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, <strong>Hackerman</strong> <strong>shrugs</strong> <strong><strong>of</strong>f</strong> <strong>low</strong> <strong>ratings</strong> <strong>of</strong> <strong>grad</strong> <strong>programs</strong><br />

by Chris Ekren<br />

University President Norman<br />

<strong>Hackerman</strong> has expressed little<br />

concern over the mediocre <strong>ratings</strong><br />

<strong>of</strong> <strong>Rice</strong>'s <strong>grad</strong>uate program in<br />

recent surveys that place <strong>Rice</strong><br />

be<strong>low</strong> many colleges. The surveys<br />

polled university faculty members<br />

across the country, and ranked<br />

institutions on the basis <strong>of</strong> quality,<br />

effectiveness, improvement and<br />

the faculty's familiarity with the<br />

institution.<br />

At the <strong>Rice</strong> faculty meeting held<br />

Friday, January 28, <strong>Hackerman</strong><br />

stated, "We'll have to be satisfied<br />

with our own assessment, good or<br />

bad."<br />

<strong>Hackerman</strong> argued that <strong>Rice</strong><br />

should not worry itself with polls,<br />

as the small and under<strong>grad</strong>uateoriented<br />

nature <strong>of</strong> <strong>Rice</strong> places it at<br />

a disadvantage in <strong>grad</strong>uate polls.<br />

Commented <strong>Hackerman</strong>, "We<br />

ought to be unconcerned about<br />

<strong>ratings</strong> and not being on the list <strong>of</strong><br />

Volume 70, Number 19<br />

best schools. We should be<br />

concerned about our scholarship.<br />

This attitude should not be taken<br />

as complacency, however."<br />

President Norman <strong>Hackerman</strong><br />

He added, "Jones and Lindsay<br />

(one <strong>of</strong> the studies) made a point to<br />

correlate the relationship between<br />

the size <strong>of</strong> a department and the<br />

potentiality <strong>of</strong> being rated in an<br />

opinion poll. Except for Cal Tech,<br />

it is impossible for a small<br />

institution to insert itself in the top<br />

section.<br />

"Good <strong>ratings</strong> require large<br />

departments; 30 to 70 people. We<br />

have a maximum <strong>of</strong> fifteen people<br />

in a given department."<br />

<strong>Hackerman</strong> continued, "<strong>Rice</strong><br />

will never make these lists in my<br />

opinion. The chances are so small<br />

as to be zero.<br />

"At <strong>Rice</strong>, the quality <strong>of</strong> learning<br />

is spread uniformly across students<br />

and faculty. Most other places<br />

have a dichotomy between<br />

research activity and <strong>grad</strong>uate<br />

instruction. <strong>Rice</strong> pr<strong>of</strong>essors are<br />

interested in both students and<br />

research. I suggest we not deviate<br />

from our dual interests."<br />

Electrical engineering Pr<strong>of</strong>essor<br />

Sydney Burrus suggested that the<br />

poll results be taken seriously. Said<br />

Burrus, "In the rankings <strong>Rice</strong> is<br />

shown to decrease. That bothers<br />

me. The other schools haven't<br />

gotten all that bigger or better."<br />

Burrus .elaborated, "In the<br />

perception <strong>of</strong> outsiders, our<br />

quality has decreased. Whether the<br />

perception is true or not, such a<br />

perception is bad for <strong>Rice</strong>.<br />

"Our reputation, our image<br />

affects the quality <strong>of</strong> students and<br />

pr<strong>of</strong>essors we attract. Roughly the<br />

same people that completed this<br />

survey are the type that review<br />

grant proposals. These peers <strong>of</strong><br />

ours review our papers when they<br />

are submitted for publication.<br />

Their opinion matters."<br />

Material science Pr<strong>of</strong>essor<br />

Franz Brotzen also believes that<br />

<strong>Rice</strong>'s evaluation should be taken<br />

seriously. Said Brotzen, "We are in<br />

the top ten nationally in terms <strong>of</strong><br />

endowment. We certainly are not<br />

even near the top ten in research.<br />

<strong>Rice</strong> is good, yes, but for the<br />

money it has it should be much<br />

better."<br />

THRESHER<br />

Friday, February 4, 1983<br />

Faculty council tables changes in <strong>grad</strong>e policy<br />

by Paul Havlak<br />

The Faculty Council voted last<br />

Friday to table a set <strong>of</strong><br />

recommendations from the<br />

Committee on Examinations and<br />

Standing that proposed <strong>grad</strong>ing<br />

changes.<br />

The Committee had recommended:<br />

"a. that a minimum <strong>grad</strong>e point<br />

average (GPA) for all courses<br />

taken at <strong>Rice</strong> and for all courses in<br />

fulfillment <strong>of</strong> the major taken at<br />

<strong>Rice</strong> be established as a<br />

requirement for <strong>grad</strong>uation.<br />

"b. That the minimum GPA for<br />

all courses taken at <strong>Rice</strong> be 1.67;<br />

that the minimum GPA for all<br />

courses in fulfillment <strong>of</strong> the major<br />

taken at <strong>Rice</strong> be 2.00.<br />

"c. To prevent confusion<br />

between the student's GPA and the<br />

present <strong>grad</strong>ing system, that the<br />

<strong>grad</strong>ing system at <strong>Rice</strong> be changed<br />

GSA finds student housing<br />

by Bruce Davies<br />

Through an agreement with the<br />

<strong>Rice</strong> Graduate Student Association<br />

and the University <strong>of</strong><br />

Houston, <strong>grad</strong>uate students can<br />

now be housed at a housing facility<br />

adjacent to the U <strong>of</strong> H downtown<br />

college.<br />

According to Judy Harper <strong>of</strong> the<br />

U <strong>of</strong> H General Office, <strong>Rice</strong><br />

Graduate Students will be charged<br />

$293.33 monthly for room and<br />

board. That includes maid service<br />

twice a week. Students wanting<br />

singles will be charged $436.66 a<br />

month. The facility also provides<br />

covered parking, a gameroom,<br />

study halls and a swimming pool.<br />

"The only drawback is that it's<br />

not on campus," said GSA<br />

Houston Committee member<br />

Sergio Cabrera, "but it's still a<br />

pretty good deal." The board<br />

consists <strong>of</strong> 13 meals a week,<br />

breakfast and dinner on Monday<br />

through Saturday, and one mea||<br />

on Sunday.<br />

The arrangement originates<br />

from the GSA housing committee<br />

which has sought ways to ease the<br />

burdens on first year <strong>grad</strong><br />

students, especially the large<br />

number <strong>of</strong> out <strong>of</strong> state and foreign<br />

students.<br />

GSA Chairperson Nicole Dolby<br />

states that "This is just a temporary<br />

situation to ease the immediate<br />

burden. We are still talking to the<br />

administration about the <strong>grad</strong>uate<br />

housing problem," said Dolby.<br />

The facility being <strong><strong>of</strong>f</strong>ered by the<br />

U <strong>of</strong> H was originally a hotel that<br />

was purchased by the downtown<br />

campus in 1980 and converted for<br />

use by university students. "It<br />

looked like a relatively nice hotel,"<br />

said Cabrera, "but everything isn't<br />

exactly brand new."<br />

Cabrera, who help to negotiate<br />

the agreement, said that there are<br />

approximately 40 spaces available<br />

for immediate occupancy, and that<br />

the rooms looked "fairly large."<br />

Students interested can contact<br />

Judy Harper <strong>of</strong> the U <strong>of</strong> H General<br />

Office at 225-1781, extensions 122<br />

or 123, or Nicole Dolby, GSA<br />

chairperson at 527-8101, x2580.<br />

•H<br />

Did rains bury someone in the Mudd Building?<br />

M<br />

from 1, 2, 3, 4. 5 to A, B, C, D, F,<br />

where a GPA corresponding to A<br />

is 4.00.<br />

"d. That a current updated GPA<br />

be shown on the student's<br />

permanent record in the registrar's<br />

<strong><strong>of</strong>f</strong>ice."<br />

After students complained that<br />

they were ill-informed about the<br />

proposal at the Student<br />

Association senate meeting on<br />

January 24, several students met<br />

with President Norman <strong>Hackerman</strong><br />

and Dean <strong>of</strong> Under<strong>grad</strong>uate<br />

Affirs Katherine Brown to voice<br />

their opinion. When SA President<br />

Mary Ellen Trunko presented a<br />

petition to the Faculty Council last<br />

Friday asking that the changes (c)<br />

and (d) be put <strong><strong>of</strong>f</strong> until more<br />

student input can be gathered, the<br />

council sent the proposal back to<br />

the Committee on Examinations<br />

and Standing.<br />

The petition, signed by<br />

hundreds <strong>of</strong> students from at least<br />

six colleges, stated:<br />

"This policy (<strong>of</strong> not putting<br />

GPAs on transcripts) prevents<br />

employer and <strong>grad</strong>uate school<br />

'pigeon-holing' because it does not<br />

reduce an individual's accomplishments<br />

at <strong>Rice</strong> to a single number.<br />

Director <strong>of</strong> Student Advising<br />

H.C. Clark agreed somewhat with<br />

this opinion remarking,<br />

"(Calculating a GPA) is deriving a<br />

number to fit a transcript without<br />

looking at the quality <strong>of</strong> the work<br />

done."<br />

The petition also stated, "These<br />

proposed changes may affect the<br />

academic atmosphere at <strong>Rice</strong>. The<br />

distribution system could suffer as<br />

students looked for 'rolls' to raise<br />

their GPAs. Pr<strong>of</strong>essors <strong>of</strong> more<br />

Brotzen continued, "Dr.<br />

<strong>Hackerman</strong> may be correct in that<br />

we have a good faculty. I think so.<br />

We may have the best product in<br />

the world, though, and it will be<br />

useless if we don't sell it."<br />

He refuted <strong>Hackerman</strong>'s<br />

justi' ation, stating, "The size<br />

argument just doesn't hold water.<br />

Cal Tech is smaller than <strong>Rice</strong>.<br />

Stanford has the same or fewer<br />

people in its chemical engineering<br />

department, as well as Delaware,<br />

Princeton and others above us.<br />

The University <strong>of</strong> Houston is<br />

ranked way above us in chemical<br />

engineering."<br />

Brotzen emphasized, "We are<br />

not listed in the top ten in any<br />

discipline. Any."<br />

Commented Brotzen, "What is<br />

most distressing is <strong>Rice</strong>'s <strong>low</strong><br />

improvement scores. Other<br />

schools are passing us right and<br />

left, schools <strong>of</strong> less money and<br />

see Pr<strong>of</strong>s, page 6<br />

INSIDE:<br />

• Introducing a new comic strip<br />

that doesn't copy Doonesbury, p.<br />

» Ntozake Shange takes on <strong>Rice</strong>,<br />

(but will <strong>Rice</strong> take on her?), p. 9<br />

• Prodigies give artists' rendi-<br />

Today is the deadline for<br />

adding courses and pass,/fail<br />

designations.<br />

Measles' vaccinations will be<br />

given from 2-5 p.m. today in the<br />

Wiess PDR.<br />

Campaign statements for<br />

campus-wide <strong><strong>of</strong>f</strong>ices are due Feb.<br />

13 by 5 p.m. in Thresher <strong><strong>of</strong>f</strong>ice<br />

difficult courses might fee!<br />

pressured to change their <strong>grad</strong>ing<br />

standards to keep up enrollment in<br />

their classes."<br />

Clark also noted that the old<br />

quality requirement in which 50<br />

percent <strong>of</strong> a student's credit hours<br />

must rate a 3 or better for<br />

<strong>grad</strong>uation, "encourages students<br />

to experiment with courses they<br />

might not otherwise take."<br />

The petitioners also argued,<br />

"Currently, a team approach to the<br />

rigorous course load at <strong>Rice</strong> is the<br />

rule rather than the exception<br />

see SA, page 8<br />

Campos review masters' safety ideas<br />

by Chris Ekren<br />

The <strong>Rice</strong> Campus Police have<br />

finished reviewing college masters'<br />

suggestions for security<br />

improvements and expect funding<br />

decisions in a matter <strong>of</strong> weeks from<br />

Vice President for Administration<br />

M. Gladu<br />

William W. Akers. According to<br />

Assistant Campus Police Chief<br />

Mary Voswinkel, the majority <strong>of</strong><br />

security spending requests concern<br />

increased lighting around campus<br />

to eliminate dark spots where<br />

students walk and congregate.<br />

"We plan to re-direct the<br />

lighting at Hanszen to*covered<br />

areas in the parking lot currently<br />

dark," said Voswinkel. A woman<br />

was raped the night <strong>of</strong> December 3<br />

in the Hanszen parking lot.<br />

The campos will also<br />

recommend increased lighting in<br />

Allen Center and Lovett College<br />

parking area P-lot, the scene <strong>of</strong> a<br />

rape last spring. Other areas that<br />

should benefit from more<br />

illumination include the Sid<br />

Richardson parking lot, the dirt<br />

parking lot behind Lovett,<br />

shadowed areas around Baker,<br />

and the back <strong>of</strong> Lovett commons.<br />

The lighting plan advocated by<br />

the campus police will concentrate<br />

on the pathways students normally<br />

use at night and the parking lots.<br />

Optimally, a light will be located<br />

every fifty feet.<br />

Said Voswinkel, "We haven't<br />

made many hardware recommendations<br />

beyond the ones about<br />

lights because putting in locks<br />

wouldn't be cost effective. We had<br />

19 thefts in the last month.<br />

Seventeen <strong>of</strong> them were out <strong>of</strong><br />

unlocked rooms. Locks are only<br />

good if they are used."<br />

The Campus Police do not plan<br />

to recommend hiring additional<br />

<strong><strong>of</strong>f</strong>icers, although the department<br />

is currently interviewing to fill one<br />

opening for a patrolman.<br />

Voswinkel commented, "We will<br />

continue to change the patterns <strong>of</strong><br />

patrolling to respond to the area<br />

plagued by thefts."<br />

1'he college requests for more<br />

lighting were organized by Baker<br />

Master Jeffrey Kurtzman.<br />

Voswinkel thinks that Kurtzman's<br />

initial request has caused the<br />

colleges to evaluate their security<br />

situation to everyone's benefit.


Money should be spent<br />

<strong>Rice</strong> University has an endowment <strong>of</strong> about 400 million<br />

dollars. Unfortunately, too much <strong>of</strong> it seems to be gathering<br />

interest. The recent national faculty rankings comparing <strong>Rice</strong><br />

to other institutions tend to support an opinion I have long<br />

held. <strong>Rice</strong> should invest its funds in what it pr<strong>of</strong>esses to believe<br />

in: education.<br />

Specifically, <strong>Rice</strong> should fol<strong>low</strong> the example <strong>of</strong> schools like<br />

Princeton, which plunge millions into teaching and research,<br />

targeting weak departments for extra attention. Princeton<br />

recently decided that it was weak in microbiology, so it is<br />

committing a cool 30 million dollars to excellence. By spending<br />

money on <strong>grad</strong>uate research, Princeton has not compromised<br />

its excellent under<strong>grad</strong>uate program, the program <strong>Rice</strong> was<br />

originally modeled after.<br />

Size in and <strong>of</strong> itself does not confer greatness, and smallness<br />

does not relegate universities to obscurity. With less students to<br />

teach, <strong>Rice</strong> should be able to spend more on the students and<br />

pr<strong>of</strong>essors it does have. Only Princeton has more money per<br />

student than <strong>Rice</strong>, yet over 30 colleges <strong>of</strong>ten overshadow <strong>Rice</strong><br />

in many fields.<br />

<strong>Rice</strong>'s failure to realize its tremendous potential can be<br />

squarely blamed on <strong>Rice</strong>'s administration. A modicum <strong>of</strong> fiscal<br />

conservatism is always prudent. With close to 400 million<br />

dollars, however, <strong>Rice</strong> is very unlikely to wither away. <strong>Rice</strong>'s<br />

Board <strong>of</strong> Governors needs to stop managing investments and<br />

start running an institution <strong>of</strong> higher education.<br />

— Christopher Ekren<br />

Phys Plant fixes my a/c<br />

Last Monday I received a call from the Physical Plant<br />

Director Ed Samfield. He had read about my cold room, and<br />

asked if he could please send his air conditiong expert over to<br />

have a look. I assented, and on Tuesday Tony Ullrich inspected<br />

the vent in my room, affectionately known as 'Dalhart.'<br />

Walking into my room from class Tuesday, I felt a deliciously<br />

foreign sensation: warm air.<br />

"You must have been freezing this winter," Samfield told me<br />

when he checked back later. "We should have heard from you<br />

sooner."<br />

Well, 1 thought he had heard from me sooner. I have told my<br />

B & G representative many times that my room is icy,<br />

Arctic/Antarctic, or a designated Laplander preserve.<br />

1 thought I had gotten the message across. Now it is obvious<br />

that if a student needs repair, he must deal with Physical Plant<br />

directly. Sometimes this is no more efficient than carping to the<br />

B & G, but it least it saves a step.<br />

Physical Plant will not pe<strong>rf</strong>orm any labor until it receives a<br />

work order. My speculation is that students reps fear that<br />

Physical Plant will not let them have their resumd-enhancing<br />

job again if they submit too many work requests.<br />

This fear is everywhere. The Food and Housing director says<br />

he "can't answer for Physical Plant," but will he even ask them<br />

to overhaul the decaying residential buildings on his own<br />

initiative? Will either ask for budget increases?<br />

The campos need another patrol car, but they won't ask for<br />

it. Will Vice President William Akers ask someone for them?<br />

There's an answer out there waiting for the question. Don't<br />

be afraid to ask. Then demand. Make yourself heard until they<br />

do the job. It could get your a/c fixed.<br />

—Jeanne Cooper<br />

knew**., PLEASE! cant**)<br />

W \JEAST WNT 'TIL^NE HEAR.<br />

weVEBKT?<br />

• warn mmc: '.""Hi<br />

The Riec Thresher, February 4, 1983, page 2<br />

NUKING THE HEDGES/by David Curcio<br />

Murder by injection on Death<br />

Row is no better than murder by<br />

handgun in a back alley. In fact, it<br />

is worse. For the killer now is not<br />

some worthless punk wit ha violent<br />

antisocial past, but a sane,<br />

calculating state acting for us all in<br />

the name <strong>of</strong> justice: The street<br />

hoodlum hyped up on drugs<br />

doesn't care or doesn't know <strong>of</strong> the<br />

immorality <strong>of</strong> murder; we know<br />

killing is wrong, yet we sanction it<br />

anyway.<br />

The vain hope <strong>of</strong> preventing<br />

future murders is the standard<br />

justification for capital<br />

punishment. Study after study,<br />

including one in 1978 by the<br />

National Academy <strong>of</strong> Sciences,<br />

has shown that letting the state kill<br />

does not clearly deter people from<br />

killing. While deterrence works<br />

when individuals behave<br />

rationally, murder is most <strong>of</strong>ten an<br />

emotional crime perpetrated by<br />

one who does not weigh the pros<br />

and cons <strong>of</strong> his actions.<br />

Occasionally, the murderer is<br />

aware <strong>of</strong> the consequences, but is<br />

either equally aware <strong>of</strong> the<br />

probability <strong>of</strong> conviction or is<br />

intentionally seeking to take the<br />

risk and bask in the publicity. As a<br />

general deterrent, capital<br />

punishment is a farce.<br />

The real reasons behind the<br />

death penalty are as emotional as<br />

the original killer's motives. Fear<br />

<strong>of</strong> a growing crime rate and the<br />

satisfaction gained from<br />

retribution lurk behind" the<br />

deterrence theory. The fear,<br />

though understandable, is<br />

exaggerated; while the murder rate<br />

has increased in recent decades, it<br />

has now levelled <strong><strong>of</strong>f</strong> at 9.8 per<br />

100,000 population: the same rate<br />

as fifty years ago. Nonetheless, this<br />

powe<strong>rf</strong>ul emotional force has<br />

fostered a movement to make<br />

punishment more severe and less<br />

humane than our current system <strong>of</strong><br />

incarceration and death. It would<br />

be better to channel this force<br />

towards more effective and<br />

positive actions such as controlling<br />

handguns, which are involved in<br />

half <strong>of</strong> American murders.<br />

Retribution does satisfy a<br />

legitimate human and social need.<br />

It convinces us that our system<br />

works in conquering evil.<br />

However, a society that needs to<br />

resort to murder to preserve its<br />

legitimacy hardly seems worth<br />

defending. The doctrine <strong>of</strong> an eye<br />

for an eye serves only to equalize<br />

the moral fabric <strong>of</strong> society with<br />

that <strong>of</strong> its <strong>low</strong>est element.<br />

In response to the inevitable<br />

"what if someone you loved was<br />

n<br />

murdered" question, I have this<br />

answer: while my immediate<br />

reaction would be vengeance, in<br />

the long run, I would rather have<br />

the murderer, not I, live with the<br />

guilt. A lifetime injail is betterthan<br />

a lengthy appeal that dredges up<br />

the horrible memory again and<br />

again. Also, what if someone you<br />

loved was on Death Row?<br />

Partly in recognition <strong>of</strong> the<br />

baseness <strong>of</strong> capital punishment,<br />

some semblance <strong>of</strong> humanism has<br />

been coupled with the fear and the<br />

wrath. Numerous safeguards,<br />

including the lengthy and<br />

expensive appeals process, were<br />

created to ensure that no innocent<br />

person is put to death, and to make<br />

the whole procedure a little less<br />

discriminatory.<br />

More recently, there has been a<br />

trend in America towards<br />

"humane executions." Thus, cells<br />

on Death Row are painted blue<br />

and yel<strong>low</strong>, some have televisions<br />

and, in Texas at least,<br />

UJ<br />

iDccum<br />

HnxCOl U V<br />

electrocuting the person has been<br />

replaced with an allegedly painless<br />

lethal injection.<br />

These "reforms" are the ultimate<br />

in hypocrisy; swabbing the victim's<br />

arm with alcohol before injecting<br />

the poison does not make the<br />

killing any less real or evil.<br />

Replacing the electric chair with a<br />

gurney does not relieve us <strong>of</strong> the<br />

responsiblity for the death.<br />

No one has the right to take<br />

another's life regardless <strong>of</strong> what<br />

that person may have done.<br />

Society does have a right to<br />

remove those who violate this<br />

fundamental proscription from the<br />

mainstream, that is what those hell<br />

holes we call corrections<br />

institutions are for. Killing can<br />

never be justified as a deterrent; it<br />

is done not in pursuit <strong>of</strong> what is<br />

right, but rather in response to a<br />

barbaric element in all <strong>of</strong> us.<br />

Capital punishment is not justice,<br />

it is murder.<br />

Patty Cleary News Editor<br />

Deborah Knaff Fine Arts Editor<br />

Mark Mitchell Sports Editor<br />

John Krueger... Back Page Editor<br />

* * *<br />

Todd Cornett Advertising Manager<br />

Lorraine Farrell Managing Editor<br />

Conrad Reining Photography Editor<br />

Matt Petersen "Copy Editor<br />

Jay Grob Senior Editor<br />

Jeanne Cooper<br />

Editor<br />

Sandra Wasson<br />

Business Manager<br />

Contributing Staff<br />

Assistant Editors David Koralek (Advertising)<br />

Alan Mathiowetz (Sports), Ray Isle (Photography),<br />

Contributing Editors Michele Gillespie,<br />

Harry Wade, Chris Ekren, David Curcio<br />

Graphics Lynn Lytton, John Lemr,<br />

Debbie T oletovich<br />

News Staff Paul Havlak, Bob Terry, Larry Lesser<br />

Sumit Nanda, Ian Davidson, Brad Sevetson<br />

Chris Dieckmann, Joseph Halcyon<br />

Fine Arts Staff Chris Boyer, Ge<strong><strong>of</strong>f</strong>rey Westergard<br />

Andrew Tullis, Barry Watkins, Ge<strong><strong>of</strong>f</strong> Spradley<br />

John Krueger, Ray Isle, Paige Pool, Recta Achari<br />

John Svatek, Allison Kennamer, Rick Hunt<br />

Sports Staff Steve Bailey, Carolyn Burr,<br />

Heather Gillespie, Ed Brittingham, Ed Swartz, Genie Lutz<br />

Kay Abrahams, Mike Friedman, Steve Corbato, Joseph Halcyon<br />

Production Staff Alysha Webb, John Krueger<br />

Susan Sheridan, Elaine Bienkowski, Renate Neuendo<strong>rf</strong><br />

Joyce Ivy, Mark Rome, His ham Smed<br />

Sarah Jordan, Karin Murphy<br />

Photography Staff Tom Cassidy, John Gibson<br />

MikeGladu, David Dean<br />

Business Staff<br />

Assistant Business Manager Susan Brown<br />

Circ lation..' Matt Petersen<br />

Subscriptions David Steffens<br />

Staff Michelle Grant, Jane Mitchell, Kay Gratke<br />

The <strong>Rice</strong> Thresher, the <strong><strong>of</strong>f</strong>icial student newspaper at <strong>Rice</strong> University since 1916, is published<br />

each Friday during the school year, except during examination periods and holidays, by the<br />

students <strong>of</strong> <strong>Rice</strong> U niversity. Editorial and business <strong><strong>of</strong>f</strong>ices are located on the second floor <strong>of</strong> the<br />

<strong>Rice</strong> Memorial Center, P.O. Box 1892, Houston, Texas 77251. Telephone (713) 527-4801 or<br />

527-4802. Advertising information available upon request. Mail subscription rate: $20.00<br />

domestic, $40.00 international, (via first class mail). The opinions expressed herein are not<br />

necessarily those <strong>of</strong> anyone except the writer Obviously.<br />

®I982. The <strong>Rice</strong> Thresher. All rights reserved. xiSS^taS>t<br />

® n<br />

Dux femina facti.


