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16 paper code & format sheets ACID FREE TISSUE CODE ITEM SIZE M GSM SHT/PKT 200134 acid free tissue 500 x 750 17 500 200135 acid free tissue 750 x 1000 17 500 HANDMADE REPAIR & BOOKBINDING PAPER M O U L I N D U V E R G E R M i l l E s t a b l i s h e d 1 5 3 9 Moulin du Verger, Antique European 17th—18th Century facsimile paper for the restoration of ancient books prints and drawings. SPECIFICATIONS • Cotton, linen & manilla mixed fibre furnish • pH 7.5 code & format sheets HANDMADE REPAIR & BOOKBINDING PAPER CODE ITEM COLOUR SIZE MM GSM SHT/PKT 200672 puymoyen Antique dark Toned 520 x 420 40 50 200158 puymoyen Antique dark Toned 500 x 650 80 50 Material para la Conser vación del Patrimonio en Archivos, Bibliotecas y Museos 200159 puymoyen Antique dark Toned 500 x 650 120 50 200160 angoulème Antique light Toned 500 x 650 80 50 200161 angoulème Antique light Toned 500 x 650 120 50 200673 Antique dark Toned 500 x 650 140 50 200556 angoulème White 500 x 650 120 50 200557 angoulème White 500 x 650 80 50 200674 angoulème Antique light Toned 500 x 650 60 50 200676 angoulème White 500 x 650 140 50 200675 angoulème White 500 x 650 50 50 • Special makings undertaken L E A F C A S T I N G F I B R E S , H A L F S T U F F S H E E T S & C O T T O N L I N T E R S handmade half stuff code & format HANDMADE HAF STUFF Ar"iv, Kütüphane ve Müzerlerdeki Tarihi Mirasın Korunması için Malzemeler CODE ITEM SIZE MM GSM SHT/PKT 200163 100% Flax/linen 650 x 500 250 25 200164 Linen/Cotton/Manilla 650 x 500 250 100 200165 Manilla 650 x 500 250 A r t E & M E m o r i a , S.L. !stanbul irtibat Tel. (90) 532.626 43 96 • Fax e-mail: troffice@arteymemoria.com www.arteymemoria.com
paper 100% cotton powdered fibre for infilling, repair and poulticing of damaged and worm eaten papers. code & format CELLULOSE POWDERS C E L L U L O S E P O W D E R S CODE ITEM GRADE GSM 100443 Cellulose powder CF1 500 100379 Cellulose powder CF11 500 100380 Cellulose powder CC41 500 P A P E R J A P A N E S E R E S T O R A T I O N P A P E R S h a n d m a d e p a p e r s We are pleased to offer japanese papers from the paper source established by Naoki Sakamoto to promote traditionally made Japanese papers.They are of consistent quality, free of impurities such as mechanical wood pulp or iron particles caused by poor materials and drying methods common to cheaper Far Eastern imitations. The special properties of traditional Japanese paper in general have long been recognised by Western conservators: low weight, long fibre, porosity, translucence and also exceptional permanence deriving from the purity achieved in their manufacture. Paper Nao papers’ pH values range from 6.3 to 9.5.The Nao papers available from Arte & Memoria are made from the inner bark of two tree types peculiar to Japan: Kozo, a type of mulberry; Gampi and Misumata, both species of Ginchoge. Kozo pulp fibres are typically some three times longer than those found in traditionally made European papers. Material para la Conser vación TEARING JAPANESE PAPER del Patrimonio en Archivos, Because most Japanese papers are long fibred, they are strongest when torn Bibliotecas rather y than Museos cut.The best way to tear them is: 1. Fold the paper where you want it torn. 2. Draw a thin line of water along the fold with a brush. 3. With one hand, hold a metal straight edge on the fold line. 4. Lift the paper with the other hand, tearing the water weakened line up along the straight edge. SPECIFICATIONS • Kozo Fibre Very long fibre. Durable with its own special sheen. Most frequently used type in Japan. • Gampi Fibre Durable, thin almost transparent, excellent wet strength, lustrous surface. Traditional uses include gold and silver leaf productions. • Mitsumata Fibre Used particularly in smooth or soft papers, suitable for calligraphy. Relatively less durable than other papers. Mitsumata fibres are sometimes combined with others. APPLICATIONS • Twenty three of Paper Nao’s products available from Arte & Memoria are rolls produced on a unique stainless steel machine. These paper rolls are often preferred over handmade sheets for repairing or lining brittle machine made papers which have a definable grain direction. • Handmade Kozo Papers (K31 – 37) are all particularly suitable for conservation uses. • Urushikoshi K93 is the thinnest handmade Japanese paper available. • Mitsumata Hakuai Shi (M5) is very soft, and traditionally used for gold leaf backing and in decorative boxmaking. Ar"iv, Kütüphane ve Müzerlerdeki • Sample swatches for the complete range are available - see price list. Tarihi Mirasın Korunması için Malzemeler A r t E & M E m o r i a , S.L. !stanbul irtibat Tel. (90) 532.626 17 43 96 • Fax e-mail: troffice@arteymemoria.com www.arteymemoria.com
Page 1 and 2: oards Timecare® HERITAGE 100% COTT
Page 3 and 4: oards ARCHIVAL FOLDING PREMIER BOXB
Page 5 and 6: oards L I G H T W E I G H T S U P P
Page 7 and 8: oards ARCHIVAL FLUTED BOARD Premier
Page 9 and 10: paper code & sheet format 100% COTT
Page 11 and 12: paper 1 0 0 % C O T T O N A R C H I
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Page 15: paper code & format sheets AQUA FOR
Page 19 and 20: paper code & format NAO ROLLS CODE
Page 21 and 22: 22 films & synthetic supports Mater
Page 23 and 24: envelopes, pockets, folders ARCHIVA
Page 25 and 26: envelopes, pockets, folders the Tim
Page 27 and 28: envelopes, pockets, folders feature
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Page 33 and 34: envelopes, pockets, folders PREMIER
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Page 37 and 38: oxes • PREMIER UPRIGHT DOCUMENT S
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Page 67 and 68:
sundries code & format BOOK SUPPORT
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sundries Material para la Conser va
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