20.04.2013 Views

the berkeley rep magazine - Berkeley Repertory Theatre

the berkeley rep magazine - Berkeley Repertory Theatre

the berkeley rep magazine - Berkeley Repertory Theatre

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong><br />

2011–12 · special issue<br />

Discover <strong>Berkeley</strong> Rep’s<br />

2012–13 season · 8<br />

Is <strong>the</strong>re life after<br />

<strong>Berkeley</strong>? · 10<br />

The program<br />

for In Paris · 22


Home is here.<br />

Priced from <strong>the</strong> mid-one-millions. For a tour of our<br />

available homes, please contact us at 925-254-9900<br />

or orindawilder.com.<br />

2 Wilder Road, Orinda, CA 94563<br />

Take Hwy 24 to Wilder Road<br />

Developer/seller reserves <strong>the</strong> right to change features and amenities<br />

without notice. Pricing and availability subject to change.<br />

Less than thirty minutes from San Francisco, Wilder is a new community<br />

designed to live in harmony with nature. Nestled in a small valley and<br />

surrounded by hundreds of acres of preserved open space, Wilder features<br />

custom homes and homesites accompanied by a private swim club,<br />

playfields, trails and one of <strong>the</strong> best school districts in <strong>the</strong> state.<br />

We invite you to discover Wilder and join <strong>the</strong> journey.


in this issue<br />

prologue<br />

A letter from <strong>the</strong><br />

artistic director<br />

page 5<br />

<strong>berkeley</strong> <strong>rep</strong> presents<br />

In Paris<br />

page 22<br />

Profiles<br />

page 23<br />

contributors<br />

Foundation, corporate,<br />

and in-kind sponsors<br />

page 32<br />

Individual donors to <strong>the</strong><br />

Annual Fund<br />

page 33<br />

40th Anniversary Campaign<br />

page 35<br />

Michael Leibert Society<br />

page 35<br />

<strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> 2011–12 · special issue<br />

<strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong><br />

is published at least seven times<br />

per season.<br />

For local advertising inquiries, please<br />

contact Ellen Felker at 510 548-0725<br />

or efelker@<strong>berkeley</strong><strong>rep</strong>.org.<br />

10 12<br />

<strong>rep</strong>ort<br />

Discover <strong>Berkeley</strong> Rep’s 2012–13 season<br />

page 8<br />

Is <strong>the</strong>re life after <strong>Berkeley</strong>?<br />

page 10<br />

Teen Council makes a claim<br />

page 12<br />

All in <strong>the</strong> family<br />

page 16<br />

<strong>Berkeley</strong> earns some Fidelity<br />

page 20<br />

about <strong>berkeley</strong> <strong>rep</strong><br />

Staff and affiliations<br />

page 36<br />

Board of trustees<br />

and sustaining advisors<br />

page 37<br />

editor<br />

Karen McKevitt<br />

art Director<br />

Cheshire Isaacs<br />

Designer<br />

Mary Kay Hickox<br />

Writers<br />

Terence Keane<br />

Hannah Lennett<br />

Kathleen Martinelli<br />

Karen McKevitt<br />

Kyle Sircus<br />

COVER PHOTO OF ANNA SINyAKINA AND MIKHAIL BARySHNIKOV By ANNA AKARTSEVA<br />

Fyi<br />

Everything you need to<br />

know about <strong>Berkeley</strong> Rep’s<br />

box office, gift shop, seating<br />

policies, and more<br />

page 38<br />

contact <strong>berkeley</strong> <strong>rep</strong><br />

Box Office: 510 647-2949<br />

Groups (10+): 510 647-2918<br />

Admin: 510 647-2900<br />

School of <strong>Theatre</strong>: 510 647-2972<br />

Click <strong>berkeley</strong><strong>rep</strong>.org<br />

Email info@<strong>berkeley</strong><strong>rep</strong>.org<br />

16<br />

calenDar<br />

Unless o<strong>the</strong>rwise noted, all events are for In Paris.<br />

april<br />

25 First performance, 8pm<br />

28 ONSTAGE gala, Four Seasons<br />

San Francisco, 5:30pm<br />

may<br />

2 Teen Council meeting, 5pm<br />

4 Tasting: Peterson Winery, 7pm<br />

5 Backstage Tours, 10am<br />

5 Tasting: Calstar Cellars, 7pm<br />

11 Tasting: Cater Too, 7pm<br />

12 Tasting: Via Pacifica Selections, 7pm<br />

12 Last performance, Red, 7pm<br />

13 Last performance, 2pm<br />

20 Middle School Sneak Peek, 1pm<br />

25 Teen Night, Black n Blue Boys /<br />

Broken Men, 6pm<br />

25 First performance, Black n Blue Boys /<br />

Broken Men, 8pm<br />

30 Opening-night dinner, Black n Blue Boys /<br />

Broken Men, Bistro Liaison, 6pm<br />

30 Opening night, Black n Blue Boys /<br />

Broken Men, 8pm<br />

School of <strong>Theatre</strong> event<br />

Donor appreciation event


Life is an adventure, pack accordingly.<br />

Russell and Bernyce Price,<br />

joined in 2009<br />

Our Life Here Is<br />

ENRICHED<br />

By Our Travels.<br />

Vibrant, friendly, and culturally comfortable in just about any part<br />

of <strong>the</strong> world, <strong>the</strong> Prices are living <strong>the</strong> life well-traveled. And when <strong>the</strong>y’re<br />

home, <strong>the</strong>y enjoy <strong>the</strong> people, services, amenities, and <strong>the</strong> freedom to<br />

write <strong>the</strong>ir next, best chapter at St. Paul’s Towers. To learn more, or for<br />

your personal visit, please call 510.891.8542. For information on o<strong>the</strong>r<br />

Episcopal Senior Communities, visit jtm-esc.org.<br />

A fully accredited, non-denominational, not-for-profit community owned and operated by<br />

Episcopal Senior Communities. License No. 011400627 COA #92 EPSP616-01HH 120211<br />

stpaulstowers-esc.org


prologue<br />

From <strong>the</strong> artistic Director<br />

art is fundamentally about taking chances: trundling<br />

through <strong>the</strong> unknown recesses of <strong>the</strong> unconscious to “make<br />

something.” Some artists take more chances than o<strong>the</strong>rs,<br />

buoyed by <strong>the</strong> force of <strong>the</strong>ir circumstances, <strong>the</strong>ir personalities,<br />

and <strong>the</strong>ir capacity to conquer <strong>the</strong>ir fear of disapproval. A rare<br />

few are so gifted and so courageous <strong>the</strong>y stand as a beacon<br />

for <strong>the</strong> rest of us, <strong>the</strong>ir professional lives becoming successful<br />

testaments to both resiliency and grace. If <strong>the</strong>y live for a long<br />

time, <strong>the</strong> body of <strong>the</strong>ir work transcends any individual project,<br />

and <strong>the</strong>y come to exist in a special niche in our collective<br />

history. Such a person is Mikhail Baryshnikov.<br />

It is a great honor to introduce Mr. Baryshnikov and his colleagues to our stage,<br />

precisely because he is still taking artistic chances. In Paris uses a nuanced, complex<br />

<strong>the</strong>atrical vocabulary of music, mime, video, and excerpts of Russian and French to<br />

explore <strong>the</strong> relationship between an older man and a younger woman and its larger<br />

<strong>the</strong>me of profound loneliness. Easy emotional access is denied to <strong>the</strong> audience,<br />

forcing us to grapple with <strong>the</strong> fact that we are being asked to participate in an artistic<br />

experiment. What a gift for all of us! That an artist as great as Mr. Baryshnikov should<br />

focus his energies and creative resources on such a challenging project serves as a<br />

source of unmitigated inspiration.<br />

Sincerely,<br />

Tony Taccone<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 5


Take <strong>Berkeley</strong> Rep<br />

home with you!<br />

The Hoag <strong>Theatre</strong> Store in <strong>the</strong> Roda lobby<br />

offers wonderful <strong>Berkeley</strong> Rep gifts for you<br />

and all <strong>the</strong> <strong>the</strong>atre lovers in your life.<br />

6 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

May 2012<br />

Volume 44, No. 7<br />

Paul Heppner<br />

Publisher<br />

Susan Peterson<br />

Design & Production Director<br />

Ana Alvira, Kristi Atwood, Deb Choat,<br />

Robin Kessler, Jana Rekosh<br />

Design and Production Artists<br />

Virginia Wright<br />

Online Editor<br />

Mike Hathaway<br />

Advertising Sales Director<br />

Marty Griswold, Sherri Jarvey, Lenore Waldron<br />

Seattle Area Account Executives<br />

Marilyn Kallins, Terri Reed<br />

San Francisco/Bay Area Account Executives<br />

Denise Wong<br />

Sales Assistant<br />

Jonathan Shipley<br />

Ad Services Coordinator<br />

www.encoreartsprograms.com<br />

Paul Heppner<br />

Publisher<br />

Leah Baltus<br />

Editor-in-Chief<br />

Scott Wagner<br />

Vice President<br />

Dan Paulus<br />

Art Director<br />

Jonathan Zwickel<br />

Senior Editor<br />

Jake Newman<br />

City Arts Festival, LLC<br />

Executive Director<br />

www.cityartsonline.com<br />

Paul Heppner<br />

President<br />

Mike Hathaway<br />

Vice President<br />

Deborah Greer<br />

Executive Assistant<br />

April Morgan<br />

Accounting<br />

Jana Rekosh<br />

Project Manager/Graphic Design<br />

Virginia Wright<br />

Systems Administrator<br />

Corporate Office<br />

425 North 85 th Street Seattle, WA 98103<br />

p 206.443.0445 f 206.443.1246<br />

adsales@encoremediagroup.com<br />

800.308.2898 x105<br />

www.encoremediagroup.com<br />

Encore Arts Programs is published monthly by Encore<br />

Media Group to serve musical and <strong>the</strong>atrical events in<br />

Western Washington and <strong>the</strong> San Francisco Bay Area.<br />

All rights reserved. ©2012 Encore Media<br />

Group. Reproduction without written<br />

permission is prohibited.


Watch shown carries a warranty; to obtain a manufacturer’s warranty before purchasing, visit a store or write to: Macy’s Warranty Dept., PO Box 1026 Maryland Heights,<br />

MO 63043, attn: Consumer Warranties. Advertised merchandise may not be carried at your local Macy’s and selection may vary by store. 2040034.<br />

MICHAEL KORS<br />

Watch with nude<br />

lea<strong>the</strong>r strap. $225.<br />

FREE SHIPPING<br />

AT MACYS.COM<br />

with $99 online purchase.<br />

No promo code needed;<br />

exclusions apply.<br />

Magical Moments<br />

MOTHER’S DAY IS MAY 13


eport<br />

Discover <strong>Berkeley</strong> Rep’s 2012–13 season<br />

by karen mckevitt<br />

Chinglish<br />

Written by David henry hwang<br />

Directed by leigh silverman<br />

aug 24–oct 7<br />

In Chinglish, an American businessman heads to Asia to score a<br />

lucrative contract for his family’s firm —but <strong>the</strong> deal isn’t <strong>the</strong> only<br />

thing getting lost in translation when he collides with a Communist<br />

minister, a bumbling consultant and a suspiciously sexy bureaucrat.<br />

Tom Pearl<br />

production manager<br />

Katrena Jackson<br />

patron services manager<br />

An Iliad is going to be<br />

great. It seems very<br />

mystifying and magical.<br />

It takes me back to <strong>the</strong> excitement of<br />

a new Harry Potter movie. I can’t wait.<br />

One word: boats. An Iliad retells<br />

Homer’s epic poem of <strong>the</strong> siege of<br />

Troy and <strong>the</strong> massive navy assembled<br />

by <strong>the</strong> Greeks. The White Snake also contains some<br />

journeys by boat. Pericles is full of shipwrecks and<br />

sea voyages. And most exciting of all, Troublemaker<br />

brings a boat chase and o<strong>the</strong>r delightful absurdity.<br />

8 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

even as shows launched from its stage continue to thrill audiences in<br />

New york and nationwide, <strong>the</strong> Tony Award–winning <strong>Berkeley</strong> <strong>Repertory</strong> <strong>Theatre</strong><br />

proudly announces five of seven exhilarating plays for <strong>the</strong> 2012–13 season. Read about<br />

<strong>the</strong>m here —and see what shows some of our staff are especially looking forward to!<br />

Want <strong>the</strong> best seats to <strong>the</strong>se shows at <strong>the</strong> lowest prices? Of course you do! Just<br />

subscribe to <strong>Berkeley</strong> Rep. The Main Season package guarantees tickets for Chinglish,<br />

Pericles, The White Snake, and two shows to be announced soon, while <strong>the</strong> Full<br />

Season package also includes seats for An Iliad and Troublemaker. Alternatively, you<br />

can “choose your own season” by selecting three or more plays that appeal to your<br />

palate. In addition to significant savings, subscribers receive valuable benefits such as<br />

<strong>the</strong> right to reschedule for free, discounts when purchasing tickets for friends, and <strong>the</strong><br />

opportunity to secure seats before <strong>the</strong> general public for special events. Learn more at<br />

<strong>berkeley</strong><strong>rep</strong>.org/1213.<br />

An Iliad<br />

Lily Yang<br />

special events manager<br />

I can’t wait for Chinglish. I’ve seen what<br />

it’s like for foreigners in Asia —how difficult<br />

it can be, and how humorous too,<br />

and this play certainly captures that humor! It’s also<br />

<strong>the</strong> first show of <strong>the</strong> 2012–13 season, and I’m looking<br />

forward to working on what’s sure to be a wonderful<br />

opening night!<br />

adapted from homer · by lisa peterson and Denis o’hare ·<br />

translation by robert Fagles · Directed by lisa peterson<br />

oct 12–nov 11<br />

An ancient tale comes roaring back to life in a compelling new telling<br />

filled with contemporary wit and wisdom. The clash of swords<br />

and shields, <strong>the</strong> broken hearts and broken oaths, <strong>the</strong> bonds of<br />

friendship and family—An Iliad arises on a bare stage, told by an<br />

old man who’s seen too much.<br />

Edward Hazzard III<br />

carpenter<br />

I’m looking forward to An Iliad. I read<br />

Homer’s Odyssey, and <strong>the</strong> story really<br />

stuck with me, so I can’t wait to experience<br />

one of his o<strong>the</strong>r stories—and this show’s been<br />

getting great buzz! I also always appreciate it when<br />

we can put an epic on our stage.


Troublemaker<br />

or The Freakin Kick-A<br />

Adventures of Bradley<br />

Boatright<br />

Written by Dan leFranc<br />

Jan 4–Feb 3, 2013<br />

Only <strong>Berkeley</strong> Rep could unleash this<br />

wild world premiere, commissioned<br />

from hot young playwright Dan<br />

LeFranc. It’s nineteen mighty-eight. In<br />

working-class Rhode Island, Bradley<br />

and his bestest friend tangle with rich<br />

kid Jake Miller and his middle-school<br />

goons. Faster than a speedboat, more<br />

fun than a video game, Troublemaker<br />

has a sassy mouth and an irresistible<br />

heart of gold.<br />

Pericles, Prince of Tyre<br />

Written by William shakespeare<br />

Directed by mark Wing-Davey<br />

apr 12–may 26, 2013<br />

Action, adventure, emotion and awe…Expect that and more when<br />

Mark Wing-Davey brings a nimble take on Shakespeare to <strong>Berkeley</strong><br />

Rep. A virtuous man clings to <strong>the</strong> mast of a storm-tossed ship as<br />

his family reels from palace to bro<strong>the</strong>l to a sacred Greek temple.<br />

Discover <strong>the</strong> excitement of Shakespeare all over again in Pericles.<br />

Andrew Susskind<br />

executive assistant<br />

Lauren Shorofsky<br />

Facilities coordinator<br />

I’m looking forward to<br />

The White Snake. I’ve<br />

always loved Mary<br />

Zimmerman’s work and her style. I<br />

love her visual storytelling, and this<br />

show based on Chinese legend just<br />

sounds so intriguing.<br />

As someone who loves to travel, I’m<br />

extremely excited about Pericles, Prince<br />

of Tyre. There is <strong>the</strong> physical journey<br />

of traversing <strong>the</strong> open seas, but <strong>the</strong> real adventure<br />

is meeting people and experiencing something new<br />

and different.<br />

Madeleine Oldham<br />

Director, <strong>the</strong> ground Floor/Dramaturg<br />

I cannot wait for Troublemaker. I’ve been working with<br />

Dan for almost four years now on <strong>the</strong> development<br />

of <strong>the</strong> script. It’s my absolute favorite part of my job<br />

when I get to start working with a writer when a play is only an<br />

idea, and see it all <strong>the</strong> way through to a production.<br />

The White Snake<br />

Written and directed by mary zimmerman<br />

nov 9–Dec 23, 2012<br />

Tony Award–winning director Mary Zimmerman casts a spell<br />

with The White Snake, a classic romance from Chinese legend. As<br />

she falls for a charming young man, a snake spirit discovers what<br />

it means to be human. But a monk objects, and <strong>the</strong> bride must<br />

unveil her magical powers to save <strong>the</strong>ir love.<br />

Benjamin Hanna<br />

school of <strong>the</strong>atre<br />

community programs manager<br />

Last year was my first time<br />

experiencing <strong>the</strong> magic of Mary<br />

Zimmerman’s playful and whimsical work.<br />

I’m so jazzed to introduce as many teens as<br />

possible to her new piece, The White Snake.<br />

Amy Potozkin<br />

artistic associate & casting Director<br />

Pericles! I’ve cast four shows for<br />

director Mark Wing-Davey. It will<br />

be interesting to see what he does<br />

with this rarely produced Shakespeare play. you<br />

can be sure if Mark is directing, it will be exciting,<br />

innovative, and bold.<br />

Terence Keane<br />

Director of public relations<br />

I’m looking forward to <strong>the</strong> two shows<br />

we haven’t picked yet—because<br />

announcing <strong>the</strong>m is a big part of my<br />

job. I can’t wait to be handed a new script, find a<br />

quiet place to read it, write up a description that<br />

tries to capture <strong>the</strong> spirit of <strong>the</strong> play, and make sure<br />

it reaches you as quickly as possible.<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 9


eport<br />

Is <strong>the</strong>re life after <strong>Berkeley</strong>?<br />

by terence keane<br />

7<br />

10 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

1<br />

9<br />

2<br />

5<br />

6<br />

10<br />

11<br />

3<br />

8<br />

4


at one time or ano<strong>the</strong>r, all of us wonder… What happens when <strong>the</strong> curtain<br />

goes down? When <strong>the</strong> lights go dark? Is that really <strong>the</strong> end? Or is <strong>the</strong>re life after <strong>Berkeley</strong>?<br />

At <strong>Berkeley</strong> Rep, we always try to live in <strong>the</strong> here and now. We’re focused on being<br />

fully present with you, our loyal, local audience —and our goal is always to give you <strong>the</strong><br />

most exhilarating, entertaining, thought-provoking experiences that we can conjure on<br />

stage. None<strong>the</strong>less, we’re always proud when our shows are reincarnated at o<strong>the</strong>r <strong>the</strong>atres.<br />

Lately, it seems like <strong>the</strong> cycle of rebirth has accelerated. In <strong>the</strong> last six years, <strong>Berkeley</strong><br />

Rep has helped send six shows to Broadway. Seven more landed off Broadway, one<br />

moved to London, two turned into films, and o<strong>the</strong>rs toured <strong>the</strong> nation. One even became<br />

a bestselling book!<br />

Here’s a glimpse into <strong>the</strong> afterlife of a few of our dearly departed...<br />

