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<strong>THE</strong> <strong>BOOK</strong> <strong>WAS</strong><br />
<strong>DRENCHED</strong>
<strong>THE</strong> COMPLETE WORKS OF<br />
JOHN LYLY<br />
R. W. BOND
HENRY FROWDE, M.A.<br />
PUBLISHER TO <strong>THE</strong> UNIVERSITY OF OXFORD<br />
LONDON, EDINBURGH<br />
NEW YORK
ST. JOIIN'S GATE<br />
SOUTH ENTRANCE TO <strong>THE</strong> PHIORY OF ST. JOHN OF JERUSALEM, <strong>THE</strong> SEAT OF <strong>THE</strong> REVELS OFFICE FROM 1571 OR EARLIER TO 1610 : P. 38<br />
From Dugdale's Monasticon
<strong>THE</strong> COMPLETE WORKS<br />
OF<br />
JOHN LYLY<br />
NOW FOR <strong>THE</strong> FIRST TIME COLLECTED<br />
AND EDITED FROM <strong>THE</strong> EARLIEST QUARTOS<br />
WITH LIFE, BIBLIOGRAPHY, ESSAYS<br />
NOTES, AND INDEX<br />
BY<br />
R. WARWICK BOND, M.A.<br />
Sad patience that waiteth at the doore.— The Bee.<br />
Cenx qui ont ete les predcesseurs des grands esprits, et qui<br />
ont contribue en quelque facon a leur education, leur doivent d'etre<br />
sauves de l'oubli. Dante fait vivre Brunetto Latini, Milton du<br />
Bartas; Shakespeare fait vivre Lyly.—MEZIERES.<br />
VOL. I<br />
LIFE<br />
EUPHUES: <strong>THE</strong> ANATOMY OF WYT<br />
ENTERTAINMENTS<br />
OXFORD<br />
AT <strong>THE</strong> CLARENDON PRESS<br />
MDCCCCII
OXFORD<br />
PRINTED AT <strong>THE</strong> CLARENDON PRESS<br />
BY HORACE HART, M.A.<br />
PRINTER TO <strong>THE</strong> UNIVERSITY
PREFACE<br />
T HE work here offered to Elizabethan students is the first<br />
collected edition of an author whose immense importance<br />
to English Literature is beginning to receive a tardy<br />
recognition. I hope it may come to seem yet more strange<br />
that Lyly should have had to wait so long for his due. The<br />
neglect of him is, I think, partly referable to his depreciation<br />
by Collier, whose indefatigable and invaluable labours as a<br />
bibliographer and collector of facts were not, so far as I have<br />
observed, assisted by any commensurate critical or literary<br />
gift. Prof. Arber's excellent reprint (with Introduction) of the<br />
text of Euphues was issued in 1868 ; Fairholt's edition, however<br />
inadequate, of the eight acknowledged plays, as early as<br />
1858 ; while Pappe has appeared obscurely once or twice ;<br />
and it would be a churlish temper that failed in gratitude to<br />
these, who have at least kept Lyly within the ken of readers.<br />
We have had, further, essays on Euphuism from Professor<br />
Morley in 1861 and Dr. Weymouth in 1871, a chapter on the<br />
same subject in Mr. Courthope's History of Poetry', vol. ii,<br />
chapters on the connexion of Lyly's dramatic work with that<br />
of Shakespeare from Mr. J. A. Symonds and Dr. A. W. Ward,<br />
Mr. Sidney Lee's article in the Dictionary of National Biography,<br />
and other contributions. But attention to the substance<br />
of Lyly's work and recognition of its literary bearings has been<br />
paid first, or chiefly, abroad. It has reached us mainly through<br />
the channels of Mezieres, Hense, Landmann, Jusserand, and<br />
others ; while the best and most complete account of Euphuism
VI PREFACE<br />
is from the pen of an American, Mr. C. G. Child, and the<br />
only serious attempt at a Life from that of another American,<br />
Mr. G. P. Baker. And almost everywhere far more attention<br />
has been paid to Euphuism than to the matter of the Euphuist's<br />
work, or to the man. Lyly is still generally regarded in<br />
England mainly as the originator of a tiresome and fantastic<br />
style that enjoyed an exaggerated and mistaken vogue among<br />
contemporaries of ill-regulated taste, and as one who may<br />
further deserve some brief notice because he wrote in Shakespeare's<br />
time.<br />
This is not the subject which arrested my attention a long<br />
while since, not that to which I have, latterly, devoted four<br />
years of continuous and exclusive work. These volumes deal,<br />
in the first place, with the earliest English writer with an<br />
acute sense of form, or, if Pettie, his model, must be excepted,<br />
at least with the first who made Englishmen feel that prose<br />
was an art ; also with the first English novelist, and—though<br />
this is a point of quite minor importance—with one of the<br />
most admired and conspicuous men of letters of the period<br />
1580-1600. They deal, in the second place, with the first<br />
regular English dramatist, the true inventor and introducer of<br />
dramatic style, conduct, and dialogue ; and, in these respects,<br />
the chief master of Shakespeare and (but mainly through<br />
the latter) of Ben Jonson, and the attendant host of playwrights.<br />
There is no play before Lyly. He wrote eight ; and<br />
immediately thereafter England produced some hundreds—<br />
produced that marvel and pride of the greatest literature in<br />
the world, the Elizabethan Drama. What the long infancy of<br />
her stage had lacked was an example of form, of art: and<br />
Lyly gave it. It was seized upon by men of more splendid<br />
talents than he, of younger years, of mind uncramped by the<br />
learning and the toils which had produced it in himself; and<br />
the world, with the detestable complacency of the self-protective<br />
creature, accepted the supreme service and speedily<br />
forgot its benefactor. Later scholars, working backwards from
PREFACE vii<br />
Shakespeare, found all before him, of course, much inferior.<br />
They included Lyly with Greene and Kyd and Marlowe and<br />
Peele as ' Predecessors,' and overlooked the not unimportant<br />
fact that he wrote before all the rest. It w r as natural enough.<br />
Before them lay the whole rich field: Lyly was only one<br />
among many ; one w hose work had been done in the half-light<br />
of dawn before the rising of the sun ; one, too, it must be<br />
admitted, whose immense merits and originality were further<br />
obscured by the surface-qualities, the artificiality and tedium,<br />
of his style. I appeal now to the thoughtful critic to study<br />
his plays along with my essay on ' Lyly as a Playwright,' and<br />
to judge if there is not far more dramatic credit due, and far<br />
more influence on Shakespeare attributable, to him than to<br />
Marlowe or any other of those with whom he has been customarily<br />
classed 1.<br />
As a poet I make no such claim for him. Spite of his<br />
authorship of two or three of the most graceful songs our<br />
drama can boast—an authorship which, if still unsusceptible<br />
of positive proof, is equally so of disproof—some of those in<br />
his plays, and others, pretty certainly his, which I have found<br />
elsewhere, stamp him as negligent, uncritical, or else as inadequately<br />
practised in the art; while he lacked altogether, in<br />
my judgement, ' those brave translunary things' so infinitely<br />
beyond technique, so far above mere grace or daintiness of<br />
fancy, of which the true poet is made. The poems I print as<br />
' doubtful' exhibit, however, a growing mastery ; some of the<br />
' Later Love-Poems' yield a positive, and many a qualified,<br />
pleasure ; I have given decided praise to some of the verse in<br />
The Woman ; and it is only fair to add that the worst of his<br />
youthful essays have been disinterred from MSS. or collections<br />
where his carelessness or his judgement left them to<br />
moulder, only as illustrating the growth and the limitations<br />
1 The reader will not suppose me to be speaking of power or beauty : I allude<br />
to foim, art, intelligence, the qualities of the French rather than the English<br />
mind.<br />
+
V1I1 PREFACE<br />
of one who has other and imperative claims on our literary<br />
respect.<br />
In a separate full discussion of the Text and Bibliography<br />
of Etiphucs (vol. i. 83-118) I have endeavoured to fix the<br />
number and order of the very numerous quarto editions of<br />
that book.<br />
On Euphuism (Essay, vol. i. 119-75) I have little to say<br />
that has not already been said by others. My aim has been<br />
rather to summarize and condense, than to enlarge a discussion<br />
that has already grown unwieldy. I have been much aided<br />
in my treatment by the lucid and elaborate essay of Mr. C. G.<br />
Child in Miinchencr Beitrage; and I have appended to vol. i<br />
a brief note on Sentence-structure in Euphues, deprecating<br />
what I deem the existing tendency to too curious a consideration<br />
of this aspect of Lyly's work. To the criticism of the<br />
book, however, as the first great example of artistic prose and<br />
the earliest English novel, I hope I have added something ;<br />
and I have explored, more thoroughly than has been hitherto<br />
attempted, the question of sources, showing, for example, in<br />
detail how exactly Euphuism, save in the building of the<br />
long sentences, was anticipated by Pettie, and tracing many<br />
borrowings or reminiscences from other works, contemporary<br />
or classical. Never before has the attempt been made to<br />
annotate the Two Parts of Euphues, a work which bristles<br />
with quotations, proverbs, and allusions of every kind; and<br />
Fairholt, who did supply some useful notes to the Plays,<br />
generally abandoned this exercise of verification and huntingdown<br />
to his successor. Such tracking down of matters to<br />
which the text usually furnished no clue has formed by far<br />
the most arduous part of my task, and, next to my endeavour<br />
to give Lyly his rightful position as a playwright, that which<br />
I am chiefly glad to have accomplished ; though a later editor<br />
will still find points that have defied my search. Above all<br />
I deemed it desirable to ascertain with as much precision as<br />
possible the limits of my author's debt to Pliny and Plutarch.
PREFACE IX<br />
Investigation shows that the majority of his natural-history<br />
allusions are definitely assignable to the former ; the majority<br />
of his historical allusions, and several long passages besides the<br />
Ephctbus tractate, to the latter ; but some of his history comes<br />
from Pliny or other sources; and some of his natural history<br />
from Plutarch or Aelian or Bartholomaeus Anglicus; while<br />
some striking events, and many unusual phenomena, are<br />
purely of his own invention. His proverbs are generally from<br />
John Heywood's collection, or from the Chiliades of Erasmus ;<br />
but often, I think, rather part of a folklore personally imbibed<br />
in youth.<br />
Further, the Notes, or the various Essays, call attention not<br />
only to some general points of practice wherein Lyly set the<br />
example to Shakespeare, but also to a great many Shakespeare<br />
parallels of phrase or idea, though not to all that I have<br />
observed. Though the note is seldom so worded, I make no<br />
doubt that the great majority of such are cases of imitation,<br />
adaptation, or unconscious reminiscence by Shakespeare, and<br />
not of mere coincidence. If any be inclined to except against<br />
such notification as superfluous or too frequent, I would urge<br />
that one of my chief objects is to show a closer, fuller, more<br />
vital and more detailed connexion between the work of the<br />
two men than has hitherto been shown; and, further, that the<br />
Baconian heresy, sensationally attractive in itself, maintained<br />
by some honest folk, and by some other folk anxious to get<br />
on, has derived so much plausibility from Shakespeare's rustic<br />
origin and want of full education as renders it especially<br />
desirable to adduce all that may make more credible the<br />
sudden marvel of his great achievement.<br />
In addition to the general essay on Lyly's work as a playwright<br />
(vol. ii. 230-300), I have prefixed to each Play a brief<br />
Introduction, dealing with such matters as the state of the text,<br />
date, materials, treatment of the Unities, &c. For all except<br />
Mother Bombie I am able to show some definite, if only
X<br />
PREFACE<br />
partial, source not hitherto pointed out 1 , though in this<br />
matter Lyly is distinguished rather by his independence. In<br />
a long note immediately following the text of Gallathea<br />
(vol. ii. 473-85), I have discussed the question of his probable<br />
debt to some particular Italian works; and I have written<br />
a separate essay in revision of Halpin's view of the Courtallegory<br />
underlying the play of Endimion (vol. iii. pp. 81-103).<br />
As regards the Life, too, I have, I hope, made some considerable<br />
additions to former knowledge; fixing Boxley near<br />
Maidstone with tolerable certainty as Lyly's paternal home<br />
or birthplace (cf. pp. 4-5, 384-5) 5 ascertaining the precise<br />
post he occupied in the Revels Office and the probable dates<br />
of his tenure of it, besides gathering other details connected<br />
with the routine of duty within the Office itself; giving a<br />
brief account of the Marprelate Controversy and of Lyly's<br />
connexion with Nash in that affair ; setting at rest the vexed<br />
question of the dates of his two Petitions to the Queen; and<br />
printing seven autograph letters never before included in his<br />
biography, one of which (from the Cotton MSS.) I owe to<br />
the generous courtesy of Mons. A. G. Feuillerat, lecturer at<br />
Rennes University, while the rest are derived from the Hatfield<br />
MSS., with the exception of one, to which Dr. Bloxam<br />
gave a reference, among the State Papers in the Record Office.<br />
I regret that much of this new matter must be sought rather<br />
in the Biographical Appendix (vol. i. pp. 377-401) than in<br />
the Life itself, which was printed off a year ago, before I<br />
had attained to present knowledge; but except as regards<br />
his entry of the Office in 1588 rather than 1585, the deferring<br />
of the Petitions to 1598 and 1601, the discovery of a<br />
brother of the author, chaplain of the Savoy, and the probability<br />
of Lyly's receipt of some grant before his death, the<br />
1 Hense indicated the Ovidian origin of the two stones of which Midas is composed,<br />
and of that of Erisichthon and Protea in Loves Metamorphosi.
PREFACE xi<br />
conclusions of the Life remain unaltered (see Chronological<br />
Summary, pp. 398-9).<br />
Further, I have to introduce to the reader as Lyly's a<br />
certain number of Speeches or Entertainments (vol. i. 403-<br />
507) dating 1590-2, 160o, and 1602, which serve to illustrate<br />
his occupations in connexion with the Revels Office, and to<br />
enlarge somewhat the circle of his acquaintance. Nearly all<br />
of them were printed anonymously in his lifetime, and found<br />
their way later into Nichols' Progresses of Queen Elizabeth;<br />
none has ever been claimed for Lyly, though one or two of<br />
them have been generally assigned elsewhere. They are of no<br />
great literary weight, but thoroughly Lylian and (with brief<br />
and partial exceptions noted in their places) undoubtedly his,<br />
as will, I believe, be allowed by him who reads the Introduction<br />
to them and verifies the marginal references to his<br />
other works. Also I present as his a very respectable but<br />
anonymous Funeral Oration on Queen Elizabeth (vol. i.<br />
pp. 509-16) ; and some distressing lines (vol. iii. 427-32) on<br />
the suppression of the Babington plot, which I much doubt<br />
whether I shall, or should, be forgiven for discovering. The<br />
list of my additions to Lyly's text is completed by the abovementioned<br />
collection of unsigned Foems (vol. iii. 433-502)<br />
from contemporary printed or manuscript sources, the references<br />
appended to which, though I have labelled them collectively<br />
as 'doubtful,' will I think facilitate and in some cases compel<br />
the reader's acceptance. Among them is The Bee, hitherto<br />
assigned to Essex.<br />
I have included The Maydes Metamorphosis, though I believe<br />
Lyly merely added some portions to this play in preparing<br />
it for performance by the Paul's Boys ; and also A Whip for<br />
an Ape and some of the doggrel in Mar-Martine, to which<br />
he has unfortunately a better claim.
xii PREFACE<br />
Turning to the pleasant task of acknowledgement, besides<br />
what I inevitably owe to those who have previously printed<br />
work upon Lyly—among whom I would particularly distinguish<br />
Professors Arber, Landmann, Steinhauser, C. G.<br />
Child, and G. P. Baker—I am indebted to many others for<br />
special suggestions or helpful kindness during the prosecution<br />
of my task ; to Mr. John Murray for full reproduction permitted<br />
of the contents of my Quarterly article of January, 1896; to<br />
the Committee of the Hampstead Public Library for the free<br />
loan during four years of the very valuable Morley copy<br />
of Euphnes, which belongs to that institution; to Lord Salisbury<br />
for kind permission to copy five letters of Lyly among<br />
the Hatfield MSS. and to photograph two of them, and to<br />
Mr. R, T. Gunton, his private secretary and librarian, for<br />
taking the copies (one of the letters was of his suggestion)<br />
and making some other search at my request;. to Mr. F. J. H.<br />
Jenkinson, the Cambridge University Librarian, for most<br />
courteous hospitality and assistance during one of my visits ;<br />
to Dr. Sinker, librarian of Trinity College, Cambridge, for<br />
opportunities of collation ; to Professor Littledale, of Cardiff,<br />
for some notes of his own on the plays, freely placed at my<br />
disposal ; to Mr. P. A. Daniel for one or two similar notes ;<br />
to Prof. M. Sampson, of Indiana University, for some remarks<br />
on Euphuism ; to Mr. R. J. Whitwell for a suggestion; to<br />
Mons. A. G. Feuillerat, of Rennes University, for the Cotton<br />
letter above mentioned, whose own forthcoming critical survey<br />
of Lyly's life and works I expect with peculiar interestl; to<br />
various incumbents of churches in London or in Kent, whom<br />
I have pestered with inquiries about their Parish Registers ;<br />
to the officials of the British Museum, and especially to<br />
the Superintendent of the MS. room ; to Mr. Salisbury of<br />
the Record Office for unvaryingly patient and indispensable<br />
help in deciphering old documents ; to Mr. E. W. B. Nicholson,<br />
1 I was pleased to find that M. Feuillerat had, like myself, decided that Tellus<br />
in Endimion must be identified with Mary Queen of Scots.
PREFACE xiii<br />
Bodley's Librarian, and Mr. F. Madan ; to the Rev. H. A.<br />
Wilson, librarian of Lyly's college of Magdalen, and to one<br />
or two other librarians of Oxford colleges; to Professor<br />
Robinson Ellis and to the Bishop of Oxford, for suggestions;<br />
lastly and chiefly to the Printer, and to the various officials<br />
of the Clarendon Press, who have given such minute attention<br />
to the proof-sheets, and from whom I have gratefully<br />
accepted an occasional correction or suggestion. With Professor<br />
York Powell, especially, I have been in consultation<br />
throughout as to the form and scope of the work ; and a<br />
judicious squeeze, kindly imparted by himself, has wrung<br />
some drops of superfluous humour from my Notes. To all,<br />
and any others who have rendered me help now momentarily<br />
forgotten, my best thanks.<br />
I part from my long and self-imposed task with some<br />
regret, in spite of the heavy toil it has cost and the very<br />
serious sacrifices that such work, under present conditions,<br />
must involve. I am never likely to find either the patience,<br />
or the means, for another such. Even here I am troubled<br />
by the sense that there is more yet to be discovered about<br />
Lyly, and that more time might profitably have been spent<br />
on the appraisement of his striking bulk of work even than<br />
I have given. Too much of my four years has been consumed<br />
in mere collation, in search too often resultless, in the<br />
finding, noting, and renumbering of a host of cross-references.<br />
I trust this expenditure, but half-voluntary, of ' stupid<br />
industry' may make for utility and permanence ; and that<br />
in other respects this edition, much needed, long meditated,<br />
and now at length completed, may not be found to fall short<br />
of the rapidly-rising standard of present-day Elizabethan<br />
scholarship.<br />
R. W. B.<br />
UPPER NORWOOD,<br />
Sept. 20, 1902.
CONTENTS<br />
VOLUME I<br />
PAGE<br />
GATE OF <strong>THE</strong> REVELS OFFICE Frontispiece<br />
LIFE OF JOHN LYLY I<br />
EUPHUES:<br />
DISCUSSION OF <strong>THE</strong> TEXT AND BIBLIOGRAPHY . . 83<br />
LIST OF EDITIONS 100<br />
TITLES, &c 106<br />
ESSAY ON EUPHUES AND EUPHUISM . . .119<br />
EUPHUES—<strong>THE</strong> ANATOMY OF WYT (TEXT) . .177<br />
„ „ „ „ „ (NOTES) . . .327<br />
BIOGRAPHICAL APPENDIX 377<br />
ENTERTAINMENTS (INTRODUCTION) 404<br />
„ (TEXT) 410<br />
A FUNERAL ORATION 509<br />
NOTES:<br />
ENTERTAINMENTS 517<br />
A FUNERAL ORATION 538<br />
NOTE ON SENTENCE-STRUCTURE IN EUPHUES . . .539<br />
ERRATA AND ADDENDA TO <strong>THE</strong> THREE VOLUMES . . 542<br />
VOLUME II<br />
TITLE-PAGE OF EUPHUES, PT. I Frontispiece<br />
EUPHUES AND HIS ENGLAND (TEXT) I<br />
<strong>THE</strong> PLAYS :<br />
CHRONOLOGICAL TABLE 230<br />
ESSAY ON LYLY AS A PLAYWRIGHT . . . . 231<br />
CAMPASPE (INTRODUCTION) 302<br />
(TEXT) 313<br />
SAPHO AND PHAO (INTRODUCTION) . . . . 362<br />
(TEXT) 369<br />
GALLA<strong>THE</strong>A (INTRODUCTION) 418<br />
(TEXT) 429<br />
NOTE ON ITALIAN INFLUENCE 473<br />
NOTES:<br />
EUPHUES AND HIS ENGLAND 486<br />
CAMPASPE 540<br />
SAPHO AND PHAO 554<br />
GALLA<strong>THE</strong>A 564
xvi CONTENTS<br />
VOLUME III<br />
AUTOGRAPH LETTER OF LYLY (Feb. 4, 1602-3) . . Frontispiece<br />
<strong>THE</strong> PLAYS (CONTINUED) : PAGE<br />
INTRODUCTORY MATTER OF BLOUNT'S EDITION . . 1<br />
ENDIMION (INTRODUCTION) 6<br />
(TEXT) 17<br />
ESSAY ON <strong>THE</strong> ALLEGORY IN . . 8 1<br />
MIDAS (INTRODUCTION) 106<br />
(TEXT) . 113<br />
MO<strong>THE</strong>R BOMBIE (INTRODUCTION) 164<br />
(TEXT) 171<br />
<strong>THE</strong> WOMAN IN <strong>THE</strong> MOONE (INTRODUCTION) . . 229<br />
„ „ „ (TEXT). . . .239<br />
LOVES METAMORPHOSIS (INTRODUCTION) . . .289<br />
(TEXT) 299<br />
<strong>THE</strong> MAYDES METAMORPHOSIS (DOUBTFUL)—<br />
(INTRODUCTION) 333<br />
(TEXT) 341<br />
ANTI-MARTINIST WORK, &C.:<br />
PAPPE WITH AN HATCHET (INTRODUCTION) . . 388<br />
„ „ „ (TEXT) . . . . 393<br />
A WHIP FOR AN APE (INTRODUCTION) . . . . 415<br />
„ „ (TEXT) 417<br />
MAR-MARTINE (PART OF) 423<br />
<strong>THE</strong> TRIUMPHS OF TROPHES 427<br />
POEMS (DOUBTFUL):<br />
LIST OF SOURCES 433<br />
INTRODUCTION 434<br />
TEXT 44 8<br />
NOTES:<br />
ENDIMION 503<br />
MIDAS 519<br />
MO<strong>THE</strong>R BOMBIE 537<br />
<strong>THE</strong> WOMAN IN <strong>THE</strong> MOONE 554<br />
LOVES METAMORPHOSIS 563<br />
<strong>THE</strong> MAYDES METAMORPHOSIS 569<br />
PAPPE WITH AN HATCHET 573<br />
A WHIP FOR AN APE, &c 589<br />
INDEX OF FIRST LINES OF SONGS OR POEMS . . . 592<br />
GLOSSARY TO <strong>THE</strong> THREE VOLUMES 596<br />
GENERAL INDEX TO <strong>THE</strong> THREE VOLUMES . . . .605
LIFE OF JOHN LYLY<br />
JOHN LYLY was born between Oct. 9, 1553 and Oct. 8, 1554.<br />
These inclusive limits are obtained from the date (Oct. 8, 1571) of<br />
his matriculation at Magdalen College, Oxford, some two years after<br />
he actually entered the University1. At matriculation he is entered<br />
as of ' 17' years of age, the year named on such an occasion being<br />
that last completed. Since on Oct. 8, 1571 he has completed<br />
seventeen years,<br />
Oct. 9, 1570 is the earliest possible date for the completion of his<br />
seventeenth year, and Oct. 9, 1569 the earliest possible for its<br />
commencement.<br />
Oct. 9, 1569 is the earliest possible date for the completion of his<br />
sixteenth year, and Oct. 9, 1568 the earliest possible for its<br />
commencement.<br />
Oct. 9, 1554 is the earliest possible date for the completion of his<br />
first year, and Oct. 9, 1553 the earliest possible for his birth.<br />
On the other hand—<br />
Oct. 8, 1571 is the latest possible date for the completion of his<br />
seventeenth year, and Oct. 8, 1570 the latest possible for its<br />
commencement.<br />
Oct. 8, 1570 is the latest possible date for the completion of his<br />
sixteenth year, and Oct. 8, 1569 the latest possible for its<br />
commencement.<br />
Oct. 8, 1555 is the latest possible date for the completion of his<br />
first year, and Oct. 8, 1554 the latest possible for his birth.<br />
1 Registrant Universitatis Oxoniensis (Oxford, 1887), vol. ii. pt. ii. p. 51, gives<br />
among the list of those matriculated as members of Magdalen College in 1571,<br />
' Lyllie, John, Kent, pleb. f. 17.' The list is taken from 'Matriculation Register<br />
P.' The date Oct. 8 depends on Dr. J. R. Bloxam's Registers of Magd. Coll. In<br />
vol. iv. p. 186 and elsewhere that date is given as that of a general matriculation of<br />
the College. Dr. Bloxam wrote to Prof. Arber in or before 1868 : ' Wood was<br />
probably right when he supposes Lyily to have entered College m 1569, for, as<br />
1571 was the first year of matriculation, and all the members of the College, old<br />
and young, were matriculated together, the matriculation would not fix the date<br />
of entrance. Lylly might have been a poor Scholar, but there is no reason to<br />
suppose that he was either a Demy or Cleik.' (Arber's Reprint of Euphues, p. 3.)<br />
Elsewhere in his printed volumes, however, Bloxam mentions an earlier matriculation<br />
en bloc, in 1564.<br />
BOND 1<br />
B
2 LIFE OF JOHN LYLY<br />
Wood's statement, that when he ' became a student in Magdalen<br />
College in the beginning of 1569' he was 'aged 16 or thereabouts 1,'<br />
does not conflict with the upward limit, being applicable enough to<br />
a man who, during all that part of 1569 which preceded Oct. 9, may<br />
have been in his sixteenth year: and his mention of' the beginning<br />
of 1569' may be regarded as some indication that Lyly had<br />
commenced his sixteenth year before the close of 1568, that is<br />
before March 24, 1568-9, and therefore that his birth occurred<br />
before March 24, 1553-4.<br />
In the absence of any but the most scanty details available from<br />
reliable sources for Lyly's early years, it has been natural to turn<br />
to his romance of Euphues, We cannot of course draw any absolute<br />
inferences from a source where fact, if present at all, must necessarily<br />
be subject to the changing and colouring process that would best<br />
suit the author's ideal purpose; yet the probability of an autobiographical<br />
element in the book is considerable, and it is confirmed,<br />
as Mr. Baker 2 points out, by the opening of the dedication of the<br />
Second Part.<br />
' The first picture that Phydias the first Paynter shadowed, was the<br />
portraiture of his owne person, saying thus : if it be well, I will paint many<br />
besides Phydias, if ill, it shall offend none but Phydias.<br />
In the like manner fareth it with me (Right Honourable) who neuer<br />
before handling the pensill, did for my fyrst counterfaite, coulour mine<br />
owne Euphues, being of this minde, that if it wer lyked, I would draw more<br />
besides Euphues, if loathed, grieue none but Euphues.'<br />
Accepting this source, then, for what it is worth, we may find<br />
suggestions both in Euphues' account of his stay in England,<br />
especially in the Glasse for Europe near the end of the book, and in<br />
the story Lyly puts into the mouth of the old courtier Fidus. There<br />
is no need to press the statement that he was ' scarse borne' at the<br />
time of Mary's accession 3 , July 6, 1553, to the extent of requiring an<br />
earlier date for his birth than Oct. 9 of that year, which we have just<br />
fixed as the earliest possible. But the following details given by<br />
Fidus are sufficiently in accord with the little we know to claim some<br />
attention.<br />
1 Passage quoted in full below, p. 7.<br />
2 Endymion . . . by John Lyly, M.A. Edited with ... a Biographical Introduction<br />
by George P. Baker, . . . New York, 1894, p. ix.<br />
' Vol. ii. p. 206,1. 14: ' The elder sister the Princes Marie, succeeded as next heire<br />
to the crowne .. . touching whose life I can say little bicause I was scarse borne,<br />
and what others say, of me shalbe forborne.'
PARENTAGE 3<br />
' I was borne in the wylde of Kent 1, of honest Parents, and worshipfull,<br />
whose tender cares, (if the fondnesse of parents may be so termed) prouided<br />
all things euen from my very cradell, vntil their graues, that might either<br />
bring me vp in good letters, or make me heire to great lyuings. I (without<br />
arrogancie be it spoken) was not inferiour in wit to manye, which finding<br />
in my selfe, I flattered my selfe, but in y e ende, decerned my selfe: For<br />
being of the age of .xx. ycarcs, there was no trade or kinde of lyfe that<br />
either fitted my humour or serued my tourne, but the Court: thinking<br />
that place the onely meanes to clymbe high, and sit sure: Wherin<br />
I followed the vaine of young Souldiours, who iudge nothing sweeter then<br />
warre til they feele the weight. I was there enterteined as well by the great<br />
friends my father made, as by mine own forwardnesse, where it being now<br />
but Honnie Moone, I endeauoured to courte it with a grace, (almost past<br />
grace,) laying more on my backe then my friendes could wel beare, hauing<br />
many times a braue cloke and a thredbare purse 2.'<br />
Fidus continues:—<br />
' Who so conuersant with the Ladyes as I ? who so pleasaunt ? who more<br />
prodigall? In-somuch as I thought the time lost, which was not spent either<br />
in their company with delight, or for their company in letters. Among all<br />
the troupe of gallant Gentle-men, 1 singled out one (in whome I mysliked<br />
nothing but his grauitie) that aboue all I meant to trust'<br />
—and thereupon Fidus details the wise advice given by this gentleman<br />
as to his bearing. In due course he falls in love with a beautiful girl<br />
attached to the Court, to whom he gives the fictitious name of Iffida,<br />
and who is described as paying a country-visit near Fidus' own home :<br />
' And in this iourney I founde good Fortune so fauourable, yt hir abiding<br />
was within two miles of my Fathers mantion house, my parents<br />
being of great familiaritie with the Gentleman where my Mda lay'<br />
(Vol. ii. p. 54,1. 3). Returning home in pursuit of her, Fidus finds her,<br />
1 This seems to be the origin of Cooper's definite statement (Athenae Cantabrigienses,<br />
ii. 325) that Lyly himself was ' born in the Weald of Kent,' a term applicable<br />
to the whole wide valley between the ranges of the North and South Downs, and<br />
including the towns of Tonbridge, Ashford and Maidstone.<br />
2 Euphues and his England, vol. ii. p. 49. I have italicized one or two expressions<br />
that may possess autobiographical significance. The reader should compare with<br />
this statement of Fidus, which entirely tallies with what we know of Lyly, the<br />
later mention by Euphues of his own introduction at Court, in the Glasse,<br />
p. 198, 1. 24 : 'It was my fortune to be acquaIted with certaine English Gentlemen,<br />
which brought mee to the court, wher when I came, I was driuen into a maze to<br />
behold the lusty & braue gallants, the beutiful & chast Ladies, y° rare &<br />
godly orders, so as I could not tel whether I should most comend vertue or<br />
brauery. At the last coming oftner thether, then it beseemed one of my degree, yet<br />
not so often as they desired my company, I began to prye after theyr manners,<br />
natures, and lyues, and that which followeth I saw, where-of who so doubtcth,<br />
I will sweare.'<br />
B 2
4 LIFE OF JOHN LYLY<br />
with other ladies, a guest at his father's house; and from his description<br />
of the evening it is clear that Iffida, though 'the best in the<br />
companye, and at all assayes [at all events] too good for me'<br />
(p. 58,1. 14), is not separated from himself by any marked social gulf.<br />
Fidus' father hunts (p. 63, 1. 27), and has a taste for social pastimes;<br />
and in the contest of wits between Iffida and Fidus supports the lady,<br />
' whether it were to flatter hir, or for feare to offend hir, or that he<br />
loued money himselfe better then either wit or beautie [the three<br />
subjects of discussion]. And our conclusions thus ended, she<br />
accompanied with hir gentlewomen and other hir seruaunts, went to<br />
hir Vncles, hauing taried a day longer with my father, then she<br />
appoynted' (p. 72, 1. 25). Though Fidus is anxious to conceal his<br />
passion from his father (p. 69,1. 23), it is clear from all this, and from<br />
her subsequent coming to nurse him in his illness, that they are<br />
approximately of the same social position; indeed Fidus, in an<br />
angry moment, allows himself to say, ' If I should compare my bloud<br />
with thy birth, I am as noble: if my wealth with thine, as rich'<br />
(p. 66, 1. 10). Without insisting on a literal correspondence of the<br />
fiction with fact, we shall perhaps be justified in concluding that our<br />
author, described in the Oxford Register as plebeii Jilius, was the<br />
son of a substantial yeoman, whose wealth and degree of cultivation<br />
had raised him into the class of the landed gentry. So much at<br />
least is inferable from Lyly's known connexion, before his book<br />
had made him famous, with two important patrons, Burleigh, to wit,<br />
and Lord de la Warre, to the latter of whom he dedicates it.<br />
His precise birthplace must still remain uncertain. Tonbridge<br />
and Ashford, both within the Weald of Kent, are barely alluded to<br />
in Mother Bombte, his one play of contemporary life; as also is<br />
Canterbury, while 'the scene is laid at Rochester—though neither<br />
of these can be included in the Weald. The parish register of<br />
Tonbridge, which is older than 1553, yields nothing to help us; that<br />
of Ashford only dates from 1570; and in that of Maidstone, also<br />
just within the Weald, there is, the vicar informs me, hiatus valde<br />
deflendus from 1551 to 1558, which covers the possible period for<br />
Lyly's birth. There is no prima facie reason, perhaps, why he should<br />
be born at any of these towns rather than at one of the numerous<br />
villages scattered over the county: but the Record Office has<br />
supplied me with some reason for preferring Maidstone, in an old<br />
Crown lease, endorsed '13th Feby xiiij Eliz.' i.e. Feb. 13, 1571-2,<br />
which leases a farmer's barn, garden, and about eighteen acres of
BOYHOOD 5<br />
land, part of the Manor of Boxley in Kent (a village 2 1 miles to the<br />
north-east of Maidstone), for twenty-one years to William Lyllye, at<br />
a rent of £20 per annum; he to be responsible for repairs, for<br />
which he may take materials from the woods and ground 1. Here<br />
at least is a Lyly living at or near Maidstone in 1572, within such<br />
easy reach (34 miles) as would invite the trips made from the capital<br />
by Fidus or by Lyly in 1582, and occupying apparently much the<br />
same social position as is required by the evidence for our author's<br />
father—a yeoman farmer, adding to the land he farms and paying<br />
the substantial rent of £20 for his new acquisition 2 . Boxley parish<br />
register only commences in 1558 ; that of Maidstone, where the farmer<br />
may quite as probably have lived, exhibits the unfortunate gap<br />
above mentioned ; so that we are cut off from our best chance of<br />
obtaining the desired entry of Lyly's birth. By charter of Queen<br />
Elizabeth, dated Dec. 4, 1559, Maidstone had recovered the franchise<br />
it had forfeited for its share in Wyatt's rebellion in 1554, and returned<br />
two members to Parliament. The same charter empowered the<br />
Corporation to make regulations for the government of the masters<br />
and scholars of the new school, for which land had been acquired<br />
in the time of Edward VI. The earliest schoolmaster was Thomas<br />
Cole 8 . If my surmise is correct, it would be here that our alter<br />
Tullius Anglorum imbibed his rudiments; and I find one slight<br />
confirmatory circumstance in Hasted's mention of a valuable vein of<br />
fullers' earth at Boxley, much of which was in 1702 exported for<br />
use of clothiers abroad, a mention which recalls Prisms' fullingmill<br />
in Mother Bombie 4 .<br />
The only other contemporary of the name mentioned by Hasted is<br />
Elizabeth Lilley, wife of Richard Shakerly of Brooke Court or Borough<br />
Court in Ditton, Kent, who bore to him a son John about 1600 and<br />
also a daughter Mary, and who may have been our author's sister<br />
or his niece : one of his own daughters was named Elizabeth.<br />
The other Lillies whom Hasted mentions are of the eighteenth<br />
century.<br />
Some dozen contemporary Wills of various Lyllies or Lillies are<br />
preserved in Somerset House, but their perusal affords nothing that<br />
1 Exchequer Augmentations, Transcripts of Leases, 14 Eliz., vol. xv. No. 82.<br />
3 i.e. about £160 the purchasing power of money in those days being roughly<br />
eight times what it is to-day. See Mr. Sidney Lee's Life of Shakespeare, pp. 3,<br />
197.<br />
3 Hasted's History of Kent (4 vols., 1778-99), ii. 116.<br />
* Act i. sc. 3 ; ii. 5; v. 3.
6 LIFE OF JOHN LYLY<br />
can certainly be relied on as pointing to our author1. Among them<br />
is that of George Lyllye, prebendary of Canterbury, proved 26 July,<br />
1559. He was the son of William, the famous grammarian; and<br />
like him, and our author, an alumnus of Magdalen College, Oxford 2 .<br />
The Will mentions his brothers Peter and Jacob, and his sisters<br />
Margaret and Jane ; but nothing of any William or John. Another<br />
representative of the name is Edmund Lilly, Fellow of Magdalen<br />
from 1564-1579, a person of much independence of view, who<br />
subsequently became Vice-Chancellor, and Master of Balliol College.<br />
Had he been of kin to our author, however, he would probably<br />
have assisted his candidature for a Magdalen fellowship, which<br />
occurred during his tenure of his own; but Lyly expressly says that<br />
he has no aid but Burleigh's to rely on 3 .<br />
I find, then, as sole result of much research, a person of sufficiently<br />
close correspondence to Fidus' father, and to Lyly's circumstances,<br />
in William Lyllye, yeoman of Boxley or Maidstone in Kent. Of<br />
his mother Lyly makes no special mention, nor of any brother or<br />
sister.<br />
With his transfer to Oxford we get upon surer ground. He<br />
entered Magdalen College as a commoner probably in the spring of<br />
1569, when he was just about sixteen years old; and since in 1574<br />
he describes himself as Burleigh's alumnus 4 , and owns obligations to<br />
him, it is possible that he owed his University career to Burleigh's<br />
assistance. For that career we have, besides the Register's record<br />
of his degrees, B.A. April 27, 1573 and M.A. June 1, 15755, the<br />
report of Anthony a Wood some hundred and twenty years later<br />
1 Among them is a judicial decision on the appeal of Mary Lillie of Bromley in<br />
Kent, in 1604, against the Will of her fust cousin, Geoffrey Lyllie, draper, of<br />
St. Sepulchre's parish, London.<br />
The Will of Edward Lyllie, husbandman of Gilden Morden in Cambridgeshire,<br />
which is dated 1599, leaves small legacies of £4, and shares in debts due, to his<br />
brothers John and Richard Lyllie, and other sums to his brothers Henry and<br />
Thomas Lyllie ; while • to my mother Lyllie' he leaves ' twenty shillinges.' It is<br />
possible, of course, that this Edward was a brother of the author, and that their<br />
mother was still living in 1599 ; but more probably the John Lyllie here mentioned<br />
is the yeoman of Bramford in Suffolk, who on May 14, 1590 claims a messuage and<br />
lands in Bramford under a Will of his maternal grandmother, Johan Marsh.<br />
(Proceedings in Chancery', Eliz., vol. ii. p. 177, L. 1. 11, No. 61.)<br />
2 Wood punningly remarks that the College 'was seldom or neuer without<br />
a Lilye' (Ath. Oxon. i. 302, ed. Bliss).<br />
8 See below, p. 14. * Below, p. 13.<br />
5 Registrum Universitatis Oxoniensis (Oxford, 1887), vol. ii. part iii. p. 27,<br />
in the register of Degrees occurs—<br />
'Lillie, John; supplpcat] B.A. 1 Apr., adm[ittitur] 27 Apr. 1573, det[erminat]<br />
I573; suppl. M.A. 19 May, lic[entiatur] 1 June 1575, inc[ipit] 1575.'
AT OXFORD 7<br />
(1691), some spiteful remarks of Gabriel Harvey in a polemical<br />
pamphlet of 1589 1, and further evidence afforded by Lyly's Latin<br />
letter of 1574 and by the First Part of Euphues. Wood writes as<br />
follows:—<br />
'John Lylie, or Lylly, a Kentish man born, became a student in Magd.<br />
coll. in the beginning of 1569, aged 16, or thereabouts, and was afterwards,<br />
as I conceive, either one of the Demies or Clerks of that house ; but<br />
always averse to the crabbed studies of Logic and Philosophy. For so it<br />
was that his genie being naturally bent to the pleasant paths of Poetry (as<br />
if Apollo had given to him a wreath of his own Bays, without snatching or<br />
strugling,) did in a manner neglect Academical studies, yet not so much<br />
but that he took the degrees in Arts, that of Master being compleated<br />
1575. At which time, as he was esteemed in the University a noted Wit,<br />
so afterwards was he in the Court of Q. Elizabeth, where he was also<br />
reputed a rare Poet, witty, comical, and facetious V<br />
Harvey's remarks apply to Lyly's character in general, rather than<br />
to his Oxford career in particular, of which perhaps he knew little<br />
except by hearsay long after it was over3: and his delay in publishing<br />
them, together with his reluctance, perhaps affected, to<br />
break with Lyly altogether, may indicate a consciousness that they<br />
were exaggerated. He vaguely hints at some discreditable relations<br />
4 , alludes to 'his horning, gaming, fooling and knaving 5', and<br />
1 The Aduertisemcnt for Papp-Hatchett and Martin Marprelate is dated<br />
' At Trinitie hall: this fift of Nouember: 1589', though it first appeared in print<br />
as the Second Book of Pierce's Supererogation, 1593.<br />
2 Athenae Oxonienses, 1691, fol., vol. i. col. 256 (ed. Bliss, 1813, i. 676). Wood<br />
goes on to enumerate Lyly's works, including The Maides Metamorphosis and<br />
(wrongly) A Warning for Fair Women, and professing himself unable to identify<br />
his alleged Marprelate contribution. He adds : ' What other Books, Comedies, or<br />
Trag. our author hath written, I cannot find, nor when he dyed, or where buried,<br />
only that he lived till towards the latter end of Q. Elizabeth, if not byond, for he<br />
was in being in 1597, when the Woman in the Moon was published.'<br />
3 Harvey, then Master of Trinity Hall, M.A. and LL.D. of Cambridge, is<br />
licensed D.C.L. of Oxford July 13, 1585 (Registrum Univ. Oxon. vol. ii. part ii.<br />
p. 349). His personal acquaintance with Lyly seems to have been formed in London<br />
about 1578. See below, pp. 17-18.<br />
4 Pierce 's Supererogation, reprinted in Brydges' Archaica, vol. ii. p. 135 (or<br />
Grosart's ed. of Harvey's Works, vol. ii. p. 210): 'It is somebody's fortune<br />
to be haunted with back friends ; and I could report a strange dialogue betwixt the<br />
Clerk of Backchurch and the Chaunter of Pancridge that would make the better<br />
vizard of the two to blush.' ' Back friends ' is equivalent to back-biters, unavowed<br />
enemies who pretend friendship ; and by ' the Clerk of Backchurch' Harvey means<br />
that Lyly is a leader among scandal-mongers. If, however, Lyly is to be identified<br />
with ' the Chaunter of Pancridge,' the passage shows that on his first coming to<br />
London he turned his musical talent to account. Pancridge is St. Pancras, as in<br />
Ben Jonson's Tale of a Tub, ii. 1.<br />
5 Ibid. p. 84 (ed. Grosart, ii. 129).
8 LIFE OF JOHN LYLY<br />
stigmatizes Pappe as 'the fruit of an addle and lewd wit, long<br />
since dedicated to a dissolute and desperate licentiousness V And<br />
on an earlier page he says :—<br />
' They were much deceived in him at Oxford and in the Savoy, when<br />
Master Absalon lived, that took him only for a dapper and deft companion,<br />
or a pert conceited youth, that had gathered together a few pretty sentences,<br />
and could handsomely help young Euphues to an old simile, and never<br />
thought him any such mighty doer at the sharp 2',<br />
i. e. such a controversialist, ' the sharp' being a duelling-sword as<br />
distinguished from the blunted foil. Again:—<br />
' He hath not played the Vicemaster of Poules, and the Foolemaster of<br />
the Theater for naughtes: himselfe a mad lad as ever twang'd, never<br />
troubled with any substance of witt, or circumstance of honestie, sometime<br />
the fiddlesticke of Oxford, now the very bable of London 3.'<br />
Nash in Haue with you to Saffron Waldron (1596) tells us that<br />
Lyly particularly resented this Oxford allusion : ' With a blacke<br />
sant he meanes shortly to bee att his chamber window, for calling<br />
him the Fiddlestick of Oxford': but his own admission in<br />
Euphues (1578)—'I haue euer thought so supersticiously of wit,<br />
that I feare I haue committed Idolatry against wisdom 4,' and his<br />
representation of Euphues' youthful attitude at Naples, warrant us in<br />
concluding that Harvey's report is substantially correct. We shall<br />
be tolerably safe in supposing that his Oxford life was marked by<br />
a madcap temper, some disregard of the authorities, and some<br />
neglect of prescribed studies.<br />
The actual curriculum in force during his undergraduate days<br />
cannot be fixed with absolute certainty. The successive changes in<br />
religion, involving the ejectment or voluntary departure of many<br />
scholars, and a visitation of the plague in 1563, had greatly disorganized<br />
the University. Wood reports 5 that in 1561 there were<br />
'few Proceeders' or candidates for a degree. Spurred by royal<br />
injunction the University in 1564 set about reforming itself under<br />
its new Chancellor, the Earl of Leicester; special care being taken<br />
to prevent the too liberal granting of dispensations (i.e. exemptions<br />
from compliance with the statutes) or graces (admissions to a degree),<br />
especially in Divinity, Law or Physic, without good evidence that<br />
the requisite exercises had been performed 6 . These three faculties,<br />
1<br />
Pierce's Supererogation, in Archaica, ii. p. 141, or ed. Grosart, ii. 220.<br />
2 Ibid. p. 84 (ed. Grosart, ii. 128). 3 Ibid. p. 137 (ed. Grosart, ii. 212).<br />
4 Euphues, p. 196.<br />
5 History and Antiquities of Oxford, ii. p. 147.<br />
6 Ibid. p. 153.
COURSE OF STUDY 9<br />
on all of which Lyly touches in his ' Cooling Card to Philautus1,' were<br />
almost invariably preceded by the two degrees in the Faculty of Arts,<br />
in which the subjects studied were—for the B.A., Grammar, Logic<br />
and Rhetoric; for the M.A., Natural and Moral Philosophy. Four<br />
years' residence from the time of admission was necessary before the<br />
B.A. could be taken; and three more between the B.A. and M.A.,<br />
the latter involving its separate course of study, and not granted, as<br />
to-day, after a lapse of two years, without fresh examination, on the<br />
mere payment of fees 2 . On his entry at Magdalen College Lyly<br />
would probably be entrusted to the care of the ' instructor in grammar,'<br />
or Master of the College School. He does not appear in the<br />
list of choristers or clerks, whose names are preserved from 1553<br />
onwards; but his musical taste suggests the possibility that he<br />
may have been one, at least for a time. Wood tells us that<br />
William Camden, the antiquary, came to Magdalen as a chorister or<br />
1 Euphues, p. 251.<br />
2 The regulations governing a student's life at Oxford during the fifty years 1570-<br />
1620 are lucidly detailed by Mr. Andrew Claik in the 'Introductions' which fill<br />
vol. ii. part 1. of the Registrum Universitatis Oxoniensis (Oxford, 1887): but he<br />
lays stress at the outset on the changes, formal and tacit, that University institutions<br />
were at this time undergoing, and the progress he describes is supposed as that of<br />
' a student coming to the Univeisity in any year between 1590 and 1620.' For the<br />
statements made above see pp. 7, 13, 66. On p. 96 Mr. Clark quotes a most<br />
important list of lecturers, or * regent-masters,' whose duty it was to deliver the<br />
ordinary lectures of the University course in 1563; which list is, he tells us, 'the<br />
fullest notice we have at this period of the subjects of these lectures ; nine lectures<br />
with (practically) three lectuiers in each subject.' The subjects (1 omit the lecturers)<br />
are as follows : ' 1563, lcctorum ordinariorum designatio. Metaphysics .. . Moral<br />
Philosophy . . . Natural Philosophy . . . Astronomy . . . Geometry . . . Music . . .<br />
Arithmetic. . . Logic . . . Rhetoric . . . Grammar . . .' I append one or two of the<br />
details reproduced by Mr. Clark, p. 98, as bearing on the dislocation of studies during<br />
the time of Lyly's residence. ' 18 Apr. 1567, a committee was appointed to determine<br />
"tempus et modum legendi et audiendi ordinarias lectiones."—23 June 1567, every<br />
" lector ordinarius " was to be fined 12d. for each " lectio " omitted to which he was<br />
bound, of which Sd. was to go to the University and 4d. to the proctors.—7 Dec.<br />
1571, a committee was appointed to provide " de lectionibus ordinariis (ut vocant) "<br />
for next Term, as there had been no comitia in 1571 [at which meeting, towards the<br />
end of the Summer Term, the lecturers for the ensuingyear should have been appointed].<br />
9 Feb. 1571-2, the report of that committee having been received, Convocation<br />
decreed: (1) That all masters created in the last comitia are to remain regents<br />
till the admission to Congregation of the masters created in the next comitia.<br />
(2) But, of these masters, four only (selected by the proctors) shall lecture,<br />
beginning on 25 Feb. and lecturing, on every " dies legibilis " till next comitia, in<br />
Dialectic, Rhetoric, Astronomy and Philosophy. (3) That the proctors shall pay<br />
each of them five shillings, to be collected " ab inceptoribus proxime futuris."—<br />
19 May, 1572, a committee was appointed to nominate persons " qui artes proximo<br />
termino publice profiteantur," "etad mercedem idoneam eisdem allocandam."—<br />
29 June, 1576, a committee was appointed to examine and correct the statutes<br />
41 de lectionibus publicis et exercitiis, and to report to Convocation. They made<br />
their report on 22 Oct. On 16 Nov. 1576, Convocation passed statutes "pro<br />
emendatione tam praelectorum quam auditorum negligentiae. " '
10 LIFE OF JOHN LYLY<br />
servitor in 1566, and perfected himself in grammar, learning at the<br />
College School under Thomas Cooper 1 ; on which Dr. Bloxam<br />
remarks 2 , ' Though his narpe does not appear in the annual list of<br />
choristers, he might have been one for a few months.' In or after<br />
his ninth Term the student would, in ordinary cases, have to dispute<br />
publicly in grammatical or logical subjects, once as opponent, and<br />
once as respondent; and after this initial {pro forma) disputation,<br />
would have to do so once a Term till he took the B.A. 3 Then<br />
would follow more study and disputation in utraque philosophia, i. e.<br />
Moral and Natural, preparatory to the M.A.; coupled with the<br />
delivery of some trial lectures intended to fit him to take a share,<br />
after the assumption of that degree, in the ordinary lecturing work of<br />
the University 4 . The M.A. taken, he might proceed to one of the<br />
higher faculties, Divinity, Law, or Physic. But there is no evidence<br />
that Lyly sought any higher degree than that of M.A., nor yet<br />
that he resided for the full seven years required by the statutes for<br />
that. Dispensations from residence were frequently granted by<br />
Congregation, occasionally for as long as two years, on grounds of<br />
the student's poverty, business, or illness; while the visitations of<br />
the plague sometimes necessitated his absence. Wood relates that<br />
in 1571 a violent plague led to the intermission of all ordinary and<br />
public lectures and exercises between April 26 and Trinity Term,<br />
a period subsequently extended till the last Monday in March 1572 ;<br />
and that Congregation decreed ' that all Exercises performed by the<br />
Oxonian Students in the Country (that is, in the rural Mansions belonging<br />
to the respective Colleges, or elsewhere where they shall think most<br />
fit to live together) should be esteemed as if done in the University 5 .'<br />
We have Lyly's own testimony to an absence of three years early in<br />
his University course in his address ' To the Gentlemen Scholers 6:—<br />
'Yet may 1 of all the rest most condemne Oxford of vnkindnes, of<br />
vice I cannot, who seemed to weane me before she brought me foorth,<br />
and to giue me boanes to gnaw, before I could get the teate to sucke.<br />
Wherin she played the nice mother in seding me into the country to<br />
nurse, where I tyred at a dry breast three yeares, and was at the last<br />
1 Afterwards Bishop of Winchester, author of the Admonition to the People of<br />
England, 1589, and the object of Marprelate attacks. He resigned the mastership of<br />
Magdalen School about March, 1567, to act as tutor to Sir Philip Sidney, so that we<br />
cannot claim him as Lyly's teacher. (Bloxam's Registers of Magd. Coll. vol. iii.<br />
pp. 116-7.)<br />
2 Registers of Magd. Coll. i. 17-28.<br />
s Registrum Univ. Oxon. ii. pt. i. pp. 21, 24. * Ibid. p. 66.<br />
5 Wood's History and Antiquities, ii. 170. 6 Euphues, p. 325.
THREE YEARS' ABSENCE? II<br />
enforced to weane my self. But it was destinie, for if I had not bene<br />
gathered from the tree in the budde, I should beeing blowne haue<br />
proued a blast, and as good it is to bee an addle egge as an idle bird.'<br />
The Rev. H. A. Wilson, the present librarian of Magdalen, in<br />
a most thoughtful and helpful letter of April 29, 1898, suggests to<br />
me that the phrase about 'sending me into the country to nurse,'<br />
like that of 'giuing me boanes to gnaw,' may be merely a metaphor<br />
for leaving him without proper tuition, or may refer to his being ' consigned<br />
in 1569 to the care of the grammar master till his matriculation.'<br />
But I feel it difficult to understand the passage save of<br />
a literal absence from the University. Wood's testimony to a general<br />
exodus caused by the plague affords us a sufficient reason for such<br />
absence, without our having to resort to the explanation that has<br />
been suggested of Lyly's 'rustication,' a punishment, according to<br />
Mr. Wilson, not in use at this date; and the latter affords us valuable<br />
confirmation in the statement—'I find that the College was at<br />
Brackley 1 in July, 1571, when the July election was held there; and<br />
that they returned to Oxford some time in 1572.' The migration of<br />
the College may well have occurred much earlier than this election in<br />
July, 1571, though not perhaps early enough to account for Lyly's<br />
' three yeares.' Another explanation may be that Lyly was, during<br />
the whole or part of this period, engaged in teaching; a means frequently<br />
employed by poor students to eke out their subsistence<br />
during a University course, and a ground on which ' dispensations'<br />
from the full term of residence were frequently granted 2 . There is<br />
no evidence that Lyly was in need of such assistance, but the acquisition<br />
of influential friends may have furnished as powerful a motive;<br />
and it is possible that some such tutorial work may have been the<br />
real origin of his connexion with Lord de la Warre3.<br />
But the passage quoted above seems at least to afford us evidence<br />
that he began his University career by idling. If he does not, like<br />
1 A small market-town on the Ouse in South Northants.<br />
2 Kegistrtitn Univ. Oxon. vol. ii. pt. i. p. 19.<br />
3 The inclusion in Euphnes of Plutarch s treatise on Education, and the nature of<br />
some of Lyly's changes or additions therein, support the idea that before 1578 he<br />
had seen some educational work. See Notes, p. 353; and cf. especially p. 267,1. 35 ;<br />
about money wasted on sport and grudged for a son's education ; p. 270, 1. 12, 'It is<br />
vertue maketh gentlemen ' (cf.the rebuke of Alcius, pp. 316-8, for pride of rank, while<br />
Guevara had lectured Epesipo rather for pride in his appearance;; p. 276,1. 30, his<br />
recommendation of exercise to relieve mental strain ; pp. 281-2, his strong sense<br />
of the opposition between the tutor's influence and that of flatterers—these things,<br />
not contained in Plutarch, or not pushed to nearly the same length, seem to me<br />
eloquent of personal experience.
12 LIFE OF JOHN LYLY<br />
Milton at Cambridge some sixty years later, venture to criticize the<br />
curriculum then in force, it was perhaps because he was uncertain<br />
what it embraced. His attack on Athens 1, for which, in spite of his<br />
disclaimer, we may read Oxford, concerns the morals and discipline<br />
rather than the studies of the place, and loses much of its force from<br />
one of Lyly's reputation as a madcap. It should, I think, be regarded<br />
as mainly an ebullition of personal spite, which chose to<br />
substitute the government of the University as a whole for the<br />
Magdalen dons against whom he had some real or fancied grievance.<br />
But it by no means follows that his Oxford career was wasted because<br />
he did not quite fit the bed of the University Procrustes. Gerard<br />
Langbaine, writing at Oxford in the same year as Wood, 1691, though<br />
not specially of his University career, tells us Lyly ' was a very close<br />
student, and much addicted to Poetry V Probably on his return to<br />
Oxford, before he took his B.A., which he did April 27, 1573, he<br />
buckled down to hard work. At any rate, the sources from which he<br />
borrowed in his plays, the plentiful use of Plutarch and Pliny in<br />
Euphues, and the classical allusions sown thickly over all his writings,<br />
are proof that, if he did not exhibit ardour precisely where the<br />
authorities expected it, he read much, and remembered it.<br />
Since he took his M.A. on June 1, 1575, in little more than two<br />
years after the B.A., he must have been dispensed by Congregation<br />
from one year's residence. In the previous year we have direct personal<br />
record of him in the shape of a Latin letter addressed to Lord<br />
Burleigh. In the opening words he describes himself as Burleigh's<br />
alumnus, and alludes to some specific favours shown him by the<br />
Lord Treasurer. The fact that the Kentish yeoman's son should be<br />
writing in 1574 to one of the chief personages in the realm, as well<br />
as the purport of the letter, reminds us of ' the great friends' of Fidus*<br />
father, and confirms us in the belief that Fidus' visit to Court at<br />
* the age of .xx. yeares 3 ' is autobiographical. Engaged, perhaps, in<br />
some tutorial capacity by Lord de la Warre or some other nobleman<br />
during the earlier years of his University course, his social qualities<br />
had procured him an introduction to the Treasurer, to whose bounty<br />
he had been indebted, and whose assistance he now ventures to<br />
invoke in a more important matter. The letter, written in a beautifully<br />
fine and clear round hand, probably by some professional<br />
1 Euphues and his Ephoebus, pp. 273-6.<br />
3 An Account of the English Dramatick Poets (under name).<br />
8 Passage quoted above, p. 3.
SEEKS A MAGDALEN FELLOWSHIP 13<br />
calligraphist, is endorsed ' 16 May, 1574, John Lilie, a scholar of<br />
Oxford, an Epistle For y e Queens letters to Magdalen College to<br />
admit him fellow'; and runs as follows 1 :—<br />
'Viro illustrissimo, et insignissimo Heroi Domino, Burgleo, totius<br />
Anglise Thesaurariæ, Regiae Maiestatis intimis a consilijs, et patrono<br />
suo colendissimo J. L.<br />
' Quod in me tuum alumnum benignitas tua munifica extiterit, (Clarissime<br />
Heros) et vitro ne expectanti quidem studium, operam, et singularem<br />
industriam declaraueris, agnosco pro eo ac decet supplex tuam humanitatem,<br />
et in literarum studiosos pietatem. Quare cum incredibilis<br />
mansuetudo tua, non solum merita, sed spem longe superarit, et quod<br />
meus pudor nunquam rogasset prolixius indulserit, habeo tuo honori<br />
gratias maximas, et vero tantas, quantas meæ facultatulæ referre nunquam<br />
poterunt. Et licet proiectae cuiusdam audaciae et praefrictae<br />
frontis videri possit, iuuenem rudem et temerarium, virum amplissimum<br />
et prudentem, eum cui nee ætatis accessio iudicij maturitatem, nee casta<br />
disciplina integritatem morum, nec artium doctrina sciential supellectilem<br />
est elargita, insignissimum Heroem, pro regni incolumitate, salute reip.,<br />
communium fortunarum defensione, excubantem, rursum iniquis precibus<br />
interpellare, et importunius obstrepere. Tamen cum optimi cuiusque<br />
bonitas commune omnium sit perfugium, subinde percogitans esse animi<br />
excelsi cui multum subuenit ei velle plurimum opitulari, ad tuam amplitudinem<br />
quam perspectam indies, suspectam nunquam, probatam saspius<br />
habui, supplici prece accedo, passis manibus tuam operam, studium,<br />
humanitatem implorans. Haec summa est, in hoc cardo vertitur, haec<br />
1 The letter is here exactly reproduced from the Lansdotvne MS. xix. No. 16, in<br />
the British Museum, without correction of the one or two trifling errors, of punctuation<br />
or other, e.g. ' magistatis, ' obrepre,' ' opæra.' I append a translation of it.<br />
* J. L. to the most illustrious and distinguished Peer,Lord Burleigh, High Treasurer<br />
of England, of the Queen's Majesty's Privy Council, and his own revered patron.<br />
' In the gracious bounty shown, most noble Peer, to me your foster-son, and in<br />
your gratuitous and unlooked-for interest, effort, and extraordinary pains on my<br />
behalf, I recognize with all becoming humility your good and kindly disposition<br />
toward men devoted to learning. And since this inconceivable indulgence of<br />
yours has far surpassed, not merely my deserts, but my hopes, and has granted at<br />
large what my modesty would never have asked, I rest in deepest debt to your<br />
honour, in a degree indeed which must always be beyond my poor opportunities of<br />
repayment. And though it may seem almost the height of boldness and brazen<br />
effrontery for a rash and inexperienced youth, one who lacks the ripe judgement<br />
bestowed by advancing years, the sound character formed by chaste rule of life,<br />
the learned equipment furnished by the teaching of the arts, once more to assail<br />
and rudely importune with troublesome petitions a man of highest excellence<br />
and wisdom, a distinguished Peer, sleeplessly vigilant for the safety of the realm,<br />
the welfare of the State, the protection of all our fortunes; yet seeing that every<br />
great man's goodness is the common refuge—reflecting, moreover, that a lofty soul<br />
delights to overflow in bounty where it has once been generous—I approach with<br />
humble petition that excellence of yours which I have had every day in view, which<br />
I have never doubted, and of which I have experienced many a proof, imploring<br />
with outstretched hands your aid, interest, and kindness. This is the sum, the
14<br />
LIFE OF JOHN LYLY<br />
Helena, vt tua celsitudo dignetur serenissimae regiae magistatis literas<br />
(vt minus latine dicam) mandatorias extorquere, vt ad Magdalenenses<br />
deferantur quo in eorum societatem te duce possim obrepre. his fortunae<br />
nostras tanquam fundamento, tibi tanquam firmamento, connituntur:<br />
Nisi his subleuer, et sustenter, misere corruo, nihil enim potest quod me<br />
consoletur excogitari remedij, nec aliquid esset L. nisi tuus honor tanquam<br />
numen quoddam propitium, aut sacra anchora, aut salutare sydus,<br />
et Cynosura praeluxerit. Adeoque meum corpus tuo honori, et tenues<br />
fortunas tuae voluntati, et animum ad tua mandata conficienda habes<br />
expeditissimum. Quare in quern saepe celsitudo tua benefica, opaera<br />
parata, studium semper promptum fuerit, eundem hoc tempore supplicem<br />
et ad pedes tuos abiectum pro solita tua et incredibili humanitate subleuato.<br />
ego interim supplices manus ad deum Opt. & Max. tendam vt<br />
beneficentia Alexandrum, humanitate Traianum, etate Nestorem, inuicta<br />
mentis celsitudine Camillum, Salamong prudentia, Dauidem sanctimonia,<br />
Josiam religionis collapsae instaurandae, et incorruptae conseruandae<br />
cura, possis adaequare. Hoc interim promitto et spondeo meam nec in<br />
imbibendis artibus curam, nee in referenda gratia animum, nec in perferendo<br />
labore industriam, nec in propaganda tua laude studium, nec<br />
religionem in officio, nec fidem in obsequio, vnquam defuturam. Vale.<br />
' Tuas amplitudinis obseruantissimus<br />
'Joannes. Lilius.'<br />
That the aid Lyly thus invoked was not much out of the common<br />
course is clear from a letter to Burleigh from the Vice-Chancellor and<br />
Heads of Cambridge Colleges, dated March 22, 1579, and presented<br />
by Dr. Still himself, complaining of an abuse of the practice; to<br />
which Burleigh made courteous reply, acknowledging that unwarrant-<br />
cardinal point, the grand occasion—that your highness would deign to procure Her<br />
Most Gracious Majesty's mandatory letters (excuse the defect of latinity) to the<br />
authorities of Magdalen, that so under your auspices I may be quietly admitted as<br />
Fellow there. Such letters are as it were the strong foundation, you the lofty<br />
framewoik, to support my fortunes. Without this bulwark and buttress I<br />
collapse, I am ruined ; for I can devise no remedy which may give me comfort,<br />
nor would Lyly be aught unless your Honour serve for his protecting deity, his<br />
blessed anchor, his saving constellation and pole-star shining before him. And so<br />
your Honour may command my body's service, dispose of my poor fortunes, and<br />
hold me as willing agent of your bidding. Raise up then with your wonted<br />
inconceivable kindness one toward whom your highness has ever been bounteous, and<br />
ready with help and attention, and who now casts himself suppliant-wise at your feet:<br />
I the while will lift up hands of prayer to the Supreme that Alexander's well-doing,<br />
Trajan's humanity, Nestor's years, Camillus'unshaken loftiness of soul, Solomons<br />
wisdom, David's piety, Josiah's zeal in re-establishing the faith and in keeping it<br />
pure, may be rivalled by your own. This in the meantime I promise and vow that<br />
there shall never be wanting on my part diligence in the acquisition of learning,<br />
a grateful purpose, the effort to carry tasks through, zeal in spreading abroad your<br />
praises, conscientious performance of duty, nor faithful obedience. Farewell.<br />
' Your excellency's most obedient servant,<br />
' JOHN LYLY.'
STATUS IN <strong>THE</strong> COLLEGE 15<br />
able use had been made of the Queen's letters without her knowledge,<br />
but reserving her right to recommend 1 . But Lyly admits that he<br />
stands no chance without such aid ('nec aliquid esset L.'&c.).<br />
Dr. Humphrey, the precise and Puritanical President of Magdalen at<br />
this time, may well be supposed insensible to the merits of music and<br />
wit in an undergraduate—both might be, perhaps had been, employed<br />
to his inconvenience; and the grace of the method which sought<br />
intellectual distinction ' without snatching or strugling' would be<br />
equally likely to escape him. There is, on the whole, a heaven-born<br />
impudence about this scheme for turning the tables on the Magdalen<br />
Common Room that is worthy of the cheekiest page in Lyly's plays.<br />
The ' insignissimus Heros Dominus Burgleus' must have relished<br />
the application; and, while he seems to have declined to invoke the<br />
power of the Crown to pleasure a College scapegrace, remained<br />
Lyly's friend.<br />
Here may best be mentioned the single entry concerning Lyly<br />
which Dr. Bloxam found in the College records, that, namely, of<br />
a debt due by him for commons and batells: ' Mr. Ihon Lillie communarius<br />
debet pro communis et batellis 23s. 1od.' It is found,<br />
Mr. Wilson informs me, in a Bursar's Day-book (or record of charges<br />
for food and drink from the buttery or kitchen) of 1584, and forms<br />
part of the Billa Petitionis or list of debts due to the College in<br />
that year. Mr. Wilson adds, 'But the position of the entry shows<br />
that it was a debt of some standing. It is in that part of the list<br />
which includes debts due before 1579 ; from 1579 onwards the debts<br />
are classed under the years in which they had been added to the list.<br />
. . . Bound up in the same volume there is also the Billa Petitionis<br />
of 1586, and therein it appears that the debt was still due, as indeed<br />
were most of the other debts in that part of the list of 1584. ... In<br />
the earlier entry the word " communarius " is added above the line.<br />
It was perhaps to distinguish him from Edmund Lillie, Fellow from<br />
1564 to 1579: but, taken strictly, the word implies that, though not<br />
a Fellow, he had been admitted to share in the emoluments of the<br />
College, having the " commons " of a Fellow. The Demies were<br />
" semi-communarii," both being distinguished, in 1580, from the<br />
"Socii 2." Probably he was connected with the choir. I leave this<br />
point of his exact status in the College perforce undecided; and<br />
1 Cooper's Annals of Cambridge, ii. 368.<br />
3 Wood, in the passage quoted above, p. 7, conceives that he was at some time<br />
4 one of the Demies or Clerks.'
16 LIFE OF JOHN LYLY<br />
merely note, in regard to the debt, that while there is no certain<br />
evidence whether it was incurred before he took his M.A. in 1575,<br />
or during some later visit paid from Cambridge or London, the large<br />
amount of i1* points to a residence of some weeks.<br />
Disappointed in his hopes of an Oxford fellowship, and sobered,<br />
perhaps, by the dawning perception that a lively wit is not an infallible<br />
aid to a man's advancement, Lyly appears, after taking his M.A.<br />
June 1, 1575, to have repaired to the sister University, and there<br />
pursued his studies. I say ' appears'; for his actual residence at<br />
Cambridge is somewhat problematical. All we actually know is<br />
that he was incorporated M.A. of that University in 1579 2 . Nor, if<br />
we take some period of residence there as proved by Euphues' statement<br />
that he had been in both Universities 3 , and by some allusions<br />
in Pappe with a Hatchett4, need we suppose that he stayed there<br />
long. Gabriel Harvey, bent on discrediting him, has not a malicious<br />
hint to give us in connexion with his Cambridge life. Mutual incorporation<br />
between the two Universities, and indeed between them<br />
and foreign Universities, was common enough 5 . The step extended<br />
a scholar's reputation, and widened his chances of appointments ;<br />
and it was rendered easy by the recognition of Terms kept at one<br />
University as if kept at that in which he sought incorporation, though<br />
doubtless the necessary exercises would have to be performed.<br />
Lyly's incorporation at Cambridge, therefore, is not inconsistent<br />
with his residence elsewhere during the major part of the interval<br />
between 1575 and 1579.<br />
1 We must multiply by eight to arrive at its modern equivalent.<br />
8 Cooper's Athenae Cantabrigimses, ii. 326.<br />
8 Vol. ii. p. 192, 1. 37: 'I was my selfe in either of them, & like them both so<br />
well, that I meane not in the way of controuersie to preferre any for the better in<br />
Englande, but both for the best in the world, sauing this, that Colledges in Oxenford<br />
arc much more stately for the building, and Cambridge much more sumptuous for<br />
the houses in the towne,' &c. Cf. the whole passage.<br />
4 On an early page he alludes to some one, whom he suspects of being Martin<br />
Marprelate, thus: 'the one that I meane, thrust a knife into ones thigh at<br />
Cambridge, the quarrel was about cater-tray, and euer since hee hath quarrelled<br />
about eater-caps.' Gabriel Harvey took his M.A. at Cambridge in 1573. On<br />
the same page ' old Vidgin the cobler' may be a Cambridge reminiscence.<br />
5 Registrum Univ. Oxon. vol. ii. pt. i. pp. 350-62 gives lists of M.A.'s of<br />
Cambridge incorporated as M.A.'s of Oxford, among them • 11 July, 1581, Andros,<br />
Lancelot'; ' 11 July, 1585, Holland, Philemon'; ' 11 Apr. 1588, Robert, Earl of<br />
Essex'; 'June, 1588, Green, Robert' (no degree mentioned) ; ' 10 July, 1593, Meres,<br />
Francis': while at p. 349 we are told that ' 2 July, 1585, Harvey, Gabriel, Master<br />
of Trin. H. Camb., M.A. and LL.D. Camb., asked D.C.L. at Oxford,' and was<br />
licensed on July 13. John Penry, the leader and the victim of the Martinist<br />
controversy, who matriculated at Peterhouse, Cambridge, Dec. 3, 1580, having<br />
graduated B.A. of Cambridge in 1583-4, subsequently became a commoner of St.<br />
Alban's Hall, Oxford, and proceeded M.A. there on July 11,1586. {Dict. Nat, Biog,)
RESIDENCE IN <strong>THE</strong> SAVOY 17<br />
Evidence that he was in fact residing elsewhere during some portion<br />
at least of this period is extant in Gabriel Harvey's statement<br />
that when Euphues was being written, i.e. in 1578 and perhaps<br />
earlier, he knew Lyly ' in the Savoy 1.' The Lancastrian palace of the<br />
Savoy, blown up and burnt in Wat Tyler's rebellion, had been restored<br />
by Henry VII as 'a charitable foundation, to harbour an Hundred<br />
poor People, Sick or Lame, or Travellers'; and from the details<br />
given by Stow 2 of its management during the reigns of Edward,<br />
Mary, and Elizabeth, it is clear that the lax wording of the foundation<br />
stautes and a recommendation from an influential friend would<br />
procure easy admission, for some temporary period at least, of<br />
a needy man of letters or university-student to the benefits of the<br />
Hospice. Moreover from details given in Mr. W. J. Loftie's<br />
Memorials of the Savoy, it appears that various chambers and tenements<br />
in the Savoy precinct were customarily let to tenants, and that<br />
in 1573 Edward de Vere, Earl of Oxford, is over ten pounds in<br />
arrear of rent to the Savoy for two such tenements 3. Oxford, of<br />
course, was Burleigh's son-in-law, having married in December 1571<br />
Anne, his eldest daughter by his first wife Mary, sister of Sir John<br />
Cheeke. Burleigh's own house in the Strand was close to the<br />
Savoy 4 and his influence as Secretary of State on the Government of<br />
the Hospital seems to have been more important than that of any<br />
one else. It is to him that appeal is made in 1570 against the mismanagement<br />
and embezzlement of the funds by Thomas Thurland,<br />
the Master. A commission presided over by Edmund Grindall,<br />
Archbishop of York, deprived Thurland of his office on July 29 of<br />
1 ' Pap-hatchet (for the name of thy good nature is pitifully grown out of request)<br />
thy old acquaintance in the Savoy, when young Euphues hatcht the eggs that his elder<br />
friends laid (Surely Euphues was some way a pretty fellow : would God Lilly had<br />
alwaies been Euphues and never Papp-hatchet), that old acquaintance now somewhat<br />
strangely saluted with a new remembrance, is neither lullabied with thy sweet<br />
Papp, nor scare-crow'd with thy sour Hatchett.' Pierce's Supererogation, Bk. ii.<br />
written in 1589 (Archaica, ii. 82, or Grosarfs ed. of Harvey's Works, vol. ii. p. 124).<br />
To this must be added the later passage (Archaica, ii. p. 84; Grosart, ii. 128)<br />
' They were much deceived in him at Oxford and in the Savoy, when Master<br />
Absalon lived, that took him only for a dapper and deft companion, or a pert<br />
conceited youth,' &c.<br />
2 Survey, i. 210, ed. Strype.<br />
8 Memorials of the Savoy (1878), p. 125, which gives from a document of 15<br />
Elizabeth in the Office of the Receiver-General arrears of rent due for chambers in<br />
the Hospital from divers persons—Sir Ralph Sadler, Thomas Haines, Esq.,<br />
Dorothea Brodbelt, lady of the Privy Chamber, Sir Henry Lee, Ralph Bowes, gent.<br />
—and among them ' From Edward Earl of Oxford, part rent of two tenements<br />
within the Hospital, late in the tenure of John Hurleston, £4, and Barnard<br />
Hampton, 63s. 4d., £10 : 11 : 8.'<br />
4 Ibid. p. 127.<br />
BOND x C
18 LIFE OF JOHN LYLY<br />
that year; but no one was appointed in his stead ; and on April 26,<br />
1574 Burleigh, on his oath to certain articles of reformation, reinstated<br />
him 1. The date of his final disappearance is not absolutely<br />
determined; but Mr. Loftie fixes 1575 or 1577 as the probable date<br />
of Dr. Mount's succession to the office of Master, which he held till<br />
1602 2 . Dr. Mount, then, cannot be the ' Master Absalon' whom<br />
Harvey, writing in 1589, represents as dead. Possibly it is a nickname<br />
expressing Thurland's extravagant and unprincipled character.<br />
The upshot, at any rate, is that in 1577 or earlier Lyly was living,<br />
whether temporarily or permanently, in the Savoy, probably owing his<br />
residence there to Burleigh's interest; and that in this famous old spot<br />
he made the acquaintance of Gabriel Harvey, who was living there<br />
on much the same conditions. A reference to gambling in Pappe 3<br />
gives us a momentary glimpse into one side of the life there; and<br />
when, two pages farther on, Lyly alludes, as a possible champion to<br />
be engaged against Martin, to ' one that shall so translate you out of<br />
French into English, that you will blush and lie by it,' proceeding<br />
immediately to threaten Martin with another antagonist in Harvey,<br />
one is strongly tempted to think of Edmund Spenser as a possible<br />
associate of the two men in the same place. Spenser, who left Cambridge<br />
for the north after taking his M. A. in 1576, came to London<br />
in 1573, probably at his friend Harvey's suggestion. To Harvey he<br />
seems to have owed his introduction to Sidney, and through him to<br />
Sidney's uncle Leicester, from whose house he dates a letter on<br />
Oct. 15, 1579. It is likely enough that Lyly, Harvey's friend,<br />
was known sooner or later to Sidney, Leicester, Spenser—to all<br />
whom Harvey knew; nor after 1579 would he stand in need of<br />
Harvey's introduction to anybody. In support of my identification<br />
1 Memorials of the Savoy (1878), p. 125 : but since a letter survives from the<br />
Archbishop to Burleigh of that same date (Apr. 26) [Lansdowne MS. xix. No 4]<br />
protesting against the reappointment, his restoration would seem to have been<br />
a little later.<br />
2 'His (Thurland's) successor was Dr. [Wm.] Mount, and the date of his<br />
appointment may have been in 1575 or 1577. There are State papers, dated in<br />
both those years, relating to the condition and revenues of the Hospital, which<br />
may have been drawn up on the vacancy. It was during Dr. Mount's incumbency<br />
that the abortive rising of the Earl of Essex took place, and tioops were<br />
stationed in the Savoy, apparently to protect Lord Burleigh [or rather his son<br />
and successor, Sir Robert Cecil. Burleigh died in 1598], whose house, as we have<br />
seen, was opposite. Dr. Mount died apparently in 1602, and was succeeded by<br />
Dr. Neale' (Ibid. p. 127).<br />
3 Vol. iii: ' Why, is not gaming lawful ? I know where there is more play in<br />
the compasse of an Hospital!, than in the circuite of Westchester' (i. e. Chester:<br />
see note ad loc).
EUPHUES, PART L FINISHED SUMMER 1578 19<br />
of this translator ' out of French into English,' I will merely mention<br />
that Spenser had done some such translation, from du Beilay, as<br />
early as 1569, that in 1589, when Pappe was written, he was still<br />
known chiefly as the poet of The Shepheardes Kalender, with its<br />
renderings from Marot, and that, as we shall see later on, some<br />
stanzas of his spoken by Thalia in The Teares of the Muses (publ. in<br />
Complaints, 1591) probably allude to Lyly himself.<br />
Euphues: the Anatomy of Wyt, Lyly's first literary work ', appeared<br />
without date at the close of 1578 ' hatched in the hard winter with<br />
the AlcyonV It was entered on the Stationers' Register by the<br />
publisher, Gabriel Cawood, on December 2 of that year 3 ; and is<br />
spoken of by Lyly as 'lying bound on the Stacioners stall at<br />
Christmas,' in a passage in which alterations made to suit subsequent<br />
editions show that he is referring to his own work 4 . That<br />
he had finished it in the summer of that year (1578) is to be inferred<br />
from the hope expressed at the end of it to have Euphues returned<br />
from his English visit 'within one Summer' (p. 323, 1. 20), compared<br />
with the entry of Euphues and his England, which describes that<br />
visit, in the Stationers' Register, on July 24, 1579 fi , and with Lyly's<br />
own remark in the dedication thereof (vol. ii. p. 4,l.12), ' Of the second<br />
I went a whole yeare big, and yet when euerye one thought me ready<br />
to lye downe, I did then quicken'—the natural interpretation of<br />
which is that in the summer of 1579, a year from the conclusion of<br />
Part I had already elapsed, but Part II, not actually published till the<br />
spring of 1580 6 , had then been hardly begun. The interval of half<br />
a year between the conclusion and the appearance of Part I would<br />
be occupied by the finding of a publisher and the printing of the<br />
work. It is dedicated to 'my very good Lord and Master Sir<br />
William West Knight, Lord Delaware 7 '; it professes to be '; set<br />
1<br />
' Which discourse (right Honorable) I hope you Wil the rather pardon for the<br />
rudenes in that it is the first,'—Dedication to Sir William West, p. 180. * In the like<br />
manner fareth it with me (Right Honourable) who neuer before handling the<br />
pensill, did for my fyrst counterfaite, coulour mine owne Euphues'— Dedication of<br />
Part II to the Earl of Oxford, vol. ii. p. 3,1. 12. There is absolutely no ground for<br />
supposing, with Mr. G. F. Baker, that Endimion preceded Euphues.<br />
1<br />
Vol. ii. p. 5,1. 23. 3 Arber's Transcript, ii. 342.<br />
* Address 'to the Gentlemen Readers,' p. 182: on which passage see my<br />
remarks, ' Bibliography,' pp. 90-1.<br />
5 Transcript, ii. 357.<br />
6 In the address 'To the Gentlemen Readers,' prefixed to Euphues and his<br />
England, vol. ii. p. 11, 1. 11, he tries to excuse the delay—' Secondly, being a great<br />
start from Athens to England, he thought to stay for the advantage of a Leape<br />
yeare, and had not -this yeare leapt with him, I think he had not yet leapt hether.'<br />
7 The family seat of the Wests, lords de la Warre, was at Broadwater in Sussex<br />
(about a mile to the north of the present town of Worthing), in the parish church<br />
C 2
20 LIFE OF JOHN LYLY<br />
foorth' not ' for any deuotion in print, but for dutie which I owe to<br />
my Patrone 1,' and is spoken of later as having been ' sent to a noble<br />
man to nurse, who with great loue brought him vp for a yeareV<br />
This is all there is to be gleaned from Lyly himself; and though it<br />
is possible, as suggested above, that he had held some tutorial post<br />
in Lord de la Warre's household during his Oxford course, we have<br />
no certain evidence of any closer connexion than a permission to<br />
dedicate, a permission generally understood to carry some substantial<br />
recognition of the compliment on the patron's part.<br />
The new novel was an immediate and striking success. Less,<br />
perhaps, for the novelty of the style—which carried to its highest<br />
point the antithetic balance of structure discernible in North's<br />
Diall of Princes', 1557, and much more strongly, and with large<br />
addition of alliterative devices, in Pettie's recent Pallace of Pleasure,<br />
1576— than for its originality of plan and purport, this first considerable<br />
English romance of contemporary life was hailed by the<br />
cultivated classes of society as a welcome change from the interminable<br />
adventures of wandering knights or classical heroes, and<br />
from a portraiture of the fair sex more chivalrous and conventional<br />
than lively or accurate. A spice of satirical flavour was added in<br />
the severe attack on university discipline, delivered in the chapter<br />
entitled Euphues and his Ephoebus, in which, under the anachronism<br />
of ' Athens,' the public had no difficulty in recognizing the author's<br />
own university of Oxford. Novelty, wit, and scandal alike promoted<br />
a sale; a second edition was called for by Midsummer of 1579,<br />
a third by Christmas of that year, and a fourth at Easter of 1580.<br />
To the second Lyly, besides revising the text throughout, made<br />
considerable additions, and appended an address, ' To my verie good<br />
of which village they were successively buried. I cannot find that they had any<br />
property in Kent, though in my Quarterly article of Jan. 1896, I suggested<br />
(wrongly) that Broadwater might link Lyly with Tunbridge Wells, where there<br />
is a Bioadwater Down. William West, born about 1519, and bred up as heir to<br />
his childless uncle Thomas, Lord de la Wane, was disabled from all honours by<br />
Act of Parliament in 1547-8, for attempting to poison that uncle, who did not<br />
die till 1554, when the title became extinct. William served, however, at the<br />
siege of St. Quentin in 1557: on April 10, 1563, he was restored in blood, was<br />
knighted in 1568, and on Feb. 5, 1569-70, is believed to have been cieated by<br />
patent Baron de la Warre. He was summoned to Parliament by writs, from<br />
May 8, 1572 to Feb. 19, 1591-2, and sat on the trials of the Duke of Norfolk<br />
(1571-2) and the Earl of Arundel (1589). He married Elizabeth, daughter of<br />
Thomas Strange of Chesterton, and died Dec. 30, 1595. (Dugdale's Baronage;<br />
pp. 139-144, Collins* Peerage of England, iii. 391 sqq., and Diet. Nat. Biog.<br />
vol. lx. p. 344.)<br />
1 Address to the Gentlemen Readers, p. 182.<br />
• Dedication to Part II, vol. ii. p. 4, 1. 28.
DELAY IN COMPOSING PART II 21<br />
friends the Gentlemen Scholers of Oxford'; in which, without<br />
positively retracting, he endeavoured to allay the irritation caused by<br />
his remarks on university life, and suggested that in a forthcoming<br />
sequel should rather be sought his real views on Oxford. Such<br />
a sequel had been promised at the close of the original edition,<br />
without any very definite intention of fulfilment 1 . But the rapid<br />
success of his venture must have soon determined him to continue<br />
working the rich vein he had opened; and by the time the second<br />
edition of The Anatomy of Wyt was issued, its hero was well under<br />
weigh for this country. Had he not been so we should hardly find<br />
the Second Part entered on the Stationers' Register by Gabriel<br />
Cawood on July 24, 1579 2 . But Lyly's clear statement in the<br />
Dedication, vol. ii. p. 4,1. 12, ' Of the second I went a whole yeare big,<br />
and yet when euerye one thought me ready to lye downe, I did<br />
then quicken,' &c, relieves us from all necessity of supposing it then<br />
ready for the press; or of assenting to the reasons invented to<br />
account for the delay to publish (1) by Mr. Fleay 8 , who supposes<br />
that Lyly withheld his book, with its flattery of Elizabeth, and<br />
compliments to Burleigh, because he was disappointed by Tylney's<br />
appointment as Master of the Revels on the same day that Cawood<br />
entered the book (July 24, 1579); (2) by Mr. G. F. Baker 4 , who,<br />
postulating an early connexion between Lyly and Leicester—we<br />
mustn't forget that Leicester was Chancellor of Oxford University<br />
when Lyly was an undergraduate !—asks us to believe that Leicester's<br />
disgrace in August, 1579 induced our author to reserve his work,<br />
and that his partial restoration to favour in September-October<br />
occasioned the composition and performance (all in about three<br />
weeks !) of the play of Endimion. The notion of any candidature<br />
by Lyly for the Revels Mastership so early as 1579, a notion<br />
1 Compare 'I haue finished the first part of Euphues whome now I left readye<br />
to crosse the Seas to Englande, if the wind sende him a shorte cutte you shall in the<br />
seconde part heare what newes he bringeth and I hope to haue him retourned within<br />
one Summer.' Anatomy of Wyt, p. 323,1.15—with Epist. Ded. to Part II (vol. ii.<br />
p. 4,1. 20) ' So I suspecting that Euphues would be carped of some curious Reader,<br />
thought by some false shewe to bringe them in hope of that which then I meant not,<br />
leading them with a longing of a second part, that they might speake well of the<br />
first,' &c; and with the words of the Address (2nd ed. of Part I), 'Euphues . . .<br />
is now on the seas, & how he hath ben tossed I know not, but whereas I had<br />
thought to receiue him at Douer, I must meete him at Hampton,' p. 325, 1. 17,<br />
i. e. Southampton. The stormy weather is alleged in excuse of his non-arrival<br />
by the promised date, summer. 2 Transcript, ii, 357.<br />
8 Biographical Chronicle of the English Stage, vol. ii. p. 37.<br />
4 Biographical Introduction to Endymion the Man in the Moon . . ., edited by<br />
George F. Baker, New York, 1894, pp. xxxiii-vi, lxix-xci.
22 LIFE OF JOHN LYLY<br />
intrinsically improbable, is completely negatived by the final settlement<br />
of the vexed question of the dates of his two petitions to the<br />
Queen, which enables me to date his first vague appointment<br />
definitely in 1585 1, and the idea that Euphues and his England was<br />
finished, or nearly finished, by the summer of 1579, is contradicted<br />
not only by the affair mentioned in the Glasse (vol. ii. p. 207, 1. 32)<br />
of a gun discharged at the Queen's barge, an incident which Camden,<br />
who reports it, clearly intends to represent as occurring at the end<br />
of July 2 , but still more emphatically by the allusion on an earlier<br />
page to Gosson's Ephemerides of Phialo, a book not entered on the<br />
Stationers' Register until November 7, 1579 '. The idea of any<br />
connexion between Leicester and Lyly at this date, an idea which has<br />
really nothing to support it, and Prof. A. W. Ward's easy acceptance<br />
of which is not a little surprising 4 , is sufficiently negatived by the<br />
absence in the Glasse of any eulogy of that statesman, such as<br />
Burleigh receives (vol. ii. p. 198), and by the general opposition<br />
between Leicester and Burleigh, to whose party in the Court Lyly<br />
was certainly at this time attached 5 .<br />
1 See below, pp. 32 sqq.<br />
2 Immediately after narrating the incident (Annals of Elizabeth, 1579, Hist, of<br />
England in 3 vols, fol., ii. p. 471) he proceeds—'Some few days after, the Duke<br />
of Anjou himself arrived privately in England '— a visit known to have occurred<br />
early in August. (Fronde's Hist, of England, xi. 153-4.)<br />
3 Euphues and his England, vol. ii. p. 99, 1. 17 note, and Transcript, ii. 361. It<br />
is just possible that Lyly was the author of Straunge Newes out of Affrick,<br />
a pamphlet in reply to Gosson's Schoole of Abuse, to which the latter devotes<br />
some two and a half folios at the opening of the Ephemerides of Phialo. The<br />
pamphlet is lost, but no writer would correspond so well as Lyly to Gosson's<br />
description of its contents, a description quoted in full in Arber's edition of The<br />
Schoole of Abuse, pp. 62-3. Yet, though Lyly might be willing enough to defend<br />
the stage, the character of his reference to Gosson in this passage of Euphues,<br />
vol. ii. p. 99, is not unfriendly, which it could hardly have avoided being after<br />
Gosson's remarks on Straunge Newes, had he been its author; nor in Playes<br />
Confuted (1582 ?) does Gosson allude at all to Lyly, or to Campaspe or Sapho and<br />
Phao, both of which had, I believe, been performed on the popular stage.<br />
4 English Dramatic Literature (ed. 1900), vol.i. 289-292, and compare Baker's<br />
absurdly weak arguments, Endymion, p. xxxv.<br />
5 The occasion of all this baseless fabric of ingenious conjecture is not merely<br />
the interval between the entry and the publication of the Second Part, but the<br />
discrepancy, first noted by Professor Arber in 1868, between the date of Philautus'<br />
last letter to Euphues (vol. ii. p. 223), ' the first of Februarie. 1579,' i.e. 1579-80,<br />
and the date given at the outset of the book (vol. ii. p. 13) for the commencement of<br />
Euphues' voyage to England, ' the first of December, 1579' J which latter would<br />
demand, since a year or more of time is required by the action of the novel, a date<br />
as late as 1580-1 for Philautus' letter. Mr. Fleay considers that the dates were<br />
originally earlier to suit the intended earlier date of issue, and in this he is<br />
probably right—originally, no doubt, Euphues sailed on Dec. 1, 1578: and he<br />
is right, too, in supposing the discrepancy to have been caused by the necessity<br />
of dating Philautus last letter before the date of actual publication, spring, 1580.<br />
But the motive of altering the first date, which Mr. Fleay thinks done ' to conceal
CAMPASPE BEGUN 1579?<br />
The simple reason for the delay in publishing was that the book<br />
was not finished; and if we consider the length of the work—it is<br />
more than half as long again as Part I—the elaboration of the style<br />
which must absolutely have precluded rapid composition, and Lyly's<br />
own statement1 that, when his friends were expecting its appearance<br />
it was in reality hardly begun, the delay need cause us no surprise.<br />
Moreover, from the number of allusions in the prefatory matter to<br />
the Greek painters, and especially Apelles 2 , and in particular from the<br />
excuse alleged (vol. ii. p. 11,1. 6) for the delay in Euphues' arrival, that<br />
' he loytered, tarying many a month in Italy viewing the Ladyes in<br />
a Painters shop,' I am inclined to believe that the first half of 1579<br />
was occupied, not so much with Euphues and his England, as with<br />
his first dramatic venture Campaspe ; a belief that is confirmed when<br />
I read in Euphues and his England (vol. ii. p. 59,l. 21) that ' Appelles<br />
(Joued) the counterfeit of Campaspe,' a circumstance that cannot be<br />
said to form part of Pliny's brief account 3 , but only of Lyly's play 4 .<br />
But the verbal transcription in the latter of passages from North's<br />
Plutarch, the dedication of which is only dated January 16, 1579-80,<br />
forbid us to suppose the play finished before 1580, or else compel<br />
us to regard it as receiving additions in that or the next year 5.<br />
his disappointment' about the Revels, was simply, I believe, to make it square<br />
with the successive alterations, 'Christmas,' ' Midsomer,' 'Christmas,' made at<br />
p. 182 in the first three editions of Part I. Lyly forgot—or, unable to foiesee<br />
a laborious and ciitical nineteenth century, expected his readers to overlook—that<br />
the other notes of time m the novel do not allow of such a compression.<br />
1 Vol. ii. p. 4, 11. 12-4.<br />
2 Ibid. pp. 5, 6 (twice), 9, &c.<br />
3 De Historia Naturali, lib. xxxv. cap. x.<br />
4 Campaspe, iii. 5, iv. 4, v. 4. Lyly's references to painting are, indeed, of such<br />
a number and character as to suggest that he had some closer acquaintance with<br />
ttie art than could be gleaned merely from a perusal of Pliny's De Pictura. In the<br />
Glasse, vol. ii. p. 194,1.16, he refers, perhaps following Holinshed, to the pointing<br />
of the Englishman, naked, with a pair of shears and a piece of cloth, which was<br />
one of a series of national figures painted by the Fleming, Lucas de Heere (1534?-<br />
1584), in the gallery of the Earl of Lincoln (English Painters, by H. J. Wilmot-<br />
Buxton, p. 20). De Heere was Court painter to both Mary and Elizabeth ; and his<br />
portrait of the latter, attended by Juno, Minerva and Venus, dated 1569, which is<br />
preserved at Hampton Court (No. 635), may have suggested the lines Iouis Elizabeth<br />
with which Lyly concludes his encomium (p. 216). It is likely enough that in 1579<br />
he made De Heere's, or some other painter's, acquaintance, and haunted his studio.<br />
I can trace no painting, miniature, or sketch, which may claim to be the counterfeit<br />
presentment of our author; Mr. Lionel Cust, Director of the National Portrait<br />
Gallery, knows of none such; nor is there any that can be identified with him in<br />
the Hope Collection at Oxford: but in the case of one so well known the probability<br />
seems great that his featuies were preserved in one form or another, either<br />
by De Heere, or by our earliest native painter of note, Nicholas Milliard (1547—<br />
1619), and that such portrait still exists in some private collection, though its<br />
identity may be lost beyond recall.<br />
5 See Campaspe, Sources and Date.<br />
23
24 LIFE OF JOHN LYLY<br />
Euphues and his England appeared, at any rate, with the date<br />
1580 upon its title-page, evidence that it was not published before<br />
March 25 of that year. It proved no less of a success than its<br />
predecessor; a close examination of the surviving early copies<br />
showing that two other editions were printed in the same year, and<br />
one in each of the two following years 1 It was dedicated ' To the<br />
Right Honourable my very good Lorde and Maister Edward de Vere,<br />
Earle of Oxenforde'; and here we have the first authentic indication<br />
of Lyly's connexion with Burleigh's son-in-law, a connexion which<br />
may have begun in the Savoy where, as we saw, Oxford rented<br />
'two tenements,' but which Lyly must in any case have owed to<br />
Burleigh's recommendation. The nature of the connexion is to be<br />
inferred from Lyly's own letter of 1582, and from Harvey's Advertisement<br />
to Pap Hatchet 2 . He was engaged as private secretary to<br />
the Earl, and admitted to his confidence. The two men were much<br />
of an age—Oxford was born in 1550—and had common elements<br />
of character and directions of taste. From the Earl, probably, it<br />
was that Lyly first received the dramatic impulse. None of Oxford's<br />
comedies survive, but Puttenham, writing in 1589, classes him<br />
with Richard Edwardes as 'deseruing the hyest price ... for<br />
Comedy and Enterlude 3 '; and we hear further of a company of<br />
players under his patronage playing at Ipswich, at Cambridge in<br />
1581, and other places', while the Revels Accounts of 1584 record<br />
the performance before the Queen of ' The history of Agamemnon<br />
't Ulisses ... by the Earle of Oxenford his boyes on St. John's daie<br />
at night at Grenewiche 5.' Suggestion, encouragement, and apparatus<br />
thus lay ready to Lyly's hand; and it was natural that he should<br />
turn to comedy, though it is to the St. Paul's and the Chapel<br />
children that his first pieces are entrusted. If Campaspe was composed<br />
in 1579 it may have been performed at the Blackfriars 6 that<br />
1 See under Text and Bibliography, pp. 95-7; and for remaining editions, of<br />
which the seventeenth of either Part was issued in 1636, see Table, pp. 101-5.<br />
a Brydges' Archaica, vol. ii. p. 139, where Harvey says that some expressions<br />
he reproduces from Pappe, 'and a whole sink of such arrant phrases, savour hotly<br />
of the same Lucianical breath, and discover the minion secretary aloof.' (Grosart's<br />
ed. ii. 215.)<br />
3 The Arte of English Poesie, ed. Arber, p. 77.<br />
' Diet, of National Biog, art.' Vere, Edward de, 17th Earl of Oxford.'<br />
5 Cunningham's Extracts, p. 188.<br />
0 Though it has been sufficiently demonstrated that the Blackfriars Theatre was<br />
not at this time in existence, being built in fact by Burbage in 1596-7, yet it is<br />
clear from Lyly's Prologues 'At the Blackfriars,' that his first two plays were<br />
performed at that place. In the deed of feoffment to Burbage, dated Feb. 4, 1596,
LETTER TO WATSON 25<br />
Christmas, or at least at Christmas, 1580, though I believe the<br />
' newyeares day at night' of its first performance at Court to have<br />
been that of 1581-2, and the passages in Act i, borrowed from or<br />
founded on North's Plutarch, cannot have been written before<br />
1580 1. In the summer of 1581, when the futility of Alen'on's suit<br />
of Elizabeth was evident to the Court, Lyly was probably writing<br />
Sapho and Phao; and though her subsequent vacillation may have<br />
caused him to lay it aside, I believe it was finished almost immediately<br />
on Alengon's final departure on February 2, 1582, and produced<br />
at Court by the Paul's and Chapel children conjointly on<br />
'Shroue tewsday,' February 27.<br />
In the spring of this same year, 1582, we have other information<br />
of him in the shape of a letter prefixed to Thomas Watson's 'Eka-<br />
TOfxiraOia or Passionate Centurie of Loue, a collection of a hundred<br />
love-sonnets, dedicated to Lyly's patron the Earl of Oxford, and<br />
entered by Lyly's publisher on the Stationers' Register under date<br />
March 31 2 . Lyly may have known Watson at Oxford: that their<br />
tastes and dispositions were very similar is proved by Anthony a<br />
Wood's very similar statements about them 3 ; and the tone of Lyly's<br />
and quoted in Halliwell-Phillipps' Outlines, i. 299, the property conveyed to<br />
him consists chiefly of ' seaven greate upper romes as they are nowe devided,<br />
being all uppon one flower and sometyme beinge one greate and entire rome.'<br />
Remembering the old connexion of the Revels Office with the Blackfriars in<br />
Sir Thos. Cawarden's time, remembering, too, that in 1596 the Lord Chamberlain's<br />
house is described as being ' neere adjoyning' the property bought by Burbage,<br />
and that until Tylney's appointment in 1579 plays used to be ' recited' before<br />
the Lord Chamberlain himself to obtain his licence, there seems sufficient probability<br />
that some large room in the Blackfriars, and possibly the very one bought<br />
by Burbage as seven rooms, had in 1580-3 and earlier (but long after official<br />
excuse had disappeared with the transference of the Revels Office to St. John's<br />
Priory, near Smithfield), been used for dramatic purposes by connivance of the<br />
Lord Chamberlain or some private personage. The privilege would be doubly<br />
welcome to the players, since the liberties of the Blackfriars were exempt from<br />
the jurisdiction of the Common Council; while the fact of the room being on<br />
private premises would warrant the petitioneis against Burbage's theatre in 1596,<br />
in stating that ' there hath not at any tyme heretofore been used any comon<br />
playhouse within the same precinct.' (Outlines of the Life of Shakespeare, i. 304.)<br />
1 North's dedication to Elizabeth is dated Jan. 16, 1579-80.<br />
2 Arber's Transcript, ii. 409: 'vltimo Die marcij 1582 master Cawoode<br />
Licenced to him vnder the andes of master Recorder and master Dewce Watsons<br />
passions manifestinge the true frenzy of love . .. vj d .'<br />
3 ' Thomas Watson, a Londoner born, did spend some time in this university,<br />
not in logic and philosophy, as he ought to have done; but in the smooth and<br />
pleasant studies of poetry and romance, whereby he obtained an honourable name<br />
among the students in those faculties. Afterward retiring to the metropolis,<br />
studied at common law at riper years. . . . He hath Written other things of that<br />
nature or stiain [i. e. that of Watson's Meliboeus and Amintae Gaudia, previously<br />
referred to], and something pertaining to pastoral, which I have not yet seen, and<br />
was highly valued among ingenious men, in the latter end of Q. Elizabeth.'<br />
(Athenae Oxonunses, i.601 (ed. Bliss, 1813).)
26 LIFE OF JOHN LYLY<br />
letter is that of close intimacy. Most interesting is the allusion to<br />
some former unfortunate flame of his own; of which we have, I believe,<br />
a reflection in the unrequited passion of Fidus for Iffida, in Euphues<br />
and his England, but which Lyly here frankly acknowledges has<br />
ceased to pain him. His tone is quiet and slightly cynical, without<br />
any of the bitterness felt by Euphues or Philautus on their rejection,<br />
respectively, by'Lucilla or Camilla. And he promises to repay his<br />
friend's confidence by imparting to him in private the verses which<br />
his own passion had called forth, but which he has no intention of<br />
printing. Whatever these were—and if we may judge by Cupid and<br />
my Campaspe, they may well have been daintier than anything of<br />
Watson's—they are now irrecoverable. At least it seems clear from<br />
the letter that Lyly is not yet married. I reproduce it from the editio<br />
princeps of Watson's book, where it immediately follows the address<br />
' To the friendly reader,' preceding all commendatory verse by other<br />
writers, among whom is ' G. Peele '.<br />
'JOHN LYLY TO <strong>THE</strong> AUTHOUR HIS FRIEND.<br />
' My good friend, I haue read your new passions, and they haue renewed<br />
mine old pleasures, the which brought to me no lesse delight, the" they<br />
haue done to your selfe commendations. And certes had not one of<br />
mine eies about serious affaires beene watchfull, both by being too too<br />
busie had beene wanton : such is the nature of persuading pleasure, that<br />
it melteth the marrowe before it scorch the skin, and burneth before it<br />
warmeth: Not vnlike vnto the oyle of leat, which rotteth the bone and<br />
neuer ranckleth the flesh, or the Scarab flies, which enter into the roote<br />
and neuer touch the rinde.<br />
' And whereas you desire to haue my opinion, you may imagine that my<br />
stomake is rather cloyed, then quesie, & therfore mine appetite of lesse<br />
force the mine affection, fearing rather a surfet of sweetenes, then desiring<br />
a satisfying. The repeating of Loue, wrought in me a remembrance of<br />
liking, but serching the very vaines of my hearte, I could finde nothing<br />
but a broad scarre, where I left a deepe wounde : and loose stringes,<br />
where I tyed hard knots: and a table of Steele, where I framed a plot<br />
of wax. •<br />
' Whereby I noted that young swannes are grey, & the olde white, youg<br />
trees tender, & the old tough, young me amorous, & growing in yeeres,<br />
either wiser or warier. The Corall in the water is a softe weede, on the<br />
land a hard stone: a sworde frieth in the fire like a blacke ele, but layd<br />
in earth like white snowe : the heart in loue is altogether passionate, but<br />
free from desire, altogether carelesse.<br />
' But it is not my intent to inueigh against loue, which wome* account<br />
but a bare word, & that me reuerence as the best God: onely this I would
ATTITUDE TOWARDS LOVE 27<br />
add without offence to Gentlewomen, that were not men more supersticious<br />
in their praises, the" wome are constant in their passions: Loue<br />
would either shortly be worne out of vse, or men out of loue, or women<br />
out of lightnes. I ca codemne none but by coiecture, nor commend any<br />
but by lying, yet suspicion is as free as thought, and as farre as I see as<br />
necessary, as credulitie.<br />
' Touching your Mistres I must needes thinke well, seeing you haue<br />
written so well, but as false glasses shewe the fairest faces, so fine gloses<br />
ame"d the baddest fancies. Apelles painted the Phenix by hearesay not<br />
by sight, and Lysippus engraued Vulcan with a streight legge, whome<br />
nature framed with a poult 1 foote, which proueth men to be of greater<br />
affection then judgement. But in that so aptly you haue varied vppon<br />
women, I will not vary from you, so confesse I must, and if I should not,<br />
yet mought I be compelled, that to Loue were the sweetest thing in the<br />
earth: If women were the faithfullest, & that women would be more<br />
constant if men were more wise.<br />
' And seeing you haue vsed mee so friendly, as to make me acquainted<br />
with your passions, I will shortly make you pryuie to mine, which I woulde<br />
be loth the printer shoulde see, for that my fancies being neuer so crooked<br />
he would put the in streight lines, vnfit for my humor, necessarie for his<br />
art, who setteth downe, blinde, in as many letters as seeing.<br />
'Farewell.'<br />
In the ' serious affaires,' about which he professes himself ' watchfull,'<br />
we may perhaps recognize the oncoming of the difference<br />
between him and his patron which is the subject of his letter to<br />
Burleigh in the following July. The most natural interpretation of<br />
that letter is that some person had charged Lyly with a falsification<br />
of accounts or appropriation of moneys ; but the accusation may<br />
equally well have referred to some want of openness in dealing, some<br />
breach of the Earl's confidence, or possibly some unfavourable<br />
criticism passed on him behind his back. Lyly seems a little<br />
uncertain with what precisely he is charged; and the whole affair<br />
may be nothing more than an ebullition of gloomy and suspicious<br />
temper on the part of Oxford, who was at this very time confined<br />
by the Queen's order to his own house, on account of a quarrel<br />
between himself and a gentleman of the privy chamber, Thomas<br />
Knyvet, which had already led to the wounding of both the principals<br />
and the death of a retainer on either side 2 . Whatever the cause, it<br />
does not appear that Lyly had at the time of writing been actually<br />
1<br />
poult foote, club-foot, literally chicken-foot. Again of Vulcan, Euphues,<br />
PP- 179, 239-<br />
2 Diet. Mat. Biog., art. ' Vere, Edward de.'
28 LIFE OF JOHN LYLY<br />
dismissed, nor can we be sure that he ever was so. The letter, as<br />
has been remarked, has the ring of honesty; and from Harvey's<br />
expression ' the minion secretary' in 1589 1 we might even infer that<br />
he still held his post, though I think it more probable that he<br />
resigned it on his assumption of duties in the Revels Office in or<br />
about 1585.<br />
The letter is written in a natural and legible hand, very different<br />
to the fine copperplate of the Latin epistle of 1574, and is probably<br />
Lyly's autograph. It is endorsed, presumably by Burleigh's secretary,<br />
' Julij 1582, John Lilly to my L.', and superscribed<br />
' To y e right honorable, y e L. Burleigh, L. high Tresorer of England.<br />
' My duetie (right honorable) in most humble manner remembred.<br />
' It hath plesed my Lord vpon what colour I cannot tell, certaine I am<br />
vpon no cause, to be displesed wt me, y e grief wherof is more then the<br />
losse can be. But seeing I am to Hue in y e world, I must also be iudged<br />
by the world, for that an honest seruaunt must be such as Caesar wold<br />
haue his wif, not only free from synne, but from suspicion. And for that<br />
I wish nothing more then to commit all my waies to yo r wisdome, and<br />
the deuises of others to yo r iudgment, I heere yeld both my self and my<br />
soule, the one to be tried by yo r honnor, the other by the iustic of god.<br />
and I doubt not but my dealings being sifted, the world shall find whit<br />
meale, wher others thought to shew cours branne. It may be manie<br />
things wil be obiected, but yt any thing can be proued I doubt, I know<br />
yo r L. will soone smell deuises from simplicity, trueth from trecherie,<br />
factions from iust servic. And god is my witnes, before whome I speak,<br />
and before whome for my speach I shall aunswer, y t all my thoughtes<br />
concerning my L. haue byne ever reuerent, and almost relligious. How<br />
I haue dealt god knoweth and my Lady can coniecture, so faithfullie,<br />
as I am as vnspotted for dishonestie, as a suckling from theft. This<br />
conscinc of myne maketh me presume to stand to all trialls, ether of<br />
accomptes, or counsell, in the one I neuer vsed falshood, nor in the<br />
other dissembling, my most humble suit therefore vnto yor L. is yt my<br />
accusations be not smothered and I choaked in y e smoak, but that they<br />
maie be tried in y e fire, and I will stand to the heat. And my only<br />
comfort is, yt he yt is 2 wis shall iudg trueth, whos nakednes shall manifest<br />
her noblenes. But I will not troble yo r honorable eares w ts so meinie<br />
idle wordes only this vpon my knees I ask, yt yo r L. will vousalf to talk<br />
wt me, and in all things will I shew my self so honest, y t my disgrac shall<br />
bring to yo r L. as great rneruell, as it hath done to me grief, and so<br />
1 Brydges' Arckaica, ii. 139; Grosart's ed. of Harvey's Works, ii. 215.<br />
2 'is' is repeated in the MS.<br />
8 ' wt' is preceded in the MS. by ' but' erased, and followed by ' so ' which<br />
Fairholt (vol. i. p. xv) omits.
IN DISGRACE WITH LORD OXFORD 29<br />
thoroughly will I satisfie everie obicction, yt yo r L. shall think me faithfull,<br />
though infortunat. That yo r honnor rest p'suaded of myne honest<br />
mynd, and my Lady of my true servic, that all things may be tried1 to<br />
y e vttermost, is my desire, and the only reward I craue for my iust, (I iust<br />
I dare tearme it) seruic. And thus in all humility submitting my Caus<br />
to yo r wisdome and my Conscinc to y' triall. I commit yo r L. to the<br />
Almghtie.<br />
' Yo r L. most dutifullie to commaund<br />
'Jhon Lyly.'<br />
' for yt I am for some few daies going into the countrie, yf yo r L. be not<br />
at leasure to admitt 2 me to yo r speach, at my returne I will giue my most<br />
dutifull attendaunc, at w ch time, it may be my honesty may ioyne wt yo r<br />
L. wisdome and both preuent, that nðer, wold allow. In the meane<br />
season what color soever be alleged, if I be not honest to my L. and so<br />
meane to bee during his plesure, I desire but yor L. secret opinion, for as<br />
I know 8 my L. to be most honorable, so I besech god in time he be not<br />
abused. Loth I am to be a prophitt, and to be a wiche I loath.<br />
' Most dutifqll to commaund<br />
'JhonLylyV<br />
From his mention of going into the country for a few days we may<br />
perhaps infer, in spite of Fidus' expression 'vntil their graues' in<br />
Eupkues, vol. ii. p. 49,1. 18, that his father in Kent was still alive. The<br />
closing phrase about' a wiche' claims a word. Taken in conjunction<br />
with Harvey's remark in his ' Advertisement 5,' it seems to imply that<br />
dabbling in magic had been made a charge against Lyly; and in spite<br />
of his disclaimer of belief in such arts in Euphues (vol. ii. p. 118,1. 31),<br />
1 In the MS. the word ' tried' is preceded by ' boulted & ' (i. e. sifted) erased.<br />
2 Before the word ' admitt' the MS. has ' conferre ' erased.<br />
3 ' I know' is read by Fairholt, in brackets, in place of words obliterated in the<br />
MS. by the seal, but leaving sufficient trace to confirm the correctness of his<br />
reading.<br />
4 Lansdowne MS. xxxvi, No. 76. I must point out that the language of the<br />
letter is entirely opposed to the idea, commonly entertained hitherto, that Lyly was<br />
directly in Buileigh's employment. The 'your L.' several times addressed is<br />
obviously not the same person as the ' my L.' with whom the writer is in disgrace.<br />
Lyly's real master is Burleigh's son-in-law, Lord Oxford ; Burleigh, through whom<br />
he had obtained the post, and who was Oxford's guardian and constant providence,<br />
is the court to which Lyly appeals; and ' my Lady' is neither the Queen (Mr.<br />
Fleay overlooks the solecism of such a style) nor Lady Burleigh, but Anne, Lady<br />
Oxford, Burleigh's eldest daughter, who died in 1588.<br />
5 Archaica, ii. p. 135 (Grosart's ed. ii. pp. 209, 21 I, 217): 'I know one that<br />
hath written a pamphlet, entitled Cock-a-lilly; or The White Son of the Black<br />
Art . . . he that can tickle Marprelate with taunts [words applied by Lyly to<br />
Harvey in Pappe, see note 2 next page] can twitch double V to the quick' . . . and<br />
(p. 140) he says of this pamphlet 'he that penned (it) saw reason to display the<br />
black artist in his collier colours ': compare, too, ' would fair names [i. e. lily]<br />
were spells and charms against foul affections' (p. 140).
30 LIFE OF JOHN LYLY<br />
his introduction of the matter there, and later in Endimion, as also the<br />
Sibyl in Sapho, the wise woman Mother Bombie (where he is clearly<br />
trying to combat a popular prejudice), and even the Alchemist in<br />
Gallathea, might possibly lend some colour to the absurd accusation.<br />
. Here may best be detailed an occurrence which serves to show<br />
that Lyly, if faithful to his master, was not always perfectly discreet;<br />
one which may, indeed, afford us the clue to his present trouble. In<br />
1580 Gabriel Harvey had published some letters that had passed<br />
between himself and his friend Spenser l ; in the second of which,<br />
dealing with the earthquake, his personal disappointment at failing<br />
to secure the public oratorship at Cambridge had found vent in some<br />
reflections on the University and on Dr. Perne, then Vice-Chancellor,<br />
in particular; while the third letter, also his, had introduced among<br />
his remarks on English versification some satirical hexameters,<br />
entitled Speculum Tusmmsmi, describing an Italianate Englishman.<br />
It appears from what Lyly says in Pappe, and Nash, too, in one of<br />
his pamphlets, that these letters brought Harvey into trouble for<br />
libel 2 . Harvey himself admits that 'The sharpest parte of those<br />
vnlucky Letters was ouer-read at the Councell Table 3'; though he<br />
denies that he suffered imprisonment for them, as Nash had suggested,<br />
the Privy Council being satisfied with an apology.'* And that,' he continues, ' was all the F<br />
that an other company of speciall good fellows (whereof he was none of<br />
the meanest that brauely threatned to coniure vpp one, which should<br />
massacre Martin's wit or should bee lambackd himself with ten yeares<br />
prouision) would needs forsooth verye courtly perswade the Earle of<br />
Oxforde, that something in those Letters, and namely, the Mirrour of<br />
Tuscanismo, was palpably intended against him: whose noble Lordship<br />
1 protest I neuer meante to dishonour with the least preiudicial word of<br />
1 ' Three Proper and Wittie, familiar Letters lately passed between two University<br />
men: touching the Earthquake in Aprill last, and our English reformed versifying<br />
... 1580': they were reissued in June of the same year with the addition of two<br />
others, the first (like the first of the former three) from Spenser, and dated<br />
'Leycester House 5 of Oct. 1579,' and the second from Harvey, both on the subject<br />
of verification. See Grosart's ed. of Harvey's Works, vol. i.<br />
2 Pappe, vol. iii: 'And one will we coniure vp, that writing a familiar Epistle<br />
about the naturall causes of an Earthquake, fell into the bowells of libelling,<br />
which made his eares quake for feare of clipping, he shall tickle you with taunts ;<br />
all his works bound close, are at least sixa sheetes in quaito, & he calls them the<br />
first tome of his familiar Epistle .... If he ioyne with vs, periisti Martin, thy<br />
wit will be massacred: if the toy take him to close with thee, then haue I my wish,<br />
for this tenne yeres haue I lookt to lambacke him.' Cf. Nash's Strange Newes<br />
(Works, ii. 235, 239) and Haue with you (iii. 115).<br />
3 Foure Letters and certaine Sonnets, 1592; Grosart's Harney's Works, i. 180.
CAMPASPE, SAPHO, GAULA<strong>THE</strong>A<br />
my Tongue, or pen, but euer kept a minde full reckoning of many bounden<br />
duties toward The same: and that Fleeting also proued like the<br />
other .... a thing of nothing 1.'<br />
There was plausibility in the suggestion of a satire on Oxford, who<br />
had returned from an Italian tour in 1576 laden with new luxuries<br />
in dress and effeminacies of the toilet; but Harvey here denies the<br />
intention, and accuses Lyly of prompting the Earl's suspicions. He<br />
adds that no consequences followed. Probably he wrote to the<br />
Earl to vindicate himself, and by that letter sowed in Oxford's mind<br />
seeds of distrust of Lyly which bore fruit two years later. The ten<br />
years' grudge against Harvey, which Lyly acknowledges in Pappe<br />
(1589), may refer to some such representations made by Harvey in<br />
1580, or to some earlier grievance, now undiscoverable, which had<br />
possibly occasioned his own tale-bearing.<br />
I have passed lightly over Lyly's debut as a dramatist, but in truth<br />
the step was more important to him, to his contemporaries, and to<br />
ourselves, than the composition of his two novels. Oxford held the<br />
hereditary office of Lord Great Chamberlain, and was besides a special<br />
favourite. Presentation to Majesty would be no difficult thing for<br />
his secretary to compass; while the performance of his first play<br />
before her, probably on Jan. 1, 1581-2, would offer the natural<br />
occasion. In his second effort a classical tale is manipulated with<br />
supreme address to serve the purposes of royal flattery; and though<br />
it deals allegorically with no less a matter than the proposed French<br />
match, it does not seem to have called down the veto of the Master<br />
of the Revels nor the displeasure of the Queen; nor, if any political<br />
sense at all is to be attached to the delay in granting the licence to<br />
print 2 , need we interpret it as more than a sign of due caution in<br />
view of delicate French negotiations still pending. The effect of<br />
these two comedies on their auditors may best be estimated by<br />
a comparison of them with their shiftless, pointless, witless predecessors<br />
8 : and it is reflected in the circumstance that three editions<br />
of Campaspe were called for in the year of its publication (1584),<br />
1 Grosart's Harvey 's Works', p. 183.<br />
2 Stationers' Register (ed. Arber), ii. 430: ' 6 Aprilis 1584 Thomas cadman Lyllye<br />
yt is graunted vnto him yat yf he gett ye commedie of Sappho laufuUy alowed<br />
vnto him. Then none of this cumpanie shall Interrupt him to enjoye yt ... vj d .'<br />
8 For all this, and Lyly's general position and immense importance in the*<br />
drama's development, see the essay prefixed to the Plays, vol. ii. pp. 332 sqq.
32 LIFE OF JOHN LYLY<br />
while both it and Sapho were reprinted in 1591. In his next essay<br />
Lyly turned from history and classical allegory to pastoral. Gallathea,<br />
partly based on an Astrological Discourse issued by Richard Harvey<br />
in 1583, and on Scot's Discoverie of Witchcraft, 1584, reminds us, in<br />
its.allusion to ship-building, of the Commission appointed to overhaul<br />
the navy in the autumn of 1583, and of Burleigh's anxiety about it in<br />
the following spring 1. About the same time the two companies of<br />
children, those of the Chapel and St. Paul's, who had performed<br />
Lyly's earlier plays, seem to have fallen into some disgrace. They<br />
do not appear in the Revels Accounts as contributing to the<br />
Christmas festivities of 1583-4; and we shall probably be right in<br />
considering the publication of Campaspe and Sapho in 1584 as<br />
evidence that they were prohibited from acting, and therefore had<br />
resigned to the printer MSS. whose nting, otherwise, would have<br />
been considered prejudicial to their acting-receipts. On April 1,<br />
1585, Gabriel Cawood, the publisher of Euphues, enters on the<br />
Stationers' Register ' A Commoedie of Titirus and Galathea.' There<br />
is little doubt that this is practically identical with Lyly's Gallathea 2 ;<br />
and the fact of its entry is argument that it had already been played,<br />
if not by the Paul's or Chapel boys, perhaps by those of Lord Oxford.<br />
But no copy of 1585 survives, and it is doubtful whether the printing<br />
was then actually proceeded with. With great probability Mr. Baker<br />
argues 3 that the failure to publish may be connected with the issue<br />
on April 26, 1585, of a writ authorizing Thomas Giles, the Master of<br />
the Paul's Boys to l take vpp' fresh boys for the choir, a writ which<br />
may safely be taken as implying the renewal of their permission to<br />
act *. This would constitute a sufficient motive for either Lyly, or<br />
Giles (and the latter probably held the copyright), withdrawing the<br />
play from the printer with a view to its reproduction ; and the form<br />
in which it eventually appeared, in 1592, is probably a revision of<br />
the play as originally performed 5 .<br />
Other and stronger evidence points to Lyly's direct concernment<br />
in this writ issued to Thomas Giles. Among some references jotted<br />
down by Dr. Bloxam about Lyly, the present librarian of Magdalen<br />
reported to me one to the Calendar of State Papers, Domestic,<br />
1 Act i. sc. 4 ad fin., and Calendar of State Papers, Domestic, 1581-1590, under<br />
dates Oct. 6, Dec. 29, 1583, Jan. 30, Feb. 3, June 28, 1584.<br />
2 Slat. Reg., ed. Arber, ii. 440. Neither title is properly representative of the<br />
play. See introductory matter ('Date') to the play in vol. ii.<br />
3 Biogiaphical Introduction to Endymion (New York, 1894), PP cxxiv sqq.<br />
5 See below, p. 35.<br />
8 See the introductory matter to the play (under ' Date') in vol. ii.
VICE-MASTER OF PAUL'S BOYS, 1585<br />
Dec. 22, 1597; and the verification of that reference 1 has yielded<br />
a letter of the first importance to Lyly's biography, in that it settles<br />
definitely the vexed question of the dates of his two undated petitions<br />
to the Queen. As is well known, the first of those petitions alludes<br />
to a time when Lyly received some appointment in connexion with<br />
the Revels Office, coupled with the vague prospect of attaining in<br />
time to the Mastership, a hope for the fulfilment of which, he<br />
complains, he has waited ten years 2 ; while the second petition<br />
reproaches the Queen in yet bitterer terms—' Thirteen yeares<br />
yo r Hijrhnes Servant; butt yett nothinge.' The letter to which<br />
Dr. Bloxam referred is written to Secretary (Sir Robert) Cecil, dated<br />
Dec. 22, 1597, and says 'I haue not byn importunat, that thes<br />
12 yeres w h vnwearied pacienc have entertayned the p'roguing of her<br />
maties promises ; w ch if in the 13, may conclud wh the Parlement 8 ,<br />
I will think the griefs of tymes past but pastymes.' Obviously this<br />
etter intervenes between the two petitions, and enables us to date<br />
Lyly's first appointment twelve years before it was written, i.e. in<br />
1585, the year to which our account has brought us.<br />
The nature of that appointment is to be inferred from the language<br />
held in the three documents, as well as from some expressions of<br />
Harvey. In the first petition he prays that if after ten years' tempest<br />
he must ' suffer shippwracke of my tymes, my hopes, and my Wittes/<br />
the Queen may at least bestow on him some thatched cottage where he<br />
may * write prayers instead of playes,' and repent that he has ' played<br />
the foole soe longe.' In the letter to Cecil he says—' I find it folly that,<br />
one foot being in the grave, I should have the other on the stage.'<br />
In the second petition he says — ' After many yeares servyce, It<br />
pleased yo r Ma tie to except against Tentes and Toyles: I wishe<br />
that ffor Tentes I might putt in Tenem tes soe should I bee eased<br />
of some Toyles.' And Harvey says—' He hath not played the<br />
Vicemaster of Poules, and the P'oolemaster of the Theater for<br />
naughtes ; himselfe a mad lad, as ever twanged, neuer troubled with<br />
any substance of witt, or circumstance of honestie, sometime the<br />
1 State Papers, Domestic, 1595-1597, vol. cclxv. No. 61.<br />
2 ' I was entertayned yo r Ma tles servant by yo r owne gratious ffavo r stranghthened<br />
wt h Condicons, that I should ayme all my Courses att the Revells; (I dare not<br />
saye, w th a promise, butt a hopeffull Item, of the Reversion) ffor the w oh theis<br />
Tenn yeares, I haue Attended, w th an vnwearyed patience'; see transcript of the<br />
whole of both documents, below, pp. 64, 70.<br />
• Lyly represented Appleby in the Parliament summoned Oct. 24, 1597, and<br />
dissolved Feb. 9, 1597-8: see Parliaments of England, i. (1213-1702), p. 425<br />
(printed 1878). The full text of this letter to Sir Robert Cecil is given below,<br />
pp. 68-9.<br />
BOND 1 D
34 LIFE OF JOHN LYLY<br />
fiddlesticke of Oxford, now the very bable (i. e. bauble) of London ;<br />
would fayne forsooth haue some other esteemed, as all men value<br />
him V These passages, and the surviving plays, are the only direct<br />
evidence we have for deciding the nature of Lyly's avocations. If in<br />
my effort to interpret them the reader feels some tendency to prolixity,<br />
I trust he will pardon it in consideration of the fact that we are<br />
dealing with matters which have not yet been thoroughly explored.<br />
Mr. G. F. Baker is quite right, 1 think, in inferring from the lastquoted<br />
passage that Lyly occupied the post of Thomas Giles'<br />
assistant, or vice-master of the St. Paul's choir-boys. It is probable<br />
that in this capacity he had to teach the lads the elements of Latin ;<br />
perhaps also of logic : so much we may fairly infer from the fun he<br />
endeavours to extract from these subjects in the plays he wrote for<br />
the boys to act 2 . It is also probable that, with his musical faculties,<br />
he had to do with their choir-training. But his chief duty, there<br />
can be little doubt, was to coach them in the acting of plays to be<br />
performed before the Queen; plays rehearsed perhaps, in the first<br />
instance, in the great hall of the Revels Office at the dissolved<br />
Priory of St. John of Jerusalem in Clerkenwell 3 , but given also both<br />
before and after their performance at Court at their own singing-<br />
1 Harvey's Works (ed. Grosart), ii. p. 212 , or Brydges' Archaica, ii. p. 137.<br />
2 It may remove a dotibt if I note here that the cathedial choir-boys do not<br />
seem to have been, ordinarily, attendants of Dean Colet's school, situated at the<br />
east end of the building. That school was expressly founded to teach Greek and<br />
Latin, to which some Hebrew was added. Though intended, perhaps, by its<br />
founder for poor scholars, it very soon came to represent the highest schooltraining<br />
to be had in England at that date, and was on this account attended<br />
chiefly by the sons of citizens of the upper class. See the useful information<br />
about the early slatus of the school collected by the Rev. R. B. Gardiner in his<br />
Admission-Registers of St. Paul's School (Geo. Bell, 1884), pp. 4-5. The line<br />
of training for the St. Paul's choristeis would necessarily be different. Neither<br />
Thomas Giles nor John Lyly appear in the full lists of high-masters and underxnasters,<br />
from the foundation in 1509 onwards, supplied by Mr. Gaidiner; and the<br />
single mention recorded of the choir-boys implies, I think, their separate status and<br />
occupation. It occurs on p. 11, among Mr. Gardiner's 'Fasti,' and runs as<br />
follows:—' 1584. Thomas Gyles, Master of the Quiristers in S t Paul's Cathedral,<br />
is directed to instruct them in the Catechism, Writing and Music; and then suffer<br />
them to resort to St Paul's School that they may learn the principles of Grammar :<br />
and after, as they shall be forwards, learn the said Catechism in Latin, which<br />
before they learned in English, and other good books taught in the said School<br />
(Churton's Life of Nowel, p. 190).' This reads as if a new arrangement, made<br />
perhaps in consequence of their inhibition, which would leave them more time<br />
for serious study. On the removal of that inhibition and Lyly's appointment<br />
as vice-master, their attendance at Colet's school probably ceased, and their<br />
instruction devolved largely on Lyly himself.<br />
8 In Cunningham's Extracts from the Accounts of the Revels at Court, p. 194,<br />
charges are entered for 'candles of all sortes foi the reheisalles and workes at St<br />
Johnest and for ' rushes for the great hall at S t Johnes the M rs Chamber 't office<br />
at the Court/ the latter being distinguished from the former in an earlier entry.
CHOIR-BOYS USED AS ACTORS 35<br />
room, behind the Convocation House at St. Paul's \ to which the<br />
public were admitted on payment. It is most natural to associate<br />
this appointment of Lyly's, which his own statements allow us to fix<br />
in 1585, with the issue of the writ to Thomas Giles on April 26 of<br />
that year 2 . That document, indeed, makes no mention of any<br />
dramatic function contemplated for the boys so taken up; but that<br />
such function was recognized or winked at, and regarded as a proper<br />
means of supplementing the master's salary, is evident from another<br />
important document; a petition, namely, of one Henry Clifton, in<br />
the year 1600 8 , praying for redress against Nathaniel Gyles, master<br />
of the Chapel children, and others who, on the authority of a similar<br />
writ, had taken boys from school, who were not musical, simply for<br />
acting-purposes. The petition alleged that Gyles and his 'confederates,'<br />
when threatened with complaints to the Council,<br />
' said . . that yf the Queene . . . would not beare them fufth in that<br />
accion, she . . . should gett another to execute her comission for them'<br />
(p. 130), and that ' they had aucthoritie sufficient soe to take any noble<br />
mans sonne in this land, and did then & there vse theise speeches, that<br />
were yt not for the benefitt they made by the sayd play howse, whoe would,<br />
should serve the Chappell w th childeren for them' (p. 131, Hist. Lon. Stage).<br />
From this language, and from the fact of the choir-boys of<br />
Windsor, the Chapel, or St. Paul's so frequently appearing before<br />
her, it seems clear that the Queen relied on these choirs not only<br />
for the proper rendering of church-services, but also in part for the<br />
provision of dramatic amusement for herself and her Court; and that<br />
she winked at the practice of the various masters augmenting their<br />
gains by the public acting of their pupils. The connexion between<br />
the choirs and the Revels Office had grown up gradually out of the<br />
dramatic work done by Richard Edwardes, a gentleman of the Chapel,<br />
and William Hunnis, who became master of the Chapel children<br />
in 1566 4 , and was probably quite informal; yet when Elizabeth<br />
1 Boswell's Malone, ii. p. 194; i.e. in the neighbourhood of Paternoster Row.<br />
3 The writ is printed in full by Collier, Hist. Dram. Poet., vol. i. pp. 258-9<br />
note. It professes to be 'Yoven under our Signet at our Manor of Grenewich, the<br />
26 th day of Aprill, in the 27 th yere of our reign,' i.e. 1585, a sovereign's year<br />
counting from the date of accession (Nov. 17, 1558) to the same date in the<br />
following year. It authorizes Thomas Giles 'to take vpp such apte and meete<br />
children, as are most fitt to be instructed and framed in the arte and science of<br />
musicke and singing, ... in anye Cathedral or Collegiate Churche or Churches<br />
and in everye other place or places of this our Realme of England and Wales.'<br />
3 The petition was published in the Athenaeum for Aug. 10,1889, by Mr. James<br />
Greenstreet, and reproduced almost in full in Mr. Fleay's History of the London<br />
Stage, pp. 126 seqq.<br />
4 See Mrs. C. C. Stope's paper on Hunnis in the Athenaeum for March 31, 1900.<br />
D 2
36 LIFE OF JOHN LYLY<br />
enteitained Lyly as her servant, with the injunction that he should<br />
4 aim all his courses at the Revels,' she no doubt expected to reap the<br />
fruit of his musical and dramatic abilities in the shape of plays, masks<br />
or ' deuises' written by himself, and performed under his direction by<br />
the Paul's Boys. All his plays, except The Woman in the Moone,<br />
are described on their title-pages as presented by these children;<br />
though the two earliest, Campaspe and Sapho, are shared with the<br />
Chapel children, for whom they were perhaps rather written, and<br />
the latest, Loves Metamorphosis, was transferred to them in or about<br />
1600. The circumstance of their being written for boys had the<br />
important results for Elizabethan drama that it favoured the free<br />
mingling of farcical with serious or ideal-comic matter, that it revived<br />
for the English stage the Plautine and Terentian type of the witty<br />
and rascally servant (of which, however, Edwardes' Damon and<br />
Pithias had already given some example), and that it caused the<br />
introduction of a number of songs intended to show off the boys'<br />
voices—a lyric element for which we cannot be too grateful. Very<br />
possibly Lyly himself composed the music for these songs; and the<br />
fact that the words, handed to the boys along with the music, were<br />
omitted by him from the MS. copy of the successive plays, may be<br />
the simple explanation of their omission also from the printed quarto<br />
editions. Writing for boys, on the other hand, would not be<br />
favourable to the introduction either of strong passion or subtle<br />
characterization, while it would tend, perhaps, in the direction of<br />
ribaldry and coarseness. Superficiality of tone, however, is a much<br />
more noticeable feature in Lyly's dramas than grossness, from which<br />
they are comparatively free. Probably the most important result<br />
of employing child-actors was histrionic rather than literary. In<br />
days when women were not yet countenanced on the stage, boys<br />
would be far better qualified to render female parts than men, alike<br />
by their stature, their voice, their general fairness and smoothness<br />
of complexion. Above all, these boy-companies supplied a trained<br />
body of actors from which the adult stage might be recruited 1 .<br />
The effect of this early training on the acting of the day must have<br />
been very great: and if some parents objected to the dramatic use<br />
made of their children, others would no doubt welcome it as<br />
1 Compare Hamlet's remark (Act ii. sc. 2. 360) on the unwisdom of the childactors<br />
' exclaiming against their own succession' and ' berattling the common<br />
stages/ i.e. abusing the older players with whom they must shoitly be ranked<br />
themselves.
TAKES AN OCCASIONAL PART 37<br />
opening a career to them after their voices had broken. The sense<br />
of incongruity between their sacred and secular functions, of the irreverence<br />
of rehearsing (as was sometimes done) in consecrated buildings,<br />
and of the impropriety of devoting so much time in the impressionable<br />
years of childhood to occupations so frivolous, was partly deadened,<br />
perhaps, for Elizabethans by that sacred origin which the drama<br />
still clearly recalled, and which had given rise to these practices.<br />
With the complete secularization and growing popularity of the<br />
stage, however, it could not fail to make itself felt, and found at<br />
last official expression in 1626, when the warrant issued to Nathaniel<br />
Gyles for enlisting fresh boys for the Chapel choir, distinctly provides<br />
that they shall not be employed as comedians ! .<br />
Besides writing plays and coaching the boys in them, I conceive<br />
that Lyly, 'the Foolemaster of the Theater,' occasionally took a part<br />
himself. His talk about ' repenting that he has played the fool so<br />
long,' and ' having one foot on the stage while the other is in the<br />
grave,' carries something of the angry sense of one who has<br />
'gone here and there,<br />
And made himself a motley to the view' ;<br />
and Harvey's remark, ' What more easy than to find the man by his<br />
humour, the Midas by his eares, the calf by his tongue,' &c, and<br />
the description of him as one ' that will suffer none to play the Rex<br />
but himselfe,' suggest that in the Long Vacation of 1589 he may<br />
actually have seen his old friend and present opponent in the titlerole<br />
of Midas at the singing-room in Paul's 2 . A function at first<br />
welcome to Lyly's high spirits and love of fun would easily become<br />
distasteful to him as time went on, and may even have somewhat<br />
impaired Elizabeth's sense of his fitness for the more authoritative<br />
position to which he aspired.<br />
But from his statement that the Queen had 'excepted against<br />
Tentes and Toyles,' we must infer a further and more definite<br />
connexion with the Revels Office than would be afforded by the<br />
vice-mastership of the Paul's Boys. In an article written some seven<br />
years ago 8 , I suggested that the phrase ' Tentes and Toyles' was to<br />
be interpreted of the furniture and costumes used in the Court<br />
performances; that Lyly had charge of these and was responsible,<br />
1 Symonds' Shakespeare' s Predecessors, pp. 301-3.<br />
8 Harvey's Works (ed. Grosart), ii. pp. 128, a 215; Arckaica, ii. 84, 139; and<br />
see under 4 Date' of Midas, vol. iii.<br />
3 Printed in the Quarterly Review for Jan. 1896, p. 112.
38<br />
LIFE OF JOHN LYLY<br />
generally, for the mounting of plays and masks at Court. I was not<br />
then aware of the existence of a contemporary Office of Tentes and<br />
Toyles, originally separate and devoted to the custody of the royal<br />
paraphernalia for hunting or camping in war, but later amalgamated<br />
with the Revels Office, an amalgamation partly due no doubt to the<br />
change of sex in the sovereign, and to the perception that much of<br />
the costly material in the hunting-store might be made available for<br />
stage-shows and masks at Court 1 Stow 2 , speaking of the dissolution<br />
of the Priory of St. John of Jerusalem in 1541, says—<br />
' This Priory, Church and House of s t John was preserved from Spoil<br />
or down-pulling so long as King Henry viii Reigned, and was imployed<br />
as a Store House for the Kings Toyls and Tents for hunting, and for the<br />
Wars &.'<br />
He then proceeds to relate the partial destruction of the church by<br />
gunpowder in Edward VI's reign, and its partial restoration under<br />
Mary; but says no more of the other buildings of the Priory, which<br />
the plates in Dugdale's Monasticon 3 show to have been extensive.<br />
Now, though we know that in 1547 the apparel and furniture for<br />
revels and masks at Court had been removed from Warwick Inn to<br />
the dissolved monastery of Blackfriars, 'the whole house, scite or<br />
circuit compass and precinct' of which was granted to Sir Thomas<br />
Cawarden on May 12, 1551 4 , it is clear that a later transference of<br />
the stuff must have been made to St. John's, which is the seat of the<br />
Revels Office all through the period covered by Mr. Cunningham's<br />
Accounts•, at least from 1571 to 1610 5 ; a transference probably<br />
dictated by the intention to amalgamate the properties of the<br />
1 The French toi/es, which led me to the suggestion (though Malone, I find,<br />
mentions the Office), is, it appears, the origin of our ' toil,' a net or snare. Skeat<br />
quotes s.v. from Cotgrave—* toile, cloth, linen cloth, also a staulking-horse of<br />
cloth; toile de araigne, a cob-web; pl. toiles, toils, 01 a hay to inclose or intangle<br />
wild beasts in.'<br />
2 Survey, ed. Strype, Bk. iv. ch. 3, p. 63.<br />
3 Vol. ii. p. 504 (1661).<br />
4 Collier, Hist. Dram. Poet. i. 139.<br />
5 The fees paid to John Dauncey, 'Porter of St Jhons gatte,' which still<br />
stands (to the south of St. John's Square, which occupies the site of the Priory),<br />
commence in the earliest year for which the accounts are recovered, 1571: see<br />
Extracts, pp. 16, 194, 201, 207, and the warrants quoted in Mr. Cunningham's<br />
Introduction, pp. xxi-ii, to allow the Revels officers yearly compensation for<br />
the loss of their official residences through James l's gift of St. John's to Lord<br />
d'Aubigny in 1610. Enrolments, vol. ii. p. 108, 'Whereas William Hunning and<br />
Edward Kyrkham, Officers of the Revells, aie by these Lettres patent ... to have<br />
the use of such houses and lodgings as anciently did belong to either of their<br />
places, Arid whereas upon his Mat 8 gift of the house of St Johns to the Lord<br />
Aubigny they have been dispossessed of the houses and lodgings formerly appointed<br />
to their offices. . . . These are therefore to will and require you to allow unto
OFFICE OF TENTES AND TOYLES 39<br />
Revels Office with the store of Tentes and Toyles already at<br />
St. John's. Of Tentes and Toyles as a special department the<br />
Revels Accounts are silent; but I find a good deal about them in<br />
a MS. which from internal evidence I date in 1573 1 . It is described<br />
in the Catalogue of Lansdowne MSS. as treating ' Of the first institution<br />
of the Revels, and in what respects regulations in the office<br />
should take place.' After setting forth that originally the Prince,<br />
when disposed for pastime, would appoint a different Master of the<br />
Revels as each occasion arose, the document continues—<br />
' It is alleged by some that afterwardes the Revelles togethers with the<br />
Tentes and Toyles was made an office and certen of the kinges hottseholde<br />
servauntes appoynted by patent to have care thereof. Off vvhiche<br />
office there was a Seriaunt [Serjeant] Yeoman groomes etc. . . . John<br />
Barnard . . . was the first Clerke Comptroller of the said office for the<br />
Revelles and Tentes by patent . . .<br />
The Quenes maiestye that nowe [is] devided the said Office into<br />
diverse Offices videlt<br />
The Revelles to Sir Thomas Benger knight.<br />
The Tentes to M r Henrye Sakeford of her majesties privie Chamber.<br />
The Toyles to M r Tamworth of her maiesties privie Chamber.<br />
Yf the offices of the Tentes and Toyles might in tyme be vnyted agayne<br />
into the said office of the Revelles The prince might therebye have an<br />
office of better accompte. The officers might also be the better enhabled<br />
to do her Maiestye good service and her highnes charges might somewhat<br />
be dyminished.<br />
The habilitye of the officers of the Revelles for their trust and skill<br />
might sufficiently serve for execucion of anye of the other offices.<br />
The woorkemen servinge in the Revelles may very aptly serve in the<br />
other offices.<br />
either of them fifteen pounds by the year in the Accounts of the Master of the<br />
Revells . . . from Whitehall the 10th of November 1610': and from the next<br />
document quoted it appears that Sir Geprge Buck, the Master, was allowed on<br />
this account £30 a year, to which £20 was added in 1612.<br />
1 Lansdowne MS. 83, No. 59, fols. 158-161, closely written on both sides.<br />
Collier seems to allude to this document (i. 290), but confuses it with others, bound<br />
with it in the MS., of the date 1597. I date it (1) by the absence of any later<br />
name than Sir Thomas Benger as Master, who died in March 1577; (2) by the<br />
fact that, in proposing some ordinances for the conduct of the office, the writer,<br />
while leaving the precise date to be filled in, does not hesitate to give the year<br />
of the reign ('the fiftente'), as expecting that before its expiration the Council<br />
will have accepted or rejected his proposals. They are distinctly propositions,<br />
though they embody some previous regulations or suggestions ; and he heads them<br />
with the following preamble :—' by her highnes with the aduise of her most honorable<br />
pryvye counsel], the daye of Anno dm in the fiftente yere of her<br />
most gracious Reigne appoynted established and stractlye comaunded to be observed<br />
. . . accordinge to certen articles and Jnstruccjons hereunder ly myted,' &c. (fol.<br />
160 recto).
40 LIFE OF JOHN LYLY<br />
The prouision maye be made by one Comission for all.<br />
The storehouses of theym all be presentlye [i. e. at this moment] in<br />
one place.<br />
The Clerke Comptroller and the Clerke of the Revelles have hitherto<br />
bene and yet are officers both for the Revelles and tentes.<br />
Syr Thomas Carden as I am enformed hadde the dealinge of all three<br />
offices at once' (fol. 158).<br />
The writer here advocates the annulling of the formal distinction<br />
between two or three offices which are in practice, so far as the inferior<br />
officers are concerned, identical; but that the formal distinction was<br />
maintained, at least between the Revels on one side, and the Tentes<br />
on the other, is clear from two other documents. The first 1 is<br />
a certificate by William Dethick, Garter King of Arms, and William<br />
Camden, Clarencieux, dated May 20, 1601, and establishing the<br />
position and precedence of ' M r Hen. Sackford, master of tents<br />
and pavilions to the Queen' by a reference to the position assigned<br />
him by the Earl Marshal in the thanksgiving procession to St. Paul's<br />
after the Armada, November 18, 1588 2 . The second document,<br />
originally issued, it seems, before the separation of the Offices, is<br />
thus described 3 :<br />
' March 25, 1560. Westminster. 58. Grant to Thos. Blagrave of the<br />
office of the clerk of the tents and pavilions, also of games, revels, masks,<br />
triumphs, tilts, touriieys, banqueting houses, sports and pastimes, from<br />
the death of Thos. Phelipps, the last clerk ; fee 8s. a day, and 24s. for<br />
a yearly livery, with convenient house, cellar, stable, gardens, &c. to be<br />
assigned by the master of tents and revels. Interlined with a grant of<br />
the same office by James I, 30 May 1603, to IVm. Honings on the death<br />
of Thos. Blagrave [3 sheets, Latin].'<br />
Clearly, while the two Offices had remained nominally distinct, each<br />
boasting its own Master, yet the subordinate officers were the same<br />
for each up to and after James I's accession. Now Lyly's petition<br />
shows that he was wholly or in part responsible for the condition of<br />
the ' Tentes and Toyles,' else would the Queen not have blamed him<br />
on this account; and the posts of Master and of Clerk were occupied,<br />
as we have seen, by Henry Sackford and Thomas Blagrave. There<br />
1 Calendar of State Papers, Domestic, 1601-3, pp. 42-3, vol. cclxxix. No. 86.<br />
2 Burleigh was then Earl Marshal, and his formal list for the order of the procession<br />
is preserved in Harl. MS, 1877, fol. 48. At line 23 we find 'M r of the<br />
Tentes and M r of the Reuells ': they are preceded by ' M r of the Rolls and Lo:<br />
cheife Jjustice of y e Kinges bench,' and followed by ' Lieutenant of thordinance.<br />
Ande M r of the Armorye.'<br />
8 Calendar of State Papers•, Domestic, Addenda, 1547-1565, p. 501, vol. ix. No. 58.
DUTIES AND RECEIPTS OF REVELS OFFICERS 41<br />
remain those of Yeoman and Clerk-Controller; and since the former<br />
was occupied by Edward Kirkham from 1586 to 1612, Lyly must<br />
have filled the latter. In the Revels Accounts, Edward Buggyn is<br />
Clerk-Controller from 1571 to November, 1583 1; but in the year<br />
October, 1584, to October, 1585, though the Clerk-Controller's salary<br />
is entered, Buggyn's name disappears from the accounts, which are<br />
signed by Tylney, Blagrave, and Kirkham only. So, too, in the<br />
period November, 1587, to October, 1588, the next reproduced by<br />
Mr. Cunningham, the salary is paid, but no name is given. The<br />
next batch given covers the year November, 1604, to November,<br />
1605, and Edmond Pagenham is named as Clerk-Controller at that<br />
date; but there seems no reason why Lyly should not have discharged<br />
the duties and drawn the salary from 1585 onwards, for<br />
an indefinite period, though we lack the signature which would<br />
prove it.<br />
The functions of the different officers of the Revels are hardly<br />
distinguishable. An attempt to distinguish, made in the abovequoted<br />
MS. of 1573, leaves no clear result; and it is difficult to<br />
disentangle the writer's suggested reformations from his statements<br />
of existing practice 2 . The Revels Accounts reveal much the same<br />
uncertainty of function. Where Edward Buggyn, the Clerk-Controller,<br />
appears, it is generally as paymaster, but sometimes as<br />
providing designs for masques 3 . Possibly the actual ordering, or<br />
authorizing of purchase, lay with him; but generally speaking, in<br />
view of the ' privitye' or intercommunication of the officers recommended,<br />
the functions of the three subordinates may be supposed<br />
1 Cunningham's Extracts, pp. 16, 172, 186.<br />
2 ' The Clerke Comptroller,' he says, on fol. 159 verso, 'is to be continuallye<br />
attendaunte in the office of the Revelles in the tyme of service who in dede shoulde<br />
have the speciall charge of husbandinge of the stuffe or prouision of the office<br />
and of checke and rate for the princes comoditye but to prouide no stuffe of anye<br />
greate charge to the prince nor deliver the like to be occupyed [i.e. cut up] without<br />
warraunte from the M r or Seriaunte. The Clerke Comptroller to kepe with the<br />
clerke of the same office a Jornall booke of the charge of the office, both their<br />
Joraall bookes to be extant at all tymes of the woorkes in the office to the ende<br />
the M r and Seriaunt maye be alwayes privye therevnto. The Clerke comptroller<br />
to make noe prouision of anye matte? of weight in charge to the Prince without<br />
the consent of the M r and Seriaunte and the privitye of the rest of the officers for<br />
the price.' On fol. 161 v. however, we learn that the actual custody of the properties<br />
devolves rather upon the Yeoman—' Item concernynge the lendinge furthe of<br />
the Quenes Maiesties stuffe in the office of the Revelles The stuffe once made and<br />
put in Inventorye resteth onely in the Yeomans charge who hath the kepinge of<br />
it by patent and therefore the rest of the officers not to be charged for any misdemeano<br />
r concerninge the same Nevertheless suche order may be taken therefore<br />
as shall seeme meete and convenyent.'<br />
3 Exit acts, pp. 173, 182.
42 LIFE OF JOHN LYLY<br />
largely interchangeable. The Clerk-Controller, however, seems to<br />
have been the second official in the Office, though with the same<br />
rate of pay as the Clerk and Yeoman, two shillings per day and<br />
the same per night, so long as the special periods of service lasted,<br />
i.e. (1) at Christmas, Twelfth-tide and Shrove-tide, (2) at the Airing,<br />
or annual review of the properties in the autumn for the purposes of<br />
preservation, repair or readaptation. The Master's pay was at just<br />
double that rate ; his duties including, at least after Tylney's appointment<br />
in 1579, the choice and censorship of plays to be performed<br />
before her Majesty. From November, 1584 to February, 1584-5<br />
the three subordinate officers' pay, reckoned for fifty-one days and<br />
fourteen nights, amounts to ' vj ]i . x s .' apiece : for the ' airing ' period<br />
of 1585, which first concerns Lyly, they are paid, for twenty days<br />
and no night-service, ( xl 8 .' apiece. In the year November, 1587, to<br />
November, 1588, Clerk and Clerk-Controller receive pay for twentyeight<br />
days and fourteen nights during Christmas and Shrove-tide, and<br />
for twenty days later in the year. From his remark about 'a thatched<br />
cottage' in his first, and about ' tenements' in his second petition,<br />
I infer, either that the Clerk-Controller, unlike the others, had no<br />
official quarters assigned him in St. John's, or, at least, that none<br />
were found for Lyly on his appointment. Had he a tenement,<br />
he says, he would be eased of some toils; i. e. living on the spot,<br />
he would be relieved from the daily journey to and from the Office.<br />
But as his actual residence seems to have been in St. Bartholomew's<br />
Hospital, within half a mile of the Priory to the south, the actual<br />
hardship of walking was not great; and what he really desired was<br />
to be put on a level with the other officers, and get his house rentfree<br />
in St. John's.<br />
Besides what he received from the Office—and in estimating the<br />
figures given above and all other payments of Elizabeth's time,<br />
we must remember that the purchasing power of money was about<br />
eight times what it is at present 1 —Lyly would probably receive<br />
some fixed salary as vice-master of the Boys, and a share at least<br />
in the profits derived from their acting. The fee almost always paid<br />
for a performance at Court was ^10, two-thirds of which were<br />
calculated as expenses and one-third as ' reward.' But the popular<br />
receipts from repeated performances would be far beyond the sum<br />
to be made by a single Court performance. In 1600 the prospective<br />
profits from the acting of the Chapel children were sufficient to<br />
1 Sidney Lee's Life of Shakespeare, pp. 3, 197.
LYLY'S MARRIAGE 43<br />
induce Nathaniel Gyles and his partners to lease the new Blackfriars<br />
Theatre from Burbage; and there seems no reason why the Paul's<br />
Boys in 1585 should have been less remunerative, especially if, as<br />
is probable, the rival company was then under inhibition. Lyly's<br />
share of the acting-profits may have been augmented by sums paid<br />
by Thomas Giles to him, as author of some of the plays given. Yet<br />
another source of income was, no doubt, the publication of Euphues<br />
and the successive editions of the plays. When we remember that<br />
eleven editions of each Part of Euphues were issued before Lyly's<br />
death in 1606, that there were three editions of Campaspe in the year<br />
of its first publication, that both it and Sapho were reprinted in 1591,<br />
and that Pappe reached three editions in 1589, we might reasonably<br />
suppose Lyly to have received a good deal from this source; but<br />
at this date an author's notion of rights in his own brainwork had<br />
hardly advanced beyond the point of expecting a certain sum paid<br />
down at the outset. Probably Cawood, Cadman and the other<br />
publishers reaped all the.substantial profits of the greatest success<br />
of the Elizabethan period, together with that pleasing sense of<br />
public benefaction that generally accompanies large receipts. But<br />
putting together his various sources of income, there seems no reason<br />
why Lyly in 1585-90 should not have been receiving good reward<br />
for his labours, enough perhaps to justify him in venturing on marriage.<br />
The first hint of the sort comes from Harvey's reply to Pappe<br />
in 1589, where he says his wit is ' paunchd like his wiues spindle 1 ';<br />
but we have no sound evidence before Sept. 10, 1596, on which<br />
day * John the sonne of John Lillye gent was christened,' as stated<br />
in the register of St. Bartholomew the Less, the christening of several<br />
other children being recorded in the same register at later dates.<br />
In a letter he wrote to Sir Robert Cecil in 1602 there is mention<br />
of his wife as having personally presented yet another petition of<br />
his to the Queen; from which we might perhaps argue that she<br />
held some position at the Court, which gave her readier access<br />
than he could claim. Were that the case, he may not have been<br />
quite without materials for the lectures of Diana and Ceres to their<br />
nymphs, or the talk between Sapho and Sophronia and the ladies<br />
of their Courts. But I have been unable to find the record of<br />
Lyly's marriage 2 , and speculation is idle. What is more to the<br />
1 Harvey's Works (ed. Grosart), ii. 130. Mr. Baker, I believe, first called<br />
attention to the passage in his Introduction to Endytnion, p. cxlix.<br />
2 I have looked for it in vain in the register of St. Bartholomew the Less over
44 LIFE OF JOHN LYLY<br />
point is that the entry of baptisms and burials connected with him<br />
in the register of St Bartholomew the Less almost amounts to proof<br />
that he was living, from 1596 onwards, in the Hospital of St. Bartholomew,<br />
to which that church, standing as now within its precinct,<br />
served as a parish church \ The most natural occasion for his<br />
removal from the Savoy to Smithfield would be his assumption of<br />
duties at the Revels Orifice in 1585; and that would be the natural<br />
occasion, too, for the severance of his special connexion with Lord<br />
Oxford, Harvey's allusion, in 1589, to 'the minion secretary' being,<br />
perhaps, merely retrospective. From Harvey's language, at any rate,<br />
it seems clear that Lyly had ceased, in 1589, to reside in the Savoy.<br />
One other function of Lyly's seems hinted at in the passage where<br />
Harvey calls him 'a professed iester, a Hick-scorner, a scoff-maister,<br />
a playmunger, an Interluder; once the foile of Oxford, now the stale<br />
of London, and euer the Apesdogg of the presse, Cum Priuilegio<br />
perennitatisV Preceded as this is by the direct mention of the<br />
bishops and archbishops 'entertaining sjich an odd light-headed<br />
fellow for their defence,' it is most natural to connect it with the<br />
censorship of the Press exercised by the hierarchy as ecclesiastical<br />
judges in their several dioceses 8 ; and to suppose that Lyly had,<br />
before 1589, secured some work as reader of new books for the<br />
Bishop of London before they received the official imprimatur.<br />
Such work would bear no relation, of course, to his duties in the<br />
Revels Office or with the Paul's Boys; but would lead naturally<br />
enough to his taking part in the Marprelate controversy.<br />
Returning now to the record of his purely dramatic labours, we<br />
may assume that Gallathea^ withdrawn from the printer's hands<br />
about the end of April, 1585, underwent some revision, and was<br />
produced at Court on Jan. 1, 1585-6 ('new yeeres day' of the title-<br />
the years 1574-1606 ; in that of St. Botolph's, Bishopsgate, from 1574-1603 ; and<br />
for the years 1582-1590 in those of St. James', Clerkenwell, St. Giles', Cripplegate,<br />
and St. Mary le Strand, where are preserved the earlier registers of the<br />
Savoy Chapel, kept previous to 1680. The register of St. Bartholomew the Great<br />
only begins in 1610; that of St. Sepulchre's only in 1662 ; that of St. John's,<br />
Clerkenwell, which occupies the site of the old Priory Church, only in 1723.<br />
I have'also caused examination to be made of the registers of Maidstone, Boxley,<br />
Ashford and Wye in Kent, without result.<br />
1 .See note on p. 67 below.<br />
2 Grosart's Hatvey's Works, ii. p. 132 {Archaica, i. 86).<br />
8 Stationers' Register, ed. Arber, vol. iii. p. 13 (lntrod.). In the same volume,<br />
under dates Aug. 22, Sept. 24, 26, 1597, July 22, Dec. 16, 1508, Sept. 18, 1600,<br />
books are licensed 'vnder the hand of Master Peter Lyllie. The name Peter<br />
occurs but twice, and the surname is invariably spelt with Ly-: but this is probably<br />
one of the Bishop of London's chaplains.
ORDER OF <strong>THE</strong> PLAYS 45<br />
page) or on the same date in the following year. His next effort<br />
was either Endimion or the pastoral Loves Metamorphosis, though<br />
the latter play, as it now stands, probably includes additions made<br />
in 1599 or early in 1600. There are fairly strong reasons for connecting<br />
Sapho, Gallathea, Loves Metamorphosis and Endimion as<br />
links of a continuous chain. The first three contain allusions which<br />
fix their order as here given *, though Endimion may have preceded<br />
Loves Metamorphosis. All four may perhaps be regarded as reflective<br />
of Elizabeth's changing attitude towards love and marriage,<br />
or at least of what a courtier might deem to be such. Sapho ends<br />
with the defeat of Venus, and the assertion of the Queen's independence.<br />
Diana in Gallathea develops this attitude into one of active<br />
hostility, a composition with Venus and her rascally son being with<br />
difficulty effected at the close. Ceres in Loves Metamorphosis<br />
exhibits a new reverence for the power of the god, and an anxiety<br />
to save her wilful nymphs from the consequences of contemning it.<br />
Cynthia, in Endimion, has a similar tenderness for love and lovers,<br />
condescends to minister by a kiss to the restoration of the hero,<br />
and accepts his faithful devotion. In the last three plays, too, there<br />
is a more conspicuous use made of stage-properties, which may<br />
possibly reflect Lyly's new connexion with the ' stuffe' of the Revels<br />
Office. Again, I am strongly impressed with the euphuistic character<br />
of the writing in Loves Metamorphosis, which is to my mind far<br />
more marked than in Endimion, Midas or Mother Bombie, more<br />
even than in Gallathea, and contains, too, reminiscences of the<br />
sentiments or allusions in Euphues that are more salient than in<br />
the other plays. I believe this may be due to his having recently<br />
revised that work. The edition of 1595-7 reveals a far larger<br />
proportion of corrections than do any of the first five editions—<br />
corrections which may quite as well have been made in the sixth<br />
edition (Part I, 1585, Part II, 1586), which I have not seen. * Another<br />
argument for the early production of Loves Metamorphosis is that<br />
it seems to be alluded to in The Woman in the Moone 2 ; and lastly<br />
it is announced on the title-page as 'first playd by the Children<br />
1 In Gall. v. 3, Venus says to Cupid, ' Syr boy where haue you beene? alwaies<br />
taken, first by Sapho, nowe by Diana.' In Laves Met. ii. 1, Ceres says, ' Diana's<br />
Nymphes were as chast as Ceres virgines, as faire, as wise: how Cupid tormented<br />
them, I had rather you should heare then feele ; but this is truth, they all yeelded<br />
to loue': and in v. 1, Cupid says, * Diana hath felt some motions of loue, Vesta<br />
doth, Ceres shall.' Gall. v. 3 and Loves Met. v. 1 were compared by Mr. Fleay<br />
(Chronicle, ii. 41).<br />
2 Act iii sc. 1: ' Ceres and her sacred Nymphes.*
46 LIFE OF JOHN LYLY<br />
of Paules.' These boys were permanently inhibited before Oct. 4,<br />
1591; and though it is just possible that the first performance may<br />
have been given on the removal of their inhibition, which may have<br />
been as early as 1599, yet the argument from style makes strongly<br />
for a date before it. We can hardly fix more precise limits than to<br />
say that the first form of the play was composed between 1584 and<br />
1588, and probably given at Court between 1586 and 1589; while<br />
the present form was perhaps revived by the Paul's Boys in 1600,<br />
and transferred to the Chapel Children in that or the following year 5 .<br />
In Endimion we have a third pastoral; if a play may deserve that<br />
name, which lacks indoor scenes indeed, but also lacks entirely the<br />
pastoral and mythological element, the characters being one and all<br />
conceived as members of a terrestrial Court, though its mistress<br />
receives the flattery of some divine attributes. The piece constitutes<br />
a fuller display of power than Lyly has yet made. It is an elaborate<br />
and ingenious allegory of the tender relation between Leicester and<br />
Elizabeth, as also of the rivalry between the latter and the Queen<br />
of Scots; and the interweaving of these two subjects, if it involves<br />
some straining of fact, gives opportunity for introducing other conspicuous<br />
figures of the Court, notably the Earl and Countess of<br />
Shrewsbury, and Sir Philip Sidney, Leicester's nephew. The credit<br />
of first detecting an allegory belongs to the Rev. N. J. Halpin, who<br />
expounded his version of it to the Shakespeare Society in 1843 ! .<br />
From that interpretation, and still more from Mr. Baker's suggested<br />
emendations of it, I feel compelled to diverge in some important<br />
particulars; the question, too large to be discussed here, is treated<br />
in an essay attached to the play itself in vol. iii. Suffice it that<br />
the commencement of Mary's custody by Sir Amyas Paulet (whom<br />
I identify with Corsites) on April 17, 1585, and perhaps the departure<br />
of Sidney and of Leicester for the Netherlands on November 16 and<br />
December 10 of the same year, suggest as limits for its composition<br />
May and November, 1585 ; a date that would indicate it as Lyly's first<br />
complimentary offering after his appointment to a post in the Revels<br />
Office in April 4. The title-page announces it as played on ' Candle-<br />
1 On that date three of Lyly's plays, part of their repertoire, are entered on the<br />
Stationers* Register, and in the printer's preface to Endimion, the first published,<br />
we hear that the plays in Paul's are ' dissolued.'<br />
2 See below, pp. 73-4.<br />
8 Oberoris Vision: illustrated by a comparison with Lylies Endymion.<br />
4 My interpretation of the allegory imposes a strict downward limit for its<br />
composition and performance, in Sidney's death at Zutphen, September, 1586, and<br />
Mary's condemnation at Fotheringay on October 25 of the same year; and an
LYLY IN PARLIAMENT 47<br />
mas day at night.' I believe the Candlemas in question to be<br />
Feb. 2, 1585-6, though both Leicester and Sidney were then absent<br />
from Court. It is not, however, essential to suppose Leicester's<br />
connivance in the play; it is even doubtful how he would regard it.<br />
The probable cessation of Lyly's direct relation with Oxford in 1585<br />
may have made it more possible for him to appear as an adherent<br />
of the Leicester faction; but we have no evidence that the flattery,<br />
if intended, and if acceptable, procured him the notice or the interest<br />
of the favourite, who died on Sept. 4, 1588.<br />
Endimion, or at any rate Loves _Metamorp ho sis, was followed by<br />
a period in which his invention was allowed to lie fallow, and the<br />
resumption of his pen is accompanied by a confession of idleness \<br />
He takes it up to celebrate the national triumph over Philip of Spain<br />
in a satire on the greed, ambition, and obstinate stupidity of that<br />
monarch, for which he professes to find an original in the pingue<br />
mgenium of Ovid's Midas. England, her sovereign, and people, are<br />
complimented under the name of the heroic islanders of Lesbos,<br />
while Elizabeth's private personality is perhaps flattered in the<br />
discreet and amiable character of Midas' daughter, the Princess<br />
Sophronia. The play, which contains an allusion to Drake and<br />
Norris' expedition to Portugal, April-July, 1589, and is itself<br />
alluded to by Harvey writing under date November 5 of that year,<br />
must have been composed between May and September; and was<br />
presented at Court perhaps on January 6, 1589-90, 'Twelfe Day at<br />
night,' according to the title-page.<br />
Before Midas was written, Lyly had assumed a share in duties of a<br />
different order, which could not fail to quicken his attention to public<br />
affairs. The official lists of returns of members to Parliament record<br />
the election of ' John Lyly, gent.,' in company with John Mervin,<br />
esq., of the Middle Temple, to represent the borough of Hindon, in<br />
upward in Shrewsbury (Geron)'s return to Court, on Sept. 14, 1584. I am obliged<br />
to regard Mr. Bakers theory of a date as early as 1579, to which Prof. A. \V.<br />
Ward accedes, as quite untenable. It involves an early connexion between Lyly<br />
and Leicester, for which Mr. Baker brings not one scrap of real evidence; and<br />
also the absurd supposition that a young writer of twenty-five could conceive,<br />
compose, and rehearse for proper performance, so elaborate and during an effort as<br />
this, as a first work, in the short space of three weeks. Other considerations<br />
make against the notion (see p. 22 above) ; most of all, perhaps, the difficulty of<br />
supposing that Leicester would venture on any dramatic explanation of, or apology<br />
for his recent marriage, in 1579 when the wound inflicted on the Queen's feelings,<br />
a month or two before, was still fresh.<br />
1 Prologue to Midas: • We are iealous of your iudgementes, because you are<br />
wise; of our owne performance, because we are vnperfect; of our Authors deuice,<br />
because he is idle.'
48 LIFE OF JOHN LYLY<br />
Wiltshire, in February, 1588-9; of 'John Lillye esq.' in company<br />
with Sir Thomas Weste knt. for Aylesbury, in February, 1592-3;<br />
of * John Lyllye gent.' in company with James Colebronde esq. for<br />
Appleby, in September, 1597 ; and of ' John Lillie esq.' with Alexander<br />
Hampden esq. for Aylesbury again in October, 1601. There seems<br />
no good reason for supposing that the person so elected could not<br />
be our author. The name was pretty common at this date; but<br />
with the exception of the famous grammarian and first Head-Master<br />
of St. Paul's School, William Lilly, who died in 1522, of his son<br />
George Lilly, prebendary of Canterbury and of St. Paul's, who died<br />
in 1559, and of Edmund Lilly, Fellow of Magdalen, and afterwards<br />
Master of Balliol, its representatives belong almost entirely to the<br />
yeoman-class, whether in Kent, Sussex, Essex, Cambridgeshire,<br />
Gloucestershire, or Dorset. Richard Lylly, yeoman, of Gloucestershire,<br />
leased some lands in Wiltshire from the Crown in 1583 and<br />
1597; but his will, proved May 29, 1599, mentions no son or other<br />
relative of the name of John, and Hindon is at the opposite side of<br />
the county. The returns for the three boroughs in preceding or<br />
succeeding Parliaments contain no such name, and so lend no colour<br />
to the idea that the person or persons elected on these four occasions<br />
belonged to a family or families of local importance. But Mr.<br />
G. F. Baker points out that they were all small boroughs under<br />
family influence 1 ; and our author's acquaintance in London, his<br />
position about the Court and his literary distinction would facilitate<br />
his entry into politics. In the second instance, strong confirmation<br />
is afforded by the fact that his fellow member for Aylesbury was<br />
a brother of his old patron, the dedicatee of Euphues 2; and the<br />
1 Endymion, p. cliii.<br />
2 Thomas, Lord de la Warre<br />
Thomas, Lord de la Warre Sir George West<br />
(died childless, 1554) 1<br />
Margaret West William West, Lord de la Warre Sir Thomas West,<br />
(Lyly's patron : died, 1595) of Seltwood, Hants,<br />
=Elizabeth, d. of Thos. Strange, joint M.P. with Lyly<br />
of Chesterton for Aylesbury, 1592-3<br />
I (died 1622)<br />
Thomas, Lord de la Warre Jane = 1. Sir Rd. Wenman, f. of Basse's patron<br />
«Anne, d. of Sir Francis Knolles 2. Jas. Cressie<br />
3. Sir Thos. Tasburgh.<br />
(Dugdalc's Baronage, pp. 139-144.)
<strong>THE</strong> MARPRELATE CONTROVERSY 49<br />
reference in Lyly's letter to Sir Robert Cecil of December 22, 1597,<br />
to the Parliament which was then sitting, would be all the more<br />
natural if the writer were a member of it. His duties would not be<br />
particularly arduous. Of the four consecutive Parliaments to which<br />
he was elected, the first, second, and fourth sat for less than two<br />
months; and the third, summoned on October 24, 1597, was<br />
dissolved on February 9 following 1 . But his entry into political<br />
life must have brought him into closer contact with the Puritan<br />
feeling that was gathering strength in the closing years of Elizabeth,<br />
and may have led to his taking part in the famous dispute known,<br />
from the nom de plume of the original Puritan disputants, as the<br />
Martin Marprelate Controversy.<br />
That dispute was only a critical phase of the old-standing quarrel<br />
between fixed ritual, authoritative teaching, official dignity and<br />
emoluments on the one hand, and independence and simplicity of<br />
worship, individual interpretation, and severity of life on the other.<br />
In the Marprelate tracts, as later in Milton's pamphlets, it took the<br />
form of an agitation against episcopal authority. The Defence of<br />
the Government established in the Churche of England, issued by<br />
John Bridges, dean of Sarum, in 1587, called forth in the autumn<br />
of 1588 the Epistle and Epitome of Martin Marprelate, the earliest<br />
tracts wherein the pseudonym makes its appearance. The authorship<br />
of these and the others on the same side seems to lie between<br />
the lawyer, Henry Barrow, who had since 1586 been a prisoner in<br />
the Fleet, the Rev. John Penry, graduate of Cambridge and Oxford,<br />
and Job Throckmorton, a wealthy Puritan squire at Haseley in<br />
Warwickshire 2 . Both Epistle and Epitome are libels of a violent<br />
character on Whitgift, archbishop of Canterbury, and Aylmer,<br />
bishop of London, The direct censorship of the press, instituted by<br />
1 Parliaments of England (printed by order of the House of Commons, 1878).<br />
Vol. i. A.D. 1213-1702, pp. 425, 427, 435, 437.<br />
The first of the four was summoned Nov. 12, 1588, and by Prorogation, Feb. 4,<br />
1588-9. The date of the return for Hindon is Feb. 1. It was dissolved<br />
March 29, 1589.<br />
The second was summoned Feb. 19, 1592-3, and dissolved April io, 1593.<br />
The third was summoned Oct. 24, 1597, and dissolved Feb. 9, 1597-8; the<br />
date of Lyly's return for Appleby being Sept. 22, 1597.<br />
The fourth was summoned Oct. 27, 1601, and dissolved Dec. 19 of the same<br />
year; the date of Lyly's return for Aylesbury being Oct. 24, 1601.<br />
2 See for a discussion of the question Professor Arber's Introductory Sketch to<br />
the Martin Marprelate Controversy, 1588-1590 (1879), which is a collection of<br />
materials rather than a consecutive history, but includes a chronological summary<br />
establishing an order for the pamphlets, and is far the most useful and reliable<br />
work extant on the subject. I have found it of great assistance.<br />
BOND I E
5o LIFE OF JOHN LYLY<br />
Elizabeth's Injunctions of 1559 had, by a decree of the High<br />
Commission Court of June 23, 1586, become vested exclusively in<br />
these very two prelates 1 ; and secret printing was necessary to evade<br />
it. In spite of the difficulties caused by the jealousy of the Stationers'<br />
Company, and the prohibition of private presses, Penry, the presiding<br />
genius of the movement, had contrived to secure one, together<br />
with some foreign type. A printer was found in Robert Waldegrave,<br />
whose business near Temple Bar had been ruined by the confiscation<br />
of his press and type for printing Udall's Puritan dialogue, Diotrephes,<br />
in 1588 2 . Travelling constantly about to escape the urgent search<br />
for it, the secret press appeared at various places where Penry had<br />
some connexion; such as East Molesey on the Thames, where he<br />
knew a Mistress Crane, and Fawsley near Northampton, where<br />
he had married Henry Godly's daughter and formed acquaintance<br />
with Sir Richard Knightley 3 . At the house of John Hales in<br />
Coventry, early in 1589, were secretly printed the Mineral Conclusions,<br />
Penry's Supplication to the Parliament and Hay any work<br />
for Cooper ? the last a reply to the Admonition to the people of<br />
England, issued by Thomas Cooper, bishop of Winchester, in<br />
January, 1589. Popular feeling in London and elsewhere seems<br />
to have been largely with the Martinists 4 . The bishops were being<br />
worsted by the very vehemence and scurrility of their opponents,<br />
when an opportune suggestion was made. It emanated from<br />
Dr. Bancroft, afterwards bishop of London, who on February 9,<br />
1589, had preached a sermon at St. Paul's Cross, asserting the<br />
divine right of episcopacy. Strype in t his Life of IVhitgift 5 says it<br />
was by Bancroft's advice that 'that course, was taken which did<br />
principally stop Martin's and his fellows' mouths, viz. to have them<br />
answered after their own vain writings'; and other testimony to<br />
the step is not wanting 6 . It is clear that the bishops, finding their<br />
1 Arber's Introductory Sketchy p. 49.<br />
2 Introduction to Arber's ed. of Diotrephes, and Introd. Sketch, pp. 94-5, &c.<br />
s Introd. Sketch, pp. 74 sqq.<br />
4 The spread of Puritanism in the latter years of Elizabeth needs no illustration.<br />
The tone of Hooker's Preface to the Lawes of Ecclesiastical Polilie, in 1594,<br />
exhibits the fears entertained by one of the Church's best supporters for the<br />
stability of the institutions he upheld.<br />
5 Cap. xxiii. p. 516.<br />
6 The Protestatyon of Martin Marprelat, which appeared in September, contains<br />
the following on p. 24: ' Then among al the rimers and stage plaiers, which my<br />
LI. of the cleargy had suborned against me I remember Mar-Martin, John a Cant,<br />
his hobbie-horse, was to his reproche, newly put out of the Morris, take it how<br />
he will; with a flat discharge for euer shaking his shins about a May-pole againe<br />
while he liued.' (A copy of this tract, not in the British Museum, is contained in the
LYLY AND NASH ENGAGED BY <strong>THE</strong> BISHOPS 51<br />
reputation suffering by these unscrupulous pamphleteers, adopted<br />
the undignified but effective course of engaging secular wits to- meet,<br />
and, if possible, beat them at their own weapons. Chief among<br />
those whose aid was thus invoked were John Lyly and Thomas Nash.<br />
The former bore a name for cleverness, and had perhaps, as agent<br />
of the censors, already been instrumental in suppressing Puritan<br />
publications. The latter was a young man fresh from Cambridge,<br />
who had just given proof of a reflective vein, an observant eye, and<br />
an audacious if immature wit, in the epistle prefixed to Greene's<br />
Menaphon, and in those discursive remarks on books and life which<br />
he entitled The.Anatomie of Absurditie. The plan of campaign,<br />
directly concerted, as I believe, between the two ' copesmates,'<br />
included lampoons in verse, prose pamphlets in which scurrility was<br />
to bear a larger proportion than sober argument, and also caricature<br />
of Martin upon the stage. But their collaboration was probably<br />
confined to arranging a method of procedure, and deciding on<br />
the particular tone and style to be adopted; and did not extend,<br />
I believe, to actual partnership in special pamphlets, though Martin's<br />
Months Minde and An Almond for a Parr at in particular suggest<br />
some doubts on the subject. Nash's movements from place to place<br />
in the collection of scandal about the Martinists would prohibit close<br />
collaboration; nor would the nature of the pamphlets require it,<br />
though cross-allusions between the earliest show that the two<br />
endeavoured to keep in line. The passages quoted below point,<br />
I think, to a meeting in Kent between the two confederates, or<br />
perhaps to a journey taken together from Dover, by Ashford, to<br />
Canterbury, in the first half of 1589, when they may have discussed<br />
the matter; and in the ' student of Cambridge,' mentioned in The<br />
Returne, sig. C ij, we have probably an amusing portrait of Lyly<br />
himself 1 .<br />
Bodleian.) Harvey, in a passage alluded to above, p. 44, speaks of the ecclesiastics<br />
as driven ' to entertain such an odd light-headed fellow [as Lyly] for their<br />
defence' ; and Bacon, in his temperate essay on the subject, written about 1590,<br />
but not piinted till 1657, expresses the 'hope that my Lords of the Clergy have<br />
none intelligence with this interlibelling, but do altogether disallow that their<br />
credit should be thus defended' (p. 150 of Arber's Introd. Sketch, where the<br />
essay is given in full, pp. 146-168). On p. 149, Bacon thus expresses himself:<br />
' But to leave all reverent and religious compassion towards evils, or indignatipn<br />
towards faults ; and to turn Religion into a Comedy or Satire ; to search and rip<br />
up wounds with a laughing countenance; to intermix Scripture and scurrility,<br />
sometimes in one sentence; is a thing far from "the devout reverence of a Christian,<br />
and scant beseeming the honest regard of a sober man.'<br />
1 Nash's Countercuffe, sig. A j : ' He [Pasquill] came latelie ouer-sea into Kent,<br />
fro thence he cut ouer into Essex at Grauesende, and hearing some tidings .of<br />
£ 2
52<br />
LIFE OF JOHN LYLY<br />
The earliest fruits of the campaign seem to have been the<br />
satirical verses printed under the titles A Whip for an Ape and<br />
Mar-Martin, which Arber is probably right in dating about April<br />
Or May. I believe Nash was responsible for the former, and perhaps<br />
for some of the verses included in the latter. Of dramatic attacks<br />
on Martin the allusions in Pappe and The Returne of Pasquill1<br />
Hartfordshire . . . made as much haste as hee could to S. Albanes . . . sette<br />
forward the Munday following to Northamptonshire ... To be briefe with your<br />
worshipfultie, Pasquill hath posted very dilligently ouer all the Realme, to gather<br />
some fruitfulJ Volume of <strong>THE</strong> LIVES OF <strong>THE</strong> SAINTS/ i.e. scandal about the<br />
Martinists.<br />
A iij: ' Pasquill is now gone ouer sea to commit it [i. e. the Lives'] to the Presse.'<br />
A iv: The tract is dated ' From Grauesende Barge the eight of August ' [1589].<br />
Nash's Martins Months Minde, 1589, sig. E 3, recounts as successive sufferings<br />
of Martin, with notes in the margin as here given in parentheses, that he had<br />
been ' drie beaten (T. C.)' [i.e. Thomas Cooper's Admonition], ' then whipt that<br />
made him winse (A whip for an Ape),' then 'made a Maygame vpon the Stage<br />
(The Theater), and at length cleane Marde (Marre-martin).'<br />
Lyly's Pappe with a Hatchett, ad init. (vol. iii): ' there was a little<br />
wag in Cambridge, that swore by Saint Seaton he would so swinge him with<br />
Sillogismes, that all Martins answeres should ake ... I laught at the boye, and<br />
left him drawing all the lines of Martin into sillogismes, euerie conclusion beeing<br />
this, Ergo Martin is to bee hangd.' Cf. Countercuffe, Aj, 'He [i.e. Martin<br />
Marprelate] left thee [i.e. Martin Junior] his Theses without life or limme,<br />
I woulde wishe thee to put them in Moode and Figure for his sake.'<br />
Poppe, ad fin. (vol. iii): ' Pasquil is comming out with the Hues of the Saints.<br />
Beware my Comment, tis odds the margent shall bee as full as the text.'<br />
Nash's The Returne of Pasquill, sig. C ij, professes to have gathered some<br />
instances of Martin's ' Strang notes' on the Gospels 'in an assemblie of the brotherhood<br />
at Ashford in Kent. I went thither with a student of Cambridge to<br />
a sollemne exercise, and comming in the habite of Schollers we pressed somewhat<br />
boldly into their companie to dine with them.' After dinner a chapter of the<br />
Bible was read, and every one present discoursed on it in turn, Nash complying<br />
very reluctantly. ' When I came to the ende of my cariere, my companion was<br />
requested to pricke it for company with his freendes. I needed no Minstrill to<br />
make me merrie, my hart tickled of it selfe, when it came to his turn, because<br />
I knew him to be a Gentleman well studied in Philosophic, but he had not yet<br />
medled with Diuinitie. He chose the thirteenth verse of the Chapter to discourse<br />
vpon. Where the Apostle saith, Euery mans worke shall be tryed by fire.<br />
But to see how brauely hee trotted ouer all the Meteors bredde in the highest<br />
Region of the ayre [a reminiscence perhaps of Euphues and Atheos, p. 293], to<br />
see how louingly hee made the sence of the Apostle, and Ouids fiction of Phaetons<br />
firing of the world to kisse before they parted, and then howe souldierlike hee<br />
made an ende of his manage with a double rest, was sport enough for vs to<br />
beguile the way, as we trauailed backe againe from thence to Canterburie.' Is<br />
Nash thinking of the same occasion when he says, in Countercuffe, Aiij, ' Downe<br />
with learning and Vniuersities, I can bring you a Free-mason out of Kent, that<br />
gaue ouer his occupation twentie yeeres agoe. He wil make a good Deacon for<br />
your purpose, I haue taken some tryall of his gifts, hee preacheth very pretily<br />
Ouer a Ioynt-stoole.'<br />
1 Pappe, ad med. (vol. iii) : ' Would those Comedies might be allowed to be<br />
plaied that are pend, and then I am sure he would be decyphered, and so perhaps<br />
discouraged. •<br />
He shall not bee brought in as whilom he was, and yet verie well, with a cocks<br />
combe, an apes face [cf. Nash's Almond, p. 22, ' as he was attired like an Ape<br />
on y e stage'], a wolfs bellie, cats clawes, &c, but in a cap'de cloake, and all the
ANTI-MARTINIST PLAYS 53<br />
enable us to distinguish at least two, both of which, after finding<br />
their way on to the stage, were suppressed by the Revels Office, and,<br />
being probably never printed, have disappeared. Apparently the<br />
first piece utilized the fact that Martin was a common name for<br />
a monkey (as A Whip for an Ape had already done) to represent<br />
Martin as an ape attempting to outrage the lady Divinity, in whom<br />
was personified, Moral-wise, the hierarchy. Nash's marginal note in<br />
Marti 's Months Minde (sig. E 3 verso) says it was given at<br />
'the Theater' in Shoreditch; and, if we cannot press his 'Maygame'<br />
for the month of its appearance, we may at least surmise that it had<br />
not been suppressed by July 22, the date of the epilogue to Theses<br />
Martinianae or Martin Iunior, which testifies to its popularity l .<br />
Pappe (just quoted p. 52 n. 1) is evidence that it had been suppressed<br />
before the middle or fourth week of September, which must be roughly<br />
the date of that pamphlet; as also that other plays, reproducing Martin<br />
realistically in Puritan attire, were written, but could not obtain the<br />
Master of the Revels' licence. From the correspondence 2 , however,<br />
between Burleigh, the Lord Mayor, the Archbishop, and Tylney in<br />
November, the summoning of the Lord Admiral's and the Lord<br />
Strange's men before the Lord Mayor, the imprisonment of two of<br />
the latter, and the appointment of two special commissioners to<br />
assist Tylney in a thorough censorship of existing plays, it seems<br />
best apparell he ware the highest day in the yeare ... on some rainie weeke-daie,<br />
when the brothers and sisters had appointed a match for particular praiers. . . .<br />
A stage plaier, though he bee but a cobler by occupation, yet his chance may<br />
bee to play the Kings part. Martin, of what calling so euer he be, can play<br />
nothing but the knaues part. . . .<br />
Would it not bee a fine Tragedie, when Mardocheus shall play a Bishoppe in<br />
a Play, and Martin Hamman, and that he that seekes to pull downe those that<br />
are set in authoritie aboue,him, should be hoysted vpon a tree aboue all other.'<br />
Note in margin, ' If it be shewed at Panics, it will cost you foure pence: at the<br />
Theater two pence: at Sainct Thomas a Watrings nothing.'<br />
Reiurne of Pasquill, sig. C iij: ' Methought Vetus Comoedia began to pricke<br />
him at London in the right vaine, when shee brought forth Diuinitie wyth<br />
a scratcht face, holding of her hart as if she were sicke, because Martin would<br />
have forced her; but myssing of his purpose, he left the print of his nayles uppon<br />
her cheekes, and poysoned her with a vomit, which he ministred ynto her to make<br />
her cast vppe her dignities and promotions'; and on sig. D iij, 'I haue a tale*<br />
to tell in her eare [Vetus Comoedia's] of the slye practice that was vsed in<br />
restraining of her.'<br />
1 Sig. D ij: ' There bee that affirme the rimers and stage-players to haue<br />
cleane putte you out of countenaunce ... the stage-players, poore rogues, are not<br />
so much to be blamed, if being stage-players, that is plaine rogues (saue onely<br />
for their liueries) they in the action of dealing against Maister Martin, haue<br />
gotten them many thousande eie witnesses, of their witlelesse and pittifull<br />
conceites.'<br />
2 Preserved in the Lansdownt MS. No. 60, and printed by Collier, Hist. Dram.<br />
Poet. i. 271-6.