BEYOND THE HEDGES/by Michele Gillespie<br />

Pizza Thugs: Part Two<br />

Aggies indicted for heist<br />

Two former Texas A&M<br />

football players, dismissed in<br />

December by head coach Jackie<br />

Sherill after they allegedly stole a<br />

pizza from a delivery man, have<br />

received misdemeanor indictments<br />

from the Brazos County grand<br />

jurors.<br />

In an indictment alleging assault<br />

and theft, the grand jury named<br />

former A&M freshman defensive<br />

end. Gary Rogers and former<br />

junior linebacker Burnis Simon.<br />

Witnesses for the case included<br />

Rogers, Simon, Sherill and the<br />

delivery man, Brenton Bailey.<br />

Beside dismissal from the<br />

football team and indictment, the<br />

perpetrators <strong>of</strong> the "Pizza Heist<br />

Case" must now undergo<br />

university disciplinary proceedings,<br />

according to A&M<br />

Student Affairs Office Assistant<br />

Director Bill Kibler.<br />

Simon and Rogers have received<br />

notification <strong>of</strong> the proceedings and<br />

must respond by requesting formal<br />

hearings or Kibler will hear the<br />

case without their presence.<br />

Possible disciplinary measures<br />

range from a reprimand to<br />

permanent suspension.<br />

Though Simon and Rogers<br />

attest to a different version <strong>of</strong> the<br />

incident. Bailey, maintains that he<br />

was requested to deliver a pizza to<br />

Room 306C in Cain Hall. Upon<br />

reaching 306C, he discovered the<br />

room was a broom closet and then<br />

was grabbed from behind by two<br />

large men in hoods. One man fled<br />

with the pizza and the other man<br />

shoved him down the stairs. Bailey<br />

was not injured.<br />

Although Simon and Rogers<br />

hve made no comment since the<br />

incident, their statements to the<br />

police claim they found a pizza in a<br />

hallway and after eating part <strong>of</strong> it<br />

were suddenly accosted by an<br />

angry Bailey, who shoved them<br />

away from their spoils. Rogerssaid<br />

he shoved Bailey back accidentally<br />

down the stairs.<br />

Peso devaluation disrupts<br />

UT Mexican students' life<br />

Although Texas university!<br />

<strong><strong>of</strong>f</strong>icials are unable to recite exact<br />

figures, many fear that the<br />

devaluation <strong>of</strong> the Mexican peso<br />

has made financing a college<br />

education very difficult for many<br />

Mexican students. Since foreign<br />

students remain ineligible for any<br />

form <strong>of</strong> U.S. government financial<br />

aid, the Mexican students'<br />

situation may become a desperate<br />

one.<br />

Some schools are providing<br />

short-term financial assistance and<br />

considering long-term financial<br />

assistance <strong>programs</strong> for the future<br />

geared to the needs <strong>of</strong> Mexican<br />

Pepper<br />

UMLD "b «EVE HOUOA ROA^S<br />

CA/avv) TWILIGHT IN<br />

H.C.U<br />

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nsmili<br />

.students. In Mexico, scholarships<br />

are being decreased and fewer<br />

scholarships are given out.<br />

Alma Guzman, a University <strong>of</strong><br />

Texas English major, recently<br />

discussed the financial worries she<br />

and her husband must face.<br />

"We were receiving money from<br />

our families in Mexico. We can't<br />

receive money now because they<br />

were sending us dollars and now<br />

they can't get dollars," Guzman<br />

explained.<br />

"We do have our own money,<br />

and we have saved to come over<br />

here. We are trying to get some<br />

dollars through the border but<br />

they are very expensive," she said.<br />

The Guzmans will have less than<br />

half the money they expected to<br />

have before the devaluation if they<br />

exchange their pesos through the<br />

black market.<br />

Prep queen visits A&M,<br />

falls for esprit de Corps<br />

A recent visit to Texas A&M<br />

University has convinced Lisa<br />

Birnbach, author <strong>of</strong> the Official<br />

Preppy Handbook, to include<br />

A&M in her new venture, another<br />

expose to be entitled Lisa<br />

Birnbach's College Book.<br />

Scheduled for publication in 1984,<br />

the book will include analyses <strong>of</strong><br />

non-academic college life at 150<br />

American colleges and universities.<br />

Focusing on social activities,<br />

political orientation and sexual<br />

attitudes, Birnback's latest<br />

endeavor will be informative but<br />

will not compare or rank the<br />

schools.<br />

"1 want to let people knowabout<br />

each school's climate, politically<br />

and socially," Birnbach stated.<br />

"College — and college students —<br />

have changed a lot just since I was<br />

in school, and I'll be writing about<br />

what it's like to be in school now."<br />

Prompted by students she met at<br />

colleges and universities across the<br />

country while promoting her very<br />

successful Preppy Handbook,<br />

Birnbach realized that a need for a<br />

good guide to college life existed<br />

"This definitely won't be a satire<br />

in the Preppy Handbook vein," she<br />

asserted. "Of course, I'm going to<br />

be as witty and entertaining as<br />

possible but it will be a serious<br />

work, one I hope will be useful."<br />

Birnbach first heard about<br />

Texas A&M only a year ago, but<br />

immediately planned to visit the<br />

school. After spending a day on the<br />

campus, Birnbach was awestruck<br />

by the school's uniqueness, its<br />

dedication to sports, its wealth, its<br />

efforts to up<strong>grad</strong>e the faculty and<br />

its traditions.<br />

"I've never, ever seen such<br />

loyalty or adherence to tradition,"<br />

she commented. "And wherever<br />

we went, students kept smiling and<br />

saying hello. It was truly unlike<br />

by Lynn Lytton<br />

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any other campus. All this will<br />

probably get a chapter <strong>of</strong> its own."<br />

Television trains children,<br />

Harvard researchers find<br />

Dubbed "Project Zero" in 1967<br />

to indicate how little they knew, a<br />

team <strong>of</strong> Harvard researchers have<br />

spent the last fifteen years studying<br />

television's effect upon children's<br />

actions and thought.<br />

The researchers have found that<br />

children as young as two years<br />

learn to make distinctions between<br />

the television world and the world<br />

<strong>of</strong> parents and home. In fact,<br />

television may stimulate children<br />

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to differentiate between fantasy<br />

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Another discovery indicates that<br />

children learn how to interpret<br />

people's feelings much better<br />

through television than through<br />

books. The researchers also believe<br />

that television may aid the<br />

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and foster early abstract<br />

conceptualization.<br />

In one study, researchers<br />

monitored television viewing <strong>of</strong><br />

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sound. The third child consistently<br />

used television as a tool for<br />

discussion, commenting on the<br />

actions and asking questions about<br />

them.<br />

Co-director Howard Gardiner<br />

asserts that television's influence<br />

on children is determined by their<br />

environment. "The degree to<br />

which you relate what you see on<br />

TV is modulated by what you<br />

see in the non-TV world," he said.<br />

"If the people around you talk i n<br />

terms <strong>of</strong> violence, TV can give you<br />

some new ideas. Someone who<br />

lives in an environment that is very<br />

placid wouldn't be inspired by<br />

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The <strong>Rice</strong> Thresher, February 4. 1M83. page 3


THRESHING-IT-OUT<br />

'Leaders' anger Hooper,<br />

food action takes 5 years<br />

To the editor:<br />

I was recently angered and<br />

confused by a letter written by<br />

several <strong>of</strong> our student leaders. This<br />

letter was printed on pages 4 and 5<br />

<strong>of</strong> the January 21, 1983 edition <strong>of</strong><br />

the Thresher. The stated purpose<br />

<strong>of</strong> this letter was to inform the <strong>Rice</strong><br />

community that "the Department<br />

<strong>of</strong> Food and Housing uses<br />

practices which make student<br />

leaders their unwilling policy<br />

enforcers, and the colleges their<br />

unsuspecting operations financiers."<br />

I was just a little bit bothered to<br />

be informed that my college wasan<br />

unsuspecting operations financier,<br />

and even more horrified to find<br />

that my poor student leaders had<br />

been forced to be mere "policy<br />

enforcers." Somehow I had led<br />

myself to believe that I had helped<br />

to elect student leaders that had<br />

enough intestinal fortitude not to<br />

become, unwilling policy enforcers.<br />

I've heard something about<br />

unwilling policy enforcers before,<br />

but I think it was towards the end<br />

<strong>of</strong> World War II.<br />

In the very least, I would like a<br />

student leader that has nerve<br />

enough to admit to his peers that<br />

maybe he is in need <strong>of</strong> some help in<br />

dealing with administrators so<br />

barbaric that they would force my<br />

college to become an unsuspecting<br />

operations financier.<br />

Unsuspecting, sure I'm<br />

unsuspecting. I had no idea that<br />

"administrators routinely ignore<br />

students' legitimate requests." Why<br />

did I have to titeit until now to find<br />

out? Five years elapsed from the<br />

time a variable meal plan was<br />

initially proposed before a serious<br />

proposal was <strong><strong>of</strong>f</strong>ered? What<br />

happened? Were the administrators<br />

too bull-headed to change,<br />

or just too stupid to see that a<br />

SHOOTIN' BLIND/ by Alan Eynon<br />

(Theme music)<br />

Contestant number one, what is<br />

your name, please? #<br />

Contestant 1: My name is Nuclear<br />

Freeze.<br />

Contestant number two, what is<br />

your name, please?<br />

Contestant 2: My name is Nuclear<br />

Freeze.<br />

Contestant number three, what<br />

is your name, please?<br />

Contestant 3: My name is Nuclear<br />

THIS IS THE STORY OF<br />

STUDENTS WHOSE<br />

COMPLE X , ENTANGLED<br />

LlVt'S REVOLVE AROUND<br />

LOVE, JEALOUSy, KEVENGE,<br />

AMD HIGH O P. A.'S<br />

THESE ARt . . .<br />

T,<br />

£©K«<br />

ROOM<br />

variable meal plan would benefit<br />

the student population?<br />

Somehow I think that it took<br />

five years for a serious variable<br />

meal plan proposal, not because <strong>of</strong><br />

the administration's lameness,<br />

although this certainly played a<br />

part, but because it took five years<br />

to find a food committee with the<br />

determination to poll the students<br />

opinions and then to form the<br />

results into a serious specific<br />

recommendation for a variable<br />

meal plan. Next year we will be<br />

<strong><strong>of</strong>f</strong>ered a variable meal plan.<br />

I don't know about you, but I've<br />

become weary with excuses from<br />

my student leaders. Even if I don't<br />

start seeing some action, I'd loveto<br />

stop hearing rationalizations. I'ma<br />

little bit bored with starry-eyed<br />

politicos fostering delusions <strong>of</strong> a<br />

grand new student leadership, who<br />

run away with their tails between<br />

their legs the first time an<br />

administrator says, "I'm sorry, but<br />

our budget won't al<strong>low</strong> it." I don't<br />

need a Utopia; all I wish is that<br />

someone would fix my leaky<br />

faucet.<br />

Rich Hooper<br />

lovett '85<br />

Editor's note:<br />

Rich Hooper is chairman <strong>of</strong> the<br />

Food Committee, which<br />

distributed a variable meal plan<br />

preference poll in mid-November<br />

<strong>of</strong> 1982.<br />

Sadow raises stink over<br />

saga <strong>of</strong> shower, Samfield<br />

To the editor:<br />

With respect to myself, the<br />

history <strong>of</strong> maintenance at this<br />

University has been a sorry one<br />

indeed. In my first year on campus,<br />

the shower in my suite<br />

malfunctioned, reducing it from a<br />

shower into a trickle. We did not<br />

appreciate taking a trickle every<br />

morning, so we went to<br />

extraordinary means to maintain a<br />

Freeze.<br />

Thank you, gentlemen. Please<br />

be seated. Our panelists have a few<br />

questions for you. We'll begin<br />

tonight with Panelist A.<br />

Panelist A: Thank you. Number<br />

One, what do you mean by 'nuclear<br />

freeze*?<br />

I: We must freeze now! No more<br />

nukes! Make the world safe for<br />

state <strong>of</strong> acceptable cleanliness.<br />

Naturally, the request to repair the<br />

shower/trickle was made;<br />

naturally, the shower/trickle was<br />

not repaired for a lengthy period <strong>of</strong><br />

time. Finally, after a repeated<br />

number <strong>of</strong> requests, the repairs<br />

were finally effected, nearly a<br />

month after the first request.<br />

Thankfully, the suite suffered no<br />

more breakdowns in the ensuing<br />

semesters.<br />

Over the Christmas break, my<br />

roommate returned to our room to<br />

make some improvements in it. As<br />

he entered the room, he noticed<br />

suddenly that the door had no lock<br />

on it; it had been removed.<br />

Amazingly, a repairman came to<br />

fix the lock after the first request.<br />

The story might have ended there,<br />

except that the repairman had<br />

done his job well. He had done it so<br />

well that the door was now<br />

impossible to open. This was not a<br />

minor problem, as I came to the<br />

sudden realization that I was<br />

paying $1,500 for a room into<br />

which I could not enter.<br />

All things shall pass, it is said,<br />

and so did this in the end, but not<br />

before four requests were made to<br />

re-repair it and a couple <strong>of</strong> phone<br />

calls from the college secretary to<br />

the Physical Plant to investigate<br />

this situation. In the meantime, we<br />

had to use the door <strong>of</strong> our<br />

suitemates' room, and hope that<br />

they were in. If not, then the<br />

secretary or the master would have<br />

to be bothered.<br />

Now the nightmare is repeating<br />

itself. Our shower became again a<br />

trickle. It was worked upon last on<br />

January 31, 13 days after the<br />

submission <strong>of</strong> the first request for<br />

repair, four days after the<br />

submission <strong>of</strong> a second. Time and<br />

tide wait for no men, eh?<br />

It is out <strong>of</strong> desperation that I<br />

write this letter. A couple <strong>of</strong> weeks<br />

ago the presidents <strong>of</strong> the eight<br />

residential colleges and <strong>of</strong> the<br />

peace<br />

A: Does that include the Russians?<br />

I: Of course! We all have to freeze<br />

so we can live!<br />

A: Number Two: same question.<br />

2: Nope. We can b<strong>low</strong> 'em <strong><strong>of</strong>f</strong> the<br />

planet. It don't matter whether<br />

them Ruskies freeze or not!<br />

A: Then is it any good to fre'eze if<br />

His Roommate , HEvvey va-<br />

HEFT BIFF WELLINGTON/,<br />

kaaRDsek/, is a bR'lliant<br />

A RICH VREF-SCHOOLER<br />

FROM THF EAST COAST, SCANDINAVIAN ELECTRICAL<br />

WHOSE MAIN AWBUION IS<br />

ENGINEERING STUDENT<br />

TO GET /NTO HARVARD MED- WHOSE LIFE'S AMBITION IS<br />

ICAL SCHOOL/ IN SHoFJ , A TO DESIGN advanced<br />

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HIS OTHER ROOMMATE, ARTHUR WE PICK OP THE STORY ONE<br />

DECKO, 15 AN ARTSy HUMAN- DAY AS BIFF'S GIRLFRIEND,<br />

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The <strong>Rice</strong> Thresher, February 4, 1983, page 4<br />

MEANWHILE, HEWEY<br />

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NEXT: DISCOVERY<br />

Student Association advocated<br />

such a means to illuminate the<br />

many problems <strong>of</strong> housing at this<br />

university. 1 <strong><strong>of</strong>f</strong>er my personal<br />

experiences to do iust that.<br />

One might recall the Lovett<br />

elevator, or lack-there<strong>of</strong>, in the last<br />

semester. For over a month it did<br />

not function, or fuctioned only<br />

sporadically, causing inconveniences<br />

to almost everyone in the<br />

college, especially to one student<br />

whose room's location in the<br />

higher reaches <strong>of</strong> the college did<br />

not permit him to climb the stairs<br />

with his cast and crutches. A<br />

temporary room switch was<br />

arranged, and the procrastination<br />

continued. Finally, in frustration,<br />

a sizeable number <strong>of</strong> students sent<br />

a sizeable number <strong>of</strong> letters to the<br />

director. Some were requests for<br />

action, others were pleas for help,<br />

and still others were blatantly<br />

obscene remarks, insinuations, or<br />

otherwise unfit for family reading.<br />

Furthermore, a "sit-in" was<br />

planned a the director's <strong><strong>of</strong>f</strong>ice.<br />

However, this never took place, as<br />

the elevator then was repaired.<br />

Note carefully the sequence <strong>of</strong><br />

events: The elevator is idled for a<br />

number <strong>of</strong> weeks, while little is<br />

done, and then after concentrated<br />

student protesting, it was repaired.<br />

Afterward, the college president<br />

received a letter, stating among<br />

other things, that he had shown, in<br />

effect, poor leadership in al<strong>low</strong>ing<br />

those actions <strong>of</strong> protest to take<br />

place. It might have been poor<br />

leadership, but for poor<br />

leadership, it surely got the job<br />

done.<br />

As those students have<br />

protested, so now do I.<br />

Apparently, the Physical Plant<br />

director responds only in<br />

situations which otherwise might<br />

lead to total embarassment. Like a<br />

child, he is irresponsible. He must<br />

be told time and time again to do a<br />

job, and to do a job correctly. In<br />

we can stin b<strong>low</strong> each other U P ?<br />

2: Of course! Makes 'em feel more<br />

secure so they don't gotta put no<br />

more them missiles in the ground.<br />

A: Number Three, do you agree?<br />

3: Personally, I'd have to say that<br />

in my case, since I advocate<br />

freezing at reduced levels, these<br />

negotiations would have already<br />

taken place. The stage, then, is<br />

already set for a second round.<br />

A: Thank you, Number Three! Let<br />

me collect myself. There's just so<br />

many different ideas—<br />

(A gong sounds)<br />

I'm sorry, Panelist A, but your<br />

time is up. Panelist B, you may<br />

proceed.<br />

the interim, residents <strong>of</strong> the<br />

colleges must continuetosuffe<strong>rf</strong>or<br />

his procrastination and his<br />

inefficiency. In order to get action<br />

done to the Lovett elevator, the<br />

students had to <strong>low</strong>er themselves<br />

to his level; now, in order to<br />

cleanse myself <strong>of</strong> this effluvium, I<br />

reluctantly must do the same.<br />

I could, <strong>of</strong> course, avail mvself<br />

<strong>of</strong> calling the director <strong>of</strong> Food and<br />

Housing, which I have had done<br />

several times in the past in regards<br />

to my door, the shower, the<br />

elevator, ad nauseum, even though<br />

he has said that he "cannot answer"<br />

for the Physical Plant. The point<br />

here is, <strong>of</strong> course, that these repairs<br />

should be effected without there<br />

ever being a need to call the<br />

director <strong>of</strong> Food and Housing at<br />

all. Such, then, is the maintenance<br />

at <strong>Rice</strong> University.<br />

I only can echo the plea <strong>of</strong> our<br />

editor. Jones has unbearably hot<br />

water. Wiess has rats. Baker has a<br />

leaky basement. Lovett is too<br />

hot/too cold/too ugly, and it has a<br />

room in which its inhabitants can<br />

take only a trickle.<br />

I only can echo the plea <strong>of</strong> our<br />

presidents. If the administration<br />

desires a battle with the student<br />

body over this, then it may have<br />

one. After all, we shall be here for<br />

only a few years, so the problems<br />

can outlive us easily. The shower<br />

wil remain unfixed, and I shall<br />

stink still, although not as badly as<br />

the administration will in this<br />

matter.<br />

If it wishes, the administration<br />

can win this battle, if it is a battle at<br />

all, or should be. It would be a<br />

Pyrrhic victory, however, as along<br />

with no maintenance complaints<br />

there will be no students, either.<br />

Now, that stinks.<br />

Jonathan C. Sadow<br />

Lovett '84<br />

Editor's note:<br />

Jonathan Sadow prefaced his<br />

see Threshing-it-out, page 5<br />

2: Don't matter to me. All we gotta<br />

do is freeze. Them Ruskies'll know<br />

we mean business. They're good<br />

folk.<br />

B: But does a freeze make nuclear<br />

war less ljkejy, Number One?<br />

1: No! But at least—<br />

(A gong sounds)<br />

I'm terribly sorry, guys! It's time<br />

for Panelist C to take charge.<br />

C: zzzzzzzz...nk! My turn? Uh,<br />

Number One, what about<br />

modernizing or re-deploying our<br />

existing forces?<br />

1: Absolutely not! Freezes are like<br />

wage-price controls! We maintain<br />

forces at current equilibrium .! No<br />

changes! Cuts come later!<br />

B: Thanks. Number One, you C: Number Three?<br />

advocated a simultaneous freeze—<br />

3: I tend to agree with-<br />

1: That's right!<br />

2: Well I don't! Them Ruskies<br />

B: — —How Ho< does this affect U.S. would get buried in a high-tech<br />

security?<br />

race!<br />

1: Not in the least! We'll be just asi<br />

strong as ever, and so will the<br />

Russians! We could still b<strong>low</strong> up<br />

the world 16-odd times!<br />

B: Yes, but aren't current<br />

negotiations farther advanced?<br />

Wouldn't we have to start all over<br />

again. Number Two?<br />

C: So much disagreement! How<br />

will we ever decide what kind <strong>of</strong> a<br />

freeze—<br />

(The gong sounds three times)<br />

I'm sorry! We've got to wrap up<br />

the show. Will the real Nuclear<br />

Freeze please stand up?


