the other man<br />
shoved him down the stairs. Bailey<br />
was not injured.<br />
Although Simon and Rogers<br />
hve made no comment since the<br />
incident, their statements to the<br />
police claim they found a pizza in a<br />
hallway and after eating part <strong>of</strong> it<br />
were suddenly accosted by an<br />
angry Bailey, who shoved them<br />
away from their spoils. Rogerssaid<br />
he shoved Bailey back accidentally<br />
down the stairs.<br />
Peso devaluation disrupts<br />
UT Mexican students' life<br />
Although Texas university!<br />
<strong><strong>of</strong>f</strong>icials are unable to recite exact<br />
figures, many fear that the<br />
devaluation <strong>of</strong> the Mexican peso<br />
has made financing a college<br />
education very difficult for many<br />
Mexican students. Since foreign<br />
students remain ineligible for any<br />
form <strong>of</strong> U.S. government financial<br />
aid, the Mexican students'<br />
situation may become a desperate<br />
one.<br />
Some schools are providing<br />
short-term financial assistance and<br />
considering long-term financial<br />
assistance <strong>programs</strong> for the future<br />
geared to the needs <strong>of</strong> Mexican<br />
Pepper<br />
UMLD "b «EVE HOUOA ROA^S<br />
CA/avv) TWILIGHT IN<br />
H.C.U<br />
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nsmili<br />
.students. In Mexico, scholarships<br />
are being decreased and fewer<br />
scholarships are given out.<br />
Alma Guzman, a University <strong>of</strong><br />
Texas English major, recently<br />
discussed the financial worries she<br />
and her husband must face.<br />
"We were receiving money from<br />
our families in Mexico. We can't<br />
receive money now because they<br />
were sending us dollars and now<br />
they can't get dollars," Guzman<br />
explained.<br />
"We do have our own money,<br />
and we have saved to come over<br />
here. We are trying to get some<br />
dollars through the border but<br />
they are very expensive," she said.<br />
The Guzmans will have less than<br />
half the money they expected to<br />
have before the devaluation if they<br />
exchange their pesos through the<br />
black market.<br />
Prep queen visits A&M,<br />
falls for esprit de Corps<br />
A recent visit to Texas A&M<br />
University has convinced Lisa<br />
Birnbach, author <strong>of</strong> the Official<br />
Preppy Handbook, to include<br />
A&M in her new venture, another<br />
expose to be entitled Lisa<br />
Birnbach's College Book.<br />
Scheduled for publication in 1984,<br />
the book will include analyses <strong>of</strong><br />
non-academic college life at 150<br />
American colleges and universities.<br />
Focusing on social activities,<br />
political orientation and sexual<br />
attitudes, Birnback's latest<br />
endeavor will be informative but<br />
will not compare or rank the<br />
schools.<br />
"1 want to let people knowabout<br />
each school's climate, politically<br />
and socially," Birnbach stated.<br />
"College — and college students —<br />
have changed a lot just since I was<br />
in school, and I'll be writing about<br />
what it's like to be in school now."<br />
Prompted by students she met at<br />
colleges and universities across the<br />
country while promoting her very<br />
successful Preppy Handbook,<br />
Birnbach realized that a need for a<br />
good guide to college life existed<br />
"This definitely won't be a satire<br />
in the Preppy Handbook vein," she<br />
asserted. "Of course, I'm going to<br />
be as witty and entertaining as<br />
possible but it will be a serious<br />
work, one I hope will be useful."<br />
Birnbach first heard about<br />
Texas A&M only a year ago, but<br />
immediately planned to visit the<br />
school. After spending a day on the<br />
campus, Birnbach was awestruck<br />
by the school's uniqueness, its<br />
dedication to sports, its wealth, its<br />
efforts to up<strong>grad</strong>e the faculty and<br />
its traditions.<br />
"I've never, ever seen such<br />
loyalty or adherence to tradition,"<br />
she commented. "And wherever<br />
we went, students kept smiling and<br />
saying hello. It was truly unlike<br />
by Lynn Lytton<br />
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any other campus. All this will<br />
probably get a chapter <strong>of</strong> its own."<br />
Television trains children,<br />
Harvard researchers find<br />
Dubbed "Project Zero" in 1967<br />
to indicate how little they knew, a<br />
team <strong>of</strong> Harvard researchers have<br />
spent the last fifteen years studying<br />
television's effect upon children's<br />
actions and thought.<br />
The researchers have found that<br />
children as young as two years<br />
learn to make distinctions between<br />
the television world and the world<br />
<strong>of</strong> parents and home. In fact,<br />
television may stimulate children<br />
BLOOM COUNTY<br />
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to differentiate between fantasy<br />
and reality at a very young age.<br />
Another discovery indicates that<br />
children learn how to interpret<br />
people's feelings much better<br />
through television than through<br />
books. The researchers also believe<br />
that television may aid the<br />
development <strong>of</strong> reason in children<br />
and foster early abstract<br />
conceptualization.<br />
In one study, researchers<br />
monitored television viewing <strong>of</strong><br />
three children over a three-year<br />
period. One child grew totally<br />
absorbed with telelvison. Another<br />
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sound. The third child consistently<br />
used television as a tool for<br />
discussion, commenting on the<br />
actions and asking questions about<br />
them.<br />
Co-director Howard Gardiner<br />
asserts that television's influence<br />
on children is determined by their<br />
environment. "The degree to<br />
which you relate what you see on<br />
TV is modulated by what you<br />
see in the non-TV world," he said.<br />
"If the people around you talk i n<br />
terms <strong>of</strong> violence, TV can give you<br />
some new ideas. Someone who<br />
lives in an environment that is very<br />
placid wouldn't be inspired by<br />
television to change the way he is."<br />
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The <strong>Rice</strong> Thresher, February 4. 1M83. page 3
THRESHING-IT-OUT<br />
'Leaders' anger Hooper,<br />
food action takes 5 years<br />
To the editor:<br />
I was recently angered and<br />
confused by a letter written by<br />
several <strong>of</strong> our student leaders. This<br />
letter was printed on pages 4 and 5<br />
<strong>of</strong> the January 21, 1983 edition <strong>of</strong><br />
the Thresher. The stated purpose<br />
<strong>of</strong> this letter was to inform the <strong>Rice</strong><br />
community that "the Department<br />
<strong>of</strong> Food and Housing uses<br />
practices which make student<br />
leaders their unwilling policy<br />
enforcers, and the colleges their<br />
unsuspecting operations financiers."<br />
I was just a little bit bothered to<br />
be informed that my college wasan<br />
unsuspecting operations financier,<br />
and even more horrified to find<br />
that my poor student leaders had<br />
been forced to be mere "policy<br />
enforcers." Somehow I had led<br />
myself to believe that I had helped<br />
to elect student leaders that had<br />
enough intestinal fortitude not to<br />
become, unwilling policy enforcers.<br />
I've heard something about<br />
unwilling policy enforcers before,<br />
but I think it was towards the end<br />
<strong>of</strong> World War II.<br />
In the very least, I would like a<br />
student leader that has nerve<br />
enough to admit to his peers that<br />
maybe he is in need <strong>of</strong> some help in<br />
dealing with administrators so<br />
barbaric that they would force my<br />
college to become an unsuspecting<br />
operations financier.<br />
Unsuspecting, sure I'm<br />
unsuspecting. I had no idea that<br />
"administrators routinely ignore<br />
students' legitimate requests." Why<br />
did I have to titeit until now to find<br />
out? Five years elapsed from the<br />
time a variable meal plan was<br />
initially proposed before a serious<br />
proposal was <strong><strong>of</strong>f</strong>ered? What<br />
happened? Were the administrators<br />
too bull-headed to change,<br />
or just too stupid to see that a<br />
SHOOTIN' BLIND/ by Alan Eynon<br />
(Theme music)<br />
Contestant number one, what is<br />
your name, please? #<br />
Contestant 1: My name is Nuclear<br />
Freeze.<br />
Contestant number two, what is<br />
your name, please?<br />
Contestant 2: My name is Nuclear<br />
Freeze.<br />
Contestant number three, what<br />
is your name, please?<br />
Contestant 3: My name is Nuclear<br />
THIS IS THE STORY OF<br />
STUDENTS WHOSE<br />
COMPLE X , ENTANGLED<br />
LlVt'S REVOLVE AROUND<br />
LOVE, JEALOUSy, KEVENGE,<br />
AMD HIGH O P. A.'S<br />
THESE ARt . . .<br />
T,<br />
£©K«<br />
ROOM<br />
variable meal plan would benefit<br />
the student population?<br />
Somehow I think that it took<br />
five years for a serious variable<br />
meal plan proposal, not because <strong>of</strong><br />
the administration's lameness,<br />
although this certainly played a<br />
part, but because it took five years<br />
to find a food committee with the<br />
determination to poll the students<br />
opinions and then to form the<br />
results into a serious specific<br />
recommendation for a variable<br />
meal plan. Next year we will be<br />
<strong><strong>of</strong>f</strong>ered a variable meal plan.<br />
I don't know about you, but I've<br />
become weary with excuses from<br />
my student leaders. Even if I don't<br />
start seeing some action, I'd loveto<br />
stop hearing rationalizations. I'ma<br />
little bit bored with starry-eyed<br />
politicos fostering delusions <strong>of</strong> a<br />
grand new student leadership, who<br />
run away with their tails between<br />
their legs the first time an<br />
administrator says, "I'm sorry, but<br />
our budget won't al<strong>low</strong> it." I don't<br />
need a Utopia; all I wish is that<br />
someone would fix my leaky<br />
faucet.<br />
Rich Hooper<br />
lovett '85<br />
Editor's note:<br />
Rich Hooper is chairman <strong>of</strong> the<br />
Food Committee, which<br />
distributed a variable meal plan<br />
preference poll in mid-November<br />
<strong>of</strong> 1982.<br />
Sadow raises stink over<br />
saga <strong>of</strong> shower, Samfield<br />
To the editor:<br />
With respect to myself, the<br />
history <strong>of</strong> maintenance at this<br />
University has been a sorry one<br />
indeed. In my first year on campus,<br />
the shower in my suite<br />
malfunctioned, reducing it from a<br />
shower into a trickle. We did not<br />
appreciate taking a trickle every<br />
morning, so we went to<br />
extraordinary means to maintain a<br />
Freeze.<br />
Thank you, gentlemen. Please<br />
be seated. Our panelists have a few<br />
questions for you. We'll begin<br />
tonight with Panelist A.<br />
Panelist A: Thank you. Number<br />
One, what do you mean by 'nuclear<br />
freeze*?<br />
I: We must freeze now! No more<br />
nukes! Make the world safe for<br />
state <strong>of</strong> acceptable cleanliness.<br />
Naturally, the request to repair the<br />
shower/trickle was made;<br />
naturally, the shower/trickle was<br />
not repaired for a lengthy period <strong>of</strong><br />
time. Finally, after a repeated<br />
number <strong>of</strong> requests, the repairs<br />
were finally effected, nearly a<br />
month after the first request.<br />
Thankfully, the suite suffered no<br />
more breakdowns in the ensuing<br />
semesters.<br />
Over the Christmas break, my<br />
roommate returned to our room to<br />
make some improvements in it. As<br />
he entered the room, he noticed<br />
suddenly that the door had no lock<br />
on it; it had been removed.<br />
Amazingly, a repairman came to<br />
fix the lock after the first request.<br />
The story might have ended there,<br />
except that the repairman had<br />
done his job well. He had done it so<br />
well that the door was now<br />
impossible to open. This was not a<br />
minor problem, as I came to the<br />
sudden realization that I was<br />
paying $1,500 for a room into<br />
which I could not enter.<br />
All things shall pass, it is said,<br />
and so did this in the end, but not<br />
before four requests were made to<br />
re-repair it and a couple <strong>of</strong> phone<br />
calls from the college secretary to<br />
the Physical Plant to investigate<br />
this situation. In the meantime, we<br />
had to use the door <strong>of</strong> our<br />
suitemates' room, and hope that<br />
they were in. If not, then the<br />
secretary or the master would have<br />
to be bothered.<br />
Now the nightmare is repeating<br />
itself. Our shower became again a<br />
trickle. It was worked upon last on<br />
January 31, 13 days after the<br />
submission <strong>of</strong> the first request for<br />
repair, four days after the<br />
submission <strong>of</strong> a second. Time and<br />
tide wait for no men, eh?<br />
It is out <strong>of</strong> desperation that I<br />
write this letter. A couple <strong>of</strong> weeks<br />
ago the presidents <strong>of</strong> the eight<br />
residential colleges and <strong>of</strong> the<br />
peace<br />
A: Does that include the Russians?<br />
I: Of course! We all have to freeze<br />
so we can live!<br />
A: Number Two: same question.<br />
2: Nope. We can b<strong>low</strong> 'em <strong><strong>of</strong>f</strong> the<br />
planet. It don't matter whether<br />
them Ruskies freeze or not!<br />
A: Then is it any good to fre'eze if<br />
His Roommate , HEvvey va-<br />
HEFT BIFF WELLINGTON/,<br />
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A RICH VREF-SCHOOLER<br />
FROM THF EAST COAST, SCANDINAVIAN ELECTRICAL<br />
WHOSE MAIN AWBUION IS<br />
ENGINEERING STUDENT<br />
TO GET /NTO HARVARD MED- WHOSE LIFE'S AMBITION IS<br />
ICAL SCHOOL/ IN SHoFJ , A TO DESIGN advanced<br />
VICIOUS, CALCULATING PRE-HEP MICROPA0CES5/NG SYSTEMS.<br />
PLEASE<br />
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YOUft MCAT 7<br />
HIS OTHER ROOMMATE, ARTHUR WE PICK OP THE STORY ONE<br />
DECKO, 15 AN ARTSy HUMAN- DAY AS BIFF'S GIRLFRIEND,<br />
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The <strong>Rice</strong> Thresher, February 4, 1983, page 4<br />
MEANWHILE, HEWEY<br />
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NEXT: DISCOVERY<br />
Student Association advocated<br />
such a means to illuminate the<br />
many problems <strong>of</strong> housing at this<br />
university. 1 <strong><strong>of</strong>f</strong>er my personal<br />
experiences to do iust that.<br />
One might recall the Lovett<br />
elevator, or lack-there<strong>of</strong>, in the last<br />
semester. For over a month it did<br />
not function, or fuctioned only<br />
sporadically, causing inconveniences<br />
to almost everyone in the<br />
college, especially to one student<br />
whose room's location in the<br />
higher reaches <strong>of</strong> the college did<br />
not permit him to climb the stairs<br />
with his cast and crutches. A<br />
temporary room switch was<br />
arranged, and the procrastination<br />
continued. Finally, in frustration,<br />
a sizeable number <strong>of</strong> students sent<br />
a sizeable number <strong>of</strong> letters to the<br />
director. Some were requests for<br />
action, others were pleas for help,<br />
and still others were blatantly<br />
obscene remarks, insinuations, or<br />
otherwise unfit for family reading.<br />
Furthermore, a "sit-in" was<br />
planned a the director's <strong><strong>of</strong>f</strong>ice.<br />
However, this never took place, as<br />
the elevator then was repaired.<br />
Note carefully the sequence <strong>of</strong><br />
events: The elevator is idled for a<br />
number <strong>of</strong> weeks, while little is<br />
done, and then after concentrated<br />
student protesting, it was repaired.<br />
Afterward, the college president<br />
received a letter, stating among<br />
other things, that he had shown, in<br />
effect, poor leadership in al<strong>low</strong>ing<br />
those actions <strong>of</strong> protest to take<br />
place. It might have been poor<br />
leadership, but for poor<br />
leadership, it surely got the job<br />
done.<br />
As those students have<br />
protested, so now do I.<br />
Apparently, the Physical Plant<br />
director responds only in<br />
situations which otherwise might<br />
lead to total embarassment. Like a<br />
child, he is irresponsible. He must<br />
be told time and time again to do a<br />
job, and to do a job correctly. In<br />
we can stin b<strong>low</strong> each other U P ?<br />
2: Of course! Makes 'em feel more<br />
secure so they don't gotta put no<br />
more them missiles in the ground.<br />
A: Number Three, do you agree?<br />
3: Personally, I'd have to say that<br />
in my case, since I advocate<br />
freezing at reduced levels, these<br />
negotiations would have already<br />
taken place. The stage, then, is<br />
already set for a second round.<br />
A: Thank you, Number Three! Let<br />
me collect myself. There's just so<br />
many different ideas—<br />
(A gong sounds)<br />
I'm sorry, Panelist A, but your<br />
time is up. Panelist B, you may<br />
proceed.<br />
the interim, residents <strong>of</strong> the<br />
colleges must continuetosuffe<strong>rf</strong>or<br />
his procrastination and his<br />
inefficiency. In order to get action<br />
done to the Lovett elevator, the<br />
students had to <strong>low</strong>er themselves<br />
to his level; now, in order to<br />
cleanse myself <strong>of</strong> this effluvium, I<br />
reluctantly must do the same.<br />
I could, <strong>of</strong> course, avail mvself<br />
<strong>of</strong> calling the director <strong>of</strong> Food and<br />
Housing, which I have had done<br />
several times in the past in regards<br />
to my door, the shower, the<br />
elevator, ad nauseum, even though<br />
he has said that he "cannot answer"<br />
for the Physical Plant. The point<br />
here is, <strong>of</strong> course, that these repairs<br />
should be effected without there<br />
ever being a need to call the<br />
director <strong>of</strong> Food and Housing at<br />
all. Such, then, is the maintenance<br />
at <strong>Rice</strong> University.<br />
I only can echo the plea <strong>of</strong> our<br />
editor. Jones has unbearably hot<br />
water. Wiess has rats. Baker has a<br />
leaky basement. Lovett is too<br />
hot/too cold/too ugly, and it has a<br />
room in which its inhabitants can<br />
take only a trickle.<br />
I only can echo the plea <strong>of</strong> our<br />
presidents. If the administration<br />
desires a battle with the student<br />
body over this, then it may have<br />
one. After all, we shall be here for<br />
only a few years, so the problems<br />
can outlive us easily. The shower<br />
wil remain unfixed, and I shall<br />
stink still, although not as badly as<br />
the administration will in this<br />
matter.<br />
If it wishes, the administration<br />
can win this battle, if it is a battle at<br />
all, or should be. It would be a<br />
Pyrrhic victory, however, as along<br />
with no maintenance complaints<br />
there will be no students, either.<br />
Now, that stinks.<br />
Jonathan C. Sadow<br />
Lovett '84<br />
Editor's note:<br />
Jonathan Sadow prefaced his<br />
see Threshing-it-out, page 5<br />
2: Don't matter to me. All we gotta<br />
do is freeze. Them Ruskies'll know<br />
we mean business. They're good<br />
folk.<br />
B: But does a freeze make nuclear<br />
war less ljkejy, Number One?<br />
1: No! But at least—<br />
(A gong sounds)<br />
I'm terribly sorry, guys! It's time<br />
for Panelist C to take charge.<br />
C: zzzzzzzz...nk! My turn? Uh,<br />
Number One, what about<br />
modernizing or re-deploying our<br />
existing forces?<br />
1: Absolutely not! Freezes are like<br />
wage-price controls! We maintain<br />
forces at current equilibrium .! No<br />
changes! Cuts come later!<br />
B: Thanks. Number One, you C: Number Three?<br />
advocated a simultaneous freeze—<br />
3: I tend to agree with-<br />
1: That's right!<br />
2: Well I don't! Them Ruskies<br />
B: — —How Ho< does this affect U.S. would get buried in a high-tech<br />
security?<br />
race!<br />
1: Not in the least! We'll be just asi<br />
strong as ever, and so will the<br />
Russians! We could still b<strong>low</strong> up<br />
the world 16-odd times!<br />
B: Yes, but aren't current<br />
negotiations farther advanced?<br />
Wouldn't we have to start all over<br />
again. Number Two?<br />
C: So much disagreement! How<br />
will we ever decide what kind <strong>of</strong> a<br />
freeze—<br />
(The gong sounds three times)<br />
I'm sorry! We've got to wrap up<br />
the show. Will the real Nuclear<br />
Freeze please stand up?