54 LIFE OF JOHN LYLY<br />
probable that one at least of these other plays did find its way on to<br />
the stage in October or early November, and occasioned these<br />
special measures 1 . Lyly may have been concerned both in the<br />
earlier and the later attack, as part or sole author 2 ; and, but for<br />
some such labours, the prose tracts of Nash and himself would<br />
doubtless have appeared earlier.<br />
Those tracts were preceded in July by Theses Martinianae collected<br />
by Martin Junior and The iust censure and reproofe of Martin<br />
Junior . . . by his elder brother Martin Senior, wherein two supposed<br />
sons of Marprelate champion the paternal cause, both tracts proceeding<br />
from Wolston Priory on the Avon, six miles west of Rugby 3 .<br />
At length, in August, the. Martinist press was captured at Newton<br />
1 Possibly Nash is actually describing it in the following passage from The<br />
Keturne of Pasquill, sig. B iij verso—<br />
'Howe whorishlie Scriptures are alleaged by them, I will discouer (by Gods<br />
helpe) in another new worke which I haue in hand, and intituled it, 7'he Maygame<br />
of Martinisme. Verie defflie set out, with Pompes, Pagents, Motions,<br />
Maskes, Scutchions, Emblems, Impreases, strange trickes, and deuises, betweene<br />
the Ape and the Owle, the like was nener yet seene in Paris-garden. Penry the<br />
welchman is the foregallant of the Morrice, with the treble belles, shot through<br />
the wit with a Woodcock's bill, I woulde not for the fayrest horne-beast in all<br />
his Countrey, that the Chinch of England were a cup of Metheglin, and came<br />
in his way when he is ouer-heated, euery Bishopncke woulde prooue but a draught,<br />
when the Mazer is at his nose. Martin himselfe is the Mayd-marian, trimlie<br />
drest vppe in a cast Gowne, and a Kercher of Dame Lawsons, his face handsomelie<br />
muffled with a Diaper-napkin to couer his beard, and a great Nosegay in his<br />
hande, of the principalest flowers I could gather out of all hys works. Wiggenton<br />
daunces round about him in a Cotten-coate, to court him with a Leatherne<br />
pudding, and a woodden Ladle. Paget marshalleth the way, with a couple of<br />
great clubbes, one in his foote, another in his head, & he cryes to the people<br />
with a loude voice, Beware of the Man whom God hath markt. I can not yet<br />
find any so fitte to come lagging behind, with a budget on his necke to gather<br />
the deuotion of the lookers on, as the stocke-keeper of the Bridewel-house of<br />
Canterburie; he must carrie the purse, to defray their charges, and then hee may<br />
be sure to serue himselfe.'<br />
2 Harvey's language seems to show that he had witnessed, or heard of, the<br />
earlier Marprelate play, and is angry at its success, though he cannot definitely<br />
assign the authorship. ' I am threatened with a Bable, and Martin menaced with<br />
a Comedy; a fit motion for a jester, and a player to try what may be done by<br />
employment of his faculty. Babies and Comedies are parlous fellows to decypher<br />
and discourage men, (that is the point), with their witty flouts and learned jerks,<br />
enough to lash any man out of countenance. Nay, if you shake the painted<br />
scabbard at me, I have done: and all you, that tender the preseivation of your<br />
good names, were best to please Pap-hatchet, and fee Euphues betimes, for fear<br />
lest he be moved, or some one of his apes hired, to make a play of you [cf. the<br />
opening of Bk. iii: ' Nash the ape of Greene, Greene the ape of Euphues, Euphues<br />
the ape of Envy, the three famous mammets of the press, and my three notorious<br />
feudists, draw all in a yoke'] ; and then is your credit quite undone for ever and<br />
ever. Such is the public reputation of their plays. He must needs be discouraged,<br />
whom they decypher. Better anger an hundred other than two such,<br />
that have the stage at commandment, and can furnish out vices and devils at<br />
their pleasure' (Advt. to Papp-Hate hett in Archaica, ii. 137, or Works, ii. 213),<br />
3 Introd. Sketch, pp. 79, 133.
ORDER OF <strong>THE</strong> PAMPHLETS 55<br />
Lane, near Manchester, by agents of the Earl of Derby, acting<br />
under the authority of the Privy Council. The tract whose printing<br />
was thus arrested was called Hay any more work for Cooper ? and the<br />
type was the same as that used in the two preceding pamphlets.<br />
A special proclamation of the Queen ' against certaine seditious and<br />
Schismatical Bookes and Libels' had been issued on February 13,<br />
1589, just after the appearance of the Epitome; and the letters<br />
between Burleigh and Whitgift 1 on the subject leave no doubt as<br />
to the Lord Treasurer's attitude. Whatever his sympathy with<br />
Puritan feeling, it was controlled by loyalty and statesmanlike<br />
caution; and he could not but perceive that the attitude of the<br />
Martinists was quite untempered by respect for the authority of the<br />
Queen, as head either of the church or the realm. Penry, however, had<br />
anticipated the capture by previously securing a second press; and<br />
from Job Throckmorton's house of Haseley in Warwickshire, there<br />
issued in September, Martin Marprelate's Protestatyon : but before<br />
this Nash had commenced retaliation in kind, and A Countercuffe,<br />
dated August 8, and Martin's Months Minde, professing to recount<br />
Marprelate's funeral, had appeared; written respectively under the<br />
assumed characters of Pasquil (Pasquin) and Marforio, popular<br />
names of the two statues no doubt seen by Nash in Rome, to which<br />
formerly ecclesiastical bulls, and at this time revolutionary libels and<br />
placards, used to be affixed 2 . Neither tract alludes to the capture<br />
of the press, to the suppression of the anti-Martinist play, or to the<br />
Protestatyon—events they probably precede. Lyly's Pappe with a<br />
Hatchett, however, which appeared probably near the close of<br />
September, devotes some pages at the end to answering the latter,<br />
which he had just received; and it is further dealt with in Nash's<br />
Returne of Pasquill, ' dated 20 Octobris V The fourth of the Pasquil<br />
pamphlets, The first Parte ofPasquiTs Apologie, is dated 'the 2 of July,<br />
Anno 1590 '; and had been preceded earlier in the year by An Almond<br />
for a Parrat, in which Nash took the new pseudonym of Cuthbert<br />
Curryknave. Of all these tracts Pappe is the only one that can be<br />
assigned to Lyly 4 . He can hardly have been proud of the achievement.<br />
1 Introd. Sketch, pp. 107-113. Whitgift's letter announcing the seizure of the<br />
press is dated Aug. 24, 1589.<br />
2 See the introduction to Pasquin et Marforio par Mary Lafon, Paris, 1861.<br />
8 Sig. D iij.<br />
* I have felt some doubt about Martiris Months Minde on account of the style<br />
of the long Epistle to the Reader (sigs. B, C, D), its antithesis and alliteration,<br />
the musical terms (B recto), the natural history (C 4 verso), the batch of classical<br />
allusions (D 2 recto), and the resenting of the abuse of plays in Theses Mart.
56 LIFE OF JOHN LYLY<br />
Probably he disdained, while he undertook, the task: that he spent<br />
no trouble on it is obvious, even if it were not implied in the<br />
signature, 'yours at an hour's warning ,' and the Almond's mention<br />
of it as an 'extemporall endeuourV Possessing more point than is<br />
at first apparent, it is yet on the whole adequately described by<br />
Harvey as ' alehouse and tinkerly stuffe ... so oddly huddled and<br />
(D 3 recto); and it would have been natural for Marforio, Pasquin's friend, to<br />
be represented by Lyly: but it was not necessary, and closer consideration convinces<br />
me that the likeness of style in some respects is not strong enough to<br />
outweigh the likeness to Nash in the length of the sentences, strewn with parentheses<br />
; and on B 4 I find some special echoes of Nash's words in the Counter cuffe<br />
and the Almond.<br />
The Almond has so often been attributed to Lyly that I feel constrained to state<br />
here my reasons for assigning it to Nash. The doubt about all these pamphlets is due<br />
partly to the fact that Nash, like every other writer of the time, was infected with<br />
euphuism, partly no doubt to the agreement between the two men to adopt a swashbuckling<br />
style against Martin. But though Pappe and The Almond are alike in<br />
scurrility, there is a more serious attempt at argument in the latter, which keeps much<br />
closer to the facts and personages of the controversy; and the special peculiarities of<br />
Nash make themselves strongly felt, just as Lyly's crop up in Pappe for all he can do<br />
to repress them. In Nash's earlier prose there is a note of oddity and freakishness,<br />
a crowded character, a lavish and rambling agglomeration of suggestion and<br />
idea, not always striking or specially pertinent, which give us the impression of<br />
a rich soil badly cultivated, or of an unpruned vine producing great quantities of<br />
rather poor fruit and innumerable little curling tendrils. These are quite the<br />
marks of the Almond, which is full of long ill-regulated sentences, and instances<br />
of Nash's trick of using a substantive as an epithet. Compare p. 9 of Petheram's<br />
Reprint, where, after an interminable sentence, he says: ' Beare with me good<br />
Maister Pistle-monger, if in comparing thy knauery, my full points seeme as<br />
tedious to thy puritane perusers, as the Northren mans mile, and a waybitte to<br />
the weary passenger, for I tell thee troth, till I see what market commission<br />
thou hast to assiste any man's sentences, I will neuer subscribe to thy peri ode<br />
prescisme.' See also the long-winded paragraphs, pp. 29, 41. The euphuism is<br />
that of one who had read and retained some influence of Euphues, rather than<br />
that of the author of Euphues himself. There is much alliteration, but not transverse,<br />
and scarce any balance of clauses or words. And when did Lyly utter<br />
such coin as •vnuenidall sins' (p. 11) or *confectionate' as a verb (ib.), with<br />
which we may compare the following in Nash's Christes Teares, 1593,' assertionate'<br />
p. 31, ' Saboth-ceased' p. 61,' mingle-coloured' p. 62,' fundamentiue' p. 58,' propendant'<br />
p. 65, ' constraintment' p. 71, 'inward emperishing Famine should too<br />
vntimely inage thee' p. 68. In such a phrase as ' the painted poison of snout-holy<br />
devotion' {Almond, p. 11) we have the very Nash. ' Burlibond ' (p. 12) is found<br />
again in Pierce Penilesse, and Murray quotes no other instance except 2 Henry<br />
VI (iv. x. 60): 'hodie peeles' p. 13 is 'hoddy peeke' in The Anatomie of<br />
Absurditie. The slanderous description of Penry is like the trussing of Gabriel<br />
Harvey in Haue with you; and the grurnble in the dedication to Will Kempe<br />
against the custom of dedicating to some great nobleman, reminds us of words<br />
in Nash's dedication of Jack Wilton to Southampton: ' Ingenious honorable Lord,<br />
I know not what blinde custome methodicall antiquity hath thruste upon us, to<br />
dedicate such books as we publish to one great man or other' &c. Moreover<br />
the mention, in the Almond's Introduction, of his journey from Venice, and the<br />
frequent allusions to Suffolk and the Eastern counties generally, are appropriate<br />
to Nash, who had travelled in Italy and was born at Lowestoft; but not, so far<br />
as we know, to Lyly.<br />
1 Petheram's Reprint, p. 12.
<strong>THE</strong> HARVEYS' SHARE 57<br />
bungled together, in so madbrain a sort . . . nothing worthy<br />
a scholar or a civil gentleman V That the authenticity of such an<br />
emanation from the pen that wrote Euphues should have been<br />
questioned, is not surprising; but the authorship is not really disputable,<br />
and might be urged in support of the notion that the poet<br />
of Cupid and my Campaspe also wrote A Whip for an Ape, a bare<br />
possibility which has induced me to include that lampoon in this<br />
edition as 'doubtful 2 .'<br />
The brief passage in Pappef quoted above, p. 30 note 2, was the<br />
signal for the entry into the quarrel of the brothers Harvey. Gabriel,<br />
long jealous of Lyly's repute, and also aggrieved by his estrangement,<br />
answers his challenge promptly in the Advertisement to Papp-<br />
Hatchett, to which reference has been so often made. It is dated<br />
'At Trinitie hall: this fift of Nouember: 1589,'but Harvey seems<br />
to have cherished some hope of reconciliation with his old friend,<br />
for he reserved it until the appearance of Pierce's Supererogation in<br />
1593, of which it forms the second book. The greater portion even<br />
of that book is devoted to serious argument on the theological<br />
question. Harvey has no special leanings; he disclaims at any rate<br />
all sympathy with the Martinists, and rails against Brown, Barrow,<br />
Kett and others in good set terms. The attitude affected is rather<br />
that of umpire in the quarrel, which is approached from the superior<br />
standpoint of academical wisdom. Apparently he engaged his<br />
brother, the clergyman, Richard, in the same cause; for early in<br />
1590 appeared the latter's Plaine Percevall, the Peace-Maker of<br />
England, 'swetely indevoring ... to botch up a Reconciliation<br />
between Mar-ton and Mar tother.' It was dedicated ' To the new<br />
upstart Martin ... to all Whip Iohns and Whip lacks; not forgetting<br />
the Caualiero Pasquill or the Cooke Ruffian that drest a dish<br />
for Martin's diet,' i.e. Lyly in Pappe\ and it was followed by a second<br />
tract from the same pen, entitled The Lamb of God (dated i59o\<br />
prefixed to which was an ' Epistle to the Reader/ written perhaps by<br />
Gabriel, perhaps by the brothers in collaboration, vilifying by name<br />
Lyly, Nash, and the 'make plaies and make bates' of London<br />
generally. The passage is not to be found in any extant copy of<br />
The Jjimb of God, but its existence is sufficiently established by<br />
Nash's statements about it in Pierce Penilesse, 1592, and Strange<br />
1 Advt. to Papp-Hatckett in Brydges' Archaica, ii. 144.<br />
* In my introductory remarks thereto (vol. iii) I have maintained it to be Nash's<br />
work.
58 LIFE OF JOHN LYLY<br />
Newes,15931. This attack on the London playwrights roused the<br />
ire of Robert Greene, with whom Nash acknowledges some slight<br />
acquaintance 2 , and he included in his Quip for an vpstart Courtier:<br />
or a quaint dispute between Veluet-breeches and Cloth-breeches (1592),<br />
a passage reflecting offensively upon the Harvey family—on the<br />
father for rope-making, on Gabriel for having been imprisoned in<br />
the Fleet, on Richard for freedom with the wives of his parishioners<br />
at Saffron Walden, and on John, who was a physician at Lynn, in<br />
some manner unknown. Before his death, on September 3, 1592,<br />
Greene, persuaded, according to Nash, by his own doctor, had<br />
cancelled the passage 3 ; which amounted, says Nash, to no more<br />
1 Pierce Penilesse (Nasn's Works, ed. Grosart, vol. ii. p. 69): * The Lambe of<br />
God make thee [i. e. Richard Harvey] a wiser Bell-weather then thou art . . . and<br />
so I leaue thee til a better opportunity, to be tormented world without end, of<br />
our Poets and Writers about London, whome thou hast called piperly Make-plaies<br />
and Make bates: not doubting but he also whom thou tearmest the vayn Paphatchet,<br />
wil have a Hurt at thee one day.'<br />
Strange Newes (Works, ii. 196): 'Somewhat I am priuie to the cause of<br />
Greenes inueighing against the three brothers. Thy [i.e. Gabriel's]'hot-spirited<br />
brother Richard (a notable ruffian with his pen) hauing first tooke vpon him in<br />
his blundring Persiual, to play the Iacke of both sides twixt Martin and vs, and<br />
snarld priuily at Pap-hatchet, Pasquill, & others, that opposde themseluts against<br />
the open slaunder of that mightie platformer of Atheisme, presently after dnbbed<br />
forth another fooles bolt, a booke I shoulde say, which he christened The Lambe<br />
of God. . . . Not mee alone did hee reuile and dare to the combat, but glickt at<br />
Pap-hatchet once more, and mistermed all our other Poets and wi iters about<br />
London, piperly make-plaies and make-bates.<br />
Hence Greene, beeing chiefe agent for the companie (for hoe writ more than<br />
foure other, how well I will not say : but Sat citb, si sat bene) tooke occasion to<br />
canuaze him a little in his Cloth-breeches and Veluet-breeches, and because by<br />
some probable collections hee gest the elder brothers hand was in it, he coupled<br />
them both in one yoake, and, to fulfill the prouerbe Trio, sunt omnia, thiust in<br />
the third brother, who made a perfect parriall of Pamphleteers.<br />
About some seauen or eight lines it was which hath pluckt on an invectiuc of<br />
so many leaues,' i.e. Harvey's Four Letters and certaine Sonnets, 1592, which<br />
Nash is here answering.<br />
2 Strange Newes (Works, ii. 243): ' Neither was I Greenes companion any<br />
more than for a carowse or two'; p. 283 ' A thousande there bee that haue<br />
more reason to speake in his behalfe than I, who, since I first knew him about<br />
town, haue beene two yeares together and not scene him.' When Nash, in the<br />
passage quoted in the preceding note, speaks of Greene as ' chiefe agent for the<br />
companie,' he dues not, I think, mean the group of Anti-Martinists employed by<br />
the bishops, but simply the ' Poets and writers about London/ whom Richard<br />
Harvey had in general abused.<br />
3 In Strange Newes (Works, ii. 209) Nash denies that the cancelling was due to<br />
fear of the Harveys: 'Marry this I must say, there was a learned Doctour of<br />
Phisicke (to whom Greene in his sicknesse sent for counsaile) that hauing read<br />
ouer the booke of Veiuetbreeches and Clothbreeches, and laughed meirilie at the<br />
three brothers legend, wild Greene in any case either to mittigate it, or leaue it<br />
out: Not for any extTaordinarie account hee made of the fraternitie of fooles, but<br />
for one of them was proceeded in the same facultie of phisicke hee profest, and<br />
willinglie hee would haue none of that excellent calling ill spoken off. This was<br />
the cause of the altring of it, the feare of his Phisitions displeasure, and not ariie<br />
feare else,'
GREENE, HARVEY, AND NASH<br />
than ' seauen or eight lines,' and does not appear in extant copies<br />
of the Qvip. But Harvey was not to be baulked of his revenge.<br />
Before the end of the year appeared the Four Letters and certaine<br />
Sonnets, whose rancour against the dead man, and reproduction of<br />
details wormed out of his landlady while his body was lying scarce<br />
yet cold upstairs, have done more injury to his own reputation than<br />
they could possibly inflict on the defenceless object of his attack.<br />
However just his indignation, the method taken to gratify it and the<br />
previous death of his opponent, are circumstances not to be ignored.<br />
Harvey had made some reflections on Nash's Pierce Penilesse of the<br />
same year; but it was honest disgust more than any personal feeling<br />
that prompted Nash to take up the cudgels for the dead poet in<br />
Strange Newes, which must have appeared in March or April, 1593,<br />
and bore ' The foure Letters Confuted' as a running-title. Harvey<br />
retaliated in Pierce's Supererogation; which is dated at the end,<br />
i 27 Aprill 1593 1,' and included as its second book the Advertisement<br />
to Papp-Hatchet'/, penned in October or November, 1589; and also<br />
A New Letter' of Notable Contents, dated September 16, 1593.<br />
Nash allowed three years to elapse before he replied in Haue with<br />
you to Saffron Waldron, 1596; Harvey's rejoinder, The Trimming of<br />
Thomas Nash (1597), being the last word in this pamphlet war, whose<br />
chief interest for us lies, perhaps, in the scattered hints it gives of Lyly.<br />
Nash seems rather anxious to insist on the partnership; though, in<br />
fact, after Pappe we have nothing more from Lyly, who probably<br />
regarded the whole affair with considerable indifference. Just as in<br />
Pierce Penilesse 2 , Nash had threatened Richard Harvey with an attack<br />
from Lyly, so in Strange Newes he exhorts Gabriel to ' Marke him<br />
well: hee is but a little fellow, but hee hath one of the best wits in<br />
England. Should he take thee in hand againe (as he flieth from<br />
such inferiour concertation) I prophecie that there woulde more<br />
gentle Readers die of a merry mortality, ingendred by the eternall<br />
iests he would maule thee with, than there haue done of this last<br />
infection. I my self, that inioy but a mite of wit in comparison of<br />
his talet,' &c. From the later passages in Haue with you (1596),<br />
quoted below 3 , it would seem that Lyly did actually contribute<br />
1 A date so soon after the appearance of Strange Newes as to lend colour to<br />
Nash's suggestion in Haue with you, &c. {Works, iii. p. 184), that it was some<br />
old Cambridge oratorical exercise vamped up to suit the occasion.<br />
a Works, vol. ii. p. 69, quoted above, p. 58, beginning of note 1.<br />
3 Works, vol. iii. p. 76: 'As for him whom (so artlesse and against the haire<br />
of anie similitude or coherence) he calls the arte of Jigges [Harvey was of course<br />
alluding to Lyly's tale-bearing about himself to Lord Oxford in 1580], he shall
6o LIFE OF JOHN LYLY<br />
something further; but either it never saw the light, or, if it did, is<br />
lost. Mr. G. F. Baker suggests that Lyllies light, entered on the<br />
Stationer' Register, June 30, 1596 1, may have been the pamphlet in<br />
question. The date at least is in accord with Nash's statement.<br />
Long before this the heat of the Martinist attack had died out;<br />
quenched partly, as Nash affirms, by their vigorous replies, partly by<br />
the more summary refutation of the prison and the gibbet. The<br />
strong Puritan feeling—fraught ultimately with such momentous and<br />
tragic issue—underlying the paper war which Nash and Lyly<br />
approached so light-heartedly, was smothered for the time; and<br />
having indicated the transference of the quarrel from the sphere of<br />
religious polemics to that of private personalities, we may return to<br />
our author.<br />
We have just gleaned from Nash that he was small of stature<br />
and a smoker. Two other little points may be noticed : one that<br />
Nash acknowledges an early admiration of Euphttes 2 , while he<br />
repudiates the charge of imitating its style; the other that Lyly<br />
first taught him to admire the sermons of the great preacher,<br />
Dr. Lancelot Andrewes 8 , afterwards bishop of Ely and other sees,<br />
not need long to call for his figs, for hee will bee choakt soone inough with<br />
them ; they hauing lyne ripe by him readie gathered (wanting nothing but pressing)<br />
anie time this twelue month. For my own proper person,' &c.<br />
Ibid. p. 204 : ' For Master Lillie (who is halues with me in this indignitie that is<br />
offred) I will not take the tale out of his mouth, for he is better able to defend<br />
himselfe than I am able to say he is able to defend himselfe, and in so much time<br />
as hee spendes in taking Tobacco one weeke, he can compile that which would<br />
make Gabriell repent himselfe all his life after. With a blacke sant he meanes<br />
shortly to bee at his chamber window for calling him the Fiddlesticke of Oxford.<br />
In that he [Harvey] twatleth, it had bin better to haue confuted Martin by Reucrend<br />
Cooper than such leuitie; tell mee why was hee [Martin] not then confuted by<br />
Reuerend Cooper, or made to hold his peace, till Master Lillie, and some others,<br />
with their pens drew vpon him ? '<br />
Ibid. p. 207: ' The Paradoxe of the Asse, M. Lilly hath wrought vppon; as also<br />
to him 1 turne ouer the Doctors Apothecarie tearmes he hath vsed throughout,<br />
& more especially in his last Epistle of notable Contents.'<br />
1 Arber's Transcript, vol. iii. p. 65. The astrologer William Lilly, whom the<br />
title may perhaps suggest, was not born till 1602.<br />
2 Strange Newes {Works, li. 267): ' the vaine which I haue ... is of my own<br />
begetting, and cals no man father in England but my selfe, neither Euphues,<br />
nor Tarlton, nor Greene. Not Tarlton nor Greene but haue beene contented to<br />
let my simple itidgement ouerrule them in some matters of wit Euphues I readd<br />
when I was a little ape in Cambridge, and I thought it was Ipse ille: it may be<br />
excellent good still, for ought I know, for I lookt not on it this ten yeare: but<br />
to imitate it I abhorre, otherwise than it imitates Plutarch, Ouid, and the choicest<br />
Latine Authors,'<br />
6 Haue with you (Works, iii. 159): 'by Doctor Androwes own desert, and<br />
Master Lillies immoderate commending him, by little and little I was drawne on to<br />
bee an auditor of his: since when, whensoener I heard him, I thought it was but<br />
hard and scant allowance that was giu'n him, in comparison of the incomparable<br />
gifts that were in him.'
JONSON'S CARICATURE OF LYLY 61<br />
and at this time vicar of St. Giles', Cripplegate, and prebend residentiary<br />
of St. Paul's, in both of which places he used constantly<br />
to preach. And here, perhaps, may best be mentioned the satirical<br />
sketch of Lyly which Ben Jonson is supposed to have intended in<br />
the Fastidious Brisk of his Every Man out of his Humour (1599).<br />
Brisk certainly corresponds to Lyly in the matters of quoting, fiddling,<br />
smoking, literary borrowing and pecuniary embarrassment; in his<br />
affectation of being a ladies' man and nothing if not a courtier; in<br />
his special attention to similes and wit. He even uses the phrase<br />
'an anatomy of wit' (iii. 1), and Fallace, the citizen's wife, who<br />
admires him, quotes Euphues to him (v. 7). But the chief point<br />
noted is his vanity in dress : he speaks of it perpetually, and wears<br />
a new suit at almost every entrance—a foible which, together with<br />
his gifts to the Court beauties, lands him ultimately in the Counter.<br />
With some necessary deductions for satire, the portrait may, I think,<br />
be allowed 1 . Here is Jonson's own summary of the character:—<br />
'A neat, spruce, affecting courtier, one that wears clothes well, and in<br />
fashion; practiseth by his glass how to salute; speaks good remnants,<br />
notwithstanding the base viol and tobacco; swears tersely, and with<br />
variety; cares not what lady's favour he belies, or great man's familiarity:<br />
a good property to perfume the boot of a coach. He will borrow another<br />
man's horse to praise, and backs him as his own. Or, for a need, on foot<br />
can post himself into credit with his merchant, only with the gingle of his<br />
spur, and the jerk of his wand.'<br />
Returning to Lyly's dramatic work, we saw that Midas was<br />
probably given at Court on January 6, 1589-90. In the same year,<br />
I believe, he composed and produced at St. Paul's Mother Bombie,<br />
his only surviving realistic comedy of modern life, to which he had<br />
perhaps been led by the success of his suppressed Anti-Martinist<br />
play of the previous year. It does not profess to have been given<br />
at Court; and, though written in the spirit of classical Terentian<br />
comedy, lacks altogether the conventional and courtly tone of Lyly's<br />
other plays. Nash, in 1596 2 , testifies to the popularity it once<br />
enjoyed; and perhaps it was withheld from the press in 1591 as newer<br />
1 Compare, in regard to the extravagance in dress, Fidus' (perhaps autobiographical)<br />
remark in Euphues, vol ii. p. 49,1. 29 : ' I endeauoured to courte it with<br />
a grace, (almost past grace,) laying more on my backe then my friendes could wel<br />
beare, hauing many times a braue cloke and a thredbare purse.'<br />
8 Haue with you (Works, iii. 67): 'We neede neuer wish the Playes at Powles<br />
vp againe, but if we were wearie with walking, and loth to goe too farre to seeke<br />
sport, into the Arches we might step, and heare him [Gabriel Harvey] plead;<br />
which would bee a merrier Comedie than euer was old Mother Bomby.'
62 LIFE OF JOHN LYLY<br />
and more likely than those then printed to win acceptance at some<br />
other theatre. It was printed, however, in 1594, and again in<br />
1598.<br />
The year 1591 is the most probable date for the complete<br />
suppression of the Paul's Boys, of which our earliest notice is the<br />
short address of the printer in Endimion, beginning 'Since the<br />
Plaies in Paules were dissolued,' and the entry of that play with<br />
Gallathea and Midas in the Stationers' Register, under date October 4,<br />
1591 1 . The cause remains obscure; but was probably a repetition<br />
of the offence of introducing the religious quarrel upon the<br />
stage, which had brought down official wrath on other theatres in<br />
1589. We have the evidence of Nash, just quoted, that the inhibition<br />
was still in force in 1596, and no sign of its removal until the printing,<br />
in 1600, of The Maydes Metamorphosis, as 'acted by the Children<br />
of Powles.' The consequences for Lyly must have been most serious,<br />
since the acting of the boys would probably be his chief source of<br />
income. The consequence for the English stage was an arrest<br />
of the output of a dramatist who had only now attained his best<br />
powers. I believe, with Malone 2 , that it is of Lyly Spenser"is<br />
speaking when he laments in The Teares of the Muses, published<br />
among his Complaints in 1591, the silence of 'our pleasant Willy.'<br />
The lines are put into the mouth of the Muse of Comedy, and are<br />
far more appropriate to Lyly, with his reputation for wit and learning<br />
and plays free from ribaldry, than to the yet obscure Shakespeare<br />
or any other dramatist of this time.<br />
And he, the man whom Nature selfe had made<br />
To mock her selfe, and Truth to imitate,<br />
With kindly counter under Mimick shade,<br />
Our pleasant Willy, ah! is dead of late:<br />
With whom all joy and jolly meriment<br />
Is also deaded, and in dolour drent.<br />
In stead thereof scoffing Scurrilitie,<br />
And scornfull Follie with contempt is crept,<br />
Rolling in rymes of shameles ribaudrie<br />
Without regard or due Decorum kept;<br />
Each idle wit at will presumes to make,<br />
And doth the Learned's taske upon him take.<br />
1 Arber's Transcript', vol. ii. p. 596.<br />
2 Boswell's Malone's Shakespeare, vol. ii. (Life) pp. 173-197. 'Willy,' as<br />
Malone points out, is a frequent pastoral name for a shepherd, and a shepherd is<br />
poetic for a poet
SUSPENSION OF PAUL'S BOYS<br />
But that same gentle Spirit, from whose pen<br />
Large streames of honnie and sweete Nectar flowe,<br />
Scorning the boldnes of such base-borne men,<br />
Which dare their follies forth so rashlie throwe,<br />
Doth rather choose to sit in idle Cell,<br />
Than so himselfe to mockerie to sell.<br />
If we are correct in assigning the reference of these lines to Lyly,<br />
they serve to show that Spenser, in spite of his old acquaintance<br />
with Harvey, and Harvey's continual parade of their friendship',<br />
was no partisan of the brothers in the paper war now waging between<br />
them and the ' rimers and stage-plaiers.' Perhaps they also show<br />
that Lyly had no personal share, or acknowledged no share, in the<br />
Anti-Martinist plays.<br />
In one case, however, the silence which Spenser laments was<br />
broken. Somewhere between 1591 and 1593 Lyly seems to have<br />
written The Woman in the Moone. It can hardly be later, because<br />
the Midsummer Nighfs Dream, which dates about 1594, adopts<br />
some suggestions from it. It can hardly be earlier, or it would have<br />
been performed by the Paul's Boys; but the title-page, while stating<br />
that it was ' presented before her Highnesse,' names no company.<br />
The play constitutes for Lyly another new departure, being his first<br />
essay in the blank verse which, since the success of Tamburlaine<br />
in 1587, had come into general use. While poetically his best, it<br />
is also certainly among his most dramatic works, and exhibits<br />
perhaps, in Gunophilus, the influence of Shakespeare's earliest<br />
clowns, Costard, the Dromios and Launce. It was entered on the<br />
Stationers' Register, September 22, 1595 2 , though not actually published<br />
until 1597. Explanation of this delay in printing has been<br />
sought in the supposed displeasure of the Queen at a veiled satire<br />
on herself in Pandora or Luna. Satirical intention in a play written<br />
for presentation before her is to my mind extremely doubtful 3 , and<br />
that she would interfere to stay the printing still more so. No<br />
explanation of the delay is really needed: it was an ordinary occurrence,<br />
of which the bibliography of Lyly's own works furnishes at<br />
least two other instances, in Euphues and his England, delayed for<br />
1 Four Letters and certaine Sonnets (Harvey's Works, i. 180): ' Signor<br />
Immerito (for that name will be remembred) was then, and is still my affectionate<br />
friend'; cf. p. 212. Nash in Strange Newes, 1593, speaks of Gabriel's ' vaineglory<br />
to haue Spencer known for thy friend' (works, ii. 212).<br />
2 Arber's Transcript, vol. iii. p. 48.<br />
3 The question is discussed in the essay on ' Lyly as a Playwright.' vol. ii.<br />
pp. 256-7.
64 LIFE OF JOHN LYLY<br />
some nine months, and the Sixe Court Comedies entered by Blount,<br />
January 9, 1627-8 \ but not published till 1632. And satire is quite<br />
inconsistent with-Lyly's still active expectations of favour, as revealed<br />
by his first petition to which we must now turn.<br />
As already shown (p. 33) a letter preserved among the State<br />
Papers in the Record Office, bearing date December 22, 1597, and<br />
speaking of his having patiently endured the proroguing of the<br />
Queen's promises for twelve years, enables us to date his two<br />
undated petitions, which speak of ten and of thirteen years' waiting<br />
respectively, in 1595 and 1598. Three copies of them, none in<br />
Lyly's autograph, are in the British Museum, and a fourth among<br />
Lord Leconfield's MSS. at Petworth 2 . I give them both, literatim et<br />
puncfuatim, from Harleian MS. 1323, fols. 249-50, which furnishes<br />
the best text, in spite of some errors—corrected in the notes at the<br />
foot of the page or by the variants reported there from the other<br />
MSS. The first runs as follows :—<br />
'A PETITIONARYE L'RE : FFROM : JOHN LILLYE To QUEENE<br />
ELIZABETH 8 .<br />
Tempcira si numeris 4 , quae nos numeramus,<br />
Non venit ante suam, nostra querela diem.<br />
Most : Gratious : and dread Soveraigne;<br />
I dare not pester yo r : Highnes, w th many wordes; and want witt, to<br />
wrapp : vpp much matter, in ffewe; This Age, Epitomyes 5 , the Pater<br />
Noster; thrust, into the Compasse of a penny; The world, into the<br />
Modell, of a Tennis Ball, All Scyences, melted, into Sentences 6 , I would,<br />
I were soe compendyous, as to expresse my hopes, my ffortunes, my<br />
1 Stat. Reg., Arber's Transcript, iv. p. 192.<br />
. a The three are Harl. MS. 1877, fol. 71 (from which they have hitherto been<br />
given); Harl. MS. 1523, fols. 249,'250; and Hargrave MS. 225, p. 36. The<br />
Petworth MS. I have not been able to see; but it appears in the Sixth Report of<br />
the Historical MSS. Commission (p. 306) as the sixty-first in that collection,<br />
containing copies of letters temp. Henry VIII, Elizabeth, James I, and Charles I,<br />
among which are enumerated :—<br />
7. John Lille to the Queen Elizabeth for entertainment in the revels;<br />
8. The same to the same, petitioning for a Protection Royal;<br />
a description which sufficiently identifies them with the petitions here given.<br />
3 So, too, Harg. MS. Harl. MS. 1877 nas ' A peticSn of John Lilly to the<br />
Queenes Matl e;<br />
4 So, too, Harg. MS. Harl. MS. 1877 gives it rightly 'numeres'. ' Bene' and<br />
'amantes ' are of course omitted in all three. Ovid, Her. ii. 7, 8:<br />
Tempora si numeres, bene quae numeramus amantes,<br />
Non venit ante suam nostra querela diem.'<br />
5 'Epitome's.' Harl. MS. 1877.<br />
• 'All science malted into sentence,' Harl. MS. 1877.
HIS FIRST PETITION, 1595 -.65<br />
overtbwartes into 1 sillables, as Marchantes, doe ; Riches ; into a ffewe 2<br />
Ciphers, Butt, I ffeare to Comitt the Erro r : I . discomend tedyousnes,<br />
lyke one; that Roveinge s ; to searche out, whatt tyme was, spent all his,<br />
and knewe it not;<br />
' I was entertayned, yo r : Ma tIes : servant; by yo r : owne gratious ffavo r :<br />
stranghthened w th Condicons, that, I should ayme all my Courses, Att<br />
the Revells ; (I dare not saye, w th a promise, butt a hopeffull Item, of 4<br />
the Reversion) ffor the w ch ; theis Tenn yeares, I haue Attended, w th an<br />
vnwearyed patience, and 5 ,1 knowe not; whatt Crabb ; tooke mee ffor an<br />
Oyster, that, in the Middest of the Svnnshine of yo r : gratious 6 aspect;<br />
hath thrust a stone ; Betwene the shelles, to eate mee alyve ; that onely<br />
lyve on dead hopes;<br />
' yf, yo r : sacred Ma tie : thincke mee vnworthie, and that after Tenn<br />
yeares tempest, must 7 att the Co rte : suffer shippwracke of my tymes, my<br />
hopes, and my Wittes 8, vouchesaffe in 9 yo r : never erringe Judgm: some<br />
Plancke, or Rafter; to waffe mee ; into a Countrye, where, in 10 , my, sadd<br />
and setled devotion ; I maye; in every Corner ; of a Tha'tch't Cottage ;<br />
wryte Prayers ; instead of Playes ; Prayers ; ffor, yo r : longe, and prosperous<br />
lyfe, and a Repentance, that I haue played the foole, soe longe,<br />
and yett ly ve 11 .<br />
' Quod petimus poena; nee enim miser esse recuso 12<br />
sed precor vt possem, mitiusesse miser:<br />
Jo : LILLYE<br />
' Non ero, qui miser sum, te miserante miser 13<br />
Jo : LILLYE :'<br />
The petition was probably suggested by the completion of ten<br />
years from the time of his first engagement. It can hardly be due<br />
immediately to the disfavour to which he alludes in his simile of<br />
the crab and the oyster; for, if under a cloud, he would not venture<br />
1 So, too, Harg. MS.; Harl. MS. 1877 'in two..'<br />
2 ' in fewe,' Harl. MS. 1877.<br />
* 'roweing,' Harg. MS. ; Harl. MS, 1877 'vowed. 1 ' To rove' is found in<br />
the sense of guess, aim at, investigate,<br />
4 ' to,' Harl. MS. 1877.<br />
6 ' yo r sunshine of your most gratious,' Harl. MS. 1877,<br />
7 'I must,' Harl. MS. 1877.<br />
8 ' my tyme, my wittes, my hopes,' Harl. MS. 1877.<br />
5 ' And nowe. Harl. MS. 1877.<br />
9<br />
'me,' Harg. MS.<br />
10 ll<br />
• wherein,' Harg. MS.; Harl. MS. 1877.<br />
' like.* Harl MS. 1877.<br />
12<br />
Harl. MS. 1877 supplies the ' est' after ' poena,' but puts ' etiam' for '. enim.'<br />
Harg. MS. has 'est' and 'enim.' All three read 'possem.' The lines are from<br />
Ovid's Tristia, v. 2. 77, 78 :<br />
'Quod petimus, poena est: neque enim miser esse recuso;<br />
Sed precor, ut possim tutius esse miser.'<br />
13<br />
This last line added by Lyly is, with the signatures before and after, omitted<br />
altogether in Harl. MS. 1877. Harg. MS. has the two signatures, but gives the<br />
added line as' non ego qui nunc sum te miserante miser,' which must be what Lyly<br />
wrote.<br />
BOND 1<br />
F
66. LIFE OF JOHN LYLY<br />
to beg. That allusion may be referable to the inhibition of the<br />
Paul's Boys in 1591, which had cut off a chief source of his income.<br />
His election to Parliament for Aylesbury in 1592-3 would not lessen<br />
his expenses, and his next petition is evidence that he had children<br />
and debts. It is also evidence of definite fault found with him<br />
on the subject of Tentes and Toyles, which may have been the<br />
instance of royal displeasure here spoken of. In the ' thatched<br />
cottage, 7 for which, with somewhat forced pathos, he here begs, he<br />
perhaps alludes to his lack of official quarters at St. John's Priory .<br />
But his appeal seems to have passed unregarded.<br />
In 1595 or 1596 he wrote the brochure against Harvey mentioned<br />
by Nash ; for the disappearance of which, with the example of Pappe<br />
before us, we can hardly repress a sense of thankfulness, though it<br />
might have added something to our knowledge of the writer. On<br />
Sept. 1o; 1596 was baptized at the church of St. Bartholomew the<br />
Less in Smithfield, the first of his children of whom we have any<br />
record, by his father's name 2 . Collier, who first discovered these<br />
important entries in the St. Bartholomew's Register, asserts that<br />
'this son died and was buried 22nd Aug., 1597, not at St. Bartholomew's,<br />
but at St. Botolph's, Bishopsgate'; but my careful<br />
examination of the St. Botolph's Register fails to discover any entry<br />
of the kind 3 . The christening, however, of another son by the<br />
same name, John, on July 3, 1600, seems to imply the death of the<br />
first. I feel the less hesitation in identifying these entries with our<br />
author, firstly because, with one possible exception to be noted<br />
1 See above, pp. 42 and 38, note 5.<br />
a For convenience of reference I give here, together, all the entries in the<br />
St. Bartholomew's Register, which relate to our author, including two (of 1604<br />
and 1604) which escaped Collier's notice :<br />
' 1596 The x th of September John the sonne of John Lillye gent was chiened.'<br />
' 1600 The third of July John the sonne of John Lillye gen was baptised/<br />
' 1603 The xxj th of May ffrancis the doughter of John Lillye gen was baptised.'<br />
' 16o4[-5] The xvij Lh of Januarie Thomas the sonne of John Lyllye gen was<br />
baptised.'<br />
' 1605 The xiiij th of May Elizabeth the doughter of John Lilly gen was buried/<br />
' 1606 The 30 th of Novemb r was buried John Lyllie gent:'<br />
No entry of his marriage occurs among those between 1574 and 1606 inclusive,<br />
nor any further entry that concerns him among the christenings or burials between<br />
1584-1607. The Emanuell Lillye, entries about two of whose children are found<br />
under the years 1594 and 1595, was probably the person of that name who died<br />
in the Counter, son of Richard Lylly, the Gloucestershire yeoman, and no relation<br />
of our author. Nor can I trace any certain connexion between him and th'<br />
* Thomas Lillye gent,' whose son is buried here, Sept. 25, 1607.<br />
s See Collier's Bibliographical Catalogue, i. 503-6. There are other chu ches<br />
in the City dedicated to St. Botolph, but the faint prospect of discovering some<br />
meie formal entry of uncertain identity has not been sufficient to tempt me to<br />
further exploration.
LINES IN LOK'S ECCLESIASTES 67<br />
presently (p. 74), my researches at Somerset House, in the Record<br />
Office, and among the MSS. in the British Museum, reveal no other<br />
John Lyly (or Lilly, &c.) in London, to whom the description 'gent/<br />
would be applicable; and secondly, because these entries of burials<br />
and christenings imply residence in the Hospital, to which St. Bartholomew<br />
the Less, standing within its precinct, served, and serves<br />
still, as a parish church 1 , and the near neighbourhood of which<br />
to the Revels Office on the north, and to St. Paul's on the south-east,<br />
would make it a natural place for Lyly to rent chambers or a house.<br />
In 1597 Henry Lok, a bad poet but a man apparently of strong<br />
religious feeling, published his verse-paraphrase of Ecclesiastes, with<br />
a dedicatory epistle to the Queen. Himself a persistent petitioner<br />
to Sir Robert Cecil 2 , Burleigh's second surviving son, who had,<br />
in 1596, been appointed Secretary of State, he seems to have made<br />
acquaintance with Lyly, with whom he was closely contemporary :<br />
and, whether by Lok's permission or request, Lyly seized the opportunity<br />
to include among the commendatory verse some bad Latin<br />
lines flattering the Queen, whose eye they would be likely to meet,<br />
and contrived, in a concluding couplet addressed to Lok, to suggest<br />
the neglect under which both authors were suffering. The lines,<br />
which are given the second place among the commendatory verse,<br />
run as follows :—<br />
' Ad Serenissimam Reginam Elizabetham.<br />
Regia Virgineæ soboles dicata parenti,<br />
Virgo animo, patriae mater, Regina quid 3 optas ?<br />
Chara domi, metuenda foris, Regina quid optas ?<br />
Pulchra, pia es, princeps, foelix, Regina quid optas?<br />
Ccelum est ? Certo at ser6 sit Regina quod optas.<br />
JOH. LILY.<br />
Ad Lockum ciusdem.<br />
Ingenio & genio locuples, die Locke quid addam?<br />
Addo, quod ingenium quondam preciosius auroV<br />
On Sept. 22, 1597 he was returned as member for Appleby, in<br />
1 Stow (Survey, ed. Strype, Bk. iii. ch. 12, pp. 331 sqq.), writing in 1598 and<br />
dealing with the old Hospital and its church standing, as now,' on the south side'<br />
of West Smithfield, and speaking of its suppression under Henry VIII, says: ' The<br />
church remaineth a parish-church to the tenants dwelling in the precinct of the<br />
hospital.'<br />
3 See Cal. of State Papers, Domestic, 1598-1603 (July 1598), and Diet. Nat.<br />
Biog, art. ' Lok or Locke, Henry, 1553 ?-16o8 ?'<br />
3 The word is repeated by a misprint in the original edition.<br />
* ingenium 1 &c.] from Ovid, Amor. iii. 8. 3. Lyly quotes it Mother Bombie, iii. a.<br />
F 2
68 LIFE OF JOHN LYLY<br />
Westmoreland, though the Parliament was not actually summoned<br />
till Oct. 24. At the close of the year a letter written by him to Sir<br />
Robert Cecil 1 is evidence that his hopes of the Revels Office had<br />
been endangered by a half-promise, if not a formal grant, of the<br />
reversion to Sir George Buck 2 ; though as Tylney held the post till<br />
his death in October, 1610, it would have been of little use to Lyly<br />
except for what he might have raised upon his prospects. Evidently<br />
he still leans upon Burleigh's interest. The letter is written, legibly<br />
enough, in Lyly's own handwriting—the same as that of the letter to<br />
Burleigh of July, 1582. It is endorsed ' 1597 22, Decern : M r . Lyllie<br />
to my M r ,' and superscribed ' For y e right ho: Sir Robt: Cecil<br />
night Principalle Secretary to her Matie'; and runs as follows :—<br />
'Right Ho : I haue not byn importunat, that thes 12 yeres w b vnwearied<br />
pacienc, have entertayned the p'roguig of her maties promises .<br />
w ch if in the 13, may conclud w h the Parlement, I will think the greves<br />
of tymes past, but pastymes. I wold have wayted on yo r Ho : wer 1 not<br />
trobled w h the Cort cough-thought, that is to gepe so long for a suit<br />
& cough w b out it.<br />
' Offices in Reuersion are forestalld, in possession ingrost, & that of y e<br />
Reuells countenaunced upon Buck, wherin the Justic of an ogre [or<br />
' oyre'] 8 shewes his affection to y e keper, & partialty, to y e sheppard<br />
. a french fauor 4 , I hope I shall not be vsed worse then an old<br />
horse, who after seruic done hath his shoes puld of & tumd to grass, not<br />
suffred to sterve in y e stable. I will Cast my wittes in a new mould,<br />
1 State Papers (Record Office), Domestic: Elizabeth, vol. cclxv. fols. 12 8-9, No. 61.<br />
3 The Cat. of State Papers, Domestic, 1603-1610, p. 16, records the l Grant to<br />
I5uck of the Mastership of the Revels' under date July 2 1, 1603. The earliest<br />
date of his appearance as licenser of plays in the Stat. Peg. is April 10, 1607<br />
(Arber's Transcript, iii. 346).<br />
3 ' Justic of an ogre' [or i oyre']: a difficult passage. I offer three lame explanations.<br />
(1) ' ogre' quite general, 'a matter wherein even an ogre would be just<br />
enough to favour the keeper (i. e. Lyly himself) rather than the game' (a wholly<br />
inapposite pun on duck).<br />
(2) The ' ogre' is Tylney, with whom Lyly was then quarrelling (see Lansd. MS.<br />
83, No. 63, and below, pp. 69-70) and whom he supposes to have influenced the<br />
Queen against his claims. In this case ' justic,' affection ' and ' partialty' are<br />
used ironically.<br />
(3) Reading 'oyre,' for 'oyer': ' the judge (or justice) of a court of oyer and<br />
termimr (hear and determine)/ used here quite generally for such an investigation<br />
as that ordered by Burleigh shortly after Nov. 5, 1597 into the quarrel between the<br />
officers and creditors of the Revels, p. 69.<br />
4 a french fauor] These three words are an insertion written above the line, the<br />
mark for their insertion intervening between ' sheppard' and the full stop which<br />
follows it; but as this full stop is immediately followed by a comma, it seems<br />
clear that the mark of insertion should properly have come between the full stop<br />
and the comma, and that the three words belong in sense to what follows, not to<br />
what precedes. Their sense seems to be ' a favour which is really none/ like<br />
' French leave ': but the characters might possibly be read as ' fienet.' i. e. feigned.
LETTER TO SIR ROBERT CECIL 69<br />
& turne the water Course by a contrary Sluce, for I find it folly that on<br />
foot being in the grave, I shuld have the other on the stage. Yf her l<br />
matie in Comeseration of my estat, in remembraunc of her gracious<br />
promises, will vousalf, but any hope of fauer in my declining yeres, I shall<br />
then w h the Snake cast of my skynne, & my Byll. w h the Eagle, renuing<br />
my tyme, running it over, & reviving my wittes by spending them. In<br />
this I humbly entreat yo r H : fauor, & Counsell, being destitut both of<br />
frends & Conciept, being my self a miserable example of misfortune that<br />
have no companion to complayne w h me, I only being he y fc can be<br />
rekoned, to whome her matie hath p'mised much & done nothing. Thus<br />
humbly remembring my duty, I commd yo r ho : to the Almighty, praing<br />
for yo r Long lif w h encreas of hapines . De : 22 . 1597.<br />
' Yo r H in all duty<br />
JH : LYLY.'<br />
There is nothing to show that Cecil took any action on this<br />
appeal. His attention at this time was fully occupied with foreign<br />
affairs, with the consolidation of his own position against the rivalry<br />
of Essex, and with his father. Lord Burleigh's, failing health. A<br />
matter which came before Burleigh at this time may have tended<br />
to delay the satisfaction of Lyly's claims. Some workmen and<br />
tradesmen accustomed to supply the Revels Office, had on Nov. 5<br />
petitioned the Lord Treasurer for five years' arrears of payment,<br />
detained from them in consequence of a disagreement between the<br />
Master and the inferior officers, who seem to have devoted sums,<br />
handed to them by Tylney for the liquidation of expenses, to supplying<br />
what they deemed a deficiency in the salaries due to themselves.<br />
Tylney took his stand on some composition previously<br />
arranged by the Lord Treasurer, which the other officers now<br />
declined to accept as binding. Burleigh appointed one of the<br />
Auditors of the Imprest and one of the Barons of the Exchequer-to<br />
hear both officers and petitioners and adjudicate between them;<br />
and on Jan. 5, 1597-8, they informed him of their decision—<br />
' that out of the xl 11. by yeare allowed for flees or wage for their attendaunces<br />
the M r of the Revelles shall yearely alio we and paye the severall<br />
Somes of mony vnd r written viz.<br />
To the Clarke Comptroller of that Office . . . viij 11<br />
To the Yeoman of the Revells viij 11<br />
To the Groome of the Office xl 8<br />
To the Porter of St. Johns xx 8 2 ;<br />
1 her] This word is preceded in the MS. by ' in' erased.<br />
a Lansdowne MS. 83, No. 63.
70<br />
LIFE OF JOHN LYLY<br />
From this we learn that the receipts of the officers, which had in<br />
earlier years varied with the number of days on which their attendance<br />
was given, were now fixed at a definite sum, which forms<br />
a rough average equivalent to their previous receipts as shown in the<br />
Revels Accounts, though the balance left in the Master's hands<br />
seems a good deal larger. But Burleigh, in an autograph note,<br />
insists on further information as to the satisfaction of the petitioning<br />
creditors. If Lyly was Clerk-Controller, he would, I believe, be<br />
paymaster, and therefore chiefly responsible for the retention of the<br />
tradesmen's money 1<br />
Failing to obtain satisfaction, Lyly again, in 1598, addressed the<br />
Queen in terms of surprising boldness, plainer than Horace ventured<br />
to use towards Maecenas, stronger than those of Moliere's remonstrance<br />
with Louis XIV on the suppression of Tartuffe. The<br />
temerity of such a tone taken to the imperious and all-flattered<br />
Elizabeth shows the petition, in spite of the politic humour of the<br />
closing sentence, to be the utterance of despair. Bitterness like this<br />
cannot be referred to mere petulant exaggeration, or simply to that<br />
pleasure in forcible expression which makes the pen in some men's<br />
hands a more unruly instrument even than the tongue. It is evident<br />
that beneath his masking and fooling and play-writing Lyly had been<br />
suffering the keenest anxiety, and that the iron had entered into his<br />
soul. I give the petition, like the former, from Harleian MS.<br />
1323, fol. 250.<br />
1 ANO<strong>THE</strong>R ; L'RE : TO, QUEENE, ELIZABETH : FFROM JOHN : LTLLYE : 2<br />
' Most: gratious, and dread Soveraigne;<br />
4 Tyme ; cannott worke my peticons, nor my peticons, the tyme ; After<br />
many yeares servyce ; It pleased yo r : Ma tie : To except; against Tentes<br />
and Toyles, I wishe ; that ffor Tentes I might putt in Tenefft tes soe<br />
should I bee eased w th some Toyles ; some Landes some goodes, ffynes,<br />
or fforffeytures, that should ffall, by the iust ffall of the 3 most ffalce<br />
Trayto rs : That seeinge nothinge, will come by the Revells, I may praye<br />
vppon Rebells ;<br />
' Thirteen yeares, yo r : Highnes Servant; Butt; yett nothinge, Twenty<br />
ffrindes, that though they say, they wilbee sure, I ffinde them, sure to<br />
slowe 4, A thowsand hopes, butt all, noethinge; A hundred promises, butt<br />
1 See above, pp. 41-2.<br />
2 In Harl. MS. 1877 ' John Lillies second PeticSn to the Qneene.'<br />
8 Harl. MS. 1877 'these.' In all cases where not otherwise specified the<br />
Hargrave MS. 225 agrees with that from which our text is taken, Harl. MS. 1323.<br />
* i.e. too slow. Harg. MS, 'two slowe'; Harl. MS. 1877 'to be slowe,'<br />
probably right.
HIS SECOND PETITION, 1598 71<br />
yett noethinge, Thus Castinge vpp : an1 Inventorye of my ffrindes, hopes,<br />
promises, and Tymes, the ; Suilia, Total: Amounteth to Just nothinge<br />
My Last Will, is shorter, then myne Invention; Butt, three Legacyes,<br />
I Bequeath 2 , Patience to my Credit rs : Mellanchollie, w th out Measure to<br />
my ffrindes, And Beggerry, w th out shame, to my ffamilye,<br />
Si placet hoc meruiq. q d : ô tua ffulmina cessant s<br />
Virgo Parens Princeps:<br />
In all humillitye, I, intreat, that I may dedicate, to yor: sacred Ma t;e :<br />
(Lillye de Tristibus, wherein shalbee seene; Patience; Labo rs : and<br />
Misfortunes,<br />
Quorum si singula nostram;<br />
ffrangere non poterunt, poterant tamen oia mentem 4 ;<br />
' The Last; and the Least, that yf I bee Borne to haue noethinge, I may<br />
haue a Protection to paye noethinge, w ch Suite; is lyke his, whoe 5<br />
haveinge rfollowed the Co rte : Tenn yeares, ffor Recompence of his servyce<br />
; Comitteth 6 a Robberye, and tooke it out; in a Pardon :<br />
JOHN : LILLYE/ 7;<br />
The Queen's complaint about Tentes and Toyles may have originated<br />
in some real or supposed participation by Lyjy in the abuse<br />
of lending out the Revels costumes on hire to various companies,<br />
of which we have an instance in the complaint addressed to Sir<br />
William Cecil in 1571 by Thomas Gylles, a costumier, whose business<br />
was injured by the practice 8 . But since Lyly here attempts no<br />
answer to the complaint, and even ventures to pun upon it, we may<br />
fairly suppose he refers to a matter of some time past, from complicity<br />
in which he had already practically cleared himself. His<br />
hope of' forfeitures that should fall by the just fall of the most false<br />
traitors' is best referred to the rebels in Ireland. On Aug. 14, 1598,<br />
ten days after Burleigh's death, Sir Henry Bagnell, the Queen's<br />
marshal, attempting with 4,000 men to relieve the fort of Blackwatertown<br />
besieged by Tyrone, had been defeated and killed with<br />
the loss of more than 700 men and many other officers. The disaster<br />
1 8<br />
Harl. MS. 1877 ' the.'<br />
' I Bequeath/ om. Harl. MS. 1877.<br />
• Harl. MS. 1877 has 'Si placet hoc merui quod ô tua fulmina cessent.'<br />
4<br />
Quorum . . . nostram, &c. : in Harl. MS. 1877 an original a seems to have<br />
been changed into a u in 'nostram' and the first 'poterant.' Harg. MS. has<br />
' poterant' in both cases. The lines are from Ovid, Met. ix. 607-8 :<br />
'Omnia fecissem, quorum si singula duram<br />
Flectere non poterant, potuissent omnia, mentem.'<br />
5<br />
Harl. MS. 1877 ' that.' 6 Harl. MS. 1877 ' comitted.'<br />
7<br />
The signature is wanting in Harl. MS. 1877.<br />
8<br />
Lansdowne MS. 13, No. 3, quoted by Collier, i. 198. Gylles' complaint is<br />
directed rather against the Yeoman, who was (as we saw, p. 41 note 2) the<br />
proper custodian of the costumes ; but there seems to have been some confusion of<br />
function among the junior officers of the Revels, and the investigation of 1597<br />
to which I adverted above is evidence of a solidarity between them.
72 LIFE OF JOHN LYLY<br />
had produced a profound impression; and active measures, which<br />
culminated in Essex's departure in the following year, were soon inaugurated<br />
to meet the danger \ The occurrence may suggest a date<br />
for Lyly's petition in the latter part of the year; and the remark<br />
about ' paying nothing' if he is to 'haue nothing/ may derive point<br />
from the fact—part of the scanty harvest of my researches at the<br />
Record Office—that in an assessment made on persons living in the<br />
ward of Farringdon Without, and dated Oct. i, 1598, ' John Lilly<br />
gent' is rated to pay eight shillings on property of the value of three<br />
pounds in the parish of Saint Bartholomew the Less, as his share of<br />
the first instalment of the heavy subsidy (six Fifteenths and Tenths)<br />
granted by Parliament in January, 1597-8, of which Parliament he<br />
was a member. He is assessed at a similar sum on a similar amount<br />
of property for the second and the third instalments, in documents<br />
dated Oct. 1, 1599 and 1600, respectively 2 .<br />
It is small wonder, considering its tone, that this second appeal,<br />
like the former, passed unheeded. In the following year, however,<br />
his distresses were to some extent relieved by the renewal of the<br />
Paul's Boys' permission to act, I infer that their inhibition was removed<br />
at least as early as 1599 from the fact that on July 24, Sept. 8,<br />
and Nov. 25, respectively, of the succeeding year (1600) are entered,<br />
in the Stationers' Register, The Maydes Metamorphosis', Jack Drum's<br />
Entertainment, and Lyly's own Loves Metamorphosis, the first of<br />
which is announced on its title-page (dated 1600) as having been<br />
'sundrie times Acted by the Children of Powles,' the second in the<br />
entry of Sept. 8 as ' diuerse tymes Acted by the Children of Paules,'<br />
while the third is also stated in the entry of Nov. 25 to have been<br />
'playd by the Children of Paules,' to which the title-page of 1601<br />
adds, ' and now by the Children of the Chappell.' Considering that<br />
1 See Diet. Nat. Biog., art. ' Elizabeth, 1533-1603,' and Cal. of State Papers,<br />
Domestic, 1598-1603.<br />
3 See the Subsidy Rolls in the Record Office—' Lay Subsidies' 1, 4 6 1 4 6 1 45<br />
—the last of which is (or was) wrongly catalogued as referring to a grant of<br />
23 Elizabeth; but the application of some gall to the almost obliteiated writing at<br />
my request showed the date in the heading of the Indenture to be ' two and<br />
fortith yere,' i.e. 1600, to my considerable disappointment, as 'two and twenteth'<br />
would have located Lyly in St. Bartholomew's in 1580, and settled some doubts.<br />
I may add that I have examined all the other Subsidy Records relating to the ward<br />
of Farringdon Without during the years 1576-1610, without finding his name<br />
either in other Assessments or in the lists of defaulters: nor does he appear in the<br />
Assessment for the • Libertyes of the Duchy of Lancaster without Temple Bar' in<br />
31 Eliz. (1589)—No. W (additional)—the single surviving document dealing<br />
with those liberties (which of course included the Savoy) in the period above<br />
named.
<strong>THE</strong> PAUL'S BOYS RECOMMENCE 73<br />
plays did not as a rule find their way to the printer's until at least<br />
a year or two after their production, it seems likely that the Paul's<br />
Boys had in 1600 already been acting again for some time past.<br />
The passage quoted by Malone and Collier from Jack Drum's<br />
Entertainment, though argument that the boys were not yet at home<br />
with their task, can hardly have been written later than the beginning<br />
of 1600, and so supports my contention of a recommencement<br />
at least as early as 1599 1.<br />
The first of the three pieces just named, The Maydes Metamorphosis,<br />
has been claimed for Lyly; but incorrectly, I think, though<br />
it is just possible that, having to coach the Paul's Boys in the acting<br />
of it, he added to the part of the comic pages, Joculo, Mopso and<br />
Frisco, the two prose-scenes, ii. 2 (which contains some pretty fairysongs)<br />
and iii. 2, and possibly the duet in Act iv, and the closing<br />
song of Act v. Both this play and Loves Metamorphosis are probably<br />
included among the ' musty fopperies of antiquity' of which Brabant<br />
senior complains, i. e. both were probably old in date in 1600, as<br />
well as based on classical antiquity. We know Loves Metamorphosis<br />
to have been transferred to the Chapel Children before its publication<br />
in 1601, and it is probably to be reckoned among those recent<br />
revivals alluded to by Ben Jonson in the Induction to Cynthias<br />
Revels, which was produced by those children in 1600 2 . Originally<br />
1 The passage, quoted in Malone's Life of Shakespeare (Boswell's Malone', ii.<br />
p. 193) and by Collier, i. 273, is also interesting to us as evidence of the higher<br />
class of audience attending the St. Paul's performances, to which the price of<br />
admission was double that charged at an ordinary playhouse like ' The Theater'<br />
at Newington Butts ; see marginal note in Pappe quoted above, p. 53, and compare<br />
especially Lyly's Prologue to Midas. In the Introduction to J. D. E. are allusions<br />
to 'this geneious presence' and 'this choice selected audience': the following<br />
passage from Act v is that quoted by Malone and Collier:—<br />
'Sir Edward Fortune. I saw the children of Powles last night,<br />
And troth they pleas'd me pretty, pretty well:<br />
The apes in time will do it handsomely.<br />
Planet. V faith, 1 like the audience that frequenteth there,<br />
With much applause. A man shall not be choked<br />
With the stench of garlick, nor be pasted<br />
To the barmy jacket of a beer brewer.<br />
Brabant Jun. 'Tis a good gentle audience, and I hope the boys<br />
Will come one day into the Court of Requests.<br />
Brabant Sen, Aye; an they had good plays ; but they produce<br />
Such musty fopperies of antiquity,<br />
And do not suit the humorous age's back<br />
With clothes in fashion.'<br />
2 t The umbrse or ghosts of some three or four plays departed a dozen years<br />
since, have been seen walking on your stage here' (ed. 1838, p. 71). Jonson, the<br />
master of a newer and sturdier handicraft, whose plays were displacing Lyly's,<br />
had already satirized him in Fastidious Brisk in Every Man Out of his Humour,<br />
1599. See above, p. 61, and for date of Loves Met. pp. 45-6.
74 LIFE OF JOHN LYLY<br />
composed and acted, as I believe, between 1585 and 1589, it had<br />
been reserved from the press and now reappears first with the Paul's<br />
Boys, with the excision perhaps of a former comic element that had<br />
caused offence, but with new reminiscences of Book III of the<br />
Faerie Queene, and an allegorical adaptation of the relations between<br />
Ceres and the ungrateful Erisichthon to the recent differences between<br />
the Queen and Essex. Essex, whose arrogant pretensions had<br />
long been a source of anxiety and disturbance, had been packed off<br />
to Ireland in March, 1599, but returned suddenly without leave in<br />
September. The Queen received him civilly, but could not pass over<br />
the offence, and confined him for six months in his own house. In<br />
June, 1600, he was summoned to answer for his conduct before a<br />
commission consisting of the chief officers of state. His submission<br />
and Cecil's discreet generosity procured him pardon ; and his rebellious<br />
outbreak did not take place till the following February, before<br />
which time of course Lyly's play had been produced \ We may<br />
trace a reminiscence of the courtly compliment of Sapho in the<br />
fact that Cupid is made the means of reconciling the goddess to her<br />
churlish husbandman.<br />
In 1599, as mentioned above, Lyly is sketched in Every Man Out<br />
of his Humour as Fastidious Brisk, a character whose fopperies<br />
and fashionable ambitions land him in the Counter for debt, from<br />
which an intrigue with his creditor's foolish wife, offered by her<br />
rather than sought by him, fails to rescue him. There is no hope<br />
of disentangling the elements of truth from those of fiction in Jonson's<br />
caricature; and if I mention here another John Lilly, who in July<br />
of this year (1599) was imprisoned in the Tower on suspicion of<br />
assisting Gerard the Jesuit to escape from it, it is only to dissociate<br />
that staunch Protestant, our author, from him 2 . On July 3, 1600,<br />
another son of his was baptized at St. Bartholomew the Less by the<br />
name of John ; and from Oct. 27 to Dec. 19, 1601, he sat again in<br />
Parliament for Aylesbury. It was possibly at this period that he<br />
became known to Fulke Greville, the poet and friend of Sir Philip<br />
1 See Camden's Annals of Elizabeth, vol. ii. pp. 608, 618, 626, &c, and article<br />
' Cecil, Robert, Earl of Salisbury/ in the Dict. Nat. Biog.<br />
2 See Cal. of State Papers; Domestic, 1598-1601, pp. 253-4; and for Lyly's<br />
Protestantism see Euphues and his England, vol. ii. p. 192, his respectful account<br />
of the Establishment; p. 206 11. 9—13, 26 sqq., his sympathy with Edward VI,<br />
and with Elizabeth in her sisters reign; ib. L 36, ' placed in the seate royall, she<br />
first of al established religion, banished poperie, aduanced the worde, that before<br />
was so much defaced.' Cf. also pp. 24 1. 21, 89 1. 1, 214 1. 22. Cf. Pappe, ad<br />
med. (vol. iii) : ' the Papists haue been making roddes for vs this thirtie yeares.'
SECOND LETTER TO CECIL, 1603 75<br />
Sidney, who represented Warwickshire in the same Parliament; but<br />
their acquaintance may quite as well date from old Savoy days, when<br />
Greville, Dyer, and Sidney were members of Harvey's,'Areopagus,'<br />
and Lyly was probably introduced to them all. Greville, a favourite<br />
with the Queen since his first entry into Court life in 1577, had held<br />
some important posts in the last years of the century, and took part<br />
in the arrest of Essex on Feb. 8, 1600-1 1. Lyly's attempt to enlist<br />
him in support of his claims may have been due to a sense of Cecil's<br />
coldness to his interests; but considering the latter's jealousy of<br />
Greville, the step was not very judicious, and Lyly's attitude in the<br />
letter I am about to quote betrays, perhaps, some sense of awkwardness.<br />
That letter is mentioned in the Seventh Report of the Historical<br />
MSS. Commission 2 as existing among the MSS. at Hatfield;<br />
and by the kindness of Lord Salisbury I have been furnished with<br />
a copy. It runs as follows :—<br />
(Cecil Papers 91/103)<br />
'JHON LYLY TO SIR ROBERT CECIL.<br />
* My duety Humbly remembred<br />
' My fortunes are come to this issue, the Q. s mercy, & M r Grevill's Care,<br />
yo r H. good word to both, may work a Conclusion of all my cares.<br />
My wiff deliuered my Petition to the Q. who accepted it graciously & as<br />
1 desyred, referred it, to M r . Grevil, for I durst not presume, to name<br />
yo r honnor.<br />
'The Copye I haue sent inclosed, not to troble y r Ho., but only to<br />
vousalf a view of the particulers, all wowen [woven] in one, is but to<br />
haue Something, And so praing for yo r Ho. Long Lif, wt increas of<br />
happines, I humbly end Feb. 4 1602 Yo r H. in all duety<br />
JHON • LYLY / '<br />
The petition to which this letter refers is not mentioned in the<br />
Report of the Historical MSS. Commission, nor by Lord Salisbury's<br />
private secretary in the letter which accompanied the above copy;<br />
so we must suppose it lost, unless indeed the petition mentioned in<br />
the Commission's Third Report as existing among the Bute MSS.<br />
be identical with it 3 . But the letter itself adds a good deal to our<br />
1<br />
See Dict. Nat. Biog., art. 'Greville, Sir Fulke, first Lord Brooke, 1554-1628.'<br />
He was made a knight of the Bath by James I in 1603.<br />
a P. 183 a.<br />
3<br />
Among these MSS. the twenty-fourth article in what is described as ' A volume<br />
of Historical Miscellanies, chiefly relating to the reigns of Elizabeth and James I'<br />
is said to be ' A Petic'on from John Lilly to y e Queene'; but whether this is a newone,<br />
or merely a fifth copy of one or both of those we know already, there is no<br />
means of deciding, and Lord Bute's unfortunate death (,Oct. 1900) has deprived<br />
me of answer to my inquiries.
76 LIFE OF JOHN LYLY<br />
knowledge of the close of Lyly's life, showing that some four and<br />
a half years after his petition of 1598 his claims were still unsatisfied ;<br />
but that he was still hoping, still possessed friends, and, what was<br />
far better, a wife to give him sympathy and active help.<br />
Blount, in his Address to the Reader, 1632, describes Lyly as<br />
'a Rare and Excellent Poet, whom Queene Elizabeth then heard,<br />
Graced, and Rewarded'; but is he speaking by the book? The<br />
Queen died six weeks after the date of the letter just quoted, on the<br />
last day of the civil year, March 24, 1602-3. It would be pleasant<br />
to think that before her death things were at least put in train for<br />
satisfying the modest claims of one who had done, perhaps, more<br />
than any to lighten for her the harassing cares of sovereignty; but<br />
I can find no direct evidence for it, for we can hardly take the<br />
increase of his family as such. On May 21 of this same year 1603<br />
a daughter of his was baptized by the name of Frances, the same<br />
that he had given to the sprightly young woman he married twentythree<br />
years before to Philautus; while on Jan. 17, 1604-5 was baPtized<br />
another son, Thomas, and on May 14, 1605 was buried another<br />
daughter, Elizabeth, of whose baptism we have no record. In that<br />
year a tenth edition of both Parts of Euphues was issued, the first that<br />
is traceable since 1597. In the hands of its new publisher, William<br />
Leake, the book appears to have taken a fresh lease of vitality; for<br />
an eleventh edition of either Part followed in 1606, and in 1607<br />
a twelfth of Part I, the twelfth of Part II being issued in 1609.<br />
This twelfth edition was no doubt occasioned by the author's death.<br />
The Register of St. Bartholomew the Less records his burial on<br />
Nov. 30, 1606, when he would be in his fifty-third year. No monument,<br />
tombstone, or inscription bearing his name has survived the<br />
restoration of all except the western end of the church. One or two<br />
nearly contemporary tablets have been preserved on the walls, but<br />
the floor has been entirely relaid with tiles.<br />
The career I have thus endeavoured, by the aid of the inadequate<br />
materials available, to sketch, should I think be regarded as an<br />
unfortunate rather than an unhappy one; and its misfortunes were, in<br />
part, self-caused. In the light of the admission, made in his own<br />
person in his earliest work— 1 1 haue euer thought so supersticiously<br />
of wit, that I feare I haue committed Idolatry agaynst wisedome1''—<br />
we may see John Lyly as, more or less, throughout life his own<br />
1 Euphuesj p. 196, 1. 20.
HIS CHARACTER 77<br />
enemy. His is the old story of the over-high estimate set by a<br />
superficial world on powers which ripen early and are most readily<br />
at command; and of undue self-confidence induced in the owner of<br />
such powers, making him negligent of the more solid and verefiable<br />
side of life, and careless of accumulating envy and dislike. The<br />
opening of his career exhibits all the marks of ' brilliance'; its close<br />
finds him painfully meeting the blank cheques commonly drawn by<br />
such a character upon maturity and old age. The showy and superficial<br />
was always the first consideration with Lyly; wit before learning,<br />
speech before thought, manner before matter, shadow before<br />
substance. If his earliest work exhibits an ample grasp and<br />
approval of the diametrically opposite principle, that approval was<br />
mainly conventional, or merely intellectual, and had little influence<br />
upon his own practice. From the first he exhibited an impatience<br />
of the beaten path, and a baneful reliance upon the influence of<br />
great friends. Social eminence was his ideal. Perfectly capable<br />
of estimating Court life at its true worth, he nevertheless entered<br />
voluntarily on a long career of chagrin which he might have foreseen.<br />
We see him, sent to Oxford by the indulgence of his parents or the<br />
liberality of Lord Burleigh, disdaining or ignoring the studies prescribed<br />
there, but winning repute as a madcap and a wit; quarrelling<br />
with his dons, and yet attempting an impudent aggression upon<br />
them which Burleigh refused to sanction. We see him, next, procuring<br />
by his social talents and the help of friends a ready<br />
admission to Court, and turning indeed to good account the knowledge<br />
acquired during ten years of desultory study in a work which<br />
deserved all its success; but yet unable to refrain from venting<br />
therein his private grudge in sweeping condemnation of the University<br />
at large, an indiscretion by which he can hardly have profited.<br />
We see him making enemies in the household of Lord Oxford;<br />
carelessly estranging his old friend Harvey'; hedging injudiciously,<br />
perhaps, between Leicester and Burleigh, as later between Greville<br />
and Cecil; probably bringing himself and the Paul's Boys into<br />
1 The following in Harvey's Advertisement to Papp-Hatchett is very significant:<br />
' He winneth not most abroad that weeneth most at home : and in my poore fancy,<br />
it were not greatly amisse, euen for the pertest, and gajest companions, (notwithstanding<br />
whatsoeuer courtly holly-water, or plausible hopes of preferment) to<br />
deigne their olde familiars the continuance of their former courtesies, without<br />
contempt of the barrainest giftes, or empeachment of the meanest persons. The<br />
simplist man in a parish is a shrewd foole; and Humanity an Image of Diuinity ;<br />
that pulleth downe the howty, and setteth vp the meek. Euphues, it is good to bee<br />
merry, and Lyly it is good to be wise, and Papp-Hatchett it is better to lose a new<br />
jest than an old friend.' Works (ed. Grosart), vol. ii. p, 125.
78 LIFE OF JOHN LYLY<br />
trouble by too bold a caricature of Marprelate; incurring the<br />
Queen's rebuke by inadequate or faulty discharge of his duties in<br />
the Revels Office; and, finally, reproaching his irascible mistress<br />
with ingratitude in terms as bitter, if not so dignified, as those of<br />
Johnson's famous letter to Lord Chesterfield. Envy of his early<br />
success and high repute, dislike of his self-assertion and mordant<br />
tongue, must needs, I think, have united with his want of adequate<br />
funds and the usual difficulties besetting aspirants and petitioners<br />
at Court, to keep him for ever expectant and for ever disappointed.<br />
Add to this the accident that during the eight years of the Paul's<br />
Boys' inhibition there rose into the dramatic heaven a star of such<br />
a magnitude as reduced Lyly and his achievements to a remote<br />
and insignificant twinkle, and that with it or about it came a number<br />
of brilliant satellites; and we need not wonder that Lyly ended<br />
his days in poverty and neglect. In 1591, when the boys were<br />
suppressed, Lyly had no rival as a Court dramatist, and none whose<br />
fame on the public stage could be compared with his, except Marlowe.<br />
In 1603, when he wrote to Cecil, the drama boasted works which<br />
threw the best that Lyly ever had, or could have, produced, utterly<br />
into the shade; though to the genius of him who created them his<br />
own had contributed much l . It is not surprising, therefore, that<br />
between 1595 and 1606 we have practically no new work from<br />
Lyly's pen.<br />
But I do not think his life as a whole deserves to be called<br />
unhappy. The superficiality of character indicated above, and<br />
reflected in his plays, would form his best defensive armour. He<br />
had buoyancy enough to survive disappointment, and fits of bitterness<br />
or depression such as are revealed by his petitions could have<br />
been but temporary. The earnest tone of Euphues, in which<br />
Morley found evidence of his deep moral seriousness, I should<br />
rather attribute to the power of strongly realizing his theme, and to<br />
the attraction which the didactic attitude generally presents to<br />
youth. It is hard to resist the comedies' suggestion of a real<br />
light-heartedness ; they contain no touch of bitterness until we<br />
reach Stesias in The Woman, and I do not think it can at all be<br />
said that the wit and gaiety fall off towards the close. To one who<br />
worshipped brains as Lyly did, the sense of intellectual achievement<br />
must always count as the most important factor in content; and,<br />
1 Shakespeare's debt is discussed in the essay on ' Euphuism' below, and in that<br />
on ' Lyly as a Playwright,' vol. ii.
HIS REPUTATION 79<br />
whatever his pecuniary fortunes, he had at least the consolations of<br />
distinction from his first entry of the courtly circle. If his plays<br />
were outshone, his novel survived its temporary displacement by the<br />
Arcadia, and must have earned him an immense reputation, the<br />
evidences of which are not wanting in the flattering allusions of<br />
William Webbe l , of John Eliot 2 , of Francis Meres 3 , and of Ben<br />
Jonson in 1623 4 , to say nothing of the high compliment paid him<br />
by Spenser in the stanzas quoted above, and of the imitation of him<br />
by Greene, Nash, Lodge and others. And, if Lyly had enemies, he<br />
also had friends—Watson, Harvey, Nash, Lok—cultivated men who<br />
shared his tastes and could appreciate his gifts; and, in spite of<br />
Harvey's malicious suggestions later on, and some possible youthful<br />
excess that occasioned them, one feels that he was much too fastidious<br />
and refined to lose self-mastery, to sink into a tavern-roisterer<br />
or toss-pot, like Greene, or Marlowe or some of the rest. Nor was his<br />
life denied the dearer companionship of marriage. Famous, clever,<br />
poor and disappointed, he is among the most distinct of Elizabethans.<br />
We can picture him, one of the most familiar figures at<br />
Whitehall, Greenwich, Richmond, or Hampton Court, stepping<br />
daintily about the ante-chambers, shrewd and humorous; with<br />
1 Discourse of English Poetrie (1586), ed. Arber, p. 46 (speaking of 'the<br />
great good grace and sweet vayne which Eloquence hath attained in our speeche ') :<br />
' Among whom I thinke there is none that will gainsay, but Master Iohn Lilly<br />
hath deserued moste high commendations, as he which hath stept one steppe<br />
further therein then any either before or since he first began the wyttie discourse of<br />
his Euphues. Whose workes, surely in respecte of his singuler eloquence and<br />
braue composition of apt words and sentences, let the learned examine and make<br />
try all thereof thorough all the partes of Rethoricke, in fLtte phrases, in pithy<br />
sentences, in gallant tropes, in flowing speeche, in plaine sence, and surely in my<br />
iudgment, I thinke he wyll yeelde him that verdict, which Quintilian giueth of<br />
bothe the best Orators Demosthenes and Tully, that from the one, nothing may be<br />
taken away, to the other, nothing may be added.*<br />
a Verses prefixed to Greene's Pe7-imedes. The Blacke Smith, 1588: ' Greene et<br />
Lylli tous deux rafiineurs de l'Anglois.' Among the commendatory verse to<br />
Greene's Alcida (lie. Dec. 9, 1588) occurs the following:—<br />
' Floruit Ascamus, Chekus, Gascoynus, et alter<br />
Tullius Anglorum nunc viuens Lillius, ilium<br />
Consequitur Grenus, praeclarus uterque Poeta.'<br />
8 Palladis Tamia, 1598, fol. 284, 'The best for Comedy amongst vs bee,<br />
Edward Earle of Oxforde, Doctor Gager of Oxforde, Maister Rowley once a rare<br />
Scholler of learned Pembrooke Hall in Cambridge, Maister Edwardes one of her<br />
Maiesties Chappell, eloquent and wittie Iohn Lilly, Lodge, Gascoyne, Greene,<br />
Shakespeare, Thomas Nash, Thomas Heywood, Anthony Mundye our best plotter,<br />
Chapman, Porter, Wilson, Hathway, and Henry Gkettle?<br />
4 Verses prefixed to the First Folio Shakespeare:—<br />
' For if I thought my iudgement were of yeeres,<br />
I should commit thee surely with thy peeres,<br />
And tell, how farre thou didst our Lily out-shine,<br />
Or sporting Kid, or Marlowes mighty line.'
8o LIFE OF JOHN LYLY<br />
a keen eye for the follies, the fashions, the swagger and pretension<br />
of the courtiers 1; now enjoying a brisk passage of arms with some<br />
sprightly maid of honour, now chuckling over the last impertinence<br />
of the Court pages—with an insuperable affection for the motley show,<br />
the buzz of the great bazaar, surviving the clearest perception of its<br />
hollowness and inability to satisfy.<br />
It is well that he enjoyed due meed of fame and importance in his<br />
lifetime. The reaction against his excessive mannerism, which first<br />
finds expression in Sidney's Astrophel and Stella, 1591 2 , left him all<br />
but forgotten within forty years after his death. Blount's attempt, in<br />
1 Cp. Pappe ' To the Reader': ' He saith he is a Courtier ... I knowe all the<br />
fooles there, and yet cannot gesse at him.'<br />
a Sonnet III. ' Let dainty wits cry on the sisters nine,<br />
That, bravely mask'd, their fancies may be told :<br />
Or, Pindar's apes, flaunt they in phrases fine,<br />
Enam'ling, with py'd flowers, their thoughts of gold.<br />
Or else, let them in statelier glory shine,<br />
Ennobling new-found tropes, with problems old:<br />
Or, with strange similes enrich each line,<br />
Of herbs, or beasts, which Ind' or Afric hold.'<br />
{Miscell. Works, Gibbings, 1893.)<br />
This is not specially condemnatory; but there is no doubt that Sidney was<br />
regarded as, and in his Arcadia actually was, representative of a reaction against<br />
j.yly's excessive antithesis, and use of 'mechanical devices' and natural history,<br />
though Arcadianism itself was an affectation of a worse kind. The passage most<br />
often quoted as proof of this reaction is from Michael Drayton's poem Of Poets and<br />
Poesie, near the end of his first folio volume of poems, 1627 :—<br />
'The noble Sidney . . . did first 1 educe<br />
Our tongue from Lillies writing then in vse;<br />
Talking of Stones, Stars, Plants, of fishes, Flyes,<br />
Playing with words, and idle Similies.'<br />
Nash in his Epistle prefixed to Menaphon had somewhat depreciated Lyly<br />
with other writers in order to exalt Greene (see Essay on Euphnes, p. 146), and the<br />
absolutely earliest instance of direct disapproval of Euphuism is found in the reflections<br />
of Harvey scattered through the Advertisement to Papp-Hatchett, written<br />
in the autumn of 1589, though not printed till 1593 : e.g.<br />
' I cannot stand nosing of candlesticks, or Euphuing of similies, alia Savoica: it<br />
might happily be done with a trice: but every man hath not the gift of Albertus<br />
Magnus: rare birds are dainty, and they are queint creatures that are privileged to<br />
create new creatures. When I have a mint of precious stones, and strange lowls,<br />
beasts, and fishes, of mine own coining (I could name the party, that, in comparison<br />
of his own natural inventions, termed Pliny a barren womb), I may, peradventure,<br />
bless you with your own crosses, and pay you with the usury of your own coin . . .'<br />
' I long since found by experience, how Dranting of verses, and Euphuing of<br />
sentences, did edify . ..'<br />
1 Gentlemen, I haue given you a taste of his sugar-loaf, that weeneth Sidney's<br />
dainties, Ascham's comfits, nothing comparable to his Pap. Some of you dreamed<br />
of electuaries, of gems, and other precious restoratiues; of the quintessence of<br />
amber and pearl dissolved, of I wot not what incredible delicacies : but his gemmint<br />
is not always current; and as busy men, so painted boxes and gallipots must<br />
have a vacation. . . . The finest wits prefer the loosest period in M. Ascham, or<br />
Sir Philip Sidney, before the tricksiest page in Euphues or Pap-hatchet.' (Brydges'<br />
Archaica, ii. 85sqq., 139, 140.)
LATER NEGLECT 81<br />
1631 l , to revive an interest in -his plays can hardly be said to have<br />
succeeded; and though the demand for Euphues was not exhausted<br />
until a seventeenth edition had been printed in 1636, he is treated<br />
thenceforward as hopelessly antiquated. Edward Phillips, in 1665,<br />
says that his plays ' might perhaps, when time was, be in very<br />
good request 2 .' William Winstanley, in 1687, speaks of them as<br />
' being in great esteem in his time and acted then with great<br />
applause of the Vulgar, as such things which they understood, and<br />
composed chiefly to make them merry V In 1691 we have Wood's<br />
memoir of Lyly in the Athenae Oxonienses; and in the same year<br />
Gerard Langbaine evidently regards his plays as meritorious attempts,<br />
though he doesn't know the Euphues 4 ; and Oldys adds in his MS.<br />
notes a judicious condemnation of Lyly's style. In 1716 a slightly<br />
abbreviated version of the First Part of Euphues appeared, with<br />
modernized phraseology, under the title of Euphues and Lucilla;<br />
or the False Friend and Inconstant Mistress; and it was re-issued in<br />
1718 : but shortly afterwards, in 1742, Richardson's Pamela and<br />
Fielding's Joseph Andrews are published, and Euphues disappears<br />
from the stream of English printing for exactly 150 years, until<br />
Professor Arber's reprint from original editions in 1868. In 1756<br />
and 1758 Lyly is remotely known to Peter Whalley 5 and another<br />
writer 6 as ' one Lilly'; and receives contemptuous mention in<br />
Berkenhout's Biographia Literaria, 1777 7 . He owed his revival in<br />
the first instance to the increasing interest and thoroughness of the<br />
study of Shakespeare. Malone's favourable notice in his Life of<br />
the latter poet (1790) 8 heralded that recovery of him which the<br />
scholarship of the nineteenth century has accomplished; and Arber<br />
cites opinions on him, which I have not space to quote, from<br />
Gifford's edition of Jonson (1816), from Nathan Drake's Shakespeare<br />
and his Times (1817), from Scott's Monastery (Introduction to ed.<br />
1831), where Lyly's style had been absurdly caricatured in Sir<br />
Piercie Shafton, whose talk is far more Arcadian than Euphuistic,<br />
1<br />
Sixe Covrt Comedies . . . By the only Rare Poet of that Time, The wittie . . .<br />
Iohn Lilly . . . 1632, 121110. See introductory matter to the Plays in vol. ii.<br />
2<br />
Theatrum Poetarum . . . London .. , M.DCLXV. i2mo: p. 112.<br />
8<br />
The Lives of the most famous English Poets . . . London . . . 1687. 8vo: p. 97.<br />
* English Dramatick Poets (Oxford, 1691)—under name ' Lilly.'<br />
5<br />
Note on Fallace's speech {Every Man Out of His Humour, v. 7) in his<br />
edition* of Ben Jonson, vol. i. p. 286. I am indebted for this, and several other<br />
references, to the history of opinion on Lyly given in Arber's Introduction to<br />
Euphues, pp. 13-27.<br />
• Literary Magazine, May, 1758, p. 197.<br />
7 Vol. i. p. 377, note (a).<br />
8<br />
Bosweli's Malone, vol. ii. pp. 173-97.<br />
BOND 1 G
82 LIFE OF JOHN LYLY<br />
from Hallam's Literature of Europe (1839), from Kingsley's Westward<br />
Ho! (1855), from Marsh's lectures at Boston (1860), and<br />
from Morley's Quarterly article on ' Euphuism' (April, 1861). England<br />
and Germany have vied of late in discussion of the style;<br />
but the modern approval of his romance was hardly discriminate<br />
until the appearance of M. Jusserand's brilliant work The English<br />
Novel in the Time of Shakespeare' while the immense chronological<br />
importance, and the absolute merits of his plays, appear to me still<br />
strangely overlooked. Partly, no doubt, this is due to the grossly<br />
imperfect text of Fairholt's edition, by which alone they have been<br />
known to the modern world. Until now his works have never<br />
been collected; and the present is actually the first attempt at<br />
a thorough critical and explanatory edition of the earliest novel<br />
in the language and the most famous of Elizabethan books. To<br />
this we must now turn, leaving the dramatic works for discussion in<br />
the second volume.
EUPHUES<br />
<strong>THE</strong> TEXT AND BIBLIOGRAPHY<br />
<strong>THE</strong> difficulty of determining the text and bibliography of<br />
Euphues is much enhanced by the distribution of the earliest copies<br />
between the three great libraries, those of Oxford, Cambridge, and the<br />
British Museum; and the task must have been much longer, and<br />
its results less certain, but for the courtesy of the committee of the<br />
Hampstead Public Library, who have allowed me free use, for<br />
the purposes of this edition, of the copy of the late Professor Morley,<br />
which I was able to carry about and collate with all others, in addition<br />
to my transcript of the text of A. The question is further<br />
complicated by the loss, in some of the surviving copies, of titlepage<br />
or colophon which might have afforded direct evidence of their<br />
date, and also by the contradictory reports of previous bibliographers.<br />
My own hope that I have placed it at last upon a stable basis is<br />
grounded on a thorough collation of the text of almost every<br />
accessible undated copy, and on so close and full an examination<br />
of the one or two early copies not so collated as leaves me in no<br />
doubt to which edition they belong: and I have some trust that<br />
those who follow me through the ensuing pages will feel able to<br />
accept my decision.<br />
Perhaps the most decisive method of determining the number of<br />
editions is the difference in the precise position of the signatures<br />
under the words of the text above, a test suggested by Mr. F. Madan<br />
of the Bodleian Library when my work was already far advanced, but<br />
one which thoroughly confirms the results previously attained. For<br />
the order of the editions, where dates are either lacking or identical,<br />
there is no test like the presence or absence of unquestionable<br />
emendations, whether of wording or of punctuation, which persist<br />
through all later editions of known date ; supplemented by the<br />
presence or absence of similarly persistent corruptions. Spelling<br />
is of little use. In the age of Elizabeth, even more than in that<br />
of Mr. Weller, it depended upon the taste and fancy of the speller;<br />
and the collation of the Euphues texts over and over again suggests<br />
that the compositor was sometimes setting up his type from dictation<br />
G 2
84 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
rather than following a previous edition with his eye, though doubtless<br />
the. two methods would constantly alternate \<br />
Five lists have been made within the past century: (i) that of<br />
Malone, a rough memorandum in manuscript, bound in his copy<br />
of Euphues (M 1 ) in the Bodleian Library (Malone 713). (2) That<br />
in Lowndes' Bibliographical Manual. (3) That in Mr. W. C. Hazlitt's<br />
Handbook, 1867, supplemented by additions made in the four<br />
volumes of his Collections, published in 1876, 1882, 1887, and 1889.<br />
(4) That of Professor Arber, on pp. 28-29 of his reprint of Euphues,<br />
1868. (5) That of Dr. Landmann, on pp. ix-x of his edition of<br />
(most of) Part I, 1887. All five have, of course, been carefully considered<br />
in compiling my own. Malone's list is given in a note below 2 .<br />
All the editions enumerated by Hazlitt find a place in my list except<br />
his (a) of Part I, and his (a) and undated (c) of Part II. These<br />
three are mentioned in his Handbook ; but in view of the large number<br />
of quite early editions of either Part which my collation enables<br />
me clearly to establish, I am unwilling to admit, without seeing them,<br />
another edition of each Part, of the dates 1579 and 1580 respectively.<br />
I give their titles, however, as reported by Mr. Hazlitt, in<br />
a note below 3 , together with a statement of the differences they<br />
1 Instances of such aural errors are:—205 1. 34(C), 'brake' for 'breake'; 207<br />
I. 11 (1623), 'sonne by the fire* for ' sire' (the compositor mistaking ' sonne' for<br />
' sunne'); voL ii. p. 44 1. 17,' indution' for 4 induction'; p. 76 1. 10 (H),' cruelly'<br />
for' truely'; p. 93 1. 25,' liketh' for ' lyteth '; p. 129 1. 23,' restoritie * for' restoratiue';<br />
p. 1651. 30, 4 thing ' for ' ring '; vol. i. 3141. 22,' Straconicus ' for' Stratonicus';<br />
and a large number of other classical names, 198 1. 24, 'Pyrothus' for<br />
'Pirithous'; 262 1. 18, ' Archidamius'; vol. ii. p. 97 1. 30, 'Procustes'; p. 197<br />
II. 31-2, ' Atchates' and 'Nausicla.'<br />
3 Malone's list:—' Lillys Euphues or Anatomy of Wit, etc.:<br />
1579, 2 edit 8<br />
1580, both parts—3 d ed. of Euph. and first of Eup. and his Eng.<br />
1581-1588<br />
1595 1623<br />
1605, both pts. 1626 [I know nothing of this ed.—ED.]<br />
16o6 (1630-1631)<br />
1617 I 1636, both pts.<br />
10 ed 8 at least beside tnat of i 8t pt in 79—probably more.*<br />
8 Titles of editions given by Hazlitt which I do not accept:—<br />
Pt. I. (a) EVPHVES. <strong>THE</strong> ANATOMY OF WIT. Verie pleasaunt for all<br />
Gentlemen to read, and most necessarie to remember: wherein are contained the<br />
delights that Wit followeth in his youth by the pleasantnesse of loue, and the<br />
happinesse that he reapeth in age by the perfectnesse of Wisedome. By Iohn<br />
Lyly Master of Arte. Oxon.<br />
[Colophon] Imprinted at London by Thomas East, for Gabriell Cawood<br />
dwelling in Paules Churchyard. 1579. [4t0, black letter. First Edition,<br />
of which no copy having the title-page has come under notice. Unseen by<br />
all bibliographers.] {Handbook, 1807.)<br />
A glance at the title of my A [1578, Xmas] (below, p. 106) will show that it is<br />
not identical with this edition given by Hazlitt, from which it differs in the spelling<br />
of eleven words in the title, in the omission of the word 'that' before 'he
EDITIO PRINCEPS—TWO COPIES 85<br />
present from Jhe titles of those which I recognize. I cannot but<br />
think that a closer examination of them, if they were traceable,<br />
would reveal their identity with one or other of the latter. In regard<br />
to (t) his report of it is merely as follows :—' Imprinted at London<br />
by Thomas East for Gabriell Cawood, n. d. 4to, black letter.'<br />
This looks like a hasty jotting taken in some sale-room, perhaps from<br />
an imperfect copy; and is not, in any case, definite or full enough<br />
to warrant its admission to a separate place on my list.<br />
The true editio princeps seems to have been first recognized by<br />
Dr. Sinker, librarian of Trinity College, Cambridge, among the<br />
books belonging to that foundation. In article 547 of his catalogue<br />
of those books, 1885, he clearly shows that this undated copy<br />
lacks certain passages which appear in all other editions, and rightly<br />
infers that it precedes them. But he did not collate it with the early<br />
copies in the British Museum; and so in 1887 Dr. Landmann,<br />
ignorant apparently of Dr. Sinker's catalogue, made the same discovery<br />
of the absence of certain passages from the undated copy<br />
(C. 40, d. 38) in the Museum, and adduced additional reasons for<br />
referring it to the editio princeps, to which it undoubtedly belongs.<br />
To compensate me for the loss of a discovery which awaited the first<br />
collator, I am able to prove, in regard to the First Part, that the<br />
second undated copy in the Trinity Library, perhaps unique, is of<br />
the second edition; that the Morley copy of 1579, from which<br />
Professor Arber printed under the impression that it was of the first,<br />
is in reality of the third edition; that the Malone copy in the<br />
reapeth.' and in having no colophon and no date. Hazlitt's title again, so far as<br />
it goes, differs from that of T in the spelling of nine words, and in the insertion<br />
of ' that' before ' he reapeth,' and of ' Oxon'; and it differs in just the same<br />
respects from that of M.<br />
Pt. II. (a) EUPHUES AND His ENGLAND. Containing his voyage and aduentures<br />
myxed with sundry pretie Discourses of honest Loue, the Discription of<br />
the Countrey, the Court, and the manners of that Isle. Delightfull to be read,<br />
and nothing hurtfull to be regarded: wher-in there is small offence by lightnesse<br />
giuen to the wise and lesse occasion of loosenes proferred to the wanton. By<br />
John Lyly, Maister of Arte. Imprinted at London for Gabriell Cawood dwelling<br />
m Paules Church-yard. 1580. [4t0, black letter. An Edition unknown to bibliographers.]<br />
(Handbook, 1867.)<br />
This title differs from those of my MAB (given pp. 115-6, and identical save that<br />
MA spell ' wher-in ' and B 'wherein') (1) in having no H before ' Euphues' and<br />
' By,' no ornament before 'Imprinted/no comma after 'aduentures,' 'wise' and<br />
Cawood'; (2) in having a capital instead of a small d in ' Discourses' and ' Discription,'<br />
and a capital instead of a small c in 'Countrey'; (3) in having two<br />
l's at the end of ' Delightfull,' and only one f in ' proferred,' and in spelling<br />
'John' instead of 'Iohn'; (4) in not having ' Commend it, or amend it'<br />
I cannot but think that these differences are mere slips of Mr. Hazlitt or his<br />
printer; and that his Part I (a) is identical with my M (the third edition), and<br />
his Part II (a) with my M or A (the first or the second edition).
86 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
Bodleian, supposed by Arber and Landmann to be of a different<br />
edition to the Morley copy, is in reality of this same third edition;<br />
that the two undated copies of Part I, bound both at the Bodleian<br />
and the British Museum with Part II of 1597, are of distinct though<br />
neighbouring editions, the Bodleian copy being of i595(?), the<br />
Museum copy of 1597(7); and that the modernized octavo edition<br />
of 1718 is merely a re-issue, with a fresh title-page, of the Euphues<br />
and Lucilla of 1716.<br />
In regard to the Second Part, I am able to confirm Professor<br />
Arber's belief that the Morley copy is of the editio princeps, 1580;<br />
but I find that two other copies of the same date in the Bodleian<br />
represent a second and third edition respectively. Further, the<br />
copy of 1613, asserted by Arber to exist in the Bodleian, is in reality<br />
of 1609, agreeing exactly in the position of signatures and in other<br />
test-points with the 1609 edition in the British Museum (see 'Titles<br />
and Colophons,' p. 118) 1. The Bodleian catalogue described it as of<br />
[1613 ?]: as a matter of fact the date on the title-page has been cut<br />
away by the binder. Indeed, the existence at all of an edition of<br />
Part II of 1613 seems to me somewhat doubtful. It rests on<br />
the simple entry in Lowndes' Manual of '1613 Both Parts,' and<br />
on that in Hazlitt's Collections', ii. 372, of l Evphves, and his England<br />
. . . At London. Printed for William Leake, dwelling in Pauls<br />
church-yard, at the signe of the Holy-ghost. 1613. 4 0 , black letter,<br />
A-Ee in fours,' a title which may be merely copied from the Bodleian<br />
copy with the mutilated date. Lowndes, however, is accurate<br />
in his mention of ' Both Parts' in other editions; and Leake,<br />
who had published both Parts separately in 1605, and both again<br />
separately in 1606, may well enough have done so yet again in 1613;<br />
so I accord it a place in my list.<br />
Before giving my list it will be best to bring forward evidence for<br />
the statements just made.<br />
I. That A is the ' editio princeps' is shown—<br />
(1) By the absence from the title-page of the words 'Corrected<br />
and Augmented,' which appear on that of every other edition.<br />
(2) By the absence of the apologetic address ' To the Gentlemen<br />
Schollers,' which appears in all other editions, and evidently has<br />
reference to the reception the book has already met with.<br />
1 It is a somewhat singular coincidence that a copy of Part II in the British<br />
Museum (G. 10438, 1-3), professing to be of 1631, also proves on examination to<br />
be of 1609, with mounted title only from the ed. of 1631,
MALONE AND MORLEY COPIES 87<br />
(3) By the absence from the text of the passages enumerated<br />
under T (Titles, Colophons, &c, pp. 107-8), passages which appear<br />
in every other edition, amounting to about five pages, and bearing<br />
distinctly the character of author's improvements.<br />
(4) By the wording of the fourth sentence in the address ' To the<br />
Gentlemen Readers'—as to which see below under T (pp. 90-1).<br />
(5) By the existence in A of a few misprints, and a great many<br />
errors of punctuation, corrected in all other editions. The misprints<br />
are given, as they occur, in the textual footnotes.<br />
II. That the Malone and Morley copies are of the same edition.<br />
Professor Arber, from whose fruitful toil in the field of our older<br />
literature there can be few students who have not reaped a benefit,<br />
made in his reprint of Euphues (1868) a mistake which becomes<br />
obvious to one with opportunities of more leisurely collation. Misled<br />
by the loss of the title-page, by the date 1579 of the colophon,<br />
and by the absence of the address to the Gentlemen Scholars, he<br />
regarded the Morley copy as of the first edition; and asserted<br />
(p. 30 of his reprint) that the Malone copy in the Bodleian is of the<br />
second (1) because its title-page bears 'Corrected and Augmented.'<br />
(2) Because it has affixed to it at the end the address to the Gentlemen<br />
Scholars, alluding to effects produced by the book. (3) Because<br />
' the type on the reverse of folio 90 is somewhat differently set up.'<br />
I have to point out that while (1) and (2) are arguments against the<br />
Malone copy being of the first edition, they are of no force to prove<br />
it of the second; though the position of the Address at the end<br />
rather than the beginning of the book seems at first to support<br />
a supposition I have felt bound on other grounds to reject. [See<br />
below, p. 90, under the discussion of T, of whose existence Professor<br />
Arber seems not to have been aware.] To the third<br />
argument I must oppose a simple negative. Folio 90 is the last<br />
(remaining) leaf of the Morley copy, its verso containing the conclusion<br />
of the tale, the printer East's device of a horse, and the colophon<br />
dated 1579. The closest examination of this page in the two<br />
copies placed side by side reveals to my younger eyes not the<br />
minutest point of difference in any respect; and this is confirmed by<br />
the results of my comparison of them throughout the book. I find the<br />
two copies to agree exactly in every smallest detail in which I have<br />
compared them—e. g. (1) in the exact position of fifteen observed signatures<br />
(given under Titles, Colophons, &c, p. 109: see also p. 89,
88 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
where the position of several can be contrasted with that of the<br />
same signatures in T). (2) In the single mistake of pagination<br />
by which fol. 79 is numbered '97.' (3) In the following eleven<br />
instances of the mis-spelling 'Epuhues' in the running-title, a misspelling<br />
which occurs nowhere else in either copy—fols. 45V, 53V,<br />
54V, 6iv, 62V, 70V, 77r, 78r, 851', 86r, 8gr (note especially on 45V<br />
the double mis-spelling ' Epuhues to Philuatus'). (4) In fifty-eight<br />
instances of the substitution of £ for E in the running-title, a substitution<br />
occurring nowhere else in either copy. (5) In the following<br />
six misprints confined to these two copies (and, of course, any<br />
others extant of the same edition)—p. 184 1. 14 'indicent' for<br />
'incident'; p. 216 1. 9 'ducourse' for 'discourse'; p. 216 1. 27<br />
' seanoned' for ' seasoned'; p. 222 1. 3 'staunger' for ' straunger';<br />
p. 259 I.17 'appoinment' for 'appointment'; p. 292 1. 27 the<br />
' it' has the t turned in both. (6) In the exact correspondence in<br />
every detail of spelling, punctuation, and arrangement of type of<br />
four pages taken at random, viz. fols. 18r, 40 v, 49 V, and 79 V. (7)<br />
In the exact correspondence of the two copies in every point which<br />
has been made the subject of a footnote in this edition. The following<br />
readings peculiar to them may serve as examples : p. 1841. n<br />
'al his honest' for 'al in honest'; p. 209 1. 2 'faire' for 'fairer';<br />
p. 209 1. 20 'hard' for 'heard'; p. 211 1. 12 'countenuaunce' for<br />
'continuaunce'; p. 216 1. 34 'a woemen' for 'a woman'; p. 235<br />
In 'affectually' for 'effectually'; p. 239 1. 23 'yt' for 'y e ';<br />
p. 247 1. 2 'as clocke' for 'as a clock'; p. 310 1. 1 ' Euphues and<br />
Eubulus'; p. 286 1. 4 ' was this ' for ' is this '; besides the following<br />
shared by these two copies with T only, pp. 184 11.14-5, 188 1.14,<br />
203 1. 33, 209 11. 12-3, 212 1. 9, 216 1. 35, 270 1. 36, 271 1.13, 285<br />
1. 22, 298 1. 5.<br />
In no single point, in fact, can I discern the smallest difference<br />
between the two copies. I am convinced that they are of the same<br />
—the third—edition; and that the Morley copy has lost the two<br />
leaves at the end (the first signed H) which in the Malone copy contain<br />
the address to the Gentlemen Scholars, and also the four (not<br />
five) leaves at the beginning containing title, Epistle Dedicatory, and<br />
address 'To the Gentlemen Readers.' The signature of the first<br />
remaining leaf, on which the tale commences, is B; and there seems<br />
no reason to suppose that the introductory matter occupied either<br />
more or less space than the four leaves of sig. A, as in the other<br />
early editions. I have, therefore, collated the perfect copy, the
TRINITY COLLEGE SECOND COPY 89<br />
Malone, and not the Morley (for Part I), except in regard to every<br />
footnote.<br />
III. That T is of the SecondEdition, and M {both copies) of the Third.<br />
For the place of Second Edition two candidates were indicated<br />
by the examination first made: M on the one hand, T on the other.<br />
M is dated in the colophon as 1579; T is undated, or rather the<br />
last two leaves containing the colophon, which probably was dated,<br />
are missing from this copy in Trinity College.<br />
The close connexion of M and T is shown (1) by the similarity<br />
of collation. Signature and pagination alike agree, down to the<br />
single error of paging fol. 79 as '97 '; and the number of lines and<br />
words on any given page is the same. (2) Both emend many<br />
misprints or errors of A, while both lack many further corrections<br />
found in all other editions.<br />
The distinction between them is shown (1) by the difference in<br />
the precise position of the signatures under the words in the text<br />
above, e. g.:—<br />
E lies<br />
O „<br />
H „<br />
M „<br />
N „<br />
Q „<br />
(inT<br />
"<br />
»<br />
"<br />
"<br />
"<br />
) under<br />
"<br />
"<br />
"<br />
"<br />
"<br />
ld t<br />
hi<br />
hy<br />
eak<br />
ith<br />
nsi<br />
(in M) under<br />
" "<br />
9 9)<br />
" "<br />
"<br />
9 "<br />
ta<br />
iue<br />
n t<br />
rea<br />
nde<br />
con<br />
in<br />
"<br />
"<br />
"<br />
"<br />
would take<br />
giue him<br />
in thy<br />
creake<br />
minde with<br />
consideration<br />
(2) By occasional slight differences in the spacing of the words,<br />
and rarely by the commencement of a new paragraph in M and not<br />
in T, e. g. the first three letters of ' Cornelia' (p. 239 1. 22) come, in T,<br />
at the end of 1. 21 of fol. 36 recto, while m M the complete word commences<br />
1. 22; and in 1. 23 M commences a new paragraph with<br />
'As for changing,' while T runs these words on with the preceding.<br />
(3) By a great variety in the type used for E in the running-title.<br />
Both freely substitute £ for E, but not always on the same leaves.<br />
And further, the mis-spelling ' Epuhues,' found eleven times in M,<br />
only occurs once in T, on fol. 53 verso.<br />
(4) By the absence from T of the six misprints of M enumerated<br />
in discussing it above (p. 88 (5)): by the presence in T of the<br />
following four misprints absent from M—'Garpes' for 'grapes,'<br />
p. 192 1. 1, 'conclusiion.' p. 216 1. 12, 'pleople,' p. 271 1. 2, 'remembrsunce,'<br />
p. 280 1. 6 : and by the other differences given in<br />
a comparative table below (pp. 91-3).<br />
T and M are therefore of distinct, but closely connected editions.
90 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
Which is the earlier? I have decided for T. From isolated misprints<br />
no inference as to priority can be drawn; nor do the eleven<br />
instances of 'Epuhues' in M, as against one such instance in T,<br />
argue T the later copy, for by such reasoning, A, which presents<br />
no instance, would be later than either. Such a mistake is as likely<br />
to be multiplied as decreased in succeeding editions, as is the case<br />
with the capital £ of the running-title, of which A presents only<br />
four cases, against sixty-three in T and fifty-eight in M. Two points<br />
are of importance as bearing on the question. The first is the<br />
position of the address to the Gentlemen Scholars. In both it is<br />
printed in roman type, and occupies the whole of one leaf, signed<br />
H, and a portion of the recto of a second, being followed by a tailpiece.<br />
But while M places it at the end, T inserts it just before<br />
the tale, immediately after the address to the Gentlemen Readers;<br />
and in all the other editions it occupies the same position. This<br />
agreement of T with C and the rest inclined me at first to believe<br />
it later than M ; yet the position of the Address in T might be due<br />
to a mistake in stitching the sheets; and, even if rightly placed in T,<br />
it might be transferred to the end in M by an afterthought of Lyly,<br />
who recognized its intermediate character between the two Parts—<br />
the Second of which was just about to appear—and also feared to prejudice<br />
the reader by excuses made in the forefront of the tale.<br />
I acknowledge, however, that its reappearance at the beginning in C<br />
and all later editions, makes rather for the priority of M. (See footnote<br />
on it in loco, p. 324).<br />
The second point that bears upon it is the wording of the fourth<br />
sentence in the address to the Gentlemen Readers, lost from the<br />
Morley copy (M 2 ), but to be seen in the Malone (M 1 ).<br />
(Christmas (AM 1 ))<br />
' We commonly see the booke that at • Midsomer (T) j- lyeth bound<br />
Easter (C rest)<br />
[Easter (AM<br />
y to be broken in the<br />
1 )<br />
on the Stacioners stall, at J Christmasse (T)<br />
(Christmasse (C rest)]<br />
Haberdasshers shop, which Sith it is the order of proceeding, I am con-<br />
Iwinter (AM 1 ) )<br />
Summer (T) I to haue my doings read for a toye, that in<br />
Summer (C rest)]<br />
(sommer (AM 1 ) ]<br />
they may be ready for trash.'<br />
{ Winter (T) }<br />
(Winter (C rest)]
'T' BELONGS TO SECOND EDITION 91<br />
It will be seen that M 1 agrees with A, that T alters the word<br />
in all four places, and that C (abundantly proved later than T by<br />
the collation) alters the word once more in the first place only.<br />
The alterations were made, of course, to suit the altered date of<br />
issue in successive editions. The natural inference may seem to<br />
be that M is prior to T; yet we may equally well suppose that M<br />
represents a second change of all four words, a return, in fact, to the<br />
wording of A to suit the return of Christmas, and that the real order<br />
of the editions is :—<br />
A 'Christmas,' 1578 (undated).<br />
T 'Midsomer,' 1579 (no date surviving).<br />
M 'Christmas,' 1579 (colophon dated 1579).<br />
C 'Easter,' 1580 (colophon dated 1580).<br />
My later belief in the priority of T to M is the result of collating<br />
the T text throughout, a collation made after that of all the rest.<br />
The differences between them are not numerous, but significant.<br />
In almost every case where they differ T is found agreeing with A,<br />
and M agreeing with the later C; and if it be urged that this may<br />
merely indicate that T was printed from A rather than from M,<br />
I answer that the immense number of corrections which T shares<br />
with M proves, either that M was printed from T (as I believe),<br />
or that a copy of M lay before the printer of T, in which latter case<br />
T would surely always have followed M with its autorial authority<br />
as (ex hypothesi) the first ' corrected and augmented' edition, rather<br />
than hark back to A as it so often does. I will, then, ask the<br />
reader's attention to the following comparative tables, reminding him<br />
that revision may be indicated quite as much by an amended punctuation<br />
as by words :—<br />
(1) AT. Mrest 1 .<br />
P. 181 1. 5 (insertion of comma at ' wisedome '):<br />
' a greater show of a pregnant wit, ' a greater shew of a pregnant wit,<br />
then perfect wisedome in a thing then perfect wisedome, in a thing<br />
of sufficient excellencie, to vse of sufficient excell6cie, to vse<br />
superfluous eloquence.' superfluous eloqugce.' (G drops<br />
comma at * excellScie.')<br />
P. 189 1. 32; ' Coll/quintida.' 'Colbquintida'M); 'Coloquintida'<br />
(C rest).<br />
1 Where the emendation does not persist till 1636, its exact limits are stated at<br />
the side.
92 EUPHUES;<br />
AT.<br />
P. 194 1.1:<br />
' neuer Stoycke so strict, nor lesuite<br />
so supersticious, neyther Votarie<br />
so deuout, but would' &c.<br />
P. 205 1.10 (stop and cap.):<br />
' for thy sweete sake. Whose witte<br />
hath bewitched me.' &c.<br />
P. 206 1. 34:<br />
' lost with an Apple: If hefynde' &c.<br />
P. 209 1. 6: ' wert '<br />
P. 211 1.12 :<br />
' continuaunce' (T—in one of the<br />
augmentations)<br />
P. 218 I.31: ' sterue'<br />
P. 220 I.21: ' in an agony'<br />
P. 230 1.26: ' partner '<br />
P. 239 1. 33:<br />
P. 240 1. 13 :<br />
P. 250 I.29:<br />
P. 275 1.19 :<br />
P. 264 1. 27 :<br />
P. 270 1.22 :<br />
P. 2711.35:<br />
' as for angling '<br />
'serueth'<br />
' shooteth into'<br />
' Panathaenea'<br />
' shoulde conceiue'<br />
' cycle'<br />
' brought to Apelles the'<br />
P. 276 1.17:<br />
' is in continuall meditation '<br />
P. 276 1.30: ' Epiminides '<br />
TEXT AND BIBLIOGRAPHY<br />
Mrest 1 .<br />
'neuer Stoicke in preceptes so strict,<br />
neither any in lyfe so precise,<br />
but woulde' &c.<br />
' for thy sweete sake: Whose wyt<br />
hath' &c. (M).<br />
'for thy sweete sake: whose wit<br />
hath'&c. (C).<br />
'for thy sweete sake, whose wyt<br />
hath ' &c. (GE rest).<br />
' lost with an Apple, if he frnde ' &c.<br />
(G'apple, if),<br />
'wer' (MCG).<br />
' countenuaunce' (M); ' coutenaunce'<br />
(CGE 1 ); ' countenance '<br />
(E 2 rest),<br />
'starue' (M-1613).<br />
' in agony' (MC).<br />
'partaker' (M); 'pertener* (C);<br />
'partener' (G).<br />
'as' omitted (MC).<br />
'serued'<br />
' shooteth in'<br />
'Panthsenea' (M-i6i3), 'Panthenaea'<br />
(1617-36).<br />
' coulde conceiue' (M-1613).<br />
'Cicle(M); ' sickle ' (C rest).<br />
' brought Apelles the' (MCG);<br />
' brought Apelles to the' (E rest).<br />
' in' omitted.<br />
' Epaminides ' (MC) — all for<br />
' Epaminondas.'<br />
P. 286 1. 4: 'is this ' ' was this' (M); 'was thus' (C rest).<br />
P. 2861.24: 'the instructing of youthe' 'the instruction of youth/<br />
P. 302 1.6: ' thy transgressions' ' his transgressions' (M-E 1 ).<br />
1 Where the emendation or corruption does not persist till 1636, its exact limits<br />
are stated at the side.
MALONE'S AND MORLEY'S ARE THIRD ED. 93<br />
(2) A.<br />
P. 193 l22: 'Fiochilus'<br />
P. 194 l26 (stops):<br />
' The Birde Fauras,<br />
hath a great voyce<br />
but a small body,<br />
the' &c.<br />
P. 205 1.30: ' Mylke'<br />
P. 210 I.7: 'decerneth'<br />
P. 222 11. 8-10 :<br />
' he a stranger,... he<br />
a starter,'<br />
P. 315 1. 10: 'Arbiter'<br />
T.<br />
' Throchilus'<br />
'The Birde Taurus,<br />
hath a great voyce<br />
but a small body,<br />
the' &c.<br />
'Milke'<br />
' descerneth'<br />
' he a straunger:... he<br />
a starter,'<br />
' Arbiterer'<br />
P. 286 I.32: 'NotormV 'Anotomie'<br />
MCGh<br />
'Trochilus' (M rest).<br />
1 The Birde Taurus<br />
hath a great voyce,<br />
but a smal body:<br />
the' &c.<br />
'milke'<br />
'discerneth' (M rest).<br />
' he a straunger:... he<br />
a starter:'<br />
'arbiterer' (M); 'arbitrer<br />
, (C-l6i3).<br />
' Anatomie'<br />
Against these instances, from which an intermediate position for<br />
T between A and M would be inferred, I can only find two which<br />
seem to make for M's priority, viz. p. 300 1. 26 ' tourne mee' (AM),<br />
while TC rest omit 'mee'; and p. 310, where the heading of the<br />
letter appears as ' Euphues to Ferardo' in A, a mistake corrected<br />
to ' Euphues and Eubulus' in M, and i Euphues to Eubulus' in<br />
TC rest: yet in this latter the ' and' of M is quite as likely to be<br />
a slip made in printing from T, as an original correction of A.<br />
If my decision is correct, it is to T rather than to M that all that<br />
large body of additions and corrections, common to both, must.be<br />
assigned as original.<br />
IV. That C is the Fourth Edition,<br />
The place of C as the fourth is established by the date 1580<br />
at the end of the colophon, by the number of its corrections of TM,<br />
and the number of errors it repeats which find correction later,<br />
I have satisfied myself of the exact correspondence of the 1580<br />
copy in the University Library at Cambridge with the copy of the<br />
same date at Oxford. In the position of the signatures, in the<br />
headpieces and tailpieces, in the tailing-off of the text at certain<br />
breaks in the novel, and in many other test-points the two copies<br />
exactly resemble each other; the single point of difference which<br />
I note being the correction by the Cambridge copy of the error<br />
'that but' (p. 290 1. 15) of the Oxford copy. Occurring at a place<br />
where the text is tailed off it must have caught the printer's eye and
94 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
been corrected, when some copies (including the Oxford one) had<br />
already passed the press.<br />
V. That the undated copies of Part I bound with Part II 1597<br />
in the Bodleian (E 1 ) and British Museum (E 2 ) respectively, are of<br />
different editions (1595 ? and 1597 ?).<br />
The distinction is most clearly shown by the numerous differences<br />
of reading recorded in the footnotes : but the following more external<br />
marks will serve to establish it:—<br />
(1) On the title-page E 1 spells ' contained' and ' Churchyarde,'<br />
E 2 ' contayned' and ' Churchyard.'<br />
(2) The headpiece to the Epistle Dedicatory in E 1 represents two<br />
snails looking at a woman's face; the corresponding headpiece in E 2<br />
has a jar with leaves and flowers.<br />
(3) E l prints the address to the Gentlemen Scholars in black<br />
letter ; E 2 in ordinary romans.<br />
(4) The position of the signatures, e.g.:—<br />
E 1 E2<br />
C. lies under eu in euidendy under den in euidently<br />
D. „ „ ashf „ bashfulnesse „ hful „ bashfulnesse<br />
E. „ „ st t ;, thinkest thou „ thou „ thinkest thou<br />
G. „ „ a st „ a starter „ t he „ yet he<br />
L, „ „ no „ no „ ns „ canst<br />
S. „ „ uere „ conquered „ he d „ the deuill<br />
In the number of words in a page, and in the type and form<br />
of the title-page, the two copies present an exact resemblance; while,<br />
further, both resemble Part II, of 1597 in the type and form of the<br />
title-page, in the compression of the text of the whole work, and in<br />
being printed by * I. Roberts' (' I. R.' in Part II, 1597) ' for Gabriell<br />
Cawood.' The adoption of a smaller type than hitherto for the<br />
running-title—a type used for the same in all later editions—and<br />
the disappearance there of £ as alternative to E and of other<br />
irregularities, also the uniform employment of Arabic notation for<br />
the signatures, are points in which both these undated editions<br />
of Part I, might seem to be later than Part II, 1597, which exhibits<br />
the old irregularities; but at this date the two Parts were still printed<br />
separately—one system of signature continued through both is not<br />
found before 1617—and Part II might continue to copy the irregu.<br />
larities of its earlier editions, even after uniformity had been introduced<br />
in Part I, Both Parts are transferred in the Stationers'
THREE EDITIONS OF PART II, 1580 95<br />
Register from ' Master Cawood Deceased' to ' Master Leake' under<br />
date July 2, 1602; and bibliographers make no mention of any<br />
edition of either Part between 1597 and that date. Supposing, then,<br />
the later of these two undated editions to be issued in 1597 as<br />
a companion volume to Part II of that date, the complete collation<br />
clearly indicates the British Museum copy (E 2 ) as of that later one.<br />
It contains all the corrections of E 1 , and adds many of its own.<br />
In regard to the date of E 1 , it may possibly have been issued as<br />
a companion volume to the edition of Part II, 1592, mentioned by<br />
Hazlitt (Colls, i. 270): but Malone mentions an edition of Part I,<br />
1595; and partly to avoid swelling the list on uncertain grounds,<br />
I assign it, hypothetically, to that year. If the copy Malone saw<br />
was dated, such date may perhaps have been added in the course<br />
of the impression.<br />
For the practical identity of the editions of 1716 and 1718 see<br />
' Titles and Colophons/ pp. 113-4.<br />
Turning now to Part II we have four surviving accessible copies<br />
bearing on their title-page the date 1580: the Morley copy (M),<br />
two in the Bodleian (A and B), and one in the University Library<br />
at Cambridge. In spite of their extraordinary similarity close<br />
examination shows these to represent three different editions, and<br />
not merely separate issues, the Cambridge copy being of the same<br />
edition as the later copy (B) in the Bodleian. The collation of M,<br />
the earliest, differs altogether from that of A and B, which is the<br />
same (both end on sig. L1 4, fol. 132 recto). The title-page of B<br />
differs from that of M and A in spelling ' wherein' for ' wherin';<br />
and there is a further trifling difference in the setting of the border<br />
of the title-page, the little horns at the inner and upper extremities<br />
of the border at the bottom pointing in different directions in the<br />
case of all three editions. These, and the like minute discrepancies,<br />
find abundant confirmation in the position of the signatures, and the<br />
varying readings of the text.
(i) Signatures:—<br />
POSITION OF SIGS. IN M.<br />
B. comes under<br />
c.<br />
D.<br />
E. „<br />
F.<br />
G.<br />
H.<br />
I-<br />
K.<br />
IM<br />
ero<br />
by<br />
the<br />
de<br />
ust<br />
tby<br />
exp<br />
Im<br />
are<br />
bow<br />
in<br />
'<br />
"<br />
"<br />
"<br />
"<br />
venterous<br />
by<br />
the<br />
towardes<br />
must<br />
wit by<br />
expedient<br />
I must<br />
are<br />
bowels<br />
POSITION OF SIGS. IN A.<br />
B. comes under the they<br />
c.<br />
" re neere<br />
D.<br />
" whi which<br />
EL " bu but<br />
F.<br />
" Lio Lion<br />
G.j. " esta estate<br />
H. i. " e en be enuyed<br />
I. " oth nothing<br />
K.<br />
" kn knowe<br />
L.<br />
rua seruantes<br />
"<br />
POSITION OF SIGS. IN B.<br />
B. comes under ,th<br />
C. „ eer<br />
D. „ rest<br />
E. " e,<br />
F. „ Lio<br />
G. (sic) „ ean<br />
H. (sic) „ u s<br />
I.<br />
be<br />
K.<br />
we<br />
L. „ ant<br />
in<br />
"<br />
pleasure, t<br />
neere<br />
desirest<br />
wisdome,<br />
Lion,<br />
meane<br />
thou shalt<br />
be<br />
knowe<br />
seruantes<br />
(2) The following comparative table will, I hope, serve to justify the order I assign to the three editions :-<br />
Fol and line Page and I.<br />
of M. of vol. ii.<br />
M.<br />
A. B.<br />
IT v. 1. 9<br />
ITiiv. 1. 10<br />
ITiiiv. 1. 15<br />
1 r. 1. 8<br />
2 r. 1. 17<br />
9v. 1. 6<br />
9 v. L 26<br />
13 r. 1. n<br />
8 I.29 ' I am content that your Dogges<br />
lye in your laps : so Euphues<br />
may be in your hands, that<br />
when' &a<br />
10 I.17 * If you be wronge (which cannot<br />
be done without wrong)'<br />
12 1.6 ' de-defende'<br />
13 1.6 ' use this perswasion to his friend'<br />
14 1. 36 ' lowd vsurer'<br />
26 1. 2 'But he that leaueth his own<br />
home, is worthy no home'<br />
26 1. 18 ' there wil • ... no grasse hang<br />
on heeles of Mercury'<br />
31 1. 23 ' one simple, and other wilie,'<br />
(the colon at' laps' changed to a comma in A rest)<br />
'.. • wronge wrong)' .. wrunge ..... wrong)' (BH rest)<br />
' de-defende'<br />
' defende' (B rest)<br />
' perswasion with' &c. (A rest)<br />
'lewd vsurer' (A-F)<br />
(the whole line is omitted AB)<br />
' on the heeles ..' (A rest)<br />
' one simple, an other wily,' (A rest)<br />
96 EUPHUES: TEXT AND BIBLIOGRAPHY
14 r. 1. 34 33 1. 28 'y n dost me great wrong, ....<br />
thiking to stop a vain wher<br />
none opened'<br />
17 v. 1. 4 38 1. 19 ' so furre hath nature ouercome<br />
arte'<br />
17 v. 1. 22 38 1. 24 'good wil towars you '<br />
28 r. 1. 12 54 1. 26 ' 1 must craue pardon, if either<br />
this draught chaunge you,<br />
vnlesse it be to the better or<br />
grieue you, except it be for<br />
greater gaine'<br />
28 v. I. 34 56 1. I ' Wine, which alwayes drew with<br />
it . . a desire of women how<br />
hurtfull both haue bene . . you<br />
are old enough to beleeue '<br />
30 v.!. 4 58 1. 11 ' must nowe begynne'<br />
32 r. 1. 27 61 1. 6 ' the Poets fained the Muses to<br />
be women, the Nimphes the<br />
Goddesse,'<br />
54 r. 1. 32 94 1. 33 ' I had thought that a wounde<br />
healing so faire could neuer<br />
haue bred to a Fistula'<br />
58v. I.4 101 1. 12 'if I should not prayse them,<br />
62 r. 1. 12<br />
63 v. 1. 11<br />
66 r. 1. 4<br />
66 r. 1. 20<br />
66 r. 1. 28<br />
85 r. 1. 32<br />
86 r. 1. 33<br />
115 r. 1. 24<br />
106 1. 31<br />
109 1. 3<br />
112 1. 23<br />
112 l.37<br />
113 1.7<br />
142 1. 8<br />
H3 1. 30<br />
187 1. 21<br />
thou wouldest saye ' &c.<br />
'colde'<br />
' lustinesse : He'<br />
' Thesalay, Aegipt,'<br />
' Hyphus'<br />
' desease'<br />
' salfe'<br />
' rages'<br />
' to either desires'<br />
' thou where none is opened ' (A rest)<br />
' so farre ' &c. (A rest)<br />
' good wil towards you ' (A rest)<br />
(the necessary comma at 'better' is supplied in A-E, H rest)<br />
(the necessary colon at ' women' is supplied in A rest)<br />
' must now begin' ' must begin' (B rest)<br />
'the Poets . . . the Goddesses,' (A rest)<br />
' could neuer ' could neuer breed ' &c.<br />
bred ' &c. (B rest)<br />
' them, then wouldest ' the, the wouldst thou say'<br />
saye ' &c. &c. (B rest)<br />
'codle' 'coale' (B rest)<br />
'lustinesse: He' Mustinesse. He'<br />
' Thessalia, Aegypt,' (AB)<br />
' Iphis' (A rest)<br />
desease' ' disease' (B rest)<br />
'safe' (A rest)<br />
' rages' ' iarres' (B rest)<br />
' to either desires' ' to their desires' (B rest)<br />
<strong>THE</strong>IR ORDER 97
98 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
TEXT FOLLOWED.<br />
In the present edition the reader has the text as given in the<br />
editio princeps of each Part, i.e. A of Part I (December, 1578), and<br />
M of Part II (spring, 1580: cf. vol. ii. p. 5 1. 24 'not daring to bud<br />
till the colde were past,' though, no doubt, Lyly is thinking chiefly<br />
of the opposition at first excited by Part I).<br />
In the case of the First Part, objections to A as a model exist, no<br />
doubt, in its lack of the augmentations, in its misprints and errors,<br />
and its great vagaries of punctuation. But not only has Professor<br />
Arber already given us a most faithful reprint of the third edition,<br />
which differs only very slightly from the second, but there attaches,<br />
as it seems to me, such supreme interest to the first edition of<br />
a work so famous as Euphues as overrides all other considerations.<br />
T, too, though it has the augmentations, introduces as many errors<br />
as it corrects (see ' Titles, Colophons,' &c, p. 107). I have therefore<br />
followed A, correcting in a very few cases by M while giving A's<br />
reading below, and reproducing A's spelling (except the long ' s'), and<br />
A's punctuation save in cases where it was such as to mislead the<br />
reader and injure the effect of the work. In such cases I have<br />
adopted the punctuation of the earliest edition which corrected the<br />
error; but of all the thousands of stops in Part I. A only 161 are<br />
here corrected, ninety-two of them from M (i.e. practically from T<br />
where, so far as I have examined, they were first made), sixteen from<br />
C, thirteen from G, sixteen from E 1 , and the small remainder from<br />
later editions, with the exception of six made on my own authority.<br />
For the added passages and the address to the Gentlemen Scholars<br />
I have followed M, collating T in which they first appeared and<br />
which only differs in a single case. But I have further collated<br />
every word of the first five editions, i.e. A [1578], T [1579], M<br />
1579, C 1580, G 1581; and also of E 1 1595?, E 2 1597?, and F 1607,<br />
i. e. of all the other accessible editions issued in the lifetime of the<br />
author, reporting every variant in the footnotes, even of orthography<br />
where it might affect the sense or seemed philologically important.<br />
The two intervening editions, those of 1585 and 1587, were not<br />
accessible to me (nor those of 1605 and 1606); and it is possible,<br />
therefore, that a large proportion of the very large number of changes<br />
which appear in E l were first made in 1585 ' or 1587 ; but in any<br />
1 The character of the echoes of Euphues found in Loves Metamorphosis, the<br />
first form of which I place c. 1585 or 1586, suggests that Lyly had recently been<br />
revising his novel.
EDITIONS COLLATED 99<br />
case the reader has in the footnotes practically every change the text<br />
underwent in the lifetime of the author, who died in 1606. And,<br />
further, wherever an emendation, corruption, or omission occurs,<br />
i.e. for every footnote, I have collated all the five remaining accessible<br />
editions, down to that of 1636, and report in the notes of its<br />
persistence or abandonment. The results of all this collation are<br />
summed up under 'Titles, Colophons,' &c, pp. 106 sqq.<br />
In regard to Part II, the intrinsic merits of M amply entitle it to<br />
the choice, apart from its position as the editio princeps. It is far<br />
more carefully printed than the A of Part I, and I have only found<br />
it necessary to make in this much longer work sixty-seven alterations<br />
of the punctuation—twenty-seven from A, one from B, twenty-six<br />
from E, two from F, eight from H, and only one of the remaining<br />
three on my own authority. In following M I have embodied a very<br />
few verbal corrections from A, and collated for every word A and B<br />
1580, E 1597, F 1606, and H 1609; so that in this case, too, the<br />
reader has, in the footnotes, the record of every change the text<br />
underwent in the author's lifetime, with the further record of its<br />
persistence or abandonment as far as the latest quarto edition, 1636.<br />
In the very rare case where the text seemed imperatively to require<br />
the insertion of a word, I have enclosed such word in conical<br />
brackets ( ) ; I doubt if there are half a dozen such in the whole two<br />
Parts.<br />
The labour of all this collation in the case of so long a work has,<br />
of course, been very great; I trust that this assurance of its performance—which<br />
can be tested in part by the footnotes—may be held<br />
sufficient to excuse any later editor from undertaking so heavy a<br />
task.<br />
11 2
EUPHUES: TEXT AND BIBLIOGRAPHY<br />
LIST OF EDITIONS<br />
(All editions down to 1636 are in 4to and black letter; those not personally<br />
seen are marked with a dagger. Fuller details of those seen will<br />
befoimd under ' lilies, Colophons] &c., pp. 106 sqq.)<br />
EUPHUES. <strong>THE</strong> ANATOMY OF WIT.<br />
' Secundo die Decembris [1578] Gabriell Cawood Licenced vnto him<br />
the Anotamie of witt Compiled by John Lyllie vnder the hande of the<br />
bishopp of London . . . xij d .' Stationers' Register, ii. 342 (Arb. Transcript).<br />
1. A. [1578, Christmas.] ' London for Gabriell Cawood'—n. d. No col.<br />
A-T4 in fours, except B-E8 in eights. (Br. Mus., press mark C. 40.<br />
d. 38 ; Trin. Coll. Camb.)<br />
T. [1579, Mids.] ' London for Gabriell Cawood'—n. d. wanting two<br />
last leaves. A-z 4 (last remaining leaf) in fours, with two fols. signed<br />
U inserted before B. (Trin. Coll. Camb.)<br />
3. M. 1579<br />
[Christmas].<br />
4. C. 1580<br />
[Easter].<br />
M1 . 'London by Thomas East, for Gabriel Cawood'—<br />
'tit. undat.: col. dat. 1579. A-Aaij in fours,<br />
followed by two fols. signed U. (Bodleian-—the<br />
M alone copy.)<br />
M 2 . Wanting the four leaves of sig. A, and the two<br />
last leaves signed U, but agreeing in every other<br />
respect with M 1 . (Hampstead Publ. Libr.—the<br />
Morley copy.)<br />
(C 1 . ' London by Thomas East, for Gabriell Cawood'—<br />
col. dat. 1580. Wanting first five leaves. B ij-Z 4<br />
in fours. (Bodleian.)<br />
Perfect copy. Tit. undat. Agrees in every respect<br />
with C 1 , except that it corrects ' doubt not, that<br />
but' (p. 290 1.15 ) (fol. 67 verso) to ' doubt not, but<br />
that.' (Univ. Library, Camb.)<br />
5. G. 1581. ' London by Thomas East, for Gabriel Cawood'—tit. undat.<br />
Col. dat. 1581. A-z 4 in fours. (Brit, Mus.—the Grenville copy.)<br />
*
IOI<br />
LIST OF EDITIONS<br />
(All editions down to 1636 are in 4to and black letter; those not personally<br />
seen are marked with a dagger. Fuller details of those seen will<br />
be found under ' Titles, Colophons,' &c., pp. 106 sqq.)<br />
EUPHUES AND HIS ENGLAND.<br />
' xxiv t0 Jul [1579] Gabriel cawood . Lycenced vnto him vnder ye handes<br />
of ye wardens ye second part of Euphues vj d .' Stationers'<br />
Register, ii. 357 (Arb. Transcript).<br />
1. M. 1580. 'London for Gabriell Cawood . . . 1580.' Wanting two<br />
last leaves. A-Nn 4 (last remaining leaf) in fours, four leaves<br />
sig. 1F being inserted between sigs. A and B. (Hampstead Publ.<br />
Libr.—the Morley copy.)<br />
2. A. 1580. ' London for Gabriell Cawood . . . 1580.' Col. dat. 1580.<br />
Wants fol. 32. A-Ll 4 in fours, sig. F inserted between sigs. A and<br />
B as in preceding : last page blank. (Bodleian.)<br />
3. B. 1580. 'London for Gabriell Cawood . . . 1580.' A-Ll 4 in fours,<br />
sig. IT inserted between sigs. A and B as in preceding: last page blank.<br />
(Bodleian; Univ. Libr. Camb.)<br />
t4. C. 1581. 'London for Gabriel Cawood ... 1581.' " Bl. lett. 4to.<br />
140 leaves " (Hazlitt, Hdbk.). "Ll in fours, but should be only Gg,<br />
Kk follg. sig. Ee by mistake" (Lowndes). Probably the, mistake<br />
lay in signing Aa-Dd in eights; while at Ee a return was made to<br />
fours, and then the last eight leaves were signed with the letters Kk,<br />
Ll, which would have been reached had no irregularity occurred.<br />
Continuous signature by fours, omitting as usual J, v, w, and inserting<br />
IF, brings Ll 4 on the 140th leaf.<br />
+5. G. 1582. 'London for Gabriel Cawood . . . 1582'; "wanting eight<br />
leaves [nine?] corresponding to pp. 362-363, 463-478" (Arber,<br />
pp. 29, 209: this copy lately belonged to Mr. H. Pyne). "A4<br />
leaves, IF 4 leaves, B-li in fours" (Hazlitt, Hdbk. Adds.) i.e.<br />
presumably Hazlitt saw the Pyne copy lacking the 8 concluding<br />
leaves (sigs. Kk, Ll).
102 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
t6. D. 1585. ' London . . by Thomas East for Gabriel ,Cawood'—tit.<br />
undat. Col. dat. 1585. "410, black letter, z in fours" (Hazlitt, Hdbk.<br />
Adds.). Also merit, by Arber as belonging to Mr. H. Pyne.<br />
+7. 1587. 'London . . by Thomas East for Gabriel Cawood'—tit. undat.<br />
Col. dat. 1587. "4to, black letter, z in fours " (Hazlitt, Hdbk, (d)—also<br />
mentioned by Lowndes).<br />
8. E 1 . [1595 ?] 'London . . . by L. Roberts for Gabriell Cawood'—n. d. No<br />
col. A-U 4 in fours, last page blank. (Bodleian.)<br />
9. E 2 . [1597?] ' London, .. by I. Roberts for Gabriell Cawood'—n. d. No<br />
col. A-U 4 in fours, last page blank. (Br. Mus.)<br />
" 2 Julij [1602] Master Leake Entred for his copies these 13 copies<br />
or bookes folowinge which Did apperteine to master Cawood<br />
Deceased vj s vj d [fourth and fifth among them being]<br />
4 The Anatomie of witt compiled by John Lyllie. 5 The second<br />
parte of Euphues." Stationers' Register, iii. 210 (Arb. Transcript).<br />
+lO. 1605. " <strong>Home</strong> Tooke, 444, date 1605, with Golden Legacy, 1605"<br />
[i. e. bound with Lodge's Rosalynd, &c] (Lowndes). Also mentioned<br />
in Malone's list.<br />
til. 1606. l London . .for William Leake . . . 1606.' " 4to bl. lett., u in<br />
fours, last page blank" (Hazlitt, Hdbk. (f)). Also mentioned Cat. of<br />
books added to Library of Congress, Washington, " 80 1 (a-u)." Also<br />
Lowndes ' 1606, 4to. Both parts.'<br />
12. F. 1607. ''London, .for Willia?n Leake . . . 1607.' Unpaged, no<br />
col. A-U 4 in fours, last page blank. (Br. Mus.)<br />
13. 1613. 'London, .for William Leake . . . 1613.' Unpaged, no col.<br />
A-U 4 in fours, last page blank. (Br. Mus. and Bodleian.)<br />
" 16° ffebruarii I6I6[-17] Master [William] Barrett Assigned ouer<br />
vnto him by master Leake and by order of a full Courte all theis<br />
Copies followinge . . . xiiij S . vizt, [the twelfth item being] Ephewes<br />
his England, and Anatomy of Witt." Stationers' Register, iii. 603<br />
(Arb. Transcript).<br />
14 1 . 1617. 'London by G. Eld, for W. B.. . . 1617.' Unpaged, no col.<br />
A-K8 in eights. (Br. Mus.; Bodl. (2 copies); Univ. Lib. Camb.)<br />
"8° Martii 1619[-2o] John Parker. Assigned ouer vnto him with the<br />
consents Master Barrett, and order of a full Court holden this<br />
Day all his right in theis Copies following . . . viij S vj d vizt, [the tenth<br />
item being] Euphues his England, and Anatomy of witt." Stationers'<br />
Register, iii. 666 (Arb. Transcript).<br />
1 14-17. Editions of the two Parts printed together and signed continuously.
LIST OF EDITIONS 103<br />
16., D. 1586. 'London for Gabriel Cawood . . . 1586.' No col. " A 4<br />
leaves, IT 4 leaves ; B-l i in fours, Kk in eights " (Hazlitt, Hdbk. Adds.;<br />
also ment. by Arber as belonging to Mr. H. Pyne).<br />
+7. 1588. 'London for Gabriel Cawood . . . 1588.' Col. undat. " Ll<br />
in fours " (Hazlitt, Hdbk.; also ment. by Malone ; and Lowndes<br />
—3 copies).<br />
t8. 1592. 'London .for Gabriel Cawood . . . 1592.' " Ee in fours"<br />
(Hazlitt, Colls, i. 270).<br />
9. E. 1597. ' London, . . . by I. R.for Gabriel! Cawood . . . 1597,' No<br />
col. A-Ff 2 in fours, 114 leaves. (Br. Mus.; Bodl.; Lib. of Congress,<br />
Washington.)<br />
For transfer to W. Leake, see opposite.<br />
tlO. 1605. ' London, '. . for William Leake . . . 1605'—"4 0 Ee in<br />
fours " (Hazlitt, Colls, i. 270 ; aJso mentioned by Malone).<br />
11. F. 1606. 'London, . for William Leake . . . 1606.' No col. ;<br />
unpaged. A-Ee 4 in fours. (Br. Mus.)<br />
12. H. 1609. 'London, .for William Leake . . . 1609.' No. col.; unpaged.<br />
A-Ee 4 in fours. (Br. Mus. two copies, one (G. 10438-1)<br />
with mounted title of 1631. Bodl., but date has been cut away.)<br />
tl3. 1613. 'London, . for William Leake . . . 1613.' "A-E e in<br />
fours" (Hazlitt, Colls, ii. 372 ; also ment. Lowndes).<br />
For transfer to W. Barrett, see opposite.<br />
141. 1617. 'London by G. Eld, for W. B. .. . 1617.' No. col.; unpaged.<br />
L-Aa 8 in eights. R2 is mis-signed s 2 in Brit. Mus. copy,<br />
but not in the two Bodl. copies. The second of the latter (Douce<br />
L. 178) is not accompanied by Pt. I. (Br. Mus.; Bodl. (2 copies);<br />
Univ. Lib. Camb.)<br />
For transfer to John Parker, see opposite.<br />
1 14-17. Editions of the two Parts printed together and signed continuously.
EUPHUES: TEXT AND BIBLIOGRAPHY<br />
15. [1623.] 'London by John Beale, for John Parker'—tit. undated.<br />
Unpaged, no col. A-K 8 in eights. (Br. Mus.; Bodl.; Univ. Libr.<br />
Camb.; Magd. Coll. Oxf.; Dulwich Coll.)<br />
+16. 1630. "London, Printed by I. H. and are to be,sold by lames Boler.<br />
1630. 4to K, in eights" (Hazlitt, Hdbk.; ment. also by Malone 1 ,<br />
and inferable from sigs. L-Aa 8 of Part II, 1630).<br />
Another issue of the 16th ed. 1631. 'London, Printed by I, H. and<br />
are to be sold by lames Boler. 1631.' No col., unpaged. A-K8 in<br />
eights. (Br. Mus.; Bodl.; Trin. Coll. Camb.)<br />
17. 1636. 'London, Printed by John Haviland. 1636.' No col., unpaged.<br />
A-K 8 in eights. (Br. Mus.; Bodl.)<br />
" 4° Septembris predicto 1638. Master Haviland and John Wright<br />
Assigned ouer vnto them by vertue of a Noate vnder the hand and<br />
seale of Master Parker and subscribed by Master Mead warden All<br />
the Estate Right Title and Interest which the said Master Parker<br />
hath in these Copies and partes of Copies following (vizT.) Saluo Jure<br />
cujuscunque . . . xxxv 8 [the 16th item being] Ephues his England<br />
and Anotamy of Witt." Statione?s' Register, iv. 432 (Arb. Iranscript).<br />
18. 1716. ( Euphues and Lucilla: or the False Friend and Inconstant<br />
Mistress London .... MDCCXVF 8vo (slightly modernized<br />
from the original). (Bodl.; Magd. Coll. Oxf.)<br />
Another issue of No. 18 with fresh title-page. 1718. ( The False<br />
Friend and Inconstant Mistress . . . London . . . 1718.' 8vo. (Br.<br />
Mus.)<br />
19. 1868. 'English Reprints .... Euphues. The Anatomy of Wit. . .<br />
Edited by Edward Arber F.S.A. . . London, N., 1 October, 1868.'<br />
(Br. Mus.; Bodl, &c.)<br />
20. 1887. Englische Sprach- und Literaturdenkmale .... Euphues. The<br />
Anatomy of Wit . . . edited with introduction and notes by<br />
Dr. Friedrich Landmann .... Heilbronn .. 1887.' [This edition is<br />
not complete, omitting the larger portion of ' Euphues and his<br />
Ephoebus,' and the whole of the discourse ' Euphues and Atheos.']<br />
(Brit. Mus. ; Bodl., &c.)<br />
21. 1902. The present edition.<br />
1 Malone's rough list also mentions an edition of '1626,' though whether of<br />
Part I, or Part II, or both, he does not say.
LIST OF EDITIONS 105<br />
15. 1623. ' London by Lohn Beale for John Parker .. . 1623.' No col.;<br />
unpaged. L-Aa 8 in eights. (Br. Mus., 2 copies; Bodl.; Univ. Lib.<br />
Camb.; Advoc. Lib. Edinb.; Dulwich Coll.)—the second Br. Mus.<br />
copy (12403. a. 27 (2)) is severed from Pt. I and bound with a copy of<br />
Lodge's Euphucs Golden Legacy; also it lacks the six last leaves.)<br />
16. 1630. ' Printed at London by J. H. and are to be sold by lames Boler.<br />
1630.' No col. ; unpaged. L-Aa 8 in eights 1 . (Bodleian.)<br />
Another issue of the 16th ed. 1631. ' Printed at London by I. H. and<br />
are to be sold by lames Boler. 1631.' No col.; unpaged. L-Aa 8 in<br />
eights, the sigs. occupying precisely the same positions as in 1630.<br />
(Br. Mus.; Trin. Coll. Camb.)<br />
17. 1636. ' Printed at London by John Haviland. 1636.' No col.; unpaged.<br />
L-A a 8 in eights. (Br. Mus.; Bodl.)<br />
18. 1868. ' English Reprints .... Euphues and his England.. . Ed. by<br />
Edward Arber E.S.A.'— (issued as one work with No. 19 on opposite<br />
page). (Br. Mus.; Bodl., &c.)<br />
19. 1902. The present edition.<br />
1 Hazlitt (Handbook) in regard to this edition of the two Parts of 1630 says<br />
the signatures are ' separate,' though he reports those of Part II as extending * to<br />
A a in eights.* But A a could never be reached in eights unless Part II had commenced<br />
(like the other editions, from 1617-1636) with L.
106 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
TITLES, COLOPHONS, AND RESULTS OF COL<br />
LATION OF <strong>THE</strong> QUARTO EDITIONS<br />
1. A. [1578, Xmas.]<br />
EUPHUES. <strong>THE</strong> ANATOMY OF WIT.<br />
Title—F EUPHV&S. | <strong>THE</strong> ANATOMY | OF WYT. | Very<br />
pleasant for all Gentle-\men to reade, and most neces-+sary to remember: |<br />
wherin are contained the delights | that Wyt followeth in his youth by<br />
the I pleasauntnesse of Loue, and the | happynesse he reapeth in | age,<br />
by I the perfectnesse of | Wisedome. | F By John Lylly Master of |<br />
Arte. Oxon. | II Imprinted at London for | Gabriell Cawood, dwel-\\ing<br />
in Paules Church-|yarde.<br />
No colophon. FINIS is followed by the printer East's device of a horse,<br />
as in MCG. The two introductory addresses are in roman type.<br />
Folios numbered 1-88, commencing with tale on sig. B. Fols. 46, 48,<br />
and 81 misnumbered 39, 41, and 1 respectively.<br />
Signatures—A-T 4, i. e. A (four leaves), B-E in eights, F-T in fours.<br />
B. is under ce o in vice ouercast K. is under hat in hath<br />
C. „ „ ger „ vinaiger L. „ „ ro „ growe<br />
E. „ „ cilia „ Lucilla o. „ „ s s „ as sufficient<br />
F. „ „ I th „ I thinck Q. „ „ wa „ perswasion<br />
H. „ „ ge „ courage. R. „ „ oce „ proceedeth.<br />
The two known copies (in excellent condition) are well printed, but<br />
extremely careless of punctuation. Most of these errors were corrected<br />
in the second edition, and most of the remainder in C, G or E 1 . There<br />
are 38 bad mis-spellings; 5 omissions ('it,' 'is ' or 'can'); and 21 errors,<br />
mostly orthographical, slightly affecting sense, e.g. 310 1.16 ' Ferardo' for<br />
' Eubulus'; 312 1.21 ' with' for ' which'; 313 1.6 ' of vertues ' for ' of y e<br />
vertuous '; 265 1.32 ' force' for ' face'; 267 1. 8 ' Phocides' for ' Phocilides';<br />
278 1.25 ' choler' for ' colour '; 288 1.11 ' more' for ' meere.'<br />
The editio princeps also contains the following, eliminated in T and succeeding<br />
eds., the first as replaced by a longer passage, the rest as<br />
unnecessary: 185 1.8 'and leauing the rule of reason, rashly ranne vnto<br />
destruction'; 186 1. 7 'and mancion house'; 196 1.10 'or hammer';<br />
ib. 1.11 ' and occupyed'; 206 1.5 ' yet'; 301 1. 7 ' the.'<br />
2. T. [1579, Mids.]'<br />
Title—F &UPHVES. \ <strong>THE</strong> ANATOMY | OF WIT. | Very pleasant<br />
for all Gentle-1men to reade, and most neces-\sA.ry to remember. | wherin<br />
are conteined the delights \ that Wit followeth in his youth, b'y the |
TITLES, COLOPHONS, ETC. 107<br />
pleasantnesse of loue, and the hap-|pinesse he reapeth in | age, by | the<br />
perfectnesse of | Wisedome. | IF By John Lylly Master | of Art. | Corrected<br />
and augmented. | • Imprinted at London for | Gabriell Cawood, dwel-\<br />
ling in Paules Church-|yard.<br />
Colophon ? (last two leaves wanting). N.B.—The three introductory<br />
addresses are in roman type.<br />
Pagination—by leaves, 2-88, commencing on the second leaf of the<br />
tale, B ij, with the single error of ' 97' on fol. 79.<br />
Signatures—A-Z 4, i. e. A four leaves, U two leaves (containing only the<br />
Address to the Gent. Scholars), B-z in fours. The last of the two missing<br />
leaves would have been paged 90 and signed A a ij.<br />
IT is under<br />
E „<br />
G „<br />
H „<br />
J „<br />
in in<br />
Idt „<br />
hi „<br />
hy „<br />
:t „<br />
into<br />
would take<br />
him<br />
thy '<br />
: then<br />
M<br />
N<br />
Q<br />
T<br />
Y<br />
is under<br />
"<br />
"<br />
"<br />
"<br />
eak in<br />
ith „<br />
nsi „<br />
an u „<br />
th „<br />
creake<br />
with<br />
consideration<br />
an unsufficient<br />
thou<br />
The only known copy is well printed, except on the last few pages. It<br />
corrects 38 mis-spellings, errors, or omissions of A; makes some 20 verbal<br />
changes; and exhibits 10 bad mis-spellings, 11 omissions, and 20 corruptions<br />
of its own (7 of the last persist till 1636). But these details are<br />
insignificant beside its extensive reform of A's punctuation, and the<br />
making of the following substantial additions to the text, referred to in<br />
the words ' Corrected and augmented' on the title-page of this and all<br />
subsequent quartos, and inserted in my text within square brackets.<br />
Pp. 324-6 the Address to the Gentlemen Scholars of Oxford (62 lines)<br />
„ 185 'who preferring . . . owne will. But' (11 lines)<br />
„ 186 ' singled his game ... & other like.' (13 lines)<br />
„ 191 ' unlesse you . . . toucheth nature' (1 line)<br />
„ 195 'Ah Euphues ... in thy self.' (8 lines)<br />
„ 199 ' Either Euphues . . . ridiculous. But' (4 lines)<br />
„ 200 ' Yet least. . . Lucilla. Yet' (14 lines)<br />
„ 207 ' Time hath weaned .. . loue hath done.' (10 lines)<br />
„ 210-1 ' If Lucilla ... or frowarde words.' (28 lines)<br />
„ 213-4 'Now if thy cunning . . . into thy handes.' (10 lines)<br />
„ 214 'for perswade ... in thy necessities (2 lines)<br />
„ 215 ' for my books . . . cure, let vs goe :' (5 lines)<br />
„ 216-7 'Euphues takynge ... no no Lucilla? (57 lines)<br />
„ 242 ' Euphues hauing . .. olde follyes. But' (3 lines)<br />
making a total of 228 lines or about 6 pages. These passages, which<br />
bear distinctly the character of later additions, all (with the exception of<br />
the Address) occur in the first half of the work, i. e. in the tale itself, and<br />
are intended to remove inconsistencies or round off an abruptness due<br />
to Lyly's absorption in style rather than matter. Thus that on p. 185 is<br />
probably meant to give the treatise Euphues and his Ephcebus a more
o8 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
intimate connexion with the narrative, and that on p. 207 enforces the<br />
same moral against parental indulgence, while it accentuates Lucilla's<br />
want of filial feeling and of self-restraint. Those on pp. 186 and 195 are<br />
meant to confirm the assertion of Euphues' great talents, while the latter<br />
also removes an abruptness in the narrative inconsistent with the strong<br />
feeling attributed to Eubulus. The brief addition on p. 199, and the<br />
second on p. 214, are to foreshadow the ultimate confirmation of the<br />
friendship between Euphues and Philautus, the dissolution of which the<br />
reader would, from the reflections on p. 197, more naturally expect. That<br />
on p. 200 serves to introduce Livia, of whom in the first edition not a word<br />
is said before the speech, on p. 212, in which Euphues feigns that she,<br />
and not Lucilla, is his flame. That on pp. 210-1 supplies the reaction from<br />
despondency necessary to explain Euphues' persistence in his suit. That<br />
on pp. 213-4 and the few lines on p. 215 are perhaps added merely for<br />
the sake of the variety of the medical metaphor; but the first has a<br />
further appropriateness to the relation of the two friends in the Second<br />
Part, where Philautus is continually reproached for his susceptibility.<br />
The long insertion on pp. 216-7 was necessary to remove the abruptness<br />
caused by introducing Ferardo immediately after the arrival of Philautus<br />
and Euphues, while it also fills in a little the attractive picture of the<br />
suppressed passion between the lovers. The three lines on p. 242 simply<br />
round off an abruptness. The Address to the Gentlemen Scholars is (as<br />
stated in the Life, p. 21) an attempt to palliate, or conciliate any ill-will<br />
caused by, his remarks on Athens in Euphues and his Ephoebus, Among<br />
the score of verbal changes made in T, as distinct from additions,<br />
corrections or corruptions, are those recorded in the footnotes on pages<br />
179 11.10,18,19, 180 1. 20, 182 11. 6-9, 184 1.15, 185 I.4, 186 1.1, 199 I.29,<br />
209 1. 13, 242 1. 7. That on p. 180 probably reflects the favourable reception<br />
of the first edition: those on p. 182 help to fix T as the second: ail bear<br />
the stamp of the author's hand. They are almost confined to the beginning<br />
of the work, but probably the whole underwent Lyly's personal revision.<br />
3. M. 1579 [Xmas].<br />
Title--F &UPHVES. \ <strong>THE</strong> ANATOMY | OF WIT. | Very pleasant<br />
for all Gentle-lmen to reade, and most neces- |sary to remember, | wherin<br />
are conteined the delights | that Wit followeth in his youth, by the |<br />
pleasantnesse of loue, and the hap-|pinesse he reapeth in | age, by | the<br />
perfectnesse of | Wisedome. | F By John Lylly Master | of Art. | Corrected<br />
and augmented. | F Imprinted at London for | Gabriell Cawood, dwel-\<br />
ling in Paules Church-yard.<br />
Colophon—F Imprinted at London by Thomas East, for | Gabriel<br />
Cawood, dwelling in Paules Church-yard. | 1579.—N.B. The closing<br />
paragraph of the tale ' I haue finished .. . comming,' printed in black<br />
letter in AGE rest, is given in small romans in M. The three addresses<br />
are in roman type, that to the Gent. Schol. being transferred to the end.
TITLES, COLOPHONS, ETC. 109<br />
Pagination—by leaves, 2-90, exactly as T.<br />
Signatures—A-F 2, i. e. A-z in fours, A a two leaves, F two leaves (containing<br />
only the Address to the Gent. Scholars). The second leaf of A a<br />
is signed by mistake ' A ij.' Position of sigs. is as follows:—<br />
B. is u tnder ich in which<br />
I. is tinder :t in<br />
c.<br />
D.<br />
E.<br />
F.<br />
G.<br />
H.<br />
, ,<br />
,<br />
„<br />
,,<br />
„<br />
urn " returneth K.<br />
sh, "<br />
O CO " so comon L.<br />
ad "<br />
ta " take<br />
M.<br />
rea "<br />
eas " reason N.<br />
de "<br />
iue " giue<br />
0.<br />
or "<br />
n th " in thy P.<br />
unt "<br />
Q. is under cons in consideration.<br />
earnest :then<br />
wish,<br />
had<br />
creake,<br />
minde<br />
or<br />
counterfaite<br />
M is perhaps the most perfect edition, well printed, and embodying the<br />
additions and reformations of T, but clearly having A as well as T before<br />
it in its preparation. Its changes from T are few. It corrects 15 of<br />
T's 20 corruptions, while it makes 6 of its own—see footnotes, pp. 184 1.11,<br />
209 1.2, 211 II.3,12, 247 1.2, 302 1.6, besides 8 bad mis-spellings, and 3<br />
changes of text, 194 1.1, 240 1. 13, 286 1. 24, the first of which, affecting<br />
a whole line, is clearly the author's, as is probably the transference of the<br />
Address To the Gentlemen Schollers to the end. The Bodleian copy (M 1 )<br />
is perfect and in excellent condition. The Morley copy (M 2 ) lacks the<br />
four first and two last leaves, but is otherwise in good condition, and<br />
having escaped binding until it came into Prof. Morley's possession, is<br />
distinguished among the other quartos by the ample width of its margins,<br />
in which the frequency of inscription in a contemporary hand testifies to<br />
its study, or perhaps neglect.<br />
4. C. 1580 [Easter].<br />
Title--F EUPHV&S. | <strong>THE</strong> ANATOMY | OF WIT. | Verie<br />
pleasant for all Gentle-\men to read, and most neces-\sarie to remember. |<br />
wherein are conteined the de-|lyghts that Wit followeth in his youth, by |<br />
the pleasantnesse of loue, and the | happinesse he reapeth in | age,<br />
by I the perfectnesse of | Wisedome. | F By Ihon Lyly Master | of Art. |<br />
Corrected and augmented. | Imprinted at London for | Gabriel Cawood<br />
dwel-lmg in Paules Church-lyard.<br />
Colophon—F Imprinted at London by Thomas | East, for Gabriell<br />
Cawood, dwelling | in Paules Church-yard. | 1580.—N.B. The closing<br />
paragraph of the tale * I haue finished ... comming,' is printed in ordinary<br />
romans, larger than those of the same paragraph in M. The three<br />
introductory addresses are in romans.<br />
Pagination—by leaves, 2-88, commencing with the tale on fol. 2<br />
signed B ij, with the two errors of '57' and '59' for fols. 58 and 60<br />
respectively.
110 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
Signatures—A-z 4 in fours.<br />
D is under<br />
F "<br />
G "<br />
I "<br />
L.iij „<br />
N "<br />
P "<br />
P.iij „<br />
u.ij „<br />
z.iij „<br />
h<br />
L<br />
0 ex<br />
ofi<br />
d by c<br />
nt<br />
n<br />
n him<br />
ing m<br />
elen a<br />
in<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
his<br />
Lucilla<br />
to excell<br />
profite<br />
allienated by chaunge<br />
in their<br />
onely<br />
vppon him<br />
bring my<br />
Helen all<br />
The two surviving copies of C are well printed and in good condition,<br />
though that in the Bodleian lacks the first five leaves. This edition,<br />
based on M, and corrected by A, without necessary reference to T, has<br />
considerable claims to have enjoyed Lyly's personal revision. It carries<br />
forward the reform of the punctuation initiated by T: it restores the<br />
reading of A in 12 cases where T or M had corrupted it—see footnotes,<br />
pp. 184 1.11, 188 1. 14, 196 I.33, 205 1.12, 209 11.2,12, 216 I.35, 230 I.26,<br />
247 1. 2, 270 I.36, 285 1.22, 298 1.5—and it introduces some 20 changes of<br />
its own (as distinct from corruptions), all of which persist to the end, and<br />
of which 14 must be considered improvements—see footnotes, pp. 182 1.6,<br />
184 11. 14-5, 196 1. 30, 210 1.15, 214 1. 26, 238 1. 3, 247 1. 30, 264 1.35, 272<br />
1.12, 284 1.32, 288 1.11, 302 1.6, 304 1.31, 308 1.23—while 6 are indifferent.<br />
On the other hand it introduces a large number of trifling and quite otiose<br />
changes, such as the substitution of the singular for the plural of a substantive<br />
or vice versa, or of one preposition or auxiliary verb for another,<br />
or of the past for the present tense, or the needless transposition of verb<br />
and subject—this feature of trifling and otiose change being shared with<br />
G and E 1 ; it exhibits a general tendency to omit unimportant little<br />
words, in one or two cases with injury to the grammar; and it introduces<br />
24 fresh corruptions, of which 10 persist to the last quarto, 1636.<br />
5. G. 1581.<br />
Title-EVPHVES. | <strong>THE</strong> ANATOMY | OF WIT. | Verie pleasaunt<br />
for all I Gentlemen to read, and \ most necessarie to remember, | wherein<br />
are contained the | delightes that Wit followeth in his youth | by the<br />
pleasantnesse of loue, & the hap-|pinesse he reapeth in age, by | the<br />
perfectnesse of | Wisedome. | F By Iohn Lyly Master | of Art. | Corrected<br />
and augmented. | F Imprinted at London \for Gabriel Cawood dwel-\<br />
ling in Paules Church-yard.<br />
Colophon—F Imprinted at London by | Thomas East, for Gabriel<br />
Cawood, I dwelling in Paules Church-|yard. 1581.—N.B. The Ep. Ded. is<br />
in romans, the two addresses to the Gent. Readers and Gent. Scholars<br />
are in black letter. This, and the Bodleian ed. of [1595?] E 1 , are the<br />
only ones in which the black letter invades the introductory matter.'
TITLES, COLOPHONS, ETC 111<br />
Pagination—By leaves, 1-88, commencing on the leaf signed B containing<br />
the address to the Gent. Scholars. Fols. 58, 69, 77-80 are misnumbered<br />
56, 95, and 95-98 respectively.<br />
Signatures—A-z 4 in fours.<br />
D. is under<br />
F. "<br />
G.<br />
I. "<br />
L.iii. „<br />
N.<br />
P. "<br />
P.iii. „<br />
U.ii. „<br />
Z. iii. „<br />
his<br />
cill<br />
ork<br />
tsl<br />
y chau<br />
Loo<br />
Me<br />
on h<br />
bring<br />
elope<br />
in<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
"<br />
his<br />
Lucilla<br />
works<br />
what slender<br />
by chaunge<br />
Looke<br />
Achilles<br />
vppon him<br />
bring<br />
Penelope<br />
The Grenville is a clean copy, printed fairly well on thicker paper than<br />
usual; but the edition it represents is distinctly inferior to the preceding.<br />
The careless printer introduces some 50 corruptions (often excessively<br />
inept) and omissions, e. g. p. 309 1. 25 (9 words) ; though on the other<br />
hand there are nearly 3o changes, persisting till 1636, which may be<br />
counted as slight improvements, e.g. pp. 188 1.32, 225 1.6, 278 II. 7, 29,<br />
297 I.20, 301 I.34, 304 I.4 (G-F), 314 I.33, 320 I.12. The wholesale<br />
alteration of unimportant trifles is continued, as is also the reform of<br />
the punctuation. Probably Lyly revised a copy of C and sent that to the<br />
printer, but did not correct any proof. The direct connexion of G with<br />
any earlier edition than C is not clearly made out.<br />
8. E1. [1595?]<br />
Title—EVPHVES. I <strong>THE</strong> ANATOMY | OF WIT | Very pleasant<br />
for all Gentlemen to | reade, and most necessarie to | remember. |<br />
Wherein are contained the delights | that Wit followeth in his youth, by<br />
the plea-|santnesse of loue: and the happinesse he rea-|jfeM in age, by<br />
the perfectnesse of \ wisedome. | • By John Lylie, Maister | of Art. |<br />
Corrected and augmented. | AT LONDON. | Printed by I. Roberts for<br />
Gabriell | Cawood, dwelling in Paules | Churchyarde. (No d.: no col.)<br />
Printed in a slightly more compressed form, unpaged, and on inferior<br />
paper, this edition is on the whole the greatest innovator and the greatest<br />
offender. It presents 66 corruptions of some importance, besides 30 others<br />
retained from G, and 20 from preceding editions ; also 20 omissions,<br />
two of them (pp. 253 1.37 and 265 1.35) of almost a line: and the great<br />
majority of these corruptions and omissions are handed down to 1636.<br />
I have made a further list of nearly 60 changes equally persistent: 30 of<br />
these are either indifferent, or modernizations, or sacrifices of original<br />
vigour to smoothness; 20 are perhaps improvements due to Lyly,<br />
e.g. pp. 193 l.11, 209 1.6, 212 11.2,17, 253 11.2,21, 2801.18, 312 1.4, and
112 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
about 10 are corrections of original errors, as pp. 184 1.17, 315 1. 33,<br />
3161.24, or of corruptions, as pp. 211 1. 3, 235 1. 30. These changes and<br />
corrections, together with some further mending of the punctuation, are<br />
sufficient to suggest that E 1 may have been printed from a copy of G revised<br />
by Lyly with A and T before him : but the large number of errors in this,<br />
as in C and G, excludes the idea of any proof correction by the author; and<br />
E 1 remains on the whole the chief corruptor of the text oiEuphues, always<br />
remembering, however, that the blame may be in part assignable to the two<br />
preceding editions (1585 and 1587) which I have been unable to inspect.<br />
9. E 2 .[1597?]<br />
Title—Exactly as E 1 in every detail of type, punctuation and spelling,<br />
except that E 2 spells 'contayned' and 'Churchyard.' The agreement<br />
extends to the collation, and to the absence of colophon and pagination.<br />
For some differences, see p. 94.<br />
This, the last edition published by Gabriel Cawood, has comparatively<br />
few changes of text, though sufficient to mark it as a separate edition.<br />
It has 7 fresh corruptions which persist till 1636, and 5 others repeated<br />
in F. It presents but 3 corrections, pp. 214 1.25, 249 1.16, and 302 1.6,<br />
the two latter a return to AT; and 10 changes, two of which, 196 1.13 and<br />
2171.31, may be considered improvements, as may some half-dozen others<br />
quite unimportant. There are also a few punctual emendations ; but I see<br />
no sufficient reason to suppose that Lyly had a hand in this edition.<br />
12. F. 1607.<br />
Title—EVPHVES. | <strong>THE</strong> ANATOMIE | OF WIT, | Verie pleasant<br />
for all Gentlemen to reade | and most necessarie to remember | Wherein<br />
are contained the delights that Wit follow-|eth in his youth, by the<br />
pleasantnesse of loue: | and the happinesse he reapeth in age, by the |<br />
perfectnesse of wisedome. | By lohn Lylie, Maister of Art. | Corrected<br />
and augmented. | [Printer's device—a winged and laurelled skull; above,<br />
an hour-glass and an open book inscribed i I liue to dy I dy to liue';<br />
below, a globe] AT LONDON. ( Printed for William Leake, dwelling in |<br />
Paules Church-yard, at the Signe of the ) Holy Ghost. 1607.<br />
F, the third edition issued by William Leake, is printed on wretchedly<br />
thin paper, which shows the type through, and the copy is much stained<br />
by damp. As it contains the latest possible corrections of the author,<br />
who died in November, 1606, I have thought it worth while to collate it<br />
throughout; but the results afford no ground for supposing Lyly's hand<br />
in it, though it may represent some rough revision made on the transfer<br />
of the work to Leake, and subject to the corruption of his two preceding<br />
editions which I have not seen. It appears to be based on E 2 , with a rare<br />
reference to A or exercise of an independent intelligence. Its original<br />
corrections are 6—pp. 191 ll. 1,32, 2111.31, 2221.22, 272 I.24, 308 1.15 (the
TITLES, COLOPHONS, ETC. 113<br />
last 3 merely orthographical)-—while in 3 others it reverts to the reading<br />
of A—197 1. 2, 243 1. 38, 281 1. 3. It reproduces the vast majority of<br />
E's corruptions, and introduces 20 of its own (only 6 of which persist),<br />
while 6 others are attempts to emend a corruption introduced by E.<br />
13. 1613.<br />
Title as F, but with new device—an open book with flames issuing ;<br />
above, a dove amid clouds with large wreath; surrounded by scroll<br />
* Veritas tua et usque ad nubes.'<br />
This, the last edition printed for William Leake, makes a laudable<br />
effort to stem the tide of corruption. Though I have only collated it<br />
where the earlier editions claimed a footnote, I note its correction, by<br />
earlier editions, of 36 errors (mostly due to E or F, but four of them<br />
found as early as C). In pp. 242 1. 21 and 265 1. 36 we have cases of<br />
emendation without such reference ; while in the following 8 cases it<br />
corrects the original text—197 11.17, 36, 211 11.5,7, 2841. 2, 303 1. 21, 321<br />
1. 11, 323 1. 11. It retains, however, a vast number of the corruptions<br />
already introduced; among them 6 from F, on which edition it must be<br />
based, while correcting its errors by A, T or M.<br />
14-17. 1617-1636.<br />
In the four remaining quartos the two Parts are published together<br />
and signed continuously, but with fresh title-page for Part II. In neither<br />
Part do the titles show any verbal change save in the names of printer,<br />
publisher, or vendor; and of course the device changes with the<br />
printer—Eld's (1617) being for Part I a mere geometrical pattern in<br />
a circle, for Part II a medallion showing a man* kneeling in a landscape<br />
and an angel hovering above with arm outstretched in blessing; Beale's<br />
(1623) being an escutcheon with griffin's head to left, and two shields<br />
above; and Haviland's (1630, Part II) being a flaming heart surrounded<br />
by a wreath. The edition of 1623 is distinguishable from those of 1617,<br />
and 1630-31, and the latter from that of 1636, by differences of spelling,<br />
e.g. pp. 245 1. 35, 315 1. 10, vol. ii. 143 1. 12, 151 1. 26: vol. i. 241 1. 29,<br />
vol. ii. 157 1.24, 176 1. 20, 177 1. 14.<br />
18. 1716. 8vo.<br />
Title—Euphues and Lucilla: | or the | False Friend and Inconstant<br />
Mistress. | To which is added, Ephœbus; \ or | Instructions for theEdu-|<br />
cation of Youth. | With | Letters | upon | Death, Banishment, and the<br />
Vices I of Courtiers and Students. | Written Originally by John Lyly, M.A.<br />
in I the Reign of Queen Elizabeth; and now revis'd, | and render'd into<br />
Modern English, to make it of | more general Use to the Publick. |<br />
I present you a Lilly growing in a Grove of Lawrels: For this Poet l<br />
sate at the Suns Table : Apolio gave him a wreath of his own I<br />
Bays, without snatching. The Lyre he play'd on, had no bor- l<br />
row'd Strings. Blount's Dedixation to Lyly's Plays.<br />
London; | Printed; and Sold by J. Noon, and T. Sharpey, l at the<br />
White-Hart in Cheapside. MDCCXVI.|<br />
BOND 1 I
114 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
This version is preceded (i) by a brief Epistle Dedicatory (signed<br />
simply ' your Lordship's most Obedient Humble Servant,' with no name)<br />
addressed to the Lord de la Warre of 1716, and alluding to his descent<br />
from Lyly's patron of that title. (2) By an address ' To the Reader'<br />
signed ' Yours, &c.,' which recommends Lyly as ' then accounted the most<br />
Witty and Facetious Poet of his time: He was a great Refiner of the<br />
English Tongue in those Days, as appears by the Character given him<br />
in the Second Part of this Book, and will be much more evinc'd by this<br />
New Translation of it,' &c, gives a brief summary of the contents, and<br />
then continues—'As to some railing Expressions in Love's Diversion<br />
against the Fair Sex; I must needs tell the virtuous English Ladies,<br />
they have no reason to be offended, since the Scene of the story is in<br />
Naples; and therefore can have no relation to them, but only to the<br />
Guilty. . .. And therefore, if you desire, Ladies, to have your own Worth<br />
truly blazon'd, and your Praises brightly set forth, the Encouragement of<br />
the First Part will call forth the Second,' &c.—a promise so far as I know<br />
never fulfilled. The three Introductory addresses are then given without<br />
alteration, save that the one ' To the Gentlemen Readers' appears third<br />
and not second. The tale itself follows Euphues closely, but with continued<br />
slight modification of the language, and abbreviation or elimination of<br />
the similes. ' Love's Diversion' turns out to be merely a new title substituted<br />
for ' A cooling Carde for Philautus,' &c, p. 246. The short address of<br />
' Euphues to the Gentlemen Schollers in Athens' at the end of ' Euphues<br />
and his Ephcebus' is omitted, as well as the whole of the dialogue<br />
' Euphues and Atheos': but all the Letters are given.<br />
Another issue of No. 18 with fresh title-page. 1718. 8vo.<br />
Title—The | FALSE FRIEND | and | Inconstant Mistress:J AN<br />
INSTRUCTIVE | NOVEL. | To which is added | Love's Diversion;)<br />
DISPLAYING I The Artifices of the Female Sex in | their Amours,<br />
Dress, &c. With Directions for the Education of Both | Sexes; and<br />
a Collection of Moral Let-|ters on Curious Subjects. | By John Lyly, M.A.<br />
One of the Refi-|ners of the English Tongue in the Reign of | Queen<br />
Elizabeth. \ London: Printed for John Hooke, at the Flower-de-luce,<br />
over against St. Dunstan' s Church in Fleet-\street, 1718. Price 2s.<br />
It agrees in all respects except the title-page with the revision (No. 18)<br />
just described.<br />
19. Arber's Reprint, 1868, is a faithful reproduction of Prof. Morley's<br />
copy (M 2 ), i. e. of the 3 rd edition, collated with G. 1581, i. e. with the 5 th ,from<br />
which also the missing four first and two last leaves are supplied. He has<br />
a good chronological summary of facts in Lyly's life, reproducing several<br />
documents, &c—a chronicle which, though it now stands in need of correction,<br />
I have found of great service : and though he is occasionally wrong in<br />
the bibfiography, yet there too he has been very useful; while his review of<br />
opinion on Euphues from Lyly's time to our own is valuable and, for the nine-
TITLES, COLOPHONS, ETC. 115<br />
teenth century, fuller than I have been able to include in my own already<br />
overfull pages (see my Life, pp. 79-82; and Euphues and Euphuism,<br />
pp. 146-53).<br />
20. Landmann's incomplete edition (1887) is printed from A, which he<br />
rightly recognized as of the editio princeps, and collates Arber's text<br />
(printed from M 2 ) and G. He gives us an Introduction, biographical,<br />
bibliographical and critical, which is careful and thorough, though sometimes<br />
mistaken. Dr. Landmann was the first to explore thoroughly the<br />
connexion of Lyly's work with that of Guevara, see below, pp. 154-6.<br />
Also he adds some ten pages of illustrative notes, not very full nor<br />
always reliable, but the only ones that have hitherto appeared.<br />
EUPHUES AND HIS ENGLAND.<br />
1. M. 1580.<br />
Titie- F Euphues and his England. I CONTAINING | his<br />
voyage and aduentures, myxed with | sundry pretie discourses of honest |<br />
Loue,thediscriptionofthe | countrey, the Court, and | the manners of that |<br />
Isle. I D&LIGHTFUL TO | be read, and nothing hurtfuH to be<br />
regar-|ded : wher-in there is small offence | by lightnesse giuen to the wise, |<br />
and lesse occasion of loose-|nes proffered to the | wanton. | F By Iohn<br />
Lyiy, Maister | of Arte. | Commend it, or amend it. | ^Imprinted at<br />
London for | Gabriell Cawood, dwelling in | Paules Church-yard. 11580.<br />
Pagination—by leaves, 1-140, commencing with the tale on sig. B. If<br />
perfect, the last leaf would be 142.<br />
For the position of the signatures in this and the two following editions<br />
see p. 96.<br />
M, the editio princeps of Part II, is distinguished from that of Part I<br />
by the far greater care taken with the punctuation, and the attention<br />
bestowed on its arrangement into paragraphs. It is partly due to the<br />
latter cause that a work nearly two-fifths as long again as The Anatomy<br />
of Wit is much less tedious to read; while I have only found 67 changes<br />
of the punctuation necessary (27 being adopted from A, 26 from E,<br />
8 from H, and only 1 without authority) as against 161 in the former work.<br />
The unique Morley copy, though sometimes unevenly inked and showing<br />
the print through the leaf, is in very good condition, save for the lack of<br />
the last two leaves.<br />
Four of the footnotes are of some few words omitted in all subsequent<br />
editions: vol. ii. pp. 261.2, a whole line, 78 1.36, 89 11.2 3-4,13 5 1.28. I count<br />
62 errors of orthography without effect on the sense ; 32 other errors, mostly<br />
orthographical, such as might cause misapprehension, while others are bad<br />
mistakes, e. g. pp. 741.30,176 1. 27,1771. 3, 184 1. 2,1941.18,217 1.8; and<br />
some 12 omissions of little words, mostly of no importance. The great<br />
majority of these errors of all kinds are corrected in A, a few more in<br />
B, and some in E.<br />
I 2
116 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
2. A. 1580.<br />
Title—exactly as M in type, punctuation, and orthography.<br />
Colophon—1T Imprinted at London, by Thomas East, for Gabriel<br />
Cawood dwelling in Paules Churchyard. 1580.<br />
Pagination—by leaves, 1-132, commencing with the tale on sig. B.<br />
The only known copy of the second edition is in the Bodleian Library,<br />
bound with the Malone copy (3rd ed.) of Part I. It is in excellent condition,<br />
but wants fol. 32. It corrects most of the errors of M; makes some 15<br />
other changes, of which only the following seem of any importance—vol. ii.<br />
pp. 32 1. 5, 33 1. 29, 361. 33, 53 1. 23, 57 1. 27, 66 1. 19, 96 1. 29, 162 1. 15 ;<br />
and is guilty of about 55 distinct corruptions, 24 of which are corrected by<br />
B, 16 by G or E, while 13 persist down to 1636. Its few changes, its four<br />
omissions (noted under M), and its reform of the punctuation, are such as<br />
imply Lyly's revision ; but, as usual, the author can have seen no proof.<br />
8. B. 1580.<br />
Title—exactly as MA, except in spelling 'wherein' for 'wher-in' of<br />
the two preceding.<br />
Colophon—appears in Camb. copy exactly as in A. In the Oxford copy<br />
the last leaf is mutilated, so that ' Gabriel ' and ' 1580' are torn away.<br />
Pagination—by leaves, 2-132, commencing with the second leaf of the<br />
tale sig. B ii. For position of sigs. of M, A and B, see p. 96 above.<br />
Two copies exist of this, the third edition, one in the Bodleian, the<br />
other in the Cambridge University Library, both bound with the fourth<br />
edition (C) of Part I, which must however have been printed several<br />
months earlier m the year. Of B's few corrections, vol. ii. pp. 161.17, 871.1,<br />
941.34,1311. 5,1871.21, are the most important. It has about 25 corruptions<br />
(a few merely orthographical), about 20 of which are peculiar to itself, while<br />
20 persist till 1636. One or two of its departures, e.g. 941.34, suggest that<br />
it was printed from A, and corrected its errors, without reference to M.<br />
5. G. 1582.<br />
The titles of this, the preceding C, and the three next editions (1586,<br />
1588, 1592), so far as reproduced by Arber and Hazlitt, show no verbal<br />
change. Arber's text embodies in parenthesis G's variants from M,<br />
and indicates by an asterisk its words omitted. Its corruptions seem less<br />
numerous than those of B, its corrections more important. I have made<br />
a list of 22 chief ones among the former, of which 18 persist: while<br />
the chief corrections are vol. ii. pp. 26 1. 36, 80 1. 10, 161 1. 177 1• 3,<br />
1991.10,2141.10, 215 1. 2. There seems more probability of Lyly's revising<br />
hand in this edition than in B; but one edition (C) intervened, in which<br />
the corrections may have been rather made.<br />
9. E. 1597.<br />
Title—EVPHVES AND HIS J ENGLAND. | Containing his voyage and<br />
aduentures: Mixed with sundry | prettie discourses of honest loue,
TITLES, COLOPHONS, ETC 117<br />
the de-lscription of the Countrie, the Court, and | the manners of the |<br />
Isle. | Delightfull to be read, and nothing | hurtfull to be regarded:<br />
wherein there | is small offence by lightnesse giuen to the | wise, and<br />
lesse occasion of loosenesse | proffered to the vvan-|ton. | By Iohn Lyly<br />
Maister | of Art. | Commend it or amend it. | At London, | Printed by<br />
I. R. for Gabriell Ca-|wood, and are to be sold at his Shop | in Paules<br />
Churchyarde. | 1597.<br />
Like the E 1 of Part I, the E of Part II presents a far larger number of<br />
changes than any other I have seen. The great majority of them are<br />
stupid and inept corruptions, many of which later editions decline to<br />
follow, though they perpetuate most of them. I have made no attempt<br />
to count them: they swell the footnotes on every page. Among them<br />
may be mentioned the following considerable omissions, none of them<br />
however exceeding one line in length :—vol. ii. pp. 88 l. 25, 891. 32, 911.24,<br />
113 1.17, 123 1. 9, 199 11. 5-6, 210 1.34, 212 11.22-3—of which 113 1.17 is<br />
perhaps an improvement, 19911.5-6 (feathers at girdle) is to suit a change in<br />
fashion, and 212 11. 22-3 (omission of ' & the Prince they haue without any<br />
other chaunge'), which might be thought born of his dissatisfaction with the<br />
Queen in 1597, is probably simply due to the likeness of the last word<br />
' chaunge' to ' chaunce,' which immediately precedes the omission—but cf.<br />
the change of 'feareth ill ' to 'fareth ill,' p. 212 1. 16. Among original<br />
corrections I have noted the following, all persistent—pp. 3 11. 9, 22, 6 1.6,<br />
7 1.1, 8 11. 23, 24, 27,11 1. 29, 22 1. 8, 26 11.11, 13, 28 1. 25, 93 1. 29 (E-H),<br />
94 1. 6, 99 1. 24, 173 1. 24, 187 1. 31; while pp. 22 1. 30, 191 l. 7, 210 1. 9,<br />
are instances of reversion to the reading of M. Another feature of this<br />
edition is that in one part it exhibits some slight additions or expansions,<br />
the only Qnes that appear to have been made in the whole course of the<br />
work's publication. These are pp. 144 11. 24-5 (one line), 28, 29, 30-2<br />
(two lines), 173 1. 33, 175 1. 8 (one line), 178 1. 8: they can scarcely be<br />
considered as great improvements, or indeed as other than mere verbal<br />
expansions, so that I have kept them in the footnotes without disturbing<br />
the text of A; but taken in connexion with the reform of the punctuation<br />
found in this edition, and with the original corrections noted above, they<br />
seem to show that Lyly spent some pains in revising either this, or more<br />
probably one of those preceding it, but later than that of 1582. It is<br />
possible that he made a revision of both Parts in 1592,, and that E 1 of<br />
Part I should date in that year rather than [1595 ?].<br />
II. F.1606.<br />
Title exactly resembles No. 12, except that it spells ' voyage' does not<br />
italicize ' of the lle,' and concludes ' occasion' with the line. The British<br />
Museum copy of this edition is bound with Part I of 1607, and shares its<br />
misfortunes or original defects. It shows revision, but not, I think, the<br />
author's. If it corrects many of the corruptions introduced by E, it<br />
leaves still more uncorrected; and of its 21 original corrections, some
118 EUPHUES: TEXT AND BIBLIOGRAPHY<br />
are merely orthographical, or the substitution of a more modern or a less<br />
emphatic word, and only one or two are striking, e. g. vol. ii. pp. 73 1. 23,<br />
143 1. 30, 176 1. 26, 188 1. 7; while it presents about an equal number (18)<br />
of original corruptions which are perpetuated. I do not think that Lyly's<br />
hand is seen in this edition, the last where his revision is possible.<br />
12. H. 1609.<br />
Title— EVPHVES I AND HIS ENG|LAND. | Containing his<br />
voiage and aduentures : \ Mixed with sundry pretty discourses of | honest<br />
loue, the description of the Coun-|try, the Court, and the manners | of<br />
the Ile, I Delightfull to be read, and nothing hurt-|full to be regarded :<br />
wherein there is small | offence by lightnesse giuen to the wise, and<br />
lesse occasi-|on of loosenes proffered to the wanton. | F By Iohn Lily,<br />
Master of Art. | Comnend it, or amend it, | [Printer's device of the<br />
winged skull, &c, as given under Part I, 1607] | AT LONDON. | Printed<br />
for William Leake, dwelling in Pauls church-|yard, at the signe of the<br />
Holy-ghost. I 1609.<br />
No colophon. Unpaged. Sigs. A-E 4 in fours. Position of sigs.:—<br />
C is under e th in become the H is under eft inlvltjust missing the .<br />
D „ ot 1 „ cannot Hue K „ me in comelinesse<br />
E „ horn „ whom N „ or m „ or my<br />
F „ er „ under o „ hila „ Philautus<br />
G „ tru „ trust Q „ e, or „ life, or<br />
Another mark of identification will be found in the uneven printing of E 4<br />
recto, the centre portion of the lines being lower than the two extremities.<br />
It is most marked in the running-title, but extends to the whole page.<br />
H adds 15 to the long list of permanent corruptions, balanced by only<br />
one or two emendations of equal importance. ' Queene' becomes ' King,'<br />
p. 194 1. 34-<br />
The titles of editions 1605 and 1613, so far as reported by Hazlitt<br />
(Colls, i. 270, ii. 372), exhibit no change of wording: nor do those of<br />
eds. 1617 onwards, collated by myself. These later editions have only<br />
been textually collated where the earlier called for a footnote, to ascertain<br />
the persistence or disappearance of a corruption or emendation. Perhaps<br />
that of 1623 exhibits most independence. It restores a reading of M or of<br />
AB in vol. ii. pp. 59 1. 14, 84 1. 2, 138 1. 32, 182 1. 6. Similar restorations<br />
made in Part II of 1630 are found in pp. 57 1. 27, 60 1. 6, 91 1. 25, 98 1. 21,<br />
119 1. 29; and in Part II of 1636 in pp. 93 1. 1, 166 1. 14, 179 1. 2, 214 1. 37.<br />
18. Arber's Reprint (1868) follows with admirable fidelity Professor<br />
Morley's copy (M), which in the case of the Second Part represents the<br />
editio princeps, and is the only known copy of it. He supplies the two<br />
missing .leaves at the end from the copy of the 2 nd edition (A 1580) in the<br />
Bodleian ; and collates the whole with the 5 th edition (G 1582), and, where<br />
that lacks a few leaves (= his pp. 362-3, 463-78), with the 6 th (D 1586).
EUPHUES AND EUPHUISM<br />
INTRODUCTORY ESSAY<br />
No edition of this famous work could be considered complete<br />
without some account of the style in which it is written, and to<br />
which it has given a name 1 ; but so full and frequent has been the<br />
discussion of Euphuism, since Professor Morley published his article<br />
upon it in the Quarterly Review for April, 1861 (No. 218, vol. 109),<br />
that addition is difficult, and full reproduction, within the limits of<br />
this work, impossible. The most complete account of the style, and<br />
of all that had previously appeared on this subject, is to be found<br />
in the John Lyly and Euphuism of Mr. C. G. Child, published in<br />
Munchener Beitrage at Erlangen and Leipzig, 1894; a careful and<br />
valuable essay, yet one wherein elaboration reaches a point almost<br />
inimical to literary study. His chief predecessors are Dr. R. F.<br />
Weymouth, who read a paper 'On Euphuism' before the Philological<br />
Society in 1871; and Dr. Landmann with a treatise entitled Der<br />
Euphuismus: sein IVesen, seine Quelle, seine Geschichte, &c. (Giessen,<br />
1881). The latter's results were summarized and clarified in a paper<br />
read before the New Shakspere Society, and published in its<br />
Transactions, 1880-5, Part II; and were reproduced in his English<br />
edition of the First Part of Euphues, 1887 : while further criticism of<br />
the style is to be found in articles by Dr. Breymann and Dr. Schwan<br />
in Englische Sludieti, vols. 5 and 6 (1882-3). Professor Morley's<br />
final view, incorporating later results, appeared in English Writers<br />
(1892), viii. 316-22. To these names we should add, whether as<br />
interpreters of style or matter, those of Bodenstedt (Shakespeare's<br />
Zeilgenossen, vol. iii, Berlin, i860), Mezikres (Pridecesseurs et Contemporains<br />
de Shakespeare, 1863, ch. iii), Hense (two valuable essays,<br />
chiefly on Lyly's relation to the classics, and that of Shakespeare to<br />
Lyly in this department, published in the Jahrbuch der Deutschen<br />
Shakespeare-Gesellschaft, vols, vii, viii, 1872-3), Symonds (Shakspere s<br />
Predecessors, 1883, ch. xiii, ,an early recognition of Lyly's immense<br />
importance), Mrs. Humphry Ward (article in the Encyclopaedia<br />
1 ' The term " Euphuism" is first found in Harvey's Four Letters and certaine<br />
Sonnets touching Robert Greene (Brydges, Archaica, vol. ii. p. 29),' says Mr. Child<br />
in John Lyly and Euphuism, p. 10. The date of Harvey's publication was 1592.