THRESHING-IT-OUT<br />

continued from page 4<br />

letter with a "poem" that he<br />

described as-suitable for the back<br />

page, although he preferred to<br />

submit to the letters section in view<br />

<strong>of</strong> his "desperate situation." While<br />

the Thresher empathizes with his<br />

frustration at the poor physical<br />

condition <strong>of</strong> his room, the<br />

"childish and immature" (Sadow's<br />

words) nature <strong>of</strong> the "poem"<br />

relegates it to the back page.<br />

Sadow's letter conveys his<br />

opinions well enough in prose not<br />

to need such a preface. References<br />

to the poem in the body <strong>of</strong> the<br />

letter were deleted by the editor.<br />

Retired Episcopalians rail<br />

at Mother <strong>of</strong> God, Jeanne<br />

' To the editor<br />

Jeanne, Jeanne, Jeanne, you<br />

have truly taken charge <strong>of</strong> the<br />

Thresher. Mother <strong>of</strong> God, we have<br />

not seen any person in years with<br />

as much vigour and zeal as you<br />

have exhibited in your programme<br />

for reformation <strong>of</strong> our dear<br />

campus tabloid. And we are very<br />

glad you have been able to take our<br />

piece <strong>of</strong> "misclass" and use it in the<br />

establishment <strong>of</strong> your new<br />

journalistic "canon law" for the<br />

Thresher. Nevertheless, we are<br />

concerned that you have taken our<br />

letter which was placed in the<br />

Misclass Box (solely for<br />

consideration as such) and have<br />

used it in the grounding <strong>of</strong> your<br />

new policy for Threshing-It-Out.<br />

The letter which we submitted<br />

was Misclass — including the<br />

signature. It was never meant to be<br />

part <strong>of</strong> some supposedly<br />

meaningful discussion <strong>of</strong> ideas. It<br />

was and remains simply words to<br />

be read in Misclass, to give cause<br />

for an occasional laugh, and<br />

nothing more. Surely no one<br />

would read a letter in Misclass<br />

signed "Two Episcopalians,<br />

Retired" and regard it as the Truth.<br />

We originally composed a<br />

response to Mr. Anderson's<br />

confession that questioned his<br />

theology or rather the lack <strong>of</strong> it,<br />

but we realised that our questions<br />

and opinions <strong>of</strong> a serious nature<br />

would be best delivered in person<br />

and not relegated to the lines <strong>of</strong><br />

Threshing-It-Out. However, we<br />

had in sheer jest written a comic<br />

piece <strong>of</strong> literary fluff and thought it<br />

appropriate for the Misclass. We<br />

anticipated no one taking it<br />

seriously, but alas and well-a-day!<br />

Ultimately, Jeanne, we question<br />

how important a name is to the<br />

editorial staff after reading the<br />

review <strong>of</strong> the Main Street Theatre's<br />

most recent production, a review<br />

by one Wiggy Martin. Were we<br />

simply to be confused by the aside<br />

"—Speak for yourself, Ray. Ed."?<br />

Is there a Wiggy Martin who wrote<br />

the review, or is the author's name<br />

Ray Isle? If we had signed our<br />

names as Fred Schiller-Jones '84<br />

and Johnny Goethe-Wiess '86,<br />

would you have simply published<br />

it, or would you have investigated<br />

these names to discover their<br />

authenticity?<br />

We are glad our Misclass item<br />

was <strong>of</strong> service to you, Jeanne. We<br />

only wish it would have served the<br />

humour <strong>of</strong> our academic<br />

community.<br />

The Two Episcopalians, Retired<br />

Vincent W. Uher, III<br />

Baker '85<br />

Ian L. Hersey<br />

SRC '84<br />

Editor's note:<br />

Through an unexplained mixup,<br />

the Two Episcopalians,<br />

Retired's first letter appeared in<br />

the editor's box. However, the<br />

letter would not have appeared in<br />

the Misclass section even if it had<br />

been found in its proper place.<br />

To say that the letter contains no<br />

argument <strong>of</strong> ideology, but is meant<br />

"to give cause for an occasional<br />

laugh, and nothing more" is a<br />

deliberately naive pretense. Simply<br />

because the tone is both<br />

patronizing and needling, and the<br />

language prances humorously with<br />

quasi-British smugness, does not<br />

alter the basic rebuttal nature <strong>of</strong><br />

the letter.<br />

Furthermore, no matter what<br />

the manifest intent <strong>of</strong> the letter, it<br />

latently functions as a personaljibe<br />

at Jim Anderson. The letter may<br />

not, after all, be a "meaningful<br />

discussion <strong>of</strong> ideas," but it is a<br />

sharp critique <strong>of</strong> Anderson. One<br />

can infer from their argument<br />

"questions and opinions <strong>of</strong> a<br />

serious nature would be best<br />

delivered in person" that saying<br />

someone is "deluded" or has a<br />

"nebulous, childlike vision <strong>of</strong><br />

God"" is not <strong>of</strong> a serious nature.<br />

Moreover, one can infer from<br />

the same argument that personal<br />

attacks are thus best delivered<br />

anonymously in a public forum.<br />

No one might have taken the letter<br />

seriously if printed in the Misclass,<br />

but after reading Anderson's name<br />

10 times, they might not have<br />

taken Anderson seriously again.<br />

Perhaps I share the Balinese<br />

inclination to avoid using personal<br />

names unless for intimacy;<br />

nevertheless, in your pretty, verbal<br />

onslaught, Anderson lost 10-0.<br />

The argument that "surely no<br />

one would read a letter in Misclass<br />

signed 'Two Episcopalians,<br />

Retired' and regard it as the Truth "<br />

is not supported by reaction to<br />

many Misclass entries this year.<br />

Bert the Big Dog, Frustrated<br />

Blonde, Zorro: all <strong>of</strong> these writers<br />

have been taken seriously enough<br />

to evoke intensely felt response. I<br />

still believe the unseen author<br />

garners more, shall we say,<br />

authority in his freedom from<br />

personal questioning.<br />

The original letter asked if the<br />

activities <strong>of</strong> the Bible-studying<br />

students that Anderson praised<br />

were "productive <strong>of</strong> good." Yet<br />

was the letter itself productive <strong>of</strong><br />

good? If the writers indeed had<br />

"questions and opinions <strong>of</strong> a<br />

serious nature," why could they<br />

not have been incorporated them<br />

for the benefit <strong>of</strong> readers who may<br />

not know so much theology, or be<br />

able to discuss it so eloquently?<br />

Why try instead to rob Anderson<br />

<strong>of</strong> "that which not enriches<br />

(them), I And makes (him) poor<br />

indeed"?<br />

I mentioned in an early editorial<br />

that unsigned letters will be<br />

relegated to the Misclass, but I did<br />

• not say all would be printed. Some<br />

letters simply require a signature.<br />

The reviewer, <strong>of</strong> Main Street<br />

Theater was indeed Ray Isle, and<br />

his name ought to have appeared<br />

with his comments; the "Ed."<br />

referred to the section editor, and<br />

not to myself. Authorship <strong>of</strong><br />

submissions is verified as much as<br />

possible. Finally, I know who<br />

Schiller and Goethe are, and if they<br />

were alive, they'd probably be in<br />

Baker or Will <strong>Rice</strong>.<br />

Since the authors have revealed<br />

themselves, here is the text <strong>of</strong> their<br />

original letter:<br />

Mr. Anderson must be specific<br />

as to which God he is referring in<br />

his opening question, "When was<br />

the last time you felt the presence<br />

<strong>of</strong> God in your life?" Does he mean<br />

Jesus, since he confuses the<br />

concept <strong>of</strong> the person <strong>of</strong> Jesus with<br />

the term God later on in his<br />

"confession"? Do only those<br />

involved in the <strong>Rice</strong> Christian<br />

organizations feel the presence <strong>of</strong><br />

God as he so absurdly intimates?<br />

His further invocation <strong>of</strong> the<br />

blessings <strong>of</strong> his God upon<br />

members <strong>of</strong> Christian ecclesial<br />

(sic) crowds at <strong>Rice</strong> we will not<br />

question.<br />

Indeed, it may be "different" for<br />

more <strong>Rice</strong> students to be in "Bible<br />

studies," partying only in Christian<br />

circles and coming out <strong>of</strong> the closet<br />

to babble Jesus' name, but is this<br />

productive <strong>of</strong> good?<br />

"By now you've looked down<br />

the page to see who is writing this<br />

stuff about Jesus." Really!<br />

Heret<strong>of</strong>ore Mr. Anderson has only<br />

made a passing reference to the<br />

utterance <strong>of</strong> the name <strong>of</strong> Jesus. Is<br />

Jesus God? We further regret that<br />

Mr. Anderson has been deluded<br />

for so long.<br />

He writes <strong>of</strong> making an easy<br />

mental and spiritual choice for his<br />

myth <strong>of</strong> Jesus, but in stating that it<br />

was physically and socially<br />

difficult, is this to refer to some<br />

form <strong>of</strong> asceticism on the order <strong>of</strong><br />

hair shirts or the giving up <strong>of</strong> beer?<br />

What pretense in imagining that<br />

Jesus lives His life through Mr.<br />

Anderson! Does he have a<br />

crucifixion planned for himself?<br />

We shan't toy with his nebulous,<br />

childlike vision <strong>of</strong> God answering<br />

his prayers.<br />

We are so very happy that Mr.<br />

Anderson found the confessional<br />

experience so simple in the light <strong>of</strong><br />

the excruciating processes toward<br />

belief <strong>of</strong> so many literate<br />

Christians.<br />

Concerning the next "paragraph,"<br />

We would hope Mr.<br />

Anderson would have the inner<br />

strength to take responsibility for<br />

himself and to find security outside<br />

<strong>of</strong> the intervention <strong>of</strong> the<br />

supernatural.<br />

The theories Mr. Anderson<br />

espouses in the next "paragraph"<br />

contradict everything which has<br />

gone before. Suddenly he calls<br />

upon the individual to act instead<br />

<strong>of</strong> letting his God coerce him to His<br />

Will. Would he have us believe that<br />

all one must do is make a conscious<br />

decision for Jesus and life will be<br />

peachy-keen? Would he have us<br />

believe that God would withdraw<br />

His Grace from those who don't<br />

babble the name <strong>of</strong> Jesus?<br />

Is Mr. Anderson so learned and<br />

so endowed with the Holy Spirit<br />

that he may disregard Hugh and<br />

Richard <strong>of</strong> St. Victor and forget<br />

that the universe, according to<br />

these men <strong>of</strong> mystical gifts, is<br />

wholly revelatory <strong>of</strong> the Divine in<br />

every bit <strong>of</strong> empirical data? Mr.<br />

Anderson seems to rely on God<br />

now to win his arguments for him<br />

instead <strong>of</strong> using his own mental<br />

faculties. (Your outlook, your<br />

perspective, sir, is hideously<br />

warped.)<br />

Dear, dear Mr. Anderson, you<br />

have not a clue as to the authentic<br />

nature <strong>of</strong> a miracle, do you, poor<br />

chap? Are we to assume God is<br />

simple, that we mere mortals may<br />

perceive the Ineffable?<br />

In the words <strong>of</strong> the great Kyot:<br />

"Silly fool, impetuous brat!<br />

Dost thou know where thou art at?<br />

Dost thou know thy true God's<br />

name?<br />

Jesus and Father, one and the<br />

same?<br />

Whilst thou be at it, consider this<br />

see Threshing, page 6<br />

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<strong>Hackerman</strong> states. We are not a research machine'<br />

Pr<strong>of</strong>s urge commitment to paying for faculty excellence<br />

continued from page I<br />

reputation, schools with less gifted<br />

students."<br />

Brotzen thinks that <strong>Rice</strong> needs<br />

more "first-rate" names, names<br />

that can be bought as some<br />

universities do, or built through<br />

generous funding <strong>of</strong> young and<br />

promising <strong>grad</strong>uates.<br />

Said Brotzen, "We need a plan.<br />

We need to concentrate in a few<br />

areas, decide which <strong>programs</strong> need<br />

improvement first as Princeton<br />

does. Princeton was originally a<br />

model for <strong>Rice</strong>. We would do well<br />

to fol<strong>low</strong> their example now. It is<br />

easier to go to a contributor and<br />

say 'we need $200,000 for two<br />

super pr<strong>of</strong>essors,' rather than just<br />

say 'We need $200,000.'<br />

"Our biochemistry department<br />

is terrific. Why? Because they<br />

targeted people and got them. The<br />

enemy <strong>of</strong> understanding is<br />

mediocrity."<br />

Visiting mathematics Assistant<br />

Pr<strong>of</strong>essor Frank Morgan, on leave<br />

for one year from Massachusetts<br />

Institute for Technology,<br />

concurred with some <strong>of</strong> Brotzen's<br />

points.<br />

Said Morgan, "President Kelly<br />

<strong>of</strong> Tulane has done what <strong>Rice</strong><br />

needs to do. He has raised a lot <strong>of</strong><br />

funds, moving Tulane from the red<br />

to the black. He's increased faculty<br />

salaries 20 percent, increased<br />

average freshman SAT scores and<br />

AWMMh<br />

aggressively recruited faculty."<br />

He continued, "Bowen <strong>of</strong><br />

Princeton has shown that a school<br />

can be respected as both a <strong>grad</strong>uate<br />

and under<strong>grad</strong>uate institution.<br />

<strong>Rice</strong> is a fine school, with its<br />

commitment to under<strong>grad</strong>uate<br />

education and its college system.<br />

<strong>Rice</strong> deserves to be the preeminent<br />

school <strong>of</strong> the South in the future as<br />

well as now.<br />

"The best way to assure that is to<br />

aggressively seek the best faculty<br />

and give them the resources they<br />

need."<br />

Chairman <strong>of</strong> the English<br />

department Alan Grob feels that<br />

<strong>Rice</strong>'s reputation in the academic<br />

community is generally excellent,<br />

but is concerned with the survey<br />

results.<br />

Said Grob, "I think these<br />

rankings obviously have a selffulfilling<br />

quality. Nevertheless, I<br />

feel that in my department we have<br />

a very good teaching faculty. We<br />

have college masters, people<br />

involved greatly with students. A<br />

lot <strong>of</strong> top-rated universities don't<br />

bother with things like that."<br />

Grob noted, "Over half <strong>of</strong> the<br />

English department between 1979<br />

and 1982 wrote books, books<br />

published by good presses. Our<br />

only major loss was David Minter,<br />

who went to Emory as their Dean<br />

<strong>of</strong> Letters and Sciences. We<br />

just couldn't match that <strong><strong>of</strong>f</strong>er."<br />

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The <strong>Rice</strong> Thresher, February 4. 1983, page 6<br />

He continued, "No matter what<br />

<strong>Rice</strong> does, there is always the<br />

obstacle <strong>of</strong> institutional history.<br />

We gave our first Ph.D. in English<br />

in 1954. Chicago, Stanford,<br />

Berkeley and schools <strong>of</strong> that<br />

caliber have been around a lot<br />

longer."<br />

Grob stated, "We need to make<br />

an effort to improve our research<br />

image, but not at the expense <strong>of</strong><br />

inculcating indifference to<br />

teaching."<br />

He feels that a better leave policy<br />

and library might help <strong>Rice</strong> in the<br />

area <strong>of</strong> research. Said Grob, "All<br />

<strong>of</strong> the really great research<br />

institutes have a better policy <strong>of</strong><br />

leaves than <strong>Rice</strong>. Leaves serve to<br />

enrich the faculty. They al<strong>low</strong> the<br />

faculty to take part in research<br />

without adversely impacting their<br />

teaching. A program <strong>of</strong><br />

competitive leaves would help<br />

increase <strong>Rice</strong>'s output <strong>of</strong><br />

research."<br />

He added, "We could also use a<br />

better library."<br />

<strong>Hackerman</strong> believes that <strong>Rice</strong>'s<br />

leave policy is "among the most<br />

liberal around," indeed that the<br />

sabbatical leave policy is <strong>of</strong>ten<br />

abused.<br />

Regarding <strong>ratings</strong>, <strong>Hackerman</strong><br />

stated, "I can't say that <strong>ratings</strong><br />

have nothing to do with grant<br />

money. However, <strong>Rice</strong>'s draw <strong>of</strong><br />

grant money has steadily<br />

increased. Grants are based on<br />

individuals, not so much on<br />

institutions."<br />

He noted, "We have ideally a<br />

constant number <strong>of</strong> faculty and<br />

students. To increase our staff<br />

would require new buildings, new<br />

facilities. We have chosen to spend<br />

on students. Every students here<br />

costs us $13,000 from the<br />

endowment. The important thing<br />

is that <strong>Rice</strong>'s focus is on teaching<br />

and learning."<br />

<strong>Hackerman</strong> emphasized, "We<br />

are not a research machine. Both<br />

pr<strong>of</strong>essors and students come here<br />

to learn. If we are being rated for<br />

just research, <strong>Rice</strong> will never be the<br />

absolute best."<br />

Four earn endowed pr<strong>of</strong>essorships<br />

Four <strong>Rice</strong> University faculty<br />

members who have won wide<br />

recognition for accomplishments<br />

in their pr<strong>of</strong>essional fields have<br />

been honored with endowed<br />

pr<strong>of</strong>essorships.<br />

Dr. Richard E. Smalley, a<br />

member <strong>of</strong> the <strong>Rice</strong> chemistry<br />

faculty since 1976, will fill the new<br />

Gene and Norman <strong>Hackerman</strong><br />

Chair in Chemistry. Smalley is<br />

widely known for his pioneering<br />

research, including the interaction<br />

<strong>of</strong> lasers with molecules at very <strong>low</strong><br />

temperatures. Currently Smalley is<br />

studying properties <strong>of</strong> molecular<br />

Dr. Richard E. Smalley<br />

beams <strong>of</strong> metal clusters; the beams<br />

are generated by techniques<br />

invented during his research.<br />

The new chair was established<br />

by Paul N. Howell, a Houston<br />

industrialist, and Mrs. Howell, to<br />

honor <strong>Rice</strong> University President<br />

<strong>Hackerman</strong> and his wife. Dr.<br />

<strong>Hackerman</strong>, an internationally<br />

recognized chemist, has been<br />

<strong>Rice</strong>'s president since 1970 and is<br />

the immediate past chairman <strong>of</strong><br />

the National Science Board.<br />

Commented Smalley, "I take<br />

this (the chair) as evidence <strong>of</strong><br />

8<br />

•<br />

•<br />

<strong>Rice</strong>'s support <strong>of</strong> basic research,<br />

and <strong>of</strong> course, I'm very happy to<br />

receive it."<br />

Dr. Sydney M. Lamb<br />

Dr. Sydney M. Lamb, an<br />

internationally known authority<br />

on linguistics, becomes <strong>Rice</strong>'s first<br />

Agnes Cullen Arnold Pr<strong>of</strong>essor <strong>of</strong><br />

Linguistics. Chairman <strong>of</strong> the<br />

fledgling linguistics department,<br />

Lamb has been a member <strong>of</strong> the<br />

<strong>Rice</strong> faculty since 1981.<br />

The Arnold Trust established<br />

this pr<strong>of</strong>essorship in memory <strong>of</strong><br />

Mrs. Agnes Cullen Arnold, a <strong>Rice</strong><br />

Dr. Katherine Fischer Drew<br />

alumna and prominent Houston<br />

civic leader.<br />

OFF ANYS<br />

DEEP DISH PIZZA 3«<br />

526-9780<br />

4100 Mandell Between Richmond & W. Alabama<br />

Dr. Katherine Fischer Drew, a<br />

<strong>Rice</strong> alumna and one <strong>of</strong> the<br />

nation's distinguished medievalists,<br />

becomes the Harris<br />

Masterson, Jr. Pr<strong>of</strong>essor <strong>of</strong><br />

History. Drew has been on the<br />

<strong>Rice</strong> history faculty since 1950.<br />

The pr<strong>of</strong>essorship honors the<br />

memory <strong>of</strong> Reverend Masterson,<br />

an Episcopal priest and longtime<br />

director <strong>of</strong> Autry House. Current<br />

Texas A&M President Frank<br />

Vandiver previously held the chair.<br />

Dr. Martin J. Wiener, who has<br />

won recognition on both sides <strong>of</strong><br />

the Atlantic for his research and<br />

Dr. Martin J. Wiener<br />

publications on British history,<br />

becomes the Mary Gibbs Jones<br />

Pr<strong>of</strong>essor <strong>of</strong> History. Wiener<br />

garnered acclaim for his book<br />

English Culture and the Decline <strong>of</strong><br />

the Industrial Spirit, 1850-1980,<br />

and was asked to speak on the<br />

subject in Japan last month.<br />

Houston Endowment, Inc.<br />

established his pr<strong>of</strong>essorship to<br />

honor the memory <strong>of</strong> the widow <strong>of</strong><br />

Jesse H. Jones who, in her own<br />

right, was a longtime friend and<br />

supporter <strong>of</strong> <strong>Rice</strong>, and a moving<br />

force in Houston's cultural and<br />

educational life. Dr. Wiener joined<br />

the <strong>Rice</strong> history faculty in 1967.<br />

THRESHING-IT-OUT<br />

too continued from page 5<br />

His Name may be Buddha or<br />

• Harvey the Jew."<br />

LARGE • One who knows corrects<br />

• • Brown article information<br />

CO 5<br />

a.<br />

X<br />

V<br />

To the editor:<br />

Your article in the recent issue<br />

relating to George R. Brown is a<br />

good one and quite appropriate.<br />

However; in one respect it is not<br />

correct. George entered <strong>Rice</strong> as a<br />

freshman in the fall <strong>of</strong> 1916, as a<br />

member <strong>of</strong> the class <strong>of</strong> 1920. He<br />

returned to<strong>Rice</strong>as a sophomore in<br />

the fall <strong>of</strong> 1917. He left <strong>Rice</strong> at the<br />

end or near the end <strong>of</strong> the fall<br />

semester in December 1917 and<br />

^entered the service.<br />

I entered <strong>Rice</strong> in the fall <strong>of</strong> I9l 7,<br />

class <strong>of</strong> 1921.<br />

H. Malcolm Lovett


Heliums given grant to explore platelet response to stress<br />

by Todd Giorgio<br />

The National Institute <strong>of</strong> Health<br />

recently awarded $324,000 in a<br />

three-year grant to Dr. Jesse D.<br />

Heliums, Dean <strong>of</strong> the George R.<br />

Brown School <strong>of</strong> Engineering and<br />

pr<strong>of</strong>essor <strong>of</strong> chemical engineering.<br />

The grant will fund the seventh,<br />

eighth and ninth years <strong>of</strong> a<br />

research program involving the<br />

determination <strong>of</strong> blood platelet<br />

response to shear stress. Results<br />

from Heliums' research may lead<br />

to more effective treatment <strong>of</strong><br />

vascular diseases.<br />

Shear stress is the frictional<br />

force exerted on a fluid as it f<strong>low</strong>s<br />

around an object or through a<br />

conduit. Although platelets, the<br />

cellular components <strong>of</strong> blood<br />

which play a key role in clotting,<br />

normally begin to aggregate and<br />

release specific biochemical<br />

substances at the site <strong>of</strong> an injury<br />

through biochemical mechanisms,<br />

shear stress may mimic<br />

biochemical signals in some cases.<br />

Research by Heliums and his<br />

research team in conjunction with<br />

the University <strong>of</strong> Texas Medical<br />

School and the Baylor College <strong>of</strong><br />

Medicine has shown that platelets<br />

can also be activated through the<br />

application <strong>of</strong> shear stress. Platelet<br />

response is hypothesized by<br />

Heliums as a function <strong>of</strong> both<br />

shear stress levels and the length <strong>of</strong><br />

time stress is applied.<br />

Past studies at <strong>Rice</strong>, also funded<br />

by NIH grants, have examined the<br />

response <strong>of</strong> platelets to shear stress<br />

exposure through times ranging<br />

from a few seconds to minutes.<br />

Present research involves platelet<br />

response at approximately .001<br />

seconds in duration.<br />

Recent studies indicate that the<br />

response to shear stress in the<br />

intermediate time range (on the<br />

order <strong>of</strong> seconds) is <strong>of</strong> great<br />

importance. A new project is<br />

underway in which an instrument<br />

will be developed which will aid in<br />

the assessment <strong>of</strong> platelet function<br />

continuously in a controlled shear<br />

field.<br />

Helium's previous research<br />

indicates that at the exposure times<br />

and shear stresses characteristic <strong>of</strong><br />

certain devices such as disc-type<br />

artificial heart valves and kidneydialysis<br />

machines, platelet<br />

aggregation can occur. Such<br />

aggregation may lead to internal<br />

blood clotting or decreased<br />

platelet activity. Several types <strong>of</strong><br />

Gottlieb advocates nuclear freeze<br />

by Mark Rome<br />

Dr. Sanford Gottlieb, executive<br />

director <strong>of</strong> United Campuses<br />

Against Nuclear Weapons<br />

(UCAM), discussed the nuclear<br />

arms race in the United States in a<br />

speech last week on campus.<br />

His organization UCAM, a<br />

conglomerate <strong>of</strong> over 500 studentfaculty<br />

groups from universities<br />

and colleges around the world,<br />

hopes to bring about a freeze in the<br />

nuclear weapons build-up in order<br />

to lessen the likelihood <strong>of</strong> nuclear<br />

war. UCAM currently focuses its<br />

attention on a bi-lateral agreement<br />

between the U.S. and the Soviet<br />

Union.<br />

Gottlieb began his talk by<br />

noting, "The new peace movement<br />

really began because we had a<br />

wonde<strong>rf</strong>ul recruiting team named<br />

Reagan, Haig and Weinberger,<br />

who spent the better part <strong>of</strong> 1981<br />

talking about limited nuclear war,<br />

and survivable nuclear war, and<br />

announcing that over a five-year<br />

period that there would be a $1.6<br />

trillion military budget."<br />

Their success, Gottlieb said,<br />

resulted from convincing most<br />

Americans that either the U.S. or<br />

the U.S.S.R. could trigger a<br />

nuclear war.<br />

He believes the new peace<br />

movement differs from older ones<br />

in that it has attracted many<br />

respected individuals. The nuclear<br />

freeze movement has also<br />

increased its political influence in<br />

several significant areas.<br />

"One (area) is that while Reagan<br />

scared the bejeezus out <strong>of</strong><br />

everybody by talking about limited<br />

nuclear war in '81, by '82 he had<br />

disavowed it," said Gottlieb. "He<br />

(Reagan) had admitted publicly<br />

that there could be no limited<br />

nuclear war."<br />

Gottlieb outlines a second area<br />

<strong>of</strong> influence, "Because <strong>of</strong><br />

American pressures, peace<br />

movements' pressures, and<br />

European governments' pressures<br />

on the United States, this<br />

administration started negotiations<br />

with the Soviet Union on two<br />

sets <strong>of</strong> talks, one on European<br />

missiles, the other on strategic<br />

arms reduction."<br />

According to Gottlieb, this act<br />

marked a change in stance by the<br />

Reagan administration, which<br />

came into <strong><strong>of</strong>f</strong>ice "committed to a<br />

military build-up before even<br />

beginning to think about talking to<br />

the Soviets about arms reduction."<br />

Although Gottlieb admitted<br />

that American policy has not yet<br />

been altered by the peace<br />

movement, he foresees a change. If<br />

President Reagan runs for reelection<br />

in 1984, his only platform<br />

will be arms control. "I suspect<br />

that its entirely feasible, however<br />

bizarre this may seem in January<br />

<strong>of</strong> 1983, to have us witness in 1984<br />

a Ronald Reagan running as a<br />

peace candidate," Gottlieb<br />

• commented.<br />

For these reasons, Gottlieb<br />

predicts that some kind <strong>of</strong> peace<br />

agreement will be made during the<br />

Reagan administration, if only due<br />

to a "political necessity pushing<br />

Reagan in that direction."<br />

Gottlieb proposed two other<br />

reasons for being hopeful about<br />

the likelihood <strong>of</strong> peace<br />

negotiations in the near future.<br />

First, he suggested, "the politics <strong>of</strong><br />

the situation are what we shoul^<br />

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"I feel that a lot <strong>of</strong> people have<br />

an unformed notion that somehow<br />

the questions <strong>of</strong> war and peace are<br />

decided down deep in the bowels <strong>of</strong><br />

the Pentagon by the joint Chiefs <strong>of</strong><br />

Staff. Not so. The decisions are<br />

made by the political leaders on<br />

both sides."<br />

Gottlieb finds another reason<br />

for hope in the firing <strong>of</strong> Eugene<br />

Rostow as the head <strong>of</strong> the Arms<br />

Control and Disarmament<br />

Agency. According to Gottlieb,<br />

Rostow's firing has placed<br />

Secretary <strong>of</strong> State George Shultz<br />

in the most influential position <strong>of</strong><br />

any <strong>of</strong> the president's aidvisors on<br />

this issue. Gottlieb considers<br />

Shultz to be "a pragmatist, not an<br />

ideologue, and [someone who]<br />

doesn't come to his <strong><strong>of</strong>f</strong>ice with the<br />

same kind <strong>of</strong> mindset that many <strong>of</strong><br />

the more ideological people in the<br />

Reagan administration share."<br />

In addition to providing<br />

information on the nuclear arms<br />

freeze movement, Gottlieb's<br />

speech served as a recruiting effort<br />

to form a UCAM chapter at <strong>Rice</strong>.<br />

An informal group <strong>of</strong> people now<br />

Dlan to form an <strong><strong>of</strong>f</strong>icial<br />

organization. Anyone who*, is<br />

interested in joining an<br />

organization dedicated to the<br />

advancement <strong>of</strong> a nuclear weapons<br />

freeze should contact Duane Pryor<br />

at 526-3603.<br />

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Dr. Jesse D. Heliums —C. Reining<br />

vascular disease have recently been<br />

attributed at least partially to the<br />

interaction <strong>of</strong> platelets with the<br />

inside walls qf< blood vessels.<br />

Helium's experimental work is<br />

complicated by factors such as the<br />

complexity <strong>of</strong> the biochemical<br />

response <strong>of</strong> platelets, the partial<br />

reversibility <strong>of</strong> the aggregation<br />

processes, and the requirement ot a<br />

uniform shear field over the entire<br />

sample volume. Such difficulties<br />

have been overcome through the<br />

use <strong>of</strong> unique equipment especially<br />

designed and built at <strong>Rice</strong>.<br />

Said Heliums, "At the present<br />

time there are three <strong>grad</strong>uate<br />

students on the project, as well as<br />

some post-doctoral people and<br />

technicians. The major contributions<br />

on the project are<br />

coming from <strong>Rice</strong> students."<br />

Heliums hopes that the newly<br />

.funded research will yield a better<br />

understanding <strong>of</strong> the chemical<br />

pathways by which platelets<br />

activate and how those pathways<br />

can be altered to prevent unwanted<br />

activity. Commented Heliums,<br />

"We are delighted to see the NIH<br />

continue to support our program<br />

in these times <strong>of</strong> constrained<br />

funding."<br />

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The <strong>Rice</strong> Thresher, February 4, 1983, page 7


