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4<br />
A R T I S T S E R I E S D O W N L O A D S<br />
About Atjazz<br />
From his misspent youth skateboarding the<br />
frontier towns of North Eastern England, Martin<br />
Iveson arrived into the UK’s Midland scene in<br />
the early nineties, here he was to take a job at a<br />
new computer games development studio by the<br />
name of Core Design Ltd., this company is now<br />
synonymous with Lara Croft and the series of Tomb<br />
Raider games.<br />
Not content with scoring this, one of the world’s most<br />
famous video games, Martin left the company 13 years<br />
later to concentrate more on his own studio environment<br />
in which to channel his musical aspirations further, and<br />
invite other musicians and producers to do the same.<br />
The success of his early works including his first EP<br />
‘Story’ in 1996 led to the well-received album ‘That<br />
Something’, which was later licensed in Japan by Sony/<br />
Kioon in 1998. This debut album also featured cover<br />
artwork by Fujio Akatsuka, very well known in Japan for<br />
his Illustrations and animated cartoons. With two further<br />
albums, ‘Labfunk’ & ‘Labresults’ following soon after,<br />
Atjazz had at this time established himself as a distinct<br />
and inspirational voice in the underground music scene.<br />
Martin has also been a prolific remixer throughout his<br />
career remixing and reworking songs & works for artists<br />
such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias<br />
& Omar to name but a few and was even requested to<br />
rework Henri Mancini’s ‘The Pink Panther Returns” for<br />
EMI Records. Martin is still remixing heavily as he states<br />
that remixing has helped to launch his More...