1 After creating buzz on Broadway, In <strong>the</strong> Next<br />

Room (or <strong>the</strong> vibrator play) is being produced in<br />

more than 30 cities in America, Australia, New<br />

Zealand, and even Peru.<br />

2 Mary Zimmerman’s mesmerizing adaptation of<br />

The Arabian Nights enjoyed a mini-tour when it<br />

caravanned to Kansas City, Chicago, and DC.<br />

3 John Leguizamo collected <strong>the</strong> Drama Desk Award<br />

and Outer Critics Circle Award when he took<br />

Ghetto Klown to Broadway.<br />

4 Let Me Down Easy, <strong>the</strong> electrifying solo<br />

show from Anna Deavere Smith, proved so<br />

popular with audiences across America that<br />

pbs aired it as part of Great Performances.<br />

5 Girlfriend, <strong>the</strong> charming young thing that debuted<br />

on our Thrust Stage, had a one-night stand in New<br />

york when Les Waters directed a concert version<br />

of <strong>the</strong> show at Joe’s Pub. Les will also present<br />

<strong>the</strong> show next winter for his new home family at<br />

Actors <strong>Theatre</strong> of Louisville.<br />

6 American Idiot rocked its way to two Tony Awards<br />

and a Grammy before launching a 23-city tour of<br />

<strong>the</strong> U.S., Canada, Britain, and Ireland.<br />

7 Compulsion and In <strong>the</strong> Wake both played off<br />

Broadway at The Public Theater, and <strong>the</strong><br />

latter netted an Obie Award for director<br />

Leigh Silverman.<br />

8 When we helped introduce U.S. audiences to<br />

The Great Game: Afghanistan, top brass from<br />

<strong>the</strong> Pentagon requested an encore performance<br />

in DC.<br />

9 Tiny Kushner met Big Ben when <strong>Berkeley</strong> Rep’s<br />

collection of one-acts from legendary writer Tony<br />

Kushner shipped off to London.<br />

10 <strong>Berkeley</strong> Rep felt like a proud Ivy League parent<br />

when our Three Sisters went off to yale Rep and<br />

got top marks from East Coast critics.<br />

11 Our world premiere of How to Write a New Book<br />

for <strong>the</strong> Bible traveled to Seattle, where Bill Cain’s<br />

gem of a drama delighted Emerald City audiences.<br />

Those are just shows from <strong>the</strong> last four seasons that leapt into <strong>the</strong> great beyond. Now, instead of peering<br />

backward with our crystal ball, let’s peek into <strong>the</strong> future:<br />

• In Paris in Manhattan? The show you’re about to watch is headed to Lincoln Center this summer.<br />

• Next, on our Thrust Stage, Pulitzer Prize finalist Dael Orlandersmith gives a riveting performance in<br />

Black n Blue Boys / Broken Men.<br />

• Eve Ensler, <strong>the</strong> Tony Award-winning creator of The Vagina Monologues, comes<br />

to <strong>Berkeley</strong> Rep for June’s world premiere of Emotional Creature.<br />

• And our upcoming season includes <strong>the</strong> West Coast premiere of Chinglish by David Henry Hwang, <strong>the</strong><br />

world-premiere production of The White Snake from Mary Zimmerman, and Dan LeFranc’s sassy new show<br />

Troublemaker, or <strong>the</strong> Freakin Kick-A Adventures of Bradley Boatright.<br />

Many plays are born in <strong>Berkeley</strong>. At last count, <strong>the</strong> <strong>Theatre</strong>’s progeny included 62 world premieres, 41 West Coast<br />

premieres, and 5 American premieres. Thank you for helping bring <strong>the</strong>m into <strong>the</strong> world… Who knows where<br />

<strong>the</strong>y’ll end up?<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 11


eport<br />

Teen Council makes a claim<br />

by hannah lennett<br />

on february 12, members of <strong>Berkeley</strong> Rep’s Teen Council put down <strong>the</strong>ir smartphones,<br />

pushed aside sat study books, and took a leading role in a cause that may<br />

sound less exciting than <strong>the</strong> Occupy movement, but one <strong>the</strong>se teen artists and arts<br />

patrons hold dear: arts advocacy.<br />

“Claim: your Education. your Voice.<br />

visit <strong>berkeley</strong><strong>rep</strong>.org/claimyourarts, your Arts” (ClaimyourARTS) was hosted<br />

facebook.com/claimyourarts, or by <strong>Berkeley</strong> Rep’s School of <strong>Theatre</strong> (just a<br />

follow <strong>the</strong> campaign on twitter at hop down <strong>the</strong> street from <strong>the</strong> <strong>Theatre</strong>). In<br />

#claimyourarts. you can find out about addition to offering classes, outreach pro-<br />

all of <strong>berkeley</strong> <strong>rep</strong>’s school of <strong>the</strong>atre gramming, and a host of workshops and<br />

programs at <strong>berkeley</strong><strong>rep</strong>.org/school. events for all ages, <strong>the</strong> School of <strong>Theatre</strong><br />

is home to <strong>the</strong> Teen Council, a group of<br />

more than 250 Bay Area teens who are passionate about becoming informed and<br />

engaged artists.<br />

After spending months discussing <strong>the</strong>ir frustration about not having a voice in<br />

<strong>the</strong> elimination of arts programs in <strong>the</strong>ir schools and communities, as well as not<br />

having <strong>the</strong> resources to advocate effectively if given <strong>the</strong> chance, a committee of<br />

10 Teen Council members decided that it was time to create an event where teens<br />

could rally around <strong>the</strong>ir cause and become articulate advocates. They spent January<br />

marketing, designing, and organizing an arts advocacy training day for <strong>the</strong>ir<br />

peers. On February 12 at 10am, 60 arts advocates determinedly clutching cups of<br />

12 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

Teen arts advocates at Arts Advocacy day<br />

photo by kyle sircus<br />

“ I am an arts advocate. The<br />

arts are vital for my education.<br />

They empower and<br />

inspire. The arts are necessary<br />

for my development<br />

as a person. They help<br />

me to be open-minded,<br />

empa<strong>the</strong>tic, and creative.<br />

The arts improve my community<br />

and my world because<br />

<strong>the</strong>y generate and<br />

captivate. I will speak up<br />

for <strong>the</strong> arts because every<br />

person, no matter <strong>the</strong>ir<br />

background, deserves to<br />

be unique, blissfully playful,<br />

and confident. This is<br />

our education. Our voice.<br />

Our arts. And this is why I<br />

am an arts advocate.”<br />

<strong>the</strong> claimyourarts manifesto


<strong>the</strong> garden<br />

of everything<br />

BLOOMINGDALE’S<br />

MACY’S<br />

NEIMAN MARCUS<br />

NORDSTROM<br />

BURBERRY<br />

EILEEN FISHER<br />

ERMENEGILDO ZEGNA<br />

JUICY COUTURE<br />

KATE SPADE NEW YORK<br />

LABELLE DAY SPAS & SALONS<br />

LOUIS VUITTON<br />

MAXMARA<br />

MICHAEL KORS<br />

RALPH LAUREN<br />

TIFFANY & CO.<br />

TORY BURCH<br />

VINCE.<br />

WILKES BASHFORD<br />

140 EXTRAORDINARY SHOPS | RESTAURANTS | EL CAMINO REAL & SAND HILL ROAD, PALO ALTO | SHOPPING LINE ® 650-617-8200<br />

stanfordshop.com simon.com facebook.com/stanfordshoppingcenter twitter.com/stanfordshop


510-665-7700 • 2420 Shattuck Ave. • Open Everyday 4 – 11 pm • www.originalgiovanni.com<br />

<strong>Berkeley</strong> Rep patrons receive a 10% discount<br />

HOME<br />

we’ll get you <strong>the</strong>re<br />

14 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

INTENSELY LOCAL SINCE 1984<br />

www.thornwallproperties.com<br />

Assemblymember Nancy Skinner addresses teens about <strong>the</strong><br />

importance of united youth voices<br />

photo by kyle sircus<br />

coffee assembled at <strong>the</strong> School of <strong>Theatre</strong><br />

outfitted in T-shirts bearing <strong>the</strong><br />

logo for <strong>the</strong> ClaimyourARTS initiative.<br />

The event opened with a giant<br />

scavenger hunt designed to help<br />

students learn basic facts and figures<br />

about arts education. The rooms<br />

looked like an office-supply store had<br />

exploded as students rushed through<br />

construction-paper obstacle courses,<br />

glow-in-<strong>the</strong>-dark Jeopardy boards, and<br />

advocacy Mad Libs plastered around<br />

<strong>the</strong> walls. Through <strong>the</strong> din of teenagers<br />

engaged in deep competition, one<br />

could hear <strong>the</strong> occasional gasp when a<br />

statistic truly hit home. “My school<br />

only sets aside 2 percent of its budget<br />

for <strong>the</strong> arts. Are you serious?!”<br />

The teens were helped through <strong>the</strong><br />

game portion of <strong>the</strong> day by several arts<br />

experts, including Managing Director<br />

Susan Medak and Brad Erickson,<br />

executive director of <strong>Theatre</strong> Bay Area.<br />

Assemblymember Nancy Skinner<br />

joined <strong>the</strong> second portion of <strong>the</strong> day<br />

when <strong>the</strong> morning’s information was<br />

applied to an arts advocacy debate<br />

where teens learned a very valuable<br />

lesson: advocacy is not easy.<br />

While <strong>the</strong> teens were full of<br />

stories about <strong>the</strong> arts being a home in<br />

times of need, a haven in a day full of<br />

standardized testing, and a way to express<br />

oneself in a pivotal time in <strong>the</strong>ir<br />

lives, this was not enough to make a<br />

convincing argument. Advocating for


a cause requires planning, specific<br />

goals, and a mastery of <strong>the</strong> subject<br />

matter on a level that many students<br />

had not yet experienced. “I hope you<br />

realize how important it is for a civil<br />

society to have people who are willing<br />

to be for things and not just against<br />

<strong>the</strong>m,” said Susan, as she and Nancy<br />

profusely thanked <strong>the</strong> students for<br />

<strong>the</strong>ir passion and dedication to such a<br />

difficult task.<br />

In <strong>the</strong> final portion of <strong>the</strong> event,<br />

teens designed a public service announcement,<br />

which has since been<br />

produced by <strong>Berkeley</strong> Rep’s multimedia<br />

producer, Pauline Luppert. The video<br />

opens in a drab high school where<br />

students march monotonously through<br />

<strong>the</strong> halls, mouths covered in black<br />

tape. When <strong>the</strong> students reach <strong>the</strong>ir<br />

art classroom, <strong>the</strong>y remove <strong>the</strong> tape,<br />

<strong>the</strong>ir world jumps into bright color, and,<br />

with activated voices and bodies, <strong>the</strong>y<br />

dive into various art projects. you can<br />

view <strong>the</strong> full psa on <strong>the</strong> ClaimyourARTS<br />

website and Facebook page.<br />

ClaimyourARTS participants also<br />

encouraged <strong>the</strong>ir communities to<br />

TAKE YOUR<br />

Intellect<br />

ON AN<br />

Adventure<br />

Engage in new ideas with a cultivated<br />

group of learners in Arts and Humanities<br />

courses at UC <strong>Berkeley</strong> Extension. Don’t<br />

miss <strong>the</strong>se exciting summer selections—<br />

enroll today!<br />

ClaimyourARTS teen arts advocates Marcelo Gutierrez,<br />

Emma Goodfield, Negi Esfandiari, and Rosie Byrne<br />

photo by kyle sircus<br />

celebrate Art is Education Month in<br />

March by using school announcements<br />

and newspapers, as well as social<br />

media, to spread <strong>the</strong> word about<br />

advocacy. Additionally, a delegation of<br />

six teens led by Rachel Fink, director<br />

of <strong>the</strong> School of <strong>Theatre</strong> and organizer<br />

of ClaimyourARTS, joined hundreds<br />

Homer’s The Iliad<br />

May 31–June 28 in <strong>Berkeley</strong><br />

NEW! Quranic Stories<br />

June 2–30 in <strong>Berkeley</strong><br />

NEW! Play as a<br />

Subversive Strategy<br />

June 5–Aug. 7 in San Francisco<br />

NEW! Science Writing<br />

June 7–Aug. 16 in <strong>Berkeley</strong><br />

NEW! Travel Journalism<br />

June 7–28 in <strong>Berkeley</strong><br />

NEW! American Art<br />

June 14–Aug. 16 in San Francisco<br />

extension.<strong>berkeley</strong>.edu/artsandhumanities<br />

of <strong>the</strong> nations’ grassroots activists at<br />

Arts Advocacy Day in Washington, DC<br />

in April.<br />

Advocacy may not be easy, but<br />

that’s not stopping <strong>the</strong>se young<br />

advocates as <strong>the</strong>y take <strong>the</strong>ir message<br />

coast to coast about <strong>the</strong> importance of<br />

arts education.<br />

NEW! Printmaking and<br />

Street Art as Activist Tools<br />

June 18–Aug. 20 in San Francisco<br />

Writing <strong>the</strong> Young<br />

Adult Novel<br />

June 19–Aug. 21 in <strong>Berkeley</strong><br />

Six Shakespeare Tragedies<br />

June 21–July 26 in <strong>Berkeley</strong><br />

Children’s Picture Book<br />

Writing Workshop<br />

June 25–July 30 in <strong>Berkeley</strong><br />

Writing for Social Media:<br />

Prose That Works for<br />

Web 2.0<br />

July 11–Aug. 8 in <strong>Berkeley</strong><br />

Mystic Poetry<br />

July 21 in San Francisco<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 15


Trevor Cheitlin (left) in Our Town<br />

photo courtesy of kevinberne.com<br />

All in <strong>the</strong> family<br />

<strong>berkeley</strong> <strong>rep</strong> involvement spans generations<br />

by kathleen martinelli<br />

when grandparents, parents,<br />

and children ga<strong>the</strong>r toge<strong>the</strong>r, it’s<br />

usually because <strong>the</strong>re’s a holiday to<br />

celebrate or a turkey dinner to eat.<br />

Sometimes it’s because someone’s<br />

graduating or getting married. And<br />

sometimes, it’s because <strong>the</strong>re’s a play<br />

to see.<br />

Melvin and Hella Cheitlin are<br />

part of a community of <strong>Berkeley</strong> Rep<br />

patrons for whom <strong>the</strong>atre is, literally, a<br />

family value. Hella recalls that she and<br />

her husband first started attending<br />

shows here 35 years ago, in “<strong>the</strong> early<br />

days” of <strong>the</strong> <strong>Theatre</strong>. Their son, Ken,<br />

inherited his parents’ fondness for<br />

16 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

Julia Hofmann (left) in School of <strong>Theatre</strong>’s<br />

Summer Sessions<br />

photo by cheshire isaacs<br />

<strong>Berkeley</strong> Rep; now he and his wife,<br />

Betsey, are regular <strong>the</strong>atregoers, too.<br />

“We take a subscription for four<br />

people, and <strong>the</strong>y come with us,” explains<br />

Hella, who also donates to <strong>the</strong> <strong>Theatre</strong>.<br />

“They pay for half and we pay for half.”<br />

The family even has a pre-<strong>the</strong>atre<br />

tradition that offers <strong>the</strong>m time to bond<br />

and catch up. “We come from San<br />

Francisco and meet Ken and Betsey for<br />

dinner before <strong>the</strong> <strong>the</strong>atre,” says Hella.<br />

“It’s a family get-toge<strong>the</strong>r.”<br />

And <strong>the</strong> Cheitlins aren’t just<br />

staying in <strong>the</strong> audience; after taking<br />

a course at <strong>Berkeley</strong> Rep’s School<br />

of <strong>Theatre</strong>, Hella’s grandson, Trevor,<br />

“ My wife and I began<br />

to subscribe to<br />

<strong>Berkeley</strong> Rep when<br />

our daughter was a<br />

baby. It was a great<br />

way of making sure as<br />

new parents that we’d<br />

get out on a date five<br />

times a year.”<br />

bill hofmann


eport<br />

appeared on <strong>the</strong> Roda stage in director<br />

Jonathan Moscone’s 2005 production of<br />

Our Town.<br />

For seven-play subscribers and<br />

donors Bill Hofmann and Robbie<br />

Welling, visiting <strong>Berkeley</strong> Rep has always<br />

been a family affair.<br />

“My wife and I began to subscribe<br />

to <strong>Berkeley</strong> Rep when our daughter was<br />

a baby,” says Bill. “It was a great way of<br />

making sure as new parents that we’d<br />

get out on a date five times a year.”<br />

When she was old enough,<br />

daughter Julia enrolled at <strong>the</strong> School of<br />

<strong>Theatre</strong> and took a number of courses<br />

in stage combat. She can now wield<br />

<strong>the</strong> broadsword, rapier, small sword,<br />

and dagger.<br />

“Julia’s been inspired by her performance<br />

classes,” says Bill. “She’s done<br />

<strong>the</strong> full range and is eager for more.”<br />

Julia is also a member of <strong>the</strong><br />

School’s Teen Council, so she gets to<br />

see many <strong>Berkeley</strong> Rep shows before<br />

her parents—a far cry from her early<br />

days at home with <strong>the</strong> babysitter. “She<br />

always loves <strong>the</strong> shows,” says Bill.<br />

<strong>Berkeley</strong> Rep’s inclusive policy<br />

towards families and young people is<br />

part of what keeps Bill and his family<br />

coming back season after season.<br />

“Over <strong>the</strong> years we’ve been<br />

attending, we’ve seen <strong>Berkeley</strong> Rep<br />

reach out to younger and more diverse<br />

communities with a wide range of<br />

<strong>the</strong>atre presentations—it’s been great<br />

to see audiences discover <strong>the</strong> <strong>Theatre</strong><br />

year after year,” he says.<br />

While Hella Cheitlin and Bill<br />

Hofmann can take credit for introducing<br />

<strong>the</strong>ir children to <strong>Berkeley</strong> Rep, <strong>the</strong><br />

opposite was true in <strong>the</strong> case of Steven<br />

and Jill Fugaro.<br />

“We found <strong>Berkeley</strong> Rep in<br />

2003 through our son Kevin’s drama<br />

coach in high school,” remembers Jill,<br />

based on “a recommendation from<br />

someone we had terrific admiration<br />

for, artistically. We were referred to go<br />

see a show that Mary Zimmerman was<br />

doing at <strong>Berkeley</strong> Rep called The Secret<br />

in <strong>the</strong> Wings.”<br />

The Fugaros were instantly hooked.<br />

“We really liked what we saw and<br />

KATHIE LONGINOTTI<br />

Realtor ®<br />

<strong>Berkeley</strong> Rep Subscriber Since 1972<br />

510.981.3032<br />

www.AtHomeEastBay.com<br />

Opening <strong>the</strong> doors to dream homes<br />

since 1906.<br />

<strong>Berkeley</strong> OffiCe<br />

1495 Shattuck Avenue, <strong>Berkeley</strong> | 510.486.1495 | CaliforniaMoves.com<br />

©2011 Coldwell Banker Real Estate LLC. All Rights Reserved. Coldwell Banker® is a registered trademark licensed to Coldwell Banker Real Estate LLC. An Equal Opportunity Company.<br />

Equal Housing Opportunity. Each Coldwell Banker Residential Brokerage Office Is Owned And Operated by NRT LLC. DRE License # 00313415<br />

MAYBECK<br />

HIGH sCHOOL<br />

<strong>Berkeley</strong>’s Independent<br />

College P<strong>rep</strong>aratory<br />

High School<br />

NEW Location! 2727 College Ave, <strong>Berkeley</strong><br />

www.maybeckhs.org 510/841-8489<br />

Est 1972<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 17


Steve Fugaro, fa<strong>the</strong>r of Kevin Fugaro.<br />

photo by mary kay hickox<br />

PREMIER SERVICE FOR A PREMIER AUDIENCE<br />

Lorri Arazi<br />

Leslie Avant<br />

Norah Brower<br />

Carla Buffington<br />

Cheryl Cahn<br />

Stina Charles-Harris<br />

Carla Della Zoppa<br />

Francine Di Palma<br />

Leslie Easterday<br />

Gini Erck<br />

Jennie A. Flanigan<br />

Toni Hanna<br />

Nancy Hinkley<br />

Maureen Kennedy<br />

Jack McPhail<br />

Denise Milburn<br />

Marnie Fricke Mufti<br />

Carol Libby Neil<br />

Bob & Carolyn Nelson<br />

Nancy Noman<br />

Amy Robeson<br />

Ira & Carol Serkes<br />

Geri Stern<br />

Diane Verducci<br />

Serving <strong>Berkeley</strong>, Albany, Kensington, El Cerrito, Emeryville, Oakland and Piedmont<br />