Standing committee reps make status reports to SA senate<br />

by SumH Nan da<br />

<strong>Rice</strong>'s ' legal studies curriculum<br />

will be reorganized, students will<br />

not be al<strong>low</strong>ed to have more than<br />

three majors, and approximately<br />

$18,000 has been granted by the<br />

Brown Foundation for innovative<br />

teaching proposals, according to<br />

committee reports presented to the<br />

Student Association senate in its<br />

Monday meeting.<br />

The Committee on Under<strong>grad</strong>uate<br />

Curriculum decided to set a<br />

policy <strong>of</strong> not granting degrees to<br />

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students with more than three<br />

majors. The committee recommended<br />

the reorganization <strong>of</strong> the<br />

legal studies curriculum since some<br />

legal studies courses are currently<br />

non-existent due to pr<strong>of</strong>essors<br />

leaving the university and going on<br />

sabbatical.<br />

The Committee on Under<strong>grad</strong>uate<br />

Teaching awarded $3178.65 to<br />

Dr. Linda Adair <strong>of</strong> the<br />

anthropology department for<br />

human skeletal materials,<br />

comparative primate materials,<br />

fossil casts and anthropometric<br />

equipment. The materials will aid<br />

the department in teaching<br />

physical anthropology courses.<br />

An award for $4796.90 was<br />

granted to Dr. J.B. Cheatham, Jr.,<br />

<strong>of</strong> the mechanical engineering<br />

department for a senior robotics<br />

project. The project will lead to the<br />

inclusion <strong>of</strong> a robotic programming<br />

experiment in Mech 331<br />

laboratory courses. Among the<br />

materials to be purchased will be a<br />

robotic arm, an Apple II inte<strong>rf</strong>ace,<br />

a power supply, and an Apple II<br />

95K microcomputer and disk drive<br />

with printer and ancillary<br />

equipment. Money for both<br />

awards was provided by the Brown<br />

Foundation.<br />

The committee has recently read<br />

and summarized students'<br />

evaluations <strong>of</strong> teachers who are up<br />

for promotion or tenure, a major<br />

project for the committee. The<br />

committee has also awarded<br />

$10,000 to Dean <strong>of</strong> Humanities<br />

Allen Matusow for a preparatory<br />

seminar designed to develop an<br />

interdisciplinary program in the<br />

humanities.<br />

The project has received $37,000<br />

from <strong>Rice</strong> and a request for<br />

$40,000 has been made to the<br />

National Endowment for the<br />

Humanities. These funds will<br />

support the summer salaries for<br />

participating faculty members,<br />

visiting experts and staff. "This<br />

effort to build an interdisciplinary<br />

program in the humanities might<br />

be a first step in the future<br />

enhancement <strong>of</strong> the <strong>Rice</strong><br />

curriculum," commented<br />

under<strong>grad</strong>uate committee member<br />

Doug Allen.<br />

Humanities to <strong><strong>of</strong>f</strong>er feminist lectures<br />

by Jeanne Cooper<br />

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The <strong>Rice</strong> Thresher, February 4, 1983, page 8<br />

The School <strong>of</strong> Humanities will<br />

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Affirmative Action Employer<br />

February 7 and April 6.<br />

Dean <strong>of</strong> Humanities Dr. Allen J.<br />

Matusow noted that although<br />

pr<strong>of</strong>essors at <strong>Rice</strong> <strong>of</strong>ten<br />