THRESHING-IT-OUT<br />
continued from page 4<br />
letter with a "poem" that he<br />
described as-suitable for the back<br />
page, although he preferred to<br />
submit to the letters section in view<br />
<strong>of</strong> his "desperate situation." While<br />
the Thresher empathizes with his<br />
frustration at the poor physical<br />
condition <strong>of</strong> his room, the<br />
"childish and immature" (Sadow's<br />
words) nature <strong>of</strong> the "poem"<br />
relegates it to the back page.<br />
Sadow's letter conveys his<br />
opinions well enough in prose not<br />
to need such a preface. References<br />
to the poem in the body <strong>of</strong> the<br />
letter were deleted by the editor.<br />
Retired Episcopalians rail<br />
at Mother <strong>of</strong> God, Jeanne<br />
' To the editor<br />
Jeanne, Jeanne, Jeanne, you<br />
have truly taken charge <strong>of</strong> the<br />
Thresher. Mother <strong>of</strong> God, we have<br />
not seen any person in years with<br />
as much vigour and zeal as you<br />
have exhibited in your programme<br />
for reformation <strong>of</strong> our dear<br />
campus tabloid. And we are very<br />
glad you have been able to take our<br />
piece <strong>of</strong> "misclass" and use it in the<br />
establishment <strong>of</strong> your new<br />
journalistic "canon law" for the<br />
Thresher. Nevertheless, we are<br />
concerned that you have taken our<br />
letter which was placed in the<br />
Misclass Box (solely for<br />
consideration as such) and have<br />
used it in the grounding <strong>of</strong> your<br />
new policy for Threshing-It-Out.<br />
The letter which we submitted<br />
was Misclass — including the<br />
signature. It was never meant to be<br />
part <strong>of</strong> some supposedly<br />
meaningful discussion <strong>of</strong> ideas. It<br />
was and remains simply words to<br />
be read in Misclass, to give cause<br />
for an occasional laugh, and<br />
nothing more. Surely no one<br />
would read a letter in Misclass<br />
signed "Two Episcopalians,<br />
Retired" and regard it as the Truth.<br />
We originally composed a<br />
response to Mr. Anderson's<br />
confession that questioned his<br />
theology or rather the lack <strong>of</strong> it,<br />
but we realised that our questions<br />
and opinions <strong>of</strong> a serious nature<br />
would be best delivered in person<br />
and not relegated to the lines <strong>of</strong><br />
Threshing-It-Out. However, we<br />
had in sheer jest written a comic<br />
piece <strong>of</strong> literary fluff and thought it<br />
appropriate for the Misclass. We<br />
anticipated no one taking it<br />
seriously, but alas and well-a-day!<br />
Ultimately, Jeanne, we question<br />
how important a name is to the<br />
editorial staff after reading the<br />
review <strong>of</strong> the Main Street Theatre's<br />
most recent production, a review<br />
by one Wiggy Martin. Were we<br />
simply to be confused by the aside<br />
"—Speak for yourself, Ray. Ed."?<br />
Is there a Wiggy Martin who wrote<br />
the review, or is the author's name<br />
Ray Isle? If we had signed our<br />
names as Fred Schiller-Jones '84<br />
and Johnny Goethe-Wiess '86,<br />
would you have simply published<br />
it, or would you have investigated<br />
these names to discover their<br />
authenticity?<br />
We are glad our Misclass item<br />
was <strong>of</strong> service to you, Jeanne. We<br />
only wish it would have served the<br />
humour <strong>of</strong> our academic<br />
community.<br />
The Two Episcopalians, Retired<br />
Vincent W. Uher, III<br />
Baker '85<br />
Ian L. Hersey<br />
SRC '84<br />
Editor's note:<br />
Through an unexplained mixup,<br />
the Two Episcopalians,<br />
Retired's first letter appeared in<br />
the editor's box. However, the<br />
letter would not have appeared in<br />
the Misclass section even if it had<br />
been found in its proper place.<br />
To say that the letter contains no<br />
argument <strong>of</strong> ideology, but is meant<br />
"to give cause for an occasional<br />
laugh, and nothing more" is a<br />
deliberately naive pretense. Simply<br />
because the tone is both<br />
patronizing and needling, and the<br />
language prances humorously with<br />
quasi-British smugness, does not<br />
alter the basic rebuttal nature <strong>of</strong><br />
the letter.<br />
Furthermore, no matter what<br />
the manifest intent <strong>of</strong> the letter, it<br />
latently functions as a personaljibe<br />
at Jim Anderson. The letter may<br />
not, after all, be a "meaningful<br />
discussion <strong>of</strong> ideas," but it is a<br />
sharp critique <strong>of</strong> Anderson. One<br />
can infer from their argument<br />
"questions and opinions <strong>of</strong> a<br />
serious nature would be best<br />
delivered in person" that saying<br />
someone is "deluded" or has a<br />
"nebulous, childlike vision <strong>of</strong><br />
God"" is not <strong>of</strong> a serious nature.<br />
Moreover, one can infer from<br />
the same argument that personal<br />
attacks are thus best delivered<br />
anonymously in a public forum.<br />
No one might have taken the letter<br />
seriously if printed in the Misclass,<br />
but after reading Anderson's name<br />
10 times, they might not have<br />
taken Anderson seriously again.<br />
Perhaps I share the Balinese<br />
inclination to avoid using personal<br />
names unless for intimacy;<br />
nevertheless, in your pretty, verbal<br />
onslaught, Anderson lost 10-0.<br />
The argument that "surely no<br />
one would read a letter in Misclass<br />
signed 'Two Episcopalians,<br />
Retired' and regard it as the Truth "<br />
is not supported by reaction to<br />
many Misclass entries this year.<br />
Bert the Big Dog, Frustrated<br />
Blonde, Zorro: all <strong>of</strong> these writers<br />
have been taken seriously enough<br />
to evoke intensely felt response. I<br />
still believe the unseen author<br />
garners more, shall we say,<br />
authority in his freedom from<br />
personal questioning.<br />
The original letter asked if the<br />
activities <strong>of</strong> the Bible-studying<br />
students that Anderson praised<br />
were "productive <strong>of</strong> good." Yet<br />
was the letter itself productive <strong>of</strong><br />
good? If the writers indeed had<br />
"questions and opinions <strong>of</strong> a<br />
serious nature," why could they<br />
not have been incorporated them<br />
for the benefit <strong>of</strong> readers who may<br />
not know so much theology, or be<br />
able to discuss it so eloquently?<br />
Why try instead to rob Anderson<br />
<strong>of</strong> "that which not enriches<br />
(them), I And makes (him) poor<br />
indeed"?<br />
I mentioned in an early editorial<br />
that unsigned letters will be<br />
relegated to the Misclass, but I did<br />
• not say all would be printed. Some<br />
letters simply require a signature.<br />
The reviewer, <strong>of</strong> Main Street<br />
Theater was indeed Ray Isle, and<br />
his name ought to have appeared<br />
with his comments; the "Ed."<br />
referred to the section editor, and<br />
not to myself. Authorship <strong>of</strong><br />
submissions is verified as much as<br />
possible. Finally, I know who<br />
Schiller and Goethe are, and if they<br />
were alive, they'd probably be in<br />
Baker or Will <strong>Rice</strong>.<br />
Since the authors have revealed<br />
themselves, here is the text <strong>of</strong> their<br />
original letter:<br />
Mr. Anderson must be specific<br />
as to which God he is referring in<br />
his opening question, "When was<br />
the last time you felt the presence<br />
<strong>of</strong> God in your life?" Does he mean<br />
Jesus, since he confuses the<br />
concept <strong>of</strong> the person <strong>of</strong> Jesus with<br />
the term God later on in his<br />
"confession"? Do only those<br />
involved in the <strong>Rice</strong> Christian<br />
organizations feel the presence <strong>of</strong><br />
God as he so absurdly intimates?<br />
His further invocation <strong>of</strong> the<br />
blessings <strong>of</strong> his God upon<br />
members <strong>of</strong> Christian ecclesial<br />
(sic) crowds at <strong>Rice</strong> we will not<br />
question.<br />
Indeed, it may be "different" for<br />
more <strong>Rice</strong> students to be in "Bible<br />
studies," partying only in Christian<br />
circles and coming out <strong>of</strong> the closet<br />
to babble Jesus' name, but is this<br />
productive <strong>of</strong> good?<br />
"By now you've looked down<br />
the page to see who is writing this<br />
stuff about Jesus." Really!<br />
Heret<strong>of</strong>ore Mr. Anderson has only<br />
made a passing reference to the<br />
utterance <strong>of</strong> the name <strong>of</strong> Jesus. Is<br />
Jesus God? We further regret that<br />
Mr. Anderson has been deluded<br />
for so long.<br />
He writes <strong>of</strong> making an easy<br />
mental and spiritual choice for his<br />
myth <strong>of</strong> Jesus, but in stating that it<br />
was physically and socially<br />
difficult, is this to refer to some<br />
form <strong>of</strong> asceticism on the order <strong>of</strong><br />
hair shirts or the giving up <strong>of</strong> beer?<br />
What pretense in imagining that<br />
Jesus lives His life through Mr.<br />
Anderson! Does he have a<br />
crucifixion planned for himself?<br />
We shan't toy with his nebulous,<br />
childlike vision <strong>of</strong> God answering<br />
his prayers.<br />
We are so very happy that Mr.<br />
Anderson found the confessional<br />
experience so simple in the light <strong>of</strong><br />
the excruciating processes toward<br />
belief <strong>of</strong> so many literate<br />
Christians.<br />
Concerning the next "paragraph,"<br />
We would hope Mr.<br />
Anderson would have the inner<br />
strength to take responsibility for<br />
himself and to find security outside<br />
<strong>of</strong> the intervention <strong>of</strong> the<br />
supernatural.<br />
The theories Mr. Anderson<br />
espouses in the next "paragraph"<br />
contradict everything which has<br />
gone before. Suddenly he calls<br />
upon the individual to act instead<br />
<strong>of</strong> letting his God coerce him to His<br />
Will. Would he have us believe that<br />
all one must do is make a conscious<br />
decision for Jesus and life will be<br />
peachy-keen? Would he have us<br />
believe that God would withdraw<br />
His Grace from those who don't<br />
babble the name <strong>of</strong> Jesus?<br />
Is Mr. Anderson so learned and<br />
so endowed with the Holy Spirit<br />
that he may disregard Hugh and<br />
Richard <strong>of</strong> St. Victor and forget<br />
that the universe, according to<br />
these men <strong>of</strong> mystical gifts, is<br />
wholly revelatory <strong>of</strong> the Divine in<br />
every bit <strong>of</strong> empirical data? Mr.<br />
Anderson seems to rely on God<br />
now to win his arguments for him<br />
instead <strong>of</strong> using his own mental<br />
faculties. (Your outlook, your<br />
perspective, sir, is hideously<br />
warped.)<br />
Dear, dear Mr. Anderson, you<br />
have not a clue as to the authentic<br />
nature <strong>of</strong> a miracle, do you, poor<br />
chap? Are we to assume God is<br />
simple, that we mere mortals may<br />
perceive the Ineffable?<br />
In the words <strong>of</strong> the great Kyot:<br />
"Silly fool, impetuous brat!<br />
Dost thou know where thou art at?<br />
Dost thou know thy true God's<br />
name?<br />
Jesus and Father, one and the<br />
same?<br />
Whilst thou be at it, consider this<br />
see Threshing, page 6<br />
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The <strong>Rice</strong> Thresher, February 4, 1983, page 5
<strong>Hackerman</strong> states. We are not a research machine'<br />
Pr<strong>of</strong>s urge commitment to paying for faculty excellence<br />
continued from page I<br />
reputation, schools with less gifted<br />
students."<br />
Brotzen thinks that <strong>Rice</strong> needs<br />
more "first-rate" names, names<br />
that can be bought as some<br />
universities do, or built through<br />
generous funding <strong>of</strong> young and<br />
promising <strong>grad</strong>uates.<br />
Said Brotzen, "We need a plan.<br />
We need to concentrate in a few<br />
areas, decide which <strong>programs</strong> need<br />
improvement first as Princeton<br />
does. Princeton was originally a<br />
model for <strong>Rice</strong>. We would do well<br />
to fol<strong>low</strong> their example now. It is<br />
easier to go to a contributor and<br />
say 'we need $200,000 for two<br />
super pr<strong>of</strong>essors,' rather than just<br />
say 'We need $200,000.'<br />
"Our biochemistry department<br />
is terrific. Why? Because they<br />
targeted people and got them. The<br />
enemy <strong>of</strong> understanding is<br />
mediocrity."<br />
Visiting mathematics Assistant<br />
Pr<strong>of</strong>essor Frank Morgan, on leave<br />
for one year from Massachusetts<br />
Institute for Technology,<br />
concurred with some <strong>of</strong> Brotzen's<br />
points.<br />
Said Morgan, "President Kelly<br />
<strong>of</strong> Tulane has done what <strong>Rice</strong><br />
needs to do. He has raised a lot <strong>of</strong><br />
funds, moving Tulane from the red<br />
to the black. He's increased faculty<br />
salaries 20 percent, increased<br />
average freshman SAT scores and<br />
AWMMh<br />
aggressively recruited faculty."<br />
He continued, "Bowen <strong>of</strong><br />
Princeton has shown that a school<br />
can be respected as both a <strong>grad</strong>uate<br />
and under<strong>grad</strong>uate institution.<br />
<strong>Rice</strong> is a fine school, with its<br />
commitment to under<strong>grad</strong>uate<br />
education and its college system.<br />
<strong>Rice</strong> deserves to be the preeminent<br />
school <strong>of</strong> the South in the future as<br />
well as now.<br />
"The best way to assure that is to<br />
aggressively seek the best faculty<br />
and give them the resources they<br />
need."<br />
Chairman <strong>of</strong> the English<br />
department Alan Grob feels that<br />
<strong>Rice</strong>'s reputation in the academic<br />
community is generally excellent,<br />
but is concerned with the survey<br />
results.<br />
Said Grob, "I think these<br />
rankings obviously have a selffulfilling<br />
quality. Nevertheless, I<br />
feel that in my department we have<br />
a very good teaching faculty. We<br />
have college masters, people<br />
involved greatly with students. A<br />
lot <strong>of</strong> top-rated universities don't<br />
bother with things like that."<br />
Grob noted, "Over half <strong>of</strong> the<br />
English department between 1979<br />
and 1982 wrote books, books<br />
published by good presses. Our<br />
only major loss was David Minter,<br />
who went to Emory as their Dean<br />
<strong>of</strong> Letters and Sciences. We<br />
just couldn't match that <strong><strong>of</strong>f</strong>er."<br />
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The <strong>Rice</strong> Thresher, February 4. 1983, page 6<br />
He continued, "No matter what<br />
<strong>Rice</strong> does, there is always the<br />
obstacle <strong>of</strong> institutional history.<br />
We gave our first Ph.D. in English<br />
in 1954. Chicago, Stanford,<br />
Berkeley and schools <strong>of</strong> that<br />
caliber have been around a lot<br />
longer."<br />
Grob stated, "We need to make<br />
an effort to improve our research<br />
image, but not at the expense <strong>of</strong><br />
inculcating indifference to<br />
teaching."<br />
He feels that a better leave policy<br />
and library might help <strong>Rice</strong> in the<br />
area <strong>of</strong> research. Said Grob, "All<br />
<strong>of</strong> the really great research<br />
institutes have a better policy <strong>of</strong><br />
leaves than <strong>Rice</strong>. Leaves serve to<br />
enrich the faculty. They al<strong>low</strong> the<br />
faculty to take part in research<br />
without adversely impacting their<br />
teaching. A program <strong>of</strong><br />
competitive leaves would help<br />
increase <strong>Rice</strong>'s output <strong>of</strong><br />
research."<br />
He added, "We could also use a<br />
better library."<br />
<strong>Hackerman</strong> believes that <strong>Rice</strong>'s<br />
leave policy is "among the most<br />
liberal around," indeed that the<br />
sabbatical leave policy is <strong>of</strong>ten<br />
abused.<br />
Regarding <strong>ratings</strong>, <strong>Hackerman</strong><br />
stated, "I can't say that <strong>ratings</strong><br />
have nothing to do with grant<br />
money. However, <strong>Rice</strong>'s draw <strong>of</strong><br />
grant money has steadily<br />
increased. Grants are based on<br />
individuals, not so much on<br />
institutions."<br />
He noted, "We have ideally a<br />
constant number <strong>of</strong> faculty and<br />
students. To increase our staff<br />
would require new buildings, new<br />
facilities. We have chosen to spend<br />
on students. Every students here<br />
costs us $13,000 from the<br />
endowment. The important thing<br />
is that <strong>Rice</strong>'s focus is on teaching<br />
and learning."<br />
<strong>Hackerman</strong> emphasized, "We<br />
are not a research machine. Both<br />
pr<strong>of</strong>essors and students come here<br />
to learn. If we are being rated for<br />
just research, <strong>Rice</strong> will never be the<br />
absolute best."<br />
Four earn endowed pr<strong>of</strong>essorships<br />
Four <strong>Rice</strong> University faculty<br />
members who have won wide<br />
recognition for accomplishments<br />
in their pr<strong>of</strong>essional fields have<br />
been honored with endowed<br />
pr<strong>of</strong>essorships.<br />
Dr. Richard E. Smalley, a<br />
member <strong>of</strong> the <strong>Rice</strong> chemistry<br />
faculty since 1976, will fill the new<br />
Gene and Norman <strong>Hackerman</strong><br />
Chair in Chemistry. Smalley is<br />
widely known for his pioneering<br />
research, including the interaction<br />
<strong>of</strong> lasers with molecules at very <strong>low</strong><br />
temperatures. Currently Smalley is<br />
studying properties <strong>of</strong> molecular<br />
Dr. Richard E. Smalley<br />
beams <strong>of</strong> metal clusters; the beams<br />
are generated by techniques<br />
invented during his research.<br />
The new chair was established<br />
by Paul N. Howell, a Houston<br />
industrialist, and Mrs. Howell, to<br />
honor <strong>Rice</strong> University President<br />
<strong>Hackerman</strong> and his wife. Dr.<br />
<strong>Hackerman</strong>, an internationally<br />
recognized chemist, has been<br />
<strong>Rice</strong>'s president since 1970 and is<br />
the immediate past chairman <strong>of</strong><br />
the National Science Board.<br />
Commented Smalley, "I take<br />
this (the chair) as evidence <strong>of</strong><br />
8<br />
•<br />
•<br />
<strong>Rice</strong>'s support <strong>of</strong> basic research,<br />
and <strong>of</strong> course, I'm very happy to<br />
receive it."<br />
Dr. Sydney M. Lamb<br />
Dr. Sydney M. Lamb, an<br />
internationally known authority<br />
on linguistics, becomes <strong>Rice</strong>'s first<br />
Agnes Cullen Arnold Pr<strong>of</strong>essor <strong>of</strong><br />
Linguistics. Chairman <strong>of</strong> the<br />
fledgling linguistics department,<br />
Lamb has been a member <strong>of</strong> the<br />
<strong>Rice</strong> faculty since 1981.<br />
The Arnold Trust established<br />
this pr<strong>of</strong>essorship in memory <strong>of</strong><br />
Mrs. Agnes Cullen Arnold, a <strong>Rice</strong><br />
Dr. Katherine Fischer Drew<br />
alumna and prominent Houston<br />
civic leader.<br />
OFF ANYS<br />
DEEP DISH PIZZA 3«<br />
526-9780<br />
4100 Mandell Between Richmond & W. Alabama<br />
Dr. Katherine Fischer Drew, a<br />
<strong>Rice</strong> alumna and one <strong>of</strong> the<br />
nation's distinguished medievalists,<br />
becomes the Harris<br />
Masterson, Jr. Pr<strong>of</strong>essor <strong>of</strong><br />
History. Drew has been on the<br />
<strong>Rice</strong> history faculty since 1950.<br />
The pr<strong>of</strong>essorship honors the<br />
memory <strong>of</strong> Reverend Masterson,<br />
an Episcopal priest and longtime<br />
director <strong>of</strong> Autry House. Current<br />
Texas A&M President Frank<br />
Vandiver previously held the chair.<br />
Dr. Martin J. Wiener, who has<br />
won recognition on both sides <strong>of</strong><br />
the Atlantic for his research and<br />
Dr. Martin J. Wiener<br />
publications on British history,<br />
becomes the Mary Gibbs Jones<br />
Pr<strong>of</strong>essor <strong>of</strong> History. Wiener<br />
garnered acclaim for his book<br />
English Culture and the Decline <strong>of</strong><br />
the Industrial Spirit, 1850-1980,<br />
and was asked to speak on the<br />
subject in Japan last month.<br />
Houston Endowment, Inc.<br />
established his pr<strong>of</strong>essorship to<br />
honor the memory <strong>of</strong> the widow <strong>of</strong><br />
Jesse H. Jones who, in her own<br />
right, was a longtime friend and<br />
supporter <strong>of</strong> <strong>Rice</strong>, and a moving<br />
force in Houston's cultural and<br />
educational life. Dr. Wiener joined<br />
