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35<br />
Content<br />
Deep & Analogue<br />
About Atjazz<br />
Using the Samples<br />
About <strong>Loopmasters</strong><br />
Other Artist Series<br />
<strong>Download</strong>s<br />
Licence Agreement<br />
ATJAZZ<br />
DEEP&ANALOGUE<br />
A R T I S T S E R I E S D O W N L O A D S
2<br />
A R T I S T S E R I E S D O W N L O A D S<br />
Deep & Analogue<br />
Martin ‘Atjazz’ Iveson is in demand across the<br />
world: Whether it be renowned producer, sought<br />
after remixer, or floor filling DJ, Martin gives his<br />
heart to hold the soul…<br />
As the Co-founder and head of Mantis Recordings<br />
(Rhythm Plate, Brooks), Martin Iverson aka Atjazz has<br />
been on the forefront of jazzy UK deep house for ages.<br />
Operating from Derby he’s been producing a steady<br />
supply of Deep House beats mixed with Electric Soul &<br />
Downbeat.<br />
His tracks can be seen everywhere from Hed Kandi<br />
to Irma, from Naked Music to Grand Central. Now<br />
<strong>Loopmasters</strong> are very proud to present his royalty free<br />
sample collection, “Deep & Analogue”, created for<br />
funky, fresh and soulful house and downbeat producers<br />
worldwide.<br />
Alongside creating long player albums such as “Full<br />
Circle”, Martin has also been a prolific remixer throughout<br />
his career remixing and reworking songs & works for<br />
artists such as Nitin Sawhney, Bob Sinclar, Jazzanova,<br />
Zed Bias & Omar, and is highly respected for his<br />
musicality and attention to detail with every aspect of his<br />
productions.<br />
Within this Deep & Analogue sample collection producers<br />
should expect to find over 450MB of 24Bit samples,<br />
including 250+ Loops and 140 Single sounds and one<br />
shots. Also included are 63 Ready to play sampler<br />
patches (Drum Kits, Basses, Leads, Pads, Rhodes<br />
and FX) which will work with all popular soft samplers<br />
including Reason NNXT, Halion, EXS, SFZ and Kontakt.<br />
Reason Refill, Apple Loops, and Ableton Live versions are<br />
also available. More...
3<br />
A R T I S T S E R I E S D O W N L O A D S<br />
Deep & Analogue (cont.)<br />
In detail the Atjazz sample collection includes 149<br />
Drumloops between 117 to 124 Bpm, 47 Classic Breaks,<br />
19 Bass Loops, 43 Synth Loops, 60 Single Drum<br />
Samples, 26 FX Sounds, 22 Leads, 20 Pads and Layers,<br />
7 Rhodes Chords and additional FX.<br />
“In order to make this artist pack for <strong>Loopmasters</strong> I had<br />
to think long and hard about how create the pack in a<br />
way that I would be be able to generate many sounds as I<br />
would for one of my own songs.<br />
Not working “in the box’ using new methods of music<br />
production ‘Plugins, VSTi’s etc...’ meant that a lot of hard<br />
core recording was in store for me. Recording over 10<br />
analogue machines each of a different age meant that I<br />
could give out a good varied selection of usable analogue<br />
sounds taken from the actual synths & machines. I for<br />
one am an avid sampler of my own sounds and love<br />
to get into editing and would love to see more people<br />
getting back into the art of sampling.”<br />
– Martin Iverson aka Atjazz<br />
All beats were produced and mixed in cubase through<br />
UAD neve tech... nice and round and phat!<br />
Mostly dry to leave maximum room for individual fx<br />
processing, no softsynths were used along with live<br />
percussion, Bass, Horns and Guitars.<br />
myspace.com/atjazz
4<br />
A R T I S T S E R I E S D O W N L O A D S<br />
About Atjazz<br />
From his misspent youth skateboarding the<br />
frontier towns of North Eastern England, Martin<br />
Iveson arrived into the UK’s Midland scene in<br />
the early nineties, here he was to take a job at a<br />
new computer games development studio by the<br />
name of Core Design Ltd., this company is now<br />
synonymous with Lara Croft and the series of Tomb<br />
Raider games.<br />
Not content with scoring this, one of the world’s most<br />
famous video games, Martin left the company 13 years<br />
later to concentrate more on his own studio environment<br />
in which to channel his musical aspirations further, and<br />
invite other musicians and producers to do the same.<br />
The success of his early works including his first EP<br />
‘Story’ in 1996 led to the well-received album ‘That<br />
Something’, which was later licensed in Japan by Sony/<br />
Kioon in 1998. This debut album also featured cover<br />
artwork by Fujio Akatsuka, very well known in Japan for<br />
his Illustrations and animated cartoons. With two further<br />
albums, ‘Labfunk’ & ‘Labresults’ following soon after,<br />
Atjazz had at this time established himself as a distinct<br />
and inspirational voice in the underground music scene.<br />
Martin has also been a prolific remixer throughout his<br />
career remixing and reworking songs & works for artists<br />
such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias<br />
& Omar to name but a few and was even requested to<br />
rework Henri Mancini’s ‘The Pink Panther Returns” for<br />
EMI Records. Martin is still remixing heavily as he states<br />
that remixing has helped to launch his More...