EUPHUISM.<br />
I. STRUC<br />
TURAL .<br />
DEVICES.<br />
(a) Antithesis,<br />
Rhet<br />
Quest.,<br />
Repetition.<br />
120 INTRODUCTORY ESSAY<br />
Britannica, ninth edition), Professor A. W. Ward (History of English<br />
Dramatic Literature, second edition, 1899, vol. i. ch. 3), M. Jusserand<br />
[The English Novel in the Time of Shakespeare, trans, by Eliz. Lee,<br />
i894),Mr.Fleay [Biographical Chronicle of the English Drama, 1891,<br />
vol. ii. pp. 36-43), Mr. Sidney Lee (article ' Lyly, John,' in Dictionary<br />
of National Biography, 1893), and others. Perhaps I should also<br />
mention an essay of my own, written in the spring of 1894, before<br />
I had acquainted myself with the work of Mezibres, Hense,<br />
Landmann or Child: it appeared in the Quarterly Review for<br />
January, 1896; and its chief results and even many passages are, by<br />
the kind permission of Mr. John Murray, incorporated below.<br />
[ I Lyly's famous euphuism aims at writing prose, firstly with great<br />
fineness and precision of phrase, secondly with great display of<br />
classical learning and remote knowledge of all kinds. To these two<br />
desiderata correspond the two classes of its characteristics; firstly,<br />
those concerned with the structure of his sentences, and secondly,<br />
those methods of ornament and illustration which, though properly<br />
considered a part of style, are yet more akin to the material than to<br />
the architecture of thought, and demand of the architect the quarryman's,<br />
as well as the sculptor's, toil.[<br />
I. In structure 1 he seeks emphasis (a) by the following general<br />
means:—<br />
(i) By continual Parallelism or Antithesis; (ii) by the use of a string<br />
of rhetorical questions, which sometimes answer each other, or of<br />
a series of arguments pro and con introduced by 'Ay, but'; (iii) (as<br />
Mr. Child adds) by Repetition.<br />
(i) Antithesis, which as regards form might usually be called<br />
Parallelism, is shown in the opposition of words and of ideas in<br />
sentences balanced against each other; where very often two, three,<br />
or all the words are parallel in position and grammatical function,<br />
substantive answering to substantive, adjective to adjective, verb to<br />
verb, adverb to adverb, &c. To this structural balance of parts of<br />
speech Dr. Landmann and Mr. Child give the name ' parison' or<br />
'parisonity.' Of course not evey sentence in a period exhibits it;<br />
and further, where it occurs, it varies in the extent to which it is<br />
carried in any sentence or clausfe, and in the number of sentences or<br />
1 In dealing with this part of my subject I have made full use of Mr. Child's<br />
essay, adopting his arrangement with some modifications, and also some of his<br />
examples.
<strong>THE</strong> STYLE: ANTI<strong>THE</strong>SIS 121<br />
clauses through which it is kept up—sometimes there are two,<br />
sometimes three or more, sometimes several pairs. Sense may be<br />
parallel or antithetic: generally a sentence or clause composed of<br />
two members of antithetic sense will be paralleled by a second,<br />
perhaps also a third sentence or clause composed of two members of<br />
similarly antithetic sense.<br />
At the risk of tediousness I give four examples:<br />
Page 189 'Alas, Euphues, by how much the more I loue the highe<br />
climbinge of thy capacitie, by so muche the more I feare thy fall. The<br />
fine christall is sooner crazed then the harde marble, the greenest Beeche<br />
burnetii faster then the dryest Oke, the fairest silke is soonest soyled, and<br />
the sweetest wine tourneth to the sharpest vineger, the pestilence doth<br />
most ryfest infect the cleerest complection, and the Caterpiller cleaueth<br />
vnto the ripest fruite, the most delicate wyt is allured with small enticement<br />
vnto vice, and moste subiecte to yelde vnto vanitie, if therefore thou<br />
doe but harken to the Syrens, thou wilte bee enamoured, if thou haunte<br />
their houses and places, thou shalt be enchaunted.'<br />
P. 222 ' Though thou haue eaten the seedes of Rockatte which breede<br />
incontinencie, yet haue I chewed the leafe Cresse which mainteineth<br />
modestie. Though thou beare in thy bosome the hearbe Araxa most<br />
noisome to virginitie, yet haue I y e stone y t groweth in the mounte<br />
Tmolus, the vpholder of chastitie.'<br />
Vol. ii. p. 52 ' To loue and to lyue well is wished of many, but incident<br />
to fewe. To Hue and to loue well is incident to fewe, but indifferent to all.<br />
To loue without reason is an argument of lust, to lyue without loue,<br />
a token of folly. The measure of loue is to haue no meane, the end to be<br />
euerlasting.'<br />
P. 85 ' Ah thrice vnfortunate is he that is once faithful, and better it<br />
is to be a mercilesse souldiour, then a true louer: the one liueth by an<br />
others death, y 6 other dyeth by his owne life.'<br />
1 The perpetual strain after antithesis often leads Lyly into difficulties.<br />
Sometimes it is transparently artificial, unsupported by any opposition I<br />
of sense: e.g.<br />
P. 189 'Heere, yea, heere, Euphues, maiste thou see not the carued<br />
visarde of a lewde woman, but the incarnate visage of a lasciuious wanton.'<br />
P. 193 1.3 ' you testie without cause, we hastie for no quarrel '—where<br />
the antithesis of sense, hitherto maintained, quite fails.<br />
P. 194 L 26 'your reasons ... be shadowes without substaunce, and<br />
weake without force.'<br />
P. 205 11. 25-7 ' Weenest thou that he will haue no mistrust of thy<br />
faithfulness. when he hath had tryall of thy fycklenesse ? Will he haue<br />
no doubt of thyne honour, when thou thy selfe callest thyne honestie in<br />
question ?' (but cf. pp. 20011.3-4, 255 1.35).
122 INTRODUCTORY ESSAY<br />
P. 239 1. 18 'deeme him vnworthy to enioye that which earst you<br />
accompted no wight worthy to embrace.'<br />
5 Sometimes it is pursued with positive injury to the sense, or to<br />
language: e.g.)<br />
P. 322 1.22' I would haue him (Philautus) ende as Lucilla began without<br />
vyce, and not beginne as she ended without honestie'—here ' beginne ' is<br />
inconsistent with the previous facts, which represent Philautus as ' beginning<br />
' at least as early as Lucilla.<br />
Vol. ii. p. 181.10 'Thou hast caryed to thy graue more graye haires then<br />
yeares, and yet more yeares then vertues '—this favourite form with Lyly<br />
is here quite inappropriate to the words with which it is used: both<br />
complaints, taken literally, are unreasonable.<br />
P. 86 1. 5 ' Thou a woman, y e last thing God made, & therefore y e best.<br />
I a man yt could not liue without thee,& therefore y 6 worst '—a complete<br />
non sequitur.<br />
P. 102 11.12-27 The elaborate parallel of the ivory Vulcan and jet Venus<br />
is very forced in its application.<br />
Vol. i. p. 246 1.28 ' if the wasting of our money might not dehort vs, yet<br />
the wounding of our mindes should deterre vs'—the inkhorn 'dehort'<br />
(rare but classical Latin) is pressed into the service to match ' deterre.'<br />
Vol.ii. p. 19 I.4 'among the Aegyptians... a beast full of spots, so amongst<br />
vs .. . a purse full of golde'—' a beast full of spots ' is an odd locution.<br />
(ii)\. Rhetorical questions abound through the book.) The following<br />
is an example of them and of the opposing arguments with ' Ay,<br />
but.'<br />
P. 205 11.15-22 'And canst thou, Lucilla, be so light of loue in forsaking<br />
Philautus to flye to Euphues ? canst thou prefer a straunger before<br />
thy countryman ? A starter before thy companion ? Why, Euphues doth<br />
perhappes desyre my loue, but Philautus hath deserued it. Why,<br />
Euphues feature is worthy as good as I, but Philautus his fayth is worthy<br />
a better. I, but the latter loue is moste feruent. I, but the firste ought to<br />
be most faythfull. I, but Euphues hath greater perfection. I, but Philautus<br />
hath deeper affection.' Cf. the soliloquies of Philautus, pp. 232-3, vol. ii.<br />
85-90, and that of Camilla, p. 183, &c.<br />
(\\\)lRepetition\needs no illustration other than the passages already<br />
given. I Sense and form are perpetually repeated, and sentiments<br />
driven home by reiterated if varied assertion, or by a string of illustrations]<br />
Repetition extends even to the subject-matter: severally, or<br />
compared, the two Parts exhibit a considerable amount of parallelism<br />
(see below, p. 162). To this repetition is chiefly due the tedium the<br />
reader can hardly avoid feeling.
<strong>THE</strong> STYLE: ALLITERATION 123<br />
(b) Assistant to these general means for giving emphasis are (b) Alliier.<br />
detailed means, consisting of various forms of Sound-likeness; which word. ation may<br />
may be divided into (i) likeness of letter, or Alliteration, (ii) Partial likeness.<br />
or complete likeness of word or syllable.l<br />
(i) Alliteration:<br />
1. Simple, where the same letter or sound is used as the initial of<br />
several words in succession or near neighbourhood, and sometimes<br />
as the initial of an interior syllable in such word:<br />
e.g. P. 2411.21 ' least trusting their outwarde talke, he be betraied with<br />
their inwarde trechery.' P. 269 1.23 furious in their attyre, costly in their<br />
dyet, carelesse in their behauiour.' Vol. ii. p. 48 1.21 ' yet doth he vse me<br />
as the weane to woue the watter, and as the wan to wake his wyrrour.'<br />
Often in one passage two or three letters are taken up in succession.<br />
P. 202 ' that in paynted pottes is hidden the deadlyest /oyson ? that in<br />
the .greenest grasse is the greatest Serpent ?' P. 204 11. 22-6 ' When<br />
they see the folly ... lyues,' &c. P. 208 ' ordayned for euery waladye<br />
a wedicine, for euery .yore a jalue, for euery/ayne a plaister, /euing on/y<br />
/oue remedi/esse.' P. 229 top ' So canne there be no contract ... no<br />
watch was went.'<br />
2. Transverse or alternate, where two, three, or four letters are<br />
used in corresponding clauses:<br />
e.g. P. 2521.17 ' to straight a dyet for thy strain'mge dzsease,' P. 2511.19<br />
'so weaken the jences, and bewitch the joule.' P. 233 'Although hetherto,<br />
Euphues, I haue brined thee in my heart for a /mstie triende, I will<br />
shunne thee hereafter as a trothles foe' (Landmann's Euphues, Intr.<br />
p. xvi). Vol. ii. p. 36 1. 33 ' let my mde birth excuse my bolde request.'<br />
P. 89 1. 1 ' thy sacred Senate of three hundred graue Counsellors, to a<br />
shamelesse Sinod of three thousand greedy craterpillers.'<br />
Both kinds, simple and transverse, are used either simply for<br />
ornament or euphony, or to accentuate parallelism or antithesis.<br />
The simple kind is naturally the most spontaneous; the transverse,<br />
far more rarely used, is generally conscious and deliberate, as seems<br />
clear from the fact that in several cases where it does occur it is used<br />
several times in succession 1 .<br />
As with Antithesis, so the pursuit of Alliteration leads him sometimes<br />
to use an ungainly or inappropriate word: e.g.<br />
1 Mr. Child, whom I am following closely here, notes that on p. 64 Arb.<br />
there are three cases in 6 lines, on p. 65 three, p. 67 three, p. 106 nine, pp. 204-5<br />
eight {John Lyly and Euphuism, p. 61).
124 INTRODUCTORY ESSAY<br />
P. 188 1. 34 ' that whiche I cannot wythoute Mishinge beholde, nor<br />
wythoute blubbering vtter.'<br />
P. 2101.7 'Who so is blinded with thecaule (=net) of beautie, decerneth<br />
no foulour of honestie'—here the desire of alliterating with ' coulour'<br />
betrays him into a mixed metaphor.<br />
P. 218 1.18 'I can neither quench them wyth the water of free will,<br />
neither cooXe them wyth w/sedome'—'free will' as an extinguisher is<br />
singularly infelicitous.<br />
P. 3141.32 ' custoxne will make it [i. e. the most quiet place] thy country,<br />
and an honest life will cause it a pleasaunte liuinge'—this awkward use of<br />
' cause' is perhaps rather to secure verbal change than alliteration.<br />
Vol. ii. p. 41 1. 27 ' old men which should be at their beads, be too busi.e<br />
with the court, & young men which should follow their bookes,' &c.—<br />
' beads' is sad from so fervent a Protestant.<br />
(ii) Syllabic or word-likeness :<br />
1. Complete: (1) of syllables, i.e. Consonance, where both vowel<br />
and consonant sounds are similar :<br />
e.g. P. 205 1.21'perfection...defection.' P. 2131.28 'enforcedperforce. 1<br />
P. 251 1.18 ' immoderate sleepe ... immodest play.'<br />
(2) Of words, i.e. Repetition, which reads at first like carelessness,<br />
but occurs too often to be-other than intentional—<br />
e. g. Vol. ii. p. 27 1. 27 ' a warning to make you wise, not a warning to<br />
proue others vnfortunate'; ib. 1. 33 ' to rest at their own home till they<br />
come to their long home,' P. 41 11. 25-9' Kings or Princes... in y e affaires<br />
of princes P. 185 1. 24 'so sweete a violet to his nose, that he could<br />
hardly suffer it to be an houre from his nose.'<br />
It is noticeable in regard to this habit of Repetition that in the<br />
editions of 1595 ? and 1597 (E 1 E 2 for Parti, E for Part II) it is carried<br />
still further, a repetition of a word used in the preceding clause being<br />
substituted for an antithetic or parallel word found in earlier editions :<br />
e.g. P. 2431.8 'neither the nature of a child nor the nurture (nature E) of<br />
a mayden.' VoL ii. p. 209 11. 6-7 ' As this noble Prince is endued with<br />
mercie, pacience and moderation, so is she adourned (indued E) with<br />
singuler beautie,' &c.<br />
Other instances are vol. ii. pp. 105 1.14,142 1. 29, 210 1.4, &c. As<br />
I trace Lyly's revising hand in this edition of either Part, I fancy this<br />
reaction from overmuch variety is due to himself. To our ears, however,<br />
the change of the word, when not forced, is just the strongest and<br />
soundest.feature of his style, and the last he should have dropped.<br />
2. Partial: (1) Assonance, or like vowel-sound only:<br />
e.g. P. 206 1. 19 'by so much the, lesse I am to be condemned, by how
VARIETIES OF WORD-LIKBNESS<br />
much the more Euphues is to be commended.' Vol. ii. p. 5 1.29 ' there to<br />
lap vp that he doth cast vp.'<br />
(2) Annomination, or like consonant-sound only:<br />
e.g. P. 190 I.16 'sophistrye . . . superioritie.' P. 186 1. 28 'Nurture<br />
.. . Nature' (also on pp. 191,192, 243). P. 235 1.10 'to see thee as hopelesse<br />
as my selfe is haplesse! P. 250 1.29 ' hot liuer .. . heedlesse louer'<br />
(also pp. 3211.22, vol. ii. 561.24). Pp. 1991. 22, vol. ii. 41. 35 ' continuance<br />
. . . countenaunce.' P. 321 1. 7 ' commaundement . . . amendement.'<br />
(3) Rhyme:<br />
P. 214 1. 6 'forged gloase .. . friendly cloase.' P. 241 1. 23 'I will to<br />
Athens ther to tosse my bookes, no more in Naples to lyue with faire<br />
lookes.' Vol. ii. p. 107 1. 5 ' wounded with grief... sounded with weakenesse,'<br />
and many others.<br />
(4) Puns and play on words:<br />
e.g. P. 190 'Stoickes .. . stocks.' P. 213 'yet would I willingly take<br />
euery minute x mates (at chess) to enioy Liuia for my louing mate.'<br />
P. 225 1. 35 ' mannors ... manners' (also pp. 267 1. 32, 317 1.12). P. 316<br />
1.26 ' want of learning .. . wanton lyuinge,' cf. vol. ii. p. 62 1. 32 ' I should<br />
hardly chuse a wanton : for ... if alwayes she want one when she hath<br />
me, I had as liefe she should want me too.' P. 325 1. 27 ' as wel Helen<br />
a light huswife in earth, as Castor a light Starre in Heauen.' Vol. ii,<br />
p. 155 1. 23 ' birds are trayned with a sweet call, but caught with a broad<br />
nette' (pun on 'caule' — net); p. 161 1. 12 'a Violette is better then<br />
a Rose, and so shee arose.'<br />
Among his most ingenious uses of word-play is the way in which,<br />
having used a word in one sense in the first member of a clause, he<br />
makes it do duty without verbal change in another sense, or as<br />
another part of speech, or with a different construction, in the second<br />
member:<br />
e.g. P. 217 ' I feare mee I am lyke to infect women with pride, whiche<br />
yet they haue not, and men with spyte, whyche yet I woulde not.' P. 219<br />
1. 35 'that he shoulde neyther take holde of hir promise, neyther unkindnesse<br />
of hir precisenesse.' P. 247 'as well the Rose to distill, as the<br />
Nettle to sting.' .P. 275 1. 15 ' the one careth not howe lyttle paine hee<br />
taketh for his moneye, the other howe little learning' ('taketh'= (1)<br />
spends, (2) acquires). P. 314 1. 17 ' out of farre countreys to Hue as well<br />
as in thine owne' ('out of in sense of getting a living out of). P.318<br />
1. 17 'thou arte borne not to lyue after thine owne luste, but to learne to<br />
dye, whereby thou mayste lyue after thy death.' Vol. ii. p. 101 1. 37<br />
'enuied for virtue and belyed for malice'; p. 150 1. 21 'thee who<br />
alwayes modest them (i. e. women) no worse then sancts in heauen, and
Euphues.<br />
E. andhis<br />
Eng.<br />
Logical<br />
connexion,<br />
Syntax.<br />
126 INTRODUCTORY ESSAY<br />
shrines in no worse place then thy heart ' ('them,' used as direct object<br />
in the first member, is understood as indirect object in the second).<br />
I will close this notice of Lyly's structural devices by reproducing<br />
Mr. Child's instructive table:<br />
Simple Allitn.<br />
Ornam 1 Transverse<br />
. Balance. Allit<br />
935 668<br />
1196 795<br />
n No. of<br />
.<br />
Consonance. Annominn, Rcpetitn. Rime. {Arber's)<br />
Pages.<br />
241 114 44 24 20 117<br />
112 48 24 38 9 268<br />
The vast excess of simple over transverse alliteration is obvious;<br />
and also, remembering that the Second Part is nearly twice the<br />
length of the first, the decrease in the use of these devices.<br />
On the larger structure of Lyly's periods Mr. Child (pp. 43-8)<br />
has some very just remarks, noting that i Lyly aims rather at an<br />
ostentatious symmetry of form than at logical continuity of thought.<br />
It is, indeed, in the detailed, rather than the general, presentment of<br />
thought that he achieves precision. ' Each thought with its suggestions<br />
is so long dwelt upon, and the similes, metaphors and illustrations<br />
which accompany it are so varied, and attract so much attention in<br />
themselves, that except one read with close attention, the effect is that<br />
of a rambling and disconnected discourse 1 .' Mr. Child (pp. 46-8)<br />
analyses the long speech of Eubulus (pp. 187-90) and shows it to be<br />
more logical and continuous than one would at first suppose. That<br />
Lyly did not neglect logic is clear, as well from his abundant use of<br />
terms like 'argument,' 'reasons,' 'prove,' 'infer,' &c, as from the<br />
systematic correspondence he sometimes observes between a written<br />
or oral reply and the letter or speech which it answers, e. g. Luciila<br />
and Euphues, pp. 239-40, Philautus and Camilla, vol. ii. pp. 104-6,<br />
Philautus and Euphues, pp. 143-6, &c. Nevertheless he is occasionally<br />
careless in this respect, and careless, too, in the matter<br />
of syntax. The omission of the pronoun as subject, as on p. 186,<br />
(mid.) 'Hauinge therefore gotten opportunitie . . . (he) encountred<br />
him,' &c, is a common Elizabethan idiom, under which we must<br />
class three cases of similar omission in the nominative absolute :<br />
P. 191 1. 24 ' (I) hauing shewed sufficient.' Vol. ii. p. 45 1. 16 ' and<br />
(he) ouerthrowne.' P. 194 1. 12 'In their meales there is great silence<br />
and grauitie, (they) vsing wine rather to ... than to,' &c.<br />
Common, too, is the omission of the verb 'to be,' as on p. 317<br />
1.9 ' nor (art) thou a gentleman' &c. (cf. vol. ii. pp. 411.34,1751.36);<br />
1 John Lyly and Euphuism, p. 47.
LOOSE SYNTAX 127<br />
and the substitution of a finite verb for a participle in a participial<br />
clause may pass under the same head :<br />
e. g. P. 303 1.4 ' Themistocles which hauing offended Philip y e king<br />
of Macedonia, & could no way apease his anger [for ' being in no way<br />
able to appease '], meeting his young sonne tooke him in his armes,' &c.<br />
Vol. ii. p. 33 1. 19 'those that hauing y e greene sicknes & are brought<br />
[for' being brought'] to deaths dore, follow their own humour,' &c.<br />
Far less excusable are—his loose use of the relative :<br />
e.g.Vol.ii. p. 28 1.2 'with that knife yt (= wherewith) another hath cut his<br />
finger.' P. 61 1. 34 'as the Trogloditae which (superfluous) digged in the<br />
filthy ground for rootes, and found the inestimable stone Topason, which<br />
inriched them euer after: so he that seeketh after my daughter ... shall<br />
finde.' &c. P, 96 1. 5 'which varietie of chaunging, being oftentimes<br />
noted of a graue Gentleman in Naples, who hauing bought a Hat of the<br />
newest fashion & best block in all Italy, and wearing it but one daye, it<br />
was tolde him y t was stale, he hung it vp in his studie,' &c. P. 109 1. 13<br />
' Psellus, of whome in Italy I haue hearde (that) in such cases (he) canne<br />
doe much,' &c. P. 137 1. 30 ' Camilla . .. went to hir Italian booke where<br />
shee founde the letter oiPhilautus, who (i.e. Camilla) without any further<br />
aduise . .. sent him thim bone to gnawe vppon.'P. 1601.16' inuited them<br />
both that night to supper, which they with humble thankes giuen<br />
promised to doe so ' &c.<br />
his hasty mingling of two forms :<br />
e. g. P. 223 1. 23 ' no meruaile it is that if the fierce Bull be tamed<br />
with the Figge tree, if that women beeing as weake as sheepe, be ouercome<br />
with a Figge,' &c. Vol. ii. p. 192 1. 32 ' Visitations are holden . . .<br />
whereby abuses and disorders . . . there are punyshements' (either ' for'<br />
should be supplied before'abuses,'or he should have written 'are punished').<br />
Cf. p. 105 11.14-5 ' thinking it lawfully if one suffer you to treade awry, no<br />
shame to goe slipshad.'<br />
and occasional carelessnesses like these:<br />
Vol. ii. p. 42 1. 6 ' content your selues wt this, yt to be curious (= as<br />
for your curiosity) in things you should not enquire off, if you knew them,<br />
they appertein not vnto you'—but perhaps ' yt' is a misprint for ' not.'<br />
P. 203 11. 11-6 'Actiue they are .. . worthye of such Ladies, and none<br />
but they, and Ladies willing to haue such Lordes, and none but such,'<br />
P. 21011.14-5 ' Their fields (i. e. those of the English) haue beene sowne<br />
with come, straungers [have had] theirs pytched with Camps.'<br />
Ambiguity, too, rests on<br />
P. 2391.8 'it nothing toucheth me,' which is really constructed with what<br />
follows, but more naturally taken with what precedes ; and vol. ii. p. 1561.2
123 INTRODUCTORY ESSAY<br />
' (thou) art rewarded with nothing lesse then loue' i. e. with anything but<br />
love,' lesse' being adverb qualifying ' rewarded/ not adjective qualifying<br />
' thing.'<br />
I have quoted these instances of careless grammar because, amid<br />
the praise universally given to Lyly for precision, his fairly numerous<br />
slips in this direction have been overlooked. They are one of the<br />
penalties he paid for his preoccupation with the far more difficult<br />
matter of varied and ingenious phraseology.<br />
Vocabulary.—Finally, to round off this subject of Lyly's structural<br />
use of his instrument, we find|his English comparatively pure. Considering<br />
the large infusion of foreign terms, the free coinage of<br />
Latinisms, which the language was .undergoing at this period, Lyly<br />
deserves the praise of conservatism.] He has placed to his credit<br />
the acknowledgement that ' English men desire to heare finer speach<br />
then the language will allow,' p. 181 1.17 ; and while himself striving<br />
to gratify this taste for fineness, does so without debasing the currency.<br />
It is remarkable how few of his words have passed out of use, how<br />
much more modern his diction seems than that of most of his contemporaries.<br />
The explanation is, no doubt, .partly that suggested<br />
by Mr. Child 1. that works so famous as Euphues, Arcadia, and the<br />
Bible) exercise a very important influence on the destiny of the words<br />
which they contain. A very few Latinisms, not confined to him,<br />
have passed out of use:<br />
Pp. 236 1.22 ' arguest of = accusest of; 2461. 28 ' dehort' = dissuade;<br />
265 I.16 'argent' = money; 300 1. 30 ' abiect' = outcast; 303 1. 31,<br />
vol. ii. 25 1. 14, 35 1. 19 ' record' = remember. Vol. ii. 6 1. 32 ' table '=<br />
picture ; 19 1. 12 ' reduce' = bring back ; 31 1. 28, 661. 11,911. 26,162 1. 7<br />
'conferre' = compare; 39 1. 19 'preferring' = urging, pleading; 51 1. 3<br />
' contemplature' (also in Greene); 90 1. 8 ' resiluation' = resilience ; 94<br />
1. 5, 170 1. 31 ' sentence' = apophthegm, opinion ; 109 1. 28, 133 1. 15, 173<br />
1. 13 ' refell' = rebut; 147 1. 23 ' intention' = tightening .2<br />
A few words, Latin or other, are no longer used in the. sense in<br />
which he employed them :<br />
Pp. 1801.22' tollerable' = excusable ; 186' trayneth' intr. = ' is drawn'<br />
(no other instance quoted) ; 189 1.22 ' crazed'; 192 1.4 ' impe'; 196 l 3,<br />
321.2' occupied'; 2001.31' nippe'; 2021.13 ' rancke'; 204 1.25 (190 l. 23,<br />
321 I.26) 'peeuishnesse'; 204 1.35 'alteration' (in medical sense); 206<br />
1 John Lyly and Euphuism, p. 41.<br />
3 Of this literal sense no instance is quoted, nor any of just this absolute use of<br />
' preferring.' ' Reduce' is used by Shakespeare ; ' refell' bv him and Chapman.<br />
Of all the rest except' contemplature' examples are quoted before Euphues.
VOCABULARY 129<br />
1. 31' vnkynde'; (2491.7 ' kinde'); 225 1.12 'successe' = sequel; 2281.29<br />
' assuring' = affiancing; 241' tosse '; 2561. 23' dissolute ' (of attire) ; 262<br />
1.15 'soothe'; 325 1.10' tyre' = pull. Vol. ii. pp. 31.17 ' dissembling'; 15<br />
1. 5 ' fauour'; 28 1.12 ' bodkin'; 59 1.8 ' amiable' (of personal beauty); 57<br />
1. 34 (70 I.23, 119 1. 8) ' personage' = personal appearance; 228 1. 8 (cf.<br />
Sapho, i. 1. 41 and Pappe) ' yerke' or ' jerke' = strike smartly.<br />
A few phrases or constructions have become obsolete (see notes):<br />
Pp. 191 1.13 (209 1. 32, 321 1.7) ' haue no shew'; 193 1.11 ' eyther . . .<br />
eyther' = either ... or; 194 1.32 ' looke it' = look for it; 195 1. 2 ' good<br />
cheape'; 200 1.11 ' want gestures' ; 202 1.22'make course accomptof;<br />
1. 24 ' high in the insteppe'; 207 1. 29 (219 1. 22) ' til time '; 224 1. 31<br />
' chaunge your coppie'; 214 1. 25 (233 1.5) ' any ' = either (of two); 251<br />
1.24 ' at an ynche'; 253 1.13 ' water thy plantes.' Vol. ii. pp. 7 1.11 ' olde<br />
Helena'; 21 1.14 ' beare a white mouth'; 35 1.12 ' shake his ears '; 55 1.6<br />
(172 1.24) ' speak in your cast'; 58 1.2 ' sleepe compasse 3 (96 1.11 ' lyued<br />
compasse'); 92 1.26 'in a string'; no 1.2 ' seeke to you'; 194 1.34<br />
' striketh the stroke.'<br />
As also have the following words (see noites):<br />
Pp. 180 ' Fletcher'; 184 1. 30 (vol. ii. p. 34 l. 3) ' teenest'; 187 1. 13<br />
'cockering'; 1. 30 ' knottes'; 190 1. 28 ' carterly'; 191 1.12 ' haggardnes ';<br />
192 1. 22 (194, 250)'youthly'; 194 1.7 '.quatted'; 1.9 ' huddles '; 195 1.19<br />
'geason'; 196 (vol. ii.p. 23 1.21) 'cammock'; 1. 24 'pantuffles' or 'pantables';<br />
197 1.25 'pheere'; 201 1.17 (vol. ii. pp. 44 I.3, 103 1.12) •' lyste'<br />
(subst.); 203 I.23 ' ouerthwartnesse' (cf. ' overthwarthes,' Life, p. 65);<br />
205 1.17 ' starter'; 208 1.2 (278 1.22, 280 1.1)' cockmate'; 2091.5 (246 1.9,<br />
309 1.20)' ouerlashing'; 210 1.7 ' caule'; 212 1.11 ' tainted' = ten-ted, kept<br />
open; 1.16 ' cullis'; 213 1.36 ' recured'; 217 1.23 ' round' = wfcisper;<br />
218 1.31 ' sterue' = die; 219 1.6 (220) ' sleekestone'; 224 1.3 ' owches';<br />
226 1. 20 ' stale' = pretence ; 232 1. 4 ' flange' = flung ; 237 'glyeke,'<br />
' frumpe'; 239 1. 20 ' make' = mate ; 1. 22 ' powlt foot'; 249 1. 15<br />
' pinglers'; 253 11.14-17 ' pigsnie,'' mammering,'' sleeueless' ;= bootless;<br />
2 54 1. 34 ' slibber'; 255 1.7 ' shadows,' ' leefekyes'; 256 1. 33 ' manchet';<br />
289 1. 21 'manuary' (adj.); 307 1. 5 ' aslake '; 307 1. 30 ' brawnefallen ';<br />
309 1.12 'skinneth' (intr., no other instance quoted); 310 1.24 ' melten'<br />
(no other inst.); 317 1. 5 (322 1.9,325 l• 13) ' blast ' = Wasted bud (no other<br />
inst.). Vol. ii. pp. 5 1-4, 139 1-9 ' cullyng'; 5 1.33 ' water-bough'; 91.24<br />
(i. 224 1. 4) ' caddis'; 16 1.1 ' tedding'; 17 1. 29 ' renting' = rending ;<br />
20 I.7 'grisping' (subst); 22 1.34 'affects'; 28 1. 25 'rase'; 31 1.20<br />
' seldome' (adj.); 311. 36 ' sised,'' nethermore'; 34 1.4' ymping'; 45 1.35<br />
' sequel' = subordinate; 501.31'lythernesse'; 53 1.12' striued'; 591.18<br />
' mych' = skulk, loiter; 601.15,135 1.25 ' claw'; 62 1.15 ' whist' (ptcp.);<br />
68 11. 8, 25 ' partlet,' ' manne' escort; 82 1.13 ' glorious'= boastful;<br />
94 1.24 ' force not' = care not for; 114 1.14 ' mockage'; 129 1.23 ' re-<br />
BOND I K
II. ORNA<br />
MENTAL<br />
DEVICES.<br />
I. Historicalallusion.<br />
130 INTRODUCTORY ESSAY<br />
storitie' (perhaps a misprint); 41 I.23 (139 1.18) 'malyce' (verb); 170<br />
I.22 'heedle'; 1741.13 'sew' = drain off; 212 1.18 'tickle' (adj.).<br />
But for the most part the language of Lyly is that we use to-day.<br />
The consonantal effects of English words assisted his alliterative<br />
purpose better than those of Latin; and this, united with his love<br />
and respect for his own tongue to make him set his face against the<br />
Italianizing of the language, the 'darke wordes' and 'inkhorne<br />
termes,' of which Ascham and Wilson had complained some thirty<br />
years before 1. In the words of Professor Ward 2 , ' he had too sound<br />
and too sincere a literary sense to Hispaniolise, Italianate, or Gallicise<br />
his English, either in vocabulary or syntax.'<br />
II. The second class of characteristics of Euphuism [those means<br />
of ornament and illustration which occupy a midway position between<br />
the matter and the manner of thought and have their sphere in<br />
both, may be divided into<br />
I[ Anecdotes of and allusions to historical personages, especially the<br />
Greek and Graeco-Roman painters :\<br />
(a)[Authenticy derived from Plutarch, Pliny and other sources, e. g.<br />
p. 186 Romulus; p. 250 Agesilaus; p. 276 1.2 Chrysipptls and Melissa;<br />
p. 314 1.36 Zeno losing his wealth; p. 285 1.2 Apelles; pp. 296, 298<br />
Antiochus Epiphanes burning the copies of the Law. Vol. ii. p. 22 1.24<br />
Timanthes; p. 135 1.31 Protogenes; p. 159 1.14 Phrigius and Pieria.<br />
Here should be noted two historical inaccuracies, p. 303 l.4 Themistocles<br />
is made contemporary with Philip of Macedon, vol. ii. p. 13 1.28 Demosthenes,<br />
the orator, with Lais. In Eupkues, however, Lyly is very rarely<br />
guilty of anachronism (Athens and the Emperor of course are such,<br />
cf. below, pp. 155-6), whatever his offences in the plays. There is nothing<br />
at all comparable to Pettie's putting into the mouth of the classical<br />
Camma (in his first tale) allusions to the Countess of Salisbury and the<br />
Duchess of Savoy, anachronisms which he unblushingly avows in his<br />
prefatpry letter to ' R. B.'<br />
(b)[ Invented]wholly or in part : sometimes the personages seem wholly<br />
fictitious, e.g. p. 256 Asiarchus and Biarus; p. 257 1.34 Theocrita; vol. ii.<br />
pp. 102 I.37 Titus, Gysippus and Sempronia; ib. 1.12 the stranger before<br />
the two statues, and the poets Daretus, p. 94 1.11, and Mizaldus, p. 221<br />
1.21. Sometimes an imaginary story is told about a real personage,<br />
after the model of doings or sayings of theirs which are authenticated,<br />
e.g. pp. 179, vol. ii. 204 Parrhasius; pp. 179, vol. ii. 42 Apelles; vol. ii. p. 3<br />
Phidias; p. 51.18 Accius; 23 1.7 Roscius dumb with Cato (=Lyly dining<br />
1 Ascham's Toxophilus (1545), p. 18, ed. 1868; Wilson's Art ofRetorique (1553).<br />
2 English Dramatic literature (2nd cd. 1899), i. 277.
HISTORY, MYTH, NATURAL HISTORY 131<br />
with Lord Burleigh?); p. 39 I.4 Caesar; p. 601.9 Aristippus and Lais;<br />
sometimes Lyly embroiders a real story with imaginary details, e.g. p. 262<br />
1. 11 Diophantus; vol. ii. p. 77 1.25 Praxiteles and his statue of Flora.<br />
Lyly's habit of heaping up illustrations sometimes leads him to add to<br />
one authentic instance one or two imaginary ones, e.g. p. 184 Helen's<br />
scar, which looks authentic, though I cannot find it, suggests 'Aristippus<br />
his wart, Lycurgus his wenne,' for which I believe there is no authority<br />
at all; p. 188 the instance about the Lacedaemonians, which is from<br />
Plutarch's Life of Lycurgus, c. 28, leads us on to purely imaginary<br />
customs of the Persians and the Parthians; and vol. ii. p. 94 1. 9 the real<br />
poet Choerilus is followed by the imaginary Daretus.<br />
2.[Allusions to classical mythology,]draLwn from Ovid, Virgil, Hygi- 2. Mythonus,&c,<br />
and sometimes simply stolen from Pettie, or else invented : logical<br />
e.g. p. 189 Syrtes and Symplegades; p. 231 Myrrha, Byblis and<br />
Phoedra; p. 235 contest for the arms between Ajax and Ulysses; p. 243<br />
daughters of Danaus; vol. ii. p. 97 1. 4 Achilles' shield tossed to the tomb<br />
of Ajax; p. 142 1. 32 Cerberus and Orpheus; p. 150 1.13 Mercury and<br />
Vesta (invented).<br />
As in the case of the similes these allusions are sometimes introduced<br />
for mere display or simply from habit, and do not really illustrate the<br />
point in hand, e. g. vol. ii. p. 37 1.2 Thersites, Damocles, &c, where the<br />
point to be proved is that noble behaviour is a sign of noble birth, not<br />
that ignoble behaviour negatives such an idea; p. 86 1.35 'When thy<br />
disease is so daungerous ... when neither Ariadne's thrid, nor Sibillas<br />
bough, nor Medeas seede, may remedy thy griefe'; p. 159 1.16 Pigmalion<br />
affords no parallel at all. Philautus, however, points this out on the<br />
following page.<br />
3. [The introduction of recondite knowledge of all kinds]e.g. of ,3. Natural<br />
medicine (vol. ii. pp. 94 1. 34, 100 1. 2, 101 1. 3, and everywhere), histstor&c.<br />
of magic (pp. 115-8), his incorporation of part of the descriptions of<br />
Britain by Caesar (pp. 31-2) and Harrison (pp. 191-6), and above all<br />
the famous similes from natural history, mostly drawn from Pliny, but<br />
a few from other sources, while some are manifest inventions of his<br />
own 1, and others seem to be reported from his personal observation<br />
or from popular belief. A taste for knowledge of this kind had been<br />
diffused in earlier days by the Bestiaries, which afforded example of<br />
the application of physical facts to moral and religious relations;<br />
in a later by the Physiologi, which were read as text-books in the<br />
schools 2 , by Bartholomaeus de Glanvilla's De Proprietatibus Rerum,<br />
1 Gabriel Harvey says: ' I could name the party, that in comparison of his own<br />
indentions, termed Plmy a barren wombe,' Advertisement to Papp-hatchett<br />
(Grosart's Harvey's Works, ii. 126).<br />
2 Courthope's History of English poetry, ii. 198,<br />
K2
132 INTRODUCTORY ESSAY<br />
translated by Trevisa in 1397, and beautifully printed by Berthelet<br />
in 1535, and by illustrated works like the Ortus Sanitatis1, compiled<br />
chiefly from the German of J. von Cube—like Conrad Gesner's<br />
Historia Animaliutn*, which Topsell followed in his Historie of<br />
Foure-footed Beastes, 1607—like Edward Fenton's Certaine secrete<br />
Wonders of Nature, 1569, 4 0 , or like The boke of secretes of Albartus<br />
Magnus, of the vertues of Herbes, stones and certaine beastes, &c,<br />
printed in black letter, 8vo, by William Copland, perhaps in 1560.<br />
Lyly went straight to the prime source for all this true and fabulous<br />
matter, namely the Natural History of Pliny, of which no English<br />
translation existed before that of Philemon Holland, in two folio<br />
volumes, London, 1601.<br />
Examples of his similes are—<br />
From Pliny, &c.<br />
P. 191 'the stone Abeston' (perhaps rather from Bartholomaeus<br />
Anglicus)<br />
205 ' Eagles wing wasting the fethers,' &c.<br />
232 'the fish Scolopidus ' (Pseudo-plutarchea—De Fluviis, vi)<br />
247 ' the hearb Nerius'<br />
249 great things done by rabbits, moles, frogs and flies (perhaps<br />
from Geoffrey Fenton)<br />
250 'Hiena' (perhaps from Bartholomaeus Anglicus)<br />
282 ' Panther' (perhaps from Bartholomaeus Anglicus)<br />
vol. ii. 138 1.19 Dragons feeding on elephant's blood<br />
144 1.11 Crocodile and Trochilus<br />
181 1.19 'riuer Gallus '<br />
invented<br />
P. 204 ' stone of Sicilia' (' Sciiitia,' Pettie)<br />
222 ' hearbe Araxa' and' stone in Mt. Tmolus,' enemy and protector<br />
of chastity respectively<br />
vol. ii. 85 1.16 'riuer in Arabia which turneth golde to drosse&dust to siluer.'<br />
personally observed<br />
P. 208 the dog eating grass to make him vomit<br />
vol. ii. 147 1.19 wine poured into fir vessels poisonous<br />
1571.24 dog spoiling his scent by nosing carrion<br />
popular superstition<br />
vol. ii. 52 1.28 wearing the eye of a weasel in a ring (not a simile).<br />
Those actually traceable to Pliny are, however, by far the most numerous,<br />
as my notes will show.<br />
It was these similes, their number and strangeness, that chiefly<br />
1<br />
The British Museum contains a fol. ed. publ. Strasburg [1490?], and another<br />
dated 1491.<br />
' 1st ed. in 5 vols. fol. richly illustrated, Zftrich, 1551, and ed. Frankfort, 1620.
<strong>THE</strong> SIMILES 133<br />
attracted contemporary attention; and soon called forth cavil, of<br />
which I quote some leading instances below 1: but it is hardly correct<br />
to assert, as Professor Ward does, that Lyly ' takes no trouble to<br />
assimilate his facts or fancies to the circumstances under which he<br />
applies them.' This is true only of a minority, e. g.<br />
1 Sidney, Apologie for Poetrie (writt. 1581-5, publ. 1595): 'So is that honnyflowing<br />
Matron Eloquence, apparelled, or rather disguised, in a Curtizan-like<br />
painted affectation. ... I would this fault were only peculier to Versefiers, and<br />
had not as large possession among Prose-printers. . .,. For nowe they cast Sugar<br />
and Spice vpon euery dish that is serued to the table; Like those Indians, not<br />
content to weare eare-rings at the fit and natnrall place of the eares, but they<br />
will thrust Iewels through their nose and lippes, because they will be sure to be<br />
fine. . . . Now for similitudes, in certaine printed discourses, I thinke all Herbarists,<br />
all stories of Beasts, Foules, and Fishes, are rifled vp, that they come in multitudes,<br />
to waite vpon any of our conceits; which certainly is as absurd a surfet to the eares,<br />
as is possible : for the force of a similitude, not being to prooue anything to a<br />
contrary Disputer, but onely to explane to a willing hearer, when that is done,<br />
the rest is a most tedious pratling: rather ouer-swaying the memory from the<br />
purpose whereto they were applyed, then any whit informing the iudgement,<br />
already eyther satisfied, or by similitudes not to be satisfied' (pp. 68-9, ed. Arber).<br />
So in the third sonnet of Astrophel and Stella (published 1591 but written at<br />
various times in the preceding twelve years), he says he cannot—<br />
'with strange similes enrich each line<br />
Of herbs, or beasts, which Ind or Afnc hold.'<br />
Nash, Epistle prefixed to Greene's MeAaphon, 1589 : 'shaped in a new suite of<br />
similitudes, as if, like the eloquent apprentice of Plutarch, it were propped at seuen<br />
yeares end in double apparell' (p. 27, ed. Arber).<br />
Harvey, Advertisement for Papp-haicheit (dated 1589, publ. with Pierce's Super'<br />
erogation, 1593): ' I cannot stand nosing of candlesticks or Euphuing of similes alia<br />
Savoica : it might happily be done with a trice: but every man hath not the gift of<br />
Albeitus Magnus: rare birds are dainty, and they are queint creatures that are<br />
privileged to create new creatures. When I have a mint of precious stones, and<br />
strange fowls, beasts, and fishes, of mine own coining (I could name the party, that,<br />
in comparison of his own natural inventions, termed Pliny a barren womb), I may,<br />
peradventure, bless you with your own crosses, and pay you with the usury of y r<br />
own coin.' (Grosart's Harvey, ii. 126.)<br />
The author of The Returne from Parnassus v. 2 (circ. 1600): ' There is a<br />
beaste in India call'd a polecatt, that the further shee is from youe the less she<br />
stinks, and the further she is from you the less you smell her. This dry cuntrie<br />
is that polecatt,' &c. (p. 72, ed. Macray).<br />
Shakespeare's parody, reproducing the simile of the camomile, 1 Henry IV, ii. 4.<br />
438-61: ' Hany, I do not only marvel where thou spendest thy time, but also how<br />
thou art accompanied : for though the camomile, the more it is trodden on the<br />
faster it grows, yet youth, the more it is wasted the sooner it wears. ... If then<br />
thou be son to me, here lies the point; why, being son to me, art thou so pointed<br />
at ? Shall the blessed sun of heaven prove a micher and eat blackberries ? a question<br />
not to be asked. Shall the son of England prove a thief and take purses ? a<br />
question to be asked. There is a thing, Harry, which thou hast often heard of and<br />
it is known to many in our land by the name of pitch: this pitch, as ancient writers<br />
do report, doth defile; so doth the company thou keepest: for, Harry, now I do not<br />
speak to thee in drink but in tears, not in pleasure but in passion, not in words<br />
only, but in woes also' (see Dr. Schwan's comments quoted below, p. 150 note).<br />
Drayton: ' Of Poets and Poesie' among his Elegies, 1627, praises Sidney in that he<br />
'did first reduce<br />
Our tongue from Lillie's writing then in use;<br />
Talking of Stones, Stars, Plants, of Fishes, Flyes,<br />
Playing with words, and idle Similies.'
134<br />
INTRODUCTORY ESSAY<br />
P. 185 'Heere (i.e. in Naples) my youthe (whether for werinesse hee<br />
coulde not, or for wantonesse . . .) determined to make hys abode:<br />
whereby it is euidently seenp that the fleetest fishe swalloweth the delicatest<br />
bayte, that the highest soaring Hawke trayneth to the lure,' &c.; where<br />
the first about the fish is .quite beside the point; and the second, being an<br />
instance of discipline, is the reverse of apposite.<br />
Vol. ii. p. 183 1. 36 'For as the stone Draconites can by no meanes<br />
be polished -vnlesse the Lapidarie bume it, so the mind of Camilla can<br />
by no meanes be cured,,except Surius ease it'; where there seems no<br />
analogy at all between the burning of the stone and Surius' return of<br />
Camilla's affection, and only a very strained one between the stone<br />
receiving a polish and Camilla attaining ease of mind.<br />
But all the instances cited above, p. 132, are fairly applicable to<br />
the matter they illustrate, except perhaps that of the eagle's wing on<br />
p. 205 ; and evidence of Lyly's care in this respect may be found in<br />
his occasional change of the form by which they are introduced, substituting<br />
for 'as . . .' or 'like . . ..,' 'not unlike' or as in that of<br />
the dragons on vol. ii. p. 138 1. 18 'not farre differing from,' where<br />
he feels the simile to be rather strained. The real fault of the similes,<br />
whether'false or true, is that they are used in gross excess. The<br />
right criticism is that of Sidney, just quoted in the note, that similes<br />
do not prove, but only explain (and, it should be added, adorn);<br />
and that an accumulation of them merely .distracts the attention, and<br />
confuses the memory, without assisting the judgement.<br />
4. Proverbs. 4[jThe perpetual introduction of proverbs and pithy sayings, to<br />
whicn an antithetic, alliterative style peculiarly lends itself.] They<br />
are drawn from the ancient authors, from current collections such as<br />
the Adagia of Erasmus or John Hey wood's Proverbes and Epigrams,<br />
or from the popular speech of his day: e. g.<br />
P. 180 'The Shomaker must not go aboue his latchet' (='Ne sutor<br />
ultra crepidam,' Pliny, xxxv. 36).<br />
P. 185 ' witte ... better if ... deerer bought' (Sharman's reprint of<br />
Hey wood's Prov,erbes, p. 31).<br />
P. 251 ' as Seneca reporteth... as to much bending breaketh the bowe,<br />
so to much remission spoileth the minde.'<br />
Vol. ii. p. 83 1.7 ' Wine is the glasse of the mind' (Erasmus' Adagia,<br />
p. 368, ed. 1666).<br />
P. 811.13 'fishe and gestes in three dayes are stale' (see note).<br />
P. 1341.36 'a Prouerb in Italy, whS one seeth a woman striken in age<br />
to looke amiable ... she hath eaten a Snake.'<br />
P. 28 1.30 ' neither penny nor Pater noster'<br />
lb. 1. 35 ' comming home by weeping crosse,'
ITALIAN INFLUENCE 135<br />
The question how far Lyly was original in his Euphuism, will form Origin of<br />
our natural transition to the discussion of the sources from which he Euphuism<br />
drew matter for his romance.[ It has been repeatedly pointed out<br />
that the effort after elaboration of which Euphues represents the<br />
culminating point, is an outcome of the Renaissance; that all this<br />
attention to fineness, eloquence, and pomp of phrase is a general<br />
result of the revived study of the classics, and of the balanced<br />
oratorical prose, of Cicero and Seneca, in particular]-a reflection,<br />
in fact, of that preoccupation with style which marked the fifteenthcentury<br />
humanists in Italy. It has further been noted that the<br />
travel which took Englishmen of rank or affairs to Italy brought<br />
them into direct contact with Italian culture, and notably with<br />
the worship of Petrarch at Florence, on whose model the poetry<br />
of Wyatt and Surrey is chiefly founded, in its use of conceits, of<br />
alliteration, of the eternal subject of love, of the sonnet-form.<br />
Florence, and the Platonic Academy founded there by the Medici,<br />
exercised a potent influence on all the literature of the time, an<br />
influence which Mezieres traces in the title and some points of<br />
conduct of Euphues itself, e. g. in the supper at Lucilla's house 1.<br />
Italian custom is still more markedly present in the Second Part,<br />
where Lyly dedicates himself more unreservedly to the delineation<br />
of polite society, e. g. the house of Fidus' father, vol. ii. pp. 54-5, 58,<br />
63, the pomegranate, p. 125 1. 2, the copy of Petrarch, p. 129, the<br />
gar4en-|talk, pp. 133 sqq., and the long discussion at Lady Flavia's supper-party,<br />
pp. 162 sqq. These Italian fashions, which first appeared in<br />
literature in Boccaccio's Filocopo (written about 1339, ' Englished by<br />
H. G. 1567'), had obtained a wider circulation through Castiglione's<br />
Il Cortegiano (Venice, 1528; translated by Sir Thomas Hoby, 1561),<br />
and were of course copied extensively in the higher social life of<br />
England, as elsewhere 2 : and copied, too, was the fashion of ripe<br />
and dainty speech. Miss Aikin's Memoirs of the Court of Elizabeth<br />
(1823) gives several pronouncedly Euphuistic speeches made at the<br />
reception of the French Embassy in 1581, and calls attention to<br />
the antithetic style of Elizabeth's earfy letters 3 . .So that [both in his<br />
1 ' La, comme c'etait l'usage a Athenes, comme le fait Platon dans le Banquet,<br />
et comme on le faisait a l'academie platonicienne de Florence, on met sur le tapis<br />
une question d'amour ou de science.' Les Pridtcesseurs et Contemporains de<br />
Shakespeare, ch. iii. p. 60.<br />
2 Compare the picture of courtly custom Ben Jonson gives in Cynthia's Revels,<br />
1600.<br />
3 Child's John Lyly and Euphtfism, p. 14. On pp. 104-5 he qnotes, from the<br />
same source (Aikin, i. p. 101) a letter of Elizabeth to Edward VI, who had asked
136<br />
INTRODUCTORY ESSAY<br />
peculiar style, and in some points of his handling, Lyly possessed<br />
some model in the actual life of his day.] In style, however, it would<br />
be obviously impossible that the resemblance could be more than<br />
slight: no conversation, it is safe to say, could really be maintained<br />
in words demanding anything like the wit and forethought and precision<br />
that mark Lyly's euphuism; and for this we must look rather<br />
to literary models. Of these he had two in especial; in one of<br />
which he found partly an exemplar of style, but far more of treatment<br />
and subject-matter, in the other a complete model of style, which he<br />
follows with hardly any, if any, addition. The first is Sir Thomas<br />
North's The Diall of Princes, 1557; the second, George Pettie's<br />
Pallace of Pleasure, 1576.<br />
To repeat an oft-told tale, North's Diall is a translation, through<br />
the French, of the famous work of the Spanish historiographer,<br />
Antonio de Guevara, bishop of Guadix, the earliest authorized<br />
edition of which appears to be the handsome folio containing three<br />
books, published at Valladolid by Nicolas Tierri in 1529 ! . Guevara's<br />
for her picture, written in 1552, seven years before the first edition of North's Diall:<br />
e.g. ' My picture I mean: in which if the inward good mind toward your grace<br />
might as well be declared as the outward face and countenance shall be seen,<br />
I would not have tarried the commandment, but prevented it, nor have been the<br />
last to grant but the first to offer it. ... Of this also yet the p.oof could not be<br />
great, because the occasions have been so small; notwithstanding, as a dog hath<br />
a day, so may 1 perchance have time to declare it in deeds, which now I do write<br />
them but in words.'<br />
1 The title runs as follows: Libto del emperador Marco aurelio co relox de<br />
principes: auctor del qual es el obispo de Guadix: nueuamente reuisto por sti<br />
seffona—while the colophon gives the date, publisher and place of publication as<br />
follows: ' Acabose [finished] en la muy noble villa de valladolid: por maestre<br />
Nicolas tierri impresor de libros. A ocho dias d'Abril de mil &jquinientos & xxix<br />
Anlos.' (Brit. Mus. 8007. g.)<br />
The words 'nueuamente reuisto por su sernoria' imply a previous edition, which<br />
was probably unauthorized. A quarto copy of some such ed., also dated 1529, exists<br />
in the British Museum (521. e. 4), with lhe following title: Libro Aureo de Marco<br />
Aurelio: emperador: y elpquentissimo orador. Nueuamente impresso. The colophon<br />
runs: ' Fue impresso en la triunfante villa de Enueres por loannes Grapheus.<br />
Anio del Sefior de mill E quinientos E veynte E nueue. Acabose a diez dias del<br />
mes de Enero [January].' This Enueres copy differs from that of Valladolid (1)<br />
in omitting the elaborate Table of Contents which precedes the Prologue in the<br />
latter, (2) it has a brief ' Prologo' of only 2 J quarto leaves as opposed to the<br />
long ' Prologo general' of 13^ folio leaves of the Valladolid ed. (3) Whereas in<br />
the Valladolid ed., Bk. i. has 47 chapters, Bk. ii. has 40, Bk. iii. 57, and there an<br />
end, the Enueres ed. is not divided into books at all, but simply runs for 48 chaps,<br />
with headings different to those of the authorized ed., and then concludes with 19<br />
letters from Marcus Aurelius to various persons, a few of which are embodied in<br />
the text of the Third Book of the Valladolid ed., while the rest are added to the<br />
work only in a later edition.<br />
Brunet {Manuel de Libraire, vol. iii), quoted by Landmann in his Euphues,<br />
p. xvii, says : ' Ces deux editions de 1529 sont les plus anciennes que nous connais<br />
sions de cet ouvrage. Cependant, selon M. Haliam (Lit. of Europe, ed. Paris, iv.<br />
377) Tuition de Valladolid ne serait pas la premiere, car le Marco Aurelio aurait
GUEVARA AND NORTH 137<br />
work was translated into French by Rene Bertaut, successive editions<br />
of whose version appeared in 1531, 1534, 1537, 1538, 1542, &c.<br />
From the first of these Lord Berners, at the request of his nephew,<br />
Sir Francis Bryan, made the first English translation, entitled, The<br />
Golden boke of Marcus Aurelius. It was completed March 10, 1532,<br />
though not published before 1534, a year or more after Lord Berners'<br />
death. Mr. G. C. Macaulay, in his introduction to the Globe<br />
Froissart, p. xvii, says, ' At least twelve editions of this book [i. e.<br />
The Golden boke'] are recorded between 1534-60, and there can be<br />
no doubt that the credit of making Guevara known in England must<br />
be assigned to Lord Berners rather than to North.'<br />
But it is North's version from which Lyly borrows. It appeared<br />
in 1557, with the following title :—<br />
The Diall of Princes. Compiled by the reuerende father in God,<br />
Don Anthony of Gueuara, Bysshop of Guadix. Preacher and<br />
Cronicler to Charles the fyft Emperour of Rome, Englysshed oute of<br />
the Frenche, by Thomas North, seconde sonne of the Lorde North.<br />
Ryght necessary and pleasaunt, to all gentylmen and others whiche are<br />
louers of vertue. Anno 1557. F Imprinted at London by John<br />
Waylande. Cum priuilegio, ad imprimendum solum per septennium.<br />
Fol. (Brit. Mus. C. 54. f. 15).<br />
At the end of the Third Book are printed some letters of<br />
Marcus Aurelius (forming chaps. 58-73) with the following heading<br />
* Here followeth the letters (which were not in the Frenche Copye)<br />
conferred with the originall Spanishe copye,' some of which agree<br />
in title with some of those printed at the end of the unauthorized<br />
Spanish edition of 1529, though Guevara did not include them in<br />
the authorized edition of that date.<br />
The second edition of The Diall of Princes is the folio of Tottill<br />
and Marshe, 1568, the title of which announces as part of the<br />
contents an amplification also of a fourth booke annexed to the same,<br />
Entituled The fauored Courtier, neuer heretofore imprinted in our<br />
vulgar tongue, which Fourth Book, inserted immediately after Book iii.<br />
and before the Letters, is a translation of another work of Guevara,<br />
Libro Llamado Aviso de Privados y Doctrina de cortesanos l .<br />
d'abord paru, sans le consentement de 1'auteur, a Seville, et atissi en Portugal; ce<br />
qui aurait determine" Guevara a donner lui-meme, en 1529, une Edition fort augmented<br />
et contenant de plus le Relox de p.'<br />
1 Other works of Guevara translated into English were (1) the Libro Llamado<br />
Menosprecio del Cortey Alabama de AIdea, translated by Sir Francis Bryan, 1548,<br />
with title A Dispraise of the life of a Courtier and a commendacion of the life of<br />
the labouryng man. {Out of Castilian dtawen into Frenche by Antony Alaygre
138 INTRODUCTORY ESSAY<br />
A third edition of The Diall was issued in 1582 (4 0 ), another in<br />
1619 fol.<br />
Dr. Landmann maintains 1 that Lyly's Euphuism is an adaptation<br />
from Guevara, whose alto estilo (imitating, appropriately to the<br />
person of his hero Marcus Aurelius, the balanced structure of Latin<br />
orators) exhibited many of Lyly's special marks, such as the parallelism<br />
of sentences, the marking of corresponding words by consonance and<br />
rhyme, antithesis, and rows of similes taken however from nature<br />
rather than Pliny. Landmann, however, of course acknowledges<br />
the intervention of North and Pettie, with the addition of alliteration;<br />
saying, indeed, of the latter author that his book ' exhibited already,<br />
to the minutest detail, all the specific elements of Euphuism.'<br />
Indeed, whatever Guevara's share in inducing in England a style,<br />
the like of which appeared in several countries about the same time,<br />
it is essential to emphasize the far closer resemblance to Euphuism<br />
in the case of North and Pettie. North endeavoured, what Berners<br />
had not aimed at, to reproduce in his Diall the characteristics of<br />
Guevara's style, with the notable addition of an alliteration natural to<br />
English and not to Spanish; and it is he who must be regarded as<br />
the real founder of our euphuistic literary fashion. But even in<br />
North alliteration is not profusely used, and the similes from natural<br />
history are comparatively rare. Whatever Lyly's debt to The Diall<br />
in point of subject-matter, he owes little to it directly in point of<br />
style. In Pettie, on the other hand, who indeed owes much of his<br />
manner to North, we have an exact model of the style of Euphues:<br />
and whereas the latter presents few close resemblances of diction to<br />
The Diall, it occasionally appropriates sentences from Pettie with<br />
scarce any change of form or substance 2 . The title of Pettie's book,<br />
which though undated was entered on trie Stationers' Register to<br />
Richard Watkyns, under date Aug. 6, 1576 3 , runs as follows:—<br />
A Petite Pallace of Pettie his pleasure: Containing many pretie<br />
Histories, by him set foorth in comely colours, and most delyghtfully<br />
discoursed, Omne tulit punctum qui miscuit utile dulci.<br />
and now out of the Frenche toungue into our maternal laguage by sir Fraunces<br />
Btyant.) In adibus R. Graftpni: Londini 1548. 8°. It was reprinted in 1575 as<br />
A Lookingglasse for the Court. (2) Epistolas familiarest translated by Sir Geoffrey<br />
Fenton, 1577, as Golden Epistles . . . gathered as well out of the remainder of<br />
Gueuaraes woorhes, as other Authottrs, &c. 1577. 4 0 . (3) the Chronicle, conteyning<br />
the lives of tenne Emperors of <strong>Home</strong>, as translated by E. Hellowes in the same<br />
year, 1577.<br />
1 Transactions of the New Shakspere Society, 1880-5, P art II•<br />
2 See my notes on pp. 181, 197, 198, 201, 202, 205, 222, 240, &c.<br />
3 Arber's Transcript, vol. ii. p. 301,
EXACT MODEL OF STYLE IN PETTIE 139<br />
The colophon is merely ' Printed at London, by R. W.'<br />
This collection of twelve stories, which went through five or,<br />
according to Hazlitt, six editions by 1613, and was obviously<br />
familiar to Lyly, contains instances of every one of the structural<br />
characteristics enumerated above as Lyly's, and of the classical<br />
allusions, the natural history similes, and the proverbs also. It presents<br />
also other striking resemblances of treatment. I will give a few<br />
examples, in the order adopted above for Lyly, referring to the pages<br />
of Pettie's first edition (1576,) and the folios pf his second (1586).<br />
I. (a) i. Parisonic antithesis: Parallel<br />
' But if hereafter in deedes I shall see as playne proufe of perfect good- pettir's<br />
will, as your wordes import likelyhood of ernest loue, perchaunce I shal style.<br />
bee as zelous to cast liking towardes you, as now I am ielous to cast I. Struc-<br />
doubtes of you, 5 p. 67 (fol. 32 V.).<br />
' I see it is some mens fortune not to be beleeued when they speake<br />
truly, and others to bee well thought of when they deale falsely: which<br />
you haue verified in your husbande and mee, who doubte of my wordes<br />
which are true, and not of his deedes which are false ... for I knowe it<br />
commonly to bee so, that trauaylers wordes are not much trusted, neither<br />
great matters soone beleeued,' p. 163 (fol. 68 r.).<br />
ii. Rhetorical questions •'<br />
(The princess Scilla soliloquizes on her love for Minos) 'And shall<br />
I then preferre mine owne pleasure before my fathers profit ? why euery<br />
one ought to be nerest to them selues, and their wisdome is nothing<br />
worth which are not wise for them selues. Nay rather shall I preferre the<br />
commodytie of King Minos befqre the commodytie of King Nysus ? why<br />
Nysus is my father: why Minos will be my Phere: why Nysus gaue me<br />
lyfe: Why Minos wyll yeelde mee loue : Why Nysus macfc mee a maide :<br />
Why Minos wil make mee a mother: Why Nysus cherised mee beeinge<br />
young: Why Minos wyll make mutch of mee beeinge olde : why Nature<br />
bindeth mee to loue my father: why God commaundeth mee to loue my<br />
husband,' &c. p. 133 (fol. 57 v.). Cf. also p. 15 (fol. 12 v.).<br />
iii. Repetition is even more abundant than in Euphues, Pettie having<br />
less resource or less care in varying his form, e. g. Lyly would not so<br />
long have continued the form ' Why. .' in the example just given.<br />
(b) i. Alliteration;<br />
I. Simple: ' in my fancy that man is to begged for aybole who will<br />
prefer his wiues pleasure be/ore his owne and her profite,* &c. p. 63<br />
(fol. 31 r.); 'shee assayed the assistaunce pf reason, the pollky of<br />
perswations, the telpe of herbes, and the weane of medicines, to mortify<br />
her beastly desire to the beast,' &c. p. 186 (fol. 77 v.).<br />
tural
140 INTRODUCTORY ESSAY<br />
2. Transverse: ' though you for gayn flee no /ilthynesse, that I for<br />
glory folowe nofaythfulnesse,' p. 13 (fol. 9 v.) ; 'greate mciuility and<br />
thfcurlishnesse ... great /wbecillity and childishnesse,' p. 63 (fol. 31 r.).<br />
ii. Syllabic or word-likeness:<br />
1. Complete (1) of syllables, i. e. Consonance: ' as the hope of obtayning<br />
... heauexh mee vp to heauen,' p. 40 (fol. 22 r.); ' neuer inioy him with<br />
ioye,' p. 105 (fol. 46 V.).<br />
(2) Of words, i. e. Repetition: ' to indeuour to vndoe the destinies and<br />
disappointe the appointment of the goddes, shewing themselues traitours<br />
to the goddes,' p. 111 (fol. 49 r.); Therefore (good wife) giue mee leaue<br />
to die, to whom it wil bee onely good and easy to die,' p. 116.<br />
2. Partial (1) Assonance: 'to pleade for release and releeie,' p. 9<br />
(fol. 4r.); 'so warely w^cht by her waspish parents,' p. 155 (fol. 66r.);<br />
' as selous to cast liking towardes you, as now I am ielous to cast doubles<br />
of you,' p. 67 (f. 32 v.).<br />
(2) Annomination: ' as by holy oth I bounde my fayth ... so only my<br />
death shal dissolue that bond,' p. 66 (f. 32 r.); ' wayliuMy and w/'/fully,'<br />
p. no.<br />
(3) Rhyme 1 'in him sutch deuilish desire, in her sutch reuengful ire, in<br />
him sutch hellish heat, in her sutch haggish hate,' p. 38 (f. 21 r.); 'euery<br />
dram of delyght hath a pound of spyght, and euery inch of toy, an el of<br />
annoy, annexed to it,' p. 83 (f. 38 v.).<br />
(4) Puns and word-play: ' forced him to depart without manifesting<br />
vnto her the mantiolde good will hee bare her,' p. 102 (f. 46r.); 'what<br />
passe I (=care I) to passe a thousande perils to pleasure you ? 5 p. 108<br />
(f. 48 r.). And for more elaborate play take the following in Admetus<br />
and Alcest, p. 118,' Meethinkes I heare my wish, wishe mee sutch a wife<br />
as I tiaue spoken of, .verily (good wish) you wish your wealth great<br />
wealth, and God make mee worthy of you, wish, and your wishe, and if<br />
I might haue my wish I am perswaded you should haue your wish.' Cf.<br />
Lyly's passage playing on 'glasse,' vol. ii. pp. 189-90.<br />
II. Onia- II. 1. Anecdotes historical or imaginary do not occur, or at least<br />
mntaL abound, in Pettie. .<br />
2. Allusions to classical mythology (from which the tales themselves<br />
are mostly drawn), e.g. Philemon and Baucis, p. 115, others p. 118.<br />
3. Similes, seldom drawn be it observed from Pliny, and not<br />
invented, but from simple facts in natural history, or from men's<br />
daily avocations; nor are they nearly so numerous as in Lyly:<br />
e. g. ' As the earth draweth dounward because it is heavy, the fyre<br />
flyeth vpward because it is. light, the water contrarie to it nature oftentimes<br />
ascendeth to the top of high hyls to avoyde vacantnesse,' &c. p. 135<br />
(f.58v.).
CORRESPONDENCE IN TREATMENT<br />
' As a boate borne by the tide against the winde, feeleth double force,<br />
and is compeld to yielde both to winde and waue, so this young prince<br />
driuen by the force of loue againste the minde and pleasure of his father,<br />
felte double doulour,' p. 107 (f. 47 v.).<br />
' As the phisition first ministreth to his patient bitter pilles and purgations<br />
to expell grose and ill humours, and then applieth lenitiues and<br />
restoratiues to breede and bringe againe good bloud,'p. 104 (f. 46 v.).<br />
' For as the Larketaker in his day Net hath a glasse whereon while the<br />
birdes sit and gaze, they are taken in the Net, so your face hath sutch a<br />
glistering glasse of goodlynesse in it,' &c. p. 137 (f. 59 r.).<br />
4. Proverbs:<br />
' those which woorst may, are driven to holde the Candle,' f. 65 r. and<br />
Euphues, p. 201.<br />
' For the increase is smal of seede to timely sowen, the whelps are euer<br />
blind that dogges in hast do get, the fruites ful soone do rot which<br />
gathered are to soone, the mault is neuer sweete, vnlesse the fyre be soft,<br />
& he that leapeth before he looke, may hap to leape into y e brooke,'<br />
p. 157 (f. 67 r.). 'But the old saying is, haste maketh waste, and<br />
bargaines made in speede, are commonly repented at leasure,' ib. Cf.<br />
p. 104 (f. 46 V.).<br />
III. Further, there is a marked correspondence in treatment III. Mr.<br />
between Lyly and Pettie, a matter wherein the latter betrays his debt ihods °f<br />
J J » 1 • treatment.<br />
to North. In Guevara' s work action occupies a very subordinate subordi<br />
place: it is the philosophic reflections of the Emperor with which he nate place<br />
is really concerned, and the various situations and personages are assignedP<br />
imagined merely as pegs for moral discourse. In Pettie and Lyly<br />
action is more prominent, but still of very minor importance,<br />
especially in Euphues, Part I. Events of the utmost moment to<br />
the tale are sometimes dismissed in a few curt words. Instances<br />
from Pettie are Tereus, fol. 21 r., Eriphile, fol. 36 r., Appius, fol. 44 r.,<br />
Scilla, fol. 57 v.: from Lyly, p. 217 Ferardo's hurried visit, necessary to get<br />
Philautus out of the way, made more hurried by its casual relation; p. 199<br />
11.15-17' hauing banqueted... they daunced all y afternoone: they vsed<br />
not onely one boord, but one bedde, one booke,' passing without notice<br />
from the detail of one day to a general course of life; p. 219 ' she fedde<br />
him indifferently . . . fell to sucHe agreement,' &c. These few words<br />
inserted in the middle of their long speeches save much narrative later on;<br />
p. 237 the summary narration of Euphues'jilting—if we look back over the<br />
tale we find he has only seen Lucilla twice before altogether; p. 245 the<br />
summary announcement of Ferardo's death; p. 286 the brief paragraph<br />
in which Euphues' career at Athens is dismissed. Occasionally reference<br />
is made to something for which the actual narrative has hardly left room,<br />
e. g. p. 238' Yet I spared not in all places to blaze thy loialtie.
142 INTRODUCTORY ESSAY<br />
That the defect soon became apparent to Lyly is clear from his<br />
occasional efforts in the second edition to remedy such abruptness,<br />
e.g. pp. 216-7 (and cf. what is said Bibliography, pp. 107-8, about the<br />
insertions in T), and by the marked improvement of Part II in this<br />
respect, though even there the tale is bungled up hurriedly at the<br />
close, vol. ii. p. 228. All this betrays the utter immaturity of the<br />
novelist's art, which has not yet recognized the relative importance<br />
of the different means of evoking interest. The object both<br />
Set dis. of Pettie and of Lyly is not so much to tell a story as to discourse<br />
on set themes, especially such as are connected with love; and<br />
accordingly the bulk of either's work is made up of long speeches<br />
and soliloquies, laments and 'passions' by the personages of the<br />
story, introduced by similar phrases:<br />
Asides to<br />
the reader.<br />
e. g. (Pettie) 'entreth into these termes' fol. 1 v. 'departed into her<br />
chamber by her selfe, to thinke more of the matter: where she entred<br />
with her selfe into these contrarities,' fol. 57 r.; (Lyly) ' (Lucilla) all the<br />
company beeing departed to their lodgings, entred into these termes and<br />
contrarieties,'p. 205,and Camilla in like case 'no sooner had entred in hir<br />
chamber, but she began in straunge tearmes to vtter this straunge tale,'<br />
vol. ii. p. 183 1.24.<br />
Just so a discourse or discussion among the characters is occasionally<br />
continued by either author in his own person, with an appeal to<br />
his readers as a tribunal:<br />
e. g. (Pettie)' It were hard here Gentlewomen for you to geue sentence,<br />
who more offended of the husband, or the wyfe, seeyng,' &c. fol. 21 r.;<br />
(Lyly)' Heere ye may beholde, gentlemen,' &c. p. 195; 'I appeale to your<br />
judgment gentlemen,' &c. p. 198 ;' Gentlemenne and Gentlewoemenne,' &c.<br />
vol. ii. p. 57 1. 5, cf. i. 215, ii. 109 1.21, 120-2, 1311.13, 154 1.26, 160 1.19<br />
—a habit which has obtained wide currency among later novelists,<br />
e. g. Fielding, Thackeray, and more recent writers.<br />
Misogynist And lastly we may note that the misogynist tone often felt in<br />
tirades, Guevara's work, e.g. the passage quoted by Landmann from the<br />
tenth chap, of the Diall, and also the sixteenth of Bk. ii, from which<br />
I quote in a note on p. 249, is repeated in Pettie, e.g. Amphiaraus<br />
in his fourth tale, Curiatius' satirical soliloquy, fol. 59-60 r., and the<br />
passage, fol. 79V. and in Lyly, pp. 241, 249, 253-6, &c. This misogynist<br />
tone is greatly modified in Part II, where he professes to make the<br />
ladies amends (cf. Pettie's playful tone to them at the bottom of fol. 37).<br />
The examples I have quoted from Pettie clearly prove that<br />
Euphuism had attained full-blown existence before Lyly composed
LYLY ESCHEWS METRICAL RHYTHM 143<br />
Euphues, and that Pettie's work was Lyly's model in this respect.<br />
The vastly greater success 1 that Euphues, published only some two<br />
years later, attained, serves to exhibit the share of error in<br />
Landmann's assertion that 'the importance ofjthe book does not<br />
rest with the contents but with the style 2; [JLuphues is, indeed,<br />
of vast importance in the effect of its style upon our literature; but<br />
its easy victory over the preceding example of precisely trie same<br />
style shows that it owes this importance to other merits. That<br />
greater popularity justifies us in attributing to Lyly, rather than to<br />
North or Pettie, the immense influence of Euphuism on English<br />
Prose: but if we seek elsewhere for justification of Webbe's praise<br />
of him as having ' stept one steppe further than any either before or<br />
since' in ministering td 'the great good grace and sweete vayne<br />
which Eloquence hath attained in our speeche,' we shall find but<br />
little 3 . Yet he may at least be credited With the recognition that<br />
Pettie's occasional lapse into, or conscious use of, metrical rhythm<br />
and inversions with that end 4 , was a defect. Rhythm is one thing,<br />
and a desirable adjunct to a good prose: metrical rhythm is another,<br />
and undesirable; and in my judgement, Df. Schwan was perfectly<br />
justified in deprecating, if somewhat tartly, the application by Mr.<br />
John Goodlet of a verse-terminology to Lyly's style 5 . Ingenuity of<br />
the kind shown in Mr. Goodlet's essay only tends to confuse the<br />
discussion of a matter already sufficiently intricate; though doubtless<br />
Professor Courthope is right in considering Euphuism as too near<br />
akin to metrical composition, and of too wide an influence on<br />
English taste in general, to be omitted from his History of English<br />
Poetry 6 .<br />
And one other point in which Lyly may claim to have made<br />
advance is in[the greater care he takes about the distribution of his<br />
matter into paragraphs .] The carelessness of early printed books in<br />
1 The editions known of Pettie's Pallace are [1576?], [1586?], [1590?], 1598,<br />
1608, 1613.<br />
2 New Shaks. Soc. Transactions, 1884, p. 259.<br />
8 Discourse of English Poetrie, 1586, p. 46, ed. Arber.<br />
4 A striking example occurs in the second of those quoted of his use of proverbs<br />
(above, p. 141). Cf. also ' Yes I am content my rage in rule to bind,' p. 76 (f. 35 v.);<br />
and ' But sutch as he sowed, he reapte; sutch as hee sought hee founde, sutch as<br />
hee bought, hee had, to wit, a witles wenche to his wife.' p. 158.<br />
5 See article by John Goodlet entitled ' Shakespeare's Debt to John Lyly' in<br />
Englische Studien, v. 356-63; Dr. Schwan's reference to it, Eng. Stud, vi. 98;<br />
Mr. Boyle's defence of it, vii. 206-210, and Schwan's rejoinder, vii. 210-211.<br />
6 See his vol. ii. pp. 178 sqq.<br />
7 Mr. Child also devotes a word to this point in his pamphlet John Lyly and<br />
Euphuism, p. 117 (Miinchener Beitrage, 1894).
144<br />
INTRODUCTORY ESSAY<br />
this respect is largely due, no doubt, to the compositors, and to the<br />
author's neglect to give proper correction to the proof-sheets; but it<br />
is also clearly a matter belonging to the emergence of prose as an<br />
art. It is, however, a praise due far more decisively to the Second<br />
Part of Euphues than to the First.<br />
Impoiiance , Euphuism l, the characteristics and origin of which have just been<br />
of Eupku- . ' , . . 1 . .<br />
ism in the indicated,l is important, not because it eminently hit the taste of its<br />
develop- day, but because it is, if not the earliest, yet the first thorough and<br />
ment of .<br />
English consistent attempt in English Literature to practise prose as an art;<br />
prose. the first clearly-defined arch in the bridge that spans the gulf between<br />
the rambling obscurities of Chaucerian prose, such as that of the<br />
unknown author of The Testament of Love, and the lucid nervous<br />
paragraphs of our own essayists. Preceding prose had either paid<br />
little attention to form, or, being translation, had been hampered by<br />
its original, or else had attained almost by accident to a clarity but<br />
partial and half-conscious, j Bishop Pecock's Repressor (c. 1450)<br />
may boast some attention to the period: More's Life of Edward V<br />
(written c. 1513, first printed 1557) has been praised by Hallam as<br />
' the first example of good English language, pure and perspicuous,<br />
well chosen without vulgarisms or pedantry': Tyndale's translation<br />
of the New Testament, printed in England in 1536, the year in<br />
which its author was burnt at Vilvorde, has undoubtedly exercised<br />
immense influence on the language owing to the extensive embodiment<br />
of its phraseology in the Authorized Version 2 : and Professor<br />
Courthope 8 has quoted passages from Coverdale's Prologue to the<br />
Translation of the Bible (1535), and from Cranmer's Defence of the<br />
True and Catholic Doctrine of the Sacraments (1550), which show<br />
those writers to have possessed a sound, clear, and dignified style of<br />
English. But none of these achieved such literary fame as could<br />
make them a general example; perhaps none of them exhibited<br />
that element of exaggeration which is necessary to arrest attention.<br />
Nor do I find in George Gascoigne, nor in Sir Geoffrey Fenton,<br />
though Lyly knew both these writers, any resemblance sufficiently '<br />
strong to warrant their inclusion among his special predecessors in<br />
point of style. We shall be right in assigning to the Euphuist, as<br />
representing and including his special forerunners, North and Pettie,<br />
1 Much of the sense and no small part of the language of the following pages<br />
are reproduced by kind permission of Mr. John Murray, from my article on Lyly<br />
in the Quarterly Review for January, 1896.<br />
2 Marsh's Lectures on the English Language,<br />
3 Hist, of English Poetry, ii. 185-6.
INSISTENCE ON ELEGANCE 145<br />
the praise of asserting, with an emphasis hitherto unknown,[the<br />
absolute importance to prose-writing of the principle of Design.<br />
These three, and Lyly in particular, recognized the need of, an5<br />
consistently aimed at, what has been well denominated[the quality<br />
of mind in style, the treatment of the sentence, not as a haphazard<br />
agglomeration of clauses, phrases, and words, but as a piece of<br />
literary architecture, whose end is foreseen in the beginning, and<br />
whose parts are calculated to minister to the total effect. Of this<br />
mental quality, this architectural spirit in style, Antithesis is the most<br />
powerful instrumental It may be, it is, [the fact that Lyly abused it;<br />
that he harped on this string perpetually, to weariness; that in his<br />
devotion to form he forgot its large dependence upon matter, and<br />
constrained his thought, sometimes by dilution, sometimes by compression,<br />
to a mould for which it was not always fitted, with the effect<br />
of unreality in either case; But this is only to say that he had not<br />
reached the preference for concealed over obtruded art. It| cannot<br />
affect his claim to have taken the first momentous step in the<br />
development of English prose, by obeying a rule of design and<br />
aiming at elegance and precision of form .]<br />
] At elegance: for Lyly would certainly not have shared the purist<br />
opinion which, excluding all rhetoric, ornament and imaginative glow,<br />
would confine prose art to the power of exact expression.! Such<br />
a view forgets that no reader, no, nor writer either, is really able to<br />
judge how far the language used accurately expresses the thought.<br />
Not the reader; because what appears as excrescence or redundancy<br />
to him may really represent earlier, more fundamental and necessary,<br />
action of the author's brain; and, similarly, any inadequacy he feels<br />
may be proper to the author's thought rather than to his words.<br />
Not the writer; because thought itself only acquires development<br />
and determination from the words which seek to reflect it. With<br />
their arrival it undergoes kaleidoscopic change, and adjusts itself in<br />
some measure to them. Allowing that certain words may possess<br />
a greater affinity to the germ-idea than certain others, the feeling<br />
that they are merely a reflection of it must be pronounced a delusion.<br />
Language is one of the parents, not merely the accoucheur, to ideas :<br />
the processes of originating by invention, and shaping by words, are<br />
so nearly simultaneous and so mutually interactive as to be in reality<br />
indistinguishable. Grace, vigour, and wit, at any rate, shared to the<br />
full with clearness in Lyly's effort and admiration. He grasped the<br />
fact that in prose, no less than in poetry, the reader demands to be<br />
BOND I L
146 INTRODUCTORY ESSAY<br />
lured onward by a succession of half-imperceptible shocks of pleasure<br />
in the beauty and vigour of diction, or in the ingenuity of phrasing,<br />
in sentence after sentence—pleasure separable from that caused by<br />
a perception of the nice adaptation of word to thought, pleasure<br />
quite other than that derivable from the acquisition of fresh knowledge.<br />
Yet for all his tendency to adornment, he did certainly more<br />
for the cause of clearness than any predecessor or contemporary.<br />
Is there one, in spite of the rare exceptions which I have been at<br />
pains to collect from Lyly's novel, whose meaning is so readily to be<br />
grasped on a first perusal ? any, who could so well stand the test of<br />
the removal of all marks of punctuation save the full stop ? Even<br />
Mallory's simplicity is sometimes marred by obscurity, or by an<br />
anacoluthon. Robynson's translation of the Utopia (i551) is full of<br />
loosely-constructed sentences, the Arcadia (begun 1580) of rambling<br />
ones of wearisome prolixity. Thomas Nash huddles phrase on<br />
phrase with a breathlessness which, as he confesses, makes his ' full<br />
points seem as tedious as the Northern man's mile 1; Take the<br />
following from the epistle which he prefixed to Greene's Menaphon<br />
(1589), an early specimen, indeed, of Nash, but fairly quotable, since<br />
it is an indictment of Lyly's style.<br />
" Let other men (as they please) praise the mountaine that in seuen<br />
yeares brings foorth a mouse, or the Italionate pen, that of a packet of<br />
pilfries, affoordeth the presse a pamphlet or two in an age, and then in<br />
disguised arraie, vaunts Ouids and Plutarchs plumes as their owne ; but<br />
giue me the man, whose extemporall vaine in anie humor, will excell our<br />
greatest Art-masters deliberate thoughts ; whose inuention quicker than<br />
his eye, will challenge the proudest Rethoritian, to the contention of like<br />
perfection, with like expedition .. . Indeede I must needes say, the<br />
descending yeares from the Philosophers Athens, haue not been supplied<br />
with such present Orators, as were able in anie English vaine to be eloquent<br />
of their owne, but either they must borrow inuention of Ariosto, and his<br />
Countreymen, take vp choyce of words by exchange in Tullies Tusculane,<br />
and the Latine Historiographers store-houses; similitudes, nay whole<br />
sheetes and tractates verbatim, from the plentie of Plutarch and Plinie,<br />
and to conclude, their whole methode of writing, from the libertie of<br />
Comicall fictions, that haue succeeded to our Rethoritians, by a second<br />
imitation: so that, well may the Adage, Nil dictum quod non dictum<br />
prius, bee the most iudiciall estimate, of our latter Writers ... so woulde<br />
I haue them, being surfetted vnawares with the sweete sacietie of eloquence,<br />
which the lauish of our copious Language maie procure, to vse the<br />
1 An Almond for a Parrot, p. 9 (Petheram's Puritan Discipline Tracts).
AND ON DESIGN 147<br />
remedie of contraries ; and recreate their rebated witts, not as they did,<br />
with the senting of slyme or Goates beardes burnt, but with the ouerseeing<br />
of that sublime dicendigenus, which walkes'abroad for wast paper<br />
in each seruing mans pocket, and the otherwhile perusing of our Gothamists<br />
barbarisme; so shoulde the opposite comparison of Puritie, expell<br />
the infection of absurditie; and their ouer-rackte Rhetorique, bee the<br />
Ironicall recreation of the Reader." Menaphon, ed. Arber, pp. 6-8.<br />
Reading passages like this, not the most fervent devotee of simplicity<br />
can assert that it is a natural power; not the bitterest foe of<br />
artificiality but must prefer the sharp and pointed style of the appropriator<br />
of Pliny and Plutarch to such jumbled incoherence. Lyly<br />
at least knew that he must select; and his selection was not confined<br />
to mere diction. [ He had not merely grasped the secret of the picked<br />
and telling word : he had recogrfized that parasitical side-suggestions,<br />
thrown up by the brain in the act of composition, cannot be allowed<br />
to take unquestioned the place they tend to assume as dependent<br />
clauses of a sentence then being written f but that, being weighed<br />
with regard to their purport and relative importance to the argument<br />
in hand, they must be, some subordinated, some co-ordinated with<br />
what precedes, some pruned away to an epithet, some disallowed<br />
altogether—that, in a word, the new arrival must never be the slave<br />
of the grammatical form in use at the moment of its appearance,<br />
but must be admitted to council as to what that form shall ultimately<br />
be. I It is this interplay and just equipoise of matter and manner, of<br />
thought and form, that creates correct style. This Lyly, though he<br />
sometimes forgets it, really has; this Nash and Sidney have not :<br />
and though I do not think the direct influence of Lyly's Euphuism<br />
can be traced much beyond the beginning of the seventeenth century 1 ,<br />
his indirect influence, as setting an example of constant attention to<br />
form and aim at force and precision, was probably greater than that<br />
of any other writer our literature has known. ["He at least," writes<br />
Prof. Courthope, " showed the nation the possibilities of balance and<br />
harmony in English prose composition ; and the form which he established<br />
in the structure of the English sentence has never been entirely lost sight<br />
of by his successors! ] Addison and Steele] while they aimed at something<br />
much beyond the ' fit phrases, pithy sentences, and gallant tropes' which<br />
gratified the taste of Webbe] learned from Lyly how to present genuine<br />
thoughts in an artistic for [and Burke, Johnson, and Macaulay,<br />
1 Child quotes some good examples of parisonic antithesis and simple and transverse<br />
alliteration from Fuller, mjohn Lyly and Euphuism, pp. 114-5.<br />
L 2
148 INTRODUCTORY ESSAY<br />
avoiding the'petty particularity of his contrasted words, followed his ex*<br />
ample in working up sentences and periods to the: climax required for the<br />
justjmd forcible presentation of the argument.1"<br />
[ Lyly's defects may be freely acknowledged: redundancy of expression,<br />
plethora of ornament and illustration, a parade of knowledge<br />
sometimes consciously false and mostly recognized to-day<br />
as unscientific, and tediousness due to perpetual repetition of the<br />
sentiment, and strained adherence in a later clause to a form appropriate<br />
only to the sense of an earlier—in a word, a want of respect<br />
for ' the modesty of nature V But these are largely the defects of his<br />
time 1 , and Lyly, with all his cleverness, indeed because he had good<br />
wits rather than genius, won his immediate success, as immediate<br />
success is almost always won, by complying with current taste. If<br />
evidence were wanted it is to be fodnd in his dedicatory Epistles, in<br />
the second of which he acknowledges that in both Parts he may<br />
' seeme to gleane after an others Cart3,' while in the first he affects<br />
to apologize for' rudeness':—<br />
'Though the stile nothing delight the dayntie eare of the curious sifter,<br />
yet wil the matter recreate the minde of the courteous Reader. The<br />
varietie of the one wil abate the harshnes of the other.., I shal satisfie<br />
myne own mynde, though I cannot feede their humors, which greatly seke<br />
after those that sift the finest meale, & beare the whitest mouthes. It<br />
is a worlde to see how Englishmen desire to heare finer speach then the<br />
language* will allow, to eate finer bread then 'is made of wheat, to weare<br />
finer cloth then is wrought of Woll 4.'<br />
Imitation Still stronger evidence of its accordance with the mode is found<br />
ofhuphu- ofEuphu in the almost slavish imitation which Euphues evoked, especially in,<br />
Greene, whom Nashy in the passage quoted above, will have us<br />
believe so superior to his model. Euphuism is very noticeable in<br />
Greene's Mammillia, 1583, ridiculously so in The Myrrour of<br />
Modesty, 1584, and in the Epistle Dedicatory to Planetomachia, 1585,<br />
1<br />
History of English Poetry, ii. 201-2.<br />
a<br />
' Hiennit haben wir eine Haupteigenschaft seines Stils bezeichnet; derselbe<br />
gehort der Renaissance an, aber er bleibt nicht in den Grenzen der Einfachheit;<br />
was Shakespeare im Hamlet von dem Scbauspieler verlangt, die Bescheidenheit der<br />
Natur zu wahren, ware fiir Lilly's Diction eine vergebliche Mahnung gewesen. Er<br />
liebt bei den Alten das Ueberladene und Geschmiickte mehr als das Einfache und<br />
Natiirliche, den Virgil mehr als den <strong>Home</strong>r,' &c. (Hense, Shakespeare-fahrbuch,<br />
viii. 260).<br />
3<br />
Vol. ii. p. 5 1.26, meaning, 1 think, Pettie, but perhaps his models and sources<br />
in general.<br />
' P. 180. For a still more precise profession of faith cf. vol. ii. p. 60 1.18: ' It is<br />
wit yt alhireth, when euery word shal bane his weight, whe nothing shal proceed,<br />
but it shal either sauour of a sharpe conceipt, or a secret conclusion.'
EUPHUISM AND ARCADIANISM 149<br />
OAnd somewhat in Euphues his censure to Philautus, 1587, in Alcida,<br />
lic, 1588, Orpharion, written 1588, and Menaphon, 1589 1. About<br />
1590 it practically disappears from Greene's work, though there<br />
is a very euphuistic passage in PhiIomelat 1592 2 . It is pretty well<br />
confined to Greene's love-romances. I notice nothing of it in<br />
Perimedes the Blacksmith, 1588, nor anything in the Quip for an<br />
Vpstart Courtier, 1592, Lodge's Rosalynde . Euphues golden Legacie<br />
(1590) has been described by Landmann as 'Euphuistic in style<br />
and Arcadian in content 3 '; but the structural resemblance to<br />
Euphues is not very strongly marked or frequent, while the Arcadia, in part<br />
though written in 1580-1581, was only published in 1590, and supersed<br />
I cannot feel that Lodge was much affected by its peculiar man- dianism,<br />
nerism, though Rosalynde shares its ideal temper. There is no<br />
doubt, however, that the Arcadia soon superseded, by its own far<br />
more stilted and unnatural language, the exaggerated antithesis and<br />
similes of Euphues, Written, like the latter, by a courtier for courtiers,<br />
it is much more markedly aristocratic in tone; and if it did not<br />
permanently oust the latter, it at least shared its empire over the<br />
fashionable world. If society accepted Euphues as the model of<br />
polite literary style, it accepted Arcadia no less as the model of all<br />
that it was noble and courtly and ingenuous to feel and think. Their<br />
relative influence is well illustrated in the Every Man out of his<br />
Humour of Ben Jonson, whose pages contain the fullest and most<br />
direct caricature of fashionable life. If the courtier, Fastidious<br />
Brisk, alludes once to the Anatomy of Wit (iii. 1), and Fallace,<br />
the city dame, quotes it (v. 7)4, yet her brother Fungoso, equally<br />
studious of courtly fashion, will ' lie abed and read the Arcadia'<br />
(iii. 1), a work which Brisk elsewhere commends as the model of<br />
polite speech 5 . One of the chief points ridiculed in Brisk and<br />
Puntarvolo in this play, in the Osric and Armado of Shakespeare,<br />
and in Scott's Sir Piercie Shafton, is the use of fine words to lend<br />
1 In Pandosto, 1588, a tale which presents considerable resemblances to<br />
Menaphon, and on which Shakespeare founded The Winters Tale, I detect but<br />
little trace of Euphuism.<br />
2 See Grosart's edition of Greene's Works, vol. xii. p. 145.<br />
3 Child's John Lyly and Euphuism, pp. 26, 112.<br />
4 See my note on Euphues, vol. ii. p. 123 1,16.<br />
5 Brisk, ii. 1, thus commends his mistress, 'she does observe as pure a phrase,<br />
and use as choice figures in her ordinary conferences, as any be in the Arcadia';<br />
to which Carlo Huffone rejoins,' Or rather in Green's works, whence she may steal<br />
with more security.' Brisk's allusion to Euphues in iii. 1 is also in reference to his<br />
mistress,' but when she speaks herself, such an anatomy of wit, so sinewized and<br />
arterized, that 'tis the goodliest model of pleasure that ever was to behold.'
Degree to<br />
which Euphuism<br />
is<br />
parodied,<br />
ridiculed,<br />
or copied<br />
by Shakespeare.<br />
I50<br />
INTRODUCTORY ESSAY<br />
a false dignity to the most simple actions. Now, while instances of<br />
this abound in the Arcadia, it is not at all a mark of Euphues.<br />
After 1590, then, Euphuism, though still appearing here and there,<br />
is no longer the regnant or exclusive influence. This is not to say,<br />
however, that its influence is dead. The continued reprinting of<br />
both Parts of the novel is proof that it must still be reckoned among<br />
the literary formative influences of the time. Delius, in his essay<br />
on Shakespeare's prose ', noted the presence of Lylian phrases and<br />
constructions, of antithesis and metaphors, due either to direct imitation<br />
or to spontaneous evolution, particularly in the later dramas,<br />
where information on matters of fact had to be given to the audience,<br />
or where it was desirable to strike a specially ceremonial note ;<br />
and Hense, too, considered that Euphuism had laid strong fetters on<br />
the style of the greater poet 2 . Dr. Schwan (Enghsche Studien, vi.<br />
99 sqq.) examined a number of passages adduced by Delius, and<br />
decided that Euphuism could not be said to be present in them.<br />
One readily agrees that all the characteristics of Euphuism are<br />
nowhere presented together: that antithesis and alliteration are not<br />
the peculiar property of any one writer: that Shakespeare often,<br />
while following euphuistic matter by Lyly or Greene or Lodge,<br />
effaces the Euphuism of the style, and that in the famous passage<br />
cited by Landmann he is actually parodying it 3 . But its influence<br />
1 'Die Prosa in Shakspere's Dramen' (Jahrbuch der deutscken Shakespeare-<br />
Gesellschaft, vol. v. p. 155,1870).<br />
a " Shakespeare ist sichtbar von dem enphuistischen Sprachgeschmacke, der in<br />
hochster Bliithe stand, als der jugendliche Dichter nach London kam, tief beriihrt<br />
und stark gefesselt worden, und noch in seinen reifsten Dichtungen tragt manches<br />
ernst gemeinte Wort eine euphuistische Farbe" (Shakcspeare-Jahrbuch, vol. viii.<br />
p. 261).<br />
3 1 Henry IV, ii. 4. 438-61, quoted above in note on p. 133. The simile from<br />
the camomile which occurs Euphues, p. 196, is ultimately derived fiom Pettie's<br />
Pallace, p. 16 (f. 11 v.). Dr. Schwan has the following interesting remarks on the<br />
Shakespeare parody:—<br />
" Eine stelle ist schon von Landmann herausgehoben und in ihr die verschiedenen<br />
elemente des Euphuismus nachgewiesen worden. Nachzutragen ware noch, dass<br />
auch hier die Lyly's antithesenstil charakterisirenden partikeln 'not only—but*<br />
und' though—yet' sich finden. Die kostliche verspottung von Lyly's rhetorischen<br />
fragen in jener stelle hat L. ubeisehen: ' Shall the blessed sun of heaven prove a<br />
micher and eat blackberries ? a question not to be asked. Shall the son of England<br />
prove a thief and take purses? a question to be asked.' Auch hier klingt der spott<br />
durch den predigerton hindurch, indem Falstaff sich dariiber belustigt, dass manche<br />
dieser fragen iiberhaupt nicht zu fragen seien, ahnlich wie er, bei dem citat vom<br />
pech, die unstandliche art Lyly's, allbekannte sachen wie etwas noch nie gehortes<br />
anzufuhren und auf autoren des alterthums als gewahrsmanner hinzuweisen, verspottet<br />
(Transactions, N. S. S., p. 251). Ueberhaupt ist die ganze stelle nicht als<br />
em muster euphuistischen stils zu betrachten; der stil ist mehr angedeutet, als<br />
wirklich ausgefuhrt. Eine zweite stelle, in welcher wir allerdings auch nur mehr
SHAKESPEARE PARODIES EUPHUISM 151<br />
on him must not be minimized, nor his ridicule of it exaggerated.<br />
Love's Labours Lost, for instance, while reproducing bombastic,<br />
grandiloquent, pedantic and affected methods of speech, cannot<br />
fairly be interpreted, any more than can Jonson's Cynthia's Reveh,<br />
as an attack on Euphuism. The style of the courtiers in Love's<br />
Labour's Lost is rather the inflated metaphorical style made fashionable<br />
at the Spanish Court about this period by Luis de Gongora 1 ;<br />
and the play itself is an attack on violation of nature by convention<br />
or affectation of any kind, whether of speech or conduct, the general<br />
moral being that we are to recognize the homely necessity of facts<br />
and of natural limitations—' No egma, no riddle, no l'envoy; no<br />
salve in them all, sir ! O sir, plantain, a plain plantain !' ' A marvellous<br />
good neighbour, faith, and a very good bowler: but, for<br />
Alisander, —alas, you see how 'tis,—a little o'erparted V And so 3 in<br />
all the other cases where Shakespeare draws a superfine courtier,<br />
with a touch of braggardism or emptiness. Courtly affectation, not<br />
Lyly specially, nor his subjects, nor his style, is variously ridiculed<br />
in Proteus, in Cassio, in Parolles, in Osric : it is an object of aspiring<br />
imitation to Touchstone and Sir Andrew; it is ajjused and parodied<br />
by manly characters like Mercutio and Kent. Many characteristics<br />
of style are caricatured by Shakespeare: poverty of phrase in Nym,<br />
bombast like Marlowe's in Pistol, over-nicety of distinction in<br />
eine anspielung auf den Euphuismus haben, findet sich in der folgenden rede<br />
Falstaff's: ' If then the tree may be known by the fruity as the fruit by the tree,<br />
then, peremptorily I speak it, there is virtue in that Falstaff' (i Henry IV, ii. 4.<br />
409-11). Das vorbild zu dieser stelle findet sich im Euphues, p. 207 : ' Can his<br />
honour be called into question, whose honestie is so great ? Is he to be thought<br />
thriftlesse, who in all qualities of the minde is peerlesse ? No, no, the tree is known<br />
by his fruit,' &c. Eine andere stelle, in der der Euphuismus parodirt ist, findet<br />
sich in des prinzen rede, als dieser die rolle des konigs spielt. Nachdem er in<br />
einer reihe von schimpfwortem Falstaff charakterisirt hat, fahrt er so fort.<br />
' Wherein is he good, but to taste sack and drink it ? Wherein neat and cleanly,<br />
but to carve a capon and eat it ? Wherein running but in craft ? Wherein crafty<br />
but in villainy ? Wherein z/illainous, but in all things ? Wherein worthy, but in<br />
nothing ?' (Ibid. 435 sqq.) Hier haben wir eine periode gleichgebauter rhetorischer<br />
fragen, die selbst wieder aus antithesen bestehen, deren entsprechende glieder durch<br />
alliteration &c. hervorgehoben sind. Zu bemerken ist auch die schone climax,<br />
welche ganz ahnlich von Lyly zur charakteristik verwandt wird" (Englische<br />
Studien, vi. p. 102 (1883).)<br />
1 See Landmann's essay in the Transactions (N. S.S.), 1884, pp. 244-50, and<br />
Dr. Schwan's criticism, Englische Studien, vi. pp. 103-4.<br />
Luis de Gongora, born 1561, is mentioned as a known author by Cervantes as<br />
early as 1584: he was the chief contributor to Espinosa's collection of poetry in<br />
1605 (Ticknor's History of Spanish Literature, iii. 20 sqq.).<br />
a Love's Labour's Lost, iii. 1. 75, v. 2. 585.<br />
3 This and the next two pages are reprinted almost without change from my<br />
article in The Quarterly Review for Jan. 1896.
152 INTRODUCTORY ESSAY<br />
Launcelot, verbosity in Polonius and Salarino.[ Shakespeare knew<br />
* a many fools' that ' for a tricksy word' would ' defy the matter.'<br />
Lyly with his Euphuism was at worst only one among the rest; and<br />
Shakespeare must have felt himself too much indebted to the<br />
example of his predecessor to single him out as specially deserving<br />
of ridicule. For I cannot help feeling that Euphuism did exercise<br />
a marked influence upon his own prose, especially in the five years<br />
between 1596 and 1600 ; and that such influence tended to subtilize<br />
and strengthen his thought, and is visible even in the riper and<br />
more natural dialogue of later plays, such as that of the opening<br />
scene of The Winter's Tale, There is abundant evidence that he<br />
had carefully studied Lyly's comedies, most of which were printed<br />
after his own arrival in London (circ. 1585). In these comedies<br />
Euphuism, however diminished, is still plainly apparent; and Shakespeare,<br />
as he comes to know them better, and still more the Euphues<br />
itself, which was being constantly reprinted, betrays at whiles the<br />
unconscious infection, or deliberately chooses it as the occasionally<br />
appropriate vehicle for what he wishes to convey. In the prose of<br />
his earliest comedies, however these may exhibit the influence<br />
of Lyly's dramatic structure, I find no marks of the style at all 1 .<br />
1 No mechanical marks, that is, except so far as puns and word-play are such: i. e.<br />
he exhibits only something of the habits of I. (A), not of I. (a), see above, pp. i ao, 123.<br />
In the stuff and spirit of his earliest comic work he assimilates largely the spirit of<br />
Lyly's—the dialogue-scenes which exist chiefly for dialogue, not action; the preoccupation<br />
with wit and raillery which was what the last generation of critics, who<br />
had not reached our minute analysis, chiefly meant when they discussed Euphuism:<br />
and, incidental to this, he indulges in a certain amount of alliteration and punning<br />
and word-play. But his closer feeling, and reproduction, of Lyly's antithetic style<br />
come later. Mezieres (1863) perhaps feels the distinction, though he does not<br />
clearly state it. He shows how Shakespeare, on his arrival in London, c. 1585,<br />
must needs have been affected by the witty style of talk then all the fashion in<br />
society and on the stage; and he also recognizes that his apprenticeship to<br />
Euphuism left a permanent deposit on his own mind and style: but he does<br />
not discriminate the stages and degrees, does not see that the work of his middle<br />
period contains passages far more closely euphuistic than any in the early work,<br />
where the signs of external imitation are far more obvious.<br />
" Car Shakespeare a passe* par l'euphuisme. . . . Cela nous explique pourquoi<br />
nous trouvons, dans ses premieres pieces, un certain nombre de dialogues qui ne<br />
tiennent pas a Taction, qui pourraient en etre detaches sans difficulty, mais ou<br />
deux ou trois interlocuteurs font de propos delibere assaut d'esprit, uniquement<br />
pour montrer qu'ils en ont et pour deployer devant le public toutes les ressources<br />
de leur imagination. Benedict et Beatrix, dans Beaucoup d embarras pour rien;<br />
Lance et l'Eclair, dans les Deux Vfronais; Mercutio lui-meme, dans Romeo et<br />
Juliette, n'ont guere d'autres fonctions que d'engager une discussion avec le premier<br />
venu sur un mot, sur une phrase, sur une bagatelle qu'amene le hasard de la conversation,<br />
et d'en faire sortir une foule d'pigrammes, de quolibets et de calembours.<br />
Tout ce gronpe de personnages de Shakespeare vient en droite ligne de Lyly. lis<br />
ont lu VEuphues, Endytnion et Galathte, et c'est a cette exole qu'ils ont appris a
BUT ALSO IMITATES IT 153<br />
It appears • first in The Merchant of Venice, in the talk between<br />
Portia and Nerissa, and one or two other passages, and is constantly<br />
reappearing in the work of the next few years. [It crops up only in<br />
the mouths of people of rank and education, and chiefly in characters<br />
remarkable for wit, such as Falstaff, Prince Hal, Portia, Rosalind,<br />
Touchstone, or the Clown in Twelfth Night ] Doubtless we should<br />
have had it earlier in Shakespeare's work, had he sooner adopted<br />
the free mingling of prose with verse in his historical plays, or had<br />
the clowns qfjhe earliest comedies been, like the later ones, professional<br />
wits. ; Just as in his earliest comic work he imitates Lyly in<br />
the artificial balancing of group against group, and in the continual<br />
word-play and strain after wit, so in the riper comic work of his<br />
middle period (1596-1600) he follows Lyly by the introduction of<br />
a still larger amount of prose, and with it a certain share of his<br />
antithesis and pointed structure of sentences.] I must content<br />
myself with quoting a single instance, and that the earliest, a speech<br />
of Portia's; asking the reader to note in it the general antithetic<br />
structure, the euphuistic balance of substantive and epithet against<br />
substantive and epithet, the repetition of words to add point, the<br />
pun, the assonance, the alliteration, and referring him in a note to<br />
numerous other passages 1:<br />
' If to do were as easy as to know what were good to do, chapels had<br />
been churches, and poor men's cottages princes' palaces. It is a good<br />
distiller, comme ils le font, la quintessence du bel esprit." (Pre'de'cesseurs et Contemporains<br />
de Shakespeare, pp. 84-5.)<br />
" Celui-ci (Skakespeare) a cherche a s'en degager de bonne heure, et il s'en est<br />
meme un peu moque dans le role d'Armado [in a note he qualifies this by stating<br />
that it is ' l'emphase espagnole ' rather than Euphuism that Armado parodies];<br />
mais il a eu beau faire, il en a garde quelque chose toute sa vie. Outre qu'il lui a<br />
du une certaine delicatesse et une certaine grace de langage qu'il n'aurait peut-etre<br />
pas atteinte aussi facilement sans Texemple des Italiens et de Lyly, il a conserve*<br />
jusqu'a la fin, dans son style, quelques traces de raffinement et de recherche dont<br />
l'ongine n'est pas douteuse. Quand on voit ce genie si vigoureux et si franc donner<br />
quelquefois a sa pensee, meme dans ses meilleures pieces, une forme quintessenciee<br />
et subtile, on ne peut pas s'empecher de penser aux lecons qu'il a recues des<br />
euphuistes dans sa jeunesse." (Ibid. p. 87.)<br />
1 The references are to Clark and Wright's text:<br />
Merchant of Venice, i. 1. 114-18 Bassanio; 2. 1-36 Portia and Neiissa, 92-6,<br />
140-5. iii. 1. 41-4 Salarino, 92-101 Shylock and, in part, 55-76.<br />
1 Henry IV, i. 2. 1-5 Prince, 26-43 Falstaff and Prince, 140-8, 170-5.<br />
2 Henry IV, i. 2. 84-102 Falstaff, 138-49, 159-64, 196-209, 245-7, 255-60.<br />
ii. 2. 192-6 Prince ; and the first half-dozen lines of the Epilogue.<br />
Much Ado, i. 1. 173-8 Benedick, 240-8; 3. 11-19 Don John, 27-38, 69-70.<br />
ii. 1. 38-42 Beatrice; 3. 6-36 Benedick, iii. 3. 166-70 Borachio; 4. 80-90<br />
Margaret's repetition of words. iv. 1. 319-26 Beatrice.<br />
As You Like It, i. 2. 40-60 Rosalind and Celia, 92-6, 197-204 Orlando.
154<br />
INTRODUCTORY ESSAY<br />
divine that follows his own instructions: I can easier teach twenty what<br />
were good to be done, than be one of the twenty to follow mine own<br />
teaching. The frain may devise laws for the blood, but a hot temper leaps<br />
o'er a cold decree: such a hare is madness the youth, to skip o'er the<br />
weshes of good counsel the cripple. But this reasoning is not in the .<br />
fashion to choose me a husband. 0 me, the word " choose " ! I may<br />
neither choose whom I would, nor refuse whom I dislike', so is the will of<br />
a living daughter curbed by the will of a dead father. Is it not hard,<br />
Nerissa, that I cannot choose one, nor refuse none?' (Act i. sc. 2. 13-29.)<br />
SOURCES: The entry of Euphues in the Stationers' Register, Dec. 2, 1578,<br />
speaks of it as ' compiled by John Lyllie,' and in the Epistle Dedicatory<br />
to the Second Part we have a similar admission from himself 1 .<br />
Pettie In pointing to Pettie as Lyly's chief exemplar in the matter of style,<br />
I have shown how he is also indebted to him in respect of treatment.<br />
But his chief original in this department must, no doubt, be<br />
North sought in North's Diall of Princes, i.e. in Guevara's Libro Aureo.<br />
His debt was first exhibited by Dr. Landmann, and restated by<br />
Mrs. Humphry Ward in her article in the Encyclopaedia Britannica.<br />
If anything it has been overstated. The reader should guard against<br />
the notion that Lyly makes frequent verbal drafts upon the Diall.<br />
Words, and the deft manipulation of them, were his peculiar province<br />
; and the consciousness of a far superior skill would sufficiently<br />
debar him from much verbal indebtedness, though I have pointed out<br />
in my notes one or two passages, e.g. one from North's book ii. ch. 16,<br />
which does seem to have lent something to a passage on p. 249. His<br />
real debt consists in suggestion: throughout Part I the form, tone,<br />
and subjects of Guevara's work are largely the model of his own.<br />
" They coincide in their contents in many points, and both show the<br />
same dissertations on the same subjects. In both works are letters<br />
affixed at the end, and these letters treat of the same matter. In both<br />
occur the same persons, and some of these persons bear the same name.<br />
There is not much of a plot in either work ; the principal contents of each<br />
are long dialogues, soliloquies, and moral dissertations on love and<br />
iii. 2. 11-32 Touchstone and Corin—a possible parody, 46-9; 3. 12-15 Touchstone,<br />
50-64, 80-83. iv. i. 10-29 Jaques. Epilogue.<br />
Twelfth Night, i. 5. 47-59 Clown, 209-14 Olivia.<br />
1 Vol. ii. p. 5 1.26: ' if I seeme to gleane after an others Cart, for a few eares of<br />
corne, or of the Taylors shreds to make me a lyuery, I will not deny, but that 1<br />
am one of those Poets, which the painters faine to come vnto <strong>Home</strong>rs bason,<br />
there to lap vp that he doth cast vp.' It is noticeable, however, that throughout<br />
bis work he never mentions either North or Plutarch or Pettie by name.
LYLY'S DEBT TO GUEVARA 155<br />
ladies, God, friendship, courtship, youth and education, Court and<br />
country 1".<br />
For example, the name of Lucilla, the light-minded daughter of<br />
the Emperor who is rebuked by him in the fifth of the Letters at the<br />
end of the Diall, is also that of Lyly's fickle heroine, similarly<br />
rebuked by her father Ferardo, pp. 243-4; while Livia is the correspondent<br />
to whom the Emperor's last letter is addressed in the Diall,<br />
as her namesake is the recipient of Euphues' last in Part I of Lyly's<br />
romance, p. 320. Book ii. chh. 32-40 of the Diall deal with Education<br />
: therefore Lyly writes his treatise ' Euphues and his Ephoebus,'<br />
but goes, as Guevara did, directly to Plutarch, whom he practically<br />
translates with additions of his own. Guevara devotes chh. 4 and<br />
9-12 of his first Book to religious matters : hence Lyly feels it<br />
incumbent on him to introduce a dialogue between Euphues and<br />
Atheos to prove the existence of God ; but his dialogue owes<br />
nothing at all to Guevara's chapter. And, further, the Diall contains<br />
(1) (bk. i. 42) a letter from M. Aurelius to a disorderly nephew<br />
Episepo, at Athens, who prides himself on personal beauty, which<br />
suggests that of Euphues to Aldus, p. 316, who is similarly misengaged,<br />
but whose pride is based rather on old descent. (2) Two<br />
letters, to Domicio, iii. 34, and Torquado, iii. 41, to comfort them<br />
in banishment, which suggest one from Euphues to Botonio ' to take<br />
his exile patiently' (p. 313), taken, however, not from Guevara, but<br />
direct from Plutarch, De Exilio. (3) The tenth of the batch of<br />
Letters at the end of the Diall is from the Emperor ' To the amorous<br />
Ladies of Rome,' inveighing against their frivolity, and in the middle<br />
of it he pauses to exempt the respectable ladies of the capital from<br />
his censure ' 2 : so, too, Lyly writes a misogynist ' Cooling Carde,'<br />
pp. 246 sqq., followed by an amende ' To the graue Matrones and<br />
honest Maydens of Italy,' pp. 257-9. From another work of<br />
Guevara's, Aviso de privados y doctrina de cortesanos, North translated<br />
the fourth book of his Diall in the second edition ; and this,<br />
together with the Menosprecio del Corte (see note on p. 137 above), is<br />
the original of that opposition between Court and country which<br />
appears so often in these letters written by Euphues. A sufficiently<br />
clear indication that Lyly was really imitating the Diall is found in his<br />
careless adoption of the university of Athens, pp. 184,2 7 3 1.2 9,316, and<br />
of the Emperor, p. 319, of whom we have not previously heard, appro-<br />
1 Landmann's paper in Transactions of the New Shakspere Society, 1885, p. 255.<br />
2 See note on l A Cooling Carde/ p. 246.
156 INTRODUCTORY ESSAY<br />
priate enough in Guevara's work, but anachronisms in his own<br />
romance of Elizabethan life. With the First Part, however, Lyly's<br />
connexion with Guevara ceases. The mere introduction of the<br />
name Camilla, which Landmann says is borrowed from Guevara,<br />
and the fact that Fidus has retired from the Court, are entirely<br />
insufficient to give the Spaniard the slightest title in the Second<br />
Part; and even though the Diall, ii. 16, gives rules to enable a man<br />
to leave at peace with his wife, yet Lyly may with more probability<br />
be supposed to have received the suggestion, as he certainly borrows<br />
most of the matter, of his final letter to Philautus from the Conjugalia<br />
Praecepta of Plutarch.<br />
Plutarch To sum up his debt to Plutarch: his Ephoebus is a fairly close<br />
translation of the De Educatione; the letter to Botonio bears the same<br />
relation to Plutarch's De Exilio ; Euphues' advice to Philautus about<br />
his married life, vol. ii. pp. 223-7 sqq., is translated in the same free<br />
manner from Plutarch's Conjugalia Praecepta; and a whole page is<br />
inserted in the Ephoebus, p. 279, from the De Garrulitate. Besides<br />
this, a very large proportion of the anecdotes and historical<br />
allusions, in which the two novels abound, is drawn from the Regia et<br />
Imperatoria Apophthegmata, from the Apophthegmata Laconica, from<br />
other treatises, or from one or other of the Lives. Also the letter to<br />
Eubulus, on the death of his daughter, p. 310, is probably suggested<br />
by Plutarch's Consolatio ad Apollonium, or that ad Polybium,<br />
though possibly by the Diall, iii. 49. No English translation of<br />
Plutarch's Moralia existed before that in folio by Philemon Holland,<br />
1603; but there were many Latin versions, on one or other of<br />
which I think Lyly chiefly relied, though doubtless he had the<br />
Greek also before him.<br />
Pliny Among the classical authors to whom he is indebted, Pliny must<br />
take the next place. The notes will sufficiently illustrate his debt<br />
throughout to the Natural History ; but I may select for special<br />
mention the account Fidus gives of his bees, vol. ii. pp. 44-6, largely<br />
drawn from Book xi. chh. 10-12,17,18, 20, while on pp. 11 7-8 Lyly<br />
lifts fourteen lines of historical instances straight from Book xxvi. 9 1.<br />
1 As I have often referred in the notes to Bartholomaeus Anglicus, in connexion<br />
with the similes, and think Lyly may have turned to him occasionally rather than<br />
to Pliny, e.g. p. 191 'stone Abeston'; p. 208 'Dogge ... eateth grasse'; p. 219<br />
' worme eateth not the Ceder,' I append the title of Berthelet's beautiful black-letter<br />
folio :-Anno. M.D.XXXV. Bertholomevs de proprietatibus rerum. Londini in<br />
adibus Thofna Bertheleti regii impressoris. Cum privilegio a rege indulto. In<br />
the colophon John Trevisa,Sir Thos. Berkeley's chaplain, informs us that 'this<br />
translatio was ended at Berkeley, the vi. daye of Feuerer the yere of our lorde
AND TO <strong>THE</strong> CLASSICS 157<br />
For his perpetual allusions to classical mythology his chief source Ovid<br />
was undoubtedly Ovid, on whose Metamorphoses, fferoides, and Ars<br />
Amatoria, &c., he is perpetually drawing. Occasionally one doubts<br />
whether he did not rather use the succinct little accounts given in<br />
the Fabularum Liberof Hyginus, identified on no good authority with and<br />
Augustus' freedman, C. Julius Hyginus. In 1535 there was printed Hygimus<br />
at Basle a folio collection of the mythologies of Hyginus, Palaephatus,<br />
and Fulgentius, to which was added in 1549 the work of Phornutus,<br />
Albricius, and others. That Lyly used the work seems probable from<br />
his reproduction in the Woman in the Moone, ii. 1, of some lines of<br />
a Latin translation of Arams' Phaenomena, which are also embodied<br />
in this collection. An octavo edition, with the important addition of<br />
Apollodorus' Bibliotheca sive de Deorum origine, which I believe Lyly<br />
uses in regard to Apollo, p. 236, was printed at Paris in 1578.<br />
References to Aesop occur pretty frequently, the most notable Aesop<br />
being his reproduction of the fable of the Sun and the Wind, vol. ii.<br />
p. 224 (repeated in the Epilogue to Endimion) which however he<br />
took from the twelfth of Plutarch's Conjugalia Praecepla.<br />
The De Amicitia of Cicero affords him some matter for the rela- Cicero<br />
tions of Euphues and Philautus, while on the De Natura Deorum<br />
he makes considerable drafts, e.g. on pp. 291-2 eighteen lines are<br />
translated from book iii. 34 of that work, on p. 293 twenty-two lines<br />
from book ii. 5, in vol. ii. p. 1021.1 the allusion to Jason's imposthume<br />
comes from book iii. 28, and on p. 2041.4 the story about Simonides<br />
defining God is taken from book i. 22.<br />
Mr. G. C. Child 1 has, I find, anticipated me in pointing out that Caesar,<br />
Euphues' description of Britain (vol. ii. pp. 31-2) to the seasick yet<br />
patient Philautus is simply translated from the De Bello Gallico,<br />
v. 12-14. Indeed, Euphues acknowledges the debt.<br />
mccclxxxxvii. the yere of the reyne. of King Rycharde the seconde after the<br />
Conqtteste of Englande .xxii. The yere of my lordes age syre Thomas lorde of<br />
Berkeley, that made me to make this Translation jclvi.' And in this same connexion<br />
of similes, since both Parts abound in illustrations from medicine (in<br />
imitation of Pettie) and Euphues promises himself consolation from * the Aphorismes<br />
of Galen,' p. 241,1 add the title of a huge Froben folio of that famous work with<br />
Brasavola's notes—Antonio Mvsce Brasavoli Medici Ferrariensis in octo libros<br />
Apkorismorum Hippocratis & Galeni, Cotnmentaria & Annotations. .. Basileœ<br />
in officina Frobeniana Anno MD.XLI. For a handier source of such knowledge<br />
Lyly might turn to The newe Jewell of Health, wherein is contained the most<br />
excellent Secretes of Phisicke and Philosophic, deuided into fower Bookes....<br />
Gathered out of the best and most approved Authors, by that excellent Doctor<br />
Gesnerus... . Faithfully corrected and published in Englishe, by George Baker,<br />
Chirurgian. Printed at London, by Henrie Denham. 1576.<br />
1 John Lyly and Fuphuism, p. 33.
158 INTRODUCTORY ESSAY<br />
other To complete the list of classical sources that I have identified, there<br />
authors are many allusions to Seneca, e.g. p. 2841.36, to the De Brevit Vitae,<br />
c. 1; three anecdotes forwhich I find no adequate original save Valerius<br />
Maximus (p. 276 1. 2 Chrisippus and Melissa, from Val. Max. viii. 7.<br />
5 ; vol. ii. pp. 206 1. 32, patience of Zeno, from iii. 3. 2; p. 209 1.17<br />
Aemilia the Vestal, from i. 1. 7); two allusions at least to Suetonius'<br />
De Cesaribus (p. 77 1.12, Augustus' piercing eyes, from ii. .79;<br />
page 208 1.16,' I would we could not write,' from Nero, vi. 10); three<br />
to Aelian's De Natura Animalium, on pp. 144, 215 1. 25; vol. ii. p.<br />
131 1.13, and several to his Varia Historia, e.g. vol. ii. pp. 56 1. 7,<br />
107 1. 28, 203 1. 34, 213 11. 23-4; and a few to Virgil and <strong>Home</strong>r.<br />
Other Returning to the literature of his own country, we must add to the<br />
aulhors works of pettie and North (1) the Description of Britaine, by<br />
William Harrison, prefixed to the English section in Holinshed's<br />
Chronicle, 1577, from which Lyly freely borrows in his Glasse for<br />
Europe, so far as p. 196. (2) John Heywood's Proverbes, the first<br />
edition of which was printed in 1546; but in 1562 it was reprinted<br />
with large augmentations and title as below l . (3) A little black-letter<br />
Octavo by Edmund Tylney, Lyly's superior in the Revels Office at a<br />
later date, entitled A briefe andpleasaunt discourse of duties in Mariage<br />
with running-title ' The Flower of Friendship' (1568), from which he<br />
borrows a passage vol. ii. pp. 162-3 (see note in loco), and which<br />
he had before him, along with the Conjugalia Praecepta, in composing<br />
the letter to Phiiautus, pp. 223-7 sqq. (4) One cannot pass<br />
over without mention Painter's Palace of Pleasure, 1566-7 (2nd ed.<br />
1575), form which Lyly certainly takes the allusions to Cyrus and<br />
Panthea(tom. i. 11) on p. 250, to Demosthenes and Lais (torn. i. 15)<br />
vol. ii. p. 13 1. 28, to Zenobia (torn. ii. 14) on p. 210 1. 4, and possibly<br />
others: Fortescue's Foreste or Collection of Histories, no lesse profitable<br />
then pleasant and necessarie, dooen out of Frenche into Englishe by<br />
Thomas Fortescue... London ... 15 71, 4 0 , from which Lyly borrowed<br />
perhaps some of his title, some of his stories about Apelles, and the<br />
tale about moles and frogs on p. 249: Sir Geoffrey Fenton's<br />
Certaine Tragicall Discourses written oute of Frenche and Latin .. .<br />
London . , . 1567, 4 0 , whose third tale certainly gave him hints<br />
1 "Iohn Heywoodes woorkes. A dialogue conteyning the number of the<br />
effectuall prouerbes in the Englishe tounge, compact in a matter concernynge two<br />
maner of maryages. With one hundred of Epigrammes: and three hundred of Epigrammes<br />
vpon three hundred prouerbes: and a fifth hundred of Epigrams. Whervnto<br />
are now newly added a syxt hundred of Epigrams by the sayde Iohn Heywood,<br />
Thomas Powell: London, 156a." B. L. 8vo. Reprinted in 1566 and 1576.
<strong>THE</strong> FIRST ENGLISH NOVEL 159<br />
later on for The Woman in the Moone: and, lastly, the Hundreth<br />
sundrie Flowres (1573), which appeared in authorized form as The<br />
Posies of George Gascoigne, 1575, whose short prose tale, The<br />
Aduentures passed by Master F, I, (Ferdinando Ieronimo), in its<br />
subject-matter, its love-making, its letters, the coquetry of its heroine<br />
Elinor, and its general aspect as a picture of polite society, forms the<br />
only anticipation of Euphues in English literature 1.<br />
For when we turn our attention from the style and the sources <strong>THE</strong> <strong>BOOK</strong><br />
of the book to its actual contents, we find that has in reality ITSELF<br />
excellent claims to be considered an original work. [It is, in effect, English<br />
nothing less than the first English novel, the first holding-up to noucl,<br />
English men and women of the mirror of their own life and loves 2 .<br />
In Euphues we may actually mark the beginning of the inset of that<br />
mighty tide of prose fiction, which now, racing wide across the<br />
muddy flats and flooding up every hidden creek and inlet, is<br />
menacing ancient landmarks, and infecting and staying the limpid<br />
current of our mountain springs. The departure was half unconscious.<br />
A distinction should be drawn between the two Parts,<br />
a distinction of which the author was quite aware. It is shown even<br />
in their titles. That of the First Part contemplates only a male<br />
audience, and is rather an essay in philosophy than in fiction proper.<br />
The author's real object is to string together moral reflections on<br />
grave subjects, the gathered results of various reading.] Among<br />
these friendship holds a prominent place, a theme suggested, no<br />
doubt, by Cicero's treatise, of which there were already three several<br />
English translations. [ The form of a love-tale, though his own<br />
sympathies went along with it, was rather the presentation of folly<br />
under which he might shoot his wit, and win attention to a young<br />
man's utterance on questions of moment. The Anatomy of Wyt,<br />
as a whole, deserves to be considered rather as the prototype of<br />
the novel with a purpose than of the novel in general.] But in the<br />
Second Part this didactic aim is very much modified. ' Had I not<br />
named Euphues,' says the author in his dedication, 'fewe woulde<br />
haue thought it had bene Euphues V The title, observe, has no<br />
1 See p. 175 note. To these should be added some echoes in Part II of<br />
Sannazarro's Arcadia', see vol. ii. pp. 473 sqq. Note on Italian Influence.<br />
2 Friendship, already dealt with by Richard Edwardes in Damon and Piihias<br />
(cf. p. 186 1.14 note), and (presumably) in Palamon and Arcite, holds a prominent<br />
place also in Euphues and his England, in Campaspe (Alexander, Hephaestion and<br />
Apelles), and in Endimion between the hero and Kumenides.<br />
3 Vol. ii. p. 5 1. 14.
16o INTRODUCTORY ESSAY<br />
addressed invidious mention of 'Gentlemen,' no allusion to moral benefit to<br />
to women. be derived. Aiming now where moral improvement is inconceivable,<br />
we offer merely a liberal promise of amusement, ' pretie discourses<br />
of honest Loue,' and an assurance that these delights may<br />
be tasted harmlessly. And, turning the opening leaves, one finds<br />
the author, his duty paid to his patron, addressing himself directly<br />
' To the Ladies and Gentlewoemen of England,' openly professing<br />
that it is for them he writes. Let them read him as and when they<br />
like; let them merely finger his pages as they loll with the little<br />
dogs in their laps, even though they drop asleep the while. ' Euphues<br />
had rather lye shut in a Ladyes casket, then open in a<br />
Schollers studie'; and he has taken the most particular care ' that<br />
there shall be nothing found that may offend the chast minde with<br />
vnseemely tearmes, or vncleanly talke1.' We have never had this<br />
sort of thing before: or, if Pettie's friend ' R. B.' did preface his<br />
collection of old-world love-tales with an address 'To the gentle<br />
Gentlewomen Readers,' he said nothing so absolute as this. The<br />
men are nowhere, or at best are dismissed in curt business-like<br />
fashion when the claims of the fair are satisfied. It seems as if,<br />
in the wide attention aroused by his misogynist remarks in the<br />
First Part, Lyly had recognized his opportunity. He becomes aware<br />
of the mine he has opened, and works now with full consciousness<br />
in a form suggested, indeed, by the Italian novelists, but none the<br />
less original in English literature—the form of a romance of polite<br />
society. Lit is the first and triumphant assertion, by an English<br />
author, of literary interest to be derived, not from tales of classical<br />
history or mythology, nor from the adventures of mediaeval chivalry,<br />
but from the social intercourse of the modern world. ' With Euphues,'<br />
says M. Jusserand, ' commences in England the literature of the<br />
drawing-room 2.'<br />
Consequent As a consequence the portraiture of love and lovers is completely<br />
modernity, changed. In the chivalric romance our attention is asked for the<br />
dangers and hardships of the hero in its pursuit, or for the misfortunes<br />
and fidelity of the heroine.,' Lyly dwells upon love and<br />
love-making rather as the chief subject of interest and conversation,<br />
the underlying motive and mainspring of social intercourse, than<br />
for its own sake. It is polite society, its methods and customs, with<br />
1 Vol. ii. pp. 9 l. 4, 1o 1. 1o.<br />
2 The English Novel in the time of Shakespeare, p. 105 (ed. 1894).
PORTRAYS <strong>THE</strong> MODERN SOCIAL WORLD 161<br />
which he is really concerned ]the meeting and dalliance of young<br />
men and women, with the elders as a background, the oeillades, the<br />
polite speeches, the ' priuie nippes,' the repartees, the secret pangs,<br />
raptures and despairs, all, in fact, that women delight in, the whole<br />
imported charm that the passion derives from the fact that it is<br />
subject to the restraints and refinements of polite society. [Lyly's<br />
Cupid walks amid hothouse blooms and trim parterres, not in woodland<br />
glade or mountain upland. For the first time an author realizes<br />
that he must look to the verdict of the women as well as, or instead<br />
of, the men; and that women, whatever their culture, are always far<br />
more interested in the living and practical present than in the most,<br />
romantic aspect of the past. So, in Euphues, the feminine interest<br />
cracks at length the mould of knightly adventure in which it has long<br />
been forming. The masculine side, of prowess and achievement, is<br />
frankly discarded for the inner or mental side, the subjective history,<br />
of the tender passion; and we pass at once from mediaevalism and<br />
classic survival, and enter the modern world. We change lance and<br />
war-horse for walking-sword and pumps and silk stockings. We<br />
forget the filletted brows and wind-blown hair, the zone, the flowing<br />
robe, the sandalled or buskined feet, and feel the dawning empire<br />
of the fan, the glove, the high-heeled shoe, the bonnet, the petticoat<br />
and the parasol. With Lyly, in fact, we enter the path which leads<br />
to the Restoration dramatists, to Addison and to Pope; and in<br />
Lucilla and Camilla we are prescient of Millamant and Belind]<br />
Some sort of example for this great change Lyly might find in the<br />
translation oiFilocopo, mentioned above (p. 135), and still more in that<br />
of Castiglione'sIl Cortegiano, a book which, while taking leave of<br />
chivalric adventure, admirably embodies that spirit of fine courtesy<br />
and upright manliness which is the great bequest of chivalry to the<br />
world. But in Lyly the narrative thread assumes more importance The tale.<br />
than in The Courtyer, where it forms the merest framework; and the<br />
chivalric spirit undergoes large modifications. For the. story of<br />
Euphues is the story of a young man's passion and disillusion,<br />
disillusion followed by a gradual and partial leconstruction of his<br />
faith* in woman, though never of his happiness. Lucilla, the girl<br />
of whose affections he has robbed his friend and who soon deserts<br />
him for another, dies before the end of the First Part; and while<br />
Phiiautus easily finds consolation in England, Euphues appears<br />
henceforward as the old young man, the philosopher before his time,<br />
bitterly cynical at first, afterwards taking a somewhat melancholy<br />
BOND I M
l62 INTRODUCTORY ESSAY<br />
pleasure in observing the workings of a passion in which he has<br />
no further share. His chief occupation in the Second Part, where<br />
he is hardly the protagonist, is to sermonize and watch over the<br />
successive courtships of Philautus; and, at the close, while the rest<br />
are marrying and giving in marriage, he retires to indulge his<br />
melancholy vein in a lonely cave in the mountain of Silixsedra.<br />
Deficiency [ The book, being far less a picture of passion than of courtly<br />
ojacton.society, is consequently artificial, divorced from homely realities.<br />
It is deficient, too, in characterization and in pathos; but undoubtedly<br />
its chief defect is its want of action. 7 It is shown in that<br />
hasty slurring over of events important to the tale on which I have<br />
commented above1; and instances of similar indifference may be<br />
found in one or two textual errors of names 2 , and in the reference, vol.<br />
ii. p. 14 1.19, to Philautus' wish to answer, rather than admit the force<br />
of, the ' Cooling Carde,' a reference which ignores the intervention of<br />
' tenne yeares,' vol. i. p. 2861. 28. The want of action is probably referable<br />
to poverty of invention, which leads Lyly to expend his effort mainly<br />
Parallel- on discourses. Poverty of invention is discerned in the parallelism<br />
ism of the of the two Parts. The theme of reckless youth warned by old age,<br />
two Parts. J /<br />
represented by Euphues and Eubulus in Part I, is repeated in Callimachus<br />
and Cassander and in Fidus and Philautus in Part II.<br />
Euphues' love disappointment in Part I is repeated in those of Fidus<br />
and Philautus in Part II. In both Parts there is a quarrel and<br />
a reconciliation between the two friends; and Camilla's reception<br />
of Philautus' suit (as Iffida's of Fidus') is reminiscent of Lucilla's<br />
The Second initial prudery to Euphues. Nevertheless a distinct advance in art<br />
better may be claimed for the Second. Much more space is allowed to<br />
action; the voyage and journey of the friends are dwelt upon;<br />
Dover and London are described; social forms are reported in fuller<br />
detail. The characters, too, are more numerous; Fidus, Philautus,<br />
Iffida and Camilla being drawn with spirit: and variety is sought<br />
not only in incident, e.g. the appeal to Psellus, the quarrel and<br />
reconciliation between the friends, the rival suit of Surius, and the<br />
transfer of Philautus' affection from Camilla to Fraunces, but in such<br />
little matters as change of scene (the masque, vol. ii. p. 103 1. 27; the<br />
garden, p. 134 1. 3; the supper-party, p. 162), and still more in the<br />
1 P. 141.<br />
3 P. 214 1.35 'Euphues' put for' Philautus'; p. 3101.1' Ferardo' for' Eubulus'<br />
(corrected in the second ed.); vol. ii. p. 51 1. 26 'But he,' i.e. Philautus, who<br />
has not been recently named.
MERITS AND DEFECTS 163<br />
relation of the stories of Callimachus and of Fidus' courtship of<br />
Iffida, wherein a note of real pathos is struck. There is far less<br />
purely didactic matter: even though Euphues can always be relied<br />
on for a lecture, his preaching has a more immediate bearing on the<br />
action; and the letters, which in Part I were almost all thrown into<br />
a batch at the end, are now interwoven with the tale and minister<br />
to its interest. Nevertheless, the tediousness, for which Lyly once<br />
or twice apologized in the former work 1, is still felt; and [the book,<br />
as a whole, has another prime defect—one of humour.] Noamount Defect of<br />
of painful experience or repented folly can justify The ghastly prig- humour -<br />
gishness of Euphues' letter to the aged Eubulus in Part I, or even<br />
of his tone to Livia, p. 320, or to Philautus throughout the Second<br />
Part. Yet the latter affords evidence that this fault, too, had been<br />
partly perceived; for there is humour in the spectacle of Philautus<br />
lying too seasick to resent Euphues' tirade, vol. ii. pp. 33-4, in the<br />
timidity of Psellus confronted with the angry lover, and the ridicule<br />
he casts on love-charms, pp. 114--6, still more in the way Philautus<br />
attempts to turn the tables on his preaching friend, pp. 92-4,<br />
where, if the opportunity is a little marred by Philautus' real anger,<br />
it at least serves to betray Lyly's consciousness that sedate wisdom<br />
in a young man may be overdone. To these we may add 'his feet<br />
shold haue ben olde Helena,' p. 7 1. 11, and what is meant, I think,<br />
for a hit at travellers' tales on p. 34 11. 22 sqq.<br />
Further, there are passages where the excessive mannerism does Eloquence<br />
not prevent the attainment of a real, if but momentary, eloquence 2 and shre<br />
;<br />
and the book abounds in shrewd good sense, strong enough sometimesto<br />
overbear its priggish and pragmatical veirifas when Euphues<br />
tells Eubulus that the standard of conduct for ymith and ' crabbed<br />
age' can never be the same, p. 192, or Callimachus retorts on Cassander<br />
that the latter's mishaps as a traveller are no argument to persuade<br />
all men to stay at home, vol. ii. p. 2 711.25 sqq., or when the author<br />
decides with Philautus, p. 160 1. 29, 'that the ende of loue is the full<br />
fruition of the partie beloued'; and in apophthegms not unworthy,<br />
some of them, of a place in Bacon's Essays, e.g., ii. p. 23 1.27,' those<br />
that giue themselues to be bookish, are oftentimes so blockish, that<br />
1 e.g. PP. 198 1.8 and 215 1.10 'but I will not trouble you with superfluous<br />
addition, vnto whom I feare mee I have bene tedious, with the bare discourse of<br />
this rude historic.'<br />
2 Among such may be reckoned p. 202 1. 13 'How franticke are those loners<br />
... siluer potte'; p. 252 'Heere shalt thou beholde . .. slippe into thegraue 1 ;<br />
and vol. ii. p. 88 1. 30 Philautus' apostrophe of Italy and her vices.<br />
M2
164 INTRODUCTORY ESSAY<br />
they forget thrift,' or vol. i. p. 308 1. 18, of courtiers, 'All yt see not<br />
their folly, they account fooles, & all that speake against it, precise.'<br />
And if Lyly's wisdom sometimes wears to modern ears the air<br />
of platitude, it must be carefully remembered that he wrote in an<br />
age when the classics were still new, before Plato and Aristotle,<br />
Cicero and Plutarch and Seneca had poured their enriching flood<br />
into the stream of English literature. If Bacon and Shakespeare<br />
and the prose-writers of the seventeenth and eighteenth centuries<br />
expressed this wisdom more happily and less laboriously, it was<br />
Euphues who had first taught them to assimilate the fine material.<br />
It is no rhetorical figure to say that Lyly was almost the first<br />
Englishman into whose mind the philosophy of the ancients had<br />
sunk with fructifying power for English letters]; and if an exception<br />
can be claimed in Sir Thomas More, yet Lyly introduces us to<br />
a range of thought and knowledge at once wider and more intimate,<br />
embodies it in a more attractive and original form, and obtains<br />
for it a far wider and more influential circulation. To trace in<br />
detail all the sentiment that Lyly may have fathered in the writings<br />
of his immediate contemporaries and successors would be a useless<br />
and impossible task; but in the case of the most famous of them<br />
all it appears proper to point out the evidence of a close acquaintance<br />
with Lyly's two novels, evidence all the more convincing when<br />
we reflect that Shakespeare could claim no classical scholarship<br />
at all on a par with that of his highly-educated predecessor. In<br />
a volume entitled Shakespeare's Euphuism (London: 1871, 8vo),<br />
Mr. W. L. Rushton pointed out many of the following parallels.<br />
Some of those noted by him were merely instances of the employment<br />
by both of some common proverb or phrase; some I had<br />
independently observed; others have not, so far as I am aware,<br />
been noticed before at all. I present the collection without distinction,<br />
excluding all that strike me as merely proverbial.<br />
shake- Three instances, in the best-known plays, may be placed in the<br />
debt to forefront. The first is from Hamlet. The general opposition of<br />
1 Euphues' character between Euphues and Philautus is reflected in Valentine<br />
and Proteus, in Romeo and Paris, and in Hamlet and Laertes; but<br />
in the last of these cases the likeness is pointed by the fact that both<br />
Philautus and Laertes, in a foreign land, have a countryman named<br />
Reynaldo interested in them l , and by the further fact that Philautus<br />
is lectured by Euphues in words which, borrowed in part from the<br />
1 Euphues and his England, p. 97 1. 1.
EUPHUES AND SHAKESPEARE 165<br />
aged Eubulus 1, are obviously the original of Polonius' famous advice<br />
to Laertes, and intended, like that, to furnish Philautus with a guide<br />
to his conduct in a foreign country.<br />
EUPHUES.<br />
Vol. ii. pages 30-1.<br />
POLONIUS.<br />
' if these few precepts I giue thee be ' these few precepts in thy memory<br />
obserned'<br />
See thou character'<br />
'At thy comming into England .. .<br />
be not lauish of thy tongue'<br />
' euery one that shaketh thee by the<br />
hand is not joined to thee in heart':<br />
Cf. vol. i. p. 281 1. 15 'Wee should<br />
not shake every man by the hand: that<br />
is, we should not contract friendshippe<br />
wyth all': vol. ii. p. 149 1. 30 'Trust<br />
them thou hast tried.'<br />
' Be not quarrellous for euery lyght<br />
occasion'<br />
' It shal be there better to heare what<br />
they say, the" to speak what thou<br />
thinkest'<br />
Page 286.<br />
'Be merry but with modestie, be<br />
sober but not too sullen: be valiaunt<br />
but not too venturous: let your attire<br />
be comely, but not too costly . . . feare<br />
God, loue God, and God will blesse<br />
you.'<br />
' Give thy thoughts no tongue'<br />
' Be thou familiar, but by no means<br />
vulgar.<br />
Those friends thou hast, and their<br />
adoption tried,<br />
Grapple them to thy soul with hoops<br />
of steel,<br />
But do not dull thy palm with entertainment<br />
Of each new-hatch'd, unfledged comrade.'<br />
' Beware of entrance to a quarrel'<br />
' Give every man thy ear, but few thy<br />
voice:<br />
Take each man's censure, but reserve<br />
thy judgement'<br />
' Costly thy habit .<br />
. . . This above all<br />
be true,<br />
rich not gaudy;<br />
to thine ownself<br />
And it must follow, as the night the day,<br />
Thou canst not then be false to any<br />
man.'<br />
The second instance is from Borneo and Juliet, where the relations<br />
between Capulet, Juliet, Paris, and Romeo form a curious, and sometimes<br />
close verbal, reproduction of those between Ferardo, Lucilla,<br />
Philautus, and Euphues.<br />
EUPHUES.<br />
Page 199.<br />
' Philautus... crepte into credite with<br />
Don Ferardo, one of the chiefe gouernours<br />
of the citie ... his daughter heire<br />
to his whole reuenews'<br />
ROMEO AND JULIET.<br />
i. 2.<br />
Paris sues the wealthy and important<br />
old Capulet for the hand of' his sole<br />
daughter and heiress.<br />
1 P. 189 I.34, the passage beginning 'Descende into thine owne conscience,'<br />
&c, repeated near the close of Euphues and his Ephoebus, p. 286 11. 6-16, and<br />
partly incorporated with the lecture from which I mainly quote, vol. ii. p. 31.
166 INTRODUCTORY ESSAY<br />
EUPHUES.<br />
Page 227 1.7.<br />
Ferardo, after Philautus has ' serued<br />
... threeyeares faithfully' (p. 232 1. 33),<br />
' beeinge willinge to haue the match<br />
made, was content incontinently to<br />
procure the meanes'<br />
Page 219 I.34.<br />
Lucilla fears ' that if she should yeelde<br />
at the first assault, he (Euphues) woulde<br />
thinke hir a lyght huswife.'<br />
Page 213 1.12.<br />
' Neither can there bee vnder so delicate<br />
a hew lodged deceite' &c.<br />
Page 227 1. 17. Ferardo to Lucilla<br />
about Philautus—<br />
' Mine onely care hath bene hetherto<br />
to match thee ... At the laste I haue<br />
founde one aunswerable to my desire,<br />
a gentleman of great reuenewes, of a<br />
noble progenie, of honest behauiour, of<br />
comely personage,' &c.<br />
Page 228 1. 28.<br />
Lucilla 4 cannot but smile to heare . ..<br />
that the woeing should bee a day after<br />
the weddinge':<br />
Page 229 1.11.<br />
* My duetie therefore euer reserued,<br />
I heere on my knees forsweare Philautus<br />
. . . seeing I shall hardly bee induced<br />
euer to match with any' &c.<br />
ROMEO AND JULIET.<br />
iii. 4.<br />
Capulet, after putting Paris off in<br />
i. 2, is now eager to arrange the match<br />
at once, and puts it forward by a further<br />
day in iv. 2.<br />
ii. 2. 95 (Juliet to Romeo).<br />
' Or if thou think'st I am too quickly won,<br />
I'll frown and be perverse, and say thee<br />
nay,<br />
So thou wilt woo; but else, not for the<br />
world!'<br />
*iii. 2. 84.<br />
'0 that deceit should dwell<br />
In such a gorgeous palace !'<br />
*iii. 5. 179. Capulet about Juliet and<br />
Paris—<br />
' Alone, in company, still my care hath<br />
been<br />
To have her match'd: and having now<br />
provided<br />
A gentleman of noble parentage,<br />
Of fair demesnes, youthful and nobly<br />
train'd,<br />
Stuff d, as they say, with honourable<br />
parts,<br />
Proportioned as one's thought would<br />
wish a mau' &c.<br />
*iii. 5. 118 (Juliet).<br />
' I wonder at this haste; that I must<br />
wed<br />
Ere he, that should be husband, comes<br />
to woo.'<br />
iii. 5. 120.<br />
'I pray you, tell my lord and father,<br />
madam,<br />
I will not marry yet' &c.<br />
*iii. 5. 159.<br />
*Good father, I beseech you on my<br />
knees' &c.<br />
* It is noticeable that the five parallels to which I have affixed an asterisk appear<br />
first only in the Second Quarto of Romeo and Juliet, 1599. The bulk, both of<br />
these reminiscences and of euphuistic prose-passages (p. 153, note), are found in<br />
the work of the middle portion of Shakespeare's dramatic career.
EUPHUES AND SHAKESPEARE 167<br />
EUPHUES.<br />
Page 243 1. 26 (Ferardo).<br />
'I that am father to one more then<br />
I would be although one be all, haue<br />
that one most disobedient to me in a request<br />
lawfull and reasonable.'<br />
Page 241 11. 37 sqq. Euphues recognizes<br />
the element of excess in his conduct—<br />
' Most true it is that the thing y e<br />
better it is the greater is the abuse, and<br />
that ther is nothing but through the<br />
mallice of man may be abused. .. Doth<br />
not Treacle as wel poyson as helpe?<br />
... Is not poyson taken out of the<br />
Honnysuckle by the Spider, venime out<br />
of the Rose by the Canker,' &c.<br />
Page 218 1. 22, vol. ii. p. 73 1. 22.<br />
' one droppe of poyson disperseth it<br />
selfe into euerye vaine.'<br />
ROMEO AND JULIET.<br />
iii. 5. 165 (Capulet).<br />
' Wife, we scarce thought us bless'd,<br />
That God hath lent us but this only<br />
child;<br />
But now I see this one is one too much,<br />
And that we have a curse in having her.'<br />
ii. 3. 19. Romeo receives counsels of<br />
moderation from the Friar, whose<br />
previous moralizings are verbally reproductive<br />
of the passage opposite—<br />
' Naught so good, but strain'd from that<br />
fair use,<br />
Revolts from true birth, stumbling on<br />
abuse.<br />
. . . Within the infant rind of this small<br />
flower<br />
Poison hath residence and medicine<br />
power . ..<br />
Two such opposed kings encamp them<br />
still,<br />
In man as well as herbs, grace and rude<br />
will' &c.<br />
v. 1. 60.<br />
' A dram of poison, such soon-speeding<br />
gear<br />
*As will disperse itself through all the<br />
veins.'<br />
My third instance is Jaques in As You Like If, who is simply<br />
Euphues Redivivus. In Lodge's Rosalynd, on which Shakespeare<br />
founded his drama, Euphues is the supposed author of the tale,<br />
which professes to have been 'found after his death in his Cell<br />
at SilexedraV Shakespeare, therefore, admits Euphues himself to<br />
a share in the events he is supposed to have related, under the name<br />
of 'the melancholy Jaques,' who accordingly presents the familiar<br />
features of Lyly's hero. Like Euphues, Jaques has made false steps<br />
in youth, which have somewhat darkened his views of life: like<br />
Euphues, he conceals under a veil of sententious satire a real goodness<br />
of heart, shown in his action towards Audrey and Touchstone.<br />
A traveller, like Euphues or like Cassander 2 , he has ' a melancholy<br />
of his own, compounded of many simples, extracted from many<br />
objects'; and is prepared, as his prototype actually does, to lecture<br />
1 Title-page of edition of 1592.<br />
2 Vol. ii. p. 271. 24 ' you haue bene a Trauailer and tasted nothing but sowre,' &c.
168 INTRODUCTORY ESSAY<br />
his contemporaries on every conceivable theme. He will moralize<br />
every spectacle, and, free charter given,<br />
' will through and through<br />
Cleanse the foul body of the infected world.'<br />
Finally, like Euphues, he is something out of harmony with<br />
youthful pastimes and the life of luxury and dalliance \ While the<br />
others are busy with wedding festivities and their return to Court,<br />
Jaques bethinks him of matter to be learned from a converted duke,<br />
as Euphues learned from Fidus or the hermit Cassander, and retires,<br />
like Euphues to Silixsedra, to indulge his melancholy at the ' deserted<br />
cave.' These resemblances and the full title of Lodge's novel<br />
considered, it seems impossible to avoid the conclusion that we have<br />
in Jaques a reproduction of, and a verdict on, the hero of Lyly's<br />
famous book 2 .<br />
The large remainder of parallel passages must be relegated to<br />
a separate table, where I have arranged them in the chronological 1<br />
order of Shakespeare's plays (pp. 169-175). The reader will find<br />
there close verbal resemblance between sentiments in Euphues and<br />
utterances of Gaunt, of the king in All's Well, of Hamlet, of Thersites,<br />
of Othello and Iago, of Prospero and of Perdita. Philautus in<br />
love recalls the names of great conquerors who have suffered from<br />
the same flames, and Armado imitates him. Falstaff's humorous<br />
complaint of the Chief Justice's intolerance of youthful follies seems<br />
borrowed, with the addition of the humour, from Euphues' answer<br />
to Eubulus' lecture. Philautus' dispatch of a love-letter to Camilla<br />
in a pomegranate, from which the kernel has been extracted, is made<br />
the subject of one of Lafeu's scoffs at Parolles. Rosalind's proposal<br />
that Orlando shall woo her, as though she were his very Rosalind,<br />
is anticipated by Iffida's permission to Fidus to personate her absent<br />
knight 3 . The rapid change of fashions, and the English medley<br />
of those of foreign countries finds plenty of illustration "in the novel<br />
as it does in The Merchant and Much Ado. Beatrice's spiteful<br />
criticisms of men have been noted by Euphues in the mouths of<br />
1 The opposition between the sophisticated and the simple life, between Court<br />
and country, so marked throughout the play, is redolent of Guevara's Menosprecio<br />
del Corte. That work was translated by Sir Francis Bryan in 1548, and reprinted<br />
(1575) With title A looking glasse for the Court: but Shakespeare is much more<br />
likely to have imbibed its spirit through the Euphues. See pp. 137 note, 155.<br />
2 The parallel was first pointed out in my Quarterly article, Jan. 1896, John<br />
Lyly: Novelist and Dramatist, p. 127.<br />
3 In Nash's Jack Wilton (1594), p. 101, Surrey at Venice woos his fair fellowprisoner,<br />
Diamante, as proxy for his absent Geraldine.
EUPHUES AND SHAKESPEARE 169<br />
women generally; and the bitter speech of that gentleman about<br />
the vanity and deceitfulness of the sex 1 is, possibly enough, the<br />
original suggestion of similar bitterness in the mouths of Hamlet,<br />
of Troilus, of Othello and Posthumus. ( Even the similes from<br />
natural history 2 , though part of the common mental furniture of<br />
the age, are more likely to have reached Shakespeare through Lyly<br />
than by any other channel) If I have included in my list of parallels<br />
one or two where the chances of connexion and independence are<br />
about equal, yet I believe the student will acknowledge that the<br />
great majority are too close to be the result of chance. Doubtless<br />
many more could be cited, with more diligent search; but enough<br />
are given to prove Shakespeare's intimate knowledge of the two<br />
Parts of Euphues, and with this proof I may fitly commend the<br />
reader to the text. In the essay in the second volume on 'Lyly<br />
as a Playwright,' I have endeavoured to show how Shakespeare is<br />
indebted to our author not merely for phrases, similes or ideas, but<br />
in the more important matter of dramatic technique.<br />
SHAKESPEARIAN PARALLELS OF PASSAGES IN<br />
EUPHUES.<br />
EUPHUES. SHAKESPEARE.<br />
Page 225 1. 35 (also 317 1. 12). L. L. L. i. 1. 204.<br />
1<br />
not his great mannors, but thy good<br />
manners'<br />
Costard makes the same pun.<br />
Vol. ii. page 70 1. 18. iv. 1. no.<br />
' three sutors (and yet neuer a good ' Who is the suitor ?<br />
Archer)'—pun on ' shooter.' . . . Why she that bears the bow.'<br />
Vol. ii. page 112 11. 21 sqq. i. 2. 60.<br />
Philautus in love reminds himself that Armado imitates him.<br />
great heroes have suffered the same<br />
flames.<br />
Page 293 1. 25. 1 Henry VI, i. 1. 2.<br />
' Comettes, which euer prognosticate ' Comets, importing change of times and<br />
some straunge mutation' states.'<br />
Page 221 1.35. 2 Henry VI, iv. 7. 86.<br />
' rulers (have) large reches' ' Great men have reaching hands.'<br />
1 Euphues, pp. 248-9, 253-6, vol. ii. 141 11. 22-9.<br />
2 Such as the jewel in the toad's head [Euph, p. 202, vol. ii. 991. 8, As You Like<br />
It, ii. 1. 13); the 'kind life-rendering pelican' {Hamlet, iv. 5. 146, Euph. ii. in<br />
1. 29); the basilisk whose glance is fatal (Euph. ii. 1701. 17, Rich. HI, i. 2.150); or<br />
the lapwing that 'flyeth with a false cry farre from'her neste' (Euph. ii. 4 1. 18,<br />
Com. of Errors, iv. 2. 27).
170 INTRODUCTORY ESSAY<br />
EUPHUES.<br />
Pages 200-1,<br />
Euphues and Lucilla play on'shadow'<br />
and ' substance'<br />
Vol. ii. page 108 1. 14.<br />
'things aboue thy height are to be<br />
looked at, not reached at' (cf. p. 411. 30)<br />
Page 199. Description of the friendship<br />
of Euphues and Philautus—<br />
' they vsed not onely one boord, but<br />
one bedde, one booke . . . Their friendship<br />
augmented euery day, insomuch y t<br />
the one could not refraine y e company<br />
of y e other one minute, all things went<br />
in comon betweene them,' &c.<br />
Page 314 1. 5.<br />
'Plato would neuer accompt him<br />
banished . .. wher y e same Sunne &<br />
the same Moone shined, whereby he<br />
noted that euery place was a countrey<br />
to a wise man' &c.<br />
1. 20 * when it was cast in Diogenes<br />
teeth that the Synoponetes had banished<br />
hym Pontus, yea, sayde hee, I them<br />
of Diogenes.' (From Plutarch.)<br />
Vol. ii. page 194 1. 15.<br />
1 The attire they [the English] vse is<br />
rather ledde by the imitation of others<br />
. • . nowe vsing the French fashion,<br />
nowe the Spanish, then the Morisco<br />
gownes' &c.<br />
Vol. ii. page 170 1. 9.<br />
'Loue breedeth by nothing sooner<br />
than lookes':<br />
Cf. p. 59 l. 13 ' Loue cometh in at the<br />
eye' &c.<br />
SHAKESPEARE.<br />
Two Gentlemen, iv. 2. 120 sqq.<br />
Proteus and Silvia play on the same<br />
words.<br />
iii. 1. 156.<br />
' Wilt thou reach stars, because they<br />
shine on thee ?'<br />
Mids. N. Dr. iii. 2. 198 sqq.<br />
' the counsel that we two have shared,<br />
The sisters* vows, the hours that we have<br />
spent<br />
When we have chid the hasty-footed time<br />
For parting us . . .<br />
. . . created both one flower,<br />
Both on one sampler, sitting on one<br />
cushion,<br />
Both warbling of one song,' &c.<br />
Cf. As You Like It, i. 3. 69 :<br />
' we still have slept together,<br />
Rose at an instant, learn'd, play'd, eat<br />
together,<br />
And wheresoe'er we went, like Juno's<br />
swans,<br />
Still we went coupled and inseparable.'<br />
Rich. II, i. 3. 275. Gaunt to the<br />
banished Bolingbroke—<br />
' All places that the eye of Heaven visits<br />
Are to a wise man ports and happy<br />
havens.'<br />
' Think not the king did banish thee<br />
But thou the king.'<br />
Cf. Cor. iii. 3. 122 (to the rabble) 'I<br />
banish you.'<br />
Merch, of V. i. 2.73 (of the Englishman),<br />
' How oddly he is suited! I think he<br />
bought his doublet in Italy, his round<br />
hose in France, his bonnet in Germany,<br />
and his behaviour every where.'<br />
iii. 2. 63.<br />
' Tell me where is fancy bred, . . .<br />
It is engendered in the eyes,<br />
By gazing fed.'
EUPHUES AND SHAKESPEARE 171<br />
EUPHUES.<br />
Page 190 1. 30.<br />
'Who so seuere as the Stoyckes, which<br />
lyke stockes were moued with no<br />
melody?' The pun is repeated p. 210.<br />
Page 314 1. 34.<br />
' Philip falling in the dust, and seeing<br />
the figure of his shape perfect in shewe :<br />
Good God sayd he, we desire y e whole<br />
earth and see how little serueth' (from<br />
Plutarch. Probably, however, the original<br />
for Shakespeare was either Campaspe,<br />
v. 4. 55, or Midas, iii. I. 14,<br />
'What should I doe with a world of<br />
ground, whose body must be content<br />
with seaven foot of earth ?')<br />
Page 192 1. 36. Euphues remonstrates<br />
with Eubulus—<br />
' Doe you measure the hotte assaultes<br />
of youth, by the colde skirmishes of<br />
age ?' &c.<br />
Page 251 I.13.<br />
' The fattest grounde bringeth foorth<br />
nothing but weedes'<br />
Page 193 I.19.<br />
' The Sun shineth vppon the dungehill,<br />
and is not corrupted '<br />
Vol. ii. pages 44-6.<br />
Fidus' account of his bees.<br />
Vol. ii. page 60 1. 30. A noble man in<br />
Sienna, disposed to jest, says to a<br />
lady—<br />
' I know not how I shold commend<br />
your beautie, because it is somwhat to<br />
brown, nor your stature being somwhat<br />
to low' &c.<br />
Page 315 1. 26.<br />
' Aristotle must dine when it pleaseth<br />
Philip, Diogenes when it lysteth Diogenes<br />
'<br />
SHAKESPEARE.<br />
Merck, off.v, 1. 8r.<br />
To be insensible to music is to be<br />
' stockish, hard, and full of rage.'<br />
Taming of the Shrew, i. 1. 31.<br />
' Let's be no Stoics, nor no stocks, I<br />
pray.'<br />
1 Henry IV, v. 5. 89 (the Prince over<br />
Hotspur)—<br />
'When that this body did contain a<br />
spirit,<br />
A kingdom for it was too small a bound;<br />
But now, two paces of the vilest earth<br />
Is room enough.'<br />
2 Henry IV, i. 2. 196 sqq. (Falst,aff)<br />
' You that are old, consider not the<br />
capacities of us that are young: you<br />
measure the heat of our livers with the<br />
bitterness of your galls' &c.<br />
iv. 4. 54.<br />
'Most subject is the fattest soil to<br />
weeds.'<br />
Merry Wives, i. 3. 61.<br />
* Then did the sun on dunghill shine.'<br />
Henry V,i. 2. 183 sqq.<br />
Canterbury's description of the bees.<br />
Much Ado, i. 1. 167. Benedick says of<br />
Hero—<br />
' she's too low for a high praise, too<br />
brown for a fair praise, and too little<br />
for a great praise; only this commendation<br />
I can afford her' &c.<br />
i. 3- 14-<br />
Don John says—' I must... eat when<br />
I have a stomach, and wait for no man's<br />
leisure,' grumbling at his position as<br />
Don Pedro's courtier.
172 INTRODUCTORY ESSAY<br />
EUPHUES.<br />
Vol. ii. page 105 1. 29. Camilla at the<br />
masque to Philautus—<br />
'1 neuer looked for a better tale of so<br />
ill a face.'<br />
Vol. ii. page 3 1. 24.<br />
'As froward as the Musition, who,<br />
being entreated, will scarce sing sol fa '<br />
&c.<br />
Page 249 1. 9.<br />
' Dost thou not knowe that woemen<br />
deeme none valyaunt, vnlesse he be too<br />
venturous ? That they accompte one a<br />
dastarde, if he be not desperate, a pinche<br />
penny if he be not prodigal!, if silente<br />
a sotte, if full of wordes a foole ? Peruersly<br />
do they alwayes thinck of their<br />
louers, and talke of them scornfully'<br />
&c.<br />
Page 254 1.1.<br />
' If he be cleanly, then terme they<br />
him proude, if meane in apparel, a<br />
slouen, if talle, a longis, if shorte, -a<br />
dwarfe, if bolde, blunte, if shamefaste,<br />
a cowarde. Insomuch, as they haue<br />
neyther meane in theire frumpes, nor<br />
measure in theire folive.'<br />
Page 254 1. 17. Euphues recommends<br />
a like course to Philautus as a cure<br />
for infatuation—<br />
'If she be well sette, then call hir<br />
a Bosse, if slender, a Hasill twigge, if<br />
Nutbrowne, as blacke as a coale' &c.<br />
Vol. ii. page 78 11. 24-30.<br />
Iffida allows Fidus to court her for<br />
Thirsus.<br />
Page 247 I.5.<br />
' Ipse, hee,' of Curio asserting his<br />
predominance with Lucilla.<br />
Vol. ii. p. 60 1. 35.<br />
'why then, quoth he, doest thou<br />
thinke me a foole? thought is free<br />
my Lord, quoth she*<br />
SHAKESPEARE.<br />
Much Ado, ii. 1. 93. Hero to Don<br />
Pedro at the masque—<br />
' When I like your favour; for God<br />
defend the lute should be like the case.'<br />
ii. 3-<br />
The reluctance of Balthasar to sing.<br />
iii. 1. 59.<br />
' I never yet saw man<br />
But she would spell him backward: if<br />
fair-faced,<br />
She would swear the gentleman should<br />
be her sister:<br />
If black, why, Nature drawing of an<br />
antique<br />
Made a foul blot; if tall, a lance illheaded<br />
;<br />
If low, an agate very vilely cut;<br />
If speaking, why, a vane blown with all<br />
winds,<br />
v<br />
If silent, why, a block moved with none.<br />
So turns she every man the wrong side<br />
out<br />
And never gives to truth and virtue that<br />
Which simpleness and merit purchaseth.'<br />
Taming of Shrew,<br />
ii. 1. 247.<br />
' Kate, like the hazel-twig,<br />
Is straight, and slender; and as drown<br />
in hue<br />
As hazel-nuts' &c.<br />
As You Like It, iii. 2. 447.<br />
Orlando woos the shepherd-youth for<br />
his absent Rosalind.<br />
v. 1. 47.<br />
Touchstone to William about Audrey—<br />
'All your writers do consent that<br />
ipse is he: now, you are not ipse, for I<br />
am he.'<br />
Tw. Night, i. 3. 64.<br />
' Sir Andrew. Fair lady, do you think<br />
you have fools in hand '. . . .<br />
' Maria. Now, sir, thought is free.'
EUPHUES AND SHAKESPEARE<br />
EUPHUES.<br />
Vol. ii. page 155 1. 12.<br />
'true loue lacketh a tongue and is<br />
tryed by the eyes'<br />
Vol. ii. page 162 1. 4.<br />
' I can be content with beefe [instead<br />
of Quailes, proposed] . . . my wit will<br />
shew with what grosse diot I haue<br />
beene brought vp.'<br />
' addle egg . . . idle head,' an assonance<br />
found once or twice; also p. 299<br />
1. 32 ' idle heads . . . adle aunsweres,'<br />
p. 325 1. 13 ' addle egge . . . idle bird'<br />
Page 224 1. 10.<br />
' in the coldest flinte there is hotte<br />
fire'<br />
Vol. ii. page 67 1. 5.<br />
'You talke of your birth, when I<br />
knowe there is no difference of blouds<br />
in a basen, and as lyttle doe I esteeme<br />
those that boast of their ancestours<br />
and haue themselues no vertue,' &c.<br />
Cf. the letter to Alcius, vol. i. pp. 316-7.<br />
Vol. ii. page 125 1. 2.<br />
Philautus sends a love-letter in a<br />
pomegranate from which the kernel has<br />
been extracted.<br />
Page 193 I.18.<br />
' It is y° disposition of the thought<br />
yt altereth y e nature of y e thing'<br />
Page 289 1. 9.<br />
'Like the bird in the limebush which<br />
the more she striueth to get out, ye<br />
faster she sticketh in'<br />
SHAKESPEARE.<br />
Tw. Nighty ii. 2. 19.<br />
' She made good view of me; indeed,<br />
so much<br />
That methought her eyes had lost her<br />
tongue,<br />
For she did speak in starts distractedly.<br />
She loves me, sure.'<br />
i. 3. 85.<br />
'lama great eater of beef, and, I<br />
believe, that does harm to my wit.'<br />
Tro. and Cr. v. r. 56-8.<br />
'Agamemnon . . . loves quails, but<br />
he has not so much brain as earwax.'<br />
Cf. ii. 1.14 (of Ajax) ' beef-witted lord.'<br />
i. 2. 133.<br />
' addle egg . . . idle head.'<br />
iii. 3- 257.<br />
' it lies as coldly in him as fire in a<br />
flint.'<br />
All's Well ii. 3. 125.<br />
' Strange is it that our bloods<br />
Of colour, weight, and heat, pour'd all<br />
together,<br />
Would quite confound distinction, yet<br />
stand off<br />
In difference so mighty ! . . .<br />
. . . that is honour's scorn<br />
Which challenges itself as honour's born<br />
And is not like the sire,' &c.<br />
ii. 3- 375.<br />
Parolles has been 'beaten in Italy<br />
for picking a kernel out of a pomegranate.'<br />
Hamlet, ii. 2. 255.<br />
' There is nothing good or bad, but<br />
thinking makes it so.'<br />
iii. 3. 69.<br />
'O limed soul, that struggling to be<br />
free<br />
Art more engaged.'
174<br />
EUPHUES.<br />
Page 214 1.1.<br />
'Seing a desperate disease is to be<br />
comitted to a desperate Doctor'<br />
Page 255 1.8.<br />
' Cardinals curtisans'<br />
Page 188.<br />
'a woman so exquisite that . . .<br />
Pigmalions Image was not halfe so<br />
excellent, hauing one hande in hys<br />
pocket as notinge their thefte* &c.<br />
Pages 187-8.<br />
Eubulus, lecturing Euphues—<br />
'. . . good Gardeiners who in their<br />
curious knottes mixeHisoppewythTime<br />
. . . sowed Hempe before Wheat, that<br />
is discipline before affection.'<br />
Page 206 1.1.<br />
' the broken boane once sette together<br />
is stronger then euer it was'<br />
Vol. ii. page 101 1. 23.<br />
* Flatter me not to make me better<br />
than I am, belye me not to make me<br />
worse: forge nothing of malice, conceal<br />
nothing for loue.'<br />
Vol. ii. page 116.<br />
Psellus enumerates various parts of<br />
animals used in brewing love-charms.<br />
Vol. ii. page 98 1. 25.<br />
' With the Ægyptian thou playest<br />
fast and loose.'<br />
Vol. ii. page 18 1. 5.<br />
'The torch tourned downward is<br />
extinguished with the self-same wax<br />
which was the cause of his light'<br />
INTRODUCTORY ESSAY<br />
SHAKESPEARE.<br />
Ham. iv. 3. 9.<br />
' diseases desperate grown<br />
By desperate appliance are relieved.'<br />
Meas.for Meas. ii. 1. 81.<br />
*'a woman cardinally given.'<br />
in. 2. 45.<br />
' What, is there none of Pygmalion's<br />
images, newly made woman, to be had<br />
now, for putting the hand in the pocket<br />
and extracting it clutch'd ?'<br />
Othello, i. 3. 324.<br />
Iago similarly compares the discipline<br />
of fleshly desires to the work of ' gardeners<br />
' who 'set hyssop and weed up<br />
thyme' &c. Cf. Z. Z. Z. i. 1. 249<br />
' thy curious-knotted garden.'<br />
ii. 3. 320.<br />
' This broken joint. . . entreat her to<br />
splinter; . . . this crack of your love<br />
shall grow stronger than it was before.'<br />
v. 2. 342.<br />
' Speak of me as I am: nothing extenuate,<br />
Nor aught set down in malice.'<br />
Macbeth, i. 3 and iv. I.<br />
Some of the vocabulary of the Witches'<br />
incantation may be derived from or<br />
suggested by that passage.<br />
Ant. and Chop. iv. 12. 28.<br />
'Like a right gipsy hath at fast and<br />
loose<br />
Beguiled me to the very heart of loss.'<br />
Pericles, ii. 2. 32.<br />
The device of the fourth knight is—<br />
'A burning torch that's turned upside<br />
down;<br />
The word, Quod me alit, me extinguit'<br />
(Perhaps suggested to both authors<br />
by some book of Emblems.)
EUPHUES AND SHAKESPEARE 175<br />
EUPHUES.<br />
Page 202 1. 5.<br />
' if we respect more the outward shape<br />
then the inwarde habit . . . into what<br />
blyndenesse are we ledde!'<br />
Page 222 1.17.<br />
' swill the drinke that will expire thy<br />
date'<br />
Vol. ii. page 21 1. 35.<br />
'hadde not . . . the certeyntie and<br />
assurance of our Mothers fidelitie perswaded<br />
the world we had one father . . .<br />
it woulde verye hardelye haue beene<br />
thought' &c.<br />
Vol. ii. page 43 1. 35.<br />
' how vaine is it . . . that the foote<br />
should neglect his office to correct the<br />
face*<br />
Vol. ii. page 224 1. 34.<br />
'Women are starke mad if they be<br />
ruled by might, but with a gentle raine<br />
they will bear a white mouth'<br />
Vol. ii. page 54 1. 34.<br />
1 It is pitie Lady you want a pulpit,<br />
hauing preached so well ouer the pot'<br />
(of Iffida)<br />
Vol. ii. page 39 1. 4.<br />
' Cæsar reioyced . . . when hee heard<br />
that they talked of his valyant exploits<br />
in simple cottages, alledging this, that<br />
a bright Sunne shineth in every corner.'<br />
SHAKESPEARE.<br />
Per. ii. 2. 56.<br />
' Opinion's but a fool, that makes us<br />
scan<br />
The outward habit by (for ?) the inward<br />
man.'<br />
iii. 4. 14.<br />
' till your date expire' i.e. till your<br />
death.<br />
Tempest, i. 2. 56.<br />
' Mir. Sir are not you my father ?<br />
Prop. Thy mother was a piece of virtue,<br />
and<br />
She said thou wast my daughter.'<br />
i. 2. 472.<br />
1 My foot my tutor !'<br />
Wint. Tale, i. 2. 94.<br />
' you may ride 's<br />
With one soft kiss a thousand furlongs,<br />
ere<br />
With spur we heat an acre.'<br />
iv. 4. 592.<br />
' I cannot say 'tis pity<br />
She lacks instructions, for she seems a<br />
mistress<br />
To most that teach' (of Perdita).<br />
iv. 4- 455-<br />
' The self-same sun that shines upon his<br />
court<br />
Hides not his visage from our cottage,<br />
but<br />
Looks on alike.'<br />
NOTE.—I must add to what I have said about Lyly's sources above, that his<br />
language in certain places, e.g. pp. 201 11. 32sqq., 216-7, 241, vol.ii. P. 61 1. 5,<br />
213 1. 3, suggests that he was familiar with Lodovico Domenichi's La Nobilta delle<br />
Donne (Venice, 1549), or with G. F. Capella's Delia Eccellenza et Dignita delle<br />
Donne (Rome, 1525), or at least with one of those English discussions on the<br />
respective merits of the sexes, entered in the Stationers' Register under early years<br />
(e.g. 'The Defense of Women,' 1562 or 3, Arb. Transcript, i. 213), and probably<br />
founded on the Italian. See Introduction II to my forthcoming edition of Bercher's<br />
Nobylytye off Wymen for the Roxburgh Club. A late specimen of this kind of<br />
tract, one which makes pretty free drafts on Euphues itself, is The Araignment of<br />
Lewde, idle, froward, and vnconstant women, &c., London, 1615. See, further,<br />
the Note on Italian Influence, vol. ii. pp. 473 sqq.
1 EUPHVES.<br />
<strong>THE</strong> ANATOMY<br />
OF WYT.<br />
Very pleafant for all Gentle-<br />
men to reade, and moft necef-<br />
fary to remember:<br />
wherin art contained the delights<br />
that Wyt followeth in his youth by the<br />
pleafauntnefle of Loue, and the<br />
happynefle he reapeth in<br />
age, by<br />
the perfectnefle of<br />
Wifedome.<br />
\ By Iohn Lylly Mafter of<br />
Arte. Oxon,<br />
1 Imprinted at London for<br />
Gabriell Cawood, dwelling<br />
in Paules Churchyarde.<br />
BOND I N
SYMBOLS, ETC., USED IN <strong>THE</strong> TEXTUAL FOOTNOTES<br />
EDITIONS are referred to by the letter attached to them in the List of Editions,<br />
pp. 100-3 J where no such letter is attached, by the date, actual or supposed, of<br />
the edition. The reading of the text is always that of A for Part I, or of M for<br />
Part II, unless otherwise specified. Where the reading of either of these appears<br />
in the footnotes, the reading adopted is that of the next edition (T in Part I, A in<br />
Part II) or of the earliest in which the error of A or M is corrected.<br />
Every footnote implies a collation of all the old editions down to 1636, except<br />
those marked with a dagger in the List, i.e. except those of 1585, 1587, 1605,<br />
1606 of Part I, and of 1581-1592, 1605,1613 of Part II, though for 1582 (G) of<br />
Part II I have reproduced the variations or omissions reported in Arber's text.<br />
For example, ' B' or ' C-E' attached to any variant or omission reported implies<br />
that all collated editions before and after B, or before C and after E, follow the<br />
reading of the text.<br />
' Rest' after a symbol (' G rest,' ' Frest') implies the agreement of all subsequent<br />
editions with that denoted by the symbol.<br />
i Before ' and ' after' always relate to some word or words added, not to words<br />
merely substituted, nor to a mere transposition.<br />
'Only' after a symbol means that the word (or words) cited in the note is<br />
unrepresented by any word at all, like or unlike, in the o'ther collated editions. •<br />
If a word cited from a line in the text occurs more than once in that line, it has<br />
a small distinguishing number affixed to it in the footnote ; thus, his 1 ].<br />
Unless the footnote be solely orthographical, the spelling given therein is not<br />
necessarily that of any other edition than the first named in such footnote.<br />
' M' in Part I includes both M 1 and M 2 , which are of the same edition, though<br />
M 2 is imperfect. ' E' in Part I includes both E 1 and E 2 , which are of different<br />
though neighbouring editions : it was long before the distinction became apparent<br />
to me; and since each was bound with and similar in form to the 1597 edition<br />
of Part II (E), I thought it better to retain the same symbol for both and differentiate<br />
by numbers.