the <strong>Rice</strong> history faculty in 1967.<br />
THRESHING-IT-OUT<br />
too continued from page 5<br />
His Name may be Buddha or<br />
• Harvey the Jew."<br />
LARGE • One who knows corrects<br />
• • Brown article information<br />
CO 5<br />
a.<br />
X<br />
V<br />
To the editor:<br />
Your article in the recent issue<br />
relating to George R. Brown is a<br />
good one and quite appropriate.<br />
However; in one respect it is not<br />
correct. George entered <strong>Rice</strong> as a<br />
freshman in the fall <strong>of</strong> 1916, as a<br />
member <strong>of</strong> the class <strong>of</strong> 1920. He<br />
returned to<strong>Rice</strong>as a sophomore in<br />
the fall <strong>of</strong> 1917. He left <strong>Rice</strong> at the<br />
end or near the end <strong>of</strong> the fall<br />
semester in December 1917 and<br />
^entered the service.<br />
I entered <strong>Rice</strong> in the fall <strong>of</strong> I9l 7,<br />
class <strong>of</strong> 1921.<br />
H. Malcolm Lovett
Heliums given grant to explore platelet response to stress<br />
by Todd Giorgio<br />
The National Institute <strong>of</strong> Health<br />
recently awarded $324,000 in a<br />
three-year grant to Dr. Jesse D.<br />
Heliums, Dean <strong>of</strong> the George R.<br />
Brown School <strong>of</strong> Engineering and<br />
pr<strong>of</strong>essor <strong>of</strong> chemical engineering.<br />
The grant will fund the seventh,<br />
eighth and ninth years <strong>of</strong> a<br />
research program involving the<br />
determination <strong>of</strong> blood platelet<br />
response to shear stress. Results<br />
from Heliums' research may lead<br />
to more effective treatment <strong>of</strong><br />
vascular diseases.<br />
Shear stress is the frictional<br />
force exerted on a fluid as it f<strong>low</strong>s<br />
around an object or through a<br />
conduit. Although platelets, the<br />
cellular components <strong>of</strong> blood<br />
which play a key role in clotting,<br />
normally begin to aggregate and<br />
release specific biochemical<br />
substances at the site <strong>of</strong> an injury<br />
through biochemical mechanisms,<br />
shear stress may mimic<br />
biochemical signals in some cases.<br />
Research by Heliums and his<br />
research team in conjunction with<br />
the University <strong>of</strong> Texas Medical<br />
School and the Baylor College <strong>of</strong><br />
Medicine has shown that platelets<br />
can also be activated through the<br />
application <strong>of</strong> shear stress. Platelet<br />
response is hypothesized by<br />
Heliums as a function <strong>of</strong> both<br />
shear stress levels and the length <strong>of</strong><br />
time stress is applied.<br />
Past studies at <strong>Rice</strong>, also funded<br />
by NIH grants, have examined the<br />
response <strong>of</strong> platelets to shear stress<br />
exposure through times ranging<br />
from a few seconds to minutes.<br />
Present research involves platelet<br />
response at approximately .001<br />
seconds in duration.<br />
Recent studies indicate that the<br />
response to shear stress in the<br />
intermediate time range (on the<br />
order <strong>of</strong> seconds) is <strong>of</strong> great<br />
importance. A new project is<br />
underway in which an instrument<br />
will be developed which will aid in<br />
the assessment <strong>of</strong> platelet function<br />
continuously in a controlled shear<br />
field.<br />
Helium's previous research<br />
indicates that at the exposure times<br />
and shear stresses characteristic <strong>of</strong><br />
certain devices such as disc-type<br />
artificial heart valves and kidneydialysis<br />
machines, platelet<br />
aggregation can occur. Such<br />
aggregation may lead to internal<br />
blood clotting or decreased<br />
platelet activity. Several types <strong>of</strong><br />
Gottlieb advocates nuclear freeze<br />
by Mark Rome<br />
Dr. Sanford Gottlieb, executive<br />
director <strong>of</strong> United Campuses<br />
Against Nuclear Weapons<br />
(UCAM), discussed the nuclear<br />
arms race in the United States in a<br />
speech last week on campus.<br />
His organization UCAM, a<br />
conglomerate <strong>of</strong> over 500 studentfaculty<br />
groups from universities<br />
and colleges around the world,<br />
hopes to bring about a freeze in the<br />
nuclear weapons build-up in order<br />
to lessen the likelihood <strong>of</strong> nuclear<br />
war. UCAM currently focuses its<br />
attention on a bi-lateral agreement<br />
between the U.S. and the Soviet<br />
Union.<br />
Gottlieb began his talk by<br />
noting, "The new peace movement<br />
really began because we had a<br />
wonde<strong>rf</strong>ul recruiting team named<br />
Reagan, Haig and Weinberger,<br />
who spent the better part <strong>of</strong> 1981<br />
talking about limited nuclear war,<br />
and survivable nuclear war, and<br />
announcing that over a five-year<br />
period that there would be a $1.6<br />
trillion military budget."<br />
Their success, Gottlieb said,<br />
resulted from convincing most<br />
Americans that either the U.S. or<br />
the U.S.S.R. could trigger a<br />
nuclear war.<br />
He believes the new peace<br />
movement differs from older ones<br />
in that it has attracted many<br />
respected individuals. The nuclear<br />
freeze movement has also<br />
increased its political influence in<br />
several significant areas.<br />
"One (area) is that while Reagan<br />
scared the bejeezus out <strong>of</strong><br />
everybody by talking about limited<br />
nuclear war in '81, by '82 he had<br />
disavowed it," said Gottlieb. "He<br />
(Reagan) had admitted publicly<br />
that there could be no limited<br />
nuclear war."<br />
Gottlieb outlines a second area<br />
<strong>of</strong> influence, "Because <strong>of</strong><br />
American pressures, peace<br />
movements' pressures, and<br />
European governments' pressures<br />
on the United States, this<br />
administration started negotiations<br />
with the Soviet Union on two<br />
sets <strong>of</strong> talks, one on European<br />
missiles, the other on strategic<br />
arms reduction."<br />
According to Gottlieb, this act<br />
marked a change in stance by the<br />
Reagan administration, which<br />
came into <strong><strong>of</strong>f</strong>ice "committed to a<br />
military build-up before even<br />
beginning to think about talking to<br />
the Soviets about arms reduction."<br />
Although Gottlieb admitted<br />
that American policy has not yet<br />
been altered by the peace<br />
movement, he foresees a change. If<br />
President Reagan runs for reelection<br />
in 1984, his only platform<br />
will be arms control. "I suspect<br />
that its entirely feasible, however<br />
bizarre this may seem in January<br />
<strong>of</strong> 1983, to have us witness in 1984<br />
a Ronald Reagan running as a<br />
peace candidate," Gottlieb<br />
• commented.<br />
For these reasons, Gottlieb<br />
predicts that some kind <strong>of</strong> peace<br />
agreement will be made during the<br />
Reagan administration, if only due<br />
to a "political necessity pushing<br />
Reagan in that direction."<br />
Gottlieb proposed two other<br />
reasons for being hopeful about<br />
the likelihood <strong>of</strong> peace<br />
negotiations in the near future.<br />
First, he suggested, "the politics <strong>of</strong><br />
the situation are what we shoul^<br />
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"I feel that a lot <strong>of</strong> people have<br />
an unformed notion that somehow<br />
the questions <strong>of</strong> war and peace are<br />
decided down deep in the bowels <strong>of</strong><br />
the Pentagon by the joint Chiefs <strong>of</strong><br />
Staff. Not so. The decisions are<br />
made by the political leaders on<br />
both sides."<br />
Gottlieb finds another reason<br />
for hope in the firing <strong>of</strong> Eugene<br />
Rostow as the head <strong>of</strong> the Arms<br />
Control and Disarmament<br />
Agency. According to Gottlieb,<br />
Rostow's firing has placed<br />
Secretary <strong>of</strong> State George Shultz<br />
in the most influential position <strong>of</strong><br />
any <strong>of</strong> the president's aidvisors on<br />
this issue. Gottlieb considers<br />
Shultz to be "a pragmatist, not an<br />
ideologue, and [someone who]<br />
doesn't come to his <strong><strong>of</strong>f</strong>ice with the<br />
same kind <strong>of</strong> mindset that many <strong>of</strong><br />
the more ideological people in the<br />
Reagan administration share."<br />
In addition to providing<br />
information on the nuclear arms<br />
freeze movement, Gottlieb's<br />
speech served as a recruiting effort<br />
to form a UCAM chapter at <strong>Rice</strong>.<br />
An informal group <strong>of</strong> people now<br />
Dlan to form an <strong><strong>of</strong>f</strong>icial<br />
organization. Anyone who*, is<br />
interested in joining an<br />
organization dedicated to the<br />
advancement <strong>of</strong> a nuclear weapons<br />
freeze should contact Duane Pryor<br />
at 526-3603.<br />
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Dr. Jesse D. Heliums —C. Reining<br />
vascular disease have recently been<br />
attributed at least partially to the<br />
interaction <strong>of</strong> platelets with the<br />
inside walls qf< blood vessels.<br />
Helium's experimental work is<br />
complicated by factors such as the<br />
complexity <strong>of</strong> the biochemical<br />
response <strong>of</strong> platelets, the partial<br />
reversibility <strong>of</strong> the aggregation<br />
processes, and the requirement ot a<br />
uniform shear field over the entire<br />
sample volume. Such difficulties<br />
have been overcome through the<br />
use <strong>of</strong> unique equipment especially<br />
designed and built at <strong>Rice</strong>.<br />
Said Heliums, "At the present<br />
time there are three <strong>grad</strong>uate<br />
students on the project, as well as<br />
some post-doctoral people and<br />
technicians. The major contributions<br />
on the project are<br />
coming from <strong>Rice</strong> students."<br />
Heliums hopes that the newly<br />
.funded research will yield a better<br />
understanding <strong>of</strong> the chemical<br />
pathways by which platelets<br />
activate and how those pathways<br />
can be altered to prevent unwanted<br />
activity. Commented Heliums,<br />
"We are delighted to see the NIH<br />
continue to support our program<br />
in these times <strong>of</strong> constrained<br />
funding."<br />
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The <strong>Rice</strong> Thresher, February 4, 1983, page 7
Standing committee reps make status reports to SA senate<br />
by SumH Nan da<br />
<strong>Rice</strong>'s ' legal studies curriculum<br />
will be reorganized, students will<br />
not be al<strong>low</strong>ed to have more than<br />
three majors, and approximately<br />
$18,000 has been granted by the<br />
Brown Foundation for innovative<br />
teaching proposals, according to<br />
committee reports presented to the<br />
Student Association senate in its<br />
Monday meeting.<br />
The Committee on Under<strong>grad</strong>uate<br />
Curriculum decided to set a<br />
policy <strong>of</strong> not granting degrees to<br />
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students with more than three<br />
majors. The committee recommended<br />
the reorganization <strong>of</strong> the<br />
legal studies curriculum since some<br />
legal studies courses are currently<br />
non-existent due to pr<strong>of</strong>essors<br />
leaving the university and going on<br />
sabbatical.<br />
The Committee on Under<strong>grad</strong>uate<br />
Teaching awarded $3178.65 to<br />
Dr. Linda Adair <strong>of</strong> the<br />
anthropology department for<br />
human skeletal materials,<br />
comparative primate materials,<br />
fossil casts and anthropometric<br />
equipment. The materials will aid<br />
the department in teaching<br />
physical anthropology courses.<br />
An award for $4796.90 was<br />
granted to Dr. J.B. Cheatham, Jr.,<br />
<strong>of</strong> the mechanical engineering<br />
department for a senior robotics<br />
project. The project will lead to the<br />
inclusion <strong>of</strong> a robotic programming<br />
experiment in Mech 331<br />
laboratory courses. Among the<br />
materials to be purchased will be a<br />
robotic arm, an Apple II inte<strong>rf</strong>ace,<br />
a power supply, and an Apple II<br />
95K microcomputer and disk drive<br />
with printer and ancillary<br />
equipment. Money for both<br />
awards was provided by the Brown<br />
Foundation.<br />
The committee has recently read<br />
and summarized students'<br />
evaluations <strong>of</strong> teachers who are up<br />
for promotion or tenure, a major<br />
project for the committee. The<br />
committee has also awarded<br />
$10,000 to Dean <strong>of</strong> Humanities<br />
Allen Matusow for a preparatory<br />
seminar designed to develop an<br />
interdisciplinary program in the<br />
humanities.<br />
The project has received $37,000<br />
from <strong>Rice</strong> and a request for<br />
$40,000 has been made to the<br />
National Endowment for the<br />
Humanities. These funds will<br />
support the summer salaries for<br />
participating faculty members,<br />
visiting experts and staff. "This<br />
effort to build an interdisciplinary<br />
program in the humanities might<br />
be a first step in the future<br />
enhancement <strong>of</strong> the <strong>Rice</strong><br />
curriculum," commented<br />
under<strong>grad</strong>uate committee member<br />
Doug Allen.<br />
Humanities to <strong><strong>of</strong>f</strong>er feminist lectures<br />
by Jeanne Cooper<br />
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Affirmative Action Employer<br />
February 7 and April 6.<br />
Dean <strong>of</strong> Humanities Dr. Allen J.<br />
Matusow noted that although<br />
pr<strong>of</strong>essors at <strong>Rice</strong> <strong>of</strong>ten<br />
incorporate feminist perspectives<br />
into their individual classes, there<br />
is no cohesive feminist studies<br />
program. By bringing the cutting<br />
edge <strong>of</strong> feminist scholarship to<br />
<strong>Rice</strong>, Matusow hopes to generate<br />
similar activity on campus.<br />
University <strong>of</strong> Wisconsin history<br />
Pr<strong>of</strong>essor Gerda Lerner will open<br />
the lecture series Mondav with a<br />
presentation on "The Challenge <strong>of</strong><br />
Woman's History." Lerner will<br />
speak in Sewall Hall 309 at 8 p.m.<br />
The series will continue with a<br />
talk by Jean Bethke Elshtain on<br />
"Public Man, Private Woman:<br />
Further Reflections on Feminism<br />
and Western Political Thought" at<br />
8 p.m. on February 17 in Rayzor<br />
Hall 110.<br />
Later lectures in the series will<br />
examine feminist perspectives in<br />
fiction, literary criticism, urban<br />
planning and biological<br />
anthropology.<br />
Senate to survey students<br />
Continued from page I<br />
Making all the student's GPAs<br />
readily avail^ile could change this<br />
spirit <strong>of</strong> positive competitiveness<br />
and teamwork to one <strong>of</strong> academic<br />
selfishness which is detrimental to<br />
the entire <strong>Rice</strong> experience."<br />
One <strong>of</strong> the drafters <strong>of</strong> the<br />
petition, Darryl Burke, remarked<br />
that if the Faculty Council meeting<br />
had not been postponed to last<br />
Friday because <strong>of</strong> George Brown's<br />
death, the matter would already<br />
have been decided.<br />
"Now we have the time needed<br />
so the ramifications and rationale<br />
behind these proposed <strong>grad</strong>ing<br />
changes can be explored," he<br />
commented.<br />
Trunko will appear at the<br />
committee's meeting on February<br />
16 to present student opinions<br />
about the changes. Trunko said<br />
SA senators will survey student<br />
views until then. Any sufficiently<br />
condensed written opinions may<br />
be submitted directly to the SA.<br />
As a preview to Friday, Feb. 11th<br />
campus interviews,<br />
M/A-COM LINKABIT, INC.<br />
Will host a slide presentation addressing:<br />
Career Opportunities<br />
Technical Areas<br />
Benefits<br />
San Diego Lifestyle<br />
Complimentary cheese, crackers & wine<br />
will be served.<br />
Thursday, Feb. 10th<br />
3:30-5:00 pm and<br />
6:30-8:00 pm<br />
Memorial Center—Conference Room<br />
M/A-COM LINKABIT, INC.<br />
Equal Opportunity/<br />
Affirmative Action Employer
Thresher/Fine Arts<br />
Shange finds teaching refreshing and enlightening<br />
Ntozake Shange is best known<br />
for her Obie-winning For colored<br />
girls who have considered suicide<br />
when the rainbow is enuf, but she<br />
has also written volumes <strong>of</strong> poetry<br />
and has just completed a novel.<br />
However, these varied literary<br />
accomplishments are not the only<br />
things that she considers<br />
important, and these other aspects<br />
<strong>of</strong> her character are what have<br />
brought her to <strong>Rice</strong>.<br />
Shange is teaching two courses<br />
at <strong>Rice</strong> this semester, an English<br />
course on Afro-American<br />
literature and a history<br />
department course on the<br />
Reconstruction and its effects<br />
throughout the entire country, not<br />
just the South. The English course<br />
is nominally a survey <strong>of</strong> Afro-<br />
American wried them with her<br />
personal favorites. Shange hopes<br />
that this combination <strong>of</strong> the most<br />
famous with the well-written but<br />
not-so-well-known will give her<br />
students a more representative<br />
view <strong>of</strong> black literature in this<br />
country.<br />
Just as her survey lit course is<br />
more than a survey, so to her<br />
history course is not simply a<br />
historical recounting <strong>of</strong> what and<br />
Cinema<br />
who came when, but is an attempt<br />
to discover the reasons why certain<br />
people have became hallmarks <strong>of</strong><br />
black thought. "It's not a question<br />
that I know the answer to," Shange<br />
admits, Til be looking for the<br />
a nswer j ust as m uch as my students<br />
will. This course is a seminar in the<br />
true sense <strong>of</strong> the word, an attempt<br />
to find answers through the<br />
academic processes <strong>of</strong> discussion<br />
and interchange <strong>of</strong> ideas. We may<br />
even find by the end <strong>of</strong> the course<br />
that the answer is very simple."<br />
This aspect <strong>of</strong> Shange's course<br />
is, in a broader sense, the reason<br />
that she came to <strong>Rice</strong>. Having been<br />
trained to teach in college, she<br />
found that she missed it when she<br />
immersed herself in theatrical<br />
work for seven years. "I wanted to<br />
teach, 1 always have. Theatre after<br />
seven years had become arid to me.<br />
I was losing touch with my<br />
motivations as an artist. The<br />
subject <strong>of</strong> my writing is contact<br />
with people. I get that from<br />
teaching."<br />
Although Shange's Mellon<br />
appointment at <strong>Rice</strong> is presently<br />
only for one semester, she would<br />
like to continue teaching here. If<br />
she is not <strong><strong>of</strong>f</strong>ered a more<br />
permanent position here, she will<br />
still remain in the Houston area,<br />
which she now considers her home.<br />
Shange feels that her move from<br />
New York was painless, both<br />
because she needed a break from<br />
its frenetic theatre world and<br />
because Houston <strong><strong>of</strong>f</strong>ered her the<br />
chance to teach and to be near her<br />
family. (Shange's sister, Bisa<br />
Williams-Manigault teaches<br />
English, Spanish, and Portuguese<br />
at <strong>Rice</strong>).<br />
Although Shange sees teaching<br />
as her major activity for "as long as<br />
possible," she doei plan to<br />
continue to do some pr<strong>of</strong>essional<br />
theatrical productions, "so long as<br />
they don't inte<strong>rf</strong>ere with my<br />
writing. I'm at the point where I do<br />
whatever I can for my writing, and<br />
if that means doing just one show<br />
every two years in New York or<br />
Los Angeles, then I'll do that."<br />
After just finishing a novel,<br />
Shange doesn't have plans for her<br />
next work yet, but says she will<br />
"write whatever presents itself to<br />
me. ... I started writing because<br />
there were things that I couldn't find<br />
that I wanted to read and later to<br />
hear. Later, I started to write<br />
theatre because there were<br />
Ntozake Shange in her new niche<br />
characters that I wanted to know<br />
that I couldn't find. I put my<br />
characters into works to let the<br />
world love and cherish them, as /<br />
love and cherish them."<br />
Hopefully Shange's tenure at<br />
<strong>Rice</strong> will continue past this term.<br />
Otherwise, too few <strong>of</strong> us will have<br />
had the opportunity to catch the<br />
vitality that has characterized her<br />
work and that she now shares with<br />
the students.<br />
— Deborah L. Knaff<br />
Attenborough captures grandeur <strong>of</strong> Gandhi's struggle<br />
Gandhi is a magnificent film.<br />
Breathtaking in its scope, it<br />