incorporate feminist perspectives<br />

into their individual classes, there<br />

is no cohesive feminist studies<br />

program. By bringing the cutting<br />

edge <strong>of</strong> feminist scholarship to<br />

<strong>Rice</strong>, Matusow hopes to generate<br />

similar activity on campus.<br />

University <strong>of</strong> Wisconsin history<br />

Pr<strong>of</strong>essor Gerda Lerner will open<br />

the lecture series Mondav with a<br />

presentation on "The Challenge <strong>of</strong><br />

Woman's History." Lerner will<br />

speak in Sewall Hall 309 at 8 p.m.<br />

The series will continue with a<br />

talk by Jean Bethke Elshtain on<br />

"Public Man, Private Woman:<br />

Further Reflections on Feminism<br />

and Western Political Thought" at<br />

8 p.m. on February 17 in Rayzor<br />

Hall 110.<br />

Later lectures in the series will<br />

examine feminist perspectives in<br />

fiction, literary criticism, urban<br />

planning and biological<br />

anthropology.<br />

Senate to survey students<br />

Continued from page I<br />

Making all the student's GPAs<br />

readily avail^ile could change this<br />

spirit <strong>of</strong> positive competitiveness<br />

and teamwork to one <strong>of</strong> academic<br />

selfishness which is detrimental to<br />

the entire <strong>Rice</strong> experience."<br />

One <strong>of</strong> the drafters <strong>of</strong> the<br />

petition, Darryl Burke, remarked<br />

that if the Faculty Council meeting<br />

had not been postponed to last<br />

Friday because <strong>of</strong> George Brown's<br />

death, the matter would already<br />

have been decided.<br />

"Now we have the time needed<br />

so the ramifications and rationale<br />

behind these proposed <strong>grad</strong>ing<br />

changes can be explored," he<br />

commented.<br />

Trunko will appear at the<br />

committee's meeting on February<br />

16 to present student opinions<br />

about the changes. Trunko said<br />

SA senators will survey student<br />

views until then. Any sufficiently<br />

condensed written opinions may<br />

be submitted directly to the SA.<br />

As a preview to Friday, Feb. 11th<br />

campus interviews,<br />

M/A-COM LINKABIT, INC.<br />

Will host a slide presentation addressing:<br />

Career Opportunities<br />

Technical Areas<br />

Benefits<br />

San Diego Lifestyle<br />

Complimentary cheese, crackers & wine<br />

will be served.<br />

Thursday, Feb. 10th<br />

3:30-5:00 pm and<br />

6:30-8:00 pm<br />

Memorial Center—Conference Room<br />

M/A-COM LINKABIT, INC.<br />

Equal Opportunity/<br />

Affirmative Action Employer


Thresher/Fine Arts<br />

Shange finds teaching refreshing and enlightening<br />

Ntozake Shange is best known<br />

for her Obie-winning For colored<br />

girls who have considered suicide<br />

when the rainbow is enuf, but she<br />

has also written volumes <strong>of</strong> poetry<br />

and has just completed a novel.<br />

However, these varied literary<br />

accomplishments are not the only<br />

things that she considers<br />

important, and these other aspects<br />

<strong>of</strong> her character are what have<br />

brought her to <strong>Rice</strong>.<br />

Shange is teaching two courses<br />

at <strong>Rice</strong> this semester, an English<br />

course on Afro-American<br />

literature and a history<br />

department course on the<br />

Reconstruction and its effects<br />

throughout the entire country, not<br />

just the South. The English course<br />

is nominally a survey <strong>of</strong> Afro-<br />

American wried them with her<br />

personal favorites. Shange hopes<br />

that this combination <strong>of</strong> the most<br />

famous with the well-written but<br />

not-so-well-known will give her<br />

students a more representative<br />

view <strong>of</strong> black literature in this<br />

country.<br />

Just as her survey lit course is<br />

more than a survey, so to her<br />

history course is not simply a<br />

historical recounting <strong>of</strong> what and<br />

Cinema<br />

who came when, but is an attempt<br />

to discover the reasons why certain<br />

people have became hallmarks <strong>of</strong><br />

black thought. "It's not a question<br />

that I know the answer to," Shange<br />

admits, Til be looking for the<br />

a nswer j ust as m uch as my students<br />

will. This course is a seminar in the<br />

true sense <strong>of</strong> the word, an attempt<br />

to find answers through the<br />

academic processes <strong>of</strong> discussion<br />

and interchange <strong>of</strong> ideas. We may<br />

even find by the end <strong>of</strong> the course<br />

that the answer is very simple."<br />

This aspect <strong>of</strong> Shange's course<br />

is, in a broader sense, the reason<br />

that she came to <strong>Rice</strong>. Having been<br />

trained to teach in college, she<br />

found that she missed it when she<br />

immersed herself in theatrical<br />

work for seven years. "I wanted to<br />

teach, 1 always have. Theatre after<br />

seven years had become arid to me.<br />

I was losing touch with my<br />

motivations as an artist. The<br />

subject <strong>of</strong> my writing is contact<br />

with people. I get that from<br />

teaching."<br />

Although Shange's Mellon<br />

appointment at <strong>Rice</strong> is presently<br />

only for one semester, she would<br />

like to continue teaching here. If<br />

she is not <strong><strong>of</strong>f</strong>ered a more<br />

permanent position here, she will<br />

still remain in the Houston area,<br />

which she now considers her home.<br />

Shange feels that her move from<br />

New York was painless, both<br />

because she needed a break from<br />

its frenetic theatre world and<br />

because Houston <strong><strong>of</strong>f</strong>ered her the<br />

chance to teach and to be near her<br />

family. (Shange's sister, Bisa<br />

Williams-Manigault teaches<br />

English, Spanish, and Portuguese<br />

at <strong>Rice</strong>).<br />

Although Shange sees teaching<br />

as her major activity for "as long as<br />

possible," she doei plan to<br />

continue to do some pr<strong>of</strong>essional<br />

theatrical productions, "so long as<br />

they don't inte<strong>rf</strong>ere with my<br />

writing. I'm at the point where I do<br />

whatever I can for my writing, and<br />

if that means doing just one show<br />

every two years in New York or<br />

Los Angeles, then I'll do that."<br />

After just finishing a novel,<br />

Shange doesn't have plans for her<br />

next work yet, but says she will<br />

"write whatever presents itself to<br />

me. ... I started writing because<br />

there were things that I couldn't find<br />

that I wanted to read and later to<br />

hear. Later, I started to write<br />

theatre because there were<br />

Ntozake Shange in her new niche<br />

characters that I wanted to know<br />

that I couldn't find. I put my<br />

characters into works to let the<br />

world love and cherish them, as /<br />

love and cherish them."<br />

Hopefully Shange's tenure at<br />

<strong>Rice</strong> will continue past this term.<br />

Otherwise, too few <strong>of</strong> us will have<br />

had the opportunity to catch the<br />

vitality that has characterized her<br />

work and that she now shares with<br />

the students.<br />

— Deborah L. Knaff<br />

Attenborough captures grandeur <strong>of</strong> Gandhi's struggle<br />

Gandhi is a magnificent film.<br />

Breathtaking in its scope, it<br />

undertakes the story <strong>of</strong> the man<br />

responsible for winning India's<br />

independence from Britain. It<br />

reflects 20 years on the part <strong>of</strong><br />

Richard Attenborough to produce<br />

the film. The mass <strong>of</strong> people on the<br />

screen, the film's great length (over<br />

3 hours with an intermission), the<br />

beautiful cinematography, and the<br />

intense characterization <strong>of</strong> Gandhi<br />

by Ben Kingsley combine to<br />

overwhelm the viewer.<br />

Beginning with Gandhi's<br />

expulsion from the first class<br />

section <strong>of</strong> a train in South Africa,<br />

the film alternates between<br />

intimate and epic scenes. As it is<br />

impossible to capture all <strong>of</strong> the<br />

incidents and people who were<br />

pivotal in the development <strong>of</strong><br />

Gandhi's life, the film begins with a<br />

disclaimer explaining that the film<br />

is only an attempt to capture the<br />

spirit/ <strong>of</strong> Gandhi's life. This it does<br />

to a remarkable degree.<br />

Inevitably, the focus <strong>of</strong> Gandhi<br />

is on one aspect f his life — that <strong>of</strong><br />

Gandhi the saint. In fact, only one<br />

scene alludes to the hardships<br />

experienced by those closest to<br />

him. This scene, an altercation<br />

between Gandhi and his wife about<br />

her status in the ashram, is<br />

effective in illustrating the strain <strong>of</strong><br />

living with a saint. However, this<br />

obviously realistic theme is<br />

expunged from the rest <strong>of</strong> the film.<br />

In real life, Gandhi's strict<br />

adherence to his ideals and<br />

standards created extreme<br />

problems for his family. These<br />

standards deeply affected his wife,<br />

who bitterly resented the vow <strong>of</strong><br />

chastity he took. Although he<br />

remained married, it provided a<br />

continual source <strong>of</strong> strain.<br />

Gandhi's attempt to mold his sons<br />

after his ideals had disastrous<br />

effects upon his eldest son who<br />

rebelled with drunkenness and<br />

debauchery.<br />

It is important to remember the<br />

power <strong>of</strong> film. When people see<br />

something portrayed on the<br />

screen, it is very easy to believe that<br />

it is the truth, without explaining it<br />

critically. Ghandi was not only a<br />

saint but was also a man whose<br />

unrealistic expectations sometimes<br />

led to unfortunate consequences.<br />

Thus, it is a serious fault in the film<br />

that the director's bias has created<br />

an unrealistic biography.<br />

A major reason to see Gandhi is<br />

Ben Kingsley's portrayal.<br />

Kingsley, a member <strong>of</strong> the Royal<br />

Shakespeare Company in London,<br />

is a dramatic stage actor, not a film<br />

actor. This strength become^<br />

apparent over and over again as<br />

Kingsley takes the character from<br />

the young Mohandas K. Gandhi to<br />

the Mahatma (Great Soul).<br />

Kingsley's being part Indian<br />

himself adds a realistic touch that<br />

affords the viewer a chance to<br />

believe in this incarnation <strong>of</strong><br />

Gandhi.<br />

Small touches distinguish<br />

Kingsley as an actor grounded in<br />

the theatre. The sinuous posture<br />

Kingsley assumes when he sits on<br />

the floor, the trembling <strong>of</strong> his<br />

mouth at the death <strong>of</strong> Gandhi's<br />

wife, and the protective arm<br />

grasping his robe to his body all<br />

contribute to a richly detailed<br />

perception <strong>of</strong> Gandhi as both man<br />

and saint. Kingsley's pe<strong>rf</strong>ormance<br />

certainly deserves an Academy<br />

Award nomination.<br />

The length <strong>of</strong> the film is<br />

necessary to weave a story this<br />

vast, but Attenborough also uses it<br />

as a stylistic device to underscore<br />

the Herculean task <strong>of</strong> Gandhi and<br />

the immensity <strong>of</strong> India itself. The<br />

visual grandeur <strong>of</strong> terribly<br />

crowded cities and rural expanses<br />

highlights the difficulty <strong>of</strong><br />

Gandhi's task, to lead his<br />

countrymen against British rule<br />

using only nonviolent means.<br />

After Gandhi effected a<br />

relatively peaceful transition <strong>of</strong><br />

power from British to Indian<br />

hands, his troubles began again.<br />

The conflict between the Hindus<br />

and Muslims <strong>of</strong> India's provinces<br />

provides some <strong>of</strong> the most exciting<br />

and riveting moments in the film.<br />

These scenes in the film<br />

reverberate with the intensity that<br />

only religious fervor can provoke.<br />

Attenborough balances this action<br />

against the quieter, even austere,<br />

scenes <strong>of</strong> Gandhi's fasting and the<br />

solemn splendor <strong>of</strong> Gandhi's<br />

funeral where hundreds <strong>of</strong><br />

thousands <strong>of</strong> people lined the<br />

streets as his cortege passed.<br />

Gandhi pr<strong>of</strong>essed that we are ail<br />

children <strong>of</strong> God, but instead <strong>of</strong><br />

using this philosophy to relegate<br />

responsibility into the hands <strong>of</strong><br />

Fate, he demanded that each man<br />

be accountable for his own life.<br />

Placing the burden <strong>of</strong> correct<br />

conduct back upon the person<br />

instead <strong>of</strong> on an outside entity<br />

effectively negates the choice <strong>of</strong><br />

abdicating responsibilty. This<br />

philosophy <strong>of</strong> Gandhi's made him<br />

demand peace and equality for all<br />

the peoples <strong>of</strong> the world, for all the<br />

children <strong>of</strong> God. Perhaps Gandhi<br />

will help to remind us that such a<br />

goal is still viable and necessary<br />

amid the myriad injustices<br />

perpetrated today.<br />

— Ge<strong><strong>of</strong>f</strong>rey Westergaard<br />

Film describes danger <strong>of</strong> nostalgia<br />

Robert Altman's newest film,<br />

Come Back to the 5 & Dime,<br />

Jimmy Dean, Jimmy Dean, gives<br />

the movie-goer exactly what he has<br />

come to expect from an Altman<br />

film: something definitely out <strong>of</strong> the<br />

ordinary. Adapted from the stage<br />

production, which won mixed if<br />

generally favorable reviews,<br />

Jimmy Dean brings a freshness<br />

and originality to the screen that<br />

has rarely occurred since<br />

another Altman film.<br />

The film's setting is that <strong>of</strong> a<br />

small Texas town with one general<br />

store and an annual rainfall<br />

comparable to <strong>Rice</strong>'s winning<br />

percentage. The plot focuses upon<br />

a twentieth reunion <strong>of</strong> the<br />

Disciples <strong>of</strong> James Dean, who<br />

congregate in their old hangout,<br />

the town's one Woolworth's.<br />

Twenty years before, Dean made<br />

Giant in Ma<strong>rf</strong>a, Texas, a scant 80<br />

miles from this town, and two <strong>of</strong><br />

the club members, Mona (Sandy<br />

Dennis) and Joe (Mark Patton)<br />

made the trip (along with half <strong>of</strong><br />

the town) to try to get in the film as<br />

extras.<br />

Moreover, the trip lead<br />

to a chance encounter with Dean<br />

himself one night, and out <strong>of</strong> their<br />

passion came Jimmy Dean, the<br />

love-child <strong>of</strong> the great one himself.<br />

The Woolworth's store is now a<br />

shrine to Dean, and both Mona<br />

and Sissy (Cher), another member<br />

<strong>of</strong> the club, still work there twenty<br />

years later. However, the arrival <strong>of</strong><br />

a strange woman (Karen Black) in<br />

a Porsche casts a shadow over the<br />

proceedings as she reveals to those<br />

gathered the true events <strong>of</strong> twenty<br />

years before. The characters, you<br />

see, live their lives based upon false<br />

conceptions <strong>of</strong> the past to<br />

legitimize the present.<br />

However, things are not what<br />

they appear to be in this film, and<br />

neither is this mysterious stranger<br />

recounting the past with such<br />

stinging accuracy, as the girls<br />

discover to their astonishment.<br />

The "stranger" is Joe, who has<br />

since undergone a sex-change and<br />

is now Joanne. Joanne, as the<br />

Vivat<br />

James<br />

audience learns via flashbacks,<br />

never really fit in as a man and was *<br />

considered by the towaspeople as<br />

see Jimmy Dean, page II<br />

The <strong>Rice</strong> Thresher, February 4, 1983, page V


Theatre<br />

Chocolate Bayou strips sympathy out <strong>of</strong> Steinbeck<br />

Of Mice and Men<br />

Chocolate Bayou Theatre<br />

Through February 20<br />

While time never stands still, the<br />

essential elements <strong>of</strong> man's<br />

situation remain the same. His<br />

7<br />

Chocolate Bayou cast <strong>of</strong> Of Mice and Men<br />

needs, fears, hopes, and desires are<br />

universal and timeless. As cliched<br />

as these themes are, they provide a<br />

continuity that assures a relevance<br />

to John Steinbeck's dramatization<br />

<strong>of</strong> his novel Of Mice and Men. This<br />

classic story (first staged in 1937),<br />

details the lives <strong>of</strong> two drifters as<br />

they track from ranch to ranch<br />

motivated by that "stake" which<br />

will buy them their dream. The<br />

current production at the<br />

Chocolate Bayou Theatre turns the<br />

compelling, hardhitting script into<br />

a supine, mildly disheartening<br />

insight into the human condition.<br />

The story is built around the<br />

relationship between George and<br />

Lennie, the drifters. At first glance<br />

t^ey are foils <strong>of</strong> one another.<br />

George is small and intelligent;<br />

Lennie is large and simple-minded,<br />

upon which all the action must<br />

emerge and converge again. After<br />

emerge and converge again.<br />

When George is left with the<br />

responsibility <strong>of</strong> taking care <strong>of</strong><br />

Lennie. However, the tie between<br />

them is more than that between<br />

caretaker and dependent. They are<br />

bound together by a shared dream<br />

and common goal. The Chocolate<br />

Bayou's success here results from<br />

the two central actors and their<br />

ability to forge this merger with<br />

conviction.<br />

R.J. Maxwell (George) and<br />

Peter Bryson (Lennie) suqpeed in<br />

establishing an onstage interaction<br />

that <strong><strong>of</strong>f</strong>ers depth among otherwise<br />

shal<strong>low</strong> pe<strong>rf</strong>ormances. They both<br />

move and speak in synchrony.<br />

Their speeches <strong>of</strong> the future,<br />

concerning rabbits, cattle and<br />

alfalfa, are complementary reactions<br />

to each other. They are not<br />

merely two actors sharing a stage.<br />

R.J. Maxwell, in addition to<br />

working well with Bryson, stands<br />

out as the single most consistent<br />

actor in theshow. He maintains his<br />

tough, but pliable George with<br />

ease and fluidity from start to<br />

finish. That he is able both to<br />

merge his character and keep it<br />

distinct is remarkable.<br />

Peter Bryson at times carries the<br />

role <strong>of</strong> Lennie well. He appears<br />

sufficiently dimwitted, eager, and<br />

without malice. He is large enough<br />

to suggest the brute strength <strong>of</strong><br />

Lennie that throughout the play<br />

The <strong>Rice</strong> Thresher, February 4, 1983, page 10<br />

proves lethal. When not on center<br />

stage, however, Bryson's<br />

pe<strong>rf</strong>ormance loses conviction. He<br />

fluctuates between Bryson and<br />

Lennie. When directly called upon<br />

to affect Lennie's character, he<br />

rushes to the task with perhaps too<br />

much alacrity, but once his lines<br />

are finished he puts Lennie away,<br />

and leaves Bryson waiting for his<br />

next cue.<br />

The rest <strong>of</strong> the cast only graze<br />

the su<strong>rf</strong>ace <strong>of</strong> their characters'<br />

natures and spirits. As Curley's<br />

wife, Ashley Crow did not develop<br />

her character beyond the walk and<br />

the makeup. Similarly, Steve<br />

Caporiccio, in the role <strong>of</strong> Slim, is<br />

ineffectual. Slim should be in<br />

control, calm, self-assured, with an<br />

innate wisdom that prevents him<br />

from pursuing the impossible goal<br />

that those around him are so<br />

feverently pursuing. Caporiccio<br />

instead exhibited so little emotion<br />

that he seemed more like one <strong>of</strong> the<br />

mice than one <strong>of</strong> the men.<br />

Paul C. Mathews accurately<br />

depicts Curley, the boss' son, as a<br />

big-mouthed bully with more<br />

brains than soul, and equally<br />

endowed with cowardice and<br />

selfishness. Regrettably, Curly's<br />

wrath seemed more like the temper<br />

tantrum <strong>of</strong> a spoiled child than the<br />

product <strong>of</strong> a wicked envious heart.<br />

Charlie Trotter (Candy) and<br />

Maxwell and Bryson hold show together<br />

Willie Dirden (Crooks) are both<br />

guilty <strong>of</strong> making their characters<br />

supe<strong>rf</strong>icial. The characters they<br />

play are complex and pr<strong>of</strong>ound,<br />

but both Dirden and Trotter let<br />

indifference into their pe<strong>rf</strong>ormances.<br />

This play is about a mouse,<br />

caught and killed. It is also much<br />

more, and we should accordingly<br />

feel more than we do when we see a<br />

mouse dead in a trap.<br />

—Aniko Kiralv<br />

The laughs cover the flaws<br />

Political farce sparkles, but just not brilliant<br />

We Won't Pay! We Won't Pay!<br />

Chocoiate Bavou Theatre<br />

Through February 20<br />

Food riots, miraculous<br />

pregnancies, police searches and<br />

birdseed-soap are elements <strong>of</strong> We<br />

Won't Pay! We Won't Pay!, R.G.<br />

Davis' translation <strong>of</strong> Dario Fo's<br />

political satire. This entertaining<br />

play is presently staged by the<br />

Chocolate Bayou Theatre on its<br />

second stage, The Other<br />

Production Space.<br />

The lively production is similar<br />

to an I Love Lucy episode in antics,<br />

confusions, and comic style while<br />

its political moments tend to drag<br />

it out. The comic side <strong>of</strong> the play<br />

develops out <strong>of</strong> Antonia's need to<br />

hide groceries she stole in a riot at<br />

the supermarket. Once the<br />

groceries are home, she hides what<br />

she can and gives the rest to<br />

Margherita. The food cannot be<br />

carried openly because <strong>of</strong> police<br />

searching for the stolen food, so<br />

the women stuff the grocery bags<br />

under Marcherita's coat in feigned<br />

pregnancy.<br />

Antonia's husband, Giovanni, is<br />

shocked to come home and find his<br />

best friend's wife in a sudden<br />

advanced stage <strong>of</strong> pregnancy. A<br />

police search cuts short the<br />

makeshift explanation and leads<br />

into the first <strong>of</strong> many political<br />

dialogues concerning the injustice<br />

<strong>of</strong> the social, economic, and<br />

political situation in Milan in 1974.<br />

The humor fol<strong>low</strong>s lines that<br />

should not be new to anyone who<br />

has seen reruns <strong>of</strong> the late 1950's<br />

sitcoms.<br />

The political side <strong>of</strong> the play is<br />

quite poignant. The riot at the<br />

supermarket is in protest to<br />

increasing prices. Antonia asks,<br />

"Who are they competing against?"<br />

The question sends Giovanni<br />

into a tirade against capitalism.<br />

While the first policeman is<br />

searching the apartment for stolen<br />

groceries, Giovanni discusses<br />

government and how nothing ever<br />

| gets done. The policeman agrees<br />

with him but explains that he<br />

sympathizes with the workers since<br />

he is one himself. He gives the<br />

apartment a thoroughly<br />

inadequate search, opening<br />

everything and looking in nothing.<br />

The policeman and Giovanni<br />

are on common political ground<br />

when the inspection ends. Both<br />

agree the government is a pawn <strong>of</strong><br />

the rich. A second inspection<br />

fol<strong>low</strong>s, only this one is made by a<br />

Hitler clone. Giovanni starts where<br />

he ended with the previous<br />

policeman since they look the same<br />

(both parts are played by Clive<br />

Carnes) except for the Nazi<br />

mustache. His authoritarian<br />

reaction to Giovanni causes<br />

Antonia to prompt Margherita<br />

into "labor" to keep her husband<br />

out <strong>of</strong> jail. The play works and the<br />

politicizing ends for tffe moment.<br />

Fo attacks every hierarchy and<br />

political ideology possible. His<br />

general indictment against the<br />

working class is indifference. He<br />

summarily attacks capitalism,<br />

communism, socialism, fascism,<br />

authoritarianism, and unions.<br />

Each time his solution is that the<br />

workers must rule since union<br />

leaders, foremen, etc. do not act in<br />

the workers' best interests. The<br />

play ends with open revolution and<br />

chaos in the streets. It is likely that<br />

Fo's anarchistic political actions<br />

have kept him out <strong>of</strong> this country.<br />

The production lacks the<br />

crispness needed to f<strong>low</strong> smoothly.<br />

A tighter pe<strong>rf</strong>ormance would<br />

speed up the pace and make the<br />

political proselytizing more<br />

palatable and possibly cleaner.<br />

There was a noticeable amount <strong>of</strong><br />

hesitation in delivering lines.<br />

Clive Carlin provides much <strong>of</strong><br />

the needed life to the pe<strong>rf</strong>ormance<br />

in each <strong>of</strong> his four roles: two<br />

poljcemen, grandpa, and<br />

undertaker. He definitely injects<br />

energy into theshow. Margherita,<br />

played Ginny Lang, also does a<br />

good job especially with the<br />

physical aspects <strong>of</strong> her role. Her<br />

expressions and movements<br />

support her lines as do Antonia's,<br />

although her dialect is <strong><strong>of</strong>f</strong> again, on<br />

again.<br />

The play is staged in The Other<br />

Production Space at Chocolate<br />

Bayou. As the name suggests the<br />

theatre feels like it was hastily<br />

thrown together as an afterthought.<br />

Frankly, many college<br />

commons have been made into<br />

better theaters. Poor ventilation<br />

and crowded seating make s<strong>low</strong>er<br />

parts <strong>of</strong> the production seem<br />

unbearably dull until the humor<br />

False pregnancy hides political message.<br />

crops up again. At some points this<br />

feels quite long. Approximately<br />

half <strong>of</strong> the audience had to contend<br />

with light in its eyes. Seating is on<br />

three sides <strong>of</strong>'Tne stage and lights<br />

are on walls opposite two <strong>of</strong> them.<br />

The audience eventually adjusted<br />

to this but they need not have had<br />

to do so. The lead-in music is<br />

interesting albeit confusing. Opera<br />

arias are played until the lights go<br />

down and a circus tune comes on ><br />

The circus lead is appropriate for<br />

the chaos that is advocated and<br />

some <strong>of</strong> the stage antics. While the<br />

arias set an Italian tone to the<br />

pre-show and intermission breaks,<br />

there is no connection between the<br />

working class story and the high<br />

culture <strong>of</strong> opera.<br />

The play is funny enough to<br />

cover most <strong>of</strong> the flaws. It is worth<br />

the 50c to $1 more than a movie<br />

that it would cost to see We Won't<br />

Pay! We Won't Pay! although do<br />

not expect a pe<strong>rf</strong>ect pe<strong>rf</strong>ormance.<br />

—Michael Trachtenberg


Preview<br />

Players continue success <strong>of</strong> season's political dramas<br />

Tango<br />

<strong>Rice</strong> Players<br />

February 7-12<br />

This has been a good year so far<br />

for the <strong>Rice</strong> Players. Box <strong><strong>of</strong>f</strong>ice<br />

returns have kept the c<strong><strong>of</strong>f</strong>ers<br />

filled; production costs,<br />

meanwhile, have remained within<br />

manageable bounds. Both critical<br />

and popular response to last<br />

semester's shows were, almost<br />

without exception, quite positive.<br />

Shaw and Stoppard were full<br />

successes.<br />

This is not too surprising <strong>of</strong> a<br />

track record for <strong>Rice</strong>'s wellrespected<br />

theatre group, under<br />

Neil Haven's highly polished<br />

direction. It is, still, a flattering<br />

testament to the group's<br />

pr<strong>of</strong>essionality, especially<br />

considering the fact that both<br />

shows last semester (Major<br />

Barbara and Stoppard's two one<br />

acts) are particularly difficult<br />

genre. Political farce, be it late<br />

19th-century liberalism or<br />

"post-modern" rose-tinted wit, is<br />

tough theatre, to say the least.<br />

Success here seems to come only<br />

when the political ideology is<br />

presented with ease, humor, and<br />

human gentility; diatribe and<br />

debate made sensitive and even<br />

funny. The blend is attempted<br />

The Players present political Polish farce<br />

<strong>of</strong>ten these days, though the<br />

Players' success record is rather<br />

rare.<br />

The Players continue this year's<br />

ambitious theme <strong>of</strong> political<br />

farces with their third production,<br />

Tango, by Poland's leading<br />

playwright, Slawomir Mrozek.<br />

Like Shaw and even Stoppard,<br />

Mrozek has been a central political<br />

activist as well as artist, voicing the<br />

note <strong>of</strong> concern common to his<br />

time and situation. In years to<br />

come, critical acclaim will likely<br />

include him among the elite <strong>of</strong><br />

theatre's politicians.<br />

Tango, one <strong>of</strong> his most highly<br />

touted works to date is an<br />

ideological foundation, a<br />

microcosm <strong>of</strong> Poland's 20thcentury<br />

turmoil. The play focuses<br />

on a highly ideosyncratic<br />

family; odd and quirkish but also,<br />

<strong>of</strong> course, a paragon <strong>of</strong> man's<br />

struggle. Father Stomil (played by<br />

M. Christopher Boyer) and<br />

mother Elinore (played by Ann<br />

Laffoon), are slightly outdated<br />

remnants <strong>of</strong> a liberal hippie past;<br />

Stomil is a beer-bellied director<br />

still stuck on Dada theatre while<br />

Elinore calmly longs for a return<br />

to good ole protest days. This<br />

loose, unstructured couple have<br />

raised a niece (played by Karen<br />

Chatfield) and son Arthur (playe><br />

by Joe Ponessa).<br />

Arthur returns from college as<br />

the spirit <strong>of</strong> reactionary<br />

conservativism, armed with logic<br />

and a new sense <strong>of</strong> tradition. He<br />

plans to clean up the past<br />

generation's histrionic debunking<br />

<strong>of</strong> order, and reestablish a civilized<br />

family life. Think now, if you must,<br />

<strong>of</strong> Poland's highly conservative<br />

reformation after the dangerous<br />

explosions <strong>of</strong> WWI; Mrozek<br />

certainly keeps it in mind.<br />

But then, from the struggle <strong>of</strong><br />

right against left comes the sheer<br />

brute force <strong>of</strong> simple Edek, a<br />

"vulgarian bounder" played by Hal<br />

Kohlman. Once only hovering at<br />

the periphery, Edek launches forth<br />

to beat all into a strict control<br />

clearly reflecting Stalinist Poland<br />

in WWII. Mrozek postulates<br />

clearly and simply this full swing <strong>of</strong><br />

the political pendulum from liberal<br />

to conservative extremes and<br />

finally to a fascist tyrrany.<br />

Fortunately though, director<br />

Havens exacts more than so much<br />

didactics. Major Barbara had an<br />

equally blatant "point" and<br />

Stoppard just as obviously pokes<br />

fun at British bureaucracy. Yet<br />

both productions seemed<br />

considerably more, and Havens<br />

explains his process <strong>of</strong><br />

depoliticalizing, more theatricalizing<br />

as it is worked this time in<br />

Tango.<br />

"We had to do a lot <strong>of</strong> editing.<br />

Our translation seemed bad at<br />

spots: repetition <strong>of</strong> important<br />

V«||<br />

^ V/.<br />

Joe Ponessa and Karen Chatfield in Tango<br />

New Wove<br />

ideas, a little too much<br />

philosophical debating." While<br />

Tango will certainly voice<br />

M rozek's rather pat view <strong>of</strong> Polish<br />

politics, the real business <strong>of</strong> the<br />

play is to develop other, more<br />

human elements. A s<strong>of</strong>t and airyset<br />

design by Barry Watkins with<br />

smooth, natural lighting by Penny<br />

Remsen (guest artist from the<br />

Alley Theatre) all put the piece in a<br />

comedy mode with an intimate,<br />

domestic feel.<br />

The characters are an<br />

interestingly mixed bag: some are<br />

semi-absurdist caricatures<br />

(although none are left to be mere<br />

walking symbols), others are<br />

see Tango page 13<br />

British wavers wow dance crowd<br />

Bow Wow Wow<br />

Numbers 2<br />

January 30<br />

Bow Wow Wow delivered the<br />

sensual experience <strong>of</strong> the week on<br />

Sunday. The thrill was short-lived,<br />

however, as the group fol<strong>low</strong>ed the<br />

one-hour concert tradition set by<br />

some British import band in the<br />

days <strong>of</strong> the Paleo New Music era.<br />

Lead singer pubescent poppet<br />

Anabella charged onto the stage<br />

with a high-energy version <strong>of</strong><br />

"Louis Quatorze." Although she's<br />

no longer fourteen, as the lyrics<br />

claim, Anabella charmingly<br />

conveyed her mingled surprise and<br />

pleasure (they're always mingled)<br />

at being statutorily raped by an<br />

Cinema<br />

absolute monarch. As she<br />

whispered "Louis Quatorze. I love<br />

you" at the song's end, she gave a<br />

demure little toss <strong>of</strong> her<br />

mohawk/ponytail that sent the<br />

heterosexual faction in the<br />

audience into advanced erotic<br />

stimulation.<br />

Anabella seized the moment to<br />

launch into her projected next hit,<br />

"Baby Oh No." Dance club<br />

denizens took a beat to shiver<br />

happily before resuming their<br />

patented dance music gyrations.<br />

The Burmese-British beauty led<br />

her legion like a Burundi-beat<br />

cheerleader: now flailing, now<br />

robotic, always moving.<br />

Malcolm Mcl.aren fans were<br />

not disappointed, as the group<br />

neatly pe<strong>rf</strong>ormed a number oi<br />

early tunes produced by him alter<br />

his stint with the Sex Pistols,<br />

including "C-30, C-60, C-90 Go!"<br />

and "Sexv Eiffel Towers."<br />

Unfortunately, Bow Wow Wow did<br />

not replicate nearly as well the<br />

sound <strong>of</strong> current producer Kenny<br />

Laguna: the crowd failed to<br />

recognize the AM hit "I Want<br />

Candy" until Anabella began<br />

singing.<br />

I had the personal joy <strong>of</strong> seeing<br />

her warbling "little piggy iggy eyes"<br />

during a rave-up "Golly Golly Go<br />

Buddy," and being in the middle <strong>of</strong><br />

some sensuous slam dancing<br />

during "Elimination Dancing." If<br />

only it could have gone on longer.<br />

—Jeanne Cooper<br />

Jimmy Dean returns every year<br />

continued from page 9<br />

an oddity to be ridiculed. She is<br />

now the protagonist, the<br />

instrument employed to tear away<br />

the facades behind which her<br />

comrades hide.<br />

As every character has more<br />

truth revealed about herself, the<br />

audience feels the emptiness that<br />

remains. This is precisely the<br />

reason that the ending works so<br />

well; it is a logical and appropriate<br />

result <strong>of</strong> this revelation process.<br />

The only problem 1 had with the<br />

film was that at times the plot is too<br />

predictable. The characters<br />

become so vivid that the truths<br />

about them are hardly surprising<br />

in most cases.<br />

The brilliance <strong>of</strong> the film lies<br />

mainly in the acting. Black is<br />

superb, giving one <strong>of</strong> her best (if<br />

not the best) pe<strong>rf</strong>ormances. Her<br />

credibility as a transsexual is never<br />

in doubt as she gives a haunting<br />

portrayal <strong>of</strong> a victim <strong>of</strong> society's<br />

ignorance. Dennis is good as well,<br />

the role being well-suited to her<br />

nervous facial expressions. The<br />

real surprise is Cher, who shows a<br />

comedienne's flair while giving a<br />

memorable dramatic pe<strong>rf</strong>ormance,<br />

particularly memorable in<br />

light <strong>of</strong> her past work. In fact there<br />

is not a weak pe<strong>rf</strong>ormance in the<br />

film, a reflection qn Altman's<br />

ability as a director as much as on<br />

the actor's themselves.<br />

The images in the film are<br />

excellent as well, and enhance the<br />

dramatic effect, particulary the<br />

flashbacks which appear in the<br />

mirror on the wall. Thus the<br />

present becomes a mirror <strong>of</strong> the<br />

past, but a past based upon lies is a<br />

weak foundation. This past has<br />

become so firmly entrenched in the<br />

characters that they no longer<br />

know what the truth is. Only<br />

through the help <strong>of</strong> one who sees<br />

the past clearly can they come to<br />

self-realization. And when self-<br />

realization comes about, there is<br />

no longer the need for icons <strong>of</strong> the<br />

past.<br />

Ultimately, whether or not you<br />

care about "subtle meanings" and<br />

"images" is immaterial, the film is<br />

enjoyable and thought-provoking.<br />

However, you might have to wait<br />

until it comes to the River Oaks to<br />

see it, for it has already finished its<br />

run at the Greenway. Sorrv.<br />

— Ian Hersev<br />

CHRIST<br />

THE<br />

KINGlw<br />

LVTHERAN n<br />

CHVRCH<br />

<strong>Rice</strong> at Greenbrier • In The Village • 523-2864<br />

Worship 8:00 & 11:00 a.m.<br />

Sunday Evening Student Supper 6 p.m. - $1.00 Donation<br />

Pastoral Staff available for consultation by appointment<br />

Transportation availableforstudents by request<br />

For additional information see our monthly newsletter, the CALENDAR<br />

Providing The <strong>Rice</strong> Lutheran Thresher, Campus February Ministry 4. at 1983. <strong>Rice</strong> page 11


Cinema<br />

Media Center lacks audience, but <strong><strong>of</strong>f</strong>ers quality cinema<br />

Colin Young and<br />

New British Films<br />

<strong>Rice</strong> Media Center<br />

January 27<br />

The <strong>Rice</strong> Media Center was<br />

honored last week to present Colin<br />

Young, who sports, among other<br />

accolades, Director <strong>of</strong> the UCLA<br />

film school during the late 1960's,<br />

and mentor <strong>of</strong> such notables as<br />

Francis Ford Coppola, Paul Bartel<br />

(director <strong>of</strong> Eating Raoul), and<br />

rock legends Jim Morrison, and<br />

Ray Manzarek. However, it being<br />

<strong>Rice</strong> Night at the Pub, caustic<br />

masturbatory endeavor prevailed<br />

over art, as usual. And so, as<br />

youthful scholars braved gauntlets<br />

<strong>of</strong> grackle guano to suck down<br />

their indifference at the Pub, the<br />

devoted and curious arrived<br />

sparsely and quietly to experience<br />

the magic <strong>of</strong> the new British films<br />

<strong>of</strong> the <strong>grad</strong>uates <strong>of</strong> Colin Young's<br />

National Film School.<br />

Young, an eminent cinematic<br />

educator, played an essential role<br />

in the establishment <strong>of</strong> the Media<br />

Center in 1968 and was here on his<br />

annual visit bearing gifts <strong>of</strong> film<br />

and commentary.<br />

The evening began with David<br />

Anderson's fourteen-minute<br />

animated delight Dreamland<br />

Express. A favorite at numerous<br />

European film festivals last year,<br />

the black-and-white fantasy is<br />

based upon a 1929 book <strong>of</strong> the<br />

same title by H.R. Miller.<br />

Anderson's absorbing graphics,<br />

contrasts <strong>of</strong> s<strong>of</strong>t luminescence and<br />

stark blacks and greys intimating<br />

a provocative and mysterious<br />

depth, carry the viewer from a<br />

boy's bedside into a spectacular<br />

journey on a mystical train.<br />

The boy pilots the enigmatic<br />

express and its cargo <strong>of</strong> humanity,<br />

which devolves in the passing<br />

windows from modern bourgeoisie<br />

into primitive ape men, through<br />

galaxies <strong>of</strong> imagery, by syfnbols <strong>of</strong><br />

uniformity, paranoia, brutality,<br />

struggle, suppression, until the<br />

dream track terminates in a circus<br />

tent and the passengers emerge as<br />

animals. Then the tent is gone, the<br />

train is gone, and the boy and the<br />

animals watch the stars from a<br />

surreal Eden. At the end, the boy's<br />

empty bed suggests a clever<br />

manipulation <strong>of</strong> reality. It is all fun<br />

to watch, and pub goers would like<br />

the funny faces.<br />

The second film, Coming Back<br />

by Rob Daniel, is an observational<br />

documentary about an internationally<br />

popular British concert<br />

pianist, John Ogden, who early in<br />

a stellar career was stricken by a<br />

total mental breakdown. First we<br />

see Ogden, a plump and beaming<br />

prodigy, shyly engulfed in 1929's<br />

newsreel and headline acclaim.<br />

Immediately juxtaposed is Our<br />

Man Ogden, transformed, obese,<br />

and returning to London from<br />

overseas therapy.<br />

The camera lets us observe<br />

Ogden the Man, Ogden the<br />

Smoker, Ogden the Husband,<br />

Ogden In His Undies — he is<br />

hopelessly lost in all human roles,<br />

displaced, disoriented. Then we see<br />

him at the Diano. we exr>erience his<br />

musical magnificence, and Og's<br />

pe<strong>rf</strong>ection is clear. But in his<br />

De<strong>rf</strong>ection he has lost his<br />

humanity, and in his effort to<br />

relate, especially to his wife, we are<br />

as maddened by his genius as he<br />

has been.<br />

Daniel's observational<br />

Shepherd School concert listings<br />

February 10 Shepherd Singers 8 p.m. RMC chapel<br />

February 14 Richard Pickar, clarinet (faculty) 8 p.m. Hamman Hall<br />

•Jr<br />

February 15SYZYGY: Voices <strong>of</strong> Change 8 p.m. Hamman Hall<br />

February 16Jeanette Lombard, soprano; Al- 8 p.m. Hamman Hall<br />

bert Tipton, flute; Mary Norris,<br />

piano (faculty recital)<br />

A name you can trust<br />

Quality you can see<br />

Special discount to <strong>Rice</strong> University<br />

students and staff on glasses and contacts<br />

with this ad.<br />

3V> Blocks from <strong>Rice</strong> U.<br />

(across from Weingarten's)<br />

SUNSET jg<br />

BOLSTER®<br />

mcEf—g<br />

"~|TY<br />

11<br />

U&1VER UNIVERSI<br />

WE ARE HERE<br />

„ DICAl<br />

/CENTER<br />

HOLCOMBE<br />

77"<br />

Dr. Aaron Seibel<br />

2515 University Blvd.<br />

528-1589<br />

The <strong>Rice</strong> Thresher, February 4, 1983, page 12<br />

technique provides what Young<br />

called "priveleged access" to<br />

Ogden's daily personal experience<br />

and al<strong>low</strong>s for an almost<br />

unbearably sympathetic sense <strong>of</strong><br />

the pianist's predicament.<br />

Conspicuously simple shooting<br />

methods, in addition, coupled with<br />

Ogden's awareness <strong>of</strong> being filmed,<br />

creates a consciousness <strong>of</strong> the<br />

camera that involves the viewer as<br />

a sharer <strong>of</strong> Ogden's confusion. We<br />

emerge from Coming Back<br />

knowing that Ogden has not<br />

returned, indeed, was never quite<br />

"here," was always isolated in his<br />

genius, unable to touch humanity,<br />

to compromise his pe<strong>rf</strong>ection, to<br />

empathize with the normal, to go<br />

for nachos with the puboisie, to<br />

stand up in the middle <strong>of</strong> the film<br />

and shuffle out, mumbling with<br />

random indignation, "No more<br />

cartoons?"<br />

The fol<strong>low</strong>ing film, Sins <strong>of</strong> the<br />

Father, Sins <strong>of</strong> the Son, is a<br />

journey into darkness and a poem<br />

in film reminiscent <strong>of</strong> Apocalypse<br />

Now in its image and development.<br />

The Colonel has forsaken England<br />

and his family for solitude on the<br />

coast <strong>of</strong> Kenya. His son David,<br />

considering the priesthood and<br />

desirous <strong>of</strong> his father's sentiments.<br />

journeys to Kenya only to find his<br />

objectives confused, transformed,<br />

his piety compromised. David<br />

endures the old man's magnetic<br />

distance, becomes absorbed in his<br />

father's element. Cryptic poetic<br />

quotations spill forth from the old<br />

man's lips till David joins in,<br />

entranced. A struggling piety<br />

finally collapses, David cavorts in<br />

the su<strong>rf</strong> with a mysterious mulatto<br />

enchantress, consumates a primal<br />

pr<strong>of</strong>undity, the puboisie tumble in<br />

with nervous giggles and a lamb's<br />

throat is cut with raw brutality as<br />

the Colonel quotes Poe's "Annabel<br />

Lee" and reveals the mulatto to be<br />

his own daughter.<br />

The lamb, split-necked and<br />

spurting, is held upside down and<br />

aquiver, David blindly beats the<br />

girl naked and plunges into the<br />

ocean in which he first soiled<br />

himself, into a suicidal catharsis.<br />

The colonel is suddenly cognizant<br />

<strong>of</strong> his destruction and, for the first<br />

time, expresses his love for his son;<br />

David emerges from the depths in<br />

torchlight, and the two are united.<br />

The awe-inspiring Kenyan coast<br />

ajid the seductive glint <strong>of</strong> sunset on<br />

•water and brown skin and the old<br />

man's monocle draws the viewer<br />

into David's absorption, while the<br />

magnificence <strong>of</strong> the setting,<br />

coupled with recurring religious<br />

images and sounds, emphasizes a<br />

contradictory holiness. Ultimately<br />

the water draws the<br />

contrasts together.<br />

The final feature <strong>of</strong> the evening<br />

was Brian Gilbert's The Devotee, a<br />

comedy about an art collector who<br />

will do just about anything for<br />

certain works, and how his<br />

devotion leads to moral quandary.<br />

Hilarious in its subtlety, artful in<br />

its reproduction <strong>of</strong> the English<br />

countryside <strong>of</strong> the devotee's art,<br />

The Devotee is cleverly sensuous in<br />

transforming the protagonists<br />

perception <strong>of</strong> love and, since it has<br />

a couple <strong>of</strong> nude scenes, would be<br />

entertaining for virtually any <strong>Rice</strong><br />

student.<br />

Colin Young's presentation at<br />

the Media Center was a fanciful<br />

and energetic amalgam <strong>of</strong><br />

tenderness and brutality, irony<br />

and illusion, cleverness and<br />

malevolence, a small collection <strong>of</strong><br />

provocative visions. It is<br />

unfortunate that such mastery<br />

would alight, then lift away, so<br />

easily unnoticed without so much<br />

as being <strong><strong>of</strong>f</strong>ered a beer.<br />

—Scott Flukinger<br />

Lovett Theatre presents absurdity at its finest — in one act. The Resounding Tinkle and The Bald Soprano wi II run<br />

tonight and tomorrow night in Lovett commons beginning at 8 p.m. For ticket information, call 526-6584.