F To the right honorable my very<br />
good Lord and Master Sir William West<br />
Knight, Lord Delaware: Iohn Lyly<br />
wissheth long lyfe with<br />
5 encrease of honour.<br />
PARATIVS drawing the counterfaite of Helen (right honorable)<br />
made the attier of hir head loose, who being demaunded why<br />
he dyd so, he aunswered, she was loose. Vulcan was painted<br />
Ic curiously, yet with a polt foote. Venus cuningly, yet with hir Mole.<br />
Alexander hauing a Skar in his cheeke helde his finger vpon it that<br />
Appelles might not paint it, Appelles painted him with his finger<br />
cleauing to his face, why quod Alexander I layde my finger on my<br />
Skarre bicause I would not haue thee see it, (yea sayd Appelles) and<br />
15 I drew it there bicause none els should perceiue it, for if thy finger<br />
had bene away, either thy Skarre would haue ben seene, or my arte<br />
mislyked: whereby I gather, that in all perfect workes aswell the<br />
fault as the face is to be showen. The fairest Leopard is sette downe<br />
with his spots, the swetest Rose with his prickles, the finest Veluet<br />
20 with his bracke. Seing then that in euery counterfaite as well the<br />
blemish as the bewtie is coloured: I hope I shal not incur the<br />
displeasure of the wise, in that in the discourse of Euphues I haue<br />
aswel touched the vanities of his loue, as the vertues of his lyfe.<br />
The Persians who aboue all their Kings most honored Cyrus, caused<br />
25 him to be engrauen aswel with his hoked nose, as his high forehead.<br />
He that loued <strong>Home</strong>r best concealed not his flattering, & he that<br />
praised Alexander most bewrayed his quaffing. Demonydes must<br />
1 This Epistle Dedicatory and the following address To the Gentlemen<br />
Readers are wanting in M 1 which lacks the first four leaves, and in C l , which<br />
lacks the first five leaves 3 De la wane TM 1 : De la Wane CG: de la<br />
Warre E rest 9 he om. GE rest 10 plot E Venus . . . Mole A :<br />
Lgeda . . . blacke haire TM 1 rest 13 quoth E rest 14 yea (said Apelles)<br />
E rest 18 sette downed: made TM 1 rest 19 his 1 ] the F rest the<br />
swetest Rose . . . bracke A: the finest cloth with his lyst, the smoothest shooe<br />
with his laast TM 1 rest, G alone substituting hath his last for with his laast<br />
24 their] other £ rest<br />
N2
18o <strong>THE</strong> EPISTLE DEDICATORY<br />
haue a crooked shooe for his wry foote Damocles a smoth gloue for<br />
his streight had. For as euery Paynter that shadoweth a man in all<br />
parts, giueth euery peece his iust proporcion, so he that disciphereth<br />
the qualities of the mynde, ought aswell to shew euery humor in his<br />
kinde, as the other doth euery part in his colour. The Surgion that 5<br />
maketh the Anatomy sheweth aswel the muscles in the heele, as the<br />
vaines of the hart. If then the first sight of Euphues, shal seeme to<br />
light to be read of the wise, or to foolish to be regarded of the<br />
learned, they ought not to impute it to the iniquitie of the author,<br />
but to the necessitie of the history. Euphues beginneth with loue i0<br />
as allured by wyt, but endeth not with lust as bereft of wisedome.<br />
He wooeth women prouoked by youth, but weddeth not himselfe<br />
to wantonesse as pricked by pleasure. I haue set down the follies<br />
of his wit without breach of modestie, & the sparks of his wisedome<br />
without suspicion of dishonestie. And certes I thinke ther be mo 15<br />
speaches which for grauitie wil mislyke the foolish, then vnsemely<br />
termes which for vanitie may offed the wise. Which discourse (right<br />
Honorable) I hope you wil the rather pardon for the rudenes in that<br />
it is the first, & protect it the more willingly if it offend in that it<br />
shalbe the laste. It may be that fine wits wil descant vpon him, 20<br />
that hauing no wit goeth about .to make the Anatomy of wit; And<br />
certeinly their iesting in my mynd is tollerable. For if the butcher<br />
should take vpon him to cut the Anatomy of a man, bicause he hath<br />
skil in opening an Oxe, he would proue himself a Calfe: or if the<br />
Horselech would adueture to minister a Potion to a sick patiet, in 25<br />
that he hath knowledge to giue a drench to a diseased Horse, he<br />
would make himselfe an Asse. The Shomaker must not go aboue<br />
his latchet, nor the hedger meddle with anye thing but his bill. It<br />
is vnsemely for the Paynter to feather a shaft, or the Fletcher to<br />
handle the pensill. All which thinges make most against me, in 30<br />
that a foole hath intruded himselfe to discourse of wit. But as<br />
I was willing to commit the fault, so am I content to make amendes.<br />
Howsoeuer the case standeth I looke for no prayse for my labour,<br />
but pardon for my good will: it is the greatest rewarde that I dare<br />
aske, and the least that they can offer. I desire no more, I deserue 35<br />
no lesse. Though the stile nothing delight the dayntie eare of the<br />
curious sifter, yet wil the matter recreate the minde of the courteous<br />
Reader. The varietie of the one wil abate the harshnes of the<br />
3 his] a E rest 19 it 1 om. G 20 shalbe] may be TAP rest 23 had<br />
& rest 37 lifter £
<strong>THE</strong> EPISTLE DEDICATORY 181<br />
other, Thinges of greatest profit, are sette foorth with least price.<br />
When the Wyne is neete there needeth no Iuie-bush. The right<br />
•Coral needeth no colouring. Where the matter it selfe bringeth<br />
credit, the man with his glose winneth smal commendation. It is<br />
5 therfore me thinketh a greater show of a pregnant wit, then perfect<br />
wisedome, in a thing of sufficiet excellencie, to vse superfluous eloquence.<br />
We comonly see that a black ground doth best beseme<br />
a white counterfeit. And Venus according to the iudgemgt of Mars,<br />
was then most amyable, when she sate close by Vulcanus. If these<br />
1o thinges be true which experience tryeth, that a naked tale doth<br />
most truely set foorth the naked truth, that where the countenaunce<br />
is faire, ther neede no colours, that paynting is meter for ragged<br />
walls the fine Marble, that veritie then shineth most bright whe she<br />
is in least brauery : I shal satisfie myne own mynde, though I cannot<br />
15 feede their humors, which greatly seke after those that sift the finest<br />
meale, & beare the whitest mouthes. It is a world to see how<br />
English men desire to heare finer speach then the language will<br />
allow, to eate finer bread then is made of Wheat, to weare finer<br />
cloth then is wrought of Woll. But I let passe their finenesse, which<br />
20 can no way excuse my folly. If your Lordship shal accept my good<br />
wil which I alwaies desired, I will patiently beare the il wil of the<br />
malicious, which I neuer deserued.<br />
Thus committing this simple Pamphlet to your<br />
Lordships patronage, & your Honour to the Almigh-<br />
25 ties protection: for the preseruation of the which<br />
as most bounden, I will praye continually,<br />
I ende.<br />
Your Lordships seruaunt to<br />
commaund: I. Lyly.<br />
2 Where TM 1 rest 4 is] it A 9 Vulcan TM 1 rest 15 that]<br />
which E rest 17 the] theyr £ rest 18 to 2 ] or E rest 19 made E rest<br />
21 haue before alwaies TM 1 rest 28 Worships E 29 I. Lyly AC:<br />
I. Lylly TM": I. Lily G: John Lylie E l : Iohn Lyhe E l rest
To the Gentlemen Readers.<br />
I<br />
Was driuen into a quandarie Gentlemen, whether I might send<br />
this my Pamphlet to the Printer or to the pedler. I thought<br />
it to bad for the presse, & to good for the packe. But seing my<br />
folly in writing to be as great as others, I was willing my fortune<br />
should be as ill as any mans. We commonly see the booke that at 5<br />
Christmas lyeth bound on the Stacioners stall, at Easter to be broken<br />
in the Haberdasshers shop, which sith it is the order of proceding,<br />
I am content this winter to haue my doings read for a toye, that<br />
in sommer they may be ready for trash. It is not straunge when as<br />
the greatest wonder lasteth but nyne days : That a newe worke 10<br />
should not endure but three monethes. Gentlemen vse bookes,<br />
as gentlewomen handle theyr flowres, who in the morning sticke<br />
them in their heads, and at night strawe them at their heeles.<br />
Cheries be fulsome when they be through rype, bicause they be<br />
piety, & bookes be stale when they be printed, in that they be 15<br />
common. In my mynde Printers and Taylors are bound chiefely<br />
to pray for Gentlemen, the one hath so many fantasies to print,<br />
the other such diuers fashions to make, that the pressing yron of<br />
the one is neuer out of the fyre, nor the printing presse of the other<br />
any tyme lyeth still. But a fashion is but a dayes wearing, and 20<br />
a booke but an howres reading, which seeing it is so, I am of<br />
a shomakers mynde, who careth not so the shooe hold the plucking<br />
on, nor I, so my labours last the running ouer. He that commeth<br />
in print bicause he would be knowen, is lyke the foole that commeth<br />
into the market bicause he would be seene. I am not he that 25<br />
seeketh prayse for his labour, but pardon for his offece, neither doe<br />
I set this foorth for any deuotion in print, but for dutie which I owe<br />
to my Patrone. If one write neuer so well, he cannot please all,<br />
5 any mans] anyes TM 1 rest 6 Christmas AM 1 : Midsomer T: Easter C rest<br />
Easter A M 1 Christmasse T rest 8 winter AM 1 : Summer T rest 9<br />
sommer AM 1 : Winter T rest 10 newe] now F 16 chiefely bound G rest<br />
1 8 sundry E rest 20 at before any G rest 22 a] the TM 1 rest<br />
pulling E 2 rest 23 nor TM 1 rest', and A 24 in] to Frest 27 in]<br />
to F rest
TO <strong>THE</strong> GENTLEMEN READERS 183<br />
and write he neuer so ill hee shall please some. Fine heads will<br />
pick a quarrell with me if all be not curious, and flatterers a thanke,<br />
if any thing be currant. But this is my mynde, let him that fyndeth<br />
fault amende it, and him that liketh it, vse it. Enuie braggeth but<br />
5 draweth no bloud, the malicious haue more mynde to quippe, then<br />
might to cut. I submit my selfe to the iudgement of the wise, and<br />
I little esteme the censure of fooles. The one will be satisfyed with<br />
reason, the other are to be aunswered with sil6ce. I know gentlemen<br />
wil fynde no fault without cause, and beare with those that deserue<br />
10 blame, as for others I care not for their iestes,<br />
for I neuer ment to make them<br />
my Iudges.<br />
Farewell.<br />
4 a fault E rest liketh] ly- E 2 7 I om. TM l rest 11 meane E 1 rest
EVPHVES.<br />
THere dwelt in Athens a young gentleman of great patrimonie,<br />
& of so comely a personage, that it was doubted whether<br />
he were more bound to Nature for the liniaments of his person, or<br />
to fortune for the encrease of his possessions. But Nature impatient<br />
of comparisons, and as it were disdaining a companion, or copartner 5<br />
in hir working, added to this comlinesse of his body suche a sharpe<br />
capacitie of minde, that not onely shee proued Fortune counterfaite,<br />
but was halfe of that opinion that she hir selfe was onely currant.<br />
This younge gallant, of more wit then wealth, and yet of more<br />
wealth then wisdome, seeing himselfe inferiour to none in pleasant 10<br />
conceipts, thought himselfe superiour to al in honest conditions,<br />
insomuch yt he deemed himselfe so apt to all things, that he gaue<br />
himselfe almost to nothing, but practising of those things comonly<br />
which are incident to these sharp wits, fine phrases, smoth quipping,<br />
merry taunting, vsing iesting without meane, & abusing mirth 15<br />
without measure. As therefore the sweetest Rose hath his prickel,<br />
the finest veluet his brack, the fairest flowre his bran, so the sharpest<br />
witte hath his wanton will, and the holiest heade his wicked waye.<br />
And true it is that some men write and most men beleeue, that in<br />
all perfecte shapes, a blemmish bringeth rather a liking euery way 20<br />
to the eyes, then a loathing any waye to the minde. Venus had hir<br />
Mole in hir cheeke which made hir more amiable: Helen hir scarre<br />
on hir chinne which Paris called Cos amorts, the Whetstone of loue.<br />
Aristippus his wart, Lycurgus his wenne: So likewise in the disposition<br />
of y e T<br />
minde, either vertue is ouershadowed with some vice, 25<br />
or vice ouercast with some vertue. Alexander valiaunt in warre,<br />
yet gyuen to wine. Tullie eloquent in his gloses, yet vayneglorious :<br />
Salomon wyse, yet to too wanton: Dauidholye but yet an homicide:<br />
none more wittie then Euphues, yet at the first none more wicked.<br />
The freshest colours soonest fade, the teenest Rasor soonest tourneth 30<br />
4 vnpatient F rest 11 though Trest al his honest ZM 12 thought<br />
Trest 14 indicent M 14-5 quipping ... iesting] quippes, merry tauntes,<br />
iestinge TM: quippes, merry tauntes using iestinge C rest 17 finest floure<br />
E rest 21 ROtn.E rest 33 on] in Trest 25 eitheir A 30 keenest E rest
<strong>THE</strong> ANATOMY OF WYT 185<br />
his edge, the finest cloathe is soonest eaten wyth Moathes, and the<br />
Cambricke sooner stained then the course Canuas: whiche appeared<br />
well in this Euphues, whose witte beeinge lyke waxe apte to receiue<br />
any impression, and hauinge the bridle in hys owne handes, either<br />
5 to vse the raine or the spurre, disdayning counsayle, leauinge his<br />
countrey, loathinge his olde acquaintance, thought either by wytte<br />
to obteyne some conquest, or by shame to abyde some conflicte,<br />
and leauing the rule of reason, rashly ranne vnto destruction, [who<br />
preferring fancy before friends, & his present humor, before honour<br />
10 to come, laid reaso in water being to salt for his tast, and followed<br />
vnbrideled affection, most pleasant for his tooth. When parents<br />
haue more care how to leaue their childre' wealthy the wise, & are<br />
more desirous to haue them mainteine the name, then the nature<br />
of a gentleman: when they put gold into the hands of youth, where<br />
15 they should put a rod vnder their gyrdle, when in steed of awe they<br />
make them past grace, & leaue them rich executors of goods,<br />
& poore executors of godlynes, then is it no meruaile, yt the son<br />
being left rich by his fathers Will, become retchles by his owne<br />
wi]L But]<br />
20 It hath bene an olde sayed sawe, and not of lesse truth then<br />
antiquitie, that witte is the better if it bee the deerer bought: as<br />
in the sequele of thys historie shall mosfce manifestlye appeare. It<br />
happened thys young Impe to ariue at Naples (a place of more<br />
pleasure then profite, and yet of more profite then pietie) the very<br />
25 walles and windowes whereof shewed it rather to bee the Tabernacle<br />
of Venus, then the Temple of Vesta.<br />
There was all things necessary and in redinesse that myght<br />
eyther allure the minde to luste, or entice the hearte to follye, a<br />
courte more meete for an Atheyst, then for one of Athens, for<br />
30 Ouid then for Aristotle, for a gracelesse louer then for a godly<br />
lyuer : more fitter for Paris then Hector; and meeter for Flora then<br />
Diana.<br />
Heere my youthe (whether for weerinesse hee coulde not, or for<br />
wantonnesse woulde not goe anye further) determined to make<br />
35 hys abode: whereby it is euidently seene that the fleetest fishe<br />
swalloweth the delicatest bayte, that the highest soaring Hawke<br />
1 the before Moathes G rest 4 hauinge ... handes] bearing the head in his<br />
owne hande Trest 8 and . . . destruction A only 8-19 who preferring<br />
. . . will. But (11 lines) added Trest 9 his] this G 17 it is C rest<br />
18 Father, will F rest by his 2 ] in her G: in his E rest 24 pittie E<br />
34 woulde] he would E rest
i86 EUPHUES<br />
trayneth to the lure, and that the wittiest skonce is inuegled wyth the<br />
soddeyne viewe of alluringe vanities.<br />
Heere hee wanted no companions whiche courted hym continuallye<br />
with sundrye kindes of deuises, whereby they myght eyther<br />
soake hys purse to reape commoditie, or sooth hys person to wynne 5<br />
credite, for hee had guestes and companions of all sortes.<br />
There frequented to his lodging and mancion house as well the<br />
Spider to sucke poyson, of his fine wyt, as the Bee to gather hunny,<br />
as well the Drone, as the Doue, the Foxe as the Lambe, as well<br />
Damocles to betraye hym, as Damon to bee true to hym: Yet hee 10<br />
behaued hymselfe so warilye, that hee [singled his game wiselye. Hee<br />
coulde easily disceme Appollos Musicke, from Pan his Pype, and<br />
Venus beautie from Iunos brauerye, and the faith of Zcelius, from<br />
the flattery of Aristippus, hee welcommed all, but trusted none, hee<br />
was mery but yet so wary, that neither the flatterer coulde take ad- 15<br />
uauntage to entrap him in his talke, nor y e wisest any assurance of<br />
his friendship: who being demaunded of one what countryman he<br />
was, he answered, what countryman am I not ? if I be in Crete, I can<br />
lye, if in Greece I can shift, if in Italy I can court it: if thou aske<br />
whose sonne I am also, I aske thee whose sonne I am not. I can 20<br />
carous with Alexander, abstaine with Romulus, eate with the Epicure,<br />
fast with the Stoyck, sleepe with Endimion, watch with Chrisippus,<br />
vsing these speaches & other like.] an olde Gentleman in Naples<br />
seeinge hys pregnaunt wytte, his Eloquent tongue somewhat tauntinge,<br />
yet wyth delight, his myrthe wythout measure, yet not wythout 25<br />
wytte, hys sayinges vaineglorious, yet pythie, beganne to bewayle hys<br />
nurture: and to muse at hys Nature, beeinge incensed agaynste the<br />
one as moste pernicious, and enflamed wyth the other as moste precious<br />
: for hee well knewe that so rare a wytte woulde in tyme eyther<br />
breede an intollerable trouble, or bringe an incomperable Treasure 30<br />
to the common weale : at the one hee greatly pittied, at the other he<br />
reioysed.<br />
Hauinge therefore gotten opportunitie to communicate with him<br />
hys minde, wyth watrye eyes, as one lamentinge his wantonnesse,<br />
and smilinge face, as one louinge his wittinesse, encountred him on 35<br />
thys manner.<br />
1 braine T rest 4 eyther om. E rest 7 and mancion house A only<br />
11 after hee A adds coulde single out his game wiselye, insomuche that replaced<br />
in Trest by the bracketed passage 11 -2 3 singled his game wiselye. Hee . . .<br />
like. An (13 lines) added Trest 15 but] he £ rest 19 Creece G<br />
20 also om, E rest
<strong>THE</strong> ANATOMY OF WYT 187<br />
Young gentleman, although my acquaintaunce bee small to intreate<br />
you, and my authoritie lesse to commaund you, yet my good will in<br />
giuing you good counsaile should induce you to beleeue mee, and<br />
my hoarie haires (ambassadors of experience) enforce you to follow<br />
5 mee, for by howe much the more I am a straunger to you, by so<br />
much the more you are beholdinge to mee, hauing therefore opportunitie<br />
to vtter my minde, I meane to bee importunate wyth you to<br />
followe my meaninge. As thy birth doth shewe the expresse and<br />
liuely Image of gentle bloude, so thy bringing vp seemeth to mee<br />
10 to bee a greate blotte to the linage of so noble a brute, so that I am<br />
enforced to thincke that either thou dyddest want one to giue thee<br />
good instructions, or that thy parentes made thee a wanton wyth to<br />
much cockeringe, either they were too foolishe in vsinge no discipline,<br />
or thou too frowarde in reiecting their doctrine, eyther they willinge<br />
15 to haue thee idle, or thou wylfull to bee ill employed. Dyd they<br />
not remember that whiche no man ought to forgette, that the tender<br />
youth of a childe is lyke the temperinge of newe waxe apte to receiue<br />
any forme? Hee that wyll carry a Bull wyth Milo, must vse to<br />
carrye him a Calfe also, hee that coueteth to haue a straight tree,<br />
20 muste not boowe hym beeinge a twigge. The Potter fashioneth his<br />
claye when it is softe, and the Sparrowe is taught to come when hee<br />
is younge : As therefore the yron beeinge hotte receyueth any forme<br />
with the stroake of the Hammer, and keepeth it beeinge colde for<br />
euer, so the tender witte of a childe if with diligence it bee instructed<br />
25 in youth, wyll with industrye vse those qualities in hys age.<br />
They might also haue taken example of the wise husbandmen, who<br />
in their fattest and most fertill grounde sowe Hempe before Wheate,<br />
a grayne that dryeth vp the superfluous moysture, and maketh the<br />
soyle more apte for come: Or of good Gardeiners who in their<br />
30 curious knottes mixe Hisoppe wyth Time as ayders the one to the<br />
growth of the other, the one beeinge drye, the other moyste: or<br />
of cunning Painters who for the whitest woorke caste the blackest<br />
grounde, to make the Picture more amiable. If therefore<br />
thy Father had bene as wise an husbandman, as hee was a<br />
35 fortunate husbande, or thy Mother as good a huswyfe as shee<br />
was a happye wyfe, if they had bene bothe as good Gardners to<br />
keepe their knotte, as they were grafters to brynge foorth such fruite,<br />
6 beholdinge so all good before opportunitie E rest 12 a om,<br />
F rest 25 hys om. C rest 26 Husbandman E rest 27 their]<br />
the £ rest soweth E rest 30-1 the growth of om. £ rest 32 the 1 ]<br />
their G rest 34 an] a E rest
188 EUPHUES<br />
or as cunninge Painters, as they were happie parentes, no doubte<br />
they had sowed Hempe before Wheate, that is discipline before<br />
affection, they had set Hisoppe wyth Time, that is manners wyth<br />
witte, the one to ayde the other: and to make thy dexteritie more,<br />
they had caste a blacke grounde for their white woorke, that is, they 5<br />
had mixed threates wyth faire lookes.<br />
But thinges past, are paste callinge agayne, it is to late to shutte<br />
the stable doore when the steede is stolen : The Troyans repented<br />
to late when their towne was spoiled: Yet the remgbraunce of thy<br />
former follies might breede in thee a remorse of conscience, and 10<br />
bee a remedy against further concupiscence. But nowe to thy<br />
present tyme : The Lacedemonians were wont to shewe their children<br />
dronken men and other wicked men, that by seeinge theire filth they<br />
might shunne the lyke faulte, and auoyde suche vices when they were<br />
at the lyke state. The Persians to make theire youth abhorre glut- 15<br />
tonie woulde paint an Epicure sleeping with meate in his mouthe,<br />
& most horribly ouerladen with wine, that by the view of such<br />
monsterous sightes, they might eschewe the meanes of the like<br />
excesse.<br />
The Parthians to cause their youthe to loath the alluringe traines 20<br />
of womens wyies and deceiptful entisementes, had most curiously<br />
carued in their houses a younge man blinde, besides whome was<br />
adioyned a woman so exquisite, that in some mennes iudgement<br />
Pigmalions Image was not halfe so excellent, hauing one hande in<br />
hys pocket as notinge their thefte, and holdinge a knyfe in the other 25<br />
hande to cutte hys throate : If the sight of such vglye shapes caused<br />
a loathinge of the like sinnes, then my good Euphues consider their<br />
plight, and beware of thyne owne perill. Thou art heere in Naples<br />
a younge soiourner, I an olde senior, thou a straunger, I a Citizen,<br />
thou secure doubtinge no mishappe, I sorrowfull dreadinge thy mis- 30<br />
fortune. Heere mayste thou see that which I sighe to see, dronken<br />
sottes wallowinge in euery house, in euery chamber, yea, in euery<br />
channell, heere maiste thou beholde that whiche I cannot wythout<br />
blushinge beholde, norwythoute blubbering vtter, those whose bellies<br />
bee their Gods, who offer their goodes as sacrifice to theyre guttes: 35<br />
who sleepe wyth meate in their mouthes, wyth sinne in their heartes,<br />
and wyth shame in their houses.<br />
3 affaction A 9 thy] their E rest 14 suche] the lyke TM 16 his<br />
before meate £ rest 17 most om. E rest 21 deciptfull A 25 their]<br />
hir Trest 32 house] corner G rest 35 as] a E rest to twice G
<strong>THE</strong> ANATOMY OF WYT 189<br />
Heere, yea, heere Euphues, maiste thou see not the carued visarde<br />
of a lewde woman, but the incarnate visage of a lasciuious wanton,<br />
not the shaddowe of loue, but the substaunce of luste: My hearte<br />
melteth in droppes of bloude, to see a harlot with the one hande<br />
5 robbe so many cofers, and wyth the other to rippe so many<br />
corses.<br />
Thou arte heere amiddest the pykes betweene Scilla and Caribdis,<br />
readye if thou shunne Syrtes, to sincke into Semphlagades.<br />
Let the Lacedemonian, the Persian, the Parthian, yea, the Neapo-<br />
10 litan, cause thee rather to detest suche villanie, at the sight and<br />
viewe of their vanitie.<br />
! Is it not farre better to abhorre sinnes by the remembraunce of<br />
others faultes, then by repentaunce of thine owne follies? Is not<br />
hee accompted moste wise, whome other mens harmes dooe make<br />
15 moste warie? But thou wylte happely saye, that although there<br />
bee many thinges in Naples to bee iustlye condemned, yet there<br />
are some thinges of necessitie to bee commended, and as thy<br />
wyll doeth leane vnto the one, so thy wytte woulde also embrace<br />
the other.<br />
20 . Alas Euphues by how much the more I loue the highe climbinge<br />
of thy capacitie, by so muche the more I feare thy fall. The fine<br />
christall is sooner crazed then the harde marble, the greenest Beeche<br />
burneth faster then the dryest Oke, the fairest silke is soonest soyled,<br />
and the sweetest wine tourneth to the sharpest vineger, the pestilence<br />
25 doth most ryfest infect the cleerest complection, and the Caterpiller<br />
cleaueth vnto the ripest fruite, the most delicate wyt is allured with<br />
small enticement vnto vice, and moste subiecte to yelde vnto vanitie,<br />
if therefore thou doe but harken to the Syrens, thou wilte bee<br />
enamoured, if thou haunte their houses and places, thou shalt be<br />
30 enchaunted.<br />
One droppe of poyson infecteth the whole tunne of Wine, one<br />
leafe of Colliquintida marreth and spoyleth the whole potte of<br />
porredge, one yron Mole defaceth the whole peece of lawne:<br />
Descende into thine owne conscience, and consider wyth thy selfe<br />
35 the greate difference betweene staringe and starke blinde, wit and<br />
wisdome, loue and lust. Bee merrye but with modestie, be sober<br />
but not to sulloume, bee valiaunt but not too venterous. Let thy<br />
4 a] an C rest 8 into] in F rest Semphlegades E test 13 other E 2<br />
15 happily EF1617 rest 16-7 are there C rest 18 vnto] to E rest 20<br />
loue] see C rest 22 erased TM, cf.p. 205 1. 28 greenest] greatest C 32<br />
Colloquintida Mi Coloquintida C rest 33 pottage E rest
190 EUPHUES<br />
attyre bee comely but not costly, thy dyet wholesome but not excessiue,<br />
vse pastime as the woorde importeth, to passe the tyme in<br />
honest recreation : mistrust no man wythout cause, neither bee thou<br />
credulous without proofe, bee not light to followe euery mans opinion,<br />
nor obstinate to stande in thine owne conceipte. Serue God, loue 5<br />
God, feare God, and God wyll so blesse thee as eyther hearte can<br />
wishe or thy friendes desire. And so I ende my counsaile, beseechinge<br />
thee to beginne to followe it. Thys olde Gentleman hauinge<br />
finished his dyscourse, Euphues beganne to shape hym an aunswere<br />
in this sort. 10<br />
F<br />
FAther and friende (your age sheweth the one, your honestie<br />
the other) I am neither so suspitious to mistrust your good<br />
will, nor so sottishe to mislike your good counsaile, as I am therefore<br />
to thancke you for the first, so it standes mee vppon to thincke<br />
better on the latter: I meane not to cauill wyth you as one louinge 15<br />
sophistrye, neyther to controwle you as one hauing superioritie, the<br />
one woulde bring my talke into the suspition of fraude, the other<br />
conuince me of folly. Whereas you argue I knowe not vppon what<br />
probabilyties, but sure I am vppon no proofe, that my bringing yp<br />
shoulde bee a blemish to my birth. I aunswere, and sweare to(o) 20<br />
that you were not therein a lyttle ouershot, eyther you gaue too<br />
muche credite to the report of others, or to much lybertie to your<br />
owne iudgement, you conuince my parents of peeuishnesse, in making<br />
me a wanton, and me of leaudnesse in reiectinge correction. But<br />
so many men so many mindes, that may seeme in your eye odious, 25<br />
which in an others eye may be gratious. Aristippus a Philosopher,<br />
yet who more courtely ? Diogenes a Philosopher, yet who more<br />
carterly? Who more popular then Plato, retayning alwayes good<br />
company ? Who more enuious then Tymo??, denouncing all humaine<br />
societie ? Who so seuere as the Stoyckes, which lyke stockes were 30<br />
moued with no melody? Who so secure as the Epicures which<br />
wallowed in all kinde of licentiousnesse ? Though all men bee<br />
made of one mettall, yet they bee not cast all in one moulde, there<br />
is framed of the seife same clay as well the tile to keepe out water as<br />
the potte to containe lycour, the Sunne doth harden the durte & melt 35<br />
the waxe, fire maketh the gold to shine and the straw to smother,<br />
6 hearte] thy hart G rest 15 on] of E rest 20 too] from to in A<br />
came to that, you in T rest 29 renouncing Frest 30 are E rest 31<br />
seuere E 1 33 all cast E rest
<strong>THE</strong> ANATOMY OF WYT 191<br />
perfumes doth refresh y e Doue & kill y e Betil, & the nature of the<br />
man disposeth y t consent of y e maners. Now wheras you seeme<br />
to loue my nature, & loath my nurture, you bewray your own<br />
weaknes, in thinking yt nature may any waies be altered by edu-<br />
5 cation, & as you haue ensaples to confirme your pretece, so I haue<br />
most euident and infallyble argumentes to serue for my purpose:<br />
It is naturall for the vyne to spread, the more you seeke by arte to<br />
alter it, the more in the ende you shall augment it. It is proper for<br />
the Palme tree to mounte, the heauyer you loade it the higher it<br />
10 sprowteth. Though yron be made softe with fire it returneth to his<br />
hardnes, though the Fawlcon be reclaimed to y e fist she retyreth to<br />
hir haggardnes, the whelpe of a Mastife will neuer be taught to retriue<br />
the Partridge, education can haue no shew, where the excellence<br />
of nature doth beare sway. The silly Mouse will by no manner<br />
15 of meanes be tamed, the subtill Foxe may well be beaten, but neuer<br />
broken from stealing his pray, if you pownde spices they smell the<br />
sweeter, season the woode neuer so well the wine will taste of the<br />
caske, plante and translate the crabbe tree, where, and whensoeuer<br />
it please you and it will neuer beare sweete apple, [unlesse you graft<br />
20 by Arte, which nothing toucheth nature.]<br />
Infinite and innumerable were the examples I coulde alleadge<br />
and declare to confirme the force of Nature, and confute these your<br />
vayne and false forgeries, were not the repetition of them needelesse<br />
hauing shewed sufficient, or bootelesse seeinge those alleadged will<br />
25 not perswade you. And can you bee so vnnaturall, whome dame<br />
Nature hath nourished and brought vpp so many yeares, to repine<br />
as it were agaynst Nature?<br />
The similytude you rehearse of the waxe, argueth your waxinge<br />
and melting brayne, and your example of the hotte and harde yron,<br />
30 sheweth in you but colde and weake disposition. Doe you not<br />
knowe that which all men doe afrlrme and knowe, that blacke will<br />
take no other coulour? That the stone Aheston being once made<br />
hotte will neuer be made colde ? That fire cannot be forced downewarde?<br />
That Nature will haue course after kinde? That euery<br />
35 thing will dispose it selfe according to Nature ? Can the Aethiope<br />
chaunge or alter his skinne? or the Leoparde his hewe? Is it<br />
1 dooe F rest 2 yt] that T rest seemed E rest 5 I haue] haue I<br />
E rest 8 may E rest 16 of before his E rest will before smell E rest<br />
17 shall GEF 19-20 unlesse ... nature added T rest 20 it before by C rest<br />
28 rehearsed E rest 32 Asbeston F rest 33 be made] after become<br />
E rest 35 Ethiopian E rest
192 EUPHUES<br />
possible to gather grapes of thornes, or figges of thistelles ? or to<br />
cause any thinge to striue a gainst nature?<br />
But why go I about to prayse Nature, the whiche as yet was neuer<br />
any Impe so wicked & barbarous, any Turke so vile and brutish,<br />
any beast so dull and sencelesse, that coulde, or would, or durst 5<br />
disprayse or contemne ? Doth not Cicero conclude and allowe, that<br />
if wee followe and obey Nature, we shall neuer erre ? Doth not<br />
Aristotle alleadge and confirme, that Nature frameth or maketh<br />
nothing in any poynte rude, vayne, and vnperfect?<br />
Nature was had in such estimation and admiration among the 10<br />
Heathen people, that she was reputed for the onely Goddesse in<br />
Heauen: If Nature then haue largely and bountefully endewed<br />
mee with hir giftes, why deeme you me so vntoward and gracelesse ?<br />
If she haue dealte hardely with me, why extoll you so muche my<br />
birth ? If Nature beare no sway, why vse you this adulation ? If 15<br />
Nature worke the effecte, what booteth any education ? If Nature<br />
be of strength or force, what auaileth discipline or nurture ? If of<br />
none, what helpeth Nature? But lette these sayings passe, as<br />
knowne euidently and graunted to be true, which none can or may<br />
deny vnlesse he be false, or that he bee an enemye to humanitie. 20<br />
As touchinge my residence and abidinge heere in Naples, my<br />
youthly and lusty affections, my sportes and pleasures, my pastimes,<br />
my common dalyaunce, my delyghtes, my resorte and company,<br />
and companions, which dayly vse to visite mee, althoughe to you<br />
they breede more sorrowe and care, then solace and comforte, 25<br />
bicause of your crabbed age: yet to mee they bring more comforte<br />
and ioy, then care & griefe, more blisse then bale, more happines<br />
then heauines: bicause of my youthfull gentlenes. Eyther you<br />
would haue all men olde as you are, or els you haue quite forgotten<br />
y* you your selfe were young, or euer knew young dayes: eyther 30<br />
in your youth you were a very vicious and vngodly man, or now<br />
being aged very supersticious & deuoute aboue measure.<br />
Put you no difference betweene the younge flourishinge Baye<br />
tree, and the olde withered Beeche? No kinde of distinction<br />
betweene the waxinge and the wayninge of the Moone ? And be- 35<br />
tweene the risinge and the settinge of the Sunne ? Doe you measure<br />
the hotte assaultes of youth, by the colde skirmishes of age ? whose<br />
1 Garpes T Q and] or T rest 22 and lusty om. T rest 24 and<br />
companions om. T rest 27 then 1 ] the E 2 29 quite om. E rest 31<br />
vngodly] vngodlie minded E rest 36 the2 om. E rest
<strong>THE</strong> ANATOMY OF WYT 193<br />
yeares are subiect to more infirmities then our youth, we merry, you<br />
melancholy, wee zealous in affection, you ielous in all your dooinges,<br />
you testie without cause, wee hastie for no quarrell. You carefull,<br />
we carelesse, wee bolde, you fearefull, we in all pointes contrary vnto<br />
5 you, and ye in all pointes vnlike vnto vs.<br />
Seeing therefore we bee repugnaunt eache to the other in nature,<br />
woulde you haue vs alyke in qualyties? Woulde you haue one<br />
potion ministred to the burning Feuer, and to the colde Palseye ?<br />
one playster to an olde issue and a fresh wounde ? one salue for all<br />
10 sores ? one sauce for all meates ? No no Eubulus, but I will yeelde<br />
to more, then eyther I am bounde to graunte, eyther thou able<br />
to proue: Suppose that which I neuer will beleeue, that Naples<br />
is a canckred storehouse of all strife, a common stewes for all<br />
strumpettes, the sinke of shame, and the very nurse of all sin : shall<br />
15 it therfore follow of necessitie that all yt are woed of loue, should<br />
be wedded to lust, will you conclude as it were ex consequenti, that<br />
whosoeuer aryueth heere shall be enticed to follye, and beeinge<br />
enticed, of force shallbe entangled ? No, no, it is y e disposition<br />
of the thought yt altereth y e nature of y e thing. The Sun shineth<br />
20 vppon the dungehill, and is not corrupted, the Diamond lyeth in<br />
the fire, and is not consumed, the Christall toucheth the Toade, and<br />
is not poysoned, the birde Trochllus lyueth by the mouth of the<br />
Crocodile and is not spoyled, a perfecte wit is neuer bewitched with<br />
leaudenesse, neyther entised with lasciuiosnesse.<br />
25 Is it not common that the Holme tree springeth amidst the<br />
Beach? That the Iuie spreadeth vppon the hard stones? That<br />
the softe fetherbed breketh the hard blade? If experience haue<br />
not taughte you this, you haue lyued long & learned lyttle, or if<br />
your moyst braine haue forgot it, you haue learned much and<br />
30 profited nothing. But it may be, that you measure my affections<br />
by your owne fancies, and knowing your selfe either too simple<br />
to rayse the siege of pollycie, or too weake to resist the assault by<br />
prowesse, you deeme me of as lyttle wit as your selfe, or'of lesse<br />
force, eyther of small capacitie, or of no courage. In my iudgement<br />
35 Eubulus, you shal assone catch a Hare with a Taber, as you shal<br />
perswade youth, with your aged & ouerworn eloquence, to such<br />
2 affections G rest 4 to E rest 5 ye] you E rest vnto om,<br />
E rest 6 in om. F 7 alyke] like F 11 eyther 2 ] or E rest<br />
12 will neuer E rest 22 Fiochilus A: Throchilus T by ] in E rest<br />
27 feathered bed EF 29 forgotten the same E rest 30 mine F rest<br />
32 of] by Trest<br />
BOND 1 O
194<br />
EUPHUES<br />
seueritie of lyfe, which as yet ther was neuer Stoycke so strict, nor<br />
Iesuite so supersticious, neyther Votarie so deuout, but would rather<br />
allow it in words the follow it in workes, rather talke of it then try it.<br />
Neither were you such a Saint in your youth, that abandoning all<br />
pleasures, all pastimes, and delyghts, you would chuse rather to 5<br />
sacrifice the first fruites of your lyfe to vayne holynesse, then to<br />
youthly affections. But as to the stomacke quatted with daynties,<br />
all delycates seeme quesie, and as he that surfetteth with wine vseth<br />
afterward to allay with water: So these olde huddles hauing ouercharged<br />
their gorges with fancie, accompte all honest recreation 10<br />
meere folly, and hauinge taken a surfet of delyght, seeme now to<br />
sauor it with despight. Seeing therefore it is labour lost for mee<br />
to perswade you, and winde vaynely wasted for you to exhort me,<br />
heere I founde you, and heere I leaue you, hauing neither bought<br />
nor solde with you, but chaunged ware for ware, if you haue taken 15<br />
lyttle pleasure in my reply, sure I am that by your counsaile I haue<br />
reaped lesse profit. They that vse to steale honny, burne hemlocke<br />
to smoke the Bees from their hiues, and it may bee, that to get<br />
some aduauntage of mee, you haue vsed these smokie argumentes,<br />
thincking thereby to smother mee with the conceipt of strong 20<br />
imagination: But as y e Camelion thoughe hee haue most guttes,<br />
draweth least breath, or as the Elder tree thoughe hee bee fullest<br />
of pith, is farthest from strength, so though your reasons seeme<br />
inwardly to your selfe somewhat substantial, and your perswasions<br />
pithie in your owne conceipte, yet beyng well wayed without, they 25<br />
be shadowes without substaunce, and weake without force. The<br />
Birde Taurus hath a great voyce, but a small body, the thunder<br />
a greate clappe, yet but a lyttle stone, the emptie vessell giueth<br />
a greater sownd, then the full barrell. I meane not to apply it, but<br />
looke into your selfe and you shall certeinely finde it, and thus 30<br />
I leaue you seekinge it, but were it not that my company stay my<br />
comming, I would surely helpe you to looke it, but I am called hence<br />
by my acquaintance.<br />
Euphues hauing thus ended his talke departed leauing this olde<br />
gentleman in a great quandarie: who perceiuing that he was more 35<br />
enclined to wantonnesse, then to wisedome, with a deepe sigh the<br />
1-2 Stoycke . .. deuout] Stoicke in preceptes so strict, neither any in lyfe so<br />
precise M rest 11 follly A 16 I am sure E rest 21 hath G rest<br />
27 Fauras A 28 yet but] but yet E 1 : but E 2 rest
<strong>THE</strong> ANATOMY OF WYT 195<br />
teares trickling downe his cheekes, sayde: Seeing [thou wilt not buye<br />
counsell at the firste hande good cheape, thou shalt buye repentaunce<br />
at the seconde hande, at suche an vnreasonable rate, that thou wilt<br />
curse thy hard penyworth, and banne thy hard hearte] [Ah Euphues<br />
5 little dost thou know that if thy wealth wast, thy wit will giue but<br />
small warmth, & if thy wit encline to wilfulnes, that thy wealth will<br />
doe thee no great good. If the one had bene employed to thrift,<br />
the other to learning, it had bene harde to coniecture, whether thou<br />
shouldest haue ben more fortunate by riches, or happie by wisdome,<br />
10 whether more esteemed in y e common weale for welth to maintaine<br />
warre, or for counsell to conclude peace. But alas why doe I pitie<br />
that in thee which thou seemest to praise in thy self.] And immediately<br />
he wente to his owne house, heauily bewayling the young<br />
mans vnhappinesse.<br />
15 Heere ye may beholde gentlemen, how lewdly wit standeth in his<br />
owne lyght, howe he deemeth no pennye good siluer but his owne,<br />
preferring the blossome before the fruite, the budde before the<br />
flower, the greene blade before the ripe eare of corne,, his owne<br />
witte before all mens wisedomes. Neyther is that geason, seeing for<br />
20 the most parte it is proper to all those of sharpe capacitie to esteeme<br />
of themselues, as most proper: if one bee harde in conceiuing, they<br />
pronounce him a dowlte, if giuen to study, they proclayme him<br />
a duns, if merrye a iester, if sadde a Sainct, if full of wordes, a sotte,<br />
if without speach, a Cypher, if one argue with them boldly, then<br />
25 is he impudent, if coldely an innocent, if these be reasoning of<br />
diuinitie, they cry, Quae supra nos nihil ad nos, if of humanitie,<br />
Sententias loquitur carnifex, Heereoff commeth suche greate familyaritie<br />
betweene the rypest wittes, when they shall see the dysposition<br />
the one of the other, the Sytnpathia of affections and as it were<br />
3° but a payre of sheeres to goe betweene theire natures, one flattereth<br />
an other in hys owne folly, and layeth cushions vnder the elbowe<br />
of his fellowe, when he seeth him take a nappe with fancie, and as<br />
theire witte wresteth them to vice, so it forgeth them some feate<br />
excuse to cloake theire vanitie.<br />
25 Too much studie doth intoxicate their braynes, for (saye they)<br />
althoughe yron the more it is vsed the brighter it is, yet siluer with<br />
3 an om. E rest 4 hearte A-E l : bappe E 2 rest 4-12 Ah Euphues . ..<br />
in thy self. (8 lines) added Trest 7 thee small E rest 12-3 And ... he]<br />
And so saying, he immediately Trest 15 you G rest 19 wisedome E rest<br />
reason E 2 rest, exc. 1617 24 them] him E2 rest 26 they] the T<br />
29 sympathie E rest 31 in] by G rest<br />
O 2
196 EUPHUES<br />
much wearing doth wast to nothing, though the Cammocke the<br />
more it is bowed the better it serueth, yet the bow the more it is<br />
bent & occupied, the weaker it waxeth, though the Camomill, the<br />
more it is trodden and pressed downe, the more it spreadeth, yet<br />
the violet the oftner it is handled and touched, the sooner it withereth 5<br />
and decayeth. Besides thys, a fine wytte, a sharpe sence, a quicke<br />
vnderstanding, is able to atteine to more in a moment or a very<br />
little space, then a dull and blockish heade in a month, the sithe<br />
cutteth farre better and smoother then the sawe, the waxe yeeldeth<br />
better and sooner to the seale, then the Steele to the stampe or 10<br />
hammer, the smooth & playne Beeche is easier to be carued and<br />
occupyed then the knottie Boxe. For neyther is ther any thing,<br />
but yt hath his contraries: Such is the Nature of these nouises<br />
that thincke to haue learning without labour, and treasure without<br />
trauayle, eyther not vnderstanding or els not remembring, that the 15<br />
finest edge is made with the blunt whetstone, and the fairest Iewell<br />
fashioned with the harde hammer. I go not about (gentlemen) to<br />
inueigh against wit, for then I wer witlesse, but frankely to confesse<br />
mine owne lyttle wit, I haue euer thought so supersticiously of wit,<br />
that I feare I haue committed Idolatry agaynst wisedome, and 20<br />
if Nature had dealte so beneficially with mee to haue giuen me<br />
any wit, I should haue bene readyer in the defence of it to haue<br />
made an Apologie, then any way to tourne to Apostacie: But this<br />
I note, that for the most part they stande so on their pantuffles,<br />
that they be secure of perills, obstinate in their owne opinions, 25<br />
impatient of labour, apte to conceiue wrong, credulous to beleeue the<br />
worst, ready to shake off their olde acquaintaunce without cause,<br />
and to condempne them without colour : All which humors are by<br />
somuch the more easier to bee purged, by ho we much the lesse they<br />
haue festred the sinnewes : But retourne we agayne to Euphues. 30<br />
Euphues having soiourned by the space of two moneths in Naples,<br />
whether he were moued by the courtesie of a young gentleman<br />
named Philautus, or inforced by destenie: whether his pregnant<br />
wit, or his pleasaunt conceits wrought the greater liking in the minde<br />
of Euphues I know not for certeyntie: But Euphues shewed such 35<br />
entyre loue towards him, that he seemed to make small accompt of<br />
2 serueth] is E rest 5 is] his A 7 a 2 om. F rest 10-1 or hammer<br />
A only 11-2 and occupyed A only 13 y t ]that T rest contrarieties<br />
E l rest those G rest 19 my CG 25 of] in E rest 30<br />
tourne C rest 33 Philatus M 34 his] the EF in] of C-F 35<br />
Luphues 1 ] Eubulus EF
<strong>THE</strong> ANATOMY OF WYT 197<br />
any others, determining to enter into such an inuiolable league of<br />
friendship with him, as neyther time by peecemeale should empaire,<br />
neither fancie vtterly dissolue, nor any suspition infringe. I haue<br />
red (saith he) and well I beleeue it, that[a friend is in prosperitie<br />
5 a pleasure, a solace in aduersitie, in griefe a comfort, in ioy a merrye<br />
companion, at all times an other I, in all places y e expresse Image<br />
of mine owne person:] insomuch that I cannot tell, whether the<br />
immortall Gods haue bestowed any gift vpon mortall men, either<br />
more noble, or more necessary, then friendship. Is ther any thing<br />
10 in the world to be reputed (I will not say compared) to friendship ?<br />
Can any treasure in this transitorie pilgrimage, be of more valewe<br />
then a friend ? in whose bosome thou maist sleepe secure without<br />
feare, whom thou maist make partner of all thy secrets without suspition<br />
of fraude, and pertaker of all thy misfortune without mistrust<br />
15 of fleeting, who will accompt thy bale his bane, thy mishap his<br />
misery, the pricking of thy finger, the percing of his heart. But<br />
whether am I carried ? Haue I not also learned that one shoulde<br />
eate a bushell of salt with him, whom he meaneth to make his<br />
friend? that tryall maketh trust? that there is falshood in fellow-<br />
20 ship ? and what then ? Doth not the sympathy of manners, make<br />
the coniunction of mindes ? Is it not a by woord, like will to like ?<br />
Not so common as commendable it is, to see young gentlemen<br />
choose the such friends with whom they may seeme beeing absent<br />
to be present, being a sunder to be conuersant, beeing dead to be<br />
25 aliue. I will therefore haue fhilautus for my pheere, and by so<br />
much the more I make my selfe sure to haue Fhilautus, by how<br />
much the more I view in him the liuely Image of Euphues.<br />
Although there bee none so ignoraunt that doth not know,<br />
neither any so impudent that will not confesse, friendship to bee<br />
3° the iewell of humaine ioye: yet whosoeuer shall see this amitie<br />
grounded vpon a little affection, will soone coniecture that it shall<br />
be dissolued vpon a light occasion: as in the sequele of Euphues<br />
& Fhilautus you shall see, whose hot loue waxed soone colde.]( For<br />
as y e best wine doth make y e sharpest vinaiger, so y e deepest loue<br />
35 tourneth to the deadliest hate. \ Who deserued the most blame in<br />
mine opinion, it is doubtful, & so difficult, that I dare not presume to<br />
giue verdit. For loue being y e cause for which so many mischiefes<br />
2 impart C-E 3 desolue M 9 noble] able GEE 17 whither 1613<br />
19 20 fellowship] friendship E rest 25 for] to be G rest 31 shall] will<br />
G rest 33 see] soon see G: soone perceme E rest quicklie becnme<br />
colde E rest 36 it om, G rest so doubtfull, and difficult 1613 rest
198 EUPHUES<br />
haue ben attempted, I am not yet perswaded, whether of the was<br />
most to be blamed, but certeinly neither of them was blamelesse.<br />
I appeale to your iudgement gentlemen, not that I thincke any of<br />
you of y e lyke disposition able to decide the question, but beeing<br />
of deeper discretion then I am, are more fit to debate the quarrell. 5<br />
Though y e discourse of their friendship and falling out be somewhat<br />
long, yet being somewhat straunge, I hope the delightfulnes of the<br />
one, will attenuate the tediousnesse of the other.<br />
Euphues had continuall accesse to the place of Philautus and no<br />
little familiaritie with him, and finding him at conuenient leasure, in 10<br />
these short termes vnfolded his minde vnto him.<br />
Gentleman and friend, the triall I haue had of thy manners,<br />
cutteth off diuers termes which to an other I would haue vsed in the<br />
like matter. And sithens a long discourse argueth folly, and delicate<br />
words incurre the suspition of flattery, I am determined to vse 15<br />
neither of them, knowing either of them to breede offence. Waying<br />
with my selfe the force of friendship by the effects, I studied euer<br />
since my first comming to Naples to enter league with such a one, as<br />
might direct my steps being a straunger, & resemble my manners<br />
being a scholler, the which two qualities as I finde in you able to 20<br />
satisfie my desire, so I hope I shall finde a hearte in you willing to<br />
accomplish my request. Which if I may obtein, assure your selfe<br />
yt Damon to his Pythias, Pylades to his Orestes, Titus to his<br />
Gysippus, Theseus to his Pyrothus, Scipio to his Lcelius, was neuer<br />
foud more faithfull then Euphues will be to his Philautus. 25<br />
Philautus by how much the lesse hee looked for thys discourse, by<br />
so much the more he liked it, for he saw all qualities both of body<br />
& minde in Euphues, vnto whom he replyed as followeth.<br />
Friend Euphues (for so your talke warranteth me to terme you)<br />
I dare neither vse a long processe, neither louing speach, least 30<br />
vnwittingly I should cause you to couince me of those thinges,<br />
which you haue alredy condemned. And verily I am bolde to presume<br />
vpon your curtesie, since you your self haue vsed so little<br />
curiositie, perswading my selfe, that my short answere wil worke as<br />
great an effect in you, as your few words did in me. And seeing we 35<br />
resemble (as you say) each other in qualities, it cannot be that the<br />
one should differ from y e other in curtesie, seeing the sincere arTec-<br />
5 I am] myselfe E rest 11 termes] tearmes following E rest to<br />
C rest 13-4 in like manner E rest 14 sith E rest 24 Pyrothous EF:<br />
Pyrithous 1613 rest 25 his om. Trest 30 a before louing Trest 33<br />
sith your owne selfe E rest 36 the om. G and 1617-1636
<strong>THE</strong> ANATOMY OF WYT 199<br />
tion of the minde cannot be expressed by the mouth, & that no arte<br />
can vnfdlde y e entire loue of the heart, I am earnestly to beseech<br />
you not to measure the firmenesse of my faith, by the fewnes of my<br />
wordes, but rather thincke that the ouerflowing waues of good will<br />
5 leaue no passage for many woords. Tryall shall proue trust, heere<br />
is my hand, my heart, my lands and my lyfe at thy comaundement f<br />
Thou maist well perceiue that I did beleeue thee, that so soone<br />
I dyd loue thee, and I hope thou wilt the rather loue me, in that<br />
I did beleeue thee. [Either Euphues and Philautus stoode in neede<br />
10 of frindshippe, or were ordeined to be friendes: vpon so short warning,<br />
to make so soone a conclusion might seeme in mine opinion if<br />
it continued myraculous, if shaken off, ridiculous.<br />
But] After many embracings & protestations one to an other,<br />
they walked to dinner, where they wanted neither meate, neither<br />
15 Musicke, neither any other pastime, & hauing banqueted, to digest<br />
their sweet confections, they daunced all yt afternoone, they vsed<br />
not onely one boord, but one bedde, one booke (if so be it they<br />
thought not one to many.) Their friendship augmented euery day,<br />
insomuch y t the one could not refraine y e company of y e other one<br />
20 minute, all things went in comon betweene them, which all men<br />
accompted comendable. Philautus being a towne borne childe,<br />
both for his owne continuance, & the great countenaunce whiche his<br />
Father had whyle he liued, crepte into credite with Don Ferardo one<br />
of the chiefe gouernours of the citie, who although he had a courtly<br />
25 crewe of gentlewomen soiourning in his pallace, yet his daughter<br />
heire to his whole reuenews, stained the beautie of them all, whose<br />
modest bashfulnesse caused the other to looke wanne for enuie,<br />
whose lillye cheekes dyed with a Uermillion redde made the rest to<br />
blushe at hir beautie. For as the finest Rubie stayneth the coulour<br />
30 of the rest that bee in place, or as the Sunne dimmeth the Moone,<br />
that she cannot bee discerned, so this gallant gyrle more faire then<br />
fortunate, and yet more fortunate then faithfull, eclipsed the beautie<br />
of them all, and chaunged their coulours. Unto hir had Philautus<br />
accesse, who wanne hir by right of loue, and shoulde haue worne<br />
35 hir by right of lawe, had not Euphues by straunge destenie broken<br />
the bondes of marriage, and forbidden the banes of Matrimonie.<br />
It happened y t Don Ferardo had occasion to go to Venice about<br />
9-13 Either ... ridiculous. But (4 lines) added T rest 9 Philatus M<br />
II soone] fine C rest 22 continuance] countenaunce T rest 28-9 to<br />
blushe . .. beautie] to blush for shame T rest, C rest omitting to 30 Sunne]<br />
brightnesse of the Sunne E rest 36 bondes] bands £ rest
200 EUPHUES<br />
certein his own affaires, leauing his daughter the onely steward of<br />
his houshoulde, who spared not to feast Philautus hir friend, with al<br />
kindes of delights & delicates, reseruing onely hir honestie as the<br />
chiefe stay of hir honour. Hir father being gon she sent for hir<br />
friend to supper, who came not as he was accustomed solitarily 5<br />
alone, but accompanied with his friende Euphues. The Gentlewoman<br />
whether it were for nycenesse or for niggardnesse of curtesie, gaue<br />
hym suche a colde welcome that he repented that he was come.<br />
Euphues thoughe hee knewe himselfe worthy euery way to haue<br />
a good countenaunce, yet coulde hee not perceiue hir willinge any way 10<br />
to lende hym a friendly looke. [Yet least he should seeme to want<br />
gestures, or to be dashed out of conceipt with hir coy countenaunce,<br />
he addressed him to a Gentlewoman called Liuia, vnto whome he<br />
vttered this speach. Faire Ladye, if it be the guise of Italy to<br />
welcome straungers with strangnes, I must needes say the custome 15<br />
is strange and the countrey barbarous, if the manner of Ladies<br />
to salute Gentlemen with coynesse, then I am enforced to think the<br />
women without courtesie to vse such welcome, and the men past<br />
shame that will come. But heereafter I will either bring a stoole<br />
on mine arme for an vnbidden guest, or a visard on my face, for 20<br />
a shamelesse gossippe. Liuia replyed.<br />
Sir, our country is ciuile, & our gentlewome are curteous, but in<br />
Naples it is compted a iest, at euery word to say, In faith you are<br />
welcome. As she was yet talking, supper was set on the bord, then<br />
Philautus spake thus vnto Lucilla. Yet] Gentlewoman I was the 25<br />
bolder to bringe my shadowe with mee, (meaning Euphues) knowing<br />
that he should be the better welcome for my sake, vnto whome<br />
the gentilwoman replyed : Syr as I neuer when I sawe you thought<br />
that you came without your shadow, so now I cannot a lyttle meruaile<br />
to see you so ouershot in bringing a new shadow wt you. 30<br />
Euphues though he perceiued hir coy nippe, seemed not to care for<br />
it, but taking hir by y e hand sayd.<br />
Fayre Lady seing the shade doth often shilde your beautie from<br />
the parching Sunne, I hope you will the better esteeme of the<br />
shadowe, and by so much the lesse it ought to be offenciue, 35<br />
1 his 1 ] of his G rest 2 her friend Philautus E rest 7 or for] for om.<br />
E2 rest 11-25 Yet least... Lucilla. Yet (14 lines) added T rest, omitting<br />
At the last supper beeing readye to come in, Philautus sayde vnto hir: found in A<br />
14 these speeches E rest 16 manners E rest 17 be to salute G rest<br />
18 without] voyde of C rest 21 Where-vpon, Liuia replied in this manner<br />
E rest 25 Gentlewomen EF1636 33 so before often G rest
<strong>THE</strong> ANATOMY OF WYT 201<br />
by how much the lesse it is able to offende you, and by so much<br />
the more you ought to lyke it, by how much the more you vse to<br />
lye in it.<br />
Well gentleman aunswered Lucilla in arguing of the shadowe, we<br />
5 forgoe the substance : pleaseth it you therefore to sit downe to<br />
supper. And so they all sate downe, but Euphues fed of one dish<br />
which euer stoode before him, the beautie of Lucilla.<br />
Heere Euphues at the firste sight was so kyndled with desyre,<br />
that almost he was lyke to burn to coales. Supper being ended, the<br />
1o order was in Naples that the gentlewomen would desire to heare<br />
some discourse, either concerning loue or learning : And although<br />
Philautus was requested, yet he posted it ouer to Euphues, whome<br />
he knew most fit for that purpose : Euphues being thus tyed to the<br />
stake by their importunate intreatie, began as followeth.<br />
15 He that worst may is alwaye enforced to holde the candell, the<br />
weakest must still to the wall, where none will, the Diuell himselfe<br />
must beare the crosse : But were it not gentlewomen that your lyste<br />
standes for lawe, I would borrow so much leaue as to resigne myne<br />
office to one of you, whose experience in loue hath made you<br />
20 learned, and whose learning hath made you so louely: for me to<br />
entreate of the one being a nouise, or to discourse of the other being<br />
a trewant, I may wel make you weary but neuer the wyser, and giue<br />
you occasion rather to laugh at my rashnesse, then to lyke my<br />
reasons. Yet I care the lesse to excuse my boldnesse to you, who<br />
25 were the cause of my blyndenesse. And since I am at myne owne<br />
choyce eyther to talke of loue or of learning, I had rather for this<br />
tyme be deemed an vnthrift in reiecting profit, then a Stoicke in<br />
renouncing pleasure.<br />
It hath bene a question often disputed, but neuer determined,<br />
30 whether the qualities of the mynde, or the composition of the man,<br />
cause women most to lyke, or whether beautie or witte moue men<br />
most to loue. Certes by how much the more the mynde is to be<br />
preferred before the body, by so much the more the graces of the<br />
one are to be preferred before the gifts of the other, which if it be<br />
35 so, that the contemplation of the inwarde qualitie ought to be respected<br />
more, then the view of the outward beautie, then doubtlesse<br />
women eyther doe or should loue those best whose vertue is best,<br />
7 which was ever before G: which was before E rest 15 alwaies E rest<br />
17-8 lust standes for law T-G: lusts standes for law E l : lusts stands for a law &F\<br />
lusts stand for a lawe 1613 rest 18 my G rest 23 lyke] like of G rest<br />
25 sith E rest 33 the more om. E rest 36 inward EF
202 EUPHUES<br />
not measuring the deformed man with the reformed mynde. The<br />
foule Toade hathe a fayre stoane in his head, the fine goulde is<br />
founde in the filthy earth, the sweete kernell lyeth in the hard<br />
shell. Uertue is harbored in the heart of him that most men<br />
esteeme misshapen. Contrary wise if we respect more the outward 5<br />
shape, then the inwarde habit, good God into how many mischiefes<br />
doe we fall ? into what blyndenesse are we ledde ? Doe we not commonly<br />
see that in paynted pottes is hidden the deadlyest poyson ?<br />
that in the greenest grasse is the greatest Serpent? in the cleerest<br />
water the vglyest Toade ? Doth not experience teach vs that in the 10<br />
most curious Sepulchre are enclosed rotten bones ? That the Cypresse<br />
tree beareth a fayre leafe but no fruite ? That the Estridge<br />
carryeth fayre fethers, but rancke flesh ? How franticke are those<br />
louers which are carryed away with the gaye glistering of the fine<br />
face? the beautie whereof is parched with the Sommers blase, & 15<br />
chipped with the winters blast, which is of so short continuance that<br />
it fadeth before one perceiue it florishe, of so small profit that it<br />
poysoneth those that possesse it, of so little value with the wyse, that<br />
they accompt it a delicate bayte with a deadly hooke, a sweete<br />
Panther with a deuouring paunch, a sower poyson in a siluer potte. 20<br />
Here I colde enter into discourse of such fyne dames as being in<br />
loue with theyr owne lookes, make such course accompt of theyr<br />
passionate louers: for comonly if they be adorned with beautie,<br />
they be so straight laced, and made so high in the insteppe, that<br />
they disdaine them most that most desyre them. It is a worlde to 25<br />
see the doating of theyr louers, and theyr dealing with them, the<br />
reuealing of whose subtil traines would cause me to shead teares, &<br />
you gentlewomen to shut your modest eares. Pardon me gentlewomen<br />
if I vnfold euery wyle, & shew euery wrinckle of womens<br />
disposition. Two thinges do they cause their seruants to vow vnto 30<br />
them, secrecie," & soueraigntie, y e one to conceale their entising<br />
sleights, by the other to assure themselues of their onely seruice.<br />
Again, but ho there, if I shold haue waded any further, & sownded<br />
the depth of their deceipt, I should either haue procured your displeasure,<br />
or incurred y e suspition of frawd, eyther armed you to 35<br />
practise the like subteltie, or accused my self of penury. But I mean<br />
not to orTend your chast mynds, w t the rehersal of their vnchast<br />
5 mishape EF: mishap't 1613 rest 15 Sunnes E rest 16 chapped<br />
E rest is] if C 22 course so all 24 so 1 om. T rest 30 dispositions<br />
E2 rest do om. 1613 rest they om. E2F 32 slights G-F 37 minde G
<strong>THE</strong> ANATOMY OF WYT 203<br />
manners, whose eares I perceiue to glowe, and heartes to be greeued<br />
at that which I haue already vttered, not that amongest you there be<br />
any such, but that in your sexe ther should be any such. Let not<br />
gentlewomg therfore make to much of their paynted sheathe, lette<br />
5 them not be so curyous in theyr owne conceite, or so currishe to<br />
theyr loyall louers. When the blacke crowes foote shall appeare in<br />
theyr eye, or the blacke Oxe treade on their foote, when their<br />
beautie shall be lyke the blasted Rose, theyr wealth wasted, their<br />
bodies worne, theyr faces wrinckled, their fyngers crooked, who will<br />
10 lyke of them in their age, who loued none in their youth ? flf you<br />
will be cherished when you be olde, be curteous while you be young,<br />
if you looke for comfort in your hoary haires, be not coye when you<br />
haue your golden lockes, if you would be embraced in the wayning<br />
of your brauery, be not squeymish in the waxing of your beautie, if<br />
15 you desyre to be kept lyke the Roses when they haue loste theyr<br />
coulour, smell sweete as the Rose doth in the bud, if you would<br />
be tasted for olde wyne, be in the mouth a pleasant Grape, so shall<br />
you be cherished for your curtesie, comforted for your honestie,<br />
embraced for your amitie, so shall you be preserued with the sweete<br />
20 Rose, and droncke with the pleasant wyne. Thus farre I am bolde<br />
gentlewomen, to counsell those that be coye that they weaue not<br />
the webbe of theyr owne woe, nor spin the threed of their owne<br />
thraldome by their owne ouerthwartnesse. And seing we are euen in<br />
the bowells of loue, it shall not be amisse to examine whether man<br />
25 or woman be sonest allured, whether be most constant the male<br />
or the female. And in this poynt I meane not to be myne owne<br />
earner, least I should seeme eyther to picke a thanke with men, or<br />
a quarrel with women. If therfore it might stande with your pleasure<br />
(Mistres Lucilla) to giue your censure I would take the contrary,<br />
30 for sure I am though your iudgement be sounde, yet affection will<br />
shadow it.<br />
Lucilla seing his pretence thought to take aduauntage of his large<br />
profer, vnto whome she sayde. Gentleman in myne opinion Women<br />
are to be wonne with euery wynde, in whose sex ther is neither force<br />
35 to withstande the assaults of loue, neither constancie to remaine<br />
faythfull. And bicause your discourse hathe hetherto bredde<br />
delight, I am loth to hinder you in the sequele of your deuises.<br />
5 conceits E rest 13 your om. E2 rest 15 Rose when it hath lost<br />
his E rest 18 your 2 ] you T 19 you] ye G rest 20 dronke T-G:<br />
drunken E rest 32 this EF pretence] presents 33 my TM<br />
Women AE rest: Woemom T: women MCG
204<br />
EUPHUES<br />
Euphnes perceiuing himselfe to be taken napping, answered as<br />
followeth.<br />
U Mistres Lucilla, if you speake as you thincke, these gentlewomen<br />
present haue lyttle cause to thanke you, if you cause me to comend<br />
women, my tale wil be accopted a meere trifle, & your words y e 5<br />
plain truth: Yet knowing promise to be debt, I wyll paye it with<br />
performance. And I would y e gentlemen here present wer as ready<br />
to credit my proofe, as y e gentlewomen are willing to heare their<br />
own prayses, or I as able to ouercome, as Mistres Lucilla would be<br />
cotent to be ouerthrown. How so euer the matter shall fall out, 1o<br />
I am of the surer syde, for if my reasons be weake, then is our sexe<br />
stronge, if forcyble, then your iudgement feeble, if I fynde truth on<br />
my syde, I hope I shall for my wages win the good will of women, if<br />
I want proofe, then gentlewomen of necessitie you must yelde to men.<br />
But to the matter. 15<br />
Touching the yelding to loue, albeit theyr hartes seeme tender,<br />
yet they harden them lyke the stone of Sialia, the which the more<br />
it is beaten, the harder it is: for being framed as it were of the<br />
perfection of men, they be free from all such cogitations as may any<br />
way prouoke them to vncleanenesse, insomuch as they abhorre the 20<br />
light loue of youth which is grounded vpon lust, & dissolued vpon<br />
euery light occasion. When they see the folly of men turne to fury,<br />
their delight to doting, theyr affection to frensie, when they see them<br />
as it were pyne in pleasure, and to waxe pale through theyr owne<br />
peeuishnesse, their sutes, their seruice, theyr letters, theyr labors, their 25<br />
loues, theyr lyues, seeme to them so odious, that they harden theyr<br />
hartes against such concupiscence, to the ende they might couert them<br />
from rashnesse to reason, from such lewde disposition, to honest<br />
discretion: hereof! it commeth that men accuse women of crueltie,<br />
bicause they themselues want ciuilitie, they accompt them full of 30<br />
wyles in not yelding to their wickednesse, faythlesse for resisting<br />
their fylthinesse. But I had almost forgot my selfe, you shall pardon<br />
mee Mistresse Lucilla for this time, if thus abruptly, I finish my<br />
discourse: it is neyther for want of good wil, or lacke of proofe, but<br />
that I feele in my selfe such alteration, that I can scarcely vtter one 35<br />
word. Ah Eupheus, Euphues.<br />
The gentlewomen were strooke into such a quandarie with this<br />
12 your] is your C rest 14 men] mee F 27 end that they C rest 31<br />
for] in E2 rest 33 thus G rest: this A-C 35 an before alteration<br />
G rest scarce G rest 36 Eupheus] Euphues T rest
<strong>THE</strong> ANATOMY' OF WYT 205<br />
sodayne chaunge, that they all chaunged coulour. But Euphues<br />
taking Philautus by the hande and giuing the gentlewomen thanckes<br />
for their patience and his repast, badde them all fare-well, and went<br />
immediatly to his chamber. But Lucilla who now began to frie in<br />
5 the flames of loue, all the company beeing departed to their lodgings,<br />
entred into these termes and contrarieties.<br />
Ah wretched wench Lucilla how art thou perplexed? what<br />
a doubtfull fight dost thou feelje betwixt faith and fancie ? hope &<br />
feare ? conscience and concupiscence ? O my Euphues, lyttle dost<br />
10 thou know the sodayne sorrow that I sustayne for thy sweete sake.<br />
Whose witte hath bewitched me, whose rare qualyties haue depriued<br />
me of mine olde qualytie, whose courteous behauiour without<br />
curiositie, whose comely feature without fault, whose fyled speach<br />
without fraude, hath wrapped me in this misfortune. And canst<br />
15 thou Lucilla be so light of loue in forsaking Philautus to flye to<br />
Euphues? canst thou prefer a straunger before thy countryman?<br />
A starter before thy companion? Why Euphues doth perhappes<br />
desyre my loue, but Philautus hath deserued it. Why Euphues<br />
feature is worthy as good as I, But Philautus his fayth is worthy<br />
20 a better. I but the latter loue is moste feruent. I but the firste<br />
ought to be most faythfull. I but Euphues hath greater perfection.<br />
I but Philautus hath deeper affection.<br />
Ah fonde wench, doste thou thincke Euphues will deeme thee<br />
constant to him, when thou hast bene vnconstant to his friende?<br />
25 Weenest thou that he will haue no mistrust of thy faithfulnesse, when<br />
he hath had tryall of thy fycklenesse ? Will he haue no doubt of<br />
thyne honour, when thou thy selfe callest thyne honestie in question?<br />
Yes, yes, Lucilla, well dothe he know that the glasse once crased<br />
will with the leaste clappe be cracked, that the cloath which staineth<br />
30 with Mylke, will soone loose his coulour with vineger, that the<br />
Eagles wynge will wast the fether as well of the Phoenix, as of the<br />
Pheasant, that she that hath bene faythlesse to one, will neuer be<br />
faythfull to any. But can Euphues conuince me of fleetinge, seeing<br />
for his sake I breake my fidelitie ? Can he condemne me of dis-<br />
35 loyaltie, when he is the onely cause of my dislyking ? Maye he<br />
iustly condemne me of trecherye, who hath this testimony as tryall<br />
4 their EF 8 betweene Crest II haue] hath C-F 12 whose]<br />
most TM 13 comely] common F 16 thy] the T: they C 17 perhappes<br />
doeth G rest 18 thy E rest 20 more E rest 26 had om.<br />
E l rest 27 into E2 rest 28 crazed C rest: of. p 189,1. 22 30<br />
soonest E? rest 34 brake C rest 36 this] his C rest
206 EUPHUES<br />
of my good will ? Doth not he remember that the broken boane<br />
once sette together, is stronger then euer it was ? That the greatest<br />
blotte is taken off with the Pommice ? That though the Spyder<br />
poysoa the Flye, she cannot infect the Bee ? That although I haue<br />
bene light to Philautus, yet I may be louely to Euphues ? It is not 5<br />
my desire, but his desertes that moueth my mynde to this choyse,<br />
neyther the want of the lyke good will in Philautus, but the lacke of<br />
the lyke good qualities that remoueth my fancie from the one to the<br />
other.<br />
For as the Bee that gathereth Honny out of the weede, when she 10<br />
espyeth the faire flower flyeth to the sweetest: or as the kynde<br />
spanyell though he hunt after Byrdes, yet forsakes them to retryue<br />
the Partridge: or as we commonly feede on beefe hungerly at the<br />
first, yet seing the Quayle more dayntie, chaunge our dyet: So<br />
I, although I loued Philautus for his good properties, yet seing 15<br />
Euphues to excell him, I ought by Nature to lyke him better: By<br />
so muche the more therefore my change is to be excused, by how<br />
much the more my choyce is excellent: and by so much the lesse<br />
I am to be condemned, by how much the more Euphues is to be<br />
commended. Is not the Dyamonde of more valewe then the Rubie, 20<br />
bicause he is of more vertue ? Is not the Emeraulde preferred before<br />
the Saphyre for his wonderfull propertie? Is not Euphues more<br />
prayse worthy then Philautus being more wittie ? But fye Lucilla,<br />
why doste thou flatter thy selfe in thyne owne follye? canst thou<br />
fayne Euphues thy friend, whome by thyne owne wordes thou hast 25<br />
made thy foe ? Dyddest not thou accuse women of inconstancie ?<br />
dyddest not thou accompt them easy to be wonne? dyddest not<br />
thou condemne them of weakenesse ? what sounder argument can<br />
he haue against thee, then thine owne answer? what better proofe,<br />
then thine owne speach ? what greater tryall, then thyne owne 30<br />
talke ? If thou haste belyed women, he will iudge thee vnkynde, if<br />
thou haue reuealed the troth, he must needes thincke thee vnconstant,<br />
if he perceiue thee to be wonne with a Nut, he will imagine that<br />
thou wilt be lost with an Apple: If he fynde thee wanton before<br />
thou be woed, he wil gesse thou wilt be wauering when thou art 35<br />
wedded.<br />
But suppose that Euphues loue thee, that Philautus leaue thee, will<br />
thy father thinckest thou giue thee libertie to lyue after thyne owne<br />
5 yet A only 6 this] his G rest 15 loue E rest 24 thy selfe om. F<br />
27 thou not C: not om. G them] thy selfe G rest
<strong>THE</strong> ANATOMY OF WYT 207<br />
lust? Will he esteeme him worthy to enherite his possessions,<br />
whom he accompteth vnworthy to enioye thy person? Is it lyke<br />
that he wyll match thee in marryage wt a stranger, with a Grecian,<br />
with a meane man ? I but what knoweth my father whether he be<br />
5 wealthy, whether his reuenewes be able to counteruaile my fathers<br />
lands, whether his birth be noble, yea, or no? can any one make<br />
doubte of his gentle bloude, that seeth his gentle condicions ? Can<br />
his honoure be called into question, whose honestie is so greate ? is<br />
he to be thought thriftelesse, who in all qualyties of y e minde is peereiolesse?<br />
No, no, y e tree is knowen by his fruite, the golde by his<br />
touch, the sonne by the sire. And as the softe waxe receiueth what<br />
soeuer print be in the seale, and sheweth no other impression, so<br />
the tender babe being sealed with his fathers giftes representeth his<br />
Image most lyuely. But were I once certaine of Euphues good will,<br />
15 I woulde not so supersticiously accompt of my fathers ill will.<br />
[Time hath weaned me from my mothers teat, and age ridde me from<br />
my fathers correction, when children are in their swathe cloutes, then<br />
are they subiect to the whip, and ought to be carefull of the rigour<br />
of their parents. As for me seeing I am not fedde with their pap,<br />
20 I am not to be ledde by their perswasions. Let my father vse what<br />
speaches he lyst, I will follow mine owne lust. Lust Ludlla, what<br />
sayst thou ? No, no, mine owne loue I should haue sayd, for I am<br />
as farre from lust, as I am from reason, and as neere to loue as<br />
I am to folly. Then sticke to thy determination, & shew thy selfe,<br />
25 what loue can doe, what loue dares doe, what loue hath done.]<br />
Albeit I can no way quench the coales of desire with forgetfulnesse,<br />
yet will I rake them vp in the ashes of modestie, seeing I dare not<br />
discouer my loue for maidely shamefastnes, I wil dissemble it til<br />
time I haue opportunitie. And I hope so to behaue my selfe as<br />
30 Euphues shall thinke me his owne, and Philautus perswade himselfe<br />
I am none but his. But I would to God Euphues woulde repaire<br />
hether, that the sight of him might mittigate some part of my martirdome.<br />
She hauing thus discoursed with hir selfe hir owne miseryes, cast<br />
35 hir selfe on the bedde: and there lette hir lye, and retourne wee to<br />
Euphues, who was so caught in the ginne of folly, that he neyther<br />
coulde comforte himselfe nor durst aske counsel of his friend, suspect-<br />
8 in G rest 10 his 2 ] the E rest 11 the sire A-GF 1613, 1617 : his<br />
Sire E: the fire 1623, 1631, 1636 14 his before good C rest 16-25<br />
Time . .. done. (10 lines) added T rest 28 discouer] make knowne E rest
208 EUPHUES<br />
ing that which in deede was true, that Philutus was corriuall with<br />
him, and cookemate with Lucilla. Amiddest therefore these his<br />
extremityes betweene hope and feare, hee vttered these or the lyke<br />
speaches.<br />
What is hee Euphues that knowing thy witte, and seeing thy 5<br />
folly: but will rather punish thy lewdenesse, then pittie thy heauinesse?<br />
Was there euer any so fickle so soone to be allured? any<br />
euer so faithlesse to deceiue his friend ? euer any so foolish to bathe<br />
himselfe in his owne misfortune? To true it is that as the Sea<br />
Crabbe swimmeth alwayes agaynst the streame, so wit alwayes 10<br />
striueth agaynst wisedome: And as the Bee is oftentimes hurte<br />
with hir owne honny, so is wit not seldome plagued with his owne<br />
conceipte.<br />
O ye gods haue ye ordayned for euerye maladye a medicine, for<br />
euery sore a salue, for euery payne a plaister, leuing only loue remedi- 15<br />
lesse ? Did ye deeme no man so madde to be entangled with desire,<br />
or thoughteyee them worthye to be tormented that were so misledde?<br />
haue ye dealte more fauourable with brute beasts then with reasonable<br />
creatures.<br />
The filthy Sow when she is sicke, eateth the Sea Crabbe and is 20<br />
immediately recured: the Torteyse hauing tasted the Uiper, sucketh<br />
Origanum and is quickly reuiued : the Beare readye to pine, lycketh<br />
vpp the Ants and is recouered: the Dogge hauing surfetted, to<br />
procure his vomitte eateth grasse, and flndeth remedy: the Harte<br />
beeing pearced with the darte, runneth out of hande to the hearbe 25<br />
DictanuM) and is healed. And can men by no hearb, by no art, by<br />
no way procure a remedye for the impatient disease of loue ? Ah<br />
well I perceiue that loue is not vnlyke the Figge tree, whose fruite is<br />
sweete, whose roote is more bitter then the claw of a Bitter, or lyke<br />
the Apple in Persia, whose blossome sauoreth lyke Honny, whose 30<br />
budde is more sower then gall.<br />
But O impietie. 0 broade blasphemy agaynst the heauens. Wilt<br />
thou be so impudent Euphues, to accuse the gods of iniquitie ? No<br />
fonde foole, no. Neyther is it forbidden vs by the gods to loue, by<br />
whose diuine prouidence we are permitted to lyue, neyther doe wee 35<br />
want remedyes to recure our maladyes, but reason to vse the meanes.<br />
But why goe I about to hinder the course of loue, with the discourse<br />
2 cock-mate E2 rest 7-8 any euer] euer any G rest 12 hir] his<br />
C rest his om. C 18 fauourably T rest 29 whose] but the<br />
E rest Bitter so all 34 it] is E l vs om. E rest
<strong>THE</strong> ANATOMY OF WYT 209<br />
of law? hast thou not redde Eupheus, that he that loppeth the Uine<br />
causeth it to spreade fairer? that hee that stoppeth the streame<br />
forceth it to swell higher ? that he that casteth water on the fire in<br />
the Smithes forge, maketh it to flame fiercer? Euen so he that<br />
5 seeketh by counsayle to moderate his ouerlashinge affections,<br />
encreaseth his owne misfortune. Ah my Lucilla, wold thou wert<br />
either lesse faire or I more fortunate, eyther I wiser or thou milder,<br />
either woulde I were out of this madde moode, eyther I would we<br />
were both of one minde. But how should she be perswaded of my<br />
10 loyaltie, that yet had neuer one simple proofe of my loue? will shee<br />
not rather imagine me to be intangled with hir beautie,then with hir<br />
vertue. That my fancie being so lewdly chayned at y e first, will be<br />
as lyghtly changed at the last, yt ther is nothing which is permangt<br />
yt is violent ? yes, yes, she must needs coniecture so, although it be<br />
15 nothing so, for by how much y e more my affection cometh on y e<br />
suddaine, by so much the lesse will she thinke it certeyne. The<br />
ratling thunderbolte hath but his clappe, the lyghteninge but his<br />
flash, and as they both come in a moment, so doe they both ende in<br />
a minute.<br />
20 I but Euphues, hath shee not hearde also that the drye touchewoode<br />
is kindled with lyme, that the greatest mushrompe groweth in<br />
one night? y t the fire quickly burneth the flaxe? that loue easilye<br />
entreth into the sharpe witte without resistaunce, & is harboured there<br />
without repentaunce ?<br />
25 If therefore the Gods haue endewed hir with as much bountie as<br />
beautie. If she haue no lesse wit then she hath comelynesse, certes<br />
she will neyther conceiue sinisterly of my sodayne sute, neyther be<br />
coye to receiue me into hir seruice, neyther suspecte mee of lyghtnesse,<br />
in yeelding so lyghtly, neyther reiect me disdaynefully, for<br />
30 louing so hastely. Shall I not then hazarde my lyfe to obtaine my<br />
loue? and deceiue Philautus to receiue Lucilla? Yes Euphues,<br />
where loue beareth sway, friendshippe can haue no shew: As<br />
Philautus brought me for his shadowe the last supper, so will I vse<br />
him for my shadow til I haue gayned his Saint. And canst thou<br />
35 wretch be false to him that is faithfull to thee? Shall hys curtesie<br />
1 Euphues T rest 2 faire M 3 forceth] causeth C rest in the fire<br />
at G rest 6 wer MCG 8 either I would I T rest eyther] or els<br />
E rest 12-3 lewdly chayned . . . lyghtly changed ACG 1613 rest-, lewdly<br />
chaunged . .. lyghtly chaunged TM: lewdlie chained . . . lightly chained EF<br />
13 as om. C rest 13-4 last. . . violent] last: that nothing violent, can bee<br />
permanent T rest 20 hearde] hard M 23 into . . . witte] into the shape<br />
E rest 26 haue] hath E rest 34 I gaine E rest<br />
BOND I P
210 EUPHUES<br />
be cause of thy crueltie ? Wilt thou violate the league of fayth, to<br />
enherite the land of folly? Shal affectio be of more force then<br />
friendshippe, loue then law, lust then loyaltie ? Knowest thou not<br />
that he that looseth his honestie hath nothing els to loose ?<br />
Tush the case is lyght where reason taketh place, to loue and to 5<br />
lyue well, is not graunted to Jupiter. Who so is blinded with the<br />
caule of beautie, decerneth no coulour of honestie. Did not Giges<br />
cut Candaules a coate by his owne measure ? Did not Paris though<br />
he were a welcome guest to Menelaus serue his hoste a slippery<br />
prancke? If Philautus had loued Lucilla, he woulde neuer haue 10<br />
suffered Euphues to haue seene hir. Is it not the praye that entiseth<br />
the theefe to ryfle? Is it not the pleasaunt bayte, that causeth y e<br />
fleetest fish to bite ? Is it not a bye word amongst vs, that golde<br />
maketh an honest man an ill man ? Did Philautus accompt Euphues<br />
to simple to decypher beautie, or supersticious not to desire it? 15<br />
Did he deeme him a saint in reiecting fancie, or a sotte in not<br />
discerning ?<br />
Thoughte hee him a Stoycke that he would not bee moued, or<br />
a stocke that he coulde not ?<br />
Well, well, seeing the wound that bleedeth inwarde is most 20<br />
daungerous, that the fire kepte close burneth most furious, that the<br />
Oouen dammed vp baketh soonest, that sores hauing no vent fester<br />
inwardly, it is high time to vnfolde my secret loue, to my secrete<br />
friende. Let Philautus behaue himseife neuer so craftely, hee shal<br />
know that it must be a wily Mouse that shal breed in the Cats eare, 25<br />
and bicause I resemble him in wit, I meane a little to dissemble<br />
with him in wyles. But O my Lucilla, if thy hearte, be made of<br />
that stone which may bee mollyfied onely with bloud, woulde I had<br />
sipped of that riuer in Caria which tourneth those that drincke of it<br />
to stones. If thine eares be anointed with the Oyle of Syria that 30<br />
bereaueth hearing, would mine eyes had bene rubbed with the sirrop<br />
of the Ceder tree which taketh away sight.<br />
[If Lucilla be so proude to disdayne poore Euphues, woulde<br />
Euphues were so happye to denye Lucilla, or if Lucilla be so mortyfied<br />
to lyue without loue, woulde Euphues were so fortunate to lyue 35<br />
in hate. I but my colde welcome foretelleth my colde suit, I but hir<br />
priuie glaunces signifie some good Fortune. Fye fonde foole<br />
5 cause E rest 7 descerneth T: discerneth M rest 13 fleetish EF<br />
15 to 1 ] so G rest supergticious] so superstitious C rest 20 inwardly<br />
Trest 23 inwardly] secretly T rest 29 that 1 ] the E rest 33 If.. .<br />
words. (28 lines) added Trest
<strong>THE</strong> ANATOMY OF WYT 211<br />
Euphues, why goest thou about to alleadge those thinges to cutte<br />
off thy hope which she perhaps woulde neuer haue founde, or to<br />
comfort my selfe with those reasons which shee neuer meaneth to<br />
propose: Tush it were no loue if it were certeyne, and a small<br />
5 conquest it is to ouerthrowe those that neuer resisteth.<br />
In battayles there ought to be a doubtfull fight, and a desperat<br />
ende, in pleadinge a dififyculte enteraunce, and a defused determination,<br />
in loue a lyfe wythout hope, and a death without feare. Fyre<br />
commeth out of the hardest flynte wyth the Steele. Oyle out of the<br />
10 dryest Ieate by the fyre, loue out of the stoniest hearte by fayth,*by<br />
trust, by tyme. Hadde Tarquinius vsed his loue with coulours of<br />
continuaunce, Lucretia woulde eyther wyth some pitie haue aunswered<br />
hys desyre, or with some perswasion haue stayed hir death. It was<br />
the heate of hys lust, that made hyr hast to ende hir lyfe, wherefore<br />
15 loue in neyther respecte is to bee condempned, but hee of rashnesse<br />
to attempte a Ladye furiouslye, and shee of rygor to punishe hys<br />
follye in hir owne fleshe, a fact (in myne opinion) more worthy the<br />
name of crueltie then chastitie, and fitter for a Monster in the<br />
desartes, than a Matrone of Rome, Penelope no lesse constaunt then<br />
20 shee, yet more wyse, woulde bee wearie to unweaue that in the nyght,<br />
shee spunne in the daye, if Vlysses hadde not come home the sooner.<br />
There is no woeman, Euphues, but shee will yeelde in time, bee not<br />
therefore dismaied either with high lookes or frowarde words.]<br />
Euphues hauing thus talked with himselfe, Philautus entered the<br />
25 chamber, and finding him so worne and wasted with continual<br />
mourning, neither ioyeing in his meate, nor reioycing in his friend,<br />
with watry eyes vttered this speach.<br />
FRiende and fellow, as I am not ignoraunt of thy present weak-<br />
F<br />
nesse, so I am not priuie of the cause, and although I suspect<br />
30 many things, yet can I assure my selfe of no one thing. Therfore my<br />
good Euphues, for these doubtes and dompes of mine, either remoue<br />
the cause or reueale it. Thou hast hetherto found me a cheerefull<br />
companion in thy mirth, and nowe shalt thou finde me as careful<br />
wyth thee in thy moane. If altogether thou maist not be cured, yet<br />
3 my] thy TE rest 5 resist 1613 rest 7 diffused 1613 rest 11 Tarquinus<br />
A-G 12 countenuaunce M: coutenaunce CGE 1 : countenanced<br />
rest haue with some pitty E rest 15 either respect is not E rest<br />
15-6 but she . . . and he G 23 therefore] then E rest 27 watred F rest<br />
29 of] to E rest 31 thine Frest 33 my E<br />
P2
212 EUPHUES<br />
maist thou be comforted. If there be any thing that either by my<br />
friends may be procured, or by my life attained, that may either heale<br />
thee in parte, or helpe thee in all, I protest to thee by the name of<br />
a friende, that it shall rather be gotten with the losse of my body,<br />
then lost by getting a kingdome. Thou hast tried me, therfore trust 5<br />
mee, thou hast trusted me in many things, therfore trie me in this<br />
one thing. I neuer yet failed, and now I will not fainte. Be bolde<br />
to speake & blush not: thy sore is not so angry but I can salue •<br />
it, thy wotid not so deep but I can search it, thy griefe not so great<br />
but I can ease it. If it be ripe it shalbe lawnced, if it be broken it 10<br />
shalbe tainted, be it neuer so desperate it shalbe cured. Rise therfore<br />
Euphues, & take hart at grasse, younger y u shalt neuer be,<br />
plucke vp thy stomacke, if loue it selfe haue stoung thee it shal not<br />
stiffle thee. Though thou be enamoured of some lady thou shalt<br />
not be enchaQted. They yt begin to pine of a consQptio, w t out delay 15<br />
preserue theselues w t cullisses, he yt feeleth his stomack enflamed<br />
wt heat, coolith it eftsoones w t coserues : delayes breed daiigers,<br />
nothing so perillous as procrastinatio. Euphues hearing this cofort<br />
& friendly counsaile, dissgbled his sorrowing hart, with a smiling<br />
face, aunswering him foorthwith as folioweth. 20<br />
True it is Philautus that he which toucheth y e nettle tenderly, is<br />
soonest stoung, y t the Fly which plaieth with y e fire is singed in<br />
the flame, that he y t dallieth with women is drawen to his woe. And<br />
as y e Adamant draweth the heauy yron, the harp y e fleet Dolphin, so<br />
beauty allureth the chast minde to loue, & the wisest wit to lust: 25<br />
The example whereof I would it were no lesse profitable the y e<br />
experiSce to me is like to be perilous. The vine wattered with wine<br />
is soone withered, y e blossom in y e fattest grofld is quickly blasted,<br />
the Goat y e fatter she is the lesse fertil she is: yea, man the more<br />
wittie he is y e lesse happy he is. So it is Philautus (for why should 30<br />
I conceaie it fro thee, of who I am to take counsaile) yt since my<br />
last & first being w* thee at y e house of Ferardo, I haue felt such a<br />
furious battaile in mine own body, as if it be not speadely repressed<br />
by pollicie, it wil carry my minde (y e graud captain in this fight) into<br />
endles captiuitie. Ah Ziuia, Lima, thy courtly grace wtout coynes 35<br />
thy blazing beauty without blemish, thy curteous demeanour without<br />
curiosity, thy sweet speach sauoured wt wit, thy comly mirth tem-<br />
2 life] selfe E rest 9 thy 1 ] the TM great] sore G 11 tainted so all<br />
12 thou T rest 13 it selfe A TM only 16 wt]vpon E rest 17 heat] meate<br />
£ rest 20 and aunswered him as folioweth E rest 22 with] in G rest<br />
24 & the E rest 33 nay body E rest
<strong>THE</strong> ANATOMY OF WYT 213<br />
pered with modesty, thy chast looks yet louely, thy sharp taunts yet<br />
pleasant, haue giuen me such a checke, yt sure I am at the next<br />
view of thy vertues, I shall take thee mate: And taking it not of<br />
a pawn, but of a prince, y e losse is to be accompted the lesse. And<br />
5 though they be comonly in a great choler that receiue the mate, yet<br />
would I willingly take euery minute x. mates, to enioy Liuia for my<br />
louing mate. Doubtlesse if euer she hir self haue ben scorched<br />
with the flames of desire, she will be ready to quench the coales<br />
with courtesie in an other, if euer shee haue ben attached of loue,<br />
10 she will rescue him yt is drenched in desire, if euer she haue ben<br />
taken w t the feauer of fancie, she wil help his ague, who by a<br />
quotidia fit is conuerted into phrensie : Neither can there bee<br />
vnder so delicate a hew lodged deceite, neither in so beautifull<br />
a mould a malicious minde. True it is that the disposition of the<br />
15 minde, followeth the composition of y e body: how the" can she be<br />
in minde any way imperfect, who in body is perfect euery way? I<br />
know my successe wil be good, but I know not how to haue accesse<br />
to my goddesse, neither do I want courage to discouer my loue to<br />
my fried, but some colour to cloak my coming to y e house of<br />
20 Ferardo, for if they be in Naples as ieolous as they be in the other<br />
parts of Italy, then it behoueth me to walke circuspectly, & to forge<br />
some cause for mine ofte coming. If therfore Philautus, y u canst<br />
set but this fether to mine arrow, y u shalt see me shoot so neere, y t<br />
thou wilt accopt me for a cunning Archer. And verily if I had not<br />
2 5 loued thee wel, I wold haue swalowed mine own sorrow in silece,<br />
knowing y t in loue nothing is so daiigerous, as to perticipate y e<br />
means therof to an other, & y t two may keep cousel if one be away.<br />
I am therfore enforced perforce to challenge that courtesie at thy<br />
handes, which earst thou diddest promise with thy heart, the per-<br />
30 fourmaunce whereof shall binde mee to PMautus, and proue thee<br />
faithfull to Euphues. [Now if thy cunning be answerable to thy<br />
good will, practise some pleasant coceipt vpon thy poore patiet: one<br />
dram of Ouids art, some of Tibullis drugs, one of Propertius pilles,<br />
which may cause me either to purge my new disease, or recouer my<br />
35 hoped desire. But I feare me wher so straunge a sicknesse is to be<br />
recured of so vnskillfull a Phisition, that either thou wilt be to bold<br />
to practise, or my body too weake to purge. But seing a desperate<br />
5 a om. E rest 6 x.] ten T: tenne M: then C 8 flame E rest<br />
12 into] to G rest 22 my E rest 24 I om. C 27 the before one<br />
E rest 31 Now ... handes (10 lines) added Trest tomyf? rest
214 EUPHUES<br />
disease is to be comitted to a desperate Doctor, I wil follow thy<br />
counsel and become thy cure, desiring thee to be as wise in ministring<br />
thy Phisick, as I haue bene willing to putte my lyfe into thy<br />
handes.]<br />
Philautus thincking all to bee golde that glistered, and all to bee 5<br />
gospell that Euphues vttered, aunswered his forged gloase with this<br />
friendly cloase.<br />
In that thou hast made me priuie to thy pourpose, X will not conceale<br />
my practise, in that thou crauest my aide, assure thy selfe I wil<br />
be the finger next the thumbe, insomuch as thou shalt neuer repent 10<br />
thee of the one or the other, [for perswade thy selfe that thou shalt<br />
flnde Philautus during life ready to comfort thee in thy misfortunes,<br />
and succour thee in thy necessitie.] Concerning Liuia though shee<br />
bee faire, yet is shee not so amiable as my Lucilla, whose seruaunt<br />
I haue bene the tearme of three yeares, but least comparisons 15<br />
shoulde seeme odious, chiefly where both the parties be without<br />
comparison, I will omit that, and seeing that wee had both rather be<br />
talking wyth them, then tatling of them, wee will immediatly goe to<br />
them. And truety Euphues I am not a little giadde, that I shall<br />
haue thee, not onely a comfort in my life, but also a companion in 20<br />
my loue: As thou hast bene wise in thy choice, so I hope thou<br />
shalt bee fortunate in thy chaunce. Liuia is a wench of more witte<br />
then beautie, Lucilla of more beautie then witte, both of more<br />
honestye then honoure, and yet both of suche honoure, as in all<br />
Naples there is not one in birthe, to bee compared wyth any of them 25<br />
both. Howe much therefore haue wee to reioyce in our choice?<br />
Touchinge our accesse bee thou secure, I will flappe Ferardo in the<br />
mouth with some conceyte, and fill his olde heade so full of newe<br />
fables that thou shalt rather bee earnestly entreated to repaire to his<br />
house, then euyll entreated to leaue it. As olde men are very sus- 30<br />
pitious to mistruste euerye thinge, so are they verye credulous to<br />
beleeue any thinge, the blinde man doth eate many a Fly: yea, but<br />
sayd Euphues take heede my Philautus, that thou thy selfe swallow<br />
not a gudgen, which woord Philautus did not marke, vntill he had<br />
almost digested it. But said Philautus let vs goe deuoutly to the 35<br />
10 the 1 ] thy JS 2 rest the 2 ] thy T rest 11-3 or . .. necessitie (2 lines) added<br />
Trest 16 parts EF 18 then] that E 1 22 wilt E rest 25<br />
any] eyther E 2 rest 26 both A-M only 27 shill G: shall E rest<br />
35 Philautus] all eds. Euphues, but the following Euphues consented shows that<br />
Philautus was intended, though from the allusion to my books in the added intervening<br />
passage it appears that Lyly in his second edition overlooked the mistake.
<strong>THE</strong> ANATOMY OF WYT 215<br />
shrine of our Saincts there to offer our deuotion, [for my books<br />
teach me, that such a woftd must be healed wher it was first hurt,<br />
and for this disease we will vse a common remedie, but yet comfortable.<br />
The eye that blinded thee, shall make thee see, the Scorpion<br />
5 that stung thee shall heale thee, a sharpe sore hath a short cure, let<br />
vs goe :] to the which Euphues consented willyngly, smiling to himselfe<br />
to see how he had brought Philautus into a fooles Paradise.<br />
Heere you may see gentlemen the falshood in felowship, the<br />
fraude in friendship, the painted sheth with the leaden dagger, ye<br />
10 faire woords that make fooles faine, but I will not trouble you with<br />
superfluous addition vnto whom I feare mee I haue bene tedious,<br />
with the bare discourse of this rude historic<br />
Philautus and Euphues repaired to the house of Ferardo, where<br />
they found Mistres Lucilla and Liuia accompanied with other gentle-<br />
15 women neither beeing idle, nor well employed, but playing at<br />
cardes. But when Lucilla beheld Euphues she could scarcely containe<br />
hir selfe from embracing him, had not womanly shamefastnesse,<br />
and Philautus his presence, stayed hir wisdome.<br />
Euphues on the other side was fallen into such a trance, that he<br />
20 had not the power either to succour himselfe, or salute the gentlewomen.<br />
At the last Lucilla began as one that best might be bolde,<br />
on this manner.<br />
Gentlemen although your longe absence gaue mee occasion to<br />
thincke that you disliked your late entertainment, yet your comming<br />
25 at the last hath cut off my former suspition : And by so much the<br />
more you are welcome by how much the more you were wished for.<br />
But you gentleman (taking Euphues by the hande) were the rather<br />
wished for, for that your discourse being left vnperfect, caused vs all<br />
to long (as women are wont for things that like them) to haue an<br />
30 ende thereoff. Unto whom Philautus replyed as followeth.<br />
Mistres Lucilla thoughe your courtesie made vs nothing to doubt<br />
of our welcome, yet modestye caused vs to pinch courtesie who<br />
shoulde first come: as for my friende I thincke hee was neuer wished<br />
for heere so earnestly of any as of hymselfe, whether it might bee to<br />
1 our two Saints E 2 rest 1-6 for . . . goe : (5 lines) added T rest 5<br />
stinge C 8 may you F rest 12 rude om, E rest 16 would EF<br />
23 Gentleman E 1 24 that om. G rest last G rest 26 were] are<br />
C rest
2l6 EUPHUES<br />
renewe his talke or to recant his sayinges, I cannot tell. [Euphues<br />
takynge the tale out of Philautus mouth, aunswered: Mistres<br />
Lucilla, to recant verities were heresie, and renewe the prayses of<br />
woemen flattery: the onely cause I wyshed my selfe heere, was to<br />
giue thankes for so good entertainment the which I could no wayes 5<br />
deserue, & to breede a greater acquaintaunce if it might be to make<br />
amendes. Lucilla inflamed w t his presence, said, nay Euphues you<br />
shall not escape so, for if my curtesie, as you say, were y e cause of<br />
your coming, let it also be y e occasion of y e ending your former discourse,<br />
otherwise I shall thinke your proofe naked, and you shall 10<br />
flnde my rewarde nothinge. Euphues nowe as willing to obey as<br />
shee to commaunde, addressed himselfe to a farther conclusion, who<br />
seeing all the gentlewomen readie to giue him the hearing, proceeded<br />
as folioweth.<br />
I haue not yet forgotten yt my last talke with these gentlewomen, 15<br />
tended to their prayses, and therefore the ende must tye vp the iust<br />
proofe, otherwise I shold set downe Venus shadow without the liuely<br />
substance.<br />
As there is no one thing which can be reckened either concerning<br />
loue or loyaltie wherin women do not excell men, yet in feruencye 20<br />
aboue all others, they so farre exceede, that men are lyker to meruaile<br />
at them, then to imitate them, and readier to laugh at their<br />
vertues then emulate them. For as they be harde to be wonne<br />
without tryall of greate faith, so are they hard to be lost without<br />
great cause of ficklenesse. It is long before the colde water seeth, 25<br />
yet being once hot, it is long before it be cooled, it is long before<br />
salt come to his saltnesse, but beeing once seasoned, it neuer looseth<br />
his sauour.<br />
I for mine owne part am brought into a Paradise by the onely<br />
imagination of woemens vertues, and were I perswaded that all the 30<br />
Diuelles in hell were woemen, I woulde neuer liue deuoutlye to<br />
enherite heauen, or y t they were al Saintes in heauen, I woulde Hue<br />
more stricktly for feare of hell. What coulde Adam haue done in<br />
his Paradise before his fall without a woman, or howe woulde he<br />
haue ryse agayne after his fall without a woeman ? Artificers are 35<br />
wont in their last workes to excell themselues, yea, God when he had<br />
1 to om. C rest Euphues ... no no Lucilla. (57 lines) added T rest<br />
3 and to renew C rest 4 womens E l 9 of before your 8 Erest 12 conclusion<br />
T 13 gentlewoman T 20 where EF 23 imitate E rest<br />
25 seethe G 27 seanoned M 34 a woemen M could C rest<br />
35 rise C: risen E rest wyth TM
<strong>THE</strong> ANATOMY OF WYT 217<br />
made all thinges, at the last, made man as most perfect, thinking<br />
nothing could be framed more excellent, yet after him hee created<br />
a woman, the expresse Image of Eternitie, the lyuely picture of<br />
Nature, the onely Steele glasse for man to beholde hys infirmities, by<br />
5 comparinge them wyth woemens perfections. Are they not more<br />
gentle, more wittie, more beautifull then men ? Are not men so<br />
bewytched with their qualyties that they become madde for loue, and<br />
woemen so wyse that they detest lust.<br />
I am entred into so large a fielde, that I shall sooner want time<br />
10 then proofe, and so cloye you wyth varietie of prayses that I feare<br />
mee I am lyke to infect women with pride, whiche yet they haue not,<br />
and men with spyte whyche yet I woulde not. For as the horse if he<br />
knew his owne strength were no wayes to be brideled, or the Unicorne<br />
his owne vertue, were neuer to bee caught, so woemen if they knewe<br />
15 what excellency were in them, I feare mee men should neuer winne<br />
them to their wills, or weane them from their minde.<br />
Lucilla beganne to smyle, saying, in faith Euphues, I woulde<br />
haue you staye there, for as the Sunne when he is at the highest<br />
beginneth to goe downe, so when the prayses of women are at the<br />
20 best, if you leaue not, they wyll beginne to fayle, but Euphues<br />
(beinge rapt with the sight of his Saint) aunswered, no no Lucilla.]<br />
But whilest hee was yet speakinge Ferardo entered, whome they all<br />
duetifully welcomed home, who rounding Philautus in the eare,<br />
desired hym to accompany him immediatly without farther pausinge,<br />
25 protesting it shoulde bee as well for his preferment as for his owne<br />
profite. Philautus consentinge, Ferardo sayd to his daughter.<br />
Lucilla the vrgent affaires I haue in hande, wyll scarce suffer mee<br />
to tarrye with you one houre, yet my retourne I hope will bee so<br />
short, that my absence shall not breede thy sorrowe : In the meane<br />
30 season I commit all thinges into thy custody wishing thee to vse thy<br />
accustomable courtesie. And seeinge I must take Philautus wyth<br />
mee, I will bee so bolde to craue you gentleman (his friende) to supplye<br />
his roome desiring you to take this hastye warninge for a hartye<br />
welcome and so to spende this time of mine absence in honest mirth.<br />
35 And thus I leaue you.<br />
Philautus knewe well the cause of this sodayne departure, which<br />
was to redeeme certeine landes that were morgaged in his Fathers<br />
8 doe detest C rest 10 phrases C rest 18 he] she E 25 it shoulde]<br />
that it should EF: that it would 1613 rest his 1 ] this G 26 vnto Trest<br />
31 accustomed E2 rest 36 his £ rest 37 morgaged in] in morgaged C
2l8 EUPHUES<br />
time to the vse of Ferardo who on that condition had before time<br />
promysed him his daughter in marriage. But retourne wee to<br />
Euphues.<br />
Euphues was surprised with such increadible ioye at this straunge<br />
euent, that hee had almost sounded, for seeing his coryuall to be de- 5<br />
parted, and Ferardo to gyue him so friendly entertainment, doubted<br />
not in time to get the good wyll of Lucilla: Whome findinge in place<br />
conuenient without company, with a bolde courage and comely<br />
gesture, he began to assay hir in this sort.<br />
Gentlewoman, my acquaintaunce beeing so little, I am afraide my 10<br />
credite will bee lesse, for that they commonly are soonest beleeued,<br />
that are best beloued, and they liked best, whome we haue knowne<br />
longest, neuerthelesse the noble minde suspecteth no guile wythout<br />
cause, neither condemneth any wight wythout proofe, hauing therefore<br />
notise of your heroycall heart, I am the better perswaded of my 15<br />
good hap. So it is Lucilla, that coming to Naples but to fetch fire,<br />
as the by word is, not to make my place of abode, I haue founde such<br />
flames that I can neither quench them wyth the water of free will,<br />
neyther coole them wyth wisedome. For as the Hoppe the poale<br />
beeing neuer so hye groweth to the ende, or as the drye Beeche 20<br />
kindled at the roote, neuer ieaueth vntill it come to the toppe, or as<br />
one droppe of poyson disperseth it selfe into euerye vaine, so affection<br />
hauinge caughte holde of my hearte, and the sparkles of loue<br />
kindled my liuer, wyll sodeinely, thoughe secretlye flame vp into my<br />
heade, and spreade it selfe into euerye sinewe. It is your beautie 25<br />
(pardon my abrupte boldenesse) Ladye that hath taken euery part<br />
of mee prisoner, and brought me to this deepe distresse, but seeinge<br />
women when one praiseth them for their desertes, deeme that hee<br />
flattereth them to obteine his desire, I am heere present to yelde my<br />
selfe to such tryall, as your courtesie in this behalfe shall require: 30<br />
Yet will you comonly obiect this to such as serue you & sterue to<br />
winne your good wil, that hot loue is soone colde, that the Bauin<br />
though it bourne bright, is but a blaze, that scaldinge water if it<br />
stande a while tourneth almost to yse, that pepper though it be hot<br />
in the mouth is colde in the mawe, that the faith of men though it 35<br />
frye in their woordes, it freeseth in theire works: Which things<br />
4 supposed A 5 sounded] swouned 1631-6 14 any with without C:<br />
anye without G rest 21 to] at G 23 sparks E rest 26 haue C 27<br />
vnto TMG rest 31 sterue AT: starue M-1613 : striue 1617-36
<strong>THE</strong> ANATOMY OF WYT 219<br />
(Lucilla) albeit they be sufficient to reproue the lightnesse of some<br />
one, yet can it not conuince euery one of lewdenes, neither ought<br />
the constancie of all, to be brought in question through the subtiltie<br />
of a fewe. For although the worme entereth almost into euery<br />
5 woode, yet he eateth not the Ceder tree: Though the stone Cylindrus<br />
at euery thunder clappe, rowle from the hill, yet the pure sleeke<br />
stone mounteth at the noyse, though the rust fret the hardest Steele,<br />
yet doth it not eate into the Emeraulde, though Polypus chaunge<br />
his hew, yet y e Salamander keepeth his coulour, though Proteus<br />
10 transforme himselfe into euery shape, yet Pygmalion retaineth his<br />
olde forme, though Aeneas were to fickle to Dido, yet Troylus was<br />
to faithfull to Crtœssida, thoughe others seeme counterfaite in their<br />
deedes, yet Lucilla perswade your selfe that Euphues will bee alwayes<br />
curraunt in his dealinges. But as the true golde is tryed by the<br />
15 touch, the pure flinte by the stroke of the yron, so the loyall heart<br />
of the faithfull louer, is knowen by the tryall of his Lady: of the<br />
which tryall (Lucilla) .'if you shall accompte Euphues worthy, assure<br />
your selfe, hee wyll bee as readie to offer himselfe a sacrifice for<br />
your sweet sake, as your selfe shall bee willinge to employe hym in<br />
20 your seruice. Neyther doth hee desire to bee trusted any way, vntill<br />
he shall be tried euery way, neither doth hee craue credite at the<br />
first, but a good countenaunce til time his desire shall be made<br />
manifest by hys desertes. Thus not blynded by lyght affection, but<br />
dazeled with your rare perfection, and boldened by your exceeding<br />
25 courtesie, I haue vnfolded mine entire loue, desiring you hauing so<br />
good leasure, to giue so friendly an aunswere, as I may receiue comforte,<br />
and you commendacion.<br />
Lucilla although she were contented to heare this desired discourse,<br />
yet did shee seeme to bee somewhat displeased: And truely<br />
30 I know not whether it bee peculyar to that sex to dissemble with<br />
those, whome they most desire, or whether by craft they haue learned<br />
outwardely to loath that, which inwardely they most loue: yet wisely<br />
did she cast this in hir head, that if she should yeelde at the first<br />
assault he woulde thinke hir a lyght huswife, if she should reiect him<br />
35 scornefully a very haggard, minding therefore that he shoulde neyther<br />
take holde of hir promise, neyther vnkindenesse of hir precisenesse,<br />
she fedde him indifferently, with hope and dispayre, reason and<br />
2 it] they Trest 10 in E rest 12 Cressid TMC: Cressida G rest<br />
15 and before the 1 G rest 26 an om. E rest 28 content E rest
220 EUPHUES<br />
affection, lyfe and death. Yet in the ende arguing wittilly vpon<br />
certeine questions, they fell to suche agreement as poore Philautus<br />
woulde not haue agreed vnto if hee had bene present, yet alwayes<br />
.keepinge the body vndefiled. And thus shee replyed.<br />
G Entleman as you may suspecte me of Idelnesse in giuing 5<br />
eare to your talke, so may you conuince me of lyghtenesse<br />
in answering such toyes, certes as you haue made mine eares glowe<br />
at the rehearsall of your loue, so haue you galled my hart with the<br />
remembrance of your folly. Though you came to Naples as a<br />
straunger, yet were you welcome to my fathers house as a friend. 10<br />
And can you then so much transgresse y e bounds of honour (I will<br />
not say of honestie) as to solicite a sute more sharpe to me then<br />
deathe ? I haue hetherto God bethancked, liued wythout suspition<br />
of lewdenesse, and shall I nowe incurre the daunger of sensuall<br />
lybertie? What hope can you haue to obtayne my loue, seeing yet 15<br />
I coulde neuer affoord you a good looke ? Doe you therefore thinke<br />
me easely entised to the bent of your bow, bicause I was easely entreated<br />
to lysten to your late discourse ? Or seeing mee (as finely<br />
you glose) to excell all other in beautie, did you deeme that I would<br />
exceed all other in beastlynesse ? But yet I am not angry Eupheus 20<br />
but in an agony, for who is shee that will frette or fume with one<br />
that loueth hir, if this loue to delude mee bee not dissembled. It<br />
is that which causeth me most to feare, not that my beautie is vnknown<br />
to my selfe but that commonly we poore wenches are deluded<br />
through lyght beliefe, and ye men are naturally enclined craftely to 2 5<br />
leade your lyfe. When the Foxe preacheth the Geese perishe.<br />
The Crocodile shrowdeth greatest treason vnder most pitifull teares:<br />
in a kissing mouth there lyeth a gallyng minde. You haue made so<br />
large proffer of your seruice, and so fayre promises of fidelytie, that<br />
were I not ouer charie of mine honestie, you would inueigle me to 30<br />
shake handes with chastitie. But certes I will eyther leade a Uirgins<br />
lyfe in earth (though I leade Apes in hell) or els follow thee rather<br />
then thy giftes: yet am I neither so precise to refuse thy proffer,<br />
neither so peeuish to disdain thy good will: So excellent alwayes<br />
are y e giftes which are made acceptable by the vertue of the giuer. 35<br />
I did at the firste entraunce discerne thy loue but yet dissemble it.<br />
4 the] her G rest 11 bounds AF-1636 : bonds T-E 19 you 2 ] ye C rest<br />
could E rest 20 Euphues T rest 31 in an ATGnstx in MC<br />
nof before fret A 39 proffer] a profer E rest
<strong>THE</strong> ANATOMY OF WYT 221<br />
Thy wanton glaunces, thy scalding sighes, thy louing signes, caused<br />
me to blush for shame, and to looke wanne for feare, least they<br />
should be perceiued of any. These subtill shiftes, these paynted<br />
practises (if I were to be wonne) woulde soone weane mee from the<br />
5 teate of Vesta, to the toyes of Venus. Besides this thy comly grace,<br />
thy rare quallyties, thy exquisite perfection, were able to moue a<br />
minde halfe mortified to transgresse the bondes of maydenly modestie.<br />
But God shielde Lucilla, that thou shouldest be so carelesse<br />
of thine honour as to commit the state thereoff to a stranger.<br />
10 Learne thou by me Euphues to dispise things that be amiable, to<br />
forgoe delightfull practises, beleeue mee it is pietie to abstayne from<br />
pleasure.<br />
Thou arte not the first that hath solicited this sute, but the first<br />
that goeth about to seduce mee, neyther discernest thou more then<br />
15 other, but darest more then any, neyther hast thou more arte to<br />
discouer thy meaninge, but more hearte to open thy minde : But<br />
thou preferrest mee before thy landes, thy lyuings, thy lyfe: thou<br />
offerest thy selfe a Sacrifice for my securitie, thou proferest mee the<br />
whole and onelye souereigntie of thy seruice : Truely I were very<br />
20 cruell and harde hearted if I should not loue thee : harde hearted<br />
albeit I am not, but truely loue thee I cannot, whome I doubte to<br />
be my louer.<br />
Moreouer I haue not bene vsed to the court of Cupide, wherin<br />
ther be more slights then there be Hares in Athon, then Bees in<br />
25 Hybla, then stars in Heauen. Besides this, the common people<br />
heere in Naples are not onelye both verye suspitious of other mens<br />
matters and manners, but also very iealous ouer other mens children<br />
and maydens: eyther therefore dissemble thy fancie, or desist from<br />
thy folly.<br />
30 But why shouldest thou desist from the one, seeinge thou canst<br />
cunningly dissemble the other. My father is nowe gone to Venice,<br />
and as I am vncerteine of his retourne, so am I not priuie to the<br />
cause of his trauayle: But yet is he so from hence that he seethe<br />
me in his absence. Knowest thou not Euphues that kinges haue<br />
35 long armes & rulers large reches ? neither let this comfort thee, that<br />
at his departure he deputed thee in Philautus place. Although my<br />
face cause him to mistrust my loyaltie, yet my fayth enforceth him<br />
2 to 2 om. E rest 4 I] it EF 7 bands E rest 10 those before<br />
things G rest 11 pitty EF 21-2 whome ... be] whom I doubt thee to<br />
be .E: when I doubt thee to be F-1636 24 slights] sights G 33 he is<br />
Crest 35 reaches MGHrest: reachers EF 37 causeth Erest
222<br />
EUPHUES<br />
to giue mee this lybertie, though he be suspitious of my fayre hew,<br />
yet is he secure of my firme honestie. But alas Euphues, what truth<br />
can there be found in a trauayler ? what stay in a stranger ? whose<br />
words & bodyes both watch but for a winde, whose feete are euer<br />
fleeting, whose fayth plighted on the shoare, is tourned to periurie 5<br />
when they hoiste saile. Who more trayterous to Phillis then<br />
Demophoon ? yet he a trauailer. Who more periured to Dido then<br />
Aeneas ? and he a stranger: both these Queenes, both they Caytiffes.<br />
Who more false to Ariadne then Theseus? yet he a sayler. Who<br />
more fickle to Medea then Iason ? yet he a starter: both these 10<br />
daughters to great Princes, both they vnfaythfull of promisses. Is<br />
it then lykely that Euphues will be faithfull to Lucilla beeing in Naples<br />
but a soiourner? I haue not yet forgotten the inuectiue (I can no<br />
otherwise terme it) which thou madest against beautie, saying it was<br />
a deceiptfull bayte with a deadly hooke, & a sweete poyson in *5<br />
a paynted potte. Canst thou then be so vnwise to swallow the bayte<br />
which will breede thy bane? To swill the drinke that will expire<br />
thy date? To desire the wight that will workethy death? But<br />
it may bee that with y e Scorpion thou canst feede on the earth,<br />
or with the Quaile and Roebucke, be fatte with poyson, or with 20<br />
beautie lyue in ail brauerie. I feare me thou hast the stone<br />
Continens about thee, which is named of the contrarye, that thoughe<br />
thou pretende faithe in thy words, thou deuisest fraude in thy heart:<br />
yt though thou seeme to prefer loue, thou art inflamed with lust.<br />
And what for that ? Though thou haue eaten the seedes of Rockatte, 25<br />
which breede incontinencie, yet haue I chewed the leafe Cresse<br />
which mainteineth modestie. Though thou beare in thy bosome<br />
the hearbe Araxa most noisome to virginitie, yet haue I y e stone<br />
yt groweth in the mounte Tmolus, the vpholder of chastitie. You<br />
may gentleman accompte me for a colde Prophet, thus hastely to 30<br />
deuine of your disposition, pardon mee Euphues if in loue I cast<br />
beyonde the Moone, which bringeth vs women to endlesse moane.<br />
Although I my selfe were neuer burnt, whereby I should dread the<br />
fire, yet the scorching of others in the flames of fancie, warneth me<br />
to beware: Though I as yet neuer tryed any faithles, wherby I should 35<br />
3 be om. G stay] trust G rest 6 hoyse ME2F 7 Demophon E<br />
1613 rest: Domophon F 11 their promises T rest 12 lykely] like E rest<br />
13 can no] cannot Grest 22 Continens^: Contineus A-E: Continues [1623?]<br />
24 y*] and G rest proffer 1617-36 25 Reckat TMC: Rackat G:<br />
Racket £: Rocket F-1636 27 mayteineth A 30 Gentlemen G-F<br />
35 as yet I G rest
<strong>THE</strong> ANATOMY OF WYT 223<br />
be fearefull, yet haue I read of many that haue bene periured, which<br />
causeth me to be carefull: though I am able to couince none by<br />
proofe, yet am I enforced to suspect one vppon probabilyties. Alas<br />
we silly soules which haue neyther witte to decypher the wyles of<br />
5 men, nor wisedome to dissemble our affection, neyther crafte to<br />
trayne in young louers, neither courage to withstande their encounters,<br />
neyther discretion to discerne their dubling, neither hard hearts to<br />
reiect their complaynts, wee I say are soone enticed, beeing by<br />
nature simple, and easily entangled, beeinge apte to receiue the<br />
10 impression of loue. But alas it is both common and lamentable,<br />
to beholde simplicitie intrapped by subtilytie, and those that haue<br />
most might, to be infected with most mallice. The Spider weaueth<br />
a fine webbe to hang the Fly, the Wolfe weareth a faire face to<br />
deuoure the Lambe, the Merlin striketh at the Partridge, the Eagle<br />
35 often snappeth at the Fly, men are alwayes laying baytes for women,<br />
which are the weaker vessells : but as yet I could neuer heare man<br />
by such snares to intrappe man: For true it is that men themselues<br />
haue by vse obserued, that it must be a hard winter, when one<br />
Wolfe eateth an other. I haue read y t the Bull being tyed to y e<br />
20 Figge tree loseth his strength, that the whole heard of Deare stande<br />
at the gaze, if they smell a sweete apple, that the Dolphin by the<br />
sound of Musicke is brought to y e shore. And then no meruaile<br />
it is that if the fierce Bull be tamed with the Figge tree, if that<br />
women beeing as weake as sheepe, be ouercome with a Figge, if the<br />
25 wilde Deare be caughte with an apple, that the tame Damzell is<br />
wonne with a blossome, if the fleete Dolphin be allured with harmony,<br />
that women be entangled with the melodie of mens speach,<br />
fayre promises and solemne protestations. But follye it were for<br />
mee to marke their mischiefes, sith I am neyther able, neyther they<br />
30 willynge to amende their manners, it becommeth mee rather to shew<br />
what our sexe should doe, then to open what yours doth. And<br />
seeing I cannot by reason restrayne your importunate sute, I will<br />
by rigour done on my selfe, cause you to refraine the meanes.<br />
I would to God Ferardo were in this poynte lyke to Lysander, which<br />
35 would not suffer his daughters to weare gorgeous apparell, saying<br />
it would rather make them common then comely. I would it were<br />
in Naples a law, which was a custome in Aegypt, that woemen should<br />
alwayes go barefoote, to the intent they might keepe themselues<br />
11 by] in G rest 13 a 1 ] the G rest 15 often om. E rest 17 themseleus<br />
A 21 of before a G 26 fleete] fish F
224<br />
EUPHUES<br />
alwayes at home, that they shoulde be euer lyke to y t Snaile, which<br />
hath euer his house on his head. I meane so to mortifie my selfe<br />
that in stead of silkes I will weare sackecloth, for Owches and Bracelettes,<br />
Leere and Caddys, for the Lute, vse the Distaffe, for the<br />
Penne, the Needle, for louers Sonettes, Dauids Psalmes. But yet 5<br />
I am not so senceles altogether to reiect your seruice: which if<br />
I were certeinly assured to proceed of a simple minde, it shold not<br />
receiue so simple a reward. And what greater triall can I haue<br />
of thy simplicitie & truth, the thine owne requeste which desireth<br />
a triall. I, but in the coldest flinte there is hotte fire, the Bee that 10<br />
hath honny in hir mouth, hath a sting in hir tayle, the tree that<br />
beareth the sweetest fruite, hath a sower sappe, yea the wordes of<br />
men, though they seeme smoothe as oyle, yet their heartes are as<br />
crooked as the stalke of Iuie. I woulde not Euphues that thou<br />
shouldest condemne me of rigour, in that I seeke to ass wage thy 15<br />
follye by reason, but take this by the way that although as yet I am<br />
disposed to lyke of none, yet whensoeuer I shall loue any I will not<br />
forget thee, in the meane season accompt me thy friend, for thy foe<br />
I will neuer be.<br />
Euphues was brought into a greate quandarie and as it were 20<br />
a colde shiuering, to heare this newe kinde of kindenesse. such sweete<br />
meate, such sower sauce, such faire wordes, such faint promises,<br />
such hotte loue, such colde desire, such certayne hope, such sodaine<br />
chaunge, and stoode lyke one that had looked on Medusaes heade,<br />
and so had bene tourned into a stone. 35<br />
Lucilla seeing him in this pitifull plight and fearing he would<br />
take stande if the lure were not cast out, toke him by the hand<br />
and wringing him softely with a smiling countenaunce began thus<br />
to comfort him.<br />
Mee thinkes Euphues chaungeing so your couloure vpon the 30<br />
sodaine, you will soone chaunge your coppie: is your minde on your<br />
meat ? a penny for your thought.<br />
Mistresse (quod he) if you would buy all my thoughts at that<br />
price, I shoulde neuer be wearye of thinking, but seeinge it is too<br />
deere, reade it, and take it for nothing. 35<br />
It seemes to me (sayd she) y t you are in some browne study, what<br />
coulours you mighte best weare for your Ladye.<br />
In deede Lucilla you leuell shrewdly at my thought, by the ayme<br />
1 y t ] the T rest 8 can] shall G rest 12 sappe] say E2F 21 shieuering<br />
G: sheeuering EF 33 quoth Trest 34 tool so G rest
<strong>THE</strong> ANATOMY OF WYT 225<br />
of your owne imagination, for you haue giuen vnto me a true loues<br />
knotte wrought of chaungeable silke, and you deeme mee that I am<br />
deuisinge howe I mighte haue my coulours chaungeable also, that<br />
they mighte agree: But lette this with such toyes and deuises passe,<br />
5 if it please you to commaund me any seruice, I am heere ready to<br />
attende your leasure. No seruice Euphues, but that you keepe<br />
silence vntill I haue vttered my minde: and secrecie when I haue<br />
vnfolded my meaning.<br />
If I should offende in the one I were to bold, if in the other too<br />
10 beastly.<br />
Well then Euphues (sayd shee) so it is that for the hope that<br />
I conceiue of thy loyaltie and the happy successe that is lyke to<br />
ensue of this our loue, I am content to yeelde thee the place in my<br />
heart which thou desirest and deseruest aboue all other: which<br />
15 consent in me if it may any wayes breede thy contentation, sure<br />
I am that it will euery way worke my comforte. But as eyther thou<br />
tenderest mine honour or thine owne safetie, vse such secrecie in<br />
this matter that my father haue no incklyng heereoff, before I haue<br />
framed his minde fitte for our purpose. And though women haue<br />
20 small force to ouercome men by reason, yet haue they good Fortune<br />
to vndermine them by pollycie. The softe droppes of raine pearce<br />
the hard Marble, many strokes ouerthrow the tallest Oke, a silly<br />
woman in time may make such a breach into a mans hearte as<br />
hir teares may enter without resistaunce, then doubt not but I will<br />
25 so vndermine mine olde father, as quickly I will enioy my new friend.<br />
Tush Philautus was liked for fashion sake, but neuer loued for fancie<br />
sake, & this I vow by y e fayth of a Uirgin and by the loue I beare<br />
thee, (for greater bands to confirme my vowe I haue not) that my<br />
father shall sooner martir me in the fire then marry me to Philautus.<br />
30 No no Euphues thou onely hast wonne me by loue, and shalt only<br />
weare me by law, I force not Philautus his fury, so I may haue<br />
Euphues his friendship, neither will I prefer his possessions before<br />
thy person, neyther esteeme better of his lands then of thy loue.<br />
Ferardo shall sooner disherite me of my patrimony, then dishonour<br />
35 me in breaking my promise. It is not his great mannors, but thy ,<br />
good manners, that shall make my marriage. In token of which my<br />
1 loners G rest 2 mee om. T rest 6 pleasure G rest 20 good<br />
om. E rest 21, 25 vndermmd EF(cf. p. 229,1. 21) 23 into] in E<br />
rest 28 to before thee F 34 disinherit 1613 rest 35 promise it A:<br />
promise : it T: promise ? It M<br />
BOND I Q
226 EUPHUES<br />
sincere affection, I giue thee my hande in pawne and my heart for<br />
euer to be thy Lucilla.<br />
Unto whome Euphues aunswered in this manner.<br />
If my tongue were able to vtter the ioyes that my heart hath<br />
conceiued, I feare me though I be wel beloued, yet I shoulde hardlye 5<br />
bee beleeued. Ah my Lucilla howe much am I bounde to thee,<br />
whiche preferrest mine vnworthinesse before thy Fathers wrath, my<br />
happinesse before thine owne misfortune, my loue before thine owne<br />
lyfe ? howe might I excell thee in courtesie, whome no mortall creature<br />
can exceede in constancie ? I finde it nowe for a setled truth, 10<br />
which earst I accompted for a vaine talke, that the Purple dye will<br />
neuer staine, that the pure Cyuet will neuer loose his sauour, that<br />
the greene Laurell will neuer chaunge his coulour, that beautie can<br />
neuer bee blotted with discourtesie; As touching secrecie in this<br />
behalfe, assure thy selfe, that I wyll not so much as tell it to my 15<br />
selfe. Commaund Euphues to runne, to ride, to vndertake any<br />
exploite be it neuer so daungerous, to hazarde himselfe in any enterprise,<br />
be it neuer so' desperate: As they were thus pleasauntly<br />
Conferring the one with the other, Liuia (whom Euphues made his<br />
stale) enfered into the parlor, vnto whom Lucilla spake in these 20<br />
tefmes.<br />
Dost thou not laugh Liuia to see my ghostly father keepe me<br />
heere so long at shrift? Truely (aunswered Liuia) me thinckes<br />
that you smile at some pleasaunt shift, either hee is slow in enquiring<br />
of your faultes, or you slack in aunswering of his questions, and 25<br />
thus being supper time they al sat downe, Lucilla wel pleased, no<br />
man better content then Euphues, who after hys repast hauing no<br />
opportunitie to conferre wyth his louer, had small lust to continue<br />
with the gentlewornen any longer, seeinge therefore hee coulde<br />
frame no meanes to woorke his delight, hee coyned an excuse 30<br />
to hasten his departure, promisinge the next morninge to trouble<br />
them againe as a guest more bolde then welcome, although in deed<br />
he thought himselfe to bee the better welcome in saying that hee<br />
would come.<br />
But as Ferardo went in poste, so hee retourned in haste, hauinge 35<br />
concluded wyth Philautus, that the marriage shoulde immediatly<br />
bee consummated which wrought such a content in Philautus yt<br />
5 should I G 13 his om. E rest 15 thy] your G rest 25 of 2 om,<br />
C rest 28 apportunitie A Loue E rest 29 gentlewoman A<br />
33 the om. C rest
<strong>THE</strong> ANATOMY OF WYT 227<br />
hfe was almost in an extasie through the extremitie of hys passions:<br />
such is the fulnesse and force of pleasure, that there is nothinge<br />
so daungerous as the fruityon, yet knowinge that delayes bringe<br />
daungers, althoughe hee nothinge doubted of Lucilla, whome hee<br />
5 loued, yet feared hee the ficklenesse of olde men, which is alwayes<br />
to bee mistrusted. He vrged therefore Ftrardo to breake wyth his<br />
daughter who beeinge willinge to haue the match made, was content<br />
incontinently to procure the meanes: findinge therefore his daughter<br />
at leasure, and hauing knowledge of hir former loue, spake to hir<br />
10 as followeth.<br />
Deere daughter, as thou hast longe tyme lyued a mayden, so<br />
nowe thou must learne to bee a Mother, and as I haue bene carefull<br />
to bringe thee vpp a virgin, so am I nowe desirous to make thee<br />
a wyfe. Neyther ought I in this matter to vse any perswasions,<br />
15 for y t maydens comonly now a daies are no sooner borne, but they<br />
begin to bride it: neither to offer any greate portions for that thou<br />
knowest thou shalt inherite all my possessions. Mine onely care<br />
hath bene hetherto to match thee with such an one, as shoulde<br />
be of good wealth able to maynteine thee, of great worship able<br />
20 to compare with thee in birth, of honest conditions to deserue thy<br />
loue, and an Italian borne to enioye my landes. At the laste<br />
I haue founde one aunswerable to my desire, a gentleman of great<br />
reuenewes, of a noble progenie, of honest behauiour, of comely<br />
personage, borne and brought vp in Naples, Philautus (thy friende<br />
25 as I gesse) thy husband Lucilla, if thou lyke it, neither canst thou<br />
dislike hym, who wanteth nothing that shoulde cause thy liking,<br />
neyther hath any thinge that shoulde breede thy loathing. And<br />
surely I reioyce the more, that thou shalt be linked to him in<br />
marriage, whome thou hast loued as I heare beeinge a mayden,<br />
3° neither can there any iarres kindle betweene them, where the mindes<br />
be so vnited, neyther any ielowsie arise, where loue hathe so longe<br />
bene setled. Therefore Lucilla to the ende the desire of either<br />
of you may now be accomplished, to the delight of you both, I am<br />
here come to finishe the contract by giuinge handes, whiche you<br />
35 haue alredy begun between your selues by ioyning of hearts, that as<br />
* God doth witnesse the one in your consciences, so the worlde may<br />
testifie the other by your conuersations, and therefore Lucilla make<br />
such aunswere to my request, as maye like me and satisfie thy friende.<br />
15 they] then C 18 heterto A 23 progenie A 33 of 1 om. C<br />
35 by] in E rest 36 in] by E rest<br />
Q2
228 EUPHUES<br />
Lucilla abashed with this sodeine speach of hir father, yet boldened<br />
by the loue of hir friend, with a comly bashfulnesse aunswered him<br />
in this manner.<br />
Reuerend Sir, the sweetnesse that I haue found in the vndefiled<br />
estate of virginitie, causeth me to loath the sower sauce which is 5<br />
mixed with matrimony, and y e quiet life which I haue tried being<br />
a maiden, maketh me to shun the cares yt are alwaies incidet to<br />
a mother, neither am I so wedded to the worlde that I should be<br />
moued wyth greate possessions, neyther so bewitched with wantonnesse,<br />
that I should bee entised with any mans proportion, neither 10<br />
if I were so dysposed woulde I bee so proude to desire one of noble<br />
progenie, or so precise to choose one onely in myne owne countrey,<br />
for that commonlye these thinges happen alwayes to the contrarie.<br />
Do wee not see the noble to matche wyth the base, the rich with<br />
the poore, the Italian oftentimes with the Portingale? As loue 15<br />
knoweth no lawes, so it regardeth no conditions, as the louer maketh<br />
no pawse where hee liketh, so hee maketh no conscience of these<br />
idle ceremonies. In that Philautus is the man that threateneth<br />
suche kindenesse at my handes, and such courtesie at yours, that<br />
hee shoulde accompte mee his wyfe before hee woe mee, certeinely 20<br />
hee is lyke for mee to make hys reckoninge twise, bicause hee<br />
reconeth without hys hostesse. And in this Philautus woulde eyther<br />
shew himselfe of greate wisdome to perswade, or mee of great lightnesse<br />
to be allured: although the loadstone drawe yron, yet it<br />
cannot moue golde, thoughe the lette gather vp the light strawe, 25<br />
yet can it not take vp the pure Steele. Althoughe Philautus thincke<br />
himselfe of vertue sufficient to winne his louer, yet shall hee not<br />
obtaine Lucilla. I cannot but smile to heare, that a marriage should<br />
bee solemnized, where neuer was any mention of assuringe, and that<br />
the woeing should bee a day after the weddinge. Certes if when 30<br />
I looked merilye on Philautus, hee deemed it in the waye of marriage,<br />
or if seeinge mee disposed to ieste, he tooke mee in good<br />
earnest, then sure hee might gather some presumption of my loue,<br />
but no promise : But mee thincks it is good reason, that I shoulde<br />
be at mine owne brydeail, and not gyuen in the Church, before 35<br />
I know the Bridegrome. Therefore deere Father in mine opinion*<br />
as there can bee no bargaine, where both be not agreede, neither<br />
5 state C rest 15 Portugale 1613-23: Portugall 1631, 1636 20 certeine<br />
C rest 21 mee om. C: for mee om. G rest 24 draweth E rest 25<br />
light om. C rest 32 dispose A 34 think E rest
<strong>THE</strong> ANATOMY OF WYT 229<br />
any Indentures sealed, where the one will not consent, so can there<br />
be no contract where both be not content, no banes asked lawfully<br />
where one of the parties forbiddeth the, no marriage made where<br />
no match was ment: But I will hereafter frame my selfe to be coy,<br />
5 seeing I am claimed for a wife bicauseI haue bene courteous, and<br />
giue my selfe to melancholy, seing I am accompted wonne in that<br />
I haue bene merrie: And if euery gentleman be made of the mettall<br />
that Philautus is, then I feare I shall be challenged of as many as<br />
I haue vsed to company with, and bee a common wife to all those<br />
10 that haue commonly resorted hether.<br />
My duetie therefore euer reserued, I heere on my knees forsweare<br />
Philautus for my husband, althoughe I accept him for my friende,<br />
and seeing I shall hardly bee induced euer to match with any,<br />
I beseeche you, if by your Fatherly loue I shall bee compelled,<br />
15 that I may match wyth such a one as both I may loue, and you<br />
may like.<br />
Ferardo beeing a graue and wise Gentleman, although he were<br />
throughly angry, yet he dissembled his fury, to the ende he might<br />
by craft discouer hir fancie, and whispering Philautus in the eare<br />
20 (who stood as though he had a Flea in his eare) desired him to<br />
keepe silence, vntil he had vndermined hir by subtiltie, which<br />
Philautus hauing graunted, Ferardo began to sift his daughter with<br />
this deuice.<br />
Lucilla thy coulour sheweth thee to be in a greate choler, and thy<br />
25 hot woords bewray thy heauy wrath, but bee patient, seeinge all my<br />
talke was onelye to trye thee, I am neyther so vnnaturall to wreaste<br />
thee against thine owne will, neyther so malytious to wedde thee to<br />
any, agaynste thine owne likinge: for well I knowe what iarres, what<br />
ielousie, what striefe, what stormes ensue, where the matche is made<br />
30 rather by the compulsion of the parents, then by consent of the<br />
parties, neyther doe I like thee the lesse, in that thou lykest<br />
Philautus so little, neyther can Philautus loue thee the worse,<br />
in that thou louest thy selfe so well, wishinge rather to stande to<br />
thy chaunce, then to the choyse of any other. But this gryueth<br />
35 mee most, that thou art almost vowed to the vayne order of the<br />
vestali virgins, despisinge, or at the least not desiring the sacred<br />
1 Indenture E 2 rest 6 accounted C-E 1 :counted E 2 rest 10 hither<br />
E rest 18 that before he 2 G rest 19 the] his G rest 21 vnderminded<br />
E 1613-23 (cf p. 225,1. 21) 24 greate om, E rest 27 thy F<br />
30 the 1 om. C rest the before consent T rest 33 thee before rather<br />
Grest
230 EUPHUES<br />
bandes of Iuno hir bedde. If thy Mother had bene of that minde<br />
when shee was a mayden, thou haddest not nowe bene borne to bee<br />
of this minde to bee a virginne: Waye wyth thy selfe what slender<br />
proflte they bring to the common wealth, what sleight pleasure to<br />
themselues, what greate grieft to theire parentes which ioye most in 5<br />
their ofspringe, and desire moste to enioye the noble and blessed<br />
name of a graundfather.<br />
Thou knowest that the tallest Ashe is cut downe for fuell, bycause<br />
it beareth no good fruite, that the Cowe that gyues no mylke is<br />
brought to the slaughter, that the Drone that gathereth no honny 10<br />
is contemned, that the woman that maketh hyr selfe barren by not<br />
marryinge, is accompted among the Grecian Ladyes worse then<br />
a carryon, as <strong>Home</strong>re reporteth. Therefore Lucilla if thou haue<br />
any care to bee a comforte to mye hoarye haires, or a commoditye<br />
to thy common weale, frame thy selfe to that honourable estate of 1 5<br />
matrimonye, whiche was sanctified in Paradise, allowed of the<br />
Patriarches, hallowed of the olde Prophetes, and commended of<br />
all persons. If thou lyke any, bee not ashamed to tell it mee,<br />
whiche onely am to exhorte thee, yea, and as much as in mee lyeth<br />
to commaunde thee, to loue one: If hee bee base thy bloude wyll 20<br />
make hym noble, if beggerlye thy goodes shall make hym wealthy,<br />
if a straunger thy freedoms may enfraunchise hym: if hee bee<br />
younge he is the more fitter to be thy pheare, if he be olde the<br />
lyker to thine aged Father. For I had rather thou shouldest leade<br />
a lyfe to thine owne lykeinge in earthe, then to thy greate tormentes 25<br />
leade Apes in Hell. Be bolde therefore to make me partner of thy<br />
desire, whiche will be partaker of thy dysease, yea, and a furtherer of<br />
thy delights, as farre as either my friendes, or my landes, or my life<br />
will stretch.<br />
Lucilla perceiuinge the drifte of the olde Foxe hir Father, wayed 30<br />
with hir selfe what was beste to be done, at the laste not wayinge hir<br />
Fathers yll wyll, but encouraged by loue, shaped hym an aunswere<br />
whiche pleased Ferardo but a little, and pinched Philautus on the<br />
parsons side on thys manner.<br />
F Deere Father Ferardo, althoughe I see the bayte you laye to 35<br />
catche me, yet I am content to swallowe the hooke, neyther are you<br />
1 bondes C rest (1623 misprints bones) 4 slight T rest 7 a om.<br />
E rest 8-9 bycause . .. good] for it beareth no E rest 15 thy 1 ] the C rest<br />
that] yt E: ye F 1613 : the 1617 rest 20 shall G rest 22 may] shall<br />
G rest 26 partner A TE 1 : partaker ME 2 rest; pertener C: partener G<br />
31 the before beste TMC 34 persons T-E 1 1631
<strong>THE</strong> ANATOMY OF WYT 231<br />
more desirous to take me nappinge, then I willinge to confesse my<br />
meaninge. So it is that loue hath as well inueigled me as others,<br />
which make it as straunge as I. Neyther doe I loue hym so meanely<br />
that I should be ashamed of his name, neyther is hys personage so<br />
5 meane that I shoulde loue hym shamefullye: It is Euphues that<br />
lately arryued heere at Naples, that hath battered the bulwarke of<br />
my breste, and shall shortly enter as conquerour into my bosome:<br />
What his wealth is I neither know it nor waye it, what his wit is all<br />
Naples doth knowe it, and wonder at it, neyther haue I bene curious<br />
10 to enquire of his progenitors, for that I knowe so noble a minde<br />
could take no Originall but from a noble man, for as no birde can<br />
looke againe the Sunne, but those that bee bredde of the Eagle,<br />
neyther any Hawke soare so hie as the broode of the Hobbie, so<br />
no wight can haue suche excellent qualities excepte hee descend of<br />
15 a noble race, neyther be of so highe capacitie, vnlesse hee issue of<br />
a high progenie. And I hope Philautus wyll not bee my foe, seeinge<br />
I haue chosen his deere friende, neither you Father bee displeased<br />
in that Philautus is displaced. You neede not muse that I shoulde<br />
so sodeinely bee intangled, loue giues no reason of choice, neither<br />
20 will it suffer anye repulse? Mirha was enamoured of hir naturall<br />
Father, Biblis of hir brother, Phcedra of hir sonne in lawe : If nature<br />
can no way resist the fury of affection, howe should it be stayed by<br />
wisdome ?<br />
Ferardo interrupting hir in the middle of hyr discourse, although<br />
25 he were moued with inward grudge, yet he wisely repressed his anger,<br />
knowing that sharpe wordes would but sharpen hir froward wil, and<br />
thus answered hir briefly.<br />
Lucilla, as I am not presently to graunt my good will, so meane<br />
I not to reprehende thy choyce, yet wisdome wylleth mee to pawse,<br />
30 vntill I haue called what maye happen to my remembraunce, and<br />
warneth thee to bee circumspecte, leaste thy rashe conceyte bringe<br />
a sharpe repentaunce. As for you Philautus I woulde not haue you<br />
dispaire seeinge a woman dothe oftentimes chaunge hir desire. Unto<br />
whome Philautus in fewe woordes made aunswere.<br />
35 Certeinely Ferardo I take the lesse griefe in that I see hir so<br />
greedy after Euphues, and by so much the more I am content to<br />
leaue my sute, by how much the more she seemeth to disdayne my<br />
12 against T rest the 2 ] an F 14 descended E2-1613 15 issue]<br />
be E rest 25 was F 28 my] thy F 30 what maye happen in<br />
parenthesis E rest 33 seeing that E rest
232 EUPHUES<br />
seruice, but as for hope bicause I woulde not by any meanes tast one<br />
dramme thereoff, I will abiure all places of hir abode and loath hir<br />
company, whose countenaunce I haue so much loued, as for Euphues,<br />
and there staying his speache, hee flange out of the dores and<br />
repairing to his lodginge vttered these words. $<br />
Ah most dissembling wretch Euphues, 0 counterfayte companion,<br />
couldest thou vnder the shewe of a stedfast friende cloake the mallice<br />
of a mortall foe ? vnder the coulour of simplicitie shrowd the Image<br />
of deceit? Is thy Liuia tourned to my Lucilla, thy loue to my<br />
louer, thy deuotion to my Sainct? Is this the curtesie of Athens, 10<br />
the cauillyng of schollers, the craft of Grecians ? Couldest thou not<br />
remember Philautus that Greece is neuer without some wily Vlisses,<br />
neuer void of some Synon, neuer to seeke of some deceitfull shifter ?<br />
Is it not commonly saide of Grecians that crafte commeth to them<br />
by kinde, that they learne to deceiue in their cradell? Why then 15<br />
did his pretended curtesie bewitch thee with such credulytie ? shall<br />
my good will bee the cause of his ill wil ? bicause I was content to<br />
be his friende, thought he mee meete to be made his foole ? I see<br />
now that as the fish Scolopidus in the floud Aran's at the waxinge<br />
of the Moone is as white as the driuen snow, and at the wayning as 20<br />
blacke as the burnt coale, so Euphues, which at the first encreasing<br />
of our familyaritie, was very zealous, is nowe at the last cast become<br />
most faythlesse. But why rather exclaime I not agaynst Lucilla,<br />
whose wanton lookes caused Euphues to vyolate his plyghted fayth ?<br />
Ah wretched wenche canst thou be so lyght of loue, as to chaunge 25<br />
with euery winde ? so vnconstant as to preferre a new louer before<br />
thine olde friende ? Ah well I wotte that a newe broome sweepeth<br />
cleane, and a new garment maketh thee leaue off the olde thoughe it<br />
be fitter, and newe wine causeth thee to forsake the olde though it be<br />
better, much lyke to the men in the Ilande Scyrum, which pull upp 3°<br />
the olde tree when they se the young beginne to spring, and not<br />
vnlike vnto the widow of Lesbos, which changed all hir olde golde<br />
for new glasse, haue I serued thee three yeares faithfully, and am<br />
I serued so vnkindely ? shall the fruite of my desire be tourned to<br />
disdayne ? But vnlesse Euphues had inueigled thee thou haddest 35<br />
yet bene constant, yea but if Euphues had not seene thee willyng to<br />
be wonne, he would neuer haue woed thee, but had not Euphues<br />
4 flang T rest 5 after these add or the like E 2 rest 9 to 1 ] vnto E rest<br />
27 thine] an Grcst 29 fitte E 2 rest 30 who G rest 31 trees<br />
£ rest 32 to E* rest
<strong>THE</strong> ANATOMY OF WYT 233<br />
enticed thee with faire wordes, thou wouldest neuer haue loued him,<br />
but haddest thou not giuen him faire lookes, he would neuer haue<br />
lyked thee: I, but Euphues gaue the onset, I, but Lucilla gaue<br />
the occasion, I, but Euphues first brake his minde, I, but Lucilla<br />
5 first bewrayed hir meaning. Tush why go I about to excuse any of<br />
them, seeing I haue iuste cause to accuse them both? Neyther<br />
ought I to dispute which of them hath proffered me the greatest<br />
villanye, sith that eyther of them hath committed periurie. Yet<br />
although they haue founde me dull in perceiuing theire falshood,<br />
10 they shall not finde me slacke in reugging their folly. As for Lucilla<br />
seeing I meane altogether to forgette hir, I meane also to forgiue hir,<br />
least in seeking meanes to be reuenged, mine olde desire be renewed.<br />
Fhilautus hauing thus discoursed with himselfe, began to write to<br />
Euphues as foiloweth.<br />
15 A Lthoughhetherto Euphues I haue shrined thee in my heart<br />
for a trustie friende, I will shunne thee heerafter as a trothles<br />
foe, and although I cannot see in thee lesse witte then I was wont,<br />
yet doe I finde lesse honestie, I perceiue at the last (although beeing<br />
deceiued it be to late) that Muske although it be sweet in the smell,<br />
20 is sower in the smacke, that the' leafe of the Cedar tree though it be<br />
faire to be seene, yet the siroppe depriueth sight, that friendshippe<br />
though it be plighted by shaking the hande, yet it is shaken off by<br />
fraude of the hearte. But thou hast not much to boaste off, for as<br />
thou hast wonne a fickle Lady, so hast thou lost a faythfull friende.<br />
25 How canst thou be secure of hir constancie when thou hast had such<br />
tryall of hir lyghtenesse ?<br />
Howe canst thou assure thy selfe that she will be faithfull to thee,<br />
which hath bene faithlesse to mee? Ah Euphues, let not my<br />
credulytie be an occasion heereafter for thee to practise the lyke<br />
30 crueltie. Remember this that yet ther hath neuer bene any faithles<br />
to his friend, that hath not also bene fruitelesse to his God. But<br />
I waye this trechery the lesse, in that it commeth from a Grecian in<br />
whome is no trothe. Thoughe I be to weake to wrastle for a reuenge,<br />
yet God who permitteth no guyle to be guyltlesse, will shortely<br />
35 requite this iniury, thoughe Fhilautus haue no pollycie to vnder-<br />
2 not thou G rest 4 Lncilla A 8 haue F 12 to before be 2 E l<br />
16 for] as Grest 19 though T rest the om. E 2 rest 22 of before<br />
the E rest 28 thy E rest 29 for thee heereafter G rest 30 neuer<br />
hath E2 rest 31 faithlesse E 2 rest to*] vnto F 33 this] the T rest<br />
33 trouth TMG: troth C: truth E rest
234 EUPHUES<br />
mine thee, yet thine owne practises will be sufficient to ouerthrow<br />
thee.<br />
Couldest thou Euphues for the loue of a fruitelesse pleasure,<br />
vyolate the league of faythfull friendeshippe ? Diddest thou waye<br />
more the entising lookes of a lewd wenche, then the entyre loue of 5<br />
a loyall friende? If thou diddest determine with thy selfe at the<br />
firste to be false, why diddest thou sweare to bee true ? If to bee<br />
true, why arte thou false ? If thou wast mynded both falselye and<br />
forgedlye to deceiue mee, why diddest thou flatter and dissemble<br />
with mee at the firste ? If to loue me, why doest thou flinche at i0<br />
the last? If the sacred bands of amitie did delyght thee, why<br />
diddest thou breake them ? if dislyke thee, why diddest thou prayse<br />
them ? Dost thou not know that [a perfect friende should be lyke<br />
the Glazeworme, which shineth most bright in the darke ? or lyke<br />
the pure Franckencense which smelleth most sweete when it is in z15<br />
the fire?]or at the leaste not vnlyke to the Damaske Rose which<br />
is sweeter in the still then on the stalke ? But thou Euphues, dost<br />
rather resemble the Swallow which in the Summer creepeth vnder<br />
the eues of euery house, and in the Winter leaueth nothing but<br />
durte behinde hir, or the humble Bee which hauing sucked honny 20<br />
out of the faire flower doth leaue it & loath it, or the Spider which<br />
in the finest webbe doth hang the fairest Fly. Dost thou thinke<br />
Euphues that thy crafte in betraying me, shall any whit coole my<br />
courage in reuenging thy villany ? or that a Gentleman of Naples<br />
will put vpp such an iniury at the hands of a Scholler? And if 25<br />
I doe, it is not for want of strengthe to maynteyne my iust quarrell,<br />
but of will which thinketh scorne to gette so vayne a conquest.<br />
I know that Menelaus for his tenne yeares warre endured ten yeares<br />
woe, that after all his strife he wan but a Strumpet, that for all his<br />
trauails he reduced (I cannot say reclaymed) but a straggeler: which 3°<br />
was as much in my iudgement, as to striue for a broken glasse<br />
which is good for nothing. I wish thee rather Menelaus care, then<br />
my selfe his conquest, that thou beeing deluded by Lucilla maist<br />
rather know what it is to be deceiued, then I hauinge conquered<br />
thee should prooue what it were to bring backe a dissembler. 35<br />
Seeing therefore there can no greater reuenge lyghte vppon thee,<br />
then that as thou hast reaped where an other hath sowen, so an<br />
1 praises E2F shall E rest 11 sacred] arched E rest, except<br />
arcted F - 12 dislyke] they dislike E rest 14 Glasse-worme E rest 26<br />
strengthe] courage G rest 29 wan so all 30 trauayle r-1623: trauell 1631-6
<strong>THE</strong> ANATOMY OF WYT 235<br />
other may thresh yt which thou hast reaped: I will pray that thou<br />
mayst be measured vnto with the lyke measure that thou hast<br />
meaten vnto others : that as thou hast thought it no conscience to<br />
betray me, so others may deeme it no dishonestie to deceiue thee,<br />
5 that as Lucilla made it a lyght matter to forsweare hir olde friend<br />
Philautus, so she may make it a mocke to forsake hir new pheere<br />
Euphues. Which if it come to passe as it is lyke by my compasse,<br />
then shalt thou see the troubles, & feele the torments which thou<br />
hast already thrown into the harts and eyes of others. Thus hoping<br />
10 shortly to see thee as hopelesse, as my selfe is haplesse, I wish my<br />
wish were as effectually .ended as it is heartely looked for. And so<br />
I leaue thee.<br />
* Thine once<br />
Philautus.<br />
15 Philautus dispatching a messenger with this letter speedely to<br />
Euphues, went into the fields to walke ther eythef to digeste his<br />
choler or chew vppon his melancholy. But Euphues hauing reade<br />
the contents was well content, setting his talke at naughte and<br />
aunswering his taunts in these gibing tearmes.<br />
I<br />
20 T Remember Philautus how valyauntly Aiax boasted in the feats<br />
1 of armes, yet Vlysses bare away the armour, and it may be that<br />
though thou crake of thine own courage, thou mayst easely lose<br />
the conquest. Dost thou thinke Euphues such a dastarde that<br />
he is not able to withstande thy courage, or such a dullarde that<br />
25 he cannot descry thy crafte. Alas good soule. It fareth with thee<br />
as with the Henne, which when y e Puttocke hath caught hir Chicken<br />
beginneth to cackle : and thou hauing lost thy louer beginnest<br />
to prattle. Tush Philautus, I am in this poynt of Euripides his<br />
minde, who thinkes it lawfull for the desire of a kingdome to trans-<br />
30 gresse the bounds of honestie, and for the loue of a Lady to violate<br />
and breake the bands of amitie.<br />
The friendshippe betweene man and man as it is common so is it<br />
of course, betweene man and woman, as it is seldome so is it sincere,<br />
the one proceedeth of the similitude of manners, y e other of the<br />
3 meeten 1631-6 is, before as G rest 6 it om. F 11 as 1 om. F<br />
affectually M 16 disgest CGE 1 17 to before chew E 2 rest 19<br />
aunswered E rest 22 crake so all 30 bounds AE rest', bonds T-G<br />
31 bonds Trest honesty E 2 rest 32 is it] it is E rest
236 EUPHUES<br />
sinceritie of the heart: if thou haddest learned the first poynt of<br />
hauking thou wouldst haue learned to haue held fast,-or the first<br />
noat of Deskant thou wouldest haue kept thy sol. fa, to thy selfe.<br />
But thou canst blame me no more of folly in leauing thee to loue<br />
Lucilla, then thou mayst reproue him of foolishnesse that hauing 5<br />
a Sparrowe in his hande letteth hir go to catch the Phesaunt, or him<br />
of vnskilfulnesse that seeing the Heron, leaueth to leauell his shoot<br />
at the Stockedoue, or that woman of coynesse that hauing a deade<br />
Rose in hir bosome, throweth it away to gather the fresh Uiolette.<br />
Loue knoweth no lawes : Did not Iupiier transforme himselfe into 10<br />
the shape of Amphitrio to imbrace Alcmcena ? Into the forme of a<br />
Swan to enioye Lozda ? Into a Bull to beguyle Io ? Into a showre<br />
of golde to winrie Danae ? Did not Neptune chaunge himselfe into<br />
a Heyfer, a Ramme, a Floude, a Dolphin, onelye for the loue of those<br />
he lusted after? Did not Apollo conuerte himselfe into a Shepheard, 15<br />
into a Birde, into a Lyon, for the desire he had to heale hys disease ?<br />
If the Gods thdughte no scorne to become beastes, to obtayne their<br />
best beloued, shall Euphues be so nyce in chaunging his coppie to<br />
gayne his Lady ? No, no: he that cannot dissemble in loue, is not<br />
worthy to Hue. I am of this minde, that both might and mallice, 20<br />
deceite and treacherie, all periurie, anye impietie may lawfully be<br />
committed in loue, which is lawlesse. In that thou arguest Lucilla<br />
of lyghtnesse, thy will hangs in the lyghte of thy witte: Dost thou<br />
not know that the weake stomacke if it be cloyed with one dyet<br />
doth soone surfet ? That the clownes Garlike cannot ease the cour- 25<br />
tiers disease so well as the pure Treacle ? that farre fette and deare<br />
bought is good for Ladies ? That Euphues being a more dayntie<br />
morsell then Philautus, oughte better to be accepted? Tush<br />
Philautus sette thy heart at: rest, for thy happe willeth thee to giue<br />
ouer all hope both of my friendship, and hir loue, as for reuenge 30<br />
thou arte not so able to lende a blowe as I to ward it, neyther more<br />
venterous to challenge the combatte, then I valyaunt to aunswer the<br />
quarrel. As Lucilla was caught by frawde so shall she be kept by<br />
force, and as thou wast too simple to espye my crafte, so I thinke thou<br />
wilt be too weake to withstande my courage, but if thy reuenge 35<br />
stande onely vppon thy wish, thou shalt neuer lyue to see my woe,<br />
or to haue thy wil, and so farewell.<br />
Euphues.<br />
I poynt] parte G rest 2 fast] frst A 7 seeth E 8 that 1 ] the G rest<br />
21 anye] and F 1631, 1636 25 soonest C rest 35 courage, but]<br />
courage: Crest'
<strong>THE</strong> ANATOMY OF WYT 237<br />
This letter beinge dispatched, Euphues sent it and Philautus read<br />
it, who disdayning those proud termes, disdayned also to aunswere<br />
them, being ready to ride with Ferardo.<br />
Euphues hauing for a space absented himselfe from the house of<br />
5 Ferardo, bicause he was at home, longed sore to see Lucilla which<br />
now opportunite offered vnto him, Ferardo being gone agayne to<br />
Venice with Philautus, but in his absence one Curio a gentleman of<br />
Naples of lyttle wealth and lesse witte haunted Lucilla hir company,<br />
& so enchaunted hir, yt Euphues was also cast off with Philautus<br />
10 which thing being vnknowne to Euphues, caused him y e sooner to<br />
make his repaire to the presence of his Lady, whom he finding in<br />
. hir muses began pleasauntly to salute in this manner.<br />
Mistresse Lucilla, although my long absence might breede your<br />
iust anger, (for y ft louers desire nothing so much as often meeting)<br />
15 yet I hope my presence will glissolue your choler (for yt louers are<br />
soone pleased when of their wishes they be fully possessed.) My<br />
absence is the rather to be excused in y t your father hath ben alwaies<br />
at home, whose frownes seemed to threaten my ill fortune, and my<br />
presence at this present the better to bee accepted in that I haue<br />
20 made such speedye repayre to your presence.<br />
Unto whom Lucilla aunswered with this glyeke.<br />
Truely Euphues you haue miste the cushion, for I was neyther<br />
angrie with your longe absence, neyther am I well pleased at your<br />
presence, the one gaue me rather a good hope heereafter neuer to<br />
35 see you, the other giueth me a greater occasion to abhorre you.<br />
Euphues being nipped on the head, with a pale countenaunce, as<br />
though his soule had forsaken his body replyed as followeth.<br />
If this sodayne change Lucilla, proceede of any desert of mine,<br />
I am heere not only to aunswere the fact, but also to make amends<br />
30 for my faulte: if of any new motion or minde to forsake your new<br />
friend, I am rather to lament your inconstancie then reuenge it, but<br />
I hope that such hot loue cannot be so soone colde, neyther such<br />
sure faith, be rewarded with so sodeyne forgetfulnesse.<br />
Lucilla not ashamed to confesse hir folly, aunswered him with this<br />
35 frumpe.<br />
Sir whether your deserts or my desire haue wrought this chaunge,<br />
it will boote you lyttle to know, neyther doe I craue amends, neyther<br />
7 this before his TM 12 to salute om. E rest 21 glicke G rest 31<br />
Jo before reuenge E rest 33 sure om. E rest be om. G rest so] such<br />
G rest
238 EUPHUES<br />
feare reuenge, as for feruent loue, you knowe there is no fire so<br />
hotte but it is quenched with water, neyther affection so strong but<br />
is weakened with reason, lette this suffice thee that thou know I care<br />
not for thee.<br />
In deede (sayd Euphues) to know the cause of your alteration 5<br />
would boote me lyttle seeing the effect taketh such force. I haue<br />
hearde that women eyther loue entirely or hate deadly, and seeing<br />
you haue put me out of doubt of the one, I must needes perswade<br />
my selfe of the other. This chaunge will cause Philauius to laugh<br />
me to scorne, & double thy lightnesse in turning so often. Such 10<br />
was the hope that I conceiued of thy constancie, y t I spared not in<br />
al places to blaze thy loialtie, but now my rash conceite will proue<br />
me a Iyer, and thee a light huswife.<br />
Nay (sayd Lucilld) nowe shalt not thou laugh Philautus to scorne,<br />
seeing you haue both druncke of one cup, in miserie Euphues it is 15<br />
a great comfort to haue a companion. I doubt not, but that you wil<br />
both conspire against me to worke some mischiefe, although I nothing<br />
feare your mallice : whosoeuer accompteth you a lyar for praising me,<br />
may also deeme you a letcher for being enamoured of me, and whosoeuer<br />
iudgeth mee light in forsaking of you, may thincke thee as 20<br />
lewde in louing of me, for thou that thoughtest it lawfull to deceiue<br />
thy friende, must take no scorne to be deceiued of thy foe.<br />
Then I perceiue Lucilla (sayd he) that I was made thy stale, and<br />
Philautus thy laughinge stocke : whose friendship (I must confesse<br />
in deede) I haue refused to obteine thy fauour: and sithens an other 25<br />
hath won that we both haue lost, I am content for my part, neyther<br />
ought I to be grieued seing thou art fickle.<br />
Certes Euphues (said Lucilld) you spend your winde in wast for<br />
your welcome is but small, & your chere is like to be lesse, fancie<br />
giueth no reason of his chaunge neither wil be c6trolled for any 30<br />
choice, this is therfore to warne you, yt from hencefoorth you<br />
neither sollicite this suite neither offer any way your seruice, I haue<br />
chosen one (I must needs confesse) neither to be compared to<br />
Philautus in wealth, nor to thee in wit, neither in birth to the<br />
worst of you both, I thinck God gaue it me for a iust plague, 35<br />
for renouncing Philautus, & choosing thee, and sithens I am an<br />
I a before reuenge E rest 3 it before is C rest knowest E rest<br />
10 doubt E rest 14 thou not T rest 15 drunke both E rest 16 a 1<br />
om. 7-1623 18 you] thee E rest 25 sithence E2-1613: since 1617 rest<br />
30 his] her Q rest 32 neither 1 ] neuer G rest 36 for] in G rest sithens<br />
AE l : sithence T-GE2 rest
<strong>THE</strong> ANATOMY OF WYT 239<br />
ensample to all women of lightnesse, I am lyke also to be a myrrour<br />
to them all of vnhappinesse, which ill lucke I must take by so much<br />
the more patiently, by howe much the more I acknowledge my selfe<br />
to haue deserued it worthely. Well Lucilla (aunswered Euphues)<br />
5 this case breedeth my sorrowe the more, in that it is so sodeine, and<br />
by so much the more I lament it, by howe muche the lesse I looked<br />
for it. In that my welcome is so colde and my cheere so simple, it<br />
nothing toucheth me, seeinge your furye is so hotte, and my misfortune<br />
so greate, that I am neither wyllinge to receiue it, nor you to<br />
10 bestowe it: if tract of time, or want of tryall had caused this Metamorphosis<br />
my griefe had bene more tollerable, and your fleetinge more<br />
excusable, but comming in a moment vndeserued, vnlooked for,<br />
vnthoughte off, it encreaseth my sorrowe and thy shame.<br />
Euphues (quoth shee) you make a longe haruest for a little corne,<br />
15 and angle for the fishe that is already caught. Curio, yea, Curio, is<br />
he that hath my loue at his pleasure, and shall also haue my life at<br />
his commaundement, and although you deeme him vnworthy to<br />
enioye that which earst you accompted no wight worthy to embrace,<br />
yet seeinge I esteeme him more worth then any, he is to be reputed<br />
20 as chiefe. The Wolfe chooseth him for hir make, that hath or doth<br />
endure most trauaile for hir sake. Venus was content to take the<br />
black Smith with his powlt foot. Cornelia here in Naples disdained<br />
not to loue a rude Miller. As for chaunging, did not Helen y e<br />
pearle of Greece thy countriwoman first take Menelaus, then Theseus,<br />
25 and last of all Paris ? if brute beastes giue vs ensamples that those<br />
are most to be lyked, of whome we are best beloued, or if the Princesse<br />
of beautye Venus, and hir hey res Helen, and Cornelia, she we<br />
that our affection standeth on our free wyll: then am I rather to<br />
bee excused then accused. Therefore good Euphues bee as merrye<br />
30 as you maye bee, for time maye so tourne that once agayne you<br />
maye bee.<br />
Nay Lucilla (sayd he) my haruest shall cease, seeing others haue<br />
reaped my corne, as for anglinge for the fishe that is alreadye caught,<br />
that were but meere folly. But in my minde if you bee a fishe you<br />
35 are either an Ele which as soone as one hathe holde of hir taile, will<br />
slippe out of his hand, or else a Mynnowe which will be nibbling<br />
at .euery baite but neuer biting: But what fishe soeuer you bee you<br />
2 all them E rest 5 cause EF: change 1613 rest 7 not before for<br />
Erest 16 his om. F ao mate F1617 rest 21 trauell E rest 23<br />
y e ] yt M: that T: the C rest 33 as om, MC 35 of] on T rest
240 EUPHUES<br />
haue made both mee and Philautus to swallow a Gudgen. If Curio<br />
bee the person, I would neither wishe thee a greater plague, nor him<br />
a deadlyer poyson. I for my part thincke him worthy of thee, and<br />
thou vnworthy of him, for although hee bee in bodye deformed,<br />
in minde foolishe, an innocent borne, a begger by misfortune, yet 5<br />
doth hee deserue a better then thy selfe, whose corrupt manners haue<br />
staynde thy heauenly hewe, whose light behauiour hath dimmed<br />
the lightes of thy beautie, whose vnconstant mynde hath betrayed<br />
the innocencie of so many a Gentleman. And in that you bringe<br />
in the example of a beast to confirme your folly, you shewe therein 10<br />
your beastly disposition, which is readie to followe suche beastiinesse.<br />
But Venus played false: and what for that ? seeinge hir lightnesse<br />
serueth for an example, I woulde wishe thou mightest trye hir punishment<br />
for a reward, that beeing openly taken in an yron net al the<br />
world might iudge whether thou be fish or flesh, and certes in my 15<br />
minde no angle will holde thee, it must be a net. Cornelia loued<br />
a Miller, and thou a miser, can hir folly excuse thy fault ? Helen<br />
of Greece my countriewoman borne, but thine by profession, chaunged<br />
and rechaunged at hir pleasure I graunte. Shall the lewdenesse of<br />
others animate thee in thy lightnesse ? why then dost thou not haunt 20<br />
the stewes bicause Lais frequented them ? why doest thou not loue<br />
a Bull seeing Pasiphae loued one ? why art thou not enamoured of thy<br />
father knowing yt Mirha was so incensed ? these are set down that<br />
we viewing their incontinencie, should flye y e like impudencie, not<br />
follow the like excesse, neither can they excuse thee of any incon- 25<br />
stancie. Merrie I will be as I may, but if I may heereafter as thou<br />
meanest, I will not, and therefore farewell Lucilla, the most inconstant<br />
that euer was nursed in Naples, farewell Naples the most<br />
cursed towne in all Italy, and women all farewell.<br />
Euphues hauing thus gyuen hir his last farewell, yet beeing solitary 30<br />
began a fresh to recount his sorrow on this manner.<br />
Ah Euphues into what a quandarie art thou brought? in what<br />
sodeine misfortune art thou wrapped ? it is like to fare with thee as<br />
with the Eagle, which dyeth neither for age, nor with sickenesse, but<br />
wyth famine, for although thy stomacke hunger yet thy heart will 35<br />
not suffer thee to eate. And why shouldest thou torment thy selfe<br />
for one in whome is neyther fayth nor feruencie ? O the counterfaite<br />
loue of women. Oh inconstant sex. I haue lost Philautus, I haue<br />
6 hath CGEF 13 serueth AT: serued Mrest 31 in E rest 32 a<br />
quandarie] misfortune T rest 33 miserye T rest 37 the om. C rest
<strong>THE</strong> ANATOMY OF WYT 241<br />
lost Lucilla, I haue lost that which I shall hardlye finde againe,<br />
a faythfull friende. A foolishe Euphues, why diddest thou leaue<br />
Athens the nourse of wisdome, to inhabite Naples the nourisher of<br />
wantonnesse? Had it not bene better for thee to haue eaten salt<br />
5 with the Philosophers in Greece, then sugar with the courtiers of Italy ?<br />
But behold the course of youth which alwayes inclyneth to pleasure,<br />
I forsooke mine olde companions to search for new friends, I reiected<br />
the graue and fatherly counsayle of Eubulus, to follow the brainesicke<br />
humor of mine owne will. I addicted my selfe wholy to the<br />
10 seruice of women to spende my lyfe in the lappes of Ladyes, my<br />
lands in maintenance of brauerie, my witte in the vanities of idle<br />
Sonnets. I had thought that women had bene as we men, that is<br />
true, faithfull, zealous, constant, but I perceiue they be rather woe<br />
vnto men, by their falshood, gelousie, inconstancie. I was halfe<br />
15 perswaded that they were made of the perfection of men, & would<br />
be comforters, but now I see they haue tasted of the infection of the<br />
Serpent, and will be corasiues. The Phisition saythe it is daungerous<br />
to minister Phisicke vnto the patient that hath a colde stomacke<br />
and a hotte lyuer, least in giuing warmth to the one he inflame the<br />
20 other, so verely it is harde to deale with a woman whose wordes<br />
seeme feruent, whose heart is congealed into harde yce, least trusting<br />
their outwarde talke, he be betraied with their inwarde trechery. I<br />
will to Athens ther to tosse my bookes, no more in Naples to lyue<br />
with faire lookes. I will so frame my selfe as al youth heereafter<br />
25 shal rather reioice to se mine amendemSt then be animated to<br />
follow my former lyfe. Philosophic, Phisicke, Diuinitie, shal be my<br />
studie. O y e hidden secrets of Nature, the expresse image of moral 1<br />
vertues, the equall ballaunce of Iustice, the medicines to heale all<br />
diseases, how they beginne to delyght me. The Axiomaes of Art-<br />
30 stotle, the Maxims of Justinian, the Aphorismes of Galen, haue<br />
sodaynelye made such a breache into my minde that I seeme onely<br />
to desire them which did onely earst detest them. If witte be<br />
employed in the honest study of learning what thing so pretious as<br />
witte ? if in the idle trade of loue what thing more pestilent then<br />
35 witte ? The proofe of late hath bene verefied in me, whome nature<br />
hath endued with a lyttle witte, which I haue abused with an obstinate<br />
will, most true it is that the thing y e better it is the greater is<br />
2 A] Ah C rest 13 and before constant E rest 14 and inconstancye C rest<br />
23 tosse so all 25 my E rest 29 Aximoaes G: Axiomas 1631:<br />
Axiomes 1636 30 Maxinis A 33 in] to E rest<br />
BOND 1<br />
R
242 EUPHUES<br />
the abuse, and that ther is nothing but through the mallice of man<br />
may be abused.<br />
Doth not y e fire (an element so necessarie that without it man<br />
cannot lyue) as well burne y e house as burne in the house if it be<br />
abused ? Doth not Treacle as wel poyson as helpe if it be taken 5<br />
out of time ? Doth not wine if it be immoderately taken kill the<br />
stomacke, enflame the lyuer, murther the droncken? Doth not<br />
Phisicke destroy if it be not well tempred ? Doth not law accuse if<br />
it be not ryghtly interpreted ? Doth not diuinitie condemne if it be<br />
not faythfully construed? Is not poyson taken out of the Honny- I10<br />
suckle by the Spider, venime out of the Rose by the Canker, dunge<br />
out of the Maple tree by the Scorpion? Euen so the greatest<br />
wickednesse is drawne out of the greatest wit, if it bee abused by will,<br />
or entangled with the world, or inueigled with women.<br />
But seeinge I see mine owne impietie, I wyll endeuoure my selfe to 15<br />
amende all that is paste, and to be a myrrour of godlynes heereafter.<br />
The Rose though a lyttle it be eaten with the Canker yet beeing<br />
distilled yeeldeth sweete water, the yron thoughe fretted with the<br />
ruste yet beeing burnte in the fire shyneth brighter, and witte<br />
although it hath bene eaten with the canker of his owne conceite, 20<br />
and fretted with the rust of vaine loue, yet beeinge purified in the<br />
still of wisedome, and tryed in the fire of zeale, will shine bright and<br />
smell sweete in the nosethrilles of all young nouises.<br />
As therefore I gaue a farewell to Lucilla, a farewell to Naples,<br />
a farewell to woemen, so now doe I giue a farewell to the worlde, 25<br />
meaning rather to macerate my selfe with melancholye then pine in<br />
follye, rather choosinge to dye in my studye amiddest my bookes,<br />
then to courte it in Italy, in the company of Ladyes.<br />
[Euphues hauing thus debated with himselfe, went to his bed, ther<br />
either w t sleepe to deceiue his fancye, or with musing to renue his ill 30<br />
fortune, or recant his olde follyes.<br />
But] It happened immediatly Ferardo to retourne home, who<br />
hearing this straunge euent was not a lyttle amazed, and was nowe<br />
more readye to exhorte Lucilla from the loue of Curio, then before<br />
to the lykinge of Philautus. Therefore in all haste, with watrye 35<br />
eyes, and a wofull heart, began on this manner to reason with his<br />
daughter.<br />
2 it before may E2 rest 7 murther] mischiefe Trest 14 inueig- A<br />
18 the 2 om. E rest 19 bright E rest 21 fretted] fetteTed EF: festered<br />
1613 rest 23 all om. E rest 25 I doe CGE 1 : doe om. E 2 rest 26 selfe]<br />
lyfe E rest 29-32 Euphues... But (3 lines) added Trest 31 olde] owne F
<strong>THE</strong> ANATOMY OF WYT 343<br />
Lucilla (daughter I am ashamed to call thee, seeing thou hast<br />
neyther care of thy fathers tender affection, nor of thine owne credite)<br />
what sprite hath enchaunted thy spirite that euery minute thou<br />
alterest thy minde? I had thought that my hoary haires should<br />
5 haue found comforte by thy golden lockes, and my rotten age<br />
greate ease by thy rype yeares. But alas I see in thee neyther witte<br />
to order thy doinges neyther will to frame thy selfe to discretion,<br />
neither the nature of a child, neyther the nurture of a mayden,<br />
neyther (I cannot without teares speake it) any regarde of thine<br />
10 honour, neyther any care of thine honestie.<br />
I am nowe enforced to remember thy mothers deathe, who I<br />
thincke was a Prophetesse in hir lyfe, for oftentimes shee woulde<br />
saye that thou haddest more beautie then was conuenient for one<br />
that shoulde bee honeste, and more cockering then was meete for<br />
15 one that shoulde bee a Matrone.<br />
Woulde I had neuer lyued to bee so olde or thou to bee so obstinate,<br />
eyther woulde I had dyed in my youthe in the courte, or thou<br />
in thy cradle, I woulde to God that eyther I had neuer bene borne,<br />
or thou neuer bredde. Is this the comfort that the parent reapeth<br />
20 for all his care ? Is obstinacie payed for obedience, stubbernnesse<br />
rendred for duetie, mallitious desperatenesse, for filiall feare ? I<br />
perceiue now that the wise Paynter saw more then y e foolish parent<br />
can, who paynted loue going downeward, saying it might well<br />
descend, but ascende it coulde neuer. Danaus whome they reporte<br />
25 to bee the father of fiftie children, had amonge them all but one<br />
that disobeyed him in a thinge most dishonest, but I that am father<br />
to one more then I would be although one be all, haue that one<br />
most disobedient to me in a request lawfull and reasonable. If<br />
Danaus seeing but one of his daughters without awe became him-<br />
3° selfe without mercie, what shall Ferardo doe in this case who hath<br />
one and all most vnnaturall to him in a most iust cause? Shall<br />
Curio enioy y e fruite of my trauailes, possesse the benefite of my<br />
labours, enherit the patrimony of mine auncestors, who hath neither<br />
wisedome to increase the, nor wit to keepe the" ? wilt thou Lucilla<br />
35 bestow thy self on such an one as hath neither comlines in his body,<br />
nor knowledge in his minde, nor credite in his countrey. Oh<br />
I would thou haddest eyther bene euer faithfull to Philautus, or<br />
neuer faithlesse to Euphues,or would. thou wouldest be more fickle to<br />
3 sprite] spirite C rest 4 hadem. C rest 8 nurture] nature £ rest<br />
9 of] to £ rest 32 trauels 1631-6' 38 most T-E<br />
R 2
244<br />
EUPHUES<br />
Curio, As thy beautie hath made thee blaze of Italy, so will thy<br />
lyghtnes make thee the bye word of y e world. O Lucilla, Luciila,<br />
woulde thou wert lesse fayre or more fortunate, eyther of lesse honour<br />
or greater honestie ? eyther better minded, or soone buryed. Shall<br />
thine olde father lyue to see thee match with a younge foole ? shall 5<br />
my kinde hearte be rewarded with such vnkinde hate ? Ah Lucilla<br />
thou knowest not the care of a father, nor the duetie of a childe, and<br />
as farre art thou from pietie, as I from crueltie.<br />
Nature will not permitte me to disherit my daughter, and yet it<br />
will suffer thee to dishonour thy father. Affection causeth me to 10<br />
wishe thy life, and shall it entice thee to procure my death ? It is<br />
mine onely comfort to see thee florishe in thy youth, and is it thine,<br />
to see me fade in mine age ? to conclude, I desire to Hue to see thee<br />
prosper, & thou to see me perish. But why cast I the effect of this<br />
vnnaturalnesse in thy teeth, seeing I my selfe was the cause? I 15<br />
made thee a wanton and thou hast made mee a foole, I brought thee<br />
vpp lyke a cockney, and thou hast handled mee lyke a cockescombe<br />
(I speake it to mine owne shame) I made more of thee then became<br />
a Father, & thou lesse of me then beseemed a childe. And shal my<br />
louing care be cause of thy wicked crueltie ? yea, yea, I am not the 20<br />
first that hath bene too carefull, nor the last that shall bee handled<br />
so vnkindely, it is common to see Fathers too fonde, and children<br />
to frowarde. Well Lucilla the teares which thou seest trickle downe<br />
my cheekes and the droppes of bloude (whiche thou canst not see)<br />
that fall from my heart, enforce me to make an ende of my talke, 25<br />
and if thou haue any duetie of a childe, or care of a friende, or<br />
courtesie of a straunger, or feelinge of a Christian, or humanitie of<br />
a reasonable creature, then release thy Father of gryefe, and acquite<br />
thy selfe of vngratefulnesse, otherwyse thou shake but hasten my<br />
deathe, and encrease thine owne defame, which if thou doe the gaine 30<br />
is mine, and the losse thine, and both infinite.<br />
Lucilla eyther so bewitched that shee coulde not relente or so<br />
wicked that shee woulde not yelde to hir Fathers request aunswered<br />
him on this manner.<br />
Deere Father as you woulde haue mee to shewe the duetie of a 35<br />
childe, so ought you to shewe the care of a parent, and as the one<br />
1 the before blaze Trest 3 wast E rest. or] and C-F 8 farre<br />
art thou] farre art G: far thou art G rest 12 it is C rest 14 this! his<br />
F1613 17 cockney] Coakes E2-1623 : Cokes 1631-6 24 the] my Trest<br />
27 humilitie E rest 30 thine] thy Frest 33 could F-1623 36 you<br />
ought GE and] for T rest
<strong>THE</strong> ANATOMY OF WYT 245<br />
standeth in obedience so the other is grounded vpon reason. You<br />
would haue me as I owe duetie to you to leaue Curio, and I desire<br />
you as you owe mee any loue, that you suffer me to enioye him. If<br />
you accuse mee of vnnaturalnesse in that I yelde not to your request,<br />
5 I am also to condemne you of vnkindenesse, in that you graunt not<br />
my petition. You obiecte I knowe not what to Curio, but it is the<br />
eye of the maister that fatteth the horse, and the loue of the woman,<br />
that maketh the man. To giue reason for fancie were to weighe the<br />
fire, and measure the winde. If therefore my delight bee the cause<br />
10 of your death, I thincke my sorrowe would bee an occasion of your<br />
solace. And if you be angrye bicause I am pleased, certes I deeme<br />
you woulde be content if I were deceased : which if it be so that my<br />
pleasure breede your paine, and mine annoy your ioye, I may well<br />
say that you are an vnkinde Father, and I an vnfortunate childe.<br />
15 But good Father either content your selfe wyth my choice, or let me<br />
stand to the maine chaunce, otherwise the griefe will be mine, and<br />
the fault yours and both vntollerable.<br />
Ferardo seeinge his daughter, to haue neither regarde of hir owne<br />
honour nor his request, conceyued such an inwarde gryefe, that in<br />
20 short space hee dyed, leauing Lucilla the onely heire of his landes,<br />
and Curio to possesse them: but what ende came of hir, seeing<br />
it is nothing incident to the history of Euphues, it were superfluous<br />
to insert it, and so incredible that all women would rather wonder<br />
at it then beleeue it, which euent beeing so strauge, I had rather<br />
25 leaue them in a muse what it should bee, then in a maze in telling<br />
what it was.<br />
Philautus hauing intelligence of Euphues his successe, and the<br />
falshoode of Lucilla, although he began to reioyGe at the miserye<br />
of his fellowe, yet seeinge hir ficklenesse coulde not but lamente hir<br />
30 follye, and pittie his friendes misfortune. Thinckinge that the lightnesse<br />
of Lucilla enticed Euphues to so great liking.<br />
Euphues and Philautus hauing conference betweene themselues,<br />
castinge discourtesie in the teeth each of the other, but chiefly noting<br />
disloyaltie in the demeanor of Lucilla, after much talke renewed<br />
35 their olde friendship both abandoning Lucilla as most abhominable.<br />
Philautus was earnest to haue Euphues tarrie in Naples, and Euphues<br />
desirous to haue Philautus_ to Athens, but the one was so addicted<br />
3 good before loue E rest 6 to before my E rest 10 an om. E2-1613 :<br />
the 1617 rest 12 diseased E 2 rest,perhaps rightly; cf.pp, 230, / 27, 236, /. 16<br />
17 intolerable G rest 18 owne om. C rest 33 of] to E rest 35<br />
abominable 1617, 1631, 1636
246 EUPHUES<br />
to the court, the other so wedded to the vniuersitie, that each refused<br />
y* offer of the other, yet this they agreed betweene themselues that<br />
though their bodyes were by distaunce of place seuered, yet the<br />
coniunction of their mindes shoulde neither bee seperated, by the<br />
length of time, nor alienated by chaunge of soyle. I for my parte 5<br />
sayde Euphues to confirme thys league gyue thee my hand and my<br />
heart, and so likewise did Philautus, and so shaking handes they<br />
bid each other farewell.<br />
Euphues to the intent hee might bridell the ouerlashing affections<br />
of Philautus, conuayed into his studye, a certeyne pamphlet which 10"<br />
hee termed a coolinge carde for Philautus, yet generallye to be<br />
applyed to all louers which I haue inserted as follbweth.<br />
M<br />
F A cooling Carde for Philautus<br />
and all fond louers.<br />
Using with my selfe beeing idle howe I myght be well imployed 15<br />
(friend Philautus) I could finde nothing either more fitte to<br />
continue our friendshippe, or of greater force to dissolue our follye,<br />
then to write a remedy for that which many iudge past cure, for loue<br />
{Philautus) with y e which I haue bene so tormented, that I haue lost<br />
my time, thou so troubled that thou hast forgot reason, both so 20<br />
mangled with repulse, inueigled by deceite, and almost murthered<br />
by dys*dain, that I can neither remember our miseries without griefe,<br />
nor redresse our mishaps without groanes. How wantonly, yea, and<br />
howe willingly haue wee abused our golden time, and mispent our<br />
gotten treasure ? How curious were we to please our Lady, how 25<br />
carelesse to displease our Lord ? How deuoute in seruing our Goddesse,<br />
howe desperate in forgetting our God ? Ah my Philautus if<br />
the wasting of our money might not dehort vs, yet the wounding of<br />
our mindes should deterre vs, if reason might nothing perswade vs<br />
to wisdome, yet shame should prouoke vs to wyt. If Lucilla reade 30<br />
this trifle, she will straight proclaime Euphues for a traytour, and<br />
seeing mee tourne my tippet will either shut mee out for a Wrangler,<br />
or cast me off for a Wiredrawer : either conuince mee of mallice in<br />
bewraying their sleightes, or condemne me of mischiefs in arming<br />
5 or C rest 8 bid] did bidde GE 15 well be C rest 18 pastsure G<br />
22 miserie E rest 28 dehort so all 34 slights EF
EUPHUES TO PHILAUTUS 247<br />
younge men against fleetinge minions. And what then,? Though<br />
Curio bee as hotte as a toast, yet Euphues is as colde as a clock,<br />
though he be a Cocke of the game, yet Euphues is content to bee<br />
crauen and crye creeke, though Curio bee olde huddle and twange,<br />
5 ipse, hee, yet Euphues had rather shrinke in the weeting, then wast<br />
in the wearing. I knowe Curio to be Steele to the backe, standerd<br />
bearer in Venus campe, sworne to the crewe, true to the crowne,<br />
knight marshal to Cupid, and heire apparaunt to his kingdome.<br />
But by that time that he hath eaten but one bushell of salt wyth<br />
10 Lucilla, he shall taste tenne quarters of sorrow in his loue, then shall<br />
he finde for euery pynte of honnye a gallon of gall, for euerye dramme<br />
of pleasure, an ounce of payne, for euery inche of mirth, an ell of<br />
moane. And yet Philautus if there be any man in despayre to obtayne<br />
his purpose, or so obstinate in his opinion that hauing lost his<br />
15 fredome by folly, would also lose his lyfe for loue, lette him repaire<br />
hether, and hee shall reape suche profite, as will eyther quenche his<br />
flames or asswage his furye, eyther cause him to renounce his Ladye<br />
as most pernicious, or redeeme his lybertie as most pretious. Come<br />
therefore to me all ye louers that haue bene deceiued by fancie, the<br />
ao glasse of pestilence, or deluded by woemen the gate to perdition: be<br />
as earnest to seeke a medicine, as you wer eager to runne into a mischiefe<br />
: y e earth bringeth forth as well Endyue to delyght the people,<br />
as Hemlocke to endaunger the patient, as well the Rose to distill as<br />
the Nettle to sting, as well the Bee to giue honny, as the Spider to<br />
25 yeeld poyson.<br />
If my lewde lyfe Gentlemen haue giuen you offence, lette my good<br />
counsayle make amendes, if by my folly any be allured to lust, let<br />
them by my repentaunce be drawne to continencie. Achilles speare<br />
could as well heale as hurte, the Scorpion though he sting, yet hee<br />
30 stints y e paine, though y e hearb Nerius poyson y e Sheepe, yet is it<br />
a remedie to man agaynst poyson, though I haue infected some by<br />
example, yet I hope I shall comforte many by repentaunce. Whatsoeuer<br />
I speake to men, the same also I speke to women, I meane<br />
not to runne with the Hare and holde with the Hounde, to carrye<br />
35 fire in the one hande and water in the other, neyther to flatter men<br />
as altogether faultlesse, neyther to fall out with woemen as altogether<br />
2 as a clock ATC-1613: as clocked: as a clod 1617-36 3 be om. G<br />
4 a before crauen E rest creake T rest twang T rest 5<br />
wetting Trest 7 in] to T rest 20 to] of E rest 21 a 2 om. £ rest<br />
26 good om. E rest 27 amendes] you amends E rest 30 it om. ATM,<br />
G rest read it is
248 EUPHUES<br />
guyltie, for as I am not minded to picke a thancke with the one, so<br />
am I not determined to picke a quarrell with the other, if women be<br />
not peruerse they shall reape profite, by remedye of pleasure. If<br />
Phillis were now to take counsayle, shee would not be so foolish<br />
to hang hir selfe, neyther Dido so fonde to dye for Aeneas, neyther 5<br />
Pasiphae so monstrous to loue a Bull, nor Phedra so vnnaturall to<br />
be enamoured of hir sonne.<br />
This is therefore to admonish all young Impes and nouises in loue,<br />
not to blow the coales of fancie wyth desire, but to quench them<br />
with disdayne. When loue tickleth thee decline it lest it stiffle 10<br />
thee, rather fast then surfette, rather starue then striue to exceede.<br />
Though the beginning of loue bring delyght, the ende bringeth destruction.<br />
' For as the first draught of wine doth comfort the<br />
stomacke, the seconde inflame the lyuer, the thirde fume into the<br />
heade, so [the first sippe of loue is pleasaunt, the seconde perilous, 15<br />
the thirde pestilent. : If thou perceiue thy selfe to be entised with<br />
their wanton glaunces, or allured with their wicked guyles, eyther<br />
enchaQted with their beautie or enamoured with their brauerie, enter<br />
with thy selfe into this meditation. What shall I gayne if I obtayne<br />
my purpose ? nay rather what shall I loose in winning my pleasure ? 20<br />
If my Lady yeelde to be my louer is it not lykely she will bee an<br />
others lemman ? and if she be a modest matrone my labour is lost.<br />
This therfore remayneth that eyther I must pine in cares, or perish<br />
with curses.<br />
' If she be chaste then is she coy, if lyght then is shee impudent, if 25<br />
a graue Matrone, who can woe hir ? if a lewde minion, who woulde<br />
wedde hir ? if one of the Uestall Uirgins, they haue vowed virginitie,<br />
if one of Venus courte they haue vowed dishonestie. If I loue one<br />
that is fayre, it will kindle gelousie, if one that is fowle it will conuerte<br />
me into phrensie. If fertile to beare children my care is increased, 30<br />
if barren my curse is augmented. If honest I shall feare hir death,<br />
if immodest, I shall be weary of hir lyfe.<br />
To what ende then shall I lyue in loue, seeing alwayes it is a lyfe<br />
more to be feared then death? for all my time wasted in sighes, and<br />
worne in sobbes, for all my treasure spente on Iewells, and spilte in 35<br />
iollytie, what recompence shall I reape besides repentaunce ? What<br />
other rewarde shall I haue then reproch ? What other solace then<br />
7 of] to loue E rest 11 striue] straine E 3 rest 19 I shall G 31<br />
course E: griefe Frest shall om. E rest 32 hir] my G rest 35<br />
spilte] spent EF
EUPHUES TO PHILAUTUS 249<br />
endles shame ? But happely thou wilt say if I refuse their courtesie<br />
I shal be accopted a Mecocke, a Milkesoppe, taunted and retaunted,<br />
with check and checkemate, flowted and reflowted with intolerable<br />
glee.<br />
5 Alas fonde foole arte thou so pinned to theire sleeues that thou<br />
regardest more their babble then thine owne blisse, more their frupes<br />
then thine own welfare? Wilt thou resemble the kinde Spaniell,<br />
which the more he is beaten the fonder he is, or the foolish Eiesse,<br />
which will neuer away ? Dost thou not knowe that woemen deeme<br />
10 none valyaunt, vnlesse he be too venturous ? That they accompte<br />
one a dastarde, if he be not desperate, a pinche penny, if he be not<br />
prodigall, if silente a sotte, if full of wordes a foole ? Peruersly do<br />
they alwayes thinck of their louers, and talke of them scornfully,<br />
iudging all to be clownes, which be no courtiers, and all to be<br />
15 pinglers, that be not coursers.<br />
Seeing therefore the very blossome of loue is sower, the budde<br />
cannot be sweete. In time preuent daunger, least vntimelye thou<br />
runne into a thousande perrills. Searche the wounde while it is<br />
greene, to late commeth the salue when the sore festereth, and the<br />
20 medicine bringeth dubble care, when the maladye is past cure.<br />
Beware of delayes. What lesse then the grayne of Mustardeseede,<br />
in time almost what thing is greater then the stalke thereoff ? The<br />
slender twigge groweth to a stately tree, and that which with the<br />
hand might easely haue bene pulled upp, will hardly with the axe<br />
25 be hewen downe. The least sparke, if it bee not quenched will<br />
burst into a flame, the least Moth in time eateth the thickest clothe,<br />
and I haue reade that in a shorte space, there was a Towne in Spayne<br />
vndermined with Connyes, in Thessalia, with Mowles, with Frogges<br />
in Fraunce, in Africa with Flyes. If these silly Wormes in tracte of<br />
30 time ouerthrowe so statelye Townes, how much more will loue, which<br />
creepeth secretly into the minde, (as the rust doth into the yron and<br />
is not perceiued) consume the body, yea and confound the soule.<br />
Defer not from houre to day, from day to month, from month to<br />
yeare, and alwayes remayne in misery.<br />
35 He that to day is not willyng will to morrowe bee more wilfull.<br />
But alas it is no lesse common then lamentable to beholde the<br />
tottering estate of louers, who thinke by delayes to preuente daungers,<br />
8 Eiesse A-1613 : Eiesse 1617 rest. Qy. ?Giesse as Landmann 14 be no]<br />
be not G: are not E rest 15 be] are 1617 rest 16 bosome GE 1 27<br />
a 1 om. E 2 rest 28 Cunnies G: Conies 1617 rest 30 ouerthrewe G rest<br />
36 is no more G: is more E rest
250 EUPHUES<br />
with oyle to quench fire, with smoke to cleare the eye sight. They<br />
flatter themselues with a faynting farewell, deferring euer vntill to<br />
morrow, when as their morrow doth alwayes encrese their sorrow.<br />
Lette neyther their amyable countenances, neyther their painted<br />
protestacions, neyther their deceitfull promises, allure thee to delaies. 5<br />
Thinke this with thy selfe, that the sweete songes of Calipso, were<br />
subtill snares to entice Vlysses, that the Crabbe then catcheth the<br />
Oyster, when the Sunne shineth, that Hiena, when she speaketh lyke<br />
a man deuiseth most mischiefe, y women when they be most pleasaunt,<br />
pretend most trecherie. 10<br />
Follow Alexander which hearing the commendation and singular<br />
comelynesse of the wife of Darius, so couragiously withstood the<br />
assaultes of fancie, that hee would not so much as take a viewe of<br />
hir beautie : Imitate Cyrus, a king indued with such continencie,<br />
y hee loathed to looke on the heauenly hewe of Panthea, and when 15<br />
Araspus tolde him that she excelled all mortall wightes in amiable<br />
shewe, by so much the more (sayde Cyrus) I ought to absteine from<br />
hir sight, for if I follow thy counsayle in going to hir, it maye bee,<br />
I shall desire to continue with hir, and by my lyght affection, neglect<br />
my serious affaires. Learne of Romulus to refraine from wine, be it 20<br />
neuer so delicate, of Agesilaus to despise costly apparell, be it neuer<br />
so curious, of Diogenes to detest women bee they neuer so comely.<br />
Hee that toucheth pitche shall be defiled, the sore eye infecteth the<br />
sounde, the societie with women breedeth securitie in the souie, and<br />
maketh all the sences sencelesse. Moreouer take this counsaile, as 25<br />
an article of thy Creede, which I meane to follow as the chiefe argument<br />
of my faith, that idlenes is the onely nourse and nourisher of<br />
sensual appetite, the sole maintenance of youthfull affection, the first<br />
shaft that Cupide shooteth into the hot liuer of a heedlesse louer.<br />
I woulde to God I were not able to finde this for a truth, by mine 3°<br />
owne tryall, & I would the example of others idlenesse had caused me<br />
rather to auoid y fault, then experience of mine owne folly. Howe<br />
dissolute haue I bene in striuing against good counsayle, howe resolute<br />
in standing in mine owne conceite ? howe forwarde to wickednesse,<br />
howe frowarde to wisedome, howe wanton with too much cocker- 35<br />
inge, howe waywarde in hearing correction? Neyther was I much<br />
vnlike these Abbaie lubbers in my lyfe (though farre vnlike them in<br />
2 euer] ouer G rest 3 their 2 ] thy E l 4 countenaunce G rest 10<br />
mischiefe G rest 15 heauenly om. E rest 17 refraine G rest "20<br />
abstain G rest 28 youthly G rest 29 into A T: in M rest '37 those<br />
1613 rest thoughtE
EUPHUES TO PHILAUTUS • 251<br />
beliefe) which laboured till they were colde, eat til they sweate, and<br />
lay in bed till their boanes aked. Heereof commeth it gentlemen,<br />
that loue creepeth into the minde by priuie crafte, and keepeth his<br />
holde by maine courage.<br />
5 The man beeing idle the minde is apte to all vncleanenesse, the<br />
minde being voide of exercise the man is voide of honestie. Doth<br />
not the rust fret the hardest yron if it bee not vsed ? Doth not the<br />
Moath eate the finest garment, if it bee not worne? Doth not<br />
Mosse growe on the smothest stone if it be not stirred ? Doth<br />
10 not impietie infect the wisest wit, if it be giuen to idlenesse? Is<br />
not the standinge water sooner frosen then the running streame?<br />
Is not he that sitteth more subiect to sleepe then he that walketh ?<br />
Doth not common experience make this common vnto vs, that the<br />
fattest grounde bringeth foorth nothing but weedes if it be not well<br />
15 tilled? That the sharpest wit enclineth onely to wickednesse, if it bee<br />
not exercised ? Is it not true which Seneca reporteth, that as to much<br />
bendinge breaketh the bowe, so to much remission' spoyleth the<br />
minde ? Besides this immoderate sleepe, immodest play, vnsatiable<br />
swilling of wine, doth so weaken the sences, and bewitch the soule,<br />
20 that before we feele the motion of loue, wee are resolued into lust.<br />
Eschewe idlenesse my Philautus, so shalt thou easily vnbende the<br />
bowe and quenche the brandes of Cupide. Loue giues place to<br />
laboure, laboure and thou shalt neuer loue. Cupide is a craftie childe<br />
following those at an ynche that studye pleasure, and flyinge those<br />
25 swyftlye that take paines. Bende thy minde to the lawe whereby<br />
thou mayst haue vnderstanding of olde and auncient customes,<br />
defende thy clientes, enriche thy cofers, and carry credite in thy<br />
Countrey. If lawe seeme loathsome vnto thee, searche the secretes<br />
of phisicke, whereby thou maist know the hidden natures of hearbes,<br />
30 whereby thou maiste gather profite to thy purse, and pleasure to thy<br />
minde. What can be more exquisite in humaine affaires then for<br />
euery feuer bee it neuer so hot, for euery palsey be it neuer so colde,<br />
for euery infection be it neuer so straunge, to giue a remedy ? The<br />
olde verse standeth as yet in his olde vertue: That Galen gyueth<br />
35 goods, Justinian honors. If thou bee so nice that thou canst no<br />
waye brooke the practise of Phisicke, or so vnwise that thou wilt not<br />
beate thy braynes about the institutes of the lawe, conferre all thy<br />
study all thy time, all thy treasure to the attayning of the sacred and<br />
1 who G rest 15 it om. A 20 into] to E rest 26 custome CG<br />
29 nature £ rest 31 exquisite to EF:requisite to 1613 rest
252 EUPHUES<br />
sincere knowledge of diuinitie, by this maist thou bridle thine incontinencie,<br />
raine thine affections, restrayne thy lust. Heere shalt<br />
thou beholde as it were in a glasse, that all the glorye of man is as<br />
the grasse, that all thinges vnder heauen are but vaine, that our lyfe<br />
is but a shadowe, a warfare, a pilgrimage, a vapor, a bubble, a blast, 5<br />
of such shortnesse that Dauid sayth it is but a spanne long, of such<br />
sharpnesse, that lob noteth it replenished with all miseries, of suche<br />
vncerteintie, that we are no sooner borne, but wee are subiecte to<br />
death, the one foote no sooner on the grounde, but the other ready<br />
to slippe into the graue. Heere shalt thou finde ease for thy burden 10<br />
of sinne, comforte for the conscience pined wyth vanitie, mercy for<br />
thine offences by the martirdome of thy sweete Sauiour. By this<br />
thou shalt be able to instruct those that be weake, to confute those<br />
that bee obstinate, to confounde those that be erronious, to confirme<br />
the faythfull, to comfort the desperate, to cutte off the presumptious, 15<br />
to saue thine owne soule by thy sure faith, and edifie the hearts of<br />
many by thy sound doctrine. If this seeme to straight a dyet for<br />
thy straininge disease, or to holy a profession, for so hollow a person,<br />
then employ thy selfe to martial feats, to iusts, to turrnayes, yea, to<br />
al tormets rather then to loiter in loue, & spend thy life in y e laps 20<br />
of Ladyes : what more monstrous can there be, then to see a younge<br />
man abuse those giftes to his owne shame which God hath giuen<br />
him for his owne preferment ? What greater infamye, then to conferre<br />
the sharpe wit to y e making of lewde Sonnets, to the idolatrous<br />
worshipping of their Ladies, to the vaine delights of fancie, 25<br />
to all kinde of vice as it were against kinde & course of nature ?<br />
Is it not folly to shewe wit to women which are neither able nor<br />
willinge to receyue fruite thereoff ? Doest thou not knowe that the<br />
tree Siluacenda beareth no fruite in Pharo? That the Persian<br />
trees in Rhodes doe onely waxe greene, but neuer bringe foorth 30<br />
apple ?<br />
That Amomus, and Nardus will onely growe in India, Balsamum<br />
onely in Syria, that in Rhodes no Eagle will builde hir neast,<br />
no Owle liue in Crete, no wit springe in the will of women ? Mortifie<br />
therefore thy affections, and force not Nature against Nature to 35<br />
striue in vaine. Goe into the countrey looke to thy grounds, yoke<br />
thine Oxen, follow thy Plough, graft thy trees, beholde thy Cattel,<br />
2 thine] thy Trest 7 all] many E rest 11 the] thy T rest 12 sweete<br />
onu E rest 18 straying TM: sttaunge C-1623 : strong 1631-6 30 tree G<br />
32 Amomus all preceding eds. misprint Amonius 37 thy] the Trest
EUPHUES TO PHILAUTUS 253<br />
and deuise with thy selfe how the encrease of them may encrease<br />
thy profite. In Aututnne pull thine apples, in Sommer ply thy<br />
haruest, in the Springe trimme thy gardeps, in the Winter, thy woodes,<br />
and thus beginninge to delight to be a good husband, thou shalt<br />
5 begin to detest to be in loue with an idle huswife, when profite shall<br />
begin to fill thy purse with golde, then pleasure shall haue no force<br />
to defile thy minde wyth loue. For honest recreation after thy toyle,<br />
vse hunting or haukeing, either rowse the Deere, or vnperch the<br />
Phesaunt, so shalt thou roote out the remembraunce of thy former<br />
10 loue, and repent thee of thy foolishe lust. And although thy sweete<br />
heart binde thee by othe alwaye to holde a candle at hir shrine, & to<br />
offer thy deuotyon to thine owne destruction, yet goe, runne, flye,<br />
into the countrey, neither water thou thy plantes, in that thou<br />
departest from thy Pigges nye, neither stand in a mammering<br />
15 whether it be best to departe or not, but by how much the more<br />
thou arte vnwillyng to go, by so much the more hasten thy steppes,<br />
neyther fayne for thy selfe any sleeuelesse excuse whereby thou<br />
mayste tarry. Neyther lette rayne nor thunder, neyther lyghtening<br />
nor tempest, stay thy iourney, and recken not with thy selfe how<br />
20 many myles thou hast gone, that sheweth wearinesse, but how many<br />
thou hast to go, that proueth manlynesse. But foolysh & franticke<br />
louers, wyll deeme my precepts hard, and esteeme my perswasions<br />
haggarde: I must of force confes, that it is a corasiue to the<br />
stomacke of a louer, but a comforte to a godly lyuer, to runne<br />
25 through a thousande pykes, to escape ten thousand perills. Sowre<br />
potions bringe sounde health, sharpe purgations make shorte diseases,<br />
and the medicine y e more bitter it is, y e more better it is in working.<br />
To heale the body we trye Phisicke, search cunninge, proue sorcery,<br />
venture through fire and water, leauing nothing vnsought, that may<br />
30 be gotten for money, bee it neuer so much, or procured by any<br />
meanes, bee they neuer so vnlawfull. Howe much more ought<br />
wee to hazarde all thinges, for the sauegarde of minde, and quiet of<br />
conscience ? And certes easier will the remedy bee when the reason<br />
is espyed, doe you not know the Nature of women which is grounded<br />
35 onely vpon extremities?<br />
Do they thinke any man to delyght in them, vnles he doate on<br />
them? Any to be zealous, excepte they bee gelous? Any to be<br />
2 ply] pile E rest 3 Garden G rest the om. E rest 10 thy 1 ] such<br />
E rest 13 the]thy.E 16 willing C-F 21 procureth E rest<br />
36 in om. EF 37 Any to be ... gelous ? om. E rest
254 EUPHUES<br />
feruente in case he be not furious ? If he be cleanly, then terme<br />
they him proude, if meane in apparel, a slouen, if talle, a longis, if<br />
shorte, a dwarfe, if bolde, blunte, if shamefaste, a cowarde. Insomuch,<br />
as they haue neyther meane in theire frumpes, nor measure<br />
in theire follye. But at the firste the Oxe weildeth not the yoke, 5<br />
nor the Colte the snaffle, nor the louer good counsell, yet time<br />
causeth the one to bende his necke, the other to open his mouth,<br />
and shoulde enforce the thirde to yeelde his ryght to reason. Laye<br />
before thine eyes the slights and deceits of thy Lady, hir snatching in<br />
iest, and keeping in earnest, hir periurie, hir impietie, the counten- 10<br />
aunce she sheweth to thee of course, the loue she beareth to others<br />
of zeale, hir open mallice, hir dissembled mischiefe.<br />
O I woulde in repeating their vices thou couldest be as eloquent,<br />
as in remembring them thou oughtest to be penitent: be she neuer<br />
so comely call hir counterfeite, be she neuer so strayght thinke hir 15<br />
crooked. And wreste all partes of hir bodye to the worste be she<br />
neuer so worthye. If she be well sette, then call hir a Bosse, if<br />
slender, a Hasill twigge, if Nutbrowne, as blacke as a coale, if well<br />
couloured, a paynted wall, if she be pleasaunt, then is she a wanton,<br />
if sullemne, a clowne, if honeste, then is she coye, if impudent, 20<br />
a harlotte.<br />
Searche euery vayne and sinew of their disposition, if she haue no<br />
sighte in deskante, desire hir to chaunte it, if no cunning to daunce<br />
request hir to trippe it, if no skill in Musicke, profer hir the Lute, if<br />
an ill gate, then walke with hir, if rude in speach, talke with hir, if she 25<br />
be gagge toothed, tell hir some merry ieste to make hir laughe, if<br />
pinke eyed, some dolefull Historye, to cause hir weepe, in the one<br />
hir grinning will shewe hir deformed, in the other hir whininge, lyke<br />
a Pigge halfe rosted.<br />
It is a worlde to see how commonly we are blynded with the 3°<br />
collusions of woemen, and more entised by their ornaments being<br />
artificiall, then their proportion beeing naturall. I loathe almoste<br />
to thincke on their oyntments, and Apoticarie drugges, the sleeking<br />
of theire faces, and all their slibber sawces, which bring quesinesse<br />
to the stomacke, and disquyet to the minde. 35<br />
Take from them their periwiggs, their payntings, their Iewells,<br />
their rowles, their boulsterings, and thou shalt soone perceiue that<br />
a woman is the least parte of hir selfe. When they be once robbed<br />
2 Inngis Trest, txcept E 1 lunges 6 good] his Brest 13 of before<br />
their E rest 33 sliking E rest 34 quasinesss A : queasines E rest
EUPHUES TO PHILAUTUS 255<br />
of their robes, then will they appeare so odious, so vgly, so<br />
monstrous, yt thou wilt rather thinke the Serpents then Saynts,<br />
& so lyke Hags, y j thou wilt feare rather to be enchanted then<br />
enamoured. Looke in their closets, and there shalt thou finde an<br />
Apoticaries shoppe of sweet confections, a Surgions boxe of sundrye<br />
salues, a Pedlars packe of new fangles. Besides all this their<br />
shadows, their spottes, their lawnes, their leefekyes, their ruffes, their<br />
rings, shew the rather Cardinals curtisans, then modest Matrones, and<br />
more carnally affected, then moued in conscience. If euery one of<br />
10 these things seuerally be not of force to moue thee, yet all of them<br />
ioyntly should mortefie thee.<br />
Moreouer to make thee y e more stronger, to striue agaynst these<br />
Syrettes, and more subtill to deceiue these tame Serpents, my<br />
counsayle is that thou haue more strings to thy bow then one, it is<br />
15 safe riding at two ancres, a fire deuided in twayne burneth slower,<br />
a fountayne running into many riuers, is of lesse force, the minde<br />
enamoured on two women, is lesse affected with desire, and lesse<br />
infected with despaire, one loue expelleth an other, and the<br />
remembraunce of the latter quencheth the concupiscence of the<br />
20 first.<br />
Yet if thou bee so weake being bewitched with their wiles that<br />
thou hast neyther will to eschue, nor wit to auoyde their copany, if<br />
thou be eyther so wicked y t thou wilt not, or so wedded that thou<br />
canst not abstaine from their glaunces, yet at the leaste dissemble<br />
25 thy griefe: If thou be as hot as the mount Aetna, faine thy self as<br />
colde as y e hil Caucasus, carry two faces in one hood, couer thy<br />
flaming fancie with fained ashes, shew thy selfe sounde when thou<br />
art rotten, lette thy hew be merrye, when thy heart is melancholy,<br />
beare a pleasaunt countenaunce, with a pyned conscience, a paynted<br />
30 sheathe with a leaden dagger: Thus dissembling thy griefe, thou<br />
maist recure thy disease. Loue crepeth in by stealth and by stealth<br />
slydeth away.<br />
If she breake promise with thee in the nighte, or absent hir selfe<br />
in the daye, seeme thou carelesse and then will she be carefull, if<br />
35 thou languish, then will she bee lauish of hir honour, yea & of the<br />
other straunge beast hir honestie. Stande thou on thy pantuffies,<br />
and shee will vayle bonnet, lye thou aloofe, and she will ceaze on<br />
the lure, if thou passe by hir dore and be called backe, either seeme<br />
11 mollifie E rest 12 y e more] the E rest 17 on] of E rest 19<br />
latere 1613-23
256 EUPHUES<br />
deafe and not to heare, or desperate, and not to care. Fly the<br />
places, the parlours, the portalles, wherein thou hast bene conuersaunt<br />
with thy Lady, yea Philautus shunne the streete where<br />
Lucilla doth dwell, least the sighte of hir window, renew the summe<br />
of thy sorrow. 5<br />
Yet although I woulde haue thee precise, in keeping these precepts,<br />
yet woulde I haue thee to auoyde sollytarinesse, that breedes melancholy,<br />
melancholy, madnesse, madnesse mischiefe and vtter desolation<br />
: haue euer some faithfull pheere, with whome thou mayst<br />
communicate thy cotlcells, some Ptlades to encourage Orestes, some 10<br />
Damon to release Pithias, some Scipio to recure Lalius. Phillis in<br />
wandringe the woodes hanged hir selfe: Asiarchus forsakinge companye,<br />
spoyled himselfe with his own bodkin: Biarus a Romaine,<br />
more wise the" fortunate, beeing alone destroyed himselfe with a potsherd.<br />
Beware solitarines. But although I would haue thee vse 15<br />
companye for thy recreation, yet woulde I haue thee alwaies to leaue<br />
the company of those yt accdpany thy Lady, yea, if she haue any<br />
iewel of thine in hir custody, rather loose it, then go for it, least in<br />
seeking torecouer a trifle, thou renewe thine olde trouble. Be not<br />
curious to curlle thy haire, nor carefull to be neate in thine apparell, 20<br />
bee not prodigal of thy golde, nor precise in thy goinge, bee not like<br />
the Englishman whiche preferreth euery straunge fashion, before the<br />
vse of his countrey, bee thou dissolute, least thy Lady thincke thee<br />
foolish in framing thy selfe to euery fashion for hir sake. Beleeue<br />
not their othes & solemne protestations, their exorcismes & coniura- 2 5<br />
tions, their tears which they haue at commaundement, their alluring<br />
lookes, their treading on the toe, their vnsauerie toyes.<br />
Let euery one loath his Ladye, and bee ashamed to bee hir seruaunt.<br />
It is riches and ease that nourisheth affection, it is play, wine, and<br />
wantonnesse, that feedeth a louer as fat as a foole, refraine from all 3°<br />
such meates as shall prouoke thine appetite to lust, and all such<br />
meanes, as may allure thy minde to folly. Take cleere water for<br />
stronge wine, browne bread for fine manchet, beefe and brewys, for<br />
Quailes & Partridge, for ease, labour, for pleasure, paine, for surfetting,<br />
hunger, for sleepe, watching, for the fellowshippe of Ladyes, the 35<br />
companie of Philosophers. If thou saye to mee, Phisition heale thy<br />
selfe, I aunswere, that I am meetly well purged of that disease, and<br />
I deafe . .. to 1 ] thou deafe, and not to G: thou deafe and doo not E rest 2<br />
place £ rest 15 of after Beware G rest 17 company F 20 thine]<br />
thy G rest 23 dessolute C. Qy. ?ressolute i.e. unchanging but F Be not<br />
dissolute perh. rightly 32 thy] the C rest
TO <strong>THE</strong> GRAUE MATRONES, ETC. 257<br />
yet was I neuer more willing to cure my selfe then to comfort my<br />
friend. And seeing the cause that made in mee so colde a deuotion,<br />
shoulde make in thee also as frosen a desire, I hope thou wilt be<br />
as ready to prouide a salue as thou wast hastie in seeking a sore.<br />
5 And yet Philautus I woulde not that all women shoulde take pepper<br />
in the nose, in that I haue disclosed the legerdemaines of a fewe, for<br />
well I knowe none will winch excepte she bee gawlded, neither any bee<br />
offended vnlessc shee be guiltie. Therefore I earnestly desire thee,<br />
that thou shewe this cooling carde to none, except thou shew also this<br />
10 my defence to them all. For although I waye nothing the ill will of<br />
light huswiues, yet woulde I bee loath to loose the good will of honest<br />
matrones. Thus beeing ready to goe to Athens and readie there to<br />
entertaine thee, whensouer thou shalte repayre thether. I bidde thee<br />
farewell, and flye women.<br />
15 H Thine euer<br />
Euphues.<br />
II To the graue Matrones<br />
and honest Maydens<br />
of Italy,<br />
20 Entlewomen bicause I would neither bee mistaken of purpose,<br />
neyther misconstrued of mallice, least either the simple should<br />
suspect me of folly, or the subtill condemne me of blasphemye against<br />
the noble sexe of women, I thought good that this my faythe shoulde<br />
be set downe to finde fauour with the one, and confute the cauils of<br />
25 the other. Beleeue me gentlewomen, although I haue ben bolde to<br />
inuay agayne many, yet am I not so brutish to enuy them all, though<br />
I seeme not so gamesome as Aristippus to play with Lais, yet am<br />
I not so dogged as Diogenes to abhorre all Ladyes, neither would I<br />
you should thincke me so foolish (although of late I haue bene very<br />
30 fantasticall) that for the light behauiour of a fewe, I shoulde call in<br />
question the demeanour of all. I know that as ther hath bene an<br />
vnchast Helen in Greece, so there hath bene also a chast Penelope, as<br />
there hath bene a prodigious Pasiphae, so there hath bene a godly<br />
Theocrita, though many haue desired to be beloued as Jupiter loued<br />
35 Alcmæna yet some haue wished to be embraced as Phrigius embraced<br />
Pieria, as ther hath raigned a wicked Iesabel, so hath there<br />
I I was G rest 4 seeing T 7 gauled E rest; exc. 1623 galled 9<br />
this 2 om. E rest 13 whensoeuer T rest 24 to before confute E rest 26<br />
against Trest I am E rest 35 Alcmena G rest 36 Piera E rest<br />
BOND 1<br />
S
258 EUPHUES<br />
ruled a deuoute Debora, though many haue bene as fickle as Lucilla,<br />
yet hath there many bene as faithful as Lucretia. Whatsoeuer therfore<br />
I haue spoken of the spleene against y e slights and subtilties of<br />
women, I hope ther is none wil mislike it if she be honest, neither<br />
care I if any doe if shee be an harlot. The sowre crab hath the 5<br />
shewe of an apple as well as the sweet pyppin, the black Rauen the<br />
shape of a birde as well as the white Swanne, y e lewde wight the name<br />
of a woman as wel as the honest Matrone. There is great difference<br />
betweene y e standing puddle, and the running streame, yet<br />
both water, great ods betweene the Adamant and the Pommice, yet 10<br />
both stones, a great distinction to be put betweene Vitrum and the<br />
Christall, yet both glasse, greate contrarietie betweene Lais and<br />
Lucretia, yet both women. Seeing therfore one maye loue the<br />
cleere Conduit water, though he loath the muddie ditch, and weare<br />
the precious Diamonde, though he dispise the ragged bricke, I 15<br />
thincke one may also with safe conscience reuerence the modest sex<br />
of honest maydens, though he forsweare the lewde sort of vnchast<br />
minions. Vlysses though he detested Calipso w hir sugered voice,<br />
yet he imbraced Penelope with hir rude distaffe. Though Euphues<br />
abhorre y e beautie of Lucilla, yet wil he not absteine from y e com- 20<br />
pany of a graue maiden. Though y e teares of the Hart be salt,<br />
yet the tears of y e Bore be sweet, though y e teares of some women<br />
be counterfaite to deceiue, yet y e tears of many be currat to try their<br />
loue. I for my part wil honour those alwaies y t be honest, &<br />
worship the in my life who I shall know to be worthy in their liuing, 25<br />
neither can I promise such precisenes y fc I shall neuer be caught<br />
againe with y e bayte of beautie, for although the falshood of Lucilla<br />
haue caused me to forsake my wonted dotage, yet the faith of some<br />
Ladye may cause me once againe to fall into mine olde disease. For<br />
as the fire stone in Liguria though it bee quenched with milke, yet 30<br />
againe it is kindled with water, or as the rootes of Anchusa, though it<br />
bee hardned with water, yet it is againe made soft with Oyle, so the<br />
heart of Euphues enflamed earst with loue, although it bee cooled<br />
with the deceites of Lucilla, yet will it againe flame with the loyaltie<br />
of some honest Ladye, and though it bee hardned with the water of 35<br />
wilynesse, yet will it bee mollified with the Oyle of wisedome. I presume<br />
therfore so much vpon the discretion of you gentlewomen that<br />
2 beene many C rest 11 Vitrem A 29 my Frest 31 againe it] again<br />
C rest as om. C rest roote 1613 rest 3 a againe it is G rest 35<br />
although E rest
TO <strong>THE</strong> GRAUE MATRONES, ETC. 259<br />
you wil not thinck the worse of me, in y I haue thought so ill of<br />
some women, or loue mee the worse in that I loath some so much.<br />
For this is my faith that some one Rose will be blasted in y e bud,<br />
some other neuer fall from the stalke, that the Oke wil soone be<br />
5 eaten with the worme, the Walnut tree neuer, that some women will<br />
easily be entised to folly, some other neuer allured to vanitie. You<br />
ought therefore no more to bee agrieued with that which I haue<br />
sayde, then the mint Maister to see the coyner hanged, or the true<br />
subiect the false traytour araigned, or the honest man the theefe<br />
10 condemned. And so farewell.<br />
You haue hearde (Gentlemen) howe soone the hot desire of<br />
Euphues was turned into a cold deuotion, not that fancie caused him<br />
to chaunge, but that the ficklenesse of Lucilla enforced him to alter his<br />
minde. Hauing therfore determined with himselfe, neuer againe to<br />
15 be entangled with such fonde delightes, accordinge to the appointment<br />
made with Philautus, he immediately repaired to Athens, ther<br />
to followe his owne priuate study : And callyng to minde his former<br />
losenes, & how in his youth, he had mispent his time, he thought<br />
to giue a Caueat to all parents, how they might bring<br />
20 their children vp in vertue, and a commaundement<br />
to al youth, how they should frame themselues to<br />
their fathers instructions: in the which is<br />
plainly to be seene, what wit can, & will<br />
do, if it be well employed, which dis-<br />
25 course following, although it bring<br />
lesse pleasure to your youthfull<br />
mindes the his first course, yet<br />
will it bring more profite, in<br />
the one being conteined the<br />
30 race of a louer, in the 0ther,<br />
the reasons of a<br />
Philosopher.<br />
7 greeued E 2 rest 20 vp their childre C rest 22 instruction E 2 rest<br />
the om. Trest 25 folio weth : E rest 27 discourse G rest
Euphues and his Ephoebus.<br />
[Lyly'sad. IT is commonly sayd, yet doe I thinke it a common lye, that<br />
{all this J- Experience is the Mistresse of fooles, for in my opinion they<br />
section)... be most fooles that want it. Neyther am I one of y e least that haue<br />
tryed this true, neither he onely that heretofore deemed it to be 5<br />
false. I was heereof a studente of great wealth, of some wit, of no<br />
smal acquayntance, yet haue I learned that by Experience, that<br />
I shoulde hardly haue seene by learning. I haue thorowly sifted the<br />
disposition of youth, wherein I haue founde more branne then meale,<br />
more dowe then leauen, more rage then reason. He that hath bene 10<br />
burned knoweth the force of the fire, he that hath bene stoung,<br />
remembreth the smarte of the Scorpion, he that hath endured the<br />
brunts of fancie, knoweth best how to eschew y e broyles of affection.<br />
Let therefore my counsayle be of such aucthoritie as it may commaund<br />
you to be sober, your conuersation of such integritie, as it 15<br />
may encourage mee to go forwarde in that which I haue taken in<br />
hande: the whole effect shall be to sette downe a young man so<br />
absolute as that nothing may be added to his further perfection.<br />
And although Plato hath ben so curious in his common weale,<br />
Aristotle so precise in his happy man, Tullie so pure in his orator, 20<br />
that we may well wish to see them, but neuer haue anye hope to<br />
enioy them, yet shall my young Impe be such an one as shall be<br />
perfect euery way and yet common, if dilygence and Industrie be<br />
imployed to the attayning of such perfection. But I would not haue<br />
young men slowe to followe my precepts, or idle to defer the time 25<br />
lyke Saint George, who is euer on horse backe yet neuer rideth.<br />
If my counsell shal seeme rigorous to fathers to instructe their<br />
children, or heauie for youth to follow their parents will: Let them<br />
both remember that the Estrich disgesteth harde yron to preserue<br />
his healthe, that the souldiour lyeth in his harnesse to atchieue 30<br />
conquest, that the sicke patient swalloweth bitter pilles to be eased<br />
i and] to E rest 5 thought T rest 6 was heereof] have ben heere T rest<br />
a a an] a E rest 24 could E L 29 digesteth E rest 30 hardnesse E l
EUPHUES AND HIS EPHCEBUS 261<br />
of his griefe, that youth shoulde indure sharpe stormes to finde<br />
reliefe.<br />
I my selfe had bene happye if I had bene vnfortunate, wealthy<br />
if lefte meanely, better learned if I had bene better lyued, we haue<br />
5 an olde (Prouerb) youth will haue his course. Ah gentlemen it is<br />
a course which we ought to make a course accompte off, replenished<br />
with more miseries the olde age, with more sinnes then commo<br />
cutthroats, with more calamities the" y e date of Priamus: we are<br />
no sooner out of the shell but we resemble the Cocyx which de-<br />
1o stroyeth it selfe thorowe selfe will, or the Pellican which pearceth<br />
a wounde in hir owne breast: we are eyther leade with a vayne<br />
glorye of our proper personage, or with selfe loue of our sharpe<br />
capacitie, either entangled with beautie, or seduced by idle pastimes,<br />
eyther witcht with vicious company of others, or inueigled with our<br />
15 owne conceits, of all these things I may the bolder speake, hauing<br />
tryed it true to mine owne trouble.<br />
To the entente therefore that all younge gentlemen might shunne<br />
my former losenesse I haue set it downe, and that all might follow<br />
my future lyfe, I meane heere to she we what fathers shoulde doe,<br />
20 what children shoulde followe, desiring them both not reiecte it<br />
bicause it proceedeth from one which hath bene lewde, no more<br />
then if they woulde neglect the golde bycause it lyeth in the durtye<br />
earthe or the pure wyne for that it commeth out of an homely<br />
presse, or the precious stone Aetites which is founde in the filthy<br />
25 neastes of the Eagle, or the precious gemme Draconites that is<br />
euer taken out of the heade of the poysoned Dragon. But to my<br />
purpose. - •]<br />
H That the childe shoulde be true borne, no<br />
bastarde.<br />
3° Thirst touching their procreation, it shall seeme necessarie to [riut.t.2.^<br />
entreate off who so euer he be y f desireth to be the Sire of<br />
an happy sonne, or the father of a fortunate childe, lette him abstaine<br />
from those women which be eyther base of birth, or bare of honestie:<br />
for if y e mother be noted of incontinencie, or the father of vice, the<br />
5 (Prouerb) the marks of parenthesis transferred to ' youth .. . course' in 1617<br />
[1623], om.1631, 1636 6 a om. C rest 9 Cocix E rest 10 it] her<br />
G rest 12 sharpe] owne G rest 20 to before reiect C rest 23 an]<br />
a TME rest-, the CG 25 Dacromtes TM: Droconites E rest 26 our<br />
Crest 28 shoulde om. Grest 30 the G rest 31 E rest, mistaking<br />
sense, place colon at intreate of instead of comma ofA-G
262 EUPHUES<br />
childe will eyther during tyfe, be infected with the like crime, or<br />
the trecheries of his parents as ignomye to him will be cast in his<br />
teeth: For we commonlye call those vnhappy children, which haue<br />
sprong from vnhonest parents. It is therefore a great treasure'to<br />
the father and tranquilitie to the minde of the childe, to haue that 5<br />
lybertie, which both nature, law, and reason hath sette downe.<br />
The guyltie conscience of a father that hath troden awry, causeth<br />
him to thinke and suspect that his father also went not right,<br />
wherby his owne behauiour is as it were a witnesse, of his owne basenesse.<br />
Euen as those that come of a noble progenie boast of their 10<br />
gentrye. Heerevppon it came that Diophantus, Themistocks his<br />
sonne woulde often and that openly saye in a great multitude, that<br />
what soeuer he shoulde seeme to request of the Athenians, he should<br />
be sure also to obtayne, for sayth hee, what soeuer I will that wil<br />
my mother, and what my mother sayth my father sootheth, and what 15<br />
my father desireth that the Athenians will graunt most willingly.<br />
The bolde courage of the Lacedemonians is to be praysed, which sette<br />
a fine on the heade of Archidamius their king, for y he had married a<br />
woman of a small personage, saying he minded to begette Queenes, not<br />
[Plut, c 3.] Kinges to succeede him. Lette vs not omitte that which our Aunces- 20<br />
tours were wont precisely to keepe that men shoulde either bee sober,<br />
or drincke little wine, that woulde haue sober and discrete children,<br />
for that the fact of the father woulde bee figured in the infant.<br />
Diogenes therefore seeing a younge man either ouercome with drincke<br />
or bereued of hys wits, cryed with a lowde voice, youth, youth, thou 25<br />
hadst a dronken Father. And thus muche for procreation, nowe howe<br />
the life shoulde bee ledde I will shewe briefly.<br />
Howe the life of a younge man<br />
should be lead.<br />
[Plut.c.4.] THHere are three thinges whiche cause perfection in man, 30<br />
I Nature, Reason, Use. Reason I call discipline, Use exercise,<br />
if any one of these braunches want, certeinely the tree of vertue<br />
must needes wither. For Nature without discipline is of small force,<br />
and discipline without Nature more feeble: if exercise or study be<br />
voide of any of these, it auayleth nothing. For as in tilling .of the 35<br />
grounde and husbandry, there is first chosen a fertil soyle, then<br />
2 treacherie Frest his] the E rest ignominie Frest his]<br />
theFrest 15 what 1 ] that Frest 18 Archidamus Trest 19 get<br />
E rest 30 a before man E rest
AND HIS EPHGEBUS 263<br />
a cunning sower, then good seede, euen so must wee compare<br />
Nature to the fatte earthe, the expert husbandman to the Schoolemaister,<br />
the faculties and sciences to the pure seedes. If this order<br />
had not bene in our predecessors, Pithagoras, Socrates, Plato, and<br />
5 whosoeuer was renowmed in Greece for the glorie of wisdome : they<br />
had neuer bene eternished for wise men, neither cannonished as it<br />
were for Saincts amonge those that studye sciences. It is therefore<br />
a most euident signe of Gods singuler fauour towardes him that is<br />
endued with all these qualities, without the least of the which man is<br />
10 most miserable. But if there be any one that deemeth wit not<br />
necessary to the obtayninge of wisedome, after hee hath gotten the<br />
waye to vertue by industrye and exercise, hee is an heriticke, in my<br />
opinion touching the true faith of learning, for if Nature playe not<br />
hir parte, in vayne is laboure, and as I sayd before if study bee not<br />
15 imployed, in vayne is Nature. Sloth tourneth the edge of wit, Study<br />
sharpeneth the minde, a thing be it neuer so easie is hard to the<br />
(idle), a thinge bee it neuer so hard is easie to the wit wel employed.<br />
And most plainely we may see in many thinges the efficacie of<br />
industry and laboure.<br />
20 The little drops of rayne pearceth harde Marble, yron wyth often<br />
handlinge is worne to nothinge. Besides this, industry sheweth hir<br />
selfe in other thinges, the fertill soyle if it bee neuer tilled doth<br />
waxe barren, and that which is most noble by nature is made<br />
most vyle by negligence. What tree if it bee not topped beareth<br />
25 any fruite ? What vine if it bee not proyned, bringeth foorth<br />
grapes? is not the strength of the body tourned too weakenesse<br />
throughe too much delicasie, were not Milo his armes brawnefallen,<br />
for want of wrastlinge ? moreouer by labour the fierce Unicorne is<br />
tamed, the wyldest Fawlcon is reclaymed, the greatest bulwarke is<br />
30 sacked. It was well aunswered of that man of Thessalie, who beeinge<br />
demaunded who amonge the Thessalians were reputed moste vyle,<br />
those sayd hee that Hue at quyet and ease, neuer gyuing themselues<br />
to marciall affayres: but what should one vse many woordes in a<br />
thinge already proued. It is custome, vse and exercise, that bringe<br />
35 a younge man to vertue, and vertue to his perfection. Lycurgus the<br />
lawegiuer of the Sparthans dyd nourish two whelpes, both of one<br />
syre and one damme : But after a sundry manner, for the one hee<br />
6 eternized E rest canonised T rest 9 the least of om. C rest 10<br />
thinketh T rest 14 I] it is E rest 16 sharpeneth not E l 17 (idle)<br />
A-G idle E rest the om. E 2 rest 20 pearce the G rest 27 with<br />
T rest 34 brings E rest 37 a om. Frest
264 EUPHUES<br />
framed to hunte, & the other to lye alwaies in y e chymneys end at<br />
the porredge pot, afterwarde callinge the Lacedemonians into one<br />
assemblye, hee sayde, To the attayninge of vertue yee Lacedemonians,<br />
education, industry, and exercise, is the most noblest meanes, the<br />
truth of the which I wyll make manifest vnto you by tryall, then 5<br />
brynginge foorth the whelpes and settinge downe there a potte, and<br />
a hare, the one ranne at the hare, the other to the porredge potte,<br />
the Lacedemonians scarce vnderstandinge this mistery, hee sayde both<br />
these bee of one syre and one damme, but you see howe education<br />
altereth nature.<br />
11 Of the education of<br />
youth.<br />
[plut c. 5. ] IT is most necessarie and most naturall in myne opinion, that the<br />
I mother of the childe bee also the nurse, both for the entire loue<br />
shee beareth to the babe, and the great desire she hath to haue it 15<br />
[Lylys' ad- well nourished: for is there any one more meete to bring vp the<br />
dition (4 infant then she that bore it ? or will any be so carefull for it, as shee<br />
that bredde it ? for as the throbbes and throwes in chyldbirth wrought<br />
hir payne, so the smilinge countenaunce of the infant increaseth hir<br />
...] pleasure. The hyred nurse is not vnlike to y e hyred saruaunt which 20<br />
not for good will but gayne, not for loue of the man but the desire<br />
of the money, accomplished hys dayes worke. Moreouer Nature in<br />
thys poynte enforceth the mother to nurse hir owne childe, which<br />
hath gyuen vnto euerye beast milke to succour hyr owne, and mee<br />
thincketh Nature to be a most prouident foreseer and prouider for 25<br />
the same, which hath giuen vnto a woman two pappes, that if shee<br />
shoulde conceiue two, shee might haue wherewith also to nourishe<br />
twaine, and that by sucking of the mothers brestes, there might bee<br />
a greater loue bothe of the mother towardes the childe, and the childe<br />
towardes the mother, which is very likely to come to passe, for we 30<br />
see commonly those that eate and drincke and liue together, to be<br />
[Lyly's ad- more zealous one to the other, then those that meete seldome. Is<br />
dition not the name of a mother most sweet ? If it bee, why is halfe that<br />
{nearly 2 . es)... title bestowed on a woman which neuer felte the paines in conceyuing,<br />
neyther can conceiue the lyke pleasure in nurseing as the mother 35<br />
5 the om. Trest 6 Whelpe E 2 F 7 and before the 3 E rest to]<br />
at C rest 8 this] the E 2 rest 9 of before these Trest 20 vnto G 21<br />
the before loue G rest for before the 2 E rest 26 to E rest 27<br />
shoulde AT 1617 rest', coulde M-I6I3 28 breast E rest 33 more C rest<br />
that] the E 2 rest 35 nourishing C rest
AND HIS EPHCEBUS 265<br />
doth ? is the earthe called the mother of all thinges onely bicause it<br />
bringeth foorth ? No, but bicause it nourisheth those thinges that<br />
springe out of it: whatsoeuer is bredde in the sea, is fed in the sea,<br />
no plant, no tree,, no hearbe commeth out of the ground that is not<br />
5 moystened and as it were nursed of the moysture and milke of the<br />
earth : the Lionnesse nurseth hir whelpes, the Rauen cherisheth hir<br />
birdes, the Uiper hir broode, and shall a woman cast away hir babe ?<br />
I accompte it cast awaye whiche in the swathe clowtes is cast<br />
aside, and little care can that Mother haue, whiche can suffer suche<br />
io crueltie : and can it bee tearmed wyth any other tytle then crueltie,<br />
the infant yet lookinge redde of the mother, the mother yet breathing<br />
through the torments of hir trauaile, the childe crying for helpe<br />
which is sayd to mooue wilde beasts, euen in the selfe sayde<br />
momente it is borne, or the next minute, to deliuer to a straunge<br />
15 nurse, whiche perhappes is neyther holsome in bodye, neyther<br />
honest in manners, whiche esteemeth more thy argent although a<br />
trifle, then thy tender infant thy greatest treasure ? Is it not necessary<br />
and requisite that the babe bee nursed wyth that true accustomed<br />
iuyce & cherished with his wonted heat, & not fed with<br />
20 couterfaite diet ? Wheat throwne into a straunge ground [tourneth<br />
to a contrary grayne, y e Uyne translated into an other soyle changeth<br />
his kinde. A slippe pulled fro the stalke withereth, the young childe<br />
as it were slipped from the pappes of his mother eyther changeth his<br />
nature or altereth his disposition. It is pretely sayd of Horace a<br />
25 newe vessell will long time sauour of that lyquor that is first powred<br />
into it, and the infant will euer smell of the Nurses manners hauing<br />
tasted of hir milke. Therefore lette the mother as often as she<br />
shal beholde those two fountaynes of milke, as it were of their<br />
owne accorde flowing and swelling with lycour, remember that shee<br />
30 is admonished of nature, yea commaunded of dutie, to cherishe hir<br />
owne childe, with hir owne teates, otherwise when the babe shall<br />
nowe beginne to tattle and call hir Mamma, with what face canne<br />
she heare it of his mouth vnto whome shee hath denyed Mamma ?<br />
It is not milke only yat encreaseth y e strength or augmenteth the<br />
35 body, but the naturall heat & agreement of the mothers body with<br />
the childes, it craueth y e same accustomed moisture that before it<br />
receiued in the bowells, by the which the tender parts were bounde<br />
9 that] the T rest 14 it before to 2 G rest 23 his 1 ] the E 25 newe<br />
om. E l rest 28 these E rest 31 other-while E 32 force A 35 but<br />
the naturall . . . body om. E rest, from the recurrence of the word body 35-6<br />
with the childe GEE: of the child 1613 rest, owing to omission just noted
266 EUPHUES<br />
& knit together, by the which it encreased and was succoured in the<br />
body.<br />
Certes I am of that minde that the witte and disposition is altered<br />
and chaunged by the milke, as the moysture and sappe of the earth,<br />
doth change the nature of that tree or plant that it nourisheth, Where- 5<br />
fore the common bye worde of the common people seemeth to be<br />
grounded vppon good experience which is; This fellow hath sucked<br />
mischiefe euen from the teate of his nursse. The Grecians when they<br />
saw any one sluttishly fedde, they woulde say euen as nurses: whereby<br />
they noted the greate dislykinge they hadde of theire fulsome feed-10<br />
ing. The Etimologk of mother among the Grecian, may aptly bee<br />
applyed to those mothers which vnnaturally deale with their children,<br />
they cal it meter a meterine, that is mother of not makinge<br />
much off, or of not nourishing, heereof it commeth that the sonne<br />
doth not with deepe desire loue his mother, neyther wyth ductie obay 15<br />
hir, his naturall affection being as it were deuided and distraught into<br />
twain, a mother & a nurse : heereoff it proceedeth that the mother<br />
beareth but a colde kindenesse towardes hir childe, when she shall<br />
see the nature of hir nurse in the nurture of hir childe. The chiefest<br />
way to learning is, if there be a mutuall loue and feruent desire 20<br />
betweene the teacher and him that is taught, then verely the greatest<br />
furtheraunce to education is if the mother nourish the childe and the<br />
childe sucke the mother, that there be as it were a relacion and<br />
...] [Plut, reciprecall order of affection. Yet if the mother either for the euill<br />
c. 5 re - habite of the body, or the weakenesse of hir pappes, cannot though 25<br />
she woulde nurse' hir infant, then lette hir prouide suche a one<br />
as shall be of a good complexion, of an honest condition, carefull<br />
to tender the childe, louing to see well to it, willyng to take paynes,<br />
dillygent in tending and prouiding all thinges necessarye, and as lyke<br />
both in the lyniaments of the body and disposition of the minde 30<br />
to y e mother as may be. Lette hir forslow no occasion that may<br />
bringe the childe to quietnesse and cleanelynesse, for as the parts of<br />
a childe as soone as it is borne are framed and fashioned of the midwife,<br />
y t in all poynts it may be streight and comely, so the manners<br />
of the childe at the first are to be looked vnto that nothing discom- 35<br />
mend the minde, that no crooked behauiour or vndecent demeanour<br />
bee founde in the man.<br />
7 This] The E rest 13 meterine A-GE 1 : Neterine E 2 rest. Prob. Lyly<br />
wrote or meant See note 19 hir {both)] the C rest 25 the 1 ] hir<br />
T rest 26 hir 1 ] the C rest 27 a om. E rest an om. TMC: of an om. G rest
AND HIS EPHCEBUS 267<br />
Young and tender age is easily framed to-manners, and hardely<br />
are those thinges mollyfied which are harde. For as the Steele is<br />
imprinted in the softe waxe, so learning is engrauen in the minde of<br />
an young impe. Plato that deuine Philosopher admonished all<br />
5 nurses and weaners of youth, that they should not be to busie to tell<br />
them fonde fables or filthie tales, least at their entraunce into the<br />
worlde they shoulde be contaminated with vnseemelye behauiour,<br />
vnto the which Phocilides the Poet doth pithely allude, saying.<br />
Whilst that the childe is young lette him bee instructed in vertue, and<br />
10 lyterature.<br />
Moreouer they are to bee trayned vpp in the language of their [Plut. c. 6.]<br />
country, to pronounce aptly and distinctly without stammering euerye<br />
worde and sillable of their natiue speache, and to be kepte from<br />
barbarous talke as the shippe from rockes: least beeinge affected with<br />
15 their barbarisme they bee infected also with theire vncleane conuersation.<br />
It is an olde Prouerbe that if one dwell the nexte dore to a creple<br />
he wil learne to hault, if one be conuersant with an hypocrite, he wil<br />
soone endeauour to dissemble. When this younge infante shall [Plut. c. 7. .<br />
20 growe in yeares and bee of that rypenesse that hee can conceiue much<br />
learninge, insomuch that he is to be committed to the tuition of<br />
some tutour, all dillygence is to be had to searche such a one as<br />
shall neyther be vnlearned, neyther ill lyued, neyther a lyght person.<br />
A gentleman that hath honest and discreete seruants disposeth<br />
25 them to the encrease of his segnioryes, one he appoynteth stewarde<br />
of his courtes, an other ouerseer of his landes, one his factoure in<br />
farre countryes for his merchaundize, an other puruayour for his<br />
cates at home.<br />
But if among all his seruauntes he shall espye one eyther filthye in<br />
30 his talke or foolishe in his behauiour, eyther wythout witte or voyde<br />
of honestie, eyther an vnthrifte or a wittall, him hee settes not as<br />
a suruayour and ouerseer of his mannors, but a superuisour of his<br />
childrens conditions and manners, to him hee committeth the guydinge<br />
and tuition of his sonnes, which is by hys proper Nature, a slaue,<br />
35 a knaue by condition, a beast in behauiour. And sooner will they<br />
bestow an hundreth crownes to haue a horse well broken, then a<br />
childe well taught, wherein I cannot but maruell to see them so<br />
4a Erest admonisheth C rest 8 Phocides A 15 also infected<br />
E rest 19 sooner F 21 as G 32 a 1 om. G as before a 2 G rest<br />
36 an] a C rest hundred E rest<br />
much<br />
expanded.]<br />
[Lyly's ad<br />
dition (4<br />
lines) ...