undertakes the story <strong>of</strong> the man<br />
responsible for winning India's<br />
independence from Britain. It<br />
reflects 20 years on the part <strong>of</strong><br />
Richard Attenborough to produce<br />
the film. The mass <strong>of</strong> people on the<br />
screen, the film's great length (over<br />
3 hours with an intermission), the<br />
beautiful cinematography, and the<br />
intense characterization <strong>of</strong> Gandhi<br />
by Ben Kingsley combine to<br />
overwhelm the viewer.<br />
Beginning with Gandhi's<br />
expulsion from the first class<br />
section <strong>of</strong> a train in South Africa,<br />
the film alternates between<br />
intimate and epic scenes. As it is<br />
impossible to capture all <strong>of</strong> the<br />
incidents and people who were<br />
pivotal in the development <strong>of</strong><br />
Gandhi's life, the film begins with a<br />
disclaimer explaining that the film<br />
is only an attempt to capture the<br />
spirit/ <strong>of</strong> Gandhi's life. This it does<br />
to a remarkable degree.<br />
Inevitably, the focus <strong>of</strong> Gandhi<br />
is on one aspect f his life — that <strong>of</strong><br />
Gandhi the saint. In fact, only one<br />
scene alludes to the hardships<br />
experienced by those closest to<br />
him. This scene, an altercation<br />
between Gandhi and his wife about<br />
her status in the ashram, is<br />
effective in illustrating the strain <strong>of</strong><br />
living with a saint. However, this<br />
obviously realistic theme is<br />
expunged from the rest <strong>of</strong> the film.<br />
In real life, Gandhi's strict<br />
adherence to his ideals and<br />
standards created extreme<br />
problems for his family. These<br />
standards deeply affected his wife,<br />
who bitterly resented the vow <strong>of</strong><br />
chastity he took. Although he<br />
remained married, it provided a<br />
continual source <strong>of</strong> strain.<br />
Gandhi's attempt to mold his sons<br />
after his ideals had disastrous<br />
effects upon his eldest son who<br />
rebelled with drunkenness and<br />
debauchery.<br />
It is important to remember the<br />
power <strong>of</strong> film. When people see<br />
something portrayed on the<br />
screen, it is very easy to believe that<br />
it is the truth, without explaining it<br />
critically. Ghandi was not only a<br />
saint but was also a man whose<br />
unrealistic expectations sometimes<br />
led to unfortunate consequences.<br />
Thus, it is a serious fault in the film<br />
that the director's bias has created<br />
an unrealistic biography.<br />
A major reason to see Gandhi is<br />
Ben Kingsley's portrayal.<br />
Kingsley, a member <strong>of</strong> the Royal<br />
Shakespeare Company in London,<br />
is a dramatic stage actor, not a film<br />
actor. This strength become^<br />
apparent over and over again as<br />
Kingsley takes the character from<br />
the young Mohandas K. Gandhi to<br />
the Mahatma (Great Soul).<br />
Kingsley's being part Indian<br />
himself adds a realistic touch that<br />
affords the viewer a chance to<br />
believe in this incarnation <strong>of</strong><br />
Gandhi.<br />
Small touches distinguish<br />
Kingsley as an actor grounded in<br />
the theatre. The sinuous posture<br />
Kingsley assumes when he sits on<br />
the floor, the trembling <strong>of</strong> his<br />
mouth at the death <strong>of</strong> Gandhi's<br />
wife, and the protective arm<br />
grasping his robe to his body all<br />
contribute to a richly detailed<br />
perception <strong>of</strong> Gandhi as both man<br />
and saint. Kingsley's pe<strong>rf</strong>ormance<br />
certainly deserves an Academy<br />
Award nomination.<br />
The length <strong>of</strong> the film is<br />
necessary to weave a story this<br />
vast, but Attenborough also uses it<br />
as a stylistic device to underscore<br />
the Herculean task <strong>of</strong> Gandhi and<br />
the immensity <strong>of</strong> India itself. The<br />
visual grandeur <strong>of</strong> terribly<br />
crowded cities and rural expanses<br />
highlights the difficulty <strong>of</strong><br />
Gandhi's task, to lead his<br />
countrymen against British rule<br />
using only nonviolent means.<br />
After Gandhi effected a<br />
relatively peaceful transition <strong>of</strong><br />
power from British to Indian<br />
hands, his troubles began again.<br />
The conflict between the Hindus<br />
and Muslims <strong>of</strong> India's provinces<br />
provides some <strong>of</strong> the most exciting<br />
and riveting moments in the film.<br />
These scenes in the film<br />
reverberate with the intensity that<br />
only religious fervor can provoke.<br />
Attenborough balances this action<br />
against the quieter, even austere,<br />
scenes <strong>of</strong> Gandhi's fasting and the<br />
solemn splendor <strong>of</strong> Gandhi's<br />
funeral where hundreds <strong>of</strong><br />
thousands <strong>of</strong> people lined the<br />
streets as his cortege passed.<br />
Gandhi pr<strong>of</strong>essed that we are ail<br />
children <strong>of</strong> God, but instead <strong>of</strong><br />
using this philosophy to relegate<br />
responsibility into the hands <strong>of</strong><br />
Fate, he demanded that each man<br />
be accountable for his own life.<br />
Placing the burden <strong>of</strong> correct<br />
conduct back upon the person<br />
instead <strong>of</strong> on an outside entity<br />
effectively negates the choice <strong>of</strong><br />
abdicating responsibilty. This<br />
philosophy <strong>of</strong> Gandhi's made him<br />
demand peace and equality for all<br />
the peoples <strong>of</strong> the world, for all the<br />
children <strong>of</strong> God. Perhaps Gandhi<br />
will help to remind us that such a<br />
goal is still viable and necessary<br />
amid the myriad injustices<br />
perpetrated today.<br />
— Ge<strong><strong>of</strong>f</strong>rey Westergaard<br />
Film describes danger <strong>of</strong> nostalgia<br />
Robert Altman's newest film,<br />
Come Back to the 5 & Dime,<br />
Jimmy Dean, Jimmy Dean, gives<br />
the movie-goer exactly what he has<br />
come to expect from an Altman<br />
film: something definitely out <strong>of</strong> the<br />
ordinary. Adapted from the stage<br />
production, which won mixed if<br />
generally favorable reviews,<br />
Jimmy Dean brings a freshness<br />
and originality to the screen that<br />
has rarely occurred since<br />
another Altman film.<br />
The film's setting is that <strong>of</strong> a<br />
small Texas town with one general<br />
store and an annual rainfall<br />
comparable to <strong>Rice</strong>'s winning<br />
percentage. The plot focuses upon<br />
a twentieth reunion <strong>of</strong> the<br />
Disciples <strong>of</strong> James Dean, who<br />
congregate in their old hangout,<br />
the town's one Woolworth's.<br />
Twenty years before, Dean made<br />
Giant in Ma<strong>rf</strong>a, Texas, a scant 80<br />
miles from this town, and two <strong>of</strong><br />
the club members, Mona (Sandy<br />
Dennis) and Joe (Mark Patton)<br />
made the trip (along with half <strong>of</strong><br />
the town) to try to get in the film as<br />
extras.<br />
Moreover, the trip lead<br />
to a chance encounter with Dean<br />
himself one night, and out <strong>of</strong> their<br />
passion came Jimmy Dean, the<br />
love-child <strong>of</strong> the great one himself.<br />
The Woolworth's store is now a<br />
shrine to Dean, and both Mona<br />
and Sissy (Cher), another member<br />
<strong>of</strong> the club, still work there twenty<br />
years later. However, the arrival <strong>of</strong><br />
a strange woman (Karen Black) in<br />
a Porsche casts a shadow over the<br />
proceedings as she reveals to those<br />
gathered the true events <strong>of</strong> twenty<br />
years before. The characters, you<br />
see, live their lives based upon false<br />
conceptions <strong>of</strong> the past to<br />
legitimize the present.<br />
However, things are not what<br />
they appear to be in this film, and<br />
neither is this mysterious stranger<br />
recounting the past with such<br />
stinging accuracy, as the girls<br />
discover to their astonishment.<br />
The "stranger" is Joe, who has<br />
since undergone a sex-change and<br />
is now Joanne. Joanne, as the<br />
Vivat<br />
James<br />
audience learns via flashbacks,<br />
never really fit in as a man and was *<br />
considered by the towaspeople as<br />
see Jimmy Dean, page II<br />
The <strong>Rice</strong> Thresher, February 4, 1983, page V
Theatre<br />
Chocolate Bayou strips sympathy out <strong>of</strong> Steinbeck<br />
Of Mice and Men<br />
Chocolate Bayou Theatre<br />
Through February 20<br />
While time never stands still, the<br />
essential elements <strong>of</strong> man's<br />
situation remain the same. His<br />
7<br />
Chocolate Bayou cast <strong>of</strong> Of Mice and Men<br />
needs, fears, hopes, and desires are<br />
universal and timeless. As cliched<br />
as these themes are, they provide a<br />
continuity that assures a relevance<br />
to John Steinbeck's dramatization<br />
<strong>of</strong> his novel Of Mice and Men. This<br />
classic story (first staged in 1937),<br />
details the lives <strong>of</strong> two drifters as<br />
they track from ranch to ranch<br />
motivated by that "stake" which<br />
will buy them their dream. The<br />
current production at the<br />
Chocolate Bayou Theatre turns the<br />
compelling, hardhitting script into<br />
a supine, mildly disheartening<br />
insight into the human condition.<br />
The story is built around the<br />
relationship between George and<br />
Lennie, the drifters. At first glance<br />
t^ey are foils <strong>of</strong> one another.<br />
George is small and intelligent;<br />
Lennie is large and simple-minded,<br />
upon which all the action must<br />
emerge and converge again. After<br />
emerge and converge again.<br />
When George is left with the<br />
responsibility <strong>of</strong> taking care <strong>of</strong><br />
Lennie. However, the tie between<br />
them is more than that between<br />
caretaker and dependent. They are<br />
bound together by a shared dream<br />
and common goal. The Chocolate<br />
Bayou's success here results from<br />
the two central actors and their<br />
ability to forge this merger with<br />
conviction.<br />
R.J. Maxwell (George) and<br />
Peter Bryson (Lennie) suqpeed in<br />
establishing an onstage interaction<br />
that <strong><strong>of</strong>f</strong>ers depth among otherwise<br />
shal<strong>low</strong> pe<strong>rf</strong>ormances. They both<br />
move and speak in synchrony.<br />
Their speeches <strong>of</strong> the future,<br />
concerning rabbits, cattle and<br />
alfalfa, are complementary reactions<br />
to each other. They are not<br />
merely two actors sharing a stage.<br />
R.J. Maxwell, in addition to<br />
working well with Bryson, stands<br />
out as the single most consistent<br />
actor in theshow. He maintains his<br />
tough, but pliable George with<br />
ease and fluidity from start to<br />
finish. That he is able both to<br />
merge his character and keep it<br />
distinct is remarkable.<br />
Peter Bryson at times carries the<br />
role <strong>of</strong> Lennie well. He appears<br />
sufficiently dimwitted, eager, and<br />
without malice. He is large enough<br />
to suggest the brute strength <strong>of</strong><br />
Lennie that throughout the play<br />
The <strong>Rice</strong> Thresher, February 4, 1983, page 10<br />
proves lethal. When not on center<br />
stage, however, Bryson's<br />
pe<strong>rf</strong>ormance loses conviction. He<br />
fluctuates between Bryson and<br />
Lennie. When directly called upon<br />
to affect Lennie's character, he<br />
rushes to the task with perhaps too<br />
much alacrity, but once his lines<br />
are finished he puts Lennie away,<br />
and leaves Bryson waiting for his<br />
next cue.<br />
The rest <strong>of</strong> the cast only graze<br />
the su<strong>rf</strong>ace <strong>of</strong> their characters'<br />
natures and spirits. As Curley's<br />
wife, Ashley Crow did not develop<br />
her character beyond the walk and<br />
the makeup. Similarly, Steve<br />
Caporiccio, in the role <strong>of</strong> Slim, is<br />
ineffectual. Slim should be in<br />
control, calm, self-assured, with an<br />
innate wisdom that prevents him<br />
from pursuing the impossible goal<br />
that those around him are so<br />
feverently pursuing. Caporiccio<br />
instead exhibited so little emotion<br />
that he seemed more like one <strong>of</strong> the<br />
mice than one <strong>of</strong> the men.<br />
Paul C. Mathews accurately<br />
depicts Curley, the boss' son, as a<br />
big-mouthed bully with more<br />
brains than soul, and equally<br />
endowed with cowardice and<br />
selfishness. Regrettably, Curly's<br />
wrath seemed more like the temper<br />
tantrum <strong>of</strong> a spoiled child than the<br />
product <strong>of</strong> a wicked envious heart.<br />
Charlie Trotter (Candy) and<br />
Maxwell and Bryson hold show together<br />
Willie Dirden (Crooks) are both<br />
guilty <strong>of</strong> making their characters<br />
supe<strong>rf</strong>icial. The characters they<br />
play are complex and pr<strong>of</strong>ound,<br />
but both Dirden and Trotter let<br />
indifference into their pe<strong>rf</strong>ormances.<br />
This play is about a mouse,<br />
caught and killed. It is also much<br />
more, and we should accordingly<br />
feel more than we do when we see a<br />
mouse dead in a trap.<br />
—Aniko Kiralv<br />
The laughs cover the flaws<br />
Political farce sparkles, but just not brilliant<br />
We Won't Pay! We Won't Pay!<br />
Chocoiate Bavou Theatre<br />
Through February 20<br />
Food riots, miraculous<br />
pregnancies, police searches and<br />
birdseed-soap are elements <strong>of</strong> We<br />
Won't Pay! We Won't Pay!, R.G.<br />
Davis' translation <strong>of</strong> Dario Fo's<br />
political satire. This entertaining<br />
play is presently staged by the<br />
Chocolate Bayou Theatre on its<br />
second stage, The Other<br />
Production Space.<br />
The lively production is similar<br />
to an I Love Lucy episode in antics,<br />
confusions, and comic style while<br />
its political moments tend to drag<br />
it out. The comic side <strong>of</strong> the play<br />
develops out <strong>of</strong> Antonia's need to<br />
hide groceries she stole in a riot at<br />
the supermarket. Once the<br />
groceries are home, she hides what<br />
she can and gives the rest to<br />
Margherita. The food cannot be<br />
carried openly because <strong>of</strong> police<br />
searching for the stolen food, so<br />
the women stuff the grocery bags<br />
under Marcherita's coat in feigned<br />
pregnancy.<br />
Antonia's husband, Giovanni, is<br />
shocked to come home and find his<br />
best friend's wife in a sudden<br />
advanced stage <strong>of</strong> pregnancy. A<br />
police search cuts short the<br />
makeshift explanation and leads<br />
into the first <strong>of</strong> many political<br />
dialogues concerning the injustice<br />
<strong>of</strong> the social, economic, and<br />
political situation in Milan in 1974.<br />
The humor fol<strong>low</strong>s lines that<br />
should not be new to anyone who<br />
has seen reruns <strong>of</strong> the late 1950's<br />
sitcoms.<br />
The political side <strong>of</strong> the play is<br />
quite poignant. The riot at the<br />
supermarket is in protest to<br />
increasing prices. Antonia asks,<br />
"Who are they competing against?"<br />
The question sends Giovanni<br />
into a tirade against capitalism.<br />
While the first policeman is<br />
searching the apartment for stolen<br />
groceries, Giovanni discusses<br />
government and how nothing ever<br />
| gets done. The policeman agrees<br />
with him but explains that he<br />
sympathizes with the workers since<br />
he is one himself. He gives the<br />
apartment a thoroughly<br />
inadequate search, opening<br />
everything and looking in nothing.<br />
The policeman and Giovanni<br />
are on common political ground<br />
when the inspection ends. Both<br />
agree the government is a pawn <strong>of</strong><br />
the rich. A second inspection<br />
fol<strong>low</strong>s, only this one is made by a<br />
Hitler clone. Giovanni starts where<br />
he ended with the previous<br />
policeman since they look the same<br />
(both parts are played by Clive<br />
Carnes) except for the Nazi<br />
mustache. His authoritarian<br />
reaction to Giovanni causes<br />
Antonia to prompt Margherita<br />
into "labor" to keep her husband<br />
out <strong>of</strong> jail. The play works and the<br />
politicizing ends for tffe moment.<br />
Fo attacks every hierarchy and<br />
political ideology possible. His<br />
general indictment against the<br />
working class is indifference. He<br />
summarily attacks capitalism,<br />
communism, socialism, fascism,<br />
authoritarianism, and unions.<br />
Each time his solution is that the<br />
workers must rule since union<br />
leaders, foremen, etc. do not act in<br />
the workers' best interests. The<br />
play ends with open revolution and<br />
chaos in the streets. It is likely that<br />
Fo's anarchistic political actions<br />
have kept him out <strong>of</strong> this country.<br />
The production lacks the<br />
crispness needed to f<strong>low</strong> smoothly.<br />
A tighter pe<strong>rf</strong>ormance would<br />
speed up the pace and make the<br />
political proselytizing more<br />
palatable and possibly cleaner.<br />
There was a noticeable amount <strong>of</strong><br />
hesitation in delivering lines.<br />
Clive Carlin provides much <strong>of</strong><br />
the needed life to the pe<strong>rf</strong>ormance<br />
in each <strong>of</strong> his four roles: two<br />
poljcemen, grandpa, and<br />
undertaker. He definitely injects<br />
energy into theshow. Margherita,<br />
played Ginny Lang, also does a<br />
good job especially with the<br />
physical aspects <strong>of</strong> her role. Her<br />
expressions and movements<br />
support her lines as do Antonia's,<br />
although her dialect is <strong><strong>of</strong>f</strong> again, on<br />
again.<br />
The play is staged in The Other<br />
Production Space at Chocolate<br />
Bayou. As the name suggests the<br />
theatre feels like it was hastily<br />
thrown together as an afterthought.<br />
Frankly, many college<br />
commons have been made into<br />
better theaters. Poor ventilation<br />
and crowded seating make s<strong>low</strong>er<br />
parts <strong>of</strong> the production seem<br />
unbearably dull until the humor<br />
False pregnancy hides political message.<br />
crops up again. At some points this<br />
feels quite long. Approximately<br />
half <strong>of</strong> the audience had to contend<br />
with light in its eyes. Seating is on<br />
three sides <strong>of</strong>'Tne stage and lights<br />
are on walls opposite two <strong>of</strong> them.<br />
The audience eventually adjusted<br />
to this but they need not have had<br />
to do so. The lead-in music is<br />
interesting albeit confusing. Opera<br />
arias are played until the lights go<br />
down and a circus tune comes on ><br />
The circus lead is appropriate for<br />
the chaos that is advocated and<br />
some <strong>of</strong> the stage antics. While the<br />
arias set an Italian tone to the<br />
pre-show and intermission breaks,<br />
there is no connection between the<br />
working class story and the high<br />
culture <strong>of</strong> opera.<br />
The play is funny enough to<br />
cover most <strong>of</strong> the flaws. It is worth<br />
the 50c to $1 more than a movie<br />
that it would cost to see We Won't<br />
Pay! We Won't Pay! although do<br />
not expect a pe<strong>rf</strong>ect pe<strong>rf</strong>ormance.<br />
—Michael Trachtenberg
Preview<br />
Players continue success <strong>of</strong> season's political dramas<br />
Tango<br />
<strong>Rice</strong> Players<br />
February 7-12<br />
This has been a good year so far<br />
for the <strong>Rice</strong> Players. Box <strong><strong>of</strong>f</strong>ice<br />
returns have kept the c<strong><strong>of</strong>f</strong>ers<br />
filled; production costs,<br />
meanwhile, have remained within<br />
manageable bounds. Both critical<br />
and popular response to last<br />
semester's shows were, almost<br />
without exception, quite positive.<br />
Shaw and Stoppard were full<br />
successes.<br />
This is not too surprising <strong>of</strong> a<br />
track record for <strong>Rice</strong>'s wellrespected<br />
theatre group, under<br />
Neil Haven's highly polished<br />
direction. It is, still, a flattering<br />
testament to the group's<br />
pr<strong>of</strong>essionality, especially<br />
considering the fact that both<br />
shows last semester (Major<br />
Barbara and Stoppard's two one<br />
acts) are particularly difficult<br />
genre. Political farce, be it late<br />
19th-century liberalism or<br />
"post-modern" rose-tinted wit, is<br />
tough theatre, to say the least.<br />
Success here seems to come only<br />
when the political ideology is<br />
presented with ease, humor, and<br />
human gentility; diatribe and<br />
debate made sensitive and even<br />
funny. The blend is attempted<br />
The Players present political Polish farce<br />
<strong>of</strong>ten these days, though the<br />
Players' success record is rather<br />
rare.<br />