Cinema<br />

Children give their comments to more mature review<br />

When the advertisements try to<br />

lure you in with "Fun for the whole<br />

family!" you know what they<br />

mean: it's a children's movie. So<br />

when I saw the ads for The Man<br />

from Snowy River, I did the only<br />

sensible thing. I recruited some<br />

children (ages 6, 7, 9 and 11) to<br />

take me to the movie so that we<br />

could have Fun (with a capital F).<br />

Actually, I thought that it would<br />

be interesting to see how kids react<br />

to a so-called kids' movie and how<br />

they would rate it.<br />

Well, the movie is about Jim<br />

Craig (Jack Thompson) and his<br />

A<br />

struggle to become a man. At the<br />

beginning <strong>of</strong> the film, he's kicked<br />

out <strong>of</strong> his late father's home by the<br />

High Country Men (whatever they<br />

are) until he goes down to the Low<br />

Country and proves himself<br />

worthy <strong>of</strong> living in the High<br />

Country. If you're confused, you<br />

should have seen the children.<br />

After 1 had explained this<br />

confusing situation to the 9-yearold,<br />

she asked "how do you know<br />

so much about the story? Did you<br />

read the book?" Well, no, I didn't,<br />

and I'm afraid that some <strong>of</strong> the<br />

details which must be reached<br />

deductively and are only hinted at,<br />

may escape a child's grasp.<br />

Anyway, to prove himself, Craig<br />

Joan R. Brochstein, ACSW<br />

Licensed Pr<strong>of</strong>essional Counselor<br />

Confidential, pr<strong>of</strong>essional<br />

help with academic, social,<br />

family and sexual problems.<br />

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522-8605<br />

24 hr. answering service<br />

1<br />

goes to work for a rich cattleman<br />

named Harrison (Kirk Douglas),<br />

who has a beautiful daughter<br />

(aha—zee plot sickens!) fort?faig<br />

to fall in love with. Complicating<br />

the plot is Craig's relationship with<br />

a gold-hunting partner <strong>of</strong> his<br />

late father's who turns out to be<br />

Harrison's estranged brother.<br />

The movie stars Kirk Douglas in<br />

two roles, as the hard-nosed,<br />

obstinate Harrison, and as Spur,<br />

his one-legged brother ("But how<br />

could he talk to himself?" and "Did<br />

he cut his leg <strong><strong>of</strong>f</strong>?"). Douglas, I<br />

thought, put in a good<br />

pe<strong>rf</strong>ormance as Spur but was<br />

PlS-<br />

much less convincing as Harnson,<br />

and the children agreed. Aside<br />

from liking Spur better since he<br />

was a Nice Man, they thought he<br />

was more believable. From the<br />

mouths <strong>of</strong> babes ....<br />

a m \ i i u r<br />

® TSt ft i<br />

1<br />

1<br />

Another problem that the<br />

children noticed was the pace; at<br />

times the film seemed hardly to<br />

move at all. I was feeling rather<br />

restless myself at the same time<br />

that one <strong>of</strong> the kids leaned over<br />

and asked "What time will this be<br />

over?" At times there was<br />

DANger, exCITEment, adVENture,<br />

and at other times I had to<br />

shake myself awake.<br />

A bothersome aspect for me was<br />

the film's portrayal <strong>of</strong> women. The<br />

film is set in 1888 in a Man's world,<br />

with dozens <strong>of</strong> men and only three<br />

women—a housekeeper, an aunt<br />

(who, while insisting that women<br />

should be al<strong>low</strong>ed to do whatever<br />

they are capable <strong>of</strong> as individuals,<br />

tries to teach Jenny to be a Lady),<br />

and the beautiful daughter, Jenny.<br />

Jenny has intense arguments with<br />

her father about being treated like<br />

a silly female, then she goes out<br />

and does inane, senseless, silly<br />

female things from which only a<br />

man can recue her, thereby<br />

proving that she is a silly female.<br />

After the film, the general<br />

concensus among the children was<br />

that they all liked it well enough.<br />

Except for the contrived plot, the<br />

lack <strong>of</strong> resolution <strong>of</strong> certain<br />

problems which cropped up, and<br />

the dragging pace which almost<br />

put me to sleep, I thought it was<br />

okay. It was more Fun (with a<br />

capital F) for me to watch the<br />

children get their reactions,<br />

though. Everyone sitting around<br />

us must have thought so, too. since<br />

the whole section began laughing<br />

when Jim and Jenny started<br />

kissing. I looked around to see the<br />

two younger children covering<br />

their eyes and making faces!<br />

Afterwards, the 7-year-old stated<br />

flatly, "There should have been less<br />

<strong>of</strong> Jenny in bed." And everyone<br />

else, including me, agreed.<br />

— Gwen Richard<br />

with Cooke (6)<br />

Benji (7)<br />

Winifred (9)<br />

Mac (11)<br />

Tango fol<strong>low</strong>s seasonal genre trend<br />

continued from page 11<br />

deeply ambiguous personalities. A<br />

full range <strong>of</strong> styles will be apparent<br />

in the cast's portrayals. Says<br />

Havens, "You can't act a<br />

philosophy. You have to make a<br />

person; a person who might think<br />

this or that, but first a person."<br />

Havens, his cast and crew, piece<br />

together not just a statement, but a<br />

human story <strong>of</strong> family "relations as<br />

much as national movements. The<br />

comedy results from a warm<br />

blend <strong>of</strong> people and familiar<br />

perplexities, all just reflecting<br />

distant political patterns.<br />

Havens admits the intricate<br />

complexity <strong>of</strong> such a multileveled<br />

allegory. A mere three-week<br />

rehersal schedule made it a rushed<br />

business, weaving each character's<br />

particular persona together into a<br />

Placement Office Interviews<br />

Date Company<br />

2/7 Advanced Micro Devices<br />

2/7 Link Flight Simulation<br />

2/7-8 Jet Propulsion Lab<br />

2/8 Texaco<br />

2/8 Vought Corporation/LTV<br />

2/8 NL Petroleum Industries<br />

2/8 Motorola—Austin<br />

2/9 Hamilton Standard<br />

2/9-10 General Dynamics<br />

2/9 Cabot Corporation<br />

2/9 Bank <strong>of</strong> the Southwest<br />

2/10 Rolm<br />

2/10 Lockheed<br />

2/11 M/A—COM Linkabit<br />

2/11 Raymond International<br />

2/11 McDonnell Doughlas Corp<br />

2/8 United Gas Pipeline<br />

whole, significant play. Says<br />

Havens <strong>of</strong> Mrozek's piece "It's just<br />

so much richer than 1 thought it<br />

was when we began; it really fooled<br />

me. But then, they always do. Once<br />

you start working on a play's<br />

inside, it just blooms and expands;<br />

becomes so much more than what<br />

you first read." Looking back to<br />

the Players' earlier successes this<br />

year with similarly elusive<br />

"political-human" comedies, it<br />

seems likely that just this sort <strong>of</strong><br />

informed, sophisticated approach<br />

to the play's inner integrity will<br />

once again make cohesive,<br />

entertaining theatre.<br />

Tango will run Monday,<br />

February 7 through Saturday,<br />

February 12, at Hamman Hall.<br />

Monday and Tuesday nights arcstudent<br />

pe<strong>rf</strong>ormances with regular<br />

admission <strong>of</strong> $3 marked down to<br />

$2. Otherwise, adult admission is<br />

$5. Reservations for the 8 p.m.<br />

pe<strong>rf</strong>ormance should be made at<br />

527-4040.<br />

— Harr\ H Wade<br />

ORIGINAL<br />

THINKING<br />

In the age <strong>of</strong> information technology, a company<br />

—whose sales <strong>of</strong> $1.7 billion annually and whose<br />

products and components extend from data acquisition<br />

and information processing through data<br />

communication to voice, video and graphic communication<br />

— is making original thinking a reality<br />

for their new <strong>grad</strong>uates.<br />

ON CAMPUS INTERVIEWS<br />

February 25th<br />

Electrical and Mechanical Engineering,<br />

Computer Science Majors<br />

Make arrangements at the Placement Office.<br />

An Equal Opportunity Employer. M/F/H/V<br />

The <strong>Rice</strong> Thresher, February 4, I98J, page 13<br />

J


Lovett Theatrt<br />

The Bald<br />

Soprano<br />

curtain<br />

8:00 pm<br />

SKI<br />

Winter Park, Colorado<br />

$189<br />

February 27 - March 6<br />

Complete Package Includes<br />

• 6 Days / 5 Nights condo lodging.<br />

Condo includes fireplaces,<br />

kitchen, swimming pool, jacuzzi.<br />

Free shuttle to & from slopes.<br />

• 4 Day lift-tickets<br />

• Ski jamboree party with<br />

refreshments (i.e. beer).<br />

• Ski races with prizes<br />

Call 526-6889<br />

Jack Coleman<br />

<strong>Rice</strong> rep for Summit Tours<br />

RftGTsrnE<br />

ARCHI- ARTS BALL<br />

presented by<br />

THE RICE SCHOOL OF ARCHITECTURE<br />

FEBRUARY 12,1983<br />

HOUSTON NATIONAL BANK BUILDING<br />

202 MAIN STREET<br />

STUDENT TICKETS $15<br />

$18 AT THE DOOR<br />

NON - STUDENTS $20<br />

A Resounding<br />

Tinkle<br />

General Admission $4.00<br />

Students $3.00<br />

iptcutl oMongvwit vtLtk SomuuU FKUICJI, Inc.<br />

tickets available from architecture<br />

students or at department <strong><strong>of</strong>f</strong>ice<br />

SPIRITS AND FOOD SERVED<br />

The <strong>Rice</strong> Thresher, February 4, 1983, page 14<br />

O 0 o<br />

This Week/ by Harry Wade<br />

Films<br />

Lord <strong>of</strong> the Flies. Veteran director Peter Brook<br />

managed one <strong>of</strong> the most provocative <strong>of</strong> all novel-toscreen<br />

adaptations with this production <strong>of</strong> William<br />

Golding's book. His version <strong>of</strong> the psychological<br />

horror story <strong>of</strong> British schoolboys stranded on a<br />

deserted island has faded into undeserved<br />

anonymity. Oddly mismatched at the River Oaks<br />

Theatre next Tuesday night with a considerably less<br />

impressive film, You Are Not Alone, Lord <strong>of</strong> the<br />

Flies shows at 7:30 p.m.<br />

* * *<br />

The Tin Drum. The River Oaks presents a double<br />

feature <strong>of</strong> Volker Schlondo<strong>rf</strong>fs best known works,<br />

The Tin Drum and Circle <strong>of</strong> Deceit, Wednesday,<br />

February 9. Released earlier this year, Circle speaks<br />

clearly and with determination, though with little<br />

content or true insight. The Tin Drum, on the other<br />

hand, is a classic commentary on the new German<br />

opulence. Screening time is 7 p.m., with Circle<br />

playing at 5 and 9:45. * • *<br />

A Shot in the Dark. Showing Friday, February 11,<br />

in the Lovett College Commons at 7:30, 9:30, and<br />

11:30 p.m. is Peter Sellers' and Elke Sommer's<br />

comedy where the well-beloved Inspector Clouseau<br />

returns in one <strong>of</strong> the most popular modern film<br />

serials. Admission is $1.<br />

A Shot in the Dark comes to Lovett after one-acts.<br />

1900. Bertolucci's four-hour magnum opus is just as<br />

purely a product <strong>of</strong> the rich continental cinema as is<br />

The Tin Drum. A panorama <strong>of</strong> 20th-century Italy,<br />

the film touches — with surprisingly intimate<br />

tenderness — the rise <strong>of</strong> fascism, the modern<br />

deterioration <strong>of</strong> family, love, hate, and sexual<br />

maladjustments. While Bertolucci has been far more<br />

fluent and visually charming, 1900 remains a<br />

formidable work <strong>of</strong> art. At the Media Center both<br />

February 9 and 10, the film shows at 7:30 each<br />

evening.<br />

Fast Times at Ridgemont High. Not much <strong>of</strong> a<br />

classic, European or otherwise, this 1981 movie<br />

seems, nonetheless, to be unique among its campadolescent-spo<strong>of</strong><br />

genre since it manages some<br />

genuinely fun moments. With only an occasional<br />

bite <strong>of</strong> social satire, Fast Times avoids the heavyhanded,<br />

<strong>low</strong> budget awkwardness <strong>of</strong> so many other<br />

high school flicks, playing around, instead, with,<br />

well, playing around. SRC presents this cult classic<br />

at Chem Lec tomorrow at 6:30, 9 and 11:30 p.m.<br />

Museums<br />

Japanese Netsuke. Evolving into a fine art during<br />

the 19th century Edo period <strong>of</strong> Japan, the tiny ivory<br />

carvings have become highly collectable, eminently<br />

fashionable trinkets. The Museum <strong>of</strong> Fine Arts<br />

exhibits some dazzling examples <strong>of</strong> this intricate art<br />

form in the Hirsch Library Gallery through April 10.<br />

With hopes <strong>of</strong> showing netsuke not as decoration<br />

but as a highly ritualized artistic tradition, the<br />

museum has gathered 40 pieces from Houston<br />

collections, <strong><strong>of</strong>f</strong>ering notes on history and technique.<br />

Full <strong>of</strong> Oriental mythology, netsuke art is an<br />

important testament to Japan's culture heritage.<br />

Music<br />

The Houston Symphony. Sergiu Comissiona directs<br />

a concert <strong>of</strong> Salieri, Chausson and Ravel. Pianist<br />

Radu Lupu will also pe<strong>rf</strong>orm Mozart's Piano<br />

Concerto No. 18 in B-flat, a Houston-area orchestra<br />

premier. Tickets range from $3 to $23; students are<br />

entitled to rush for half-price tickets 30 minutes<br />

before curtain. Reservations can be made at 227-<br />

ARTS. The twelfth concert in the "Classical<br />

Experience" series, pe<strong>rf</strong>ormances begin at 8 p.m.<br />

Saturday, February 5 and 2:30 p.m. on Sunday,<br />

February 6.<br />

I f l V * { * * »• *<br />

Houston Symphony plays again.<br />

Theatre<br />

f 'tfv<br />

• ' s ' f / ' f • ' %" * * *<br />

Tango. The <strong>Rice</strong> Players will open this Polish<br />

political farce Monday, February 10. On the su<strong>rf</strong>ace<br />

a story <strong>of</strong> one particularly colo<strong>rf</strong>ul family, the play is<br />

actually a careful comment on the political swing <strong>of</strong><br />

our times from liberalism to reactionary quietude<br />

back into something suspiciously like fascism. Neil<br />

Havens delivers this easy, light script in a primarily<br />

comic production. Playing through next Saturday,<br />

Tango begins at 8 p.m. in Hamman Hall. Call 527-<br />

4027 for ticket reservations.<br />

The Ensemble One Acts. Houston's only black<br />

resident theatre will present an evening <strong>of</strong> two oneact<br />

plays, opening Thursday, February 10. Laurence<br />

Holder's When the Chickens Came Home to Roost<br />

is a tight personality drama, pitting Elijah<br />

Muhammad against Malcom X in a confrontation<br />

<strong>of</strong> ideologies and energies. Dreams <strong>of</strong> Flight, by<br />

Richard Mori, focuses on a personal relationship<br />

between two black men, that deals ultimately about<br />

all men living alone in a seemingly purposeless<br />

world. The Ensemble is at 1010, Tuam <strong><strong>of</strong>f</strong> Main.<br />

Reservations can be made at 520-0055.<br />

I aurpru p Holdpf s<br />

"When The Chickens<br />

Came Home to Roost"!<br />

also.<br />

Other Events<br />

Brian Ru hard Mori's<br />

"Dreams <strong>of</strong> Right"<br />

The Houston Reading Series. Two important<br />

woman writers will be in Houston this week to read<br />

from their critically acclaimed works. Harryett<br />

Mullen, one <strong>of</strong> the most impressive <strong>of</strong> the younger<br />

black writers in Texas, will present readings from<br />

her award-winning volume <strong>of</strong> poetry, Three Tall<br />

Women. Carol Forche, recently spotlighted for her<br />

eyewitness poetic account <strong>of</strong> Salvadorean struggles,<br />

will read from her book, The Country Between Us.<br />

pjhis especially topical volume, along with other<br />

writings, has made Forche the rave <strong>of</strong> contemporary<br />

poetics. Both women will appear free <strong>of</strong> charge in<br />

Brown Auditorium <strong>of</strong> The Museum <strong>of</strong> Fine Arts<br />

Tuesday, February 8.


THE RICi THRESHER/SPORTS<br />

Healthy netters to open season soon, set sights on Top 20 rank<br />

by Tony Soltero<br />

The <strong>Rice</strong> men's tennis team<br />

begins its season February 19 with<br />

an excellent chance <strong>of</strong> cracking the<br />

national Top 20. With a solid<br />

lineup <strong>of</strong> players like Tres<br />

Cushing, Don Tomasco, John<br />

Albert and promising freshman<br />

Martin Siekman, Owls coach<br />

Larry Turville is looking for a<br />

national ranking.<br />

"We're shooting for the top 20,"<br />

said Turville. "If we play up to our<br />

potential, I'm sure we can make it.<br />

We have very good depth and<br />

experience in our team this year."<br />

^This is encouraging news in light<br />

<strong>of</strong> <strong>Rice</strong>'s recent football and<br />

basketball struggles. "We're the<br />

best-kept secret at <strong>Rice</strong>," points<br />

out Albert. "I'll guarantee you<br />

John Albert<br />

we'll do better than the football<br />

team did."<br />

Says Cushing, "We're in better<br />

shape than we were last year. In<br />

1982 we had a lot <strong>of</strong> people out<br />

with illnesses. If we stay healthy,<br />

TRACK<br />

I'm sure we can win a couple more<br />

SWC matches than we did last<br />

year."<br />

<strong>Rice</strong> meets the University <strong>of</strong><br />

New Orleans in its season opener.<br />

"They're not to be taken lightly,"<br />

warned Turville, "but we should<br />

come out on top." The Owls have a<br />

formidable schedule from then on.<br />

They must play several teams<br />

currently ranked in the Top 20,<br />

among them number one SMU,<br />

number five Trinity, number eight<br />

Arkansas, number ten Texas and<br />

number thirteen TCU. Other<br />

heavyweights in <strong>Rice</strong>'s schedule<br />

include Louisiana State<br />

University, Florida State and<br />

Auburn.<br />

"If we can win a good portion <strong>of</strong><br />

those tough matches, then we can<br />

—C. Gubin<br />

vault into the Top 20," remarked<br />

Turville.<br />

The coach also expressed<br />

optimism about <strong>Rice</strong>'s chances in<br />

SWC play. "We've never defeated<br />

TCU and Texas A&M, but this<br />

year we have a real shot at them,"<br />

he said.<br />

Turville added, "I really feel<br />

good about this team. Bob<br />

Anderson has really improved<br />

over last year, and in Cushing and<br />

Tomasco we have two first-rate<br />

players."<br />

Cushing is coming <strong><strong>of</strong>f</strong> a<br />

successful autumn, in which he and<br />

Tomasco reached the semifinals <strong>of</strong><br />

a tournament in Milwaukee. He<br />

has defeated several players<br />

ranked in the top 50.<br />

"A few more pe<strong>rf</strong>ormances like<br />

those, and he'll be in the top 50<br />

himself," says the coach.<br />

The loss <strong>of</strong> freshman Manuel<br />

Ruiz over the semester break has<br />

not dampened the team's spirits.<br />

Albert reflects the Owls' l<strong>of</strong>ty<br />

goals with his desire that the team<br />

win 20 <strong>of</strong> its 25 matches.<br />

"That's what I hope," he says.<br />

"It'll take us some work, but it's<br />

not impossible. This is the best<br />

team we've had for at least the past<br />

12 years. We're going to prove<br />

ourselves on the court."<br />

<strong>Rice</strong> tennis fans need not worry<br />

about the fact that Albert and<br />

Cushing depart after this season;<br />

Siekman has been a valuable<br />

addition to the squad. Turville<br />

spoke <strong>of</strong> two recruits who have<br />

expressed interest in coming to<br />

<strong>Rice</strong>.<br />

"One is from Chicago, and he<br />

pe<strong>rf</strong>ormed admirably in the<br />

national Indoor Tournament,<br />

another is one <strong>of</strong> the top five<br />

players in the East," he<br />

commented.<br />

If many accomplished recruits<br />

continue to select <strong>Rice</strong>, then the<br />

Owls should have a consistently<br />

good team. Turville pointed out<br />

that many tennis players are<br />

attracted to <strong>Rice</strong> because they<br />

<strong>of</strong>ten come from families that<br />

stress education.<br />

"It's the academics that attract<br />

many top players here," he noted.<br />

"<strong>Rice</strong> balances a top-notch<br />

education with an excellent tennis<br />

program, and that is what many<br />

players are looking for."<br />

Cushing, Tomasco shock top seeds<br />

by Tony Soltero<br />

R ice tennis players Tres Cushing<br />

and Don Tomasco teamed up to<br />

reach the doubles semifinals<br />

recently at a tournament in<br />

Milwaukee. Despite being<br />

unseeded, the pair eliminated the<br />

top-seeded team in the process.<br />

Cushing rebounded from what<br />

he termed "a disappointing singles<br />

pe<strong>rf</strong>ormance," losing in th« second<br />

round. He and his partner<br />

Tomasco stunned the number one<br />

seeded pair from the University <strong>of</strong><br />

California at Irvine, ranked<br />

eighteenth in the nation. After<br />

dropping the first set 7-5, the <strong>Rice</strong><br />

tandem recovered to win the<br />

second set 6-3, and then pulled out<br />

the decisive set 7-6 to score the<br />

upset.<br />

Even though Cushing and<br />

Tomasco were later eliminated in<br />

the semis by a Duke team, their<br />

showing was encouraging as the<br />

<strong>Rice</strong> tennis season soon begins.<br />

"I feel we're gong to have a good<br />

• i/li't 4*- HHK<br />

Don Tomasco and No. 1 singles amateur Tres Cushing<br />

year," says Cushing. "Our singles experience."<br />

and doubles are stronger and the If the Milwaukee pe<strong>rf</strong>ormance is<br />

arrival <strong>of</strong> Martin Siekman has any indication <strong>of</strong> the season to<br />

improved the team. And Don and I come, then <strong>Rice</strong> can make a strong<br />

now have another year <strong>of</strong> thrust into the top 20 this year.<br />