1625 Shattuck Avenue<br />

<strong>Berkeley</strong>, CA 94709<br />

510.982.4400<br />

18 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

continued coming to as many shows as<br />

we could while Kevin was still in high<br />

school,” Jill says.<br />

It all came full circle a couple of<br />

years later when Kevin, as a freshman<br />

drama student at Northwestern,<br />

joined <strong>the</strong> cast of a university<br />

production of Cymbeline —directed<br />

by, of all people, Mary Zimmerman,<br />

professor of performance studies at<br />

<strong>the</strong> university.<br />

Kevin is now a professional actor<br />

based in New york and is currently<br />

performing in Romeo and Juliet at<br />

<strong>the</strong> Oregon Shakespeare Festival.<br />

According to Jill, a member of <strong>the</strong><br />

<strong>Theatre</strong>’s board of trustees, <strong>the</strong> years<br />

of attending <strong>Berkeley</strong> Rep’s shows as<br />

a family played a formative role in her<br />

son’s creative development.<br />

“I’d say <strong>Berkeley</strong> Rep definitely<br />

had an impact on his career.<br />

Somebody who goes into performance<br />

art is always absorbing what <strong>the</strong>y see,”<br />

she says. “We had a lot of interesting<br />

inspiration from <strong>Berkeley</strong> Rep. What<br />

he’s seen <strong>the</strong>re has a definite impact<br />

on who he is as an actor.”<br />

www.pacunion.com<br />

Families like <strong>the</strong> Cheitlins,<br />

Hofmanns, and Fugaros prove that<br />

patronage really does give back.<br />

Their close, enduring relationship<br />

with <strong>Berkeley</strong> Rep has engendered<br />

a love for performance that<br />

transcends <strong>the</strong> generations and<br />

serves as inspiration for <strong>the</strong> next<br />

wave of young <strong>the</strong>atre artists.<br />

“For us, especially as scientists and<br />

engineers, supporting <strong>the</strong> arts is key,”<br />

explains Bill. “Our giving strategy has<br />

always been to support local institutions,<br />

so we’ve always had a special place for<br />

<strong>Berkeley</strong> Rep in our hearts.”<br />

Hella echoes <strong>the</strong> sentiment.<br />

“We need to support <strong>the</strong> arts, all<br />

aspects of <strong>the</strong> arts, and to try also to<br />

instill that in our children so <strong>the</strong> next<br />

generation will continue to support<br />

<strong>the</strong> arts. I think that’s very important.<br />

And I hope that in our little way we’ve<br />

done that.”<br />

1900 Mountain Boulevard<br />

Oakland, CA 94611<br />

510.339.6460


music dance <strong>the</strong>ater<br />

Cal 2012–2013<br />

SEAS ON<br />

Cal Performances<br />

U N I V E R S I T Y O F C A L I F O R N I A , B E R K E L E Y<br />

U N I V E R S I T Y O F C A L I F O R N I A , B E R K E L E Y<br />

Special Events<br />

Einstein on <strong>the</strong> Beach<br />

An Opera in Four Acts<br />

by Robert Wilson<br />

and Philip Glass<br />

Lucinda Childs, choreography<br />

Philharmonia Orchestra<br />

Esa-Pekka Salonen,<br />

principal conductor<br />

Simón Bolívar Symphony<br />

Orchestra of Venezuela<br />

Gustavo Dudamel,<br />

music director<br />

Yo-Yo Ma, cello &<br />

Kathryn Stott, piano<br />

World Premiere!<br />

The Secret Garden<br />

A Co-Production with<br />

San Francisco Opera<br />

Ojai North!<br />

Mark Morris, music director<br />

Chamber Music<br />

& Orchestra<br />

Subscribe Today for Best Seats and Up To 15% Off!<br />

Brentano String Quartet<br />

Afiara String Quartet<br />

Australian Chamber<br />

Orchestra<br />

San Francisco Opera Orchestra<br />

Nicola Luisotti, conductor<br />

Dance<br />

Mariinsky Ballet<br />

& Orchestra<br />

Swan Lake<br />

Mark Morris Dance Group<br />

The Hard Nut<br />

Members of <strong>the</strong> <strong>Berkeley</strong> Symphony<br />

Joffrey Ballet<br />

Hubbard Street Dance Chicago<br />

Trisha Brown Dance Company<br />

Alvin Ailey American<br />

Dance Theater<br />

Eifman Ballet of<br />

St. Petersburg<br />

Rodin<br />

Béjart Ballet Lausanne<br />

Early Music<br />

Concerto Köln<br />

Handel’s Messiah<br />

Philharmonia Baroque<br />

Orchestra<br />

Masaaki Suzuki, conductor<br />

The Tallis Scholars<br />

Davitt Moroney,<br />

harpsichord<br />

Handel and Haydn Society<br />

Koret Recital<br />

Emanuel Ax, piano<br />

Nicolas Hodges, piano<br />

Eric Owens, bass-baritone<br />

Christian Tetzlaff, solo violin<br />

Leonidas Kavakos, violin<br />

Miloš, guitar<br />

Susanna Phillips, soprano<br />

Nathan Gunn, baritone<br />

Jeffrey Kahane, piano<br />

Simon Trpčeski, piano<br />

Theater<br />

Laurie Anderson<br />

Dirtday!<br />

Théâtre de la Ville<br />

Ionesco’s Rhinocéros<br />

Subscribe Today!<br />

510.642.9988<br />

calperformances.org<br />

Major Supporters<br />

Single Tickets On Sale:<br />

Donors of $75+: July 22<br />

Email Club: July 29*<br />

General Public: August 5<br />

Ticket Office Zellerbach Hall<br />

*Join <strong>the</strong> Email Club online<br />

Tue-Fri, 12 Noon – 5:30 pm • Sat & Sun, 1 – 5 pm<br />

at calperformances.org<br />

Jazz<br />

The Delfeayo Marsalis Octet<br />

Sweet Thunder<br />

Monterey Jazz<br />

Festival on Tour<br />

55th Anniversary<br />

Wynton Marsalis<br />

& <strong>the</strong> Jazz at<br />

Lincoln Center Orchestra<br />

Call for a free season brochure or view online at calperformances.org<br />

Strictly Speaking<br />

Dan Savage<br />

Fran Lebowitz<br />

Ira Glass<br />

Ray Kurzweil<br />

World Stage<br />

National Circus of <strong>the</strong><br />

People’s Republic of China<br />

Georgia’s Ensemble Basiani<br />

Chucho Valdés &<br />

The Afro-Cuban Messengers<br />

Angélique Kidjo<br />

Mummenschanz<br />

Kodo<br />

Soledad Barrio &<br />

Noche Flamenca<br />

Circus Oz<br />

Afropop Spectacular<br />

with Oliver Mtukudzi &<br />

Fatoumata Diawara<br />

Paquito D’Rivera &<br />

The Assad Bro<strong>the</strong>rs<br />

Arlo Guthrie<br />

Les 7 Doigts de la Main Circus<br />

PSY


eport<br />

<strong>Berkeley</strong> earns some Fidelity<br />

intervieW by kyle sircus<br />

fidelity is <strong>berkeley</strong> <strong>rep</strong>’s newest<br />

production sponsor this season. Its<br />

<strong>Berkeley</strong> branch opened in 2010,<br />

but <strong>the</strong> company’s commitment to<br />

<strong>the</strong> arts has been a mainstay of its<br />

philanthropic efforts since its early<br />

days on <strong>the</strong> East Coast. We spoke<br />

with Roberto Santos, vice president<br />

and branch manager of <strong>the</strong> <strong>Berkeley</strong><br />

Investor Center, about Fidelity’s new<br />

presence in <strong>Berkeley</strong>, its support of <strong>the</strong><br />

arts, and our latest partnership.<br />

Fidelity is relatively new to <strong>berkeley</strong>.<br />

What attracted you to open a branch<br />

in our community?<br />

The branch officially opened on<br />

August 16, 2010. Our company is<br />

community based, really focused on<br />

<strong>the</strong> client, and we have a lot of East<br />

Bay clients who were asking for Fidelity<br />

to open a branch near <strong>the</strong>m. Being a<br />

Bay Area native, having a sibling and<br />

friends who went to UC <strong>Berkeley</strong> and<br />

having attended Cal events growing up,<br />

I know that <strong>Berkeley</strong> is a very unique<br />

community. The diversity, <strong>the</strong> culture,<br />

<strong>the</strong> presence of an institution of higher<br />

learning—all of those things combine to<br />

make <strong>Berkeley</strong> what it is.<br />

What’s Fidelity’s philosophy on<br />

corporate social responsibility and<br />

philanthropic giving?<br />

20 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

Fidelity has been a longtime<br />

supporter of <strong>the</strong> arts—throughout our<br />

growth as a company, we’ve supported<br />

several arts organizations around<br />

<strong>the</strong> country, from symphonies to<br />

<strong>the</strong>atres. When we opened our branch<br />

in <strong>Berkeley</strong>, we looked at it as an<br />

opportunity to support <strong>the</strong> arts locally.<br />

We’ve already contributed to a school<br />

with a robust music program that was<br />

in need of new instruments. <strong>Berkeley</strong><br />

Rep is an important local cultural<br />

institution, and by supporting <strong>the</strong><br />

<strong>Theatre</strong>, we’re taking our commitment<br />

to a new level. We feel that supporting<br />

<strong>the</strong> arts in local communities is a great<br />

use of our philanthropic funds.<br />

What sets Fidelity apart from o<strong>the</strong>r<br />

investment firms?<br />

The number one thing I hear<br />

from our clients, as well as from <strong>the</strong><br />

associates who work here, is how<br />

impressed <strong>the</strong>y are by Fidelity’s intense<br />

focus on doing what’s right for each<br />

individual client. Ano<strong>the</strong>r great thing<br />

that I hear from our employees is<br />

about our focus on <strong>the</strong> associates<br />

<strong>the</strong>mselves—<strong>the</strong>y always praise us for<br />

investing so much in <strong>the</strong>m. It helps us<br />

attract and keep <strong>the</strong> best associates<br />

and makes Fidelity such a great place<br />

to work, which in turn creates an<br />

environment and a culture that is<br />

conducive to helping our clients become<br />

better investors.<br />

Why did Fidelity choose to support<br />

<strong>berkeley</strong> <strong>rep</strong>?<br />

Our company has a long history<br />

of supporting <strong>the</strong> arts. <strong>Berkeley</strong> Rep<br />

is a leading arts organization, and<br />

it’s so close to us—only a block and<br />

a half away. The <strong>Theatre</strong> has a great<br />

<strong>rep</strong>utation for serving <strong>the</strong> community<br />

through its productions and arts<br />

education programs. Because of its<br />

commitment to excellence, <strong>Berkeley</strong><br />

Rep can bring renowned international<br />

artists like Mikhail Baryshnikov to<br />

Bay Area audiences. Like <strong>Berkeley</strong><br />

Rep, Fidelity aspires to excellence<br />

by providing <strong>the</strong> most outstanding<br />

client experience through lifetime<br />

relationships, investment guidance,<br />

and dedicated service. We’re proud<br />

to partner with <strong>Berkeley</strong> Rep —it just<br />

makes sense.<br />

We’re pleased to be able to<br />

contribute to <strong>Berkeley</strong>’s cultural richness<br />

by supporting <strong>Berkeley</strong> Rep. And while<br />

Fidelity may be new to <strong>Berkeley</strong>, <strong>the</strong><br />

company has a long, successful history<br />

of helping out clients with any and all of<br />

<strong>the</strong>ir investment needs. If you haven’t<br />

already, I encourage you to come<br />

and visit us at our investor center on<br />

University Avenue.


next at <strong>berkeley</strong> <strong>rep</strong><br />

written and performed by<br />

dael orlandersmith<br />

directed by<br />

chay yew<br />

may 25–jun 24<br />

call 510 647-2949<br />

click <strong>berkeley</strong><strong>rep</strong>.org


erkeley <strong>rep</strong>ertory <strong>the</strong>atre, in a co-presentation with<br />

baryshnikov arts center, Dmitry krymov laboratory,<br />

and <strong>the</strong> ag Foundation, in association with korjaamo<br />

culture Factory, presents<br />

ADAPTED FROM THE SHORT STORy By<br />

IVAN BUNIN<br />

DIRECTED AND ADAPTED By<br />

DMITRy KRyMOV<br />

april 25–may 13, 2012<br />

roDa <strong>the</strong>atre · special presentation<br />

In Paris runs one hour and 20 minutes without an intermission<br />

performed in russian and French with english supertitles<br />

In Paris is made possible thanks to <strong>the</strong> generous support of<br />

leaD proDucers<br />

Wayne Jordan & Quinn Delaney<br />

Marjorie Randolph<br />

Jack & Betty Schafer<br />

executive proDucers<br />

Bill Falik & Diana Cohen<br />

The Strauch Kulhanjian Family<br />

proDuction sponsors<br />

season sponsors<br />

22 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

<strong>berkeley</strong> <strong>rep</strong>ertory <strong>the</strong>atre<br />

tony taccone, artistic Director<br />

susan meDak, managing Director<br />

Scenic & Costume Designer maria tregubova<br />

Composer Dmitry volkov<br />

Lighting Designer Damir ismagilov<br />

Audio & Video Designer tei blow<br />

Movement Coach andrey shchukin<br />

Choreographer alexei ratmansky<br />

Production Manager Will knapp<br />

Video & Sound Supervisor tei blow<br />

Company Manager kathryn luckstone<br />

Lighting Supervisor valentina migoulia<br />

Technical Director anthony cerrato<br />

Wardrobe & Properties<br />

Supervisor<br />

perFormers<br />

mikhail baryshnikov and anna sinyakina,<br />

polina butko, maria gulik, maxim maminov,<br />

with lasse lindberg and ossi makkonen<br />

mariya masalskaya<br />

General Management: Huong Hoang,<br />

Baryshnikov Productions Inc.<br />

Tour Representation: Thomas O. Kriegsmann /<br />

ArKtype, www.arktype.org<br />

Additional Video Design: Filipp Vinogradov<br />

Technical Consultant: Alexander Nazarov<br />

Translation Services: Regina Kozakova<br />

Flying Effects & Rigging: Flying by Foy<br />

Accountant: Bruce Nadell, C.P.A, Nadell, Franco, Weinberger LLP.<br />

Travel Arrangements: Regina Louden, Road Rebel, Inc.<br />

Special thanks to Raoul Grünstein, Irina Duskova with Korjaamo<br />

Culture Factory; Maya Kostava with The AG Foundation,<br />

Irina Gorskaya and Anastasiya Rahkmanova.<br />

Many thanks to Georgiana Pickett, Pamela Rapp, Pedja Muzijevic,<br />

Eleanor Wallace and <strong>the</strong> staff at Baryshnikov Arts Center.<br />

In Paris premiered on August 17, 2011 at <strong>the</strong> Korjaamo Culture<br />

Factory, Helsinki, Finland.


erkeley <strong>rep</strong> presents<br />

proFiles<br />

mikhail baryshnikov<br />

perFormer<br />

Mikhail, a native of Riga,<br />

Latvia, was born in 1948<br />

and began studying ballet<br />

at <strong>the</strong> age of nine. As<br />

a teenager, he attended<br />

<strong>the</strong> Vaganova Academy<br />

in Leningrad, graduating<br />

from student to<br />

principal dancer of <strong>the</strong><br />

Kirov Ballet in 1969. In<br />

1974 he left <strong>the</strong> Soviet Union to dance with<br />

major ballet companies around <strong>the</strong> world<br />

including <strong>the</strong> New york City Ballet, where he<br />

worked with George Balanchine and Jerome<br />

Robbins. In 1980 he began a 10-year tenure as<br />

artistic director of American Ballet <strong>Theatre</strong>,<br />

nurturing a new generation of dancers and<br />

choreographers. From 1990 to 2002, Mikhail<br />

was director and dancer with <strong>the</strong> White Oak<br />

Dance Project, which he co-founded with<br />

choreographer Mark Morris to expand <strong>the</strong><br />

<strong>rep</strong>ertoire and visibility of American modern<br />

dance. In 2005 he opened <strong>the</strong> Baryshnikov<br />

Arts Center (bac) in Manhattan, a creative<br />

home for local and international artists to develop<br />

and present work. Under his leadership<br />

as artistic director, bac programs serve approximately<br />

500 artists and more than 20,000<br />

audience members each year. Mikhail’s many<br />

awards include <strong>the</strong> Chubb Fellowship, <strong>the</strong><br />

Commonwealth Award, <strong>the</strong> Jerome Robbins<br />

Award, <strong>the</strong> Kennedy Center Honors, and <strong>the</strong><br />

National Medal of Honor. Most recently he<br />

was awarded <strong>the</strong> rank of Officer of <strong>the</strong> French<br />

Legion of Honor.<br />

polina butko<br />

perFormer<br />

Polina is a musician<br />

(vocal and percussion),<br />

tap-dancer, and choreographer.<br />

She has been<br />

working in Artur Gazarov’s<br />

percussion group<br />

Sambateria as percussionist,<br />

tap-dancer, and<br />

vocalist. Her teachers<br />

include Chloe and Maud<br />

Arnold, Brenda Bufalino, Roxane Butterfly,<br />

Michelle Dorrance, Savion Glover, Derick K.<br />

Grant, Margaret Morrison, Sarah Petronio,<br />

Max Pollak, Jason Samuels Smith, and Dormeshia<br />

Sumbry-Edwards. Polina graduated<br />

from <strong>the</strong> jazz-vocal department of <strong>the</strong> <strong>the</strong> Russian<br />

Gnesins Academy of Music, International<br />

Slavic University’s Institutes of Journalism<br />

and <strong>Theatre</strong> Work. She gives master classes in<br />

Kiev, Moscow, St. Petersburg, and Vilnius, and<br />

is <strong>the</strong> founder of her own school of dance and<br />

music, Jam Studio in Moscow.<br />

maria gulik<br />

perFormer<br />

Maria is a singer and<br />

actress. She has been<br />

working in <strong>the</strong> Krymov<br />

Laboratory since<br />

2007 and has performed<br />

in Opus #7 and<br />

Tararaboombia. She also<br />

plays <strong>the</strong> role of Vava in<br />

Shostakovich’s operetta<br />

Moscow Cheremushki at<br />

<strong>the</strong> Stanislavski and Nemirovich-Danchenko<br />

Moscow Academic Music <strong>Theatre</strong>. She was<br />

born in Kargopol in <strong>the</strong> Arkhangelsk Region<br />

of Russia. In 2007 she graduated from <strong>the</strong><br />

Russian University of <strong>Theatre</strong> Arts (gitis), finishing<br />

its musical <strong>the</strong>atre program with course<br />

professors A. Titel and I. yasulovich.<br />

lasse lindberg<br />

perFormer<br />

Lasse has performed<br />

in Closer, The Inspector<br />

General, Jumalista,<br />

Keskusteluja Valaan<br />

Kanssa, Misantrop, and<br />

Robin Hood Complex.<br />

He graduated from<br />

St. Petersburg State<br />

<strong>Theatre</strong> Arts Academy<br />

in <strong>the</strong> department of<br />

dramatic art in 2010 and received fur<strong>the</strong>r<br />

training from <strong>Theatre</strong> Academy Helsinki.<br />

Lasse is a member of Suomen Näyttelijäliitto,<br />

<strong>the</strong> Finnish actors union.<br />

ossi makkonen<br />

perFormer<br />

Ossi’s work with<br />

Dmitry Krymov began<br />

with In Paris. His o<strong>the</strong>r<br />

performances include<br />

The Seagull and Surukeiju<br />

at Teatteri Poleemi. He<br />

began working with <strong>the</strong><br />

Stage Festival at <strong>the</strong> Korjaamo<br />

in 2009 and also<br />

enjoys his work as an<br />

occupational <strong>the</strong>rapist throughout Finland. In<br />

2008 Ossi graduated from St. Petersburg State<br />

University in <strong>the</strong> department of journalism.<br />

maxim maminov<br />

perFormer<br />

Maxim is a singer and<br />

actor and has been<br />

working in <strong>the</strong> Krymov<br />

Laboratory since 2005.<br />

His performances<br />

include The Auction;<br />

The Cow; Demon.<br />

View From Above;<br />

Donky Hot; Katya,<br />

Sonya, Polya, Galya,<br />

Vera, Olya, Tanya; Optimus Mundus; Opus<br />

#7; Ser Vantes; Tararaboombia; and <strong>the</strong> new<br />

opera Mixed Media at <strong>the</strong> Stanislavski and<br />

Nemirovich-Danchenko Moscow Academic<br />

Music <strong>Theatre</strong>. He played Michael Spofford<br />

in <strong>the</strong> musical Witches of Eastwick with Art<br />

Voyage XXI and takes part in <strong>the</strong> performance<br />

New Year directed by F. Grigorian with School<br />

Hall. From 2008 to 2010 he performed as <strong>the</strong><br />

Beast and Lumiere in Beauty and <strong>the</strong> Beast<br />

with Stage Entertainment Russia. In 2006<br />

Maxim graduated from <strong>the</strong> pop art department<br />

of <strong>the</strong> Russian University of <strong>Theatre</strong> Arts<br />