•••]<br />
[Lylfs addition(<br />
3<br />
lines),. .<br />
(18 linesfor<br />
•15 Gk.)<br />
268 EUPHUES<br />
carefull to encrease their possessions, when they be so carelesse to<br />
haue them wise that should inherite them.<br />
A good and discreete scholemayster should be such an one as<br />
Phoenix was, the instructor of Achilles, whom Pelkus (as <strong>Home</strong>r<br />
reporteth) appoynted to that ende that he should be vnto Achilles 5<br />
not onely a teacher of learning but an example of good lyuinge.<br />
But that is most principally to be looked for, and most dilygently to<br />
be foreseene, that such tutours bee sought out for y e education of<br />
a young childe, whose lyfe hath neuer bene stayned with dishonestie,<br />
whose good name hath neuer bene called vnto question, whose 10<br />
manners hath bene irreprehensible before the worlde. As husbandmen<br />
hedge in their trees, so shoulde good scholemaysters with<br />
good manners hedge in the wit and disposition of y e scholler:<br />
whereby the blossoms of learning may y e sooner encrese to a bud.<br />
Many parents are in this to be misliked, which hauing neyther tryall 15<br />
of his honestie nor experience of his learning to whome they committe<br />
the childe to bee taught, without any deepe or due consideration,<br />
put them to one eyther ignoraunt or obstinate, the which if<br />
they themselues shall doe of ignoraunce the folly cannot bee excused,<br />
if of obstinacie their lewdnesse is to bee abhorred. 20<br />
Some fathers are ouercome with the flatterie of those fooles, which<br />
professe outwardly greate knowledge, and shew a certeyne kinde of<br />
dissembling sinceritie in their lyfe, others at the entreating of their<br />
familyar friendes are content to commit their sonnes to one without<br />
eyther substaunce of honestie or shad owe of learning. By which 25<br />
their vndiscreete dealing, they are lyke those sicke men which reiect<br />
the expert and cunning Phisition, and at the request of their friendes<br />
admit the heedelesse practiser which daungereth the patient, and<br />
bringeth the bodye to his bane: Or not vnlyke vnto those whiche<br />
at the instaunt and importunate suite of their acquaintaunce refuse 3°<br />
a cunninge Pylot, and choose an vnskilfull Marriner, whiche hazardeth<br />
the shippe and themselues in the calmest sea. Good God can there<br />
bee any that hath the name of a Father which wyll esteeme more the<br />
fancie of his friende then the nurture of his sonne ? It was not in<br />
vayne that Crates would often say, that if it were lawfull euen in the 35<br />
market place, hee would crye out: Whether runne you Fathers, which<br />
haue all your carke and care to multiplye your wealth, nothing re-<br />
1 so om, E rest 4 Phaenix A 9 had G 10 into C rest 11 haue<br />
F rest 19 should E rest 27 at] al E l , all E 2 rest, inserting & before admit<br />
28 practise G 30 and] an G 31 an] and C 37 your 1 ] you C
AND HIS EPHCEBUS 269<br />
gardinge your chyldren vnto whome you must leaue all. In thys they<br />
resemble him which is very curious about the shooe, and hath no<br />
care of the foote. Besides this there bee many fathers so inflamed<br />
with the loue of wealth, that they bee as it were incensed with hate<br />
5 againste their children; which Aristippus, seeinge in an olde miser,<br />
did partly note it, this olde miser askinge of Aristippus what hee<br />
would take to teach and bringe vp hys sonne, hee aunswered a thousand<br />
groates: a thousand groates, God sheild aunswered this olde<br />
huddle, I can haue two seruauntes of that price. Unto whome hee<br />
10 made aunswere, thou shalt haue two seruants and one sonne, and<br />
whether wilt thou sell ? Is it not absurde to haue so great a care of<br />
the right hande of the childe to cutte his meate, that if he handle his<br />
knife in the leaft hand we rebuke him seuerely and to bee secure of<br />
his nurture in discipline and learning ? But what doe happen vnto<br />
15 those parentes, that bringe vp theire children lyke wantons ?<br />
When their sonnes shal growe to mans estate, disdayninge nowe<br />
to bee corrected, stoborne to obeye, gyuing themselues to vaine<br />
pleasures and vnseemely pastimes, then with the foolishe trowans<br />
they beginne to waxe wise and to repent them of theire former follye:<br />
20 when their sonnes shall insinuate themselues in the companye of<br />
flatterers, (a kinde of men more perrillous to youthe then any kinde<br />
of beastes,) when they shall haunt harlottes, frequent tauerns, bee<br />
curious in their attyre, costly in their dyet, carelesse in their behauiour,<br />
when they shall eyther bee common dicers wyth gamesters,<br />
25 eyther wanton dallyers with Ladyes, eyther spende all their thrift on<br />
wine, or all their wealth on women, then the Father curseth his owne [Lylys ad-<br />
securitie, and lamenteth to late his childes mysfortune, then the one dition 4<br />
lines).. .<br />
accuseth his Syre, as it were of mallice that hee woulde not bringe<br />
him vppe in learninge, and himselfe of mischiefe that hee gaue not<br />
30 his minde to good letters. If these youthes had bene trained vp ...]<br />
in the companye of any Philosopher, they would neuer haue bene so<br />
disolute in theyr lyfe, or so resolute in their owne conceites.<br />
It is good nurture that leadeth to vertue, and discreete demeanour<br />
that playneth the pathe to felicity. If one haue either the giftes of<br />
35 Fortune, as greate riches, or of nature, as seemely personage, hee is<br />
to bee dispised in respect of learning. To be a noble man it is most<br />
excellent, but that is our auncestors, as Vlysses sayde to Aiax, as for<br />
3 are G rest 7 hee om. G rest 9 can om. A n of] on GE<br />
14 vnto] to E rest 18 trowants TMC: trewaunts G; Trewant E rest<br />
20 insumate A 22 Harlot G 25 on] in G rest 27 his] the Erest<br />
31 Philosoper T<br />
[plut.c.S.]<br />
[Lylys addition<br />
(3<br />
lines). ..
[Lyly's addition<br />
(4<br />
lines) . . .<br />
• ••]<br />
[plut. c. 9.]<br />
270 EUPHUES<br />
our nobilitie, our stocke, our kindred, and whatsoeuer wee our selues<br />
haue not done, I scarcely accompt ours, Richesse are precious, but<br />
Fortune ruleth the rost, which oftentimes taketh away all from them<br />
that haue much, and gyueth them more that had nothinge,Aglorye is<br />
a thinge worthy to bee followed, but as it is gotten wyth greate trauayle, 5<br />
so is it lost in a small time. Beautie is suche a thing as wee commonly<br />
preferre before all thinges, yet it fadeth before we perceyue it<br />
to florishe, health is that which all men desire, yet euer subiect to<br />
any disease, strength is to bee wyshed for, yet is it eyther abated wyth<br />
an ague, or taken away wyth age: whosoeuer therefore boasteth of 10<br />
force, is to too beastly, seeing hee is in that qualitie, not to bee compared<br />
wyth beastes, as the Lyon, y e Bull, the Elephant. It is vertue,<br />
yea,vertue,gentlemen, y t maketh gentlemen, y t maketh y e poore<br />
rich, y e base borne noble, the subiect a soueraigne, the deformed<br />
beautifull, the sicke whole, the weake strong, the most myserable 15<br />
most happy., There are two principall and peculier gyftes in the<br />
nature of man, knowledge, and reason, the one commaundeth, the<br />
other obeyeth : these thinges neyther the whirlinge wheele of Fortune<br />
can chaunge, neyther the deceitefull cauillinge of worldlinges seperate,<br />
neyther sicknesse abate, neither age abolish. It is onely knowledge 20<br />
which worne with yeares waxeth younge, and when all thinges are<br />
cutte awaye wyth the cycle of time, knowledge florisheth so highe<br />
that time cannot reach it. Warre taketh all things with it euen as<br />
the whirlepoole, yet must it leaue learninge behinde it, wherefore it<br />
was wiselye aunswered in my opinion of Stilpo the Philosopher, for 25<br />
when Demetrius wonne the Citie and made it euen to the grounde<br />
leauinge nothinge standing, hee demaunded of Stilpo whether hee<br />
had lost any thinge of his in this great spoyle: vnto whome he<br />
aunswered, no verilye, for warre getteth no spoyle of vertue. Unto<br />
y e like sence may the answere of Socrates be applyed, whe Gorgias 30<br />
asked him whether he deemed the Persian kinge happy or not,<br />
I knowe not sayd he how much vertue or discipline he hath, for<br />
happines doth not consist in y e gifts of fortune, but in grace of<br />
vertue. But as there is nothing more conuenient the enstruction<br />
for youth, so would I haue them nurtered in such a place as is re- 35<br />
nowmed for learning, voyde of corrupte manners, vndefiled with vice,<br />
that seeinge no vayne delightes they maye the more easilye absteyne<br />
2 searcely A 4 that had] that hath G: which hath EF; which haue 1613 rest<br />
6 as] that E rest 7 vadeth G rest u to om, T rest, F reads it is too beastly<br />
hee] that'he G rest 22 cycle AT: Cicle M: sickle C rest 31 thought Trest<br />
32 or] and C rest 33 y e before grace T rest 36 corrupte] incorrupt T M
AND HIS EPHCEBUS 271<br />
from lycensious desires. They that studye to please the multitude<br />
are sure to displease the wyse, they that seeme to flatter rude people<br />
wyth their rude pretences, leuell at great honoure, hauinge no ayme<br />
at honestie. When I was heere a student in Athens, it was thought<br />
5 a greate commendation for a younge scholler to make an Oration<br />
extempore, but certeinely in my iudgement it is vtterly to bee condemned,<br />
for whatsoeuer is done rashlye, is done also rawely, he that<br />
taketh vppon him to speake wythout premedytation, knoweth, neyther<br />
howe to begynne, nor where to ende, but fallinge into a vayne of<br />
10 bablinge, vttereth those thinges whiche wyth modestye hee shoulde<br />
haue concealed, and forgetteth those thinges that before hee had<br />
conceyued. An Oration eyther penned, eyther premeditated, keepeth<br />
it selfe within the bounds of Decorum, I haue read that Pericles<br />
beeinge at sundry times called of the people to pleade, woulde<br />
1 5 alwayes aunswere that hee was not readye: euen after the same<br />
manner Demosthenes beeing sent for to declaime amyddest the<br />
multitude, staide and sayd I am not yet prouided.<br />
And in his inuectiue agaynst Midias, he seemeth to prayse the<br />
profitablenesse of premeditation, I confesse sayth hee, ye Athenians,<br />
20 that I haue studyed and considered deepely wyth my selfe what to<br />
speake, for I were a sot if without due consideration had of those<br />
thinges that are to be spoken, I shoulde haue talked vnaduisedly.<br />
But I speake this not to this ende to condemne the exercise of the<br />
witte, but that I would not haue any younge scholler openly to exer-<br />
25 cyse it: but when he shall grow both in age and eloquence, in so<br />
much as he shall throughe great vse & good memorye be able aptly<br />
to conceiue & redely to vtter any thing, the this saying extempore<br />
bringeth an admiration & delight to the auditorye, and singuler<br />
prayse and commendacion to the Orator. For as he that hath long<br />
30 time ben fettered with chaynes beeing released halteth through the<br />
force of his former yrons, so he that hath bene vsed to a stricke<br />
kinde of pleading, when hee shall talke extempore wil sauor of his<br />
former penning. But if any shal vse it as it wer a precept for youth<br />
to tattle extempore, he wil in time bring them to an immoderate<br />
35 kinde of humilitie. A certein painter brought to Appelles the counterfaite<br />
of a face in a table saying: loe Appelles I drew this eue now.<br />
Whervnto he replyed. If thou hadst ben silent I would haue iudged<br />
2 pleople T 13 bonds TM: bands CG: bound F; bounds AE 1613-36<br />
18 Mydas A rest 2 2 talked] spoken E rest 25 should E rest 31<br />
strickt TM (cf. p. 285, l. 5): siricte C rest 33 will G rest 34 talke E rest<br />
35 to Appelles the AT: Appelles the MCG: Appelles to the E rest
272 EUPHUES<br />
this picture to haue ben framed of y e sodain. I maruel y t in this<br />
time thou couldst not paynt many more of these. But retourne we<br />
again, as I woulde haue tragicall and stately stile shunned, so would<br />
I haue that abiect & base phrase eschued, for this swellyng kinde of<br />
talke hath lyttle modestie, the other nothing moueth. 5<br />
Besides this, to haue the oration all one in euerye part, neither<br />
adorned with fine figures, neither sprinckled with choyse phrases,<br />
bringeth teadiousnesse to the hearers, and argueth the speaker of<br />
lyttle learning and lesse eloquence. He shoulde more ouer talke of<br />
manye matters, not alwayes harp vpon one string, he that alwayes 10<br />
singeth one note without deskant breedeth no delyght, he that<br />
alwayes playeth one part bringeth lothsomenesse to the eare. It is<br />
varietie that moueth the minde of all men, and one thing sayd twice<br />
(as wee say commonly) deserueth a trudge. <strong>Home</strong>r woulde say that<br />
it loathed him to repeate any thing agayne though it were neuer so 15<br />
pleasaunt or profitable. Though the Rose be sweete yet being tyed<br />
with the Uiolet the smel is more fragraunte, though meate nurrish,<br />
yet hauing good sauor it prouoketh the appetite. The fayrest nosegay<br />
is made of many flowers, the finest picture of sundry colours, y e<br />
wholesomest medicine of diuers hearbs: wherefore it behoueth youth 20<br />
with all industry to serch not onely the harde questions of the Philosophers,<br />
but also the fine cases of the Lawiers, not only the quirks and<br />
quiddities of the Logicians, but also to haue a sight in the numbers<br />
of the Arithmetricians, the Tryangles and Circles of the Geometricians,<br />
the Spheere and Globe of the Astrologians, the notes and crochets of 25<br />
the Musicians, y e odde conceits of the Poets, the simples of the<br />
Phisicions, and in all thinges, to the ende that when they shal be<br />
willed to talke of any of them, they may be ignoraunt in nothing.<br />
He y t [Lyly's addition<br />
(27<br />
lines)...<br />
hath a gardein plot doth aswel sow the pothearb as the Margerom,<br />
as well the Leeke as the Lyllye, as well the wholesome Isoppe, 30<br />
as the faire Carnation, the which he doth to the entent he may haue<br />
wholesome hearbes as well to nurrish his inwarde parts as sweete<br />
flowers to please his outwarde desire, aswell fruitefull plantes to refresh<br />
his sences, as fayre shewes to please his sighte. Euen so whosoeuer<br />
that hath a sharpe and capable witte, let him aswell giue his 35<br />
minde to sacred knowledge of diuinitie, as to the profounde studye of<br />
Philosophye, that by his witte he may not onely reape pleasure but<br />
12 breedeth Crest 18 the A-Monly 23 quillyties A 24 the om.<br />
C rest Arethmetricians C: Arithmeticians F rest the 2 om. F 30<br />
Leeks G
AND HIS EPHCEBUS 273<br />
profite, not only contentacion in minde, but quyetnesse in conscience.<br />
I will proceede in the Education.<br />
I would haue them first of all to follow Philosophies as most<br />
auncient, yea most excellent, for as it is pleasaunt to passe thorow<br />
5 many fayre Cities, but most pleasaunt to dwell in the fayrest, euen<br />
so to reade many Historyes and artes it is pleasaunt but as it were<br />
to lodge with Philosophy most profitable.<br />
It was pretely sayd of Eton the Philosopher. Euen as when the<br />
woers coulde not haue the companye of Penelope they runne to hir<br />
lohandemaydes: so they that cannot attayne to the knowledge of<br />
Philosophie, apply their mindes to things most vyle and contemptible.<br />
Wherefore we must prefer Philosophie, as the onely Princesse<br />
of all Scyences, and other artes as wayting Maydes. For the curinge<br />
and keepinge in temper of the bodye, man by his industrye hath<br />
15 founde two thinges, Phisicke and Exercise, the one cureth sickenesse,<br />
the other preserueth the body in temper, but there is nothing that<br />
may heale diseases, or cure the woundes of the minde but onely<br />
Philosophy. By this shall wee learne what is honest what dishonest,<br />
what is right what is wrong, and that I maye in one worde say what<br />
20 may be sayd, what is to be knowen what is to be auoyded, what to<br />
be embraced, how we ought to obay our parents, reuerence our<br />
Elders, enterteyne straungers, honour the Magistrates, loue our<br />
friendes, lyue with our wyues, vse our seruaunts, how we should<br />
worship God, be dutifull to our fathers, stande in awe of our<br />
25 superiours, obay lawes, giue place to officers, how we may chuse<br />
friendes, nurture our children, and that which is most noble how<br />
we should neyther be too prowde in prosperitie, neyther pensiue in<br />
aduersitie, neither lyke beasts ouercome with anger. And heere<br />
I cannot but lament Athens, which hauing ben alwaies y e nurse of<br />
.<br />
30 Philosophers, doth now nurrish only y e name of Philosophy. For ,<br />
to speake playnly of y e disorder of Athens, who doth not see it, and<br />
sorrow at it? such playing at dice, such quaffing of drinke, such<br />
dalyaunce with woemen, such daunsing, that in my opinion ther is<br />
no quaffer in Flaunders so giuen to typplynge, no courtier in Italy<br />
35 so giuen to ryotte, no creature in the worlde so misled as a student<br />
in Athens. Such a confusion of degrees, that the Scholler knoweth<br />
not his duetie to the Bachelor, nor the Bachelor to the Maister, nor<br />
the" Maister to the Doctor. Such corruption of manners, contempt<br />
1 in 1 ] of E rest 6 it is om. A 9 ranne Trest 17 the 1 om.Erest 20-1 what 3<br />
... embraced, om. Trest 22 the om Trest 25 Law G rest 28 neythr A<br />
BOND 1 T<br />
...<br />
[Plut.c.10.]<br />
[Lyly's addition<br />
[nearly 3<br />
pages). . .
274 EUPHUES<br />
of Magistrates, such open sinnes, such priuie villanye, such quarrellynge<br />
in the streetes, such subtile practises in chambers, as maketh<br />
my hearte to melt with sorrowe to thinke of it, and shoulde cause<br />
your mindes gentlemen to bee penitent to remember it.<br />
Moreouer who doth know a scholler by his habite ? Is there any 5<br />
hatte of so vnseemely a fashion, any dublette of so long a waste, any<br />
hose so short, any attire either so costly, or so courtly, eyther so<br />
straunge in making or so monstrous in wearing, that is not worne<br />
of a scholler ? haue they not nowe in steede of blacke cloth blacke<br />
veluet, in steede of course sackecloth fine silke? Be they not more 10<br />
like courtiers the" schollers, more like stageplayers then studentes,<br />
more lyke ruffians of Naples then disputers in Athens? I woulde<br />
to God they did not imitate all other nations in the vice of y e minde<br />
as they doe in the attire of their body, for certeynelye as there is no<br />
nation whose fashion in apparel they do not vse, so is there no 15<br />
wickednesse publyshed in anye place, y t they do not practize. I<br />
thinke that in Sodom and Gomora, there was neuer more filthinesse,<br />
neuer more pryde in Rome, more poysoning in Italy, more lyinge in<br />
Crete, more priuie spoyling in Spayne, more Idolatry in Aegypt, then<br />
is at this day in Athens, neuer such sectes among the Heathens, such 20<br />
schismes amongst the Turkes, such mis beleefe among y e Infidells,<br />
as is now among Schollers. Be ther not many in Athens which<br />
thincke ther is no God? no redemption? no resurrection?<br />
What shame is this gentlemen that a place so renowmed for good<br />
learning, should be so shamed for ill lyuinge ? that where grace doth 25<br />
abounde, sinne shoulde so superabound ? y t wher y e greatest profession<br />
of knowledge is, ther should also be y e least practising of<br />
honestie. I haue read of many Uniuersities, as of Padua in Italy,<br />
Paris in Fraunce, Wittenberge in Germanie, in England of Oxford<br />
& Cambridge, which if they were halfe so ill as Athens they were to 30<br />
to bad, & as I haue heard as they bee, they be starke nought.<br />
But I can speake the lesse against them, for that I was neuer in<br />
them, yet can I not chuse but be agrieued, that by report I am enforced<br />
rather to accuse them of vanitie then excuse them any way.<br />
Ah gentleme' what is to be looked for, nay what is not to be feared, 35<br />
when the temple of Vesta where virgins should Hue is lyke the stewes,<br />
fraight with strompets, when y e Alter where nothinge but sanctitie<br />
4 bee om. A 7 any twice C 12 in] of G rest 14 their] the<br />
G rest 15 there is T-I6I3 21 among G rest 23 redmption T<br />
33 greeued-E 2 rest 37 fraught Trest
AND HIS EPHCEBUS 275<br />
and holynesse shoulfte be vsed, is polluted with vncleanenesse, when<br />
the Uniuersities, of christendome which should be the eies, the lights,<br />
the leauen, the salt, the seasoning of the world, are dimmed with<br />
blinde concupiscence, put out with pride and haue lost their sauour<br />
5 with impietie ?<br />
Is it not become a bye word amongst the common people, that<br />
they had rather send their children to the carte, then to the Uniuersitie,<br />
being induced so to saye, for the abuse that raigneth in the<br />
Uniuersities, who sending their sonnes to attayne knowledge, finde<br />
1o them little better learned, but a great deale worst lyued then when<br />
they went, and not onely vnthriftes of their money, but also banckeroutes<br />
of good manners : was not this the cause that caused a simple<br />
woman in Greece to exclaime against Athens, saying.<br />
The Maister and the Scholler, the Tuter and the Pupill bee bothe<br />
15 agreede, for the one careth not howe lyttle paine hee taketh for his<br />
moneye, the other howe little learning. I perceyue that in Athens<br />
there bee no chaungelinges : When of olde it was sayde to a Lacedemonian,<br />
that all y e Grecians knew honesty, but not one practised<br />
it. When Panathcenea were celebrated at Athens, an olde man<br />
20 going to take a place was mockingly reiected, at the last comming<br />
among the Lacedemonians all the youth gaue him place, which y e<br />
Athenians liked well off, then one of the Sparthans cryed out :<br />
Verily y e Athenians know what should be done, but they neuer<br />
doe it.<br />
25 When one of the Lacedemonians had bene for a certeine time in<br />
Athens seeing nothinge but dauncing, dicinge, banquetinge, surfeytinge,<br />
and licencious behauiour, retourninge home hee was asked howe<br />
all things stoode in Athens, to whome hee aunswered, all thinges<br />
are honest there, meaning that the Athenians accompted all thinges<br />
30 good, and nothing bad. Howe such abuses should or might be redressed<br />
in al Uniuersities, especially in Athens, if I were of authoritie<br />
to commaunde, it should be seene, or of credite to perswade<br />
those that haue the dealinges wyth them, it should soone be showne.<br />
And vntill I see better reformation in Athens, my younge Ephabus<br />
35 shall not be nurtured in Athens. I haue spoken all this that you<br />
gentlemen might see how y e Philo in Athens practise nothing lesse<br />
14 Schollers E rest 17 bee] is F1613: are 1617 rest 19 Panthaenea<br />
M-1613: Panthensea 1617-1636 in G rest 22 Spartans T rest<br />
30 such] much EF: many 1613 rest 32 soone before be T-G 33 dealing<br />
E rest 34 Ephaebus A-C 35 all this that] all that E; all, that F rest<br />
36 Philo] Philosophers Trest, exc. Philosopher 1617, [1623]<br />
T 2
•••]<br />
[Plut.c.io,<br />
resumed<br />
from p.<br />
276 EUPHUES<br />
then Philosophy, what scholler is hee that is scrtealous at his booke<br />
as Chrisippus, who, had not his maide Melissa thrust meate into<br />
his mouth hadde perished with famine, beeinge alwaye studying?<br />
Who so watchfull as Aristotle, who going to bedde woulde haue<br />
a ball of brasse in his hande, that if hee shoulde bee taken in a 5<br />
slomber, it might fall and awake hym? No, no, the tymes are<br />
chaunged as Ouid sayeth, and wee are chaunged in the times, let vs<br />
endeuour euerye one to amende one, and wee shall all soone bee<br />
amended, let vs giue no occasion of reproche, and wee shall more<br />
easily beare the burden of false reportes, and as wee see by learn-10<br />
inge what wee shoulde doe, so let vs doe as wee learne, then shall<br />
Athens florishe, then shall the studentes bee had in greate reputation,<br />
then shall learning haue his hyre, and euerye good scholler his<br />
hope. But retourne wee once agayne to Philo.<br />
There is amongst men a trifolde kinde of lyfe, Actiue which is 15<br />
about ciuill function and administration of the common weale.<br />
Speculatiue, which is in continuall meditation and studye. The<br />
thirde a lyfe ledde, moste commonlye a lewde lyfe, an idle and vaine<br />
lyfe, the lyfe that the Epicures accompte their whole felicitie, a voluptuous<br />
lyfe replenished with all kinde of vanitie, if this Actiue lyfe be 20<br />
wythout Philosophy it is an idle lyfe, or at the least a life euil imployed<br />
which is worse: if the contemplatiue life be seperated from<br />
the Actiue it is most vnprofitable. I woulde therefore haue my<br />
youth, so to bestowe his studye, as hee may both bee exercised in<br />
the common weale, to common profite, and well imployed priuately 25<br />
for hys owne perfection, so as by his studye the rule hee shall beare<br />
maye bee directed, and by his gouernment his studye maye bee<br />
increased: in this manner dyd Pericles deale in ciuill affayres, after<br />
this sort did Architas the Tarentine, Dion the Syracusian, the Thebane<br />
[Hut.CM.} Epaminondas gouerne their cities. For y e exercise of the bodye it 30<br />
is necessary also somewhat bee added, that is that the childe shoulde<br />
be at such times, permitted to recreate himselfe, when his minde is<br />
ouercome wyth studie, least dullinge himselfe wyth ouermuche<br />
industry hee become vnfit afterwarde to conceiue readyly, besides<br />
this it will cause an apte composition and that naturall strength y t [riut.cn.]<br />
it 35<br />
1 so om. E 2 rest 2 in T-GE 2 rest 6 wake E rest 8 all om.<br />
Erest 11 wee 2 ] we le G 14 Philo so all; contraction for Philosophy<br />
(cf,p. 375, /. 36 17 in A T only 18 is before a 1 F rest a before vaine E rest,<br />
except [1623], which reverts to A-G 21 the om. E rest 24 be both T rest<br />
29 Architas Tarentine A-C 30 Epaminondas E 2 rest: Epiminides AT:<br />
Epaminidts MC: Epimionndas G: Epiminondas E l 33 dull before dulling E:<br />
still before dulling F rest 35 disposition E rest that om. C rest
AND HIS EPHCEBUS 277<br />
before retayned. A good composition of the body, laieth a good<br />
foundation of olde age, for as in the fayre Sommer we prepare all<br />
thinges necessary for the cold Winter, so good manners in youth and<br />
lawfull exercises be as it were victuals and nourishmentes for age:<br />
5 yet are their labours and pastimes so to bee tempered that they<br />
weaken not their bodyes more by playe, then otherwyse they shoulde<br />
haue done by studye, and so to be vsed that they addict not themselues<br />
more to the exercise of the limmes then the following of learning<br />
: the greatest enemies to discipline as Plato recompteth, are<br />
10 labours & sleepe. It is also requisite that hee bee expert in marciall<br />
affayres, in shooting, in darting, that he hawke and hunt, for his<br />
honest pastime and recreation, and if after these pastimes hee shall<br />
seeme secure, nothinge regardinge his bookes, I would not haue him<br />
scourged w t stripes, but threatned with words, not dulled with blowes,<br />
15 like seruaunts the which the more they are beaten the better they<br />
beare it, and the lesse they care for it, for children of good disposition<br />
are either incited by praise to goe forwarde, or shamed by dispraise<br />
to commit the like offence: those of obstinate & blockish behauiour,<br />
are neither with words to be perswaded, neither with stripes<br />
20 to be corrected. They must now be tauted with sharp rebukes,<br />
straight wayes admonished with faire wordes, nowe threatned a paiment,<br />
by and by promised a reward, & dealt withall as nurses doe<br />
with the babes, whom after they haue made to cry, they profer the<br />
teate. But diliget heede must be taken y t he be not praised aboue<br />
2 5 measure, least standing to much in his owne conceite, he become<br />
also obstinate in his owne opinions. I haue knowen many fathers<br />
whose great loue towards their sonnes hath bene the cause in time<br />
that they loued them not, for when they see a sharpe witte in their<br />
sonne to conceiue, for the desire they haue that hee shoulde out<br />
30 runne his fellowes, they loaden him with continuall exercise, which<br />
is the onely cause that hee sincketh vnder his burden, and giueth<br />
ouer in the playne fielde. Plants are nurrished with lyttle rayne, yet<br />
drowned with much, euen so the minde with indifferent labour<br />
waxeth more perfect, with much studie it is made fruitelesse. We<br />
35 must consider that all our lyfe is deuided into remission and study.<br />
As there is watchinge, so is there sleepe, as there is warre, so is<br />
there peace, as there is Winter, so is there Sommer, as there be many<br />
2 repaire CG 4 nourishment E rest 12 all before these Grest '17<br />
inticed E rest ashamed E rest 23 the 1 ] their C rest 25 becommeth<br />
E 26 also om. E rest 30 loade G rest 31 his] the E rest<br />
34 ouer-much G rest<br />
[Plut.c.12.]<br />
[Plut.c.13.]
278 EUPHUES<br />
working dayes, so is there also many holydayes, & if I may speake<br />
all in one worde, ease is the sauce of labour, which is playnely to be<br />
seene not onely in lyuing thinges, but also in things without lyfe:<br />
We vnbende the bowe that wee maye the better bende him, wee<br />
vnloose the harpe that we may the sooner tune him, the body is 5<br />
kept in health aswell with fasting as eating, the mindfc healed with<br />
ease aswell as with labour. Those parents are in minde to be mislyked<br />
which committe the whole care of their childe to the custody<br />
of a hirelyng, neyther askinge neither knowing how their children<br />
profite in lerning. For if the father were desirous to examine his 10<br />
sonne in that which he hath learned, the mayster woulde bee more<br />
carefull what he did teach. But seeinge the father carelesse what<br />
they learne, he is also secure what he teacheth. -That notable saying<br />
of ye Horsekeeper maye heere be applyed which sayde, (nothinge did<br />
so fatte the horse as the eye of the King) Moreouer I woulde haue 15<br />
the memorye of children continually to be exercised, which is the<br />
greatest furtheraunce to learninge that can be.<br />
For this cause they fayned in their olde fables memory to be the<br />
mother of perfection. Children are to be chastised if they shal vse<br />
any filthy or vnseemly talke, for as Democrates sayth, the worde is20<br />
the shadowe of the worke: they must be courteous in their behauiour,<br />
lowely in their speach, not disdayning their cockmates or<br />
refrayning their company: they must not lyue wantonly, neyther<br />
speake impudently, neyther be angry without cause, neyther quarellous<br />
without colour. A young man beeing peruerse in nature, & 25<br />
proude in words and manners, gaue Socrates a spurne, who beeing<br />
moued by his fellowes to giue him an other: If sayd Socrates an<br />
Asse had kicked me, woulde you also haue me to kicke him againe ?<br />
the great wisedome in Socrates in compressing his anger is worthy<br />
great commendacion. Architas y e [Plut.c.14.]<br />
Tarentine retourning from warre 30<br />
and finding his grounde ouergrowen with weedes and tourned vp<br />
with Mowles, sent for his Farmour vnto whome hee sayde: If I were<br />
not angrye I woulde make thee repent thy ill husbandry. Plato<br />
hauing a seruaunt whose blisse was in fillyng of his belly, seeinge<br />
him on a time idle and vnhonest in behauiour, sayd, Out of my 35<br />
sighte, for I am incensed with anger.<br />
Althoughe these ensamples be harde to imitate, yet shoulde euery<br />
2 ease] easie C 4 him] it E rest 6 with before eating E 2 rest 7 my<br />
before minde G rest 8 their] the E rest 14 be heere C rest 19 shal<br />
om. G rest 24 be om. A-C 25 colour] choler A 29 greatest A-C<br />
suppressing G rest 30 y e om. A-C
AND HIS EPHCEBUS 279<br />
man do his endeuour to represse that hot and heady humor which<br />
he is by nature subiecte vnto. To be silent and discreete in companye,<br />
thoughe manye thinke it a thing of no great wayghte or importaunce,<br />
yet is it most requisite for a young man and most necessary for<br />
5 my Ephoebus. It neuer hath bene hurtefull to any to holde his peace,<br />
to speake, damage to manye : what so is kept in silece is husht, but<br />
whatsoeuer is babbled out cannot agayne be recalled. We maye see [Inserted<br />
the cunning and curious worke of Nature, which hath barred and from Plut.<br />
De Garrul.<br />
hedged nothing in so stronglye as the tongue, with two rowes of ' (25 lines)<br />
10 teeth, therewith two lyppes, besides she hath placed it farre from the<br />
hearte, that it shoulde not vtter that which the hearte had concerned,<br />
this also shoulde cause vs to be silente, seeinge those that vse much<br />
talke though they speake truely are neuer beleeued. Wyne therefore<br />
is, to be refrayned which is termed to be| the glasse of the<br />
15 minde, and it is an olde Prouerbe Whatsoeuer is in the heart of<br />
the sooer man, is in the mouth of the drunckarde. Bias holding<br />
his tongue at a feast, was tearmed there of a tatler to bee a foole,<br />
who sayde, is there any wise man that can holde his tongue<br />
amidst the wine? vnto whome Bias aunswered, there is no foole<br />
20 that can.<br />
A certeyne gentleman heere in Athens, inuited the Kings Legates<br />
to a costly and sumptuous feast, where also he assembled many<br />
Philosophers, and talking of diuers matters both of the common<br />
weale and learning, onely Zeno sayd nothing. Then the ambassadors<br />
25 said, what shall wee shewe of thee 0 Zeno to the king. Nothing<br />
aunswered hee, but that there is an olde man in Athens that amiddest<br />
the pottes coulde holde his peace. Anacharsis suppinge<br />
with Solon, was founde a sleepe, hauing his right hande before his<br />
mouth, his lefte vpon his priuities, wherby was noted that the tongue<br />
30 should be rayned with the strongest bridle. Zeno bicause hee<br />
woulde not be enforced to reueale any thinge agaynst his will by<br />
torments, bitte of his tongue and spit it in the face of the Tyraunt. ...]<br />
Nowe when children shall by wisedome and vse refrayne from<br />
ouer much tatlyng, lette them also be admonished that when they<br />
35 shall speake, they speake nothing but truth: to lye is a vyce most<br />
detestable, not to be suffered in a slaue, much lesse in a sonne.<br />
But the greatest thinge is yet behinde, whether that those are to bee [Plut.c.15.]<br />
3 or] and E rest 4 it is G rest 5 Ephsebus A-M: Phoebus E 1<br />
It had beene neuer F: It hath beene neuer 1613 rest 6 so om. E rest 7<br />
blabbed E rest 9 in nothing G rest 10 & before therewith T rest 24<br />
Embassador EF 29 and before his 1 G rest 32 spet E rest
[Plut.c.16.]<br />
28o EUPHUES<br />
admitted as cockemates with children which loue them entirely, or<br />
whether they bee to bee banished from them.<br />
When as I see manye fathers more cruell to their children then<br />
carefull of them, which thincke it not necessarye to haue those about<br />
them, that most tender them, then I am halfe as it were in a doubte 5<br />
to giue counsell. But when I call to my remembraunce Socrates,<br />
Plato, Xenophon, Esckines, Scebetes, and all those that so much commende<br />
the loue of men, which haue also brought vpp many to great<br />
rule, reason and pietie, then I am encouraged to imitate those whose<br />
excellencie doth warrant my precepts to be perfect. If any shall 10<br />
loue the childe for his comely countenaunce, him woulde I haue to<br />
be banished as a most daungerous and infectious beast, if hee shall<br />
loue him for his fathers sake, or for his own good qualyties, him<br />
would I haue to be with him alwayes as superuisour of hys manners :<br />
such hath it bene in times past the loue of one Athenian to the 15<br />
other, and of one Lacedemonian to the other.<br />
But hauing sayde almost sufficient for the education of a childe,<br />
I will speake two words, how he should be trayned when he groweth<br />
in yeares. I can not but mislyke the nature of diuers parentes which<br />
appoynte ouerseers and tutours for their children in their tender 20<br />
age, and suffer them when they come to be young men, to haue<br />
the bridle in theire owne hande, knowing not that age requireth<br />
rather a harde snaffle then a pleasant bit, and is sooner allured to<br />
wickednesse then childehood. Who knoweth not the escapes of<br />
children, as they are small so they are soone amended? eyther 35<br />
with threates they ar to be remedied or with faire promisses<br />
to be rewarded. But the sinnes and faults of young men are<br />
almost or altogether intollerable, which giue thgselues to be<br />
delycate in their dyet, prodigall in their expence, vsing dicing,<br />
dauncing, dronkennesse, deflowring of virgins, abusing wyues, com- 30<br />
mitting adulteries, and accounting all things honest, that are most<br />
detestable. Heere therefore must be vsed a due regarde that theire<br />
lust may be repressed, their ryot abated, their courage cooled, for hard<br />
it is to see a young man to bee maister of himselfe which yeldeth<br />
himselfe as it were a bonde slaue, to fonde and ouerlashinge affections. 35<br />
Wise parentes ought to take good heede, especially at this time, y t<br />
they frame their sonnes to modesty, eyther by threats or by rewardes,<br />
5 am I C rest 6 mo remembrsunce T 10 perfect] true G rest 15<br />
it om. F rest 16 of om. G rest 18 or three after two E rest 24<br />
escapes so all 25 they are 3 ] are they C rest 29 expences E rest 32<br />
detestable] bad and abhominable E rest
AND HIS EPHGEBUS 281<br />
either by faire promises or seuere practises, eyther shewinge the<br />
miseries of those that haue ben ouercome with wildenesse, or the<br />
happinesse of the that haue conteined themselues wythin the bandes<br />
of reason: these two are as it were the ensignes of vertue, the hope<br />
5 of honour, the feare of punishment. But chiefly parents must cause<br />
their youths to abandon the societie of those which are noted of euill<br />
liuing & lewde behauiour, which Pithagoras seemed somewhat<br />
obscurely to note in these his sayinges.<br />
First, that one should absteine from the tast of those thinges that<br />
10 haue blacke tayles. That is, we must not vse the companye of<br />
those whose corrupt manners doo as it were make their lyfe blacke.<br />
Not to goe aboue the ballaunce, that is, to reuerence Iustice, neyther<br />
for feare or flattery to leane to any one parcially. Not to lye in idlenesse,<br />
that is, that sloth shoulde bee abhorred: That wee should<br />
15 not shake euery man by the hande: That is, wee should not contract<br />
friendshippe wyth all: Not to weare a straite ringe: That is<br />
that we should leade our life so as wee neede not to fetter it wyth<br />
cheynes: Not to bring fire to a slaughter: That is, wee must not<br />
prouoke anye that is furious wyth wordes : Not to eate our heartes:<br />
20 That is, that wee shoulde not. vexe our selues wyth thoughtes,<br />
consume our bodyes with sighes, wyth sobbes, or with care to<br />
pine our carcasses: To absteine from beanes, that is, not to meddle<br />
in ciuill affayres or businesse of the common weale, for in the<br />
olde times the election of magistrates was made by the pullinge<br />
25 of beanes: Not to put our meate in Scapio: That is wee shoulde<br />
not speake of manners or vertue, to those whose mindes are infected<br />
with vice. Not to retire when wee are come to the ende of our race.<br />
That is, when wee are at the poynte of deathe, wee shoulde not be<br />
oppressed wyth griefe, but willingly yelde to nature. But I will<br />
30 retourne to my former preceptes, that is, that younge men shoulde<br />
bee kept from the company of those that are wicked, especially from<br />
the sight of the flatterer. For I say now as I haue oftentimes before<br />
sayde, that there is no kinde of beast so noysome as the flatterer,<br />
nothing that will sooner consume bothe the sonne and the Father<br />
35 and all honest friendes. When the Father exhorteth the sonne to<br />
sobrietye, the flatterer prouoketh hym to wine, when the Father<br />
3 contented GE: Frest restore conteined 6 youth G rest 13 vnto<br />
T rest lye] liue G rest 14 that is, that] is, that that G: is, that E rest<br />
15 wee] that we G rest 17 to om. CG 18 a] the Grest That is,]<br />
is, that G rest 23-4 in old time E rest 24 the 2 om. G rest 26 vertues<br />
C rest be G rest<br />
[Plut.c.17.]
282 EUPHUES<br />
weaneth them to continencie, the flatterer allureth them to lust,<br />
When the Father admonisheth them to thrifte, the flatterer haleth them<br />
to prodigallitye, when the Father encourageth them to labour, the<br />
flatterer layeth a cusshion vnder his eldbowe to sleepe, biddinge them<br />
to eate, drincke, and bee merry, for that the lyfe of man is soone 5<br />
gone, and but as a short shadowe, and seeinge that wee haue but<br />
a whyle to lyue, who woulde lyue lyke a seruaunt ? they saye that<br />
nowe their Fathers bee olde and doate through age lyke Saturnus.<br />
Heerof it cometh y t young men giuing not onely attentiue eare<br />
but redy coyne to flatterers fall into such mysfortune, heereof it pro-10<br />
ceedeth that they haunt the stewes, marry before they be wyse, and<br />
dye before they thriue. These be the beasts which Hue by y e<br />
trenchers of younge gentlemen, & consume the treasures of their<br />
reuenewes, these be they that soothe younge youthes in their owne<br />
sayinges, that vpholde them in al theyr dooinges with a yea, or nay, 15<br />
these be they that are at euery becke, at euery nod, freemen by<br />
fortune, slaues by free wil. Wherfore if there be any Father that<br />
would haue his children nurtured and brought vp in honestye, let<br />
[L's add. Il..] him expell these Panthers, which haue a sweete smell but a deuour-<br />
[Plut.c.i8.] inge minde: yet woulde I not haue parentes altogether precise, or 20<br />
to seuere in correction, but let them wyth mildenesse forgyue light<br />
offences, and remember that they themselues haue bene younge, as<br />
the Phisition by minglinge bitter poysons with sweete liquor, bringeth<br />
healthe to the body, so the Father with sharpe rebukes seasoned<br />
with louing lookes, causeth a redresse and amendement in his childe. 25<br />
But if the Father bee throughly angry vpon good occasion, let him<br />
not continue his rage, for I had rather he should be soone angry<br />
then harde to be pleased, for when the sonne shall perceiue that the<br />
Father hathe conceyued rather a hate then a heate againste him, he<br />
becommeth desperate, neyther regarding his fathers ire, neither his 30<br />
owne duetie. Some light faults let them dissemble as though they<br />
knewe them not, & seeing them let them not seeme to see them, &<br />
hearing them let them not seeme to heare. We can easily forget the<br />
offences of our friendes be they neuer so great, and shall wee not<br />
forgyue the escapes of our children be they neuer so small ? We 35<br />
[lyly's [Lyly's add.<br />
beare oftentimes with our seruaunts and shall we not somtimes with<br />
(3 lines) lines)...<br />
• • • our sonnes ; the fairest Iennet is ruled as well with the wand as<br />
1 warneth G rest them 1 ] him E rest them 2 ] him C rest 2 them (both)] him<br />
E rest 3 him E rest 4 him G rest 5 and to be Trest, but G misprints<br />
and to mee 7 lyue 2 doe G rest 14 their owne] al their T rest 15 a before<br />
nay, T rest, except [1623] 17 fathers A-C 25 his] the G rest 27 had om, G
AND HIS EPHCEBUS 283<br />
With the spurre, the wildest childe is assoone corrected with a word as<br />
w t a weapon. If thy sonne be so stubborne obstinately to rebel<br />
against thee, or so wilful to perseuer in his wickednes, y t neither for<br />
feare of punishmgt, neither for hope of reward, he is any way to<br />
5 be reclaimed, then seeke out some marriage fit for his degree which<br />
is y e surest bond of youth, & the strogest chain to fetter affections y t<br />
can be found. Yet let his wife be such a one as is neither much<br />
more noble in birth, or farre more richer in goodes, but according to<br />
the wyse saying: choose one euery way, as neere as may bee equall<br />
10 in both: for they that doe desire greate dowries doe rather marrye<br />
themselues to the wealth, then to their wife. But to retoume to the<br />
matter, it is most requisite, that Fathers both by their discreet counsaile,<br />
and also their honest conuersation, bee an ensampie of imitation<br />
to their children, that they seeinge in their parentes as it were in<br />
15 a glasse the perfection of manners, they maye bee encouraged by<br />
their vpright liuinge, to practise the lyke pietie: for if a Father<br />
rebuke his childe of swearinge, and hee himselfe a blasphemor, doth<br />
he not see, that in detecting his sonnes vice, he also noteth his<br />
owne. If the father counsayle the sonne to refraine wine, as most<br />
20 vnholesome, and drincke himselfe immoderately, doth hee not as<br />
well reproue his owne folly, as rebuke hys sonnes? Age alway<br />
ought to bee a much for youth, for where olde age is impudent<br />
there certeinly you needs shamelesse, where the aged haue<br />
no respect of the rable' and graye haires, there the younge<br />
25 gallauntes haue little regarde of their honest behauiour, & in one word<br />
to conclude al, wher age is past grauitie, there youth is past grace.<br />
The sum of all wherewith I would haue my Ephoebus endued, & how<br />
I would haue him instructed, shall briefly appeare in this following.<br />
First, that he be of honest parents, nursed of his mother, brought vp in<br />
such a place as is incorrupt both for y e aire & manners, wyth such a<br />
person as is vndefiled, of great zeale, of profounde knowledge, of absolute<br />
perfection, that he bee instructed in Philosophy, whereby hee may<br />
atteyne learninge, and haue in al sciences a smacke, whereby he<br />
maye readily dispute of any thing. That his body be kept in his pure<br />
35 strength by honest exercise, hys witte and memory, by diligent study.<br />
That he abandon all allurements of vice, and continually enclyne<br />
to vertue, which if it shall as it may come to passe, then doe I hope<br />
8 more 1 om. EF, hence rest have much nobler 12 founsayle T 13 also<br />
their om. Grest 14 they] hee A 16 right E rest 17 for G rest<br />
18 detesting F rest 19 the 2 ] his G rest 27 Ephxbus A-M 30 not<br />
incorrupt E 1 32 he om. A-C 33 smcake A 36 all twice G<br />
...]<br />
[Ptut.c.19.]<br />
[Plut.c. 20<br />
first half.]<br />
[From here<br />
to end,i.e.to<br />
/. 286,/. 22,<br />
all is Lyly's<br />
addition,
284 EUPHUES<br />
that if euer Platoes common weale shall flourish, that my Ephatbus<br />
shall be a Citizen, that if Aristotle fined any happye man it will bee<br />
my childe, if Tullye confesse anye to bee an absolute Orator, it will<br />
be my young youth. I am heere therefore gentlemen to exhort you,<br />
that with all industry you apply your mindes to the studie of Philo- 5<br />
sophye, that as you professe your selues students, so you maye bee<br />
students, that as you disdayne not the name of a scholler, so you wii<br />
not be found voyde of the duetie of schollers: let not your minds be<br />
carried away with vayn delyghts, as with trauayling into far and<br />
straunge country es where you shal see more wickednesse, then learne 10<br />
vertue and witte. Neyther with costlye attire of the new cutte, the<br />
Dutch hatte, the French hose, the Spanish rapier, the Italian hike,<br />
and I know not what Cast not your eyes on the beautie of woemen,<br />
leaste ye cast away your heartes with folly, let not that fonde loue,<br />
wherewith youthe fatteth himselfe as fatte as a foale, infect you, for 15<br />
as a sinew beeing cut though it be healed there will alwayes remayne<br />
a scarre, or as fine lynnen stayned with blacke incke, though it be<br />
washed neuer so often, will haue an yron mowle, so y e minde once<br />
mangled or maymed with loue, though it be neuer so well cured<br />
with reason, or cooled by wisedome, yet there will appeare a scar by 20<br />
y e which one may gesse the minde hath bene pierced, and a blemish<br />
whereby one maye iudge the hearte hathe be tayned.<br />
Refrayne from dyeing which was one that Pyrrhus was<br />
striken to the hearte, and from dauricirig as the meanes y t<br />
lost John Baptists head. I am not hee that will disallow honest 25<br />
recreation, although I detest the abuses, I speake boldely vnto you<br />
bicause I my selfe know you: what Athens hath bene, what Athens<br />
is, what Athens shalbe I can gesse. Let not euery Inne and Alehouse<br />
in Athens be as it were your chamber, frequent not those<br />
ordinarie tables wher eyther for the desire of delycate cates, or the 3°<br />
meetinge of youthefull companions, yee both spende your money<br />
vaynely and your time idly. Imitate him in lyfe whom ye honour<br />
for his learning, Aristotle, who was neuer seene in the company of<br />
those that idelly bestowed their time.<br />
There is nothing more swifter then time, nothinge more sweeter: 35<br />
we haue not as Seneca sayth lyttle tyme to lyue, but wee leese much,<br />
neyther haue wee a shorte lyfe by Nature, but we make it shorter by<br />
1 Ephæbus A-C 2 fined not corrected to finde till 1613 7 a scholler] Schollers<br />
E rest 14 hart E rest 23 Pyrrhus—/ correct Pyreus of all preceding eds. (see<br />
note) 28 should be E rest 30 the om, Crest 32 ye] you seeme to Crest
AND HIS EPHCEBUS 285<br />
i<br />
naughtmes: our lyfe is long if we know how to vse it.} Followe<br />
Appelks that cunning and wise Painter, which would lette no day<br />
passe ouer his heade without a lyne, without some labour. It was<br />
pretely sayde of Hesiodas, lette vs indeauour by reason to excell<br />
5 beastes, seeinge beastes by nature excell men, although strickely<br />
taken it be not so, for that man is endewed with a soule, yet taken<br />
touching their perfection of sences in their kinde it is most certeine.<br />
Doth not the Lyon for strengthe, the Turtle for loue, the Ante for<br />
labour excell man? Doth "not the Eagle see cleerer, the Uulter<br />
ro smell better, the Mowle heare lyghtlyer ? lette vs therefore endeuour<br />
to excell in vertue seeing in qualyties of the body we are inferiour to<br />
beastes. And heere I am most earnestly to exhort you to modestie<br />
in your behauiour, to duetie to your elders, to dilygence in your<br />
studyes. I was of late in Italy, where mine eares gloed and my<br />
15 hearte was gauled to heare the abuses that reygne in Athens : I can<br />
not tell whether those things sprange by the lewde and lying lyppes<br />
of the ignoraunt, which are alwayes enemyes to learning, or by the<br />
reportes of such as saw them and sorrowed at them. It was openly<br />
reported of an olde man in Naples that there was more lyghtnes in<br />
20 Athens, then in all Italy, more wanton youths of schollers, then in al<br />
Europe besides, more Papistes, more Atheists, more sectes, more<br />
schismes, then in all the Monarchies of the world, which things<br />
although I thinke they be not true, yet can I not but lament that<br />
they shoulde be deemed to bee true, and I feare me they be not<br />
25 altogether false, there can no greate smoke aryse but there must<br />
be some fire, no great reporte without great suspition. Frame therefore<br />
your Hues to such integretie, your studies to the attayning of such<br />
perfection that neyther the mighte of the strong, neyther the mallyce<br />
of the weake, neyther the swifte reportes of the ignoraunte be able to<br />
30 spotte you with dishonestie or note you of vngodlynesse. The<br />
greatest harme that you can doe vnto the enuious, is to doe well, the<br />
greatest corasiue that you can giue vnto the ignoraunt, is to prosper<br />
in knowledge, the greatest comforte that you can ,bestowe on your<br />
parents is to lyue well, and learne well, the greatest commoditie that<br />
35 you can yeelde vnto your countrey, is with wisedome to bestow that<br />
talente, that by grace was giuen you.<br />
2 and wise om. E rest 4 Hesiodus F-1617, 1631,1636: Hesodus [1623]<br />
5 strickely AMT; strictly C rest (cf.p. 271, /. 31) 10 beare lighter EF; heare<br />
lighter 1613 rest 11 qualitie E rest are] be C rest 14 glowed 1613<br />
rest 15 raigned E rest 20 in 2 om. E 22 Monarches TM of]<br />
in T-G 34 to before learne E rest 36 vnto before you £ rest
286 EUPHUES<br />
And heere I cannot chuse but giue you that counsell, that an olde<br />
man in Naples gaue me most wiselye, althoughe I hadde then neyther<br />
grace to followe it, neyther will to giue eare to it, desiringe you not<br />
to reiecte it bicause I dyd once dispise it. It is this as I can remember<br />
worde for worde. 5<br />
Descende into your owne conscyences, consider with your selues<br />
the greate difference betweene staringe and starke blynde, witte and<br />
wisedome, loue and lust: bee merrye but with modestie, bee sober<br />
but not too sullen, be valyaunte but not too venterous, lette your<br />
attire be comely but not too costly, your dyet wholesome, but not 10<br />
excessiue, vse pastime as the worde importeth, to passe the time in<br />
honeste recreation. Mistrust no man without cause, neyther be ye<br />
credulous without proofe, be not lyght to follow euery mans opinion,<br />
neither obstinate to stande in your owne conceits, serue God, feare<br />
God, loue God, & God wil blesse you, as eyther your heartes can 15<br />
wish, or your friendes desire. This was his graue and godly aduise<br />
whose councell I woulde haue you all to follow, frequent lectures, vse<br />
disputations openly, neglect not your priuate studyes, let not degrees<br />
be giuen for loue, but for learning, not for mony but for knowledge,<br />
and bicause you shall bee the better encouraged to follow my 20<br />
counsell, I will bee as it were an example my selfe, desiring you all<br />
to imitate me.<br />
Euphues hauing ended his discourse, & finished those preceptes<br />
which he thought necessary for the instructing of youthe, gaue his<br />
minde to the continuall studye of Philosophie, insomuch as he became 25<br />
publyque Reader in the Uniuersitie, with such commendacion as<br />
neuer any before him, in the which he continued for the space of<br />
tenne yeares, onely searching out the secrets of Nature & the hidden<br />
misteries of Philosophy, & hauing collected into three volumes his<br />
lectures, thought for the profite of young schollers to sette them 30<br />
forth in print, which if hee had done, I would also in this his<br />
Anatomie haue inserted, but hee alteringe his determination, fell into<br />
this discourse with himselfe.<br />
Why Euphues art thou so addicted to the studye of the Heathen<br />
that thou hast forgotten thy God in Heauen ? shal thy witte be rather 35<br />
employed to the attaining of humayne wisedome then deuine know-<br />
4 was this M; was thus C rest 9 too 1 om. G rest 12 you Ex thou<br />
Frest 14 conceit E rest 15 so before blesse C rest 18 neclecte A<br />
24 instructing.A T: instruction M rest 32 Anatomie M rest: Notomie A :<br />
Anotomie T former before determination E rest 34 What E rest 35<br />
rather be G rest
<strong>THE</strong> ANATOMY OF WYT 287<br />
ledge? Is Aristotle more deare to thee with his bookes, then<br />
Christ with his bloude? What comfort canst thou finde in<br />
Philosophy for thy guiltie conscience, what hope of the resurrection,<br />
what gladde tidinges of the Gospell? Consider with thy<br />
5 selfe that thou art a gentleman, yea, and a Gentile, and if thou<br />
neglect thy calling thou art worse then a lewe. Most miserable<br />
is the estate of those gentlemen which thincke it a blemishe to<br />
their auncestours, and a blot to their owne gentrie to reade or<br />
practize diuinitie. They thincke it nowe sufficient for their felicitie<br />
10 to ryde well vppon a greate horse, to hawke, to hunt, to haue<br />
a smacke in Philosophye, neyther thincking of the beginninge of<br />
wisedome, neyther the ende which is Christe : onely they accompte<br />
diuinitie most contemptible, which is and ought to be most notable.<br />
Without this there is no Lawyer bee hee neuer so eloquent, no<br />
15 Phisition bee he neuer so excellent, no Philosopher be hee neuer so<br />
learned, no King no Keyser, be he neuer so royal in birth, so politique<br />
in peace, so expert in war, so valiaunt in prowesse, but he is to<br />
bee detested, and abhorred. Farewell therefore the fine and filed<br />
phrases of Cicero, the pleasaunt Eligies of Ouid, the depth and pro-<br />
20 found knowledge of Aristotle. Farewell Rhetoricke, farewell Philosophic,<br />
farewell all leaminge which is not spronge from the bowels of<br />
the holy Bible.<br />
In this learning shal we finde milke for the weake, and marrowe for<br />
the stronge, in this shall wee see how the ignoraunt may be instructed,<br />
25 the obstinate confuted, the penitent comforted, the wicked punished, y e<br />
godly preserued. Oh I would gentlemen would some times sequester<br />
themselues from their own delights, & employ their wits in searching<br />
these heauenly and diuine misteries. It is common, yea, and<br />
lamentable to see that if a younge youth haue the giftes of Nature,<br />
30 as a sharpe witte or of Fortune, as sufficient wealthe to mainteine<br />
them gallauntly, hee employeth the one in the vaine inuentions of<br />
loue, the other in y e vile brauery of pride, the one in the passions of<br />
hys mynde and prayses of his Ladye, the other in furnishinge of his<br />
bodye and furtheringe of his lust. Heereof it commeth that such<br />
35 vayne ditties, such idle sonnets, suche inticinge songes, are sette<br />
foorth to the gaze of the worlde and griefe of the godlye. I my selfe<br />
knowe none so ill as my selfe, who in tymes past haue bene so super-<br />
3 thy] the F rest 5 gentlemen A 19 phrases TMC; prases A : phrase<br />
G rest Eligies EF: Eligues A-G; Elegies 1613 rest 26 semetimes A<br />
31 them] him E 2 rest gallauntly A only 33 prayses] promises E rest
288 EUPHUES<br />
stitiously addicted, that I thought no heauen to the Paradise of loue,<br />
no Angell to bee compared to my Ladye, but as repentaunce hath<br />
caused mee to leaue and loath such vayne delightes, so wisedome<br />
hath opened vnto me the perfect gate to eternall lyfe.<br />
Besides this I my selfe haue thought that in diuinitie there coulde 5<br />
bee no eloquence, which I myght imitate, no pleasaunt inuention<br />
whiche I might followe, no delicate phrase, that myght delyght mee,<br />
but nowe I see that in the sacred knowledge of Gods wyll, the onely<br />
eloquence, the true and perfect phrase, the testimony of saluation<br />
doth abide : and seeing without this, all learninge is ignoraunce, all 10<br />
wysdome meere folly, and wytte playne bluntnesse, all Iustice<br />
iniquytie, all eloquence barbarisme, all beautie deformytye; I wyll<br />
spend all the remainder of my lyfe, in studying the olde testament,<br />
wherein is prefigured the comming of my sauiour, and the newe<br />
testament, wherein my Christ doth suffer for my sinnes, and is 15<br />
crucified for my redemption, whose bitter agonies shoulde cast euery<br />
good Christian into a shieueringe ague, to remember his anguishe,<br />
whose sweatinge of water and bloud should cause euery deuoute and<br />
zealous Catholique, to shedde teares of repentaunce in remembraunce<br />
of his tormentes. 20<br />
Euphues, hauing discoursed this wyth himselfe, dyd immediatly<br />
abandon all lyght companye, all the dysputations in schooles, all<br />
Philosophy, and gaue hymselfe to the touchstone of holinesse in<br />
diuinitie, accomptinge all other thinges as most vyle and contemptible.<br />
25<br />
II Euphues to the Gentlemen schollers<br />
in Athens.<br />
T<br />
t<br />
He Merchat that trauaileth for gaine, the husbandman y<br />
toyleth for encrese, the Lawyer that pleadeth for golde, the<br />
craftes man that seeketh to Hue by his labour, all these after they 30<br />
haue fatted themselues with sufficient, either take their ease or lesse<br />
paine the they were accustomed. Hippomanes ceased to runne<br />
when he had gotten the goale, Hercules to labour, when he had<br />
obtained the victorie, Mercurie to pipe when he had cast Argus in<br />
a slumber. Euery action hath his ende, and then wee leaue to sweate 35<br />
5 coulde] might E rest 11 meere] more ATM and] all T rest<br />
21 thus G rest 22-3 schooles, all Philosophy A-C ( TM misspelling Philosoplie):<br />
Schooles of Philosophic G rest 32 Hippomanes so all, again Part II, passim<br />
33 he 1 ] shee E rest
TO <strong>THE</strong> GENTLEMEN SCHOLLERS IN A<strong>THE</strong>NS 289<br />
when wee haue founde the sweete. The Ant though shee toyle in<br />
Sommer, yet in Winter she leaueth to trauayle. The Bee though<br />
she delight to sucke the fayre flower, yet is she at laste cloyed wyth<br />
honny. The Spider that weaueth the finest threede ceaseth at the<br />
5 last, when she hath finished hir web. But in the action and study<br />
of the minde (gentlemen) it is farre otherwise, for he that tasteth the<br />
sweete of learninge endureth all the sower of labour. Hee that<br />
seeketh y e depth of knowledge is as it were in a Laborinth, in which<br />
the farther he goeth, the farther he is from the end : or like the bird<br />
10 in the limebush which the more she striueth to get out, y e faster she<br />
sticketh in. And certeinly it may be said of learning, as it was<br />
fained of Nectar y e drinck of the Gods the which the more it was<br />
dronck, the more it would ouerflow the brimme of the cup, neither<br />
is it farre vnlike the stone that groweth in the riuer of Carta, the<br />
15 whiche the more it is cutte, the more it encreaseth. And it fareth<br />
with him y t followeth it as with him that hath the dropsie, who the<br />
more he drincketh the more he thirsteth. Therefore in my minde<br />
the student is at lesse ease then the Oxe that draweth, or the Asse<br />
that carrieth his burthen, who neither at the boord when others eate<br />
20 is voide of labour, neither in his bed when others sleepe is without<br />
meditation. But as in manuary craftes though they bee all good, yet<br />
that is accompted most noble, that is most necessary, so in the<br />
actions and studies of the minde although they be all worthy, yet<br />
that deserueth greatest praise which bringeth greatest profit. And so<br />
25 we commonly do make best accompt of that which doth vs most<br />
good. We esteeme better of the Phisition that ministreth the potion,<br />
then of the Apoticarie that selleth the drugges.<br />
Howe much more ought we with all diligence, studye, and industry,<br />
spende our short pilgrimage in the seeking out of our saluation.<br />
30 Vaine is Philosophye, vaine is Phisicke, vaine is Law, vaine is all<br />
Learning wythout the tast of diuine knowledge. I was determined<br />
to write notes of Philosophy, which had bene to feede you fat wyth<br />
follye, yet that I might seeme neyther idle, neyther you euill imployed,<br />
I haue heere set downe a briefe discourse which of late<br />
35 I haue had wyth an hereticke which kept mee from idlenesse, and<br />
maye if you reade it deterre you from heresie. It was wyth an<br />
3 laste] the last E rest 4 the Honny C-1631 8-9 which the] the which<br />
y*Trest 10 she 2 om. E 1 14 Curia E rest 20 without] voyd of C rest<br />
22 accounted CG; counted E rest 25 the before best E rest account<br />
C rest 29 to before spende C rest 31 toste G<br />
BOND 1<br />
U
29o EUPHUES<br />
Atheysty a man in opinion monstrous, yet tractable to be perswaded.<br />
By thys shall you see the absurde dotage of hym that thincketh<br />
there is no God, or an vnsufficient God, yet heere shall you finde the<br />
summe of faith, which iustifyeth onely in Christ, the weakenesse of<br />
the law, the strengthe of the Gospell, and the knowledge of Gods 5<br />
will. Heere shall yee finde hope if ye be in dispaire, comfort if ye<br />
be distressed, if ye thirst drincke, meate if ye hunger. If ye feare<br />
Moses who sayth, without you fulfill the law you shall perish:<br />
beholde Christ which sayth, I haue ouercommen the lawe. And<br />
that in these desperate dayes wherein so may sectes are sowen, and 10<br />
in the wayning of the world, wherein so many false Christes are<br />
come, you mighte haue a certeyntie of your saluation, I meane to<br />
sette downe the towchestone wherevnto euerye one oughte to trust,<br />
and by the which euerye one shoulde try himselfe, which if you followe,<br />
I doubte not but that as you haue proued learned Philosophers, 15<br />
you will also proceede excellent diuines, which God graunt.<br />
1 in] in my T-G: in mine E rest 2 you shall E-1613: you may 1617-1636<br />
3 yet] yea 1613-36 6 yee] you E rest ye 1 ] you T rest ye 2 ] you<br />
C rest 7 ye 1 ] you C rest, exc, thou F ye 2 ] you E rest ye 3 ] you E 2 rest<br />
9 ouercoramed G; ouer-come E rest 10 and] as E rest 15 that but C 1 ,<br />
corr. C 2
A<br />
1 EVPHVES AND<br />
A<strong>THE</strong>OS<br />
Theos. I am gladde Euphues that I haue founde thee at<br />
leasure, partly that we might be merry, and partly that I<br />
5 mighte bee perswaded in a thinge that much troubleth my conscience.<br />
It is concerning God. There bee manye that are of this<br />
minde, that there is a God whom they tearme the creator of all<br />
things, a God whom they call the sonne the redeemer of the worlde,<br />
a God whome they name the holy Ghost, the worker of all thinges,<br />
10 the comforter, the spirite, and yet are they of this opinion also, that<br />
they be but one God, coequall in power, coeternal, incomprehensible,<br />
& yet a Trinitie in person. I for my parte although I am not so<br />
credulous to beleeue their curious opinions, yet am I desirous to<br />
heare the reasons that should driue them into such fonde and fren-<br />
15 ticke imaginations. For as I know nothing to be so absurde which<br />
some of the Philosophers haue not defended, so thinke I nothing so<br />
erronious which some of our Catholickes haue not maynteyned. If<br />
there were, as diuers dreame, a God that would reuenge the oppression<br />
of the widdowes and fatherlesse, that would rewarde the zeale<br />
20 of the mercifull, pittie the poore and pardon the penitent, then<br />
woulde the people eyther stande in greater awe, or owe more loue<br />
towards their God.<br />
I remember Tullye disputinge of the nature of Gods, bringeth<br />
Dionisius as a scoffer of such vayne and deuised Deities, who seeinge<br />
25 Aesculapius with a longe bearde of golde, and Apollo his father<br />
beardelesse, played the Barbar and shaued it from him, saying, it was<br />
not decent that the sonne shoulde haue a bearde and the father<br />
none. Seeing also Iupiter with an ornament of golde tooke it from<br />
him iesting thus, In Summer this aray is too heauie, in Winter<br />
30 too colde, heere I leaue one of wollen, both warmer for the colde<br />
and lyghter for the heat. He comming also into y e Temple wher<br />
certeyne of the gods with golden giftes stretched out their handes,<br />
tooke them all away saying, Who will bee so madde as to refuse<br />
thinges so gentlye offered.<br />
4 we] I E rest 5 troubled TMC 10 they arc E rest 11 coeternal om.<br />
E rest 14 vnto G rest franticke T rest 21 or] and CG 24 Deities]<br />
deuises E rest 30 warme C 33 all om, E? rest<br />
U2
292 EUPHUES<br />
Dost thou not see Euphues what small accompt hee made of their<br />
gods, for at y e last sayling into his countrey with a prosperous winde,<br />
he laughing sayde, loe see you not my Maysters, how well the Gods<br />
rewarde our Sacriledge. I coulde rehearse infinite opinions of excellent<br />
men who in this poynte holde on my side, but especiallye Prota- 5<br />
goras. And in my iudgement if there be any God, it is the worlde<br />
wherein we lyue, that is the onely God. What can we beholde more<br />
noble then the worlde, more faire, more beautifull, more glorious ?<br />
what more maiesticall to the sight, or more constant in substance ?<br />
But this by the way Euphues, I haue greter & more forcible argu-10<br />
ments to confirme my opinion, & to confute the errors of those<br />
that imagine that there is a God. But first I wouide gladly heare<br />
thee shape an aunswere to that which I haue sayde, for well I knowe<br />
that thou arte not onely one of those which beleeue that ther is<br />
a god, but of them also, which are so precise in honouring him, that 15<br />
they be scarce wise in helping themselues.<br />
Euphues, If my hope (Atheos) were not better to conuerte thee,<br />
then my happe was heere to conferre with thee, my hearte wouide<br />
breake for griefe, which beginneth freshly to bleede'for sorrowe, thou<br />
hast stroken mee into such a shiuering and colde terror at the 20<br />
rehearsing of this thy monstrous opinion, that I looke euery minute<br />
when the grounde shoulde open to swallowe thee vpp, and that God<br />
which thou knowest not shoulde with thunder from Heauen strike<br />
thee to Hell. Was there euer Barbarian so sencelesse, euer miscreaunt<br />
so barbarous, that did not acknowledge a lyuinge and euer- 25<br />
lasting lehouah ? I cannot but tremble at the remembraunce of his<br />
maiestie, and dost thou make it a mockerie ?<br />
O iniquitie of times, O corruption of manners, O blasphemie<br />
against the heauens. The Heathen man sayth, yea that Tullye<br />
whome thou thy selfe alleadgest, that there is no nation so barbarous, 30<br />
no kinde of people so sauage in whom resteth not this perswasion<br />
that there is a God, and euen they that in other partes of theire lyfe<br />
seeme very lyttle to differ from brute beastes, doe continally keepe<br />
a certeyne seede of Relygion, so throughlye hath this common principle<br />
possessed all mens mindes, and so faste it sticketh in all mens 35<br />
bowells.<br />
Yea Idolatrye it selfe is sufficient proofe of this perswasion for we<br />
2 y e om. CE rest his] the E 5 Pitagoras C: Pithagoras G rest<br />
11 errour E rest 19 for 1 ] with E rest 27 it om. E rest 29 heauen<br />
E rest , 31 resteth] there resteth C-1613, [1623] : there resisteth 1617 : there<br />
resided; 1631-6 35 in] to E rest 37 a before sufficient G rest
EUPHUES AND A<strong>THE</strong>OS 293<br />
see how willyngiy man abaseth himselfe to honour other creatures, to<br />
doe homage to stockes, to goe on pilgrimage to images. If therefore<br />
man rather then he woulde haue no God doe worship a stone,<br />
how much more art thou duller then a stone which goest against<br />
5 the opinion of all men.<br />
Plato a Philosopher woulde often say, there is one whome we may<br />
call God omnipotent, glorious, immortall, vnto whose similytude we<br />
that creepe heere on the earthe haue our soules framed. What<br />
can be sayde more of a Heathen, yea, what more of a Christian ?<br />
10 Aristotle when he coulde not finde out by the secrecie of Nature<br />
the cause of the ebbing and flowing of the Sea, cryed out with a<br />
loude voyce, O thing of things haue mercy vpon mee.<br />
Cleanthes alleadged foure causes, which might induce man to<br />
acknowledge a God, the first by the foreseeing of things to come,<br />
15 the second by the infinite commodities which we dayly reape, as by<br />
the temperature of the aire, the fatnesse of the earth, the fruitefulnesse<br />
of trees, plantes and hearbes, the aboundaunce of all thinges<br />
that may eyther serue for the necessitie of many, or the superfluitie<br />
of a few, the thirde by the terror that the minde of man is<br />
20 stroken into, by lyghtenings, thunderings, tempestes, hayles, snow,<br />
earthquakes, pestilence, by the straunge and terrible fightes which<br />
cause vs to tremble, as the rayning of bloud, the firie impressions in<br />
the Elemente, the ouerflowinge of floudes in the earth, the prodigious<br />
shapes and vnnaturall formes of men, of beastes, of birdes, of fishes,<br />
25 of all creatures, the appearing of biasing Commettes, which euer<br />
prognosticate some straunge mutation, the fighte of two Sunnes<br />
which happened in the Consulshippe of Tuditanus and Aquilius, with<br />
these things mortall men beeing afrighted are enforced to acknowledge<br />
an immortall & omnipotent God. The fourth by y e equalitie of<br />
30 mouing in the heauen, the course of the Sunne, the order of the<br />
starres, the beautifulnesse of the Element, the sight whereof might<br />
sufficiently induce vs to beleeue they proceede not by chaunce, by<br />
nature, or destinie, but by the eternall and diuine purpose of some<br />
omnipotent Deitie. Heereoff it came that when the Philosophers<br />
35 could giue no reason by nature, they would saye there is one aboue<br />
nature, an other would cal him the first mouer, an other the ayder<br />
of nature, and so foorth.<br />
2 and before to 2 E rest 3 coulde] wil G rest 11 out om. E rest<br />
15 the 2 om. F rest 20 the before lightnings E rest 21 earth-quake E 2 rest<br />
27 Tudatanus EF 29 of] in TMC
294 EUPHUES<br />
But why goe I about in a thing so manifest to vse proofes so<br />
manifolde. If thou denie the truth who can proue it, if thou denie<br />
that blacke is blacke, who can by reason reproue thee, when thou<br />
opposest thy self against reason ? thou knowest that manifest truthes<br />
are not to be proued but beleeued, and that he that denieth the 5<br />
principles of any Arte is not to bee confuted by argumentes, but to<br />
bee left to his owne folly. But I haue a better opinion of thee, and<br />
therefore I meane not to trifle wyth Philosophy but to trye this by<br />
the touchstone of the Scriptures. We reade in the seconde of Exodus,<br />
that when Moses desired of God to knowe what hee should name him 10<br />
to the children of Israeli, hee aunswered, thou shalte saye, I am that<br />
I am. Agayne, hee that is hath sent mee vnto you. The Lorde euen<br />
your God, hee is God in the heauen aboue and in the earth beneath,<br />
I am y e first & the last I am. I am the Lorde, and there is none<br />
other besides mee. Agayne, I am the Lord and there is none other. 15<br />
I haue created the lyght and made darkenesse, making peace and<br />
framing euill. If thou desire to vnderstande what God is, thou sbalt<br />
heare, he is euen a consuming fire, the Lorde of reuenge, the God of<br />
iudgement, the liuing God, the searcher of the reynes, he that made<br />
all things of nothing, Alpha and Omega, the beginning, and yet without 20<br />
beginning, the ende, and yet euerlastinge, one at whose breath the<br />
mountaines shall shake, whose seat is the loftie Cherubins, whose<br />
footestoole is the earthe, inuisible, yet seeinge all things, a gelous<br />
God, a louing God, myraculous in all pointes, in no part monstrous.<br />
Besides this, thou shalt well vnderstande that hee is such a God as 25<br />
wil punish him whosoeuer he be y t blasphemeth his name, for holy<br />
is the Lord. It is written, bring out the blasphemer without y e tents<br />
& let al those that hearde him laye their handes vppon hys heade,<br />
and let all the people stone him. He that blasphemeth the name of<br />
the Lorde shall dye the death. Suche a gelous God, that whosoeuer 30<br />
committeth Idolatrye wyth straunge Gods hee will strike wyth terrible<br />
plagues. Tourne not to Idols neyther make Gods wyth handes,<br />
I am the Lord your God: Thou shalte make no Image which the<br />
Lorde thy God abhorreth. Thou shalt haue no newe GOD, neyther<br />
worshyp any straunge Idoll. For all the Gods of the Gentiles are 35<br />
Diuels.<br />
My sonnes keepe your selues from Images, the worshippinge of<br />
4 reason ? / substitute a note of interrogation for comma 11-a saye . . .<br />
hee that is] say, I am that I am. Again, I am that I am. Againe, Hee that is,<br />
G rest 14 no E rest 18 Lorde] God G rest 26 whatsoeuer E rest
EUPHUES AND A<strong>THE</strong>OS 295<br />
Idols is the cause of all euyll, the beginninge and the ende. Cursed<br />
bee that man that engraueth any Images, it is an abhominatiO before<br />
the Lorde. They shall be confounded that worshippe grauen<br />
Images, or glory in Idols. I wyll not giue my glorye to an other, nor<br />
5 my prayses to grauen Images. If all these testimonies of the Scriptures<br />
cannot make thee to acknowledge a lyuinge GOD, harken what<br />
they saye of such as be altogether incredulous. Euery vnbeleeuer<br />
shall dye in his incredulitie. Woe be to those that bee loose in heart,<br />
they beleeue there is no God, and therefore they shall not bee pro-<br />
10 tected of him. The wrathe of the Lorde shall kindle agaynste an<br />
vnbeleeuinge nation. If yee beleeue not yee shall not endure. Hee<br />
that beleeueth not shall bee damned. Hee that beleeueth not is<br />
iudged alreadye. The portion of the vnbeleeuers shall be in the<br />
lake that burneth wyth fire and brimstone which is the seconde death.<br />
15 If thou feele in thy selfe Atheos anye sparke of grace praye vnto the<br />
Lorde and hee wyll cause it to flame, if thou haue no feelinge of<br />
fayth, yet praye and the Lorde wyll gyue aboundaunce, for as hee<br />
is a terrible God, whose voyce is lyke the rushinge of many waters,<br />
so is he a mercifull God whose woordes are as softe as Oyle.<br />
20 Though he breath fire out of his nostrils agaynst sinners, yet is he<br />
milde to those that aske forgiuenesse. But if thou bee obstinate that<br />
seeinge thou wylt not see, and knowing thou wylt not acknowledge,<br />
then shall thy heart bee hardened wyth Pharao, and grace shall bee<br />
taken awaye from thee with Sauk, Thus sayth the Lorde, who so<br />
25 beleeueth not shall perishe, heauen and earth shall passe, but the<br />
word of the Lord shall endure for euer.<br />
Submyt thy selfe before the throne of hys Maiestye, and his mercye<br />
shall saue thee. Honour the Lorde and it shall bee well wyth thee.<br />
Besides him feare no straunge God. Honour the Lorde wyth all<br />
30 thy soule. Offer vnto God the sacrifice of prayse. Be not lyke the<br />
hipocrites whiche honour God with their lips, but be farre from hym<br />
with their heartes, neyther lyke y e foole which sayth in his heart,<br />
ther is no God. But if thou wylt stil perseuer in thine obstinacie<br />
thine end shal be worse then thy beginning: y e Lord, yea, thy<br />
35 sauiour shal come to be thy ludge. When thou shalt beholde him<br />
come in glory with millions of Angels and Archangels, when thou<br />
shalt see him appeare in thundringes and lyghtninges and flashinges<br />
of fire, when the mountaynes shall melt, and the heauens be<br />
5 praise C rest 11 vnbleeuinge A -12 shall not T rest 14 brimstome A<br />
25 not shall] shall not G rest 28 shalll 2 A 32 which] that G rest his in A
296 EUPHUES<br />
wrapped vp lyke a scrowle, when all the earth shall tremble, with<br />
what face wilt thou beholde his glorye that deniest his Godhead ?<br />
how canst thou abide his presence that beleeuest not his essence ?<br />
what hope canst thou haue to be saued which diddest neuer acknowledge<br />
any to be thy Sauiour ? Then shall it be sayde to thee and to 5<br />
all those of thy secte (vnlesse ye repent) depart all yee workers of<br />
iniquitie, there shall bee weepinge and gnashing of teeth When you<br />
shal see Abraham, Isaac and Jacob, and all the Prophets in the<br />
kingdome of God, and yee to bee thrust out: You shall conceyue<br />
heate and bringe foorth woode, your owne consciences shall consume 10<br />
you lyke fire. Heere dost thou see Atheos the threatninges agaynst<br />
vnbeleeuers, and the punishment prepared for miscreantes. What<br />
better or sounder proofe canst thou haue that there is a GOD then<br />
thine owne conscience, which is vnto thee a thousande wytnesses ?<br />
Consider wyth thy selfe that thy souleis immortal, made to the Image 15<br />
of the almighty God: bee not curious to enquire of God, but carefull<br />
to beleeue, neither bee thou desperate if thou see thy sinnes<br />
abounde, but faythfull to obteine mercy, for the Lorde will saue<br />
thee bycause it is hys pleasure, searche therefore the Scriptures for<br />
they testifie of him. 20<br />
Atheos, Truely Euphues you haue sayde somewhat, but you goe<br />
about contrarye to the customes of schooles, which mee thinckes<br />
you shoulde dilygentlye obserue beeinge a professed Philosopher, for<br />
when I demaunde by what reason men are induced to acknowledge<br />
a God, you confirme it by course of Scripture, as who shoulde saye 25<br />
there were not a relatyon betweene GOD and the Scripture, bycause<br />
as the olde fathers define, wythout Scripture there were no GOD,<br />
no Scripture without a GOD. Whosoeuer therefore denyeth a Godhead,<br />
denyeth also the scriptures which testifie of him. This is in<br />
my opinion absurdum per absurdius to proue one absurditie by an 30<br />
other. If thou canst as substantiate by reason proue thy authoritie<br />
of Scriptures to be true, as thou hast proued by Scriptures there is<br />
a God, then will I willyngly with thee both beleeue the Scriptures,<br />
and worshippe thy God. I haue heard that Antiochus commaunded<br />
all the copies of the Testament to bee burnt, from whence therefore 35<br />
haue we these newe bookes, I thincke thou wilt not saye by reuelation,<br />
therefore goe forwarde.<br />
5 a-any A to 3 ] vnto G rest 6 ye] you C rest yee] you T-1613 13<br />
or] and G rest 15 is om. G 19 for cm. G rest 22 custome G rest<br />
25-6 as who .. . GOD and] and who . .. God as G 26 was not G-F;<br />
was 1613 rest
EUPHUES AND A<strong>THE</strong>OS 297<br />
Euphues. I haue read of the milke of a Tygresse that the more<br />
salte there is throwne into it the fresher it is, and it may be that thou<br />
hast eyther eaten of that milke, or that thou arte the Whelpe of that<br />
Monster, for the more reasons that are beate into thy head, the more<br />
5 vnreasonable thou seemest to bee, the greater my authorities are, the<br />
lesser is thy beliefe. As touching the authoritie of Scriptures although<br />
there be manye arguments which do proue yea and enforce the wicked<br />
to confesse that the Scriptures came from God, yet by none other<br />
meane then by the secrete testimony of the holy Ghost our heartes<br />
10 are truely perswaded that it is God which speaketh in the lawe, in the<br />
Prophets, in the Gospell: the orderly disposition of the wisedome of<br />
God, the doctrine fauoring nothing of earthlynesse, the godly agreement<br />
of all parts amonge themselues, and specially the basenesse<br />
of contemptible wordes vttering the high misteryes of the heauenly<br />
15 kingedome, are seconde helpes to establish the Scriptures.<br />
Moreouer the antiquitie of the Scripture, whereas the bookes of<br />
other Relygions are later then the bookes of Moses, which yet doth<br />
not himselfe inuent a newe God, but setteth foorth to the Israelites<br />
the God of their fathers. Whereas Moses doth not hyde the shame<br />
20 of Leuy his father, nor the murmuring of Aaron his brother, and of<br />
Marie his sister, nor doth aduaunce his owne children: The same<br />
are arguments that in his booke is nothing fayned by man. Also the<br />
myracles that happened as well at the publyshing of the lawe as in<br />
all the rest of time are infallyble proofes that the Scriptures proceeded<br />
25 from the mouth of God. Also whereas Moses speaking in the person<br />
of Jacob, assigneth gouernment to the Tribe of Iuda, and where he<br />
telleth before of the callynge of the Gentiles, whereof the one came<br />
to passe foure hundreth yeares after, the other almost two thousande<br />
yeares, these are arguments .that it is GOD himselfe that speaketh in<br />
30 the bookes of Moses.<br />
Whereas Esay telleth before of the captiuitie of the Iewes and<br />
their restoryng by Cyrus (which was borne an hundreth yeares after<br />
the deathe of Esay) and wheras Jeremy before the people were led<br />
away apointeth their exile to continew threescore and ten yeares.<br />
35 Whereas Jeremy and Ezechiel beeinge farre distaunt in places the<br />
one from the other doe agree in all theire sayings. Where Daniel<br />
2-3 thou hast eyther A-C: either thou hast G rest 4 beaten G rest 5<br />
are] serue G rest 8 no E 2 rest 13 especially T rest 15 Scripture<br />
G rest 20 murmuring G rest: mourninge A-C 24 the before time E rest<br />
25 speaketh-E F 34 appointed F rest 35 in om. E, whence in far<br />
distant places Frest
298 EUPHUES<br />
telleth of things to come sixe hundreth yeares after. These are most<br />
certeyne proues to establish the authoritie of the bookes of the<br />
Prophets. The simplycitie of the speach of the first three Euaungelysts,<br />
conteyninge heauenlye mysteries, the prayse of John thundring<br />
from on high with weyghty sentences, the heauenlye maiestie 5<br />
shininge in the writings of Peter and Paule, the sodayne callyng of<br />
Mathew from the receipte of custome, the callyng of Peter and Iohn<br />
from their fisher boates to the preaching of the Gospell, the conuersion<br />
and callyng of Paule beeing an enemy to the Apostleshippe are<br />
signes of the holye Ghost speaking in them. The consent of so 10<br />
many ages, of so sundrye nations, and of so diuers mindes, in embracing<br />
the Scriptures, and the rare godlynesse of some, oughte to<br />
establish the authoritie thereoff amongst vs. Also the bloude of so<br />
many Martyrs which for the confession thereoff haue suffred deathe<br />
with a constant and sober zeale, are vndoubted testimonyes of the 15<br />
truthe and authoritie of the Scriptures.<br />
The myracles that Moses recounteth are sufficient to perswade vs<br />
that God, yea, the God of hoastes, sette downe the Scriptures. For<br />
this that hee was carryed in a clow.de vpp into the mountayne : that<br />
there euen vntill the fortith daye he continued without the companye 20<br />
of men. That in the verye publyshinge of the lawe his face did<br />
shine as it were besette with Sunne beames, that lyghteninges flashed<br />
rounde about, that thunder and noyses were eache where hearde in<br />
the ayre, that a Trompette sownded being not sownded with any<br />
mouth of man. 25<br />
That the entry of the Tabernacle by a clowde set betweene was<br />
kepte from the sighte of the people, that his authoritie was so miraculously<br />
reuenged with the horrible destruction of Chorah, Dathan,<br />
and Abirofiy and all that wicked faction, that the rocke stroken with<br />
a rodde did by and by powre foorth a ryuer, that at his prayer it 30<br />
rayned Manna from Heauen. Dyd not God heerein commend him<br />
from Heauen as an vndoubted Prophet ?<br />
Nowe as touchinge the tyrannye of Antiochus, which commaunded<br />
all the bookes to be burned, heerein GODS singuler prouidence is<br />
seene, which hath alwayes kepte his woorde both from the mightye 35<br />
3 Prophets. I substitute for comma a full stop, absolutely required by context<br />
5 on] an T M 8 their] the C rest Fishers F rest 11 so 1 om. F<br />
rest 17 recounted C rest soffient A 20 vnto E rest fortith<br />
A-GE 2 1617, [1623]: fortieth E l F rest 22 with the C rest lyghtening C<br />
28 Corah" G -[1623]: Korah 1631-6 29 Abiram 1631-6
EUPHUES AND A<strong>THE</strong>OS 299<br />
that they coulde neuer extinguishe the same, and from the mallitious<br />
that they coulde neuer diminish it. Ther were diuers copyes which<br />
god of his great goodnes kept from the bloudie proclamation of<br />
Antiochus, & by & by followed the translating of them into Greeke, that<br />
5 they might be publyshed vnto the whole worlde. The Hebrew tongue<br />
lay not onely vnesteemed but almost vnknown, and surely had it not<br />
bene Gods will to haue his religiO prouided for, it had altogether<br />
perished. Thou seest Atheos how the Scriptures come from the<br />
mouth of God, & are written by the finger of the Holy Ghost, in<br />
10 y e consciences of all the faythfull. But if thou be so curious to aske<br />
other questions, or so quarrellous to striue agaynst the truth, I must<br />
aunswer thee, as an olde father answered a young foole which needes<br />
would know what God did before he made Heauen, to whom he said,<br />
hell, for such curious inquisitors of gods secrets, whose wisedome is<br />
15 not to be comprehended, for who is he that can measure the winde<br />
or way the fire, or attayne vnto the vnsearcheable iudgementes of the<br />
Lorde.<br />
Besides this, where the Holy Ghost hath ceased to sette downe,<br />
there ought we to cease to enquire, seeing we haue y e sufficiencie of<br />
20 our saluation conteined in holy Scripture. It were an absurditie in<br />
schooles, if one beeing vrged with a place in Aristotle could finde<br />
none other shifte to auoyde a blancke then in doubting whether<br />
Aristotle spake such words or no. Shall it then be tollerable to<br />
denye the Scriptures hauing no other colour to auoyde an incon-<br />
25 uenience, but by doubting whether they proceede from the holy<br />
Ghost? But that such doubtes aryse amonge many in our age,<br />
the reason is, theire lyttle faythe, not the insufficient proofe of the<br />
cause.<br />
Thou mayst as well demaund how I proue white to be white, or<br />
30 blacke, blacke, and why it shoulde bee called white rather then greene.<br />
Such grosse questions are to be aunswered with slender reasons, and<br />
such idle heades would be scoffed with adle aunsweres. He that<br />
hath no motion of God in his minde, no feelinge of the spirite, no<br />
tast of heauenly thinges, no remorce in conscience, no sparke of<br />
35 zeale, is rather to be confounded by tormentes, then reasons, for it<br />
is an euydent and infallible signe that the holy Ghost hath not sealed<br />
his conscience, whereby hee myght crye Abba Father. I coulde alledge<br />
1 should E 2 rest neuer] not C rest 3 had before kept C rest 4<br />
GreeceE 1 10 all om. C rest 21 in] of G rest 22 no E 2 rest 27<br />
sufficient G rest 28 cause] same Grest 30 blacke 2 ] backe M 32<br />
should T rest 34 in] of E rest
3oo EUPHUES<br />
Scripture to proue that the godly shoulde refraine from the companye<br />
of the wicked, which although thou wylt not beleeue, yet will it condemne<br />
thee. Sainct Paul sayth, I desire you brethren that you absteine<br />
from the companye of those that walke inordinatelye. Agayne<br />
my sonne if sinners shall flatter thee gyue no eare vnto them, flye 5<br />
from the euill, and euils shall flye from thee.<br />
And surely were it not to confute thy detestable heresie, and bringe<br />
thee if it might be to some taste of the holy Ghost, I would abandon<br />
all place of thy abode, for I thincke the grounde accursed whereon<br />
thou standest: Thine opinions are so monstrous that I cannot tell 10<br />
whether thou wylte cast a doubt also whether thou haue a soule or<br />
no, whiche if thou doe, I meane not to wast winde in prouing that<br />
which thine infidellitie wyll not permit thee to beleeue, for if thou<br />
hast as yet felt no tast of the spirit working in thee, then sure I am<br />
that to proue the immortallitie of the soule were bootelesse, if thou 15<br />
haue a secrete feelinge, then it were needlesse. And God graunt<br />
thee that glowinge and sting in conscience that thy soule may<br />
witnesse to thy selfe that there is a liuing God, and thy heart<br />
shed drops of bloud as a token of repentance, in that thou hast<br />
denied that God, and so I comit thee to God, and that which I 2o<br />
cannot do with any perswasion I wil not leaue to attempt with my<br />
prayer.<br />
Atheos. Nay stay a while good Euphues & leaue not him perplexed<br />
w t feare, whom thou maist make perfect by faith. For now<br />
I am brought into such a double & doubtfull distresse that I knowe 25<br />
not howe to tourne mee, if I beleeue not the Scriptures, then shall<br />
I be damned for vnbeliefe, if I beleeue them then I shall be confounded<br />
for my wycked lyfe. I knowe the whole course of the Bible<br />
which if I shoulde beleeue then must I also beleeue that I am an •<br />
abiect. For thus sayth Heli to his sonnes, if man sin againe man, 30<br />
God can forgiue it, if against God who shall entreate for him ? he<br />
that sinneth is of the Dyuell, the rewarde of sinne is death, thou<br />
shake not suffer the wicked to lyue: take all the Princes of the<br />
people and hange them vp agaynst the Sunne on Iybbets, that my<br />
anger maye bee tourned from Israell, these sayinges of holy Scripture 35<br />
cause mee to tremble and shake in euery sinnewe. Agayne this saith<br />
the holy Byble nowe shall the scowrge fal vppon thee for thou hast<br />
sinned, beholde I set a curse before you to daye if you shall not<br />
6 euils] euill E rest 13 thou] you E 2 26 mee AM only 27<br />
shall I Crest 34 vp om.E rest 38 set] am E rest
EUPHUES AND A<strong>THE</strong>OS 301<br />
harken to the commaundementes of the Lorde, all they that haue<br />
forsaken the Lorde shall be confounded.<br />
Furthermore, where threates are poured out agaynst sinners, my<br />
heart bleedeth in my bellye to remember them. I wyll come vnto<br />
5 you in iudgement sayth the Lorde, and I wyll be a swifte and a seuere<br />
witnesse : offenders, adulterers, and those that haue committed periurie<br />
and retained the duetie of the hirelinges, oppressed the widowes,<br />
misused the straunger, and those that haue not feared me the Lord<br />
of hoasts. Out of his mouth shall come a two edged sworde. Be-<br />
10 holde I come quickly, and bringe my rewarde with me, which is to<br />
yelde euery one according to his desertes. Great is the day of the<br />
Lord and terrible, and who is he that may abide him ? What shall<br />
I then doe when the Lord shall arise to iudge, and when hee shall<br />
demaund what shal I answere ? Besides this, the names y t in holy<br />
15 scripture are attributed to God bring a terrour to my guiltie conscience.<br />
He is said to be a terrible God, a God of reuenge, whose<br />
voice is like the thuder, whose breath maketh al the corners of the<br />
earth to shake & tremble. These things Euphues testifie vnto my<br />
conscience that if there be a God, he is the God of the righteous,<br />
20 & one that wil confound the wicked. Whether therefore shal I goe,<br />
or how may I auoide the day of vengeance to come? if I goe to<br />
heauen that is his seate, if into the earth that is his footstoole, if<br />
into the depth he is there also: Who can shrowde himself from the<br />
face of y e Lord, or where can one hide him that the Lord cannot<br />
25 finde him ? his wordes are like fire and the people lyke drye woode<br />
and shalbe consumed.<br />
Euphues. Although I cannot but reioyce to heare thee acknowledge<br />
a God, yet must I needes lament to see thee so much distrust<br />
him. The Diuell that roaring Lyon seing his pray to be taken out<br />
30 of his iawes, alledgeth al Scripture y t may condemne the sinner,<br />
leauing al out that should comfort y e sorrowful. Much like vnto<br />
y e deceitfull Phisition which recounteth all things that may endomage<br />
his patient, neuer telling any thing y t may recure hint Let not thy<br />
conscience be agrieued, but with a patiet heart renounce all thy<br />
35 former iniquities and thou shalt receiue eternall life. Assure thy selfe<br />
7 duties C rest the 2 A only 11 to before euerie G rest 12 may]<br />
can C rest him] it E 2 rest 12-3 What then shall I then doe CGE 1 13<br />
the] thy G: as the E 2 rest 15 Scriptures E rest to 2 ] of E F 21 how<br />
may I] who may T rest 23 ther he is T-E: there is he F rest 24 cannot]<br />
may not E 2 rest 33 his] the E rest things F1613 34 penitent<br />
G rest thy] my G
302 EUPHUES<br />
that as God is a Lord so he is a father, as Christ is a Iudge, so he is<br />
a Sauiour, as ther is a lawe, so there is a Gospel. Though God haue<br />
leaden handes which when they strike paye home, yet hath he<br />
leaden feet which are as slow to ouertake a sinner. Heare therfore<br />
the great comfort flowing in euery leafe & line of the Scripture if thou 5<br />
be patient. I my selfe am euen hee which doth blotte out thy transgressions<br />
and that for mine own sake, and I will not be mindefull of<br />
thy sinnes. Beholde the Lordes hande is not shortned that it cannot<br />
saue, neither his eare heauy, that it cannot heare. If your sinnes<br />
were as Crimosin they shall be made whiter then Snow, & though 10<br />
they were as red as Scarlet they shall be made like white Woll. If<br />
we confesse our offences hee is faythfull and iuste so that he will<br />
forgiue vs our sinnes. God hathe not appointed vs vnto wrath but<br />
vnto saluation, by the meanes of our Lorde Jesus Christe, the earthe<br />
is filled with the mercye of the Lorde. It is not the will of your 15<br />
Father which is in heauen that any one of the little ones should<br />
perishe. God is riche in mercye. I will not the death of a sinner<br />
sayth the Lord God, retourne and lyue. The sonne of man came<br />
not to destroye but to saue. God hath mercy on all, bycause hee<br />
can doe all. God is mercifull, longe sufferinge and of much mercy, ao<br />
If the wicked man shall repent of hys wickednesse which hee hath<br />
committed, and keepe my commaundementes, doinge Iustice and<br />
iudgement, hee shall lyue the lyfe, and shall not dye. If I shall saye<br />
vnto the sinner thou shalt dye the death, yet if hee repent and doe<br />
Iustice he shall not dye. Call to thy minde the great goodnesse of 25<br />
God in creating thee, his singuler loue in giuing his sonne for thee.<br />
So God loued the worlde that he gaue his onely begotten sonne that<br />
whosoeuer beleeued in him myght not perish but haue euerlasting<br />
life. God hath not sent his sonne to iudge the world, but that the<br />
worlde might be saued by him. Can the Mother (sayth the Prophet) 30<br />
forget the chylde of hir wombe, & though she be so vnnaturall, yet<br />
will I not be vnmindefull of thee. There shalbe more ioye in heauen<br />
for y e repentaunce of one sinner the" for nintie & nine iust persons.<br />
I came not saith Christ to cal y e righteous but sinners to repentace.<br />
If any ma sin, we haue an aduocate with the father Iesus Christe the 35<br />
righteous, hee is the propitiation for our sinnes, and not for our sinnes<br />
onely but for the sinnes of the whole worlde. I write vnto you little<br />
5 greatest E l 6 penitent C rest thy ATE 2 rest: his M-E 1 11<br />
as 1 om. E 2 -1617, 1631-6 13 sinne G 16 the] these G rest 19 v<br />
31 so om, C
EUPHUES AND A<strong>THE</strong>OS 303<br />
children bicause your sinnes be forgiuen for his names sake. Doth<br />
not Christ saye that whatsoeuer wee shall aske the Father in his name<br />
wee shall obtayne ? Doth not God saye this is my beloued sonne in<br />
whome I am well pleased, heare him ? I haue reade of Themistocles<br />
5 which hauing offended Philip y e king of Macedonia, & could no way<br />
apease his anger, meeting his young sonne Alexander tooke him in<br />
his armes, & met Philip in the face : Philip seeing y e smilyng countenaunce<br />
of the childe, was well pleased with Themistocles, Euen so if<br />
through thy manifolde sinnes and haynous offences thou prouoke the<br />
10 heauye displeasure of thy God insomuch as thou shalt tremble for<br />
horror, take his onelye begotten and welbeloued sonne Iesus in thine<br />
armes, and then he neyther can nor will bee angry with thee. If<br />
thou haue denyed thy God, yet if thou goe out with Peter and weepe<br />
bitterly, God will not deny thee. Though with the prodigall sonne<br />
15 thou wallow in thine owne wilfulnesse, yet if thou retourne agayne<br />
sorrowfull thou shalt be receiued. If thou bee a grieuous offender,<br />
yet if thou come vnto Christ with the woman in Luke and wash his<br />
feete with thy teares thou shalt obteyne remission.<br />
Consider with thy selfe the great loue of Christ and the bitter<br />
30 torments that he endured for thy sake, which was enforced through<br />
the horror of death to crye with a loude voyce, Eloi, Eloi, Lamasabathanu<br />
My God, my God, why hast thou forsaken mee, and with<br />
a groning spirite to say, my soule is heauie euen vnto the deathe,<br />
tarry heere arid watch, and agayne, father if it be possible lette this<br />
25 cuppe passe from mee. Remember how he was crowned with<br />
thornes, crucified with theeues, scourged and hanged for thy saluation,<br />
how hee swette water and bloude, for thy remission, how he<br />
endured euen the torments of the damned spirites for thy redemption,<br />
how he ouercame death y t thou shouldst not dye, how he<br />
30 conquered the Diuell y t thou mightest not be damned. When thou<br />
shalt record what he hath done to purchase thy freedome, how canst<br />
thou dreade bondage ? When thou shalt beholde the agonyes and<br />
anguish of minde that he suffered for thy sake, howe canst thou<br />
doubte of the release of thy soule ? When thy Sauiour shall be thy<br />
35 Iudge, why shouldest thou tremble to heare of iudgement ? When<br />
thou hast a continuall Mediator with God the father, howe canst thou<br />
distrust of his fauour.<br />
Turne therefore vnto Christ with a willyng hearte & a waylyng<br />
1 name E rest 12 nor] or C rest 21 lamasabacthani 1613 rest 23<br />
euen om. E rest
304 EUPHUES<br />
minde for thy offences, who hath promised y t at what time soeuer<br />
a sinner repenteth him of his sinnes he shal be forgiuen, who calleth<br />
al those that are heauie laden, that they might be refreshed, who is<br />
the dore to them that knocke, the waye to them that seeke, the truthe,<br />
the rocke, the corner stone, the fulnesse of time, it is he y t can & will 5<br />
poure oyle into thy wounds. Who absolued Marie Magdalene from<br />
hir sinnes but Christ? Who forgaue the theefe his robbery and<br />
manslaughter but Christ? Who made Matkew the Publycane and<br />
tollgatherer, an Apostle and Preacher but Christ ? Who is that good<br />
shepehearde that fetcheth home the straye sheepe so louingly vppon 10<br />
his shoulders but Christ ? Who receiued home the lost sonne, was<br />
it not Christ ? Who made of Saul a persecuter, Paul an Apostle,<br />
was it not Christ ? I passe ouer diuers other histories both of the<br />
olde and new Testament which do aboundantly declare what great<br />
comforte the faithfull penitent sinners haue alwayes had in hearing 15<br />
the comfortable promises of Gods mercy. Canst thou then Atheos<br />
distrust thy Christ who reioyceth at thy repentaunce ? Assure thy<br />
selfe that through his passion and bloudshedding, death hath lost<br />
his sting, the Diuill his victory, and that the gates of hell shall not<br />
preuayle agaynst thee. Lette not therefore the bloude of Christ be 20<br />
shed in vayne by thine obstinate and harde hearte. Let this perswasion<br />
rest in thee that thou shalt receiue absolution freely, and then<br />
shalt thou feele thy soule euen as it were to hunger and thirst after<br />
rightuousnes.<br />
Atheos. Well Euphues seeing the Holy Ghost hath made thee 25<br />
y e meane to make me a man (for before y e tast of the gospell I was<br />
worse then a beast) I hope y e same spirite wil also lyghten my conscience<br />
with his word, & confirme it to the ende in constancie, y t I<br />
may not only confesse my Christ faithfully, but also preach him freely,<br />
that I may not only be a Minister of his word but also a Martir for 30<br />
it, if it be his pleasure. O Euphues howe much am I bounde to y e<br />
goodnesse of almightie god, which hath made me of an infidell a beleeuer,<br />
of a castaway a Christian, of an heathenly Pagan a heauenly<br />
Protestant. O how comfortable is the feelyng & tast of grace, how<br />
ioyfull are the glad tidings of the Gospell, y e faithfull promises of 35<br />
saluation, y e free redemption of y e soule. I will endeauour by all<br />
meanes to confute those damnable, I know not by what names to<br />
4 seeke the truth, TMC 1613-36 10 Sephearde T: Shephearde M; Sheapheard<br />
C: sheepheard E-1613: shepheard G 1617-23 : shepherd 1631-6 13<br />
diuerse F 1613 20 the] that E rest 26 y e1 ] a C rest 31 it 2 om. ATM<br />
37 name E rest
EUPHUES AND A<strong>THE</strong>OS 305<br />
terme them, but blasphemers I am sure, which if they be no more<br />
certeinly they can be no lesse. I see now y e ods betwixt light &<br />
darkenes, faith & frowardnes, Christ & Belial, be thou Euphues<br />
a witnes of my faith seeing thou hast ben the instrument of my<br />
5 beliefe, and I will pray that I shewe it in my lyfe. As for thee<br />
I accompt my selfe so much in thy debt as I shal neuer be able<br />
w t the losse of my life to reder thee thi due, but god which rewardeth<br />
y e zeale of al men wil I hope blesse thee, & I wil pray<br />
for thee.<br />
10 Eu. O Atheos little is y e debt thou owest me, but great is y e<br />
comfort that I haue receiued by thee. Giue the praise to God,<br />
whose goodnesse hath -made thee a member of the mysticall body of<br />
Christe, and not onely a brother with his sonne, but also a coheriter<br />
with thy Sauiour. There is no heart so hard, no heathen so obstinate,<br />
15 no miscreaunt or Infidell so impious, that by grace is not made as<br />
supple as oyle, as tractable as a sheepe, as faithfull as any. The<br />
Adamant though it be so harde that nothinge can bruse it, yet if the<br />
warme bloude of a Goate be poured vpon it, it bursteth: euen so<br />
although the heart of the Atheist and vnbeleeuer be so hard that<br />
20 neither reward nor reuenge can mollyfie it, so stout<br />
that no perswasion can breake it, yet if the grace<br />
of God purchased by the bloude of Christe, doe<br />
but once towch it, it renteth in sunder, and is<br />
enforced to acknowledge an omnipotent and<br />
25 euerlasting Iehoua. Lette vs therefore both<br />
{Atheos I will not nowe call thee, but<br />
Theophilus) fly vnto that Christ which<br />
hath through his mercy, not our merits,<br />
purchased for vs the enheri-<br />
30 taunce of euerlasting lyfe.<br />
,2 betweene G rest 11 that om. G rest 13 a 2 om T-E 15 no]<br />
do E 16 supply E l 23 renteth so all<br />
BOND 1<br />
X
Cevtcine Letters writ by<br />
Euphues to his fricndcs.<br />
Euphues to Philautus.<br />
IF the course of youth had any respect to the staffe of age, or the<br />
liuing man any regarde to the dying moulde, we would with 5<br />
greater care whe we were young, shunne those things which should<br />
griue vs when we be olde, and wyth more seueritie direct the sequele<br />
of our lyfe, for the feare of present death. But such is either y e vnhappinesse<br />
of mans condition, or the vntowardnesse of his croked<br />
nature, or the wilfulnesse of his minde, or the blindnesse of his heart, 10<br />
that in youth he surfiteth wyth delightes preuenting age, or if he liue,<br />
continueth in dotage forgetting death. It is a world to see how in<br />
our flourishing tyme when we best may, we be worst willing to thriue.<br />
And howe in fadinge of our dayes, when we moste shoulde, we haue<br />
least desire to remember our ende. Thou wilt muse Philautus, to 15<br />
here Euphues to preach, who of late had more minde to serue his<br />
Ladye then to worshippe his Lorde. Ah Philautus thou art now<br />
a Courtier in Italy, I a scholler in Athens, and as hard it is for thee<br />
to follow good counsayle as for me to enforce thee, seeing in thee<br />
there is little will to amend, and in mee lesse authoritie to com- 20<br />
maunde, yet will I exhort thee as a friende, I woulde I myght<br />
compell thee as a Father. But I haue heard that it is peculier to<br />
an Italian to stande in hys owne conceite, and to a courtier neuer<br />
to be controlde, which causeth me to feare y t in thee which I lament<br />
in others. That is, that either thou seeme to wise in thine owne 25<br />
opinion thinking scorne to be taught, or to wilde in thine attempts<br />
in reiecting admonishmgt. The one proceedeth of selfe loue and so<br />
thy name importeth, the other of meere folly, and y t thy nature<br />
sheweth: thou lookest I should craue pardon for speaking so boldly,<br />
no Philautus: I meane not to flatter thee, for then shoulde I incurre 30<br />
3 Euphes T 8 the om. C rest 14 the fading TMC: the vading<br />
G rest 16 to 1 om. G rest 26 thy G rest 29 sheweth thou lookest: A<br />
30 I should G rest
LETTERS OF EUPHUES 307<br />
the suspition of frawde, neither am I determined to fall out w t thee,<br />
for the might y e wise conuince me of folly. But thou art in great<br />
credite in the court, & what then ? shall thy credit with the Emperour<br />
abate my courage to my God ? or thy hauty lookes quench<br />
5 my kindled loue, or thy gallant shew aslake my good wil ? hath y e<br />
courtier any prerogatiue aboue the clowne, why hee should not be<br />
reprehended, doth his highe callinge not onely gyue hym a commision<br />
to sinne but remission also if he offend, doth his preheminence<br />
in the court warrant him to oppresse the poore by might and<br />
10 acquite him of punishment ? No Philautus. By how much the<br />
more thou excellest others in honors, by so muche the more thou<br />
oughtest to exceede them in honestie, & the higher thy calling is,<br />
the better ought thy conscience to bee, and as farre it beseemeth<br />
a gentleman to be from pryde, as hee is from pouertie, and as neere<br />
15 to gentlenesse in condition, as hee is in bloude : but I will descende<br />
wyth thee to perticulers. It is reported heere for a troth, that<br />
Philautus hath giuen ouer himselfe to all deliciousnesse, desiringe<br />
rather to be dandled in the laps of Ladyes, then busied in the studye<br />
of good letters : And I woulde thys were all, which is to much, or<br />
20 the rest a lye, which is to monstrous. It is nowe in euerye mans<br />
mouth, that thou, yea, thou, Philautus, art so voyde of curtesie, that<br />
thou hast almost forgotten common sence and humanitie, hauinge<br />
neither care of religion (a thing to common in a courtier) neither<br />
regarde of honestie or any vertuous behauiour. Oh Philautus, dost<br />
25 thou lyue as thou shouldest neuer dye, and laugh as thou shouldest<br />
neuer mourne, art thou so simple that thou doste not know from<br />
whence thou earnest, or so sinfull that thou carest not whether thou<br />
goest: what is in thee y t shoulde make thee so secure, or what can<br />
there be in any y t may cause him to glorye. Milo, that great wrastler<br />
30 beganne to weepe when he sawe his armes brawnefallen and weake,<br />
saying, strength, strength, is but vanitie, Helen, in hir newe glasse<br />
viewing hir olde face, with a smyling countenaunce cryed: Beautie<br />
where is thy blaze ? Croesus with all his wealth, Aristotle with all<br />
his wit, all men with all their wisdome haue and shall perish and<br />
35 tourne to dust. But thou delightest to haue the newe fashion, the<br />
Spanish felte, the French ruffe, thy crewe of ruffians, all thine attire<br />
misshapen to make thee a monster, and all thy time mispent to shewe<br />
5 thy T rest; the A 9 and] or E rest 10 Philantus A II other<br />
E-1631 16 heere reported E rest truth G rest 18 in 1 ] on G<br />
26 that AG-1636 : as TMC 31 vaine C rest 32 a om. C rest 33<br />
Cnesus A-M 36 thine] thy T-G<br />
X 2
308 EUPHUES<br />
thee vnhappy, what should I goe about to decipher thy life, seeinge<br />
the beginning sheweth the ende to bee naught. Art not thou one of<br />
those Philautus which sekest to win credite with thy superiors by<br />
flatterye, and wring out wealth from thy inferiors by force, & vndermine<br />
thy equals by frawde: dost thou not make y e court not onely 5<br />
a couer to defend thy selfe fro wrong, but a colour also to commit<br />
iniurie ? Art not thou one of those y t hauing gotten on their sleeue<br />
the cognisaunce of a courtier haue shaken from thy skirtes the regard<br />
of curtesie? I cannot but lament (I would I might remedy) the<br />
great abuses that raigne in the eies of the Emperour, I feare me the 10<br />
Poet say to truely,<br />
Exeat aula<br />
Qui vult esse pius: virtus & summa potestas<br />
Non coeunt<br />
Is not pietie tourned all to pollicie, faith to foresight, iustice to rigour, 15<br />
doth not he best thriue, y t worst deserueth, & he rule al the country,<br />
y t hath no conscience ? Doth not y e Emperours court grow to this<br />
insolent blindnesse, that all yt see not their folly, they accompt fooles,<br />
& all that speake against it, precise ? laughing at y e simplicitie of y e<br />
one, & threatning y e boldenes of the other. Philautus, if thou woldest 20<br />
with due consideration way how farre a courtiers lyfe is from a sound<br />
beliefe, thou wouldest either frame thy selfe to a new trade or els<br />
amend thine old manners, yea, thou wouldest w t Crates leaue all thy<br />
possessions taking thy books and trudge to Athens, and with Anaxagoras<br />
dispise wealth to attaine wisdome, if thou haddest as great 25<br />
respect to dye well as thou hast care to Hue wantonly, thou wouldest<br />
with Socrates seeke how thou migtest yelde to death, rather then wyth<br />
Aristippus search howe to prolonge thy lyfe. Dost thou not know<br />
that where the tree falleth there it lyeth ? and euery ones deathes<br />
daye is his domes day ? that the whole course of lyfe is but a medi- 30<br />
tation of death, a pilgrimage, a warfare ? Hast thou not read or dost<br />
thou not regarde what is written, that wee shall all bee cyted before<br />
the Tribunall seate of God to render a straight accompt of our<br />
stewardshyp ? if then the rewarde bee to be measured by thy merites,<br />
what boote canst 'thou looke for, but eternall paine, whiche heere 35<br />
lyuest in continuall pleasure ? So shouldest thou lyue as thou mayst<br />
2 the 1 ] thy E rest y u M 8 hauing EF: hast 1613 rest II say<br />
to A-C: saith too G rest: qy.? to say The lines run on as prose in preceding<br />
eds, 15 rigor to Iustice A-E 19 & om. C rest 23 nmnnors ATM<br />
24 take 1617 rest 26 shouldest C rest 29 he CG 34 thy] the<br />
C-F1617-36 35 looke] seeke T rest
LETTERS OF EUPHUES 309<br />
dye, and then shalt thou dye to lyue. Wert thou as strong as Sampson,<br />
as wise as Salomon, as holy as Dauid, as faythfull as Abraham,<br />
"as zealous as Moses, as good as any that euer lyued, yet shalt thou<br />
dye as they haue done, but not rise againe to lyfe with them, vnlesse<br />
5 thou Hue as they did. But thou wilt say that no man ought to iudge<br />
thy conscience but thy selfe, seeinge thou knowest it better then any.<br />
O Philautus, if thou search thy selfe and see not sinne, then is thy<br />
case almost curelesse. The patient, if Phisitions are to be credited,<br />
& como experiece estemed, is y e neerest death whe he thinketh him-<br />
10 selfe past his disease, & the lesse griefe he feeleth y e greater fits he<br />
endureth : y e woud that is not searched bicause it a lyttle smarteth,<br />
is fullest of dead flesh, and the sooner it skinneth the sorer it festereth.<br />
It is safde that Thunder bruseth the tree, but breaketh not<br />
•the barke, and pearceth the blade, and neuer hurteth the scabberd:<br />
15 Euen so doth sinne, wounde the hearte, but neuer hurte the eyes,<br />
and infect the soule, though outwardely it nothing afflict the body.<br />
Descende therfore into thine owne conscience, confesse thy sinnes,<br />
reforme thy manners, contemne the worlde, embrace Christ, leaue<br />
the courte, follow thy study, prefer holynesse before honour, honestie<br />
20 before promotion, relygion and vprightnesse of lyfe, before the ouerlashinge<br />
desires of the flesh. Resemble the Bee which out of the<br />
dryest and bitterest Time sucketh moyst & sweet Honny, and if thou<br />
canst out of the courte, a place of more pompe then pietie, sucke out<br />
the true iuice of perfection : but if thou see in thy selfe a will rather<br />
25 to goe forward in thy losenesse then any meane to goe backewarde,<br />
if the glystering faces of fayre Ladies, or the glittering shew of lustie<br />
gallaunts, or courtly fare, or any delycate thing seeme to entice thee<br />
to farther lewdenesse, come from the court to Athens, and so in<br />
shunning the causes of euill thou shalt soone escape the effect of<br />
30 thy misfortune, the more those things please thee, the more thou<br />
displeasest God, and the greater pride thou takest in sinne, the<br />
greater paine thou heapest to thy soule. Examine thine own conscience<br />
and see whether thou hast done as is required, if thou haue,<br />
thancke the Lorde and praye for encrease of grace, if not, desire God<br />
35 to giue thee a willyng minde to attayne fayth, and constancie to continue<br />
to the ende.<br />
2 Solomon TMC 6 not after it G then om. G 7 see] finde<br />
C rest 12 sorer] sooner F rest 21 : remember G rest 25 in thy . . .<br />
backewarde om. G rest 26 face E rest 30 the 1 ] y t M
310 EUPHUES<br />
Etiphues to Eubulns.<br />
T Salute thee, in the Lord, &c. Although I was not so wittie to<br />
follow thy graue aduice when I first knew thee, yet doe I not<br />
lacke grace to giue thee thankes since I tryed thee. And if I were<br />
as able to perswade thee to patience, as thou wert desirous to exhort 5<br />
me to pietie, or as wise to comfort thee in thine age, as thou willyng<br />
to instruct me in my youtbe, thou shouldest nowe with lesse griefe<br />
endure thy late losse, and with little care leade thy aged lyfe. Thou<br />
weepest for the deathe of thy daughter, & I laugh at the folly of the<br />
father, for greater vanitie is there in the minde of the mourner, then 10<br />
bitternesse in the deathe of the deceased, but she was amyable, but<br />
yet sinful, but she was young & might haue lyued, but she was<br />
mortall and must haue dyed. I but hir youth made thee often<br />
merry, I but thine age should once make thee wise, I but hir greene<br />
yeres wer vnfit for death, I but thy hoary haires shoulde dispise lyfe. 15<br />
Knowest thou not Eubulus, that lyfe is the gifte of God, deathe the<br />
due of nature, as we receiue the one for a benefitte, so must we abide<br />
the other of necessitie. Wisemen haue found that by learning which<br />
olde men should know by experience, that in lyfe there is nothing<br />
sweet, in death nothing sowre. The Philosophers accompted it y e 20<br />
chiefest felycitie neuer to be borne, the second soone to die. And<br />
what hath death in it so hard that we should take it so heauily ? is<br />
it strange to see y t cutte off, which by nature is made to be cut, or<br />
that melten, which is fit to be melted ? or that burnt which is apt to<br />
be burnt, or man to passe that is borne to perish ? But thou grauntest 25<br />
that she shold haue dyed, & yet art thou grieued y t she is dead. Is<br />
the death y e better if the lyfe be longer ? no truly. For as neither<br />
he that singeth most, or praieth longest, or ruleth y e sterne oftenest,<br />
but he that doth it best deserueth .greatest prayse, so he, not y t hath<br />
most yeres but many vertues, nor he that hath grayest haires but 30<br />
greatest goodnes, lyueth longest. The chiefe beau tie of lyfe consisteth<br />
not in the numbring of many dayes, but in the vsing of<br />
vertuous doings. Amongst plants those be best esteemed y t in<br />
shortest time bringe forth much frute. Be not the fairest flowers<br />
gathered when they be freshest ? the youngest beasts killed for sacri- 35<br />
fice bicause they be finest ? The measure of lyfe is not length but<br />
1 to Eubulus TC rest-, to Ferardo A : and Eubulus M ,11 diseased T<br />
12 was 2 OM. C 16 Ferardo A : Eubules E l is before the 2 F rest 23<br />
off after cut E rest 24 melten] melted E rest 26" sorrowfull because<br />
E rest 27 the lyfe be] it be the G rest 33 Among GE l
LETTERS OF EUPHUES 311<br />
honestie, neyther do we enter into lyfe to the ende we should set<br />
downe y e day of our death, but therefore do we lyue, y t we may obey<br />
him that made vs, and be willyng to dye when he shal call vs. But<br />
I wil aske thee this question, whether thou wayle the losse of thy<br />
5 daughter for thine owne sake or hirs, if for thine owne sake, bicause<br />
thou didst hope in thine age to recouer cofort, then is thy loue to<br />
hir but for thy commoditie, and therein thou art but an vnkinde<br />
father, if for hirs, then dost thou mistrust hir saluation, and therein<br />
thou shewest thy vnconstant fayth. Thou shouldst not weepe that she<br />
10 hath runne fast, but that thou hast gone so slowe, neyther ought it<br />
to grieue thee that she is gone to hir home with a few yeares, but<br />
that thou art to goe with manye. But why goe I about to vse a longe<br />
processe to a little purpose ? The budde is blasted as soone as the<br />
blowne Rose, y e winde shaketh off the blossome as well as y e fruite.<br />
15 Death spareth neyther y e golden locks nor the hoary head. I meane<br />
not to make a treatise in the prayse of death but to note the necessitie,<br />
neyther to write what ioyes they receiue that dye, but to show<br />
what paynes they endure yt lyue. And thou which art euen in the<br />
wane of thy life, whom nature hath nourished so long, that now she<br />
20 beginneth to nod, maist well know what griefes, what laboures, what<br />
paynes, are in age, & yet wouldest thou be eyther young to endure<br />
many, or elder to byde more. But thou thinkest it honourable to<br />
goe to y e graue w t a gray head, but I deeme it more glorious to be<br />
buried with an honest name. Age sayste thou is the blessing of God,<br />
25 yet the messenger of death. Descende therfore into thine owne<br />
conscience consider the goodnesse that commeth by the ende, & the<br />
badnesse which was by y e beginning, take y e death of thy daughter<br />
patiently, and looke for thine own speedely, so shalt thou perfourme<br />
both the office of an honeste man, and the honour of an aged father,<br />
30 and so farewell.<br />
Euphues to Philautus.<br />
Touching the deathe of<br />
Lucilla.<br />
I<br />
Haue receiued thy letters, and thou hast decerned mine expectation,<br />
for thou seemest to take more thought for the losse of an<br />
harlot, then the life of an honest woman. Thou writest that she was<br />
3 whensoeuer E rest 5 for before hirs C rest 8 hirs . .. thou] hers,<br />
thou dost E rest 10 gone] done 1617, 1623 so] too C rest 15 neither<br />
spareth C rest 21 thou om. G rest
312 EUPHUES<br />
shamefull in hir trade and shamelesse in hir ende. I beleeue thee,<br />
it is no meruayle that she which lyuing practised sinne, should dying<br />
be voyde of shame, neyther coulde there be any great hope of repentaunce<br />
at the houre of death where there was no regard of honestie<br />
in time of lyfe. She was stricken sodaynely beeinge troubled with 5<br />
no sickenesse: It may be, for it is commonly seene, that a sinfull<br />
lyfe is rewarded with a soddayne deathe, and a sweete beginning<br />
with a sowre ende. Thou addest moreouer y t she being in great<br />
credite with the states, died in great beggerie in the streetes, certes<br />
it is an olde saying that who so lyueth in the courte shall dye in the 10<br />
strawe, she hoped there by delyghtes to gayne money, and by hir<br />
deserts purchased misery, they that seeke to clyme by priuie sinne<br />
shall fall with open shame, and they that couet to swimme in vice,<br />
shall sinke in vanitie to their owne perilles. Thou sayest that for<br />
beautie she was the Helen of Greece, and I durst sweare that for 15<br />
beastlines she might be the Monster of Italy. In my minde greater<br />
is the shame to be accompted an harlot, then the praise to be esteemed<br />
amiable. But where thou arte in the courte, there is more regard of<br />
beautie then honestie, and more are they lamented that dye viciously<br />
then they loued that Hue vertuously : for thou giuest as it were a sigh, 20<br />
which all thy companions in the courte seeme by thee to sound also,<br />
that Lucilla beeing one of so great perfection in all partes of the body<br />
and so little pietie in the soule, should be as it were snatched out of<br />
the iawes of so many young gentlemen. Well Philautus, thou takest<br />
not so much care for the losse of hir as I griefe for thy lewdnesse, 25<br />
neither canst thou sorrowe more to see hir dye sodeinely, then I to<br />
heare thee lyue shamefullye. If thou meane to keepe mee as a friende<br />
shake off those vaine toyes and dalyaunces wyth women, beleeue mee<br />
Philautus I speake it wyth salt tears trickling downe my cheekes, the<br />
lyfe thou liuest in court is no lesse'abhorred then the wicked death 30<br />
of Lucilla detested, & more art thou scorned for thy folly, then she<br />
hated for hir filthinesse.<br />
The euill ende of Lucilla should moue thee to begin a good lyfe :<br />
I haue often warned thee to shunne thy wonted trade, & if thou loue<br />
me as thou protestest in thy letters, then leaue all thy vices & shewe 35<br />
it in thy life. If thou meane not to amend thy manners I desire<br />
thee to write no more to me, for I will neither answere thee nor<br />
4 honestie] honest reputation E rest 14 vanities E rest 19 of after<br />
then G rest 20 gauest E rest 21 which] with A 22 the] her E rest<br />
25 grieue T rest 28 daliance E rest 30 the Court E rest 33 good]<br />
new C rest
LETTERS OF EUPHUES 313<br />
read them. The Iennet is broke" as soone w t a wad as with the<br />
spurre, a gentleman as well allured with a word as with a swoord.<br />
Thou concludest in the end that Liuia is sick, truely I am sory for<br />
shee is a maiden of no lesse comlinesse then modesty, & hard it is<br />
5 to iudge whether she deserues mare praise for hir beauty with y e<br />
amorous or admiration for hir honestie of y e vertuous, if y u loue me<br />
embrace hir, for she is able both to satisfy thine eye for choice, &<br />
instruct thy heart with learning. Commed me vnto hir, & as I<br />
praise hir to thee, so wil I pray for hir to God y t either she may<br />
10 haue pacience to endure hir trouble or deliuerance to scape hir peril.<br />
Thou desirest me to send thee y e Sermons which were preached of<br />
late in Athens. I haue fulfilled thy request, but I feare me thou<br />
wilt vse them as S. George doth his horse, who is euer on his backe<br />
but neuer rideth, but if thou wert as willing to read them, as I was to<br />
15 send them, or as ready to follow them, as desirous to haue them, it<br />
shall not repent thee of thy labour, nor me of my cost. And thus<br />
farewell.<br />
Euphncs to Botonio, to take<br />
his exile patiently.<br />
20 IF were as wise to giue thee counsaile, as I am willing to do<br />
thee good, or as able to set thee at libertie, as desirous to haue<br />
thee free, thou shouldest neither want good aduice to guyde thee,<br />
nor sufficient helpe to restore thee. Thou takest it heauylye that<br />
thou shouldest bee accused without colour, and exiled wythout<br />
25 cause: and I thincke thee happy to be so well rydde of the courte<br />
and to bee so voyde of crime. Thou sayest banishment is bitter to<br />
the free borne, and I deeme it the better if thou bee wythout blame.<br />
There bee manye meates which are sowre in the mouth and sharpe in<br />
the mawe, but if thou mingle them wyth sweete sawces, they yeelde<br />
30 both a pleasaunt taste and holesome nourishment: Diuers colours<br />
offende the eyes, yet hauinge greene amonge them whet the sight.<br />
I speake this to this ende, that though thy exile seeme grieuous to<br />
thee, yet guiding thy selfe with the rules of Philosophye it shall bee<br />
more tollerable: hee that is colde doth not couer himselfe wyth<br />
35 care, but with clothes, he that is washed in y e rayne dryeth himselfe<br />
by the fire not by his fancie, and thou which art bannished oughtest<br />
1 as soone broken E rest 4 madyen A 6 y e vertuous] vertues A<br />
thou T rest 10 escape G rest 13 saint T-G 24 exiled] banished<br />
C rest 26 to 1 om. T rest
314 EUPHUES<br />
not with teares to bewaile thy hap, but with wisedome to heale thy<br />
hurt.<br />
Nature hath giuen no man a country no more then she hath<br />
a house, or lads, or liuings. Socrates would neither call himselfe<br />
an Athenian, neither a Grecian, but a Citize of y e world. Plato 5<br />
would neuer accompt him banished y t had the Sunne, Fire, Aire,<br />
Water, & Earth, that he had before, where he felt the Winters blast<br />
and the Summers blaze, wher y e same Sunne & the same Moone<br />
shined, whereby he noted that euery place was a countrey to a wise<br />
man, and all partes a pallaice to a quiet minde. 10<br />
But thou art driuen out of Naples? that is nothing. All the<br />
Athenians dwell not in Colliton, nor euery Corinthian in Grcecia, nor<br />
all the Lacedemonians in Pitania, How can any part of the world<br />
bee distant farre from the other, when as the Mathematicians set<br />
downe that the earth is but a pointe being compared to y e heauens. 15<br />
Learne of the Bee as wel to gather Honny of the weede as the flowre,<br />
and out of farre countries to liuc, as wel as in thine owne.<br />
He is to be laughed at which thincketh the Moone better at<br />
Athens then at Corinth, or the Honnye of the Bee sweeter that is<br />
gathered in Hybla then that which is made in Mantua ? when it was 20<br />
cast in Diogenes teeth that the Synoponetes had banished hym Pontus,<br />
yea, sayde hee, I them of Diogenes. I maye saye to thee as Stratonicus<br />
sayde to his guest, who demaunded what faulte was punished<br />
wyth exile, and hee aunsweringe falshoode, why then sayde Stratonicus<br />
dost not thou practise deceite to the ende thou maist auoyde the 25<br />
myschiefes that followe in thy countrey.<br />
And surely if conscience be the cause thou art banished the court,<br />
I accompt thee wise in being so precise y t by the vsing of vertue<br />
thou maist be exiled the place of vice. Better it is for thee to Hue with<br />
honesty in y e country then w t honour in the court, & greater wil thy 30<br />
praise be by flying vanitie, then thy pleasure in followinge traines.<br />
Choose tha.t place for thy palaice which is most quiet, custome will<br />
make it thy countrey, and an honest life will cause it a pleasaunt<br />
liuinge. Philip falling in the dust, and seeing the figure of his<br />
shape perfect in shewe: Good God sayd he, we desire y e whole 35<br />
earth and see how little, serueth ? Zeno hearing that this onely barke<br />
wherein all his wealth was shipped to haue perished, cryed out, thou<br />
1 with 2 ] in £ rest 3 no 1 ] to G rest 4 a om. Erest 6 Fire, om.Erest<br />
12 Colliton so all 18 the] that C-E 19 the 2 ] a F rest 20 Hyblia E 1<br />
22, 24 Straconicus all old eds. 26 flow T rest thy] the EF 31 by]<br />
in T rest 33 cause] make G rest 36 this] his E rest
LETTERS OF EUPHUES 315<br />
hast done well Fortune to thrust me into my gowne agayne to<br />
embrace Philosophy: thou hast therefore in my minde great cause<br />
to reioyce, that God by punishment hath compelled thee to stricktnesse<br />
of lyfe which by lybertie might haue ben growen to lewdnesse.<br />
5 When thou hast not one place assigned thee wherein to liue, but<br />
one forbidden thee which thou must leaue, then thou beeing denied<br />
but one, that excepted thou maist choose any. Moreouer this<br />
dispute with thy selfe, I beare no office whereby I shoulde eyther<br />
for feare please the noble, or for gaine oppresse the needy. I am<br />
10 no Arbiter in doubtfull cases, whereby I should eyther peruerte<br />
Iustice or incurre displeasure. I am free from the iniuries of the<br />
stronge and mallice of the weake. I am out of the broiles of<br />
the sedytious, and haue escaped the threates of the ambitious. But<br />
as hee that hauinge a fayre Orchardc, seeing one tree blasted,<br />
15 recompteth the discommodity of that & passeth ouer in silence<br />
the fruytfulnesse of the other: So hee y t is banished doth alwayes<br />
lament y° losse of his house & the shame of his exile, not reioysing<br />
at the liberty, quyetnesse & pleasure y t he enioyeth by y t sweet<br />
punishment. The kinges of Persia were deemed happy that they<br />
20 kepte their Winter in Babilon, in Media their Summer, and their<br />
Spring in Susis: and certeynly the Exile may in this be as happy<br />
as any king in Persia, for he may at his leasure, beeing at his owne<br />
pleasure, lead his Winter in Athens, his Summer in Naples, his<br />
Spring at Argos. But if hee haue anye business in hande, he may<br />
25 studie without trouble, sleepe without care, and wake at his will<br />
without controlment. Aristotle must dine when it pleaseth Philips<br />
Diogenes when it lysteth Diogenes, the courtier suppeth when the<br />
king is satisfied, but Botonio may now eate when Botonio is an<br />
hungred.<br />
30 But thou sayst that banishment is shamefull. No truly, no more<br />
then pouertie to the content, or graye haires to the aged. It is the<br />
cause that maketh thee shame. If thou wert banished vpon choller<br />
greater is thy credite in sustayninge. wronge then thine enemies in<br />
committinge iniurie, and lesse shame is it to thee to be oppressed<br />
35 by might, then theirs that wrought it for mallyce. But thou fearest<br />
5 therin C rest 6 must] maist G rest 7 thus 1631-6 10 Arbiter A<br />
1623: Arbiterer T: arbiterer M: arbitrer C-1013, 1631, 1636: Arbiteer 1617<br />
16 alway E 19-20 that... kepte] in that they passed T rest 20 their 3 ] the<br />
E rest 21 in this may T rest 22 leasure, beeing at] leasure beginne E rest<br />
24 at] in T rest 27 lusteth E rest 33 thine enemies] thy enuyes A-G<br />
34 it is E 2 rest
316 EUPHUES<br />
thou shalt not thriue in a straunge nation, certeynly thou art more<br />
afrayde then hurte, the Pine tree groweth as soone in Pharo as in<br />
Ida, the Nightingale singeth as sweetly in the desarts as in the<br />
woodes of Crete, the wiseman lyueth as well in a farre country as in<br />
his owne home. It is not the nature of the place but the disposition 5<br />
of the person that maketh the lyfe pleasaunt. Seeing therefore<br />
Botonio, that all the Sea is apte for anye fishe, that it is a badde<br />
grounde where no flower will growe, that to a wise man all landes<br />
are as fertile as his owne enherytaunce, I desire thee to temper the<br />
sharpenesse of thy banishment with the sweetenesse of the cause, 10<br />
and to measure the clearenesse of thine owne conscience with the<br />
spite of thy enemyes quarrell, so shalt thou reuenge their mallyce<br />
with patience and endure thy banishment with pleasure.<br />
Enphucs to a young gentleman in Athens named<br />
Alcius, who leaning his studio follow- I5<br />
cd all lyghtnes and lyued both sliame-<br />
/ally and sinfully to the griefe of<br />
his friends and discredite of the<br />
Vniuersitie.<br />
IF I should talke in words of those things which I haue to 20<br />
conferre with thee in writinges, certes thou wouldest blush<br />
for shame, and I weepe for sorrow, neyther could my tongue vtter<br />
that with patiece which my hand can scarce write with modestie,<br />
neyther could thy eares heare that without glowing which thine eyes<br />
can hardly view without griefe. Ah Aldus, I can not tell whether 25<br />
I should most lament in thee thy want of learning, or thy wanton<br />
lyuinge, in the one thou arte inferiour to all men, in the other<br />
superiour to all beasts. Insomuch as who seeth thy dull wit &<br />
marketh thy froward will may well say that he neuer saw smacke<br />
of learning in thy doings, nor sparke of relygion in thy lyfe. Thou 30<br />
onely vauntest of thy gentry, truely thou wast made a gentleman<br />
before thou knewest what honestie ment, & no more hast thou to<br />
bosl of thy stock the he who beeing left rich by his father, dyeth<br />
a begger by his folly. Nobilytie began, in thy auncestours and<br />
2 Pharao C-F: Pharos 1613 rest 3 sweete E rest 8 a] the Frest<br />
12 thine E rest their] thy E rest 14 Naples T rest 23 hands<br />
E 2- 1613: 1617 rest om. patience . . . write with 24 thy] thine E rest<br />
thine] mine E rest 26 mosttm. C rest 31 was F 33 who] y t<br />
C rest 34 - thine T rest
LETTERS OF EUPHUES 317<br />
endeth in thee, and the Generositie that they gayned by vertue,<br />
thou hast blotted with vice. If thou clayme gentry by petegree,<br />
practise gentlenesse by thine honestie, that as thou challengest to<br />
be noble in blood thou maist also proue noble by knowledge, other-<br />
5 wise shalt thou hang lyke a blast among the faire blossoms and lyke<br />
a stayne in a peece of white lawne.<br />
The Rose that is eaten with the Canker is not gathered bicause<br />
it groweth on that stalke that the sweet doth, neyther was Helen<br />
made a Starre bicause shee came of that Egge with Castor, nor thou<br />
10 a gentleman in y t thy auncestours were of nobilytie. It is not the<br />
descent of birth, but the consent of conditions that maketh gentlemen,<br />
neyther great mannors but good manners that expresse the<br />
true Image of dignitie. There is copper coine of the stampe that<br />
gold is, yet is it not currant, there commeth poyson of the fish as<br />
15 well as good oyle yet is it not wholesome, and of man may proceede<br />
an euill childe and yet no gentleman. For as the Wine that runneth<br />
on the lees, is not therefore to be accompted neate bicause it was<br />
drawne of the same peece: or as the water that springeth from the<br />
fountaines head and floweth into the filthye channell is not to be<br />
20 called cleere bicause it came of the same streame : so neyther is he<br />
that discendeth of noble parentage, if he desist from noble deedes,<br />
to be esteemed a gentleman in that he issued from the loynes of<br />
a noble sire, for that he obscureth the parentes he came off, and<br />
discrediteth his owne estate. There is no gentleman in Athens but<br />
25 soroweth to see thy behauiour so farre to disagree from thy birth,<br />
for this say they all (which is the chiefest note of a gentleman) that<br />
thou shouldest as well desire honestie in thy lyfe as honour by thy<br />
lynage, that thy nature should not swerue from thy name, that as<br />
thou by duetie woldest be regarded for thy progeny, so thou wouldest<br />
30 endeauour by deserts to be reiferenced for thy pietie.<br />
The pure Corall is chosen as well by his vertue as his colour,<br />
a king is knowne better by his courage then his crowne, a righte<br />
gentleman is sooner seene by the tryall of his vertue then biasing<br />
of his armes.<br />
35 But I lette passe thy-birthe, wishing thee rather with Vlysses<br />
to shew it in workes, then with Aiax to boast of it with wordes,<br />
thy stocke shall not be the lesse but thy modesty the greater. Thou<br />
1 ended F rest 2 pedegree G-1613: pedigree 1617 rest 4 in] by<br />
G rest 5 y u C the] thy E l 21 descendeth T rest desist] differ<br />
B rest 28 swearue C: swarue G rest 29 shouldst E rest shouldest<br />
E 2 rest 37 the 1 om. E rest
318 EUPHUES<br />
liuest in Athens as the Waspe doth among Bees, rather to sting the<br />
to gather Honny, and thou dealest with most of thy acquaintaunce<br />
as the Dogge doth in the maunger, who neyther suffered! the Horse<br />
to eate haye, nor will himselfe, for thou beeing idle, wilt not permitte<br />
any (as farre as in thee lyeth) to be well employed. Thou art an 5<br />
heyre to fayre lyuing, that is nothing, if thou be disherited of learning,<br />
for better were it to thee to enherit righteousnesse then riches, and<br />
farre more seemely were it for thee to haue thy studdye full of bookes,<br />
then thy purse full of money, to gette goodes is the benefite of<br />
Fortune, to keepe them the gifte of Wisedome. As therefore thou 10<br />
art to possesse them by thy fathers will, so arte thou to encrease<br />
them by thine owne witte.<br />
But alas, why desirest thou to haue the reuenewes of thy parent<br />
& nothing regardest to haue his vertues ? seekest thou by succession<br />
to enioye thy patrimony, and by vyce to obscure his pietie ? wilt 15<br />
thou haue the tytle of his honour and no touch of his honestie ?<br />
Ah Aldus remember y t thou arte borne not to lyue after thine owne<br />
luste, but to learne to dye, whereby thou mayste lyue after thy death.<br />
I haue often hearde thy father saye and that with a deepe sighe the<br />
teares tricklinge downe his graye haires that thy mother neuer longed 20<br />
more to haue thee borne when she was in trauaile, then hee to haue<br />
thee dead to rydde him of trouble. And not seldome hath thy<br />
mother wished, that eyther hir wombe had ben thy graue or y e<br />
ground hirs. Yea, al thy friends with open mouth desire eyther<br />
that God will send thee grace to amende thy lyfe, or griefe to hasten 25<br />
thy death. Thou wilt demaunde of mee in what thou dost offend :<br />
and I aske thee in what thou dost not shine. Thou swearest thou<br />
arte not couetous, but I saye thou arte prodigall, and as much<br />
sinneth he that lauisheth without meane, as he that hoordeth without<br />
measure. But canst thou excuse thy selfe of vice in y t thou art not 30<br />
couetous ? certeinly no more then the murtherer would therefore be<br />
guiltlesse bicause he is no coyner.<br />
But why go I about to debate reason w t thee when thou hast<br />
no regard of honestie ? though I leaue heere to perswade thee, yet<br />
will I not cease to pray for thee. In the meane season I desire thee, 35<br />
yea, & in Gods name commaund thee that if neither the care of thy<br />
parents whom thou shouldest comfort, nor the counsaile of thy friends<br />
1 the before Bees E 2 rest 17 not born G rest 21 trauile C: trauell<br />
1631-6 22 troubles E rest 24-5 that eyther G rest 31 coulde E 2 rest<br />
35 I will F 36 I before command G rest that om. £ 2 rest
LETTERS OF EUPHUES 319<br />
which thou shouldest credit, nor the rigor of the lawe which thou<br />
oughtest to feare, nor the authority of the Magistrate which thou<br />
shouldest reuerence, can allure thee to grace: yet the lawe of thy<br />
Sauiour who hath redeemed thee, and the punishment of the al-<br />
5 mightie who continually threatneth thee, draw thee to amendement,<br />
otherwise as thou liuest now in sinne, so shalt thou die with shame<br />
and remaine with Sathan, from whome he that made thee, keepe<br />
thee.<br />
Linia from the Empcrours court, to<br />
10<br />
Eupkues at Athens.<br />
IF sickenesse had not put mee to silence and the weaknesse of<br />
my body hindred the willingnesse of my minde, thou shouldest<br />
haue had a more speedy aunswere, and I no cause of excuse.<br />
I knowe it expedient to retourne an aunswere, but not necessary<br />
15 to wryte it in poste, for that in thinges of great importaunce wee<br />
commonly looke before wee leape, and where the heart droupeth<br />
through faintnesse, the hande is enforced to shake through feeblenesse.<br />
Thou sayest thou vnderstandest howe men liue in the courte,<br />
and of me thou desirest to knowe the estate of women, certes to<br />
20 dissemble with thee were to deceiue my selfe and to cloake the<br />
vanities in court were to clogge mine owne conscience wyth vices.<br />
The Empresse keepeth hir estate royall and hir maydens will not<br />
leese an ynch of their honour, shee endeauoureth to sette downe<br />
good lawes and they to breake them, shee warneth them of excesse<br />
25 and they studye to exceede, she sayth that decent attire is good<br />
thoughe it be not costly, and they sweare vnlesse it bee deere it is<br />
not comely. She is heere accompted a slut that commeth not in<br />
hir silkes, and shee that hath not euerye fashion, hath no mans<br />
fauour. They that be most wanton are reputed most wise, and they<br />
30 that be the idlest liuers are deemed the finest louers. There is great<br />
quarrelling for beautie, but no question of honestie: to conclude,<br />
both women and men haue fallen heere in court to such agreement<br />
that they neuer iarre about matters of religion, bycause they neuer<br />
meane to reason of them. I haue wished oftentimes rather in the<br />
35 countrey to spinne, then in the courte to dawnce, and truely a<br />
distaffe doth better become a mayden then a Lute, and fitter it is<br />
1 thou shouldest credit. . . which om. E rest 5 should before drawe G rest<br />
15 it om. T rest 21 vanitie E rest 27 for before a C rest 30<br />
the 1 om. C
32o EUPHUES<br />
with the nedle to practise howe to Hue, then with the pen to learne<br />
how to loue.<br />
The Empresse gyueth ensample of vertue, and the Ladyes haue<br />
no leasure to followe hir. I haue nothing els to write. Heere is<br />
no good newes, as for badde, I haue tolde sufficient: yet this I must 5<br />
adde that some there bee whiche for their vertue deserue prayse, but<br />
they are onely commended for theire beautie, for this thincke courtiers,<br />
that to be honest is a certeine kinde of countrey modestie, but<br />
to bee amiable the courtly curtesie.<br />
I meane shortly to sue to the Empresse to bee dysmissed of the 10<br />
court, which if I obtayne I shall thincke it a good rewarde for my<br />
seruice to bee so well rydde from such seueritie, for beleeue mee<br />
there is scarce one in courte that eyther feareth GOD, or meaneth<br />
good. I thancke thee for the booke thou dyddest sende mee, and<br />
as occasion shall serue I wyll requyte thee. Philautus beginneth 15<br />
a little to lysten to counsayle, I wishe him well and thee too, of<br />
whome to heare so muche good it doth mee not a little good.<br />
Pray for mee as I doe for thee, and if opportunitie be offered write<br />
to me. Farewell.<br />
D<br />
Euphnes to his friend<br />
Liuia,<br />
Eare Lima, I am as gladde to heare of thy welfare as sorrowfull<br />
to vnderstande thy newes, and it doth mee as much good that<br />
thou art recouered, as harme to thincke of those which are not to<br />
be recured. Thou hast satisfied my request and aunswered my 25<br />
expectation. For I longed to knowe the manners of women, and<br />
looked to haue them wanton. I lyke thee well that thou wylte not<br />
conceale their vanities, but I loue thee the better that thou doest<br />
not followe them, to reproue sinne is the signe of true honour, to<br />
renounce it the part of honestie. All good men wyll accompte thee 30<br />
wyse for thy truth, and happye for thy tryall, for they saye, to<br />
absteine from pleasure is the chiefest pietie, and I thincke in courte<br />
to refraine from vice is no little vertue. Straunge it is that the<br />
sounde eye viewinge the.sore shoulde not be dimmed, that they that<br />
handle pitch should not be defiled, that they that continue in court 35<br />
5 must] may E rest 8 countrey A CG: countey T: country M; Country<br />
E rest 12 securitie G rest 15 requyte] write to E rest 17 not me E rest<br />
24 which] that G rest " 34 viewinge] viewing of E rest 34-5 he that<br />
handleth G rest 35 in] in the C G E 2 rest; the E 1<br />
20
LETTERS OF EUPHUES 321<br />
should not be infected. And yet it is no great meruaile for by<br />
experience we see y t the Adamant cannot drawe yron if y e Diamond<br />
lye by it, nor vice allure y e courtier if vertue be retained. Thou<br />
praysest the Empresse for instituting good lawes, and grieuest to<br />
5 see them violated by the Ladyes. I am sory to thincke it should<br />
be so, and I sigh in that it cannot be otherwise. Wher ther is no<br />
heed take" of a commaundement, there is small hope to be looked<br />
for of amendement. Where duetie can haue no show, honestie can<br />
beare no sway. They that cannot be enforced to obedience by<br />
10 authoritie, will neuer be wonne by fauour, for beeing without feare,<br />
they commonly are voide of grace: & as farre be they caried from<br />
honour as they be from awe, and as ready to dispise the good<br />
counsaile of their Peeres, as to contemne the good lawes of their<br />
Prince. But the breaking of lawes doth not accuse the Empresse<br />
15 of vice, neither shall hir makinge of them excuse the ladies of<br />
vanities. The Empresse is no more to be suspected of erring then<br />
the Carpenter that buildeth the house bee accused bicause theeues<br />
haue broken it, or the Mintmaister condemned for his coyne bicause<br />
the traitor hath clipped it. Certeinly God wil both reward the godly<br />
20 zeale of the Prince, and reuenge the godlesse doinges of the people.<br />
Moreouer thou saist that in the court all be sluttes that swimme<br />
not in silkes, and that the idlest liuers are accompted the brauest<br />
louers. I cannot tell whether I should rather laugh at their folly<br />
or lament their phrensie, neither do I know whether the sinne bee<br />
25 greater in apparel which moueth to pride, or in affection which<br />
entiseth to peeuishnesse: the one causeth the" to forget themselues,<br />
y e other to forgo their sences, ech do deceiue their soule. They<br />
y t thinck one cannot be cleanly without pride, wil quickly iudge<br />
none to be honest without pleasure, which is as hard to confesse<br />
30 as to saye no meane to bee without excesse: thou wishest to be<br />
in the country wyth thy distaffe rather then to continue in the court<br />
w* thy delights. I cannot blame thee, for Greece is as much to be<br />
commended for learning, as the court for brauery, & here maist thou<br />
liue with as good report for thine honestie, as they wyth renowme<br />
35 for their beau tie. It is better to spinne with Penelope all night then<br />
to sing with Helen all daye. Huswifery in the countrey is as much<br />
praysed as honour in the court. We thinke it as great mirth to sing<br />
Psalmes, as you melody to chaunt Sonnets, & we accompt them<br />
11 caried] carelesse A-F 27 forgo] forge E 2 F do A-E 1 : to<br />
E 2 rest 33 codemned E rest<br />
BOND I Y
322 EUPHUES<br />
as wyse that keepe their owne lands with credite, as you those that<br />
gette others lyuings by craft. Therefore if thou wilt follow my<br />
aduise and prosecute thine owne determination thou shalt come out<br />
of a warme Sunne into Gods blessing. Thou addest (I feare me<br />
also thou errest) that in the courte there be some of great vertue, 5<br />
wisedome and sobrietie, if it be so I lyke it, and in that thou sayst<br />
it is so, I beleeue it. It may be, and no doubte it is in the courte<br />
as in all riuers some Fish some Frogs, and as in all gardeins some<br />
flowers some weeds, and as in all trees some blossoms some blasts.<br />
Nylus breedeth the pretious stone and the poysoned Serpent. The 1o<br />
court may as wel nourish vertuous Matrones as the lewde Minion.<br />
Yet this maketh me muse y t they should rather bee commended<br />
for their beautie then for their vertue, which is an infallible argument<br />
that the delyghts of the flesh are preferred before y e holynesse of the<br />
spirite. Thou sayst thou wilt sue to leaue thy seruice and I wil 15<br />
pray for thy good successe, when thou art come into the country<br />
I would haue thee first learne to forget all those thinges which<br />
thou hast seene in the court. I woulde Philautus were of thy<br />
minde to forsake his youthfull course, but I am glad thou writest<br />
that he beginneth to amend his condicions : he runneth farre that 20<br />
neuer retourneth, and hee sinneth deadly that neuer repenteth.<br />
I would haue him ende as Lucilla began without vyce, and not<br />
beginne as she ended without honestie. I loue the man well, but<br />
I cannot brooke his manners. Yet I conceiue a good hope that in<br />
his age he will be wise, for that in his youth I perceiued him wittie. 25<br />
Hee hath promised to come to Athens, which if he doe, I will so<br />
handle the matter that eyther he shall abiure the court for euer or<br />
absent himselfe for a yeare. If I bring the one to passe he shall<br />
forgoe his olde course, if the other forget his ill condicions. He<br />
that in court will thriue to reape wealth, and lyue warie to gette 30<br />
worship, must gayne by good conscience, and clyme by wisedome,<br />
otherwise his thrift is but theft where ther is no regard of gathering,<br />
and his honour but ambition, where there is no care but of promotion.<br />
Philautus is too simple to vnderstand the wyles in courte, and<br />
too young to vndermine any by crafte. Yet hath he showen himselfe 35<br />
as farre from honestie as he is from age, and as full of crafte as he<br />
is of courage. If it were for thy preferment and his amendment,<br />
I wish you were both married; but if he should continue his folly<br />
whereby thou shouldest fal from thy duetie I rather wish you both<br />
17 these EF 24 yet before I 1 G rest 33 of] for E rest
LETTERS OF EUPHUES 323<br />
buryed. Salute him in my name and hasten his iourney, but forgette<br />
not thine owne. I haue occasion to goe to Naples, that I may<br />
with more speede arriue in Englande, where I haue heard of a woman<br />
that in all quallyties excelleth any man. which if it be so I shall<br />
5 thinke my labour as well bestowed as Saba did hirs, when shee<br />
trauayled to see Salomon. At my goinge if thou bee in Naples<br />
I will visite thee and at my retourne I will tell thee my iudgement.<br />
If Philautus come this Winter, he shall in this my pilgrimage be<br />
a partner, a pleasant companion is a bayte in a iourney. We shall<br />
10 there as I heare see a courte both brauer in shewe and better in<br />
substaunce, more gallaunt courtiers, more godlye consciences, as<br />
faire Ladyes and fairer conditions. But I will not vaunt before the<br />
victorie, nor sweare it is so vntill I see it be so. Farewell vnto<br />
whome aboue all I wish well.<br />
15 T Haue finished the first part of Euphues whome now<br />
A I lefte readye to crosse the Seas to Englande, if the<br />
winde sende him a shorte cutte you shall in the<br />
seconde part heare what newes he bringeth<br />
and I hope to haue him retourned<br />
20 within one Summer. In the<br />
meane season I wil stay<br />
for him in the country<br />
and as soone as he arriueth<br />
you shall<br />
25 know of his<br />
comming.<br />
FINIS.<br />
7 and om. C rest 10 braue E rest 11 consciences 1613 rest: consciues A-F<br />
15 - 2 61 Haue .. . comming. A GE rest print like the rest of the tale in black letter', Min<br />
small romans,Cin ordinary romans 19 and om. Crest retournued A 27<br />
After Finis. A gives merely the printer East's device of a horse, without any colophon.<br />
1 append the colophons found in M, C, G, D and No. 7 respectively', copying that<br />
of D from Prof. Arber's Reprint, and that of No. 7 from Hazlitfs Handbook, 1867.<br />
No later known ed. contains any colophon. T lacks the last two leaves<br />
ColophonU Imprinted at London by Thomas East, for | Gabriel Cawooa<br />
of M.dwelling in Paules Churchyard. \ 1579.<br />
Colophon Imprinted at London by Thomas | East, for Gabriell Cawood<br />
of C.dwelling | in Paules Church-yard. | 1580.<br />
Colophon5F Imprinted at London by | Thomas East, for Gabriel Cawood,<br />
of G.dwelling in Paules Church-|yard. 1581.<br />
ColophonAT LONDON printed by Thomas East for Gabriel Cawood<br />
of D.dwelling in Paules Churchyard. 1585.<br />
ColophonAt London Printed by Thomas East for Gabriel Cawood, dwellinj<br />
of No. 7. in Pauls Churchyard. 1587.<br />
Y 2
To my very good friends the<br />
Gentlemen Scholers of Oxford 1 .<br />
THere is no priuiledge that needeth a pardon, neither is there<br />
any remission to be asked where a commission is graunted.<br />
I speake this Gentlemen, not to excuse the offence which is taken, 5<br />
but to offer a defence where I was mistaken. A cleere conscience<br />
is a sure card, truth hath the prerogatiue to speak with plainnes,<br />
& the modesty to beare with patience. It was reported by some &<br />
beleeued of many, that in the education of Ephcebus, where mention<br />
was made of Vniuersities, that Oxford was too much either defaced 10<br />
or defamed. I knowe not what the enuious haue picked out by<br />
mallice, or the curious by wit, or the guiltie by their owne galled<br />
consciences, but this I say, that I was as far from thinking ill, as<br />
I finde them from iudgeing well. But if I should now go about to<br />
make amends, I were the" faultie in somwhat amisse, and should 15<br />
1 This Address to the Gentlemen Scholars is given from M\ the Bodleian copy<br />
of the third edition (collated with T and C-F), where it appears as an appendix<br />
after the colophon, occupying the whole of one leaf signed and a portion of<br />
a second. From M 2 , the only other copy of the third edition known to me, the<br />
Address has been lost. Its appearance at the end is somewhat peculiar, for in the<br />
second edition, T, where it first appeared, the two leaves () containing it were<br />
inserted between sigs. A and B immediately before the tale, and this difference of<br />
position may seem to favour an order for the two editions the reverse of that which<br />
I have adopted. But the change in M may be referable to a mistake in stitching<br />
the sheets; or its original position in the surviving copy of T'may be so explicable;<br />
or, as is more probable, the intermediate character of the Address, which directs<br />
attention to the sequel, was emphasized in Lyly's mind by the approaching completion<br />
of that sequel. The first edition of Euphues and his England was to<br />
appear early in 1580; and Lyly, finding a third edition of The Anatomy of Wit<br />
called for before Christmas, 1579, transfers this apologetic and transitional Address<br />
to the end of the book. In the fourth edition however (C, Easter, 1580), it is<br />
restored to its former position, and compressed into a single leaf, no longer signed<br />
exceptionally , but taken up into the regular system of signature by fours,<br />
appearing as B, while the tale commences on the next leaf, signed B ij, and<br />
numbered ' 2.' In the fifth edition (G, 1581) the identification of the Address with<br />
the tale is carried still further by printing it, like the tale, in black letter. I have<br />
retained it at the end as in M l —a position in which its intermediate character is<br />
best marked.<br />
8 by] of G rest 10 was'] is G rest 14 now om. E rest
TO <strong>THE</strong> GENTLEMEN SCHOLERS OF OXFORD 325<br />
shew my selfe lyke Appelles Prentice, who coueting to mend the<br />
nose, marred the cheeke: and not vnlyke the foolish Diar, who<br />
neuer thought his cloth blacke vntil it was burned. If any fault be<br />
committed impute it to Euphues, who knew you not, not to Lylly<br />
5 who hates you not.<br />
Yet may I of all the rest most condemne Oxford of vnkindnes, of<br />
vice I cannot, who seemed to weane me before she brought me<br />
foorth, and to giue me boanes to gnaw, before I could get the teate<br />
to sucke. Wherin she played the nice mother in siding me into the<br />
10 country to nurse, where I tyred at a dry breast three yeares, and was<br />
at the last enforced to weane my self. But it was destinie, for if<br />
I had not bene gathered from the tree in the budde, I should beeing<br />
blowne haue proued a blast, and as good it is to bee an addle egge<br />
as an idle bird.<br />
15 Euphues at his ariuall I am assured will view Oxforde, where he<br />
will either recant his sayinges, or renew his complaintes, hee is now<br />
on the seas, & how he hath ben tossed I know not, but whereas I had<br />
thought to receiue him at Douer, I must meete him at Hampton.<br />
Nothing can hinder his comming but death, neither any thing<br />
20 hasten his departure but vnkindnesse.<br />
Concerning my selfe I haue alwayes thought so reuerently of<br />
Oxford, of the Schollers, of the manners, that I seemed to be<br />
rather an Idolater, then a blasphemer. They that inuented this toy<br />
were vnwise, & they that reported it vnkinde, and yet none of them<br />
25 can proue me vnhonest.<br />
But suppose I glaunced at some abuses: Did not Iupiters Egge<br />
bring foorth aswel Helen a light huswife in earth, as Castor a light<br />
Starre in Heauen? The Estritch that taketh the greatest pride in<br />
hir fethers, picketh some of the worst out and burneth them, ther is<br />
30 no tree but hath some blast, h0 countenaunce but hath some<br />
blemish, and shall Oxford then bee blamelesse ? I wish it were so,<br />
yet I cannot thinke it is so. But as it is, it may be better, & were<br />
it badder it is not the worst.<br />
I thinke there are fewe Vniuersities that haue lesse faults then<br />
35 Oxford, many that haue more, none but hath some.<br />
But I commit my cause to the consciences of those, that either<br />
know what I am, or can gesse what I shold be, the one will aunswere<br />
4 Lyly CG: Lylie E rest 5 hate G 17 had TM 1 only 22 of the 2 ]<br />
and of the EF; and of their 1613 rest 27 light 2 ] bright E 2 rest 32 yet]<br />
but C rest 35 hath] haue G rest
326 TO <strong>THE</strong> GENTLEMEN SCHOLERS OF OXFORD<br />
themselues in construing friendly, the other if I knew them I would<br />
satisfie reasonably.<br />
Thus loath to incurre the suspition of vnkindenesse in not telling<br />
my minde, and not willyng to<br />
make any excuse where there need no amends, 5<br />
I can neither craue pardon, least I shoulde<br />
confesse a faulte, nor conceale my<br />
meaning, least I shoulde bee<br />
thought a foole. And so<br />
I ende, yours assu- 10<br />
red to vse.<br />
Iohn Lylly.<br />
12 Lyly CG: Lylie E rest, exc, 1617 Lillie
NOTES<br />
<strong>THE</strong> ANATOMY OF WYT<br />
Page 177. Title. EUPHVES. <strong>THE</strong> ANATOMY OF WYT:<br />
The name of Lyly's hero, and the suggestion for his second title, The<br />
Anatomy [or Explanation] of Wyt is borrowed, as Morley says {Eng.<br />
Writers, viii. 301), from Roger Ascham's Scholemaster (1570), p. 38,<br />
ed. Arb.—'But concerning the trewe notes of the best wittes for learning<br />
in a childe, I will reporte, not myne own opinion, but the very Judgement<br />
of him, that was counted tke best teacher and wisest man that learning<br />
maketh mention of, and that is Socrates in Plato (Plato in 7 de Rep.),<br />
who expresseth orderlie thies seuen plaine notes to choise a good witte in<br />
a child for learninge.<br />
_ A n d bicause I write English,<br />
and to Englishemen, I will plainlie declare in Englishe both, what thies<br />
wordes of Plato meane, and how aptlie they be linked, and how orderlie<br />
they folow one an other.<br />
' 1. Is he, that is apte by goodnes of witte, and appliable<br />
by readines of will, to learning, hauing all other qualities of the minde<br />
and partes of the bodie, that must an other day serue learning, not<br />
trobled, mangled, and halfed, but sounde, whole, full, and hable to do<br />
their office,' &c. The literal meaning of is ' well-natured/ Lyly's<br />
general idea seems to be a young man of good birth and breeding.<br />
The fame of Lyly's book induced his contemporaries to borrow the<br />
name of his hero for their own title-pages, e.g. Greene's Eufihues his<br />
censure to Philautus, 1587, and Menafihon. Camillas Alarum to slumbering<br />
Eufihues, in his melancholie Cell at Silexedra, 1589: Lodge's<br />
Rosalynd. Eufihues Golden Legacie, 1590, and Eufihues Shadow, 1592:<br />
while the second title is imitated in Stubbes' Anatomie of Abuses, 1583,<br />
and Nash's Anatomie of Absurditie, 1589.<br />
P. 179, lines 1-3. Dedication: To . .. Sir William West Knight, Lord<br />
Delaware: for this person see Life, pp. 12, 20, and genealogy, p. 48.<br />
Lyly's relation to him must remain obscure.<br />
7. Parativsi Parrhasius. The story, like that of Alexander and<br />
Apelles below, is of Lyly's invention. Neither is found in Pliny or Plutarch,<br />
his sources for most of these tales of the painters.