The Players continue this year's<br />
ambitious theme <strong>of</strong> political<br />
farces with their third production,<br />
Tango, by Poland's leading<br />
playwright, Slawomir Mrozek.<br />
Like Shaw and even Stoppard,<br />
Mrozek has been a central political<br />
activist as well as artist, voicing the<br />
note <strong>of</strong> concern common to his<br />
time and situation. In years to<br />
come, critical acclaim will likely<br />
include him among the elite <strong>of</strong><br />
theatre's politicians.<br />
Tango, one <strong>of</strong> his most highly<br />
touted works to date is an<br />
ideological foundation, a<br />
microcosm <strong>of</strong> Poland's 20thcentury<br />
turmoil. The play focuses<br />
on a highly ideosyncratic<br />
family; odd and quirkish but also,<br />
<strong>of</strong> course, a paragon <strong>of</strong> man's<br />
struggle. Father Stomil (played by<br />
M. Christopher Boyer) and<br />
mother Elinore (played by Ann<br />
Laffoon), are slightly outdated<br />
remnants <strong>of</strong> a liberal hippie past;<br />
Stomil is a beer-bellied director<br />
still stuck on Dada theatre while<br />
Elinore calmly longs for a return<br />
to good ole protest days. This<br />
loose, unstructured couple have<br />
raised a niece (played by Karen<br />
Chatfield) and son Arthur (playe><br />
by Joe Ponessa).<br />
Arthur returns from college as<br />
the spirit <strong>of</strong> reactionary<br />
conservativism, armed with logic<br />
and a new sense <strong>of</strong> tradition. He<br />
plans to clean up the past<br />
generation's histrionic debunking<br />
<strong>of</strong> order, and reestablish a civilized<br />
family life. Think now, if you must,<br />
<strong>of</strong> Poland's highly conservative<br />
reformation after the dangerous<br />
explosions <strong>of</strong> WWI; Mrozek<br />
certainly keeps it in mind.<br />
But then, from the struggle <strong>of</strong><br />
right against left comes the sheer<br />
brute force <strong>of</strong> simple Edek, a<br />
"vulgarian bounder" played by Hal<br />
Kohlman. Once only hovering at<br />
the periphery, Edek launches forth<br />
to beat all into a strict control<br />
clearly reflecting Stalinist Poland<br />
in WWII. Mrozek postulates<br />
clearly and simply this full swing <strong>of</strong><br />
the political pendulum from liberal<br />
to conservative extremes and<br />
finally to a fascist tyrrany.<br />
Fortunately though, director<br />
Havens exacts more than so much<br />
didactics. Major Barbara had an<br />
equally blatant "point" and<br />
Stoppard just as obviously pokes<br />
fun at British bureaucracy. Yet<br />
both productions seemed<br />
considerably more, and Havens<br />
explains his process <strong>of</strong><br />
depoliticalizing, more theatricalizing<br />
as it is worked this time in<br />
Tango.<br />
"We had to do a lot <strong>of</strong> editing.<br />
Our translation seemed bad at<br />
spots: repetition <strong>of</strong> important<br />
V«||<br />
^ V/.<br />
Joe Ponessa and Karen Chatfield in Tango<br />
New Wove<br />
ideas, a little too much<br />
philosophical debating." While<br />
Tango will certainly voice<br />
M rozek's rather pat view <strong>of</strong> Polish<br />
politics, the real business <strong>of</strong> the<br />
play is to develop other, more<br />
human elements. A s<strong>of</strong>t and airyset<br />
design by Barry Watkins with<br />
smooth, natural lighting by Penny<br />
Remsen (guest artist from the<br />
Alley Theatre) all put the piece in a<br />
comedy mode with an intimate,<br />
domestic feel.<br />
The characters are an<br />
interestingly mixed bag: some are<br />
semi-absurdist caricatures<br />
(although none are left to be mere<br />
walking symbols), others are<br />
see Tango page 13<br />
British wavers wow dance crowd<br />
Bow Wow Wow<br />
Numbers 2<br />
January 30<br />
Bow Wow Wow delivered the<br />
sensual experience <strong>of</strong> the week on<br />
Sunday. The thrill was short-lived,<br />
however, as the group fol<strong>low</strong>ed the<br />
one-hour concert tradition set by<br />
some British import band in the<br />
days <strong>of</strong> the Paleo New Music era.<br />
Lead singer pubescent poppet<br />
Anabella charged onto the stage<br />
with a high-energy version <strong>of</strong><br />
"Louis Quatorze." Although she's<br />
no longer fourteen, as the lyrics<br />
claim, Anabella charmingly<br />
conveyed her mingled surprise and<br />
pleasure (they're always mingled)<br />
at being statutorily raped by an<br />
Cinema<br />
absolute monarch. As she<br />
whispered "Louis Quatorze. I love<br />
you" at the song's end, she gave a<br />
demure little toss <strong>of</strong> her<br />
mohawk/ponytail that sent the<br />
heterosexual faction in the<br />
audience into advanced erotic<br />
stimulation.<br />
Anabella seized the moment to<br />
launch into her projected next hit,<br />
"Baby Oh No." Dance club<br />
denizens took a beat to shiver<br />
happily before resuming their<br />
patented dance music gyrations.<br />
The Burmese-British beauty led<br />
her legion like a Burundi-beat<br />
cheerleader: now flailing, now<br />
robotic, always moving.<br />
Malcolm Mcl.aren fans were<br />
not disappointed, as the group<br />
neatly pe<strong>rf</strong>ormed a number oi<br />
early tunes produced by him alter<br />
his stint with the Sex Pistols,<br />
including "C-30, C-60, C-90 Go!"<br />
and "Sexv Eiffel Towers."<br />
Unfortunately, Bow Wow Wow did<br />
not replicate nearly as well the<br />
sound <strong>of</strong> current producer Kenny<br />
Laguna: the crowd failed to<br />
recognize the AM hit "I Want<br />
Candy" until Anabella began<br />
singing.<br />
I had the personal joy <strong>of</strong> seeing<br />
her warbling "little piggy iggy eyes"<br />
during a rave-up "Golly Golly Go<br />
Buddy," and being in the middle <strong>of</strong><br />
some sensuous slam dancing<br />
during "Elimination Dancing." If<br />
only it could have gone on longer.<br />
—Jeanne Cooper<br />
Jimmy Dean returns every year<br />
continued from page 9<br />
an oddity to be ridiculed. She is<br />
now the protagonist, the<br />
instrument employed to tear away<br />
the facades behind which her<br />
comrades hide.<br />
As every character has more<br />
truth revealed about herself, the<br />
audience feels the emptiness that<br />
remains. This is precisely the<br />
reason that the ending works so<br />
well; it is a logical and appropriate<br />
result <strong>of</strong> this revelation process.<br />
The only problem 1 had with the<br />
film was that at times the plot is too<br />
predictable. The characters<br />
become so vivid that the truths<br />
about them are hardly surprising<br />
in most cases.<br />
The brilliance <strong>of</strong> the film lies<br />
mainly in the acting. Black is<br />
superb, giving one <strong>of</strong> her best (if<br />
not the best) pe<strong>rf</strong>ormances. Her<br />
credibility as a transsexual is never<br />
in doubt as she gives a haunting<br />
portrayal <strong>of</strong> a victim <strong>of</strong> society's<br />
ignorance. Dennis is good as well,<br />
the role being well-suited to her<br />
nervous facial expressions. The<br />
real surprise is Cher, who shows a<br />
comedienne's flair while giving a<br />
memorable dramatic pe<strong>rf</strong>ormance,<br />
particularly memorable in<br />
light <strong>of</strong> her past work. In fact there<br />
is not a weak pe<strong>rf</strong>ormance in the<br />
film, a reflection qn Altman's<br />
ability as a director as much as on<br />
the actor's themselves.<br />
The images in the film are<br />
excellent as well, and enhance the<br />
dramatic effect, particulary the<br />
flashbacks which appear in the<br />
mirror on the wall. Thus the<br />
present becomes a mirror <strong>of</strong> the<br />
past, but a past based upon lies is a<br />
weak foundation. This past has<br />
become so firmly entrenched in the<br />
characters that they no longer<br />
know what the truth is. Only<br />
through the help <strong>of</strong> one who sees<br />
the past clearly can they come to<br />
self-realization. And when self-<br />
realization comes about, there is<br />
no longer the need for icons <strong>of</strong> the<br />
past.<br />
Ultimately, whether or not you<br />
care about "subtle meanings" and<br />
"images" is immaterial, the film is<br />
enjoyable and thought-provoking.<br />
However, you might have to wait<br />
until it comes to the River Oaks to<br />
see it, for it has already finished its<br />
run at the Greenway. Sorrv.<br />
— Ian Hersev<br />
CHRIST<br />
THE<br />
KINGlw<br />
LVTHERAN n<br />
CHVRCH<br />
<strong>Rice</strong> at Greenbrier • In The Village • 523-2864<br />
Worship 8:00 & 11:00 a.m.<br />
Sunday Evening Student Supper 6 p.m. - $1.00 Donation<br />
Pastoral Staff available for consultation by appointment<br />
Transportation availableforstudents by request<br />
For additional information see our monthly newsletter, the CALENDAR<br />
Providing The <strong>Rice</strong> Lutheran Thresher, Campus February Ministry 4. at 1983. <strong>Rice</strong> page 11
Cinema<br />
Media Center lacks audience, but <strong><strong>of</strong>f</strong>ers quality cinema<br />
Colin Young and<br />
New British Films<br />
<strong>Rice</strong> Media Center<br />
January 27<br />
The <strong>Rice</strong> Media Center was<br />
honored last week to present Colin<br />
Young, who sports, among other<br />
accolades, Director <strong>of</strong> the UCLA<br />
film school during the late 1960's,<br />
and mentor <strong>of</strong> such notables as<br />
Francis Ford Coppola, Paul Bartel<br />
(director <strong>of</strong> Eating Raoul), and<br />
rock legends Jim Morrison, and<br />
Ray Manzarek. However, it being<br />
<strong>Rice</strong> Night at the Pub, caustic<br />
masturbatory endeavor prevailed<br />
over art, as usual. And so, as<br />
youthful scholars braved gauntlets<br />
<strong>of</strong> grackle guano to suck down<br />
their indifference at the Pub, the<br />
devoted and curious arrived<br />
sparsely and quietly to experience<br />
the magic <strong>of</strong> the new British films<br />
<strong>of</strong> the <strong>grad</strong>uates <strong>of</strong> Colin Young's<br />
National Film School.<br />
Young, an eminent cinematic<br />
educator, played an essential role<br />
in the establishment <strong>of</strong> the Media<br />
Center in 1968 and was here on his<br />
annual visit bearing gifts <strong>of</strong> film<br />
and commentary.<br />
The evening began with David<br />
Anderson's fourteen-minute<br />
animated delight Dreamland<br />
Express. A favorite at numerous<br />
European film festivals last year,<br />
the black-and-white fantasy is<br />
based upon a 1929 book <strong>of</strong> the<br />
same title by H.R. Miller.<br />
Anderson's absorbing graphics,<br />
contrasts <strong>of</strong> s<strong>of</strong>t luminescence and<br />
stark blacks and greys intimating<br />
a provocative and mysterious<br />
depth, carry the viewer from a<br />
boy's bedside into a spectacular<br />
journey on a mystical train.<br />
The boy pilots the enigmatic<br />
express and its cargo <strong>of</strong> humanity,<br />
which devolves in the passing<br />
windows from modern bourgeoisie<br />
into primitive ape men, through<br />
galaxies <strong>of</strong> imagery, by syfnbols <strong>of</strong><br />
uniformity, paranoia, brutality,<br />
struggle, suppression, until the<br />
dream track terminates in a circus<br />
tent and the passengers emerge as<br />
animals. Then the tent is gone, the<br />
train is gone, and the boy and the<br />
animals watch the stars from a<br />
surreal Eden. At the end, the boy's<br />
empty bed suggests a clever<br />
manipulation <strong>of</strong> reality. It is all fun<br />
to watch, and pub goers would like<br />
the funny faces.<br />
The second film, Coming Back<br />
by Rob Daniel, is an observational<br />
documentary about an internationally<br />
popular British concert<br />
pianist, John Ogden, who early in<br />
a stellar career was stricken by a<br />
total mental breakdown. First we<br />
see Ogden, a plump and beaming<br />
prodigy, shyly engulfed in 1929's<br />
newsreel and headline acclaim.<br />
Immediately juxtaposed is Our<br />
Man Ogden, transformed, obese,<br />
and returning to London from<br />
overseas therapy.<br />
The camera lets us observe<br />
Ogden the Man, Ogden the<br />
Smoker, Ogden the Husband,<br />
Ogden In His Undies — he is<br />
hopelessly lost in all human roles,<br />
displaced, disoriented. Then we see<br />
him at the Diano. we exr>erience his<br />
musical magnificence, and Og's<br />
pe<strong>rf</strong>ection is clear. But in his<br />
De<strong>rf</strong>ection he has lost his<br />
humanity, and in his effort to<br />
relate, especially to his wife, we are<br />
as maddened by his genius as he<br />
has been.<br />
Daniel's observational<br />
Shepherd School concert listings<br />
February 10 Shepherd Singers 8 p.m. RMC chapel<br />
February 14 Richard Pickar, clarinet (faculty) 8 p.m. Hamman Hall<br />
•Jr<br />
February 15SYZYGY: Voices <strong>of</strong> Change 8 p.m. Hamman Hall<br />
February 16Jeanette Lombard, soprano; Al- 8 p.m. Hamman Hall<br />
bert Tipton, flute; Mary Norris,<br />
piano (faculty recital)<br />
A name you can trust<br />
Quality you can see<br />
Special discount to <strong>Rice</strong> University<br />
students and staff on glasses and contacts<br />
with this ad.<br />
3V> Blocks from <strong>Rice</strong> U.<br />
(across from Weingarten's)<br />
SUNSET jg<br />
BOLSTER®<br />
mcEf—g<br />
"~|TY<br />
11<br />
U&1VER UNIVERSI<br />
WE ARE HERE<br />
„ DICAl<br />
/CENTER<br />
HOLCOMBE<br />
77"<br />
Dr. Aaron Seibel<br />
2515 University Blvd.<br />
528-1589<br />
The <strong>Rice</strong> Thresher, February 4, 1983, page 12<br />
technique provides what Young<br />
called "priveleged access" to<br />
Ogden's daily personal experience<br />
and al<strong>low</strong>s for an almost<br />
unbearably sympathetic sense <strong>of</strong><br />
the pianist's predicament.<br />
Conspicuously simple shooting<br />
methods, in addition, coupled with<br />
Ogden's awareness <strong>of</strong> being filmed,<br />
creates a consciousness <strong>of</strong> the<br />
camera that involves the viewer as<br />
a sharer <strong>of</strong> Ogden's confusion. We<br />
emerge from Coming Back<br />
knowing that Ogden has not<br />
returned, indeed, was never quite<br />
"here," was always isolated in his<br />
genius, unable to touch humanity,<br />
to compromise his pe<strong>rf</strong>ection, to<br />
empathize with the normal, to go<br />
for nachos with the puboisie, to<br />
stand up in the middle <strong>of</strong> the film<br />
and shuffle out, mumbling with<br />
random indignation, "No more<br />
cartoons?"<br />
The fol<strong>low</strong>ing film, Sins <strong>of</strong> the<br />
Father, Sins <strong>of</strong> the Son, is a<br />
journey into darkness and a poem<br />
in film reminiscent <strong>of</strong> Apocalypse<br />
Now in its image and development.<br />
The Colonel has forsaken England<br />
and his family for solitude on the<br />
coast <strong>of</strong> Kenya. His son David,<br />
considering the priesthood and<br />
desirous <strong>of</strong> his father's sentiments.<br />
journeys to Kenya only to find his<br />
objectives confused, transformed,<br />
his piety compromised. David<br />
endures the old man's magnetic<br />
distance, becomes absorbed in his<br />
father's element. Cryptic poetic<br />
quotations spill forth from the old<br />
man's lips till David joins in,<br />
entranced. A struggling piety<br />
finally collapses, David cavorts in<br />
the su<strong>rf</strong> with a mysterious mulatto<br />
enchantress, consumates a primal<br />
pr<strong>of</strong>undity, the puboisie tumble in<br />
with nervous giggles and a lamb's<br />
throat is cut with raw brutality as<br />
the Colonel quotes Poe's "Annabel<br />
Lee" and reveals the mulatto to be<br />
his own daughter.<br />
The lamb, split-necked and<br />
spurting, is held upside down and<br />
aquiver, David blindly beats the<br />
girl naked and plunges into the<br />
ocean in which he first soiled<br />
himself, into a suicidal catharsis.<br />
The colonel is suddenly cognizant<br />
<strong>of</strong> his destruction and, for the first<br />
time, expresses his love for his son;<br />
David emerges from the depths in<br />
torchlight, and the two are united.<br />
The awe-inspiring Kenyan coast<br />
ajid the seductive glint <strong>of</strong> sunset on<br />
•water and brown skin and the old<br />
man's monocle draws the viewer<br />
into David's absorption, while the<br />
magnificence <strong>of</strong> the setting,<br />
coupled with recurring religious<br />
images and sounds, emphasizes a<br />
contradictory holiness. Ultimately<br />
the water draws the<br />
contrasts together.<br />
The final feature <strong>of</strong> the evening<br />
was Brian Gilbert's The Devotee, a<br />
comedy about an art collector who<br />
will do just about anything for<br />
certain works, and how his<br />
devotion leads to moral quandary.<br />
Hilarious in its subtlety, artful in<br />
its reproduction <strong>of</strong> the English<br />
countryside <strong>of</strong> the devotee's art,<br />
The Devotee is cleverly sensuous in<br />
transforming the protagonists<br />
perception <strong>of</strong> love and, since it has<br />
a couple <strong>of</strong> nude scenes, would be<br />
entertaining for virtually any <strong>Rice</strong><br />
student.<br />
Colin Young's presentation at<br />
the Media Center was a fanciful<br />
and energetic amalgam <strong>of</strong><br />
tenderness and brutality, irony<br />
and illusion, cleverness and<br />
malevolence, a small collection <strong>of</strong><br />
provocative visions. It is<br />
unfortunate that such mastery<br />
would alight, then lift away, so<br />
easily unnoticed without so much<br />
as being <strong><strong>of</strong>f</strong>ered a beer.<br />
—Scott Flukinger<br />
Lovett Theatre presents absurdity at its finest — in one act. The Resounding Tinkle and The Bald Soprano wi II run<br />
tonight and tomorrow night in Lovett commons beginning at 8 p.m. For ticket information, call 526-6584.
Cinema<br />
Children give their comments to more mature review<br />
When the advertisements try to<br />
lure you in with "Fun for the whole<br />
family!" you know what they<br />
mean: it's a children's movie. So<br />
when I saw the ads for The Man<br />
from Snowy River, I did the only<br />
sensible thing. I recruited some<br />
children (ages 6, 7, 9 and 11) to<br />
take me to the movie so that we<br />
could have Fun (with a capital F).<br />
Actually, I thought that it would<br />
be interesting to see how kids react<br />
to a so-called kids' movie and how<br />
they would rate it.<br />
Well, the movie is about Jim<br />
Craig (Jack Thompson) and his<br />
A<br />
struggle to become a man. At the<br />
beginning <strong>of</strong> the film, he's kicked<br />
out <strong>of</strong> his late father's home by the<br />
High Country Men (whatever they<br />
are) until he goes down to the Low<br />
Country and proves himself<br />
worthy <strong>of</strong> living in the High<br />
Country. If you're confused, you<br />
should have seen the children.<br />
After 1 had explained this<br />
confusing situation to the 9-yearold,<br />
she asked "how do you know<br />
so much about the story? Did you<br />
read the book?" Well, no, I didn't,<br />
and I'm afraid that some <strong>of</strong> the<br />
details which must be reached<br />
deductively and are only hinted at,<br />
may escape a child's grasp.<br />
Anyway, to prove himself, Craig<br />
Joan R. Brochstein, ACSW<br />
Licensed Pr<strong>of</strong>essional Counselor<br />
Confidential, pr<strong>of</strong>essional<br />
help with academic, social,<br />
family and sexual problems.<br />
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1 block from campus<br />
522-8605<br />
24 hr. answering service<br />
1<br />
goes to work for a rich cattleman<br />
named Harrison (Kirk Douglas),<br />
who has a beautiful daughter<br />
(aha—zee plot sickens!) fort?faig<br />
to fall in love with. Complicating<br />
the plot is Craig's relationship with<br />
a gold-hunting partner <strong>of</strong> his<br />
late father's who turns out to be<br />
Harrison's estranged brother.<br />
The movie stars Kirk Douglas in<br />
two roles, as the hard-nosed,<br />
obstinate Harrison, and as Spur,<br />
his one-legged brother ("But how<br />
could he talk to himself?" and "Did<br />
he cut his leg <strong><strong>of</strong>f</strong>?"). Douglas, I<br />
thought, put in a good<br />
pe<strong>rf</strong>ormance as Spur but was<br />
PlS-<br />
much less convincing as Harnson,<br />
and the children agreed. Aside<br />
from liking Spur better since he<br />
was a Nice Man, they thought he<br />
was more believable. From the<br />
mouths <strong>of</strong> babes ....<br />
a m \ i i u r<br />
® TSt ft i<br />
1<br />
1<br />
Another problem that the<br />
children noticed was the pace; at<br />
times the film seemed hardly to<br />
move at all. I was feeling rather<br />
restless myself at the same time<br />
that one <strong>of</strong> the kids leaned over<br />
and asked "What time will this be<br />
over?" At times there was<br />
DANger, exCITEment, adVENture,<br />
and at other times I had to<br />
