Download a pdf of the UE newsletter. - Universal Edition
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28<br />
Edmund von Borck<br />
The <strong>UE</strong> catalogue contains six<br />
works <strong>of</strong> Edmund von Borck, including<br />
<strong>the</strong> Concerto for Orchestra,<br />
which Israel Yinon conducted and<br />
recorded at WDR Cologne this<br />
September.<br />
Borck's contemporaries were full <strong>of</strong><br />
praise: What makes one listen is his<br />
determined creativity, melodic logic<br />
and positively formal talent ... it is<br />
<strong>the</strong> musical language <strong>of</strong> a loner,<br />
which culminates in raw power. …<br />
composition which quite decidedly<br />
goes its own way.<br />
VITTORIO RIETI<br />
rediscoveries<br />
One who was<br />
forgotten ...<br />
Not even <strong>the</strong> recently revived interest<br />
in so-called "degenerate composers"<br />
has helped to achieve a<br />
true rediscovery <strong>of</strong> <strong>the</strong> Italian composer<br />
Vittorio Rieti (1898-1994),<br />
who emigrated to <strong>the</strong> USA.<br />
In <strong>the</strong> 1920s, his ballet compositions<br />
met with great success: Balanchine<br />
choreographed Barabau<br />
with scenery by Maurice Utrillo<br />
and Le Bal with scenery by Giorgio<br />
de Chirico, and <strong>the</strong> Concerto for<br />
wind quintet and orchestra was<br />
premièred under Alfredo Casella.<br />
This coming January, Le Bal is to receive<br />
a new chance in Rome. And<br />
on 28 October 2005, students <strong>of</strong><br />
Wright State University will play<br />
Concerto in Dayton, Ohio.<br />
Of this work, Rieti wrote:<br />
This concerto is written somewhat<br />
in <strong>the</strong> spirit <strong>of</strong> <strong>the</strong> old Italian concerto<br />
grosso. In spirit, but not in<br />
form, because <strong>the</strong> form has more to<br />
do with modern concerti for solo instruments,<br />
that is to say, sonata<br />
form.