328 NOTES<br />
9. Vulcan ... with hir Mole. Lyly is thinking of Cicero, De Natura<br />
Deorum, i. 29. 80-3, where Cicero questions whether we are to conceive<br />
the gods as having slight physical blemishes — moles [naevos) are<br />
mentioned—and praises a statue of Vulcan by Alcamenes,' in quo apparet<br />
claudicatio non deformis.'<br />
10. poltfoote: club foot, lit. chicken foot; again of Vulcan, p. 239.<br />
18. quod: older form of * quoth/<br />
19. finest Veluet with his bracke : i.e. break, flaw. Repeated p. 184. ,<br />
This set of comparisons (as Mr. P. A. Daniel points out to me) is verbally<br />
borrowed in A Merrie Knack to Know a Knave, c. 1590 :<br />
'As the rose hath his prickle, the finest velvet his brack,<br />
The fairest flower his bran, so the best wit his wanton will.'<br />
(Hazlitt's Dodsley, vi. 525.)<br />
24. Cyrus. . hoked nose: Plutarch, Reg. et Imp. Apophtheg. Cyri I,<br />
says the Persians love hooked noses because Cyrus' was such. Again,<br />
p. 57,1. 21.<br />
26. <strong>Home</strong>r . . .flattering. Perhaps from Plutarch, De Audiendis<br />
Poetis, c. iv. (ad init.).<br />
27. Alexander .. . quaffing: i. e. Plutarch, who decides the question<br />
against his hero (Quaest. Conv. i. 6).<br />
Demonydes . .. crooked shooe .. . wry foote: Plutarch, De Aud. Poet.<br />
c. iii. (ad fin.), where the cripple Demonides ' hoped his shoes would fit'<br />
the man who had stolen them. Cf. like imagery, yol. ii. p. 7,11. 5-10;<br />
Endim. v. 3. no.<br />
P. 180,1. Damocles, &c. There was a beautiful Athenian boy of that<br />
name (Plut. Demetrius, xxiv. 2).<br />
9. ought not to impute it to the iniquitie of the author. So Geoffrey<br />
Fenton in the Epistle Ded. of his Tragicall Discourses, 1567, explains<br />
that his licentious passages are intended morally, ' approuing sufficiently<br />
the inconuenience happenynge by the pursuite of lycenceous desyer.'<br />
But whatever might be said of Fenton, or of Gascoigne's Hundreth<br />
Flowres, 1573, Lyly's work always respects the decencies.<br />
28. latchet: shoe-strap. Pliny, xxxv. 36 assigns the saying to Apelles.<br />
P. 181, 2. neete ... Iuie-bush: ivy was sacred, to Bacchus. Moth.<br />
Bomb. ii. 2. 10 ' gone into this Iuy-bush.'<br />
4. glose: gloss.<br />
12. payntingis meter for ragged walls th'e fine Marble. Borrowed<br />
from Pettie's Pallace (ent. S. R. 1576), 'the fyne Marble you knowe<br />
needeth no paynting, that is needful onely for ragged walles' (fol. 91).<br />
See Introd. Essay, p. 138, note 2.<br />
16. beare the whitest mouthes. Four times in Euphues, but not<br />
elsewhere. (1) Originally of a quiet horse that does not make the bit<br />
bloody by champing and fretting; Euph. and his Eng. p. 225,1. 7 with a<br />
gentle rayne they will bear a white mouth,' and p. 21,1. 14 ' his young colt
<strong>THE</strong> ANATOMY OF WYT 329<br />
will neuer beare a white mouth without a harde bridle.' (2) From this sense<br />
of gentle temper is derived that of mincing, affectation, and fastidiousness,<br />
as in the present passage, and Euph. and his Eng. p. 82,1. 10 beautifull<br />
woemen do first of all allure them that haue the wantonnest eyes and<br />
the whitest mouthes.'<br />
17. English men desire to he are finer speach, &c.: Introd. Essay,<br />
pp. 134, 142-3, 148.<br />
P. 182, 3. packe: the pedlar's pack, hospitable to the popular and<br />
ephemeral, ballads, broadsides, &c. Cf. Autolycus.<br />
5-6. at Christmas: entered Sta. Reg, Dec. 2, 1578.<br />
6. broken: torn. Piers Plow. B. ix. 91 'his broke clothes.' Still<br />
used in the West.<br />
7. Haberdasshers: sellers of small wares, pedlars.<br />
14. fulsome: again p. 266, 1. 10 'fulsome feeding'; and, fig., Moth.<br />
Bomb. ii. 3. 75 'nothing so fulsome as a shee foole.'<br />
22. hold the plucking on: endure the strain of pulling on.<br />
23. last the running ouer: detain a careless reader till the end is<br />
reached.<br />
27. deuotion in print: passion for seeing myself in print.<br />
P. 183, 2. flatterers a thanke . . . currant: if anything win favour,<br />
there will be plenty to claim the credit of having helped it into notice.<br />
5. to quippe: to sneer. Cf. p. 184 'smoth quipping.'<br />
P. 184, 1. There dwelt in Athens: betraying the adoption of matter<br />
from Guevara (Introd. Essay, pp. 137, 155).<br />
9. of more wit then wealth, and yet, &c.: cf. p. 185 'a place of<br />
more pleasure then profite, and yet of more profite then pietie'; and<br />
p. 84,1. 35 ' of greater beautie the . . . and yet of lesse beautie the",' &c.<br />
16. Rose . . . veluet: repeated, like Venus' mole below, from Ep. Ded.<br />
p. 179.<br />
27. gloses: panegyrics.<br />
30. freshest colours soonest fade: Pettie's Pallace, fol. 52 v. 'as the<br />
freshest colours soonest fade the hue ... so [like Euphues] the finer<br />
wit he was indued withal, the sooner was he made thral and subiect<br />
to loue.'<br />
the teenest Rasor. . . tourneth his edge: I retain teenest (altered<br />
to ' keenest' by E rest) although not given by Skeat or Whitney, being<br />
convinced of its genuineness by the alliteration ' teenest .. . tourneth'<br />
corresponding to '/reshest .. .fade' above, and by its recurrence, Euph.<br />
and his Eng. p. 34,1. 3 ' setting a teene edge.' Probably a popular corruption<br />
of' keen.'<br />
P. 185, 1. finest cloathe, &c.: Pettie's Pallace, fol. 65 v. ' no Cloth so<br />
fine, but Mothes wyl eate it.'<br />
15. put a rod vnder their gyrdle: again Endim. ii. 2. 14 'Away<br />
peeuish boy, a rodde were better vnder thy girdle, than loue in thy mouth.
330<br />
NOTES<br />
18. retchles: a variant of' reckless'; so in 17th Article l wretchlessness.'<br />
21. witte... better if ...deerer bought: 'Wit is neuer good till<br />
it be bought; John Hey wood's Proverbes, 1546 (Sharman's reprint,<br />
P- 31).<br />
35. fleetest fishe swalloweth, &c.: cf. p. 210,1.12' the pleasaunt bayte,<br />
that causeth y e fleetest fish to bite.'<br />
P. 186, 1. trayneth: is attracted. No other inst. quoted of this intransitive<br />
use.<br />
5. soake: cf. Hamlet, iv. 2. 16 'a sponge that soaks up the king's<br />
countenance.'<br />
sooth hys person; Sooth, flatter immoderatelie, &c. Baret, 1580'<br />
(Skeat). So p. 282, 1. 14.<br />
14. Aristippus: with Damon (above) and Eubulus(p. 12), he figures<br />
prominently in Edwardes' Damon and Pithias, lie. 1567.<br />
18. in Crete, I can lye, if in Greece . . . shift, if in Italy . . . court ; so<br />
again vol. ii. p. 24 11. 18-20.<br />
21. abstaine with Romulus'. Pliny, xiv. 14 'Romulum lacte non<br />
vino libasse, indicio sunt sacra ab eo instituta,' a sobriety due to poverty.<br />
Cf. p. 250, 1. 20.<br />
22. watch with Chrisippus: the Stoic philosopher, whose zeal in<br />
learning is mentioned p. 276 (note).<br />
P. 187, 6. beholdinge: a common mistake for beholden, as in Merry<br />
Wives, i. 1. 283 (Skeat).<br />
13. cockeringe: again p. 250,1. 35, and M. Bomb. i. 2. 27 'his sonne<br />
whom with cockring he hath made wanton,' and King fohn, v. 1. 7 'a<br />
cockered silken wanton.'<br />
30. curious knottes : flower-beds of fanciful pattern: cf. ' treade the<br />
knottes,' p. 205, 1. 7. Landmann quotes L. L. L. i. 1. 249 ' thy curiousknotted<br />
garden.'<br />
mixe Hisoppe wyth Timet Landmann quotes Othello, i. 3. 325<br />
' set hyssop and weed up thyme' (of gardening).<br />
P. 188, 12. Lacedemonians ,.. shewe . . . dronken men: Plutarch, Life<br />
of Lycurgus, c. 28<br />
The other two<br />
instances—Persian and Parthian—are perhaps of Lyly's invention, founded<br />
on this. I find nothing in Plutarch or Xenophon.<br />
23. a woman so exquisite .. . Pigmalions Image, &c.: Landmann<br />
aptly quotes Meas.for Meas. iii. 2. 49 ' What, is there none of Pygmalion's<br />
images, newly made woman, to be had now, for putting the hand in the<br />
pocket and extracting it clutched ?'—one of many passages which prove<br />
Shakespeare's close knowledge of Euphues; for even if Lyly's story had<br />
an original, the reference to Pygmalion, a favourite with him, was probably<br />
imported. -
<strong>THE</strong> ANATOMY OF WYT 331<br />
P. 189, 7. pykes: rocks; properly ' sharp points'; common of hills.<br />
Cf. p. 253,1. 25.<br />
8. Syrtes... sincke into Semphlagades: for the sake of his antithesis<br />
Lyly ignores geography, and incurs the imputation of supposing the<br />
Symplegades quicksands.<br />
9. Lacedemonian . . . Neapolitan', recalling the three instances<br />
quoted above ; while the Neapolitan is the speaker, Eubulus.<br />
13-5. Is not hee accompted... wane? ' Felix quern faciunt aliena<br />
pericula cautum,' quoted Midas, v. 2. 38, cited as 'versus vulg6 iactatus'<br />
in Erasmus' Adagia, Basle, 1574 fol. in illustration of Pliny's ' Optimum<br />
est aliena insania frui,' N. H. xviii. 5. Parallels are also quoted from<br />
Cicero and Plautus.<br />
22. crazed: apparently of the first slight crack. P. 205 ' well dothe he<br />
know that the glasse once erased will with the leaste clappe be cracked.'<br />
greenest Beeche burnetii faster, &c.: the alchemists in the<br />
Chanouns Yem. Tale, 375, attribute their failure to the fire being 'nat<br />
maad of beech': cf. the Alchemist in Gallathea, ii. 3. 78.<br />
25. most ryfest: ' most frequently,' properly ' abundantly.' As adj.<br />
and adv. in ME, and cf. Pettie's Pallace, fol. 29 v. ' freshest colours<br />
soonest fade, and ripest fruite are rifest rotten.'<br />
32. Colliquintida, &c.: Othello, i. 3. 350' bitter as coloquintida.' The<br />
colocynth or bitter apple. Withpottage(E rest) forporredge, cf. Midas, Prol.<br />
33. yron Mole: our ' iron mould.'<br />
35. staringe andstarke blinde: Hey wood's Proverbes (Reprint, p. 141).<br />
37. sulloume : sullen.<br />
thy attyre bee comely, &c.: borrowed, like the situation, in Hamlet,<br />
i. 3, Polonius and Laertes.<br />
P. 190, 11. Father and friende; so Callimachus to his uncle, in<br />
vol. ii. p. 27.<br />
14. standes mee vppon : cf. p. 52,1. 16, &c.<br />
16. controwleyou : i. e. rebuke. u 1612 Shelton Quix. i. Pref. 9 ' To<br />
be controaled for the Evil, or rewarded for the Good' " (Murray).<br />
23. peeuishnesse: folly. Cf. p, 321,1. 26 'peeuishnesse ... causeth the<br />
to forgo their sences'; M. Bomb. i. 3. 90 ' Parents in these daies are<br />
growen pieuish,' and often.<br />
25. so many men . . , mindes : Ter. Phomiio, ii. 4. 14.<br />
28. carterly : ' churlish.'<br />
Plato . . . good company: Camp. i. 2. 43 ' Plato is the best fellow<br />
of all Phylosophers.'<br />
29. Tymon : Plutarch's Antonius, c. 70.<br />
30. S toy ekes . . . lyke stockes; same pun, p. 210, borrowed by Shakespeare,<br />
Taming, i. I. 31.<br />
36. smothe; smoulder. Whitney quotes Quarles' Emblems, ii. 14<br />
' What fenny trash maintains the smoth'ring fires ?'
33 2 NOTES<br />
P. 191,1. perfumes doth refresh : for the old plural cf. vol. ii. p. 72,1.20<br />
'them that cares not,' p. 206,1. 11 'windes blasteth towardlyblossomes.'<br />
9. Palme tree to mounte: possibly Plin. xvi. 81 ' Pondus sustinere<br />
validae, abies, larix . • . Robur, olea, incurvantur ceduntque ponderi . . .<br />
Et palmae arbor valida: in diversum enim curvatur,' &c. Cf. vol. ii.<br />
P. 76,1. 35 ' the more it is loaden the better it beareth.'<br />
12. haggardnes: wildness, haggard (p. 219,1. 35) being a wild hawk.<br />
13. haue no shew : again, pp. 209, 1. 32, 321, 1. 8. See note on<br />
wrinckle, vol. ii. p. 153,1. 13.<br />
16. pownde spices: Pettie's Pallace, f. 11 v.' as Spices, the more they<br />
are beaten, the sweeter sent they send forth/<br />
28. waxinge and melting brayne: waxinge is merely ' ageing,'<br />
though of course with pun.<br />
32. stone Abeston ... once ... hotte . . . neuer colde: the spelling<br />
Abeston shows that Lyly sometimes looked outside Pliny for his similes.<br />
Pliny has only (xxxvii. 54) ' Asbestos in Arcadiae montibus nascitur,<br />
colons ferrei.' But in Barthol. Anglicus, xvi. 12 we find ' Abeston is a<br />
stone of Archadia with yron colour: and hathe that name of fire. If it<br />
be ones kyndlyd, it neuer quencheth/ and he refers to Isidore of Seville,<br />
bk. xv. De Gemmis. Abeston does duty again, Sap. and Ph. iv. 3.<br />
82, M. Bomb. i. 3.125. Landmann supposed a pun on ' stone.'<br />
33. fire . . . forced downewarde ? . . . Nature . . . after kinde ?<br />
Arist. Eth. ii. 1. 2<br />
P. 192, 4. Impe: graft, offspring; appropriate to ,' Nature,' above.<br />
Again, p. 248,1. 8.<br />
6. Cicero . . .followe and obey Nature: this Stoic doctrine, or rather<br />
Peripatetic modification of it, is the subject of books iii-v of the De Finibus:<br />
cf. esp. v. 9 'Ita finis bonorum existit, secundum Naturam vivere,<br />
sic affectum, ut optime affici possit, ad naturamque accommodatissime.'<br />
8. Aristotle .. . Nature . .. maketh nothing . . . vnperfect: often in<br />
Aristotle, e. g. De Caelo, ii. 11<br />
22. youthly: again pp. 194, 1. 7, 250,1. 28 (in G rest), vol. ii. p. 23,<br />
1. 23 and Fa. Queene, I. v. 7 ' fiers, and full of youthly heat,'<br />
P. 193, 11. eyther . . . eyther: either ... or. Again p. 209 ' either<br />
woulde I were . . ., eyther I would we were/ &c, and p. 271,1.12.<br />
13. canckred: infected or infectious, as in Milton's Arcades, 53<br />
' cankered venom.'<br />
18. // is y e disposition of the thought, &c. Hamlet, ii. 2. 252 ' there<br />
is nothing either good or bad, but thinking makes it so.'<br />
19. The Sun shineth . . . dungehill, &c. : in a volume of devotional<br />
readings and exercises, The Treasure of Heauenly Philosophie . . . By<br />
T. P. [Thomas Palfreyman] . . . Imprinted at London for William<br />
Norton, 1-578, 8°, with which Lyly may have been acquainted, occurs
<strong>THE</strong> ANATOMY OF WYT 333<br />
near the end as an illustration of 'Cleane Minde'—'the Sunne ... is<br />
nothing more defiled by shining vppon a fowle puddle, noysome carrion,<br />
or stincking doonghil.' Cf. Hamlet, ii. 2.181 ' if the sun breed maggots in<br />
a dead dog, being a god kissing carrion,' &c.<br />
21. Christall toucheth the Toade, and is not poysoned': Pliny, xxxvii. 15<br />
' Adamas et venena irrita facit.'<br />
22. birde Trochilus lyuetfr by the mouth : supports itself on. Pliny,<br />
viii. 37 ' pabuli sui gratia os eius repurgans.'<br />
29. moyst braine: here clearly of weakness of brain. ' Dry brain,'<br />
e. g. Touchstone's; is perhaps ' costive brain,' one whose fruits are fragmentary<br />
and disconnected, ' vented in mangled forms.'<br />
35. assone catch a Hare with a Taber : again Euph, and his Eng.<br />
p. 99,1.11. This proverb for impossibility occurs in Hey wood (p. 58, Sharman's<br />
reprint): the association with music may have originated in the<br />
creature's supposed melancholy—' melancholy as a hare,' 1 Henry IV, i. 2.<br />
P. 194, 7. quatted: surfeited, properly pressed down, oppressed.<br />
Greene's Menaphon, p. 46, ed. Arb. ' quatted with silence.'<br />
8. quesie: nauseating. No satisfactory parallel for this active sense,<br />
except R. L. Stevenson's Inland Voyage, p. 132 'a queasy sense' that he<br />
would never wear dry clothes again (Whitney).<br />
9. huddles', M. Bombie, ii. 1. 38 ' these old huddles'; also v. 3. 77:<br />
either of bowed figure or number of wraps (Nares). But cf. p. 247,1. 4, note.<br />
17. burne hemlocke .. . Bees: Sapho, Prol. at Court, ' burn hemlocke,<br />
a ranke poyson.'<br />
21. Camelion . . . most guiles, draweth least breath : reversing or<br />
altering Barth. Angl. xviii. 21 'and what is in his body is but of lytell<br />
fleshe & hath but lytell blood . . . And it is sayde that the camelion<br />
lyueth only by ayre,' which Lyly follows more closely Enditn. iii. 4. 129<br />
' Loue is a Camelion, which draweth nothing into the mouth but ayre,<br />
and nourisheth nothing in the bodie but lunges.' Pliny says, xi. 72<br />
' Chamaeleoni (pulmo) portione maximus, et nihil aliud intus,' and<br />
xxviii. 29 'cum id animal nullo cibo vivat,' cf. xi. 31. Hamlet (iii. 2. 93)<br />
fares ' of the chameleon's dish: I tat the air, promise-crammed.'<br />
25. wayed without: i. e. from outside, by others.<br />
27. Birde Taurus : Plin. x. 57 ' Est [avis] quae bourn mugitus imitetur,<br />
in Arelatensi agro taurus appellata, alioqui parva.'<br />
thunder . . . a lyttle stone : cf. ' the thunderstone,' Jul. Caes. i. 3. 49,<br />
Cymb. iv. 2. 271 ; and vol. ii. p. 106, 1. 10 ' he that hath escaped lightning<br />
hath beene spoyled with thunder.'<br />
32. to looke it: i. e. look for it. Fletcher, Wit without Money, iv. 5<br />
' I come To look a young man I call brother.'<br />
P. 105, 2. good cheape : Fr. bon marche..<br />
16. no pennye good siluer, &c. : silver pennies coined 1561, -2,-4, -9,<br />
1572, -3, -4, -5, -7 (Hawkins). Cf. vol. ii. p. 94,1. 4.
334 NOTES<br />
19. geason: rare. Stubbes, Anat. of Abuses (1583), ii. 5 'Rare<br />
birds vpon the earth, and as geason as blacke swans.'<br />
21. if one bee harde in concerning, &c.: hence, or from the women's<br />
talk of men, pp. 249, 253, Shakespeare borrowed Beatrice ' spelling men<br />
backward,' Much Ado, iii. 1. 60-70.<br />
26. Quae supra nos nihil ad nos: ascribed to Socrates in Taverner's<br />
Selection from Erasmus' Adages (1552), fol.xx.<br />
29. Sympathia : common liability to. The word was still new.<br />
30. but a pay re of sheeres, &c.: i. e. cut out of the same piece, of<br />
a piece. Meas, for Meas. i. 2. 29, and Basse (p. 61, ed. Bond) 'For<br />
certainely went but the sheares betwixt.'<br />
81. layeth cushions vnder the elbowe: of flattery or fair speech.<br />
Mart. Marprel. Epistle, 1588, p. 32, ed. Arber 'you sow pillowes vnder<br />
Haruies elbowes . .. because you would borow an 100 pound of him.'<br />
So Camp. iv. 3. 31 ' lay a pillowe vnder his head.'<br />
33. feate: cf. Cymb. v. 5. 88 ' A Page ... so feate.'<br />
P. 196, 1. the Cammocke: crooked staff or crook. Again, vol. ii. pp. 23.<br />
1. 21,1691.15; Sapho, ii. 4.108 ; Endim. iii. 1. 36 ' Timely crookes that tree<br />
that wil be a camock,' a proverb given among Heywood's (Reprint, p. 159).<br />
3. the Camomill . . . trodden . . . spreadeth : parodied by FalstafT<br />
I Henry IV, ii. 4. 443 : see Introd. Essay, pp. 133, 150, notes. But Lyly is<br />
pilfering from Pettie's Pallace, f. 11 v. ' as the hearbe Camamile, the more<br />
it is troden downe, the more it spreadeth abroade,' &c.<br />
12. occupyed: used, as above, 1. 3, and vol. ii. p. 32,1. 2 ' The brasse<br />
y t they occupy is brought in from beyond sea.'<br />
24. stande so on their pantuffles: of pride, self-reliance. P. 255<br />
' Stande thou on thy pantuffles, and shee will vayle bonnet.' Landmann<br />
quotes Cotgrave ' Se tenir sur le haut bout, to stand upon his pantofles,<br />
or on high tearmes.' ' Pantables' made ' higher with corke,' Endim.<br />
ii. 2. 32.<br />
P. 197, 3-6. I haue red . . . that a friend, &c.: i. e. in Cicero, De<br />
Amic. xx-xxii, where occurs ' Est enim is quidem tamquam alter idem.'<br />
18. eate a bushell of salt, &c.: i. e.isee a good deal of him first. Cic.<br />
De Amic. xix ' verumque illud est quod dicitur, multos modios salis simui<br />
edendos esse, ut amicitiae munus expletum sit.' Again, p. 247,1. 9, and<br />
Pettie's Pallace, f. 67r. 'The philosophers wyl vs to eate a bushel of<br />
Salt with a man, before we enter into strict familiaritie with him.'<br />
25. pheere: fellow. ' Pheare,' p. 230, J. 23, of Lucilla's mate.<br />
32. dissolued vpon a light occasion, &c.: from Pettie, f. 1 r. ' The<br />
friendshyp amongest men is grounded vpon no law, and dissolued vpon<br />
euery lyght occasion.'<br />
P. 198, 23. Damon to his Pythias . . . Lcelius: four of these five<br />
instances occur together in Hyg. Fab. 257, and the fifth (Titus and<br />
Gysippus) appears in a-sentence of Pettie's Pallace, the exact form of
<strong>THE</strong> ANATOMY OF WYT 335<br />
which is here borrowed—' assure your selfe that neuer Pithias to his<br />
Damon, Pylades to his Orestes, nor Gisippus to his Titus was more true,<br />
then I wyl be to you,' f. 40 r. Again, in Lyly's Part II, vol. ii, p. 102,1. 37<br />
' Titus must lust after Sempronia, Gisippus must leaue her.' The Revels<br />
Accounts record ' The Historye of Titus and Gisippus showen at Whiteball<br />
on Shroue-tuysdaie at night [1576-7], enacted by the Children of<br />
Fawles' (Extracts, p. 114); and the play is probably the origin of these<br />
allusions, the plot taken perhaps from some Italian tale of Tito and<br />
(Giuseppe, for I cannot find that Gysippus is classical. *<br />
34. curiositie: nice ceremony.<br />
P. 199, 21. a towne borne childe: in M. Bomb. iv. 2. 223 the wags are<br />
' towne borne children.'<br />
22. continuance. The play with ' countenaunce' is repeated, vol. ii.<br />
p. 4, 1. 36.<br />
34. wanne . . . worne :• Much Ado, v. 1. 82 ' Win me and wear me '<br />
(Landmann).<br />
36. banes : banns, as M. Bomb. v. 3. 269.<br />
P. 200, 26.- bringe my shadowe: Plut. Quaest. Conv. vii. 6 uses ovcia<br />
for a guest brought unbidden.<br />
P. 201, 15. He that worst . . . candell: proverb quoted Pettie's<br />
Bat/ace, f. 65 r.<br />
17. your lyste: your pleasure, will; so vol. ii. pp. 44, 1. 3, 103,1. 12<br />
and Oth. ii. 1. 105 ' when I have list to sleep.'<br />
29. It hath bene a question often disputed, &c.: for the form and<br />
substance cf. Pettie's Ball. f. 37 ' It is a doubt often debated, but yet<br />
not decided, whether ioue discendeth,' &c.<br />
P. 202,1-2. The foule Toade, &c.: this famous mediaeval superstition,<br />
to which Shakespeare's line (A. Y. L. I. i. 2. 12) has given universal<br />
notoriety, is not found in Pliny, though he speaks of' batrachites,' a stone<br />
resembling a frog in colour, and of ' cinaediae' (xxxvii. 56), a kind found<br />
in the brain of the fish ' cinaedus.' Whitney says that ' crapodinus' and<br />
' bufonites' appear in mediaeval Latin, and ' crapaudine' in French of<br />
the fourteenth century; while the stone in the toad's head is spoken of as<br />
' borax' by Albertus Magnus and others—the ' botrax' of Barthol. Angl.<br />
xviii. c. 17, who borrows the name from Isidore of Seville (Gk. fiorpaxos<br />
or fttiTpaxos), 12 Orig. 4. 35. Steevens' note on Shakespeare's line quotes<br />
allusion to it in A Green Forest or a Natural History, by John Maplett,<br />
1567, and the following from Edward Fenton's Secrete Wonders of<br />
Nature, 4 0 , B. L. 1569 ' That there is founde in the heades of old and<br />
great toades a stone which they call Borax or Stelon; it is most commonly<br />
founde in the head of a hee toad, of power to repulse poysons, and that it<br />
is a most soveraigne medicine for the stone.'<br />
8. in paynted pottes . . . poyson : so below ' sower poyson in a siluer<br />
potte,' and p. 222,1. 15. Scoffed at in Harvey's Advt. to Bapp-Hatchett
336 NOTES<br />
{Arckaica, ii. 139)' his gem-mint is not always current; and, as busy men,<br />
so painted boxes and gallipots must have a vacation.' It is from Pettie,<br />
however (fol. 71 v.) 'as in fayre painted pots poyson is oft put, and in<br />
goodly sumptuous Sepulchres rotten bones are rife.' Lyly has the sepulchres<br />
below, and again Camp, ii. 2. 56.<br />
9. greenest grasse . . .greatest Serpent; Pettie, f. 52 v. ' vnder most<br />
greene grasse, lye most great Snakes, and vnder entising baytes, intanglyng<br />
hookes,' which means no more than that snakes are found in grass. There<br />
is no authority for Lyly's perversion. He has the ' hookes' just below.<br />
11-2. Cypresse . .. no fruite; Plin. xvi. 60 'fructu supervacua.' Cf.<br />
Loves Met. i. 2. 11.<br />
19-20. a sweete Panther with a deuouring paunch: Plin. viii. 23<br />
' Ferunt odore earum mire sollicitari quadrupedes cunctas': but Lyly<br />
lifted it from Pettie's Pallace, fol. 34 r. 'the Panther, who with his gay<br />
colours and sweete smell, allureth other beaetes vnto him, and being<br />
within his reache, he rauenously deuoureth them.' Dr. Rich. Morris in<br />
An Old English Miscellany (Pref. p. viii, 1872) asked—'Without reference<br />
to a Bestiary, what meaning has the following passage in Lyly, where he<br />
compares flatterers to " Panthers which haue a sweete smell, but a deuouringe<br />
minde" [p. 282] ?' The panther with its alluring smell is supposed<br />
to have furnished one of the Christian emblems in the early Physiologus<br />
of the fourth or fifth century; but the lines in Dr. Morris' Bestiary present<br />
no close resemblance of diction ; they interpret the panther's sweet breath<br />
of Christ's love, and not of flatterers ; and the MS. was not printed before<br />
1837.<br />
22. make such course accompt of theyr passionate louers: 'treat their<br />
passion so much as a matter of course,' and so ' of no importance'; cf.<br />
pp. 235, 1. 33, 254,1. 11 'the countenaunce she sheweth to thee of course,<br />
the loue she beareth to others of zeale,' and Euph. and his Eng. p. 141,<br />
1. 3 'Thou thinkest all I write, of course, and makest all I speake, of<br />
small accompt.' Cf. p. 261, 1. 6 'a course which we ought to make<br />
a course accompte off.' Landmann explains it as = ' coarse.'<br />
24. straight laced, and. . . high in. the insteppe: the former term of<br />
manners, here, rather than morals. The latter phrase occurs for pride,<br />
Euph. and his Eng. p. 179,1. 5, and Endim. ii. 2. 34: both together in<br />
Hey wood's Proverbes, 1546 (p. 66 of Sharman's Reprint). Cf. also Midas,<br />
"i. 3. 33.<br />
27. traines: lures.<br />
P. 203, 6. blacke crowes foote: this and ' the blacke Oxe,' &c, are<br />
repeated as signs of old age in Sapho and Phao, iv. 2. 20, and Loves<br />
Met. iv. 1. ad fin.<br />
7. blacke Oxe treade on their foote: proverb for misfortune or decay<br />
(Nares). It occurs in Martin Marprelate's Epitome, p. 10 ' the blacke<br />
Oxe hath troden on his foote, he hath had some trial by woful experience,
<strong>THE</strong> ANATOMY OF WYT 337<br />
what small credite ... there is... in disputing with these fellows.' And<br />
Hey wood's Proverbes (reprint, p. 28).<br />
23. ouerthwartnesse: lit. lying athwart,' then 'contrariness.' Cf.<br />
Cent. Dict. s. v. Cf. ouerthwarts in Camp. iii. 2. 38.<br />
30. affection will shadow it ; i.e. partiality will cloud it, and make<br />
her pronounce women the less easily allured. Lucilla ' takes him napping<br />
' by asserting the contrary, so that he is compelled to argue for their<br />
steadfastness, quite against his previous discourse. It is his ready wit in<br />
meeting this demand that so enchains Lucilla, pp. 205, 1. 11, 206, 1. 26.<br />
F. 204, 17. stone of Sicilia . .. the more it is beaten, &c.: again Saph.<br />
&c. ii. 4. 13 'our Sycilyan stone,' &c.; carelessly from Pettie's Pallace,<br />
fol. 84 v. 'lyke the stone of Scilitia, which the more it is beaten, the<br />
harder it is.' The stones of Cilicia are mentioned Pliny, xxxvi. 47 as good<br />
whetstones.<br />
30. ciuilitie: self-contrpl.<br />
35. alteration: ' distemper.' Again vol. ii. p. 223,1.15. Cf.' altereth,'<br />
vol. ii. p. 54, 1. 24. See Murray s. v.<br />
P. 205, 4. frie in the flames of loue: Endim. v. 3. 124 of Tellus 'fryed<br />
my selfe most in myne affections.'<br />
6. entred into these termes and contrarieties : from Pettie; see Introd.<br />
Essay, p. 142.<br />
13.fyled: polished. Cf. 'the fine and filed phrases of Cicero,'<br />
p. 287,1. 18.<br />
17. A starter: one who shrinks from his purpose, a runaway.<br />
Whitney quotes Hey wood, If you know not me, ' You need not bolt and<br />
lock so fast; | She is no starter.' Again, p. 222,1. 10 of Jason.<br />
31. Eagles wynge .. . wast the fether, &c.: Landmann, 'waste' ==<br />
' out-tire'; but cf. Pliny, x. 4 ' Aquilarum pennae mixtas reliquarum alitum<br />
pennas devorant,' a reference repeated Gallathea, iii. 4. 45.<br />
P. 206,11. kynde spanyelli well-bred spaniel, true to his kind. So<br />
vnkynde, p. 206, 1. 31 'unnatural.' Again, p. 249, 1. 7 of the spaniel's<br />
fawning; and Euph. andhisEng. p. 130,1. 29' the vnkinde hounde ... or<br />
the bastarde Spanyell.'<br />
21. Emeraulde ... his wonderfull propertie•: Pliny, xxxvii. 16, assigns<br />
it the third place among stones, chiefly for its colour at once so pleasing<br />
and restful to the eye. The diamond, and pearl (Indian or Arabian),<br />
occupy the first and second places. The sapphire figures long afterwards,<br />
in c. 39.<br />
33. wonne with a Nut... lost with an Apple; i.e. lightly lost, as<br />
won. In Hey wood's Proverbes (reprint, p. 41).<br />
P. 207, 11. touch", touchstone, a name given to a hard black granite,<br />
used as a test for gold. (Nares.) Again, p. 219,1. 15, vol. ii. p. 122 1. 5.<br />
15. supersticiously: scrupulously, as ' supersticious not to desire it,'<br />
p. 210,1. 15.<br />
BOND I Z
338 NOTES<br />
P. 208, 2. cookemate: partner, companion. Cf. ' not disdayning their<br />
cockmates' of children, pp. 278,1. 22, 280,1. 1. See Murray s.v. Perhaps<br />
the prefix is connected with ' cocker,' of children brought up together.<br />
9-10. Sea Crabbe . . . agaynst the streame: cf. Camp. iii. 5. 35 ;<br />
perhaps remembering Pliny, ix. 51' (cancri) os Ponti evincere non<br />
valent,'—the current being too strong, they make their way by the<br />
shore.<br />
20. The filthy Sow . .. eateth the Sea Crabbe, &c.: four of these<br />
instances of animals seeking cures are adapted from Pliny, viii. 41: (1)<br />
' Hedera apri in morbis sibi medentur, et cancros vescendo, maxime mari<br />
eiectos. (2) Testudo cunilae [a species of origanum] pastu vires contra<br />
serpentes refovet. (3) Ursi, cum mandragorae mala gustavere, formicas<br />
lambunt. (4) Dictamnum herbam extrahendis sagittis cervi (usui) monstravere,<br />
percussi eo telo, pastuque eius herbae eiecto.' And for the fifth,<br />
the dog, Bartholomaeus Anglicus, xviii. 25, quotes Pliny, bk. viii, as his<br />
authority for the statement ' that an hounde that hath filled him of euyl<br />
meate eateth an herbe, & by perbrakyng & casting he purgeth him,'<br />
while inxvii. 76 this herb is said to be ' gramen '; but Pliny's eighth book<br />
does not contain this.<br />
29. more bitter then the daw of a Bitter', fact and etymology are<br />
invented. 'Bytter' for bittern occurs Endim. iii. 3. 56.<br />
30. the Apple in Persia, &c.: unobserved by Pliny, who deals with<br />
the Persian apple, xv. 11.<br />
P. 209, 3. casieth water on the fire, &c.: Pettie's Pallace, fol. 41 v.<br />
' as the Smyth his forge by casting on colde water it burnetii more fiercely.'<br />
5. ouerlashinge: excessive; metaphor from a swollen stream washing<br />
over its banks. Again, pp. 246, 1. 9, 309, 1. 20. The verb is used by<br />
Bp. Hall as = exaggerate.<br />
33. shadowe . . . shadow . . .: the first for close friend' (cf. p. 200,<br />
1. 26, note), the second for ' cover' or ' pretext.'<br />
P. 210, 5. the case is lyght, &c.: i. e. there is little at stake, if the matter<br />
can admit cool reasoning.<br />
7. caule: cap, net, headdress.<br />
Giges . . . Candaules: sixth tale of tome i of Painter's Pallace of<br />
Pleasure (1566), founded on Herodotus, i. 7-13.<br />
12. pleasaunt bayte .. . fleetest fish : as before, p. 185,1. 35.<br />
25. wily Mouse... Cats earei given in Heywood's Proverbes (1546),<br />
p. 125 of the reprint.<br />
28. stone... mollyfied onely with bloud: Pliny, xx. 1 ' adamantem...<br />
infragilem omni cetera vi et invictum, sanguine hircino rumpente.' Again,<br />
P. 305, 1. 17, vol. ii. pp. 87,1. 3, 224,1. 33.<br />
29. riuer in Caria, &c.: contrast p. 289, 1. 14 'the stone that<br />
groweth in the riuer of Caria, the whiche the more it is cutte, the more it<br />
encreaseth'; no authority for either fable.
<strong>THE</strong> ANATOMY OF WYT 339<br />
31-2. sirrop of. . , Ceder... taketh away sight': again, p. 233,1. 21—a<br />
misreport of Pliny, xxiv. 11, where it is said to be 'magni ad lumina<br />
usus, ni capiti dolorem inferret'; while Bartholomaeus Anglicus, xvii. 23,<br />
says on the authority of Dioscorides that the gum of the cedar ' wipeth<br />
and clenseth awaye dymnesse of the even.'<br />
P. 211, 7. defused determination: fluent and eloquent close.<br />
9. Oyle out of.. . Ieate: perhaps founded on a hasty reading of Plin.<br />
xxxvi. 34 ' Cum uritur [gagates], odorem sulfureum reddit. Mirumque<br />
accenditur aqua, oleo restinguitur.'<br />
24. Philautus entered the chamber: so in Pettie's Pallace, fol. 39 v.the<br />
friend of Icilius comes to inquire about his grief.<br />
P. 212, 11. tainted: tented, kept open for the use of emollients ; a tent<br />
being (i)a probe: (2) a piece of lint, horsehair, sponge, &c. Cf. vol. ii.<br />
p. 88, 1. 20 ' launcing the wound thou shouldest taint.'<br />
12. take hart at grasse: again Euph. and his Eng. p. 54,1.31, in same<br />
form and sense of plucking up the spirits—one among many forms (e.g.<br />
'a grasse,' ( of grease') assumed by a phrase which now survives only as<br />
' heart of grace.' See Murray s. v.<br />
16. cullisses: clear strong broths.<br />
24. the harp y e fleet Dolphin : Pliny, xi. 50 ' (delphini) cantu mulcentur,<br />
et capiuntur attoniti sono.' So below, p. 223 ' the Dolphin by the sound<br />
of Musicke is brought to y e shore.' Here, however, the fable of Arion is<br />
in Lyly's mind.<br />
29. Goat.. .fatter... lessefertil: Pliny, viii. 76 ' Caprae pinguitudine<br />
steriliscunt'<br />
37. curiosity: affectation.<br />
P. 213, 9. attached of ; taken prisoner by.<br />
12. quotididfit: properly a fever of daily recurrence. ' The quotidian<br />
of love' (As You Like It, iii. 2. 383) for ' extreme.'<br />
36. recured: cured; often both as verb and subst., e. g. Endim.<br />
vol. iii. pp. 33 1. 92, 40 1. 26, 47 1. 21<br />
P. 214, 2. cure: patient (Landmann).<br />
7. cloase: sympathetic response,; properly of music, where discords<br />
are resolved at the end. Cf. Henry V, i. 2. 182 ' congreeing in a full and<br />
natural close Like music '; and for a similar verb, Hamlet', ii. 1.45 ' closes<br />
with you in this consequence.'<br />
15. comparisons . .. odious: Bartlett quotes the saying from Fortescue's<br />
De Laudibus Legum Angliae, c. 19. (circa 1463).<br />
25. any of them both: either of them. Cf. p. 233, 1. 5 ' why go I<br />
about to excuse any of them, seeing I haue iuste cause to accuse them<br />
both ?'; Moth. Bomb. v. 3. 109 ' who will tender marriage to anie of<br />
them ?' of Accius and Silena ; Woman in Moone, v. 1. 27 ' none of both.'<br />
33. swallow ...a gudgen: i.e. be caught, the gudgeon being used for<br />
bait (Landmann). Again, p. 240,1. 1.<br />
z 2
340<br />
NOTES<br />
P. 215, 1. Salncts: term frequently applied to a mistress, e. g.<br />
p. 217,1. 21.<br />
4. Scorpion that stung thee shall heale thee: Pliny, xxiv. 29' Prodest<br />
... scorpio ipse suae plagae impositus, aut assus in cibo sumtus, aut potus<br />
in meri cyathis duobus.' Cf. below, p. 247,1. 29 ' the Scorpion though he<br />
sting, yethee stints y e paine,' and vol. ii. pp. 124 1. 18, 172, 1. 9.<br />
9. painted sheth with the leaden dagger: again as a proverb for<br />
hollowness, p. 255,1. 30 ; Midas, i. 2. 41, perhaps derived from the stage.<br />
Landmann compares 1 Henry IV, ii. 4. 418 ' Thy state is taken for a<br />
joined stool, thy golden sceptre for a leaden dagger.'<br />
32. to pinch courtesie: stand on ceremony. Halliwell quotes<br />
' I pynche courtaysye as one doth that is nyce of condyscions, jefays le<br />
nyce,' Palsgrave [657 : 1530]. Like' strain courtesy,' it may be used either<br />
of excess or defect.<br />
P. 216, 29. the onely imagination: the mere imagination. Cf. Gall,<br />
v. 1. 61 'made onely my slumber thoughts,' and Woman in Moone,<br />
ii. I. 125.<br />
P. 217,1. 4. Steele glasse: mirror. Gascoigne's poem, The Steel Glas,<br />
was printed in 1576.<br />
23. rounding: to roun, rown or round, is to whisper. Cant. Tales,<br />
5823: 'rounded' in King John, ii. 566.<br />
P. 218, 5. sounded-, swooned. So Woman in Moone, i. 1. 217 'She<br />
weeping sounds.'<br />
18. water of free will, &c.: i.e. neither change my desire, nor<br />
restrain it. See Introd. Essay, p. 124.<br />
22. poyson disperseth it selfe into euerye vaine: cf. Rom, & Jul.<br />
v. 1. 60' A dram of poison, such soon-speeding gear As will disperse itself<br />
through all the veins.' Again Euph. and his Eng. p. 73,1. 22.<br />
31. sterue: ME. steruen, starve: in its original sense of 'die' by<br />
cold or famine.<br />
32. Bauin: faggot.<br />
35. mawe: stomach. P. 313,1. 28 'sowre in the mouth and sharpe<br />
in the mawe.' t<br />
P. 219, 4. worme,., eateth not the Ceder: Barth. Angl. xvii. 23 says of<br />
the cedar that ' the smell of it driueth awaye serpentes and all maner of<br />
venemous wormes,' and that 'bokes which ben vernished with that gume|<br />
be not fret with wormes.' Pliny, xxiv. 11, has merely the general statement<br />
that cedar-juice destroys living things, and preserves dead things<br />
from corruption.<br />
5. stone Cylindrus, &c.: entirely fictitious.<br />
6. sleeke stone = smoothing stone ; Landmann compares Euph, and<br />
his Eng. p. 9, 1. 19 'She that wanteth a sleeke-stone to smooth her<br />
linnen, will take a pibble.' CL also p. 254,1. 33 ' the sleeking of theire<br />
faces.'
<strong>THE</strong> ANATOMY OF WYT 341<br />
8. Polypus x in Taverner's selection from Erasmus, Adagia, f. 49 V.<br />
' this fysshe [Polypus]... as Autours write, do oftentimes chafige colours.'<br />
Cf. Pliny, ix. 46 ' Colorem mutat ad similitudinem loci.' Again, Loves Met,<br />
iii. 1. ad med.<br />
P. 220, 4. thus shee replyed: with Lucilla's coquetry and holding-off<br />
compare the reply of Virginia in Pettie, fol. 41 r., and still more that of<br />
Agrippina to Germanicus in the Third Tale.<br />
26. Foxe preacheth . . . Geese perishe; cf. vol. ii. p. 99, 1. 12 'it is a<br />
blinde Goose that commeth to the Foxes sermon,' where see note.<br />
27. Crocodile ... teares: the fable seems due to Maundeville (c. 1400),<br />
xxviii. 288 ' In that contre . . . ben gret plentee of Cokadrilles .. . Theise<br />
Serpentes slen men, and thei eten hem wepynge.' Sir J. Hawkins<br />
(Hakluyt, iii. 512) represents the tears as intended to attract the victim<br />
(1600) (Murray).<br />
31. shake handes with: say farewell to, part with. Whitney quotes<br />
Quarks' Emblems, iii. 'Shake hands with earth,' &c.<br />
32. leade Apes in hell: again, p. 230,1. 26, and Taming of Shrew, ii.<br />
1. 34; Much Ado, ii. 1. 42-8. See Murray s. v.<br />
P 221, 24. Hares in Athon . .. Bees in Hybla: so Endim. iii. 4. 145<br />
' common as Hares in Atho, Bees in Hybla,' &c.<br />
33. trauayle: i.e. travel, the same word.<br />
34. kinges ... longarmes, &c.: 2 Henry VI, iv. 7. 86 ' Great men have<br />
reaching hands.' Midas, iv. 2. 5. ' Longae regum manus' is given on<br />
fol. 4 of Richard Taverner's selection from the Adagia of Erasmus (1539).<br />
It is from Helen's epistle to Paris, Ov. Her, xvii. 166 'An nescis longas<br />
regibus esse manus ?'<br />
P. 222, 1. hew: hue.<br />
6. Phillis . . . Demophoon, &c.: in Pettie's Pallace, fol. 20 r. these<br />
four instances of infidelity are found together, with the addition of Nero's<br />
cruelty to his mother Agrippina. Not found together in Hyginus.<br />
17. expire thy date: Rom. & JuL i. 4. 109 ' some consequence. . .<br />
shall... expire the tearme of a despised life.'<br />
18. wight; creature, may be fern, and neut., as well as masc.; cf.<br />
p. 258,1. 9 'y e Jewde wight [hath] the name of a woman as wel as the<br />
honest Matrone.'<br />
19. Scorpion .. .feede on the earth: if pressed, Lyly would quote Plin.<br />
x. 93 ' scorpiones terra vivunt'<br />
20. Quaile and Roebucke, befatte with poyson: Pliny, x. 92 ' Venenis<br />
capreae et coturnices pinguescunt.'<br />
21. stone Continens: Lyly's addition to the mineral world.<br />
25. seedes of Rockatte: Pliny, x. 83 ' eruca fit aviditas coitus.' Also<br />
Plutarch's Moralls (Holland), f. 505 ' Rogket, and such hot herbs, for to<br />
stir up the lust of the flesh.'<br />
26. leafe Cresse: Barth. Angl. xvii. 15 'Agnus castus is an herbe
342<br />
NOTES<br />
hotte and drye, and hath vertue to kepe men & women chaste | as Plinius<br />
sayth.' Pliny, xx. 50, notes ' nasturtium' as an antaphrodisiac.<br />
28. noisome: the herb Araxa and the stone in Mount Tmolus seem<br />
alike unknown to Pliny.<br />
31. cast beyonde the Moone: of wild fancies or schemes. M. Bomb.<br />
ii. 2. 6.<br />
P. 223, 14. Eagle ... Fly : altered from ' Aquila non captat mus,cas,'<br />
Erasmus 1 Adagia (Contemptus et Vilitatis), ed. Basileae 1533, p. 678.<br />
18. hard winter... Wolfe, &c.: Pettie's Pallace, f. 72 r.' Wolues neuer<br />
pray vpon Wolues.'<br />
19. Bull... tyedtoy 6 Figgetree: Barth. Angl. xvii. 61' And telleth that<br />
fulle cruelle bulles become mylde if they be tyed to a figtree,' as from<br />
Pliny through Isidore: I find only Plut. Quaest. Conv. ii. 7<br />
20. Deare .. .sweete apple: the red deer plunder by night the orchards<br />
round Exmoor.<br />
21. Dolphin .. • Musicke, &c.: cf. p. 212,1. 24, note.<br />
34. Lysander... daughters.. .gorgeous apparell: Plut. Reg. et Imp.<br />
Apophtheg. Lys. 1<br />
xxx<br />
37. inAegypt... woetnen.. .go barefoote: Plut. Conjugalia Praecepta,<br />
P. 224, 4. Leere and Caddys: Halliwell gives leere as Kentish for tape:<br />
while caddys was cotton wool or worsted yarn used for stuffing—and vol.<br />
ii. p. 9,1. 21 by country dames for girding the waist.<br />
4-5. for the Penne, the Needle, &c.: in Gall. iii. 4. 48 Diana reproaches<br />
her nymphs with vsing the penne for Sonets, not the needle<br />
for Samplers': cf. pp. 320,1. 1, 321 1.38 and vol. ii. p. 201, 11. 28-9.<br />
31. chaunge your coppie: again, p. 236, 1. 18 of change of mind or<br />
conduct. See Murray s. v.<br />
P. 225, 9, If I should offende .. . beastly: Euphues' reply, though the<br />
text does not note it.<br />
12. successe: sequel. Cf. Wint. Tale, i. 2. 394 our parents' noble<br />
names | In whose success we are gentle.' Painter's Pallace of Pleasure,<br />
torn. i. 49 (vol. ii. p. 27, ed. Jacobs) ' the poore desolate women, fearing<br />
least their case would sorte to som pitiful successe.' Again, End. iii. 4.182.<br />
15. contentation: used for 'satisfaction' (1494), Fabyan's Chronicle,<br />
vii. 235, 271.<br />
21. raine ... Marble: Lucret. i. 313 ' Stillicidi casus lapidem cavat.'<br />
31.1 force not: I care not for. Cf. vol. ii. pp. 48,1. 14, 94,1. 24. See<br />
Murray s.v.<br />
35. mannors ... manners: again, pp. 267,11. 32-3, 317,1. 12.<br />
P. 226, 20. stale: pretext, i.e. to Philautus, p. 212.
<strong>THE</strong> ANATOMY OF WYT 343<br />
P. 227, 16. to bride it: used of Bianca in Taming, iii. 2. 253.<br />
17-24. Mineonely care... comely personage: see Introd. Essay, p. 166,<br />
for Shakespeare's borrowings here.<br />
P. 228,15. Portingale : Portuguese.<br />
18. threateneth : foretells, anticipates.<br />
25. lette gather up the light strawe: nothing under 'gagates,' Plin.<br />
xxxvi. 34 ; prob. transferred from amber, xxxvii. 11 (vol. ii. p. 138.1. 9, note).<br />
29. assuringe: affiancing, betrothing, pre-contract, a special ceremony<br />
in Elizabethan days. Cf. vol. ii. p. 218,1.34 ' wordes of assurance betweene<br />
Surius and Camilla,' and note.<br />
P. 229, 33. wishinge rather to stande. . . any other: probably of<br />
Philautus, who prefers to take his chance of moving Lucilla rather than<br />
choose or be chosen by another ; but perhaps of Lucilla, preferring to risk<br />
being unwed rather than marry where she does not choose.<br />
P. 230, 13. as <strong>Home</strong>re reporteth : this must be derived from the following<br />
in The Diall—' Certen Letters,' ch. vi.—for which I know of no<br />
<strong>Home</strong>ric authority: '<strong>Home</strong>re sayth, it was the custome of ladyes of<br />
Grece to count the yeres of their life, not from the time of their birth, but<br />
from the time of their mariage. . . . Affirming after they had a house to<br />
gouerne and to commaund that day she beginneth to Hue. The Melon<br />
after it is ripe, and abydeth still in the gardeine, cannot escape, but eyther<br />
it must be gathered, or els it rotteth,' &c. Lyly explains the feeling, by<br />
the sense of the duty of bearing children. Capulet borrows from this<br />
passage his epithet ' carrion ' for Juliet (iii. 5. 157).<br />
27. dysease: trouble, the general negative of ' ease,' as on p. 236,1.16.<br />
Compare the reading 'diseased' of E 2 rest, p. 245, 1. 12; and Midas,<br />
iii. 2. 139 'my teeth disease me.'<br />
33. pinched Philautus on the parsons side: i.e. disappointed him of<br />
his wedding. I know no other instance.<br />
P. 231, 3. make it as straunge: here seems to mean ' hold it [i.e. love]<br />
as much at arm's length,' though the phrase was commonly used for being<br />
shocked or surprised.<br />
20. Mir ha... Biblis... Phcedra: the two latter and their crimes are<br />
mentioned near together, Hyg. Fad. 243; Myrrha in Fab. 164. Biblis<br />
and Myrrha occur, however, close together in Ov. Ars Amat. i. 283-5,<br />
and Phaedra in 1. 511.<br />
P. 232, 4. flange: used as past tense of fling in Heywood's Spider and<br />
Flie (1556), iv. 5 'Full furiouslie he flang | Towards the flie.'<br />
13. Synon: A en. ii. 79.<br />
19. fish Scolopidus, &c.: so Endim. ii. 1.19 'thy fish, Cynthia, in the<br />
rloode Araris, which at thy waxing is as white as the driuen snowe, and<br />
at thy wayning as blacke as deepest darknes.' It is taken from the Pseudoplutarchea,<br />
De Fluviis, vi. Arar (i. e. Sadne): ' Nascitur in ipso magnus<br />
piscis ab indigenis Clupaea (Gk. Kkovnata) vocatus (in cod. Scolopidos),
344<br />
NOTES<br />
qui secundum aucta lunae albus est, secundum damna vero omnino niger:<br />
et quum in extremam crevit magnitudinem a propriis spinis confoditur'<br />
(Wyttenbach). Aelian, De Nat. Animal, xv. 4 says the fish ' luna,' of dark<br />
colour, changes its size with the moon. Mr. P. A. Daniel points out to me<br />
that in A Merrie Knack to Know a Knave (Hazlitt's Dodsley, vi. p. 558)<br />
occurs ' The fish palerna, being perfect white in the calme, Yet turneth<br />
black with every storm.'<br />
30. IIande Scyrum: so vol. ii. p. 14, 1. 34. Scyros in the Aegean is<br />
meant, though I know of no foundation for the story.<br />
P. 233,5. any of them: either of them. P. 2141.25 note 'any of them both.'<br />
20. Cedar... siroppe . . . sight', cf. p. 210, 11. 31-2, note.<br />
P. 234, 14. Glazeworme: or Glasse-worme (E rest), i.e. glow-worm.<br />
30. trauails: travels, as is clear from 'reduced,' i.e. brought back ;<br />
originally the same word.<br />
P. 235, 3. meaten: meted, measured. Cf. Euphues 'melten,' p. 310,<br />
1. 24; 'loden,' vol. ii. p. 45, 1. 31.<br />
thought it no conscience to: made no conscience of.<br />
7. by my compasse: measurement, calculation.<br />
17. chew vppon: ruminate on; cf. 'Chewing the food of sweet and<br />
bitter fancy/ As You Like It, iv. 3. 102.<br />
20 Aiax . . . Vlysses .. . the armour: Ov. Met. xiii. 1 sqq.<br />
22. crake of: crack of, boast of. Again, vol. ii. p. 67,1. 8.<br />
26. Puttocke: kite.<br />
33. so is it of course: i.e. conventional, lacking in depth, as pp 202,<br />
1. 22, note, 254, 1. 11, vol. ii. p. 141,1. 3.<br />
P. 236, 1. first poynt, &c: 'The first poynt of hauking is hold fast,'<br />
Hey wood's Proverbes (1546), p. no, Sharman's reprint.<br />
3. Deskant: Harmony, variety gained by adding parts; i. e. you<br />
shouldn't have introduced me to Lucilla; see Skeat s.v.<br />
10. Iupiter transforme himselfe, &c.: these various transformations<br />
of Jupiter are to be found in Hyginus, Fab. 29, 63, 77, 145 (lo), lo being<br />
put, by a confusion, for Europa (Fab. 178).<br />
13. Neptune, &c. 1 the Heyfer I cannot find ; Ramme refers to his<br />
amour with Theophane (Hyg. Fab. 188); Floude may refer to Hesione<br />
(Fab. 89), or Andromeda, or his contest with Athene (Fab. 164)—but Lyly<br />
sometimes writes with the same fluent carelessness of mythology as of<br />
natural history.<br />
15. Apollo, &c.: Apollodorus, iii. 10. § 4 (fols. 276-7 of the ed. of<br />
Hyginus, 1578) relates how Apollo served Admetus as shepherd for a year<br />
in penalty to Jove for slaying the Cyclopes.<br />
18. coppie: mind or conduct: cf. p. 224, 1. 31.<br />
25. clownes Garlike: Landmann quotes Mids.N. Dream,iv. 2.43 'And,<br />
most dear actors, eat no onions nor garlic, for we are to utter sweet breath.'<br />
26. Treacle: a medicinal compound, or else a healing plant: the
<strong>THE</strong> ANATOMY OF WYT 345<br />
modern use is later (Whitney). Cf. Basse's Eclogues, vi ' Nor wholesome<br />
treacle cleanse his poison'd blood.'<br />
26. farrefette, &c.: i.e. fetched. Heywood's Proverbes (1546), p. 67,<br />
reprint, ' deare bought and far fet | Are dainties for Ladies.'<br />
P. 237, 9. Euphues was also cast off, &c.: for this summary announcement<br />
see Introd. Essay, p. 141.<br />
12. in hir muses', the Cent. Dict, quotes Rom. of Partenay (E.E.T.S.<br />
1. 5511) 'Thys king in muses ther was full strongly.'<br />
21. glyeke: gleek or glick = taunt.<br />
22. miste the cushion: you are mistaken. In Hey wood's Proverbes,<br />
p. 165, Sharman supposes it taken from archery: but Dr. Brinsley<br />
Nicholson (Glossary to Reginald Scott's Discouerie of Witchcraft) refers<br />
it rather to some variant of stool-ball or to the cushion-dance, or simply<br />
to one missing his seat and coming to the ground.<br />
26. nipped on the head: nipped is taunted, of. p. 200,1. 31. On the<br />
head, as the part one would most wish to defend.<br />
35. frumpe: taunting speech.<br />
P. 239, 8. it nothing toucheth me: makes no difference, is no consolation—constructed<br />
with what follows, not with what precedes.<br />
20. make: mate.<br />
22. Cornelia herein Naples... rude Miller: probably from one of the<br />
Italian novelists : not ancient.<br />
35. an Ele... holde of hir taile: Hey wood's Proverbes, 1546, p. 41,<br />
reprint, 'A woman | Is as sure to hold as an ele by the tayle.'<br />
P. 240, 1. swallow a Gudgen: see p. 214, 1. 33, note.<br />
14. openly taken in an yron net, &c.: the wording of this reference<br />
to Venus is reminiscent of Pettie's Pallace, fol. 34 v., where Infortunio,<br />
in similar case to Euphues, reproaches Venus for being taken with Mars<br />
' togeather starke naked in an iron netted.'<br />
22. Pasiphae: Hyg. Fab. 40, and Ovid, Ars Amat. i.<br />
23. Mir ha . . . incensed: i.e. enflamed. Hyg. Fab. 243.<br />
P. 241, 17. corasiues: corrosive in their action. Again p. 253,1. 23.<br />
23. tosse my bookes: i.e. turn them over. Landmann quotes Titus<br />
Andron. iv. 1. 41 'What book is that she tosseth so?'<br />
29. Axiomaes of Aristotle, &c. : Aristotle, Justinian, and Galen are<br />
taken as the great authorities on moral philosophy, law, and medicine just<br />
adverted to; but the impression produced (by the use of capitals and<br />
italics in all editions) that the titles of special works are here given is only<br />
justified in the case of Galen, whose commentary on the Aphorismi of<br />
Hippocrates was constantly reprinted about the beginning of the fifteenth<br />
century, e.g. Florence, 1494 fol., Venice, 1498, 1517, 1520, fol. The<br />
great body of law drawn up under Justinian's supervision was known as<br />
the Digest or Pandects. It is worth mention, however, that the Stationers'<br />
Register records, under date January 29, 1592, the entry of 'a booke
346<br />
NOTES<br />
intituled Axiomata Philosophica gathered out of Aristotle and other ye<br />
moste excellent Philosophers together with certen explications by Bede,'<br />
of which there may possibly have been an earlier edition, or some similar<br />
and earlier work.<br />
37. the thing y e better it is the greater is the abuse, &c.: compare<br />
Friar Laurence, Rom. & Jul. ii. 3. 20 (Introd, Essay, p. 167).<br />
P. 242, 11. dunge out of the Maple, &c.: I find no authority for this.<br />
22. still: distilling glass.<br />
P. 243, 24. Danaus... but one that disobeyed', viz. Hypermnestra, who<br />
spared the life of her husband Lynceus (Hyg. Fab. 170).<br />
P. 244, 1. blaze: blazing star, cynosure (Murray).<br />
17. cockney : spoiled child.<br />
cockescombe: fool, the comb and feathers of a cock being used for the<br />
Fool's cap (Landmann).<br />
P. 245, 16. stand to the maine chaunce: dicing phraseology, where<br />
' the maine' is opposed to ' the by' or 'bye.' Cf. Euph. and his Eng.<br />
p. 188,1. 6 ' haue an eye to the mayne, what soeuer thou art chaunced at the<br />
buy.' Lucilla hopes that even if she is disappointed of the bye, i.e. her<br />
father's approval, yet he will not deprive her of ' the maine' by forbidding<br />
the match altogether.<br />
35. abhominable: from false etymology ab homine [as Holofernes,<br />
L. L. L. v. 1. 25], the true being ab-ominor, to deprecate as of ill omen<br />
(Nares).<br />
P. 246, 9. ouerlashing: excessive, exaggerated. Again, pp. 209, 1. 5,<br />
309,1. 20.<br />
Z. A cooling Carde, &c.: in temper, though not in actual words, this<br />
address to Philautus, as well as the subsequent letter to him, is indebted<br />
to Guevara's Menosprecio de Corte, which was translated into English by<br />
Sir Francis Bryan, 1548, and reprinted 1575 under the title of A looking<br />
Glasse for the Court, with the further title (fol. 3) A dispraise of the life<br />
of the Courtier, and a commendacion of the life of the husbandman, &c.<br />
See also Introd. Essay, p. 155. Carde: in the sense of compass or<br />
guide, like the ''shipman's card,' i.e. compass.<br />
32. tourne my tippet: in Hey wood's Prov. and Epigr. 1562, fourteen<br />
epigrams are given on this proverb for changing sides, which was perhaps<br />
of clerical origin; but cf. the ' Whitehoods' in Ghent, in the time of<br />
Philip van Artevelde.<br />
33. Wiredrawer; i.e. 'precisian,' not, as Landmann, 'wirepuller.'<br />
Metaphor from the mechanical art of drawing out wire fine.<br />
P. 247, 2. hotte as a toast. . . colde as a clock: Hey wood gives the<br />
phrase as ' Hot as a toste.cold as kay,' i.e. key. If a physical sense be<br />
insisted on clock must stand, as sometimes, for 'bell'; but it is more like<br />
Lyly to oppose a moral sense,' free from passion as a machine/ to the<br />
physical sense of' hotte as a toast.'
A COOLING CARDE 347<br />
4. crye creeke (or creake): to confess oneself beaten. See Murray s.v.<br />
bee olde huddle and twange, ipse, hee: be embraced as her darling,<br />
and fiddle or sing,' I am the man.' So Touchstone to his rival William,<br />
' you are not ipse, for I am he' (A. Y, L, I, v. i. 46).<br />
5. weeting: wetting. ' Shrink in the wetting,' of a sudden, temporary,<br />
and reparable injury, like the cold douche of Lucilla's desertion.<br />
6. Steele to the backe: it escapes Landmann that physical strength is<br />
implied as well as fidelity. Cf. the Elder Loveless' sensitiveness on this<br />
subject in Beaumont and Fletcher's Scornful Lady; his rivals are ' steelchin'd<br />
rascals,' v. 1. 18.<br />
9. eaten . .. bushell of salt wyth: see p. 197,1. 18, note.<br />
10. tenne quarters: eight bushells in one quarter.<br />
28. Achilles speare, &c.: alluding to the story (Cycli Frag.) of<br />
Telephus being healed by the spear of Achilles, which had wounded him;<br />
a cure, says Pliny, xxv. 19, xxxiv. 45, by some explained of the verdigris<br />
which he scraped off the spear into the wound with his sword, as<br />
represented in some pictures. Cf. Ov. Met. xii. 112 'opusque meae bis<br />
sensit Telephus hastae.'<br />
29. Scorpion though he sting, &c.: so above, p. 215,1. 4, note.<br />
30. hearb Nerius: Pliny, xvi. 33 ' (Rhododendron . . .) Alii nerion<br />
vocarunt . .. Iumentis caprisque et ovibus venenum est. Idem homini<br />
contra serpentium venena remedio.'<br />
34. Hare ,, . Hounde: Hey wood's Proverbes, Pt. I, ch. 10 (Bartlett).<br />
P. 248, 13-5. the first draught of wine.,, theseconde.,. thethirde, &c.:<br />
cf. Euph. andhisEng. p. 54,1. 24 ' the Uine beareth three grapes, the first<br />
altereth, the second troubleth, the third dulleth.' Lyly probably borrowed<br />
it from Edmund Tylnzy's Flower of Friendship, 1568, sig. Civ. 'Anacharsis<br />
the Philosopher sayde, that the Vine bare three kindes of grapes, the<br />
first of pleasure, the second of dronkennesse, and the thirde of sorrow.'<br />
29. fowle: ugly, as often. This paragraph closely imitated from one<br />
in North's Diall ad fin. ' Certen Letters,' c. vi.<br />
P. 249, 2. Mecocke: Nares explains as 'meek cock,' i.e. hen-pecked,<br />
tame-spirited; which has more probability than ' meek + dimin. -ock,'<br />
which the Cent, Diet, doubtfully suggests, quoting also Fletcher's Wild<br />
Goose Chase, v. 2 ' Fools and meacocks | To endure what you think fit to<br />
put upon 'em.' As this is one of the very few passages where the diction<br />
positively recalls The Diall of Princes, I illustrate it by a few lines from<br />
the latter (bk. ii. ch. 16, fol. m, ed. 1568)—' Oh vnto what perils doth he<br />
offer him selfe, whiche continually doth haunte the company of women.<br />
For as much as if he loue them not, they -despise him, and take him for<br />
a foole. If he doth loue them, they accompt him for light. If he forsake<br />
the they esteme him for no body. If he followe them he is accompted<br />
loste. If he scorne them, they doe not regarde him. If he doe not seme<br />
them, they despyse him. If he wyll haue them, they wyll not If he will
348<br />
NOTES<br />
not, they persecute him. If he doe aduaunce him selfe forth, they call<br />
hym importunate. If he flie, they saye he is a cowarde. If he speake,<br />
theye saye he is a bragger. If he holde his peace, they saye he is<br />
a dissarde. If he laughe, they saye he is a foole. If he laughe not, they<br />
say he is solempne. If he geueth them any thing, they say it is little<br />
worth: & he that geueth them nothing, he is a pinchpurse. Finally he<br />
that haunteth them, is by them sclaundered: and he that doth not<br />
frequent them, is esteamed lesse then a man.'<br />
7. kinde Spaniell: true-bred spaniel, as on p. 206,1. 11. Landmann<br />
quotes Mids. N. Dr. ii. 1. 203:<br />
' I am your spaniel; and, Demetrius,<br />
The more you beat me, I will fawn on you.'<br />
8. foolish Eiesse, which will neuer away: Pettie's Pallace, fol. 82<br />
has 'knowe him to be a Niesse, which wyl neuer away,' perhaps for niece<br />
= relative, or connected, like ' nuisance,' with nuire, or perhaps error for<br />
' an Eiesse,' which baffles me.<br />
9. woe men deeme none valyaunt &c.: see note on ' if one bee harde in<br />
concerning,''p. 195,1. 21.<br />
15. pinglers: 'Probably a labouring horse, kept in the homestead.<br />
Pingle is defined by Coles, "Agellulus domui rusticae adiacens, ager<br />
conseptus "' (Nares, who quotes this passage).<br />
27-9. I haue reade . . . a Towne in Spay'ne vndermined with Connyes,<br />
&c.: all these instances (except that of the ' Mowles') are found together<br />
in chap. 20 of T. Fortescue's Foreste (1571), fol. 107 v. 'Marcus Varro<br />
reporteth, that there was a greate toune in Spaine, situate, or standing in<br />
a sandie soile, whiche was by Conies, in such sort vndermined, that in th'<br />
ende it suncke, & came to extreame ruine . . . The saied aucthours [i.e.<br />
M. Varro and'Elian'] again reporte, that there was also in Fraunce,<br />
a famous toune, whiche by the onely multitude of Todes, and Frogges<br />
there, was also by the inhabitauntes, lefte, and forsaken. The semblable<br />
chaunsed, as is euident, in Africa, by the onely malice of Locustes, and<br />
Grasshoppers.' Lyly's ' these silly Wormes ' just below compared with<br />
Fortescue's phrase at end of chap. 20 ' of many countries, by the onely<br />
force of little wormes, brought to be desolate and forsaken,' points to<br />
Fortescue as his authority; but so close a student of Pliny can hardly<br />
have missed the following, which supplies the missing moles, and was<br />
perhaps Fortescue's source—' M. Varro auctor est, a cuniculis suffossum<br />
in Hispania oppidum, a talpis in Thessalia: ab ranis civitatem in Gallia<br />
pulsam, ab locustis in Africa: ex Gyaro Cycladum insula incolas a muribus<br />
fugatos, in Italia Amyclas a serpentibus deletas' (viii. 43).<br />
P. 250, 8. Hiena, when she speaketh lyke a man, &c.: Pliny, viii. 44<br />
' Sed maxime sermonem humanum inter pastorum stabula assimulare,<br />
nomenque alicuius addiscere, quern evocatum foras laceret,' reproduced<br />
by Barth. Angl. xviii. 61 'And hirdes tell that amonge stables, he feyneth
A COOLING CARDE 349<br />
speache of mankynde, and calleth some man by his own name, & renteth<br />
him whan he hath hym without.'<br />
11. Alexander ...the wife of Darius: this and the following instance<br />
of Cyrus and Panthea occur together near the end of Plutarch's De<br />
Curiositate. Cf. also Plut. Alexander, chap. 22.<br />
14-6. Cyrus... Panthea. .. Araspus: ' Cyrus and Panthea' [wife of<br />
Abradatas] forms the eleventh tale in tome i of Painter's Pallace of<br />
Pleasure, 1566. Xenophon is the source of the story, which is given also<br />
in Plut. De Curiositate, and Belleforest, iv. 265.<br />
20. Romulus... refrainefrom wine: so above, p. 186,1. 21 'abstaine<br />
with Romulus,' where see note.<br />
21. Agesilaus, &c.: Plut. Apophtheg. Laconica, Agesil. 76.<br />
22. Diogenes, &c.: taken merely as a general example of asceticism.<br />
23. touchelh pitche, &c.: the proverb is quoted 1 Henry IV, ii. 2.425,<br />
where Shakespeare is parodying Lyly: see p. 150, note 3.<br />
28. youthfull: youthly, the reading of G and later eds., occurs above,<br />
pp. 192,1. 22, 194,1. 7.<br />
37. these Abbaie lubbers, &c.: the context implies idleness and selfindulgence,<br />
and the phrase must be a cant term for holders of prebendal<br />
stalls, or other posts with light duties attached in the abbey. This is<br />
borne out by The Epitome, p. 6, where Martin Marprelate will have ' not<br />
so much as a Lorde B[ishop] ... archdeacon, abbie lubber, or any such<br />
loyterer, tollerated in our ministerie.' Mr. P. A. Daniel points out to me<br />
a parallel to what follows in M. Bomb. i. 1. 75 'thou shalt eate, thou shalt<br />
I ?' till thou'] sweate, play till thou sleep, and sleepe till thy bones ake';<br />
and some resemblance in Slipper's ' bill' in Greene's fames IV, i. 2. p. 193 a<br />
(ed. Dyce).<br />
P. 251, 14. fattest grounde, &c. : proverb repeated 2 Henry IV,<br />
iv. 4. 54 ' Most subject is the fattest soil to weeds.'<br />
16. which Seneca reporteth, &c.: Plut. An sit Seni administranda<br />
Respub. c. xvi. 5<br />
But Plutarch is sometimes indebted to Seneca.<br />
24. atanynchei close behind,,<br />
P. 252, 5. blast: i. e. of wind, or ' blasted bud,' as p. 325,1. 13.<br />
18. straininge disease: figuratively, of a craving for freedom.<br />
19. iusts... turnayes: distinguished as the encounter of two knights,<br />
or of two parties, respectively.<br />
29. tree Siluacenda . ..Persian trees in Rhodes, &c.: Pliny, xvi. 58,<br />
says generally that trees do not bear except where they are indigenous.<br />
1 find no mention of any tree called 'Siluacenda.' Lyly substitutes<br />
i Persian' for Assyrian—see next note. Pharos is the island near<br />
Alexandria, on which Ptolemy I built the lighthouse.<br />
32. Amomus, and Nardus... Balsamum onely in Syria : Pliny, xvi. 59<br />
' Fastidit balsamum alibi nasci [cf. xii. 54 balsamum uni terrarum Iudaeae
350<br />
NOTES<br />
concessum]: nata Assyria malus alibi ferre... Non ferunt amomi nardique<br />
deliciae, ne in Arabia quidem ex India, et nave peregrinari.'<br />
33. in Rhodes no Eagle ...no Owle Hue in Crete: Pliny, x. 41 'quarum<br />
[noctuarum] genus in Creta insula non est: etiam si qua invecta sit<br />
emoritur. .. Rhodus aquilam non habet.'<br />
P. 253, 4. husband: husbandman. •<br />
13. water... thy plantes: weep.<br />
14. Pigges nye: properly ' pig's eye,' common as a term of endearment.<br />
Moth. Bomb. ii. 2. 24 ' his pigsnie is put vp.'<br />
mammering: hesitation, the idea being that of paralysed powers rather<br />
than stammering. AS. mamor, deep sleep, unconsciousness. Again, vol.<br />
ii. pp. 75,1. 25, 148,1. 22 ; and Oth. iii. 3. 70 ' stand so mammering on.'<br />
17. sleeuelesse excuse: bootless. Pappe, vol. iii. ' a sleeueiess conscience<br />
' (alluding to the sleeveless gown preferred by Puritans). Troilus<br />
& Cr. v. 4. 9 ' of a sleeveless errand,' cf. Skeat s. v. A simple interpretation<br />
would be ' half-made-up,' ' ill considered'; or ' helpless,' ' useless,'<br />
alluding to the difficulty of using the arms in any such covering cloak.<br />
23. a corasiue: i.e. corrosive, as on p. 241, 1. 17.<br />
25. pykes: rocks. Cf. p. 189,1. 7.<br />
P. 254,2. a longis: as we should say, 'a maypole'; again, vol. ii. p. 97,1.35.<br />
11. of course: conventionally, outwardly, as on pp. 202, note, 235,1.33.<br />
22-3. no sighte in deskante: not able to take a part, no knowledge of<br />
harmony as opposed to the plain-song of' chaunting.' Cf. p. 236,1. 3, note.<br />
26. gagge toothed: jag-toothed.<br />
33. sleeking: cf. 'sleeke stone,' p. 219,1. 6.<br />
34. slibber: 'dirty; cp. slabber, slobber, and slubber' (Landmann).<br />
37. rowles: a roll of hair. ' Antiae, the heare of a woman that<br />
is layed over hir forheade; gentilwomen dyd lately call them their rolles,'<br />
Elyot, ed. 1559 (Halliwell).<br />
P. 255, 6. fangles: trifles, toys. Wood's Athenae, ii. col. 456 ( A hatred<br />
to fangles, and the French fooleries of his time' (Nares).<br />
7. shadows: the same as a bone-grace, or border attached to a bonnet<br />
to shield the complexion from the sun. Cotgrave says in v. Cornette,<br />
' a fashion of shadow, or boonegrace, used in old time, and at this day by<br />
some old women' (Halliwell). ' Shadowes' and' spots' (=black patches)<br />
are mentioned Midas, i. 2. 80.<br />
leefekyes: or ' lyfkies,' bodices ; Mid.Dutch lijfken, dim. of lijf, body:<br />
been vrouwen Lijfken, a Woman's Bodies' (Hexham's Netherdutch and<br />
Eng. Diet. 1698) [communicated].<br />
14. haue more strings... then one: Euphues' counsel here has more<br />
the air of lover's artifice than of self-mortification, and is extremely<br />
inconsistent with what precedes and follows.<br />
27. fained ashes: i. e. let her think the flame has been stifled, with<br />
(Landmann thinks) a possible penitential sense.
A COOLING CARDE 351<br />
29. paynted sheathe . .. leaden dagger: again as a proverb for false<br />
appearances, p. 215,1. 9.<br />
36. Stande thou on thy pantuffles: of pride, p. 196,1. 24, note. With<br />
all this passage cf. the crone Sybilla's advice Saph. and Phao, ii. 4. 76-115.<br />
37. vayle bonnet: lower cap ; Fr. ava/er, Lat. ad valient. Merch. of<br />
Ven. i. 1. 28.<br />
cease on : seize on.<br />
P. 256,12-3. Asiarchus... Biarus: imaginary characters, unknown to<br />
Livy, Plutarch, Aelian, Polybius, or Val. Max.; unmenfioned in Smith's<br />
Dictionary of Biography, Bodkin is a small dagger, as vol. ii. p. 28,1. 12 ;<br />
cf. Hamlet, iii. 1. 76 'a bare bodkin.'<br />
22. Englishman . .. euery straunge fashion : cf. vol. ii. p. 194,11.11-9<br />
note, and Merch, of Ven. i. 2. 73.<br />
23. dissolute: i.e. dishevelled.<br />
33. manchel: finest white bread or rolls, perhaps fr. Fr. main: ' the<br />
first and most excellent [kind of wheat en bread] is the mainchet which<br />
we commonlie call white bread,' Harrison's Descript. of Eng. ii. 6<br />
(Whitney).<br />
beefe and brewys: 'brewis' was the broth in which salted beef<br />
was boiled, or, more often, bread soaked in that broth. Cf. Lucio's dream in<br />
Moth. Bomb. iii. 4. 98-101' I sawe a stately peece of beefe... sitting vppon<br />
a cushion of white Brewish, linde with browne Breade.' Fletcher's Mad<br />
Lover, ii. 2. 8 ' Beef. . . lined with Brewis.'<br />
37. meetly: not 'fitly/ but 'in a measure' (vb. to mete), 'moderately.'<br />
P. 257, 5. take pepper in the nose: take offence. Nares quotes<br />
Tarlton's News out of Purg. p. 10 ' Myles hearing him name the baker,<br />
tooke straight pepper in the nose.'<br />
7. winch...gawlded: 'wince . . . galled/ Ham.iii. 2. 251 'Letthe<br />
galled jade wince.'<br />
28. Diogenes .. . abhorre all Ladyes : probably founded on the ungallant<br />
dicta attributed to him in Diogenes Laertius' Vitae Philosophorum,<br />
vi. 2. 4 and 6, especially<br />
33. a godly Theocrita: I find no mention of her in Smith's Diet, of<br />
Christian Biography, nor in other Universal Biographies.<br />
36. Pieria: mentioned Plut. De Mulierum Virtutibus, 16, as the<br />
means of reconciling, through her Milesian lover Phrigius, the cities<br />
of Myus and Miletus. Again, vol. ii. p. 159,1. 14 as an instance of chaste<br />
love.<br />
P. 258, 7. wight: for a woman, above, p. 222,1. 18.<br />
30. fire stone in Liguria, &c.: I believe amber is meant. Pliny,<br />
xxxvii. 11, reports Theophrastus as saying it was dug up in Liguria,<br />
and Philemon as saying that it gives out flame.
352 NOTES<br />
31. rootes of Anchusa: Pliny, xxii. 23 ' Anchusae radix... liquari non<br />
potest in aqua, oleo dissolvitur.'<br />
P. 250,5. the Walnut tree neuer : not in Pliny, xvi. 80, which discusses<br />
the erosion of trees by worms.<br />
EUPHUES AND HIS EPHCEBUS<br />
P. 260. Euphues and his Ephcebus is a version of Plutarch's De<br />
Educatione Puerorum, part paraphrase, part translation, abbreviated in<br />
places, slightly expanded in others, and containing some considerable<br />
additions by Lyly himself, amounting to about eleven pages, or two-fifths of<br />
the whole. I have compared with his text, and with the Greek, five Latin<br />
translations existing in 1578, those of Xylander, of J. Metzler (1527), of<br />
Fabricius (Antwerp, 1563),of Melanchthon (1519), andof Guarini of Verona<br />
(circ. 1480); and find clear evidence of his use of the last-named in his<br />
adoption of some mistranslations found in, or suggested by, it alone, e.g.<br />
p. 262 1.19' Queenes, not Kinges,' p. 269,1.10' two seruants and one sonne,<br />
and whether wilt thou sell,' p. 281,1.18 ' Not to bring fire to a slaughter' (see<br />
notes ad loc). I believe that Lyly had also before him the black-letter<br />
quarto English translation of Sir Thomas Elyot, printed by Berthelet about<br />
1535, of which a copy exists in the British Museum, and the wording of<br />
which Lyly occasionatly recalls, e.g.' Princesse,' p. 273,1.12; ' soone angry,'<br />
and ' dissemble,' p. 282,11. 27, 31, omitting, like Elyot, five lines at the end<br />
of Plutarch's eighteenth chapter. That Elyot's translation is in part founded<br />
on Guarini is evident from two passages where Lyly agrees with them<br />
both, and where the other translations have nothing correspondent: viz.<br />
p. 270, 1. 35 the mention of a good locality for education, where Plutarch<br />
speaks only of method, and on p. 268,11.4-6 the addition ' whom Pelleus ...<br />
good lyuinge,' which has no representative in Plutarch (see notes ad loc).<br />
There is perhaps only one point which clearly shows Lyly's use of the<br />
original Greek, his correction namely on p. 273,1.8 of Guarini's ' Biantem,'<br />
and Elyot's ' Byas' to ' Bion' (Plut. but instances where he gives<br />
a more accurate rendering of the Greek than Elyot does (instances in<br />
which he has however the correct example of Guarini) are found in<br />
'doate through age lyke Saturnus' (Gk. p. 282, 1. 8, and<br />
ib. 1. 29 his translation of and his retention of the passage<br />
about the offences of servants and friends in two clauses, ib. 11. 33-7,<br />
which Elyot compresses into one. Lyly's own additions will be found on<br />
pp. 260-1, 264-6, 267-8, 269-70, 272, 273-6, 279, 283-6, at which point<br />
the narrative is resumed. It is naturally in these added passages that<br />
his euphuism is most apparent. But even where he adheres to his<br />
original, he contrives to be himself: his treatment is not so much a<br />
translation' as a free paraphrase by an original author, and especially
EUPHUES AND HIS EPHCEBUS 353<br />
as contrasted with Elyot, by a poet. His chief omissions are about six<br />
lines in Plutarch's c. 4, five lines containing a saying of Diogenes near<br />
the end of c. 7, ten lines in the middle of c. 10, and eight at its close,<br />
fourteen lines at the end of c. 13, in which Plutarch develops the importance<br />
of memory, and five lines exemplifying tolerant treatment at the<br />
end of c. 18. I note as significant of our author's own character or<br />
opinions the following changes or additions (see notes in loc.): p. 262,1. 2<br />
' trecheries' of conjugal infidelities; p. 263, the necessity of good wits,<br />
Plutarch asserting the opposite; pp. 264-6, a warm enlargement on the<br />
duty, merely briefly touched on by Plutarch, of mothers nursing their<br />
own children; p. 267, 1. 35, deprecation of extravagance in sport and<br />
parsimony.in a child's education ; p. 270,1. 12 ' It is vertue . . . maketh<br />
gentlemen'; p. 271, 11. 12, 33, the advice to write out speeches at first<br />
instead of trying to speak extempore; p. 272, a page added to enforce<br />
the need of variety in subjects of study; pp. 273-6, the digression on<br />
Athens, i.e. Oxford; p. 276, 1. 32, exercise to be employed as relief to<br />
mental strain ; p. 279, a page added to inculcate reticence ; p. 282, his<br />
sense of the opposition between a tutor's influence and that of a young<br />
man's flatterers.<br />
1. Ephœbus this mis-spelling predominates over the proper spelling<br />
' Ephebus,' which is found sometimes in the running-title of the earliest<br />
editions. is used in Xen. Cyropaed. i. 2. 8, for one arrived at the<br />
age of puberty i.e. at sixteen or seventeen years of age among the<br />
Persians, and occurs in § 4 of the same chapter to mark the stage midway<br />
between boyhood and complete manhood.<br />
3. Experience is the Mistresse offooles : see Murray, who quotes two<br />
instances of the saying.<br />
6. heereof: i.e. of Athens, the place from which the treatise is<br />
written, cf. p. 259, 1. 16. In the second edition, Lyly, probably feeling<br />
the locution awkward, printed ' I have ben heere a,' &c.<br />
20. Aristotle so precise in his happy man : in Eth. i. 7, the end-initself,<br />
the chief good attainable by human action, fs defined as<br />
Tullie so pure in his orator: the Be Finibus or Be Officiis would<br />
have furnished a better parallel to the Republic and Ethics; but the<br />
Be Oratore has a more strictly educational bearing. Cf. p. 284, top.<br />
26. Saint George,. .. neuer rideth: again, p. 313, 1.13. Probably of<br />
some coin, flag, or inn-sign, where the critical moment represented<br />
induced impatience in one who saw it often.<br />
29. Estrich disgesteth harde yron: Barth. Angl. xii. 33 ' and [the<br />
ostryche] is so hote, that he swoloweth and defyeth (i.e. digests) and<br />
wastyth yren '—apparently from Aristotle, but not in Be Animal. iv. 14,<br />
nor in Pliny. Repeated in Pappe, vol. iii.<br />
P. 261, 3. vnfortunate: without fortune, poor (Landmann).<br />
BOND I A a.
354<br />
NOTES<br />
6. make a course accompte off: treat as a matter of course, of no<br />
importance: so p. 202,1. 22, note.<br />
8. y date of Priamus: i. e. lifetime, but rather of its end, Cf. ' expire<br />
thy date,' p. 222,1. 17.<br />
9. Cocyx: Gr. KOKKV&, cuckoo: probably Pliny, x. 11 ' sola omnium<br />
avis a suo genere interemta.'<br />
10. Pellican : Bartholomaeus Anglicus, xii. 29, said to be taken from<br />
Pliny.<br />
12. proper personage", attractive personal appearance; cf. vol. ii.<br />
PP- 57, 1. 34, 7°,1. 23, 119,1. 8, 121,1. 14.<br />
24. stone Aetites, &c.: Pliny, x. 4' Tribus primis, et quinto aquilarum<br />
generi inaedificatur nido lapis aetites'; xxx. 44 ' Lapis aetites, in aquilae<br />
repertus nido, custodit partus contra omnes abortuum insidias.'<br />
25. gemme Draconites: Pliny, xxxvii. 57 ' Dracontites, sive dracontia,<br />
a cerebro fit draconum : sed nisi viventibus abscisso nunquam gemmescit,<br />
invidia animalis mori se sentientis.'<br />
30. First touching their procreation : here begins Lyly's paraphrase<br />
of Plutarch, with the latter's second chapter, the first (of three lines only)<br />
being replaced by Lyly's own introduction.<br />
31. entreate off who so euer, &c.: the colon placed at 'intreate of'<br />
by Erest alters the sense of ' entreate off' to ' treat of, 1 and destroys the<br />
connexion between that verb and its object, who so euer.<br />
P. 262, 2. trecheries: infidelities—stronger than in original or translations.<br />
3-4. For we commonlye .. . parents: so Lyly, with loss of point,<br />
represents two iambic lines quoted in the original.<br />
4-11. It is therefore a great treasure , . . boast of their gentrye:<br />
these eight lines are a free expansion and alteration of the original,<br />
agreeing neither with Guarini, nor Elyot.<br />
15. sootheth : affirms to be sooth or true. Cf. p. 282,1.14 ' they that<br />
soothe younge youthes in their owne sayinges': also Sapho, ii. 4.<br />
104.<br />
17. bolde courage: Gk. rrjs ^yaXotypocrvvrjs, Elyot 'noble harte,'<br />
Guarini ' animi magnitudine.'<br />
19. Queenes, not Kinges : Gk. ov ftaa-ikeav, dk\a fiaa-iKia-Kovs, Guarini,<br />
' no reges, sed regia,' i. e. ' reginas.' Elyot, ' not .. • kynges, but only a<br />
linage of kynges.' Metzler, however, has ' reginis.'<br />
21. bee sober, &c.: Lyly generalizes what Plutarch says only of the<br />
time of cohabitation, but the effect is the same.<br />
28. F Howe the life. . . be lead: there is nothing correspondent to<br />
this heading in the original or the translations; but it is noticeable in<br />
regard to the break that Lyly makes here, and on p. 264, that such breaks<br />
are found in these places in Guarini's Latin, and in Elyot's English,<br />
version, and in no others, nor in any other places in Guarini's version or
356<br />
NOTES<br />
Out of his Humour, v. 5 ' If you can think upon any present means for<br />
his delivery, do not foreslow it' (Whitney).<br />
32—P. 267,10. for as the parts ... vertite, and lyterature : Plutarch<br />
closely followed.<br />
P. 287, 8. Phocilides: Plutarch quotes the line—iralb* «-' tovra xpew<br />
bq Ku\a 8iftaXa> ^a>Xo) Trapoucrjays, irapoiKqarjs, vrrooTcaff 11/ paOqarj, padqarj.<br />
15. conuersation : not talk, as the context shows, but manner of life.<br />
19—P. 268,2. When thisyounge .. . inheriie them : twenty-one lines<br />
tripled in length fromPlutarch, c. 7, where the last sentence ' And sooner<br />
. . . inherite them ' is unrepresented.<br />
23. vnlearned . . . i// lyued: Gk. dvbpaw6boit dv8paTr6bote fj rj fiapfidpois, fiapfidpois. Elyot<br />
' slaues or villaynes.'<br />
31. wittall: properly ' witwal,' the popinjay, a proverb for a complaisant<br />
husband ; cf. the cuckoo.<br />
32. mannors . . . manners: the pun occurs again pp. 225, 1. 35, 317,<br />
1. 12.<br />
P. 268, 4-6. whom Pelleus . .. good lyuinge: has no parallel in Plutarch,<br />
but is represented in Guarini's version by ' que iccirco Peleus : ut<br />
e apud <strong>Home</strong>r& Achillis curae pfecisse dicit: ut ei dicedi piter ac faciendi<br />
ductor foret: atq& magister'; and in Elyot's by ' whom Peleus fader of<br />
Achilles (as <strong>Home</strong>re the noble poete wryteth) ordeyned to haue the rule<br />
of his sonne, to the entent that (for his wysedome and eloquence) he<br />
shulde be as well in speakynge as doynge his instructour and mayster.'<br />
The other translators have nothing correspondent. The passage of<br />
<strong>Home</strong>r referred to is Il. ix. 442-3 rovv^d Tovvetca fxe irpoerjKe fi€ irpo€r)K€ bibav T€ prjrrjp* prjrfjp* epevai, epwat, irpaKrrfpd irpaKrfjpd re (fpy&v. cpy&v.<br />
•nail? €T* iovra xp*KpaT7]s.<br />
P. 269, 8. groates: Gk. bpaxpAs, bpaxpas,<br />
Xyl. ' denarios,' Guarini and the<br />
rest ' drachmas,' Elyot' xx li.' The weight and consequent value* of the<br />
Greek drachma varied in different states; the heaviest, the Aeginetan,
EUPHUES AND HIS EPHCEBUS<br />
was worth more than one shilling of our money ; the lightest, the Corinthian,<br />
about sixpence.<br />
10. thou shalt haue two seruants and one sonne, and whether wilt<br />
thou sell ? Lyly (who also prints ' seruauntes' in the preceding line, where<br />
the Gk. has dvSpdnodov) dvbpdnobov) altogether spoils the point. In the Greek, Aristippus,<br />
in answer to the man's remark that he could buy a slave for that<br />
sum, says Toiyapovv 6vo dvo €^€L5 €%€LS dvSpdiroda, dvSpdfroda, Kal TQV vidv, Kal hv hv 7rpiflj<br />
7rpifly i. e.<br />
'but if you leave your son uneducated, he too will be no better than<br />
a slave.' The source of Lyly's misrendering is to be found in the slipshod<br />
punctuation of Guarini's version—' Duos inquit habebis seruos &<br />
filium : & quern mercaberis :' the other translations leave no doubt.<br />
13. secure of his nurture: careless of it. So ' securitie' below, 1. 27.<br />
18. trowans: for trow ants, ME. form of ' truants,' in sense of idlers.<br />
1 believe Lyly is referring to the parable of the wise and foolish virgins.<br />
33—P. 270, 34. Il is good nurture .. .grace ofvertue: a close rendering<br />
of Plutarch's eighth chapter, with some embellishment of poetry or<br />
rhetoric by Lyly, who omits three lines of Plutarch about wealth being<br />
a mark for the attack of the malevolent and slanderous, and being<br />
shared with the worst characters, and also the description of Stilpo as<br />
6 0 Mcyapevs, Meyapevs,<br />
37—P. 270, 2. as Vlysses sayde to Aiax . . . accompt ours: unrepresented<br />
in Plutarch and his translators. Lyly inserts it from Ovid's<br />
Metam. xiii. 140—<br />
' Nam genus, et proavos, et quae non fecimus ipsi,<br />
Vix ea nostra voco.'<br />
P. 270, 12-6. It is vertue ... most happy: these four lines are represented<br />
only by the very different statement Haihtla Ilai.deia di 8c TS>V T£>V iv rjplv rjpiv povov<br />
icrrlv dOdvarov dddvarov Kal Kal Otlov. Qtlov.<br />
17. knowledge, and reason', Gk. vovs KU\ Kai \6yos, vovs vovs ('knowledge')<br />
being the one that ' commandeth.' Elyot translates by the same words.<br />
26. wonne the Citie: i. e. of Megara, implied in o Megapel's Mcy apt vs applied<br />
to Stilpo, which Lyly omits. Elyot has ' citie of Megarie.' Demetrius'<br />
sack of Megara was in 295 B. C. .<br />
34—P. 272, 12. But as there is nothing more . . . lothsomenesse to<br />
the eare: these fifty-three lines correspond to Plutarch's ninth chapter,<br />
and reflect Plutarch's unprepared transition from general education to<br />
the special training of an orator.<br />
35. in such a place, &c.: nothing about place in Plutarch, who is<br />
speaking merely of sound and wholesome method'. Lyly is following<br />
Guarini, ' incorrupta ac salubri patria insistere,' as does Elyot, ' that he<br />
sette them in a holsome and vncorrupted countreye'; and the change harmonizes<br />
with Lyly's purpose of making severe reflections (below) on<br />
Athens, i. e. Oxford.<br />
P. 271, 1. studye to please the multitude, &c.: Lyly omits Plutarch's
3538<br />
NOTES<br />
quotation from Euripides, and the argument that those who flatter the<br />
passions of the mob are little likely to have control over their own.<br />
4-7. When I was heere a student.. • rawely: four lines unrepresented<br />
in Plutarch, though the deprecation of impromptu speech-making is his.<br />
12. eyther penned, eyther, &c.: ' either penned, or,' &c, as on<br />
pp. 193, 1. 11, 209, L 8. Plutarch has no representative of ' penned,'<br />
which is Lyly's addition.<br />
18. (Demosthenes) ... inuectiue agaynst Midias: the reference is In<br />
Midiam, 191 ; Plutarch quotes the passage correctly enough, but Lyly<br />
substitutes ' without due consideration ... to be Spoken' for<br />
Ka\ iraarxwv.<br />
23. the exercise of the witte: Plutarch,<br />
32. saiior of his former penning: Plutarch,<br />
Guar. ' eunde stillu Iterpraetis obseruat'; Elyot<br />
(evidently following Guarini) ' yet wylle they folowe the stile of an interpretour<br />
(whiche is with longe taryenge and moche studye).'<br />
34. immoderate kinde of humilitie: i. e. lowness and poorness of<br />
style, absence of dignity. Plutarch, ; Guar, 'extremae<br />
garulitatis'; Elyot, ' extreame claterynge and ianglynge.'<br />
35. A certein painter brought to Appelles, &c.: Plutarch's story is<br />
repeated in Campaspe, iii. 4. 76 of ' Aurelius.'<br />
P. 272, 4-5. swellyng . . . lyttle modestie .. . nothing moueth : Plutarch,<br />
f H , "<br />
4 the inflated style is unsuitable for politics, the meagre style produces no<br />
impression.' Guar. 'Tumidum naqj orationis genus ciuile nequaq. est.<br />
Tenue uero nusq mouet.' Elyot, ' Inflate and proude speche lacketh<br />
gentyllnesse, 1 &c.<br />
6-12. Besides this . . . lothsomenesse to the eare: these seven lines represent<br />
the close of Plutarch's ninth chapter, which advocates variety<br />
in speaking.<br />
12—P. 273, 2. It is varietie .. . / will proceede in the Education:<br />
here, for nearly a page Lyly embroiders on the theme of the necessity of<br />
variety, and, freed from the fetters of an original, indulges in his euphuism.<br />
The words ' I will proceede in the Education' mark his return to<br />
Plutarch.<br />
14. <strong>Home</strong>r woulde say, &c.: Lyly seems to be reproducing Plutarch,<br />
De Garrulitate, c. 5<br />
_ a-,— _. ,— _„ —<br />
[Odyss. xii. 453.]<br />
23. quiddities: trifling niceties, quibbles; properly the statement of<br />
the quid or essence.<br />
25. Asfrologians: astronomers.
EUPHUES AND HIS EPHCEBUS 359<br />
P. 273, 3-28. I would haue them ... ouercome with anger: here for<br />
twenty-six lines Lyly follows very closely the first half of Plutarch's tenth<br />
chapter; then he breaks off into a digression, quite unrepresented in his<br />
original, on the vices of Athens, i. e. of University life at Oxford, which<br />
lasts for some three pages, until with the words ' But retourne wee once<br />
agayne to Philo' (p. 276,1.14) Plutarch's tenth chapter is resumed, after<br />
the omission of about ten lines.<br />
8. Bion: Plutarch Guarini ' Biantem,' Elyot ' Byas,' which<br />
clearly shows that Lyly had the original before him. Probably Plutarch<br />
means the Scythian philosopher who lived c. B.C. 250.<br />
12. as the onely Princesse of all Scyences : Plutarch<br />
Guar. ' aliaru artium & sclarum uti principe'; Elyot<br />
' as princesse of al other doctrines.'<br />
21. obay our parents, &c.: in Plutarch, Guarini, and Elyot, the various<br />
classes of people who have relations with us are simply enumerated<br />
first, and the nature of our obligation towards them is given in a second<br />
sentence. Lyly gives the obligations twice over.<br />
28. And heere I cannot but lament Athens; &c. : here commences the<br />
digression, three pages long, on the disorders of University life at Oxford<br />
in Lyly's day; reflections which evidently roused a good deal of displeasure,<br />
since he thinks it necessary to append something of a disclaimer<br />
to the second edition. Doubtless instruction was irregular, and the discipline<br />
bad ; but doubtless, too, these circumstances had much enhanced<br />
Lyly's own enjoyment of college-life. See Life, pp. 6-12.<br />
P. 274, 9. in steede of blacke cloth blacke veluet: cf. the alternative<br />
title of Greene's A Qvip for an Vpstart Courtier: or, A quaint dispute<br />
between Veluet breeches and Cloth-breeches' (1592), i.e. between newfangled<br />
extravagance and antique simplicity.<br />
29. in England of Oxford & Cambridge: Lyly, as he tells us in<br />
The Glasse for Europe, vol. ii. p. 192,1. 37, had been a student in both.<br />
Here, while pretending to distinguish them from iniquitous Athens, he<br />
nevertheless pronounces them ' starke nought.'<br />
37.fraightx i.e. ' freight,' 'freighted.'<br />
P. 275, 7. to the carte: i. e. for conveying criminals to the gallows.<br />
Landmann supposes it to mean ' to trade,' i. e. farming.<br />
17. no chaungelinges: i.e. supposititious children, who would fail to<br />
exhibit the family characteristics. Construct with it * When of olde,' &c.<br />
=' from the old time when.'<br />
sayde to a Lacedemonian, &c.: adapted from Plutarch, Apofhtheg.<br />
Lacon. (Varia), 52, where also occurs the story about the old man at the<br />
Panathenaea, alluded to again vol. ii. p. 100,1.14.<br />
28. all thinges are honest there, &c.: Plutarch, Apophtheg. Lacon.<br />
(Varia), 62.<br />
P. 276, 2. Chrisippus ... maide Melissa^ &c.: this story, repeated
36o<br />
NOTES
EUPHUES AND HIS EPHCEBUS 361<br />
P. 278, 7. are in minde to be mislyked: Plutarch<br />
Guar. ' Increpadi plerique merito sunt'; Elyot' be to be blamed.'<br />
10-19. For if the father .. . mother of perfection : these nine lines<br />
are freely rendered, but without importation : fourteen lines of Plutarch,<br />
enlarging on memory, are omitted.<br />
17. furtheratince: a poor rendering of Plutarch's Guar. ' cella<br />
penaria,' Elyot 'store-house.'<br />
19—P. 279, 36. Children are to be chastised . . . much lesse in a<br />
sonne: corresponds to Plutarch's fourteenth chapter, but departs from it<br />
widely. The first 4-5 lines are Plutarch's; as are the stories about Socrates,<br />
Archytas, and Plato (who in Plutarch delegates the slave's chastisement),<br />
and the injunctions to restrain ' hot and heady humor,' to control<br />
the tongue, and to teach children to speak the truth. But much of the<br />
chapter is omitted; and a whole page about reticence supplied by Lyly<br />
from other sources.<br />
P. 279, 5-7. It neuer hath .. . recalled: closely from Plutarch, who at<br />
the end of the De Garrulit. attributes the saying to Simonides.<br />
7-32. We maye see the cunning.. . face of the Tyraunt: not in the<br />
De Educations It is noticeable that Elyot, too, chooses this place to<br />
insert some three pages about Polyphemus and Ulysses. Lyly's insertion<br />
is from Plutarch's De Garrulitate, from which we found him quoting<br />
on p. 272,1. 14. The tongue guarded by Nature with teeth is from<br />
chap. 3 of that treatise, where also occurs<br />
(see below). The advice to refrain from wine, and the 'olde<br />
Prouerbe ' quoted, are from chap. 4 (though not l the glasse of the<br />
minde,' Aesch. Frag. 274 ; cf. vol. ii. p. 83,1. 7, note), as are the stories of<br />
Bias and Zeno; while that of Anacharsis occurs in chap. 7, and that<br />
of Zeno's tongue at the beginning of chap. 8.<br />
21. the Kings Legates: i.e. the Persian King's.<br />
37—P. 280, 16. But the greatest . . . Lacedemonian to the other:<br />
these seventeen lines represent Plutarch's fifteenth chapter, in which he<br />
discusses with hesitation the question whether lovers of boys should be<br />
admitted to their company. Lyly's hesitation is naturally less, and his<br />
repudiation of the vice in Plutarch's mind more emphatic, e. g. he inserts<br />
'as a most daungerous and infectious beast.' This direct evidence of<br />
Elizabethan opinion is of value. Elyot omits the whole chapter.<br />
P. 280, 7. Scebetes: probably printer's error for ' Cebetes,' which<br />
Lyly must have supposed to be the nominative case of Guarini's l Cebetem,'<br />
Plutarch, Cebes of Thebes was a disciple of Socrates,<br />
introduced by Plato in the Phaedof and the author of wherein the<br />
dangers and temptations of human life are symbolically represented in<br />
a table which is explained by an old man to some youths.<br />
17—P. 281, 5. But hauing sayde . .. the feare of punishment : translated<br />
with some freedom from Plutarch's sixteenth chapter, e.g. TOVS
362 NOTES<br />
becomes 'the nature of diuers parentes,' and<br />
tne metapnor • onaie ... snaffle . •. bit,' is Lyly's; and 11. 25-7 ' eyther<br />
with threates ... be rewarded' is Lyly's substitute for the two causes<br />
suggested by Plutarch for childish errors, the tutor's neglect, or the<br />
pupil's mischievous disregard of him; and 11. 33-5 ' for hard it is ...<br />
ouerlashinge affections' is other than the sense of Plutarch. 'Wise<br />
parentes ... punishment' closely follows the original.<br />
24. escapes : see Murray s. v.<br />
P. 281, 5—P. 282, 20. But chiefly parents ... deuouringe minde: this<br />
page and a half is close in sense to Plutarch's seventeenth chapter, with<br />
slight compression, or more pictorial language, e.g. becomes<br />
' layeth a cusshion vnder his eldbowe to sleepe,' and there is small<br />
fidelity in ' Heerof it cometh ... slaues by free wil.'<br />
12. goe aboue the ballaunce: Plutarch, which<br />
all the translators render by' stateram'; Guarini, ' Iugum stateramque ne<br />
transafdere.' Neyther for feare . .. partially is Lyly's addition.<br />
13. Not to lye in idlenesse: Plutarch, ' to sit<br />
idly eating.' The ' was a measure of I1 pints or 1 quart, taken by<br />
Hdt. vii. 187 as a man's daily allowance of corn.<br />
18. Not to bring fire to a slaughter: Plutarch,<br />
Elyot, ' Cutte not the fyre with weapon.' Lyly's mistranslation is due to<br />
a hasty reading of Guarini, ' Ignem ferro caedi minime decere,' where he<br />
mistook 'ferro' for 'ferre.' He explains the proverb correctly, after<br />
Plutarch: cf. Sapho, ii. 4. 110 ' fire to bee quenched with dust, not with<br />
swordes.'<br />
25. inScapio: Plut. Guar. ' in scaphio,'i.e. chamber-pot,<br />
used in that sense in Martial or Juvenal. Elyot 'in a traye,' to the<br />
sacrifice of sense.<br />
P. 282, 5-8. soone gone . . . lyke Saturnus: somewhat freely from<br />
Plutarch, Lyly adding ' lyue lyke a seruaunt.' Plutarch's epithet,<br />
is closely rendered, perhaps from Guarini, ' lam pater uti Saturnus qdam<br />
aetate delirat,' Elyot having merely 'thinkynge that in age his father<br />
doteth.'<br />
14. soothe... in their owne sayinges: i. e. assent to them ; cf. p. 262,<br />
I.15.<br />
19. Panthers ... sweete smell. . . deuouringe minde: see note on<br />
p. 202,1. 20. Not in Plutarch.<br />
20-37. yet woulde I not haue parentes... somtimes with our sonnes:<br />
closely after Plutarch's eighteenth chapter, adding ' causeth a redresse ...<br />
childe,' 1. 25, and ' he becommeth desperate .. . owne duetie, 1 1. 30, and<br />
substituting for five lines of practical examples at the end, the sentence<br />
about' the fairest Iennet.'<br />
37. Iennet': a small Spanish horse. Arabic word from 'Zenata,'<br />
a tribe of Barbary celebrated for its cavalry. Cf. p. 313,1. 1.
EUPHUES AND HIS EPHCEBUS 363<br />
P. 283, 2-11. If thy sonne . .. then to their wife: corresponds closely<br />
to Plutarch's short nineteenth chapter.<br />
11-26. But to retourne.. .youth is past grace: an expansion of the<br />
first half of Plutarch's twentieth and closing chapter, the last sentence<br />
enlarged from Plutarch being<br />
while Elyot reproduces also the remaining<br />
fourteen lines.<br />
27. The sum of all, &c.: all from this point is Lyly's addition, as the<br />
euphuism shows. He resumes his narrative, p. 286, 1. 23.<br />
P. 284, 1-3. Platoes common weale . . . Aristotle... Tullye, &c.: as at<br />
the commencement, p. 260, 1. 20, note.<br />
18. yron mowle: i.e. rust-stain, as on p. 189,1. 33.<br />
23. Pyrrhus ... striken to the hearte: all the editions read 'Pyreus,'<br />
but probably Lyly is recalling Plutarch's Pyrrhus, where Antigonus<br />
Gonatas compares him to a gambler, c. 26.<br />
He was killed B.C. 272.<br />
36. as Seneca sayth: the saying is from the De Brevitate Vitae, c. i<br />
' Non exiguum temporis habemus, sed multum perdimus.. . . non accepimus<br />
brevem vitam, sed fecimus .,. vita, si scias uti, longa est.' Lyly's<br />
careless rendering is repeated Campaspe, v. 4. 46.<br />
P. 285,2. Appelles.. .no day... without a lyne: Pliny, xxxvi. 84' Apelli<br />
fuit alioqui perpetua consuetudo numquam tarn occupatum diem agendi<br />
ut non lineam ducendo exerceret artem, quod ab eo in proverbium<br />
venit.'<br />
4. sayde of Hesiodas, &c.: from the 276-80.<br />
Plut. De Solertia Animalium, vi. 3, quotes part of it.<br />
8. the Turtle for loue•: so Mother Bombie, i. 3. 121 in Livia's sampler.<br />
15. I can not tell, &c.: a hesitation quite inappropriate to Euphues,<br />
the resident of Athens, but natural in Lyly wishing to soften a little his<br />
indictment of Oxford.<br />
30. note you of: brand you with.<br />
P. 286, 1. an olde man in Naples: Eubulus, whose precepts on<br />
pp. 189-90 'Descende into .. . friendes desire,' are here verbally reproduced.<br />
P. 287,10. a greate horse: a war-horse, as in Gallathea, iii. 3. 35, and<br />
in Middleton and Massinger's Love's Cure, ii. 2, of the martial Clara.<br />
11. asmackein: a smattering of, as p. 316,1. 29, and M ore's Utopia,<br />
Ded. p. 12 'one that hath a little smack of learning' (Whitney).<br />
18. filed phrases: cf. 'fyled speach,' p. 205,1. 13.
364<br />
NOTES<br />
19. Eligies of Ouid: thinking of the Heroides, Fasti, and A mores<br />
(' Elegia 1,' ' II,' &c.) written in the elegiac metre.<br />
P. 288, 32. Hippomanesi i.e. Hippomenes, the victor and husband of<br />
the Boeotian Atalanta, daughter of King Schoeneus of Onchestus. Ov.<br />
Met. x. 565-605.<br />
P. 289, 9. bird in the limebush, &c.: i. e. limed bush, bush smeared<br />
with lime, used in Ben Jonson's Barth. Fair, iii. 1. Landmann compares<br />
Hamlet, iii, 3. 68 'O limed soul, that struggling to be free | Art more<br />
engaged.'<br />
12. Nectar, &c.: not in Ovid, nor in <strong>Home</strong>r.<br />
14. stone . .. in the riuer of Caria: on p. 210,1. 29, this river turned<br />
its drinkers to stone. Pliny missed it.<br />
21. manuary: 'manual'; no other instance quoted, though used by<br />
Bishop Hall for 'artificer.'<br />
EUPHUES AND A<strong>THE</strong>OS<br />
P. 291. F Evphves and Atheos: I find no special original for this<br />
dialogue, though the dialogue-form may have been suggested by Cicero's<br />
De Natura Deorum, from which the stories about Dionysius (pp. 291-2),<br />
and Cleanthes' four reasons for admitting the existence of God (p. 293),<br />
are taken: but both in manner, proceeding by invective and threats of<br />
divine punishment rather than by argument, and in matter, agglomerating<br />
texts from different parts of the Bible that seem to support the cause in<br />
hand, the pamphlet resembles a pulpit-discourse more than a logical<br />
discussion. One can conceive that the young author of twenty-five was<br />
rather proud of it, his critical faculty being perhaps swamped by the real<br />
strength of his religious convictions : he seems curiously insensible of the<br />
fallacious nature of some of the arguments to which Atheos is made to<br />
succumb. His euphuism is little felt, because the pamphlet is so largely<br />
composed of the actual words of Scripture.<br />
ANALYSIS—Atheos (pp. 291-2) proposes the discussion, asserts that if<br />
God were a reality there would be more awe of Him and less sin, and<br />
suggests that the physical world is perhaps the real God. Euphues<br />
(pp. 292-6) with pious horror replies that even the most savage people<br />
have the idea of God; quotes Plato, Aristotle, and Clean thes as witnesses<br />
to Him; and, dismissing philosophy, since 'manifest truthes are not to<br />
be proued but beleeued,' cites a number of Scriptural texts, wherein God<br />
asserts His divinity and attributes, passing (pp. 294-5) to others threatening<br />
punishment against blasphemy, idolatry, and unbelief. He earnestly<br />
exhorts Atheos to submit, and paints the terrors of the day of Judgement.<br />
Atheos (p. 296) not unreasonably replies that to prove God from<br />
Scripture is illogical, since its authority rests on a belief in Him; and<br />
questions the authenticity of the present books, since Antiochus commanded<br />
all the copies of the Law to be burned. Euphues (pp. 297-300)
EUPHUES AND A<strong>THE</strong>OS 365<br />
answers that a persuasion of the divine inspiration of the Scriptures is the<br />
effect of the Holy Ghost; but urges, as ' seconde helpes' to establish<br />
their truth, their orderly disposition and consistency, the heavenly nature<br />
of their doctrine and the simplicity of the words that convey it, the<br />
antiquity of the books of Moses as compared with those of other religions,<br />
and his impartial relation of facts against his own relatives, the striking<br />
miracles attending the publication of the Law, and the fulfilment of some<br />
prophecies. The authority of the prophetical books is also established<br />
by the fulfilment of prophecies of Isaiah, Jeremiah, Ezekiel, and Daniel.<br />
For the inspiration of the New Testament he urges the simplicity and<br />
the eloquence of its language, the remarkable circumstances attending the<br />
call of some of its authors, the general belief of all ages and nations, and<br />
the martyrs' blood slied in testimony to its truth. On p. 299 he asserts<br />
that God preserved some copies of the Law from being burned at the<br />
time of Antiochus' proclamation; from which the Greek translation was<br />
afterwards made. He threatens Atheos with hell for his inquiring<br />
disposition, falls back on the sound position that the conviction of God<br />
is an instinct in men's hearts, and while announcing that he must forswear<br />
the atheist's society promises to pray for him. Atheos (pp. 300-1),<br />
somewhat easily overcome by these arguments, now professes the greatest<br />
distress of mind, and cites against himself a number of damnatory texts;<br />
whereupon Euphues (pp. 301-4) labours to reassure him, laying stress on<br />
the mercy and forgiveness of God, and urging the sufferings endured by<br />
Christ on behalf of sinners, and the examples of forgiveness supplied by<br />
Mary Magdalen, Matthew the publican, and St. Paul. Atheos (pp. 304-5)<br />
thanking him, calls him to witness his faith, and Euphues gives the glory<br />
to God.<br />
P. 291, 14. frenticke: spelt with e or a in ME.; OF. frdnitique, fr.<br />
late Lat. phreneticus, a corruption of Gk. from < delirium<br />
(Whitney).<br />
23- P. 292,4. Tullye disputinge of the nature of Gods, bringeth Dionisius...<br />
rewarde our Sacriledge : these sixteen lines are derived from<br />
the following passage in Cicero, fle Nat. Deor. iii. 34 ' Dionysius (de<br />
quo ante dixi), cum fanum Proserpinae Locris expilavisset, navigabat<br />
Syracusas: isque cum secundissimo vento cursum teneret, ridens,<br />
" Videtisne," inquit, " amici, quam bona a Diis immortalibus navigatio<br />
sacrilegis detur ?" Atque homo acutus, cum bene planeque percepisset,<br />
in eadem sententia perseverabat: qui, cum ad Peloponnesum classem<br />
appulisset, et in fanum venisset Iovis Olympii, aureum ei detraxit<br />
amiculum, grandi pondere, quo Iovem ornarat ex manubiis Carthaginiensium<br />
tyrannus Gelo. Atque in eo etiam cavillatus est, aestate grave<br />
esse aureum amiculum, hyeme frigidum; eique laneum pallium iniecit,<br />
cum id esse ad omne anni tempus diceret. Idemque Aesculapii Epidauri<br />
barbam auream demi iussit: neque enim convenire, barbatum esse
366 NOTES<br />
filium, cum in omnibus fanis pater imberbis esset. lam mensas argenteas<br />
de omnibus delubris iussit auferri; in quibus quod, more veteris<br />
Graeciae, inscriptum esset, " Bonorum Deorum," uti se eorum bonitate<br />
velle dicebat. Idem Victoriolas aureas, et pateras, coronasque, quae<br />
simulacrorum porrectis manibus sustinebantur, sine dubitatione tollebat;<br />
eaque se accipere, non auferre, dicebat; esse enim stultitiam, a quibus<br />
bona precaremur, ab iis porrigentibus et dantibus nolle sumere.'<br />
25. Apollo: not in the text of the passage from Cicero; Lyly adds it<br />
from a note, or previous knowledge.<br />
P. 292, 5. Protagoras: Cic. De Nat. Dear. i. 2' dubitare se Protagoras<br />
[dixit],'and i. 12 ' Protagoras, qui sese negat omnino de Diis habere quod<br />
liqueat, sint, non sint, qualesve sint.'<br />
6. if there be any God, it is the worlde, &c.: an opinion several<br />
times suggested in the De Nat. Deor., e. g. attributed to Aristotle, i. 13.<br />
20. stroken : struck, cf. p. 293,1.20, vol. ii. p. 17, 1. 27. The 0, confined<br />
in ME. to the past tense, was extended later to the participle.<br />
29. The Heathen man sayth, yea that Tullye, &c.: in De Nat. Deor.<br />
i. 17, VelIeius, quoting the opinion of Epicurus, says * Quae est enim gens,<br />
aut quod genus hominum, quod non habeat, sine doctrina, anticipationem<br />
quandam Deorum ? '—the resemblance to this passage in Lyly goes no<br />
further—and in c. 23 Cotta replies ' Equidem arbitror, multas esse gentes<br />
sic immanitate efferatas, ut apud eas nulla suspicio Deorum sit.'<br />
P. 293, 2. to goe on pilgrimage to images: in Langland and Chaucer<br />
are many allusions to pilgrimages to the shrine of St. James at<br />
Compostella in Galicia, e.g. Piers Plowman, i. 48, v. 122, &c.<br />
6. Plato... woulde often say, &c.: the immortality of God is asserted<br />
in the Phaedrus, 246 (ad fin.), but Lyly seems to be writing from<br />
a general recollection rather than recalling a particular passage.<br />
10-2. Aristotle . •. O thing of things, &c.: the exclamation for the<br />
same cause is put into Aristotle's mouth in Campaspe, i. 3. 31 'O ens entium<br />
miserere mei.' The story, also repeated by Nash, is not in Diog. Laertius'<br />
life of Aristotle; nor can I find it in the latter's works, though in the<br />
De Audibilibus, 803, and Problem. § xxxvi. 4 is some speculation on the<br />
cause of the huge waves in the channel of the Euripus.<br />
13-34. Cleanthes alleadged foure causes... some omnipotent Deitie:<br />
these twenty-two lines are an almost literal translation of another passage<br />
in Cic. De Nat. Deor. ii. 5, which I give—* Cleanthes quidem noster<br />
quatuor de causis dixit in animis hominum informatas Deorum esse<br />
notiones. Primam posuit earn, de qua modo dixi, quae orta esset ex<br />
praesensione rerum futurarum : alteram, quam ceperimus ex magnitudine<br />
commodorum, quae percipiuntur coeli temperatione, foecunditate terrarum,<br />
aliarumque commoditatum complurium copia: tertiam, quae terreret<br />
animos fulminibus, tempestatibus, nimbis, nivibus, grandinibus, vastitate,<br />
pestilentia, terrae motibus, et saepe fremitibus, lapideisque imbribus,
EUPHUES AND A<strong>THE</strong>OS 367<br />
et guttis imbrium quasi cruentis; turn lapidibus, aut repentinis terrarum<br />
hiatibus; turn, praeter naturam, hominum pecudumque portentis; turn<br />
facibus visis coelestibus [Lyly's ' fine impressions in the Elemente,' 1.22];<br />
turn stellis iis, quas Graeci cometas, nostri crinitas, vocant (quae nuper<br />
bello Octaviano magnarum fuerunt calamitatum praenuntiae); turn sole<br />
geminato, quod, (ut e patre audivi) Tuditano et Aquillio consulibus evenerat:<br />
quo quidem anno P. Africanus, sol alter, exstinctus est: quibus<br />
exterriti, homines vim quandam esse coelestem et divinam suspicati<br />
sunt. Quartam causam esse, eamque vel maximam, aequabilitatem<br />
motus, conversionem coeli; solis, lunae siderumque omnium distinction<br />
nem, varietatem, pulchritudinem, ordinem : quarum rerum aspectus ipse<br />
satis indicaret, non esse ea fortuita.'<br />
P. 293,22. firie impressions in the Elemente: i. e. in the air. Cf. vol. ii.<br />
p. 34,1. 23, ' straug sights in y e elemSt.'<br />
27. Tuditanus: Cn. Sempronius Tuditanus, consul B.C. 129 with<br />
M\ Aquilius.<br />
P. 294, 27. It is written, bring out . . . stone him: from Lev. xxiv.<br />
14-16.<br />
P. 296, 9. You shall conceyue heate... lykefire: possibly adapted from<br />
Jer. v. 14.<br />
34. Antiochus commaunded, &c.: Antiochus Epiphanes, king of<br />
Syria", occupied Jerusalem on the close of his fourth Egyptian expedition,<br />
168 B. C. He designed to make it a strong fortress ; and, being supported<br />
by enemies of the Jews, issued several proclamations directed against the<br />
national customs and worship, desecrated the Temple, forbade the observance<br />
of the Law, and instituted a search for copies of the books of the<br />
Law, which he burned (1 Mace. i. 56). This act does not seem to have<br />
included the prophetical books : it is recognized as helping to invest the<br />
ancient books of the Jews with their sacred character.<br />
P. 297, 1. milke of a Tygresse: nothing in Pliny nor Barth. Angl.<br />
20. Leuy ... Aaron ... Marie: Gen. xxxiv ; Num. xii.<br />
23. myracles . . . infallyble proofes'. Lyly forgets that miracles<br />
which rest only on the testimony of Scripture cannot be cited as evidence<br />
of the truth of Scripture. The fallacy is repeated in a longer paragraph,<br />
p. 298.<br />
25. Moses ... assigneth gouernment to the Tribe ofluda: Gen. xlix.<br />
10.<br />
27. telleth before of the callynge of the Gentiles: presumably the<br />
words used at the call of Abraham are referred to— i in thee shall all<br />
families of the earth be blessed' (Gen. xii. 3).<br />
31. Esay telleth before of the captiuiiie of the Iewes and their<br />
restoryng, &c.: Isaiah prophesies the captivity of 588 B.C. in ch. xxxix. 6,<br />
and the restoration by Cyrus (536 B.C.) in ch. xliv. 28. The date of<br />
Isaiah's death is uncertain, but may be put between 710-695 B.C., while
368 NOTES<br />
the birth of Cyrus may perhaps be dated between 590-580 B. c, his first<br />
political exploit, the conquest of Astyages, dating 559 B.C.<br />
33. Ieremy. .. apointeth their exile to continew threescore and ten<br />
yeares\ Jer. xxv. 11 and 12 ' these nations shall serve the king of Babylon<br />
seventy years. And it shall come to pass, when seventy years are<br />
accomplished, that I will punish the king of Babylon,' &c. The duration<br />
of the Babylonian empire from Nebuchadnezzar to Nabonedus or<br />
Nabopalassar was sixty-seven or sixty-nine years; but the seventy years<br />
are, says Cook (Commentary to his Bible)' usually calculated down to the<br />
Jewish restoration,' 536 B.C., i.e. presumably from Nebuchadnezzar's<br />
conquest of Palestine from Pharaoh Necho, king of Egypt, in 605 B. C.<br />
35. Ieremy and Ezechiel beeinge farre distaunt in places: Jeremiah,<br />
writing at Jerusalem, prophesies the captivity by Nebuchadnezzar in xxi. 7,<br />
and the restoration in xvi. 15. Ezekiel carried captive by Nebuchadnezzar<br />
with other nobles in 599 B. c. was settled with a Jewish colony on the banks<br />
of the Chebar, 200 miles north of Babylon. He did not begin to prophesy<br />
before 595 B. c. His earlier chapters foretell the disasters awaiting<br />
Jerusalem; his thirty-seventh prophesies the restoration of the Jews to<br />
their own land.<br />
36. Daniel. . . sixe hundreth yeares after: Daniel's ninth chapter,<br />
written 538-7 B.C., foretells the Messiah's death.<br />
P. 299, 4. by & by followed the translating of them into Greeke:<br />
tLyly is here misinformed. The Septuagint version was made, or at least<br />
commenced, in the time of the earlier Ptolemies, in the first half of the<br />
third century B. C. Antiochus' proclamation about the books of the Law<br />
was long afterwards, in 168 B.C.<br />
20. 77 were an absurditie in schooles, &c.: the cases are by no means<br />
parallel. Atheos might have replied that the logical force of an argument<br />
is, indeed, not affected by the question of Aristotle's authorship of it or<br />
no; but that the denial of the inspiration of the Scriptures touches very<br />
closely the credit of what they report, though not of what they argue, about<br />
God. In schooles... beeing vrged, &c, refers to the public disputation<br />
necessary as one of the qualifications for a degree. See Life, p. 10.<br />
32. idle heades would be scoffed with adle aunsweres: i. e. invite such<br />
treatment. The antithesis of ' idle' and ' addle' occurs once or twice,<br />
e.g. p. 325,1- 13.<br />
P. 301, 25. his wordes are like fire, &c.: Jer/v. 14 ' behold, I will<br />
make my words in thy mouth fire, and this people wood, and it shall<br />
devour them.'<br />
P. 303, 4. Themistocles .. . Philip y e king of Macedonia . . . sonne<br />
Alexander : the story is really told of Admetus, king of the Molossians, in<br />
Plutarch's Themistocles, c. 24. Themistocles died 449 B. c., Alexander<br />
was not born till 356 B. C. The mistake is not creditable to Lyly's grasp<br />
of history.
LETTERS OF EUPHUES 369<br />
28. endured euen the torments of the damned spirites: the same<br />
ignoring of the distinction between Hades and Gehenna is visible in the<br />
treatment of The Harrowing of Hell in some of the Mysteries.<br />
31. record-, remember. Again, vol. ii. pp. 87,11. 2-3, 224,11. 24-5.<br />
P. 305, 17-18. Adamant... warme bloude of a Goate... bursteth: so<br />
'that stone which may bee mollyfied onely with bloud,' P. 210 1. 28,note.<br />
Also vol. ii. pp. 87,1. 3, 224, 1. 33.<br />
LETTERS OF EUPHUES.<br />
P. 306, 1. Certeine Letters, &c.: the epistolary form, of which we have<br />
already had instances, pp. 233, -5, -46, and shall have others in Part II,<br />
was probably suggested, as Landmann pointed out, by those in Guevara's<br />
Libro Aureo, translated by Sir Thomas North as The Diall of Princes,<br />
1557, and reprinted in 1568, with the addition of a Fourth Book from<br />
another work of Guevara, inserted before the ' Certen Letters written<br />
by M. Aurelius.' M. Jusserand points out that Richardson borrows<br />
this method for his heroine Pamela, who in some of her views strongly<br />
resembles Euphues (The Eng. Novel in the time of Shakespeare, pp. 130,<br />
141, ed. 1894).<br />
11. preuenting age : making himself old before his time.<br />
P. 307, 5. aslake: Skeat cites an AS. compound ascleacian as well as<br />
scleacian, ' to grow slack.' Cf. ' abate,' contr. to ' bate.' Again Endim.<br />
i. 4. 40 (note).<br />
27. whether-, whither.<br />
30. brawnefallen: cf. Milo, p. 263,1. 27.<br />
P. 308, 10. the Emperour: the first we have heard of him, though on<br />
p. 246 Philautus was said to be ' addicted to the court.' The anachronism<br />
is borrowed, like the Empress, p. 319, and Athens, from North's Diall.<br />
See Introd. Essay, p. 155.<br />
10. the Poet say to truely Exeat aula, &c.: Lucan, Pharsalia, viii.<br />
493-5-<br />
23. w 1 Crates... trudge to Athens'. Plut. De Vitando Aere Alieno,<br />
c. viii<br />
But the recommendation to go to Athens is hardly consistent with<br />
Euphues' previous expose' of that university.<br />
24. with Anaxagoras dispise wealth, &c.: Anaxagoras' (born c. 499)<br />
abandonment of his patrimony as likely to distract him from higher<br />
pursuits is recorded Diog. Laert. ii. 3. 2, but Lyly probably took it from<br />
Plutarch's Pericles, c. xvi.<br />
33. straight accompt: narrow, close account.<br />
BOND I B D
370<br />
NOTES<br />
P. 309, 12. skinneth: is skinned over. No other intrans. instance<br />
quoted.<br />
13. Thunder bruseth, &c.: probably grounded on Pliny, ii. 53, of<br />
thunderbolts which strike directly, not obliquely, and are thought to<br />
issue from the earth ' quoniam ex repulsu nulla vestigia edunt.' Again<br />
vol. ii. p. 75, 1. 37.<br />
20. ouerlashinge: above pp. 209,1. 5, 246, 1. 9.<br />
22. Time: thyme.<br />
P. 310, 1. Euphues to Eubulus: the first edition heads this letter<br />
'Euphues to Ferardo,' to whom its offered consolation for the loss of<br />
a daughter, 'amyable but yet sinful,' makes it at first sight more<br />
appropriate. Lucilla's death is, moreover, the subject of the ensuing<br />
letter. But Ferardo died, p. 245; and the opening allusion to 'graue<br />
aduice' offered in vain to the writer indicates Eubulus as the fitter<br />
recipient, though no daughter of his has been introduced to us. Probably<br />
Lyly, careless here as elsewhere of the facts or plan of his tale, wrote and<br />
meant ' Ferardo' in his MS., but altered the name in the second edition.<br />
Setting aside the ghastly priggishness of such an address by a young<br />
man to an old—a quality Euphues develops in Part II—the letter is<br />
one of the best. It may have been modelled on Seneca's Consolatio ad<br />
Polybium or Plutarch's Consol. ad Apollonium, which borrows (ad med.)<br />
from Arist. De Anima the story of Silenus and Mydas (next note).<br />
20. The Philosophers... chief est felycitie nener to be borne, &c.: this is<br />
the gist of some verses sung by the philosopher Silenus to King Mydas<br />
in The Diall, bk. iii. ch. 32. The story is told in Cic. Tusc. Disp. i. 48,<br />
114 'Non nasci homini longe optimum esse; proximum autem, quam<br />
primum mori.' Repeated Pliny, vii. 1. Erasmus (Adagia, ed. 1574,<br />
p. 346) says that Athenaeus (Dipnosophistae, bk. iii) shows the original<br />
to be two verses of the comic poet Alexis [vix. c. B.C. 394-288 (106<br />
years)]—<br />
24. melten: no other instance. AS. and ME. partcp. is molten, cf.<br />
'meaten,' p. 235,1. 3.<br />
26. she shold haue dyed : i.e. would. Cf. Macb. v. 5. 17 (1623) 'She<br />
should haue dy'de heereafter; | There would haue beene a time for such a<br />
word.' For the converse use of ' would' where we use ' should' cf. p. 299,<br />
1. 32 'would be scoffed,' &c, p. 317,1. 29 'thou wouldest endeauour,' &c.<br />
28. rulethy e sterne: i.e. the rudder, as in Holland's Plut. Moralls,<br />
p. 301, top 'set them to steer and guide the stern.' Landmann says<br />
sterne = stars, but stern, sterne is ME. sing.; the pl. being sterren.<br />
P. 311, 12. art to goe with manye: i.e. hast many, but art not yet<br />
gone.<br />
P, 312, 9. the states: 'people of rank and position' (Landmann).
LETTERS OF EUPHUES 371<br />
Cf. vol. iii, Whip for an Ape, 1. 104 'ye States and Nobles of this<br />
land,' also 11. 16, 47; and vol. i. p. 428 1. 27<br />
P. 313, 1. The Iennet, &c.: repeated from p. 282,1. 37.<br />
7. for choice'. (1) as being choice; (2) in the matter of choice; (3)<br />
Landmann says choice = choiceness.<br />
13. S. George . . . neuer rideth : above p. 260,1. 26, note.<br />
18. Euphues to Botonio, to take his exile patiently, the idea of<br />
including such a letter is borrowed, as Landmann points out, from those<br />
on a similar subject addressed by Marcus Aurelius to Domicio and<br />
Torquado respectively, in The Diall of Princes, bk. iii. chh. 34 and 41 ; but<br />
Euphues' letter itself is hardly at all indebted to Guevara or North<br />
(Domicio indeed has been banished on account of a quarrel, but the<br />
dominant note in both of Guevara's letters is the fickleness of fortune), but<br />
directly to Plutarch's De Exilio, from which it is partly adapted, partly<br />
translated, with the same freedom of treatment as in Euphues and his<br />
Ephojbus. The succeeding notes indicate all the passages which are<br />
borrowed from or suggested by Plutarch. The name Botonio is not<br />
found either in North or Plutarch ; and Lyly adds the idea of Botonio<br />
being exiled unjustly, and (from Guevara's Menosprecio) that of the<br />
happiness of getting away from Court-life, as urged on Philautus above,<br />
and professed by Livia below.<br />
26-31. Thou say est banishment is bitter. . . whet the sight', lines<br />
adapted from Plutarch's third chapter; the passage 'There bee manye<br />
meates . . . whet the sight,' being a loose translation. Plutarch's two opening<br />
chapters are quite unrepresented.<br />
28. sowre in the mouth and sharpe in the mawc: the antithesis is<br />
not Plutarch's ; on p. 218, 1. 35 we had ' hot in the mouth ' and ' colde in<br />
the mawe.' Mawe: stomach.<br />
32— P. 314, 2. I speake this . . . heale thy hurt: seven lines freely<br />
paraphrased from the beginning of Plutarch's fourth chapter.<br />
P. 314, 3-9. Nature hath giuen . . .or liuings : Plut. c. v<br />
Socrates would<br />
neither... ye world'. Plut. c. v 'O<br />
Plato would... Moone shined: Plut. c. v<br />
1 - - - . . . _ - > ^<br />
Lyly has dropped some of the poetry, and attributed the saying to<br />
Plato.<br />
9. euery place was a countrey . . . quiet minde: unrepresented in<br />
Plutarch or North. Gaunt repeats it to his exiled son—<br />
'All places that the eye of heaven visits<br />
Are to a wise man ports and happy havens.' Rich. II, i. 3. 275.<br />
11-20. But thou art driuen out of' Naples ?... made in Mantua : ten<br />
lines translated almost literally from Plutarch's sixth chapter, 'Naples' being<br />
B b 2
372<br />
NOTES<br />
substituted for Sardis, five lines omitted, and the honey of'Hybla' and<br />
' Mantua ' being Lyly's addition.<br />
11. Naples-, adopted by Lyly as the Italian centre of his tale, and<br />
evidently both from line 27 below, and from the letter to Li via, p. 323,1. 6,<br />
the residence of the Court.<br />
12. Colliton... Pitania: Collytus, Craneium, andPitane were favourite<br />
suburbs of Athens, Corinth, and Sparta, respectively.<br />
17. out of farre countries', i.e. get thy living out of. Cf. Introd.<br />
Essay, p. 125.<br />
21-6. cast in Diogenes . . . countrey: from the end of Plutarch's<br />
seventh chapter; the remainder and nearly half the sixth omitted.<br />
21. Synoponetes : the people of Sinope on the Euxine. ' Sinopenses'<br />
is the correct form, as Xylander, Basileae, 1570 fol. p. 550.<br />
banished hym Pontus: Landmann quotes Rich. II, i. 3.139 ' we banish<br />
you our territories..'<br />
24. Stratonicus : either the statuary and silver-chaser, flor. B. c. 240,<br />
or the musician, of Athens, temp. Alexander the Great.<br />
25. maist auoyde the myschiefes, &c.: in Plutarch the guest of Stratonicus<br />
is an inhabitant of Seriphos, an escape from whose narrow limits<br />
is the object of the satirical suggestion.<br />
27-31. And surely .. .followinge traines: five lines unrepresented<br />
in Plutarch or North. Traines : subtilties, intrigues.<br />
32-6. Choose that place... how little serueth: these five lines are<br />
adapted from Plutarch's eighth chapter. I give all of the Greek which is<br />
laid under contribution. < ~ ' '_<br />
J<br />
. .. (ten lines omitted)...<br />
36—P. 315,2. Zeno . . . Philosophy : this story is from the beginning<br />
of Plutarch's eleventh chapter, his ninth, tenth, and the rest of the<br />
eleventh being wholly unrepresented.<br />
P. 315, 5-27. When thou hast not one . . . lysteth Diogenes: this twothirds<br />
of a page is taken, with but a little freedom, from Plutarch's twelfth<br />
chapter; the sentence about the ' fayre Orcharde ' being generalized<br />
from a concrete instance of Archilochus' dispraise of Thasos. ' The<br />
kinges of Persia,' ' Aristotle,' ' Diogenes,' are all in Plutarch.<br />
23. his Summer in Naples: Lyly forgets that he is writing to one<br />
exiled from Naples.<br />
30-1. But thou sayst... aged: these two lines are adapted from the<br />
beginning of chap, xvii
374<br />
NOTES<br />
'Adamant' to translate 'magnes,' while he correctly translates Pliny's<br />
' adamas' by ' Diamond.'<br />
26. peeuishnesse: folly, as is clear from ' forgo their sences.' So<br />
pp. 190, 1. 23, 204,1. 25, &c.<br />
38. Psalmes ... Sonnets', opposed by Lucilla, p. 224,1. 5 ; cf. p. 321,<br />
I.38.<br />
P. 322, 3-4. come out of a warme Sunne into Gods blessing: this old<br />
proverb, used again vol. ii. p. 93, 1. 36, occurs reversed in Heywood's<br />
collection, 1546 (p. 115, Sharman's reprint), 'Out of God's blessing into<br />
the warme Sunne,' and King Lear, ii. 2. 155—<br />
' Good king, that must approve the common saw<br />
Thou out of heaven's benediction comest<br />
To the warm sun.'<br />
Its origin is probably Biblical: compare Isa. xxv. 4 ' O Lord, thou<br />
hast been a shadow from the heat,' and xxxv. 2 ' as the shadow of a great<br />
rock in a weary land.' But see Glossary.<br />
9. blasts: cf. pp. 317, 1. 5, 325, 1. 13.<br />
10. Nylus breedeth the pretious stone, &c.: ' Nylus' for 'Egypt.'<br />
Among other Egyptian stones Pliny, xxxvii. 17, mentions the emerald.<br />
The poysoned Serpent is probably the crocodile.<br />
32. no regard of gathering : i.e. of care how wealth is gotten.<br />
P. 323, 5. Saba : i.e. the queen of Saba or Sheba, cf. vol. ii. p. 212, 1. 34<br />
' Nicaulia the Queene of Saba,' following Josephus, Antiq. lud. viii. c. 6.<br />
6. if thou bee in Naples: i. e. at Court, as above, p. 314,1. 11.<br />
9. bayte : refreshment. Cf. vol. ii. p. 35,1. 9.<br />
11. consciences: so. ed. 1613 and rest, correcting consciucs of earlier<br />
eds., a misprint whose error is partly that of a turned n, Landmann's<br />
suggested explanation ' concives,' ' fellow-citizens,' ignores the antithesis.<br />
20. within one Summer: i. e. this First Part being finished in the<br />
late summer or autumn of 1578, he hopes to get the Second written by<br />
the end of the summer of 1579.<br />
TO <strong>THE</strong> GENTLEMEN SCHOLERS OF OXFORD<br />
P. 325, 1. fyke Appelles Prentice: I cannot find the story in Pliny<br />
xxxv.<br />
9. seding me into the country to nurse, ... three yeares: see Life,<br />
pp. 10-12.<br />
10. tyred at: pulled at. Fr. tirer. Sidney's Astrophel and Stella, xiv.<br />
' Upon whose breast a fiercer gripe doth tire<br />
Than did on him who first stole down the fire.'<br />
13. addle egge ... idle bird: cf.' idle . . . adle,' p. 299, 1. 32. Landmann<br />
quotes Troil & Cr. i. 2. 145—<br />
' If you love an addle egg as well as you love an idle head.'
TO <strong>THE</strong> GENTLEMEN . SCHOLERS OF OXFORD 375<br />
18. Douer... Hampton: i.e. he will land at Southampton, rather<br />
than be further tossed in the voyage to Dover. The ' tossing' is meant<br />
to excuse the delay in the appearance of the sequel, which was due in<br />
summer or autumn of 1579 (cf. p. 323,1. 20 ' within one Summer');. and<br />
the change of landing-place is a promise of expedition. When it<br />
appears, however, the friends land, not at Hampton, but Dover, vol. ii.<br />
P- 35, ll H. 5-16. See Life, pp. 21-3.<br />
26. Iapiters Egge, &c.: refers to the famous story of Leda and the<br />
Swan (cf. p. 317,1. 9). Leda produced two eggs, from one of which issued<br />
Helen, from the other Castor and Pollux. Cf. Ovid, Heroid. xvii. 55<br />
' Dat mihi Leda Iovem, cycno decepta, parentem.'<br />
33. badder: 'badder,' 'baddest' are found as late as De Foe, 1721,<br />
though Shakespeare never uses these forms.<br />
37—P. 326,1. aunswere themselues: answer to their characters, and<br />
friendship for himself; cf. ' If thy appearance answer loud report,' Samson<br />
Agon. 1090. Or aunswere may mean ' satisfy,' ' answer their own doubts.'
BIOGRAPHICAL APPENDIX<br />
SINCE the Life was printed off I have made discoveries that necessitate<br />
the following additions.<br />
I. I find that a copy of Lyly's Second Petition to the Queen exists<br />
in the Bodleian Library at Oxford, definitely dated 1601. It occurs<br />
in Tanner MS. 169 (f. 69), being the ' Second part of the Commonplace<br />
Book of Sir Stephen Powle, containing copies of tracts, letters,<br />
&c, by himself and others.' Powle was son of Thomas Powle,<br />
a clerk of the Crown in the Court of Chancery, and himself held<br />
a similar position. His letters, preserved in this MS., extend from<br />
1577 to 1620, and are written to some of the best known people of<br />
his day. Lyly is not among these correspondents; but the familiar<br />
' Jack Lilly' of his entry of this document in the Index, made with<br />
his own hand, may imply a personal acquaintance. At any rate this<br />
seems to be the only copy of either Petition extant on which any<br />
date appears ; and though it is contradicted by the autograph letter<br />
in the Record Office, of Dec. 22, 1597 (cf. Life, pp. 64, 68), it is<br />
confirmed by two other letters at Hatfield now acknowledged to<br />
have been written by our author (below, pp. 391-5). I therefore<br />
accept finally the date 1601 for this Second Petition, which enables<br />
us to date the First in 1598, and to fix that of the Queen's vague<br />
promise to him in 1588.<br />
As the document exhibits some differences of wording from that<br />
printed on pp. 70-1, I think better to give it. The reader will note<br />
that the Latin line with which it opens is found in some copies<br />
appended, with a second signature, to the First Petition (above, p. 65).<br />
In a copy of both Petitions in the Cambridge University Library,<br />
however (MS. Ee. 5. 23), it appears, as here, and better, at the beginning<br />
of the Second. Two other copies of them, seen but not noted<br />
by me in the Life, exist in the Bodleian {Tanner MS. 82, ff. 23-4;<br />
Ashmole MS. 781, ff. 76-7); and a third in the library of University<br />
College, Oxford (MS. CLII. art. 2). None of these four copies, now<br />
first mentioned, exhibit date or marked difference.
378 BIOGRAPHICAL APPENDIX<br />
(From Bodleian Library: Tanner MS. 169, f. 69, being the second<br />
volume of Sir Stephen Powle's Commonplace Book.)<br />
M r Lillyes peticon to the Queene.<br />
1601: about the tyme of<br />
my L d of Essex followers fall 1<br />
, . . Non ero qui nunc sum (te 2 miserante) miser.<br />
note in Most gratious and dread Soueraigne, Tyme cannot worke my peticons,<br />
Powle's nor my peticons Tyme.<br />
careksslv After many yeeres, since yt pleased yo r Highnes to except against<br />
mitten) Tentes and Toyles, I wish yt for Tentes I might put in Tenementes :<br />
He was a soe should I be eased of courtly Toyles: Some landes, good fines or<br />
Mr. of the for feitures, yt shall comme 3 to yo Ma tie , by yt just fall of those false<br />
Reuelles Traytors; That seinge nothinge will come to me 4 by Revells, I may<br />
and tentes pray vppon the Rebells.<br />
but eauer Thirteene yeeres your Highnes servant: but yet nothinge.<br />
crossed. Twenty frendes, yt though they saye 5 they will 6 be suer, I find suer<br />
to be slowe.<br />
A thousand hopes, but all nothinge, a hundred promises, but yet nothinge.<br />
Thus castinge vp the Inventorye of my frendes, hopes, prommisses,<br />
and tyme : The Suma totalis amounteth in all to iust nothinge.<br />
My last will, is shorter then my Inventorie: But three Legacyes,<br />
Patience to my Creditors, Melancholly w'hout measure to my frendes,<br />
& Beggery not w t hout shame to my posteryty 7 .<br />
Si placet hoc meruiqj quid 0 8 tua fulmina cessant.<br />
Virgo, parens, princeps.<br />
In all humillity intreate 9 : yt I may dedicate to yo r sacred handes,<br />
Lilly de Tristibus ; wherein shalbe seene, patience, labours, misfortunes.<br />
Quorum si singula nost(r)i<br />
frangere non poterunt, poterant tamen omnia mente(m).<br />
The last and the least, y t if I be borne to haue nothinge, I may haue<br />
a proteccon to pay nothinge; w c h sute is like his, y t following the Court<br />
for recompence of his 10 seruice, comitted a Robbery, & tooke yt out in a pdon.<br />
II. I find, further, that Lyly was' the author of certain speeches<br />
and shows offered to the Queen in the years 1590,1591,1592, 1600,<br />
1602, and perhaps 1606. A list of them is given below (Entertain-<br />
1 about... fall] these words are added, like the marginal note, in Powle's own<br />
handwriting, the rest of the document being in another hand. In the Index at end<br />
of MS., also made by Powle himself, the document is thus entered, f. 221 v.:<br />
' Lilly. Jack Lilly to Queene Elisabeth: 255. ther be 2. sh. (i.e. such) this is<br />
the later.'<br />
2 te] tu MS. 3 comme inserted above the line in MS.<br />
4 to me inserted above the line in MS.<br />
6 saye] may be intended as sayd MS. 6 will] altered to would in MS.<br />
1 posteryty] written over family erased MS.<br />
8 0] written over cur erased MS.<br />
9 intreate] th added in smaller hand MS. 10 his inserted above the line MS.
BIOGRAPHICAL APPENDIX 379<br />
ments—Introduction), where, or in the Notes to each, the evidence<br />
for his claim is discussed. My attention was drawn to these anonymous<br />
compositions by an article on dramatic Pastoral in England in<br />
Modern Language Notes for April, 1899, by Mr. A. H. Thorndike,<br />
which led me to examine Nichols' Progresses more closely, and to<br />
perceive, what had escaped Mr. Thorndike, that Lyly must be the<br />
author of many of the pieces there printed. Their recognition as his<br />
is important to his biography in one or two ways.<br />
Firstly, it throws more light on his occupations during 1591-1606,<br />
and breaks to some extent the improbable silence of his last fifteen<br />
years. It shows him employed, almost immediately on his entry of<br />
the Revels Office 1, in producing, in addition to his plays, occasional<br />
devices of a dramatic or pastoral kind, as his predecessor Buggyn<br />
may have done 2 ; and as appealed to for aid in such matters by<br />
various noblemen wishing to entertain the Queen. Besides attending<br />
the annual celebration of the Accession (Nov. 17) at the Tiltyard,<br />
Whitehall, he must, I think, have been present at Theobalds<br />
in Herts on the Queen's visit to Burleigh in May, 1591 ; at Cowdray<br />
near Midhur6t in Sussex, and Elvetham in the north-east corner of<br />
Wilts, in August and September of the same year ; at Sir Henry Lee's<br />
house at Quarrendon near Aylesbury in Aug. 1592 ; at Bisham<br />
Abbey in Berks, Sudeley Castle in Gloucestershire, and Rycote between<br />
Thame and Oxford, in Aug. and Sept. of the same year. I<br />
find no further proof that he participated in the reception of the<br />
Queen at Oxford, which she visited just before Rycote, than is supplied<br />
by the heading of the song ' Hearbes, wordes & stones'<br />
(Sudeley, p. 482) as given in England s Helicon 3 , 1600. This suggests<br />
a borrowing from the Sudeley show of more than the song, and makes<br />
it probable that the whole portion of that Entertainment, prevented<br />
there by bad weather, was brought in at Oxford. Further I suspect<br />
that Lyly may have been the author of one of the two comedies<br />
(in Latin ?) given before her at Christ Church on the evenings of<br />
Sept. 24 and 26, to wit Bellum Grammaticale and jRivales4. Of<br />
1 2<br />
Cf. note on ' A Cartell for a Challenge,' p. 518.<br />
Life, p. 41.<br />
3<br />
' Another Song before her Maiestie at Oxford, sung by a comely Sheepheard,<br />
attended on by sundrie other Sheepheards and Nimphes.'<br />
4 ' At night [Sunday] there was a Comedy acted before hir Highnes in the Hall<br />
of that Colledge; and one other on Tuesday at night, being both of them but<br />
meanely performed (as we thought) [i.e. Stringer and his Cambridge companion,<br />
Henry Mowtlowe], and yet most graciouslye, and with great patience, heard by<br />
hir Majestic. The one being called "Bellum Grammaticale," and the other<br />
intituled " Rivales."' (Philip Stringer's account, printed in Nichols' Progresses,<br />
iii. I55-)
38o BIOGRAPHICAL APPENDIX<br />
the second we know nothing: the first, as is clear from Sir John<br />
Harington's allusion quoted below 1 , was a dramatized version of<br />
Andreas Guarna's humorous prose tale Gramtnaticale Bellum, published<br />
at Strasburg 1512, 4to, repeatedly reprinted, and translated<br />
into English by William Hay ward in 1569 2 . It was a subject that<br />
would appeal to the schoolmaster in Lyly, and had already suggested<br />
the similar jokes in Safko, Endimion and Mother Bombie: but in<br />
the absence of any printed or MS. copy of the Christ Church play, or<br />
of definite testimony, the suggestion must remain unconfirmed.<br />
An interval of ten years separates the Rycote speeches from any<br />
others in which I trace him with any certainty. I half suspect his<br />
hand in one part of the Gesta Grayorum, 1594, but only a description<br />
survives 3 . Similarly there lacks evidence of his concern in the<br />
masque of eight ladies who danced before the Queen at the marriage<br />
of Lord Herbert and Anne Russell at Blackfriars on Monday,<br />
1 ' What is a noun substantive? . . . where shall we try it? . . . Well then; in<br />
Oxford be it, and no better judge than M. Poeta, who was chief captain of all the<br />
nouns in that excellent comedy of Bellum gramaticale. For, without all peradventure,<br />
when he shall hear that one of his band and so near about him, is brought<br />
to that state, that he is neither to be seen, smelt, heard, nor understood, he will<br />
swear gogs nouns, he will thrust him out of his selected band of the most substantial<br />
substantives, and sort him with the rascal rabblement of the most abject<br />
adjectives.'—The Metamorphosis of Ajax (1596), ed. 1814, pp. 126-7.<br />
' Bellum Gramtnaticale A discourse of great War and Dissention betweene two<br />
worthy Pinces, the noitne and the verbe contending for the chefe Place or Dignitie<br />
in Oration. Very pleasant and profitable. Turned into English by W[illiani]<br />
H[ayward] 1569. 16 0 . There was another edition, 1576, 16 0 ; another entitled<br />
The Grammer Warre [1635], 12°'; and it was reprinted in the Somers Tracts,<br />
vol. i. pp. 533 sqq.; cf. p. 539, 'The Verbe hath to name Amo, and the Noune<br />
Poeta.' The Verb wins.<br />
3 That, namely, reprinted from the quarto of 1688 in Nichols' Progresses,<br />
iii. 262 sqq. At p. 281 we read that on Jan. 3,1594-5, by way of accommodating<br />
the difference, real or pretended, arisen on a previous 'Night of Errors' between<br />
the members of Gray's Inn and of the Temple, a device was presented in which four<br />
pairs of friends, 'Theseus and Perithous, Achilles and Patroclus, Pylades and<br />
Orestes, Scipio and Lelius,' offered in succession incense on the altar of the Goddess<br />
of Amity, round about which' sate Nymphs and Fairies with instruments of musiok,<br />
and made very pleasant melody with viols and voices, and sang hymns and prayses to<br />
her deity.' Last came Graius and Templarius; ' but the Goddess did not accept of<br />
their service: which appeared by the troubled smoak, and dark vapour, that<br />
choaked the flame, and smothered the clear burning thereof,' till certain propitiatory<br />
ceremonies were performed by the archflamen and hymns sung by the nymphs,<br />
after which the flame burnt more clearly than for any of the former couples. This is<br />
sufficiently like Lyly (cf. Euph. i. 198 1. 23; and Loves Met. iv. 1.12).—I note here<br />
that the speeches of the Prince of Purpoole's Six Councillors, pp. 287-96, who advise<br />
him in turn to address himself to War, Philosophy, Building, Absoluteness of<br />
State and Treasure, Vertue and Gracious Government, Pastimes and Sports,<br />
speeches quite rightly, I think, assigned by Spedding to Francis Bacon (Works,<br />
viii. 326-43: cf. Bacon's devices at the Tilt-yard, Nov. 17, 1595, Progresses•,<br />
iii. 371-9), were certainly suggested by the similar speeches of the three Councillors<br />
in Lyly's Midas, i. 1.
NOTE on Vol. I, p. 381, 1. 12.<br />
The Money Accounts in the Egerton Papers<br />
Dr. Furnivall draws my attention to the fact that<br />
the sheet signed 'Arth. Maynwaringe' was among<br />
Collier's forgeries: and I see Mr. Sidney Lee in his<br />
Life of Shakespeare, ed. 1898, p. 236, says 'This<br />
document, which Collier reprinted in his Egerton<br />
Papers (Camden Soc), p. 343, was authoritatively<br />
pronounced by experts in 1860 to be "a shameful<br />
forgery " (cf. Ingleby's Complete View of the Shakspeare<br />
Controversy, 1861, pp. 261-5).' I must frankly regret<br />
my ignorance that it had been thus discredited. We<br />
lose the allusion to Othello (see below, and p. 534),<br />
and those to 'M r . Lillyes man,' 'lotterie guiftes,' and<br />
' the anchor' (p. 497, 1. 15 note). The external proof<br />
of Lyly's connexion with the occasion disappears ; but<br />
the entry 'for carriage of tentes from S t . Johnes' still<br />
stands, being from Thos. Sle's' account, which is not<br />
impugned. (R.W.B. Nov. 25, 1902.)
BIOGRAPHICAL APPENDIX 381<br />
June 16, 1600; though the part taken therein by folk with whom he<br />
had been connected suggests the idea, e. g. the bride, married from<br />
her mother's house, was the daughter of Lady Russell of the Bisham<br />
Entertainment, her sister Elizabeth was one of the eight masquers<br />
(these sisters may have played Sybilla and Isabel in the scene with<br />
Pan at Bisham eight years before), and the bride was led from<br />
church 'by the Earles of Rutland and Cumberland 1; The next<br />
Entertainment one can definitely claim for him is that given at Harefield<br />
Place in the north-west corner of Middlesex in 1602. For his<br />
participation therein, on which I had previously decided on internal<br />
grounds, I find there is external evidence in the entry, in the moneyaccounts<br />
preserved in the Egerton Papers (cf. Notes, pp. 533-4), of 'x 9 '<br />
as paid ' to M r Lillyes man, which brought the lotterye boxe to Harefield<br />
'; and, from the further payment' for carriage of tentes from<br />
St. Johnes . . . ixs,' we should naturally infer that he was responsible<br />
for this use of material from the Revels Office, and still held his<br />
post therein with supervision of the Tentes and Toyles. I cannot<br />
repress a sense of pleasure in thus establishing Lyly's connexion<br />
with an occasion that was marked by the first performance of Othello,<br />
and with a place rendered further illustrious thirty years later (1634)<br />
by the performance of Milton's Arcades before the hostess of this<br />
occasion, Alice Countess Dowager of Derby.<br />
To one other festivity I think he may have contributed something<br />
—the welcome, namely, accorded to Christian, King of Denmark,<br />
on his visit to his brother-in-law, James I, in July, 1606 : an occasion<br />
on which several poets were employed. I claim for him, but doubtfully,<br />
a song at Theobalds on July 24, not included in Ben Jonson's<br />
brief Entertainment of that date ; and, less doubtfully, a song (with<br />
1 The letters of Rowland Whyte to Sir Robert Sidney give some details of the<br />
occasion. Writing before the event he says :—' There is to be a memorable maske<br />
of eight ladies. They have a straunge dawnce newly invented. . . . These are the<br />
maskers : My Lady Doritye, M ,s Fetton, Mrs Carey, M rs Onslow, M rs Southwell,<br />
Mrs Bess Russell, M rs Darcy, and my Lady Blanche Somersett. These eight<br />
dawnce to the musiq Apollo brings [cf. the last line of the Epilogue to The Maydes<br />
Metamorphosis, very possibly given on Tuesday or Wednesday night of the same<br />
occasion—Fleay's Biog. Chron. ii. 324]; and there is a line speach that makes<br />
mention of a ninth, much to her honoi and praise.' Writing after it, he records<br />
how Mistress Fytton led the masque,' and after they had donne all their own<br />
ceremonies, these eight ladies maskers chose eight ladies more to dawnce the<br />
measures. M rs Fetton went to the Queen and woed her to dawnce. Her Majesty<br />
asked what she was? Affection she said. Affection, said the Queen, is false. Yet<br />
her Majestie rose and dawnced,' set. 67—poor old thing! She returned to Greenwich<br />
on the Tuesday, but the festivities were maintained till Wednesday night.<br />
(Nichols' Progresses, iii. 498-9.)
382 BIOGRAPHICAL APPENDIX<br />
lost dialogue) between a Shepherd and Shepherdess at the Fleet<br />
Street Conduit on the two kings' entry of the City on July 31; see<br />
Notes, pp.537-8. Also there is the possibility that he was author of the<br />
play Abuses, given before the kings at Greenwich by the Paul's Boys<br />
on the preceding evening; a play which Mr. Fleay endeavours (Biog.<br />
Chron. ii. 312) on grounds which seem to me too shadowy, to identify<br />
with that of Sir Thomas More, dated by him 1595-6, but by<br />
Dyce c. 1590. The dramatic gulf between 1590 and 1606, inconceivable<br />
were it not a fact, makes it unlikely that such old work<br />
would be revived for this smart occasion, though the unlikelihood<br />
weighs perhaps equally against the choice of a play by Lyly.<br />
This completes the tale of Entertainments I have felt able to claim<br />
for my author. That those here printed represent his total output<br />
in this kind is most improbable. They are merely all at present,<br />
perhaps at all, recoverable. An immense number of such devices,<br />
and some even offered to royalty, must have perished, or else lie<br />
mouldering in manuscript form in unexplored chests in the libraries<br />
of great country-houses. At several other seats visited, for example,<br />
merely on the three progresses of 1591, 1592 and 1602 (for which,<br />
see Notes)—notably at Tichfield in 1591—there may have been<br />
shows, and written by Lyly. The probability is increased both by<br />
his carelessness of those which have survived, as reflected in Joseph<br />
Barnes' brief Preface to Bisham, &c.1, and by the anonymity he<br />
chose to maintain here, as in his Poems. In the two cases where<br />
.descriptive matter or matter connecting the actual speeches is given,<br />
Cowdray and Elvetham, it has been supplied by other hands ; in the<br />
others we are left to piece things as we can. This lack of proper<br />
stage-directions may be accounted for, as in the plays, by the sup*<br />
position that they were supplied orally by Lyly himself in coaching<br />
the performers; but the reader, sfeked to accept as his a body of<br />
work never yet claimed for him, will expect me to furnish some probable<br />
reason for the absence of his name on the three contemporary<br />
quartos 2 . It existed, perhaps, in his feeling that these exercises, incident<br />
to his position, well enough adapted to the purpose they were meant<br />
1 ' To the Reader. I gathered these copies in loose papers I know not how<br />
imperfect, therefore must I crave a double pardon; of him that penned them, and<br />
those that reade them. The matter of small moment, and therefore the offence of<br />
no great danger. I. B;<br />
3 The Tiltyard, Theobalds, Quarrendon and Harefield speeches remained<br />
imprinted till 1788 and later; and the two songs of 1606 descend to us only in<br />
a general description by an unknown contemporary.
BIOGRAPHICAL APPENDIX 383<br />
to serve, and possessing importance for the modern literary historian,<br />
were nevertheless too slight and too reminiscent of his more elaborate<br />
work to add anything to his literary repute. This would certainly<br />
seem to have been his attitude in regard to the contents of Barnes'<br />
quarto, perhaps the best. But both here and in the other cases there<br />
may have been the further reason that his connexion with such shows<br />
was a private matter between himself and the various entertainers—<br />
work for which he received, perhaps, substantial consideration, and<br />
which might strictly be looked upon as an unwarrantable use of his<br />
position at the Revels Office for his private profit. It is evident<br />
from the Egerton money-accounts of the Harefield show that some<br />
of the 'stuff' of the Office was carted right across Middlesex to<br />
serve on that occasion ; and though the Queen must have been<br />
more or less conscious of the practice, and could hardly fail to recognize<br />
in the speeches recited to her the hand of her Court dramatist,<br />
it might be better not to obtrude on the title-pages of published work<br />
the fact that she was being entertained partly at her own expense or<br />
by aid of her own resources. Her resentment of such a practice<br />
may, in fact, be the origin of the royal complaint about Tentes and<br />
Toyles to which he alludes in his Second Petition, 1601 (see Life,<br />
pp. 66, 71). The tone there taken implies that the complaint was<br />
a thing of the past; and the letter to Sir Robert Cecil of Jan. 17,<br />
1594-5, printed below (p. 390), points us perhaps to that Christmastide<br />
as the occasion when the Queen's sense of an abuse of which<br />
the Gray's Inn Revels (p. 380) may have furnished a recent instance,<br />
culminated in a positive prohibition of any further share being taken<br />
by Lyly in such affairs. His letter, however, rather implies some reflection<br />
on the quality of the intellectual ware he provided; and in<br />
any case she would seem to have subsequently waived her protest.<br />
The Revels officers, like others in her service, seem to have suffered<br />
from her parsimony or necessities (Life, p. 69), and she probably<br />
resigned herself to an abuse which afforded them chances of compensation.<br />
I will only add that the infusion of woodland life in these shows,<br />
the part played by hunting and hawking, and the knowledge of<br />
fishing shown in Cowdray, are eloquent of one who had a professional<br />
connexion with sport; and further support for Lyly's<br />
authorship might be found in the lavish use of music. Also their<br />
double vein of venery and pastoral lends a probability to his having<br />
shared in the rivalry of Silvio and Gemulo in The Maydes Meta-
384 BIOGRAPHICAL APPENDIX<br />
morpkosis, a play of which one is further reminded by Apollo,<br />
Daphne, and the Shepherd in Sudeley.<br />
Further these Entertainments are of interest as bringing Lyly into<br />
connexion with a number of important folk—Montague, Hertford,<br />
Lady Russell, the Knollys—who afford us further possible instances<br />
of the ' Twenty frendes' of whose backwardness he complains (p. 378),<br />
and two at least of men who took a more active interest in him. In<br />
Sir Henry Lee, the old Champion, and the Earl of Cumberland his<br />
successor, for whom I believe him to have composed the Tiltyard<br />
and Quarrendon speeches, we have acquaintances who throw direct<br />
light on the hitherto isolated and disconnected fact of his membership<br />
of Parliament for Aylesbury, Feb. 1592-3, and Appleby, Sept.<br />
1597, seats doubtless controlled by those important landowners 1 .<br />
Acquaintance with Lee is further specially appropriate to one whom<br />
I have conjectured (Life, pp. 4-5) to be born at Boxley, near Maidstone,<br />
son of William Lyllye, yeoman of that place. For Lee was<br />
connected with the Wyatt family, who owned Allington Castle and<br />
Boxley Abbey in the near neighbourhood of Maidstone 2 ; his father<br />
having married Margaret, sister of Sir Thomas Wyatt the elder 3 .<br />
Sir Thomas the younger had forfeited his estates by his rebellion in<br />
1554, but Mary had restored them in the following year to his<br />
widow, on whose death her son George succeeded \ The restoration<br />
can have been but partial; for not only did Elizabeth grant the<br />
' site and mansion of the monastery of Boxley to John Astley' in<br />
1 See Life, p. 48. Quarrendon is some two miles north-west of Aylesbury.<br />
Appleby Castle was one of the Clifford family-seats : see Whitaker's Hist, of<br />
Craven, ed. 1878, pp. 312, 348-9.<br />
2 Each is about two miles from it, and from the other; and one or the other<br />
may be in Lyly's mind when he makes Fidus tell us that Iffida's ' abiding was<br />
within two miles of my Fathers mantion house' (cf. passage quoted from Euph. ii<br />
in Life, p. 3). At Boxley three centuries.seem to have obliterated all trace of<br />
Lyly's family. On the tombstones in the churchyard or on the floor of the nave or<br />
aisle inside the church is no inscription now decipherable earlier than late seven*<br />
teenth or eighteenth century, save on two brasses (one of 1576) unconnected with<br />
Lyly : and the only inhabitant of the name I could hear of, a farm-labourer, came<br />
originally from Faversham.<br />
3 Sir Henry Wyatt, ob. 1537<br />
Sir Thos. Wyatt (elder), 1503 2-1542 Margaret = Sir Anthony Lee<br />
I I<br />
Sir Thos. Wyatt (younger), 1521 ?-i554 Sir Henry Lee, 1530-1610<br />
I (N.B. In 1573 Lee had chambers<br />
George Wyatt (lord of the manor of in the Savoy; Life, p. 17 note)<br />
Boxley, 1570-1623)<br />
4 See Dict. Nat. Btog. art. l Wyatt, sir Thomas (1503?-1542).*
BIOGRAPHICAL APPENDIX 385<br />
1569 1, but as recorded above (Life, p. 4) the Crown leased eighteen<br />
acres of the manor of Boxley in 1572 to William Lyllye, whom<br />
I believe to be our author's father. Possibly the complete restoration<br />
was made after that date, when Lyly's father would become George<br />
Wyatt's tenant. George Wyatt, at any rate, was the leading landowner<br />
and representative of the family from 1570 or before till 1623.<br />
It was probably he who procured Lyly his introduction to Lord De<br />
la Warre and to Burleigh 2 ; and if we were to press the autobiographical<br />
significance of the Fidus and Iffida story, we should be obliged<br />
to find in Lyly's early love a niece of George Wyatt 3 , of whom,<br />
however, I can find no trace. But it was doubtless Burleigh to<br />
whom Lyly owed some help at college and his introduction at<br />
Court 4 .<br />
Among the men of letters with whom these Entertainments may<br />
have brought him into connexion are George Peele, who composed the<br />
Hermit's Speech at Theobalds, May 1591 ; possibly Nicholas Breton<br />
in regard to Elvetham, 1591; Bacon at Gray's Inn, 1594-5 ; Sir John<br />
Davies 5 at Harefield, 1602 ; and Ben Jonson at Theobalds in 1606;<br />
1 Hasted, ii. 125.<br />
' 2 By way of strengthening the claim of the highly-reputed father of Fidus to be<br />
the father of Lyly himself, I append from the Catalogue of Ancie?tt Deeds in the<br />
Record Office, vol. ii. p. 313, the summary of two documents, which show that<br />
there were piosperous Lylys in Maidstone half a century before his birth.<br />
Kent. B. 2552. Grant by Thomas Torner of Maydeston, to John Lylly of the<br />
same, of land at Northanckland, with a lane called " bromelane," in the parish of<br />
Maideston, 4 June, 22 Henry vii [i. e. 1507]. Fragment of seal. 1<br />
'Kent. B. 2553. Release by Thomas Wells of Maidestone, and Robert Welles<br />
of Ayssheforde, the sons and heirs of Richard Welles late of Maidestone, deceased,<br />
to William Lylly the elder of the same, of their right to a quarry, with " le<br />
voydynge" at Bokelande in the parish of Maidestone. 30 July, 15 Henry vii<br />
[i.e. 1500]. Two seals, one broken? This might be the author's great-grandiather.<br />
3 Cf. ' went to hir Vncles,' passage quoted from Euph. ii on p. 4 above.<br />
4 I have already noted the autobiographical element in the ' Glasse': cf. his<br />
tribute to Burleigh, Euph. ii. 198 : ' This noble man I found so ready being but<br />
a straunger, to do me good, that neyther I ought to forget him, neyther cease to<br />
pray for him,' &c.<br />
5 Among some poems first included by Grosart among Davies' Works, 1869-76,<br />
i. 460 (Fuller Worthies Library), from a MS. of Laing's now in the Edinburgh<br />
University Library, is a sonnet that appears (though Giosart does not say so) to be<br />
presented to some lady with a copy of Euphues, It begins:<br />
* In his sweete booke, y e treasury of witt,<br />
All virtues, beautyes, passions, written be:<br />
And with such life they are sett forth in it<br />
As still methinkes y t which I read I see,' &c.<br />
I add here a contemporary reference, omitted in the Life, p. 79, from Greene's<br />
Menaphon, 1589, p. 51, ed. Arb.:—' Samela made this replie, because she heard<br />
him so superfine, as if Ephcebus had learnd him to refine his mother tongue,<br />
wherefore thought he had done it of an inkhome desire to be eloquent; and<br />
BOND I C C
386 BIOGRAPHICAL APPENDIX<br />
though, notwithstanding the somewhat isolated character of his work,<br />
there was always the independent probability of his acquaintance<br />
with these and others. William Basse, born c. 1583, was too young<br />
to have been at Thame when the Queen visited the neighbouring<br />
Rycote: his association with either place—and Rycote was one of<br />
his haunts—can hardly date before 1596. The only case, however,<br />
where I see reason to suspect formal collaboration1 is at Elvetham in<br />
1591, where William Watson perhaps supplied a song and the Poet's<br />
Latin address. It is to be noted that Watson, whose Hecatompathia<br />
in 1582 had been dedicated to Lyly's patron, and prefaced by<br />
a letter from Lyly, was at this time probably his near neighbour in<br />
St. Bartholomew's Hospital (Life, pp. 66-7); so at least we should<br />
infer from the following record in the Register of St. Bartholomew<br />
the Less, which, as said, served the Hospital as a parish church :—<br />
' 26 Sept. 1592. Thomas Watson, gent, was buried 2 .'<br />
III. The fact that these Entertainments contain many songs, some<br />
of them markedly euphuistic, e. g. that on the phoenix in Cowdray,<br />
and , Hearbes, wordes and stones' in Sudeley, not only corroborates<br />
Lyly's claim to those in the plays, but increases the probability that<br />
he wrote others. I have therefore instituted a much more thorough<br />
search, in MSS. and in the printed Anthologies and contemporary<br />
Song-books, where nearly all work is anonymous. As result I print as<br />
probably his a considerable body of verse, most of which has hitherto<br />
remained unprinted and unassigned. The poems vary widely, both<br />
in merit and in the degree of probability I attach to the attribution,<br />
which, so far as time allowed, I have supported by marginal<br />
references. One or two of them will be recognized as old favourites<br />
which have been uncertainly ascribed to Raleigh : one, the Bee, has<br />
been generally assigned to Essex; but few, I believe, will question<br />
the superiority of Lyly's claim, aiad that we have here an interesting<br />
testimony by himself to the fact that his First Petition was answered,<br />
and to the kind of answer it received. Several others, of poor poetic<br />
Melicertus thinking that Samela had learnd with Lucilla in Athens to anatomize<br />
wit, and speake none but Similes, imagined she smoothed her talke to be thought<br />
like Sapho, Phaos Paramour.' Likewise I have been reminded of the stanza in<br />
Henrie Vpchear's commendatory verses to the same tale, the accuracy of which<br />
need not be pressed:—<br />
' Of all the flowers a Lillie on(c)e I lou'd,<br />
Whose labouring beautie brancht it selfe abroade;<br />
But now old age his glorie hath remoud,<br />
And Greener obiects are my eyes aboade.'<br />
1 Except, perhaps, Davies' in Harefield: see Notes, p. 535.<br />
2 Collier's Bibliog. Catalogue, ii. 490.
BIOGRAPHICAL APPENDIX 387<br />
quality, bear unmistakable marks of his hand.' It must not be<br />
forgotten that, in his letter to Watson of 1582 (Life, p. 27), he<br />
acknowledges that he has produced love-poems (in an irregular<br />
metre? cf. those vol. iii. pp. 464-7) which he has no intention of<br />
printing. One or two are included less for any likeness to his<br />
style or sentiment, than because they fit the place of some missing<br />
song in the plays. Some seem altogether too good for the poor and<br />
halting rhymester of others ; and compel us to remember the similar<br />
inequality of those in the plays. I am constrained to admit the<br />
possibility that the best of these latter are by some other hand,<br />
while still maintaining the probability of Lyly's authorship. For his<br />
anonymity I offer the simple explanation, grounded partly on his<br />
letter to Watson, partly on the poverty of some I do not doubt for<br />
his, coupled with the sense of art he very evidently possessed, that<br />
he felt but little pride in these efforts; but of course he may have<br />
shared or affected the reluctance to appear in public as a poet, which<br />
Puttenham declares was fashionable 1 . I have preferred to label the<br />
whole collection as doubtful, though of many I entertain no real<br />
doubt. The reader of the Introduction prefixed (vol. iii. ad fin.) will<br />
find some helps to distinction.<br />
IV. I have alluded in the Life, pp. 49 sqq., to the difficulty of<br />
distinguishing the precise share of Lyly and Nash respectively in<br />
surviving Anti-Martinist work. In addition to Pappe and the doubtful<br />
Whip for an Ape, which latter the Harveys seem to have regarded<br />
as Lyly's (p. 57), I believe we should include a considerable portion<br />
of the rhymes in Mar-Martine. Not only do the verses themselves<br />
(e. g. 1st rhyme, st. 2, 4th rhyme, st. 1, 12th rhyme, st. 2) bear some<br />
resemblance to Lyly, of whose verse-style I have supplied the reader<br />
with fuller materials for judging; but a passage in the reply MarreMar-<br />
Martin, the impartial attitude of vrhich, attacking either side, exactly<br />
reproduces that of the Harveys (cf. p. 57), represents 'Lucian' as<br />
leader of the whole libelling crew 2 , and another describes Mar-Martin<br />
1 Arte of Poesie, 1589, p. 37, ed. Arb.<br />
2 ' On Whitson euen last at night,<br />
I dreaming sawe a prctie sight,<br />
Three monsters in a halter tide,<br />
And one before, who seemde their guide.<br />
The formost lookt and lookt againe,<br />
As if he had not all his traine:<br />
With that I askt that gaping man<br />
His name: my name (said he) is Lucian<br />
This is a Iesnite, quoth he,<br />
These Martin and Mar-martin be.<br />
C C 2
388 BIOGRAPHICAL APPENDIX<br />
and Martin as wrangling at cards about 'the elder hand,' a point<br />
on which Lyly puns in Pappe 1 . Moreover the passage from the<br />
Protestatyon (quoted p. 50, note) certainly implies that Mar-Martin<br />
was the author of the play in which Martin (as Nash tells us in<br />
Martin's Months Minde, quoted p. 52, note) was 'made a Maygame<br />
vpon the Stage,' i. e. the first of the Anti-Martinist comedies (cf.<br />
pp. 52-3), the authorship of which rests between Lyly and Nash.<br />
I add therefore, after the 'doubtful' Whip, such parts of Mar-<br />
Martine as I think may similarly have been written by Lyly, placing<br />
it now about May or June, a little later than stated on p. 52.<br />
V. I include among Lyly's undoubted works A Funeral Oration<br />
vpon the death of Elizabeth, 1603, professing to be written by ' Infelice<br />
Academico Ignoto ' (below, pp. 509-16). Nichols who, among other<br />
details and tributes, prints The True Order . . . at the Funerall which<br />
forms the complement of the tract, gives only (iii. 620) the bare<br />
title of the Oration—accident, as usual, conspiring to keep Lyly in<br />
the background : but a brief notice of this unclaimed tribute in<br />
Brydges' Restituta, vol iv. 10-14, ted rne to examine it, and examination<br />
convinces me it is Lyly's. The euphuism is, as we should<br />
expect, considerably modified since he wrote Euphues in 1578-80,<br />
but there is no marked difference from the style of the descriptive<br />
' Glasse for Europe1; and the perhaps inevitable likeness to that<br />
panegyric (vol. ii. pp. 206-15) in tone and subjects is well supported<br />
by other points, e. g. the reticence about Elizabeth's sufferings under<br />
Mary (p. 511), the comparison to Alexander, the tiresome puns on<br />
'grace' and 'Anglia' (pp. 511, 513), and especially the old Lylian habit<br />
of free transcript from the classics—the reader of the Notes will find<br />
passages closely reproduced from Plutarch's Life of Pelopidas and<br />
Aristotle's De Mirabilibus Auscultationibus, and references to Crates,<br />
Diogenes, and to Plato's Phcedo, 'which Lyly has employed before.<br />
In particular I would beg notice for the similarity of language in the<br />
last paragraph (p. 514), ' I am amazed,' &c, to that used by Lyly in<br />
the letter of condolence with Sir Robert Cecil on Burleigh's death<br />
I seeke but now for Machyuell,<br />
And then we would be gone to hell.'—-Sig. A 3.<br />
Compare the passage in the Advertisement to Papp-Hatchett (Grosart's Harvey,<br />
ii. 215), where Lyly's phrases in Pappe are said to 'sauour whotly of the same<br />
Lucianicall breath, & discouer the minion Secretarie aloofe.' The reader may<br />
consider that Lucian and Mar-Martin are directly distinguished ; but that does not<br />
affect the other passage, and I take it that Harvey thinks of Lucian because he has<br />
previously thought that Mar-Martin is Lyly.<br />
1 Vol. iii. p. 405 1.31.
BIOGRAPHICAL APPENDIX 389<br />
(below, p. 393), where, too, he quotes the same sentiment from<br />
Seneca. The verses with which he concludes are well worth preserving,<br />
as Brydges recognized; and there is interest in his reference<br />
to Spenser and Drayton. The signature ' Infelice Academico<br />
Ignoto' is argument that he had not, up to the time of the Queen's<br />
death, received any recognition of his claims ; and the tribute, under<br />
these circumstances, is far more to his credit than was the flattery of<br />
the Glasse, It appears to me improbable that it was actually<br />
delivered on any public occasion.<br />
VI. Sixthly I offer the reader a batch of five new autograph letters.<br />
Four of them, addressed to Sir Robert Cecil, are at Hatfield. They<br />
had been miscatalogued as by ' Dr. Lyly' or ' Thos. Lyly'; but<br />
Mr. R. T. Gunton, Lord Salisbury's private secretary, discovered the<br />
error in regard to one of them, and has since, at my request, confirmed<br />
my suspicions about the rest. All are undoubtedly Lyly's,<br />
and in his hand. The fifth I owe to Mons. A. G. Feuillerat, lecturer<br />
at the Rennes University, who is preparing a critical survey of Lyly's<br />
life and works, and, following me at Hatfield, had independently<br />
ascertained the Lylian authorship of the other four. Hearing of my<br />
forthcoming edition and seeing it must appear before his work, he<br />
very generously communicated to me his documents, of which this<br />
fifth letter was new. He had found it—it is not specified in the<br />
Catalogue Index—in one of the Cotton MSS. It is addressed to<br />
Sir Robert Cotton, under date April 30, 1605 ; and, though brief,<br />
is of no little interest, and forms our latest certain record of the<br />
author before his death in Nov. 1606. As regards his Life, the only<br />
change which these letters necessitate is that we must now date the<br />
Petitions in 1598 and 1601, three years later than there stated; and<br />
probably also his entry of the Revels Office in 1588, not in 1585.<br />
See under Letter iv.<br />
I give them in chronological order, with brief prefatory comments.<br />
i. ' Ja. 17. 1594 '(-5) : see Life, p. 64.<br />
Complains to Cecil of some unspecified, therefore probably just<br />
recent, restriction laid upon the exercise of his literary or dramatic<br />
powers, on which we should infer some reflection had been passed<br />
by the Queen or others. It might be referred to the Queen's resentment<br />
of a satire on herself in The Woman (Life, p. 63; and vol. ii.<br />
p. 256, note); but I incline to date that play, and therefore any<br />
annoyance caused by it, about a year earlier (Intr. vol. iii. p. 234).