(gitis), with course professor V. Garkalin.<br />

anna sinyakina<br />

perFormer<br />

Since 2004, Anna has<br />

been a leading actress<br />

in <strong>the</strong> Krymov Laboratory.<br />

She also works in<br />

film, and won Best Actress<br />

of <strong>the</strong> year in <strong>the</strong><br />

International Festival of<br />

Cinema Artek (films for<br />

children) and Best Debut<br />

in <strong>the</strong> Russian Film<br />

Festival “Literature and Film.” Anna graduated<br />

from <strong>the</strong> State Musical Institute in 2000 with<br />

a specialization as a musical soloist, and in<br />

2004 she graduated from <strong>the</strong> Russian University<br />

of <strong>Theatre</strong> Arts (gitis) with a specialization<br />

in dramatic art.<br />

Dmitry krymov<br />

Director<br />

Dmitry is a painter, set designer, and <strong>the</strong>atre<br />

director who has designed more than 90 performances,<br />

many produced by Anatoly Efros,<br />

with <strong>the</strong> Moscow Art <strong>Theatre</strong> and Taganka<br />

<strong>Theatre</strong>. He has also worked as a set designer<br />

in o<strong>the</strong>r <strong>the</strong>atres in Moscow, including <strong>the</strong><br />

Central youth <strong>Theatre</strong>, Mossovet <strong>Theatre</strong>,<br />

<strong>Theatre</strong> of Ermolova, <strong>Theatre</strong> of Gogol,<br />

<strong>Theatre</strong> of Mayakovsky, <strong>Theatre</strong> of Stanislavsky,<br />

and o<strong>the</strong>rs. Dmitry has also designed<br />

for <strong>the</strong>atres in Nizhniy Novgorod, Riga, St.<br />

Petersburg, Tallinn, Volgograd, Vyatka, and<br />

abroad in Bulgaria and Japan. His paintings<br />

are included in <strong>the</strong> collections of <strong>the</strong> State<br />

Tretyakov Gallery, <strong>the</strong> State Russian Museum<br />

and <strong>the</strong> State <strong>Theatre</strong> Museum, <strong>the</strong> Victoria<br />

and Albert Museum, <strong>the</strong> Vatican Museums,<br />

and in many private collections. He currently<br />

teaches at <strong>the</strong> Russian University of <strong>Theatre</strong><br />

Arts (gitis) in Moscow, where he is head of <strong>the</strong><br />

artistic course in <strong>the</strong> department of dramatic<br />

directing. Productions of <strong>the</strong> Krymov Laboratory<br />

have appeared in Russia and international<br />

festivals, including Estonia, Finland, Great<br />

Britain, Hungary, Poland, and o<strong>the</strong>rs. Dmitry<br />

was awarded a Stanislavsky Prize for Innovation,<br />

as well as <strong>the</strong> Crystal Turandot Award for<br />

Best Director for Demon. View From Above and<br />

Opus #7. Along with his students, he won <strong>the</strong><br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 23


Artisan cocktails, handmade delicacies from local<br />

growers, house charcuterie, and thoughtfully<br />

p<strong>rep</strong>ared California food in a revived 1901 classic<br />

building just up <strong>the</strong> block from <strong>Berkeley</strong> Rep<br />

2102 Shattuck at Addison · 510.549.9950<br />

SPRING CLASSES Registration now open for youth, teens, and adults<br />

SUMMER 2012<br />

PERFORM AT BERKELEY REP<br />

<strong>berkeley</strong><strong>rep</strong>.org/school<br />

SUMMER<br />

THEATRE<br />

INTENSIVE<br />

24 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

TEEN<br />

ACTORS<br />

STUDIO<br />

GRADES 6–12 GRADES 9–12<br />

BERKELEYREP.ORG/SUMMERINTENSIVE<br />

CALL 510 647-2972<br />

financial aid available<br />

<strong>berkeley</strong> <strong>rep</strong><br />

presents<br />

proFiles<br />

Grand-Prix of <strong>the</strong> Prague Quadrennial, and<br />

<strong>the</strong>ir productions have twice been awarded<br />

<strong>the</strong> Golden Mask. Dmitry graduated from <strong>the</strong><br />

set design department of <strong>the</strong> Moscow Art<br />

<strong>Theatre</strong> School and is a member of <strong>the</strong> Union<br />

of Painters and <strong>the</strong> <strong>Theatre</strong> Union of <strong>the</strong> Russian<br />

Federation.<br />

maria tregubova<br />

set anD costume Designer<br />

Maria has been working as a set designer with<br />

<strong>the</strong> Krymov Laboratory since 2005. Toge<strong>the</strong>r<br />

with Dmitry Krymov she has designed all of<br />

<strong>the</strong> Laboratory performances: The Auction, The<br />

Cow, The Death of a Giraffe, Demon. View From<br />

Above, Donky Hot, Opus #7, Ser Vantes, and<br />

Tararaboombia. Maria was twice awarded <strong>the</strong><br />

National <strong>Theatre</strong> Award Golden Mask as Best<br />

Set Designer for Opus #7 and Best Costumes<br />

for Tararaboombia. Maria graduated from <strong>the</strong><br />

set design department of <strong>the</strong> Russian University<br />

of <strong>Theatre</strong> Arts (gitis).<br />

Dmitry volkov<br />

composer<br />

Dmitry has created music for multiple <strong>the</strong>atre<br />

performances, including The Auction and<br />

Demon. View From Above directed by Dmitry<br />

Krymov in <strong>the</strong> Moscow Art <strong>Theatre</strong> School,<br />

Hedgehog in <strong>the</strong> Fog directed by Andrey<br />

Shchukin at <strong>the</strong> Vakhtangov <strong>Theatre</strong>, and<br />

Philoktet, Savva. Ignis Sanat, School of Buffoons<br />

(<strong>the</strong> second edition), and Waiting for Godot<br />

directed by Nikolai Roshchin at <strong>the</strong> Arto Theater.<br />

Dmitry currently works as an actor at <strong>the</strong><br />

Lenkom <strong>Theatre</strong> in Moscow.<br />

Damir ismagilov<br />

lighting Designer<br />

Damir began as a lighting technician and<br />

became a lighting designer at <strong>the</strong> Moscow<br />

Art <strong>Theatre</strong> in 1987. Since 2002 he has been<br />

<strong>the</strong> primary lighting designer at <strong>the</strong> Bolshoi<br />

<strong>Theatre</strong>. Damir has designed more than 350<br />

performances. He has been teaching at <strong>the</strong><br />

Moscow Art <strong>Theatre</strong> School since 2000.<br />

Damir is also <strong>the</strong> author of <strong>the</strong> book Theatrical<br />

Illumination and vice president of <strong>the</strong><br />

Association of Lighting Designers of Russia.<br />

He graduated from <strong>the</strong> <strong>Theatre</strong> Art Technical<br />

School in 1978.<br />

andrey shchukin<br />

movement coach<br />

Andrey is a professor of <strong>the</strong> Boris Shchukin<br />

<strong>Theatre</strong> Institute, a stage director, and a choreographer.<br />

He has worked as a choreographer<br />

with multiple stage directors, including Declan<br />

Donellan, Roman Kozak, Dmitry Krymov,<br />

Staphis Livathinos, Boris Lvov-Anokhin, Adolf<br />

Shapiro, Petr Shtein, Rimas Tuminas, and o<strong>the</strong>rs.<br />

He directed A Cube in a Square, Metamorphoses,<br />

Objects of Love, and The World of Man<br />

and Things at <strong>the</strong> Shchukin <strong>Theatre</strong> Institute;


Hedgehog in <strong>the</strong> Fog at <strong>the</strong> Vakhtangov <strong>Theatre</strong>;<br />

Iron Games at <strong>the</strong> tuz, Orel; and Puss in<br />

Boots and Smile at gitis.<br />

alexei ratmansky<br />

choreographer<br />

Alexei’s performing career has included<br />

positions as a principal dancer with <strong>the</strong> Royal<br />

Danish Ballet, <strong>the</strong> Royal Winnipeg Ballet, and<br />

<strong>the</strong> Ukrainian National Ballet. He has choreographed<br />

ballets for <strong>the</strong> Dutch National Ballet,<br />

Kirov Ballet, New york City Ballet, <strong>the</strong> Royal<br />

Danish Ballet, <strong>the</strong> Royal Swedish Ballet, San<br />

Francisco Ballet, and <strong>the</strong> State Ballet of Georgia,<br />

under <strong>the</strong> artistic direction of American<br />

Ballet <strong>Theatre</strong> principal dancer Nina Ananiashvili.<br />

His 1998 work Dreams of Japan, choreographed<br />

for Ananiashvili, earned a prestigious<br />

Golden Mask Award by <strong>the</strong> <strong>the</strong>atre union of<br />

Russia. In 2005, he was awarded <strong>the</strong> Benois<br />

de la Danse for his choreography of Anna<br />

Karenina for <strong>the</strong> Royal Danish Ballet. Alexei<br />

was named artistic director of <strong>the</strong> Bolshoi Ballet<br />

in January 2004, where he choreographed<br />

full-length productions of The Bolt in 2005,<br />

The Bright Stream in 2003, and re-staged Le<br />

Corsaire in 2007 and <strong>the</strong> Soviet-era Flames of<br />

Paris in 2008. Under his direction, <strong>the</strong> Bolshoi<br />

Ballet was named Best Foreign Company in<br />

2005 and 2007 by <strong>the</strong> Critics’ Circle in London,<br />

and he received a Critics’ Circle National<br />

Dance Award for The Bright Stream in 2006.<br />

In 2007 Alexei won a Golden Mask Award for<br />

Best Choreographer for his production of Jeu<br />

de Cartes for <strong>the</strong> Bolshoi Ballet. He was born<br />

in St. Petersburg and trained at <strong>the</strong> Bolshoi<br />

Ballet School in Moscow.<br />

tei blow<br />

auDio & viDeo Designer<br />

Tei lives and works in Brooklyn. His recent<br />

projects include songs for <strong>the</strong> film Loveless by<br />

Ramin Serry, interactive video for Steve Burns<br />

and <strong>the</strong> Struggle, and sound designs for Big<br />

Dance <strong>Theatre</strong>, Deganit Shemy & Company,<br />

Natalie Green, David Neumann, O<strong>the</strong>r Shore,<br />

and Ann Liv young. Tei performs with <strong>the</strong><br />

band Perfect Shapes on Enemieslist recordings.<br />

An archive of his projects can be found at<br />

sciencecompany.org.<br />

Dmitry krymov laboratory<br />

The Dmitry Krymov Laboratory was founded<br />

in 2005. Its first production was Not a<br />

Fairytale, made by <strong>the</strong> first-year students of<br />

<strong>the</strong> Department of Set Design at <strong>the</strong> Russian<br />

University of <strong>Theatre</strong> Arts (gitis). Based on<br />

Russian folk fairy tales, <strong>the</strong> performance was<br />

without words. Anatoly Vasiliev, one of <strong>the</strong><br />

most significant <strong>the</strong>atre directors of our time<br />

and head of Moscow Art <strong>Theatre</strong> School,<br />

saw Not a Fairytale and offered to produce it<br />

on a regular basis at his <strong>the</strong>atre, as well as to<br />

support <strong>the</strong> Laboratory of Dmitry Krymov’s<br />

students-artists. Since <strong>the</strong>n, a rotating cast of<br />

students and six young actors, all graduates of<br />

gitis and <strong>the</strong> Boris Shchukin <strong>Theatre</strong> Institute,<br />

have worked in <strong>the</strong> Laboratory to create nine<br />

productions. The Laboratory continues to<br />

foster an unusual <strong>the</strong>atre of artists with its<br />

own unique aes<strong>the</strong>tic.<br />

Chef’s Special<br />

Pre-<strong>Theatre</strong> Menu<br />

Extraordinary <strong>the</strong>atre—<br />

because of you.<br />

Make a dramatic change. Give today.<br />

<strong>berkeley</strong><strong>rep</strong>.org/give<br />

Seasonal. Inspired.<br />

Consciously Purveyed.<br />

2327 Shattuck Ave.<br />

<strong>Berkeley</strong> ~ 510.540.5950<br />

Reservations at<br />

venusrestaurant.net<br />

John Brummer and David Chandler in Red<br />

photo couRtesy of kevinbeRne.com<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 25


26 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

<strong>berkeley</strong> <strong>rep</strong><br />

presents<br />

proFiles<br />

baryshnikov arts center (bac)<br />

The Baryshnikov Arts Center is <strong>the</strong> realization<br />

of a long-held vision by artistic director<br />

Mikhail Baryshnikov, who sought to build an<br />

arts center in Manhattan that would serve as a<br />

ga<strong>the</strong>ring place for artists from all disciplines.<br />

bac’s opening in 2005 heralded <strong>the</strong> launch of<br />

this mission, establishing a thriving creative<br />

laboratory and performance space for artists<br />

from around <strong>the</strong> world. bac’s activities encompass<br />

a robust residency program augmented<br />

by a range of professional services, including<br />

commissions of new work as well as <strong>the</strong><br />

presentation of performances by artists of<br />

excellence at varying stages of <strong>the</strong>ir careers.<br />

In tandem with its commitment to supporting<br />

artists, bac is dedicated to building audiences<br />

for <strong>the</strong> arts by presenting contemporary,<br />

innovative work at affordable ticket prices. In<br />

2010 bac opened <strong>the</strong> Jerome Robbins Theater,<br />

which serves as an organic extension of <strong>the</strong><br />

existing center, featuring multidisciplinary<br />

work, emerging talent, and international<br />

artists, and including artist-centered activity<br />

that fosters creative exploration. For more<br />

information, visit bacnyc.org.<br />

<strong>the</strong> ag Foundation<br />

The AG Foundation is a cultural charity<br />

organization established in 2006, implementing<br />

socially important projects in <strong>the</strong> sphere<br />

of culture, education, and children’s health.<br />

The mission of <strong>the</strong> Foundation is to transform<br />

and enlighten its audience through <strong>the</strong> arts.<br />

Its activities are guided by <strong>the</strong> best Russian<br />

and Western charity traditions. The Foundation<br />

supports <strong>the</strong> works of individual artists<br />

and collaborates with a variety of cultural<br />

organizations from <strong>the</strong> performance arts to<br />

contemporary installation and art festivals,<br />

with special emphasis on <strong>the</strong> next generation<br />

of artists.<br />

tony taccone<br />

artistic Director<br />

Tony is artistic director of <strong>Berkeley</strong> Rep, where<br />

he has staged more than 35 shows—including<br />

world premieres by Culture Clash, Rinde<br />

Eckert, David Edgar, Danny Hoch, Geoff<br />

Hoyle, Quincy Long, Itamar Moses, and<br />

Lemony Snicket. Tony took two shows from<br />

<strong>Berkeley</strong> Rep to Broadway: Sarah Jones’ Bridge<br />

& Tunnel, which won a Tony Award for its star,<br />

and Carrie Fisher’s Wishful Drinking, which<br />

set box-office records in <strong>Berkeley</strong> before<br />

enjoying a six-city national tour. He commissioned<br />

Tony Kushner’s legendary Angels in<br />

America, co-directed its world premiere at <strong>the</strong><br />

Mark Taper Forum, and has collaborated with<br />

Kushner on seven projects including Brundibar<br />

and Tiny Kushner. Two of Tony’s recent shows<br />

transferred to London: Continental Divide<br />

played <strong>the</strong> Barbican in 2004, and Tiny Kushner<br />

played <strong>the</strong> Tricycle <strong>Theatre</strong> in 2011. His many


istro<br />

French food for <strong>the</strong> soul<br />

Open 7 days a week<br />

Walking distance to <strong>the</strong> <strong>the</strong>atre<br />

10% discount for<br />

<strong>Berkeley</strong> Rep patrons<br />

Full bar<br />

1849 Shattuck at Hearst · 510 849-2155 · liaisonbistro.com<br />

<strong>Berkeley</strong> Rep patron discount not to be combined with any o<strong>the</strong>r offer<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 27


Summer Programs<br />

June 25 - July 27<br />

Pre-K - entering 8th grade<br />

Morning Academics<br />

Afternoon Recreation<br />

Full Daycare<br />

There are lots of fun and engaging<br />

classes to choose from. Applications<br />

are now being accepted. Visit our<br />

website for more details.<br />

Come join <strong>the</strong> fun!<br />

www.<strong>the</strong>academyk-8.com 510.549.0605<br />

2722 Benvenue Ave., <strong>Berkeley</strong>, CA 94705<br />

a<br />

You’re<br />

star<br />

You can get comped into<br />

a show! Just pick three<br />

dates and we’ll give you<br />

an invitation to email to<br />

your entourage. They all<br />

save 20%. Done.<br />

Click <strong>berkeley</strong><strong>rep</strong>.org/<br />

entourage, or contact<br />

Cari at 510 647-2918 or<br />

cturley@<strong>berkeley</strong><strong>rep</strong>.org<br />

28 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

<strong>berkeley</strong> <strong>rep</strong> presents<br />

proFiles<br />

regional credits include Actors <strong>Theatre</strong> of<br />

Louisville, Arena Stage, <strong>the</strong> Eureka <strong>Theatre</strong>,<br />

<strong>the</strong> Guthrie Theater, <strong>the</strong> Huntington <strong>Theatre</strong><br />

Company, Oregon Shakespeare Festival, The<br />

Public Theater, Seattle <strong>Repertory</strong> <strong>Theatre</strong>, and<br />

yale <strong>Repertory</strong> <strong>Theatre</strong>. Known as a director,<br />

he recently turned his hand to playwriting, and<br />

two of his scripts premiered last year: Ghost<br />

Light and Rita Moreno: Life Without Makeup.<br />

susan medak<br />

managing Director<br />

Susan has served as <strong>Berkeley</strong> Rep’s managing<br />

director since 1990, leading <strong>the</strong> administration<br />

and operations of <strong>the</strong> <strong>Theatre</strong>. She has served<br />

as president of <strong>the</strong> League of Resident <strong>Theatre</strong>s<br />

(lort) and treasurer of <strong>Theatre</strong> Communications<br />

Group, organizations that <strong>rep</strong>resent<br />

<strong>the</strong> interests of nonprofit <strong>the</strong>atres across <strong>the</strong><br />

nation. Susan chaired two panels for <strong>the</strong> Massachusetts<br />

Arts Council and has also served on<br />

program panels for <strong>the</strong> National Endowment<br />

for <strong>the</strong> Arts. Closer to home, Susan chairs <strong>the</strong><br />

Downtown <strong>Berkeley</strong> Business Improvement<br />

District and serves as president of <strong>the</strong> Downtown<br />

<strong>Berkeley</strong> Association. She is <strong>the</strong> founding<br />

chair of <strong>the</strong> <strong>Berkeley</strong> Arts in Education Steering<br />

Committee for <strong>Berkeley</strong> Unified School<br />

District and <strong>the</strong> <strong>Berkeley</strong> Cultural Trust. Susan<br />

serves on <strong>the</strong> faculty of yale School of Drama<br />

and is a proud member of <strong>the</strong> Mont Blanc<br />

Ladies’ Literary Guild and Trekking Society. She<br />

lives in <strong>Berkeley</strong> with her husband.<br />

karen racanelli<br />

general manager<br />

Karen joined <strong>Berkeley</strong> Rep in November 1993<br />

as education director. Under her supervision,<br />

<strong>Berkeley</strong> Rep’s Programs for Education provided<br />

live <strong>the</strong>atre for more than 20,000 students<br />

annually. In November 1995 she became<br />

general manager, and since <strong>the</strong>n has overseen<br />

<strong>the</strong> day-to-day operations of <strong>the</strong> <strong>Theatre</strong>,<br />

supervising <strong>the</strong> box office, company management,<br />

and IT. She has <strong>rep</strong>resented <strong>the</strong> League<br />

of Resident <strong>Theatre</strong>s during negotiations with<br />

both Actors’ Equity Association and <strong>the</strong> Union<br />

of Stage Directors and Choreographers. Prior<br />

to her tenure at <strong>Berkeley</strong> Rep, Karen worked<br />

for <strong>Theatre</strong> Bay Area as director of <strong>the</strong>atre<br />

services and as an independent producer<br />

at several Bay Area <strong>the</strong>atre companies. She<br />

has served on <strong>the</strong> boards of Climate Theater,<br />

Overtone <strong>Theatre</strong> Company, and Park Day<br />

School, and is currently on <strong>the</strong> board of <strong>the</strong> Julia<br />

Morgan Center. Karen is married to arts attorney<br />

MJ Bogatin and <strong>the</strong>y have two children.<br />

madeleine oldham<br />

Director, <strong>the</strong> grounD Floor/<br />

resiDent Dramaturg<br />

Madeleine is <strong>the</strong> director of <strong>Berkeley</strong> Rep’s<br />