5<br />
A R T I S T S E R I E S D O W N L O A D S<br />
About Atjazz (cont.)<br />
production techniques forward and it’s the perfect<br />
practice pitch for trying out new ideas and breaking<br />
moulds within a diluted industry. “Remixing helps to<br />
hone your sound and allows the producer to print their<br />
trademark into another space”<br />
Martin’s trademark sound has been requested on many<br />
occasions by top class vocalists including Clara Hill,<br />
Replife & Deborah Jordan for their own artist album<br />
projects and also rubbing shoulders with some amazing<br />
musicians & producers along the way. Martin has also<br />
teamed up with world-class production legend Charles<br />
Webster as ‘Version’ and are working on their debut<br />
album for Miso Records.<br />
2009 saw Martin close his label Mantis Recordings due to<br />
harsh industry changes and from these ashes came the<br />
Imprint appropriately named ‘Atjazz Record Company’,<br />
which has flown to great heights within the digital<br />
realm and has seen many fantastic and sought after<br />
releases including his 3rd long player ‘Full Circle’. This<br />
label concentrates heavily on Martin’s productions and<br />
collaborations. Atjazz Record Company is a new chapter<br />
for Atjazz but with a continuation of his trademark sound.<br />
Martin ‘Atjazz’ Iveson is in demand across the world:<br />
Whether it be renowned producer, sought after remixer, or<br />
floor filling DJ, Martin gives his heart to hold the soul…
6<br />
A R T I S T S E R I E S D O W N L O A D S<br />
Using the Samples<br />
Thanks for buying this Royalty Free Sample Collection<br />
from <strong>Loopmasters</strong>, every care has been taken to ensure<br />
that you can start using these samples easily in your<br />
productions, but you may find the following notes useful.<br />
Wav/Acid and Rex2 File Users<br />
Simply copy the pack to the hard drive containing your<br />
samples and use your music software to locate the files<br />
that you are looking for in the easily navigable folder<br />
structures<br />
Stylus RMX Users<br />
The folder Structure for Rex files on this <strong>Loopmasters</strong> title<br />
is fully compatible with stylus RMX. Ensure you have the<br />
latest version of STYLUS RMX and the Sage converter.<br />
To Import: First copy the <strong>Download</strong> to your hard drive, then<br />
simply drag the folder inside the REX FILES folder onto the<br />
‘Import Rex Files’ button on your sage converter found in<br />
the Spectrasonics folder on your hard drive. Wait for the<br />
sage converter to finish.<br />
To Play: Open up an instance of RMX within your<br />
sequencer.<br />
On the directory select user ‘libraries’ and you will see the<br />
imported library click on this and you should now see all<br />
the suites and elements in the browser.<br />
Halion Users<br />
Once you have loaded the CD/<strong>Download</strong> onto your<br />
computer, use Halions’s File browser to locate the main<br />
folder on your hard drive then locate the folder named<br />
SAMPLER PATCHES, from here locate the HALION folder<br />
Finally click (+) on the folder of patches you wish to load<br />
e.g. DRUMS, then drag the Halion patches into the main<br />
Programs Window.<br />
Alternatively highlight the folder type e.g. Drums and press<br />
the Import button to load all of the patches from that folder.<br />
NOTE: When Loading Halion Patches you may need to<br />
locate the samples.<br />
IMPORTANT ensure you have copied the entire CD<br />
or pack folder to your hard drive first and unpacked if<br />
necessary.<br />
This is simply done by double clicking the fxp file (Halion<br />
Patch) within the Halion Browser window, and when<br />
prompted click on the automatic or manual search button,<br />
then locate the Root folder of the pack or CD you have<br />
purchased, Halion will then find the samples for the patch.<br />
If you wish you can then resave the patch so you will not<br />
have to repeat this procedure.
