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Download a pdf of the UE newsletter. - Universal Edition

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28<br />

Edmund von Borck<br />

The <strong>UE</strong> catalogue contains six<br />

works <strong>of</strong> Edmund von Borck, including<br />

<strong>the</strong> Concerto for Orchestra,<br />

which Israel Yinon conducted and<br />

recorded at WDR Cologne this<br />

September.<br />

Borck's contemporaries were full <strong>of</strong><br />

praise: What makes one listen is his<br />

determined creativity, melodic logic<br />

and positively formal talent ... it is<br />

<strong>the</strong> musical language <strong>of</strong> a loner,<br />

which culminates in raw power. …<br />

composition which quite decidedly<br />

goes its own way.<br />

VITTORIO RIETI<br />

rediscoveries<br />

One who was<br />

forgotten ...<br />

Not even <strong>the</strong> recently revived interest<br />

in so-called "degenerate composers"<br />

has helped to achieve a<br />

true rediscovery <strong>of</strong> <strong>the</strong> Italian composer<br />

Vittorio Rieti (1898-1994),<br />

who emigrated to <strong>the</strong> USA.<br />

In <strong>the</strong> 1920s, his ballet compositions<br />

met with great success: Balanchine<br />

choreographed Barabau<br />

with scenery by Maurice Utrillo<br />

and Le Bal with scenery by Giorgio<br />

de Chirico, and <strong>the</strong> Concerto for<br />

wind quintet and orchestra was<br />

premièred under Alfredo Casella.<br />

This coming January, Le Bal is to receive<br />

a new chance in Rome. And<br />

on 28 October 2005, students <strong>of</strong><br />

Wright State University will play<br />

Concerto in Dayton, Ohio.<br />

Of this work, Rieti wrote:<br />

This concerto is written somewhat<br />

in <strong>the</strong> spirit <strong>of</strong> <strong>the</strong> old Italian concerto<br />

grosso. In spirit, but not in<br />

form, because <strong>the</strong> form has more to<br />

do with modern concerti for solo instruments,<br />

that is to say, sonata<br />

form.

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