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6<br />
HALFFTER<br />
Music for<br />
Madrid and<br />
Dresden<br />
For <strong>the</strong> occasion <strong>of</strong> his 75th birthday,<br />
Christóbal Halffter (born on 24<br />
March 1930) was invited by <strong>the</strong><br />
Dresden Philharmonic to compose<br />
an orchestral work. Palimsesto for<br />
timpani and orchestra will receive<br />
its première on 5 Feb 2005 at <strong>the</strong><br />
Kulturpalast in Dresden, conducted<br />
by Pedro Halffter and with Alexander<br />
Peter, timpani; <strong>the</strong> piece is dedicated<br />
to <strong>the</strong> memory <strong>of</strong> longserving<br />
artistic director Olivier von<br />
Winterstein.<br />
Palimsesto means to write or paint<br />
something anew on a page or a<br />
canvas on which something has already<br />
existed. … I used this process<br />
on a piece which I had composed<br />
halffter<br />
back in 1956. Of this score, I left only<br />
<strong>the</strong> formal structure intact. Over it I<br />
laid sound surfaces <strong>of</strong> various dynamic<br />
densities, resulting from my experience<br />
during <strong>the</strong> nearly 50 years<br />
spent composing since <strong>the</strong>n.<br />
Hence, Palimsesto is a "new" score in<br />
which <strong>the</strong> "old" elements can still be<br />
heard, depending on where we<br />
focus our eyes or our ears. (Halffter)<br />
In celebration <strong>of</strong> <strong>the</strong> 100th birthday<br />
<strong>of</strong> <strong>the</strong> Orquesta Sinfónica de<br />
Madrid, Halffter wrote Eritaña for<br />
orchestra, an arrangement <strong>of</strong> <strong>the</strong><br />
original piano piece Eritaña from<br />
Isaac Albeniz' piano cycle Iberia.<br />
The orchestra is given <strong>the</strong> role <strong>of</strong><br />
<strong>the</strong> main instrument. World première:<br />
30 December 2004, Teatro<br />
Real, Madrid, c. Rafael Frühbeck de<br />
Burgos.