Ground Floor and its resident dramaturg. As<br />

literary manager and associate dramaturg at<br />

Baltimore’s Centerstage, she produced <strong>the</strong><br />

First Look reading series and headed up its<br />

young audience initiative. Before moving to<br />

Baltimore, she was <strong>the</strong> literary manager at<br />

Seattle Children’s <strong>Theatre</strong>, where she oversaw<br />

an extensive commissioning program. She also<br />

acted as assistant and interim literary manager<br />

at Intiman <strong>Theatre</strong>. Madeleine served for four<br />

years on <strong>the</strong> executive committee of Literary<br />

Managers and Dramaturgs of <strong>the</strong> Americas<br />

and has also worked with act (Seattle), Austin<br />

Scriptworks, Crowded Fire <strong>Theatre</strong> Company,<br />

<strong>the</strong> Kennedy Center, New Dramatists, <strong>the</strong><br />

Eugene O’Neill Theater Center, and Portland<br />

Center Stage.<br />

marjorie randolph<br />

leaD proDucer<br />

Marjorie is president of <strong>Berkeley</strong> Rep’s board<br />

of trustees and a longtime supporter of <strong>the</strong><br />

<strong>Theatre</strong>. She recently moved back to <strong>Berkeley</strong><br />

after retiring as head of worldwide human<br />

resources for Walt Disney Studios. During<br />

her tenure at <strong>Berkeley</strong> Rep, she has produced<br />

16 plays. A member of <strong>the</strong> California Bar<br />

and a former president of California Women<br />

Lawyers, she serves on <strong>the</strong> National Advisory<br />

Panel of <strong>the</strong> Institute for Research on Women<br />

and Gender at Stanford University.<br />

Jack & betty schafer<br />

leaD proDucers<br />

Betty and Jack are proud to support <strong>Berkeley</strong><br />

Rep. Jack, one of <strong>the</strong> <strong>Theatre</strong>’s board members,<br />

also sits on <strong>the</strong> boards of <strong>the</strong> Jewish<br />

Community Endowment, San Francisco<br />

Opera, and <strong>the</strong> Straus Historical Society.<br />

He is also co-chair of <strong>the</strong> Oxbow School in<br />

Napa and is an emeritus trustee of <strong>the</strong> San<br />

Francisco Art Institute, where he served as<br />

board chair. Betty, a retired transitions coach,<br />

has resumed her earlier career as a nonfiction<br />

writer and poet. She serves on <strong>the</strong> boards of<br />

Brandeis Hillel Day School, Coro Foundation,<br />

Earthjustice, and jvs and <strong>rep</strong>resents <strong>the</strong> Jewish<br />

Community Foundation on a national allocation<br />

committee.<br />

<strong>the</strong> strauch kulhanjian Family<br />

executive proDucers<br />

Roger Strauch is a former president of<br />

<strong>Berkeley</strong> Rep’s board of trustees and a current<br />

member. He is chairman of <strong>the</strong> Roda Group<br />

(rodagroup.com), a venture-development<br />

company based in <strong>Berkeley</strong> and best known<br />

for launching Ask.com, PolyServe, and Sightspeed.<br />

Roger serves on <strong>the</strong> board of Game<br />

Ready, and his firm is <strong>the</strong> largest investor in<br />

Solazyme, a renewable oil and bio-products<br />

company based in South San Francisco<br />

(nasdaq:szym, solazyme.com). Roger is a<br />

member of <strong>the</strong> engineering dean’s college<br />

advisory boards of Cornell University and UC<br />

<strong>Berkeley</strong>. He is vice-chairman of <strong>the</strong> board<br />

of trustees for <strong>the</strong> Ma<strong>the</strong>matical Sciences<br />

Research Institute (msri) and a co-founder


BarBary Coast & Beyond<br />

Music froM <strong>the</strong> Gold rush to <strong>the</strong> PanaMa-Pacific exPosition<br />

“ Tilson Thomas’s balancing act between past and future is a major feat: no o<strong>the</strong>r conductor today<br />

seems so alert to <strong>the</strong> entire cultural landscape around him.” —THE NEW YORKER<br />

Thu May 10 8pm<br />

Fri May 11 8pm<br />

Sat May 12 8pm<br />

Michael Tilson Thomas conductor<br />

Laura Claycomb soprano<br />

Vadim Gluzman violin<br />

Anton Nel piano<br />

Cameron Carpenter organ<br />

James Robinson producer and director<br />

San Francisco Symphony<br />

Program to include works by<br />

Meyerbeer, Gottschalk, Wieniawski,<br />

Bull, Offenbach, Kreisler, Wagner,<br />

Sousa, and Saint-Saëns.<br />

sfsymphony.org (415) 864-6000<br />

Concerts at Davies Symphony Hall. Program, artists, and prices subject to change.<br />

Box Office Hours Mon-Fri 10am-6pm, Sat noon-6pm, Sun 2 hours prior to concerts Walk Up Grove St between Van Ness and Franklin<br />

CeNTeNNiAL pARTNeRS<br />

Michael Tilson Thomas and <strong>the</strong> orchestra celebrate <strong>the</strong> musical roots and<br />

heritage of San Francisco, with music written from <strong>the</strong> mid-1800s through<br />

<strong>the</strong> Orchestra’s founding in 1911 and its formative years.<br />

These concerts capture <strong>the</strong> exuberant energy and confident swagger of<br />

our City in its formative musical years. Our soloists and <strong>the</strong> Orchestra will<br />

perform works brought to San Francisco in that time by traveling virtuosi<br />

such as <strong>the</strong> pianist Louis-Moreau Gottschalk, <strong>the</strong> violinists Ole Bull, Fritz<br />

Kreisler, and Henryk Wieniawski, as well as opera stars Adelina Patti and<br />

Luisa Tetrazzini alongside popular pieces of <strong>the</strong> time by Offenbach, Wagner,<br />

Saint-Saëns, and Sousa, capturing <strong>the</strong> popular tastes and musical pageantry<br />

of this glorious age.<br />

Side and Center Terrace seats not available.<br />

Supporting Sponsor<br />

SeASON pARTNeRS<br />

Inaugural Partner Official Airline Official Wine


_04352<br />

5x9.875<br />

4c<br />

We’re big on <strong>Berkeley</strong><br />

Making a difference with $3 million in 3 years<br />

Wells Fargo has achieved a lot of growth since we first came to <strong>Berkeley</strong> in 1875,<br />

and one of <strong>the</strong> best things about our size today is what it allows us to give back.<br />

We’ve given $3 million to <strong>Berkeley</strong> community groups over <strong>the</strong> past 3 years,<br />

and our Alameda County team members recorded 9,384 volunteer hours in<br />

2011 alone. We’re proud to support our community.<br />

wellsfargo.com<br />

© 2012 Wells Fargo Bank, N.A. All rights reserved.<br />

Member FDIC. (709147_04352)


erkeley <strong>rep</strong> presents<br />

proFiles<br />

of <strong>the</strong> William Saroyan Program in Armenian<br />

Studies at Cal. He is also an executive member<br />

of <strong>the</strong> Piedmont Council of <strong>the</strong> Boy Scouts<br />

of America. His wife, Julie A. Kulhanjian, is<br />

an attending physician at Oakland Children’s<br />

Hospital. They have three teenaged children.<br />

bill Falik & Diana cohen<br />

executive proDucers<br />

Bill and Diana have been subscribers and supporters<br />

of <strong>Berkeley</strong> Rep since its earliest days<br />

on College Avenue. Diana joined <strong>the</strong> board<br />

of trustees in 1991 and served <strong>the</strong> <strong>Theatre</strong> for<br />

10 years; she is currently a vice president of<br />

<strong>the</strong> board of trustees of Cal Performances.<br />

As a family <strong>the</strong>rapist, she worked in private<br />

practice for 25 years before retiring to focus<br />

on her painting. Bill has been a real-estate and<br />

land-use lawyer practicing in <strong>the</strong> San Francisco<br />

Bay Area for <strong>the</strong> past 40 years. He currently is<br />

<strong>the</strong> managing partner of Westpark Associates,<br />

which creates master-planned communities<br />

in <strong>the</strong> greater Sacramento region. Bill is also<br />

a principal partner in Mortgage Resolution<br />

Partners, a new organization formed to provide<br />

mortgage relief for homeowners. He is a<br />

visiting professor at UC <strong>Berkeley</strong> Law School<br />

and a member of <strong>the</strong> professional faculty at<br />

103 // WHAT A RUSH!<br />

SUBMITTED BY CASEY QUIST<br />

07.29.2010<br />

OAKLANDAIRPORT.COM<br />

Haas Business School. Having joined <strong>Berkeley</strong><br />

Rep’s board in 2006, Bill now serves as a vice<br />

president. Bill and Diana are actively involved<br />

in philanthropic activities throughout Nor<strong>the</strong>rn<br />

California. They have three grown children,<br />

all of whom are living in San Francisco.<br />

<strong>the</strong> bernard osher Foundation<br />

proDuction sponsor<br />

The Bernard Osher Foundation was founded<br />

in 1977 by Bernard Osher, a respected businessman<br />

and community leader. The Foundation<br />

provides scholarship funding nationally<br />

to selected colleges and universities and<br />

funds integrative medicine centers at Harvard<br />

University, ucsf, and <strong>the</strong> Karolinska Institute<br />

in Stockholm. The Foundation also supports<br />

a network of lifelong learning institutes for<br />

seasoned adults located at 116 colleges and<br />

universities from Maine to Hawaii and Alaska.<br />

Arts and humanities grants are made to<br />

nonprofit organizations, principally in <strong>the</strong> San<br />

Francisco Bay Area and <strong>the</strong> state of Maine.<br />

The Honorable Barbro Osher, consul general<br />

of Sweden in California, chairs <strong>the</strong> Foundation’s<br />

board of directors.<br />

Fidelity investments<br />

proDuction sponsor<br />

Founded in 1946, Fidelity Investments ® is one<br />

of <strong>the</strong> world’s largest providers of financial<br />

services, offering investment management,<br />

retirement and college planning, portfolio<br />

guidance, brokerage, benefits outsourcing,<br />

and many o<strong>the</strong>r products and services to more<br />

than 20 million individuals and institutions, as<br />

well as through 5,000 intermediary firms. Local<br />

investors can access Fidelity’s guidance and<br />

investment tools online at fidelity.com, by telephone<br />

at 800 225-6447, or in person, working<br />

with Fidelity <strong>rep</strong>resentatives at <strong>the</strong> <strong>Berkeley</strong><br />

Investor Center located at 1995 University Ave.<br />

Additional thanks<br />

scene shop<br />

Brian Fugelsang, Rachel Hospodar, Patrick<br />

Keene, Jamaica Montgomery-Glenn<br />

sound engineer<br />

Xochitl Loza<br />

vocal coach<br />

John-Elliot Kirk<br />

Wardrobe<br />

Alex Zeek<br />

WE SAVE YOU TIME<br />

You conquer your fear of heights.<br />

FLY THE BAY AREA’S ON-TIME AIRPORT.<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 31


contributors<br />

FounDation sponsors<br />

giFts oF $100,000 anD above<br />

The William & Flora Hewlett Foundation<br />

The James Irvine Foundation<br />

The Andrew W. Mellon Foundation<br />

The Shubert Foundation<br />

The Harold and Mimi Steinberg Charitable Trust<br />

giFts oF $50,000–99,999<br />

Koret Foundation<br />

The Bernard Osher Foundation<br />

corporate sponsors<br />

season sponsors<br />

giFts oF $25,000–49,999<br />

in-kinD sponsors<br />

Act Catering<br />

Autumn Press<br />

Back to Earth Organic Catering<br />

Blue Angel Vodka<br />

Bobby G’s Pizzeria<br />

Bogatin, Corman & Gold<br />

Bucci’s Restaurant<br />

Cyprus<br />

Darling Flower Shop<br />

Distillery No. 209<br />

Domaine Carneros by Taittinger<br />

ecoVINO Wines<br />

Etc Catering<br />

Four Seasons San Francisco<br />

Ga<strong>the</strong>r Restaurant<br />

Gecko Gecko<br />

Hotel Shattuck Plaza<br />

Kevin Berne Images<br />

La Bonne Cuisine<br />

Catering & Events<br />

La Jota Vineyard Co.<br />

La Note<br />

Latham & Watkins, LLP<br />

Left Coast Catering<br />

Match Vineyards<br />

Mt. Brave Wines<br />

Patricia Motzkin Architecture<br />

Phil’s Sliders<br />

Picante<br />

Quady Winery<br />

Revival Bar + Kitchen<br />

Ricola USA<br />

Semifreddi’s Bakery<br />

Solstice Press<br />

32 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

We acknowledge <strong>the</strong> following Annual Fund supporters whose contributions from March<br />

2011 through March 2012 helped to make possible <strong>the</strong> <strong>Theatre</strong>’s artistic and community<br />

outreach programs. Supporters noted with made gifts in-kind. Donors whose names are<br />

noted with have used matching gifts to double or triple <strong>the</strong>ir initial contributions.<br />

giFts oF $25,000–49,999<br />

Anonymous<br />

The Ira and Leonore Gershwin Philanthropic Fund<br />

The Mosse Foundation for Education and <strong>the</strong> Arts<br />

National Endowment for <strong>the</strong> Arts<br />

Wallis Foundation<br />

Woodlawn Foundation<br />

giFts oF $10,000–24,999<br />

Anonymous<br />

Carol Franc Buck Foundation<br />

Edgerton Foundation<br />

The Green Foundation<br />

The Community Action Fund<br />

Thomas J. Long Foundation<br />

The Drs. Ben and A. Jess Shenson Trust,<br />

administered by The San Francisco Foundation<br />

giFts oF $12,000–24,999<br />

Genstar Capital<br />

Kaiser Permanente<br />

The Morrison & Foerster Foundation<br />

Union Bank<br />

Mechanics Bank Wealth Management<br />

giFts oF $6,000–11,999<br />

Armanino McKenna LLP<br />

Bank of <strong>the</strong> West<br />

BluesCruise.com<br />

Charles Schwab & Co.<br />

Deloitte<br />

Meyer Sound<br />

Oliver & Company, Inc.<br />

Panoramic Interests<br />

Peet’s Coffee & Tea<br />

Schoenberg Family Law Group<br />

STG Asset Management, Inc.<br />

giFts oF $1,500–5,999<br />

4U Field Hockey<br />

Aspiriant<br />

Bingham McCutchen LLP<br />

Gallagher Risk Management Services<br />

Heritage Capital Private Asset Management<br />

Macy’s<br />

The Safeway Foundation<br />

SEI<br />

Spy Valley Wines<br />

St. George Spirits<br />

Staglin Family Vineyard<br />

Sweet Adeline<br />

Tres Agaves<br />

Venus Restaurant<br />

Zut! on 4th<br />

Raymond Vineyards is <strong>the</strong> official<br />

wine purveyor of <strong>Berkeley</strong> Rep.<br />

Hotel Shattuck Plaza is <strong>the</strong> official<br />

hotel of <strong>Berkeley</strong> Rep.<br />

Pro-bono legal services are<br />

generously provided by<br />

Latham & Watkins, LLP.<br />

giFts oF $5,000–9,999<br />

<strong>Berkeley</strong> Civic Arts Program<br />

JEC Foundation<br />

Ramsay Family Foundation<br />

Ann and Gordon Getty Foundation<br />

giFts oF $1,000–4,999<br />

California Arts Council<br />

Joyce & William Brantman Foundation<br />

Civic Foundation<br />

Entrekin Foundation<br />

Oakland Fund for <strong>the</strong> Arts<br />

Is your company a Corporate Sponsor?<br />

<strong>Berkeley</strong> Rep’s Corporate Partnership<br />

program offers excellent opportunities<br />

to network, entertain clients, reward<br />

employees, increase visibility, and<br />

support <strong>the</strong> arts and arts education<br />

in <strong>the</strong> community.<br />

For details visit <strong>berkeley</strong><strong>rep</strong>.org or<br />

call Daria hepps at 510 647-2904.<br />

matching giFts<br />

The following companies have matched <strong>the</strong>ir employees’<br />

contributions to <strong>Berkeley</strong> Rep. Please call <strong>the</strong><br />

development department at 510 647-2906 to find out if<br />

your company matches gifts.<br />

A & B Foundation · American Express · Amgen<br />

Foundation · Argonaut Group, Inc. · AT&T · Bank of<br />

America · Bank of <strong>the</strong> West · S.D. Bechtel, Jr. Foundation ·<br />

California HealthCare · Chevron · Clorox · The Doctors<br />

Company · First Quadrant · Franklin Templeton · Gap<br />

Foundation · Google · Hewlett Packard · IBM<br />

Corporation · Intuit Inc. · Irvine Foundation · Johnson &<br />

Johnson · JPMorgan Chase & Co. · Lawrence Livermore<br />

National Security · Levi Strauss Foundation · Lexis-Nexis ·<br />

Macy’s, Inc. · Merrill Lynch & Co. · Microsoft · Morrison &<br />

Foerster Foundation · NORCAL Mutual Insurance<br />

Company · Oracle Corporation · Patagonia · Salesforce.<br />

com · Schwab Charitable Fund · Sony Corporation of<br />

America · Stuart Foundation · Sun Microsystems<br />

Foundation · UPS Foundation · VISA U.S.A., Inc. · John<br />

Wiley & Sons, Inc.