Two-mile relay takes fourth at Millrose Games, team runs at McNeese<br />

by Steve Mollenkamp<br />

The strongest, fastest, and best<br />

<strong>of</strong> this nation's amateur track and<br />

field athletes assembled together<br />

last Friday at the 76th Wanamaker<br />

Millrose Games in New York City.<br />

Among those invited to compete in<br />

Villanova, University <strong>of</strong> British<br />

Columbia, and Virginia were<br />

ahead <strong>of</strong> them.<br />

<strong>Rice</strong> may well have done better<br />

if Francisco Melendez had not<br />

stumbled midway through his leg<br />

<strong>of</strong> the relay. According to Coach<br />

JL<br />

Vince Courville, Terry Jones, and Willy Mays out <strong>of</strong> the blocks—C. Reining<br />

the Madison Square Garden event<br />

were such track giants as Billy<br />

Olson, Carl Lewis, Mary Decker-<br />

Tabb and <strong>of</strong> course the stellar <strong>Rice</strong><br />

University two mile relay team <strong>of</strong><br />

Francisco Melendez, Charles<br />

House, Jerry Fuqua, and Gawain<br />

Guy.<br />

Running their way to a fourth<br />

place in the two mile relay with a<br />

time <strong>of</strong> 7:34.3, these four runners<br />

showed the rest <strong>of</strong> the country<br />

what informed Thresher readers<br />

already knew, that the blue and<br />

gray can compete with anybody.<br />

Only such powerhouses as<br />

Steve Straub, Melendez<br />

apparently jostled, tripped up the<br />

heel <strong>of</strong> the runner in front <strong>of</strong> him<br />

and fell but quickly recovered<br />

himself.<br />

"By the time Francisco<br />

recovered, he was a good 10-15<br />

yards behind," Straub remarked.<br />

"He just couldn't get his<br />

momentum back after that."<br />

Jerry Fuqua, running third, was<br />

still able to pick up some <strong>of</strong> the<br />

slack with his split <strong>of</strong> 1:51.9. The<br />

Owls moved up from sixth to<br />

fourth during the last three legs.<br />

"We had trouble running on the<br />

banked wooden track, but we<br />

should have done better," said the<br />

fleet-footed Fuqua. "Sico's getting<br />

tripped certainly hurt us because<br />

it's always hard to catch up."<br />

Sprinter Vince Courville also<br />

went up to New York to compete.<br />

Courville just missed making the<br />

finals <strong>of</strong> the 60-yard dash with his<br />

time <strong>of</strong> 6.27. Courville, who tends<br />

to run s<strong>low</strong>er in his first race, was<br />

knocked out <strong>of</strong> the competition by<br />

the likes <strong>of</strong> such heavies as<br />

Herschel Walker and eventual<br />

winner Ron Brown <strong>of</strong> Arizona<br />

State University.<br />

The remainder <strong>of</strong> the men's<br />

track team went to Lake Charles,<br />

Louisiana Saturday for the<br />

McNeese State Indoor Meet in the<br />

McNeese Recreation-Complex.<br />

By sending its star pe<strong>rf</strong>ormers to<br />

the Millrose games, <strong>Rice</strong> had<br />

effectively taken itself out <strong>of</strong> the<br />

competition and therefore only<br />

came in ninth <strong>of</strong> the twelve teams<br />

at the meet. While <strong>Rice</strong>'s 24 points<br />

were quite a ways <strong><strong>of</strong>f</strong> from meet<br />

winner Lamar's 84, the team did<br />

get encouraging pe<strong>rf</strong>ormances out<br />

<strong>of</strong> Greg Johnson and Craig<br />

Hermann.<br />

Johnson, a Lovett sophomore.<br />

come in second place in the s<strong>low</strong>ly<br />

paced 1600 meter run with a time<br />

<strong>of</strong> 4:17.29. The time is much better<br />

than it seems for the McNeese<br />

track is generally considered one <strong>of</strong><br />

the s<strong>low</strong>est in town. He placed<br />

sixth as well in the 3200 meter run.<br />

Hermann's time <strong>of</strong> 2:33.71 in the<br />

1000 meter run was good enough<br />

for a third place finish.<br />

<strong>Rice</strong> will be traveling to Dallas<br />

this coming Saturday in order<br />

to compete in the Dallas<br />

Invitational held in Reunion Area.<br />

A number <strong>of</strong> Southwest<br />

Conference schools will be among<br />

those attending the meet.<br />

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The <strong>Rice</strong> Thresher, February 4, 1983, page 15


MEN'S BASKETBALL<br />

Suitts suspends Johnson, Washington in their "best interest"<br />

by Jay Grob<br />

Junior guards Teddy Johnson<br />

and Tyrone Washington have been<br />

suspended from the <strong>Rice</strong><br />

basketball team for the remainder<br />

<strong>of</strong> the season. The pair will miss the<br />

Owls' remaining 10 games this<br />

season, including Wednesday's<br />

game against Arkansas, and it is<br />

unclear whether the two will return<br />

to the squad next year.<br />

In a prepared statement given<br />

Monday, coach Tommy Suitts<br />

indicated that Washington and<br />

Johnson had broken a team<br />

training rule, but did not<br />

elaborate. "Our coaching staff<br />

feels that Washington and<br />

Johnson have let the pressure <strong>of</strong><br />

our season adversely affect their<br />

behavior," said Suitts. "As a result,<br />

they haven't been able to function<br />

in the best interest <strong>of</strong> the team. We,<br />

therefore, feel that they shouldn't<br />

continue as members <strong>of</strong> the team<br />

for the remainder <strong>of</strong> the season."<br />

Suitts concluded his statement<br />

by stating that Washington and<br />

Johnson will retain their<br />

scholarships for the remainder <strong>of</strong><br />

the season, and will immediately<br />

begin a weight training program.<br />

"We will help them and<br />

encourage them to do well in<br />

school, and we will meet with them<br />

after the season is completed to<br />

discuss the 1983-84 school year,"<br />

said Suitts.<br />

Suitts added that the frustration<br />

<strong>of</strong> an 0-7 conference record had<br />

Tyrone Washington<br />

been detrimental to the pair's<br />

relationship with their teammates.<br />

Commented Suitts, "I want to<br />

make it clear that this was no<br />

blatant violation <strong>of</strong> the rules. The<br />

decision was made in the best<br />

interest <strong>of</strong> these two young men."<br />

Johnson disagreed with Suitts,<br />

commenting, "I don't know what<br />

he (Suitts) had in mind, but all he<br />

has done is belittle us in the eyes <strong>of</strong><br />

our peers and cast a great deal <strong>of</strong><br />

uncertainty about us."<br />

He continued, "I thought the<br />

punishment was pretty severe.<br />

Hopefully, I'll be back next year."<br />

Freshman Ivan Petitt will<br />

replace Johnson, who had been<br />

splitting time with Washington, in<br />

the starting lineup. Johnson and<br />

Washington had been averaging<br />

4.2 and 5.8 points per game,<br />

respectively; Washington was<br />

considered the team's premier<br />

defensive player.<br />

The suspension marks the first<br />

such penalty levied by Suitts in his<br />

two years as head coach. The last<br />

player suspended from the<br />

basketball team was senior guard<br />

Anthony DeCello, removed from<br />

the team in 1980 by former coach<br />

Mike Schuler for a violation <strong>of</strong><br />

"team rules."<br />

The loss <strong>of</strong> Washington and<br />

Johnson leaves the Owls, now 0-8 in<br />

conference and 6-12 overall, with<br />

only 11 scholarship players. <strong>Rice</strong><br />

lost senior center Kenny Austin<br />

due to academic difficulties at the<br />

beginning <strong>of</strong> the current semester.<br />

t'<br />

Teddy Johnson against Texas Tech last year —M. Gladu<br />

Losses pile up, sad streak reaches nine against Hogs<br />

by Jay Grob<br />

It was bad. No, it was worse than<br />

Wednesday night in Fayetteville,<br />

Arkansas. Reeling from the loss <strong>of</strong><br />

junior guards Teddy Johnson and<br />

Tyrone Washington, and playing<br />

one <strong>of</strong> the best teams in the<br />

country, <strong>Rice</strong> picked a bad time to<br />

play its worst game <strong>of</strong> the year, as<br />

the Arkansas Razorbacks ripped<br />

the Owls 70-43.<br />

The loss dropped the Owls to 0-8<br />

in conference play, while Arkansas<br />

stayed in second place at 7-1.<br />

Quite simply, the Owls were<br />

massacred in every aspect <strong>of</strong> this<br />

game. <strong>Rice</strong> shot a dismal 30<br />

percent from the floor compared<br />

to Arkansas' 43 percent, and the<br />

Owls only grabbed 27 rebounds<br />

compared to the Hogs' 51.<br />

Arkansas stole the ball from <strong>Rice</strong>'s<br />

inept ball-handlers ten times,<br />

although it seemed like more. In<br />

addition, the Owls out-fouled the<br />

Razorbacks 29-20.<br />

Four Hogs scored in double<br />

figures. Darrell Walker scored 14<br />

points, 6-11 center Joe Klein<br />

:counted for 13, while Leroy<br />

Sutton and Alvin Robertson had<br />

10 apiece. <strong>Rice</strong> guard Tracie Steele<br />

scored 13 points before fouling<br />

out.<br />

Said a dejected Tommy Suits,<br />

"I'm embarassed for our players.<br />

We're not a very good basketball<br />

team right now, but there is a<br />

difference between when we don't<br />

play well in general and what<br />

happened tonight."<br />

Indeed, Wednesday night's<br />

pe<strong>rf</strong>ormance was much worse than<br />

last Saturday's game against<br />

Houston when the Owls played<br />

reasonably well before being<br />

buried by 36 points. Arkansas<br />

dominated from the opening tip to<br />

the final buzzer, and was ahead<br />

eight to nothing after only three<br />

minutes <strong>of</strong> play. Not that <strong>Rice</strong><br />

played any better the rest <strong>of</strong> the<br />

half, but the Owls did finally<br />

manage to get the ball past<br />

midcourt a couple <strong>of</strong> times, after<br />

being victimized repeatedly by<br />

Arkansas' zone press. Still,<br />

4 1 /2C<br />

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"(713) 521-9465 (713) 520-9753<br />

The <strong>Rice</strong> Thresher, February 4, 1983, page 16<br />

Arkansas pushed onward and at<br />

Ihe half was ahead 38-19.<br />

The onslaught continued in the<br />

second half, as <strong>Rice</strong>'s poor<br />

shooting worsened. The<br />

Razorbacks gained a 30-point lead<br />

at 6:19 on John Snively's jumper.<br />

But the Owls fought back,<br />

outscoring Arkansas' scrubs in the<br />

final minutes for the 70-43 loss.<br />

Though it is painful to look at<br />

WOMEN'S BASKETBALL<br />

<strong>Rice</strong>'s individual pe<strong>rf</strong>ormances,<br />

the public must know. Renaldo<br />

O'Neal continued to slump, hitting<br />

only two <strong>of</strong> fifteen shots and<br />

scoring eight points. Ivan Petitt,<br />

starting his first conference game<br />

in place <strong>of</strong> Johnson, also had eight<br />

points on three <strong>of</strong> nine from the<br />

field. The freshman guard was also<br />

guilty <strong>of</strong> four turnovers. The<br />

starting forward Tony Barnett did<br />

not score.<br />

Steele was the only Owl to hit<br />

half his shots as the Arkansas<br />

native canned five <strong>of</strong> 10 attempts.<br />

In a game that everyone agreed<br />

would be better forgotten, Suitts<br />

said, "There is only one Barnhill<br />

Arena and one Arkansas. Thank<br />

heaven we don't come back for<br />

another year." Hopefully the Owls<br />

will play better tomorrow night as<br />

<strong>Rice</strong> faces Baylor in Autry Court<br />

at 7:30 p.m.<br />

Owl hot shots to return for big Baylor game<br />

by Steve Bailey<br />

<strong>Rice</strong> dropped two games on<br />

enemy tu<strong>rf</strong> over the weekend, an<br />

87-57 loss to Miami and a 95-60<br />

loss to Florida International.<br />

However, the team did acquire<br />

nifty suntans to go along with the<br />

sunny outlook for Saturday's<br />

Southwest Conference contest<br />

with Baylor.<br />

In both games <strong>Rice</strong> gave the ball<br />

away far more <strong>of</strong>ten than they took<br />

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it away, and free throw shooting<br />

was still under par, but freshman<br />

post Ann Fisher had two strong<br />

games and senior forward Jennifer<br />

Stone continued to play the best<br />

basketball <strong>of</strong> her career.<br />

"I'm very pleased with our inside<br />

play <strong>of</strong> Stone and Fisher," noted<br />

head coach Linda Tucker. "Ann<br />

had two real good back-to-back<br />

games. She's getting over her<br />

shyness, and learning to position<br />

more and more each game."<br />

Fisher hit 15 <strong>of</strong> 26attempts"from<br />

the field and grabbed 19 rebounds<br />

in the two games. Stone made 13 <strong>of</strong><br />

30 shooting attempts and added<br />

six-for-nine from the line for 32<br />

points.<br />

"The teams (Miami and Florida)<br />

were strong and experienced,"<br />

Tucker continued. "International<br />

was ranked ninth last year (AIAW<br />

Division II) and Miami is big,<br />

strong and fast.<br />

"Our bench will have the<br />

experience they'll need when we<br />

play S WC games. We're not giving<br />

in, and by Conference time (SWC<br />

Tournament) we might upset some<br />

people.<br />

"I can never complain about<br />

people not playing. When kids are<br />

playing as hard as they can, that's<br />

all a coach can ask. If we can just<br />

eliminate our turnovers, that will<br />

make us a much better basketball<br />

team."<br />

Most <strong>Rice</strong> players had at least<br />

one good statistical game in<br />

Florida, and all signs indicate that<br />

losing will soon be pastf for the<br />

Owls. Forward Pennie G<strong><strong>of</strong>f</strong> and<br />

post Katie Osten are scheduled to<br />

play Saturday against Baylor, and<br />

if both players are at half strength,<br />

the Cubbies will have their paws<br />

full.<br />

"I'm going to bring them (G<strong><strong>of</strong>f</strong><br />

and Osten) along s<strong>low</strong>ly at first.<br />

This will give everyone a positive<br />

lift," said Tucker.<br />

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INTRAMURALS<br />

Cinzano romps to soccer crown<br />

by Ed Swartz<br />

Cinzano easily won this year's<br />

soccer intramurals by overpowering<br />

the Buzzards 4-0 in the<br />

championship game.<br />

Cinzano's only tough game<br />

came in the first round <strong>of</strong> the<br />

play<strong><strong>of</strong>f</strong>s against an intimidating<br />

Warriors team. The Warriors were<br />

the only team to ever score against<br />

Cinzano, but it wasn't enough to<br />

win the tight game as they bowed<br />

out 2-1.<br />

Cinzano then erased E.S.<br />

Tylenol in an 8-0 effort, after the<br />

latter received a bye the first<br />

round.<br />

The Buzzards advanced to the<br />

finals by beating W.A.T.W. 4-1 in<br />

the first round, and squeaking past<br />

a scrappy Ipswich V team 3-2 in the<br />

semifinals.<br />

College soccer<br />

Although only one game has<br />

been played so far, Baker appears<br />

to be the team to watch this year in<br />

college soccer. Baker manhandled<br />

a solid Sid Richardson team 6-1<br />

Saturday.<br />

Before Baker scored the first<br />

goal, the game looked like it might<br />

be close with both teams showing<br />

good ball control. The Baker team,<br />

comprised mostly <strong>of</strong> two<br />

tournament teams, Warriors and<br />

Ipswich V, drew out the SRC<br />

Ready to Score shows it<br />

Monday league<br />

Ready to Score, managed by Bill<br />

Stockton and basically a Lovett<br />

team is steamrolling over its<br />

opponents having racked up scores<br />

<strong>of</strong> 41-10 against the Free Throws<br />

and a whopping 70-6 crusher over<br />

Sweet Georgia Brown. No one<br />

team member dominated the<br />

scoring as Jennifer Geran, Karen<br />

Ashby, Jodi Radziewicz, Gina<br />

Pabst and Wanna Hadnot scored<br />

equally well with Tracie<br />

Blumentritt a strong sub. The Free<br />

Throws have a 1-1 record as do For<br />

Colored Girls Who Considered<br />

Suicide When <strong>Rice</strong> Was Enough.<br />

Sweet Georgia Brown has the<br />

cellar position with two losses.<br />

Wednesday league<br />

Lisa Kay Mao's Fast Break team<br />

is out in front with a 3-0 record.<br />

One win was awarded by a fo<strong>rf</strong>eit<br />

from The Few who evidently were<br />

too few and had to withdraw from<br />

the competititon. Dana Mischlich,<br />

Kate Moynihan and Mao sparked<br />

the scoring. Fast Foods gave Fast<br />

Break some tough competition<br />

with Leslie Neblett and Wendy<br />

Brockman pumping in all the<br />

baskets only to lose 22-30. Sex<br />

Kittens, captained by Christy<br />

Moore, are tied with Fast Foods<br />

having 1-0 records.<br />

Thursday league<br />

Good Girls and Flaming<br />

Flamingos are tied with 2-0<br />

records. Baker's Best and White<br />

Shadow Returns are both looking<br />

for their first win. High scorers for<br />

Flaming Flamingos were Mary<br />

Ellen Trunko, who garnered 16<br />

points against Baker's Best, and<br />

Genie Lutz scoring 14 points in the<br />

same game. Good Girls led by<br />

Naomi Logsdon's 14 point effort<br />

and assisted by 8 points from Joan<br />

Pflugrath had a 38-10 victory over<br />

Baker's Best.<br />

February 4 is the deadline for<br />

women's tennis singles, doubles<br />

and mixed doubles, and women's<br />

s<strong>of</strong>tball.<br />

<strong>Rice</strong> athletics Feb. 5-13<br />

Sat Feb 5 W<br />

M<br />

MW<br />

MW<br />

M<br />

Sun Feb 6 M<br />

Mon Feb 7 M<br />

M<br />

Tue Feb 8 W<br />

Wed Feb 9 M<br />

Thu Feb 10 M W<br />

Fri Feb 11 M<br />

MW<br />

W<br />

Sat Feb 12 MW<br />

M<br />

M<br />

MW<br />

M<br />

Sun Feb 13 M<br />

M<br />

Basketball vs. Baylor AUTRY COURT 2:30 p.m.<br />

Basketball vs. Baylor AUTRY COURT 7:30 p m.<br />

Swimming vs. TCU RICE 1:00 p.m.<br />

Track at Dallas Invitational Dallas all day<br />

Golf at Columbia Lakes West Columbia all day<br />

Golf at Columbia Lakes (cont'd.) West Columbia all day<br />

Golf at Columbia Lakes (cont'd.) West Columbia all day<br />

Basketball vs. Texas A&M AUTRY COURT 7:30 p.m.<br />

Basketball vs. Texas A&M AUTRY COURT 7:30p.m.<br />

Golf Club Campistre Invitational Monterrey, Mex. all day<br />

Golf Club Campistre Invt'l. (cont'd.) Monterrey, Mex. all day<br />

Basketball vs.Texas Tech AUTRY COURT 7:30 p.m.<br />

Golf Club Campistre Invt'l (cont'd ) Monterrey, Mex. all day<br />

Swimming vs. Austin College Invt'l. Sherman all day<br />

Tennis vs. Lamar JAKE HESS 1:00 p.m.<br />

Swimming at Austin Col. Invt'l. (cont.) Sherman all day<br />

Basketball vs. Southern Methodist Dallas 7:30 p m.<br />

Baseball vs. St. Edward's (2) <strong>Rice</strong> 1:00 p.m.<br />

Track at Oklahoma Invitational Oklahoma City 2:00 p.m.<br />

Lacrosse vs Sam Houston State <strong>Rice</strong> 11:00 p.m.<br />

Baseball vs. St. Edward's <strong>Rice</strong> 1:00 p.m.<br />

Lacrosse vs Texas A&M College Station 1:00p.m<br />

Attention Pre-Meds!<br />

Full Medical School Scholarships Available!<br />

A limited number <strong>of</strong> scholarships are <strong><strong>of</strong>f</strong>ered<br />