shake myself awake.<br />
A bothersome aspect for me was<br />
the film's portrayal <strong>of</strong> women. The<br />
film is set in 1888 in a Man's world,<br />
with dozens <strong>of</strong> men and only three<br />
women—a housekeeper, an aunt<br />
(who, while insisting that women<br />
should be al<strong>low</strong>ed to do whatever<br />
they are capable <strong>of</strong> as individuals,<br />
tries to teach Jenny to be a Lady),<br />
and the beautiful daughter, Jenny.<br />
Jenny has intense arguments with<br />
her father about being treated like<br />
a silly female, then she goes out<br />
and does inane, senseless, silly<br />
female things from which only a<br />
man can recue her, thereby<br />
proving that she is a silly female.<br />
After the film, the general<br />
concensus among the children was<br />
that they all liked it well enough.<br />
Except for the contrived plot, the<br />
lack <strong>of</strong> resolution <strong>of</strong> certain<br />
problems which cropped up, and<br />
the dragging pace which almost<br />
put me to sleep, I thought it was<br />
okay. It was more Fun (with a<br />
capital F) for me to watch the<br />
children get their reactions,<br />
though. Everyone sitting around<br />
us must have thought so, too. since<br />
the whole section began laughing<br />
when Jim and Jenny started<br />
kissing. I looked around to see the<br />
two younger children covering<br />
their eyes and making faces!<br />
Afterwards, the 7-year-old stated<br />
flatly, "There should have been less<br />
<strong>of</strong> Jenny in bed." And everyone<br />
else, including me, agreed.<br />
— Gwen Richard<br />
with Cooke (6)<br />
Benji (7)<br />
Winifred (9)<br />
Mac (11)<br />
Tango fol<strong>low</strong>s seasonal genre trend<br />
continued from page 11<br />
deeply ambiguous personalities. A<br />
full range <strong>of</strong> styles will be apparent<br />
in the cast's portrayals. Says<br />
Havens, "You can't act a<br />
philosophy. You have to make a<br />
person; a person who might think<br />
this or that, but first a person."<br />
Havens, his cast and crew, piece<br />
together not just a statement, but a<br />
human story <strong>of</strong> family "relations as<br />
much as national movements. The<br />
comedy results from a warm<br />
blend <strong>of</strong> people and familiar<br />
perplexities, all just reflecting<br />
distant political patterns.<br />
Havens admits the intricate<br />
complexity <strong>of</strong> such a multileveled<br />
allegory. A mere three-week<br />
rehersal schedule made it a rushed<br />
business, weaving each character's<br />
particular persona together into a<br />
Placement Office Interviews<br />
Date Company<br />
2/7 Advanced Micro Devices<br />
2/7 Link Flight Simulation<br />
2/7-8 Jet Propulsion Lab<br />
2/8 Texaco<br />
2/8 Vought Corporation/LTV<br />
2/8 NL Petroleum Industries<br />
2/8 Motorola—Austin<br />
2/9 Hamilton Standard<br />
2/9-10 General Dynamics<br />
2/9 Cabot Corporation<br />
2/9 Bank <strong>of</strong> the Southwest<br />
2/10 Rolm<br />
2/10 Lockheed<br />
2/11 M/A—COM Linkabit<br />
2/11 Raymond International<br />
2/11 McDonnell Doughlas Corp<br />
2/8 United Gas Pipeline<br />
whole, significant play. Says<br />
Havens <strong>of</strong> Mrozek's piece "It's just<br />
so much richer than 1 thought it<br />
was when we began; it really fooled<br />
me. But then, they always do. Once<br />
you start working on a play's<br />
inside, it just blooms and expands;<br />
becomes so much more than what<br />
you first read." Looking back to<br />
the Players' earlier successes this<br />
year with similarly elusive<br />
"political-human" comedies, it<br />
seems likely that just this sort <strong>of</strong><br />
informed, sophisticated approach<br />
to the play's inner integrity will<br />
once again make cohesive,<br />
entertaining theatre.<br />
Tango will run Monday,<br />
February 7 through Saturday,<br />
February 12, at Hamman Hall.<br />
Monday and Tuesday nights arcstudent<br />
pe<strong>rf</strong>ormances with regular<br />
admission <strong>of</strong> $3 marked down to<br />
$2. Otherwise, adult admission is<br />
$5. Reservations for the 8 p.m.<br />
pe<strong>rf</strong>ormance should be made at<br />
527-4040.<br />
— Harr\ H Wade<br />
ORIGINAL<br />
THINKING<br />
In the age <strong>of</strong> information technology, a company<br />
—whose sales <strong>of</strong> $1.7 billion annually and whose<br />
products and components extend from data acquisition<br />
and information processing through data<br />
communication to voice, video and graphic communication<br />
— is making original thinking a reality<br />
for their new <strong>grad</strong>uates.<br />
ON CAMPUS INTERVIEWS<br />
February 25th<br />
Electrical and Mechanical Engineering,<br />
Computer Science Majors<br />
Make arrangements at the Placement Office.<br />
An Equal Opportunity Employer. M/F/H/V<br />
The <strong>Rice</strong> Thresher, February 4, I98J, page 13<br />
J
Lovett Theatrt<br />
The Bald<br />
Soprano<br />
curtain<br />
8:00 pm<br />
SKI<br />
Winter Park, Colorado<br />
$189<br />
February 27 - March 6<br />
Complete Package Includes<br />
• 6 Days / 5 Nights condo lodging.<br />
Condo includes fireplaces,<br />
kitchen, swimming pool, jacuzzi.<br />
Free shuttle to & from slopes.<br />
• 4 Day lift-tickets<br />
• Ski jamboree party with<br />
refreshments (i.e. beer).<br />
• Ski races with prizes<br />
Call 526-6889<br />
Jack Coleman<br />
<strong>Rice</strong> rep for Summit Tours<br />
RftGTsrnE<br />
ARCHI- ARTS BALL<br />
presented by<br />
THE RICE SCHOOL OF ARCHITECTURE<br />
FEBRUARY 12,1983<br />
HOUSTON NATIONAL BANK BUILDING<br />
202 MAIN STREET<br />
STUDENT TICKETS $15<br />
$18 AT THE DOOR<br />
NON - STUDENTS $20<br />
A Resounding<br />
Tinkle<br />
General Admission $4.00<br />
Students $3.00<br />
iptcutl oMongvwit vtLtk SomuuU FKUICJI, Inc.<br />
tickets available from architecture<br />
students or at department <strong><strong>of</strong>f</strong>ice<br />
SPIRITS AND FOOD SERVED<br />
The <strong>Rice</strong> Thresher, February 4, 1983, page 14<br />
O 0 o<br />
This Week/ by Harry Wade<br />
Films<br />
Lord <strong>of</strong> the Flies. Veteran director Peter Brook<br />
managed one <strong>of</strong> the most provocative <strong>of</strong> all novel-toscreen<br />
adaptations with this production <strong>of</strong> William<br />
Golding's book. His version <strong>of</strong> the psychological<br />
horror story <strong>of</strong> British schoolboys stranded on a<br />
deserted island has faded into undeserved<br />
anonymity. Oddly mismatched at the River Oaks<br />
Theatre next Tuesday night with a considerably less<br />
impressive film, You Are Not Alone, Lord <strong>of</strong> the<br />
Flies shows at 7:30 p.m.<br />
* * *<br />
The Tin Drum. The River Oaks presents a double<br />
feature <strong>of</strong> Volker Schlondo<strong>rf</strong>fs best known works,<br />
The Tin Drum and Circle <strong>of</strong> Deceit, Wednesday,<br />
February 9. Released earlier this year, Circle speaks<br />
clearly and with determination, though with little<br />
content or true insight. The Tin Drum, on the other<br />
hand, is a classic commentary on the new German<br />
opulence. Screening time is 7 p.m., with Circle<br />
playing at 5 and 9:45. * • *<br />
A Shot in the Dark. Showing Friday, February 11,<br />
in the Lovett College Commons at 7:30, 9:30, and<br />
11:30 p.m. is Peter Sellers' and Elke Sommer's<br />
comedy where the well-beloved Inspector Clouseau<br />
returns in one <strong>of</strong> the most popular modern film<br />
serials. Admission is $1.<br />
A Shot in the Dark comes to Lovett after one-acts.<br />
1900. Bertolucci's four-hour magnum opus is just as<br />
purely a product <strong>of</strong> the rich continental cinema as is<br />
The Tin Drum. A panorama <strong>of</strong> 20th-century Italy,<br />
the film touches — with surprisingly intimate<br />
tenderness — the rise <strong>of</strong> fascism, the modern<br />
deterioration <strong>of</strong> family, love, hate, and sexual<br />
maladjustments. While Bertolucci has been far more<br />
fluent and visually charming, 1900 remains a<br />
formidable work <strong>of</strong> art. At the Media Center both<br />
February 9 and 10, the film shows at 7:30 each<br />
evening.<br />
Fast Times at Ridgemont High. Not much <strong>of</strong> a<br />
classic, European or otherwise, this 1981 movie<br />
seems, nonetheless, to be unique among its campadolescent-spo<strong>of</strong><br />
genre since it manages some<br />
genuinely fun moments. With only an occasional<br />
bite <strong>of</strong> social satire, Fast Times avoids the heavyhanded,<br />
<strong>low</strong> budget awkwardness <strong>of</strong> so many other<br />
high school flicks, playing around, instead, with,<br />
well, playing around. SRC presents this cult classic<br />
at Chem Lec tomorrow at 6:30, 9 and 11:30 p.m.<br />
Museums<br />
Japanese Netsuke. Evolving into a fine art during<br />
the 19th century Edo period <strong>of</strong> Japan, the tiny ivory<br />
carvings have become highly collectable, eminently<br />
fashionable trinkets. The Museum <strong>of</strong> Fine Arts<br />
exhibits some dazzling examples <strong>of</strong> this intricate art<br />
form in the Hirsch Library Gallery through April 10.<br />
With hopes <strong>of</strong> showing netsuke not as decoration<br />
but as a highly ritualized artistic tradition, the<br />
museum has gathered 40 pieces from Houston<br />
collections, <strong><strong>of</strong>f</strong>ering notes on history and technique.<br />
Full <strong>of</strong> Oriental mythology, netsuke art is an<br />
important testament to Japan's culture heritage.<br />
Music<br />
The Houston Symphony. Sergiu Comissiona directs<br />
a concert <strong>of</strong> Salieri, Chausson and Ravel. Pianist<br />
Radu Lupu will also pe<strong>rf</strong>orm Mozart's Piano<br />
Concerto No. 18 in B-flat, a Houston-area orchestra<br />
premier. Tickets range from $3 to $23; students are<br />
entitled to rush for half-price tickets 30 minutes<br />
before curtain. Reservations can be made at 227-<br />
ARTS. The twelfth concert in the "Classical<br />
Experience" series, pe<strong>rf</strong>ormances begin at 8 p.m.<br />
Saturday, February 5 and 2:30 p.m. on Sunday,<br />
February 6.<br />
I f l V * { * * »• *<br />
Houston Symphony plays again.<br />
Theatre<br />
f 'tfv<br />
• ' s ' f / ' f • ' %" * * *<br />
Tango. The <strong>Rice</strong> Players will open this Polish<br />
political farce Monday, February 10. On the su<strong>rf</strong>ace<br />
a story <strong>of</strong> one particularly colo<strong>rf</strong>ul family, the play is<br />
actually a careful comment on the political swing <strong>of</strong><br />
our times from liberalism to reactionary quietude<br />
back into something suspiciously like fascism. Neil<br />
Havens delivers this easy, light script in a primarily<br />
comic production. Playing through next Saturday,<br />
Tango begins at 8 p.m. in Hamman Hall. Call 527-<br />
4027 for ticket reservations.<br />
The Ensemble One Acts. Houston's only black<br />
resident theatre will present an evening <strong>of</strong> two oneact<br />
plays, opening Thursday, February 10. Laurence<br />
Holder's When the Chickens Came Home to Roost<br />
is a tight personality drama, pitting Elijah<br />
Muhammad against Malcom X in a confrontation<br />
<strong>of</strong> ideologies and energies. Dreams <strong>of</strong> Flight, by<br />
Richard Mori, focuses on a personal relationship<br />
between two black men, that deals ultimately about<br />
all men living alone in a seemingly purposeless<br />
world. The Ensemble is at 1010, Tuam <strong><strong>of</strong>f</strong> Main.<br />
Reservations can be made at 520-0055.<br />
I aurpru p Holdpf s<br />
"When The Chickens<br />
Came Home to Roost"!<br />
also.<br />
Other Events<br />
Brian Ru hard Mori's<br />
"Dreams <strong>of</strong> Right"<br />
The Houston Reading Series. Two important<br />
woman writers will be in Houston this week to read<br />
from their critically acclaimed works. Harryett<br />
Mullen, one <strong>of</strong> the most impressive <strong>of</strong> the younger<br />
black writers in Texas, will present readings from<br />
her award-winning volume <strong>of</strong> poetry, Three Tall<br />
Women. Carol Forche, recently spotlighted for her<br />
eyewitness poetic account <strong>of</strong> Salvadorean struggles,<br />
will read from her book, The Country Between Us.<br />
pjhis especially topical volume, along with other<br />
writings, has made Forche the rave <strong>of</strong> contemporary<br />
poetics. Both women will appear free <strong>of</strong> charge in<br />
Brown Auditorium <strong>of</strong> The Museum <strong>of</strong> Fine Arts<br />
Tuesday, February 8.
THE RICi THRESHER/SPORTS<br />
Healthy netters to open season soon, set sights on Top 20 rank<br />
by Tony Soltero<br />
The <strong>Rice</strong> men's tennis team<br />
begins its season February 19 with<br />
an excellent chance <strong>of</strong> cracking the<br />
national Top 20. With a solid<br />
lineup <strong>of</strong> players like Tres<br />
Cushing, Don Tomasco, John<br />
Albert and promising freshman<br />
Martin Siekman, Owls coach<br />
Larry Turville is looking for a<br />
national ranking.<br />
"We're shooting for the top 20,"<br />
said Turville. "If we play up to our<br />
potential, I'm sure we can make it.<br />
We have very good depth and<br />
experience in our team this year."<br />
^This is encouraging news in light<br />
<strong>of</strong> <strong>Rice</strong>'s recent football and<br />
basketball struggles. "We're the<br />
best-kept secret at <strong>Rice</strong>," points<br />
out Albert. "I'll guarantee you<br />
John Albert<br />
we'll do better than the football<br />
team did."<br />
Says Cushing, "We're in better<br />
shape than we were last year. In<br />
1982 we had a lot <strong>of</strong> people out<br />
with illnesses. If we stay healthy,<br />
TRACK<br />
I'm sure we can win a couple more<br />
SWC matches than we did last<br />
year."<br />
<strong>Rice</strong> meets the University <strong>of</strong><br />
New Orleans in its season opener.<br />
"They're not to be taken lightly,"<br />
warned Turville, "but we should<br />
come out on top." The Owls have a<br />
formidable schedule from then on.<br />
They must play several teams<br />
currently ranked in the Top 20,<br />
among them number one SMU,<br />
number five Trinity, number eight<br />
Arkansas, number ten Texas and<br />
number thirteen TCU. Other<br />
heavyweights in <strong>Rice</strong>'s schedule<br />
include Louisiana State<br />
University, Florida State and<br />
Auburn.<br />
"If we can win a good portion <strong>of</strong><br />
those tough matches, then we can<br />
—C. Gubin<br />
vault into the Top 20," remarked<br />
Turville.<br />
The coach also expressed<br />
optimism about <strong>Rice</strong>'s chances in<br />
SWC play. "We've never defeated<br />
TCU and Texas A&M, but this<br />
year we have a real shot at them,"<br />
he said.<br />
Turville added, "I really feel<br />
good about this team. Bob<br />
Anderson has really improved<br />
over last year, and in Cushing and<br />
Tomasco we have two first-rate<br />
players."<br />
Cushing is coming <strong><strong>of</strong>f</strong> a<br />
successful autumn, in which he and<br />
Tomasco reached the semifinals <strong>of</strong><br />
a tournament in Milwaukee. He<br />
has defeated several players<br />
ranked in the top 50.<br />
"A few more pe<strong>rf</strong>ormances like<br />
those, and he'll be in the top 50<br />
himself," says the coach.<br />
The loss <strong>of</strong> freshman Manuel<br />
Ruiz over the semester break has<br />
not dampened the team's spirits.<br />
Albert reflects the Owls' l<strong>of</strong>ty<br />
goals with his desire that the team<br />
win 20 <strong>of</strong> its 25 matches.<br />
"That's what I hope," he says.<br />
"It'll take us some work, but it's<br />
not impossible. This is the best<br />
team we've had for at least the past<br />
12 years. We're going to prove<br />
ourselves on the court."<br />
<strong>Rice</strong> tennis fans need not worry<br />
about the fact that Albert and<br />
Cushing depart after this season;<br />
Siekman has been a valuable<br />
addition to the squad. Turville<br />
spoke <strong>of</strong> two recruits who have<br />
expressed interest in coming to<br />
<strong>Rice</strong>.<br />
"One is from Chicago, and he<br />
pe<strong>rf</strong>ormed admirably in the<br />
national Indoor Tournament,<br />
another is one <strong>of</strong> the top five<br />
players in the East," he<br />
commented.<br />
If many accomplished recruits<br />
continue to select <strong>Rice</strong>, then the<br />
Owls should have a consistently<br />
good team. Turville pointed out<br />
that many tennis players are<br />
attracted to <strong>Rice</strong> because they<br />
<strong>of</strong>ten come from families that<br />
stress education.<br />
"It's the academics that attract<br />
many top players here," he noted.<br />
"<strong>Rice</strong> balances a top-notch<br />
education with an excellent tennis<br />
program, and that is what many<br />
players are looking for."<br />
Cushing, Tomasco shock top seeds<br />
by Tony Soltero<br />
R ice tennis players Tres Cushing<br />
and Don Tomasco teamed up to<br />
reach the doubles semifinals<br />
recently at a tournament in<br />
Milwaukee. Despite being<br />
unseeded, the pair eliminated the<br />
top-seeded team in the process.<br />
Cushing rebounded from what<br />
he termed "a disappointing singles<br />
pe<strong>rf</strong>ormance," losing in th« second<br />
round. He and his partner<br />
Tomasco stunned the number one<br />
seeded pair from the University <strong>of</strong><br />
California at Irvine, ranked<br />
eighteenth in the nation. After<br />
dropping the first set 7-5, the <strong>Rice</strong><br />
tandem recovered to win the<br />
second set 6-3, and then pulled out<br />
the decisive set 7-6 to score the<br />
upset.<br />
Even though Cushing and<br />
Tomasco were later eliminated in<br />
the semis by a Duke team, their<br />
showing was encouraging as the<br />
<strong>Rice</strong> tennis season soon begins.<br />
"I feel we're gong to have a good<br />
• i/li't 4*- HHK<br />
Don Tomasco and No. 1 singles amateur Tres Cushing<br />
year," says Cushing. "Our singles experience."<br />
and doubles are stronger and the If the Milwaukee pe<strong>rf</strong>ormance is<br />
arrival <strong>of</strong> Martin Siekman has any indication <strong>of</strong> the season to<br />
improved the team. And Don and I come, then <strong>Rice</strong> can make a strong<br />
now have another year <strong>of</strong> thrust into the top 20 this year.<br />
Two-mile relay takes fourth at Millrose Games, team runs at McNeese<br />
by Steve Mollenkamp<br />
The strongest, fastest, and best<br />
<strong>of</strong> this nation's amateur track and<br />
field athletes assembled together<br />
last Friday at the 76th Wanamaker<br />
Millrose Games in New York City.<br />
Among those invited to compete in<br />
Villanova, University <strong>of</strong> British<br />
Columbia, and Virginia were<br />
ahead <strong>of</strong> them.<br />
<strong>Rice</strong> may well have done better<br />
if Francisco Melendez had not<br />
stumbled midway through his leg<br />
<strong>of</strong> the relay. According to Coach<br />
JL<br />
Vince Courville, Terry Jones, and Willy Mays out <strong>of</strong> the blocks—C. Reining<br />
the Madison Square Garden event<br />
were such track giants as Billy<br />
Olson, Carl Lewis, Mary Decker-<br />
Tabb and <strong>of</strong> course the stellar <strong>Rice</strong><br />
University two mile relay team <strong>of</strong><br />
Francisco Melendez, Charles<br />
House, Jerry Fuqua, and Gawain<br />
Guy.<br />
Running their way to a fourth<br />
place in the two mile relay with a<br />
time <strong>of</strong> 7:34.3, these four runners<br />
showed the rest <strong>of</strong> the country<br />
what informed Thresher readers<br />
already knew, that the blue and<br />
gray can compete with anybody.<br />
Only such powerhouses as<br />
Steve Straub, Melendez<br />
apparently jostled, tripped up the<br />
heel <strong>of</strong> the runner in front <strong>of</strong> him<br />
and fell but quickly recovered<br />
himself.<br />
"By the time Francisco<br />
recovered, he was a good 10-15<br />
yards behind," Straub remarked.<br />
"He just couldn't get his<br />
momentum back after that."<br />
Jerry Fuqua, running third, was<br />
still able to pick up some <strong>of</strong> the<br />
slack with his split <strong>of</strong> 1:51.9. The<br />
Owls moved up from sixth to<br />
fourth during the last three legs.<br />
"We had trouble running on the<br />
banked wooden track, but we<br />
should have done better," said the<br />
fleet-footed Fuqua. "Sico's getting<br />
tripped certainly hurt us because<br />
it's always hard to catch up."<br />
Sprinter Vince Courville also<br />
went up to New York to compete.<br />
Courville just missed making the<br />
finals <strong>of</strong> the 60-yard dash with his<br />
time <strong>of</strong> 6.27. Courville, who tends<br />
to run s<strong>low</strong>er in his first race, was<br />
knocked out <strong>of</strong> the competition by<br />
the likes <strong>of</strong> such heavies as<br />
Herschel Walker and eventual<br />