contributors<br />

inDiviDual annual FunD Donors<br />

proDucer circle<br />

season proDucers<br />

$50,000 & up<br />

Anonymous<br />

Wayne Jordan & Quinn Delaney<br />

Marjorie Randolph<br />

Jack & Betty Schafer<br />

executive proDucers<br />

$25,000–49,999<br />

Rena Bransten<br />

Bill Falik & Diana Cohen<br />

Frances Hellman & Warren Breslau<br />

John & Helen Meyer<br />

Pam & Mitch Nichter<br />

Beth & David Sawi<br />

Dr. & Mrs. Philip D. Schild<br />

The Strauch Kulhanjian Family<br />

Jean & Michael Strunsky<br />

proDucers<br />

$12,000–24,999<br />

David & Vicki Cox<br />

Thalia Dorwick<br />

presiDents<br />

$3,000–5,999<br />

Anonymous (2)<br />

Ken & Joni Avery<br />

Neil & Gene Barth<br />

Valerie Barth & Peter Wiley <br />

Stephen Belford & Bobby Minkler<br />

Judy Belk<br />

M.J. Bogatin <br />

Drs. Don & Carol Anne Brown<br />

Tracy Brown & Greg Holland<br />

C. William Byrne <br />

Jennifer Chaiken & Sam Hamilton<br />

Susan Chamberlin<br />

Earl T. Cohen & Heidi M. Shale<br />

Karen & David Crommie<br />

Ed Cullen & Ann O’Connor<br />

Richard & Anita Davis<br />

Lois M. De Domenico<br />

Delia Fleishhacker Ehrlich <br />

Nancy & Jerry Falk<br />

Ann & Shawn Fischer Hecht<br />

Earl & Bonnie Hamlin<br />

James C. Hormel<br />

LeRoy Howard & Dana Buntrock<br />

Kathleen & Chris Jackson<br />

Robert Kelling<br />

Duke & Daisy Kiehn<br />

Leonard Merrill Kurz<br />

Nancy & George Leitmann<br />

Neil & Leah Mac Neil<br />

Peter & Melanie Maier<br />

Charlotte & Adolph Martinelli<br />

Eddie & Amy Orton<br />

Sandi & Dick Pantages<br />

Peter Pervere & Georgia Cassel<br />

David Pratt<br />

Ivy & Leigh Robinson<br />

Deborah Romer & William Tucker<br />

David S. H. Rosenthal & Vicky Reich<br />

Howard S. Rowen & Ryan C. Reeder/<br />

UBS Financial Services<br />

Riva Rubnitz<br />

Peter Schneider<br />

Joyce & Jim Schnobrich<br />

Stephen Schoen & Margot Fraser<br />

Kerry Francis & John Jimerson <br />

Bruce Golden & Michelle Mercer<br />

Mary & Nicholas Graves<br />

Jack Klingelhofer<br />

Julie M. McCray<br />

Dugan Moore<br />

Leo P. Ruth & Deborah Dashow Ruth<br />

Patricia Sakai & Richard Shapiro<br />

Joan Sarnat & David Hoffman<br />

Michael & Sue Steinberg<br />

Guy Tiphane<br />

Gail & Arne Wagner<br />

Anne & Paul Wattis<br />

Robin Williams<br />

associate proDucers<br />

$6,000–11,999<br />

Anonymous<br />

Anonymous, on behalf of Karen Grove<br />

The Alafi Family Foundation<br />

Shelley & Jonathan Bagg<br />

Barbara & Gerson Bakar<br />

Carole B. Berg<br />

Sherry & David Smith<br />

Laura Wais & Doro<strong>the</strong>e Pardys<br />

John & Pamela Walker<br />

Sheila Wishek<br />

Sally Woolsey<br />

Saul Zaentz<br />

Directors<br />

$1,500–2,999<br />

Anonymous (6)<br />

Jim & Ginger Andrasick<br />

Pat Angell, in memory of Gene Angell<br />

Ross E. Armstrong<br />

Nina Auerbach<br />

Jane & Bill Bardin<br />

Edith Barschi<br />

Fritzi Benesch<br />

Alan Bergman,<br />

in honor of Marge Randolph<br />

Becky & Jeff Bleich<br />

Caroline Booth<br />

Linda Brandenburger<br />

Broitman-Basri Family<br />

Thomas & Tecoah Bruce<br />

Tom Cantrell & Robert Lane<br />

Lynne Carmichael<br />

The Cheitlin Family <br />

The Connemara Fund<br />

Julie Harkness Cooke<br />

John & Stephanie Dains<br />

Ilana DeBare & Sam Schuchat<br />

Harry & Susan Dennis <br />

Becky Draper<br />

Linda Drucker & Lawrence Prozan <br />

Edward Durbin & Joan Morris<br />

Steve & Sharon Edelman<br />

Merle & Michael Fajans<br />

Cynthia A. Farner<br />

Donald & Sylvia Fillman<br />

Lisa & Dave Finer<br />

Linda Jo Fitz<br />

Kristina Flanagan<br />

Mort & Frannie Fleishhacker<br />

Herb & Marianne Friedman<br />

James Gala<br />

Karl & Kathleen Geier<br />

Kimo & Kerry Campbell<br />

Stephen K. Cassidy & Rebecca L. Powlan<br />

Robert Council & Ann Parks-Council<br />

Robin & Rich Edwards<br />

Oz Erickson & Rina Alcalay<br />

William Espey & Margaret Hart Edwards <br />

John & Carol Field<br />

David & Vicki Fleishhacker<br />

Virginia & Timothy Foo<br />

Paul T. Friedman <br />

Jill & Steve Fugaro<br />

Scott & Sherry Haber<br />

Doug & Leni Herst<br />

Ms. Wendy E. Jordan<br />

Julie Matlof Kennedy & Patrick Kennedy,<br />

Panoramic Interests<br />

Jean & Jack Knox<br />

Wanda Kownacki<br />

Ted & Carole Krumland<br />

Randy Laroche & David Laudon<br />

Zandra Faye LeDuff<br />

Dixon Long<br />

Dale & Don Marshall<br />

Dennis & Susan Johann Gilardi<br />

Marjorie Ginsburg & Howard Slyter<br />

Daniel & Hilary B. Goldstine<br />

Deborah & Howard Goodman<br />

Garrett Gruener & Amy Slater<br />

Richard & Lois Halliday<br />

Migsy & Jim Hamasaki<br />

David & Vera Hartford<br />

Ruth Hennigar,<br />

in memory of Emerson Hennigar<br />

Tom & Bonnie Herman<br />

Gail & Bob Hetler<br />

Richard N. Hill & Nancy Lundeen<br />

Vasilios Hoffman <br />

The Hornthal Family, in honor of<br />

Susie Medak’s leadership<br />

Rick Hoskins & Lynne Frame<br />

George & Leslie Hume<br />

Ron & Virginia Iverson<br />

Beth & Fred Karren<br />

Rosalind & Sung-Hou Kim<br />

Lynn Eve Komaromi<br />

Michael Kossman<br />

John Kouns & Anne Baele Kouns<br />

Suzanne LaFetra<br />

Helen E. Land<br />

Louise Laufersweiler & Warren Sharp<br />

Ellen & Barry Levine<br />

Bonnie Levinson & Dr. Donald Kay<br />

Jennifer S. Lindsay<br />

Tom Lockard & Alix Marduel<br />

Greg & Liz Lutz<br />

Vonnie Madigan<br />

Lois & Gary Marcus<br />

Sumner & Hermine Marshall<br />

Rebecca Martinez<br />

Jill Matichak<br />

Phyra McCandless & Angelos Kottas<br />

Miles & Mary Ellen McKey<br />

Kirk McKusick & Eric Allman<br />

Alison McLean<br />

Susan Medak & Greg Murphy<br />

Toby Mickelson & Donald Brody<br />

Roger & Satomi Miles<br />

Gregory Miller<br />

John & Katrina Miottel<br />

legenD<br />

in-kind gift<br />

matching gift<br />

great <strong>the</strong>atre is made possible by <strong>the</strong> generosity of our community. We gratefully acknowledge <strong>the</strong> following<br />

contributors to <strong>berkeley</strong> <strong>rep</strong>, who champion <strong>the</strong> <strong>the</strong>atre’s artistic and outreach programs. to make your gift and join<br />

this distinguished group, visit <strong>berkeley</strong><strong>rep</strong>.org/give or call 510 647-2906.<br />