390 BIOGRAPHICAL APPENDIX<br />
As a protest against the inhibition laid upon the Paul's Boys before<br />
Oct. 1591 and still in force, the letter would be still more belated;<br />
though the Queen's complaint may have related to a slackening in<br />
his output consequent on that embargo, which would greatly diminish<br />
his receipts. A third and, I think, better suggestion has been made<br />
above (p. 383), that the occasion of this letter is identical with the<br />
Queen's 'exception against Tentes and Toyles' mentioned in the<br />
Second Petition—some action, namely, taken in consequence of his<br />
misuse of the Office properties, which she chose at the time to colour<br />
by reflections on his unproductiveness, if indeed such reflections are<br />
not imaginary on Lyly's part. If at this time he actually lost his post<br />
in the Revels Office, he must have been reinstated before the letter<br />
of Dec. 22, 1597 (p. 68). 1 .<br />
(Cecil Papers 24/99.)<br />
my duety humbly remembred<br />
Among all y e overthwartes of my poore fortunes, this y B gretest, y t<br />
wher I most expected to shew my dutifull affection, I am cutt of from y<br />
meanes.<br />
My wittes wer not so low bitten by eating & neuer filled [' envy' struck<br />
out and altered to] misery but yt some Inuention might haue grased,<br />
yf not for Content, yet for servic. I haue presumed to writ thus much<br />
to yo r Ho: for yt I wold not lett goe y t hold in yo r opinion, yt I haue<br />
euer endevored, to kepe fast. But I find occasion bald both before and<br />
behind, for whersoeuer I snatch, I meet w th a bare scalpe. My praiers<br />
for happy success, and encreas of yo r Ho : house shall be supplied in<br />
deuotion. And so humbly crauing pardon, I end. Ja: 17. 1594.<br />
yo r Ho : in all duety<br />
JH LYLY<br />
(Addressed) To ye right honorable Sir Robert Cecil knight, one of her<br />
Matis most Ho: privy Counsell.<br />
(Endorsed) M r Lillie to my M r .<br />
1 p.<br />
1 As said above (p. 63, and cf. vol. ii. p. 256, note 1), it is unnecessary to connect<br />
with any displeasure of the Queen the fact that The Woman, ent. Sta. Reg. Sept. 22,<br />
1595,was not then printed; but the evident interference of the Censors with<br />
William Warner's Albion (3rd ed. 1592, wherein just as he is about to fulfil the<br />
promise of earlier editions and launch on his account of Elizabeth, whom he has<br />
called Pandora, he pulls up with a 'non plus .. . Vel volo, vel vellem'-—Collier,<br />
Bibl. Cat. ii. 484) may have furnished some enemy of Lyly's with a pretext for<br />
representing his play to contain similar ' matter of state,' and so getting the book<br />
stayed. A fourth ed. of Albion, giving the promised account of Elizabeth's reign,<br />
appeared, like Lyly's play, in 1597.
BIOGRAPHICAL APPENDIX 391<br />
ii. 'la. 23. 1597 '(-8) : see Life, p. 69.<br />
Begs Sir Robert, then on the eve of his departure for France ,1 to<br />
leave him three or four lines which may win access for a petition he<br />
contemplates, i.e. the First, presented 1598. This letter,.then,<br />
forms a sequel to that of a month earlier (pp. 68-9), and implies,<br />
what I could not assert before, that Cecil had given some consideration<br />
to that appeal. Both letters and the Petition itself are directly<br />
occasioned by the promise of the reversion of the Mastership to<br />
Sir George Buc, to which the simile of the stone thrust between the<br />
shells of the oyster is now clearly seen to allude. ' Beeston' must<br />
be the 'Sy r Hugh Beeston' of Letter v, not yet knighted, and<br />
probably a son of Sir George Beeston of Cheshire, who for many<br />
years commanded the block-house at Gravesend, and was 85 in<br />
1596 2.<br />
(Cecil Papers 59/13.)<br />
I dare not presume in yo r Ho: affayres to intrud for access, nor to<br />
be tedious in writing, only this I humbly entreat, (as encoraged by a<br />
motion w ch I mad to Beeston) y t you r H: will leaue three or foure<br />
lynes, w lh any one, it shall seam best in yo r Judgment, yt if, I have any<br />
occasion ether to deliuer a peticion, or preferre a reasonable suit in yo r<br />
absenc, it may be countenanced for yo r sake, so shall I think yt I am<br />
not robbed of my hopes, though I be differrd. pardon this p r sumption.<br />
And so in all duety I pray both for yo r Ho: prosperous returne, &<br />
success.. la. 23. 1597<br />
Yo r H: in all servic JH. LYLY.<br />
(Addressed) For y e right Ho : Sir Robert Cecil knight Principall Secretary<br />
to her Ma tie .<br />
(Endorsed) M r Lyllie to my M r .<br />
I p.<br />
iii. 'Sept. 9, 1598': see Life, p. 72.<br />
Conveys his expressions of condolence on the loss of Lord Burleigh,<br />
who had been ailing 011 Cecil's return and died on Aug. 4 : and<br />
at the same time takes occasion to remind the Secretary of his claims.<br />
1 He was sent to Paris on an embassy to prevent Henri IV from making separate<br />
peace with Philip II; he reached Paris March 3, and was back in England April 29.<br />
(Dict. Nat. Biog.)<br />
2 Calendar of Hatfield MSS. vols. iv. p. 240, vi. p. 218. In these MSS. from<br />
1595 onwards, the son figures generally as ' M r . Beeston,' a friend of Cecil, and also<br />
of Raleigh, at whose return to England in the autumn of 1595 he expresses extreme<br />
pleasure (id. vol. v. p. 391). In a memorandum of Cecil's dated nine days before<br />
Lyly's letter, Jan. 14, 1597-8, he is named among other courtiers who had offered<br />
to accompany him to France (id, vol. viii. p. 16).
392 BIOGRAPHICAL APPENDIX<br />
The First Petition, with which the expression ' ten yeres' leads us to<br />
associate it, had probably ere now been presented. From the Bee<br />
poem, which also speaks of ' ffiue yeares twise told' and ' promises<br />
perfume' (vol. iii. p. 497), we should certainly infer that it had received<br />
a very discouraging reply (stt. 2-4) ; but in the interval the Queen,<br />
who had possibly seen the poem, may have softened. There is no<br />
certainty, however, that her pleasure ' y t y or Ho : and M r Grevil may<br />
be her "Remembrauncers' refers to Lyly's case: the words may be<br />
used quite generally of their assumption of functions vacated by<br />
Burleigh's death, from which Lyly ventures to draw some private<br />
encouragement. The most interesting point is the mention of<br />
' a Brother of myne, chaplayne of y e Savoy,' some Latin verses of<br />
whom on Burleigh's death are added. It forms an exception to my<br />
statement on p. 6 that Lyly mentions no relative beyond his wife and<br />
children. 'A Master Chaplain and four other chaplains' were<br />
included on the foundation of the Savoy in the licence given to the<br />
executors of Henry VII by his successor in 1512, and seem to have<br />
been appointed regularly until the dissolution of the Hospital in<br />
1702 1; but no list of them survives, and the only other mention<br />
I can find of chaplain Lyly is in a letter among the Sutherland MSS.,<br />
dated June 14, 1596, which shows that he had held the chaplaincy<br />
for some years 2 . Possibly he should be identified with the Peter<br />
Lyllie who occasionally discharged the episcopal function of booklicenser<br />
in the years 1597, 1598, and 1600 (p. 44, note 3), and is<br />
confused with our author in the entry of the Sixe Covrt Comedies,<br />
Jan. 9, 1627-8 (see vol. ii. p. 302); but more probably that individual<br />
was the grammarian's grandson, who received the rectory of Fulham<br />
May 17, 1598, and a prebend at St. Paul's Ap. 16, 1599 3 .<br />
t<br />
(Cecil Papers 64/5.)<br />
my duety remembred.<br />
I hope your honnor will pardon this unexpected p r sumption, to serve<br />
you, wt a writt of Tandem aliquando 4 , being the last yt offer a Remembraunc<br />
of my deuotion. When I ballaunced y e matter wt wordes, I found<br />
1 Lockhart's "The Savoy Chapel, pp. 10-11.<br />
3 Hist. MSS. Commits., Fifth Report, p. 139 a. It is from 'W. Moune'<br />
[i.e. Dr. William Mount], Master of the Savoy, to Lord Cobham at Court, about<br />
a Mr. Bigge, chaplain of the Savoy, who, when charged before the Archbishop<br />
with marrying without licence, had defended himself by saying ' he thought he<br />
might well do it, as his fellow chaplains, Mr. Horwode and M r . Lyllye, had<br />
married without licence as many or more than he had.'<br />
3 Dict. Nat. 'Biog. art. 'Lily or Lilly, Peter (d. 1615).'<br />
* Opening words of the second Catiline Oration.
BIOGRAPHICAL APPENDIX 393<br />
y e worth to weighdowne all witt. He that studies, to be longest in y e<br />
Comendacon, must come short. I Leave discourses to thos, y* have<br />
more Copy of words but not more feeling of greif, and Content my self,<br />
yt all my Epitaphes be written in amazednes, leving them as heads for<br />
other to Anotamize, concluding wt yt true saing. Leves curae loquntur,<br />
ingentes stupent 1.. I have inclosed, a few verses of a Brother 8 of myne,<br />
chaplayne of y e Savoy, who is a partner of the Comon loss, and sheweth<br />
both his affection & duety.<br />
And so as one of y e Queens patients, who have nothing applied thes<br />
ten yeres 2 to my wantes but promises, I humbly end, hoping that seing<br />
her matie is plesed yt y or Ho: and M r Grevil may be her Remembrauncers,<br />
I shall find a spedy repayre of my ruined expectation/.<br />
Sept. 9 1598<br />
humbly deuoted to yo r h: dispositfi<br />
J HON. LYLY.<br />
1<br />
Csecilius moritur; lachrimas hoc singultibus addant,<br />
Omnis in hoc vno concidit orbis honos.<br />
2<br />
Virtutes in se prudentia continet omnes,<br />
ipsaq3 tecum obiit Cecili; die vbi Virtus ?<br />
3<br />
Foelix, o nimium foelix, bona si mea nossem<br />
Anglia . dixerat haec, gemiturq3 ecumbit anhelans<br />
(Addressed) For y e right honorable Sir Robert Cecil Knight Principall<br />
Secretary to her Ma tie .<br />
(Endorsed) 9 September 98 D r Lyly 8 to my M r . Epitaphe upon the<br />
death of my lo. Threr.<br />
iv. 'Feb. 27, 1606'(-i) : see Life, p. 74.<br />
Suggests that something might be allotted him out of the property<br />
forfeited by the rebels, i. e. undoubtedly, Essex and the<br />
supporters of his rash movement at the beginning of this<br />
month, Feb. 8. Essex had been arrested at his own house<br />
on the evening of that day, brought to trial and condemned<br />
1 2<br />
Phaedra in Seneca's Hippolytus, 607.<br />
See on next letter.<br />
3<br />
' Dr. Lyly' is probably a mistake of Cecil's secretary, who was confusing the<br />
evidently, obscure chaplain of the Savoy with the well-known Dr. Edmund Lilly,<br />
nominated by Lord Buckhurst, the Chancellor of Oxford, for the Deanery of Christ<br />
Church two years before ; about which nomination, and Essex's opposition thereto,<br />
Buckhurst writes to Cecil on May 27, 1596 {Calendar of the Hatfield MSS. vol. vi.<br />
p. 197). On the back of another letter, unconnected with the subject, Cecil made<br />
two days later a list of Doctors of Divinity, in which ' Lyllye' appears, but no<br />
duplicate or variant of the name (ib. p. 199). Cf. also Dr. Edmund Lilly's letter<br />
to Cecil of Dec. 9, 1596 (ib. p. 510.)
394 BIOGRAPHICAL APPENDIX<br />
on the 19th, and executed (after Elizabeth had once recalled her<br />
signature of the warrant) on the 25th, i. e. two days before Lyly's<br />
letter. The language used in regard to these ' Rebells' is so close an<br />
anticipation of that of the Second Petition (pp. 70-1) as requires us<br />
to suppose the two documents to refer to the same events and be<br />
written approximately at the same time. This, like that, speaks<br />
moreover of ' 13 yeres servic'; just as the 'ten yeres' of the preceding<br />
letter corresponds with the ' Tenn yeares' of the First Petition.<br />
Moreover we have the definite date 1601, affixed to the copy<br />
of the Second in Stephen Powle's MS., placing it at least a month<br />
after the present letter. Clearly I have, in the Life, antedated them<br />
by three years. Even some of the language in the letter of Dec. 22,<br />
1597 (pp. 68-9) would come more appropriately shortly before the<br />
First; especially the opening, the phrase 'vnwearied pacienc' repeated<br />
in that Petition, and the allusion to the promise of the Mastership<br />
to Buc which would correspond to the ' dead hopes' in the same.<br />
Yet its figures, on the strength of which I dated them in 1595 and<br />
1598, are fully as explicit as those of these later letters, which require<br />
1598 and 1601. Writing Dec. 22, 1597, he says he has waited<br />
patiently ' thes 12 yeres,' and hopes for satisfaction ' in the 13':<br />
while 1585, to which this points as the date of his entry of the Office,<br />
might, on other grounds, seem a better year for such entry than 1588.<br />
By way of reconciling the discrepancy we might suppose the Queen's<br />
vague promise of the Mastership made, not on his entry in 1585, but<br />
some three years later; and that, in the formal Petition, Lyly rectified<br />
an error of memory, or an exaggeration, made in the private appeal<br />
to Cecil in the preceding December. Since, however, the actual<br />
words ' I was entertayned yo r Ma ties servant ... I dare not saye w th<br />
a promise, butt a hopeffull Item, of the Reversion' rather imply<br />
a promise made at the time of his entry, I think better, now, to place<br />
that entry in 1588, which is more in accord with the witness of the<br />
Revels Accounts (cf. p. 41), and to explain the contradiction of dates<br />
by supposing ' thes 12 yeres' of the letter of Dec. 1597 to refer rather<br />
to his vice-mastership of the Boys, the commencement of which may<br />
still be put in 1585. In that capacity, though working for the Queen<br />
in the composition of plays for her amusement, his connexion with<br />
the Office was merely informal and incidental (pp. 34-6); and it<br />
would become formal only on his receiving the Clerk-Controllership<br />
in 1588. By separating, then, two steps in his career hitherto<br />
assumed as' simultaneous, we get rid of the difficulty, and correct
BIOGRAPHICAL APPENDIX 395<br />
a mistake which without the fresh evidence must have remained<br />
undetected.<br />
(Cecil Papers 77/14.)<br />
Right Ho: vousalf to cast an eye to 2 lynes. I wold be an humble<br />
Suter to her Ma tie , to haue something out of y e landes, leases, goods or<br />
Fynes, yt shall fall unto her highnes, by the true fall, of thes false,<br />
desperat and dislioll Traytors. I am not so impudent as to intreat yo r<br />
Ho : as a 1 motioner, but a favorer, yf happily it be moued yt after 13<br />
yeres servic & suit for y e Revells, I may turne all my forces & frends<br />
to feed on y e Rebells. In all onely I end, wishing the end of all ther lives<br />
to be such, as goe about untimely to seek an end of her hignes and yors.<br />
Feb 27. 1600 yo H to be disposed JH : LYLY<br />
{Addressed) For y e right Ho: Syr Robert Cecil knight Principall<br />
Secretary to her Ma tie .<br />
{Endorsed) M r Lilly to my M r<br />
½p.<br />
v. 'April the Last, 1605 ': Life, p. 76.<br />
The Cotton letter, which I owe to M. Feuillerat, is among the<br />
MSS. damaged by the fire at Ashburnham House on Oct. 23, 1731,<br />
before the Cotton Library found its final home at Bloomsbury (1753):<br />
but the portion destroyed is but one eighth or ninth of the whole,<br />
and, being at the side, can pretty certainly be restored from the context.<br />
Very possibly M. Feuillerat's restoration may differ slightly<br />
from mine, nor do I know if he shares my view of the letter's pur.<br />
port. It runs as follows :—<br />
(Cotton MSS. Jul. Caes. iii. f. 246.)<br />
Yf I may intreat 3 or 4 lynes from<br />
(you) to Mr Sollictor who hath my booke<br />
(sent) to him by Sy r Hugh Beeston, in my<br />
(behalf 2 :) both for his good Counsell & quick dispatch 3 I hon<br />
(nor him) being a great Scholer, & you my good<br />
(frend also tender) me very well, you have<br />
(known) me long, though never rich, honest<br />
(thoug)h never happye, & to effect of*<br />
(which )e 5 , you r Judgment must sett downe, for<br />
(my) good, what shall pleas you; my man<br />
1 yo r Ho: as a] the MS. reads yo r a Ho: a.<br />
9 The tail of some long letter followed by a dot (or the top of an e) is just<br />
visible. It might be ' abfenfe.'<br />
3 & quick dispatch] written above the line as an insertion,<br />
4 & to effect of] Lyly first wrote & the effect of, and it is uncertain whether his<br />
erasure of the is meant to include the &, or whether of is or is not erased,<br />
5 (which)e] the surviving letter may be r, in which case perhaps (yt soone)r,<br />
should be read.
396 BIOGRAPHICAL APPENDIX<br />
(sh)all Carry yo r Letter. And so w h my very<br />
(hear)ty Corh dls : I Committ yo u to y e Lord,<br />
(Ap)ril the Last . 1605.<br />
Yo rs to vse/<br />
J HON LYLY.<br />
{Endorsed) To y e Right H(bl)e<br />
my verye good frend<br />
BIOGRAPHICAL APPENDIX 397<br />
Beeston, is meant—is 'a great Scholer'; words which Lyly may<br />
intend merely as a general reason for his respect, a compliment<br />
which Cotton might reproduce in his requested note of introduction.<br />
The letter plainly has some practical and particular end in view, one<br />
to which Doddridge's * good Counsell & quick dispatch' will be of<br />
service, one about which Lyly himself will lose no time, and therefore<br />
begs that the bearer—so I understand it—may be entrusted<br />
with Cotton's note at once. This summary, hardly courteous,<br />
method does not look like a literary affair. I take it that the<br />
'booke' sent to the eminent lawyer by Beeston, the man of affairs<br />
was no product of our author's brain, but a much more matter-of-fact<br />
charter or deed of conveyance of land1. The drawing of such a<br />
' booke' was sometimes a very intricate affair, especially if it concerned<br />
Crown land, or land in which the Crown had rights. Special<br />
privileges, conflicting claims, questions of arrears of rent for which it<br />
was desirable to accept a composition, might have to be settled<br />
before the legal transfer could be made; and there can be little<br />
doubt that a law-officer of the Crown, apart from the legal weight<br />
attaching to his decisions, might, if he chose, considerably expedite<br />
procedure. I cannot illustrate this better than by quoting in a note<br />
a letter often years earlier, in which Beeston had also been concerned 2 .<br />
In a word, the interpretation I put upon this final letter of Lyly is<br />
that, whether as a result of that third petition of which he encloses<br />
a copy (now lost) in the letter to Cecil of Feb. 4, 1602[-3] (p. 75), or<br />
of fresh applications made to her successor, the ' poor patient' has at<br />
length got the ' something' he craved, has actually received some<br />
1 This ancient legal term, seen in the AS. bbc-land, was even now becoming<br />
obsolete; the latest instance the N. E. D. quotes is from the Bible, 1611 ,Jerem. xxxii.<br />
12 ' The witnesses that subscribed the booke [1885, R. V. ' deed '] of the purchase.'<br />
Cf. 1 Henry IV. 111. 1. 224 ' By that time will our Booke, I thinke, be drawne.'<br />
2 RICHARD PERCIVAL TO SIR ROBERT CECIL—1595, July IT.—'This book<br />
between Sir William Hatton and you is fully agreed upon and will be engrossed<br />
and ready to be sealed by tomorrow, 8 of the clock in the morning. Myself and<br />
M r . Willis are named to the intent the whole moiety shall not settle in M r . Beeston,<br />
who is very desirous to lay out ;£88 more, which maketh a full third part. The<br />
book between Longford and you is not yet agreed, being a conveyance so intricate<br />
as M r . Hesketh desireth to have M r . Serjeant Warburton's advice, which shall be<br />
had. M r . Longford will move yon that he may receive his rents, over and above<br />
his third part due at Whitsuntide last, because he reconciled himself to the church<br />
before thnt time; meaning by this stratagem to draw some £ioo more from you.<br />
But he may be answered that the land is in extent for arrearages due for many<br />
years past to the Queen, which cannot be discharged by his coming to the church ;<br />
whereas if all arrearages were paid and that he stood on even ground at Whitsuntide,<br />
you might shew him that favour which now you cannot.—From your house<br />
this present Friday morning/—Endorsed: ' 11 Julii, 1595.' Holograph ½ p., 33/32.<br />
(Calendar of Hatfield MSS. vol. v. p. 277.)
398 BIOGRAPHICAL APPENDIX<br />
grant of Crown land, the legal conveyance of which is now, April<br />
1605, in hand. The grant itself, if it survives, has escaped my<br />
researches at the Record Office; but the explanation seems more<br />
probable than one which should relate the letter to some lost literary<br />
work. It is pleasant to be able, at the very end of my task, and<br />
almost of Lyly's life, to discern, if but faintly, some break and lifting<br />
in the cloud of anxiety and disappointment that had brooded over<br />
him so long; and I believe we may find confirmation of it in the fact<br />
that when the Revels Accounts are resumed, in the year Nov. 1604<br />
to Nov. 1605, Edmond Pagenham appears in the office of Clerk-<br />
Controller, which Lyly had probably held at least as lately as Aug.<br />
1602 (p. 381, above). It is natural to connect this circumstance with<br />
the letter; and to suppose that he had raised money on his new<br />
possession and retired from duties of which he had long grown<br />
weary, or that resignation was understood as a condition of the grant.<br />
If this be so, the interval for which Accounts are lacking, 1588-1604,<br />
exactly covers, by a singular coincidence, the period of Lyly's tenure<br />
of his post (above, p. 394). But, grant or no grant, he seems to have<br />
remained at St. Bartholomew's, where he is buried on Nov. 30, 1606 .1<br />
CHRONOLOGICAL SUMMARY.<br />
Oct. 9. Oct. 8.<br />
1553- 1554- Birth.<br />
1569 (Spring). Enters Magd. Coll. Oxford. Spends three years<br />
in 'the country,' perhaps as a tutor.<br />
April 27, 1573. M.A. June 1, 1575.<br />
B.A.<br />
1575-6. Perhaps at Cambridge. M.A. there, 1579.<br />
I<br />
577-8. Acquaintance with Harvey ' in the Savoy,'<br />
• 1578 (Dec). Publication of Euphues, Part I.<br />
1579. Private Secretary to the Earl of Oxford.<br />
1580 (Easter). Publication of Euphues, Part II.<br />
1580-4. Production of Campaspe, Sapho and Phao, Gallathea.<br />
1585 (April). Vice-master of the Paul's Boys.<br />
1586-8. Production of Endimion and Loves Metamor<br />
1588.<br />
phosis (earlier form).<br />
Clerk-Controller of the Revels and of Tentes and<br />
Toyles.<br />
1589. Midas produced.<br />
• 1 I am told by Dr. Norman Moore that the burial-ground was situate on the south<br />
side of the present square of the Hospital. The church is on the north.
1590.<br />
1591.<br />
1590-2.<br />
I 593.<br />
1594--5.<br />
1597.<br />
1598.<br />
1599.<br />
1601.<br />
1602.<br />
1602-3.<br />
1604.<br />
1606 (Nov. 30).<br />
BIOGRAPHICAL APPENDIX 399<br />
Mother Bombie produced.<br />
Inhibition of the Paul's Boys.<br />
Several Entertainments produced.<br />
The Woman in the Moone produced.<br />
The Queen's displeasure.<br />
The Revels Mastership promised to Buc.<br />
The First Petition.<br />
The Maydes Metamorphosis produced.<br />
The Second Petition.<br />
Harefield Entertainment.<br />
A Third Petition (lost).<br />
Probable grant of land and resignation of his post<br />
in the Revels Office.<br />
His burial at St. Bartholomew's.<br />
NOTE I.—For a long time I was minded to include among Lyly's<br />
works one which would have suggested that, before the letter to Cotton<br />
was written, he had spent some time abroad, especially in Italy—to wit,<br />
An Okie Mans Lesson and a Young Mans Loue, published 1605 4 0<br />
as ' By Nicholas Breton.' In a signed dedication to Sir Thomas Linwraye,<br />
Breton speaks of its wit, learning and judgment with a want<br />
of modesty unusual in an Elizabethan poet; and in a further address<br />
to the Reader describes it as a discourse he has ' met with of late . . .<br />
written by I know not whom.' Grosart, regarding this as merely a playful<br />
device, an ' ever-recurring trick of expression,' included it in his<br />
edition of Breton's Works, 1879, vol. ii; but Hazlitt in his Handbook<br />
(p. 60) had classed it as ' edited' by Breton.1 In general tone and in<br />
the subjects treated (the Terentian opposition between age and youth,<br />
represented by the interlocutors ' Chremes' and ' Pamphilus,' the old<br />
man's distrust of travel and the importance he attaches to money, the<br />
opposition between Court, country, and University life, the advice on<br />
marriage, the jokes on Latin grammar, the batch of favourite.naturalhistory<br />
allusions) the piece is extremely like Lyly; the position and<br />
character of Chremes—a wealthy yeoman, proud of and indulgent to his<br />
clever son, though with a private assurance of the superior reliance<br />
to be placed on his own native shrewdness and experience—exactly<br />
tallies with what we know, or have surmised, of Lyly's father (Life, pp. 3-<br />
5) ; and the dialogue has several reminiscences of Euphues and Mother<br />
Bombie. These last, however, are mainly proverbial or expressive of<br />
general sentiment, not the close reproductions of special phrase which<br />
helped us in the Entertainments. The general run of the style exhibits<br />
1 Brydges' Censura Literaria, ii. 180, has a brief note on it. Percy pronounced<br />
it Breton's; Reed, to be edited by Breton.
400 BIOGRAPHICAL APPENDIX<br />
unlikeness even in the likeness, e.g. the brief rattling exchange of conceited<br />
question and reply, which recalls the talk with Cupid in Gallathea<br />
and Loves Metamorphosis, is found elsewhere in Breton, and lacks something<br />
of the point with which Lyly would have infused it; and there is,<br />
besides, an occasional inconsequence in the reasoning or language which<br />
Lyly would hardly have passed. I notice, moreover, one or two things<br />
that occur in other of Breton's works ; there is an improbability about<br />
his concern in it, if Lyly's ; and finally, after long hesitation, I decide<br />
not to claim it.<br />
NOTE II.—Inasmuch as the writer of the article on Bishop Joseph<br />
Hall in the Dict, Nat. Biog. suggests the identity of my author with<br />
a character whom I ignored in the Life—' a witty and bold atheist, one<br />
M r Lilly, who, by reason of his travels and abilities of discourse and<br />
behaviour' was able seriously to hamper Hall with his patron Sir Robert<br />
Drury on his presentation to the living of Halsted in Essex in 1601, and<br />
whose subsequent removal by the Plague, smoothing his path before his<br />
marriage in 1603, Hall regards as a providential interposition (Observations<br />
on his own life, p. xxxvii of S. W. Singer's ed. of the Satires,<br />
1824), I think better to point out that the suggested identity is contradicted<br />
by, inter alia, dates.<br />
NOTE III.—' No Greek, I suppose?' is a question sometimes put me<br />
in regard to Lyly's attainments: and so I state here my opinion<br />
that, though he probably read Latin with far more ease, and leaned,<br />
like most of his contemporaries, on Latin translations of Aristotle, Plutarch,<br />
and the Greek authors generally, yet he did possess some<br />
knowledge of the language; as is shown by his correction, in Ephcebus<br />
of the ' Biantem' of Guarini and ' Byas ' of Elyot to ' Bion' with Plutarch<br />
(see Notes, p. 352), by his fanciful derivation of in another passage<br />
supplied by himself (see Note on p. 266 1. 13), and by his coinage of<br />
imaginary Greek names to colour some natural-history fiction of his own<br />
e.g. * though the stone Cylindrus at euery thunder clappe, rowle from the<br />
hill,' Euph. i. 219 1. 5, 'the stone Pansura, which draweth all other<br />
stones, be they neuer so heauy,' Euph. ii. 184 1. 3, and ' Anyta, which<br />
being a sweet flower at the rising of the sunne, becommeth a weede,<br />
if it be not pluckt before the setting,' Saph. ii. i. 91—for none of which<br />
do I find any original in Pliny. Cf. ' a sparke fell into the eyes oiActina,<br />
whereoff she dyed,' Euph. ii. 171 1. 30. On the other hand he blindly<br />
follows the mistakes of Abraham Fleming's translation of Aelian's Varia<br />
Historia (1576 4 0 . fols. 21, 152, 156): cf. notes on Euphues ii. 107 1. 28,<br />
166 1. 35,203 1. 34.<br />
NOTE IV.—In view of Lyly's very probable connexion, in a literary<br />
sense, with Spenser and that elder group of scholars and poets—Sidney,<br />
Greville, Dyer, and Harvey—who were strongly sensible of the value of<br />
Chaucer's work, I collect here one or two passages or points wherein he<br />
may have been influenced by that poet.
BIOGRAPHICAL APPENDIX 401<br />
In Euphues i. 316 the letter to Alcius about true 'gentilesse' maybe<br />
due to the famous passage in The Wyf of Bathes Tale D. 1109-64; in<br />
Euph. ii. 43 1. 2 we have ' a Caunterbury tale' as synonym for a fable,<br />
and in ii. 83 1. 9 ' a fine taste noteth the fond appetites.' &c. may be<br />
reminiscent of the Wife's Prologue D. 466, 'A likerous mouth moste<br />
han a likerous tayl,' while ' coltes tooth,' 1. 602, occurs Euph. ii. 172 1. 25.<br />
In Gallathea we have all the matter of the Alchemist, including his<br />
desertion by Peter, clearly borrowed (with probably the intervention of<br />
Reginald Scot) from the Canorts Yeoman' s Prologue and Tale, wherein<br />
the exclamation ' Peter,'1. 665, may have suggested the name of Lyly's<br />
rascal, while the name of Robin, the miller's son, and the tale of the<br />
Astronomer falling into a pond, may be taken from The Milleres Tale;<br />
in the same play, and in Endimion, fairies are introduced, perhaps from<br />
Scot, perhaps from the Wyf of Bathes Tale, and, if we consider the lines<br />
of Aureola, the Fairy Queen, in Elvetham (where see notes), the latter<br />
source seems probable ; while the burlesque figure of Sir Tophas follows,<br />
closely though not obviously, the main lines of Chaucer's Sir Thopas<br />
(see notes on the play). And further, much proverbial wisdom, though<br />
found in the intervening collection of that evident Chaucer-lover, John<br />
Heywood, may have been taken by Lyly direct from the older poet;<br />
among such I note Memphio's remark in Mother Bombie, i. 1. 73-5,<br />
which may be reminiscent of the Wife of Bathes Prologue D. 278-80,<br />
' dropping houses, and eek smoke, | And chyding wyves, maken men<br />
to flee I Out of hir owene hous' ; and Rixula's proverb about the ' gray<br />
goose in the lake' in the same play, iii. 4. 13-4, is quoted by the same<br />
communicative lady D. 269-70 ; while that about the cripple in Euph. ii.<br />
92 1. 8 and Gall. iv. 1. 46 occurs in Troylus and Criseyde, iv. 1458, from<br />
which poem, rather than from Boccaccio's Eilostrato, Lyly probably derived<br />
his knowledge of that purely mediaeval tale, alluded to in Euph. i. 219 1.11<br />
' Troylus was to faithfull to Crsessida.' For the suggestions about the<br />
names Peter and Robin, the Astronomer, and the smoke I am indebted to<br />
Professor Littledale of University College, Cardiff. Much else might no<br />
doubt be collected by exhaustive search.<br />
NOTE V.—Even now the tale of Lyly's productions is not quite<br />
exhausted. I find it necessary to include (vol. iii. 427) some amazing verses<br />
which he chose to entitle The Trivmphs of Trophes, and to announce as<br />
written' In Saphic verse of Iubiles,' but the irregularities of which it is impossible<br />
to adjust to any metrical scheme, classical or other. In tone and style<br />
these dreadful lines are an anticipation of the Whip and Mar-Martine,<br />
his claim to which they somewhat strengthen ; for, bad as these Trivmphs<br />
are, they exhibit a good deal of classical learning, and a verification of<br />
the references I have inserted opposite 11. 15,21,71,108, 113-4 (especially),<br />
will, I believe, allay all doubts of his authorship. I take it that the<br />
publication was unauthorized, and that the ' L. L' of the signature at<br />
BOND X D d
402 BIOGRAPHICAL APPENDIX<br />
the end is the piratical publisher's misreading for I. L. of the MS. copy:<br />
had Lyly meant to publish them, he would probably have put his name<br />
on the title-page rather than * by a Courtier/ The lines were occasioned,<br />
of course, by the discovery of Babington's plot in 1586, fourteen of the<br />
conspirators therein having been condemned and executed before Mary<br />
herself was brought to trial in the autumn. She is referred to in stanza 8<br />
as 'Romish lesabell' and ' the onlie Circes'; while in stanza 17 Elizabeth<br />
is designated' Cynthia,' as when opposed to Tellus (=Mary) in Endimion,<br />
a play written I believe in the previous year and performed on the Feb. 2<br />
preceding this plot (see vol. iii. p. 11).
ENTERTAINMENTS<br />
Dd2
ENTERTAINMENTS<br />
INTRODUCTION<br />
<strong>THE</strong> Entertainments I claim for Lyly are the following :—<br />
(i) A few isolated speeches or poems, all (except the Ode) probably<br />
delivered at the Tiltyard, Whitehall, on the occasion of one or<br />
other of the anniversaries of the Queen's accession, Nov. 17 :<br />
among them the famous ' sonnet' hitherto assigned to Peele,<br />
1590, and a speech by the Earl of Cumberland, "1600.<br />
(2) Speeches at Theobalds (Gardener and Molecatcher) 1591<br />
(3) „ „ Cowdray on the Queen's Progress . „<br />
(4) „ „ Elvetham „ „<br />
(5) „ „ Quarrendon „ „ . 1592<br />
(6) „ „ Bisham, Sudeley and Rycote „ . „ '<br />
(7) „ ,, Harefield Place „ ,, . 1602<br />
(8) (Doubtful) a slight share in the shows at the King of Denmark's<br />
visit in 1606, especially one .of a shepherd and<br />
shepherdess at Fleet Street Conduit, of which only a song<br />
and some reported details survive.<br />
Besides these, as already stated in the Biographical Appendix,<br />
I think it probable that he was whole or part author of other shows<br />
and perhaps even of one or two plays, now lost. For detailed arguments<br />
in support of his claim to those here printed I must refer the<br />
reader to the Notes in each case. Here I will only say, generally,<br />
that his position after 1588 in the Revels Office and that of Tentes and<br />
Toyles—especially if he held the post of Clerk-Controller, to which<br />
in the case of his predecessor, Edward Buggyn, had been attached<br />
the production of designs for masques—indicates him as a person to<br />
whom noblemen wishing to amuse the Queen might naturally apply<br />
for aid; and that the devotion of at least a portion of time to such<br />
work mitigates the intrinsically improbable sterility of the last fifteen<br />
years of his life. The style, too, throughout these shows is<br />
thoroughly Lylian, abounding in puns, alliteration and the perpetual<br />
antithetic balance characteristic of Euphues, to a degree unexhibited<br />
by any of his imitators, though the prose of Nicholas Breton some-
INTRODUCTION 465<br />
times makes a near approach to it. Doubtless in the latest instance,<br />
the Harefield Entertainment, the euphuistic characteristics are a<br />
good deal modified; but this is no more than we should naturally<br />
expect, and a useful external proof of his connexion with the Harefield<br />
show is supplied by the occurrence of his name in the full<br />
accounts of expenses incurred on that occasion preserved in the<br />
Egerton Papers (cf. Notes). Cowdray is specially reminiscent of<br />
Endimion, which, as it was published in 1591, Lyly may have been<br />
revising about the same time; Elvetham is premonitory of The<br />
Woman in the Moone some two years later; Bisham recalls Midas<br />
(published in the same year 1592); Sudeley and Quarrendon, Loves<br />
Metamorphosis ; while Quarrendon and Rycote renew the old themes<br />
of Euphues. To exhibit the detailed connexion by full quotation,<br />
either here or in the Notes, would swell my already swollen volumes<br />
to an impracticable bulk. I must perforce trust to the reader's<br />
mastery of the characteristics of Lyly's style as set forth in the<br />
Essay on Euphuism, and to his diligence in verifying the references<br />
sown pretty thickly along the margin of the text, which will<br />
show that the marked resemblance of style is abundantly confirmed<br />
by reproduction of Lyly's favourite phrases and sentiments, of which<br />
the new matter is sometimes simply a mosaic.<br />
For a taste, let him take, in the Sonet, the allusion to bees in<br />
helmets, and the antithesis of psalms and sonnets, found also in<br />
Euphues and Campaspe: in the Gardener's speech the exact likeness<br />
of the legend on the box to the doggrel oracles of Mother Bombie:<br />
in Cowdray, let him compare the Angler's speech, pp. 427-8, with<br />
Epiton's mention of a Western barge and angling in the same<br />
breath as types of tediousness (Endim. iv. 2. 53-7), with Floscula's<br />
remark {Endim. i. 2. 75-7), ' you shal finde that loue gotten with<br />
witch-craft is as vnpleasant as fish taken with medicines vnwholsome,'<br />
and with Euphues, ii. 143 1. 14 'the Camill first troubleth<br />
the water before he drinke': in Elvetham let him note the lines of<br />
the scroll ' Aoniis prior & Dims,' &c, p. 445, reproduced, with the<br />
same inversion of them, in The Woman, iii. 1. 111-5 : in Quarrendon,<br />
p. 462 1.16, the loose article of dress to be worn by a loose character<br />
(cf. Helen in Euph. p. 179, above): in 'Bisham, p. 473, the proverb '<br />
'two Pigeons may bee caught with one beane' (from Euph. ii. 1731. 23):<br />
in Sudeley, p. 477 1.19 'a black sheepe is a perilous beast' from End. ii.<br />
2.154: in Harefield, p. 49411. 1-7, the likening of the Queen's visit to<br />
the broad bounty of the sun as in Euph. ii. 39 11. 5-7 ' a bright Sunne
4o6 ENTERTAINMENTS<br />
shineth in euery corner, which maketh not the beames worse, but the<br />
place better.' Those who will look up the marginal references will<br />
find numbers of such cases ; there are others of which I am conscious,<br />
but which elude my search; and, where they are not numerous,<br />
there is some other cogent argument, e.g. in Quarrendon, where<br />
it appears to me wellnigh impossible that any but Lyly can have<br />
written the dialogue between Constancy and Liberty.<br />
In five cases, those of Cowdray, Elvetham, Bisham, Sudeley and<br />
Rycote, the speeches are preserved for us in contemporary -printed<br />
quartos (the last three, in one), with the actual editing of which Lyly<br />
was not, I believe, directly concerned. The Printer's mention of<br />
'loose papers' in his address prefixed to Bisham Sud. Ryc, indicates<br />
the literary form in which Lyly left his work; but, from the close<br />
correspondence of the speeches with the details of action given in<br />
the. narrative in Elvetham, as well as from the absence of proper<br />
stage-directions in Quarrendon, we should argue that he was not<br />
only the deviser but, as with his plays, the practical stage-manager of<br />
all these shows, to whom the various hosts communicated their<br />
wishes at the outset, especially in regard to any presents of jewellery,<br />
&c, to be introduced. The Theobalds, Quarrendon and Harefield<br />
speeches have been printed within the last century from contemporary<br />
MSS. On the question of Lyly's anonymity in all of<br />
them I have made one or two remarks in the Biographical Appendix,<br />
above, pp. 382-3.<br />
The last two (doubtful) songs are from a quarto tract in the British<br />
Museum, of which I print the title and some long extracts. It is<br />
' written to a gentleman in the northern parts'; and its clumsy longwinded<br />
construction of sentences quite excludes the idea of Lyly's<br />
authorship. Neither song appears in Henry Roberts' account of the<br />
visit as given by Nichols (Progresses of James I, ii. 54-69).<br />
Taken altogether these shows form a body of work of some<br />
importance in the history of Pastoral in England. The certainty that<br />
much similar work, not always offered to royalty, has perished leaves<br />
us in some uncertainty as to Lyly's models; but he adheres with<br />
considerable fidelity to the lines laid down by Gascoigne and Sidney,<br />
whose Princely Pleasures at Kenilworth (pub. 1576), and Lady of<br />
May (given at Wanstead-1578) 1 are the earliest and only preceding<br />
1 It should be noted that The Lady of May was not printed till it appeared at<br />
the end of the 1613 ed. of Arcadia; but Lyly might have seen it in MS. or even<br />
witnessed the performance.
INTRODUCTION 407<br />
examples extant. The idea of such pastoral, with its introduction<br />
of mythological characters, was no doubt derived from Italy; though<br />
it has been well pointed out that pastoral shows form only a natural<br />
development of the written eclogue. They were, indeed, pretty sure<br />
to appear in any country where classical culture and a native poetry<br />
already existed 1 . In a most interesting and useful article in Modern<br />
Language Notes for April, 1899, Mr. A. H. Thorndike of the Western<br />
Reserve University gathers together from Fleay's Chronicle, Nichols'<br />
Progresses, and elsewhere, all that is known on this subject. He<br />
mentions the lost ' Mask of Wylde men,' performed at a marriage at<br />
Greenwich 1573 2 , as the earliest indication of pastoral; he recalls<br />
how Gascoigne, at Kenilworth, introduced a ' Humbre Salvagio,'<br />
also Pan, Sylvanus god of woods, Diana with nymphs, hunting-horns,<br />
and allegorical characters, such as Deep Desire, speaking from trees<br />
to which they had been transformed; and how Sidney, in 1578, first<br />
gave us a distinct pastoral setting, exhibiting a singing match between<br />
a forester and a shepherd for the May Lady, and further<br />
introducing comic elements and native figures in Rombus the village<br />
pedant, Lalus the old shepherd, and the ' honest mans wife of the<br />
country,' alongside the more ideal and conventional figures of<br />
Therion and Espiles. The resumption of the Queen's progresses<br />
in 1591 gave a fresh impulse to such composition ; and Mr. Thorndike,<br />
combating the notion that pastoral was a new thing in the<br />
hands of Daniel (Queens Arcadia, 1605), or Fletcher, summarizes<br />
some established features of it as follows:—' Before 1600 the<br />
chastity-motive, the setting of shepherds and hunters, the story of<br />
unrequited love, the singing-contest, the hunting-party with sounding<br />
horns 3 —all these had become material of the pastoral drama.<br />
Some characters, too, such as the satyr-type, the rude forester, and<br />
the venerable shepherd, were pretty familiar. . . . The mixture of<br />
pastoral with native comic characters is perhaps more distinctively<br />
1 See Note on Italian Influence, vol. ii. pp. 473 sqq.<br />
3 Fleay's Chronicle, ii. 341. The Revels Accounts also mention in connexion<br />
with the same Christmas, 1573-4, ' the foresters mask,' pp. 53-4, and 'the hunters<br />
Mask on New yeres Nighte,' p. 59; and on or about Dec. 23, 1574, ' the pedlers<br />
Mask,' pp. 87-8; while on the first Sunday of the New Year, 1578-9, was shown at<br />
Richmond 'A Pastorell or historie of a Greeke Maide,' p. 125; and in 1584<br />
' A pastorall of Phillyda et Choryn ... on S t . Stephens daie at night at<br />
Grenew ch<br />
8 Elsewhere Mr. Thorndike adds the Echo-dialogue, rival discussion of hunters'<br />
and shepherds' lives, writing verses on a tree, celebration of a festival by nymphs,<br />
and transformation of a maiden to a tree. He generalizes from Lyly's plays and<br />
the Maydes Met., as well as from the shows I print.
408 ENTERTAINMENTS<br />
an English development. It may indeed possibly be taken as an<br />
evidence .of the influence of contemporary public plays, though to<br />
some extent this mixture was anticipated in Spenser's and Barclay's<br />
eclogues. Pastoral poetry, at any rate, anticipated the pastoral<br />
drama in the introduction of contemporary satire' (col. 235). It<br />
does not seem to have occurred to Mr. Thorndike that Lyly, the<br />
chief author of 'public plays' before 1590, was also the author of<br />
most of the shows he discusses; nor does he notice that Melebeus<br />
and Tyterus in Gallaihea (before 1585), and Pan in Midas (1589)<br />
have already exhibited something of the same comic-pastoral that<br />
appears in the Cutter of Cotswold in Sudeley (cf. the Angler and<br />
Netter at Cowdray, and the treatment of Silvanus in Elvetham).<br />
To say truth Lyly, into whose hands the tradition passes about<br />
1590, though he introduces great variety into the genre which he<br />
perpetuates and polishes, does not add any very distinctive typical<br />
feature, save perhaps that of allegorical figures, Constancy, Inconstancy,<br />
Place and Time. Freshness and spontaneity, an appropriate<br />
naivete hardly to be expected from one who had already written<br />
seven plays of much internal resemblance, this they may all, I think,<br />
claim : one may be moderately grateful for the Gardener, the Angler,<br />
the Cotswold shepherds, and Joan the dairy-maid, while the dialogue<br />
between Constancy and Inconstancy is in the author's most ingenious<br />
vein ; otherwise their literary merit is not great, chiefly because<br />
the kind is too slight to allow of much design or development of an<br />
issue. And what literary merit there is, is marred for the modern<br />
reader by a quality perhaps inseparable from the circumstances<br />
of presentation—the flattery, namely, by which they are marked, in<br />
greater degree and grosser kind than was visible in the plays;<br />
flattery that does not stick at the attribution of divine honours to<br />
Elizabeth in her own person, not merely in that of Cynthia or Diana,<br />
e.g. 'Elizabetha deus nobis haec otia fecit' (Cowdray, p. 426); and<br />
cf. Quarrendon, pp. 465, 469. Excusable and interesting as a feature<br />
of this flattery are the references to the Armada in the Gardener's<br />
speech, p. 418, Cowdray, p. 425, Elvetham, pp. 442-3, Quarrendon,<br />
p. 467 1. 24, and to France and Flanders in Bisham, p. 475 11. 12-3,<br />
Rycote, pp. 486, 488.<br />
These shows are also useful as affording, in the large body of<br />
verse which they contain, confirmation of his authorship of the songs<br />
in the plays. Two of those in Elvetham have been attributed, not<br />
I think with absolute certainty, to Watson and Breton respectively—
INTRODUCTION 409<br />
the second being the exceedingly charming and dainty 'Phyllida and<br />
Coridon'; but there is'no reason to doubt the rest (with some reservation<br />
in regard to Harefield), which often bear his visible imprint,<br />
e. g. the camomile and the palm in Cowdray, p. 42611.34-5. Not much<br />
of this verse can claim any merit, though five of the songs found<br />
a place in the best poetical anthology of the reign, Englands Helicon,<br />
1600, and the Latin oration of welcome to Elvetham is better than<br />
other Latin verse by Lyly ; but taken all together, and coupled with<br />
a rather marked resemblance in Sudeley, it somewhat strengthens<br />
without, I think, at all finally establishing, Lyly's claim to the<br />
Maydes Metamorphosis 1; and has induced me to include in vol. iii<br />
as possibly his a certain proportion of other unsigned lyrical work<br />
selected from the anthologies, song-books and MSS.<br />
1 See also above, pp. 383-4.
SPEECHES AND VERSES AT <strong>THE</strong><br />
TILT-YARD<br />
1590—1600.<br />
A SONET 1 .<br />
AT <strong>THE</strong> TILT-YARD; NOV. 17, 1590.<br />
(In William Segar's Honor Military, and Ciuill, 1602 fol. Bk. iii. ch. 54, the<br />
following description of this occasion is given : ' Here will we remember also . . .<br />
that these annuall exercises in armes, solemnized the 17. day of Nouember, were<br />
first begun and occasioned by the right vertuous and honourable Sir Henry Lea,<br />
Master of her highnesse Armorie, and now deseruingly Knight of the Most Noble<br />
Order, who, of his great zeale and earnest desire to eternize the glory of her<br />
maiestie's court, in the beginning of her happy reigne, voluntarily vowed (vnlesse<br />
infirmity, age, or other accident did impeach him), during his life, to present himselfe<br />
at the tilt armed, the day aforesayd yeerely, there to performe, in honor of<br />
her sacred maiestie, the promise he formerly made . . . though true it is, that the<br />
author of that custome (being now by age ouertaken) in the 33. yeere of her<br />
maiesties reigne resigned and recommended that office vnto the right noble George<br />
Earle of Cumberland. The ceremonies of which assignation were publiquely<br />
performed in presence of her maiestie, her ladies and nobilitie, also an infinite<br />
number of people beholding the same, as followeth.<br />
On the 17 day of Nouember, Anno 1590. this honourable Gentleman together<br />
with the Earle of Cumberland, hauing first performed their seruice in Armes,<br />
presented themselues vnto her Highnesse, at the foot of the staires vnder her Gallery<br />
window in the Tilt yard at Westminster, where at that time her Maiestie did sit,<br />
accompanied with the Vicount Turyn Ambassador of France, many Ladies, and<br />
the chiefest Nobilitie. ' ^<br />
Her Majesty beholding these armed knights comming toward her, did suddenly<br />
heare a musicke so sweete and secret, as euery one thereat greatly marueiled. And<br />
hearkening to that excellent melodie, the earth as it were opening, there appeared<br />
a Pauilion made of white Taffata, containing eight score elles, being in proportion<br />
like vnto the sacred Temple of the Virgins Vestall. This Temple seemed to consist<br />
vpon pillars of Pourferry, arched like vnto a Church, within it were many Lampes<br />
burning. Also, on the one side there stood an Altar couered with cloth«of gold,<br />
and thereupon two waxe candles burning in rich candlesticks, vpon the Altar also<br />
were layd certaine Princely presents, which after by three Virgins were presented<br />
1 A SONET] from the Drummondcopy of Peele's ' Polyhymnia,' 1590, 4 0 , in the<br />
Univ. Libr.t Edinburgh. Also as here in John Dowland's ' First Booke of Songes<br />
or Ayres,'1597, fol., No. 18.
AT <strong>THE</strong> TILT-YARD 411<br />
vnto her Maiestie. Before the doore of this Temple stood a crouned Pillar,<br />
embraced by an Eglantine tree, whereon there hangd a Table; and therein written<br />
(with letters of gold) this prayer following.<br />
ELZAE, &c. | Pix, potenti, faelicissimae; virgini, | fidei, pads, nobilitatis<br />
vindici, | cui Deus, astra, virtus, | summa deuouerunt | omnia. | Post tot annos, tot<br />
triumphos, | animam ad pedes positurus | tuos, | sacra senex | affixit arma. | Vitam<br />
quietam, imperium, aemam | seternam, reternam | precatur tibi, | sanguine redempturus<br />
suo. | Ultra columnas Herculis | columna moueatur tua. | Corona<br />
superet coronas omnes, | ut quam coclum faelicissime | nascenti coronam dedit, |<br />
beatissima moriens reportes coelo. | Summe, Sancte, AEterne, | audi, exaudi, |<br />
Deus. |<br />
The musicke aforesayd, was accompanied with these verses, pronounced and<br />
sung by M. Hales her Maiesties seruant, a Gentleman in that Arte excellent, and<br />
for his voice both commendable and admirable. [Here follows an imperfect<br />
version of the ' Sonnet' below.]<br />
The gifts which the vestall maydens presented unto her maiesty, were these:<br />
a vaile of white exceeding rich and curiously wrought; a cloke and safegard set<br />
with buttons of gold, and on them were graucn emprezes of excellent deuise; in<br />
the loope of euery button was a noble-mans badge, fixed to a pillar richly<br />
embrodered. . . .<br />
— these presents and prayer being with great reuerence deliuered into her<br />
maiesties owne hands, and he himselfe disarmed, offered vp his armour at the foot<br />
of her maiesties Crowned Pillar; and kneeling vpon his knees, presented the Earle<br />
of Cumberland, humbly beseeching she would be pleased to accept him for her<br />
knight, to continue the yeerely exercises aforesaid. Her majesty gratiously<br />
accepting of that offer, this aged knight armed the earle, and mounted him vpon<br />
his horse. That being done, he put vpon his owne person a side coat of blacke<br />
veluet pointed vnder the arme, and couered his head (in liew of an helmet) with<br />
a buttoned cap of the countrey fashion.<br />
After all these ceremonies, for diuers dayes hee ware vpon his cloake a crowne<br />
embrodered, with a certaine motto or deuice, but what his intention therein was,<br />
himselfe best knoweth.<br />
Mow to conclude the matter of assignation, you shall vnderstand that this noble<br />
gentleman, by her maiesties expresse commandement, is yerely (without respect<br />
vnto his age) personally present at these military exercises, there to see, suruey,<br />
and as one most carefull and skilfull to direct them; for indeed his vertue and<br />
valour in arms is such as deserueth to command.')<br />
His Golden lockes Time hath to Siluer turn'd,<br />
0 Time too swift, 6 Swiftnesse neuer ceasing!<br />
His Youth gainst Time and Age hath euer spurn'd,<br />
But spurn'd in vain, Youth waineth by increasing.<br />
Beauty, StrOgth, Youth, are flowers, but fading seen,<br />
Dutie, Faith, Loue, are roots, and euer greene.<br />
I, 3 His] My Segar 2 6] and Seg. 3 Time . . . euer] age, and<br />
age at youth hath Seg. 5 Youth... seen] and youth, flowers fading beene<br />
Seg. 6 and before Loue Seg.<br />
(Endim.ii,<br />
3.30
(Etiph. ii.<br />
209 1. 36;<br />
Camp. iv.<br />
3.8)<br />
(Euph. i.<br />
224 I.5,<br />
321 l 38,<br />
&c.)<br />
{End. v. 3.<br />
170; iii. 4.<br />
52,118;<br />
Saph. v. 3;<br />
L.M.<br />
passim)<br />
ENTERTAINMENTS<br />
His Helmet now shall make a hiue for Bees,<br />
And Louers sonets turne to holy Psalmes:<br />
A man at Armes must now serue on his knees,<br />
And feede on praiers, which are Age his almes.<br />
But though from Court to Cottage he depart,<br />
His Saint is sure of his vnspotted heart.<br />
And when he saddest sits in homely Cell,<br />
Heele teach his swaines this Caroll for a Song,—<br />
Bless'd be the heartes that wish my Soueraigne well,<br />
Curs'd be the soules that thinke her any wrong!<br />
Goddess, allow this aged man his right,<br />
To be your Beads-man now, that was your Knight.<br />
A CARTELL FOR A CHALLENG.<br />
(A Herald reads)<br />
To all the Noble Chosen and Hopefull Gentlemen, in this most 15<br />
notable Assemble; The strange forsaken Knightes send greet<br />
ing, &c.:—<br />
Whereas the Question hath ben long and often, and yett resteth<br />
doubtfull and undiscussed, whether that w ch Menne call Loue be<br />
good or euill; And that it is manifest that there be manie woorthye 20<br />
Knightes, in this p'sence, to whom Loue is most delightfull, and his<br />
lawes no paynes; I bring this scedule, to signifie to all the gentlemen<br />
here, that loue Armes, and list to defend this Cause, that there be<br />
three armed and unknowen Knightes, here at hande, of one minde &<br />
diuers fortune, that; w th stroke of Arme and dynt of sworde, be come 25<br />
to maintaine against all that will defende the Contrary, that Loue is<br />
worse than hate, his Subiectes worse than slaues, and his Rewarde<br />
worse than naught: And that there is a Ladie that scornes Loue and<br />
his power, of more vertue and greater bewtie than all the Amorouse<br />
Dames that be at this day in the worlde. 30<br />
1, 6 (Ins) His] My Segar 2 sonets turne Songbook: songs shall turne<br />
Seg.: Sonets turn'd Polyhymnia 3 serue] sit Seg. 4 pray'rs that are<br />
old ages almes Seg. (ages also Songbook) 5 But though] And so Seg. he]<br />
I Seg. 7 I sadly sit Seg. 8 I'le teach my Seg. 9 wish] thinke Seg.<br />
10 soule Songbook her any] to doe her Seg. 11 allow] vouchsafe Seg.<br />
13 This and the two following speeches are taken from Masques: Performed<br />
before Queen Elizabeth, 1820, 4 0 (ed. W. Hamper)
AT <strong>THE</strong> TILT-YARD 413<br />
SIR HENRY LEE'S CHALLENGE BEFORE <strong>THE</strong> SHAMPANIE.<br />
(A Herald reads)<br />
There is a strange Knight that warres against hope and fortune,<br />
who, ouerturned with griefe, hath cast himself into the Crewe of<br />
5 Care : And to maintaine his passion, as an enemie to all that Hue in"<br />
delight, determineth to be here forthwith ; and hath sent mee to tell<br />
the Procurer of this Assemble, that under the hue of a grene (suit)<br />
is couered that unfortunate Carcas that scornes at others Joyes and<br />
weepes at all delightes. And knowing that there be manie Seruants<br />
10 to Hope, and Frendes to Fortune, (whom he treadeth under foote),<br />
meaneth to maintaine, as farr as his posting horse will giue him leaue,<br />
that the Seruants of Dispaire haue asmuch Vertue, and cary asmuch<br />
Goodwill to the guide of his Troupe, as those that serue the other<br />
turning and most trustless Goddes.<br />
15 <strong>THE</strong> SUPPLICATION OF <strong>THE</strong> OWLD KNIGHT.<br />
In humble wise, sheweth unto your honorable Lordshipps, and the<br />
woorthie Gentelmen of this noble Assembell, and serveres of this<br />
English Holiday, or rather Englandes Happie Daye; A poore faithfull<br />
feeble Knight, yet once (thowe unwoorthie) your fellowe in<br />
20 Armes, and first Celebrator, in this kinde, of this sacred memorie of<br />
that blessed reigne, which shall leaue to this land an eternall monument<br />
of Godes fauoure, and greate glorie. That whereas Age, the<br />
Foe of Loue and Armes, hath thus disabled me (as you see) to performe<br />
with my handes the office of my harte, and hath turned me<br />
25 from a staffe to run with, to a staffe to rest on, making me a glasse<br />
for Joylite to looke in, since all strength and bewtie upon Earthe,<br />
and whatsoeuer we most lyke and striue for, muste alter and end,<br />
eyther soddenlie, by chaunce, or, certainely, by small contynuance:<br />
It may please you of your honorable favoures and curtesies, in regard<br />
30 of my past seruice, and present humble sute, to accept to your fellowshippe,<br />
in his fathers rome, this oneley sonne of mine, young, and<br />
honest, and toward, though I say it; thus shall you incurrage a young<br />
gentelmanne in verteouse exercises, that is labouring the waies of<br />
Hope, comfort an aged Knight, worne and weried with thoughtes<br />
35 and trauailes, drawing to his ende, and binde him with his force, and<br />
me with my prayre, to do you euer the seruice wee are able. And<br />
7 [suit] suppl. Hamper
(End. i. 1.<br />
10)<br />
{End. i. 1.<br />
36-58;<br />
Harefield,<br />
P-499<br />
11. 1-2)<br />
(Harefield,<br />
l>• 493<br />
ll 18-9)<br />
414 ENTERTAINMENTS<br />
further, least I forfait my tenure (which I would not for my lyfe) of<br />
this daies honoring her excellent Ma ie , being not able in person to<br />
paye with the launce this rent of my seruice, I must beseeche somme<br />
noble or woorthie gentelman, that is most lyke to haue next access<br />
to her sacred persone, lowlie to present this little from me, as the 5<br />
yearely fyne of his faith: which no cause shall make light, and no<br />
tyme can make less. So the high and mercifull preseruer of all<br />
thinges best preserue hir that thus preserues us all, and send you,<br />
most noble Gentelmen, and all that be woorth anie thing, best bodies<br />
to seme her, best hartes to loue hir, and best happes to honor her, 10<br />
and her most gratiouse Ma ie the longest life, the most felicitie, the<br />
heauens did euer giue, or the earth did euer take. Amen. Amen.<br />
AT <strong>THE</strong> EARL OF CUMBERLAND'S SHEW ON HORSEBACK ;<br />
MAY I, 1600.<br />
ODE. 15<br />
Of Cynthia.<br />
Th' ancient Readers of Heauens Booke,<br />
Which with curious eye did looke<br />
Into Natures story;<br />
All things vnder Cynthia tooke 20<br />
To bee transitory.<br />
This the learned only knew,<br />
But now all men flnde it true,<br />
Cynthia is descended;<br />
With bright beames and heauenly hew, 25<br />
And lesser starres attended.<br />
Landes and Seas shee rules below,<br />
Where things change, and ebbe, and flowe,<br />
Spring, waxe olde, and perish;<br />
Only Time which all doth mowe, 30<br />
Her alone doth cherish.<br />
Times yong howres attend her still,<br />
And her Eyes and Cheekes do fill,<br />
With fresh youth and beautie:<br />
15 From Davison's Poetical Rapsody, 1602. It may be by Sir John Davies :<br />
cf. p. 519.
AT <strong>THE</strong> .TILT-YARD 415<br />
All her louers olde do grow,<br />
But their hartes, they do not so<br />
In their Loue and duty.<br />
This Song was sung before her sacred<br />
5 Maiestie at a shew on horsebacke,<br />
wherwith the right Honorable the<br />
Earle of Cumberland presented her<br />
Highnesse on Maie day last (1600).<br />
AT <strong>THE</strong> TILT-YARD; NOV. 17, 1600.<br />
10 A Copie of my Lord of COMBRLANDE'S Speeche to y e QUEENE,<br />
upon y e 17 day of November, 1600.<br />
This knight (Fairest and Happiest of all Ladies) removyng from<br />
castell to castell, now rowleth up and downe, in open feild, a field of<br />
shaddow, having no other m'rs but night-shade, nor gathering anie (Vol. iii. p..<br />
15 mosse but about his own harte. This mallancholly, or rather des- 497)<br />
perat retirdnes, sommons his memorie to a repetition of all his<br />
accions, thoughtes, misfortunes, in the depth of which discontented<br />
contentednes upon one leaf he writes, utiliter consenesco, and musters<br />
up all his spirite to its wonted corradge: but in the same minut he<br />
20 kisseth night-shade, and imbraceth it, saying, Solanum Solamen.<br />
Then, having no companye but himselfe, thus he talkes w'th himselfe:<br />
that he hath made ladders for others to clymbe, and his feet nayled ( Mid. ii<br />
to the ground not to-stirr. That he is lyke them that built y e ancker 1. 96)<br />
to save others, and themselves to be drownd. That when he hath<br />
25 outstript manie in desert, he is tript upp by Envy, untill those overtake<br />
him that undertooke nothing. He, on the confidence of unspotted<br />
honour, leveld all his accions to nurse these twinnes, Labor (Euph. ii.<br />
4 1. 3, 5 1.<br />
. "and Dutie, not knowinge which of these was eldest, both running<br />
fast, but neither formost. Then, casting his eyes to heaven, to<br />
30 wonder at Cinthia's brightness, and to looke out his own unfortunate<br />
starr: with deepe syghes he breathes out a twofold wishe, that the<br />
one may never waine while the world waxeth ; that the other may be<br />
erring, not fixed. Howe the two haith troubled y e , sacred eares, mine<br />
10 As printed inWhitaker's History of Craven, 1805, 4 0 (3rd ed. 1878, ed.Morant,<br />
P- 355), from MSS.of the Cumberland family at Bolton, Yorkshire 14 m'rs]<br />
i.e. mistress 23 them] him Whiiakerfrom MS,
416 ENTERTAINMENTS<br />
with glowing and tingling, are witnesses; but they shall confess that<br />
their eyes shall prove their being lyers, being as farr from judgm't as<br />
they are from honnor. There is no such thing as night-shade; for<br />
wher can there be miste or darkenes where you are, whose beames<br />
wrappes up cloudes as whirlewindes dust ? Night-shade is falne off, 5<br />
shrinking into y e center of the earth, as not daring to showe blackenes<br />
before your brightnes. I cannot excuse my knightes error, nor<br />
care that he knows it, to thinke he could cover himselfe obscurely in<br />
anie desolate retirdness wher your highnes beautie and vertue could<br />
not find him out. These Northeren thoughtes, that measures honnor 10<br />
by the acre, and would have his crest a plase, he controwles so far in<br />
his truer honnor, that (he) contempes them. He now grounds all<br />
his accions neither upon hopes, counsell, nor experience, he disdaines<br />
envy, and scornes ingratitude. Judgem't shall arme his<br />
patience; patience confirme his knowledge, which is that, yourselfe 15<br />
being perfection, knowes measures number and tyme to cause<br />
favour wher it shold, and when you please, being onely constant and<br />
wyse in waiging with true stediness both the thoughtes of all men,<br />
and their affections ; upon w'ch he soe relies that whatsoever happen<br />
to him you are still yourselfe (wonder and happynes), to w'ch his 20<br />
eyes, thoughts, and actions are tyed, w'th such an indissolvable knott,<br />
that neather death, nor tyme, that triumphs after death, shall or can<br />
unloose it. Is it not, as I have often tould ye, that, after he had<br />
throwne his land into y e sea, y e sea would cast him on the lande for<br />
a wanderer? He that spines nothing but hopes shall weave up 25<br />
nothing but repentance. Let him cast his accompts sinc he was first<br />
wheeld about with his will wheele; and what can he reckon, save<br />
only he is so manie years elder ? Haith not he taken his fall, wher<br />
others take their rysing, he having y e Spanish proverbe at his backe<br />
that should be sticked to his harte, " Adelante los Abenstados." 30<br />
" Let them hold the purses with y e mouth downeward that hath filled<br />
them with mouth upwards." He may well entertaine a shade for his<br />
m'rs that walkes in the world himselfe like a shaddow, embracing<br />
names instead of thinges, dreames for trouthes, blind prophesais for<br />
seeing verities. It becomes not me to dispute of his courses; but 35<br />
yet none shall hinder me from wondring to see him that is not to be,<br />
and yet to be that never was. If ye thinke his body too straighte for<br />
his hearte, ye shall find y e worlde wyde enoughe for his body.<br />
12 [he] suggesled Whitdker 16 knowes] knaves MS. as reported by Whitaker
ON <strong>THE</strong> QUEEN'S VISIT TO <strong>THE</strong>OBALDS,<br />
MAY, I59I.<br />
<strong>THE</strong> GARDENER'S SPEECH.<br />
MOST fortunate and fair queen, on whose heart Wisdom hath laid<br />
5 her crown, and in whose hands Justice hath left her balance,<br />
vouchsafe to hear a country controversy, for that there is as great<br />
equity in defending of poor men's onions as of rich men's lands.<br />
At Pymms, some four miles hence, the youngest son of this<br />
honourable old man (whom God bless with as many years and<br />
io virtues as there be of him conceived hopes (and) wishes!) devised<br />
a plot for a garden, as methought, and in a place unfit for pleasure,<br />
being overgrown with thistles and turned up with moles, and besides<br />
so far from the house that, in my country capacity, a pound had<br />
been meeter than a paradise. What his meaning was I durst not<br />
15 inquire, for sunt animis cckstibus tree; but what my labours were (Sud. p.<br />
I dare boast of.<br />
478)<br />
The moles destroyed and the plot levelled, I cast it into four<br />
quarters. In the first I framed a maze, not of hyssop and thyme, but (Euph. i.<br />
that which maketh time itself wither with wondering; all the Virtues, 1871.30 )<br />
20 all the Graces, all the Muses winding and wreathing about your<br />
majesty, each contending to be chief, all contented to be cherished:<br />
this not of potherbs, but flowers, and of flowers fairest and sweetest; {Camp.<br />
for in so heavenly a maze, whicn astonished all earthly thought's prol.1l.27;<br />
promise, the Virtues were done in roses, flowers fit for the twelve 2721.29)<br />
25 Virtues, who have in themselves, as we gardeners have observed, (Bish. p..<br />
above an hundred; the Grace(s) of pansies partly-coloured, but in 474roses<br />
one stalk, never asunder, yet diversely beautified; the Muses of nine tine))<br />
several flowers, being of sundry natures, yet all sweet, all sovereign.<br />
These mingled in a maze, and brought into such shapes as poets<br />
30 and painters use to shadow, made mine eyes dazzle with the<br />
shadow, and all my thoughts amazed to behold the bodies Then<br />
3 These two speeches are fiom Dyce's ed. of Peek's Works. See note 8 Qy. ?<br />
Mimms Dyce: see note 10 [and] inserted Dyce 26 Grace[s] so emended Dyce<br />
BOND I E e
4x8 ENTERTAINMENTS<br />
( Tilt-yd. was I commanded to place an arbour all of eglantine, in which my<br />
P;410' master's conceit outstripped my cunning: 'Eglantine,' quoth he,<br />
474;' vol. ' I most honour, and it hath been told me that the deeper it is<br />
Hi.; The rooted in the ground, the sweeter it smelleth in the flower, making<br />
Bee, st. 6) , , , • , , , . ,<br />
it ever so green that the sun of Spam at the hottest cannot parch it. 5<br />
As he was telling me more, I, intending my work more than his<br />
words, set my spade with all force into the earth, and, at the first,<br />
hit upon the box. This ratcatcher (as children do when any thing<br />
is found) cried, 'Half!' which I denying, (he) claimed all,<br />
because he killed the moles, and if the moles had not been de-10<br />
stroyed, there had been no garden ; if no garden, no digging; if no<br />
{Cowdray, digging, no box found. At length this box bred boxes betwixt us;<br />
p. 4 2 4 1.28 ) till wery of these black and blue judges, we determined to appeal<br />
to your majesty, into whose hands we both commit the box and<br />
the cause, (I) hoping that this weasel-monger, who is no better 15<br />
than a cat in a house or a ferret in a cony-gat, shall not dissuade<br />
your majesty from a gardener whose art is to make walks pleasant<br />
for princes, to set flowers, cast knots, graft trees, to do all things<br />
that may bring pleasure and profit; and so to give him one gird for<br />
all, as much odds as there is between a woodcleaver and a car- 20<br />
penter, so great difference in this matter is between the molecatcher<br />
and the gardener.<br />
WRITTEN ABOUT <strong>THE</strong> BOX.<br />
(Eupk. ii. I was a giant's daughter of this isle,<br />
13) Turn'd to a mole by the Queen of Corn: 25<br />
My jewel I did bury by a wile,<br />
Again never from the earth to be torn,<br />
(cf.M. Till a virgin had reigned thirty-three years,<br />
oracles,vol. Which shall be but the fourth part of her years. .<br />
iii. pp. 196,<br />
203-5,216 <strong>THE</strong> MOLECATCHER'S SPEECH. fo<br />
Good lady, and the best that ever I saw, or any shall, give me<br />
leave to tell a plain tale, in which there is no device, but desert<br />
enough. I went to seek you at Greenwich; and there it was told<br />
me that the queen was gone from the court; I wondered that the<br />
body should start from the shadow. Next was I pointed to Hack- 35<br />
ney; there they said the court was gone into the country: I had<br />
thought to have made hue and cry, thinking that he that stole fire<br />
8 the] qy.? this Dyce 9 [he] Dyci s insertion 15 [I] Dyce s insertion •
AT <strong>THE</strong>OBALDS 419<br />
from heaven had stolen our heaven from earth. At the last I met<br />
with a post who told me you were at Theobald's: I was glad, for that<br />
next your majesty I honour the owner of that house, wishing that<br />
his virtues may double his years and yours treble.<br />
5 I cannot discourse of knots and mazes: sure I am that the ground<br />
was so knotty that the gardener was amazed to see it; and as easy<br />
had it been, if I had not been, to make a shaft of a cammock as (Euph. i.<br />
a garden of that croft. I came not to claim any right for myself, I 9 6 l.1,an<br />
but to give you yours; for that, had the bickering been between<br />
to us, there should have needed no other justice of peace than this,<br />
to have made him a mittimus to the first gardener that ever was,<br />
Adam.<br />
I went to lawyers to ask counsel, who made law like a plaice,<br />
a black side and a white; ' for,' said one, ' it belongeth to the lord<br />
15 of the soil, by the custom of the manor.' ' Nay,' said the other, ' it<br />
is treasure trove.' ' What's that ?' quoth I. ' Marry, all money<br />
or jewels hidden in the earth are the queen's/ Noli me tangere:<br />
I. let go my hold, and desire your majesty that you will hold yours.<br />
Now, for that this gardener twitteth me with my vocation, I could<br />
20 prove it a mystery not mechanical, and tell the tale of the giant's<br />
daughter which was turned to a mole because she would eat fairer<br />
bread than is made of wheat, wear finer cloth than is made of wool, (Euph. i.<br />
drink neater wine than is made of grapes; why she was blind, and<br />
yet light of hearing; and how good clerks told me that moles in<br />
25 fields were like ill subjects in commonwealths, which are always (Cowd. p.<br />
4281. 23)<br />
turning up the place in which they are bred. But I will not trouble<br />
your majesty, but every day pray on my knees that all those that be<br />
heavers at your state may come to a mole's blessing,—a knock on (Camp. i.<br />
the pate and a swing on a tree. Now, madam, for this gardener, 1• l)<br />
30 command him to end his garder;, and, till his melancholy be past,<br />
let him walk in the alleys, and pick up worms like a lapwing.<br />
10 this] ' his molespade.' Marginal note in MS. {Dyci)<br />
E e 2
The 1 Speeches and 2<br />
HONORABLE<br />
Entertainment giuen to the Queenes<br />
MAIESTIE in Progresse, at Cowdrey in<br />
Sussex, by the right Honorable the<br />
Lord Montacute.<br />
l59l.<br />
LONDON 3<br />
Printed by Thomas Scarlet, and are to bee solde by<br />
William Wright, dwelling in PauJes Churchyard,<br />
neere to the French Schoole.<br />
15-91-<br />
EDITIONS—(i) (=Q) 1591 4° followed in this edition. Title as above. S leaves, the<br />
first blankly the second being the title-page with blanks verso, then A 3, A 4, B-B 4.<br />
No col. (In Br. Uus. under ' Broun, Anthony, Viscount Montagu'; press-mark<br />
C. 33. d. 11.)<br />
(2.) 1591 4 0 . Title cjuoted under (3).<br />
(3) Reprint of (2) in Nichols' 'Progresses,' 1788 [vol. ii),withfollg. title'.—The Honorable<br />
Entertainment given to the Queenes Majestie, in Progresse, at Cowdrey<br />
in Sussex, by the Right Honorable the Lord Montecute. 1591. Printed by<br />
Thomas Scarlet, and are to bee solde by William Wright, dwelling in Paules<br />
Churchyard, neere to the French Schoole. I591. It omits the three poems.<br />
(4.) Reprint of (2) in NicMs, Second Edition, 1823, vol. iii. pp. 90-6 Poems omitt.<br />
N. in footnotes includes both (3) and (4.), except where differentiated by date.<br />
Speeches and om. Nichols.<br />
LONDON om. N.
T<br />
<strong>THE</strong> HONORABLE<br />
Entertainment giuen to her Ma-<br />
iestie in Progresse at Cowdray in Sussex by the<br />
Lord Montecute Anno. 1591<br />
August, 14. 5<br />
He Queens MAIESTY came with a great traine to the right<br />
Honorable the Lorde Montacutes, vpon saterdaie being the 14<br />
daie of Auguste about eight of the clocke at night. Where vpon sight<br />
of her Maiestie, loud musicke sounded, which at her enteraunce on the<br />
bridge suddenly ceased. Then was a speech deliuered by a personage 10<br />
in armour, standing betweene two Porters, carued out of wood, he resembling<br />
the third: holding his club in one hand, and a key of golde in<br />
the other, as followeth.<br />
Saterday.<br />
The Porters Speech. 15<br />
(Camp. i. THe walks of Thebes were raised by Musicke: by musick these<br />
I. 3 1) are kept from falling. It was a prophesie since the first stone<br />
was layde, that these walls should shake, and the roofe totter, till<br />
the wisest, the fairest and most fortunate of all creatures, should by<br />
her first steppe make the foundation staid: and by the glaunce of her 20<br />
eyes make the Turret steddie. I hauc beene here a Porter mam'eyeeres,<br />
many Ladies haue entred passing amiable, many verie wise, none so<br />
happie. These my fellow Porters thinking there could bee none such,<br />
fell on sleepe, and so incurde the seconde curse of the prophesie, which<br />
(Bish. p. is, neuer againe to awake: Marke how they looke more likepostes then 25<br />
473 1• 33) Porters, reteining onlie their shapes, but depriued of their sences. I<br />
thought rather to cut off my eie liddes, then to winke till I saw the<br />
ende. And now it is: for the musick is at an end, this house immoue-<br />
5 14.] 18 N1788: 15 N 1823 6 Queens MAIESTY] Queene having<br />
dyned at Farnham N 7 Mountagues, on N 14] 15 N 14<br />
Saterday, August 15. N1823 23 such] so noble N
• AT COWDRAY 423<br />
able, your vertue immortall 0 miracle of Time, Natures glorie, (Bish. p.<br />
Fortunes Empresse, the worlds wonder! Soft, this is the Poets part, 475 ll.2-3;<br />
and not the Porters. I haue nothing to present but the crest of mine 44_5.;End<br />
office, this keie: Enter, possesse all, to whom the heauens have vouch- 1• 4- 36)<br />
5 safed all. As for the owner of this house, mine honourable Lord, his<br />
tongue is the keie of his heart: and his heart the locke of his soule.<br />
Therefore what he speakes you may constantlie beleeuc: which is, that<br />
in duetie and seruice to your Maiestie, he would be second to none: in<br />
praiengfor your happinesse, con all to anie.<br />
10 Tuus, 0 Regina, quod optas (Life,p.67)<br />
Explorarc fauor: huic iussa capessere fas est.<br />
Mundaie.<br />
oN Munday at 8. of the clocke in the morning, her Highnes took<br />
horse with all her Traine, and rode into the Parke: where was<br />
15 a delicate Bowre prepared, vnder the which were placed her Highnes<br />
Musitians, and this dittie following song while her Maiestie shot at the<br />
Deere.<br />
A Dittie.<br />
I Ehold her lockes like wiers of beaten gold,<br />
B 1<br />
her eies like starres that twinkle in the skie,<br />
Her heauenly face not framd of earthly molde,<br />
Her voice that sounds Apollos melodie,<br />
The miracle of time, the (whole) worlds storie,<br />
Fortunes Queen, Loues treasure, Natures glory.<br />
25 No flattering hope she likes, blind Fortunes bait<br />
nor shadowes of delight, fond fansies glasse,<br />
Nor charmes that do inchant, false artes deceit,<br />
nor fading ioyes, which time makes swiftly pas<br />
But chast desires which beateth ail these downe;<br />
30 A Goddesse looke is worth a Monarchs crowne.<br />
11 After fas est N adds Wherewithall her Highnes tooke the keye, and said,<br />
she would sweare for him, there was none more faithfull: then being alighted,<br />
she embraced the ladie Montecute, and the ladie Dormir her daughter. The<br />
Mistresse of the house (as it were weeping in her bosome) said, '0 happie time,<br />
0 joyfull daie!' 11 capescere Q<br />
That night her Majestie tooke her rest; and so in like manner the next day,<br />
which was Sunday, being most royallie feasted. The proportion of breakefast was<br />
three oxen, and one hundred and fourtie geese.<br />
12 Mundaie, August 17. N 1823 15-17 were... Deere] were her Highnesse<br />
musicians placed, and a crossebowe by a Nymph, with a sweet song, deliveied to<br />
her hands, to shoote at the deere, about some thirtie in number, put into a paddock,<br />
of which number she killed three or four, and the Countess of Kildare one. N<br />
18 A Dittie] this with the three following stanzas om. N
424 ENTERTAINMENTS<br />
Goddesse and Monarch of (t)his happie lie,<br />
vouchsafe this bow which is an huntresse part:<br />
Your eies are arrows though they seeme to smile<br />
which neuer glanst but gald the stateliest hart,<br />
Strike one, strike all, for none at all can flie, J<br />
They gaze you in the face although they die.<br />
Then rode hir Grace to Cowdrey to dinner, and aboute sixe of the<br />
clocke in the euening, from a Turret sawe sixteene Buckes (all hauing<br />
fayre lawe) pulled downe with Greyhoundes in a laund.<br />
Tewsdaie.<br />
On Tewsdaie her Maiestie went to dinner to the Priory, where my<br />
Lord himselfe kept house, and there was she and her Lordes most<br />
bountifully feasted.<br />
F<br />
The Pilgrimes speech.<br />
F Aires t of all creatures, vouchsaf to heare a prayer of a Pilgrime, 15<br />
which shall be short, and the petition which is but reasonable.<br />
(Risk. p. God graunt the worlde maie ende with your life, and your life more<br />
47711.7-8; happie then anie in the world: that is my praier. I haue trauelled<br />
Ewbh.<br />
ii. 212 tnanie Countries, and in all Countries desire antiquities. In this<br />
1• 16) Hand (but a spanne in respect of the world) and in this Shire (but 20<br />
a finger in regard of your Realme) I haue heard great cause ofivonder,<br />
some of complaint. Harde by, and so neere as your Maiestie shall<br />
almost passe by, I sawe an Oke, whose statelines nayled mine eies to<br />
the branches, and the ornamentes beguiled my thoughtes with astonishment.<br />
I thought it free, being in the fielde, but I found it not so. 25<br />
For at the verie enirie I mette I know not with what rough-heived<br />
(Garden- Ruffian, whose armes wer canrued out of knotty box, for I could receue<br />
ers speech,p 4181.12) nothing of him but boxes, so hastie was he to strike, he had no ley sure<br />
(Euph. ii. to speake. I thought there were more ivaies to the wood then one, and<br />
661.26) finding another passage, I found also a Ladie verie faire, but passing 30<br />
31; End. frowarde, whose words set mee in a greater heate then the blowes.<br />
v. 1. 81) Iasked hher name she said it was Peace. I wondred that Peace could<br />
9 After laund N adds All the huntinge ordered by Maister Henrie Browne, the<br />
lord Montagues thirde sonne, raunger of Windsore forrest 10 Tuesdaie, August<br />
18. N 1823 13 After feasted N adds After dinner she came to viewe my<br />
Lordes walkes, where shee was raette by a Pilgrime, clad in a coat of russet velvet,<br />
fashioned to his calling; his hatte being of the same, with skallop shelles of cloth<br />
of silver, who delivered hir a speach in this sort following: 14 The . . .<br />
speech] Pilgrime N
AT COWDRAY 425<br />
neuer holde her peace. I cannot perswade my selfe since that time, but<br />
that there is a waspes nest in mine earn. I returned discontent. But<br />
if it will please your Highnesse to view it, that rude Champion at your<br />
fairefeete will laic doivne his foule head: and at your becke that Ladie (End.'iv.3.<br />
5 will make her mouth her tongues mue. Happelie your Maiestie shall 70;Mi<br />
finde some content: I more antiquities. 113)<br />
Then did the Pilgrime conduct her Highnes to an Oke not farre<br />
off, whereon her Maiesties armes, and all the armes of the Noblemen,<br />
and Gentlemen of that Shire, were hanged in Escutchions most beutifull,<br />
10 and a wilde man cladde in Iuie, at the sight of her Highnesse spake<br />
as foloweth.<br />
The wilde mans speech at the tree.<br />
M<br />
M Ightie<br />
Princesse) whose happines is attended by the heauens, and<br />
whose gouernment is wondered at vpon the earth: vouchsafe<br />
15 to heare why this passage is kept, and this Oke honoured. The whole (Sudeley,<br />
world is drawen in a mappc: the heauens in a Globe: and this Shire P; 480 ,<br />
Petition p.<br />
shrunke in a Tree: that what your Maiestie hath ofte heard off with 64)<br />
some comfort, you may now be/wide with full content. This Oke, from<br />
whose bodie so many armes doe spread: and out of whose armes so<br />
20 many fingers spring: resembles in parte your strength & happinesse.<br />
Strength, in the number and the honour: happinesse, in the trueth<br />
and consent. All heartes of Oke, then which nothing surer: nothinig<br />
sounder. All wouen in one roote, then which nothing more constant,<br />
nothing more naturall. The wall of this Shire is the sea, strong, but<br />
25 rampired with true hearts, inuincible: where euery priuate mans eie<br />
is a Beacon to discouer: euerie noble mans power a Bulwarke to de- (Life, p. 13<br />
fende. Here they are all differing someivhat in degrees, not in ll.19-21)<br />
duetie: the greatnes of the branches, not the greenesse. Your maiesty<br />
they account the Oke, the tree of Iupiter, whose root is so deepliefast-<br />
30 ened, that treacherie, though shee vndcrmine to the centre, cannot finde (End. v. r.<br />
the windings, and whose toppe is so highlie reared, that enuie, though l124-6(Tre<br />
she shoote on copheigth, cannot reach her, vnder whose armes they and Enhaue<br />
both shade and shelter. Well wot they that your enemies light- uye))<br />
m'ngs are but flashes, and their thunder, which files the whole world<br />
35 with a noise of conquest, shall end with a softe shower of Retreate.<br />
Be then as confident in your steppes, as Caesar was in his Fortune.<br />
His proceedings but of conceit: yours ofvertue. Abroad courage hath<br />
made you feared, at home honoured clemencie. Clemencie which the<br />
27 in 2 om. N 32 on copheigth : so Q. N
•426 ENTERTAINMENTS<br />
owner of this Groue hath tasted: in such sort, that his thoughts are<br />
become his hearts laberinth, surprized with ioie and loialtie. Ioy without<br />
measure, loyaltie without end, liuing in no other ayer, then that<br />
which breathes your Maiesties safetie.<br />
For himselfe, and all these honourable Lords, and Gentlemen, whose 5<br />
(Euph. i. shieides your Males tie doeth here beholde, I can say this, that as the<br />
2 I81.22;<br />
. veines are dispersed through all the bodie, yet, when the heart feeleth<br />
any extreame passion, sende all their hloud to the heart for comfort:<br />
so they being in diuers places, when your Maieslie shall but stande in<br />
feare of any daunger, will bring their bodies, their purses, their soules, 10<br />
to your Highnesse, being their heart, their head, and their Soueraigne,<br />
This passage is kept straight, and the Pilgrime I feare hath complained<br />
: but such a disguised worlde it is, that one can scarce know<br />
a Pilgrime from a Priest, a Taller from a Gentleman, nor a man<br />
from a woman. Euerie one seeming to he that which they are not, 15<br />
onely do practise what thy should not. The heauens guide you, your<br />
Maiestie gouemes vs: though our peace bee enuied, yet we hope it<br />
shall be eternall.<br />
( King of Elizabetha Deus nobis haec otia fecit.<br />
Denmark s<br />
p.507) The Dittie.<br />
THere is a bird that builds her neast with spice,<br />
and built, the Sun to ashes doth her burne,<br />
Out of whose sinders doth another rise.<br />
& she by scorching beames to dust doth turne:<br />
Thus life a death, and death a life doth proue, 25<br />
The rarest thing on earth except my loue.<br />
My loue that makes his neast with high desires,<br />
and is by beauties blaze to ashes brought,<br />
Out of the which do breake out greater fires,<br />
they quenched by disdain consume to nought, 3°<br />
And out of nought my cleerest loue doth rise,<br />
True loue is often slaine but neuer dies.<br />
(Euph. i.<br />
True loue which springs, though Fortune on it tread<br />
as camomel by pressing down doth grow<br />
1961. 3<br />
Euph. 1.<br />
Or as the Palme that higher reares his head, 35<br />
ii. 1911.9; 761. 35) whe men great burthens on the branches throw<br />
15 one] man N be] he Q 17 by them after envied N 19<br />
foecit Q . 20 The Dittie] this, with the three following stanzas, om. N<br />
36 burthens Q
AT COWDRAY 427<br />
Loue fansies birth, Fidelitie the wombe,<br />
the Nurse Delight, Ingratitude the tombe.<br />
Then vppon the winding of a Cornet was a most excellent crie<br />
of hounds, with whome her Maiestie hunted and had good sport.<br />
Wednesdaie.<br />
On wednesdaie the Lords and Ladies dined in the walkes, feasted<br />
most sumptuously. In the euening her Maiestie comming to take the<br />
pleasure of the walkes, was delighted with most delicate musicke, and<br />
brought to a goodly Fishpond where was an Angler, that taking no notice<br />
10 of hir Maiestie, spake as followeth.<br />
N Ext<br />
The Anglers Speech,<br />
rowing in a Westerne barge well fare Angling, I haue bin {End. iv.<br />
here this two houres and cannot catch an oyster. It may be 2.53-7) for lacke of a bait, & that were h<br />
15 euerie man laies bait for another. In the Citie merchants bait their<br />
tongues with a lie and an oath, and so make simple men swallow deceitfull<br />
wares: and fishing for commoditie is growen sofarre, that men<br />
are become fishes, for Lande lords put such sweete baits on rackt rents, (M. Bomb.<br />
V. 2. I13that<br />
as good it were to be a perch in a pikes belly, as a Tenant in theyr i<br />
20 famies. All our trade is growen to trecherie, for now fish are caught<br />
with medians: which are as vnwholsom as loue procured by witchcraft (Euph. ii.<br />
vnfortunate. We Anglers make our lines ofdiuers colours, according lo8 ll• 2 3to<br />
the kindes of waters: so doe men their hues, aiming at the complexion 2.' 75-7)<br />
of the faces. Thus Marchandize, Loue, and Lordships sucke venom out<br />
25 ofvertue. I think I shal fish all dale and catch a frog, the cause is (Euph. ii.<br />
neither in the line, the hooke, nor the bait, but some thing there is ouer 1731.26) '<br />
beautifull which stayeth the verk Minow (of all fish the most eager)<br />
from biting. For this we Anglers obserue, that the shadow of a man<br />
turneth backe the fish. What will then the sight of a Goddesse ? Tis<br />
30 best angling in a lowring dale, for here the Sunne so glisters, that the<br />
fish see my hooke through my bait But soft here be the Netters, these<br />
be they that cannot content them with a dish of fish for their supper, but (Euph. ii.<br />
will draw a whole pond for the market 174 1• 13)<br />
4 with .. . sport] and three buckes kilde by the bucke hounds, and so went<br />
all backe to Cowdrey to supper N 5 Wednesdaie, August 19. N 1823<br />
6 feasting N 7 at a table foure and twentie yards long after sumptuously<br />
N euening] beginning N 33 the] a N
428 ENTERTAINMENTS<br />
This saide, he espied a Fisherman, drawing his nettes towarde<br />
where hir Maiestie was. And calling alowde to him. Ho Sirra<br />
(quoth the Angler) What shall I giue thee for thy draught ? If there<br />
be neuer a whale in it, take it for a Noble, quoth the Netter.<br />
Ang. Be there any maydes there ? 5<br />
Net. Maydes, foole! they be sea fish.<br />
Ang. Why ?<br />
(Gall v. i. Net Venus was borne of the Sea, and tis reason she should haue<br />
17-8) maydes to attend hir.<br />
Then turned he to the Queene, and after a small pawse, spake as 10<br />
followeth.<br />
M<br />
(Hareftcld, MADAME, it is an olde saying, There is no fishing to the sea, nor<br />
p. 499) IVl sendee to the King: but it holdes when the sea is ca/me, &<br />
the king vertuous. Your vertue doth make Enuie blush, and Enuie<br />
stands amazed at your happines. I come not to tell the art of fishing, 15<br />
nor the natures offish, nor their daintines, but with a poore Fishermans<br />
wishe, that all the hollowe hearts to your Maiestie were in my<br />
net, and if there bee more then it will holde, I woulde they were in the<br />
sea till I went thether a fishing.<br />
There bee some so muddle minded, that they can not Hue in a cleere 20<br />
(Euph. ii. riuer but a standing poole, as camells will not drinke till they haue<br />
1431-14; troubled the water with their feet: so can they neuer stanch their thirst,<br />
Pappe, 396<br />
1. 16) till they haue disturbd the state with their trecheries. Soft, these are<br />
no fancies for fisher men. Yes true hearts are as good as full purses,<br />
the one the sinewes of war, the other the armes. A dish offish is an 25<br />
vnworthie present for a prince to accept; there be some carpes amongst<br />
them, no carpers of states, if there be, I would they might bee handled<br />
lyke carpes, their tongues pulled out. Some pearches there are I am<br />
sure, and if anie pearch higher than in dutie they ought, I would they<br />
might sodenly picke ouer the pearch for me. What so euer there is, if 30<br />
it be good it is all yours, most excellent Ladie, that are best worthie of<br />
the greatest good.<br />
14 maketh N Enuie stands] stand N 27 states] state N 31<br />
excellent] vertuous N 32 the greatest good] all N, a correction pointing<br />
to Lytys revision even of the later Q, which from this point, as reported by N, is<br />
entirely different from our text It omits the Mshermaris Song and the concluding<br />
words altogether, proceeding asfolloiv :—<br />
Then was the net drawen.<br />
The Netter having presented all the fishe of the ponde, and laying it at hir feete,<br />
departed. *<br />
That evening s"he hunted.
AT COWDRAY 429<br />
That ended,<br />
This Song of the Fisherman.<br />
<strong>THE</strong> fish that seeks for food in siluer streame<br />
is vnawares beguiled with the hooke,<br />
And tender harts when lest of loue they dreame,<br />
do swallow beauties bait, a louely looke.<br />
The fish that shuns to bite, in net doth hit,<br />
The heart that scapes the eie is caught by wit.<br />
The thing cald Loue, poore Fisher men do feele<br />
rich pearles are found in hard and homely shels<br />
Our habits base, but hearts as true as Steele,<br />
sad lookes, deep sighs, flat faith are all our spels,<br />
And when to vs our loues seeme faire to bee,<br />
We court them thus, Loue me and Ile loue thee.<br />
And if they saie our loue is fondly made,<br />
we neuer leaue till on their hearts we lite,<br />
Anglers haue patience by their proper trade,<br />
and are content to tarrie till they bite,<br />
Of all the fish that in the waters moue,<br />
Wc count them lumps that will not bite at loue.<br />
For the rest of the Entertainment, honorable feastings and abundance<br />
of all things that might manifest a liber all and a loyall lieart,<br />
Thursday. (August 20. added N'1823)<br />
On Thursday she dined in the privie walkes in the garden, and the Lordes and<br />
Ladies at a table of fortie-eight yardes long. In the evening the countrie people<br />
presented themselves to hir Majestie in a pleasant daunce, with taber and pipe; and<br />
the Lorde Montague and his Lady among them, to the great pleasure of all the beholders,<br />
and gentle applause of hir Majestie.<br />
Fry day, (August 21. added N 1823)<br />
On Friday she departed towards Chichester. Going through the arbour to take<br />
horse, stoode sixe gentlemen, whom hir Majestie knighted; the Lorde Admirall<br />
laying the sworde on their shoulders.<br />
The names of the sixe knights then made were these; viz.<br />
Sir George Browne, my Lordes second sonne.<br />
Sir Robert Dormir, his sonne in lawe.<br />
Sir Henry Goaiing.<br />
Sir Henry Glemham.<br />
Sir Iohn Carrell.<br />
Sir Nicholas Parker.<br />
So departed hir Majestie to the dining place, whether the Lord Montague and his<br />
sonnes, and the sheriffe of the shire, attended with a goodly companie of gentlemen,<br />
brought hir Highnes.<br />
The escutchions on the oke remaine, and there shall hange till they can hang<br />
together one peece by another. Vakte.
ENTERTAINMENTS<br />
because I was not there, I cannot set dozvne, thus much by<br />
report I heare, & by the words of those that deserue<br />
credite, that it was such as much contented her<br />
Maiestie, and made many others to wonder.<br />
And so her Mates tie we11pleasedwith her<br />
welcome, &>he throughly comforted<br />
with her Highnesse gracious acceptance,<br />
shee went from<br />
thence to Chichester.<br />
9 No colophon
<strong>THE</strong> 1<br />
HONORABLE<br />
Entertainement gieuen to the<br />
Queen es Maiestie in Progresses at Elue-<br />
tham in Hampshire, by the right<br />
Honorable the Earle<br />
of Hertford.<br />
A LAMY FIDELE POVR JAMAIS.<br />
L 0 N DO N.<br />
Printed by Iohn Wolfe, and are to bee<br />
sold at the little Shop ouer against the great South<br />
don of Paules- 15 91.<br />
1 EDITIONS—(1) = Q'. 15-91, 4 0 , followed in this edition. Title as above. 18<br />
leaves, A-E 2inTours, title-page verso blank. No col. (Br. Mus.: press-markC.<br />
33. e. 7 (9)). It agrees in the main with the earlier of Nichols' two quartos;<br />
but exhibits sufficient differences to constitute it a distinct and earlier ed.,<br />
and not merely an earlier issue of Q2. It contains no illustration.<br />
(2) 1591, 4. 0 , with an illustration, which was perhaps enlarged by Nichols<br />
in (4.).<br />
(3) 15-91,4.°. "Newlie corrected and amended," with fresh illustration,<br />
which was perhaps enlarged by Nichols in (5).<br />
(4,) Reprint of (2) in Nichols' Piogresses, 1788, vol. ii. Title worded as (i)<br />
(5) Reprint of (3) in Nich. Prog. 1823, vol. iii. 101-21. Title otherwise<br />
worded as (1).<br />
'Q2,' 'Q3,' in footnotes refer only to Nichols' Reprints.
<strong>THE</strong> PROEME.<br />
"DEfore I declare the iust time or manner of her Maiesties arriuall<br />
and entertainment at Eluetham, it is needful (for the Readers<br />
better vnderstanding of euerie part and processe in my discourse) that<br />
I set downe as well the conucnience of the place, as also the suffising, 5<br />
by art and labour, of what the place in it selfe could not affoord on the<br />
sodaine, for receipt of so great a Maiestie, and so honorable a traine.<br />
Eluetham house beeing scituate in a Parke but of two miles in compasse<br />
or thereabouts, and of no great receipt, as beeing none of the Earles<br />
chiefe mansion houses ; yet for the desire he had to shew his vnfained 10<br />
loue, and loyall duetie to her most gratious highnesse, purposing to visite<br />
him in this her late progresse, whereof he had to vnderstand by the<br />
ordinarie Gesse, as also by his honorable good frendes in Court, neare to<br />
her Maiestie : his Honor with all expedition set Artificers a work, to the<br />
number of three hundred, many daies before her Maiesties arriuall, 15<br />
to inlarge his house with newe roomes and offices. Whereof I omit to<br />
speake how manie were destined to the offices of the Queenes houshold,<br />
and will onlie make mention of other such buildings, as were raised<br />
on the sodaine, fourteene score off from the house on a hill side, within<br />
the said Parke, for entertainement of Nobles, Gentlemen, and others 20<br />
whatsoeuer.<br />
First there was made a roome of Estate for the Nobles, and at the end<br />
thereof a withdrawing place for her maiestie. The outsides of the walles<br />
were all couered with boughes, and clusters of ripe hasell nuttes, the<br />
insides with Arras, the roofe of the place with works of luy leaues, the 25<br />
floore with sweet herbes and greene rushes.<br />
Neare adioining vnto this, were many offices new-builded, as namely,<br />
Spicerie, Larderie, Chaundrie, Wine-seller, Ewery and Panterie: all<br />
which were tyled. Not farre off, was erected a large Hall, for entertainment<br />
of Knights, Ladies, and Gentlemen of chiefe account. 30<br />
There was also a seuerall place for her Maiesties footemen, and their<br />
friends.<br />
Then was there a long Bowre for her maiesties Guard.<br />
An other for other Officers of her Ma. house.<br />
An other to entertaine all commers, suiters and such like. 35<br />
34 Officers] servants Q3 Majesties Q 2 35 An other .. . such like<br />
om. Q3
AT ELVETHAM 433<br />
An other for my Lords Steward, to keepe his table in.<br />
An other for his Gentlemen that waited.<br />
Most of these foresaid roomes were furnished with tables, and the tables<br />
carried 23. yards in length.<br />
5 Moreouer on the same hill, there was raised a great common buttrey.<br />
A pitcher house.<br />
A large pastery, with flue ouens new built, some of them foureteene<br />
foote deepe.<br />
A great kitchin, with four ranges, and a boyling place for small boild<br />
10 meates.<br />
An other kitchin with a very long range, for the waste, to serue all<br />
commers.<br />
A boiling house for the great boiler.<br />
A roome for the scullery.<br />
15 An other roome for the Cookes lodgings.<br />
Some of these were couered with canuas, and other some with bordes.<br />
Betweene my Lords house and the foresayd hill, where these roomes<br />
were raised, there had beene made in the bottom, by handy labour,<br />
a goodly pond, cut to the perfect figure of a half moon. In this pond<br />
20 were three notable grouds, where hence to present her M. with sports,<br />
and pastimes. The first was a Ship lie of 100. foot in length, and 40.<br />
foote broad: bearing three trees orderly set for 3. masts. The second<br />
was a Fort 20. foot square euery way, and ouergrown with willows.<br />
The 3. & last was a Snayl mount, rising to foure circles of greene<br />
25 priuie hedges, the whole in height twentie foot, and fortie foote broad at<br />
the bottome. These three places were equally distant from the sides<br />
of the ponde, and euerie one by a iust measured proportion distant from<br />
other. In the said water were diuers boates prepared for Musicke ; but<br />
especially there was a Pinnace, ful furnisht with masts, yards, sailes,<br />
3° anchors, cables, and all other ordinarie tackling; & with iron peeces;<br />
and lastly with flagges, streamers, and pendants, to the number of twelue,<br />
all painted with diuers colours, and sundry deuises. To what vse these<br />
4 twenty-three QQ 23 and sentence uitalicized 20 M.] Majestie QQ 2.3<br />
21 ci hundred QQ 2 ' 3 forty Q2: iour-score Q3 22 three QQ2. 3<br />
23 twenty QQ 2.3 24 third QQ 2 ' 3 28 the bef. other QQ 2.3<br />
32 After deuises Q 2 has a full-page illustration headed A Description of the<br />
Great Pond at Elvetham, and of the Properties which it containeth: Q 3 has<br />
a different illustration, more detailed, with heading A Description ... in Elvetham,<br />
. . . contained, at such time as her Majestie was there presented with faire shewes<br />
and pastimes.<br />
A. Her Majesties presence-seate, and traine.<br />
B. Nereus, and his followers.<br />
C. The pinnace of Neaera, and her musicke.<br />
D. The Ship-ile.<br />
E. A boate with musicke, attending on the pinnace of Nesera.<br />
F. The Fort-mount.<br />
G. The Snaile-mount.<br />
H. The Roome of Estate.<br />
BONO I Ft
434<br />
ENTERTAINMENTS<br />
particulars serued, it shall euidently appeare by that which followeth.<br />
And therefore I am to request the gentle Reader, that when any of these<br />
places are briefly specified in the sequele of this discourse, it will please<br />
him to haue reference to this fore-description ; that in auoiding tautologies,<br />
or reiterations, I may not seeme to them obscure, whom I studie 5<br />
to please with my plainnesse. For Proeme these may suffise: nowe to<br />
the matter itselfe: that it may be vltimxi in exccntione (to vse the old<br />
phrase) quod primum fuit in intent tone , as is vsuall to good carpenters,<br />
who intending to build a house, yet first lay their foundation, & square<br />
many a post, and fasten manie a rafter, before the house be set vp : what 10<br />
they first purposed is last done. And thus much for excuse of a long<br />
foundation to a short building.<br />
The first dates entertainment.<br />
O N the twentith day of September, being Munday, my Lord of Hertford<br />
ioyfully expecting her Maiesties comming to Eluetham to sup- 15<br />
per, as her Highnes had promised : after dinner, when euery other needful<br />
place or point of seruice was established and set in order, for so great an<br />
entertainment, about three of the clocke his Honor seeing all his Retinew<br />
well mounted and ready to attend his pleasure, hee drew them secretly<br />
into a chief thicket of the Parke, where in few words, but well couched 20<br />
to the purpose, hee put them in mind, what quietnes, and what diligence,<br />
or other duetie, they were to vse at that present: that their<br />
seruice might first work her Maiesties content, & thereby his Honor,<br />
and lastlie their own credite, with increse of his loue and fauour towards<br />
them. This done, my Lord with his traine (amounting to the number 25<br />
of 3. hundred, and most of them wearing chains of gold about their<br />
necks, and in their hats Yellow and Black feathers) met with her<br />
Maiestie two miles off, then comming to Eluetham from her owne house<br />
of Odiham four miles from thence. As my Lorde in this first action<br />
shewed hinlselfe dutiful, so her Maiesty was to him and his most gracious 30<br />
as also in the sequel, between fiue & sixe of the clock, when her Highnes<br />
being most honorably atteded, entred into Eluetham Parke, and was<br />
more then halfe way between the Park gate & the house, a Poet saluted<br />
I. Her Majesties Court.<br />
K. Her Majesties wardrop.<br />
L. The place whence Silvanus and his companie issued.<br />
Nichols ' Progresses,' ed. 1788-1805, reproduces both Plates.<br />
4 tantilogies, or Q l : om. QQ2.3 14 twentieth Q 2 : twentie Q3<br />
my Lord] the Earle Q3 16 after dinner] the same morning, about nine of the<br />
clock, Q3 18-20 about three . . . secretly into a] called for, and drewe all his<br />
servants into the Q 2 20-1 but . . . puipose om. Q 3 24 the bef. increase Q3<br />
25-6 My Lord ... 3. hundred] after dinner, with his traine well mounted, to the<br />
number of two hundred and upwardes, Q3 26 three Q 2 : two Q 3 27-9<br />
and in their . . . thence. As my Lorde] he rode toward Odiham, and leaving<br />
his traine and companie orderlie placed, to attende her Majestie's comming out of<br />
Odiham Parke, three miles distant from Elvetham: himselfe wayting on her Majestie<br />
from Odiham House. As the Earl Q 3
AT ELVETHAM 455<br />
her with a Latine Oration in Heroicall verse, I mean veridicus vates,<br />
a sooth saying Poet, nothing inferior for truth, and little for deliuery of<br />
his mind, to an ordinarie Orator. This Poet was clad in greene, to<br />
signify the ioy of his thoughts at her entrance, a laurel garland on his<br />
5 head, to expresse that Apollo was patrone of his studies: an oliue branch<br />
in his hand, to declare what continual peace and plentie he did both<br />
wish and aboade her Maiestie: and lastly booted, to betoken that hee<br />
was vates cothumatus, and not a loose or lowe creeping Prophet, as<br />
Poets are interpreted by some idle or enuious ignorants.<br />
10 This Poets boy offered him a cushion at his first kneeling to her<br />
Maiestie, but he refused it, saying as followeth.<br />
The Poel to his boy offering him<br />
a Cushion.<br />
Non jam puluillis opus est, sed corde sereno:<br />
15 Nam plusquam solitis istic aduoluimur aris.<br />
The Poets Speach to her<br />
Maiestie<br />
N Vper ad Abnium flexo dum poplite fontetn<br />
Indulsi placido, Phci'bi sub peciine, somno,<br />
20 Veridicos inter vales, quos Entheus ardor<br />
Possidet, & virtus nullis offusa lituris,<br />
Talia securo cantabant carmina Musœ.<br />
Aspicis insueto tingentem lumine cœlum<br />
Anglorum nostro maiorem nomine Nytnpham<br />
25 Os, kumcrbsque Deœ simikm, dum tufa Semen<br />
Tecta petit, qnalis dikcta Philcemonis olim<br />
Cannea cœlicolum subijt magalia rector•? (81 1. 10;<br />
Olli tu blandas humili die ore salutes: Camp.<br />
Prol 2 '<br />
Nos dabimus numeros, numeros dabit ipsus Apollo. Bish '<br />
30 Sed metues Tanta summas attingere laudes: P-475)<br />
Nam specie Solem, Superos virtutibus œquans,<br />
Maiestate locum, sacrisque timoribus implet.<br />
Doctior est nobis, œ nobis prasidet vna :<br />
Ditior est Ponto, Pontum quoq& temperat vna :<br />
35 Pulchrior est nymphis, et nymphis imperat vna:<br />
Dignior est Diuis, & Diuos allicit vna.<br />
En supplex adsum, Musaru numine ductus,<br />
4 entrance,] the comma at thoughts Q 1 22 securo ... carmina so QQ<br />
27 Cannae Q 3<br />
F f 2
ENTERTAINMENTS<br />
Et mentis (Augusta) tuts, o dulcis Elisa,<br />
Fronte serenata modicum dignare poetam,<br />
Ne mea vernantem deponant tempora laurutn,<br />
Et miser in cantu moriar. Se ndmq3 Semeri<br />
Obsequiosa meis condit persona sub vmbris:<br />
Qui fert ore preces, oculo fœcundat oliuam ;<br />
Officium precibus, pacem designat oliua ;<br />
Affectum docet ojficijs, & pace quietcm ;<br />
Mentes affectu mulcebit, me)?ibra quiete.<br />
Hi mores, hcec vera tui persona Semeri,<br />
Cui latum sine te nihil, illcztabile tecum<br />
Est nihil. En rident ad vestros omnia vultus<br />
Suauiter, immensum donec fulgoribus orbem<br />
Elisabetha nouis imples: nox inuidet vna:<br />
Astra sed inuidia tollunt mala signa tenebras.<br />
Cœtera, qua possunt, sacra gratantur Elisae<br />
Loztitia, protnptbsq3 ferunt in gaudia vultus.<br />
Limulus insultat per piclos hosdus agellos<br />
Passibus obtortis ; et toruum bucula taurum<br />
Blada petit; tremulus turgescii frodibus arbos,<br />
Graminibus pratum, generosa pampinus vua :<br />
Et tenui latices in arena duke susurrant,<br />
Insuetumq) melos: Te, te, dulcissima Princeps,<br />
Terra, polus, fluuij, plantœ, pecudisqt salutant:<br />
Diimq3 tuam cupide miratur singula formam,<br />
Infixis hœrent oculis, nequeuntq} tuendo<br />
Expleri; solitis sed nunc liberrima cur is,<br />
In placidos abeut animos: non semina vermes,<br />
Non cerui metuunt casses, non herba calorem,<br />
Non viscu 7 olucres, non fruges grandinis ictu.<br />
O istos (Augusta) dies, o profer in annos ;<br />
Et lustrum ex annis, e lustris sœicula surgant;<br />
E sceclis œuum, nullo numerabile motu:<br />
Vt nostros dudum quotquot risere dolores,<br />
Gaudia iam numerent, intabescdntq) vidMo.<br />
En, iter obiecto qua clauserat obice Liuor,<br />
Virtuiis famulœ Charites, castriq3 superni<br />
Custodes Horœ, blandissima numina iunctim<br />
lam tollunt remoras, vt arena floribus ornent.<br />
29 cassem QQ 2.3
AT ELVETHAM 437<br />
Ergo age) supplicibus succede penatibus hospes,<br />
Et nutu moderare tuo ; Tibi singula parit,<br />
Et nisi parerent Tibi singula, tola perirent.<br />
Dicite Psean, et Id ter dicite Pasan, (Mid. v. 3.<br />
Spargite flore vias, & mollem cantibus aura Ars Am.<br />
ii.i)<br />
Because all our Countrey-men are not Latinists, I thinke it not amisse<br />
to set this downe in English, that all may bee indifferently partakers<br />
of the Poets meaning.<br />
The Poets speech to his boy of<br />
fering him a Cushion.<br />
Now let vs vse no cushions, but faire hearts:<br />
For now we kneel to more than usuall Saints.<br />
The Poets speech to her<br />
Maiestie.<br />
wKJ Hhile at the fountaine of the sacred hill,<br />
V ' Vnder Apollos lute, I sweetly slept,<br />
Mongst prophets full possest with holy fury,<br />
And with true vertue, void of all disdaine:<br />
The Muses swig, and wattd me with these wordes.<br />
Seest thou that English Nimph, in face and shape<br />
Resembling some great Goddesse, and whose beames<br />
Doe sprinkle heau'n with vnacquainied light,<br />
While shee doth visite Semers fraudlesse house,<br />
As Iupiter did honour with his presence (Euph. ii.<br />
The poore thatcht cottage, where Philozmon dwelt ? 81 l.10;<br />
See thou salute her with an humble voice; prol. 2;.<br />
Phoebus, and we, will let thee lack no verses, Bish.<br />
But dare not once aspire to touch her praise.<br />
Who, like the Sunne for shew, to Gods for vertue,<br />
Fills all with Maiesty, and holy feare.<br />
More learned then our selues, shee ruleth vs:<br />
More rich then seas, shee doth commaund the seas:<br />
More fair then Nimphs, she gouerns al the Nimphs(:)<br />
More worthy then the Gods, shee wins the Gods.<br />
Behold (Augusta) thy poore suppliant<br />
Is here, at their desire, but thy desert
ENTERTAINMENTS<br />
0 sweete Elisa, grace vie with a looke,<br />
Or from my browes this Laurell wreath will fall,<br />
And I vnhappy die amidst my song.<br />
Vnder my person Semer hides himselfe,<br />
His mouth yeelds prafrs, his eie the Oliue branch ;<br />
His praiers betoken duety, th'Oliue peace;<br />
His duety argues loue, his peace faire rest;<br />
His hue will smooth your minde, faire rest your body.<br />
This is your Semers heart and quality:<br />
To whom all things are ioyes, while thou art present,<br />
To whom nothing is pleasing, in thine absence.<br />
Behold, on thee how each thing sweetly smiles,<br />
To see thy brightnes glad our hemispheare:<br />
Night only enuies: whome faire stars doe crossc:<br />
All other creatures striue to shew their ioyes.<br />
The crooked-winding kid trips ore the lawnes ;<br />
The milkewhite heafer wantons with the bull;<br />
The trees shew pleasure ivith their quiuiring leaues,<br />
The meddow with new grasse, the vine with grapes,<br />
The running brookes with sweet and siluer sound.<br />
Thee, thee (Sweet Princes), heaiin, & earth, & finds,<br />
And plants, and beasts, salute with one accord:<br />
And while they gaze on thy perfections,<br />
Their eyes desire is neuer satisfied.<br />
Thy presence frees each thing, that liiid in doubt:<br />
No seedes now feare the biting of the woorme ;<br />
Nor deere the toyles; nor grasse the parching heat;<br />
Nor Birds the snare ; nor come the storme of haile.<br />
0 Empresse, o draw foorth these dayes to yeares,<br />
Yeeres to an age, ages to œtyrnitie:<br />
That such as lately ioyed to see our sorrowes,<br />
May sorrow now, to see our perfect ioyes.<br />
Behold where all the Graces, vertues maydes,<br />
And lightfoote Howrs, the guardians of heau'ns gate,<br />
With ioyned forces doe remoue those blocks,<br />
Which Enuie layd in Maiesties highway.<br />
Come therefore, come vnder our humble roofe,<br />
And with a becke commaund what it containes:<br />
For all is thine: each part obeys thy will;<br />
Did not each part obey, the wholl should perish.
AT ELVETHAM 439<br />
Sing songs faire Nymphs, sing sweet triumphal songs,<br />
Fill wayes with flowrs, and tt'tayr with harmony.<br />
While the Poet was pronouncing this oration, six Virgins were behind<br />
him, busily remoouing blockes out of her maiesties way ; which blocks<br />
5 were supposed to bee layde there by the person of Enuie, whose condition<br />
is, to enuie at euery good thing, but especially to malice the<br />
proceedings of Vertue, and the glory of true Maiestie. Three of these<br />
Virgins represented the three Graces, and the other three, the Howres,<br />
which by the Poets are fained to be the guardians of heauen gates.<br />
10 They were all attired in gowns of taffata sarcenet of diuers colours,<br />
with flowrie garlands on their heads, and baskets full of sweet hearbs<br />
and flowers vppon their armes. When the Poets speach was happily<br />
ended, and in a scroule deliuered to her maiestie (for such was her<br />
gracious acceptance, that she deined to receiue it with her owne hande)<br />
15 then these sixe Virgins after performance of their humble reuerence to<br />
her highnesse, walked on before her towards the house, strewing the<br />
way with flowers, and singing a sweete song of six parts to this dittie,<br />
which followeth.<br />
The Dittie of the six Virgins Song.<br />
20 wIth fragrant flowers we strew the way<br />
And make this our chiefe holliday :<br />
For though this clime ivere blest of yore,<br />
Yet was it neuer proud before,<br />
O beauteous Queene of second Troy,<br />
25 Accept of our vnfained ioy.<br />
Now th'ayre is sweeter then sweet balme,<br />
And Satyrs daunce about the palme:<br />
Now earth, with verdure neivfy dight,<br />
Giues perfect signe of her delight.<br />
30 O beauteous Queene of second Troy,<br />
Accept of our vnfained ioy.<br />
Now birds record new harmonie,<br />
And trees doe whistle melodie:<br />
Now euerie thing that nature breeds,<br />
35 Doth clad it selfe in pleasant weeds,<br />
0 beauteous Queene of second Troy,<br />
Accept of our vnfained ioy,<br />
10 scarcenet Q 2 19 The Dittie . .. Song] The Song sung by the Graces<br />
and the Houres at her Majesties first arrivall. Q3 23 proud] so too l Eng,<br />
Bel.,' for prou'd
440 ENTERTAINMENTS<br />
This song ended with her Maiesties entrance into the house: where<br />
shee had not rested her a quarter of an houre: but from the Snailmount<br />
and the Ship-He in the Pond (both being neare vnder the<br />
prospect of her Gallerie windowe) there was a long volley of Chambers<br />
discharged. After this, supper was serued in, first to her Maiestie, and 5<br />
then to the Nobles and others. Were it not that I would not seem to flatter<br />
the honorable minded Earle: or, but that I feare to displease him, who<br />
rather desired to expresse his loyall dutie in his liberall bountie, then to<br />
heare of it againe, I could heere willingly particulate the store of his<br />
cheare and prouision, as likewise the carefull and kind diligence of his 10<br />
seruantes, expressed in their quiet seruice to her Maiestie and the<br />
Nobility, and by their louing entertainment to all other,. frends, or<br />
strangers. But I leaue the bountie of the one, and the industrie of the<br />
others, to the iust report of such as beheld, or tasted the plentifull<br />
abundance of that time and place. 15<br />
After supper was ended, her Maiestie graciously admitted vnto her<br />
presence a notable consort of six Musitions, which my Lord of Hertford<br />
had prouided to entertaine her Maiestie withall, at her will and pleasure,<br />
and when it should seeme good to her highnesse. Their Musicke so<br />
highly pleased her, that in grace and fauour thereof, she gaue a newe 20<br />
name vnto one of their Pauans, made long since by Master Thomas<br />
Morley, then Organist of Paules Church.<br />
These are the chiefe pointes, which I noted in the first daies entertainment.<br />
Now therefore it followeth, that I proceed to the second.<br />
<strong>THE</strong> SECOND 2.5<br />
daies entertainment.<br />
/^\N the next day following, being Tuesday, and Saint Mathewes<br />
festiuall, the forenoone was so wet and stormie that nothing of<br />
pleasure could bee presented her Maiestie. Yet it helde vp a little before<br />
dinner time, and all the day after: where otherwise faire sports would 3°<br />
haue beene buried in foule weather.<br />
1 house : where] house : and her Majesty alighted from horsebacke at the Halldore,<br />
the Countesse of Hertford, accompanied with divers honourable Ladies and<br />
Gentlewomen, moste humbly on hir knees welcomed hir Highnesse to that place:<br />
who most graciously imbracing hir, tooke hir up, and kissed hir, using manie<br />
comfortable and princely Speeches, as wel to hir, as to the Earl of Hertford<br />
standing hard by, to the great rejoysing of manie beholders. And after hir<br />
Majestie's entrance, where Q 3 4 and two brass pieces after chambers Q3<br />
17 my Lord] the Earl Q 3 28 festiuall, the] festivall, there was in the morning<br />
presented to her Majesty a faire and rich gift from the Countesse of Hertforde,<br />
which greatly pleased and contented her Highnesse. The Q 3
AT ELVETHAM 441<br />
This day her maiestie dined, with her Nobles about her in the roome<br />
of estate, new builded on the hil side, aboue the Ponds head. Ther<br />
sate below her, many Lords, Ladies, & Knights. The manner of<br />
seruice, and abundance of dainties, I omit upon iust consideration, as<br />
5 also the Ordinance discharged in the beginning of dinner.<br />
Presently after dinner, my Lord of Hertford caused a large Canapie<br />
of estate to bee set at the ponds head, for her maiestie to sit vnder, and<br />
to view some sportes prepared in the water. The Canapie was of greene<br />
satten, lined with greene taffeta sarcenet; euerie seame couered with<br />
10 a broad siluer lace; valcnced about, and fringed with greene silke and<br />
siluer, more then a hand-bredth in depth; supported with four siluer<br />
pillers moueable ; and deckt aboue head with four white plumes, spangled<br />
with siluer. This Canapie being vpheld by foure of my Lordes chiefe<br />
Gentlemen, and tapestry spread all about the pondes head, her maiestie,<br />
15 about foure of the clocke came, and sate vnder it, to expect the issue of<br />
some deuise, being aduertised, that there was some such thing towards.<br />
At the further end of the ponde, there was a Bower, close built to the<br />
brinke thereof; out of which ther went a pompous aray of seapersons,<br />
which waded bresthigh, or swam til they approched neare the seat of<br />
20 her maiestie. Nereus, the prophet of the sea, attired in redde silke, and<br />
hauinga cornerd-cappe on his curlde heade, did swimme before the rest, as<br />
their pastor & guide. After him came hue Tritons brest-high in the water,<br />
all with grislie heades, and beardes of diuers colours and fashions, and<br />
all flue cheerefully sounding their Trumpets. After them went two other<br />
25 Gods of the sea, Neptune and Oceamis, leading betweene them that<br />
Pinnace, whereof I spake in the beginning of this Treatise.<br />
In the pinnace were three Virgins, which with their Cornets played<br />
Scottish Gigs, made three parts in one. There was also in the saide pinnace<br />
an other Nymph of the sea, named Necera, the old supposed loue of<br />
30 SyluanuS, a God of the woodes. Neare to her were placed three excellent<br />
voices, to sing to one lute, and in two other boats hard by, other lutes<br />
and voices to answer by manner of Eccho : after the pinnace, & two<br />
other boats, which were drawne after it by other Sea-gods, the rest<br />
of the traine followed bresthigh in the water, all attired in ouglie marine<br />
35 suites, and euerie one armed with a huge woodden squirt in his hand:<br />
to what end it shal appear hereafter. In their marching towards the<br />
pond, all along the middle of the current, the Tritons sounded one halfe<br />
of the way, and then they ceasing, the Cornets plaid their Scottish gigs.<br />
The melody was sweet, & the shew stately.<br />
40 By the way it is needfull to touch here many thinges abruptly, for the<br />
better vnderstanding of that which followeth,<br />
5 dinner.] dinner, a variety of consorted music at dinner time. Q 2 6 my<br />
Lord] the Karl Q3 12 dekt QQ 2 ' 3 13-4 of my . . . Gentlemen] worthie<br />
Knightes (Sir Henrie Greie, Sir Walter Hungerfoid, Sir James Maruin, and Lord<br />
George Caro) Q 3 25 Phorcus and Glaucus, bef. leading Q 3
442 ENTERTAINMENTS<br />
First, that in the Pinnace are two iewels to be presented her Maiestie:<br />
the one by Nereus, the other by Neœra.<br />
Secondly, that the Fort in the Pond, is round enuironed with armed<br />
men.<br />
Thirdly, that the Snayle-mount nowe resembleth a monster, hauing 5<br />
homes full of wild-fire continually burning.<br />
And lastly, that the god Siluanus, lieth with his traine not farre off<br />
in the woodes, and will shortly salute her Maiestie, and present her with<br />
a holly scutchion, wherein Apollo had long since written her praises.<br />
All this remembred and considered, I nowe returne to the Sea-gods, 10<br />
who hauing vnder the conduct of Nerens brought the Pinnace neare<br />
before her Maiestie, Nereus made his Oration, as followeth; but before<br />
he began, hee made a priuie signe vnlo one of his traine, which was<br />
gotten vp into the Shippe-lle, directly before her Maiestie, and hee<br />
presently did cast himselfe downe, dooing a Summerset from the lle 15<br />
into the water, and then swam to his companie.<br />
The Oration of Nereus to her Maiesty.Aire Cinthia the wide Oceans Em<br />
/ watry Nereus houered on the coast<br />
F<br />
To greets your Maiesty ivith this my traine 20<br />
Of dauncing Tritons, and shrill singing Nimphs.<br />
(Woman, But all in vaihe: Elisa was not there;<br />
For which our Neptune grieud, and blamd the star,<br />
Whose thwarting influence dasht our longing hope.<br />
Therefore impatient, that this worthies earth 25<br />
Should beare your Highnes weight, and we sea Gods,<br />
(Whose iealous wanes haue swallotvd vp your foes.<br />
And to your Real me are walks impregnable)<br />
With such large fauour seldome time are grac't:<br />
I from the deepes haue drawen this winding flud, 30<br />
Whose crescent forme figures the rich increase<br />
Of all that sweet Elisa holdeth deare.<br />
And with me came gould-brested India,<br />
Who daunted at your sight, leapt to the shoare,<br />
And sprinkling endlesse treasure on this lie, 35<br />
Left me this iewell to present your Grace,<br />
For hym) that vnder you doth hold this place.<br />
See where her ship remaines, whose silketvouen takling<br />
15 summer-sawt Q 3
AT ELVETHAM 443<br />
Is turnde to twigs, and threefold mast to trees,<br />
Receining life from verdure of your lookes ;<br />
{For what cannot your gracious looks effect ?)<br />
Yon vgly monster creeping from the South,<br />
To spoyle these blessed fields of Albion,<br />
By selfe same beames is chang'd into a Snaile,<br />
Whose bulrush homes are not of force to hurt.<br />
As this snaile is, so be thine enemies,<br />
And neuer yet did Nereus wishe in vaine.<br />
That Fort did Neptune raise, for your defence ;<br />
And in this Barke, which gods hale neare the shore,<br />
White footed Thetis sends her Musicke maydes,<br />
To please Elisaes eares with harmony.<br />
Hear them fair Qiiecne; and when their Musick ends,<br />
My Triton shall awake the SyInane Gods,<br />
To doe their hommage to your Maiesty.<br />
This Oration being deliuered, and withall the present wherof he spake,<br />
which was hidden in a purse of greene rushes, cunningly woauen<br />
together: immediatly the three voices in the Pinnace sung a song to<br />
the Lute with excellent diuisions, and the end of euery verse was replied<br />
by Lutes and voices in the other boate somwhat a farre off, as if they had<br />
bcene Ecchoes.<br />
The Sea nymphes Dittie.<br />
H Oiv haps that now, when pritne is don,<br />
An other spring time is begun ?<br />
23 The . . . Dittie] Q3 amplifies as follows :—The Song presented by Nereus on<br />
the Water, sung dialogue-wise, everie fourth verse answered with two Ecchoes.<br />
Dem. How haps it now 'vhen prime is done,<br />
Another spring-time is begun?<br />
Resp. Our happie soile is overrunne,<br />
With beautie of a second sunne.<br />
Eccho. A second sunne.<br />
Dem. What heavenlie lampe, with holie light,<br />
Doeth so increase our climes delight?<br />
Resp. A lampe whose beames are ever bright,<br />
And never feares approching night.<br />
Eccho, Approching night.<br />
Dem. Why sing we not eternall praise,<br />
To that faire shine of lasting daies?<br />
Resp. He shames himselfe that once assaies<br />
To fould such wonder in sweete laies.<br />
Eccho, In sweet laies.
444 ENTERTAINMENTS<br />
Our hemisphere is ouerrunne,<br />
With beauty of a second Sunne.<br />
Eccho. A second Sum.<br />
w<br />
WHat second Sun hath raies so bright,<br />
To cause this vnacquainted light ? 5<br />
Tis faire Elisaes matchlesse Grace,<br />
Who with her beanies doth blesse the place,<br />
Eccho. Doth blesse the place.<br />
This song being ended, Nereus commanded the fiue Tritons to sound.<br />
Then came Syluaniis with his attendants from the wood: himselfe 10<br />
attired, from the midle downewards to the knee, in Kiddes skinnes with<br />
the haire on, his legges, bodie and face naked, but died ouer with saffron,<br />
and his head hooded with a goates skin, and two little homes ouer his<br />
forehead, bearing in his right hand an Oliue tree, and in his left a<br />
scutchion, whereof I spake somewhat before. His followers were all 15<br />
couered with Iuy-leaues, and bare in their handes bowes made like darts.<br />
At their approche neare her Maiesty, Syluanus spake as follovveth, and<br />
deliuered vp his scutchion, ingrauen with goulden characters, Nereus<br />
and his traine still continuing near her Highnesse.<br />
The Oration of Sylua- 20<br />
nus.<br />
S Yluanus conies from out the leauy groaues,<br />
To honor her, whom all the world adores,<br />
Faire Cinthia, whom no sooner Nature framed,<br />
And deckt with Fortunes, and with Vertues dower', 25<br />
But straight admiring what her skill had wrought,<br />
Sliee broake the mould; thaf neuer Sunne might see<br />
Thu like to Albions Queene for excellence.<br />
Vera. O yet devoid of envious blame,<br />
Thou maist unfold hir sacred name.<br />
Resp. Tis dread Eliza that faire dame,<br />
Who filles the golden trump of fame.<br />
Eccho. Trump of fame.<br />
Dem. O never may go sweete a Quene,<br />
See dismall daies or deadly teene.<br />
Resp. Graunt Heavens hir daies may stil be greene,<br />
For like to hir was never seene.<br />
Eccho, Was never seene.<br />
17 approche] reproche Q 1
AT ELVETHAM 445<br />
Twos not the Tritons ayr-enforcing shell,<br />
As they perhaps would proudly make theyr vaunt,<br />
But those faire beames, that shoote from Maiesty,<br />
Which drew our eyes to wonder at thy worth.<br />
5 That worth breeds wonder ; wonder holy feare ;<br />
And holy feare vnfayned reuerence.<br />
Amongst the wanton dayes of goulden age<br />
Apollo playing in our pleasant shades,<br />
And printing oracles in euery leafe, (Knph. ii.<br />
1o Let fall this sacred scutchion from his brest, 1131.22;<br />
. King 's<br />
Wherein is writ, Detur dignissimae. Wel. p.<br />
0 therefore hold, what heauen hath made thy right, 505)<br />
/ but in duety yeeld desert her due.<br />
Nereus.<br />
15 But see Syluanus where thy hue doth sit.<br />
Syluanus.<br />
My sweet Neaera ? was her eare so neare ?<br />
0 set my hearts delight vpon this banke,<br />
That in compassion of old sufferance,<br />
20 Shee may relent in sight of beauties Queene.<br />
Nereus.<br />
On this condition shall shee come on shoare.<br />
That with thy hand thou plight a solemne vow,<br />
Not to prophane her vndefled state.<br />
2 5 Syluanus.<br />
Here, take my hand, and therewithall I vowe<br />
Nereus.<br />
That water will extinguish tvanton fire. (M. Bomb.<br />
iii.4.24-5)<br />
Nereus in pronouncing this last line, did plucke Syluanus ouer head<br />
30 and eares into the water, where all the sea Gods laughing, did insult ouer<br />
him. In the meane while her Maiesty perused the verses written in the<br />
scutchion, which were these.<br />
Aoniis prior, & Diuis es pulchrior alti (Woman,<br />
. . . iii.1.111 -<br />
AEquoris, ac nymphis es prior Idalijs. 5)<br />
35 Idalijs prior es nymphis, ac cequoris alti,<br />
Pulchrior & Diuis, ac prior Aonijs.<br />
Ouer these verses was this poesy written. Detur dignissimce.<br />
After that the sea Gods had sufficiently duckt Syluanus, they suffered<br />
him to creepe to the land, where he no sooner set footing, but crying<br />
39 ihe m. QQ2 ,3
446 ENTERTAINMENTS<br />
Reuenge, Reuenge, he and his, begunne a skirmish with those of the<br />
water, the one side throwing their dartes, and the other vsing their<br />
squirtes, and the Tritons sounding a pointe of warre. At the last Nereus<br />
parted the fray with a line or two, grounded on the excellence of her<br />
Maiestyes presence, as being alwaies friend to peace, and ennemy to 5<br />
warre. Then Syluanus with his followers, retired to the woods, and<br />
Nœera his faire loue in the Pinnace, presenting her Maiestie a Sea<br />
Iewell, bearing the forme of a fanne, spake vnto her as followeth.<br />
The Oration of faire Necera.<br />
WHen Neptune late bestowed on me this barke, 10<br />
And sent by me this present to your Grace:<br />
Thus Nereus sung, who neuer sings but truth.<br />
Thine eyes (Nesera) shall in time behold<br />
A sea-borne Queene, worthy to gouerne Kings,<br />
On her depends the Fortune of thy boate, 15<br />
If shee but name it with a blisfull word.<br />
And view it with her life inspiring beames.<br />
Her beames yeeld gentle influence, like fayre starres,<br />
Her siluer sounding word is prophesie.<br />
Speake sacred Sybill, giue some prosperous name, 2o<br />
That it may dare attempt a golden fleece,<br />
Or diue for pearles, and lay them in thy lap.<br />
For winde and waues, and all the worlde besides,<br />
Will make her way, whom thou shall doome to blisse,<br />
For what is Sybils speech, but oracle ? 25<br />
Here her Maiesty named the Pinnace, the<br />
Bonaduenture, and Neœra went on with<br />
her speech, as followeth.<br />
1<br />
Now Neseraes barke L fortunate,<br />
And in thy seruice shall imploy her saile, 3°<br />
And often make returne to thy auaile.<br />
0 liue in endlesse toy, with glorious fame,<br />
Sound Trumpets, sound, in honor of her name.<br />
Then did Nereus retire backe to his bower with all his traine following<br />
him, in selfe same order as they came forth before, the Tritons sounding 35<br />
their Trumpets one halfe of the way, and the Cornets playing the other<br />
6 with his] being so ugly, and running toward the bower at the end of the<br />
Pound, affrighted a number of the countiey people, that they ran from him for<br />
feare, and thereby moved great laughter. His Q 3 29 I om. Q 3
5<br />
AT ELVETHAM 447<br />
halfe. And here ended the second daies pastime, to the so great liking of<br />
her Maiestie, that her gracious approbation thereof, was to the Actors<br />
more then a double reward, and yet withall, her Highnes bestowed a<br />
largesse vppon them the next daie after before shee departed.<br />
<strong>THE</strong> THIRDE<br />
daies entertainement.<br />
oN Wednesday morning, about nine of the clock, as her Maiestie<br />
opened a casement of her gallerie window, there were three<br />
excellent Musitians, who, being disguised in auncient countrey attire, did<br />
30 greet her with a pleasant song of Coridon and Phyllida, made in three<br />
parts of purpose. The song, as well for the worth of the Dittie, as for<br />
the aptnes of the note thereto applied, it pleased her Highnesse, after it<br />
had beene once sung, to command it againe, and highly to grace it with<br />
her chearefull acceptance and commendation.<br />
15<br />
The Plowmans Song.<br />
I N the merrie moneth of May,<br />
In a mome, by breake of day,<br />
Forth I walked by the wood side,<br />
Where as May was in his pride.<br />
20 There I spied, all alone<br />
Phyllida and Corydon.<br />
Much adoe there was God wot,<br />
He would loue, and she would not.<br />
She said, neuer man was true:<br />
25 He said, none was false to you.<br />
He said, lie had loued Iter long:<br />
She said, loue should haue no wrong.<br />
Coridon would h'sse her then:<br />
She said, maides must h'sse no men,<br />
30 Till they did for good and all.<br />
Then she made the shepheard call<br />
15 The Three Mens Song, sung the third morning, under hir Majesties Gallerie<br />
window, Q3 17 In] Vp in Rawl.MS.Poet. 85. See Notes 18 Forth . . . side]<br />
I sawe a troupe of damseles playenge With a troope of damsells playinge<br />
Forthe they went than one a mayenge Forthe the wode forsooth a-Maying:<br />
And anon by the wood syde When anon by the wode side<br />
Rawl MS. Cosens MS.<br />
19 as] that Rawl. Cos. MSS. 20 I espied Cosens MS. 25 none<br />
was] neuer Rawl. Cos. MSS. 27 should] cold Cos. MS. 30 did]<br />
had Rawl. MS.
448<br />
ENTERTAINMENTS<br />
All tlie heauens to witnesse truth,<br />
Neuer lou'd a truer youth.<br />
Thus with many a pretie oath,<br />
Yea and nay, and faith and troth,<br />
Such as silly shepheards vse, 5<br />
When they will not hue abuse,<br />
Loue, which had beene long deluded,<br />
Was with kisses sweet concluded:<br />
And Phyllida with garlands gay,<br />
Was made the Lady of the May. 10<br />
The same day after dinner, about three of the clockc, ten of my L.<br />
of Hertfords seruants, al Somersetshire men, in a square greene Court,<br />
before her maiesties windowe, did hang vp lines, squaring out the forme<br />
of a Tennis-court, and making a crosse line in the midle. In this square<br />
they (beeing stript out of their dublets) played fiue to fiue with the hand- 15<br />
ball, at bord and cord (as they tearme it) to so great liking of her highnes,<br />
that she graciously deyned to beholde their pastime more then an houre<br />
and a halfe.<br />
After supper there were two delights presented vnto her maiestie:<br />
curious fire-workes, and a sumptuous banket: the first from the three 20<br />
Hands in the pond, the second in a lowe Gallerie in her maiesties priuie<br />
garden. But I will first briefly speake of the fire-works.<br />
First there was a peale of a hundred Chambers discharged from the<br />
Snail-mount: in counter wherof, a like peale was discharged from the<br />
Ship-He, & some great ordinance withall. Then was ther a Castle of 25<br />
fire-works of al sorts, which played in the Fort. Answerable to that<br />
ther was in the Snail-mount, a Globe of all maner of fire-works, as big<br />
as a barrel. When these were spent on either side, there were many<br />
running rockets vppon lines, which past betweene the Snayle-mount, and<br />
the Castle in the Fort. On either side were many fire wheeles, pikes of 30<br />
pleasure, & balles of wilde fire, which burned in the water.<br />
During the time of these fire-workes in the water, there was a banket<br />
serued all in glasse and siluer, into the low Gallerie in the Garden, from<br />
a hill side foureteene score off, by two hundred of my Lord of Hertfordes<br />
Gentlemen, euerie one carrying so many dishes, that the whole number 35<br />
amounted to a thousand: and there were to light them in their way,<br />
a hundred torch-bearers. To satisfie the curious, I will here set downe<br />
some particulars in the banket.<br />
2 lou'd] liu'd Cos. MS. 3 Thus] Than Rawl. Cos, MSS. 6 will]<br />
do Rawl. Cos. MSS. 7 which 1 that Cos. MS. 9 Phyllida]<br />
the mayde Rawl. Cos. MSS. 10 Was made the] Was made Rawl. MS.:<br />
Was the Cos. MS. 11 dinne Q 1 my Lord Q 2 : the Earle Q3<br />
37—P. 449 1. 19 To satisfie ... comfits, of all sorts, om. Q*
AT ELVETHAM 449<br />
Her Maiesties Armes in sugar-worke.<br />
The seuerall Armes of all our Nobilitie in sugar-worke.<br />
Many men and women in sugar-worke, and some inforst by hand.<br />
Castles, Forts, Ordinance, Drummers, Trumpeters, and soldiors of all sorts, in<br />
5 sugar-worke.<br />
Lions, Vnicorns, Beares, Horses, Camels, Buls, Rams, Dogges, Tygers, Elephants,<br />
Anteiops, Dromedaries, Apes, and all other beasts in sugar-worke.<br />
Egles, Falcons, Cranes, Bustardes, Heronshawes, Bytters, Pheasants, Partridges,<br />
Quailes, Larkes, Sparrowes, Pigeons, Cockes, Oules, and all that flie, in sugar-<br />
10 worke.<br />
Snakes, adders, vipers, frogs, toades, and all kind of wormes, in sugar-worke.<br />
Mermaides, whales, dolphins, cungars, sturgions, pikes, carps, breams, and all<br />
sortes of fishes, in sugar-worke.<br />
All these were standing dishes of sugar-work. The selfe same deuises<br />
15 were also there all in flat-worke. Moreouer these particulars following,<br />
and many such like, were in flat sugar-worke, and sinamond<br />
March-panes, grapes, oisters, muscles, cockles, periwinckles, crabs, lobsters.<br />
Apples, peares, and plums, of all sorts.<br />
Preserues, suckats, iellies, leaches, marmelats, pasts comfits, of all sorts.<br />
<strong>THE</strong> FOVRTH<br />
tlaies entertainment.<br />
ON Thursday morning, her Maiestie was no sooner readie, and at her<br />
Gallery window, looking into the Garden, but there began three<br />
Cornets to play certaine fantastike dances, at the measure whereof the<br />
25 Fayery Queene came into the garden, dauncing with her maides about<br />
her. Shee brought with her a garland made in fourme of an imperiall<br />
Crowne; within the sight of her Maiestie, shee fixed (it) vpon a siluer<br />
stafle, and sticking the stafle into the ground, spake as followeth.<br />
The speech of the Fairy Queene<br />
30 to her Maiestie.<br />
1<br />
That abide in places vnder ground,<br />
Aureola, the Queene of Fairy /and,<br />
That euery night in rings of painted flowers<br />
Tume round, and carroll out Elisaes name:<br />
35 Hearings that Nereus and the Syluane Gods<br />
Haue lately welcomde your Imperiall Grace,<br />
Oapend the earth with this enchanting wand,<br />
To doe my duety to your Maiestie.<br />
27 silvered Q 3<br />
BOND 1 G g
45°<br />
ENTERTAINMENTS<br />
And humbly to salute you with this Chaplet,<br />
Giuen me by Auberon the Fairy King.<br />
Bright shining Phoebe, that in humaine shape,<br />
Hitfst heauens .perfection, vouchsafe t' accept it:<br />
And I Aureola, belorid in heauen, 5<br />
(For amorous starres fall nightly in my lap)<br />
Will cause that heauens enlarge thy goulden dayes,<br />
And cut them short, that enuy at thy praise.<br />
After this speech, the Fairy Queene and her maides daunced about<br />
the garland, singing a song of sixe partes, with the musicke of an 10<br />
exquisite consort; wherein was the Lute, Bandora, Base-violl, Citterne,<br />
Treble-violl, and Flute, and this was the Fairies song.<br />
ELisa is the fairest Queene' That euer trod vpon this greene.<br />
Elisaes eyes are blessed starres, 15<br />
Inducing peace, subduing warrcs.<br />
Elisaes hand is christall bright,<br />
Her wordes are balme, her lookes a?'e light.<br />
Elisaes brest is that faire hill,<br />
Where vertue dwcls, and sacred skill, 20<br />
O blessed bee each day and howe,<br />
Where sweete Elisa builds her botvi-e.<br />
This spectacle and Musicke, so delighted her Maiesty, that shee<br />
desired to see and hear it twise ouer: and then dismist the actors with<br />
thankes, and with a gracious larges, which of her exceeding goodnesse 25<br />
shee bestowed vppon them.<br />
Within an howre after, her Maiesty departed with her Nobles, from<br />
Eiuetham. On the one side of her way as shee past through the Parke,<br />
there was placed sitting on the Pond, side, Nereus and all the Sea-gods<br />
in their former attire: on her left hand, Syluanus and his company: in 30<br />
the way before her the three Graces, and the three Howres : all of them<br />
on euerie side wringing their .hands, and shewing signe of sorow for her<br />
departure. While she beheld this dum shew, the Poet made her a short<br />
Oration, as followeth.<br />
1o Garden Q 3 24 desired . . . ouer:] commanded to heare it sung and<br />
to be danced three times over, and called for divers Lords and Ladies to behold it:<br />
Q 3 28 After Elvetham. Cf inserts It was a most extreame rain, and yet it<br />
pleased hir Majestie with great patience to behold and hear the whole action.<br />
33 After departure, Q 3 inserts he being attired as at the first, saving that his<br />
cloake was now black, and his garland mixed with ugh branches, to signifie<br />
soi row.
AT ELVETHAM 451<br />
The Poets speech at her Maiesties<br />
departure*<br />
See sweet Cynthia, how the watry gods,<br />
o Which ioyd of late to view thy glorious beames,<br />
5 At this retire doe waile and wring their hands.<br />
Distilling from their eyes, salt showrs of teares,<br />
To bring in winter with their wet lament:<br />
For how can Somtner stay, when Sunne departs ?<br />
See where Syluanus sits, and sadly mournes,<br />
10 To thifike that Autumn with his withered wings<br />
Will bring in tempest, when thy beames are hence :<br />
For how can somtner stay, when Sunne departs ?<br />
See where those Graces, and those Howrs of heau'n<br />
Which at thy comming sung triumphall songs,<br />
15 And smoothd the way, and strewd it with sweet flowrs,<br />
Now, if they durst, would stop it with greene boives,<br />
Least by thine absence the yeeres pride decay:<br />
For how can sommer stay, ivhen Sunne departs ?<br />
Leaves fal, grasse dies, beasts of the wood hang head,<br />
20 Birds cease to sing, and euerie creature wailes,<br />
To see the season alter with this change:<br />
For how can sommer stay, when Sunne departs ?<br />
O, either stay, or soone returne againe,<br />
For sommers parting is the countries paine.<br />
25 After this, as her Maiestie passed through the Parke gate, there was a<br />
consort of Musitions hidden in a bower, to whose playing this Dittie<br />
of Come againe was sung, with excellent diuision, by two, that were<br />
cunning.<br />
O Come againe faire Natures treasure,<br />
30 Whose lookes yeeld ioyes exceeding measure.<br />
25 Then Nereus, approching from the ende of the Pond, to hir Majesties coach,<br />
on his knees thanked hir Highnesse for hir late largesse, saying as followeth:<br />
Thankes, gracious Goddesse, for thy bounteous largesse,<br />
Whose worth, although it yeelds us sweet Content,<br />
Yet thy depart gives ns a greater sorrow. Inserted bef. After this Q?<br />
29 Q 3 gives the following heading and amplified song:—The Song sung at the<br />
gate, when hir Majestie departed. (As this Song was sung, her Majestie, notwithstanding<br />
the great raine, staled hir coach, and pulled off hir mask, giving great<br />
thanks.)<br />
Come againe, faire Natures treasure,<br />
"Whose lookes yeeld joyes exceeding measure.<br />
Come againe, worlds starre-bright eye,<br />
Whose presence bewtifies the skie.<br />
Gg 2
452<br />
ENTERTAINMENTS<br />
0 come againe heaiifts chiefe delight.<br />
Thine absence makes eternal! night,<br />
O come againe worlds starbright eye,<br />
Whose presence doth adorne the skie.<br />
O come againe sweet beauties Sunne: 5<br />
When thou art gone, our ioyes are done.<br />
Her Maiestie was so highly pleased with this and the rest, that shce<br />
openly protested to my Lord of Hertford, that the beginning, processe,<br />
and end of this his entertainment was so honorable, as hereafter hee<br />
should finde the rewarde thereof in her especiall fauour. And manie and io<br />
most happie yeares may her gratious Maiestie<br />
continue, to fauour and foster<br />
him, and all others which<br />
do truly loue and<br />
honor her. 1 5<br />
FINIS.<br />
Come againe, worlds chiefe Delight,<br />
Whose absence makes eternall Night.<br />
Come againe, sweete lively Sunne,<br />
When thou art gone our joyes are done.<br />
O come againe, faire Natures treasure,<br />
Whose lookes yeeld joyes exceeding measure.<br />
O come againe, heavens chiefe delight,<br />
Thine absence makes eternall night.<br />
O come againe. worlds star-bright eye,<br />
Whose presence doth adorne the skie.<br />
O come againe, sweet beauties Sunne:<br />
When thou art gone, our joyes are done.<br />
8 protested . .. Lord] said to the Earle Q3 9-10 as . . , fauour] she would<br />
not forget the same Q 3 10 and om. Q3
SPEECHES<br />
TO<br />
QUEEN ELIZABETH<br />
AT<br />
QUARRENDON.<br />
August, 1592. 1<br />
1 Reprinted from An edition by William Hamper with the following title: Masques: Performed<br />
before Queen Elizabeth. From a coeval copy, in a volume of<br />
manuscript collections, by Henry Ferrers, Esq., of Baddesley Clinton, in<br />
the county of Warwick. In the possession of William Hamper, Esq., of<br />
Birmingham. [Woodcut of a crowned pillar.] "Sol mundi Borealis erat,<br />
dum vixit, Elisa." Oxford Verses on the Queen's Death, 1603. Chiswick :<br />
Printed by C. Whittingham, College House. 1820. 4 0 . In tliat edition they<br />
formed Tarts lland 111 (the editor classing as Part I three speeches printed above, pp. 41 2-4.,<br />
among those at the Ttlt-Tard) ; and were reprinted in Kenilworth Illustrated, 1821 ,<br />
4 0 , and in Niclwls' Progresses (1823), vol. iii. 193-213.
SPEECHES, ETC.,<br />
AT<br />
QUARRENDON<br />
AUGUST, 1592.<br />
AT QUARRENDON 455<br />
Armes be locked for a time, from all libertie to performe the office of<br />
his desire, in doing you seruice with his bodey, yet his harte is at<br />
libertie to pay the homage of his loue.<br />
In token whereof he hath here sent your Ma tie a simple present Cupido in<br />
5 of his hartes servis. It is the Image, Madam, of the Idoll that so gowa ana<br />
manie seme against theire will, and so manie without reward; who<br />
shutes he wotes not where, and hittes he cares not whom, and seldom<br />
woundes alike, but soonest striketh the best sighted : which if your<br />
excellent Ma ie shall vouchsafe any tyme to weare, the Knight<br />
io wisheth it may be a watch (better than Scarborows warning) to the<br />
Noble Gentelmen of your Courte, to defend them from such blowes<br />
as he hath receiued, which may light on them (sooner) then ere the(y)<br />
loke for it, and when they thinke leaste harme, and make a wounde<br />
(he knoweth by proofe) more uncurable than is complayned of.<br />
15 Thus my message being ended; I must, most excellent Ladie, by<br />
the Commaundement of my mistris, the Queene of the Fayeries, returne<br />
to my charge ; to follow the inchanted Knight, to beare testimoney<br />
of his paines and patience, and so must leaue your sacred<br />
Majestie, whom the Almightye make most lasting, as he hath alreadie<br />
20 mad you best and most to be beloved. Amen. Amen.<br />
<strong>THE</strong> OLDE KNIGHTES TALE,<br />
Now drowsie sleepe, death's image, ease's prolonger,<br />
Thow that hast kept my sences windowes closed,<br />
Dislodge these heauie humors, stay no longer,<br />
25 For light itself thie darkesom bandes haue losed,<br />
And of mine eies to better use disposed:<br />
To better use, for what can better be<br />
Then substance in the steede of shades to see.<br />
0 mortall substance of immortall glorie!<br />
30 To whom all creatures ells are shaddowes demed;<br />
Vouchsafe an eare unto the woeful storie<br />
Of him who, whatso eare before he semed,<br />
Is nowe as you esteme to be estemed:<br />
And sence himself is of himself reporter<br />
35 To all your praise, will make his parte the shorter<br />
Not far from hence, nor verie long agoe,<br />
The fayrie Queene the fayrest Queene saluted<br />
12 they] the Hamper and Nickols<br />
(? Elveth.<br />
p• 449 )
456 ENTERTAINMENTS<br />
That euer lyued (& euer may shee soe);<br />
What sportes and plaies, whose fame is largelie bruted,<br />
The place and persons were so fitlie shuted:<br />
For who a Prince can better entertaine<br />
Than can a Prince, or els a prince's vaine? 5<br />
• Of all the pleasures there, among the rest,<br />
(The rest were justes and feates of Armed Knightes),<br />
Within hir bower she biddes her to a feast,<br />
Which with enchaunted pictures trim she dightes,<br />
And on them woordes of highe intention writes: 1o<br />
For he that mightie states hath feasted, knowes<br />
Besides theire meate, they must be fedd with shevves.<br />
Manie there were that could no more but vewe them,<br />
Many that ouer curious nearer pride.<br />
Manie would conster needes that neuer knewe them, 15<br />
Som lookt, som lyked, som questioned, some eyed,<br />
One asked them too who should not be denied:<br />
But shee that thwarted, where she durst not strugie,<br />
To make her partie good was fayne to juggle.<br />
Forthwith the Tables were conveied hither, 20<br />
Such power she had by her infernall Arte;<br />
And I enjoyned to keepe them altogether,<br />
With speciall charge on them to sett my harte,<br />
Euer to tarrie, neuer to departe:<br />
(Cf.p.4ic; Not bowing downe my face upon the grounde, 25<br />
Endim. Beholding still.the Filler that was crounde.<br />
I whom in elder tyme she dearelie loued,<br />
Deare is that loue which nothing can disgrace,<br />
I that had ofte before her favor proued,<br />
But knewe not howe such fauoure to embrace, 30<br />
Yea, I am put in trust to warde this place:<br />
Sokinde is loue, that being once conceauid,<br />
It trustes againe, although it were deceaued.<br />
Seruant, quoth shee, looke upward and beware<br />
Thou lend not anie Ladie once an eye; 35<br />
For .diuers Ladies hither will repaire,<br />
Presuming that they can my charmes untie,<br />
1 soe] see Hamp. Nick. 14 pride] ue. pryed 16 eyed] aymed Hamp. Knh.
AT QUARRENDON 457<br />
Whose misse shall bring them to unconstancie:<br />
And happie art thou if thou haue such heede,<br />
As in anothers harme thine owne to reede.<br />
But loe unhappie I was ouertaken,<br />
5 By fortune forst, a stranger ladies thrall,<br />
Whom when I sawe, all former care forsaken,<br />
To finde her ought I lost meeself and all,<br />
Through which neglect of dutie 'gan my fall:<br />
It is the propertie of wrong consenting<br />
TO To ad unto the punishment lamenting.<br />
With this the just revengefull Fayrie Queene,<br />
As one that had conceaued Anger deepe,<br />
And therefore ment to execute her teene,<br />
Resolvde to caste mee in a deadlie sleepe,<br />
15 No other (sentence) coulde decorum keepe:<br />
For Justice sayth, that where the eie offended,<br />
Upon the eye the lawe should be extended.<br />
Thus haue I longe abode, without compassion,<br />
The rygor which that wrathefull Judge required;<br />
20 Till now a straung and suddaine alteration<br />
Declares the date of my distres expired: {Euph. 1<br />
222 1.17)<br />
0 peareles Prince! 0 presence most desired!<br />
By whose sole resolution this ys found,<br />
That none but Princes, Princes mindes expounde.<br />
25 In lue whereof, though far beneath your merrit,<br />
Accept this woorthles meede that longes thereto,<br />
It is your owne; and onlie you may weare it,<br />
The farry queene geue(s) euerie one his due,<br />
For she that punisht me rewardeth you;<br />
,30 As for us heare, who nothing haue to paie,<br />
It is ynough for poore men if they pray.<br />
Ccelumq' solumq' beavit.<br />
FINIS.<br />
15 sentence] Hamper and Nichols leave a blank, as in the original<br />
(Euph. i.<br />
189.1.14)
458<br />
ENTERTAINMENTS<br />
<strong>THE</strong> SONGE AFTER DINNER AT <strong>THE</strong> TWO LADIES<br />
ENTRANCE.<br />
To that Grace that sett us free,<br />
Ladies let us thankfull be;<br />
All enchaunted cares are ceast, 5<br />
Knightes restored, we releast;<br />
Eccho change thie mournefull song,<br />
Greefes to Groues and Caues belong;<br />
Of our new deliuerie,<br />
Eccho, Eccho, certifie. 10<br />
Farwell all in woods that dwell,<br />
Farwell satyres, nymphes farewell;<br />
Adew desires, fancies die,<br />
Farwell ail inconstancie.<br />
Nowe thrice welcome to this place, 15<br />
Heauenlie Goddesse! prince of grace !<br />
She hath freed us carefull wightes,<br />
Captiue Ladies, Captiue Knightes.<br />
To that Grace that sett us free,<br />
Ladies let us thankfull bee. 20<br />
FINJS.<br />
<strong>THE</strong> LADIES THANKESGEUING FOR <strong>THE</strong>IRE DELIUERIE FROM<br />
UNCONSTANCIE.<br />
Most excellent! shall I saie Ladie or Goddess ! whom I should<br />
enuie to be but a Ladie, and can not denie to haue the power of 25<br />
a Goddesse; vouchesafe to accept the humble thankfulnes of vs<br />
late distressed Ladies, the pride of whose witts was justlie punished<br />
with the unconstancie of ouer willes, wherebie we were carried to<br />
delight, as in nothing more than to loue, so in nothing more than<br />
24 Most excellent . . . Semper eadem (p. 463)] forms the sixth piece in 'The<br />
Phoenix Nest,' 1593, with title l An Excellent Dialogue betweene Constancie and<br />
Inconstancie: as it was by speech presented to her maiestie, in the last Progresse at<br />
Sir llenrie Leighes house; The speech here called The Ladies Thankesgeuing is<br />
there preceded by the prefix Constancie as if part of the following dialogue•,<br />
though here both Thanksgiving and preceding Song are proper to others than<br />
the two Ladies 26 vs Phœt. Nest: the Hamper fr. MS. 28 willes] wits Ph.<br />
jV. 29 more than] so much as Ph. N.
AT QUARRENDON 459<br />
to chaunge louers; which punishment, though it were onlie due to<br />
our desertes, yet did it light most heauily upon those Knightes,<br />
who, following us with the heate of theire affection, had neither<br />
grace to gett us, nor power to leaue us. Now since, by that<br />
5 mortall power of your more than humane wisdome, the enchaunted<br />
tables are read, & both they & we released, let us be punished<br />
with more than unconstancie if we fayle eyther to loue Constancie,<br />
or to eternize your memorie.<br />
LIBERTY. Not to be thankfull to so greate a person, for so greate<br />
10 a benefite, might argue as little judgement as ill nature; and therefore,<br />
though it be my turne to speake after you, I will striue in<br />
thankfulnes to goe before you, but rather for my lybertie, because<br />
I may be as I lyste, than for anie minde I haue to be more constant<br />
than I was.<br />
15 CONSTANCY. If you haue no minde to be constant, what ys the<br />
benefite of your deliuerie ?<br />
Li. As I sayd before, my liberties, which I esteeme as deare as<br />
my selfe; for, though I esteme unconstancie, yet I must hate that<br />
which I loue best, when I am once inforced unto yt; and, by your<br />
20 leaue, as dayntie as you make of the matter, you would hate euen<br />
your owne selfe yf you were but wedded unto your selfe.<br />
Co. Selfe loue ys not that loue that we talke of, but rather the<br />
kinde knitting of twoe hartes in one, of which sorte yf you had<br />
a faithfull louer what should you lose by being faithfull unto him ?<br />
25 Li, More than you shall gett by being so.<br />
Co. I seeke nothing but him to whom I am constant.<br />
Li. And euen him shall you lose by being constant.<br />
Co. What reason haue you for that ?<br />
Li. No other reason than that which is drawen from the comon<br />
30 places of Loue, which are for the most parte Reason beyond Reason.<br />
2 desertes] discents Ph. N. 5 more than bef mortall Ph. N. 8 eternize]<br />
alienize Ph. N. 9 LIBERTY] SO Hamper translates Li. of MS.: Inconstancie Ph.<br />
N. throughout 11 turne] place Ph. N. 12 yet aft. but Ph. N. 15 CON<br />
STANCY] Co. H. N. 17 sayd] tolde you Ph. N. libertie Ph. N. esteeme as<br />
deare as J loue better than Ph. N. 18 esteme] loue Ph. N. unconstancie ...<br />
must] inconstancie as my selfe, and had as leeue not be, as not be vnconstant;<br />
yet can I not but Ph. N. 19 best om. Ph. A r . when . . . once] but<br />
when I am Ph. N. 20-1 you would . . . owne] I am perswaded that you<br />
would euen hate your Ph. N. 23 kinde] kinde of Ph. N. 24 faithfull 2<br />
Ph. N.: unconstant Hamper and Nichols
460 . ENTERTAINMENTS<br />
Co. You may better call them Reason without Reason, if they<br />
conclude that faith & lotie the more they are the lesse they shall<br />
flnde.<br />
Li. Will you beleue your own experience ?<br />
Co. Far beyonde your reason. 5<br />
Li. Haue you not then founde among your louers that they<br />
(Enph.il woulde flie you when you did most followe them, & follow you<br />
l-iPo^ms when you did most fly them ?<br />
vol. iii. 474 Co. I graunt I haue founde it true in some, but nowe I speake of<br />
' 2 -3) a constant Louer in deede. 10<br />
Li. You may better speake of him, than finde him, but the onlie<br />
way to haue him is to be unconstant.<br />
Co. How so ?<br />
(Euph. i. Li. I haue heard Philosophers saye that Acquinto termino cessat<br />
' 35) motus. There is no motion, and you know Loue is a motion, but it 15<br />
resteth, or rather dieth, when it hath gotten his end. Now Loue ys<br />
dull without feare of loosing, which can not be where there are no<br />
rivalls.<br />
Co. It were against nature for her, which is but one, to loue more<br />
than one; and if it be a fault to beare a double harte, what is it to 20<br />
devide the harte among manie ?<br />
Li. I aske no other judge than Nature, especiallie in this matter<br />
of Loue, than the whiche there is nothing more naturall; and, as<br />
farr as I can see, Nature is delighted in nothing so muche as in<br />
varietie. And it were harde that sence she hath appoynted varietie 25<br />
of coullers to please the eye, varietie of soundes for the eare, variete<br />
of meates for euerie other sence, she should binde the harte, to the<br />
which all the rest do seruice, to the loue of one; rather than the<br />
1 rather Ph. N. 2 that loue and faith Ph. N. are] haue Ph. N.<br />
6 amongst Ph. N. 7 when ... mostj if you do but Ph. N. most aft.<br />
you* Ph. N. 8 did] do Ph. N. 9 too bef. true Ph. N. I now Ph. N.<br />
14 Acquisitio Hamper and Nichols: Inquisito Ph. N. 16 resteth] ceaseth<br />
Ph. N. 16-7 Now ... be] and to say the truth, loue hath no edge when it is<br />
assured, whose verie foode and life is hope, and hope of hauing, is dull without the<br />
feare of loosing, Ph. N. 19 Co. It] bef. this speech Ph.N. inserts Const.<br />
But the more constant he flndes me, the more carefull he will be to deserue well of<br />
me. Inconst. You deceiue your selfe with that conceite, and giue him no small<br />
aduantage to range where he listeth, when you let him know that you are at his<br />
deuotion, whom you shall be sure to haue at yours, if by an indifferent cariage of<br />
your selfe, you breede an emulation betweene him and others. 23 the om.<br />
Ph. N. 23-4 as farr as] surely for any thing that Ph. N. 24 delighieth<br />
Ph. N. . 26 to please] for Ph. N. 27 for] for the mouth, and varietie<br />
of other things for Ph. N. the 2 om. Ph. N. 28 rather than] any<br />
more, than she bindeth Ph. N.
AT QUARRENDON 461<br />
eye to one couller, the eare to one sounde, or the mouth to one<br />
kinde of meate.<br />
Co. Neyther doth she denie the harte varietie of choyce, she onely<br />
requireth Constancie when it hath chosen.<br />
5 Li. What yf we comitt an error in our choyse ?<br />
Co. It is no error to chuse where wee like.<br />
Li. But if our lyking varrie may we not be better aduised ?<br />
Co. When you haue once chosen, you must tourne your eyes<br />
inwarde to looke onlie on him that you haue placed in your harte.<br />
10 Li. Whie then I perceaue you haue not yet chosen, for your eyes<br />
looke outwardes; but, as long as your eyes do stande in your heade<br />
as they doe, I doubt not but to finde you inconstant.<br />
Co. I doe not denie but I loke upon other men, besides him that<br />
I loue best, but they are all as dead pictures unto me, for anie power<br />
15 they haue to touch mine harte.<br />
Li. If they were as you account them, but dead pictures, they<br />
were lykelie to make another Pigmalion of you, rather than you<br />
would be botinde to the loue of one. But what if that one do proue<br />
inconstant ?<br />
20 Co. I had rather the fault should be his than mine.<br />
Li. It is a coulde comforte to saie the fault is his, when the<br />
losse ys youres. But how can you avoyde the fault that may helpe<br />
it, & will not ?<br />
Co. I see no way to helpe it, but by breach of faithe, which I holde<br />
25 dearer than my lyfTe.<br />
Li. What is the band of thy faith ?<br />
Co. My worde.<br />
Li. Your worde ys winde, & no sooner spoken than gonne.<br />
Co. Yet doth it binde to see what is spoken donne.<br />
3° Li. You can do lyttle yf you cannot maister your worde.<br />
Co. I should do lesse yf my worde did not maister me.<br />
Li It maisters you in deede, for it makes you a slaue.<br />
Co. To none but one whome I chuse to serue.<br />
Li. It is basenes to serue though it be but one.<br />
35 Co. More base to dissemble with more than one.<br />
4 requires Ph. N. 6 error] fault Ph. N. 11 do om. Ph. K<br />
13 other men] others Ph. N. 14 as om. Ph. N. 15 my Ph. N.<br />
16 were but (as you account them) Ph. N. 16-7 they ... to] I do<br />
not doubt, but they would Ph. N. 18 onely aft. one 1 Ph. N. do om.<br />
Ph. N. 20 had] would Ph. N. 21 coulde] small Ph. N. 22<br />
that may] who can Ph. N. 26 your Ph. N. 28 but bef, winde Ph., N.
462 ENTERTAINMENTS<br />
Li. When I loue all alyke I dissemble with none.<br />
Co. But if I loue manie will anie loue me ?<br />
Li. No doubt they will, & so much the more by howe much the<br />
more they are that serue for you.<br />
Co. But the harte that is euerie where, is in deede no where. 5<br />
Li. If you speake of a mannes harte I graunt it; but the harte of<br />
a woman is lyke a soule in a bodie: Tota in toto, et iota in qualibet<br />
parte. So that, although you had as manie loners as you haue<br />
fingers and toes, you might be one among them all, and yett wholy<br />
euerie ones. But, sence I perceiue you are so peruersely deuoted to 10<br />
the could synceritie of ymaginarie constancie, I leaue you to be as<br />
you maye, minding meeselfe to be as I liste.<br />
Neuerthelesse to your Ma tie by whom I was sett at libertie, in<br />
token of my thankfullnes, I offer this simple woorke of mine owne<br />
handes, which you may weare as you please; but I made them to be 15<br />
(Euph. i. worne, after mine owne minde, loose.<br />
179 11. 8, 9) co And I,who by your coming am not only sett at libertie, but<br />
made partaker also of Constancie, do present you with as vnworthie<br />
a work of mine owne handes; which yett I hope you will better<br />
accept, because it may serue to binde the loosenes of that incon- 20<br />
stant Dames token.<br />
Li. To binde the loosenes & that of an inconstant Dame! Say<br />
no more than you knowe, for you cannot knowe so much as I feele.<br />
(Saph. i. 4. Well may we betray ourselues betweene ourselues, and think we<br />
.41sqq.;4.65sqq., all. But now a greater 25<br />
lI 5) power than eyther your or my reason woorketh in me, & draweth me<br />
from the circle of my fancies to the centre of true Loue; there representing<br />
unto me what contentment it is to loue but one, & howe<br />
the heart is satisfied with no number, when once it loueth more than<br />
one. I am not, I cannot be, as I was; the leaue that I take 3°<br />
1 I (bis)] you Ph. N. 3 they] there Ph. N. 4 serue] striue Ph. N.<br />
6 to be true aft. it Ph. N. but] but as for Ph. N. 7 is] it<br />
is Ph. N. 8 So that, although] that though Ph. N. 9 but one amongst<br />
Ph.N. TO sence ... so] because I see you are Ph.N. 12 minding]<br />
and purpose Ph. N. 13 was... at] haue obtained this Ph. N. 15<br />
them] it Ph. N 16 after . .. minde transposed with to be worne Ph. N.<br />
18 vnworthie Ph.N.: woorthie Hamper and Nichols 20 will Ph.N. 23<br />
cannot knowe] knowe not Ph. N. 24 bewray Ph. N. and think] as<br />
thinking Ph. N. 25 neuer ... when] said nothing, vntill Ph. N 26<br />
eyther om. Ph. N. worketh in me transposed with than your... reason<br />
Ph. N. &] which Ph. N. 27 circle of my Ph. N.: om.IIamper and<br />
Nichols true true] constant Ph. N. 29 the heart] desire Ph. N.<br />
loueth] delighteth in Ph. N. 30 Bef. I 1 Ph. N. places new prefix<br />
Const. leaue Ph. N: loane H. N. did bef. take Ph. N.