winner Ron Brown <strong>of</strong> Arizona<br />
State University.<br />
The remainder <strong>of</strong> the men's<br />
track team went to Lake Charles,<br />
Louisiana Saturday for the<br />
McNeese State Indoor Meet in the<br />
McNeese Recreation-Complex.<br />
By sending its star pe<strong>rf</strong>ormers to<br />
the Millrose games, <strong>Rice</strong> had<br />
effectively taken itself out <strong>of</strong> the<br />
competition and therefore only<br />
came in ninth <strong>of</strong> the twelve teams<br />
at the meet. While <strong>Rice</strong>'s 24 points<br />
were quite a ways <strong><strong>of</strong>f</strong> from meet<br />
winner Lamar's 84, the team did<br />
get encouraging pe<strong>rf</strong>ormances out<br />
<strong>of</strong> Greg Johnson and Craig<br />
Hermann.<br />
Johnson, a Lovett sophomore.<br />
come in second place in the s<strong>low</strong>ly<br />
paced 1600 meter run with a time<br />
<strong>of</strong> 4:17.29. The time is much better<br />
than it seems for the McNeese<br />
track is generally considered one <strong>of</strong><br />
the s<strong>low</strong>est in town. He placed<br />
sixth as well in the 3200 meter run.<br />
Hermann's time <strong>of</strong> 2:33.71 in the<br />
1000 meter run was good enough<br />
for a third place finish.<br />
<strong>Rice</strong> will be traveling to Dallas<br />
this coming Saturday in order<br />
to compete in the Dallas<br />
Invitational held in Reunion Area.<br />
A number <strong>of</strong> Southwest<br />
Conference schools will be among<br />
those attending the meet.<br />
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The <strong>Rice</strong> Thresher, February 4, 1983, page 15
MEN'S BASKETBALL<br />
Suitts suspends Johnson, Washington in their "best interest"<br />
by Jay Grob<br />
Junior guards Teddy Johnson<br />
and Tyrone Washington have been<br />
suspended from the <strong>Rice</strong><br />
basketball team for the remainder<br />
<strong>of</strong> the season. The pair will miss the<br />
Owls' remaining 10 games this<br />
season, including Wednesday's<br />
game against Arkansas, and it is<br />
unclear whether the two will return<br />
to the squad next year.<br />
In a prepared statement given<br />
Monday, coach Tommy Suitts<br />
indicated that Washington and<br />
Johnson had broken a team<br />
training rule, but did not<br />
elaborate. "Our coaching staff<br />
feels that Washington and<br />
Johnson have let the pressure <strong>of</strong><br />
our season adversely affect their<br />
behavior," said Suitts. "As a result,<br />
they haven't been able to function<br />
in the best interest <strong>of</strong> the team. We,<br />
therefore, feel that they shouldn't<br />
continue as members <strong>of</strong> the team<br />
for the remainder <strong>of</strong> the season."<br />
Suitts concluded his statement<br />
by stating that Washington and<br />
Johnson will retain their<br />
scholarships for the remainder <strong>of</strong><br />
the season, and will immediately<br />
begin a weight training program.<br />
"We will help them and<br />
encourage them to do well in<br />
school, and we will meet with them<br />
after the season is completed to<br />
discuss the 1983-84 school year,"<br />
said Suitts.<br />
Suitts added that the frustration<br />
<strong>of</strong> an 0-7 conference record had<br />
Tyrone Washington<br />
been detrimental to the pair's<br />
relationship with their teammates.<br />
Commented Suitts, "I want to<br />
make it clear that this was no<br />
blatant violation <strong>of</strong> the rules. The<br />
decision was made in the best<br />
interest <strong>of</strong> these two young men."<br />
Johnson disagreed with Suitts,<br />
commenting, "I don't know what<br />
he (Suitts) had in mind, but all he<br />
has done is belittle us in the eyes <strong>of</strong><br />
our peers and cast a great deal <strong>of</strong><br />
uncertainty about us."<br />
He continued, "I thought the<br />
punishment was pretty severe.<br />
Hopefully, I'll be back next year."<br />
Freshman Ivan Petitt will<br />
replace Johnson, who had been<br />
splitting time with Washington, in<br />
the starting lineup. Johnson and<br />
Washington had been averaging<br />
4.2 and 5.8 points per game,<br />
respectively; Washington was<br />
considered the team's premier<br />
defensive player.<br />
The suspension marks the first<br />
such penalty levied by Suitts in his<br />
two years as head coach. The last<br />
player suspended from the<br />
basketball team was senior guard<br />
Anthony DeCello, removed from<br />
the team in 1980 by former coach<br />
Mike Schuler for a violation <strong>of</strong><br />
"team rules."<br />
The loss <strong>of</strong> Washington and<br />
Johnson leaves the Owls, now 0-8 in<br />
conference and 6-12 overall, with<br />
only 11 scholarship players. <strong>Rice</strong><br />
lost senior center Kenny Austin<br />
due to academic difficulties at the<br />
beginning <strong>of</strong> the current semester.<br />
t'<br />
Teddy Johnson against Texas Tech last year —M. Gladu<br />
Losses pile up, sad streak reaches nine against Hogs<br />
by Jay Grob<br />
It was bad. No, it was worse than<br />
Wednesday night in Fayetteville,<br />
Arkansas. Reeling from the loss <strong>of</strong><br />
junior guards Teddy Johnson and<br />
Tyrone Washington, and playing<br />
one <strong>of</strong> the best teams in the<br />
country, <strong>Rice</strong> picked a bad time to<br />
play its worst game <strong>of</strong> the year, as<br />
the Arkansas Razorbacks ripped<br />
the Owls 70-43.<br />
The loss dropped the Owls to 0-8<br />
in conference play, while Arkansas<br />
stayed in second place at 7-1.<br />
Quite simply, the Owls were<br />
massacred in every aspect <strong>of</strong> this<br />
game. <strong>Rice</strong> shot a dismal 30<br />
percent from the floor compared<br />
to Arkansas' 43 percent, and the<br />
Owls only grabbed 27 rebounds<br />
compared to the Hogs' 51.<br />
Arkansas stole the ball from <strong>Rice</strong>'s<br />
inept ball-handlers ten times,<br />
although it seemed like more. In<br />
addition, the Owls out-fouled the<br />
Razorbacks 29-20.<br />
Four Hogs scored in double<br />
figures. Darrell Walker scored 14<br />
points, 6-11 center Joe Klein<br />
:counted for 13, while Leroy<br />
Sutton and Alvin Robertson had<br />
10 apiece. <strong>Rice</strong> guard Tracie Steele<br />
scored 13 points before fouling<br />
out.<br />
Said a dejected Tommy Suits,<br />
"I'm embarassed for our players.<br />
We're not a very good basketball<br />
team right now, but there is a<br />
difference between when we don't<br />
play well in general and what<br />
happened tonight."<br />
Indeed, Wednesday night's<br />
pe<strong>rf</strong>ormance was much worse than<br />
last Saturday's game against<br />
Houston when the Owls played<br />
reasonably well before being<br />
buried by 36 points. Arkansas<br />
dominated from the opening tip to<br />
the final buzzer, and was ahead<br />
eight to nothing after only three<br />
minutes <strong>of</strong> play. Not that <strong>Rice</strong><br />
played any better the rest <strong>of</strong> the<br />
half, but the Owls did finally<br />
manage to get the ball past<br />
midcourt a couple <strong>of</strong> times, after<br />
being victimized repeatedly by<br />
Arkansas' zone press. Still,<br />
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The <strong>Rice</strong> Thresher, February 4, 1983, page 16<br />
Arkansas pushed onward and at<br />
Ihe half was ahead 38-19.<br />
The onslaught continued in the<br />
second half, as <strong>Rice</strong>'s poor<br />
shooting worsened. The<br />
Razorbacks gained a 30-point lead<br />
at 6:19 on John Snively's jumper.<br />
But the Owls fought back,<br />
outscoring Arkansas' scrubs in the<br />
final minutes for the 70-43 loss.<br />
Though it is painful to look at<br />
WOMEN'S BASKETBALL<br />
<strong>Rice</strong>'s individual pe<strong>rf</strong>ormances,<br />
the public must know. Renaldo<br />
O'Neal continued to slump, hitting<br />
only two <strong>of</strong> fifteen shots and<br />
scoring eight points. Ivan Petitt,<br />
starting his first conference game<br />
in place <strong>of</strong> Johnson, also had eight<br />
points on three <strong>of</strong> nine from the<br />
field. The freshman guard was also<br />
guilty <strong>of</strong> four turnovers. The<br />
starting forward Tony Barnett did<br />
not score.<br />
Steele was the only Owl to hit<br />
half his shots as the Arkansas<br />
native canned five <strong>of</strong> 10 attempts.<br />
In a game that everyone agreed<br />
would be better forgotten, Suitts<br />
said, "There is only one Barnhill<br />
Arena and one Arkansas. Thank<br />
heaven we don't come back for<br />
another year." Hopefully the Owls<br />
will play better tomorrow night as<br />
<strong>Rice</strong> faces Baylor in Autry Court<br />
at 7:30 p.m.<br />
Owl hot shots to return for big Baylor game<br />
by Steve Bailey<br />
<strong>Rice</strong> dropped two games on<br />
enemy tu<strong>rf</strong> over the weekend, an<br />
87-57 loss to Miami and a 95-60<br />
loss to Florida International.<br />
However, the team did acquire<br />
nifty suntans to go along with the<br />
sunny outlook for Saturday's<br />
Southwest Conference contest<br />
with Baylor.<br />
In both games <strong>Rice</strong> gave the ball<br />
away far more <strong>of</strong>ten than they took<br />
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it away, and free throw shooting<br />
was still under par, but freshman<br />
post Ann Fisher had two strong<br />
games and senior forward Jennifer<br />
Stone continued to play the best<br />
basketball <strong>of</strong> her career.<br />
"I'm very pleased with our inside<br />
play <strong>of</strong> Stone and Fisher," noted<br />
head coach Linda Tucker. "Ann<br />
had two real good back-to-back<br />
games. She's getting over her<br />
shyness, and learning to position<br />
more and more each game."<br />
Fisher hit 15 <strong>of</strong> 26attempts"from<br />
the field and grabbed 19 rebounds<br />
in the two games. Stone made 13 <strong>of</strong><br />
30 shooting attempts and added<br />
six-for-nine from the line for 32<br />
points.<br />
"The teams (Miami and Florida)<br />
were strong and experienced,"<br />
Tucker continued. "International<br />
was ranked ninth last year (AIAW<br />
Division II) and Miami is big,<br />
strong and fast.<br />
"Our bench will have the<br />
experience they'll need when we<br />
play S WC games. We're not giving<br />
in, and by Conference time (SWC<br />
Tournament) we might upset some<br />
people.<br />
"I can never complain about<br />
people not playing. When kids are<br />
playing as hard as they can, that's<br />
all a coach can ask. If we can just<br />
eliminate our turnovers, that will<br />
make us a much better basketball<br />
team."<br />
Most <strong>Rice</strong> players had at least<br />
one good statistical game in<br />
Florida, and all signs indicate that<br />
losing will soon be pastf for the<br />
Owls. Forward Pennie G<strong><strong>of</strong>f</strong> and<br />
post Katie Osten are scheduled to<br />
play Saturday against Baylor, and<br />
if both players are at half strength,<br />
the Cubbies will have their paws<br />
full.<br />
"I'm going to bring them (G<strong><strong>of</strong>f</strong><br />
and Osten) along s<strong>low</strong>ly at first.<br />
This will give everyone a positive<br />
lift," said Tucker.<br />
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INTRAMURALS<br />
Cinzano romps to soccer crown<br />
by Ed Swartz<br />
Cinzano easily won this year's<br />
soccer intramurals by overpowering<br />
the Buzzards 4-0 in the<br />
championship game.<br />
Cinzano's only tough game<br />
came in the first round <strong>of</strong> the<br />
play<strong><strong>of</strong>f</strong>s against an intimidating<br />
Warriors team. The Warriors were<br />
the only team to ever score against<br />
Cinzano, but it wasn't enough to<br />
win the tight game as they bowed<br />
out 2-1.<br />
Cinzano then erased E.S.<br />
Tylenol in an 8-0 effort, after the<br />
latter received a bye the first<br />
round.<br />
The Buzzards advanced to the<br />
finals by beating W.A.T.W. 4-1 in<br />
the first round, and squeaking past<br />
a scrappy Ipswich V team 3-2 in the<br />
semifinals.<br />
College soccer<br />
Although only one game has<br />
been played so far, Baker appears<br />
to be the team to watch this year in<br />
college soccer. Baker manhandled<br />
a solid Sid Richardson team 6-1<br />
Saturday.<br />
Before Baker scored the first<br />
goal, the game looked like it might<br />
be close with both teams showing<br />
good ball control. The Baker team,<br />
comprised mostly <strong>of</strong> two<br />
tournament teams, Warriors and<br />
Ipswich V, drew out the SRC<br />
Ready to Score shows it<br />
Monday league<br />
Ready to Score, managed by Bill<br />
Stockton and basically a Lovett<br />
team is steamrolling over its<br />
opponents having racked up scores<br />
<strong>of</strong> 41-10 against the Free Throws<br />
and a whopping 70-6 crusher over<br />
Sweet Georgia Brown. No one<br />
team member dominated the<br />
scoring as Jennifer Geran, Karen<br />
Ashby, Jodi Radziewicz, Gina<br />
Pabst and Wanna Hadnot scored<br />
equally well with Tracie<br />
Blumentritt a strong sub. The Free<br />
Throws have a 1-1 record as do For<br />
Colored Girls Who Considered<br />
Suicide When <strong>Rice</strong> Was Enough.<br />
Sweet Georgia Brown has the<br />
cellar position with two losses.<br />
Wednesday league<br />
Lisa Kay Mao's Fast Break team<br />
is out in front with a 3-0 record.<br />
One win was awarded by a fo<strong>rf</strong>eit<br />
from The Few who evidently were<br />
too few and had to withdraw from<br />
the competititon. Dana Mischlich,<br />
Kate Moynihan and Mao sparked<br />
the scoring. Fast Foods gave Fast<br />
Break some tough competition<br />
with Leslie Neblett and Wendy<br />
Brockman pumping in all the<br />
baskets only to lose 22-30. Sex<br />
Kittens, captained by Christy<br />
Moore, are tied with Fast Foods<br />
having 1-0 records.<br />
Thursday league<br />
Good Girls and Flaming<br />
Flamingos are tied with 2-0<br />
records. Baker's Best and White<br />
Shadow Returns are both looking<br />
for their first win. High scorers for<br />
Flaming Flamingos were Mary<br />
Ellen Trunko, who garnered 16<br />
points against Baker's Best, and<br />
Genie Lutz scoring 14 points in the<br />
same game. Good Girls led by<br />
Naomi Logsdon's 14 point effort<br />
and assisted by 8 points from Joan<br />
Pflugrath had a 38-10 victory over<br />
Baker's Best.<br />
February 4 is the deadline for<br />
women's tennis singles, doubles<br />
and mixed doubles, and women's<br />
s<strong>of</strong>tball.<br />
<strong>Rice</strong> athletics Feb. 5-13<br />
Sat Feb 5 W<br />
M<br />
MW<br />
MW<br />
M<br />
Sun Feb 6 M<br />
Mon Feb 7 M<br />
M<br />
Tue Feb 8 W<br />
Wed Feb 9 M<br />
Thu Feb 10 M W<br />
Fri Feb 11 M<br />
MW<br />
W<br />
Sat Feb 12 MW<br />
M<br />
M<br />
MW<br />
M<br />
Sun Feb 13 M<br />
M<br />
Basketball vs. Baylor AUTRY COURT 2:30 p.m.<br />
Basketball vs. Baylor AUTRY COURT 7:30 p m.<br />
Swimming vs. TCU RICE 1:00 p.m.<br />
Track at Dallas Invitational Dallas all day<br />
Golf at Columbia Lakes West Columbia all day<br />
Golf at Columbia Lakes (cont'd.) West Columbia all day<br />
Golf at Columbia Lakes (cont'd.) West Columbia all day<br />
Basketball vs. Texas A&M AUTRY COURT 7:30 p.m.<br />
Basketball vs. Texas A&M AUTRY COURT 7:30p.m.<br />
Golf Club Campistre Invitational Monterrey, Mex. all day<br />
Golf Club Campistre Invt'l. (cont'd.) Monterrey, Mex. all day<br />
Basketball vs.Texas Tech AUTRY COURT 7:30 p.m.<br />
Golf Club Campistre Invt'l (cont'd ) Monterrey, Mex. all day<br />
Swimming vs. Austin College Invt'l. Sherman all day<br />
Tennis vs. Lamar JAKE HESS 1:00 p.m.<br />
Swimming at Austin Col. Invt'l. (cont.) Sherman all day<br />
Basketball vs. Southern Methodist Dallas 7:30 p m.<br />
Baseball vs. St. Edward's (2) <strong>Rice</strong> 1:00 p.m.<br />
Track at Oklahoma Invitational Oklahoma City 2:00 p.m.<br />
Lacrosse vs Sam Houston State <strong>Rice</strong> 11:00 p.m.<br />
Baseball vs. St. Edward's <strong>Rice</strong> 1:00 p.m.<br />
Lacrosse vs Texas A&M College Station 1:00p.m<br />
Attention Pre-Meds!<br />
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A limited number <strong>of</strong> scholarships are <strong><strong>of</strong>f</strong>ered<br />
annually by the United States Navy.<br />
The scholarship includes tuition, books, fees and<br />
necessary equipment plus a stipend <strong>of</strong> $556 a month.<br />
Applications are now being accepted. For more<br />
information or application contact:<br />
Navy Medical Programs<br />
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goalie on <strong><strong>of</strong>f</strong>ense while playing a<br />
strong game on defense.<br />
Sophomore Leland Key became<br />
the <strong><strong>of</strong>f</strong>ensive* star for Baker,<br />
earning four goals. Classmates<br />
Tom Loose and Bill Burgess also<br />
added a goal apiece.<br />
Baker's defense also played<br />
aggressively, turning back several<br />
SRC advances. Goalie Jim Gage<br />
had a good game but was not<br />
seriously challenged, thanks to the<br />
strong defensive line.<br />
Baker will next play Lovett, who<br />
had a first-round bye. Also this<br />
weekend, Jones will face Will <strong>Rice</strong><br />
and Hanszen will square <strong><strong>of</strong>f</strong><br />
against Wiess.<br />
SCOREBOARD<br />
Miami 87, <strong>Rice</strong> 57<br />
<strong>Rice</strong> fg fgfga fga ft fta reb a pf pti<br />
Barnard 1 3<br />
Stone 6 14<br />
Ziegler 7 15<br />
4 15<br />
Fisher 8 13 0 10<br />
Schunck 0 8 3 2<br />
Landry 2 4<br />
Hershey 0 1<br />
Cavallini 1 5<br />
Tilden 1 4<br />
Taft 0 0<br />
Babino 0 0<br />
Total* 26 67 5 12 32
IN THE COLLEGES<br />
HANSZEN<br />
Martin Zacarias;<br />
The annual B&P talent show<br />
will be Friday, February 18. Signup<br />
list for acts in in the commons.<br />
WIESS<br />
Dave Chilton<br />
For those <strong>of</strong> you who are having<br />
cash f<strong>low</strong> problems but still covet a<br />
good time, Wiess has the answer.<br />
Tonight in the Wiess Commons<br />
there will be an absolutely free<br />
party featuring beer, music and<br />
punch. The free fun starts at nine.<br />
Due to the underwhelming<br />
response to last week's notice, we<br />
once against exhort you to see the<br />
taking <strong>of</strong> your Campanile picture.<br />
Call or see Dave Chilton in Room<br />
227 or Vince Hu in Room 205<br />
sometime soon.<br />
v.<br />
LOVETT<br />
Albert Throckmorton'<br />
Today is the deadline for adding<br />
courses designating pass/fails.<br />
The Lovett Plays, The Bald<br />
Soprano and A Resounding<br />
Tinkle, continue tonight and<br />
tomorrow at 8 p.m. in the Lovett<br />
commons. Reservations are<br />
suggested; call 526-6584.<br />
Dr. Burrus is having a beer<br />
tasting party with Wiess on<br />
February 10.<br />
Your<br />
February 11, Pink Panther, in<br />
the commons.<br />
Important dates coming up.<br />
February 16 there will be a seminar<br />
on room jack. Singles draw is<br />
February 17; suiteless doubles<br />
March 10; suites March 17. Sign<br />
up in Mrs. Paine's <strong><strong>of</strong>f</strong>ice for draw.<br />
$50 room deposits are due in the<br />
cashier's <strong><strong>of</strong>f</strong>ice February 18. Show<br />
your receipt to Mrs. Paine.<br />
BAKER<br />
Stu Werbner<br />
Congratulations to the Baker<br />
men's soccer team on their 5-1<br />
b<strong>low</strong>out over Sid Rich. This<br />
weekend Baker plays Lovett.<br />
Don't miss the Baker film<br />
Kentucky Fried Movie tonight at<br />
doesn't<br />
surprise<br />
us...<br />
The <strong>Rice</strong> Thresher, February 4, 19S3, page 18<br />
Chem Lec playing at 7:30 and 9:30.<br />
Admission is $2.<br />
& GSA<br />
Carol Wilder<br />
The GSA Valentine's Party on<br />
February 12 is at Valhalla from 8<br />
p.m. until 2 a.m. Signup for<br />
bartenders in Valhalla.<br />
This year the GSA will try to<br />
field a women's beer-bike team.<br />
The first meeting for women<br />
interested in participating will be<br />
at 5 p.m. today in front <strong>of</strong> Valhalla.<br />
Anyone interested in participating<br />
in this year's men's beerbike<br />
race should contact Stuart at<br />
x3587 or Jay at x2331 (Bike<br />
Captains) or Howard at x4884<br />
(Beer Captain).<br />
At TRW it's what we're all about.<br />
We've created an environment<br />
encouraging people like you to<br />
define and go after your individual<br />
pr<strong>of</strong>essional goals.<br />
So when you work with us,<br />
you'll get a personalized approach<br />
to your technical growth. An<br />
approach that includes ... .<br />
An informal atmosphere that<br />
encourages insightful thinking.<br />
Co-workers who value the free<br />
interchange <strong>of</strong> ideas.<br />
Responsive managers who look<br />
out for your advancement.<br />
A broad spectrum <strong>of</strong> challenging<br />
projects to choose from --<br />
Projects ranging from large data<br />
base s<strong>of</strong>tware systems,<br />
communications spacecraft and<br />
alternative energy sources, to<br />