Donor circle<br />

Sandra & Ross McCandless<br />

Martin & Janis McNair<br />

Stephanie Mendel<br />

Steven & Patrece Mills <br />

Mary Ann & Lou Peoples<br />

Len & Barbara Rand<br />

Kaye & Randy Rosso<br />

Pat Rougeau<br />

John & Valerie Rowe<br />

Richard A. Rubin & H. Marcia Smolens<br />

Gaile B. Russ<br />

Jodi Schiller & Ben Douglas<br />

Liliane & Ed Schneider<br />

Pat & Merrill Shanks<br />

Sally Smith & Don Burns<br />

Karen Stevenson & Bill McClave<br />

Tides Foundation, recommended by<br />

an anonymous donor advised fund<br />

Ama Torrance & David Davies<br />

Steven & Linda Wolan<br />

Felicia Woytak & Steve Rasmussen<br />

Andy & June Monach<br />

Scott Montgomery & Marc Rand<br />

Judith & Richard Oken <br />

Janet Ostler<br />

Judy O’young, MD & Gregg Hauser<br />

Gerane Wharton Park<br />

Tom & Kathy Pendleton<br />

Gladys Perez-Mendez<br />

Allen Rabinovich <br />

Jonathan & Hillary Reinis<br />

Bill Reuter & Ruth Major<br />

James & Maxine Risley<br />

John & Jody Roberts<br />

Ronald & Karen Rose<br />

Enid & Alan Rubin<br />

Mitzi Sales & John Argue<br />

Lisa Salomon & Scott Forrest<br />

Monica Salusky & John K. Su<strong>the</strong>rland<br />

Jeane & Roger Samuelsen<br />

Stephen C. Schaefer<br />

Jackie & Paul Schaeffer<br />

Philip Schlein<br />

Linda & Nathan Schultz<br />

Emily Shanks<br />

Edie Silber & Steve Bomse<br />

Amrita Singhal & Michael Tubach<br />

Kae Skeels<br />

Stephen & Cindy Snow<br />

Carl & Joan Strand<br />

Stephen Stublarec & Debra S. Belaga<br />

Bernard R. Tagholm<br />

Andrew & Jody Taylor<br />

Deborah Taylor<br />

Alison Teeman & Michael yovino-young<br />

Susan & David Terris<br />

Buddy & Jodi Warner<br />

Jonathan & Kiyo Weiss<br />

Beth Weissman<br />

Patricia & Jeffrey Williams<br />

Wendy Willrich<br />

Steven Winkel & Barbara Sahm<br />

George & Kathy Wolf<br />

Charles & Nancy Wolfram<br />

Alan & Judy Zafran<br />

Martin & Margaret Zankel<br />

Jane Zuercher<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 33


playWrights<br />

$1,000–1,499<br />

Anonymous (6) · Bruce & Martha Atwater ·<br />

David Beery & Norman Abramson · David<br />

Balabanian · Dr. & Mrs. Gerald & Carol Block ·<br />

Jennifer & Brad Bowers · Maria Cardamone ·<br />

Naveen Chandra · Ed & Lisa Chilton · Constance<br />

Crawford · James Cuthbertson · Barbara<br />

& Tim Daniels · Ann Doerr · Corinne &<br />

Mike Doyle · Thomas & Sharon Francis ·<br />

Christopher R. Frostad · Al Garren · Judith<br />

& Alex Glass · Phyllis & Eugene Gottfried ·<br />

Mr. & Mrs. Donald Hahn, in honor of Marge<br />

Randolph · Geoffrey & Marin-Shawn Haynes ·<br />

Laurin Herr & Trisha Gorman-Herr · Dixie<br />

Hersh · Elaine Hitchcock · Bill Hofmann &<br />

Robbie Welling · Paula Hughmanick & Steven<br />

Berger · Lynda & Dr. J. Pearce Hurley · Harold<br />

& Lyn Isbell · Helmut H. Kapczynski & Colleen<br />

Neff · William & Adair Langston · Andrew M.<br />

Leavitt & Ca<strong>the</strong>rine C. Lewis · Eileen & Jay Love ·<br />

Laurentius Marais & Susan Hendrie-Marais ·<br />

John E. Mat<strong>the</strong>ws · John McGehee · Karen &<br />

John McGuinn · Mr. & Mrs. Peter Metzner ·<br />

Patricia Motzkin & Richard Feldman · Margo<br />

Murray · Herbert & Sondra Napell · Jim<br />

Newman & Jane Ivory · Robert S. Newton ·<br />

Richard Ostreicher · Bob & MaryJane Pauley ·<br />

Leland & Vivian Prussia · Lucas Reiner & Maud<br />

Winchester · Susan Rosin & Brian Bock · Boyard<br />

& Anne Rowe · Randee & Joseph Seiger · Neal<br />

Shorstein, MD & Christopher Doane · Dr. Scott<br />

& Mrs. Alice So · In Memory of Nathan<br />

We gratefully recognize<br />

<strong>the</strong> following members<br />

of <strong>the</strong> Annual Fund whose<br />

contributions were received<br />

in February and March 2012.<br />

supporters<br />

$250–499<br />

Anonymous (8) · Fred Allen · Laurence<br />

Anderson · Barbara Jones Bambara & Massey J.<br />

Bambara · Leslie & Jack Batson · Caroline Beverstock<br />

· Bill Bombria · Dr. Joan Bradus & Mr.<br />

Dale Friedman · James & Elizabeth Branson ·<br />

Eugenia Brin · Francis Brooks · Geri & Martin<br />

Brownstein · Alex Byron & Nicole Maguire ·<br />

Victor Carrion Jr · Kim & Dawn Chase · Ellen<br />

Dietschy & Alan Cunningham · Susan English ·<br />

Sue J. Estey · Stephen Follansbee & Richard<br />

Wolitz · Dr. & Mrs. Alan Harley · Donna Harris<br />

& Lyla Cromer · Bill & Judy Hein · Carol L. Huffine<br />

· Roberta R. Jeffrey · Thomas D. Johnson<br />

& Bruce Genaro · Almon E. Larsh Jr · Marlene<br />

& Stephen Miller · Pauli & Sandy Muir ·<br />

Daniel Murphy & Ronald Hayden · Thomas W.<br />

Palmer · Phyllis Pottish-Lewis & Adam Lewis ·<br />

Charles & Lisa Quaid · Denise Ryan · Shelley<br />

Sandusky · Mary Sheehan · Audrey & Bob<br />

Sockolov · Mark Wasserman & Judy Freeman ·<br />

Mr. & Mrs. William Webster · Dick White · Moe<br />

& Becky Wright<br />

contributors<br />

$150–249<br />

Anonymous (5) · Victor & Karen Alterescu ·<br />

Paul Birman & Jeanne Miernyk · Noel R.<br />

Blincoe · Karen & Steven Bovarnick · Robert &<br />

Barbara Brandriff · Alice Breakstone & Debbie<br />

Goldberg · Lin & Bruce Brody · Jordan Bulger ·<br />

Jane & Tom Coulter · Phil & Carolyn Cowan ·<br />

Mary Eichbauer & Gerg Gartrell · Caryll Farrer ·<br />

Joseph Floren · George Gemignani · Deborah<br />

Goldeen · Dan & Shawna Hartman Brotsky ·<br />

Ben & Robin Hayman · Carole S. Hickman ·<br />

Rodolfo & Mary Jacuzzi · Stephen & Helene<br />

Jaffe · Donald Jen & Margaret Ritchey · Ken &<br />

Karen Keller · Rosanne Levitt · Fred & Serena<br />

Lincoln · Caroline McCall & Eric Martin ·<br />

David & Jane Meyers · Denise Mulle · Robin<br />

Olivier · Joe Olivo · Roy J. Otis · Gregory &<br />

Sandra Owen · Elisabeth Ross · Ellie Rush & Jim<br />

Puskar · Robert & Winnie Sayre · Es<strong>the</strong>r & Ron<br />

Schroeder · Donald & Helen Schulak · James<br />

L. Seeman · Michael Sneary · Beverly Stevens ·<br />

Sally & William Sutcliffe · Edward Thomas ·<br />

Diane & Don Williams · Claus Zielke<br />

34 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

Andrew Sommers · Tim Stevenson & David<br />

Lincoln King · The Stephen Stublarec & Debra<br />

Belaga Family Fund · Pate & Judy Thomson ·<br />

Malcolm White & Ann Harriman · Jon & Jennifer<br />

Wittemyer · Lee yearley & Sally Gressens · Stan<br />

Zaks · Sam & Joyce Zanze · The Zeiger Family,<br />

in memory of Phyllis Sagle<br />

actors<br />

$500–999<br />

Anonymous (17) · Donald & Margaret Alter ·<br />

Bob & Evelyn Apte · Marcia & George Argyris ·<br />

Steven & Barbara Aumer-Vail · Steven Bardwil,<br />

in honor of Marge Randolph · Alvin Baum ·<br />

Don & Gerry Beers · Jonathan Berk & Rebecca<br />

Schwartz · Richard & Kathy Berman · Robert<br />

Berman & Jane Ginsburg · Michael Bien · Dr.<br />

Kevin & Mrs. Riva Bobrowsky · Bernardine<br />

Brandis, in honor of Marge Randolph · Marilyn<br />

Bray · Ellen S. Buchen · Rike Burmeister · Robert<br />

& Janet Campbell· Robert & Margaret Cant<br />

· Ronnie Caplane · Charles & Kristine Cardall ·<br />

Bruce Carlton & Richard McCall · Paula Carrell ·<br />

Sally Catic, in honor of Marge Randolph · Robert<br />

Cavallo, in honor of Marge Randolph · Jeffrey<br />

Chanin & Karen Lovdahl · Patty Chin · Dennis<br />

Cohen & Deborah Robison · Blair & Robert<br />

Cooter · Barbara Dales · Pat & Steve Davis ·<br />

Francine & Beppe Di Palma · Dan Dougherty ·<br />

Drs. Nancy Ebbert & Adam Rochmes · Jeanene<br />

E. Ebert · Anita C. Eblé · Burton Peek Edwards<br />

& Lynne Dal Poggetto · Michael Ehrenzweig ·<br />

Roger & Jane Emanuel · Donald Engle & Karen<br />

FrienDs<br />

$75–149<br />

Anonymous (13) · Joanne & Fred Abrams ·<br />

Thomas & Kathleen Addison · Raymond B.<br />

Auker · Kristen Badgley · Joan Baylie & James<br />

Mullins · Jim & Donna Beasley · Libby Benedict ·<br />

Shelly Bethke · Laura Blair & Mitchell Zeemont ·<br />

Adriane & Barry Bosworth · Ellen Brackman<br />

& Deborah Randolph · Mary Carello · Kristin<br />

Carpenter · Amy Casey · Susanna Chau · Nancy<br />

N. Conover · Marilyn Cooper · Jacob Corn ·<br />

Susan & Carlos de Rubira · Toni Deser & Paul<br />

Rodman · Roy & Pamela Doolan · Michael<br />

Finney · Ellie Fraenkel · Valerie Garry · Nancy<br />

Geimer & Chris Vance · Karen Giorgianni · Keith<br />

M. Gleason · Beth Gleghorn · Amy Goodheart ·<br />

Sue & Eric Gordon · Joan & LeRoy Green · Kevin<br />

Groom & Susanna Morin-Groom · Dr. & Mrs.<br />

Joseph Gutstadt · Gail Hamilton · Jeffrey &<br />

Meg Hargreaves · Robert Hass · Jean Hayward ·<br />

Mary Kay Henderson · Jocelynn Herrick<br />

Stone & Rick Stone · Marguerite Hinton ·<br />

Bruce Hoard · Patricia Hurt · Lynn Ireland ·<br />

Kathy Jarrett · Barb & David Johnson · Patrick<br />

Johnston · Beth Jordan & Andy Schwartz ·<br />

Robert and Kathleen Kaiser · George & Patricia<br />

Kaplan · David Kerr & Jay Stowsky · Victoria<br />

Khadjenouri · Robert & Phyllis Kligman · Pearl<br />

Kolling · Lars Kuczmarski · Patricia Kuhi · Ben<br />

Lenail & Laurie yoler · Linda Lew · Norman &<br />

Florence Lind · Mr. Fred Loebl · Viola Lucero ·<br />

Christine Macomber · Kendra Marcus · Sarah<br />

Martiniak · Susan Mayfield · Janet & Michael<br />

McCutcheon · Kathy McLean · Douglas & Mary<br />

McWilliams · Patricia & John Mengel · Jeff<br />

Miner · Anita Mires · Dennis & Susan Moritz ·<br />

Robert & Mia Morrill · Lindsey Murray · Bruce<br />

Nunley · Meg O’Shaughnessy · Jan O’Brien ·<br />

Sallie and Richard Olsen · P. David & Mary<br />

Alyce Pearson · Opher Peled · Joellen & Leslie<br />

Piskitel · Jean & Jack Port · Theo Posselt · JoAnn<br />

& Buford Price · Ted Priola & Maggie Petersen ·<br />

Jon & Evelyn Rantzman · Jeff Rauenhorst ·<br />

Glenn Reid · Jeff & Ann Roberts · Lorraine<br />

Rose-Lerman · Lori & David Rosenthal ·<br />

Priscilla Royal · John & Melanie Sandler · Jack<br />

& Margaret Schieble · Aileen & Robert Schier ·<br />

Peter Schultz · Margaret Shelleda · Margaret<br />

Simon · Merideth Simpson · Shayna Stein ·<br />

Lucille Sutton · Sandy Tandowsky · Bonnie<br />

Taylor · Aya Ueda · Marcia & David Vastine ·<br />

Marvalee & David Wake · Marlene Walters ·<br />

Susan D. Ward · Virginia Warnes · Evan White ·<br />

Edwin & Ellen Whitman · Faye Wilson · Ken<br />

Wiseman · Marjorie yasueda & Dale Knutsen ·<br />

Peggy & Lee Zeigler · Jennifer Zeimet · William<br />

J. Ziebur & Maureen McDarby<br />

Beernink · Bill & Susan Epstein · Gini Erck &<br />

David Petta · Brigitte & Louis Fisher · Barbara<br />

& Marty Fishman · Nancy H. Francis · Donald<br />

& Dava Freed · Dorothy & Chuck Garber <br />

· Bonnie Goldsmith & Allan Griffin · Ian M.<br />

Goldstein · Rob & Susie Goodin · Dan<br />

Granoff · Judy & Sheldon Greene · Don & Becky<br />

Gre<strong>the</strong>r · Harriet Hamlin · Bob & Linda Harris ·<br />

Kate Hartley & Mike Kass · Joe Hartzog · Richard<br />

L. Hay · Geoffrey & Marin-Shawn Haynes · Irene<br />

& Robert Hepps · Drs. Gareth & Ruth Hill · John<br />

& Elise Holmgren · Robert & Linda Holub ·<br />

Mr. & Mrs. Edwin Ives · Ken & Judith Johnson ·<br />

Barbara E. Jones in memory of William E. Jones<br />

· Seymour Kaufman · Dennis Kaump · Drs.<br />

Mary Kemeny & Paul Feigenbaum · In honor<br />

of Julie & Patrick Kennedy · Steve Kispersky ·<br />

Beverly Phillips Kivel · Carla Koren & Neal<br />

Parish · Jennifer Kuenster · Woof Kurtzman &<br />

Elizabeth Hertz · Mr. & Mrs. S. J. Lapporte · Mr.<br />

& Mrs. Richard Larsen · Stacy Leier-Valentine ·<br />

Ray Lifchez · Laurie Lober & Bryan Tracy ·<br />

Mary A. Mackey · Bruce & Pamela Maigatter<br />

· Joan & Roger Mann · Josephine Maxon &<br />

Karl Ruppenthal · David McClain & Merilyn<br />

Wong · Nancy McCormick · Erin McCune<br />

& Nicholas Virene · Daniel and Beverlee<br />

McFadden · Christopher McKenzie & Manuela<br />

Albuquerque · Ka<strong>the</strong>rine McKeown · Caryl &<br />

Peter Mezey · Jeffrey Miller, in honor of Marge<br />

Randolph · Rita Moreno · Barbara Morgan · Jerry<br />

Mosher · Moule Family Fund · Ron Nakayama ·<br />

Markus Niebanck · Claire Noonan & Peter<br />

patrons<br />

$ 1 –74<br />

Anonymous (8) · Carla Acker · Carmen & James<br />

Aiken · Susan Akeson · Laraine Allen · Alan<br />

Alpert · Gayle Ansell · Robert Aude · Mikki<br />

& Jerry Baer · LeeAnn Bartolini · Mr. & Mrs.<br />

Robert Belote · Mark Benham · Eva Berger ·<br />

Mike Bernhardt · Susan Berston · Janet Betcher ·<br />

Millard Billings · Hea<strong>the</strong>r Blackmore · Ileana<br />

Blasini-Vega · Doug Bleakly · Kathleen Bliss ·<br />

Sharman Bonus · Elizabeth Borges · Eva &<br />

Istvan Borocz · Lisa Bosler · Mr. & Mrs. Rudy<br />

Brooks · Ka<strong>the</strong>rine Broomall · Elena Burgess ·<br />

Adrienne Calomino · James Cardella · Adele<br />

Carney · Claudia Caughren · Alan Chan · Paul<br />

Cheney · Mary Cherng · Marcelle Ching · Ken<br />

& Lucy Churton · Sandra Clement · Jeanne M.<br />

Clinton · Holly Cobbold · Lisa Cohen · Ernestine<br />

Cohn · Judy & Carl Cook · Anne Cooke · Susan<br />

Cota · Patricia M. A. Davis · George Day · Steve<br />

J. Dedo · Bill Denyer · Zina Deretsky · Karen<br />

Dinardo · Kevin Doherty · Sharon Draisin ·<br />

Jeanine Eastham · Roy & Isako Egawa · Allison<br />

Ehlert · Holly Eliot · Nancy Ellenbogen & Joel<br />

Lurie · Mary Jane Elliott · Jeff Falick · Paul Falk ·<br />

Cherielyn Ferguson · Jerome Fishman · Paul<br />

Folk · Hilary Forbes · Cheri Forrester · Sarah<br />

Forsman · Michael Fox · Dale Freeman · Jeanne<br />

Friedman · Nancy M. Friedman & Terry<br />

Hill · George Fuller · Anne Fulmer · Jacqueline<br />

Gaggero · Alexander & Alice Gailas · Jack &<br />

Rose Gansky · Andy Garde · Maryl Gearhart ·<br />

Kyle Giocomo · Stephen & Deborah Goldblatt ·<br />

Annie Goldsmith · Marta Gomez · Diane<br />

Gorczyca · Marjorie Greene · Bill Gregory ·<br />

Zachary Griffith · Michael & Helen Gross ·<br />

Miriam & Philip Gross · Margo Gurule · Cheri<br />

Hadley · Gabrielle & Craig Hammack · John<br />

Han · Ca<strong>the</strong>rine Hargrave · Jonathan Harvey ·<br />

Kathy Hasten · Mona Hatfield · Brendan Hay ·<br />

Gretchen Hayes · Patricia Heath · Nancy<br />

Hebble · Rodney & Kathryn Hero · Michael<br />

Herrinton · Alisa Highfill · Clara Florena Hines ·<br />

Eleonore F. Hockabout · Evan Hoppin · Jonathan<br />

Hue · Harold Hughes and Es<strong>the</strong>r Gordon · Tom<br />

Ihrig · Eric & Denise Jackson · Ruth Jackson ·<br />

Teresa Jacobsen · Jacek Jarkowski · Grady &<br />

Kristy Johnson · Steve & Mike Johnson · Sheila<br />

Jones · Tobey Kaplan · Joshua Kardon & Beth<br />

Stone · Madonna Karr · Jacek Kasprzycki ·<br />

Nathan & Lynn Kaufman · Mary Kennelly ·<br />

Louis Kent · Marlene & Ilan Keret · Joyce Klang ·<br />

Kimberly Klein & Stephanie Roth · Martina<br />

Konietzny · Kirston Koths & Ca<strong>the</strong>rine Lutes-<br />

Koths · Jane Kriss · Ka<strong>the</strong>rine Land · Stephen<br />

Laruccia · Beatrice Laws · Sharon Le Duy ·<br />

Robert Leachman · Patricia Lee · Laurie Leiber ·<br />

Landsberger · Pier & Barbara Oddone · Steve<br />

Olsen · Robyn & David Owen · Stephen E.<br />

Palmer · Nancy Park · Mary Jayne Parker, in<br />

honor of Marge Randolph · Lewis B. Perry,<br />

Jr. · Barbara Peterson · James F. Pine · Wil<br />

& Joyce Pinney · Charles Pollack & Joanna<br />

Cooper · Susie & Eric Poncelet · Paul Popenoe ·<br />

Sandy & Masayo Ragins, in honor of Michael<br />

& Susanna Steinberg · David & Mary Ramos ·<br />

Ian Reinhard · Charles R. Rice · Paul & Phyllis<br />

Robbins · Horacio Rodriguez · Richard Ross, in<br />

honor of Marge Randolph · Dace P. Rutland ·<br />

John Sanger · Dorothy R. Saxe · Cynthia &<br />

William Schaff · Barbara & Jerry Schauffler ·<br />

Bob & Gloria Schiller · Paul Schneider · Mark<br />

Schoenrock & Claudia Fenelon · Teddy & Bruce<br />

Schwab · Brenda Shank, MD PhD · Carol Shen<br />

and Larry Dodge · Steve & Susan Shortell · Mark<br />

Shusterman, M.D. · Dave & Lori Simpson · Jerry<br />

& Dick Smallwood · George & Camilla Smith ·<br />

Louis & Bonnie Spiesberger · Robert & Naomi<br />

Stamper · Rocky & Gretchen Stone · Monroe<br />

W. Strickberger · Tracy Thompson · Karen<br />

Tiedemann & Geoff Piller · Deborah & Bob Van<br />

Nest · Jane Walker · Louise & Larry Walker ·<br />

Dena & Wayne Watson-Lamprey · Marsha<br />

Weintraub & Stuart Hellman · Sallie Weissinger ·<br />

Dr. Ben & Mrs. Carolyn Werner · Marilyn & Ted<br />

Westphal · Fred Winslow & Barbara Baratta ·<br />

Susan & Harvey Wittenberg · Margaret Wu &<br />

Ciara Cox · The Glea G. Wylie Charitable Fund<br />

Harold & Gloria Leitstein · Terri Levich · Sandi<br />

Levy · Carol Lewis · Sheila Lichtman · Jean Rowe<br />

Lieber, R.N.,N.P. · Nicole LoCicero · Dr. Bruce R.<br />

Locke · John LoGiudici · Hannah Love · Barbara<br />

Lustig · Grace Maes · Paul & Joni Mahler · Mary<br />

Mallet · Jonathan Manheim · Carolyn Maples ·<br />

Andrew Markham · Albert & Anette Martin ·<br />

Marilyn Marzell · Emma Masteller · Alicia<br />

Mayorga · Gerald McCallum · Ray McDevitt ·<br />

Diane Means · Steve Means · Ellen Messinger ·<br />

Margaret Meuris · Alec Miller · Diane Mintz ·<br />

Elisabeth A. Moulthrop · Cheryl Mouton · Dawn<br />

Nakanishi · Christopher Nassopoulos · Heidi<br />

Nelson · Michael Nelson · Judi Balter-Newell ·<br />

Constance Newton · Gary Ngo · Khuyen<br />

Nguyen · Nancy Niederhauser · Judy Niizawa ·<br />

Otto & Jodi Noack · Lori Nobert · Jim & Marcia<br />

Nybakken · Maurice Obstfeld · Maynard<br />

Ogden · Terence & Melanie O’Hare · Denise<br />

Osborne · Nancy Ostrow · Claudio Palma · Jae<br />

Park · Vladimir & Alla Passinsky · Fanny Paz-<br />

Prizant · Doris Peacock · Joe Pearlman · Nancy<br />

Pemberton · Michael & Laura Perucchi · Elke<br />

Peterson · Michael & Judith Piazza · Nick Pina ·<br />

Therese Pipe · Kathryn Pirman · Susan Pommer ·<br />

Alex & Kate Pope · Sarah Shea Potts · Jim &<br />

Kelly Poulos · Rod Price · Anita Prietto · Gayna<br />

& Michael Radtke · Amie Ranum · Tim Ratto ·<br />

Liz & Alan Rebensdorf · Matt Reed & Sherry<br />

Grisham · Dennis & Christine Richardson · Jean<br />

Richardson · Nancy Rieser · Judy Roberts · Lynn<br />

Roberts · Vicki Rosen · Joanne Rotella · Andreina<br />

Ruiz · Nancy Rush · M. Ryce · Ann Ryles · Mukta<br />

Sambrani · Laurie San Martin · Suzanne Saul ·<br />

Joel & Donna Schaffer · Bert Schleifer · Mrs.<br />

Ramon Schoenberg · Robert Sholtz · Alice<br />

Schwebke · Mrs. Kent D. Scott · Rita Senel ·<br />

Anjali & Niral Shah · Jennifer L. Shaw · Kaitlyn<br />

Simon · Ka<strong>the</strong>rine Sims · Beth Smerdon · Patricia<br />

Sparkman · Megan Spence · Howard Spinner ·<br />

Karla Spormann · Brian Sprague · Heidi Stenner ·<br />

Lillis & Max Stern · Margaret Sti<strong>the</strong>m · Dan<br />

Sullivan · Joan Sussman · Silvia Sykes · Jeffrey<br />

Tang · Phyllis & Allan Tappe · Wilhelmina Tax ·<br />

Olivia Topdahl · Leslie Townsend · Mary Tribbey ·<br />

Eileen Wenger Tutt · Marta Van Loan · Natalie<br />

Van Osdol · Maritza Vande Voorde · Sofie<br />

Vandeputte · Paul Vartanian · Darrell & Helene<br />

Victor · Ryan Vignes · Mario Vital · Giovanna<br />

Vitau · Ariana Vodra · Joan von Briesen · Lorna<br />

Walsh · Mabel Walters · Sheila Warren · Marcia<br />

Wasserman · Michael Watts · Gene Weinstein ·<br />

GeeGee Williams · Roger Wilson · Joanna K.<br />

Winter · Leszek J. Wolfram · Mary Woolsey &<br />

Mark Peterson · Thibault Worth · Steven young ·<br />

Mark Whatley & Danuta Zaroda


investors circle<br />

Anonymous<br />

Wayne Jordan & Quinn Delaney<br />

The Bernard Osher Foundation<br />

The Strauch Kulhanjian Family<br />

season proDucers circle<br />

Doris Duke Charitable Foundation<br />

Ira & Leonore Gershwin<br />

Philanthropic Fund<br />

Marjorie Randolph<br />

Jean & Michael Strunsky<br />

proDucers circle<br />

Anonymous<br />

S.D. Bechtel, Jr. Foundation<br />

David & Vicki Cox<br />

Walter & Elise Haas Fund<br />

Rick Hoskins & Lynne Frame<br />

The James Irvine Foundation<br />

John & Helen Meyer<br />

Jan & Howard Oringer<br />

Joan Sarnat & David Hoffman<br />

Betty & Jack Schafer<br />

Felicia Woytak & Steve Rasmussen<br />

Martin & Margaret Zankel<br />

associate proDucers<br />

circle<br />

Shelley & Jonathan Bagg<br />

Becky & Jeff Bleich<br />

Thalia Dorwick<br />

Robin & Rich Edwards<br />

Bill Falik & Diana Cohen<br />

Kerry Francis & John Jimerson<br />

Mary & Nicholas Graves<br />

<strong>the</strong> society welcomes <strong>the</strong> following<br />

new member:<br />

Laura K. Fujii<br />

Named funds<br />

The Dale Elliot Fund<br />

The Bret C. Harte young Directors Fund<br />

The Jan & Howard Oringer Outreach Coordinator Position<br />

The Bernard Osher Foundation New Play Development Program<br />

The Peter F. Sloss Dramaturgy & Literary Fellowship Fund<br />

The Strauch Kulhanjian Artistic Innovation Fund<br />

The Harry Weininger Sound Fellowship Fund<br />

We acknowledge <strong>the</strong> following donors for <strong>the</strong>ir generous support of <strong>the</strong> 40th Anniversary Campaign:<br />

The Hearst Foundation, Inc.<br />

William & Flora Hewlett Foundation<br />

Koret Foundation<br />

Sarah McArthur & Michael LeValley<br />

Sandra & Ross McCandless<br />

Andrew W. Mellon Foundation<br />

Dugan Moore<br />

Mary Ann & Lou Peoples<br />

Peter Pervere & Georgia Cassel<br />

Richard A. Rubin & H. Marcia Smolens<br />

Cynthia & William Schaff<br />

Michael & Sue Steinberg<br />

The Harold & Mimi Steinberg<br />

Charitable Trust<br />

Guy Tiphane<br />

Wayne & Gladys Valley Foundation<br />

presiDents circle<br />

American Express Philanthropic Foundation<br />

Ken & Joni Avery<br />

Kimo Campbell<br />

Jennifer Chaiken & Sam Hamilton<br />

William Espey & Margaret Hart Edwards<br />

David & Vicki Fleishhacker,<br />

in memory of Peter Sloss<br />

Scott & Sherry Haber<br />

Julie Matlof Kennedy & Patrick Kennedy<br />

Wanda Kownacki<br />

Carole & Ted Krumland<br />

Dixon Long<br />

David & Connie Lowe<br />

Dale & Don Marshall<br />

Eddie & Amy Orton<br />

Beth & David Sawi<br />

sustaining members<br />

as of march 2012:<br />

Anonymous (2)<br />

Sam Ambler<br />

Carl W. Arnoult & Aurora Pan<br />

Ken & Joni Avery<br />

Nancy Axelrod<br />

Edith Barschi<br />

Fritzi Benesch<br />

Carole B. Berg<br />

Linda Brandenburger<br />

Jill Bryans<br />

Bruce Carlton & Richard G.<br />

McCall<br />

Stephen K. Cassidy<br />

Andrew Daly & Jody Taylor<br />

Rich & Robin Edwards<br />

William Espey & Margaret<br />

Hart Edwards<br />

Carol & John Field<br />

Directors circle<br />

Rena Bransten<br />

John & Carol Field<br />

Susan Medak & Greg Murphy<br />

Len & Barbara Rand<br />

Stephen & Cindy Snow<br />

The Tournesol Project<br />

Arne & Gail Wagner<br />

Woodlawn Foundation<br />

playWrights circle<br />

Anonymous (2)<br />

Stephen K. Cassidy<br />

Mel & Hella Cheitlin<br />

East Bay Community Foundation<br />

Kristina Flanagan<br />

Tom Hanks & Rita Wilson<br />

Bob & Linda Harris<br />

Roger & Silvija Hoag<br />

Patrick & Holly O’Dea<br />

Patricia Sakai & Richard Shapiro<br />

Kae Skeels<br />

Douglas Tilden<br />

Wells Fargo Foundation<br />

We thank <strong>the</strong>se additional<br />

donors for <strong>the</strong>ir support of <strong>the</strong><br />

40th anniversary campaign:<br />

Anonymous (3)<br />

Pat Angell in memory of Gene Angell<br />

Susan & Barry Baskin<br />

Alvin Baum<br />

Harry & Suzie Blount<br />

Lynne Carmichael<br />

Kristin Carpenter<br />

Susan Chamberlin<br />

To learn more about <strong>the</strong> 40th Anniversary Campaign, contact Lynn Eve Komaromi,<br />

Director of Development, at 510 647-2903 or lynneve@<strong>berkeley</strong><strong>rep</strong>.org.<br />

Dr. Stephen E. Follansbee &<br />

Dr. Richard A. Wolitz<br />

Kerry Francis<br />

Dr. Harvey &<br />

Deana Freedman<br />

Paul T. Friedman<br />

Marjorie Ginsburg &<br />

Howard Slyter<br />

Mary & Nicholas Graves<br />

Elizabeth Greene<br />

Richard & Lois Halliday<br />

Linda & Bob Harris<br />

Fred Hartwick<br />

Douglas J. Hill<br />

Robin C. Johnson<br />

Lynn Eve Komaromi<br />

Bonnie Killip<br />

Hoskins/Frame Family Trust<br />

Zandra Faye LeDuff<br />

Ines R. Lewandowitz<br />

Dot Lofstrom<br />

Richard Markell<br />

Dale & Don Marshall<br />

Sumner & Hermine Marshall<br />

Rebecca Martinez &<br />

Peter Sloss<br />

Suzanne & Charles McCulloch<br />

Miles & Mary Ellen McKey<br />

Susan Medak & Greg Murphy<br />

Toni Mester<br />

Sharon Ott<br />

Amy Pearl Parodi<br />

Barbara Peterson<br />

Margaret Phillips<br />

Marjorie Randolph<br />

Bonnie Ring Living Trust<br />

Betty & Jack Schafer<br />

Brenda Buckhold Shank,<br />

M.D., Ph.D.<br />

Michael & Sue Steinberg<br />

Harry & Susan Dennis<br />

Alex Edwards<br />

Entrekin Foundation<br />

Cynthia A Farner<br />

Steven, Jill, & Kevin Fugaro<br />

Mary Hamilton<br />

Earl & Bonnie Hamlin<br />

Harlan & Joanne Heydon<br />

Deborah & David Kirshman<br />

Jack Klingelhofer<br />

Lynn Eve Komaromi<br />

Zandra Faye LeDuff<br />

Nancy & George Leitmann<br />

Ellen & Barry Levine<br />

George I. Lythcott, III<br />

Neil & Leah Mac Neil<br />

Helen Marcus & David Williamson<br />

Miles & Mary Ellen McKey<br />

Ron Nakayama<br />

Barbara & Pier Oddone<br />

Judith & Richard Oken<br />

Regina Phelps<br />

Aaron Phillips<br />

James & Maxine Risley<br />

Barbara & Richard Rosenberg<br />

Sarlo Foundation of <strong>the</strong> Jewish<br />

Community Endowment Fund,<br />

in honor of Rebecca Martinez<br />

Dr. & Mrs. Philip D. Schild<br />

Sherry & David Smith<br />

Mr. Leon Van Steen<br />

Dave Wedding Dress<br />

Julie M. Weinstein<br />

Alexis Wong<br />

Karen Stevenson<br />

Dr. Douglas & Anne Stewart<br />

Jean Strunsky<br />

Phillip & Melody Trapp<br />

Janis Turner<br />

Dorothy Walker<br />

Grace Williams<br />

Karen & Henry Work<br />

Martin & Margaret Zankel<br />

gifts received by<br />

<strong>berkeley</strong> <strong>rep</strong>:<br />

Estate of Suzanne Adams<br />

Estate of Nelly Berteaux<br />

Estate of Nancy Croley<br />

Estate of John E. &<br />

Helen A. Manning<br />

Estate of Margaret Purvine<br />

Estate of Harry Weininger<br />

Members of this Society, which is named in honor of Founding Director Michael W. Leibert, have designated <strong>Berkeley</strong> Rep in <strong>the</strong>ir estate plans. Unless <strong>the</strong> donor specifies<br />

o<strong>the</strong>rwise, planned gifts become a part of <strong>Berkeley</strong> Rep’s endowment, where <strong>the</strong>y will provide <strong>the</strong> financial stability that enables <strong>Berkeley</strong> Rep to maintain <strong>the</strong> highest<br />

standards of artistic excellence, support new work, and serve <strong>the</strong> community with innovative education and outreach programs, year after year, in perpetuity.<br />

