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4<br />

A R T I S T S E R I E S D O W N L O A D S<br />

About Atjazz<br />

From his misspent youth skateboarding the<br />

frontier towns of North Eastern England, Martin<br />

Iveson arrived into the UK’s Midland scene in<br />

the early nineties, here he was to take a job at a<br />

new computer games development studio by the<br />

name of Core Design Ltd., this company is now<br />

synonymous with Lara Croft and the series of Tomb<br />

Raider games.<br />

Not content with scoring this, one of the world’s most<br />

famous video games, Martin left the company 13 years<br />

later to concentrate more on his own studio environment<br />

in which to channel his musical aspirations further, and<br />

invite other musicians and producers to do the same.<br />

The success of his early works including his first EP<br />

‘Story’ in 1996 led to the well-received album ‘That<br />

Something’, which was later licensed in Japan by Sony/<br />

Kioon in 1998. This debut album also featured cover<br />

artwork by Fujio Akatsuka, very well known in Japan for<br />

his Illustrations and animated cartoons. With two further<br />

albums, ‘Labfunk’ & ‘Labresults’ following soon after,<br />

Atjazz had at this time established himself as a distinct<br />

and inspirational voice in the underground music scene.<br />

Martin has also been a prolific remixer throughout his<br />

career remixing and reworking songs & works for artists<br />

such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias<br />

& Omar to name but a few and was even requested to<br />

rework Henri Mancini’s ‘The Pink Panther Returns” for<br />

EMI Records. Martin is still remixing heavily as he states<br />

that remixing has helped to launch his More...

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