scientific satellites, high energy<br />
lasers and microelectronics.<br />
And you'll appreciate the<br />
opportunity to see these<br />
projects to completion.<br />
In the long run we think<br />
you'll find that TRW <strong><strong>of</strong>f</strong>ers<br />
n environment that brings out<br />
the uniqueness in you.<br />
M 7<br />
February 17<br />
TRW will be on campus February 18<br />
hiring <strong>grad</strong>uates in most Engineering<br />
and Scientific disciplines<br />
at all degree levels.<br />
See your Placement Office for<br />
more information.<br />
College Relations<br />
TRW Electronics and Defense<br />
Bldg. R5/B196, Dept.<br />
One Space Park<br />
Redondo Beach, CA 90278<br />
Equal Opportunity Employer M/F/H<br />
U.S. Citizenship Required<br />
i i i f<br />
Entries for the beer-bike T-shirt<br />
design contest should be submitted<br />
to Nicol in the Biology Dept. no<br />
Uater than February 17.<br />
There is a possibility <strong>of</strong><br />
obtaining residential facilities for<br />
<strong>grad</strong>uate students at the UH<br />
downtown campus, located at 101<br />
Main. The approximate room and<br />
board expenses would be $280 per<br />
month, with a $120 deposit for<br />
double occupancy, and 13 meals a<br />
week.<br />
For further details, contact Judy<br />
at General Offices at 225-1781,<br />
xl22 or xl23 or your GSA rep.<br />
JONES<br />
Robin Berg<br />
Jones Night at the Pub is<br />
Tuesday, February 8 at 8 p.m.<br />
College Night is next Friday,<br />
February 11 in the RMC. The<br />
cocktail party is at 6 p.m., dinner is<br />
at 7:30 and the dance starts at 9:30<br />
p.m. Today is the last day to sign<br />
up for tables. Juniors and Seniors<br />
can bring dates. Please come help<br />
set up next Friday afternoon.<br />
BROWN<br />
Lina Rillera<br />
Speeches for executive positions<br />
on the cabinet will be on February<br />
7. The elections will be on<br />
February 9.<br />
All on/<strong><strong>of</strong>f</strong> campus members,<br />
who have not already done so, are<br />
asked to check if the information<br />
on the lists posted outside <strong>of</strong> Mrs.<br />
Von Eiffs <strong><strong>of</strong>f</strong>ice is correct. Please<br />
make any necessary corrections.<br />
RPC<br />
Sharon Tinkle<br />
Audition for the <strong>Rice</strong> Follies!<br />
First prize is $100; second prize is<br />
$75; and third prize is $50.<br />
Auditions are February 14 at 8<br />
p.m. in Sewall 301. Showtime will<br />
be February 24 at 8 p.m. in the<br />
Grand Hall RMC. See your<br />
college rep for more info.<br />
Submit black and white photos<br />
to the RPC on "The <strong>Rice</strong><br />
Experience"; winning pictures will<br />
be in the Campanile and prizes will<br />
be awarded. See reps for more<br />
details.<br />
imciyf II, part 1 m<br />
Lost: a pair <strong>of</strong> glasses left in Phys 220<br />
on Friday, 1/21; and Econ 211 book<br />
left in Mech building on Tuesday,<br />
1/18. Please call Nathaniel Smith at<br />
526-9910 if either <strong>of</strong> these are found.<br />
&<br />
SATURDAY<br />
7:30, 9:30,11:30<br />
CHEM LEC<br />
$1.00<br />
It's Awesome, Totally Awesome!<br />
UNIVERSAI P'Mu
Obedience to form, while no more<br />
blind than state or church.<br />
Serves hardly an excuse for a necrosis<br />
<strong>of</strong> the wit.<br />
The man, but not the meaning,<br />
have you gleaned from your<br />
research<br />
Perhaps my saline writings have<br />
not yet their focus hit.<br />
Consider the novella once again<br />
before response-<br />
Your own preoccupations, true,<br />
wane sal<strong>low</strong> next to such,<br />
And in your new work, Death,<br />
have you contrived them to ensconse;<br />
But even there, impurity <strong>of</strong> mind<br />
outsteps its hutch.<br />
Can we attribute this, say, to an<br />
accident in youth?<br />
Or sybaritic effort toward some<br />
grand Satanic plan?<br />
By now you understand: or, if you<br />
don't, I stand aghast,<br />
Ineptly quotin&here: "You need<br />
the feeling, notlhe man."<br />
Appendix I-<br />
"Cowardice"? Perhaps; more<br />
likely Lazarus Long's "laziness."<br />
"Envy"? Never.<br />
Appendix II-<br />
I still think they sound dumb.<br />
***<br />
See Animal House at the Animal<br />
House. A celebration <strong>of</strong> single-sex<br />
life, coming 2/12.<br />
***<br />
Volkswagen bus for sale — totally<br />
rebuilt, like new. Excellent<br />
condition. $2000 or best <strong><strong>of</strong>f</strong>er. Call<br />
523-0446.<br />
***<br />
\eji
the<br />
austin<br />
nichols<br />
calendar<br />
Saturday, February fifth<br />
Friday, February fourth<br />
7:30 & 9:15. Media Center. Peeping Tom and Bluebeard. $2<br />
8:00. Lovett Commons. The Bald Soprano and A<br />
Resounding Tinkle. $3, $2 students.<br />
River Oaks. Emartuelle (5:45 A 9:15) and Emanuelle: The<br />
Joys <strong>of</strong> a Woman (7:30).<br />
2:30. Women's basketball vs. Baylor. Autry Court, free W/<strong>Rice</strong> ID.<br />
7:30 A 10. Media Center. Mon Oncle d'Amerique. S2.<br />
8:00. Lovett Commons. The Bald Soprano and A Resounding Tinkle. S3, $2 students.<br />
River Oaks. Monty Python Live at the Hollywood Bowl (1:30, 5 A 8:30) and Monty<br />
Python's Life <strong>of</strong> Brian (6:45 A 10:15).<br />
Sunday, February sixth<br />
7:30. Media Center. The Cheat. $Z<br />
River Oaks. The Beastmaster (3:15 A 7:30) and Dragonslaver (1:15, 5:30 & 9:45).<br />
Monday, February seventh<br />
7:30. Autry Court. Men's basketball vs. A A M. Free w/<strong>Rice</strong> ID.<br />
8:00. Hamman Hall. <strong>Rice</strong> Players present Tango. $3 students, $5 non-students.<br />
River Oaks. 26 Days in the Life <strong>of</strong> Dostoevsky (5:45 & 9:15) and Easy Money (l.V)).<br />
Tuesday, February eighth<br />
7:00. Autry Court. Women's basketball vs. A A M. Free w/ <strong>Rice</strong> ID.<br />
7:30. Media Center. The Willmar 8 and The Detroit Motel. $3.<br />
8:00 Hamman Hall. Tango. $2 students, $5 non-students.<br />
River Oaks. You Are Not Alone (5:45 A 9:15) and Lord <strong>of</strong> the Flies (7:30).<br />
Wednesday, February ninth<br />
7:30. Media Center. 1900.S2.<br />
8:00 Hamman Hall Tango. S3 students, $5 non-students.<br />
River Oaks. Circle <strong>of</strong> Deceit (5 A 9:45) and The Tin Drum (7:00).<br />
Thursday, February tenth<br />
7:00. Autry Court. Women's basketball vs. Texas Tech. Free w'<strong>Rice</strong> ID.<br />
7:30. Media Center. 1900. $2.<br />
8:00. Hamman Hall. Tango. $3 students, $5 non-students.<br />
River Oaks. The Postman Always Rings 7Wice (5:15 & 9:30) and Out <strong>of</strong> the Past<br />
(7:30).<br />
Friday, February eleventh<br />
7 30 A 10. Media Center. The War Game and The Bed-sitting Room. $3.<br />
8:00. Hamman Hall. Tango. $3 students, $5 non-students.<br />
River Oaks. Fast Times at Ridgemont High (5:30 & 9:15) and Rock 'n' Roll High<br />
School (7:30).<br />
Saturday, February twelfth<br />
7:30 A 10. Media Center. Warhol's Dracula. $2.<br />
8:00. Hamman Hall. Tango. S3 students, $5 non-students.<br />
River Oaks. Altered States (1, 5:30 A 10) and A Clockwork Orange (3 & 7).<br />
Sunday, February thirteenth<br />
7:30. Media Center. Trouble in Paradise. $2.<br />
River Oaks. Das Bool (1, 3:45, 6:30 & 9:15)<br />
Lectures, seminars, colloquia<br />
Institute for the Arts: Marie-Therese Brincard speaks on "African Art Forms." SH<br />
301, 7:30PM 2/4.<br />
Religious Studies: John P. Clayton (visiting pr<strong>of</strong>essor) speaks on "The Centennial <strong>of</strong><br />
the Publication <strong>of</strong> "Thus Spoke Zarathustra.'" SH 309, 8PM 2/4.<br />
Feminist Scholarship series: Gerda Lerner speaks on "The Challenge <strong>of</strong> Woman's<br />
History" at 8PM 2/7 in SH 309.<br />
Mechanical Engineering and Materials Science seminar: "Impact <strong>of</strong> Computers on<br />
Engineering" by James C. Wambold (Penn State) 2/7 at 3PM in 201 Ryon Lab.<br />
Physics Colloquium: Pr<strong>of</strong>. Hannu Miettinen speaks on "TestingQCD" at 4PM 2/9 in<br />
PL 210.<br />
Lecture: Dr. Gus Nicholson (TSU) speaks on "Collecting African Art" at 7:30PM<br />
2/10 in the Univ. <strong>of</strong> St. Thomas' Anderson Hall, 3921 Mt. Vernon.<br />
Conference on Aesthetics: Ge<strong><strong>of</strong>f</strong>rey Hellman (Univ. <strong>of</strong> Indiana) asks "What Is<br />
Programmatic about the Program?" 3:30 2/10 in the Kyle Morrow Room.<br />
Conference on Aesthetics: Nicholas Woltersto<strong>rf</strong>f (Calvin College) speaks on "The<br />
Text and its Critic, The Author and His/Her Work" at 9:30AM 2/11 in the Kyle<br />
Morrow Room.<br />
Conference on Aesthetics: Jerrold Levinson (Univ. <strong>of</strong> Maryland) talks about "Titles"<br />
at 1:15 2/11 in the Kyle Morrow Room<br />
Conference on Aesthetics: Ge<strong><strong>of</strong>f</strong>rey Hellman. piano. 7PM 2/11 Kyle Morrow Room.<br />
iiiifmisclass out the wazoo<br />
Satisfied, he entered the room and sat<br />
on his<br />
Asking his secretary for some c<strong><strong>of</strong>f</strong>ee<br />
and tried to<br />
Master eight repair-orders juggled at a<br />
time, while he<br />
Fingered his problem right away; he<br />
needed at least a twelve-<br />
Inch stack <strong>of</strong> orders to feel right, and<br />
then he<br />
Ejaculated to his secretary <strong>of</strong> her need<br />
to<br />
Uck some more stamps to replay to<br />
complaints, and he grabbed his<br />
Dictating machine, to b<strong>low</strong> <strong><strong>of</strong>f</strong> some<br />
more students.<br />
Here exists among us<br />
A person like this.<br />
Repairs he will miss.<br />
Results are not discussed.<br />
Ljook, my friends, above this!<br />
First letters are the key!<br />
The one to boo and hiss<br />
spell it out, and see.<br />
*•*<br />
Attention Company Commandant<br />
M.A.P:<br />
I take my cover <strong><strong>of</strong>f</strong> to you. Six<br />
months <strong>of</strong> active d^ty and you can<br />
still tolerate me. How about a pizza<br />
at mess tonight, fol<strong>low</strong>ed by<br />
inspection and PFT (costume<br />
optional)? You bring the enzymes,<br />
I'll bring the Polaroid. This ad good<br />
for $1.50 <strong><strong>of</strong>f</strong> a large pizza. Love,<br />
LDP, your CO. (Commanding<br />
Ogre)<br />
A humanist in choking sea<br />
Called for help and presently<br />
Received in full intensity<br />
Advice.<br />
"You must swim, if you would be.<br />
Rescue breeds dependency;<br />
Self-reliance makes one free."<br />
"That's nice!"<br />
He said,<br />
And floated easily<br />
And dead.<br />
The <strong>Rice</strong> Thresher, February 4, 1983, page 20<br />
***<br />
I know a young girl, misnamed<br />
Cook,<br />
Who secretly plans to be Brooke.<br />
I hear lately she rants<br />
About her implants<br />
Saying, "On silicone, I know the<br />
book."<br />
***<br />
Some roses are red<br />
Some roses are white<br />
Some married men will<br />
Some married men might<br />
But then there are those<br />
Who end up in bed<br />
But never with you—<br />
With their wives instead.<br />
the Brown Bard<br />
***<br />
"Our souls are held by what they<br />
hold;<br />
Slaves still are slaves in chains <strong>of</strong><br />
gold;<br />
To whatsoever we may cling,<br />
We make it a soul-changing<br />
thing."<br />
—A.S B. Chbborn<br />
The ACUI will hold the fol<strong>low</strong>ing<br />
tournaments:<br />
Backgammon — 2/ 5-6, conference<br />
room, 526-0511 for details;<br />
Ping-pong — 2/6 Sid Rich<br />
commons, Reeta Achari (526-<br />
4503) for details;<br />
darts — 2/6, sign up in Willy's<br />
Pub, Stan Barber (RMC) for<br />
details;<br />
foosball — 2/5 Willy's Pub, Don<br />
Clayton (520-7544) for details.<br />
Call 526-0511 for *** any information.<br />
The SA Senate is now taking<br />
applications for under<strong>grad</strong>uate<br />
positions on all University<br />
standing committees. Every<br />
spring, the current committee<br />
members and senators interview<br />
and nominate students to serve<br />
with faculty, staff, alums, and*<br />
administrators on these policy<br />
bodies. Appointments are made by<br />
President <strong>Hackerman</strong>. If you are<br />
interested in some aspect <strong>of</strong> how<br />
<strong>Rice</strong> is run, and you have<br />
something to contribute, this is one<br />
<strong>of</strong> the best ways to get involved.<br />
See your college senator or stop by<br />
the SA <strong><strong>of</strong>f</strong>ice for details and<br />
application forms. Applications<br />
will be taken until Friday 2/11.<br />
The committees and the number <strong>of</strong><br />
open spots are as fol<strong>low</strong>s (current<br />
members may reapply): admissions,<br />
2; affirmative action, 2;<br />
campus safety, 1; computers, 2;<br />
education council, 1; examinations<br />
and standing, 2; library, 1; public<br />
lectures, 1; religious activities, 1;<br />
ROTC, 1; student financial aid, 1;<br />
student health, 1; under<strong>grad</strong>uate<br />
curriculum, 2; under<strong>grad</strong>uate<br />
teaching, 2; university review<br />
adblaster<br />
West University/Greenway<br />
Plaza—Spacious 1BR in well<br />
maintained adult community. 2<br />
pools, no pets. Call 661-8549.<br />
***<br />
Greenway Plaza area—65 unit<br />
apartment community nestled in a<br />
quiet residential setting. Features<br />
include many interesting floor<br />
plans, new carpet, pool, laundry.<br />
2300 Colquitt 520-6383.<br />
***<br />
<strong>Rice</strong>/Med Center — attractive<br />
1BR apt. located in a quiet and<br />
pr<strong>of</strong>essional atmosphere. Includes<br />
new carpet, drapes, wallpaper.<br />
$350/mo. bills paid. Castle Court<br />
Manor 524-9787.<br />
***<br />
Help wanted: part time and full<br />
time at Neal's Ice Cream. Apply in<br />
person at 2826 Kirby Dr.<br />
***<br />
<strong>Rice</strong>-Med Center — spacious<br />
2BR/2 bath apt. with study.<br />
Located in quiet and pr<strong>of</strong>essional<br />
adult complex. $595 bills paid.<br />
524-9787.<br />
»**<br />
Help wanted: easy work as "caddy"<br />
at bridge tournament Tuesday<br />
2/15 thru Friday 2/18 1-5PM.<br />
Work any or all sessions at $12 per<br />
at Astro Village Hotel (Kirby near^<br />
South Loop). For more info call Jo<br />
Sykes at 622-8631.<br />
*' ***<br />
Word processing: theses,<br />
dissertations, research papers,<br />
manuscripts. Corrections made<br />
by Ph.D. w/15 years experience,<br />
all style manuals. $1.80 page<br />
double spaced. Pickup/deliver<br />
extra charge. Near Hobby Airport.<br />
641-0493.<br />
Need female roommate to share 3<br />
BR house close to <strong>Rice</strong> Campus.<br />
Private bath, washer/dryer,<br />
$200/rno. plus 1/3 util & $150<br />
deposit. Call 524-3280 *** after 9PM.<br />
Help wanted: Domino's Pizza is<br />
looking for drivers to deliver pizza<br />
in the Sharpstown area. Pays $5-<br />
6/hr. plus tips. Must have own car<br />
with insurance. Call 270-7722<br />
anytime.<br />
***<br />
Impeccable typing to your<br />
specifications. Editing and minor<br />
corrections free. Prompt service.<br />
$1 per double spaced page. Keep<br />
this ad for discount. 626-5478.<br />
barbecued iguana notes & notices;<br />
board, 2; athletics, 2; parking<br />
appeals, 3; campus store, 1;<br />
managerial studies, 2.<br />
***<br />
Try outs for a KTR U radio play are<br />
Wednesday 2/9 at 7PM in the<br />
RMC Grand Hall. Contact Stan<br />
Barber (527-4096) for more info.<br />
***<br />
Sigma Xi: monthly luncheon at<br />
Cohen House 2/16 11:30-1. The<br />
speaker will be Dr. Joe Blansford<br />
(U <strong>of</strong> H at Clear Lake) on "The<br />
Interaction <strong>of</strong> Radiation on the<br />
Su<strong>rf</strong>aces <strong>of</strong> Planetary Bodies."<br />
***<br />
Folk mass — St. Bede's Chapel at<br />
Autry House (across Main St.<br />
from Lovett entrance) Sunday 2/6<br />
at 5PM. Supper to fol<strong>low</strong>.<br />
—<br />
NLI Conference: 3/18-20, Dallas.<br />
The National Leadership Institute<br />
is conducting a leadership<br />
training/skills seminar for<br />
students currently or potentially<br />
leaders on campus. All expenses<br />
except travel paid. Please send<br />
name and list <strong>of</strong> qualifying campus<br />
activities to the SA <strong><strong>of</strong>f</strong>ice by 2/9 at,<br />
3PM. This conference is highly<br />
recommended by those who have<br />
attended in the past.<br />
AIAA Getaway Special: we will be<br />
continuing our work on <strong>Rice</strong>'s<br />
Space Shuttle payload this<br />
semester. New people are still<br />
welcome and we will be meeting on<br />
Tuesday nights 7-8PM in Mech<br />
Lab 260. For more info call Jim at<br />
526-3879 or contact Dr. Wierum in<br />
Ryon 101.<br />
Anyone interested in running for a<br />
campus-wide <strong><strong>of</strong>f</strong>ice for the 1983-84<br />
school year should file a petition<br />
no later than 3PM Tuesday 2/8 in<br />
the SA <strong><strong>of</strong>f</strong>ice. The election for all<br />
<strong><strong>of</strong>f</strong>ices will be Tuesday 2/22.<br />
Included are SA <strong><strong>of</strong>f</strong>icers, the <strong><strong>of</strong>f</strong> —<br />
campus Senator, RPC <strong><strong>of</strong>f</strong>icers,<br />
Honor Council members (all<br />
classes). University court<br />
chairman, Thresher editor,<br />
Campanile editor and business<br />
manager, student representatives<br />
to the University council, and<br />
TexPIRG <strong><strong>of</strong>f</strong>icers.<br />
***<br />
Architect & Art students: t-shirt &<br />
design contest for The Village.<br />
Slogan must include the words The<br />
Village and Houston, Texas. It<br />
must convey the fact that the<br />
Village is improving and represent<br />
the vitality <strong>of</strong> the village. The<br />
slogan and design will be on the<br />
front <strong>of</strong> the t-shirt (white on blue).<br />
Prizes are: your winning design<br />
and slogan on the village's first tshirt,<br />
a graphic design book form<br />
the Houston Home and Garden<br />
bookstore, and 2 tickets to a<br />
production at the Main Street<br />
Theater. Submit to: Judy Fitch,<br />
University Village Association,<br />
p.o. box 25329, Houston 77265 by<br />
2/11. For further information call<br />
526-4799.<br />
B'nai B'rith Hiliel Foundation: the<br />
first "strictly social" program <strong>of</strong><br />
the term will be a wine & cheese<br />
party tomorrow night (2/5) from 8<br />
'til. Come join us for some fun!<br />
Don't forget our deli lunch on<br />
Wednesday 2/9 from 12 to 1 in<br />
Baker House, sponsored by<br />
Kadimah chapter BBW. The<br />
program will be "Cults: The Target<br />
Is You," presented by Rabbi Shaul<br />
Osadchey.<br />
»»»<br />
HP41CV users: due to the interest<br />
shown last semester, we will be<br />
getting together in the near future.<br />
If you are interested in joining this<br />
group, call Wendell at 526-4910 or<br />
Jim at 526-3879.<br />
W0" ' ***<br />
The Houston Center for<br />
Photography will sponsor an<br />
exhibit entitled Agent Orange,<br />
with photos by Wendy Watriss,<br />
Mike Goldwater, and others from<br />
2/19-3/27 at 1440 Harold (in the<br />
Montrose area) from noon to 5PM<br />
Saturdays and Sundays.<br />
Admission is free.<br />
The <strong>Rice</strong> Gay/Lesbian Support<br />
Group will hold an extremely<br />
important (and fun) meeting at<br />
4PM Sunday 2/6. Come and brag<br />
about the cute girl/guy you picked<br />
up last meeting and rap about<br />
other things <strong>of</strong> recent note in your<br />
life. If you have ever come to a<br />
party or meeting, or if you think<br />
you ever will, please call Ann (524-<br />
7389) or David/Greg (524-0724)<br />
for details.<br />
***<br />
<strong>Rice</strong> University ASM will have its<br />
first meeting <strong>of</strong> the semester<br />
Tuesday 2/15 at 7PM in the Baker<br />
Library. Dr Kamel Salama will<br />
speak on "Non-destructive Testing<br />
and Determination <strong>of</strong> Internal<br />
Stress." Refreshments will be<br />
provided.<br />
***<br />
TexPIRG will have an organizational<br />
meeting on Monday 2/7<br />
in Mech Lab 260 at 8PM. Anyone<br />
interested in working with<br />
TexPIRG in any way, shape, or<br />
form should attend. Interested<br />
persons who cannot make the<br />
meeting should contact 527-4099<br />
for more info.<br />
***<br />
Anyone wishing to work at<br />
OWLCON IV, 3/25-27, as a g<strong>of</strong>er<br />
or projectionist contact Karen<br />
Kolker, 526-2149, or come to the<br />
regular RSFAFA meeting<br />
Monday night in SH 307 at 7PM.<br />
Those who g<strong>of</strong>e or project will<br />
receive free passes to the<br />
convention.<br />
iiicorrectoidsiii<br />
In last week's Fondren Library<br />
Patron's Guide the fol<strong>low</strong>ing was<br />
omitted: Conan the Librarian used<br />
by permission <strong>of</strong> Conan<br />
Properties, Inc., and Tom Peyer<br />
•with the Syracuse New Times.<br />
FREE<br />
PREGNANCY TESTS<br />
• Confidential Counseling<br />
• OB-GYN Specialists<br />
• Birth Control Information<br />
• Early Detection <strong>of</strong> Pregnancy<br />
• Termination <strong>of</strong> Pregnancy Through 24 Weeks<br />
—r*——:<br />
4=<br />
X<br />
l',' v<br />
v i-<br />
NEWCASTLE<br />
West Loop Clinic<br />
622-2170<br />
2909 WEST LOOP SOUTH<br />
HOUSTON, TEXAS 77027