For more information on becoming a member, visit our website at <strong>berkeley</strong><strong>rep</strong>.org or contact Daria Hepps at 510 647-2904 or dhepps@<strong>berkeley</strong><strong>rep</strong>.org.<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 35


about <strong>berkeley</strong> <strong>rep</strong><br />

staFF anD aFFiliations<br />

artistic Director<br />

Tony Taccone<br />

artistic<br />

artistic associate<br />

& casting Director<br />

Amy Potozkin<br />

artistic associate<br />

Mina Morita<br />

Director, <strong>the</strong> ground Floor/<br />

resident Dramaturg<br />

Madeleine Oldham<br />

literary associate<br />

Julie McCormick<br />

artists under commission<br />

David Adjmi<br />

Glen Berger<br />

Marcus Gardley<br />

Dan LeFranc<br />

Tarell McCraney<br />

Dominic Orlando<br />

Dael Orlandersmith<br />

Stew/Heidi Rodewald<br />

proDuction<br />

production manager<br />

Tom Pearl<br />

associate production manager<br />

Amanda Williams O’Steen<br />

company manager<br />

Megan Wygant<br />

stage management<br />

production stage manager<br />

Michael Suenkel<br />

stage managers<br />

Cynthia Cahill<br />

Kathy Rose<br />

assistant stage managers<br />

Rachel Motz<br />

Leslie M. Radin<br />

Karen Szpaller<br />

production assistant<br />

Megan McClintock<br />

stage operations<br />

stage supervisor<br />

Julia Englehorn<br />

properties<br />

properties manager<br />

ashley dawn<br />

assistant properties managers<br />

Gretta Grazier<br />

Jillian A. Green<br />

scene shop<br />

technical Director<br />

Jim Smith<br />

associate technical Director<br />

Ryan O’Steen<br />

shop Foreman<br />

Sam McKnight<br />

master carpenter<br />

Colin Babcock<br />

carpenter<br />

Edward Hazard III<br />

scenic art<br />

charge scenic artist<br />

Lisa Lázár<br />

managing Director<br />

Susan Medak<br />

costumes<br />

costume Director<br />

Maggi yule<br />

Draper<br />

Kitty Muntzel<br />

tailor<br />

Kathy Kellner Griffith<br />

First hand<br />

Janet Conery<br />

Wardrobe supervisor<br />

Barbara Blair<br />

electrics<br />

master electrician<br />

Frederick C. Geffken<br />

production electricians<br />

Christine Cochrane<br />

Kenneth Cote<br />

sounD<br />

sound supervisor<br />

James Ballen<br />

sound engineer<br />

Angela Don<br />

aDministration<br />

controller<br />

Suzanne Pettigrew<br />

Director of technology<br />

Gustav Davila<br />

associate managing Director<br />

Meghan Pressman<br />

executive assistant<br />

Andrew Susskind<br />

bookkeeper<br />

Kristine Taylor<br />

human resources manager<br />

David Lorenc<br />

human resources consultant<br />

Laurel Leichter<br />

Database manager<br />

Diana Amezquita<br />

Development<br />

Director of Development<br />

Lynn Eve Komaromi<br />

associate Director of<br />

Development<br />

Daria Hepps<br />

Director of individual giving<br />

Laura Fichtenberg<br />

institutional grants manager<br />

Bethany Herron<br />

special events manager<br />

Lily yang<br />

individual giving associate<br />

Sarah Nowicki<br />

Development Database<br />

coordinator<br />

Jane Voytek<br />

Development associate<br />

Beryl Baker<br />

patron services<br />

patron services manager<br />

Katrena Jackson<br />

house manager<br />

Debra Selman<br />

36 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

general manager<br />

Karen Racanelli<br />

assistant house managers<br />

Natalie Bulkley<br />

Octavia Driscoll<br />

Aleta George<br />

Michael Grunwald<br />

Ayanna Makalani<br />

Kyle Sircus<br />

concessionaires<br />

Akasha A<strong>the</strong>rton<br />

Amy Bobeda<br />

Natalie Bulkley<br />

Mariko Conner<br />

Alex Friedman<br />

Jamaica Montgomery-Glenn<br />

Stephanie Graham<br />

Wendi Gross<br />

Kathryn Gucik<br />

Emily Hartman<br />

Mary Kay Hickox<br />

Champagne Hughes<br />

Kimberly “Mik” Jew<br />

Maria Jimenez<br />

Anya Kazimierski<br />

Devon LaBelle<br />

Alling Langin<br />

Hannah Lennett<br />

Margot Leonard<br />

Kathleen Martinelli<br />

Candice McDowell<br />

Vita O’Shea<br />

Gayle Reiss<br />

Benjamin Sandberg<br />

April Sizemore-Barber<br />

Andrew Susskind<br />

Nancy Villatoro<br />

Amanda Warner<br />

Brandon Weinbrenner<br />

usher coordinators<br />

Nelson & Marilyn Goodman<br />

box oFFice<br />

ticket services Director<br />

Christine Bond<br />

subscription manager &<br />

associate sales manager<br />

Laurie Barnes<br />

box office supervisor<br />

Terry Goulette<br />

box office agents<br />

Amy Bobeda<br />

Christina Cone<br />

Alisha Ehrlich<br />

Luisa Frasconi<br />

Eliza Oakley<br />

Tom Toro<br />

Amanda Warner<br />

marketing &<br />

communications<br />

Director of marketing<br />

& communications<br />

Robert Sweibel<br />

Director of public relations /<br />

associate Director of<br />

marketing & communications<br />

Terence Keane<br />

art Director<br />

Cheshire Isaacs<br />

marketing manager &<br />

multimedia producer<br />

Pauline Luppert<br />

communications manager<br />

Karen McKevitt<br />

audience Development manager<br />

Cari Turley<br />

Webmaster<br />

Christina Cone<br />

program advertising<br />

Ellen Felker<br />

operations<br />

Facilities Director<br />

Emiel Koehler<br />

Facilities coordinator<br />

Lauren Shorofsky<br />

building engineer<br />

Thomas Tran<br />

maintenance technician<br />

Johnny Van Chang<br />

Facilities assistants<br />

Kevin Barry<br />

Sonny Hudson<br />

Sophie Li<br />

Carlos Mendoza<br />

<strong>berkeley</strong> <strong>rep</strong><br />

school oF <strong>the</strong>atre<br />

Director of <strong>the</strong> school of <strong>the</strong>atre<br />

Rachel L. Fink<br />

associate Director<br />

MaryBeth Cavanaugh<br />

Jan & howard oringer<br />

outreach coordinator<br />

Dave Maier<br />

community programs manager<br />

Benjamin Hanna<br />

school administrator<br />

Emika Abe<br />

registrar<br />

Katie Riemann<br />

Faculty<br />

Renzo Ampuero<br />

Joel ben Izzy<br />

Erica Blue<br />

Rebecca Castelli<br />

Deborah Eubanks<br />

Sara Felder<br />

Nancy Gold<br />

Gary Graves<br />

Marvin Greene<br />

Mundi Gove<br />

Ben Hanna<br />

Melissa Hillman<br />

Ben Johnson<br />

Ken Kelleher<br />

Devon LaBelle<br />

Julian Lopez-Morillas<br />

Dave Maier<br />

Marilet Martinez<br />

Patricia Miller<br />

Michael Navarra<br />

Lisa Anne Porter<br />

Diane Rachel<br />

Elyse Shafarman<br />

Rebecca Stockley<br />

James Wagner<br />

Reggie White<br />

Bruce Williams<br />

outreach teaching artists<br />

Michael Barr<br />

Gendell Hing-Hernández<br />

Ben Johnson<br />

Devon LaBelle<br />

Marilet Martinez<br />

Sarita Ocón<br />

Carla Pantoja<br />

Lexie Papedo<br />

Tommy Shepherd<br />

Elena Wright<br />

teacher advisory council<br />

Drea Beale<br />

Julie Boe<br />

Amy Crawford<br />

Beth Daly<br />

Jan Hunter<br />

Marianne Phillip<br />

Richard Silberg<br />

John Warren<br />

Jordan Winer<br />

teen council chairs<br />

Sierra Baggins<br />

Bowen Bethards<br />

Rosie Byrne<br />

Tessa Corrie<br />

Darcy Davis<br />

Negi Esfandiari<br />

Emma Goodfield<br />

Marcelo Gutierrez<br />

Gideon Lazarus<br />

Oscar Peña<br />

Docent committee<br />

Thalia Dorwick, chair<br />

Charlotte Martinelli, co-chair<br />

2011–12 <strong>berkeley</strong> <strong>rep</strong><br />

FelloWships<br />

bret c. harte Directing Fellow<br />

Brandon Weinbrenner<br />

company/<strong>the</strong>atre<br />

management Fellow<br />

Kathryn Gucik<br />

costume Fellow<br />

Amy Bobeda<br />

Development Fellow<br />

Mariko Conner<br />

education Fellow<br />

Hannah Lennett<br />

graphic Design Fellow<br />

Mary Kay Hickox<br />

harry Weininger sound Fellow<br />

Elliott Ares<br />

lighting / electrics Fellow<br />

Alling Langin<br />

marketing &<br />

communications Fellow<br />

Kyle Sircus<br />

peter F. sloss literary/<br />

Dramaturgy Fellow<br />

Kathleen Martinelli<br />

production management Fellow<br />

Gayle Riess<br />

properties Fellow<br />

Akasha A<strong>the</strong>rton<br />

scenic art Fellow<br />

Anya Kazimierski<br />

scenic construction Fellow<br />

Benjamin Sandberg<br />

stage management Fellow<br />

Hana Kadoyama<br />

Affiliations<br />

The Scenic, Costume, Lighting, and<br />

Sound Designers in lort <strong>Theatre</strong>s<br />

are <strong>rep</strong>resented by United Scenic<br />

Artists Local usa-829, iatse.


oarD oF trustees<br />

Marjorie Randolph<br />

presiDent<br />

Bill Falik<br />

vice presiDent<br />

Sandra R. McCandless<br />

vice presiDent<br />

David Cox<br />

treasurer<br />

Scott Haber<br />

secretary<br />

Kerry Francis<br />

chair, trustees committee<br />

Emily Shanks<br />

chair, auDit committee<br />

Richard A. Rubin<br />

presiDent emeritus<br />

past presiDents<br />

Helen C. Barber<br />

A. George Battle<br />

Carole B. Berg<br />

Robert W. Burt<br />

Shih-Tso Chen<br />

Narsai M. David<br />

Nicholas M. Graves<br />

Rick Hoskins<br />

Jean Knox<br />

Robert M. Oliver<br />

Harlan M. Richter<br />

Richard A. Rubin<br />

Edwin C. Shiver<br />

Roger A. Strauch<br />

Warren Widener<br />

Martin Zankel<br />

Founding Director Michael W. Leibert<br />

boarD members<br />

Carrie Avery<br />

Thalia Dorwick, PhD<br />

William T. Espey<br />

Lisa Finer<br />

David Fleishhacker<br />

Paul T. Friedman<br />

Jill Fugaro<br />

David Hoffman, PhD<br />

Carole S. Krumland<br />

Dale Rogers Marshall<br />

Julie M. McCray<br />

Susan Medak<br />

Helen Meyer<br />

Pamela Nichter<br />

Len Rand<br />

Jack Schafer<br />

Richard M. Shapiro<br />

Sally Smith<br />

Roger Strauch<br />

Jean Z. Strunsky<br />

Tony Taccone<br />

Felicia Woytak<br />

sustaining aDvisors<br />

Carole B. Berg<br />

Rena Bransten<br />

Stephen Cassidy<br />

Diana Cohen<br />

John Field<br />

Nicholas Graves<br />

Rick Hoskins<br />

Dugan Moore<br />

Pat Rougeau<br />

Patricia Sakai<br />

Michael Steinberg<br />

Michael Strunsky<br />

Martin Zankel<br />

REPRESENTING<br />

THE FINEST<br />

EAST BAY HOMES<br />

<strong>Berkeley</strong> ◆ Kensington<br />

El Cerrito ◆ Albany<br />

Piedmont ◆ Oakland<br />

GGRUBBCO.COM<br />

The GRUBB G Co.<br />

R E A L T O R S<br />

2011–12 · SPECIAL ISSUE · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 37


Fyi<br />

latecomers<br />

please arrive on time. <strong>the</strong>re is no late seating, except at <strong>the</strong> discretion of <strong>the</strong> house manager.<br />

Visit our website!<br />

Click <strong>berkeley</strong><strong>rep</strong>.org —you can buy tickets<br />

and plan your visit, read our blog, watch<br />

video, sign up for classes, donate to <strong>the</strong><br />

<strong>Theatre</strong>, and explore <strong>Berkeley</strong> Rep.<br />

Request information<br />

To request mailings or change your address,<br />

write to <strong>Berkeley</strong> Rep, 2025 Addison Street,<br />

<strong>Berkeley</strong>, CA 94704; call 510 647-2949; email<br />

info@<strong>berkeley</strong><strong>rep</strong>.org; or click <strong>berkeley</strong><strong>rep</strong>.<br />

org/joinourlist. If you use Gmail, yahoo,<br />

or o<strong>the</strong>r online email accounts, please<br />

authorize patron<strong>rep</strong>ly@<strong>berkeley</strong><strong>rep</strong>.org.<br />

Tickets/box office<br />

box office hours: noon–7pm, tue–sun<br />

call 510 647-2949<br />

click <strong>berkeley</strong><strong>rep</strong>.org anytime<br />

Fax: 510 647-2975<br />

under 30? half-price advance tickets!<br />

For anyone under <strong>the</strong> age of 30, based on<br />

availability. Proof of age required. Some<br />

restrictions apply.<br />

group tickets<br />

Bring 10-14 people and save $5 per ticket;<br />

bring 15 or more and save 20%. And we<br />

waive <strong>the</strong> service charge. Call Cari Turley at<br />

510 647-2918.<br />

entourage tickets<br />

If you can bring at least 10 people, we'll give<br />

you a code for 20% off tickets to up to five<br />

performance dates. Learn more at<br />

<strong>berkeley</strong><strong>rep</strong>.org/entourage, or contact<br />

Cari Turley at cturley@<strong>berkeley</strong><strong>rep</strong>.org,<br />

or call 510 647-2918.<br />

student matinee<br />

Tickets are just $10 each. Learn more at<br />

<strong>berkeley</strong><strong>rep</strong>.org/studentmatinees.<br />

Call Cari Turley at 510 647-2918.<br />

senior/student rush<br />

Full-time students and seniors 65+ save $10<br />

on sections A and B. One ticket per ID, one<br />

hour before showtime. Proof of eligibility<br />

required. Subject to availability.<br />

Sorry, we can’t give refunds or offer<br />

retroactive discounts.<br />

38 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2011–12 · SPECIAL ISSUE<br />

<strong>Theatre</strong> info<br />

emergency exits<br />

Please note <strong>the</strong> nearest exit. In an emergency,<br />

walk — do not run — to <strong>the</strong> nearest exit.<br />

accessibility<br />

Both <strong>the</strong>atres offer wheelchair seating and<br />

special services for those with vision- or hearing-impairment.<br />

Infrared listening devices are<br />

available at no charge in both <strong>the</strong>atre lobbies.<br />

Audio descriptions are available in <strong>the</strong> box<br />

office; please request <strong>the</strong>se materials at least<br />

two days in advance.<br />

Educators<br />

Bring <strong>Berkeley</strong> Rep to your school! Call<br />

<strong>the</strong> School of <strong>Theatre</strong> at 510 647-2972<br />

for information about free and low-cost<br />

workshops for elementary, middle, and high<br />

schools. Call Cari Turley at 510 647-2918 for<br />

$10 student-matinee tickets. Call <strong>the</strong> box<br />

office at 510 647-2949 for information on<br />

discounted subscriptions for preschool and<br />

K–12 educators.<br />

<strong>Theatre</strong> store<br />

<strong>Berkeley</strong> Rep merchandise and show-related<br />

books are available in <strong>the</strong> Hoag <strong>Theatre</strong><br />

Store in <strong>the</strong> Roda <strong>Theatre</strong> and our kiosk in<br />

<strong>the</strong> Thrust Stage lobby.<br />

Ticket exchange<br />

Only subscribers may exchange <strong>the</strong>ir tickets<br />

for ano<strong>the</strong>r performance of <strong>the</strong> same show.<br />

Exchanges can be made online until midnight<br />

(or 7pm by phone) <strong>the</strong> day preceding<br />

<strong>the</strong> scheduled performance. Exchanges<br />

are made on a seat-available basis.<br />

Connect with us<br />

facebook.com/<strong>berkeley</strong><strong>rep</strong><br />

@<strong>berkeley</strong><strong>rep</strong><br />

Considerations<br />

no food or glassware in <strong>the</strong> house<br />

Beverages in cans, bottles, or cups with<br />

lids are allowed.<br />

please keep perfume to a minimum<br />

Many patrons are sensitive to <strong>the</strong> use of<br />

perfumes and o<strong>the</strong>r scents.<br />

recycle and compost your waste<br />

Help us be more green by using <strong>the</strong> recycling<br />

and compost containers found throughout<br />

<strong>the</strong> <strong>Theatre</strong>.<br />

phones / electronics / recordings<br />

Please make sure your cell phone, pager,<br />

or watch alarm will not beep. Doctors may<br />

check pagers with <strong>the</strong> house manager and<br />

give seat location for messages. Use of recording<br />

equipment or taking of photographs<br />

in <strong>the</strong> <strong>the</strong>atre is strictly prohibited.<br />

please do not touch <strong>the</strong> set or props<br />

you are welcome to take a closer look at <strong>the</strong><br />

set, but please don’t step onto <strong>the</strong> stage.<br />

Some of <strong>the</strong> props can be fragile, and are<br />

placed precisely.<br />

no children under 7<br />

Many <strong>Berkeley</strong> Rep productions are unsuitable<br />

for young children. Please inquire<br />

before bringing children to <strong>the</strong> <strong>Theatre</strong>.<br />

<strong>Theatre</strong> maps stage<br />

thrust<br />

stage<br />

stage<br />

seating sections: • premium • a • b<br />

roDa<br />

stage<br />

stage<br />

seating sections: • premium • a • b<br />

stage


BILL IRWIN. PHOTO BY KEVIN KEVIN BERNE. BERNE.<br />

AMERICAN CONSERVATORY THEATER presents<br />

WRITTEN WRITTEN BY BY SAMUEL SAMUEL BECKETT BECKETT<br />

DIRECTED DIRECTED BY BY CAREY CAREY PERLOFF PERLOFF<br />

TONY AWARD WINNER<br />

BILL IRWIN<br />

stars in BECKETT’S ICONIC<br />

DARK COMEDY, performed<br />

with a rarely seen short play<br />

about marriage and infidelity<br />

“[ENDGAME IS] MONSTROUSLY<br />

FUNNY…[with] striking vision.”<br />

The New York Times<br />

“[IRWIN] can turn something<br />

as simple as sitting on a<br />

stone or wiping his shoe<br />

into a POETIC COMEDY.”<br />

San Francisco Chronicle<br />

TWO EXTRAORDINARY PLAYS.<br />

ONE INCREDIBLE EVENT.<br />

ENDGAME CAST FEATURES NICK GABRIEL, GILES HAVERGAL, BILL IRWIN, AND BARBARA OLIVER<br />

PLAY CAST FEATURES RENÉ AUGESEN, ANTHONY FUSCO, AND ANNIE PURCELL<br />

EXECUTIVE PRODUCERS<br />

PRODUCERS<br />

COMPANY SPONSORS<br />

ACT-SF.ORG 415.749.2228<br />

BEGINS MAY 9<br />

GROUPS OF 10+, CALL 415.439.2473.<br />

Christopher and Leslie Johnson; John Little and Hea<strong>the</strong>r Stallings Little; Mrs. Albert J. Moorman; Doug Tilden<br />

Bill and Phyllis Draper; Jeffrey W. and Jeri Lynn Johnson; The Reverend and Mrs. Alan Jones; Patrick S. Thompson<br />

Ray and Dagmar Dolby; Frannie Fleishhacker; Ambassador James C. Hormel and Michael P. Nguyen; Koret Foundation; Fred M. Levin<br />

and Nancy Livingston, The Shenson Foundation; Burt and Deedee McMurtry; Mary and Steven Swig; Doug Tilden; Jeff and Laurie Ubben<br />

SEASON PARTNERS<br />

SPONSORED BY


Your family. Your legacy.<br />

Building wealth today and sustaining it for future generations can be challenging. Effective<br />

investment management must be integrated with strategic tax and estate planning, philanthropy<br />

and family culture.<br />

At City National, we’ll help you master <strong>the</strong> complexity of wealth management so you can more<br />

fully enjoy your version of <strong>the</strong> good life. We’re with you every step of <strong>the</strong> way as you grow your<br />

wealth, enjoy it with your family and build a lasting legacy.<br />

Experience <strong>the</strong> City National Difference. SM<br />

Call us today at (866) 618-5242.<br />

City National Wealth Management cnb.com Member FDIC<br />

Non-deposit Investment Products: n are not FDIC insured n are not Bank guaranteed n may lose value<br />

Past performance is not an indication of future results. ©2012 City National Bank

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!