7<br />
A R T I S T S E R I E S D O W N L O A D S<br />
<strong>Loopmasters</strong> Pro samples for Producers worldwide<br />
<strong>Loopmasters</strong> are a UK company from Brighton who make<br />
Royalty Free Collections of cutting edge Samples for DJs<br />
and Producers Worldwide.<br />
<strong>Loopmasters</strong> emerged as a premier library through a<br />
combination of experience, marketing and distribution<br />
knowledge and for its great attention to detail with its<br />
products - known for quality, value and flexibility. The<br />
products which <strong>Loopmasters</strong> distribute are created by<br />
some of the most respected Artists and Producers on<br />
the scene and all <strong>Loopmasters</strong> products conform to<br />
strict quality guidelines to ensure that Producers working<br />
with our samples get the most out of their productions.<br />
Whether you are making House, Breaks, Electro, Drum<br />
and Bass, Jazz or Downtempo music - check out the<br />
inspirational sample collections from <strong>Loopmasters</strong>.<br />
www.loopmasters.com<br />
<strong>Loopmasters</strong> are proud to work with a great team of<br />
producers from around the globe, and have so far<br />
managed to attract sponsorship and licensing deals from<br />
the likes of Focusrite, Novation, Cakewalk, Emu and Akai.
8<br />
A R T I S T S E R I E S D O W N L O A D S<br />
Other Artist Series download titles available<br />
More titles
9<br />
A R T I S T S E R I E S D O W N L O A D S<br />
Other Artist Series download titles available
10<br />
A R T I S T S E R I E S D O W N L O A D S<br />
<strong>Loopmasters</strong> Licence Agreement<br />
The Sounds remain the property of its manufacturer and/or<br />
<strong>Loopmasters</strong> Limited. (Collectively, ‘Licensor’) and are licensed<br />
to you as the original end-user (‘Licensee’), for use subject to<br />
the provisions below. All rights not expressly granted herein are<br />
reserved exclusively by Licensor.<br />
The Sounds in a category of ‘Sample Pack’:<br />
The Licensee may use the Sounds in combination with other<br />
sounds in music productions (which include soundtracks of such<br />
as films, video productions, radio/TV programs or commercials,<br />
computer games and multimedia presentations, library music),<br />
public performances, and other reasonable musical purposes<br />
within musical compositions.<br />
The Licensee may modify the Sounds and may use the Sounds<br />
for commercial purposes as part of a musical composition with<br />
other sounds.<br />
The Licensee MAY NOT use the Sounds in isolation as sound<br />
effects (i.e. a sequence of musical events) or within any<br />
competitive products that are sold or relicensed to multiple<br />
third parties. In these scenarios the Licensee must arrange an<br />
extension with <strong>Loopmasters</strong> Limited.<br />
A right to use the sounds is granted only to the Licensee and is<br />
NOT transferable.<br />
This license expressly forbids resale, relicensing or other<br />
distribution of the Sounds, either as they exist or any modification<br />
thereof. You cannot sell, loan, rent, lease, assign, upload to or<br />
download from any server, or transfer all or any of the enclosed<br />
sounds to another user, or for use in any competitive product.<br />
Licensor will not be responsible if the sounds does not fit the<br />
particular purpose of the Licensee.<br />
This is a general license which covers all <strong>Loopmasters</strong> products,<br />
it may not apply to products from other labels that we represent<br />
at <strong>Loopmasters</strong>.com - if in doubt please email us or contact the<br />
label directly.<br />
Copyright/Licensing Notice<br />
All Rights not expressly granted to the user are reserved. The<br />
sound samples in this sample pack are licensed, not sold, to<br />
you to be reproduced within your original musical compositions<br />
only. All copying, lending, duplicating, re-selling or trading of<br />
this product or its content is strictly prohibited. Only the original<br />
purchaser of this product has the right to embody and reproduce<br />
the enclosed sound samples within their music compositions.<br />
The Licensee may use the Sounds in combination with other<br />
sounds in music productions (which include soundtracks of such<br />
as films, video productions, radio/TV programs or commercials,<br />
computer games and multimedia presentations, library music),<br />
public performances, and other<br />
reasonable musical purposes within musical compositions.The<br />
Licensee MAY NOT use the Sounds in isolation as sound effects<br />
(i.e. a sequence of musical events) or within any competitive<br />
products that are sold or relicensed to multiple third parties. In<br />
these scenarios the Licensee must arrange an extension with<br />
<strong>Loopmasters</strong> Limited.<br />
This license is granted for a single user only (and is given on a<br />
worldwide basis). The license is non-exclusive and is granted for<br />
the full period of copyright protection and sound samples. You<br />
cannot electronically transfer the sound samples or place them<br />
in a time -sharing or service bureau operation or a computer/<br />
sampler network. Opening or using this product constitutes your<br />
acceptance of these terms.