annually by the United States Navy.<br />

The scholarship includes tuition, books, fees and<br />

necessary equipment plus a stipend <strong>of</strong> $556 a month.<br />

Applications are now being accepted. For more<br />

information or application contact:<br />

Navy Medical Programs<br />

1121 Walker St., 9th floor<br />

Houston, TX 77002<br />

• (713) 226-2431/2447<br />

goalie on <strong><strong>of</strong>f</strong>ense while playing a<br />

strong game on defense.<br />

Sophomore Leland Key became<br />

the <strong><strong>of</strong>f</strong>ensive* star for Baker,<br />

earning four goals. Classmates<br />

Tom Loose and Bill Burgess also<br />

added a goal apiece.<br />

Baker's defense also played<br />

aggressively, turning back several<br />

SRC advances. Goalie Jim Gage<br />

had a good game but was not<br />

seriously challenged, thanks to the<br />

strong defensive line.<br />

Baker will next play Lovett, who<br />

had a first-round bye. Also this<br />

weekend, Jones will face Will <strong>Rice</strong><br />

and Hanszen will square <strong><strong>of</strong>f</strong><br />

against Wiess.<br />

SCOREBOARD<br />

Miami 87, <strong>Rice</strong> 57<br />

<strong>Rice</strong> fg fgfga fga ft fta reb a pf pti<br />

Barnard 1 3<br />

Stone 6 14<br />

Ziegler 7 15<br />

4 15<br />

Fisher 8 13 0 10<br />

Schunck 0 8 3 2<br />

Landry 2 4<br />

Hershey 0 1<br />

Cavallini 1 5<br />

Tilden 1 4<br />

Taft 0 0<br />

Babino 0 0<br />

Total* 26 67 5 12 32


IN THE COLLEGES<br />

HANSZEN<br />

Martin Zacarias;<br />

The annual B&P talent show<br />

will be Friday, February 18. Signup<br />

list for acts in in the commons.<br />

WIESS<br />

Dave Chilton<br />

For those <strong>of</strong> you who are having<br />

cash f<strong>low</strong> problems but still covet a<br />

good time, Wiess has the answer.<br />

Tonight in the Wiess Commons<br />

there will be an absolutely free<br />

party featuring beer, music and<br />

punch. The free fun starts at nine.<br />

Due to the underwhelming<br />

response to last week's notice, we<br />

once against exhort you to see the<br />

taking <strong>of</strong> your Campanile picture.<br />

Call or see Dave Chilton in Room<br />

227 or Vince Hu in Room 205<br />

sometime soon.<br />

v.<br />

LOVETT<br />

Albert Throckmorton'<br />

Today is the deadline for adding<br />

courses designating pass/fails.<br />

The Lovett Plays, The Bald<br />

Soprano and A Resounding<br />

Tinkle, continue tonight and<br />

tomorrow at 8 p.m. in the Lovett<br />

commons. Reservations are<br />

suggested; call 526-6584.<br />

Dr. Burrus is having a beer<br />

tasting party with Wiess on<br />

February 10.<br />

Your<br />

February 11, Pink Panther, in<br />

the commons.<br />

Important dates coming up.<br />

February 16 there will be a seminar<br />

on room jack. Singles draw is<br />

February 17; suiteless doubles<br />

March 10; suites March 17. Sign<br />

up in Mrs. Paine's <strong><strong>of</strong>f</strong>ice for draw.<br />

$50 room deposits are due in the<br />

cashier's <strong><strong>of</strong>f</strong>ice February 18. Show<br />

your receipt to Mrs. Paine.<br />

BAKER<br />

Stu Werbner<br />

Congratulations to the Baker<br />

men's soccer team on their 5-1<br />

b<strong>low</strong>out over Sid Rich. This<br />

weekend Baker plays Lovett.<br />

Don't miss the Baker film<br />

Kentucky Fried Movie tonight at<br />

doesn't<br />

surprise<br />

us...<br />

The <strong>Rice</strong> Thresher, February 4, 19S3, page 18<br />

Chem Lec playing at 7:30 and 9:30.<br />

Admission is $2.<br />

& GSA<br />

Carol Wilder<br />

The GSA Valentine's Party on<br />

February 12 is at Valhalla from 8<br />

p.m. until 2 a.m. Signup for<br />

bartenders in Valhalla.<br />

This year the GSA will try to<br />

field a women's beer-bike team.<br />

The first meeting for women<br />

interested in participating will be<br />

at 5 p.m. today in front <strong>of</strong> Valhalla.<br />

Anyone interested in participating<br />

in this year's men's beerbike<br />

race should contact Stuart at<br />

x3587 or Jay at x2331 (Bike<br />

Captains) or Howard at x4884<br />

(Beer Captain).<br />

At TRW it's what we're all about.<br />

We've created an environment<br />

encouraging people like you to<br />

define and go after your individual<br />

pr<strong>of</strong>essional goals.<br />

So when you work with us,<br />

you'll get a personalized approach<br />

to your technical growth. An<br />

approach that includes ... .<br />

An informal atmosphere that<br />

encourages insightful thinking.<br />

Co-workers who value the free<br />

interchange <strong>of</strong> ideas.<br />

Responsive managers who look<br />

out for your advancement.<br />

A broad spectrum <strong>of</strong> challenging<br />

projects to choose from --<br />

Projects ranging from large data<br />

base s<strong>of</strong>tware systems,<br />

communications spacecraft and<br />

alternative energy sources, to<br />

scientific satellites, high energy<br />

lasers and microelectronics.<br />

And you'll appreciate the<br />

opportunity to see these<br />

projects to completion.<br />

In the long run we think<br />

you'll find that TRW <strong><strong>of</strong>f</strong>ers<br />

n environment that brings out<br />

the uniqueness in you.<br />

M 7<br />

February 17<br />

TRW will be on campus February 18<br />

hiring <strong>grad</strong>uates in most Engineering<br />

and Scientific disciplines<br />

at all degree levels.<br />

See your Placement Office for<br />

more information.<br />

College Relations<br />

TRW Electronics and Defense<br />

Bldg. R5/B196, Dept.<br />

One Space Park<br />

Redondo Beach, CA 90278<br />

Equal Opportunity Employer M/F/H<br />

U.S. Citizenship Required<br />

i i i f<br />

Entries for the beer-bike T-shirt<br />

design contest should be submitted<br />

to Nicol in the Biology Dept. no<br />

Uater than February 17.<br />

There is a possibility <strong>of</strong><br />

obtaining residential facilities for<br />

<strong>grad</strong>uate students at the UH<br />

downtown campus, located at 101<br />

Main. The approximate room and<br />

board expenses would be $280 per<br />

month, with a $120 deposit for<br />

double occupancy, and 13 meals a<br />

week.<br />

For further details, contact Judy<br />

at General Offices at 225-1781,<br />

xl22 or xl23 or your GSA rep.<br />

JONES<br />

Robin Berg<br />

Jones Night at the Pub is<br />

Tuesday, February 8 at 8 p.m.<br />

College Night is next Friday,<br />

February 11 in the RMC. The<br />

cocktail party is at 6 p.m., dinner is<br />

at 7:30 and the dance starts at 9:30<br />

p.m. Today is the last day to sign<br />

up for tables. Juniors and Seniors<br />

can bring dates. Please come help<br />

set up next Friday afternoon.<br />

BROWN<br />

Lina Rillera<br />

Speeches for executive positions<br />

on the cabinet will be on February<br />

7. The elections will be on<br />

February 9.<br />

All on/<strong><strong>of</strong>f</strong> campus members,<br />

who have not already done so, are<br />

asked to check if the information<br />

on the lists posted outside <strong>of</strong> Mrs.<br />

Von Eiffs <strong><strong>of</strong>f</strong>ice is correct. Please<br />

make any necessary corrections.<br />

RPC<br />

Sharon Tinkle<br />

Audition for the <strong>Rice</strong> Follies!<br />

First prize is $100; second prize is<br />

$75; and third prize is $50.<br />

Auditions are February 14 at 8<br />

p.m. in Sewall 301. Showtime will<br />

be February 24 at 8 p.m. in the<br />

Grand Hall RMC. See your<br />

college rep for more info.<br />

Submit black and white photos<br />

to the RPC on "The <strong>Rice</strong><br />

Experience"; winning pictures will<br />

be in the Campanile and prizes will<br />

be awarded. See reps for more<br />

details.<br />

imciyf II, part 1 m<br />

Lost: a pair <strong>of</strong> glasses left in Phys 220<br />

on Friday, 1/21; and Econ 211 book<br />

left in Mech building on Tuesday,<br />

1/18. Please call Nathaniel Smith at<br />

526-9910 if either <strong>of</strong> these are found.<br />

&<br />

SATURDAY<br />

7:30, 9:30,11:30<br />

CHEM LEC<br />

$1.00<br />

It's Awesome, Totally Awesome!<br />

UNIVERSAI P'Mu


Obedience to form, while no more<br />

blind than state or church.<br />

Serves hardly an excuse for a necrosis<br />

<strong>of</strong> the wit.<br />

The man, but not the meaning,<br />

have you gleaned from your<br />

research<br />

Perhaps my saline writings have<br />

not yet their focus hit.<br />

Consider the novella once again<br />

before response-<br />

Your own preoccupations, true,<br />

wane sal<strong>low</strong> next to such,<br />

And in your new work, Death,<br />

have you contrived them to ensconse;<br />

But even there, impurity <strong>of</strong> mind<br />

outsteps its hutch.<br />

Can we attribute this, say, to an<br />

accident in youth?<br />

Or sybaritic effort toward some<br />

grand Satanic plan?<br />

By now you understand: or, if you<br />

don't, I stand aghast,<br />

Ineptly quotin&here: "You need<br />

the feeling, notlhe man."<br />

Appendix I-<br />

"Cowardice"? Perhaps; more<br />

likely Lazarus Long's "laziness."<br />

"Envy"? Never.<br />

Appendix II-<br />

I still think they sound dumb.<br />

***<br />

See Animal House at the Animal<br />

House. A celebration <strong>of</strong> single-sex<br />

life, coming 2/12.<br />

***<br />

Volkswagen bus for sale — totally<br />

rebuilt, like new. Excellent<br />

condition. $2000 or best <strong><strong>of</strong>f</strong>er. Call<br />

523-0446.<br />

***<br />

\eji


the<br />

austin<br />

nichols<br />

calendar<br />

Saturday, February fifth<br />

Friday, February fourth<br />

7:30 & 9:15. Media Center. Peeping Tom and Bluebeard. $2<br />

8:00. Lovett Commons. The Bald Soprano and A<br />

Resounding Tinkle. $3, $2 students.<br />

River Oaks. Emartuelle (5:45 A 9:15) and Emanuelle: The<br />

Joys <strong>of</strong> a Woman (7:30).<br />

2:30. Women's basketball vs. Baylor. Autry Court, free W/<strong>Rice</strong> ID.<br />

7:30 A 10. Media Center. Mon Oncle d'Amerique. S2.<br />

8:00. Lovett Commons. The Bald Soprano and A Resounding Tinkle. S3, $2 students.<br />

River Oaks. Monty Python Live at the Hollywood Bowl (1:30, 5 A 8:30) and Monty<br />

Python's Life <strong>of</strong> Brian (6:45 A 10:15).<br />

Sunday, February sixth<br />

7:30. Media Center. The Cheat. $Z<br />

River Oaks. The Beastmaster (3:15 A 7:30) and Dragonslaver (1:15, 5:30 & 9:45).<br />

Monday, February seventh<br />

7:30. Autry Court. Men's basketball vs. A A M. Free w/<strong>Rice</strong> ID.<br />

8:00. Hamman Hall. <strong>Rice</strong> Players present Tango. $3 students, $5 non-students.<br />

River Oaks. 26 Days in the Life <strong>of</strong> Dostoevsky (5:45 & 9:15) and Easy Money (l.V)).<br />

Tuesday, February eighth<br />

7:00. Autry Court. Women's basketball vs. A A M. Free w/ <strong>Rice</strong> ID.<br />

7:30. Media Center. The Willmar 8 and The Detroit Motel. $3.<br />

8:00 Hamman Hall. Tango. $2 students, $5 non-students.<br />

River Oaks. You Are Not Alone (5:45 A 9:15) and Lord <strong>of</strong> the Flies (7:30).<br />

Wednesday, February ninth<br />

7:30. Media Center. 1900.S2.<br />

8:00 Hamman Hall Tango. S3 students, $5 non-students.<br />

River Oaks. Circle <strong>of</strong> Deceit (5 A 9:45) and The Tin Drum (7:00).<br />

Thursday, February tenth<br />

7:00. Autry Court. Women's basketball vs. Texas Tech. Free w'<strong>Rice</strong> ID.<br />

7:30. Media Center. 1900. $2.<br />

8:00. Hamman Hall. Tango. $3 students, $5 non-students.<br />

River Oaks. The Postman Always Rings 7Wice (5:15 & 9:30) and Out <strong>of</strong> the Past<br />

(7:30).<br />

Friday, February eleventh<br />

7 30 A 10. Media Center. The War Game and The Bed-sitting Room. $3.<br />

8:00. Hamman Hall. Tango. $3 students, $5 non-students.<br />

River Oaks. Fast Times at Ridgemont High (5:30 & 9:15) and Rock 'n' Roll High<br />

School (7:30).<br />

Saturday, February twelfth<br />

7:30 A 10. Media Center. Warhol's Dracula. $2.<br />

8:00. Hamman Hall. Tango. S3 students, $5 non-students.<br />

River Oaks. Altered States (1, 5:30 A 10) and A Clockwork Orange (3 & 7).<br />

Sunday, February thirteenth<br />

7:30. Media Center. Trouble in Paradise. $2.<br />

River Oaks. Das Bool (1, 3:45, 6:30 & 9:15)<br />

Lectures, seminars, colloquia<br />

Institute for the Arts: Marie-Therese Brincard speaks on "African Art Forms." SH<br />

301, 7:30PM 2/4.<br />

Religious Studies: John P. Clayton (visiting pr<strong>of</strong>essor) speaks on "The Centennial <strong>of</strong><br />

the Publication <strong>of</strong> "Thus Spoke Zarathustra.'" SH 309, 8PM 2/4.<br />

Feminist Scholarship series: Gerda Lerner speaks on "The Challenge <strong>of</strong> Woman's<br />

History" at 8PM 2/7 in SH 309.<br />

Mechanical Engineering and Materials Science seminar: "Impact <strong>of</strong> Computers on<br />

Engineering" by James C. Wambold (Penn State) 2/7 at 3PM in 201 Ryon Lab.<br />

Physics Colloquium: Pr<strong>of</strong>. Hannu Miettinen speaks on "TestingQCD" at 4PM 2/9 in<br />

PL 210.<br />

Lecture: Dr. Gus Nicholson (TSU) speaks on "Collecting African Art" at 7:30PM<br />

2/10 in the Univ. <strong>of</strong> St. Thomas' Anderson Hall, 3921 Mt. Vernon.<br />

Conference on Aesthetics: Ge<strong><strong>of</strong>f</strong>rey Hellman (Univ. <strong>of</strong> Indiana) asks "What Is<br />

Programmatic about the Program?" 3:30 2/10 in the Kyle Morrow Room.<br />

Conference on Aesthetics: Nicholas Woltersto<strong>rf</strong>f (Calvin College) speaks on "The<br />

Text and its Critic, The Author and His/Her Work" at 9:30AM 2/11 in the Kyle<br />

Morrow Room.<br />

Conference on Aesthetics: Jerrold Levinson (Univ. <strong>of</strong> Maryland) talks about "Titles"<br />

at 1:15 2/11 in the Kyle Morrow Room<br />

Conference on Aesthetics: Ge<strong><strong>of</strong>f</strong>rey Hellman. piano. 7PM 2/11 Kyle Morrow Room.<br />

iiiifmisclass out the wazoo<br />

Satisfied, he entered the room and sat<br />

on his<br />

Asking his secretary for some c<strong><strong>of</strong>f</strong>ee<br />

and tried to<br />

Master eight repair-orders juggled at a<br />

time, while he<br />

Fingered his problem right away; he<br />

needed at least a twelve-<br />

Inch stack <strong>of</strong> orders to feel right, and<br />

then he<br />

Ejaculated to his secretary <strong>of</strong> her need<br />

to<br />

Uck some more stamps to replay to<br />

complaints, and he grabbed his<br />

Dictating machine, to b<strong>low</strong> <strong><strong>of</strong>f</strong> some<br />

more students.<br />

Here exists among us<br />

A person like this.<br />

Repairs he will miss.<br />

Results are not discussed.<br />

Ljook, my friends, above this!<br />

First letters are the key!<br />

The one to boo and hiss<br />

spell it out, and see.<br />

*•*<br />

Attention Company Commandant<br />

M.A.P:<br />

I take my cover <strong><strong>of</strong>f</strong> to you. Six<br />

months <strong>of</strong> active d^ty and you can<br />

still tolerate me. How about a pizza<br />

at mess tonight, fol<strong>low</strong>ed by<br />

inspection and PFT (costume<br />

optional)? You bring the enzymes,<br />

I'll bring the Polaroid. This ad good<br />

for $1.50 <strong><strong>of</strong>f</strong> a large pizza. Love,<br />

LDP, your CO. (Commanding<br />

Ogre)<br />

A humanist in choking sea<br />

Called for help and presently<br />

Received in full intensity<br />

Advice.<br />

"You must swim, if you would be.<br />

Rescue breeds dependency;<br />

Self-reliance makes one free."<br />

"That's nice!"<br />

He said,<br />

And floated easily<br />

And dead.<br />

The <strong>Rice</strong> Thresher, February 4, 1983, page 20<br />

***<br />

I know a young girl, misnamed<br />

Cook,<br />

Who secretly plans to be Brooke.<br />

I hear lately she rants<br />

About her implants<br />

Saying, "On silicone, I know the<br />

book."<br />

***<br />

Some roses are red<br />

Some roses are white<br />

Some married men will<br />

Some married men might<br />

But then there are those<br />

Who end up in bed<br />

But never with you—<br />

With their wives instead.<br />

the Brown Bard<br />

***<br />

"Our souls are held by what they<br />

hold;<br />

Slaves still are slaves in chains <strong>of</strong><br />

gold;<br />

To whatsoever we may cling,<br />

We make it a soul-changing<br />

thing."<br />

—A.S B. Chbborn<br />

The ACUI will hold the fol<strong>low</strong>ing<br />

tournaments:<br />

Backgammon — 2/ 5-6, conference<br />

room, 526-0511 for details;<br />

Ping-pong — 2/6 Sid Rich<br />

commons, Reeta Achari (526-<br />

4503) for details;<br />

darts — 2/6, sign up in Willy's<br />

Pub, Stan Barber (RMC) for<br />

details;<br />

foosball — 2/5 Willy's Pub, Don<br />

Clayton (520-7544) for details.<br />

Call 526-0511 for *** any information.<br />

The SA Senate is now taking<br />

applications for under<strong>grad</strong>uate<br />

positions on all University<br />

standing committees. Every<br />

spring, the current committee<br />

members and senators interview<br />

and nominate students to serve<br />

with faculty, staff, alums, and*<br />

administrators on these policy<br />

bodies. Appointments are made by<br />

President <strong>Hackerman</strong>. If you are<br />

interested in some aspect <strong>of</strong> how<br />

<strong>Rice</strong> is run, and you have<br />

something to contribute, this is one<br />

<strong>of</strong> the best ways to get involved.<br />

See your college senator or stop by<br />

the SA <strong><strong>of</strong>f</strong>ice for details and<br />

application forms. Applications<br />

will be taken until Friday 2/11.<br />

The committees and the number <strong>of</strong><br />

open spots are as fol<strong>low</strong>s (current<br />

members may reapply): admissions,<br />

2; affirmative action, 2;<br />

campus safety, 1; computers, 2;<br />

education council, 1; examinations<br />

and standing, 2; library, 1; public<br />

lectures, 1; religious activities, 1;<br />

ROTC, 1; student financial aid, 1;<br />

student health, 1; under<strong>grad</strong>uate<br />

curriculum, 2; under<strong>grad</strong>uate<br />

teaching, 2; university review<br />

adblaster<br />

West University/Greenway<br />

Plaza—Spacious 1BR in well<br />

maintained adult community. 2<br />

pools, no pets. Call 661-8549.<br />

***<br />

Greenway Plaza area—65 unit<br />

apartment community nestled in a<br />

quiet residential setting. Features<br />

include many interesting floor<br />

plans, new carpet, pool, laundry.<br />

2300 Colquitt 520-6383.<br />

***<br />

<strong>Rice</strong>/Med Center — attractive<br />

1BR apt. located in a quiet and<br />

pr<strong>of</strong>essional atmosphere. Includes<br />

new carpet, drapes, wallpaper.<br />

$350/mo. bills paid. Castle Court<br />

Manor 524-9787.<br />

***<br />

Help wanted: part time and full<br />

time at Neal's Ice Cream. Apply in<br />

person at 2826 Kirby Dr.<br />

***<br />

<strong>Rice</strong>-Med Center — spacious<br />

2BR/2 bath apt. with study.<br />

Located in quiet and pr<strong>of</strong>essional<br />

adult complex. $595 bills paid.<br />

524-9787.<br />

»**<br />

Help wanted: easy work as "caddy"<br />

at bridge tournament Tuesday<br />

2/15 thru Friday 2/18 1-5PM.<br />

Work any or all sessions at $12 per<br />

at Astro Village Hotel (Kirby near^<br />

South Loop). For more info call Jo<br />

Sykes at 622-8631.<br />

*' ***<br />

Word processing: theses,<br />

dissertations, research papers,<br />

manuscripts. Corrections made<br />

by Ph.D. w/15 years experience,<br />

all style manuals. $1.80 page<br />

double spaced. Pickup/deliver<br />

extra charge. Near Hobby Airport.<br />

641-0493.<br />

Need female roommate to share 3<br />

BR house close to <strong>Rice</strong> Campus.<br />

Private bath, washer/dryer,<br />

$200/rno. plus 1/3 util & $150<br />

deposit. Call 524-3280 *** after 9PM.<br />

Help wanted: Domino's Pizza is<br />

looking for drivers to deliver pizza<br />

in the Sharpstown area. Pays $5-<br />

6/hr. plus tips. Must have own car<br />

with insurance. Call 270-7722<br />

anytime.<br />

***<br />

Impeccable typing to your<br />

specifications. Editing and minor<br />

corrections free. Prompt service.<br />

$1 per double spaced page. Keep<br />

this ad for discount. 626-5478.<br />

barbecued iguana notes & notices;<br />

board, 2; athletics, 2; parking<br />

appeals, 3; campus store, 1;<br />

managerial studies, 2.<br />

***<br />

Try outs for a KTR U radio play are<br />

Wednesday 2/9 at 7PM in the<br />

RMC Grand Hall. Contact Stan<br />

Barber (527-4096) for more info.<br />

***<br />

Sigma Xi: monthly luncheon at<br />

Cohen House 2/16 11:30-1. The<br />

speaker will be Dr. Joe Blansford<br />

(U <strong>of</strong> H at Clear Lake) on "The<br />

Interaction <strong>of</strong> Radiation on the<br />

Su<strong>rf</strong>aces <strong>of</strong> Planetary Bodies."<br />

***<br />

Folk mass — St. Bede's Chapel at<br />

Autry House (across Main St.<br />

from Lovett entrance) Sunday 2/6<br />

at 5PM. Supper to fol<strong>low</strong>.<br />

—<br />

NLI Conference: 3/18-20, Dallas.<br />

The National Leadership Institute<br />

is conducting a leadership<br />

training/skills seminar for<br />

students currently or potentially<br />

leaders on campus. All expenses<br />

except travel paid. Please send<br />

name and list <strong>of</strong> qualifying campus<br />

activities to the SA <strong><strong>of</strong>f</strong>ice by 2/9 at,<br />

3PM. This conference is highly<br />

recommended by those who have<br />

attended in the past.<br />

AIAA Getaway Special: we will be<br />

continuing our work on <strong>Rice</strong>'s<br />

Space Shuttle payload this<br />

semester. New people are still<br />

welcome and we will be meeting on<br />

Tuesday nights 7-8PM in Mech<br />

Lab 260. For more info call Jim at<br />

526-3879 or contact Dr. Wierum in<br />

Ryon 101.<br />

Anyone interested in running for a<br />

campus-wide <strong><strong>of</strong>f</strong>ice for the 1983-84<br />

school year should file a petition<br />

no later than 3PM Tuesday 2/8 in<br />

the SA <strong><strong>of</strong>f</strong>ice. The election for all<br />

<strong><strong>of</strong>f</strong>ices will be Tuesday 2/22.<br />

Included are SA <strong><strong>of</strong>f</strong>icers, the <strong><strong>of</strong>f</strong> —<br />

campus Senator, RPC <strong><strong>of</strong>f</strong>icers,<br />

Honor Council members (all<br />

classes). University court<br />

chairman, Thresher editor,<br />

Campanile editor and business<br />

manager, student representatives<br />

to the University council, and<br />

TexPIRG <strong><strong>of</strong>f</strong>icers.<br />

***<br />

Architect & Art students: t-shirt &<br />

design contest for The Village.<br />

Slogan must include the words The<br />

Village and Houston, Texas. It<br />

must convey the fact that the<br />

Village is improving and represent<br />

the vitality <strong>of</strong> the village. The<br />

slogan and design will be on the<br />

front <strong>of</strong> the t-shirt (white on blue).<br />

Prizes are: your winning design<br />

and slogan on the village's first tshirt,<br />

a graphic design book form<br />

the Houston Home and Garden<br />

bookstore, and 2 tickets to a<br />

production at the Main Street<br />

Theater. Submit to: Judy Fitch,<br />

University Village Association,<br />

p.o. box 25329, Houston 77265 by<br />

2/11. For further information call<br />

526-4799.<br />

B'nai B'rith Hiliel Foundation: the<br />

first "strictly social" program <strong>of</strong><br />

the term will be a wine & cheese<br />

party tomorrow night (2/5) from 8<br />

'til. Come join us for some fun!<br />

Don't forget our deli lunch on<br />

Wednesday 2/9 from 12 to 1 in<br />

Baker House, sponsored by<br />

Kadimah chapter BBW. The<br />

program will be "Cults: The Target<br />

Is You," presented by Rabbi Shaul<br />

Osadchey.<br />

»»»<br />

HP41CV users: due to the interest<br />

shown last semester, we will be<br />

getting together in the near future.<br />

If you are interested in joining this<br />

group, call Wendell at 526-4910 or<br />

Jim at 526-3879.<br />

W0" ' ***<br />

The Houston Center for<br />

Photography will sponsor an<br />

exhibit entitled Agent Orange,<br />

with photos by Wendy Watriss,<br />

Mike Goldwater, and others from<br />

2/19-3/27 at 1440 Harold (in the<br />

Montrose area) from noon to 5PM<br />

Saturdays and Sundays.<br />

Admission is free.<br />

The <strong>Rice</strong> Gay/Lesbian Support<br />

Group will hold an extremely<br />

important (and fun) meeting at<br />

4PM Sunday 2/6. Come and brag<br />

about the cute girl/guy you picked<br />

up last meeting and rap about<br />

other things <strong>of</strong> recent note in your<br />

life. If you have ever come to a<br />

party or meeting, or if you think<br />

you ever will, please call Ann (524-<br />

7389) or David/Greg (524-0724)<br />

for details.<br />

***<br />

<strong>Rice</strong> University ASM will have its<br />

first meeting <strong>of</strong> the semester<br />

Tuesday 2/15 at 7PM in the Baker<br />

Library. Dr Kamel Salama will<br />

speak on "Non-destructive Testing<br />

and Determination <strong>of</strong> Internal<br />

Stress." Refreshments will be<br />

provided.<br />

***<br />

TexPIRG will have an organizational<br />

meeting on Monday 2/7<br />

in Mech Lab 260 at 8PM. Anyone<br />

interested in working with<br />

TexPIRG in any way, shape, or<br />

form should attend. Interested<br />

persons who cannot make the<br />

meeting should contact 527-4099<br />

for more info.<br />

***<br />

Anyone wishing to work at<br />

OWLCON IV, 3/25-27, as a g<strong>of</strong>er<br />

or projectionist contact Karen<br />

Kolker, 526-2149, or come to the<br />

regular RSFAFA meeting<br />

Monday night in SH 307 at 7PM.<br />

Those who g<strong>of</strong>e or project will<br />

receive free passes to the<br />

convention.<br />

iiicorrectoidsiii<br />

In last week's Fondren Library<br />

Patron's Guide the fol<strong>low</strong>ing was<br />

omitted: Conan the Librarian used<br />

by permission <strong>of</strong> Conan<br />

Properties, Inc., and Tom Peyer<br />

•with the Syracuse New Times.<br />

FREE<br />

PREGNANCY TESTS<br />

• Confidential Counseling<br />

• OB-GYN Specialists<br />

• Birth Control Information<br />

• Early Detection <strong>of</strong> Pregnancy<br />

• Termination <strong>of</strong> Pregnancy Through 24 Weeks<br />

—r*——:<br />

4=<br />

X<br />

l',' v<br />

v i-<br />

NEWCASTLE<br />

West Loop Clinic<br />

622-2170<br />

2909 WEST LOOP SOUTH<br />

HOUSTON, TEXAS 77027

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