AT QUARRENDON 463<br />
of my selfe, is to leaue myselfe, & to chaunge, or rather to be<br />
chaunged, to that state which admitteth no change, by the secrett<br />
power of her who though she were content to lett us be carried<br />
almost owt of breth by the winde of Inconstancie, dothe nowe with<br />
5 her scilence put mee to scilence; & with the gloriouse beame of<br />
her countenaunce, which disperceth the flying cloudes of vaine concedes,<br />
enforceth me to wishe others, & to be myselfe, as shee is—<br />
Semper eadem.<br />
Finis of this Dialogue.<br />
10 <strong>THE</strong> LAST SONGE.<br />
Happie houre, happie daie,<br />
That Eliza came this waie!<br />
Greate in honor, great in place,<br />
Greater yet in geving grace,<br />
15 Greate in wisdome, great in minde,<br />
But in bothe aboue her kinde,<br />
Greate in vertue, greate in name,<br />
Yet in power beyond her fame.<br />
Happie houre, happie daie,<br />
20 That Eliza came this waie !<br />
25<br />
She, with more than graces grace,<br />
Hath made proude this humble place,<br />
She, with more than wisdomes head,<br />
Hath enchaunted tables read,<br />
She, with more than vertues mighte,<br />
Hath restorid us to right.<br />
Happie houre, happie daie,<br />
That Eliza came this waie !<br />
Heauie harted Knightes are eased,<br />
30 And light harted Ladies pleased,<br />
Constant nowe they vowe to be,<br />
Hating all inconstancie.<br />
Constant Piller, constant Crowne,<br />
Is the aged Knightes renowne.<br />
I is . . . myselfe om. Hamper and Nichols 2 estate Ph. N. 3 who]<br />
which Ph. N. us] me Ph. N. 4 by] with Ph. N. with] in Ph. N.<br />
5 with . .. beame] by the glorie Ph. N. 7 enforceth . .. wishe] commands<br />
me too with Ph»N*
464 ENTERTAINMENTS<br />
Happie houre, happie daie,<br />
That Eliza came this waie!<br />
FINIS.<br />
<br />
<strong>THE</strong> SECOND DAIES WOORKE WHERE <strong>THE</strong> CHAPLAYNE MAKETH 5<br />
THIS RELATION.<br />
Da mihi qtiicqiud habes, animumq' fidemq' manumq'<br />
Hec tria si mihi des, das mihi quicquid hades.<br />
Elizce. laudes, et vox et lingua loqimtur.<br />
<strong>THE</strong> ORATION. 10<br />
Most excellent Princes! Princes of excellencie! whom God<br />
framed in heauen to grace his woorkmanshippe on earth, & whose<br />
gratiouse abiding with us belowe is priuileged by the singular grace of<br />
God aboue ! Vouchsafe, I beseeche you, from the matcheles heighte<br />
of your royall graces, to loke downe on the humble dwelling of an 15<br />
owlde Knight, now a newe religiouse Hermite; who, as heretofore<br />
he professed the obedience of his youthe, by constant seruice of the<br />
worldes best Creature, so at this present presentethe the deuotion of<br />
his yeares by continuali seruing of the worldes onlie Cre(a)tor. In<br />
the one, kind judgment was the usher, & beleefe the follower of his 20<br />
sounde loue: in the other, meditation is the forerunner, & zeale<br />
the usher, of this streite lyfe. This solitary man, Loricus, for such<br />
is his condicion & so is he called, one whose harde aduentures were<br />
once discouered, and better fortune foreshewed, by a good father of<br />
his owne coate, not farr from this Coppies, rann the restles race of 25<br />
desire, to seeke content in the state pf perfections ; comaunding his<br />
thoughtes & deedes to tender theire dutie & make solemne sacrifices<br />
to the Idoll of his harte, in as manie partes as his minde had passions,<br />
yet all to one ende, because all from one grounde, to wit, the<br />
consent of his affections. Sometymes he consorted with couragious 30<br />
gentelmen, manifesting inward joyes by open justes, the yearlie<br />
tribute of his dearest Loue. Somtimes he summoned the witnesse<br />
of depest conceiptes, Himmes & Songes & Emblemes, dedicating<br />
them to the honor of his heauenlye Mistres. Sometymes by lyking
AT QUARRENDON 465<br />
drawen to looking, he lost himselfe in the bottomles vewe of unparragonized<br />
vertues, eche good ymagination ouertaking other with<br />
a better, and the best yelding a degree aboue the best, when they<br />
all were deemed too weake for her woorth which ouerweyeth all<br />
5 worthinesse.<br />
Thus spent he the florishe of his gladdest dayes, crauing no<br />
rewarde ells, but that he might loue, nor no reputation beside but<br />
that he might be knowne to Loue; till the two enimies of Prosperitie,<br />
Enuie and Age, (the one greuing at him, & the other grow-<br />
10 ing on him,) cutt him off from following the Cowrte, not from goyng<br />
forwarde in his course. Thence, willingly unwilling, he retired his<br />
tyred lymes into a corner of quiet repose, in this Countrie, where he<br />
lyued priuate in cœlestiall contemplation of manie matters together,<br />
and, as he once told me, seriouslie kept a verie courte in his owne<br />
15 bosome, making presence of her in his soule, who was absent from<br />
his sight. Amongst manie other exercises (whereof feruent desire<br />
ys not scant) he founde it noe small furtheraunce of diuine speculation<br />
to walke thorow by-pathes & uncoth passages, under the coole<br />
shaddowes of greene trees.<br />
20 And one daie aboue the rest, as he ranged abrode, hauing forgotten<br />
himself in a long sweet rauishment, his feete wandring astray<br />
when his mind went right, he hit by chaunce on a homelie Cell of<br />
mine which (I) had helde a little space, to my greate solace, &<br />
taking mee on a soddaine at my ordinarie Orisons;—By your leaue,<br />
2 5 verteouse Sir, quoth he, where lyes the highe-waie I pray you.<br />
Marry here, gentell Knight (sayde I) looking on my booke with<br />
mine eyes, & poyntyng up to heauen with my finger; it is the very<br />
Kinges hie-waye. You saye true in deede (quoth he) the verie<br />
Queene's hie-waye, which my harte inquired after though my tongue<br />
30 asked for another. And so, as ; t is the use with fellowe humors<br />
when they fortunately meete, we light bothe upon one argument, the<br />
universall fame of that miraculouse gouerment, which by truthe<br />
& peace, the harbengers of heauen, directeth us the verie waye to<br />
eternall blessedness. Much good discourse had we more, of the<br />
35 vanitie of the world, the uncertainetie of frendes, the unconstancie of<br />
fortune; but the upshoot of all was this, that he would become an<br />
Heremite, I should be his Chaplaine, & both joyntlie joyne in<br />
prayers for one prince, & the prayses of one god. To which purpose,<br />
because this plott pleased him, hee here forthwith erected<br />
16 execercises Hamper<br />
BOND 1 H h
466 ENTERTAINMENTS<br />
a poore Loddging or twoe, for me, himselfe, & a page, that wayteth<br />
on him, naming it when he had donne the Crowne Oratory; and<br />
therefore aduaunsed his deuise on the entrance after the Romaine<br />
(Cf. pp. fashion in a Piller of perpetuall remembraunce. But, alas! whilst<br />
End iii4 seekes to raise one buylding, hee sees the rewins of another; 5<br />
355) & whilst he shapes a monument for his minde, he feeles the miserie<br />
of his bodie, whose roofe was roughe with the mosse of greene<br />
haires, whose sides were crased with the tempestes of sicknes,<br />
whose foundacion shooke under him with the waight of an unwildye<br />
carrcasse: and when he perceaued his olde house in a man-10<br />
ner past reparacions, considering his owne unablenes, he recomended<br />
the care thereof to the conningest Architect of the Worlde, who<br />
onlie was able to pull it downe unto the earth, & raise it anewe, in<br />
better glorie than it stoode before. Then began I to call him to his<br />
former preceptes, & his latter practizes, shewing him in fewe woordes 15<br />
(for he conceaued much) that nowe was the time of tryali. A good<br />
sayler was better seene in a storme than in a calme. It was no<br />
straunge thing to lyue; for slaues lyue, and beastes lyue too. Nature<br />
had prouided him comforte, who made that most common which<br />
shee had made most greeuouse; to the ende the equallnes might 20<br />
aleye the egernes of death. To which he mildelie replied that my<br />
motions fytlie touched him, he was as desirouse to encounter with<br />
Death, as to heare of Death, for Fortitude still abode his bedfellowe.<br />
Extremitie though it could not be ouercom yet it might be<br />
ouerborne, since his Minde had secured him by fearing nothing, and 25<br />
oueriched him by desiring nothing. Hee had longe lyued in the<br />
Sea, and ment now to die in the Hauen. Hauen (saide I). Yea!<br />
the Hauen (quoth he); lett me be carried into the Hauen. Which<br />
Hauen I supposed he hadd spoken idellie, but that he eftsones<br />
repeted it, and wished to be brought to this poore houell before the 30<br />
gates. What thatt odde corner (saide I). Yes (quoth he) that<br />
corner; and angerlie broke of with this Sentence: Subsilire in coelum<br />
ex Angulo licet.<br />
So we speedelie remoued him hither, wher being softely layed he<br />
uttered these speeches softelie .-—Before I was olde, I desired to 35<br />
lyue well, and now I am olde, I desire to die well; and to die well<br />
is to die willinglie. Manie there be that wish to lyue, yet wott not<br />
how to die: lett me be theire example yf they lyke not lyfe, to lyue,<br />
to die with lyking, who neither embraced Fortune when shee flewe<br />
29 I (twice) Hamper
AT QUARRENDON 467<br />
unto mee, nor ensued Fortune when she fled from mee, nor spared<br />
niggardlie, nor spent lavishlie, whatsoeuer she bestowed on me: but<br />
since it was my singuler hope to lyue beholding to the Crowne,<br />
I accompt it my speciall joye to dye beholding the Crowne. Holy<br />
5 Crowne! hallowed by the sacrament, confirmed by the fates; thou<br />
hast been the Aucthor of my last Testament. So calling for pen<br />
and inke (which were neuer far off) he drew a formall draught of his<br />
whole will, signed & subscribed by himselfe, but witnessed by us,<br />
the compassionate spectators of that lamentable action which he had<br />
10 no sooner entituled by wayes of truste, & geuen me charge for the<br />
safe deliuering thereof, but he fell soddenlye speecheles & so continued<br />
to this houre. The stile runnethe thus: To the most renouned<br />
Queene owner of the best Croivne & crowned with the best<br />
desertes, the lyuing loue of dying Loricus. Now, most peereles<br />
15 Princes, sence there is none that can laie challenge to this tytle,<br />
except they should also challenge your vertues, which were to complaine<br />
of Nature for robbing herselfe to do you right, accept I<br />
beseeche you the offer of him who dares not offer it to anie other;<br />
& one daie no doubt but the Knight himselfe, if happilie he recouer<br />
20 (as what may not so sacred a prince promise), will say it is in a good<br />
hand, & proue the best expounder of his owne meaning. In the<br />
meane season, thoughe myne endevors must be employed about<br />
your sick seruant, yet my prayers shall not ceasse for your most<br />
gratiouse Majestie, that as you haue ouer liued the vaine hope of<br />
25 your forraine enemies, so you may outlast the kinde wishes of your<br />
loyall subjectes, which is to last to the last euerlasting. Amen.<br />
Finis.<br />
To the most renowned Queene,<br />
Owner of the best Crowne, & crowned with the<br />
30 best desertes, the lyuing Loue of dying<br />
Loricus.<br />
I Loricus, Bodie sicke,<br />
Sences sounde, Remembraunce quicke,<br />
Neuer crauing, euer seruing,<br />
35 Little hauing, lesse deseruing,<br />
Though a hartie true wellwiller<br />
Of the Crowne & crowned Piller,<br />
To that Crowne, my lyues content,<br />
Make my Will & Testament.<br />
Hh 2
468 ENTERTAINMENTS<br />
Soule! goe first to heauenlie rest;<br />
Soule the Bodies heauenlie gueste,<br />
Where, both Host & Inn decaying,<br />
Yeld the gueste no quiet staying.<br />
Bodie! back againe, departe; 5<br />
Earth thou wast, & Earth thou arte.<br />
Mortall creatures still be jurneing,<br />
From the earth to earth returning.<br />
As for anie worldlie lyuing<br />
Nothing haue I woorth the geeuing: 10<br />
Let the baser indeed take them,<br />
We which follow God forsake them.<br />
But if anie wishe to dwell,<br />
As I did, in homely Cell,<br />
Let him pull his Castells downe, 15<br />
And as I did serue the Crowne.<br />
Serue the Crowne, O Crowne deseruing,<br />
Better than Loricus seruing.<br />
In witness whereof I haue set to my<br />
hande & harte, 20<br />
LORICUS, Columnae coronatae Custos<br />
fldelissimus.<br />
In presence of us whose names are underwritten,<br />
STELLATUS, Rectoriæs Coronatæ Capellanus.<br />
RENATUS, Equitis Coronati Servus obseruantissimus. 25<br />
<strong>THE</strong> PAGE BRINGETH TYDINGS OF HIS MAISTER'S RECOUERIE,<br />
& PRESENTETH HIS LEGACIE.<br />
The suddaine recouerie of my distressed Maister, whome latelie<br />
you left in a Traunce (Most excellent Princes !) hath made me at<br />
one tyme the hastie messenger of three trothes, your miracle, his 30<br />
mending, & my mirthe. Miracles on the sicke are seldom seene<br />
without theire mending; & mending of the good ys not often seene<br />
without other mens mirth. Where your Majestie hath don a miracle,<br />
& it can not be denied, I hope I may manifest (mirth) & it shall not<br />
be disliked : for miracles are no miracles unlesse they be confessed, & 35<br />
mirth is no mirth yf it be concealed.<br />
18 than] that Hamper and Nichols
AT QUARRENDON 469<br />
May it therefor please you to heare of his life who lyues by you, &<br />
woulde not liue but to please you; in whom the sole vertue of your<br />
sacred presence, which hath made the weather fayre, & the ground<br />
fruitfull at this progresse, wrought so strange an effect and so speedie<br />
5 an alteration, that, whereas before he seemed altogether speecheles,<br />
now Motion (the Recorder of the Bodies Commonwealth) tells a<br />
lyuelie tale of health, & his Tongue (the Cocheman of the Harte)<br />
begun to speake the sweete language of affection. So tourning him<br />
selfe about to the ayre & the lyght, 0 wretched man [quoth he]<br />
10 callamities storie, lyfes delay, & deathes prisoner: with that he<br />
pawsed a while & then fixing his eyes on the Crowne, he sayd<br />
Welcom be that blessed Companie, but thrise blessed be her coming<br />
aboue the rest, who came to geue me this blessed rest!<br />
Hereat Stellatus, his Chappelaine, besought him to blesse God<br />
15 onelie, for it was Gods spirite who recouered his spirites. Truthe<br />
(quoth he again) yet whosoeuer blesseth her, blesseth God in her:<br />
and euer blessed be God for her.—The conferrence continued long,<br />
but louinglie, betwixt them; till at length upon question to whom<br />
the Will was directed, with knowledge how it was deliuered, Loricus<br />
20 publiklie acknowledged the right performance of his true meaning<br />
unto your Royall Majestie, to whom he humblie recomended the<br />
full execution thereof, & by me hath sent your Majestye this simple<br />
Legacie, which he disposed the rather whilst he yet lyueth, than lefte<br />
to be disposed after his deathe, that you might understande how he<br />
25 alwaies preferred the deed. Thus much your diuine power hath (Kycotc,<br />
performed to him, thus far his thankfulnes hath brought mee to p.485 1. 9)<br />
Your Majestic As for anie other Accomplementes, whatsoeuer<br />
Dutie yeldes to be debt, Deuotion offers to be dischardged; and if<br />
my maister's best payment be onlie good prayers, what need more<br />
30 than the Pages bare woorde, which is allwaies -Amen.<br />
<strong>THE</strong> LEGACYE.<br />
Item. I bequethe (to your Highnes) <strong>THE</strong> WHOLE MANNOR OF<br />
LOUE, & the appurtenaunces thereunto belonging:<br />
(Viz.) Woodes of hie attemptes,<br />
35 Groues of humble seruice,<br />
Meddowes of greene thoughtes,<br />
Pastures of feeding fancies,<br />
Arrable Lande of large promisses,
ENTERTAINMENTS<br />
Riuers of ebbing & flowing fauors,<br />
Gardens hedged about with priuate, for succorie, & bordered<br />
with tyme: of greene nothing but hartesease,<br />
drawen in the perfect forme of a true louers knott.<br />
Orchards stored with the best fruit: 5<br />
Queene Apples, Pome Royalls, &<br />
Soueraigne Peares.<br />
Fishing for dayntie Kisses with smyling countenances,<br />
Hawking to springe pleasure with the spanniells of kindenes.<br />
Hunting that deare game which repentance followeth. 10<br />
Ouer & beside the Royaltie: for<br />
Weftes of fearefull dispaire,<br />
Strayes of wandring conceiptes,<br />
Fellons goods of stolne delightes,<br />
Coppie Holders which allure by wittee writinges, 15<br />
Or Tennantes at will who stand upon good behauior.<br />
The Demaines being deepe sighes,<br />
And the Lordes House a pittifull harte.<br />
And this Mannor is helde in Knightes seruice,<br />
As may be gathered from the true Receauour of fayre 20<br />
Ladies, and seene in the auncient deedes of amorouse<br />
Gentelmen.<br />
All which he craueth may be annexed to his former Will,<br />
and therewith approued in the prerogatiue Courte of<br />
Your Majesties acceptance. 25<br />
In wittnes whereof I haue putt to my hande &<br />
seale;<br />
LORICUS, Columnae coronatae Custos<br />
fidelissimus.<br />
In the presence of us whose names are here 30<br />
under written:<br />
STELLATUS, Rectoriae coronatæ Capellanus.<br />
RENATUS, Equitis coronati Servus<br />
obseruantissimus.<br />
2 qy, ? trs. priuate and succorie
SPEECHES 1<br />
DELIVERED TO<br />
HER MAIESTIE THIS<br />
LAST PROGRESSE, AT <strong>THE</strong><br />
Right Honorable the Lady RVSSELS, at<br />
Bissam, the Right Honorable the Lorde<br />
CHANDOS, at Sudley, at the Right<br />
Honorable the Lord NORRIS, at<br />
Ricorte.<br />
At Oxforde, Printed by Ioseph Barnes.<br />
1592.<br />
1 EDITIONS—(1) - Q. I592-, 4°. Title as above. 12 leaver A-C4 in fours, verso of last<br />
leaf blanks No col. (Br. mus.: p,ess-mark C. 33. e. 7 (19) (under ' Elizabeth,<br />
2ueen,' &c.) : lacks title-page—a collotype reproduction inserted from some other copy—<br />
and leaf B.)<br />
(2) I592, 4 0 . Title quoted under (3).<br />
(3) =N. Reprint of (2.) in Nichols' 'Progresses,' 1788 (vol. ii), with title—Speeches<br />
deliveied to Her Majestie This Last Progresse, at the Right Honourable the<br />
Lady Russels, at Bissam; the Right Honourable the Lorde Chandos, at<br />
Sudley •, at the Right Honourable the Lord Norris, at Ricorte. At Oxforde,<br />
Printed by Joseph Barnes. 1592.<br />
(4)=Br. Reprint of (2) with modernized spelling, and Introduction Ly Sir Sam. E.<br />
Brydges (Lea Priory Press, l8l5, 4 0 ).<br />
(5) =N. Reprint of (2.) in Nichols' Second Ed. 1823 (vol. iii. pp. 130-43, 168-72).<br />
N.B.—N. in footnotes means both eds. of Nichols: the date distinguishes them where<br />
necessary.
TO <strong>THE</strong> READER.<br />
I gathered these copies in loose papers I know not how imperfect,<br />
therefore must I crave a double pardon; of him that penned them,<br />
and those that reade them. The matter of small moment, and<br />
therefore the offence of no great danger. 5<br />
I Followed<br />
(AT BISHAM.)<br />
At the top of the Hill going to Bissam, the<br />
Cornets sounding in the Woods, a<br />
wilde man came forth and vt- 10<br />
tered this speech.<br />
this sounde, as enchanted; neither knowing the reason<br />
why, nor how to bee ridde of it: vnusuall to these Woods, and<br />
(I feare) to our gods prodigious. Syluanus whom I honour, is runne<br />
into a Caue : Pan, whom I 'enuye, courting of the Shepheardesse: 15<br />
Enuie I thee Pan ? No, pitty thee, an eie-sore to chast Nymphes;<br />
yet still importunate: Honour thee Syluanus ? No, contemne thee:<br />
•fearefull of Musicke in the Woods, yet counted the god of the<br />
Woods. I, it may bee more stout, than wise, asked, who passed<br />
that way ? what he or shee ? none durst answere, or would vouch- 20<br />
safe, but passionate Eccho, who saide Shee. And Shee it is, and<br />
you are Shee, whom in our dreames many yeares wee Satyres haue<br />
seene, but waking could neuer finde any such. Euery one hath<br />
tolde his dreame and described your person, all agree in one, and<br />
set downe your vertues: in this onely did wee differ, that some saide 25<br />
(Euph. ii. your Pourtraiture might be drawen, other saide impossible: some<br />
203-5,211) thought your vertues might be numbred, most saide they were<br />
infinite: Infinite, and impossible, of that side was I: and first in<br />
1-6 To the Reader.,. danger. I.B. not in Q; may have occupied verso of lost<br />
title-page, A ij begins with the Bisham speeches<br />
I.B.
AT BISHAM 473<br />
humility to salute you most happy I: my vntamed thoughts waxe<br />
gentle, & I feele in my selfe ciuility, A thing hated, because not<br />
knowen, and vnknowen, because I knew not you. Thus Vertue<br />
tameth fiercenesse, Beauty, madnesse. Your Maiesty on my knees<br />
5 will I foliowe, bearing this Club, not as a Saluage, but to beate<br />
downe those that are.<br />
At the middle of the Hill sate PAN, and two<br />
Virgins keeping sheepe, and sowing in<br />
their Samplers, where her Maie-<br />
10 stye stayed and heard this.<br />
Pan. pRety soules and bodies too, faire shephardisse, or sweete<br />
L Mistresse, you know my suite, loue, my vertue,<br />
Musicke, my power, a godhead. I cannot tickle the sheepes gutts<br />
of a Lute, bydd, bydd, bydd, like the calling of Chickins, but for {Mid. iv.<br />
15 a Pipe that squeeketh like a Pigg, I am he. How doe you burne 1.129-31)<br />
time, & drowne beauty in pricking of clouts, when you should bee 2241. 5;<br />
penning of Sonnets ? You are more simple than the sheepe you 320 1.1;<br />
keepe, but not so gentle. I loue you both, I know not which best, i. 3, 60)<br />
and you both scorne me, I know not which most. Sure I am, that (Euph.ii133 11.3-•<br />
20 you are not so young as not to vnderstand loue, nor so wise as to 4)<br />
withstand it, vnlesse you think your selues greater tha gods, whereof<br />
I am one. Howe often haue I brought you Chestnuts for a loue<br />
token, & desired but acceptance for a fauour. Little did you knowe<br />
the misterye, that as the huske was thornye and tough, yet the meate (Euph. ii.<br />
I32 ll.13-<br />
25 sweete, so though my hyde were rough and vnkempt, yet my heart<br />
was smooth and louing: you are but the Farmers daughters of the<br />
Dale, I the God of the flocks that feede vpon the hils. Though<br />
I cannot force loue, I may obedience, or else sende your sheepe (End.v.3.<br />
a wandring, with my fancies. Coynesse must be reuenged with 2 3 2)<br />
30 curstnesse, but be not agaste sweet mice, my godhead cometh so<br />
fast vpon me, that Maiestye had almost ouerrun affectio, Can you<br />
loue ? Wil you ?<br />
Syb. Alas poore Pan, looke how he looketh Sister, fitter to drawe (Cowd. p.<br />
in a Haruest wayne, then talke of loue to chaste Virgins, WQuld you 4 22 l • 2 5)<br />
35 haue vs both?<br />
Pan. I, for oft I haue hearde, that two Pigeons may bee caught (Euph. ii.<br />
173 1. 23<br />
with one beane.<br />
14 itals. first in Nuhols 23 acquaintance Bn 25 vnkempt] hateful N(1823)
474 ENTERTAINMENTS<br />
Isab, And two Woodcocks with one sprindge.<br />
Syb And many Dotterels with one dance.<br />
Isab. And all fooles with one faire worde. Nay, this is his<br />
meaning; as he hath two shapes, so hath he two harts, the one of<br />
(End. ii. 2. a man wherewith his tongue is tipped, dissembling; the other of a 5<br />
6-8) beast, wherewith his thoughts are poysoned, lust. Men must haue<br />
as manie loues, as they haue hart-strings, and studie to make an<br />
Alphabet of mistresses, from A. to Y. which maketh them in the<br />
end crie, Ay. Against this, experience hath prouided vs a remedy,<br />
to laugh at them when they know not what to saie, and when they 10<br />
speake, not to beleeue them.<br />
Pan. Not for want of matter, but to knowe the meaning, what is<br />
wrought in this sampler ?<br />
{Euph. i. Syb. The follies of the Gods, who became beastes, for their affec-<br />
236 11.1c- tions.<br />
17; Gall. 15<br />
ii. 2.19- Pan. What in this ?<br />
20) Isab. The honour of Virgins who became Goddesses, for their<br />
chastity.<br />
Pan. But what be these ?<br />
Syb. Mens tongues, wrought all with double stitch but not one 20<br />
true.<br />
Pan. What these?<br />
(Theob. Isab. Roses, EglStine, harts-ease, wrought with Queenes stitch,<br />
Wpp. 4I7-8) and all right.<br />
Pan. I neuer hard the odds betweene mens tongues, and 25<br />
weomens, therefore they may be both double, vnlesse you tell mee<br />
how they differ.<br />
(Camp.iv. Syb. Thus, weomens tongues are made of the same flesh that<br />
2.24) their harts are, and speake as they thinke : Mens harts of the flesh<br />
2. 52-6) that their tongues, and both dissemble, But prythy Pan be packing, 30<br />
thy words are as odious as thy sight, and we attend a sight which is<br />
more glorious, then the sunne rising.<br />
Pan. What doth Iupiter come this waies ?<br />
Syb. No, but one that will make Iupiter blush as guilty of his<br />
vnchast iugglings; and Iuno dismaide, as wounded at her Maiesty. 35<br />
What our mother hath often tolde vs, and fame the whole world,<br />
cannot be concealed from thee; if it be, we wil tell thee, which may<br />
hereafter make thee surcease thy suite, for feare of her displeasure,<br />
and honour virginitye, by wondering at her vertues.<br />
9 Ay itals. first N. 33 does N,
AT BISHAM 475<br />
Pan. Say on sweete soule!<br />
Syb. This way commeth the Queene of this Islande, the wonder (Cowdray,<br />
423 ;<br />
of the world, and natures glory, leading affections in fetters, Vir- pz<br />
ginities slaues: embracing mildnes with Iustice, Maiesties twinns. 44-5)<br />
5 In whom nature hath imprinted beauty, not art paynted it; in<br />
whome wit hath bred learning, but not without labour; labour<br />
brought forth wisedome, but not without wonder. By her it is {Pan)<br />
that all our Carttes that thou seest, are laden with Corne, when in (Euph. ii.<br />
other countries they are filled with Harneys: that our horses are ' 21011.14-<br />
10 ledde with a whipp, theirs with a Launce: that our Riuers flow with<br />
fish, theirs with bloode: our cattel feede on pastures, they feede on<br />
pastures like cattel: One hande she stretcheth to Fraunce, to weaken<br />
Rebels; the other to Flaunders, to strengthen Religion; her heart<br />
to both Countries, her vertues to all. This is shee at whom Enuie<br />
15 hath shott all her arrowes, and now for anger broke her bow, on<br />
whom God hath laide all his blessinges, & we for ioy clappe our<br />
hands, heedlesse treason goeth hedlesse; and close trechery restlesse:<br />
Daunger looketh pale to beholde her Maiesty; & tyranny<br />
blusheth to heare of her mercy. Iupiter came into the house of Euph. ii.<br />
20 poore Baucis, & she vouchsafeth to visite the bare Farmes of heracap.811.9 ;<br />
subiects. We vpo our knees, wil entreat her to come into the valley, p.rol. 2;<br />
that'ur houses may be blessed with her presence, whose hartes are Elurth.p.<br />
filled with quietnes by her gouemement. To her wee wish as many<br />
yeares, as our fieldes haue eares of corne, both infinite: and to her<br />
35 enemies, as many troubles, as the Wood hath leaues, all intolerable.<br />
But whist, here shee is, run downe Pan the hill in all hast, and<br />
though thou breake thy necke to giue our mother warning, it is no<br />
matter.<br />
Pan. No, giue me leaue to die with wondring, & trippe you to<br />
30 your mother. Here I yeelde all the flockes of these fields to your<br />
highnes: greene be the grasse where you treade: calme the water<br />
where you rowe: sweete the aire, where you breathe : long the life<br />
that you Hue, happy the people that you loue: this is all I can wish.<br />
During your abode, no theft shalbe in the woods: in the fielde no<br />
35 noise, in the vallies no spies, my selfe will keepe all safe : that is all<br />
I can offer. And heare I breake my pipe, which Apollo could (Mid. iv.<br />
neuer make me doe; and follow that sounde which followes you. I,24-5)<br />
8 thon Q 17 hedlesse] heedless Br. 26 whist,] whilst N, Br.<br />
34 fields N. Br.
ENTERTAINMENTS<br />
At the bottome of the hill, entring into the<br />
hous CERES with her Nymphes in an haruest<br />
Cart, meete her Maiesty, hauing a<br />
Crowne of wheat-ears with a Iewell,<br />
and after this song, vttered 5<br />
the speech following.<br />
Swel Ceres now, for other Gods are shrinking,<br />
Pomona pineth,<br />
Fruitksse her tree ;<br />
Faire Phoebus shineth 10<br />
Onely on mee,<br />
Conceite doth make me smile whilst I am thinking,<br />
How euery one doth read my story,<br />
How euery bough on Ceres lowreth,<br />
Cause heauens plenty on me powreth, 15<br />
And they in leaues doe onely glory,<br />
All other Gods of poiver bereuen,<br />
Ceres only Queene of heauen.<br />
With Robes and flowers let me be dressed,<br />
Cynthia that shineth, 20<br />
Is not so cleare,<br />
Cynthia declineth,<br />
When I appeere,<br />
Yet in this lie shee raignes as blessed,<br />
And euery one at her doth wonder, 25<br />
And in my eares still fonde Fame ivhispers,<br />
Cynthia shalbe Ceres Mistres,<br />
But first my Carre shall riue a sunder,<br />
{The cart parts in the middle.)<br />
Helpe Phcebus helpe ! my fall is suddaine; 3°<br />
Cynthia, Cynthia, must be soueraigne.<br />
GReater then Ceres, receiue Ceres Crowne, the ornament of my<br />
plenty, the honour of your peace, heere at your highnes feete,<br />
I lay downe my feined deity, which Poets haue honoured, truth<br />
contemned. To your Maiesty whome the heauens haue crowned 35<br />
12 while N. 15 heauen Eng Hel. 28 in sunder. Eng. Hel.
AT BISHAM 477<br />
with happines, the world with wonder, birth with dignitie, nature<br />
with perfection, we doe all Homage, accounting nothing ours but<br />
what comes fro you. And this muche dare we promise for the Lady<br />
of the farme, that your presence hath added many daies to her life,<br />
5 by the infinite ioies shee conceyues in her heart, who presents your<br />
highnesse with this toye and this short praier, poured from her hart,<br />
that your daies may increase in happines, your happines haue no<br />
end till there be no more daies.<br />
(AT SUDELEY.)<br />
IO At her Majesties entrance into the Castle, an olde<br />
Shepheard spake this saying:<br />
Vouchsafe to heare a simple shephard: shephards and simplicity<br />
cannot part. Your Highnes is come into Cotshold, an uneven<br />
country, but a people that carry their thoughtes, levell with their<br />
15 fortunes; lowe spirites, but true harts; using plaine dealinge, once<br />
counted a jewell, nowe beggery. These hills afoorde nothing but<br />
cottages, and nothing can we present to your Highnes but shephards.<br />
The country healthy and harmeles; a fresh aier, where there<br />
are noe dampes, and where a black sheepe is a perilous beast; no<br />
20 monsters; we carry our harts at our tongues ends, being as far from<br />
dissembling as our sheepe from fiercenesse; and if in any thing<br />
we shall chance to discover our lewdnes, it will be in over boldnesse,<br />
in gazinge at you, who fils our harts with joye, and our eies<br />
with wonder. As for the honoreble Lord and Lady of the Castle,<br />
2$ what happines they conceive, I would it were possible for themselves<br />
to expresse; then should your Majestie see, that al outwarde<br />
enterteinment were but a smoake rising from their inward affections,<br />
which as they cannot be seene, being in the hart, so can<br />
they not be smoothred, appearing in their countenance. This lock<br />
30 of wooll, Cotsholdes best fruite, and my poore gifte, I offer to your<br />
Highnes; in which nothing is to be esteemed, but the whitenes,<br />
virginities colour; nor to be expected but duetye, shephards<br />
religion.<br />
Sunday, APOLLO running after DAPHNE, a Shepheard<br />
35 following uttering this :<br />
10 At... Apollo, my distresse, and (p.. 478 I. 37) supplied from N., the leaf B<br />
being wanting in Q 25 thlmselves] them Br. 28-9 they cannot be Br.
478 ENTERTAINMENTS<br />
Nescis temeraria ; ncscis<br />
Quern fugias; ideoque fugis.<br />
(Saph. ii. A short tale, but a sorrowfull; a just complaint, but remedelesse.<br />
4.40) I loved (for shephardes have their Saints), long I loved (for Beauty<br />
bindeth prentices), a Nymph most fairc, and as chast as faire, yet 5<br />
not more faire then I unhappy. Apollo, who calleth himselfe a<br />
God (a title among men, when they will commit injuries (to)<br />
tearme themselves Gods), pursued my Daphne with bootelesse love,<br />
and me with endlesse hate; her he woed, with faire wordes, the<br />
flatteries of men; with great gifts, the sorceries of Gods; with cruell 10<br />
threates, the terrefiing of weake damosels. Nee prcce nee pretio nec<br />
movet ilk minis. Me he terrified with a monstrous word, metamorphosing,<br />
saying that he would turne me into a woolfe, and of a<br />
shepheard make me a sheepe-biter; or into a cockatrice; and cause<br />
mine eies, which gazed on her, to blind hers, which made mine 15<br />
(Saph. ii. dazell; or to a molde, that I should heare his flattering speech, but<br />
(Throb. P. never behold her faire face : Tantœne animis ca'lestibus irœ ? Some-<br />
417) times would he allure her with sweete musicke, but harmony is harsh<br />
when it is lusts broaker; often with promise of immortality, but<br />
chastetye is of itselfe immortall; ever pursuing her with swiftnes, 20<br />
but Vertue tying wings to the thoughts of virgins, swiftnes becommeth<br />
surbated. Thus lived he twixt love and jelousy; I twixt love<br />
and danger; she twixt feare and vertue. At last and alas, this day,<br />
I feare of all my joyes the last, I cannot as a Poet (who describing<br />
the morning, and before he tell what it is make it night) stand on 25<br />
the time; Love coyneth no circumloquutions; but by the sunne,<br />
a Shepheardes diall, which goeth as true as our harts, it was four of<br />
the clocke, when she, flying from his treason, was turned into a tree;<br />
which made me stand as though I had bene turned into a stone, and<br />
Apollo so enchanted as wounded with her losse, or his owne 30<br />
crueltye: the fingers, which were wonte to play on the lute, found<br />
no other instrument then his owne face; the goulden haire, the pride<br />
of his heade, pulde off in lockes, and stampt at his feete; his sweete<br />
voice, turned to howling; and there sitteth he (long may he sorrowe)<br />
wondring and weeping, and kissing the lawrell, his late love, and 35<br />
mine ever. Pleaseth your Majestye to viewe the melancholy of<br />
Apollo, my distresse, and Daphnes mischance, it may be the sight<br />
of so rare perfectiO, will make him die for griefe, which I wish, or<br />
Daphne returoe to her olde shape, which must be your wounder;<br />
25 the careless grammar is in Q 39 wonder Br,
AT SUDELEY 479<br />
if neither, it shal content me that I haue reuealed my griefes, and<br />
that you may beholde his.<br />
This speech ended, her Maiesty sawe APOLLO<br />
with the tree, hauing on the one side<br />
5 one that sung, on the other one<br />
that plaide.<br />
S ing<br />
you, plaie you, but sing and play my truth,<br />
This tree my lute, these sighes my notes of ruth:<br />
The Lawrcll leafe for eucr shall bee greene,<br />
io And chastely shalbe Apolloes Queene,<br />
If gods maye dye, here shall my tombe be plaste,<br />
And this engrauen, 'Fonde Phoebus, Daphne chaste!<br />
After these verses, the song.<br />
M<br />
Y hart and tongue were tiv'umes, at once conceaued;<br />
The eldest was my hart, borne dumbe by destcnie,<br />
{Camp iv.<br />
2 poem^''<br />
The last my tongue, of all sweete thoughts bereaued, passim)<br />
Yet strung and tunde, to play harts harmonic.<br />
Both knit in one, and yet asunder placed,<br />
What hart would speake, the tongue doeth still discouer ;<br />
20 What tongue doth speake, is of the hart embraced,<br />
And both are one to make a new found louer:<br />
New foundc, and onely founde in Gods and Kings, {Camp.W.<br />
Whose words are deedes, but deedes nor ivords regarded:<br />
Chaste thoughts doe mount, and she with siviftest wings1<br />
25 My louc with paine, my paine with losse rewarded:<br />
2.80,90-<br />
Engraue ipon this tree, Daphnes perfection,<br />
That neither men nor gods, can force affection. {End v. 3.<br />
232)<br />
The song ended, the tree riued, and DAPHNE issued<br />
out, APOLLO ranne after, with these words.<br />
N.<br />
30 TImpha mane, per me concordant carmina neruis.<br />
Faire Daphne staye, too chaste because too faire,<br />
Yet fairer in mine eies, because so chaste,<br />
And yet because so chaste, must I despaire ?<br />
And to despaire, Iyeelded haue at last<br />
12 Fonde .. . chaste] inv. com. suppl. N. 23 nor] not Eng. Hel. 1614<br />
24 she] flie Eng. Hel, 27 this line in inv. com. N. Br.
480 ENTERTAINMENTS<br />
Shepheard possesse thy loue, for me too cruell,<br />
Possesse thy loue, thou knowest not how to measure,<br />
A dunghill cock doeth often find a Jewell,<br />
Enioying that, he knowes not to be treasure.<br />
When broomy bearde, to sweepe thy lips presume, 5<br />
When on thy necke, his rough hewen armes shall moue,<br />
And gloate on thee with eies that drizell reume,<br />
When that his toothlesse mouth shall call thce loue,<br />
Noght will I saie of him, but pittie thee,<br />
That beauty might, but would no wiser bee.<br />
DAPHNE running to her Maiestie<br />
vttred this.<br />
I<br />
stay, for whether should chastety fly for succour, but to the<br />
Queene of chastety. By thee was I enterred in a tree, that by<br />
crafte, way might be made to lust, by your highnes restored, that 15<br />
by vertue, there might be assurance in honor: these tables, to set<br />
downe your prayses, long since, Sibillas prophesies, I humbly pre<br />
sent to your Maiesty, not thinking, that your vertues can be<br />
(Coivdray, deciphered in so slight a volume, but noted; the whole world is<br />
p. 4 . 25; drawen in a small mappe, <strong>Home</strong>rs Illiades in a nutshel, and the 20<br />
p. 64) riches of a Monarch, in a few cyphers; and so much ods, betwext<br />
explaining of your perfections, and the touching, as is betwixt<br />
painting and thinking, the one, running ouer a little table in a whole<br />
day, the other ouer the whole world in a minute. With this vouch<br />
safe a poore virgins wish, that often wish for good husbands, mine, 25<br />
only for the endlesse prosperity of my soueraigne.<br />
The verses, written in the tables which<br />
were giuen to her Maiesty,<br />
L<br />
L<br />
Et fame describe your rare perfection,<br />
Let nature paint your beauties glory, 30<br />
Let loue engraue your true affection,<br />
Let wonder write your vertues story,<br />
By them and Gods must you be blazed,<br />
Sufficeth men they stand amazed.<br />
4 to om. N (1788) 9 Nought N.Br. 13 whither Br. N (1823) 14 I<br />
was Br. 17 prayses long since Sibillas prophesies I Q: I follow N (1823):<br />
comma only at since and prophesies Br, 22 the bef. explaining Br.<br />
I0
AT SUDELEY 481<br />
The thirde day shoulde haue beene presented<br />
to her Maiestie, the high Constable of<br />
Cotsholde, but the weather so vnfit, that it<br />
was not. But this it should haue beene,<br />
5 one clothed all in sheepes-skins, face<br />
& all, spake this by his interpreter.<br />
MAy it please your highnes, this is the great Constable and<br />
commandadore of Cotsholde; he speaks no language, but<br />
the Rammish tongue; such sheepishe gouernours there are, that can<br />
10 say no more to a messenger then he, ({here the Constable utters}<br />
Bea !) this therfore, as signifying his duety to your Maiestye, and al<br />
our desires, I am commanded to be his interpreter. Our shepheards<br />
starre, pointing directly to Cotshold, and in Cotshold, to<br />
Sudley, made vs expect some wonder, and of the eldest, aske some<br />
15 counsel: it was resolued by the ancientst, that such a one should<br />
come, by whome all the shepheards should haue their flocks in<br />
safety, & their own liues, all the coutry quietnes, & the whole world<br />
astonishment : our Constable commaunds this day to be kept<br />
holliday, all our shepheards are assembled, and if shepheards pas-<br />
20 times may please, how ioyful would they be if it would please you<br />
to see them ; which if you vouchsafe not, as pastimes too meane for<br />
your Maiestie, they meane to call this day the shepheards blacke<br />
day; in all humilitie we entreat, that you would cast an eie to their<br />
rude deuices, and an eare to their harshe wordes, and if nothing<br />
25 happen to be pleasing, the amends is, nothing shalbe tedious.<br />
After this speech her Maiesty was to be<br />
brought amonge the shepheards amonge<br />
whome was a King and a Queene<br />
to be chosen and thus they<br />
30 beganne.<br />
MELIBÆEUS. NISA. CUTTER OF COOTSHOLDE.<br />
c<br />
Mel VT the Cake: who hath the beane, shalbe King; and<br />
where the peaze is, shee shalbe Queene.<br />
Nis. I haue the peaze, and must be Queene.<br />
8 commander Br. 10-1 he, (Bea), this Q: N. italicizes (Bea) : he (baa) (ital.).<br />
This Br. 12 interpreter, or QN.Br. 28 a 2 om. Br.<br />
BOND 1 I i
482<br />
ENTERTAINMENTS<br />
Mel I the beane and King, I must comniaunde.<br />
Ms. Not so; the Queene shall and must commaunde, for I haue<br />
often heard of a King that coulde not commaunde his subiects, and<br />
of a Queene that hath commaunded Kings.<br />
Mel I yeeld, yet is it within compasse of my authoritie to aske 5<br />
questions and first I will beginne with you in loue, I meane Shepheardes<br />
loue, for I will not meddle with Gentlefolkes loue: which is<br />
most constant, the man or the woman ?<br />
Ms. It is no question, no more then if you should aske, whether<br />
on a steepe hill, a square stone, or a globe stoode most steddye. 10<br />
Mel Both louing, which is most louing ?<br />
Ms. The woman, if she haue her right; the man, if he be his<br />
owne Iudge.<br />
Mel Why doth the man euer woe the woman, the woman neuer<br />
the man? 15<br />
Ms. Because men are most amorous and least chaste; women<br />
carelesse of fonde affections, and, when they embrace them, fearfull.<br />
But vnlesse your questions were wiser, I commaunde you to silence.<br />
You sirra, that sit as though your wits were a woole-gathering, will<br />
you haue a question, or a commaundement ? 20<br />
Cut. No question of a Queene, for they are harde to be answered,<br />
but anie commaundement, for that must be obeyed.<br />
Ms. Then sing. And you sir, a question, or commaundment ?<br />
Do. A commaundment I; and glad that I am!<br />
Ms. Then play. 25<br />
Do. I haue plaide so long with my fingers, that I haue beaten out<br />
of play al my good fortunes.<br />
(Euph. \\.<br />
The Song.<br />
Earbes, wordes, and stones, all maladies haue cured,<br />
114 11.16-, Hearbes, wordes, and stones. I vsed when I loued. oo<br />
7 ; Ettdiin<br />
H<br />
v.'3. 28) ' Hearbes smels, words, winde, stones hardnes haue procured;<br />
By stones, nor wordes, nor hearbes her minde was moued.<br />
I askt the cause: this was a womans reason,<br />
Mongst hearbes are weedes, and thereby are refused;<br />
Deceite, as well as truth, speakes wordes in season, 35<br />
False stones by foiles haue many one abused.<br />
(LovesMet. I sight, and then shee saide my fancie smoaked;<br />
iv. 1.11-2) I gaz'd, shee saide my lookes were follies glauncing;<br />
1 cammaunde Q
AT SUDELEY 483<br />
I sounded deade, shee saide my loue was choaked ;<br />
I started vp, shee saide my thoughtes were dauncing.<br />
0, sacred loue I if thou haue any Godhead,<br />
Teach other rules to winne a maidenkeade.<br />
5 Mel. Well song, & wel plaide, seldome so well amonge shepheards:<br />
but call me the Cutter of Cotsholde, that lookes as though<br />
he onlie knew his leripoope; amorous he is, and wise, carying a<br />
sheepes eie in a calfs heade.<br />
Nis. Will you 3 questions, or 3 commaundments ?<br />
10 Cut. Halfe a dozen of eache, My wits worke like new beare, and<br />
they will breake my head, vnlesse it vent at the mouthe.<br />
Ms. Sing.<br />
Cut. I haue forsworne that since cuckow-time; for I heard one<br />
sing all the sommer, and in the winter was all balde.<br />
15 Mis. Play on the Lute.<br />
Cut. Taylers crafte: a knocke on the knuckles wil make one<br />
faste a fortnight; my belly and back shall not be retainers to my<br />
fingers.<br />
Mis. What question shall I aske ?<br />
20 Cut. Any, so it be of loue.<br />
Mis. Are youe amorous ?<br />
Cut. No, but fantasticall.<br />
Mis. But what is loue ?<br />
Cut. A single Accidens. (Ioy ) (Sorrow )<br />
25 In loue there Hope [all toler-] Anger [all intolerare<br />
eight partes. 1 Truth [ able. ] Ielousie [ able.<br />
(Costacyj iDispairej<br />
These containe all, till you come to the rules; and then in loue,<br />
there are three concords.<br />
30 1. The first, betwixt a Bacheler, and a maide,<br />
2. The seconde, betwixt a man and his wife,<br />
3. The thirde, betwixt any he and she, that loueth stragling.<br />
Ms. The foole bleeds, it is time to stopp his vaine, for hauing wet<br />
his foote, he careth not how deepe he wades. Let vs atted that,<br />
35 which we most expect, the starr, that directs vs hither, who hath in<br />
Almanacke ?<br />
Cut. What meane you, a starmonger, the quipper of the firma-<br />
26 partes] parties N.<br />
almanac? Br.peril, rightly<br />
35 expect: The stair, .. hither: Who hath an<br />
11 2<br />
(Saph. i. 3.<br />
6; M.Bom.<br />
i. 3. 128<br />
(M. Bomb.<br />
11. 1.117-<br />
20)<br />
(M. Bomb.<br />
i. 1.24-6)<br />
(Euph. ii.<br />
6 1. II, 105<br />
I.12)
484<br />
ENTERTAINMENTS<br />
ment, here is one. I euer carrie it, to knowe the hye waies to euerie<br />
good towne, the faires, and the faire weather.<br />
Mel Let me see it. The seuenth of September, happines was<br />
borne into the world; it may be the eleuenth is some woder. The<br />
rrioone at the ful, tis true, for Cynthia neuer shined so bright; the 5<br />
twelfth the weather inclined to moisture & shepheards deuises to<br />
dryenes; the thirteenth, sommer goeth from hence, the signe in<br />
virgo, viuat clarissima virgo. The diseases shalbe melancholies,<br />
some proceeding of necessitie, some of superfluity; many shalbe<br />
studying how to spend what they haue, more beating their braines to 10<br />
get what they want. Malice shalbe more infectious then the pestilence,<br />
and Drones more fauoured then Ants; as for Bees, they shal<br />
(Euph. i. haue but their laboure for their paines, and when their combes be<br />
l94 1• 17; ful, they shalbe stilde; the warre shal be, twixt hemlocke and honie.<br />
at Court; At foure of the clocke this day, shal appeare the worldes wonder 15<br />
Poem on that leades England into euery land, and brings all lands into<br />
iii. p. 495} England.<br />
Then espying her Maiesty, he & al the shepheards<br />
kneeling, concluded thus.<br />
This is the day, this the houre, this the starre: pardon dread 20<br />
Soueraigne, poore shepheards pastimes, and bolde shepheards presumptions.<br />
We call our selues Kings and Queenes to make mirth ;<br />
but when we see a King or Queene, we stand amazed. The sunne<br />
( Euph. ii. warmes the earth, yet looseth no brightnes; but sheweth more force,<br />
Harefield & Kings names that fell vpon shepheards, loose no dignity, but 25<br />
p. 4941.6) breede more feare. Their pictures are drawen in colours, and in<br />
brasse their portraytures engrauen. At chests, there are Kings, and<br />
Queenes, & they of wood. Shepheards are no more, nor no lesse,<br />
woodde. In Theaters, artificers haue plaide Emperours, yet the<br />
next day forgottg, neither their dueties nor occupations. For our 30<br />
boldenes in borrowing their names, and in not seeing your Maiesty<br />
for our blindnes, we offer these shepheards weedes, which, if your<br />
Maiestye vouchsafe at any time to weare, it shall bring to our hearts<br />
comfort, and happines to our labours.<br />
8 clarissima; Q 26 Their] The N. 27 chess Br. N(1823)
(AT RYCOTE)<br />
The 28. of September, her Maiesty went fro<br />
Oxforde to Ricort, where an olde gentleman,<br />
sometimes a souldier, deli-<br />
5 uered this speech.<br />
485<br />
VOVCHSAFE dread soueraigne, after so many smooth speeches of<br />
Muses, to heare a rough hewen tale of a souldier: wee vse<br />
not with wordes to amplifie our conceites, and to pleade faith by {Qtiarrenfigures,<br />
but by deedes to shew the loyalty of our harts, and to make don,P. 469<br />
10 it good with our liues. I meane not to recount any seruice, all<br />
proceeding of duety, but to tell your Maiesty, that I am past al<br />
seruice, saue only deuotion. My horse, mine armour, my shielde,<br />
my sworde, the riches of a young souldier, and an olde souldiers<br />
reliques, I should here offer to your highnesse; but my foure boies<br />
15 haue stollen them from me, vowing themselues to armes, and leauing<br />
mee to my prayers: fortune giueth successe, fidelitye courage,<br />
chance cannot blemish faith, nor trueth preuet destinye; whateuer<br />
happe, this is their resolution, and my desire, that their liues maye<br />
be imployed wholy in your seruice, and their deathes bee their<br />
20 vowes sacrifice. Their deathes, the rumour of which hath so often<br />
affrighted the Crowe my wife, that her hart hath bene as blacke as<br />
her feathers. I know not whether it be affection or fondnes; but<br />
the crowe thinketh her owne birds the fairest, because to her they<br />
are dearest. What ioies we both conceiue, neither ca expresse;<br />
25 sufficeth they be, as your vertues, infinite. And although nothing<br />
be more vnfit to lodge your Maiestye, then a crowes neste, yet shall<br />
it be most happy to vs, that it is by your highnesse made a Phoenix<br />
neste. Qui color ater erat, nunc est conirarius afro. Vouchsafe this A fain<br />
trifle, and with this my heart, the greatest gift I can offer, and the gowne.<br />
30 chiefest, that I ought.<br />
On Sunday, her Maiesty going to the garde,<br />
receiued with sweete Musicke of sundry<br />
sorts, the olde Gentleman meeting<br />
her, saide thus.<br />
1 Ricot Br.: Rycot N(1823) 9 deedes, Q 18 happen. This N. Br.<br />
34 thus] this N. Br,
486 ENTERTAINMENTS<br />
PArdon, dread Soueraigne, the greatnes of my presumption, who<br />
P hauing nothing to say, must follow stil to wonder, but saft,<br />
some newes out of Irelande.<br />
A letter deliuered by an Irish lacq3, in which<br />
was inclosed, a Darte of gold, set with Dia- 5<br />
monds, & after the letter read, deliuered<br />
to her Maiestye, with this motto in Irish,<br />
Ifiye oneiy for my soueraigne.<br />
MY deuty humbly remembred. It is saide, the winde is<br />
vnconstant: I am gladde it is, otherwise had not I heard I0<br />
that, which I most wished, and least looked for. The winde blowing<br />
stifly in the weste, on the suddaine turned easterly, by which meanes<br />
I receiued letters, that her Maiestie woulde bee at Rycort; nothing<br />
could happen to mee more happy, vnlesse it were my selfe to be<br />
there to doe my duety. But I am a stranger in mine owne countrye, 15<br />
and almost vnknowen to my best frends, onely remembred by her<br />
Maiestie, whose late fauours haue made me more than fortunate.<br />
I should accout my ten years absence a flatt banishment, were<br />
I not honoured in her Maiesties seruice, which hath bound all my<br />
affections, prentises to patience. In all humility, I desire this Dart 20<br />
to be deliuered, an Irish weapon, and this wish of an English hearte,<br />
that in whose hart faith is not fastened, a Darte may. I can scarce<br />
write for ioy; and it is likely, this lacque cannot speak for wondring.<br />
If he doe not, this is all that I should say, that my life is my<br />
dueties bondman, dutie my faiths soueraigne. 25<br />
M<br />
The Dart deliuered, a skipper comming fro<br />
Flaunders, deliuered another letter, with a<br />
key of golde, set with Diamonds, with this<br />
motto in dutch, I onelie open to you.<br />
MY duety remebred, The enemy of late hath made many brauea- 30<br />
does, euen to the gates of Ostend, but the successe was<br />
onely a florish. My selfe walking on the Raparts, to ouer see the<br />
Sentenels, descryed a pink, of whome I enquired, where the Court<br />
was: hee saide hee knew not, but that the 28. of Septeber, her<br />
13 Ricott Br. 15 there to] thereto Q 18 accfiot Q 34 28th. N.; twentyeigth<br />
Br.
AT RYCOTE 487<br />
Maiesty would be at Rycort. I was ouer-ioyed, & in making haste<br />
to remeber my duety, I had almost forgot it, for I was shipping my<br />
selfe for England, with this Skipper; but to come without leaue,<br />
might be to returne without welcoe. To signifie that my hart is<br />
5 there, I most humbly entreat, that this Key may be pressed, the<br />
Key of Ostende, & Ostend the Key of Flaunders. The wards are<br />
made of true harts; trechery canot counterfeit the Key, nor treason<br />
her selfe picke the locke. None shal turne it: but who her Maiesty<br />
cdmands, none can. For my selfe, I can but wish, all happines to<br />
10 her highnes, & any occasio, that what my toung deliuers, my bloud<br />
may seale, the end of my seruice, that in her seruice my life<br />
may end.<br />
The Key deliuered, a french page came with<br />
three other letters, the one writen to the la-<br />
15 dy Squemish, which beeing mistaken by<br />
a wrong superscription, was read before<br />
her Maiestie. In the second was inclosed a<br />
sword of golde, set with Diamonds and Rubyes,<br />
with this motto in french, Drawen onelie<br />
20 in your defence. In the thirde was inclosed a<br />
trunchio set with Diamods, with this motto<br />
in Spanish, / doe not commaunde but vnder you.<br />
F<br />
A letter, written by a Souldier to his Mistris<br />
the Lady Squemish.<br />
25 Aire Lady and sweete Mistris, I seldome write, because I write<br />
not well; if I speake, you say I chatter, because I speake so (E<br />
fast; & when I am silent, yor thinke me carelesse. You say loue P.<br />
cannot be in soldiers: I sweare it is; only this the differece, that<br />
we proue it by the sword, others, by their Sonets; theirs inke,<br />
30 blacke for colde, ours bloud, redde for heate. Ofte" haue you tolde<br />
me, that I know not what loue is, & ofte" haue I tolde you, that this it<br />
is, that which makes the head ake, and the hart to; the eies ielous,<br />
and the eares to; the liuer blacke, & the Splen to; the vaines<br />
shrinke, & the purse to. Wit is but loues wierdrawer, making of a<br />
35 short passion an endlesse perswasion, yet no more mettall. .You<br />
1 Ricott Br. 21 this] his Q
488 ENTERTAINMENTS<br />
obiect, that I haue many Mistrisses: I answere, you haue ten times<br />
as many seruants, and if you should picke a quarrel, why should not<br />
I bring my Mistresses into the field against your seruants? But<br />
inconstancy is a souidiers scarre, it is true; but the wound came by<br />
constancie. What a patient vertue is staidnes! like a nail in a dore, 5<br />
rusty, because neuer remoued. I cannot be so superstitious as these<br />
nice louers, who make the pax of their mistris hads : tis flat popery.<br />
I would not purchase loue in fee simple, a lease of two years to me<br />
were tedious; I meane not to haue my tongue ringed at my Mistris<br />
eare like a Iewel, alwaies whispering of loue; I am no earewigg: 10<br />
nor can I endure still to gaze on her face, as though my eies were<br />
bodkins to sticke in her haire. Let me haue my loue answered, and<br />
you shall finde me faithfull; in which if you make delaies, I cannot<br />
be patient: the winde calls me away, and with the winde, awaie<br />
shall my affections. 15<br />
The second Letter.<br />
MY duetie to your L. remembred &c. Being readie to take<br />
M<br />
shipping, I heard that her Maiesty would honor Ricort with<br />
her presence, which wrought no smal cotent; but to haue made it<br />
ful, I wished I might haue seene it. In this place is no choise of 20<br />
anie thing, whereby I might signifie my dutifull affection, but that<br />
which a Souldier maketh his chiefest choise, a sword, which most<br />
humblie I desire to haue presented to her highnes. With this protestation<br />
pourde from my hart, that in her seruice I will spende the<br />
bloud of my hart. Eloquence & I, am vowde enemies; loialty & 25<br />
I, sworne brothers : what my words cannot effect, my sworde shall.<br />
The thirde Letter from the Sea coast.<br />
MY duetie humbly remembred : the same time that I receiued<br />
letters that her Maiesty would be at Ricort, the winde<br />
serued for Britaigne: I was ouer ioied with both, yet stoode in a 30<br />
mamering whether I should take the opportunity of the winde,<br />
which I long expected, or ride poste to do my duetie, which I most<br />
desired: necessitye cotroled affection, that bid me vnlesse I could<br />
keepe the winde in a bagge, to vse the windes whe they blew.<br />
I obaide, yet wishing that they would turne for a while, to serue my 35<br />
17 Ladyship N. Br. 18 Ricott Br.. 25 avowed Br. 29 Ricott Br.<br />
30 Britain Br. : Bretaigne N(1823) 34 whe] where N.
AT RYCOTE 489<br />
turne, being vnfurnished of al fit presents. I would haue this my<br />
excuse that cheapside is not in my Shippe, & therefore haue nothing<br />
to offer but my Trunchio the honour which I receiued of her<br />
Maiestie, by whom I am only to be commaunded and euer, else let<br />
5 me be only miserable and euer.<br />
These Letters read, and the presents deliuered,<br />
the olde man kneeling<br />
downe ended thus.<br />
THat my sonnes haue remembred their dueties, it is my harts<br />
comfort; that your Maiestie accepteth the, their harts heauen.<br />
If fortune, & fidelitie had bin twinnes, they might haue beene as<br />
rich, as faithfull; but this is the Iubyle of my life, that their faithes<br />
are without spot, and your Maiesty I hope, confident, without suspition.<br />
Among my ioies, there is one griefe, that my daughter, the<br />
15 Mistris of a Moole hil, hath so much forgottg, that most she should<br />
remember, duetie. I doubt not her excuse, because shee is a<br />
woman; but feare the truth of it, because it must be to her<br />
soueraigne. For my selfe, my crowe, and all our birds, this I<br />
promise, that they are all as faithfull in their feathers, as they were<br />
20 in their shels.<br />
This being done, there was sweete musicke, and two sonnets ; which<br />
ended, her Maiesty went in.<br />
On muday morning, as her Maiesty was to<br />
take horse, a messenger, comming out of<br />
25 Iersey, and bringing a Daysie of golde, set<br />
with Rubies, deliuered it to her Maiesty<br />
with this speech.<br />
AT length, though verie late, I am come, from the Ladie of the<br />
Moold hill, sent long since, but the passage troublesome; at<br />
30 euerie miles end, a louer, at euery sentence end a lie. I staide to (Gall. i. 4.<br />
heare the conclusions, and found nutbrowne gyrles to be cheapned; 4)<br />
but none to be bought but the amyable. Thus much for my<br />
excuse: now for my Mistris, who hearing that your Maiesty would<br />
enter this cabbine, was astonished with ioie, and doubt, ioie, for so<br />
1 turne. Being ... presents, N. Br. 4 euer,] the comma at commaunded Q<br />
12 faithes] fathers N.: father's Br.
490 ENTERTAINMENTS<br />
great honour done to her father, doubt, by what meanes shee might<br />
shew her duety to your Maiesty. At the last, sitting vpon the top of<br />
a moole hill, she espied a red Daysie, the fairest flower that barren<br />
place doth yeeld, which, with all humilitie, she presents to your<br />
Maiestie ; it hath no sweetenes, yet manie vertues; her hart no 5<br />
tongue, but infinite affections. In you, she saith, are all vertues, and<br />
towardes you all her affections.<br />
FINIS.
ENTERTAINMENT AT HAREFIELD.<br />
July-August, 1602.<br />
Copy of some Papers belonging to the late Sir Roger Newdigate,<br />
Baronet (7 pages folio), lettered on the back, by a later hand,<br />
5 'Entertainment of Q. Eliz. at Harefield, by the Countesse of<br />
Derby.'<br />
(I)<br />
After the Queene entered (out of the highway) into the Deamesne<br />
grounde of Harefielde, near the Dayrie howse, she was mett with<br />
2 persons, the one representing a BAYLIFE, the other a DAYRIE-<br />
10 MAIDE, with the Speech. Her Majesty being on horsebacke, stayed<br />
under a tree (because it rayned) to heare it.<br />
B. Why, how now, Joane! are you heere ? Gods my life, what<br />
make you heere, gaddinge and gazinge after this manner? You<br />
come to buy gape-seede, doe you ? Wherefore come you abroade<br />
15 now I faith can you tell ?<br />
Joa. I come abroade to welcome these Strangers.<br />
B. Strangers ? how knew you there would come Strangers ?<br />
Jo, All this night I could not sleepe, dreaming of greene rushes; (Euph. ii.<br />
l6l l.16;<br />
and yesternight the chatting of the pyes, and the chirkinge of the<br />
20 frisketts, did foretell as much; and, besides that, all this day my 4.98) '<br />
lefte eare glowed, and that is to me (let them say what they wil) ( CamP.<br />
allwaies a signe of Strangers, if it be in Summer; marye, if it be in<br />
the Winter, 'tis a signe of anger. But what makes you in this company,<br />
I pray you ?<br />
25 B. I make the way for these Strangers, which the Way-maker<br />
himself could not doe; for it is a way was never passed before.<br />
Besides, the Mrs. of this faire company, though she know the way to<br />
all men's harts, yet she knowes the way but to few men's howses,<br />
except she love them very well, I can tell you; and therefore I<br />
30 myselfe, without any comission, have taken upon me to conduct<br />
them to the house.<br />
3—P. 498 (FINIS.) reprinted from JNichols' Progresses (1823), iii. 586-95. See<br />
Notes, pp. 533-4 4 ' The Speeches, &c., are in a hand a little later than the<br />
time of Queen Elizabeth' {Churton)
492 ENTERTAINMENTS<br />
Jo. The house? which house? do you remember yourselfe?<br />
which way goe you ?<br />
B. I goe this way, on the right hand. Which way should I goe ?<br />
Jo. You say true, and you're a trim man; but I faith I'll talke noe<br />
more to you, except you ware wyser. I pray you hartely, 'forsooth, 5<br />
come neare the house, and take a simple lodginge with vs to-night;<br />
for I can assuere you that yonder house that he talks of is but<br />
a Pigeon-house, which is very little if it were finisht, and yet very<br />
little of it is finisht. And you will belieue me, vpon my life, Lady,<br />
I saw Carpenters and Bricklayers and other Workmen about it 10<br />
within less then these two howers. Besides, I doubt my Mr. and<br />
Mrs. are not at home; or, if they be, you must make your owne<br />
provision, for they have noe provision for such Strangers. You<br />
should seeme to be Ladies; and we in the country have an old<br />
saying, that ' halfe a pease a day will serve a Lady.' I know not 15<br />
what you are, neither am I acquainted with your dyet; but, if you<br />
will goe with me, you shall haue cheare for a Lady: for first you<br />
shall haue a dayntie sillibub; next a messe of clowted creame;<br />
stroakings, in good faith, redd cowes milk, and they say in London<br />
that's restorative : you shall have greene cheeses and creame. (I'll 20<br />
speake a bould word) if the Queene herself (God save her Grace)<br />
(were here), she might be seen to eat of it. Wee will not greatly<br />
bragge of our possets, but we would be loath to learne to praise:<br />
and if you loue frute, forsooth, wee haue jenitings, paremayns, russet<br />
coates, pippines, able-johns, and perhaps a pareplum, a damsone, 25<br />
I or an apricocke too, but that they are noe dainties this yeare; and<br />
therefore, I pray, come neare the house, and wellcome heartily<br />
doe soe.<br />
B. Goe to, gossip; your tongue must be running. If my Mrs.<br />
should heare of this, I faith shee would give you little thankes I can 30<br />
tell you, for offeringe to draw so faire a flight from her Pigeon-house<br />
(as you call it) to your Dayrie-house.<br />
Jo. Wisely, wisely, brother Richard; I faith as I would vse the<br />
matter, I dare say shee would giue me great thankes: for you know<br />
my Mrs. charged me earnestly to retaine all idele hearvest-folkes that 35<br />
past this way; and my meaning was, that, if I could hold them all<br />
this night and to-morrow, on Monday morning to carry them into<br />
the fields; and to make them earne their entertaynment well and<br />
22 [were here] suppl. Churton
AT HAREFIELD 493<br />
thriftily; and to that end I have heere a Rake and Forke, to deliver<br />
to the best Huswife in all this company.<br />
B. Doe soe then: deliver them to the best Huswife in all this<br />
company; for wee shall haue as much vse of her paines and patience<br />
5 there as here. As for the dainties that you talke of, if you have<br />
any such, you shall do well to send them; and as for these<br />
Strangers, sett thy hart at rest, Joane; they will not rest with (thee)<br />
this night, but will passe on to my Mr. house.<br />
Joa. Then, I pray take this Rah and Forke with you; but I am<br />
10 ashamed, and woe at my hart, you should goe away so late. And<br />
I pray God you repent you' not, and wish yourselves here againe,<br />
when you flnde you haue gone further and fared worsse.<br />
When her Maiestie was alighted from her horse, and ascended<br />
3 steps neare to the entering into the house, a carpet and chaire<br />
15 there sett for her; PLACE and TIME present themselves, and vsed<br />
this Dialogue.<br />
PLACE in a partie-colored roobe, like the brick house.<br />
TIME withyeollow haire, and in a green roabe, with a hower glasse, (Tilt-yard,<br />
stopped, not runninge. P. 414<br />
2o P. Wellcome, good Time.<br />
T. Godden, my little pretie priuat Place.<br />
P. Farewell, godbwy Time) are you not gone? doe you stay<br />
heere? I wonder that Time should stay any where; what's the<br />
cause ?<br />
2 5 T. If thou knewest the cause, thou wouldst not wonder; for<br />
I stay to entertaine the Wonder of this time; wherein I would pray<br />
thee to ioyne mee, if thou wert not too little for her greatnes; for it<br />
weare as great a miracle for thee to receive her, as to see the Ocean<br />
shut up in a little creeke, or the circumference shrinke vnto the<br />
30 pointe of the center.<br />
P. Too little! by that reason she should rest in we place, for noe<br />
place is great ynough to receive her. Too little! I haue all this<br />
day entertayned the Sunn, which, you knowe, is a great and glorious<br />
Guest: hee's but euen now gone downe yonder hill; and now he is<br />
35 gone, methinks, if Cinthia her selfe would come in his place, the<br />
place that contaynde him should not be too little to receave her.<br />
T. You say true, and I like your comparison; for the Guest that<br />
wee are to entertaine doth fill all places with her divine vertues, as<br />
1 ' 2 Juells' note in original MS, (Churton) 7 [thee] sufph Churton
494 ENTERTAINMENTS<br />
the Sunn fills the World with the light of his beames. But say,<br />
poore Place, in what manner didst thou entertaine the Sunn ?<br />
P. I received his glory, and was filled with it: but, I must<br />
confesse, not according to the proportion of his greatnes, but<br />
according to the measure of my capacitie; his bright face (me- 5<br />
{Eupk. ii. thought) was all day turnd vpon mee; nevertheless his beames in<br />
sud.p 484) infinite abundance weere disperst and spread vpon other places.<br />
T. Well, well; this is noe time for vs to entertaine one another,<br />
when wee should ioine to entertaine her. Our entertaynment of<br />
this Goddesse will be much alike; for though her selfe shall eclipse 10<br />
her soe much, as to suffer her brighthes to bee shadowed in this<br />
obscuere and narrow Place, yet the sunne beames that follow her,<br />
the traine I meane that attends vpon her, must, by the necessitie of<br />
this Place, be deuided from her. Are you ready, Place ? Time is<br />
ready. 15<br />
P. Soe it should seeme indeed, you are so gaye, fresh, and cheerfull.<br />
You are the present Time, are you not ? then what neede you<br />
make such haste ? Let me see, your wings are clipt, and, for ought<br />
I see, your hower-glasse runnes not.<br />
T My wings are dipt indeed, and it is her hands hath dipt 20<br />
them: and, tis true, my glasse runnes not: indeed it hath bine stopt<br />
a longe time, it can never rune as long as I waite upon this M ris.<br />
I (am) her Time; and Time weare very vngratefull, if it should<br />
not euer stand still, to serue and preserue, cherish and delight her,<br />
that is the glory of her time, and makes the Time happy wherein she 25<br />
liueth.<br />
P. And doth not she make Place happy as well as Time ? What<br />
if she make thee a contynewall holy-day, she makes me a perpetuall<br />
sanctuary. Doth not the presence of a Prince make a Cottage a<br />
(Eupk. ii. Court, and the presence of the Gods make euery place Heauen ? 30<br />
and the But, alas, my littlenes is capable of that happines that her great<br />
repeated grace would impart vnto me: but, weare I as large as there harts<br />
Baucisand that are mine owners, I should be the fairest Pallace in the world;<br />
Jupiter) and weere I agreeable to the wishes of there hartes, I should in<br />
some measure resemble her sacred selfe, and be in the outward 35<br />
frount exceeding faire, and in the inward furniture exceeding rich.<br />
T. In good time do you remember the hearts of your Owners;<br />
for, as I was passing to this place, I found this Hart, which, as my<br />
23 [am] suppl. Churton 38 ' A Diamond' orig, MS. (Churton)
AT HAREFIELD 495<br />
daughter Truth tould mee, was stolne by owne of the Nymphes<br />
from one of the seruants of this Goddesse; but her guiltie conscience<br />
enforming her that it did belong only of right vnto her that<br />
is Mrs. of all harts in the world, she cast (it) from her for this<br />
5 time: and Oportunity, finding it, deliuered it vnto me. Heere,<br />
Place, take it thou, and present it vnto her as a pledge and mirror of<br />
their harts that owe thee.<br />
P. It is a mirror indeed, for so it is transparent. It is a cleare<br />
hart, you may see through it. It hath noe close corners, noe<br />
10 darkenes, noe unbutifull spott in it. I will therefore presume the<br />
more boldly to deliver it; with this assurance, that Time, Place,<br />
Persons, and all other circumstances, doe concurre altogether in biddinge<br />
her wellcome.<br />
(II)<br />
The humble Petition of a guiltlesse Lady, delivered in writing vpon<br />
15 Munday Mominge, when the (robe) of rainbowes was presented<br />
to the Q. by the La. WALSINGHAM.<br />
Beauties rose, and Vertues booke,<br />
Angells minde, and Angells looke,<br />
To all Saints and Angells deare,<br />
20 Clearest Maiestie on earth,<br />
Heauen did smile at your faire birth,<br />
And since your daies have been most cleare.<br />
Only poore St. Stvythen now<br />
Doth heare you blame his cloudy brow:<br />
25 But that poore St. deuoutly sweares,<br />
It is but a tradition vaine<br />
That his much weeping causeth raine<br />
For S ts in heauen shedd no teares:<br />
But this he saith, that to his feast<br />
3° Commeth Iris, an unbidden guest,<br />
In her moist roabe of collers gay;<br />
4 [it] suppl. Churton 15 [robe] suppion Churton's s suggestion: see next note<br />
16 In the MS., reprinted from the Conway Papers by P. Cunningham (Shak. Soe.<br />
Papers, 1845, vol. ii. art. ix) these verses are thus described in the margin: The<br />
humble peticon of a giltless sainte wherew th y e gowne of rainebowes was p r sented<br />
to hir Ma ty in hir progresse. 1602. 21 Heavens Conway. MS. 25 that]<br />
he Conway MS. 30 comes Conway MS.
496 ENTERTAINMENTS<br />
And she cometh, she ever staies,<br />
For the space of fortie daies,<br />
And more or lesse raines euery day.<br />
But the good S t , when once he knew,<br />
This raine was like to fall on you, 5<br />
If S ts could weepe, he had wept as much<br />
As when he did the Lady leade<br />
That did on burning iron tread,<br />
To Ladies his respect is such.<br />
He gently first bids Iris goe<br />
Unto the Antipodes below,<br />
But shee for that more sullen grew.<br />
When he saw that, with angry looke,<br />
From her her rayneie roabes he tooke,<br />
Which heere he doth present to you. 15<br />
It is fitt it should with you remaine,<br />
For you know better how to raine.<br />
Yet if it raine still as before,<br />
St Swythen praies that you would guesse,<br />
That Iris doth more roabes possesse, 20<br />
And that you should blame him no more.<br />
(III)<br />
At her Maiesties departure from Harefield, PLACE, attyred in<br />
black mourninge aparell, used this farewell followinge:<br />
P. Sweet Maiestie, be pleased to looke vpon a poor Wydow,<br />
mourning before your Grace. I am this Place, which at your com- 25<br />
ming was full of ioy: but now at your departure am as full of sorrow.<br />
I was then, for my comfort, accompanied with the present cheerful<br />
Time; but now he is to depart with you; and, blessed as he is,<br />
must euer fly before you: But, alas! I haue noe wings, as Time<br />
1 And when she comes Conway MS., a reading which Cunningham 'infinitely<br />
referred' 2 full bef space Conway MS. 6 s ,nt {<br />
he om. Conway MS. 12 that] this Conway MS.<br />
Conway MS.<br />
14 roabe Conway<br />
MS. 16 It is] Tis Conway MS. 17 raine] raigne Conway MS.<br />
21 would Conway MS. 24 Lodge printed this single speech as No. ccciii of<br />
his ' Illustrations' from the Talbot Papers,vol. K.fol. 43. /t was there endorsed<br />
The Copy of a speech delivered to her Majesty, at her departure from Harvile, the<br />
Lord Keeper's' house, Aug. 1602: and headed Place, attired in black, gives the<br />
Queen this at farewell. 27 as bef I Lodge 28 is to] must Lodge<br />
IO
AT HAREFIELD 497<br />
hath. My heauines is such, that I must stand still, amazed to see<br />
so greate happines so sone bereft mee. Oh, that I could remoue<br />
with you, as other circumstances can ! Time can goe with you,<br />
Persons can goe with you; they can moue like Heaven; but I,<br />
5 like dull Earth (as I am indeed), must stand vnmovable. I could<br />
wish myselfe like the inchaunted Castle of Loue, to hould you heere<br />
for euer, but that your vertues would dissolve all my inchauntment.<br />
Then what remedy ? As it is against the nature of an Angell to be<br />
circumscribed in Place, so it is against the nature of Place to haue<br />
10 the motion of an Angell. I must stay forsaken and desolate. You<br />
may goe with maiestie, joy, and glory. My only suyte, before you<br />
goe, is that you will pardon the close imprisonment which you have<br />
suffred euer since your comminge, imputinge it not to mee, but<br />
St. Swythen, who of late hath raysed soe many stormes, as I was<br />
15 faine prouide this Anchor,for you, when I did vnderstand you<br />
would put into this creeke. But now, since I perceaue this harbour<br />
is too little for you, and you will hoyste sayle and be gone, I<br />
beseech you take this Anchor with you. And I pray to Him that<br />
made both Time and Place, that, in all places where euer you shall<br />
20 arriue, you may anchor as safly, as you doe and euer shall doe in the<br />
harts of my Owners.<br />
<br />
<strong>THE</strong> COMPLAINT OF <strong>THE</strong> SATYRES AGAINST <strong>THE</strong><br />
NYMPHES.<br />
Tell me, O Nymphes, why do you<br />
2 5 Shune vs that your loues pursue?<br />
What doe the Satyres notes retaine<br />
That should merite your disdaine?<br />
On our browes if homes doe growe,<br />
Was not Bacchus armed soe?<br />
1 stand still,] stay, still Lodge 5 stand] stay Lodge 7 enchantments<br />
Lodge 13 to aft. but Lodge 15 to bef. provide Lodge<br />
' A Jewell.' orig. MS. (jChurt on): Lodge has (presenting the queen with an<br />
anchor jewel) aft. for you understood Lodge 16 this 2 ] the Lodge 18<br />
now aft. you Lodge 22 ' This " Complaint" is on a separate leaf and seems<br />
to be in a different hand, though little; if at all, more recent than the other. It<br />
does not appear when or hotv the " Complaint" was introduced; and it may possibly<br />
be doubted whether it formed a part of the Entertainment, though it probably<br />
did. The title, "Entertainment of Q. Eliz.," &c, is written on the back of this<br />
paper, but in a later hand: (Churton) Before SATYRES Chw ton reports<br />
a V erased in MS., which he thinks might be for ' Five': more probably it was the<br />
first letter of ' Virgins,' and rightly erased<br />
BOND 1 K k
498<br />
ENTERTAINMENTS<br />
Yet of him the Candean maid<br />
Held no scorne, nor was affraid.<br />
Say our colours tawny bee,<br />
Phoebus was not faire to see:<br />
Yet faire Clymen did not shunn 5<br />
To bee Mother of his Sonne.<br />
If our beards be rough and long,<br />
Soe had Hercules the strong:<br />
Yet Deianier, with many a kisse,<br />
Joyn'd her tender lipps to his. 10<br />
If our bodies hayry bee,<br />
Mars as rugged was as wee :<br />
Yet did Ilia think her grac'd,<br />
For to be by Mars imbrac'd.<br />
Say our feet ill-fauored are, 15<br />
Cripples leggs are worse by farre:<br />
Yet faire Venus, during life,<br />
Was the lymping Vulcan's wife.<br />
Breefly, if by nature we<br />
But imperfect creatures be; 20<br />
Thinke not our defects so much,<br />
Since Celestial Powers be such.<br />
But you Nymphes, whose venal loue<br />
Loue of gold alone doth moue,<br />
Though you scorne vs, yet for gold<br />
Your base loue is bought and sold.<br />
FINIS.<br />
23 venal on Churtons suggestion : veniall MS., which he thinks may have been<br />
written for venal 27 Here ends the Newdigate MS.<br />
2 5
AT HAREFIELD 499<br />
<br />
A LOTTERY PRESENTED BEFORE <strong>THE</strong> LATE QUEENES MAIESTIE<br />
AT <strong>THE</strong> LORD CHANCELLORS HOUSE. 1602.<br />
A Marrincr with a box vnder his arme, containing all the seuerall<br />
5 things following, supposed to come from the Carricke, came into the<br />
Presence singing this Song.<br />
CYNTHIA Queene of Seas and lands,<br />
C<br />
{Tilt-yard,<br />
That fortune euery where commands, P. 414)<br />
Sent forth Fortune to the Sea,<br />
10 To try her fortune euery way.<br />
There did I fortune meet, which makes me now to sing,<br />
There is no fishing to the Sea, nor seruice to the King. (Cowdray,<br />
All the Nymphes of Thetis traine, P- 4 28 )<br />
Did Cynthiaes fortune entertaine:<br />
15 Many a iewell, many a iem,<br />
Was to her fortune brought by them.<br />
Her fortune sped so well, as makes me now to sing,<br />
There is no fishing to the Sea, nor seruice to the King.<br />
Fortune, that it might be seene<br />
20 That she did seme a royall Queene,<br />
A franke and royall hand did beare.<br />
And cast her fauors euery where.<br />
Some toies fel to my share, which makes me now to sing,<br />
There is no fishing to the Sea, nor seruice to the King.<br />
25 And the Song ended, he vtlered this short speech.<br />
GOd saue you faire Ladies all: and for my part, if euer I be<br />
G<br />
brought to answere my sinnes, God forgiue me my sharking,<br />
and lay vsurie to my charge. T am a Marriner, and am now come<br />
2 From Davison's Poetical Rapsodie, ed. 1611, pp. 1-7. He gives the date<br />
wrongly as 1601 6 In a MS. printed by P. Cunningham (Shak. Soc. Papers,<br />
1845, vol. ii. art. \x)from the Conway Papers, entitled' The Devise to entertayne<br />
hir Matv at Harfielde, the house of S r Thomas Egerton Lo. Keeper and his Wife<br />
the Countess of Darbye. In hir Ma8 progresse. 1602.', and containing only the<br />
versa on SK Swithin, the Mariner's Song, and' The Sever all Lottes' {without<br />
signature), this heading is replaced in the margin by 'Sung by 2 mariners<br />
p r sently before the Lottaryes.' 12 ' From a passage in the Queen's Entertainment<br />
at Cowdray in 1591 [above, p. 428] it will be seen that the burden of this song<br />
is cited as " an Olde Saying " by a Fisherman' (Nichols, iii. 571) nor] noe<br />
Conway MS. {and twice below, II. 18, 24) 16 her orn. Conway MS. 22 fauors]<br />
fortunes Conway MS. .25 And... greater matters (p. 500 /. 11) not found in<br />
Conway MS. 28 Qv. ? not bef vsune<br />
Kk 2
Hir Ma 1ye .<br />
The<br />
Countess<br />
of Derbye<br />
Dowager<br />
Lo. Derbyes<br />
Wife.<br />
La.<br />
Worcester.<br />
La. Warwicke.<br />
500 ENTERTAINMENTS<br />
from the sea, where I had the fortune to light vpon these few trifles.<br />
I must confesse I came but lightly by them, but I no sooner had<br />
them, but I made a vow that as they came to my hands by fortune,<br />
so I would not part with them but by fortune. To that end I haue<br />
euer since carried these Lots about me, that if I met with fit com- 5<br />
pany I might deuide my booty among them. And now (I thanke<br />
my good fortune) I am lighted into the best company of the world,<br />
a company of the fairest Ladies that euer I saw. Come Ladies trie<br />
your fortunes, and if any light vpon an vnfortunate blanke, let her<br />
thinke that fortune doth but mocke her in these trifles, and meanes 10<br />
to pleasure her in greater matters.<br />
<strong>THE</strong> SEVERALL LOTTES.<br />
( I ) Fortunes wheeles.<br />
Fortune must now noe more in tryumphe ride<br />
The wheeles ar yours thatt did hir chariott guide. 15<br />
(2) A purse.<br />
You thrive or woulde, or maye, your lott's a purse<br />
Fill it w th golde and you ar n'er the worse.<br />
(3) A ring wi th this poesye, as faithful! as I finde.<br />
Your hande by fortune on this ringe doth lighte 20<br />
And yett the wordes do fitt your humor righte.<br />
(4) A nuttmegg w th a blanke in itt.<br />
This nuttmegg hath a blanke butt chance doth hide itt<br />
Write you your wishe and fortune will provide itt.<br />
(5) A Snuffkin. 25<br />
Tis sommer, yet a snuffkin to your lott,<br />
But t'will be winter one day, doubte you nott.<br />
12 I follow the Conway MS., which agrees with Manningham's ( Diary' in the<br />
assignment of the 16 lots there given (viz. Nos. 1, 6, 11, 12, 3,16, 2, 19, 20, 27, 34,<br />
5, 31, 14, 22, 32 of this ed., in this order), and also places the hostess second and<br />
mixes the blanks with the other lots, instead of relegating them all to the end as<br />
Davison, who assigns none of the lots 14 in] on P. R. 15 Yours are<br />
the wheeles Percy transcript Chariots P.P. 21 word doth Mann. Pen.<br />
trs. fitt] hit P. R. 25, 26 Mufkin and muff kin Mann.: Snuftkin and<br />
snuftkin P.P. 26 sumer yet, Mann. P. R.
AT HAREFIELD 501<br />
(6) A Maske.<br />
Wante you a maske; heere fortune gives you one<br />
Yett nature gives the Rose and Lillye none.<br />
(7) A Necklace.<br />
Fortune gives your faire necke this lace to weare,<br />
God graunte a heavier yoake itt never beare.<br />
(8) A Fame.<br />
You love to see and yett to bee unseene<br />
Take you a fanne to be your beautyes screene.<br />
(9) A Blanke.<br />
Wott you why fortune gives to you noe prize<br />
Good fayth she sawe you nott she wantes hir eyes.<br />
(10) Poyntes.<br />
You ar in every poynte a lover true<br />
And therfore fortune gives the poyntes to you.<br />
(11) Dyall<br />
The dyalPs yours: watch tyme leste it be loste<br />
And yett they spende it worste thatt watche itt most.<br />
(12) A playne ringe.<br />
Fortune hath sent you happe itt well or ill<br />
A playne golde ringe to wedd you to your will.<br />
(13) A looking glasse.<br />
Blide fortune doth nott see how faire you bee,<br />
Yet gives a glasse that you your selfe may see.<br />
(14) A Blanke,<br />
Nothinge's your lotte, thatt's more than can be tolde,<br />
For nothing is more p'tious then golde.<br />
2 giue Mann. 3 or Mann. 6 yoake] burden Pen. trs.<br />
i 1 Wot you not why fortune giues you no prize P. R. M rs . Hastinges]<br />
La. Susan Vere Pen, trs. 13 A dozen of Points P. R. 15 theis Pen. trs.<br />
17 The] This Pen. trs. 18 Yet they moste lose their time that Pen. trs.:<br />
Yet they most lose it that do P. R, La. Scudamour] no name Pen. trs.<br />
20 to bef. you Mann.: doth send you P. R. La. Francis] Mres Southwell<br />
Pen. trs. 21 your] you Mann. 24 Yet] It Pen. trs.: But P. R.<br />
26 La. Susan Vere.] no name Pen. trs. 27 p'tious &c] worth then pretious<br />
gold Pen. trs.<br />
La.<br />
Scroope.<br />
Mrs.Neuill.<br />
Thynne.<br />
M rs .<br />
Hastinges.<br />
M rs .<br />
Bridges.<br />
La. Scudamour.<br />
La.Francis.<br />
La.<br />
Kneuette.<br />
La. Susan<br />
Vere.
M rs . Vauissour.<br />
La. Sowthwell.<br />
L. Anne<br />
Clifford.<br />
Mrs Hyde.<br />
La.<br />
Kildare.<br />
La. Effingham.<br />
I.a.<br />
Pagette.<br />
Mrs. Kiddermister.<br />
Mrs.<br />
Strangwidge.<br />
502<br />
ENTERTAINMENTS<br />
(15) A Handkerchefe.<br />
Whether you seeme to weepe, or weepe indeede<br />
This handkercheff, will stande you well in steede.<br />
(16) Gloves.<br />
Fortue these gloves in double challeng sendes<br />
For you hate fooles and flatterers her best frendes.<br />
(17) Lace.<br />
Give hir the lace thatt loves to be straite laced<br />
Soe fortunes little gifte is fittlye placed<br />
(i8) Knifes.<br />
Fortune doth give these paire of knifes to you<br />
To cutt the thredd of love if 't be nott true<br />
(19) Girdle.<br />
With fortunes girdle happie may you bee<br />
Yett they thatt ar lesse happie ar more ffree<br />
(20) Writing tables.<br />
These tables may contayne your thoughtes in parte<br />
Butt write not all thatt's written in your harte<br />
(21) Garters.<br />
Thoughe you have fortunes garters you wil be<br />
More staide and constant in your steppes then she<br />
(22) A blanke.<br />
Tis pittye suche a hande should drawe in vayne<br />
Thoughe itt gaine nothing itt shall pittye gaine<br />
(23) Coyfe and crosscloth<br />
Frowne you in earnest or be sicke in jeste<br />
This coife and crossecloth will become you beste<br />
5 in double] to you in P. P.: to you in double Pern. trs. 9 Soe...<br />
little] Litle-go fortunes laced Perc. trs. aptly P. R. Pen. trs. 11<br />
this P. R. 14 By P. R. Pen. trs. 15 more] moste Pen. trs, 16<br />
A paire of writing Tables P. R. Pen. trs. 17 thought Mann. La.<br />
Howard of Effingham Pen. trs. 20 wil] must P. R. 21 your om.<br />
P. R. '23 La, Kiddermaiste Mann.: no name Pen. trs. 24 gaine. ..<br />
shall] gaine nothing yet shall it Mann.: gives nought yet shall it Pen. trs.: gaine<br />
nought yet shall it P. R. 26 you in] in good Mann. P. R. Pen. trs.
AT HAREFIELD 503<br />
(24) Scarfe.<br />
Take you this scarfe, binde Cupid hande and foote<br />
So love must aske you leave before he shoote<br />
(25) Falling bande.<br />
5 Fortune would have you rise, yett guides your hande<br />
From other lotts unto a falling bande.<br />
(26) Cuttwork stomacher.<br />
This stomacher is full of windowes wroughte<br />
Yet none throughe them can looke into your thoughte<br />
10 (27) Scisser Case.<br />
These scissers doe your huswiferye bewraye<br />
Thatt love to worke thoughe you be borne to playe<br />
(28) A Chaine.<br />
Because you scorne loves captive to remaine,<br />
15 Fortune hath sworne to leade you in a chaine<br />
(29) A Blanke.<br />
You faine would have butt whatt you cannott tell<br />
If fortune gives you nothing she doth well<br />
(30) Bracelets.<br />
20 Ladye your handes ar fallen into a snare<br />
For Cupids manacles your braceletts ar<br />
(31) Bodekin.<br />
Even w th this bodkin you may live unharmed<br />
Your beawtye is w tn virtue so well armed<br />
25 (32) A Blanke.<br />
You ar so dayntye to be pleased God wott<br />
Chance knowes nott whatt to give you for your lott<br />
3 must aske] shall Pen. trs. 6 unto] to take Pen. trs. P.R. 7 Cuttwork<br />
om. P. R. Pen. trs. 9 looke] see P. R. 10 A paire of Sizzers P. R.<br />
11 This sizer doth Pen.trs. 12 be] were P.R. 17 La. Digbye] Mres.<br />
Drury Pen. trs. 1 8 In giuing nothing fortune semes you well P. R. 20<br />
Conway MS. torn: the lot om. Pen. trs. 21 your] these P.R. 23<br />
w th ] by Pen. trs. 25 allotted to Mres Hastinges Pen. trs. 26 so] to<br />
Mann. 27 your] & P.R.<br />
Mother of<br />
ye maydes.<br />
La. Cum*<br />
berland.<br />
La. Walsingham.<br />
La.<br />
Newton.<br />
Mrs<br />
Wharton.<br />
La.Digbye.<br />
. . . liffe.<br />
La.<br />
Dorothye.
Mrs.<br />
Anselowe.<br />
This onely<br />
lelte undrawne.<br />
504<br />
ENTERTAINMENTS<br />
(33) A Cushionett<br />
To hir that little cares whatt lott she winnes<br />
Chance gives a little cushionett for hir pinnes<br />
(34) A prayer booke.<br />
Your fortune may be good another daye<br />
Till fortune come take you a booke to praye<br />
ffinis<br />
3 a little] hir this Pen. trs. for hir] to sticke P. R. 5 may be]<br />
may prone P. R.: will prove Pen, trs. This ... undrawne] not drawne<br />
Mann.: La. Digby Pen. trs. 6 Till ... a] In the meane time take you this<br />
Pen. trs. 7 The Pen. trs. om. No. 30 and gives the follg. five additional<br />
lots ;—<br />
A country wenche. A pair of. sheres.<br />
You whisper many tales in many eares,<br />
To clipp your tongue )our lot's a paire of sheares.<br />
A country wenche. An apron.<br />
You love to make excuses for all thinges,<br />
An apron is your lott, which hath no stnnges.<br />
A country wench. A reele.<br />
You are high in the instepp, short in the heele,<br />
Your head is giddy, your lott is a reele.<br />
No name. A blank,<br />
fortune is bountifull, and from hir store<br />
Gives you as muche as you were worth before.<br />
No name. A blanke.<br />
For all thy witt, Fortune might favour thee,<br />
For God forbidd all fooles should happy bee.
<strong>THE</strong> KING OF DENMARK'S WELCOME.<br />
July, 1606.<br />
(Doubtful.)<br />
The King of Denmarkes welcome: Containing his ariuall, abode,<br />
5 and entertainement, both in the Citie and other places. Discite<br />
Io pean, Io bis discite pean. London Printed by Edward Allde.<br />
1606.<br />
(4°; 16 leaves, signed A-D3, D4 being blank. Br. Mus.<br />
press-mark C. 33. e. 7 (5).)<br />
10 ... Tuesday the xxij. of Iuly, and Wednesday the xxiij. were spent (P.<br />
in hunting at Eltham and in feasting. On Thursday the foure and<br />
twentyeth of Iuly, both the Kinges with their traincs, which contained<br />
great numbers, roade in progresse to Theobalds neare IValtham,... where<br />
vppon the approach of the Kinges Maiesties, there were manie verie<br />
15 learned, delicate and significant showes and deuises presented vnto them,<br />
which I wil omitte amply to discribe, because my coniecture may erre<br />
from the drift of the inuentor, and I hould it a capitall offence by a sleight<br />
imagination to misconster a fayre inuention; and there is no doubt but<br />
the author thereof who hath his place equall with the best in those Artes,<br />
20 will himselfe at his leasurable howers publish it in the best perfection.<br />
Yet to giue you a little taste of what came nearest to my vnderstanding,<br />
there was at the entrance of the Gates, planted a goodly Tree with leaues,<br />
and other ornaments resembling a great Oake: the leaues cut all out of<br />
greene (p. 13) silke, and set so artificially, that after certaine speeches<br />
25 deliuered, and Songes of Welcome sung, as the Kinges Majesties passed<br />
away, euen in a trice, all the leaues showred from the tree, both vppon<br />
the heads and Garments of both the Kinges, and of a great multitude of<br />
their followers: vppon euerie leafe beeing written in golde Letters this<br />
word (Welcome) and vppon some twice (Welcome) and the better to put<br />
30 your eares in tune, beeing duld with this my ill pend discourse, I wil set<br />
you downe heere the Song of Welcome, which was sung before both the<br />
Kings : The Stanzaes by a single voice, the Chorus by a whole consort<br />
of voices.<br />
The Song at Theobalds. (P.<br />
I<br />
35 euerie Ioy now had a tongue,<br />
And all the seuerall thoughts were sung,<br />
Vnder this happie roqfe,<br />
They could make proofe,
506 ENTERTAINMENTS<br />
How much they doe reioyce,<br />
In one, the Maisters voice:<br />
and that is welcome still.<br />
Hayle double flame of Maiesties,<br />
Whose luster quickeris: blindes not eyes, 5<br />
Who euer saw such light<br />
would wish for night f<br />
Stay, stay, we may reioyce,<br />
And keepe our constant voice,<br />
which is your welcome still. 10<br />
When two Sunnes shine, the ample day<br />
Should not so haste it selfe away:<br />
A feare to loose destroyes<br />
almost our loyes,<br />
But we must so reioyce, 15<br />
As we make good our voice,<br />
of welcome, welcome still.<br />
Chorus.<br />
And would you euer stay,<br />
And make it lasting day, 20<br />
Tis welcome, welcome still.<br />
(P. 16) .... On Munday being the eight and twentie day of Iuly, both the<br />
Kinges Majesties after Dinner, departed in great state and gallantrie<br />
from Theobaldes . . . and thence returned backe vnto Grecnewich<br />
where they spent Tuesday . . . and Wednesday .... On Wednesday 25<br />
at night, the Youthes of Paules, commonlye cald the Children of Paules,<br />
plaide before the two Kings, a playe called Abuses: containing both<br />
a Comedie and a Tragedie, at which the Kinges seemed to take delight<br />
and be much pleased.<br />
(On Thursday July 31 the Kings rode in procession through London 30<br />
from the Tower to Whitehall. There were pageants and addresses in<br />
Cheapside, music from' the petty Canons & singing me* in St. Paul's<br />
Churchyard, and a Latin oration 'at Pauls schoole doore.')<br />
(P. 24) ... thence they road doune Ludgate-hill, till they came to Fleetstreet<br />
Cunduit, from whence as soone as the Kinges approched, was heard 35<br />
a moste excellent consort of stil musick, which inuiting the two Kings<br />
to lift vp their eyes, they might beholde a verie fine artificiall sommer<br />
bower of greene bowes diuided with curtaines of crimson taffatie, the top<br />
8 stay,] qy. ? that
KING OF DENMARK'S WELCOME 507<br />
of the Arbor made canapie wise and hung round about with this inscription,<br />
Deus nobis hœc ocia fecit; and after, amoste excellent song sung (Cowdray,<br />
dialogue wise, containing these wordes. p. 426 )<br />
Shepheard: Sweet Ioe vouchsafe once to impart,<br />
5 did euer Hue so coy a lasse,<br />
that vnto loue was neuer moued?<br />
Shephardesse: Yes Shephard She that has the hart,<br />
and is resolud her life to passe:<br />
neither to loue or be beloued.<br />
10 He: She sencelesse Hues, without affection.<br />
She: Yet happie Hues, without subiection.<br />
He: To be pluckt are Roses blowne,<br />
To be mowed are meddowes growne:<br />
Iemtnes are made but to be showne,<br />
15 And woman's best<br />
She: To holde her owne.<br />
The Kings might behold within the Arbour, a faire Shepheard courting (P. 25)<br />
a Coy Shepherdesse, who had answered him that she would loue him,<br />
when she could behold two Sunnes at one time of equall brightnesse:<br />
20 when there were two Maiesties of like splendor or two Kings in one state,<br />
with many such like imagined impossibilities, which now he shewed her<br />
were come to passe, approouing those two kings glorious Suns, two<br />
Maiesties, and what else she had reputed impossible: After these<br />
speeches which held a pretty space, the Musicke plaied, and there was<br />
25 another song sung of farewell: at the ende whereof, the Kings Maiesties<br />
departed, and so roade along through Fleetstreete to Temple-barre,<br />
where the Lord Maior of the Citie taking his humble leaue of the two<br />
Kings, and receyuing many gracious thanks, had the sworde deliuered<br />
him backe, and himselfe redeliuered the Scepter, and so withall the rest<br />
30 of his brethren, who mounted vpon their foote-cloathes, richly trapt in<br />
golde trappers came to meete him, they departed into the Citie. The<br />
two Kings Maiesties in forme as at the first, keepe on their way from<br />
Temple-Barre, all through the Strande, so to Charing-crosse, and thence<br />
to White-hall, where dismounting about seauen of the clocke in the<br />
35 Euening, they feasted and reposed themselues there all that night
Epicedi<br />
turn.<br />
A FVNERAL<br />
Oration, vpon the death of the late<br />
deceased Princesse of famous<br />
memorye., Elizabeth by the grace of<br />
God, Queen of England, France<br />
and Ireland.<br />
Written : by Infelice Academtco Ignoto<br />
Wherunto is added, the true order of her<br />
Highnes Imperiall Funeral!.<br />
DEVICE<br />
E. R.<br />
LONDON<br />
Printed for E. White, dwelling neere the little<br />
north doore of Paules Church, at the signe of<br />
the Gun. 1603.<br />
1 Expicedium 2<br />
4 0 has 11 leaves, A-C 4. in fours, verso of title blank, A 2 (probab'y<br />
blank leaf) missing. Br Mus. under ' Elizabeth, Queen' (press-mark, 695.<br />
f. 8 (2)). A brief notice of it with extracts, but without suggestion as to<br />
authorship, occurs in Brydges' Restituta, vol. iv. pp. 10-14..
(sigA3<br />
recto)<br />
Epicedium.<br />
A Funerall Oration vpon the death of<br />
the late deceased Princesse, (of famous memo<br />
ry) Elizabeth by the grace of God Queene of England,<br />
France and Ireland: written by Injelice Acadcmico Jgnoto. 5<br />
F the sigh I<br />
es of the heart were conuerted into eloquSce of the<br />
tongue (as in the instruments of breath, the spirit is exchanged<br />
into soun'd) I would desire (right worthy Auditory) that all those<br />
sighes which are assembled together in your brests, might be<br />
centered in my heart: to the ende that my defect of eloquence to 10<br />
expresse this fatall accident, might be supplyed by my increased<br />
sorrowes, so happily conuerted into discourse. But since this my<br />
conceited desires may not be reduced to act, my wish were that this<br />
floud of teares, that makes his channell through our eyes, might like<br />
a riuer of fit discourse, flow from out my lippes; to the ende that 15<br />
the forecible weight of the same being inritched by these supplyes,<br />
might plant amazement in your eares, to heare the flowing eloquence<br />
of my tongue, and the boundles number of her praises. But why'<br />
spend I my breath in wishes ? or to what end fashion I my desires<br />
to be greater then my power? since your reuerent silence that 20<br />
attendeth my discourse is sufficient to giue worth to the weaknes of<br />
my performance, and her vertues worke wonder in the meanest<br />
Orator. But because a good life maketh only the (sig. A 3 verso)<br />
graue happie, and the glory that is deriued to after ages, dependeth<br />
on the actions of fore-passed yeeres: Let vs discourse a while on 25.<br />
that Elizabethes life, whose death wee lament with such hartie<br />
complaints.<br />
She was borne of a father of famous memory, Henry the eight,<br />
deriued from a mother of great vertue, Anne Bullein; and descended<br />
so royallie, and from so mightie Princes, that Europe knew not her 30<br />
equall, eyther in birth, bewtie, or perfection : Greater then Alexander<br />
she was, for the world which he subdued by force, she conquered by<br />
loue; her beautie was so great, that it rather was enuied then
A FUNERAL ORATION 511<br />
equalled; beloued then praysed, admired then described. Her<br />
power so great that whole kingdomes were affrighted at her name,<br />
and many rich countries made happy by her protection; her learning<br />
so admirable that as from east and west many nations resorted<br />
5 to Rome: not for any wonder they expected in the Cittie, but onely<br />
to beholde Liuy: So many from all parts repayred to her kingdome,<br />
where eyther they were inchaunted with beauty, amased at her<br />
greatnes, enriched by her bountie, confirmed by her wisdome, or<br />
confounded in their Iudgments. Her chastitie so great, that the<br />
10 question is whether the conquest of her enemies wrought her more<br />
fame, or the continence and gouernement shee had in her selfe,<br />
more merrit : In a word, she enioyed so much grace, as all the<br />
graces possessed not together; and hee that had the grace to see<br />
her grace, accompted it his happinesse to be so graced.<br />
J 5 The desires her beauty kindled, her modesty quenched; the<br />
attempts which ambition inteded, her constancie ouercame: The<br />
peace which al kingdomes affected, her pollicy effected : and her<br />
state which her greatest foes enuied, her wisdom maintained: her<br />
countrie was the fortresse of banisht men : the sanctuary of the<br />
20 distressed : the harbour of the wronged : the enricher of her allies :<br />
the bane of her enemies: in a word, the world had nothing more<br />
praise-worthie in it, then that it knew her. I will not rip vp the rare<br />
perfections of her youth, neither her (sig. A 4 redo) fatall daunger<br />
before her comming to the Crowne, nor her sundrie good fortunes<br />
2 5 in the gouernment of her kingdome, nor the continuance of her<br />
peace, nor the prosperitie of her warres, least the memorie of these<br />
things added to her losse, should make our sorrowes stronger then<br />
our sufferance could admit of. But for my owne part I may say<br />
this of her, that if this Soueraigne Princesse had dyed among those<br />
30 ancient Thracianis, who wept at the birth of their children, and sung<br />
and feasted at their deaths: they would haue changed their custome,<br />
and bewayled her infinitely. For by her death, alas what<br />
miserie are wee not acquainted with ? wee lost that head whereof<br />
wee bee the members; the gouernesse of our fortunes and felicitie,<br />
35 the life of all our peace, the death of all our ioy.<br />
Since her departure, Iustice scale is distempered, prudence mirrour<br />
is dimmed, strength's pillers are shaken, Temperance vessell is<br />
emptied, the Oliue (that peace bare) is leaueles, the oyle of mercy<br />
is wasted, liberalities hands are closed; the head of magnificence<br />
40 droopeth, pittie hath hir smiles changed, the lawes are silent, and
512 A FUNERAL ORATION<br />
pardon tongueles. Alas what should I say ? if Petrarch knew not<br />
in what Sphere of Planets to lodge his Lawra, how shold I guesse<br />
in what order of Angels I should plat our Elizabeth ? dead she is,<br />
but so dead as she is pittied by death himselfe; who being senceles<br />
and passionles towards all other creatures, yet hath afforded her this 5<br />
priuiledge, to Hue in our sorowes. And to giue her place in heauen,<br />
what mortall apprehesion dare presume? since in earth our best<br />
hopes are wrapped in feare and trembling, and no man can beget<br />
that being for another which hee cannot assuredly hope for himselfe?<br />
what shee was whilst shee liued, wee iudge, but by the out-10<br />
side, the sence must informe the intellect before he can determine:<br />
what she is, for the earth we know, for the soule we leaue it with the<br />
Platonists, to infinitie: wherein, God that knoweth best of truth can<br />
informe truth. When Pelopidas the Theban, after he had manfully<br />
combated against Alexander Pheraus, was vnfortunately and (sig. 15<br />
A 4 verso) mortally wounded; the report is that the Thessalians<br />
that were present at that battell, neuer laid aside their armour nor<br />
drewe the reyne from their horses, neither tyed vp their woundes,<br />
vntill they had lamented him, armed and heat(ed) in the conflict,<br />
they ranne to comfort him; halfe breathles they clipped their horses 20<br />
manes, they shaued themselues: if colde made them chill, the fier<br />
of their zeale would not suffer them to kindle fire in their tents:<br />
their sorowes shut vp their stomacks from receauing meate : silence<br />
and mourning possessed the whole armie. And they that had<br />
gotten a victorie ouer fame by their conquest, by the losse of their 25<br />
generall, became slaues to their affections; when the Citties heard<br />
of his losse, the magistrate and meane men, the Prince and Plebeian<br />
came out to meete him: they fixed Crownes on his Hearse, cast<br />
flowers on his coarse, & stroue how to honour him being dead, that<br />
had so faithfully fought for them in life : yea his enemies contended 30<br />
with the conquerer for Funerall, think ; ng it a blessing to enioy his<br />
bones, whose valour had restrayned their ambition. If for Pelopidas<br />
the warriour, the Greekes were so passionate, what should wee bee<br />
in the losse of Elizabeth our peace-maker and Princesse, whose<br />
perfections are entombed in her enemies teares: whose losse hath 35<br />
made the mightie weake, the prudent diffident, the rich suspitious,<br />
the poore amazed, and all sorts hartles ? Pelopidas vertues were<br />
onely the obiects of Greece, Elizabeths the wonders of the world:<br />
he onely a subduer of a Cittie or prouince, she the terrour of many<br />
36 suspitions Q (turned u)
A FUNERAL ORATION 513<br />
kingdomes: hee onely wonderfull in an Angle, She famous in the (Quarren.<br />
worlds fayre Anglia. don, P. 4 66<br />
But alas, why talke I of death in so diuine a subiect ? she liues as<br />
yet in the hartes of her gratefull subiects, because they might not<br />
5 dye with her; liuing, they keepe her aliue in their louing hartes,<br />
the memorie of her death in their teares, her name in their tongues,<br />
her wordes in their eares, her liuely Image in their lasting imaginations<br />
: her mightines in her is an admirable miracle, where nobilitie<br />
in the vitious is a grieuous infamie.<br />
10 (Sig. B recto) Heere like a true Joseph hath she lost this cloake<br />
of mortalitie, to obtaine an immortall Crowne of glorye, and to<br />
escape the embracements of the lewde worlde. How happily hath<br />
she cast off the prison of her mortalitie ? how happy is she by death,<br />
that is delinered fro the troubles of life? The enamoured Thisbe to<br />
15 flye from the iawes of a hungrie Lyonesse, cast off her vayle that<br />
shadowed her shoulders; so this beloued of Christ, to escape that<br />
Lyon of perdition, that raging wandreth to seeke whom he may<br />
deuour, hath disburdened her selfe of her earthly ornamets, hath<br />
choakte the rauenous enemie of mankinde, by casting her earth in<br />
20 his teeth : Happy happy Elizabeth, that hath forsaken the Babilon<br />
of this world, to obtaine her Countrie the heauely Paradice.<br />
The Moone (as the Philosophers write) is ecclipsed by the shadow<br />
of the earth, and nothing more obscureth the soule then the prison (Camp.<br />
2. 30-6)<br />
of the bodye. Since therfore our Elizabeth hath cast off her earthly<br />
25 vayle to get a heauenly Priuiledge; let vs moderate our passions by<br />
imagining her felicitie, since what she lost was not in her possession<br />
to keep; and what she hath, is a greater purchase then coniecture<br />
can apprehend.<br />
The generous young man Crates, forsooke his possessions to buye (Eupk<br />
30 an heritage in Philosophye. Diogines left his Countrie and house. 3081.23<br />
Democritus lost his eyes, to apprehend knowledge. How farre better<br />
a match hath our Soueraigne made, that for her possessions in earth,<br />
hath got the Paradice in heauen ? that for her earthlye prison, hath<br />
attayned a heauenly mantion ? that for her eyes that beheld the<br />
35 vanities on earth, hath gotten the meanes to beholde the paradice<br />
of heauen ? Plato in his lawe, interdicted the vse of lamentation in<br />
Funerals, neither thought he it requisit to lament publiquelie, or<br />
conuey the Coarse to his Tombe with teares and sorowfull exclamations,<br />
because (as the Philosophers say) teares yeild no remedye in<br />
40 tribulation. But had Plato liued to beholde these times, and con-<br />
BOMD I L 1
514 A FUNERAL ORATION<br />
sidered the blessings we possessed whilste she liued; how carefully<br />
she guided the helme of (the) common-weale, and faithfully defenced<br />
her Countrye from no- (sig. B verso) uations; how prouidently she<br />
fore-stalled the audacious designes of her enemies; how constantly<br />
she with-stood her greatest dangers; he would doutles haue remitted 5<br />
a great part of his austeritie, and saluted her Hearse with some<br />
lamentable Elegie.<br />
There is a Lake (as Aristotle reporteth) neere vnto the riuer of<br />
Eridanus, wherin (if any Poets fiction may beare credit of faith)<br />
proud Phaeton being strooken with lightning, was finally drowned. 10<br />
The water of this Lake is in qualitie hot, in odour greeuous, fearfull<br />
in beholding. Heerof no creature drinketh, but he dyeth:<br />
heer-ouer no bird flyeth, but he is drowned. Of the nature of this<br />
riuer, is her losse we lament for: The proudest enemie that beholdeth<br />
it is drowned in confusion : The teares that are wept on it, if<br />
blinde the eyes with their scalding.<br />
The odours that perfume her Hearse, are of the nature of vapours<br />
drawne vp by the Sun, which ascend in fume but desend in shewers.<br />
He that beholdeth this Hearse, how can he choose but feare, since<br />
ouer it he may meditate on the vncertainties of life ? what brutish or 20<br />
sauadge nature, beholding this sight and feeding his eyes on her<br />
Monument, but will dye with sorow ? or what soule houering in the<br />
ayre ouer this disconsolate Hearse, dissolueth not into teares? (if<br />
exempted soules may be subiect to passions.)<br />
I am amazed and can no more, and your iudgements shall require 25<br />
no further discourse at my hands: the reason is, because others<br />
glories may be expressed in words and writings, whereas hers cannot<br />
be aptly described but in wonder and silence. I will therfore<br />
supply with my teares, what I fayle in my wordes: & if any aske<br />
why I end so abruptlye: let the Poet answer who can truly iudge of 30<br />
passion, Curce hues loquntur ingentes stupent.<br />
Dixi.<br />
(sig. B 2 recto)<br />
A true Subiects s or owe, for the losse<br />
of his late Soueraigne.<br />
I<br />
loyne not handes with sorowe for a while, 35<br />
• To soothe the time, or please the hungrie eares:<br />
4 constancy Q
A FUNERAL ORATION<br />
Nor do inforce my mercinarie stile,<br />
No feigned liuerye my Inuention weares.<br />
Nor do I ground my fabulous discourse<br />
On what before hath vsually bene seene:<br />
5 My greife doth flowe from a more plentious source,<br />
From her that dy'd a virgin and a Queene.<br />
You Cristall Nimphes that haunt the banks of Thames,<br />
Tune your sad Timbrils in this wofuli day :<br />
And force the swift windes and the sliding streames<br />
10 To stand a while and listen to your Lay.<br />
Your fading Temples bound about with yewe,<br />
At euery step your hands deuoutly wring,<br />
Let one notes fall anothers height renewe,<br />
And with compassion your sad Ncenia sing.<br />
] 5 Graces and Muses waite vpon her Hearse:<br />
Three are the first, the last the sacred Nine:<br />
The sadst of which, in a blacke tragique verse,<br />
Shall sing the Requiem passing to her shrine.<br />
(Sig. B 2<br />
An Ebon Charriot to support the Beere,<br />
20 Drawne with the blacke steedes of the gloomy night:<br />
Stooping their stiife Crests, with a heauie cheere,<br />
Stirring compassion in the peoples sight.<br />
The Pyle prepard where on her body lyes,<br />
In Cipresse shadowes sit you downe forlorne :<br />
25 Whose bowes be dew'd with plenty of your eyes,<br />
(For her with griefe) the Branches shall adorne.<br />
Let fall your eye-lids like the Sunnes cleere set,<br />
When your pale hands put to the vestall flame :<br />
And from your brests, your sorowes freely let,<br />
30 Crying one Beta and Elizas name.<br />
Vpon the Alter, place your Virgin spoyles,<br />
And one by one with comelinesse bestowe:<br />
Dianaes buskins and her hunting toyles,<br />
Her empty quiuer and her stringles bowe.<br />
Ll2
5i6 A FUNERAL ORATION<br />
Let euery Virgin offer vp a teare,<br />
The richest Incence nature can alowe:<br />
And at her tombe (for euer yeare by yeare)<br />
Pay the oblation of a mayden vowe.<br />
And the tru'st vestall the most sacred liuer, 5<br />
That euer harbored an vnspotted spirit,<br />
Retaine thy vertues, and thy name for euer,<br />
To tell the world thy beautie and thy merrit.<br />
(Sig. B 3 recto)<br />
Wher's Collin Clout, or Rowland now become,<br />
That wont to leade our Shepheards in a ring?<br />
(Ah me) the first, pale death hath strooken dombe,<br />
The latter, none incourageth to sing.<br />
But I vnskilfull, a poore Shepheards Lad,<br />
That the hye knowledge onely doe adore :<br />
Would offer more, if I more plenty had, 15<br />
But comming short, of their aboundant store,<br />
A willing heart that on thy fame could dwell,<br />
Thus bids Eliza happily farewell.<br />
FINIS.<br />
Sig. B 3 verso is blank, and sigs. B4-C4 are occupied by the ' True Order ' of<br />
the funeral, i.e. an enumeration of the officials and individuals taking part in the<br />
procession ' from White-hall to the Cathedral Church of Westminster. The 28.<br />
day of Aprili. 1603.'; at the beginning, end, and two interior points of which are<br />
some inferior verses—but I apprehend th-t Lyly had no hand in this part of<br />
the tract.<br />
I0
NOTES<br />
ENTERTAINMENTS.<br />
P. 410. AT <strong>THE</strong> TILT-YARD : A Sonet: given first, though not the<br />
earliest of these Tilt-Yard Speeches, because Segar's chapter forms the<br />
best introduction to them. It was assigned to George Peele by Dyce<br />
(1839) and succeeding editors, only because it appears at the end of<br />
Peele's Polyhymnia . . . Printed by Richard J hones. 1590,4°, a blankverse<br />
description (written of course later) of the occasion at which this<br />
' Sonet' was sung. In the Drummond copy of Polyhyntnia in the<br />
Edinburgh University Library, ' finish ' is printed at the end of Peele's<br />
poem, and the ' Sonet' appended on the verso of the leaf without initials<br />
or signature of any kind. A MS. of Polyhymnia in some Oxfordshire<br />
house, from which Dyce supplied the defects of the slightly-mutilated<br />
Drummond copy, lacks, he tells us, the ' Sonet'; which is, further, found<br />
without the Polyhymnia in the Garrick Collection, whence it was reprinted<br />
by Beloe (Anec. of Lit. vol. ii. p. 5). I submit that there is no<br />
good evidence of Peele's authorship. The second stanza reproduces<br />
Lyly's phrases and ideas, and I make no doubt that it is really his ;<br />
copied, possibly, by Peele at the end of his own Polyhymnia MS. as<br />
a good poem (by a friend ? and possible collaborator in the lost Hunting<br />
of Cupid'?—the Lylian trace is very marked in Drummond's fragmentary<br />
notes) on the same occasion (given in Dyce's Peele, ed. 1861, pp. 603-4).<br />
A like cause may have led Collier to suppose the Gardener's and Molecatcher's<br />
speeches at Theobalds, May, 1591, speeches indisputably Lyly's,<br />
to be, like the Hermit's speech on the same occasion, by Peele. Lyly's<br />
position in the Revels Office, apart from his repute as the Court dramatist,<br />
would single him out as the proper person to devise such a show<br />
as Segar describes, even had not Sir Henry Lee sought his aid before<br />
(cf. below, and Biograph. Appendix, p. 384). The present, however, is<br />
probably the occasion of his introduction to George Clifford, third Earl<br />
of Cumberland, 1558-1605, who employs him later. A variation of the<br />
poem in four stanzas, of which the fourth is our third, introducing the<br />
Latin beginnings of various Psalms, is found in Rawlinson MS. Poet.<br />
148, f. 19, subscribed ' q d S r Henry Leigh'; and in Robert Dowland's<br />
Mvsicall Banqvet, 1610, No. 8 is a poem assigned to ' Sir Henry Lea,'<br />
consisting of four stanzas written after Elizabeth's death which recall the<br />
vein and some phrases of this ' Sonet.'
518 NOTES<br />
P. 412. A CARTELL FOR A CHALLENG : this and the two following<br />
speeches formed part of a manuscript collection made by Henry Ferrers<br />
(1549-1633) of Baddesley Clinton in Warwickshire, from which William<br />
Hamper in 1820 printed them, and the Quarrendon speeches below, under<br />
the title of Masques : Performed before Queen Elizabeth. From a coeval<br />
copy .... Chiswicky Printed by C. Whittingham, College House, 1820.<br />
In his Introduction Mr. Hamper supposed these three speeches to be<br />
delivered at the Tilt-yard on the occasion of Sir Henry Lee's resignation<br />
of the Championship in 1590, and the remainder at Quarrendon on<br />
Elizabeth's visit in 1592, attributing them all to George Ferrers of the<br />
Mirrourfor Magistrates and The Princely Pleasures, who, however, died<br />
in 1579. I have no hesitation in assigning them all to Lyly, on grounds<br />
of style, matter, and general correspondence to other speeches also<br />
assigned to him, e. g. the opening words of this Cartell, the likeness in<br />
tone and conception of the two first to that delivered by the Earl of<br />
Cumberland in 1600 (pp. 415-6), and the dialogue at Quarrendon between<br />
Constancy and Liberty, which is redolent of Lyly. I regard all<br />
these Tilt-yard speeches as incidents in a long connexion of Lyly with<br />
Lee and the Earl of Cumberland, of which we see other signs in his<br />
election to Parliament for Aylesbury in Feb. 1592-3 and Oct. 1601, and<br />
for Appleby in Sept. 1597 (Life, p. 48). And Mr. Hamper is obviously<br />
wrong in assigning these three speeches to Nov. 17, 1590. There is<br />
nothing internal to connect the two first, which, being to the same effect,<br />
are probably for different occasions, with any particular place, though it<br />
may be the Tilt-yard; the second seems to belong to some date anterior<br />
to 1590, or, if the occasion be that referred to in the first Quarrendon<br />
speech, it may be the Tilt-yard, 1591 ; and the third, in which the<br />
retired champion, who still, Segar tells us, continued to preside over<br />
the annual occasion, presents his son, must be in some subsequent year,<br />
1592 or later.<br />
P. 413, 1. SHAMPANIE: lists or field of contention, Fr. campagne<br />
(Hamper); but more probably the reference is to the tilt run by Sir<br />
Henry and others at Greenwich to pleasure Le Champany or De Champany,<br />
ambassador from the Low Countries. See Nichols' Progresses, iii.<br />
p. 50.<br />
11. posting horse: that on which he rode hither.<br />
15. <strong>THE</strong> OWLD KNIGHT : Sir Henry Lee, born 1530, died 1610.<br />
27. end . . . contynuance: this merely forced antithesis is thoroughly<br />
Lylian ; see above, p. 121 bott.<br />
31. oneley sonne: he had two sons, John and Henry, both of whom<br />
died while yet under age; Lipscomb's Hist, of Bucks, ii. 405.<br />
P. 414, 5. this little: a word possibly omitted ; no doubt some piece<br />
of jewellery. Cf. Quarrendon, p. 455.<br />
15. ODE. Of Cynthia : printed anonymously in Davison's Poetical
SPEECHES AT <strong>THE</strong> TILTYARD AND <strong>THE</strong>OBALDS 519<br />
Rapsody, 1602. Nothing to show whether the 'shew' was at the Tiltyard,<br />
Westminster, at Greenwich, or some other of the royal palaces, or<br />
at one of Cumberland's own castles, Appleby or Bromeham in Westmoreland,<br />
or Skipton in Yorks. Nor can I urge more than a possibility of<br />
Lyly's authorship: the verses are more like Sir John Davies'. Cf,<br />
note on Harefield Ent. authorship, p. 535 below. A clumsy stanza of<br />
Cumberland's appears as No. 1 in Robert Dowland's Mvsicall Bangvet,<br />
1610.<br />
P. 415,10. A COPIE OF MY LORD OF COMBRLANDE'S SPEECHE, &C. :<br />
the date shows the occasion to be the anniversary of the Queen's accession.<br />
Whitaker (Hist, of Craven, p. 357) implies that it is in Cumberland's<br />
autograph and of his authorship. The authorship at least is Lyly's,<br />
by the style, the allusions to the Twins of Hippocrates (Euph. ii. 5 1. 13),<br />
Ixion embracing a shadow (vol. ii. 454 1. 44), nightshade as a solace<br />
(poem on the Bee, vol. iii. p. 497 1. 10), and the tone of sadness affected,<br />
as above, pp. 412-3, and cf. Endim. ii. 1. 8-16, 41. Cumberland's own<br />
letters, of which Whitaker prints several, seem illiterate. The speech,<br />
though introductory of the sad Knight, may refer to Cumberland's own<br />
losses and sacrifices in naval adventure; or the sad Knight may even be.<br />
Lyly himself, his patron consenting to subserve his purpose of complaint.<br />
P. 416, 5. wrappes up: absorb, carry off—a confusion with rape ?<br />
27. wheeld about . . . will wheele: like Ixion ; cf. 11. 32-4, below.<br />
P. 417,1. AT <strong>THE</strong>OBALDS: GARDENER'S SPEECH: the occasion of<br />
this and the following speech was the Queen's visit to Theobalds in May,<br />
1591, proved by the mention of ' Pymms,' and of ' thirty-three years'<br />
since 1558 in the inscription on the box. In Burleigh's diary (Murdin,<br />
p. 796) occurs—'1591. May 10. The Queen came to Theobalds from<br />
Hackney. May 16. The Queen dyned abrode in the Chamb. called the<br />
Queens Arbor in Company of the French Ambassador and L.' This is<br />
probably the arbour and gardens which the Gardener says were devised<br />
at Pymmes by ' the youngest son of this honourable old man,' i. e. by Sir<br />
Robert Cecil, Burleigh's second son. If we may trust the Hermit's<br />
Speech, written by Peele for this occasion, and the mock writ which<br />
formed its sequel (Nichols' Progresses, iii. 74-5), Burleigh had, for some<br />
years past, when not at Court, oeen living in retirement (at Pymmes ?),<br />
leaving Theobalds in occupation of Sir Robert. Collier first printed the<br />
Hermit's Speech {Hist, Dram. Poet. i. 274-9) signed 'Finis. G. P.' from<br />
a MS. in his possession; and Dyce, reprinting it in his edition of Peele,<br />
appended these two, as delivered on the same occasion, 'from a MS. in<br />
Peele's.handwriting, which has been obligingly lent to me by Mr. Collier,<br />
who was not possessed of it when he gave his excellent History to the<br />
public,' giving no further proof of Peele's authorship. Mr. Bullen<br />
followed Dyce in printing all three as Peele's ; but no one really familiar<br />
with Lyly's work will question his authorship of the two prose ones, which
520 NOTES<br />
teem with his phrases and ideas, while the inscription on the box is<br />
exactly modelled on the doggrel oracles of Mother Bombie (iii. i. 40 ; 4.<br />
121, 143, 149, 162, 177; v. 2. 16). Peele may have copied them, as<br />
a friend's work, to complete his record of the occasion ; but does not<br />
seem to have signed them. Cf. the parallel case of the Sonet above.<br />
Nichols was wrong in printing Davies' Conference betweene a Gent.<br />
Huisher and a Post . . . at Mr. Secretary's house (Harl. MS. 286,<br />
ff. 248-9) as part of the same occasion; for Cecil, though knighted now<br />
(May 20), was not made Secretary till 1596.<br />
8. At Pymnis-, some four miles hence: Dyce queries Mimmsl i.e.<br />
the manor of N. Mimms, 7 m. west of Theobalds, held at this time by<br />
Sir Ralph Coningsby, sheriff of Herts (Salmon's Hist, of Herts, p. 63).<br />
But Norden's Speculum Britannia. The first pa?'te . . . Middlesex<br />
• • . 1593? 4°, p. 18, mentions Pymmes 'a proper little house of the Right<br />
Hon ble . Lord Burghley'; and in the Calendar of Hatfield MSS. vol. iii.<br />
p. 204, Gilbert Talbot dates a letter to Burleigh ' At your Lordships<br />
house at Pymes, this 20 th of December 1586.' Bacon's Atlas, 1891,<br />
marks ' Pymmes Park ' at Edmonton, six miles south of Theobalds, just<br />
west of the great north road. Lyson's Env. of Lond. 1795, vol ii• P- 2 59,<br />
says it was named after a family settled at Edmonton, temp. Ed. II, and<br />
is mentioned among the property of which Robert Earl of Salisbury died<br />
seised in 1612. The village of Pimsbrook lies a little to the west.<br />
26. partly'-coloured: parti-coloured. ' Partly-coloured harts-ease,'<br />
Greene's Qvip, sig. B, ed. 1620 (Dyce).<br />
P. 418, 1. arbour all of eglantine: the plant specially associated with<br />
Elizabeth, e. g. above (Tilt-yard), p. 411 top, below, p. 474 1. 23 ; ' the sun<br />
of Spain ' of course alluding to the Armada. In the Cal. of Hatfield MSS.<br />
vol. iv. p. 394, under date Oct. 20, 1593, in an inventory of linen to<br />
be used at her next visit, occurs ' cloths for the rock in the Queens<br />
Harbour.'<br />
S. the box: the vehicle for the usual costly present; cf. ' My jewel'<br />
in the inscription.<br />
16. cony-gat : rabbit-burrow; ME. gate, way, path.<br />
35. Hackney: Cal. of Hatfield MSS. vol. iv. p. 115 'A short progress<br />
of Her Majesty. 1591 May.—Tuesday the 4 th May from Greenwich<br />
to Hackney, and there six days. Monday the 10 th May from Hackney<br />
to Theobalds, and there four days,' &c.; but the visit was prolonged.<br />
P. 421. COWDRAY ENTERTAINMENT : the edition from which I print is<br />
obviously older than Nichols' quarto, and contains very little beyond the<br />
actual speeches and verses. As in the case of Elvetham, and the Bisham,<br />
&c. Speeches, Lyly probably sold the bare MS. of the speeches to the<br />
printer, who supplied the brief necessary framework (cf. p. 4301. 1 ' because<br />
I was not there,' &c). With the later amplification, chiefly to introduce<br />
some notabilities by name, Lyly probably had nothing to do: as with the
COWDRAY ENTERTAINMENT 521<br />
Elvetham Ent., it might be the work of the noble host's secretary, though<br />
the omission of the three poems may be merely due to Nichols.<br />
P. 421, 4. in Progresse: from London she visited in August Sir<br />
William More at Loseley near Guildford: and thence proceeded (probably<br />
on the i8th,not 14th—on the 16th she is still near Guildford—Nichols, iii.<br />
84—yet 0 is particular, p. 422 1. 7) 10 miles to dine at Farnham Castle,<br />
continuing on the same day some 20 miles southwards to Cowdray, just<br />
east of Midhurst in Sussex. Her subsequent stages included Chichester,<br />
Petworth, Stanstead, and Portsmouth (Nichols, iii. 80-1, 96-7).<br />
6. Lord Montacute: Anthony Browne, first Viscount Montague<br />
(1526-92), owner also of Battle Abbey, a staunch Roman Catholic, but<br />
on the whole loyal to the throne. The resort of Catholics to Cowdray was<br />
uninterfered with by the government, and Montacute sat at the trial of<br />
the Queen of Scots, 1587. His first wife, Lady Jane Ratcliff, died in<br />
childbirth of the eldest son Anthony ; his second, Magdalen Dacre, bore<br />
him five sons and three daughters, and was present on this occasion (we<br />
gather from Q 2 ), as were her eldest and third sons, George and Henry,<br />
and the eldest daughter Elizabeth, married to Sir Robert f Dormer<br />
(Nichols' Preface, ed. 1823, p. xxviii).<br />
9. Thomas Scarlet : printer of Midas, 1592, 4 0 , and Mother Bombie,<br />
1594,4°.<br />
P. 422, 10. bridge : over the Arun, which runs through the park.<br />
14. Saterday : the dates affixed to the days in Nichols' Progresses,<br />
1823, are probably his own addition.<br />
P. 423, 10. Tuus, O Regina, &c.: Virg. ÆEn. i. 80-1.<br />
16. shot at the Deere: the Countess of Kildare, who joined the<br />
shooting, was Elizabeth Fitzgerald, ne'e Howard, daughter of the Lord<br />
Admiral.<br />
P. 424, 11. the Priory. ' must be that of Esseburn, Esebnrn or<br />
Oseburn, near Midhurst, founded by Sir John Bohun, temp. Henry iii'<br />
(Nichols' Pref. p. xxviii).<br />
12. her Lordcs: Burleigh dates ' from the Court at Cowdrain,<br />
August 18, 1591 ' (Rymer, Fosd. vol. xvi. p. 116).<br />
26. rough-hewed: i.e. hued, hisface stained, or—' rough' as p. 480 1.6.<br />
P. 425, 32. on copheigth : from the height or vantage of a cop or crest:<br />
cf. N.E.D., s. v. cop sb. ii. 8.<br />
38. clemencie . . . tasted: he had been largely implicated by Barker's<br />
confessions in the Ridolfi conspiracy of 1571 ; see Murdin, pp. 104-5, & c -<br />
P. 427, 11. The Anglers Speech is redolent of Euphues and Endimion;<br />
but, further, the technical knowledge it shows may, like the<br />
knowledge of hawking and hunting shown elsewhere, be a reflection<br />
of Lyly's connexion with the Office of Tentes and Toyles.<br />
P. 428, 4. Noble: 6s. Sd. (gold).<br />
5. maydes: the fish called ' mermaides,' Elvetham Ent., p. 449 1. 12.
522 NOTES<br />
27. states: cf. Quarrendon, p. 456 1.11, and Whip, vol. ill- 4 20 1• 103<br />
'Ye States and Nobles of this land.'<br />
30. picke ouen pitch above—an obsolete variant.<br />
P. 429, 7. hit: i. e. light.<br />
Note, the Lorde Admirall of Q 2 is Lord Howard of Effingham.<br />
Of the rest here named, Glemham married Anne, d. of Thos. Sackville,<br />
Earl of Dorset, Parker had some considerable military fame, and Goring<br />
and Caryll are unimportant.<br />
P. 431. ELVETHAM ENTERTAINMENT: 'j die Octobris 1591 John wolf<br />
Entred for his copie, the honorable entertaynement gyven to the quenes<br />
maiestie in progresse at Elvetham in Hampshire by the righte honorable the<br />
Erle of Hertford .. . vjd,' Sta. Reg. (ed. Arb.) ii. 596. In this case the absence<br />
of prose speeches makes Lyly's authorship less obvious. The noneuphuistic<br />
narrative is clearly not his. Though its style is not perhaps<br />
markedly distinct from the narrative style of the Glasse, yet he could<br />
hardly divest himself so completely of habits of composition strongly<br />
visible at Cowdray a month before; and he would have avoided the inartistic<br />
explanations of pp. 433-4, 441-2. But since the action as described in<br />
the narrative is throughout in close relation with the set speeches, it seems<br />
clear that the author of the latter devised the whole entertainment and<br />
must have collaborated loosely with the narrator. The latter was probably<br />
some confidential secretary of Lord Hertford's, who could best supply<br />
details of the landscape, domestic, or culinary effects he had helped to<br />
organize, while Lyly could impart to him the musical details in which the<br />
tract abounds. To the same hand we may attribute the added matter of<br />
the third edition, in which room is also found for some additional verses<br />
by the poet. To the actual songs and speeches I have felt that Watson<br />
might urge some claim ; because the Latin verse is much better than<br />
Lyly's elsewhere, and Watson is about the best Latin verse-writer of his<br />
day (cf. ' Doctior est nobis,' ' Fronte serenata,' 11. 16, 22 of the Poet's<br />
speech, with 11.13,29 of the' Protrepticon' to the Hecatompathia), because<br />
the song ' With fragrant flowers,' p. 439, is signed ' Tho. Watson' in<br />
Englands Helicon (1600), because ' a second Sunne,' p. 444, is applied to<br />
his mistress several times in the Hecatotnpathia (sonnets 35, 39, 44),<br />
where, too, an Echo is employed (son. 25), while Watson's knowledge of<br />
music and musicians was probably in advance of Lyly's dwn. But<br />
Watson would hardly remain anonymous, nor, perhaps, describe himself<br />
as ' modicum poetam,' 436 1. 2, while for the 'anonymity and the modesty<br />
we have parallels in Lyly's case. No connexion between Watson and<br />
Hertford is recorded, nor does other dramatic work of his survive ; while<br />
Lyly's position and experience in the Revels Office would make him<br />
a natural person from whom to seek aid in such devices. The blank verse<br />
exactly resembles in movement, and mediocrity, much of that in The<br />
Woman; where, too, we find 'a second sonne' (i. 1. 80), 'But all in
ELVETHAM ENTERTAINMENT 523<br />
vaine' (Prol. 1. 9, and here, p. 442 1. 22), and the very striking reproduction,<br />
with the same double arrangement, of the verses handed to Elizabeth<br />
by Sylvanus (iii. 1. 111-5, and here, p. 445 11.33-6). Watson doesn't<br />
deal in fairies; and some of the songs seem too slight for him, e. g.<br />
' Elisa is the fairest Queene,' which is very like ' Happie houre, happie<br />
daie,' of the Quarrendon Speeches, p. 463, while Sylvanus, and his grief<br />
at the Queen's departure, are suggested by Sylvanus' lamenting speech<br />
in Gascoigne's Princely Pleasures, from which Lyly borrows elsewhere.<br />
On p. 445 1. 28 we have the proverb about water as a cure for wantonness,<br />
as in M. Bomb. iii. 4. 24-5. In the Poet's speech, too, we have<br />
Lyly's favourite allusion to Baucis and Philemon, his borrowing of the<br />
line ' Dicite 16 Pæan' as elsewhere, and his constant trick of personifying<br />
Envy in opposition to the Queen. On the whole, while some collaboration<br />
between the two friends, both living in St. Bartholomew's (W. died<br />
Sept. 1592), is possible, Lyly's claim seems good enough to all except<br />
the song ' With fragrant flowers '•—cf. note on p. 439 1. 28.<br />
4. in Progresse: the same as that of Cowdray. From Portsmouth<br />
she visited the Earl of Southampton at Titchfield at the beginning<br />
of September, then Southampton, Winchester, Farley near Basing (about<br />
the 13th), and Odiham, reaching Elvetham, in the north-east corner of<br />
the county, on the 20th. She quitted Elvetham on Thursday the 23rd, was<br />
at Farnham Castle on the 24th, and Sutton Place on the 26th, whence<br />
she returned to Richmond (Nichols, iii. 98-100, 121).<br />
6. the Earle of Hertford: Edward Seymour, eldest (1539 ?-1621) surviving<br />
son of the Protector Somerset. Created Earl of Hertford by<br />
Elizabeth, he angered her by marrying a sister of Lady Jane Grey, and<br />
was fined £5000 and imprisoned till his wife's death in 1568. His second<br />
wife, Frances Howard, daughter of Lord Howard of Effingham, was the<br />
hostess on this occasion. See essay on Endim. vol. iii. p. 99.<br />
P. 432, 19. fourteene score (sc. yards): a measure in archery; cf.<br />
2 Hen. IV, iii. 2. 52.<br />
28. Chaundrie: place for candles. Ewery: for ewers, table-linen<br />
and towels.<br />
P. 433, 25. priuie: privet, used in Breton.<br />
P. 434, 7. vltimum in executione, &c.: theological commonplace about<br />
the creation of man, or of woman. Cf. Euph. ii. p. 86 1. 5 note.<br />
28. her owne house: ' Odiam, now famous for a royal palace,'<br />
Camden, Britt. i. 121.<br />
P. 435, 1. veridicus vales, &c.: i. e. Lyly himself, who doubtless furnished<br />
these explanations. Cothumatus (below), properly of tragic poets,<br />
but also of serious and lofty verse. The writer seems to be recalling Senec.<br />
Ep. i.8 ' Quam multa Publilii non excalceatis, sed cbthurnatis dicenda sunt!'<br />
21. lituris: Ov. Tr. iii. 1. 15 ' Littera suffusas quod habet maculosa<br />
lituras.'
524<br />
NOTES<br />
26. Philmtnonis: Ov. Met. viii. 629 sqq.<br />
P. 436, 18. Limulus: apparently of sidelong motion. In Plaut. Bacch<br />
v. 2. 12 Mimulis (oculis) intuentur.'<br />
37. castr(q$ superni Custodes: //. v. 749<br />
P. 437, 4. Dicite 10 Penan, &c.: Ov. Ar. Am. ii. 1. Cf. Mid. v. 3.135 ;<br />
King's Welc. p. 505.<br />
22. vnacqnainted light: again, p. 444 1. 5, and Loves Met. i. 2. 145.<br />
P. 439, 6. to malice: Euph. ii. 41 1. 23 'I malice you,' and 139<br />
I.18.<br />
24. second Troy: Spenser had used ' Troynovant' for London, F. Q.<br />
iii. 9. 45-<br />
28. with verdure newly dig/it: confirming the title of the song in<br />
EnglandsHelicon, 'The Nimphes meeting their May Queene, entertaine<br />
her with this Dittie,' where it is subscribed ' Tho. Watson/ Possibly first<br />
composed, whether by Watson or Lyly, for a royal maying at Greenwich,<br />
or for the entertainment of this year at Theobalds. The line ' O beauteous<br />
Queene of second Troy' occurs in a May poem addressed to Elizabeth<br />
and printed in Watson's The first set of Italian Madrigals, 1590, 4 0<br />
(Collier's Biol. Cat. ii. 494), and I incline to his authorship of this song.<br />
Antony Nixon in Great Brittaines Generall Joyes (noticed by Collier,<br />
Bibl. Cat. ii. 51) plagiarized and padded it out into a stanza of eight<br />
decasyllable lines.<br />
P. 440, 21. Thomas Morley: 1557-1604? Our text shows he was<br />
made organist long before 1591. See Diet. Nat. Biog.<br />
P. 441, 13. foure . . . Gentlemen: for the first, second, and fourth<br />
(Carew) see Diet. Nat. Biog. Maruin must be of the Mervyns of Petersfield,<br />
Hants.<br />
16. some deuise: these water-sports were suggested to Hertford by<br />
those at Kenilworth in 1575.<br />
P. 443,9. neuer yet. .. Nereus .. . vaine: so below, p. 446 ' who neuer<br />
sings but truth.' Hesiod. Theog. 233 TO<br />
Uovros.<br />
P. 445, 9. printing oracles . .. leafe: favourite notion with Lyly. Cf.<br />
Euph. ii. 113 1. 22 ' an enchaunted leafe, a verse of Pythia.'<br />
33. A'oniis prior, &c.: lines reproduced, with the same inversion of<br />
them, by Pandora in her prophetic vein, Woman, iii. 1. 111-5.<br />
P. 446, 26. the Bonaduenture: the Earl of Cumberland commanded<br />
a Queen's ship called the ' Elizabeth Bonaventur,' of 600 tons, against the<br />
Armada in 1588 ; it had been Drake's flagship in 1585.<br />
P. 447, 15. The Plowmans Song: the earliest printed form of this<br />
charming song, which Elizabeth had the taste to admire. It was reprinted<br />
in Englands Helicon, 1600, with title ' Phillida and Coridon' and signature<br />
'N. Breton'; and was, says Hazlitt (Handbook, p. 60) 'afterwards
ELVETHAM ENTERTAINMENT<br />
produced as a separate publication under the title of the Shepherds<br />
Delight (Roxb. Ball. i. 188).' It appears also in Rawlinson MS. Poet.<br />
85 (assigned Mate in 16th cent.'), fol. 3, with several slight variations,<br />
signed ' Britton, 1 and near others similarly signed. Grosart printed it<br />
among Breton's works from a MS. of the late F. W. Cosens (which he<br />
dates 1586-96), where it is copied without signature but with several<br />
others of Breton's. Probably it is his, since it forms no part of any<br />
device and is merely introduced by the musicians ; but there is the possibility<br />
that it is Lyly's, its anonymity causing the ascription to Breton,<br />
whose other Phyllida-and-Corydon pieces are not in couplets, nor yet<br />
in this rapid and deftly-touched manner. Collier (Bibl. Cat. i. 81) claimed<br />
for Breton The Passionate Shepherd of 1604, on the ground of some likeness<br />
to the diction of this poem, viz. to 11. 4-6 of p. 448.<br />
P. 448, 16. bord and cord: Strutt, Sports and Pastimes, bk. ii. p. 75,<br />
quoting this without further detail, suggests that Fives is a derivative from<br />
this game of five to five.<br />
P. 449, 12. Mermaides: cf. Cowdray Ent. p. 428 1. 5.<br />
19. leaches: jelly, of cream, isinglass, sugar, and almonds (Halliwell).<br />
32. Aureola, the Queene of Fairy land: in these most interesting<br />
lines we have the elves of Teutonic superstition, living underground,<br />
dancing in rings at night, and possessed of supernatural attributes and<br />
powers of blessing and cursing, conjoined with (1) Auberon (Oberon), the<br />
fairy-king of romance, familiar to English readers from Lord Berners'<br />
translation of Huon de Bordeaux (1st ed. c. 1534, 2nd 1570), and (2) anew<br />
feature, the fairy-queen Aureola, who seems, from the line about the<br />
nightly-falling stars, to be a personification of the Earth itself. Chaucer<br />
in his Marchantes Tale had made the classical underworld-rulers, Pluto<br />
and Proserpina (confessedly taken from Claudian), sovereigns of an<br />
English fairy-world, which dances in pleasant spots and interests itself<br />
in mortal affairs. Lyly, as we saw, p. 401, had found his way to Chaucer<br />
before the writing of Gallathea and Endimion, and had introduced<br />
fairies in both those plays ; and his conception of the fairy-queen may<br />
possibly be coloured by the following lines from Claudian's Raptus Proserpinae,<br />
ii. 294-9 :<br />
'quicquid 'quidus complectitur aer<br />
Quicquid alit tellus, quicquid salis aequora verrunt,<br />
Ouod rluvii volvunt, quod nutrivere paludes,<br />
Cuncta tuis pariter cedent animalia regnis,<br />
Lunari subiecta globo ; qui Septimus auras<br />
Ambit et aeternis mortalia separat astris.'<br />
The name Aureola, which is not classical nor yet Spenserian, was applied<br />
mediaevally to the celestial crown assigned to virgins ; and was chosen by<br />
Lyly probably with reference to the actual flower-crown she here offers to<br />
a virgin-queen. In effect it is equivalent to Titania, which Ovid uses for;
526 NOTES<br />
Diana. Whether Lyly had any near predecessor in this fairy-sketch, to<br />
which he adds somewhat at Quarrendon in the following year (pp. 454-7),<br />
must remain uncertain. Greene's James the Fourth, which introduces<br />
Oberon dancing with fairies, and to which I conceive Shakespeare was<br />
indebted in several points, is of unknown date (ent. S. R. 1594, printed<br />
1598): but Halliwell in his folio edition of Shakespeare (16 vols. 1853-65,<br />
vol. v. p. 86), after a loose and incorrect notice of this Elvetham Entertainment<br />
of 1591, mentions that in Greene's Groatsworth of Witte, 1592,<br />
a player boasts of having performed the part of the King of Fairies with<br />
applause—he was, he says, ' famous for Delphrygus, and the King of the<br />
Fairies.' Much of the material for deciding the question must have<br />
perished.<br />
P. 450, 10. song of sixe partes . . . Flute: the same six instruments<br />
are enumerated in the title of Thomas Morley's First Booke of Consort<br />
Lessons . . .for sixe Instruments, 1611. The bandora (or pandora) and<br />
cithern were like a guitar, with wire strings, played by a plectrum, the<br />
bandora acting as a bass to the cithern.<br />
P. 451, note, depart': no instance quoted before F. Q. (1590) iii. 7. 20.<br />
See The Woman, Intr. vol. iii. p. 232.<br />
P. 452, 8. protested, &c. (and note) : the minimizing in Q 3 must be of<br />
Hertford's prompting, like the omission of the details of the banquet, pp.<br />
448-9. In Nov. 1595 he was again sent to the Tower, for petitioning for<br />
recognition of the validity of his first marriage, but released on the following<br />
Jan. 3.<br />
P. 453. SPEECHES AT QUARRENDON: Hamper considered these<br />
speeches, with the three on pp. 412-4, as by George Ferrers of The Mirrour<br />
for Magistrates, because found in a manuscript collection by Henry<br />
Ferrers,' his namesake if not his relative.' But the relationship is problematical<br />
; George Ferrers died in 1579 ; and Henry (1549-1633), for whom<br />
they have also been claimed (D. N. B. art. ' Lee, Sir Henry,' and cf. art.<br />
* Ferrers, George,' by S. L. L.), though Wood asserts him to have written<br />
some scattered verse, is not certainly known for a poet (Hunter's Chorus<br />
Vatum, Addit. MS. 24,491, p. 421). The employment of Lyly's practised<br />
hand is much more probable, especially if Lee had used him before ; and<br />
the general style and contents are clearly Lylian, e.g. the elaborate<br />
balance of the Chaplain's opening, the Page's euphuism, the conceits of<br />
the Legacy, and the close resemblance of the dialogue between Constancy<br />
and Liberty to the subjects and style of Loves Metamorphosis. The<br />
occasion is the Queen's two days' visit to Sir Henry Lee at Quarrendon,<br />
some two miles north-west of Aylesbury, in Aug. 1592, as is proved by<br />
the heading of the dialogue in The Phoenix Nest, 1593 (given p. 458,<br />
footnote; and cf. Nichols' Progresses, iii. pp. 125, 129), and by internal<br />
allusions, e. g: ' the old Knight,' Loricus' retirement, &c, which link this<br />
with previous Tilt-yard occasions. For Sir Henry Lee (1530-1610) see
SPEECHES AT QUARRENDON<br />
above, pp. 384, 410-4, 517-8. The D. N. B. thinks he joined the Cadiz<br />
expedition in 1596.<br />
The general idea of the first day's entertainment, which, in the absence<br />
of stage-directions, seems not of very clear or happy design, is that ' the<br />
olde knight,' Sir Henry Lee, whom the Fairy Queen has deprived of sight<br />
and liberty as a punishment for wandering love, recovers both by the<br />
Queen's visit and interpretation of certain ' enchaunted tables'; while<br />
other ladies who, essaying the undoing of the charm, have become<br />
victims and prisoners to inconstancy (p. 456 11. 36 sq.), are also released,<br />
and Inconstancy herself converted. The idea of the second day is simple,<br />
to thinness.<br />
P. 454, 7. Queene of Fayries'. see note on Elvetham, p. 449 1. 32.<br />
12. At the celebrating, &c.: i. e. the anniversary of the Queen's<br />
accession, Nov. 17, kept annually by a joust at the Tilt-yard. If the<br />
speech be taken literally, Sir Henry Lee, having by his retirement in 1590<br />
declared his inability to joust in future, had in 1591, to make a show of<br />
service, thrust himself into the arena to endure any shock that might<br />
(apparently) be inflicted ; and his passive inertia is now explained by<br />
enchantment which still continues. Cf. note on ' A Cartell,' &c, p. 518.<br />
P. 455,10. Scarborows warning : among the Roxburghe Ballads (iii.<br />
154) is one (perhaps later) in black letter about two men slain fighting for<br />
the love of one Ann Scarborow: but Hart. Misc. x 257 prints one, with<br />
a refrain ' And take Scarborow warnynge cverichone,' referring to the<br />
surprise of Scarborough Castle in Mary's reign, 1557, by Thos. Stafford,<br />
who had landed in Scotland from France with but few men. It was<br />
recaptured within six days, and Stafford beheaded. The proverb, then,<br />
means ' no warning'; though Fuller, who tells the story (Worthies,<br />
Yorks. ed. Nuttall, iii. 398) suggests a second explanation.<br />
21. The olde Knightes Tale : not, I think, in immediate sequence to<br />
last speech : cf. 11. 16-7 and the presentation of a new jewel, p. 457 1. 26.<br />
36. Not far from hence . . . saluted', this might refer to Aureola's<br />
speech in Elvetham Ent., only there is no mention of her inviting the<br />
Queen to a feast in her bower, nor of jousts, on that occasion. Possibly<br />
the reference is to some features in the Theobalds entertainment, May,<br />
1591, of which record is lost.<br />
P. 456, 9-10. enchaunted pictures . . . woordes, &c.: probably a series<br />
of Emblems, like those reproduced in Nichols' Progresses, ii. 124-7 as<br />
adorning a wainscoted closet at Hawsted Place, Suffolk, which the<br />
Queen visited in 1578.<br />
17. One asked, &c.: presumably, the Queen.<br />
26. Filler that was croundex cf. the quotation from Segar, above,<br />
p. 411 top ; and Endim. iii. 4. 155.<br />
P. 457, 13. teene : AS. teona, injury, vexation.<br />
17. be extended: with allusion to the legal sense of ' seizure.'
528 NOTES<br />
23. resolution : solution of the ' tables'; st. 5, above, and p. 459 11.5-6.<br />
26. woorthles meede: another jewel.<br />
32. Coslumq' solumq' beavit: below, p. 469 11. 3-4 ' hath made the<br />
weather fayre, & the ground fruitfull at this progresse.'<br />
P. 458, 1. The Songe, &c.: sung by the ladies alluded to above, st. 8 ;<br />
the two Ladies being Constancy and Inconstancy (or Liberty), who seem<br />
by an inconsistency to be imagined as also among the prisoners.<br />
6. Knightes restored', cf. below, p. 459 11. 2-6.<br />
P. 459, 5. enchaunted tables: cf. above, stt. 5, 11.<br />
11. though . . . speake after you', showing that she is speaking<br />
first: or the Thanksgiving must be pronounced by Constancy, as in Ph.<br />
Nest.<br />
P. 460, 14. Acquisito termino cessat motas: The Woman, i, 1. 128-9<br />
Nature threatens the Planets ' Be sure I will dissolue your harmonie,<br />
When once you touche the fixed period.' Cf. Euph. i. 288 1. 35.<br />
P. 461, 21. Lu It is a coulde coulde, &c.: the argument from this<br />
point bears strong resemblance to that between Niobe and Silvestris in<br />
Loves Met. iii. 1. 80-133.<br />
P. 462, 14-6. this simple woorke: another present. Loose: same pun<br />
on Helen, Etiph. i. 179 11. 8-9.<br />
P. 463, 8. Semper eadem : the Queen's favourite motto.<br />
P. 464, 22. Loricus : probably for loricatus, alluding to his late office<br />
as Champion.<br />
P. 465, 18. uncoth: unknown, unfrequented, as Maydes Met. i. I. 238.<br />
P. 466, 32. Subsilire in caelum, &c.: I cannot find it.<br />
38-9. to lyue, to die, &c.: so to live as to die willingly.<br />
P. 467, 6. Testament: was this conceit a pathetic reference to the loss<br />
of his surviving son? cf. Tilt-yard, p. 413 1. 31, note.<br />
20. will say . . . good hand: vouch for its authenticity.<br />
P. 468, 2. Soule . . . gueste: either an allusion to, or anticipation of,<br />
the famous lines ' Go, soul, the body's guest/ attributed to Sir Walter<br />
Raleigh, and first printed in the second ed. of Davison's Poetical Rapsody,<br />
1608. They are found in Harl. MS. 6910, fol. 141 (c. 1596) ; Mr. Bullen<br />
knows of no earlier copy, nor I.—The present lines recall the form of<br />
contemporary wills, which commence with a statement of the physical and<br />
mental condition of the testator, and bequeath his body to the ground<br />
and his soul to his Maker. The 5th stanza, like the 1st (and cf. p. 469 1.29<br />
his ' best payment . . onlie good prayers '), looks like a reminder that<br />
his services were yet unrewarded. Lyly seems to have recalled Loricus 1<br />
oratory and this ' Testament' in his own petitions to the Queen of 1598<br />
and 1601: cf. above, pp. 65, 71.<br />
24-5. Stellatus .. . Renatus: names perhaps of religious suggestion<br />
(' glorified' and ' born anew '), but possibly a Latinization of real names<br />
(Starre, Stareleigh, Rennie? &c).
SPEECHES AT BISHAM 529<br />
P. 469, 3. weather . . . ground, &c.: cf. above, p. 457 1. 32 ' Cœlumq'<br />
solumq' beavit.'<br />
31. The Legacye: to be'annexed (as a codicil) to his former Will'<br />
i. e. the verses of pp. 467-8.<br />
P. 470, 2. priuate: pun on ' privet,' but to transpose with succorie<br />
would violate accord with the other items.<br />
9. to springe pleasure : cf. Mid. iv. 3. 48 ' spring the partridge.'<br />
P. 471. SPEECHES AT BISHAM, SUDELEY, AND RYCOTE. NO reader,<br />
probably, will require proof of the authorship of the Bisham speeches, which<br />
in style and matter are the exact Lyly. The Wild Man is repeated from<br />
Cowdray of the preceding year; Pan is the same in speech and manner<br />
as in Midas ; Ceres has Nymphs as in Loves Met. (cf. Woman, iii. 1. 50).<br />
So, too, with those at Sudeley: apart from style, there are favourite<br />
phrases and allusions, and a general resemblance to Loves Met., while<br />
no other writer could possibly rival the claim of the Pliny-soaked Lyly to<br />
the song ' Hearbes, wordes, and stones.' In the Rycote speeches the likeness<br />
is not so glaring, but quite obvious, even had we not the printer's<br />
address to tell us all three sets are by one hand. Even Nichols (Pref.<br />
p. xxviij notes that 'the entertainments of this Progress are marvellously<br />
full of quips and conundrums'; and had Lyly's recognized text ever<br />
received due attention, we should not have waited till now for the<br />
identification of work so obviously his.<br />
3. this last Progresse: we left the Queen at Quarrendon. The<br />
date of the Bisham visit is fixed with probability as Aug. 21 by a<br />
letter from Mr. Thomas Posthumus Hoby at Bisham, dated Aug. 14<br />
and stating that the Queen ' had appointed to be there on that day<br />
sennight' (Nichols* Progresses, iii. 124). 'Early in September we find<br />
the Queen in Gloucestershire, when she visited John Higford, Esq. lord<br />
of the manor of Alderton ... On the 12 th of that month her Majesty<br />
was at Sudeley Castle, the mansion of Giles Lord Chandos [she seems<br />
to have reached Sudeley on Sat. the loth, and left it on the 13th, cf.<br />
p. 484 1. 4 note] ; and thence, after resting some days at Woodstock, to<br />
Oxford on the 22nd' (lb. p. 129). On Thursday the 28th she left Oxford<br />
for Rycote, which she quitted on Mon., Oct. 2 (pp. 485 1.2,489 1. 23); and<br />
when Law-term began she was at Windsor (Nich. iii. 214).<br />
5. the Lady Rvssels, at Bissam: Bisham Abbey in Berks., on the<br />
Thames, some 2 m. from Great Marlow and 10 from Windsor, on<br />
the death (1566) of Sir John Hoby, the translator of Castiglione, passed<br />
to his widow Elizabeth, third daughter of Sir Anthony Cooke of Gidea<br />
Hall, Essex. She married as her second husband (1574) John, Lord<br />
Russell, who died in 1584. By her first she had two sons, Edward and<br />
Thomas Posthumus, both living at the time of this visit, and two<br />
daughters, Elizabeth and Anne, who died in 1571: by her second, two<br />
daughters, also named Elizabeth and Anne, who may be represented by<br />
BOND I M m
530<br />
NOTES'<br />
the Isabel and Sybil of the dialogue. For Lady Russell's literary and<br />
learned repute, see D. N. B. art. ' Hoby, sir Thomas.' She died in 1609.<br />
For Lords Chandos and Norris cf. below, under Sudeley and Rycote.<br />
10. Joseph Barnes: printed and published 1585-1618. Printer to<br />
Oxford University as early as 1585 (Sta. Reg. ed. Arb. ii. 793).<br />
P. 474, 2. Dotterels . . . dance: cf. ' We have another leg strain'd<br />
for this dottrel,' B. Jonson's Devil is an Ass, iv. 6 (Nares).<br />
23. Roses, Egletine, harts-ease: specially selected as the Queen's<br />
flowers ; Theob. pp. 417-8.<br />
P. 475, 12. Fraunce, to weaken Rebels: 4,000 men under Lord Willoughby<br />
de Eresby were sent in 1590, and 4,000 under Essex in 1591, to<br />
assist Henri IV against the Spanish opposition.<br />
13. Flaunders: she had supported the Netherlands against Spain<br />
since 1585. The Spanish siege of Ostend was now progressing. See<br />
below, pp. 486-7.<br />
17. hedlesse: Norfolk beheaded 1572, Mary Stuart, 1587; the<br />
Babington conspirators put to death with tortures in 1586.<br />
20. Baucis: Ovid. Metam. viii. 630 sqq.—a favourite allusion with<br />
Lyiy-<br />
P. 478, 7. Swel Ceres, Sec.: this song is included in Englands Helicon,<br />
1(00 as 'sung . . at Bissam . . in prograce. The Authors name vnknowne<br />
to me,' i. e. to ' A. B.' the ' Collector.'<br />
P. 477, 10. the Castle: Sudeley Castle, near Winch comb in Gloucestershire<br />
and about 6 m. north-east of Cheltenham, was built temp. Henry VI.<br />
The owner and host on this occasion was Giles Brydges, third Lord<br />
Chandos, 1547-1594 ; for whom, with the whole family and the castle,<br />
see Sir S. E. Brydges' lengthy Introduction to these speeches, pp. 17-53.<br />
Chandos' wife, who long survived him, was Lady Frances Clinton,<br />
daughter of the Earl of Lincoln: she had two daughters, Katharine<br />
and Elizabeth, now aged 16 and 14 respectively.<br />
22. lewdnes: ignorance.<br />
P. 478, 1. Nescis temeraria, &c. : Ov. Met. i. 514.<br />
11. Nee prece, Sec.: Ov. Fast. ii. 806.<br />
17. Tantatne animis, Sec.: Aen. i. T I.<br />
22. surbated: wearied, properly i bruised'; OF. surbatre.<br />
P. 479, 14. My hart and tongue, &c.: this song is included in<br />
Englands Helicon, 1600 as 'sung ... at Sudley Castell ... in prograce.<br />
The Author thereof vnknowne.' It also appears with music in<br />
John Dowland's A Pilgrims Solace, 1612.<br />
30. Nimpha mane, Sec.: combined from Ov. Met. i. 505, 518.<br />
P. 480, 3. dunghill cock, Sec.: Fabulce Æsopica plures guingentis,<br />
Lyons, 1571, No. 188, 'Gallus repertor Vnionis'; also Phaedrus, ii. 12<br />
' Pullus ad •Margaritam.'<br />
5. broomy : stiff, stubbly: N. E. D. has one instance, 1709.
SPEECHES AT SUDELEY AND RYCOTE 531<br />
6. rough hewen: rough fashioned, rough, as p. 485 1. 7. Contrast<br />
' rough-hewed' (Cowdray, p. 424 1. 26).<br />
23. table: picture. Euph. ii. 6 1. 32.<br />
P. 481, 1. The thirde day: Monday, Sept. 12.<br />
31. Cutter: i. e. sheep-shearer; or, perhaps, dandy, swaggerer, one<br />
who cuts a dash (as often). Cf. p. 484 11. 1-2.<br />
32. beane, &c.: properly a Twelfth-Night custom, N.E.D. s.v. For<br />
the singular peaze cf. Euph. ii. 5 1. 10.<br />
P. 482, 21. Cut.: i. e. Cutty (Cuthbert), or for Cud.[dy]. From p. 483<br />
11. 12-3 the Cutter does not sing the song.<br />
26. plaide: gambled.<br />
29. Hearbes, wordes, and stones, &c.: this song appears in Englands<br />
Helicon, 1600, 1614, signed i Anonimus,' and headed ' Another Song<br />
before her Maiestie at Oxford, sung by a comely Sheepheard, attended<br />
on by sundrie other Sheepheards and Nimphes. 5 Since this part of the<br />
Sudeley entertainment was not actually given, Lyly must have made<br />
the song serve at Oxford a fortnight later. Wood (Annals, i) says that<br />
on her entry (Fri., Sept. 22) ' From the Undergraduates she had an<br />
Oration and Verses spoken by two of them, and from the Bachelaurs<br />
and Masters the like' ; while Stringer mentions a discussion on the<br />
following Tuesday 'An Morbi curantur per Fascinationem & per Daemones?'<br />
(Nich. iii. 158) but possibly these lines were introduced as part<br />
of some show offered on an evening. See Biog. Append, pp. 379-80,<br />
P. 483, 5. seldome so well, &c.: Sannaz. Arcadia, Pros, iv 'molti<br />
commendarono le rime leggiadre, e tra rustici pastori non usitate.'<br />
7. leripoope: properly the quantum sufficit of knowledge for a<br />
degree, liripipium being an academic hood. Cf. Saph. i. 3. 6 note, /]/.<br />
Bomb. i. 3. 128. Sense-accent on ' he onlie.'<br />
16. Taylers crafte : i.e. too cramped, or too nicely-dexterous, or<br />
else comparing the plectrum's movement to that of the needle. Faste,<br />
because a hurt hand would stop his playing.<br />
26 eight partes : Latin Grammar joke : tolerable for ' declinable.'<br />
P. 484, 3. seuenth of September'. ' the Queen's birthday ' (Nichols).<br />
4. the eleuenth : should be the day of the Queen's arrival; but Melibceus<br />
is speaking on the 12th (cf. moisture, 1. 6), and since Sunday preceded<br />
the rainy day (pp. 477 1.34, 481 1. 1), she must have come on the 10th.<br />
14. hemlocke and honie : alluding to the practice of smoking bees by<br />
burning hemlock. Euph. i. 194 1.17, and cf. the collocation in Saph. (Prol.<br />
at Court).<br />
30. dueties: respect to their superiors.<br />
32. shepheards weedes : some product of Cots wold wool.<br />
P. 485, 1. Rycote: 10 m. E. of Oxford on the way to Thame. A<br />
drawing of the house, built temp. Henry Vl-Vlll, is given in Nichols,<br />
iii. 169. It was pulled down early in the last century; but the fine<br />
M m 2
532 NOTES<br />
Perpendicular chapel remains, though in decay. See my Introd. to<br />
Basse's Poet. Works, p. xvi.<br />
3. an olde gentle-man: the host, Sir Henry Norris (1525 ?-16o1),<br />
son of Anne Boleyn's alleged lover, created by Elizabeth Baron Norris<br />
of Rycote, which came to him, 1559, by his wife Margaret, daughter of<br />
John Williams of Thame.<br />
14. my foure botes: five of the six sons enumerated by Dugdale<br />
(Baronage 1675, ii.404) were living ,viz. John, Edward, Henry, Thomas,<br />
and Maximilian ; William the eldest, having died in 1579. But Sir John,<br />
the second and most famous, was now in England for a brief interval<br />
(see D. N. B.) and therefore probably at Rycote. Only from four sons are<br />
letters presented, below; that to ' Lady Squemish' being from one of the<br />
supposed authors of the last two. Fuller (Worthies, 1662 fol., Oxfordshire)<br />
gives the order William, John, Thomas, Henry, Maximilian,<br />
Edward : the D.N. B. follows Dugdale : the order of the following letters<br />
agrees with neither.<br />
21. the Crowe 7ny wife'. Fuller mentions this nickname applied by<br />
Elizabeth to Lady Norris, ' being (as it seemeth) black in complexion,'<br />
and quotes the Queen's letter of condolence (22 Sept. 1597) on Sir John's<br />
death, beginning—' My own Crow.'<br />
28. Qui color ater, &c.: ' Cui color albus erat, nunc est contrarius<br />
albo,' Ov. Met. ii. 541.<br />
P. 486, 4. A letter . . . Irish lacq,: i. e. from Sir Thomas Norris,<br />
d. 1559, who had, with the exception of a brief visit home in 1583, been<br />
serving in Ireland since 1579 (cf. 'ten years absence,' 1. 18). He was<br />
in England for a few months in 1593, and on his brother John's death in<br />
1597 succeeded him as President of Munster.<br />
26. comming fro Flaunde?s : i. e. from Sir Edward Norris, d. 1603,<br />
who after much service and much quarrelling in Flanders was made<br />
governor of Ostend in 1590, and was now defending it against the Spanish<br />
siege.<br />
33. p.'nk: small Dutch boat; Hakluyt Voyages, i. 610 (Whitney).<br />
P. 487, 17. the second . ... the thirde: both letters are from men<br />
embarking for Brittany (cf. the French Page). The ' trunchion' of the<br />
third perhaps indicates the fourth son Henry (d. 1599), who was sent out<br />
in May, 1592 to report on the condition of the English force, rather than<br />
the youngest son Maximilian, to whom we may assign the second, and<br />
who was killed fighting in Brittany under his brother John in 1593. Yet<br />
the * trunchion' would be still more appropriate to Sir John Norris, who<br />
was actually in command of the 3,000 foot sent to Brittany in April, 1591.<br />
See note on p. 485 1. 14.<br />
P. 488, 7. pax: sacred tablet, the kissing of which replaced the ' kiss<br />
of peace' in Rom. Cath. worship.<br />
17. your L..: i. e. his mother, Lady Norris.
HAREFIELD ENTERTAINMENT 533<br />
P. 489, 14. my daughter : no mention of her in Fuller or Dugdale,but<br />
evidently married in Jersey. The Channel Islands have been English<br />
since the Conquest.<br />
P. 491. HAREFIELD ENTERTAINMENT: Harefield lies near the river<br />
Colne, in the N.W. corner of Middlesex, three to four miles N. of Uxbridge,<br />
and three to four miles E. of Chalfont St. Peter in Bucks. In 1585 John<br />
Newdigate exchanged the manor for that of Arbury in Warwickshire with<br />
Sir Edmund Anderson, Lord Chief Justice of the Common Pleas, who in<br />
1601 conveyed it to Sir Thomas Egerton, Lord Keeper, to his wife Alice,<br />
Countess-Dowager of Derby, and to her daughters after her. They were<br />
the Queen's hosts on this occasion for three nights, July 31-Aug. 2, 1602.<br />
The Countess held the house and manor till her death in 1637 (Milton's<br />
Arcades was performed here in 1634), and by the marriage of her eldest<br />
daughter, Lady Jane Stanley, it passed to the family of Grey, Lord<br />
Chandos, 1647, and then by marriage of his son's widow to Sir William<br />
Sedley. About 1660 Harefield Place was burnt down, owing, it is said,<br />
to Sir Charles Sedley reading in bed. In 1675 the manor returned by<br />
purchase to the Newdigate family, and the house was rebuilt shortly<br />
afterwards; but Sir Roger Newdigate, living on his Warwickshire estate<br />
at Arbury, sold Harefield Place in 1760, though he retained the manor<br />
and built Harefield Lodge nearer Uxbridge in 1786. In 1823, when<br />
Nichols published the second edition of his Progresses, house and manor<br />
were again united in the possession of the Newdigate family, in whom the<br />
estates, with those at Arbury, are still vested ; though the present Harefield<br />
Place was erected about a century ago on another site than the old<br />
one, neither is it, nor yet Harefield Park and Harefield Grove a mile or<br />
two to the north, in actual occupation by the family. (Nichols' Progresses,<br />
iii. 581-5 ; Kelly's Directory of Middlesex, 1899.)<br />
Sir Thomas Egerton (1540 ?-i6i7), natural son of Sir Richard Egerton<br />
of Ridley, Cheshire, had attracted Elizabeth's notice by his forensic<br />
abilities : he should not, she said, plead against her, and he became<br />
Solicitor-General 1592, Master of the Rolls 1594, and Lord Keeper 1596.<br />
In July, 1603, he was created Baron Ellesmere by James I, and Lord<br />
High Chancellor. He died at York House in the Strand, March 15,<br />
1616-7. His marriage to Alice, sixth daughter of Sir John Spencer of<br />
Althorp and widow of Ferdinando fifth Earl of Derby, had occurred in<br />
Oct. 1600. The cost of the Queen's present visit, as revealed by the full<br />
accounts preserved in the Egerton Papers, pp. 340-57 (Camden Soc.<br />
No. 12, ed. J. P. Collier, 1840), was not far short of £2000, i.e. about<br />
;£ 16,000 present value, and this notwithstanding the extensive contributions<br />
in kind made by neighbours and friends all over the country.<br />
Chamberlain, writing to Carleton on Nov. 19 (Nich. iii. 600) says,<br />
I send you here the Queen's Entertainment at the Lord Keeper's. If<br />
you have seen or heard it already, it is but so much labour lost'; from
534<br />
NOTES<br />
which it might be argued that it existed in printed form, but no such<br />
quarto is known, or entered on the Sta. Reg. in Aug.-December, 1602.<br />
Failing such, the Entertainment, as here presented, is made up (1) of<br />
Nichols' reprint of a copy made in 1803 of a contemporary MS. in<br />
possession of Sir Roger Newdigate. This MS. must have survived the<br />
Harefield fire c. 1660 and been transferred to Arbury by Sir Roger in or<br />
before 1760 ; but, whether then or earlier, it got itself hidden between the<br />
leaves of a copy of Strype's Annals of the Reformation (1709 fol.), where<br />
it was first found in 1803 by the Rev. Ralph Churton, to whom Sir Roger<br />
had presented the volume. Fortunately Mr. Churton took a copy before<br />
returning the MS. to Arbury, where it was again mislaid. After Sir<br />
Roger's death in 1806 it could not be found; nor did the Churton transcript,<br />
which had followed it to Arbury, turn up till 1820, when Nichols<br />
was allowed to print it: (2) of the earliest accessible printed version of<br />
the Lottery, that namely of the third edition of Davison's Poetical Rapsody,<br />
1611 (it appeared first in the 2nd? ed. 1608, of which a copy exists<br />
at Britwell: Mr. Bullen reports only three trifling variations). It is there<br />
announced as 'presented ... at the Lord Chancellor's house, 1601 ' ; but<br />
its connexion with this occasion is proved by Manningham's Diary<br />
(Harl. MS, 5353, f. 95), where among the entries for Feb. l6o2[-3]<br />
(ff. 91-102) occurs ' Some [16] of the lotteries w ch were the last Sumer<br />
[i. e. that of 1602] at hir M ties being w th the L. Keeper,' followed immediately<br />
on the same leaf by a mention of and quotation from the ' dialogue<br />
betwee[n]e the bayly and a dary mayd.' Moreover in a MS. among the<br />
Conway Papers printed by P. Cunningham 1845 (Shak. Soc. Papers,<br />
1844-9, vol. ii. art. ix ), the St. Swithin song, Mariner's song (not his<br />
speech), and ' The severall Lottes' are given under the heading ' The<br />
Devise to entertayne hir Mty at Harfielde, the house of S r Thomas<br />
Egerton Lo. Keeper and his Wife the Countess of Darbye,' while in the<br />
margin appears ' In hir Ma ts progresse. 1602.' Lastly, in the Egerton<br />
Papers, among the money accounts of the visit already alluded to, occurs<br />
(P- 343) ' 6 August, 1602. Rewardes to the vaulters, players, and dauncers.<br />
Of this x li to Burbidges players for Othello, lxiiij s xviij 8 x d .<br />
Rewarde to M r Lilly es man, which brought the lotterye boxe to Harefield,<br />
per M r Andr. Leigh, . . . x 8 '; and ' 20 August, 1602. Payd more by me<br />
[Arthur Mainwaring] for lotterie guiftes, as by my booke and by bill also<br />
apeareth, being paide to M r Stewarde . . . 18li 2s 9d.' I have, however,<br />
abstained from inserting the Lottery in the* Newdigate MS., as also from<br />
altering the order of the latter, though of course Place's farewell should<br />
form the last item.<br />
Lyly's authorship, of the prose at least, is not to my mind doubtful;<br />
I had decided for it before I found the significant proof of his connexion<br />
with the affair just italicized from the Egerton Papers (cf. ib. p. 346 ' for<br />
carriage of tentes from St. Johnes . .. ix 8 '). The euphuism is modified—
HAREFIELD ENTERTAINMENT<br />
it is now twenty-two years since he published the Second Part of<br />
Euphues: yet it is strong enough to identify his hand in the Mariner's<br />
speech and the farewell speech of Place ; and there are the old puns, the<br />
old appeal to proverbs, and a general likeness to the manner of previous<br />
entertainments, especially in the opposition of nymphs and satyrs (cf. Pan<br />
and the two shepherdesses in the Bisham speeches) and in the introduction<br />
of the rustic figures of Joan and the Bayly, besides the detailed resemblances<br />
noted in the margin. The customary attribution of the Lottery<br />
to Sir John Davies rests mainly on the initials 'I. D.' appended to it by<br />
Davison in the second and third editions of his Poetical Rapsody, where<br />
it appears between two poems undoubtedly by that author. Doubtless<br />
Davison meant it for his ; but his attributions are not always free from<br />
doubt, and, were the manuscript copy from which he printed recoverable,<br />
it would not surprise me to find the D merely one of Lyly's straggling L's.<br />
The Mariner's song and speech are sufficiently Lylian ; Lyly's connexion<br />
with the Mariner is proved by the Egerton Papers, which have no mention<br />
of Davies (or any other poet), to whom it is unlikely that the Lots alone<br />
would have been assigned. Grosart gave to him, not only the Lottery,<br />
but the whole Entertainment (Davies' Works, ii. clxxii-viii). The parallels<br />
he quotes for the prose portions are naught; but a line he cites<br />
from the Conteition, given at Cecil's reception of the Queen at his<br />
Strand house Dec. 6, 1602—' Beauties fresh rose, and Vertues living<br />
booke '—must 1 think be an amplification of St. Swithin's first line ; and<br />
nos. iv, vii, x, xv, xvii of Davies' Lfymnes of Astrcea, 1599, have some<br />
resemblance, chiefly of movement, to this song, as to the Ode. Of<br />
Cynthia, 1600 : e. g. Hymne x, last stanza—<br />
' Renowned art thou (sweet moneth) for this,<br />
Emonge thy dayes her birth-day is ;<br />
Grace, plenty, peace and honour,<br />
In one faire hour with her were borne,<br />
Now since they still her crowne adorne<br />
And still attend vpon her.'<br />
On the whole I admit Davies' probable authorship of St. Swithin, his<br />
possible of the Lots; and it may be that the contents of the Conway MS.<br />
exactly define his share, though I think the Mariner's song is more like<br />
Lyly.—The following comment in Chamberlain's letter to Carleton of<br />
Dec. 23 (Nichols, iii. 601) is interesting: * You liked the Lord Keeper's<br />
Devices so ill, that I care not to get Mr. Secretary's, that were not much<br />
better, saving a pretty Dialogue of John Davies 'twixt a Maid, a Widow,<br />
and a Wife,' &c. In truth this Harefield Entertainment, like the rest, is<br />
no great things ; yet there is a pleasant freshness and naturalness about<br />
Joan and the Bayly, and about Place.<br />
P. 491, 7. Queene entered, &c. : the Queen wrote from Greenwich,<br />
July 15 ; she was at Sir William Russell's at Chiswick July 28 ; thence she
536<br />
NOTES<br />
went to Ambrose Copinger's at Harlington (near West Drayton on the<br />
G. W. R.); and thence to Harefield on July 31, apparently a Saturday,<br />
for Joan on her arrival wants to keep her i all this night and to-morrow,'<br />
in order to send her into the harvest-field on Monday. She proceeded to<br />
Sir William Clarke's, near Burnham, and the Progress was continued<br />
throughout August and September, two or three weeks being spent at her<br />
own palace of Oatlands in Surrey. She was at Richmond on Oct. 8<br />
(Nichols, iii. 578-9, 595-600).<br />
8. the Dayrie howsc. Churton identified this with a house called<br />
'Dew's farm' in the time of Sir Roger Newdigate, who said that the<br />
Queen was here first welcomed by allegorical persons who attended her to<br />
a long avenue of elms leading to the house (Nichols, iii. 583, 587, notes).<br />
18. greene rushes: cf. Saph. ii. 4. 98 ' straungers haue greene<br />
rushes.'<br />
19. chirkinge: chirping. Frisketts: N. E. D. compares OF. friquet,<br />
a small lively sparrow.<br />
P. 492, 5. ware : wear, grow.<br />
10. Carpenters and Bricklayers : Eg. Papers, p. 348, Thomas Sle's<br />
account for ' carpenters and Brick leaers' for alterations in kitchens and<br />
dining-room, together with other outside labour, amounts to 199li. 9s. IId.<br />
18. sillibub : syllabub, properly wine mixed with milk and sugar.<br />
23. loath to learne to praise: i.e. we are accustomed to do so.<br />
24. jenitings : early apple; 'ginni tings,' Bacon's essay 'Of Gardens<br />
(Skeat).<br />
25. able-Johns : apple-johns, cf. N. E. D.<br />
P. 493, 18. hower glasse, stopped', of. Ode. Of Cynthia, 1600, p. 414<br />
' Times yong howres attend her still.' In the illustration to Elvetham<br />
Ent. Neaera in her pinnace holds aloft an hour-glass.<br />
22. godbwy: god be with you, good-bye.<br />
P. 494, 38. my daughter Truth: see title-page of Loves Metamorphosis,<br />
vol. iii. p. 299.<br />
14. guiltlesse Lady, 'giltless sainte' of Conway MS. is the better<br />
reading. St. Swithin's Day is July 15.<br />
16. La. Walsingham : not Sir Francis' widow, who had died suddenly<br />
on June 18 of this year; but the wife (ne'e Awdrey Shelton) of Sir<br />
Thomas Walsingham 1568-1630, who had been knighted by Elizabeth.<br />
P. 496, 7. the Lady . . . burning iron, &c.: alluding to the legend that<br />
Emma of Normandy cleared herself of a charge of unchastity A.D. 1043<br />
by stepping unharmed over nine redhot ploughshares, having seen St.<br />
Swithin (d. 862) in a vision the previous night (Annal. Monastici, ii. 21,<br />
Rolls Series : and D. N. B.).<br />
P. 497, 6. inchaunted Castle of Loue: probably alluding to the tract<br />
mentioned in Laneham's Letter as among Capt. Cox's books, and entered<br />
on Sta. Reg."to Thos. Purfoote in the period July 22, 1564—July 22, 1565.
KING OF DENMARK'S WELCOME 537<br />
Its title is thus given by Ames ' The castle of loue, translated out of<br />
Spaynyshe into Englyshe, by John Bowrchier, knyght, lord Bernes, at the<br />
instance of lady Elyzabeth Carew, which book treateth of loue betwene<br />
Leriano and Laureola, daughter to the king of Masedonia.' 12mo.<br />
(Herbert and Dibdin's Ames, iii. 195 : and Shak. Soc. Papers, 1844-9,<br />
vol. iv. p. 32.)<br />
15. this Anchor: cf. Egert. Pap. p. 343 '10 August, 1602 Payde to<br />
the goldsmith, part for the anchor and for other matters . . . viij li .'<br />
P. 498, 1. Candean: Candian, Cretan, i.e. Ariadne. ' Candia' was the<br />
Venetian version of the Saracenic ' Khandax' (Smith's Diet. Ck. Rom.<br />
Geog.).<br />
5. Clymen : Clymene, mother of Phaethon by Apollo (Ov. Met. i. 756;<br />
Hyg. Fab. 156).<br />
P. 499, 3. Lord Chancellors house: i.e. he was Lord Chancellor in<br />
1608. See introd. note.<br />
5. Carricke: carrack, large ship for freight or fighting. Mr. Bullen<br />
9Poet. Rhap. ii. 179) cites Grosart (Davies' Works, vol. ii. p. clxxiii) as<br />
thinking there is allusion to the large Spanish carrick laden with treasure<br />
from the East Indies captured by Sir Richard Levison and Sir William<br />
Morrison in June, 1602.<br />
9. Fortune: I know of no vessel explicitly so named by Elizabeth,<br />
but cf. Elvetkam, p. 446 1. 27 note.<br />
12. no fishing to the Sea, &c.: quoted as i an olde saying,' Cowdray,<br />
p. 428 1. 12 ; 'a Prouerb . . . not yet forgotten,' 1671, N. E. D. Grosart<br />
{Works of Davies, ii. p. clxxix) quotes an instance from Greene's James<br />
IV, i. 2.<br />
27. sharking: piracy, a shark being a needy adventurer. Lay<br />
vsurie, &c, because from that he can clear himself.<br />
P. 500, 20, marg. Lo. Derbyes Wife: Elizabeth, daughter of Lyly's<br />
patron, the Earl of Oxford, and wife of William, sixth Earl of Derby, who<br />
had succeeded to the title on the death of Ferdinando, 1594, without male<br />
issue. Of the other drawers, M r8 Vauissour (No. 15) is Anne Vavasour,<br />
the maid of honour, old Sir Henry Lee's inamorata ; Mrs. Kiddennister<br />
(No. 22) is probably the wife of ' Mr. Kiddermaister,' who figures in the<br />
Egerton Papers, p. 351, as contributing a buck, game, sweetmeats, &c.<br />
P. 505, 1. KING OF DENMARK'S WELCOME : I think it possible that<br />
Lyly devised the showering tree and wrote the song here given, the more<br />
so that the latter is not found in Ben Jonson's brief Entertainment at<br />
Theobalds, July 24, 1606, where three Hours welcome the kings with<br />
allusion to the shower—<br />
'Vouchsafe your thousand welcomes in this shewer,<br />
The master vows, not Sybil's leaves were truer.'<br />
Henry Roberts' account says ' Before these Royall Persons came neere<br />
the house of Theobals, there was strewed in the highwayes aboundance
538 NOTES<br />
of leaves coloured greene, cut like oaken leaves, on every one of which<br />
was written, in large Romaine letters of golde, " Welcome, Welcome"'<br />
(Nichols' Prog. fas. /, ii. 62). Of the City pageants on July 31st, the song<br />
of shepherd and shepherdess (with following or preceding dialogue) at<br />
Fleet Street Conduit (Ludgate Circus), is very Lylian in manner (which<br />
the former song is not), and the motto 'Deus nobis haec otia fecit' was<br />
used by Lyly at Cowdray. The talk of ' two Sunnes' (cf. Elvetham, p. 444<br />
'a second Sunne') suggests Lyly for the Theobalds song. Roberts says<br />
( Then rode they on, without stay, to Fleete Conduit, which was garnished<br />
sweetly (on the toppe was placed dclightfull musicke); and were presented<br />
with other Speaches, which were graciously accepted' (lb. p. 68).<br />
Sir John Harington, writing of these pageants under date August 3, says<br />
'that at the Fleet was in form of a pastoral; a Shepherd, standing by<br />
a shady fountain with his Shepherdess, conjured her now by her oath to<br />
give place to his affection, since she had promised to do so, when there<br />
should be two kings in one kingdom peaceably' (lb. p. 73).<br />
A FUNERAL ORATION.<br />
P. 509, 8. Written : by Infelice Academico Ignoto: in his later years<br />
Lyly is perpetually harping on his claims as a scholar. For remarks<br />
introductory to this composition see Biographical Appendix, p. 388, above.<br />
P. 511, 6. to beholde Liny. Plin. Epist. ii. 3 ' Nunquamne legisti,<br />
Gaditanum quendam Titi Livii nomine gloriaque commotum, ad visendum<br />
eum ab ultimo terrarum orbe venisse, statimque ut viderat abiisse ?'<br />
30. ancient T/iracians, &c.: grounded perhaps on Plut. Consol. ad<br />
Apollotiium, c. 22, where it is said that only effeminate nations, Egyptians,<br />
Syrians, Lydians, make great mourning for the dead. Cf. too cc. 23, 27.<br />
P. 512, 1. Petrarch . . . in what Sphere, &c.: perhaps thinking of<br />
Sonn. 278 1. 13 'E vo sol in pensar cangiando '1 pelo, Qual ella e oggi,<br />
e 'n qual parte dimora,' &c.<br />
16-32. the report is that the Thessalians . . . restrained their ambition :<br />
closely from Plutarch's Life of Pelopidas, c. 33, though less closely in the<br />
last three lines.<br />
P. 513, 20. the Babilon of this world', maintaining the image of<br />
Thisbe. Cf. Ov. Met, iv. 55 sqq.<br />
22. The Moone... ecclipsed, &c.: Plut. De Placitis Philosophy ii. 29.4.<br />
23. prison of the bodye: Plato's Phaedo, 82-3, as in Camp. i. 2.<br />
30-6.<br />
29. Crates . . . Diogines, &c.: Plut. De Inimicoram Militate, c. 2
A FUNERAL ORATION 539<br />
The instances of Crates and Zeno occurred in Euph. i. 308<br />
1.23,3141.36.<br />
31. Democritus lost his eyes'. Plut. De Curiositate, c. 12, denies the<br />
truth of the story that Democritus of Abdera voluntarily blinded himself<br />
by gazing at the blaze of light reflected from a mirror, that his contemplations<br />
might not be subject to disturbance from the eyesight.<br />
36. Plato . . . interdicted. . . lamentation : Repub. iii. 387 D, Laws<br />
xii. 949. Probably Lyly's source was Plut. Consolatio ad Apollonium,<br />
c. 22.<br />
P. 514, 8. a Lake {as Aristotle reporteth) neere . . . Eridanus, &c. :<br />
Arist. De Mirab. Auscult. c. 81'<br />
Pliny, xxxvii. 11 does not reproduce this.<br />
25. I am amazed, &c.: cf. Letter to Cecil on Burleigh's death, p. 393<br />
11. 4-6.<br />
31. Curce leues, &c.: Seneca, Phaedra, 615.<br />
P. 516, 9. Collin Clout . . . Rowland: Spenser had died on Jan. 16,<br />
1598-9, in King Street, Westminster. Rowland was the pastoral name<br />
assumed by Michael Drayton in his Rowlands Sacrifice to the Nine Muses,<br />
published in the same volume with Idea, 1593, 4°. If he wrote no elegy,<br />
he was punctual in his welcome of the new reign with a poem ' To the<br />
Maiestie of King James,' which met with no gracious reception. I know<br />
no similar composition which I can claim for Lyly.<br />
ADDITIONAL NOTE ON SENTENCE-STRUCTURE<br />
IN EUPHUES,<br />
IN my desire to treat Euphuism in as small a compass as possible<br />
I may seem to have done but scant justice to its elaborate sentencestructure,<br />
the main point in the advantage it conferred on English Prose.<br />
What I have said on this head is comprised in the paragraph on Antithesis,<br />
which stands at the head of my analysis (pp. 120-1) and in a<br />
passage on p. 145 ; and it may be that the examples chosen hardly give an<br />
adequate idea of the extreme complexity to which the structural balance<br />
is sometimes carried. Attempts have been made to reduce these complex<br />
forms under definite formulae of double or triple structure: but the variety<br />
in the examples which have been, or might be, quoted convinces me that<br />
such attempts are in reality mistaken. What needs assertion, and is not,<br />
perhaps, asserted with sufficient distinctness in the paragraph referred to,<br />
is the constant presence in Euphues of a duplicating, triplicating, or multiplying<br />
habit, applicable at almost any point in the structure of a sentence.
540<br />
NOTES<br />
It arises from an unusual activity and alertness in the composing brain,<br />
which continually thrusts upon the writer parallel or opposed instances,<br />
and parallel forms of expression ; and it is encouraged by the perception<br />
that such doubling and tripling may be made to minister excellently to<br />
that exact balance or Antithesis which is Lyly's dominant artistic principle.<br />
To a sentence, a clause, an epithet, an adjectival or adverbial<br />
phrase, just written, he constantly adds a second, a third, and sometimes<br />
many more, of an almost or exactly parallel structure 1, indulging the<br />
multiplying habit according as his fancy or memory happens to be fertile<br />
or restricted in its momentary direction, and working over the sentence<br />
afterwards with critical touching and readjustment and insertion of alliterative<br />
devices to increase, or define more sharply, the innumerable<br />
points of balance. Simply to assert this general principle of composition,<br />
issuing in numerous sentence-forms infinitely variable by the accidents of<br />
the working brain, seems to me better than to attempt to classify the<br />
sentence-forms actually used ; for I believe their number is too large for<br />
such classification to be profitable, and might have been much larger had<br />
Euphues been of twice its present length Except for the details, the<br />
shorter forms, I do not believe that he formed or followed patterns at all,<br />
even as an unconscious habit; but that his elaborate sentences simply<br />
grew, under the guidance of the general habit indicated, working fitfully,<br />
as the preference and mental upthrow of the moment dictated, and were<br />
polished afterwards into a regularity always limited by the freedom of<br />
their first appearance. As example I invite the reader to examine the<br />
three paragraphs on pp. 192-3 ' As touchinge my residence .. . entised<br />
with iasciuiosnesse,' where he will note not only the constant presence<br />
of the duplicating tendency, but the varying extent to which it is carried<br />
1 To this exact structural balance of parts of speech, this ' similarity of position<br />
and of grammatical function' as Mr. Child words it (p. 52 of his treatise), the term<br />
'parison' or 'parisonity' has been applied; a term which, though it is too late<br />
now to change it, and though I have ielt bound to reproduce it once at least to<br />
make sure that the reader would identify the feature so often discussed, I think<br />
inappropriate, partly as clashing with the general term of Sound-likeness applied<br />
to Lyly's alliterative and other devices discussed on pp. 123-5, partly as ill representing<br />
the fact it is used to denote. Sound, the ear, enters of course largely into<br />
the shaping of the sentences of every writer with 1 care for foim; and has its share<br />
in this matter of clause parallelism, inasmuch as clauses constructed of like parts<br />
of speech will sound in a measure alike, will possess, that is, the same rhythm,<br />
varying only with the variation in the number of syllables or words in either<br />
clause ; while, further, some of the devices of sound-likeness may be employed to<br />
mark the parallelism more distinctly. But in haidly any, if any, case do these<br />
alliterative devices accompany, step by step, the elaborate clause-parallelism<br />
referred to, the effect of winch is really due to the fact that the woids chosen are<br />
grammatically correspondent. It would remain, were all forms of sound-likeness<br />
(except the inseparable rhythm) absent; it would remain, were the sense of the<br />
two clauses neither antithetic, nor parallel, but wholly different; and its apparent<br />
connexion with either sound or sense amounts, 1 believe, to no more than that<br />
grammatical symbols are apprehended, through the ear, by the intelligence. For<br />
' parkonity' therefore I would put simply ' clause-parallelism.'
SENTENCE-STRUCTURE IN EUPHUES 541<br />
(e.g. 11. 21-4 on both pages, 11. 1-5 p. 193, II. 25-8 p. 192,11. 13-4 p. 193),<br />
and the variety of arrangement still left even where regularity has been<br />
imported by alliterative devices ; evincing, I think, the freedom of first<br />
composition no less than the careful retouching and heightening of what<br />
had been once written.<br />
One other principle of structure seems of sufficient generality to be<br />
noted—a point, just mentioned by Dr. Schwan (Englische Studien, vi.<br />
98), to which my attention has been recently called by Professor M. W.<br />
Sampson of Indiana University —the habit, namely, of subdivision<br />
(Prof. Sampson calls it ' progressive balance'), by which the second of<br />
two statements or suggestions is split up into two others, the second of<br />
these again split up, and so on. Its instances are not perhaps often very<br />
perfect, but its principle is, I think, fairly distinguishable from that just<br />
noted, as a continuous hanging chain, from each of whose supporting<br />
links one other and superfluous link depends, would be distinguishable<br />
from a number of links very variously strung, some with many superfluous<br />
links attached, some supporting two or three little branching chains, the<br />
whole forming in fact not so much a chain as a piece of irregularly-made<br />
chain-mail. At bottom this second habit is merely an application of the<br />
first (the doubling, multiplying, or chain-mail habit) to the common<br />
inartistic trick of taking the last word or suggestion as the starting-point<br />
of something further, a trick I have noted (vol. iii. p. 436) in contemporary<br />
verse, and in some lines which I attribute to Lyly himself. Seldom,<br />
I think, is it carried beyond three links ; and after long search I cannot<br />
find a better instance than this which I give on Prof. Sampson's suggestion<br />
and with his comment—<br />
Euph. ii. 198 ' This noble man I found so ready being but a straunger, to do me<br />
good, that neyther I ought to forget him, neyther cease to pray for him, that as he<br />
hath the wisdome of Nestor, so he may haue the age, that hauing the policies of<br />
Vlysses, he may haue his honor, worthye to lyue long, by whome so manye lyue in<br />
quiet, and not vnworthy to be aduaunced, by whose care so many haue beene preferred.'<br />
Two things are predicated of Burleigh, I. his lack of acquaintance with<br />
Euphues, 2. his goodness. His goodness inspires I. lasting memory, 2. prayer.<br />
The prayer is twofold : 1. may he have the age of Nestor, 2. may he have the<br />
honor of Ulysses. And both age and honor are shown to be his due.<br />
The fourth step, it will be noticed, is not a further subdivision, but<br />
merely a parallel continuation of the division made in the third step ; and<br />
such parallel heaping up of an equal number of clauses or suggestions<br />
on either side is, I think, far more common, as it is much more easy, than<br />
any continued subdivision, e.g. i. 186 11. 26-32, 185 11. 11-9, 247 11. 13-8,<br />
26-32. In fact this second principle, though distinguishable, tends<br />
in practice to merge itself in the freer method of the first; and in any<br />
case is more often noticeable as a matter of structure than of sense, e. g.<br />
i. 186 11. 14-6.
ERRATA ET ADDENDA<br />
. i. pp. 21, 34, 48, 60 for G. F. Baker read G. P. Baker.<br />
p. 149 11. 7-10. Lodge's Rosalynde is more euphuistic in style than<br />
I have here admitted. Though not so elaborate in its balance, it<br />
often reproduces Lyly's phrases; and in course and conduct the tale<br />
is somewhat indebted to Gallathea, between which and As You Like It<br />
it forms a connecting link.<br />
p. 327 (note on p. 179 1. 7). Lodge's allusion, in his reply (1580]) to<br />
Gosson's Schoole (Lodge's Works, iii. p. 20, Hunteiian Club), to Alexander's<br />
scar, ' neither is euery one Alexander yt hath a stare [? starr,<br />
scar] in his cheke,' is perhaps derived from the present passage.<br />
p. 330 (note on p. 188 1. 23). Marston's Pigmalions Image did not appear<br />
till 1598.<br />
p. 335 (note on p. 198 I. 23). The tale of Titus and Gisippus, in which<br />
the latter abandons his love Sempronia to his friend, is from Boccaccio's<br />
Decameron (Day x, Nov. 8). It had been reproduced by<br />
Sir Thos. Elyot in his Gouernor, 1531, whose account was closely<br />
followed in a dull poem entitled ' The most wonderful and pleasaunt<br />
History of Titus and Gisippus, whereby is fully declared the figure of<br />
perfect frendshyp: drawen into English metre by Edward Lewicke.<br />
Anno 1562.' The tale reappears, under the names of Septimius,<br />
Alcander, and Hypatia, in Goldsmith's Bee (Collier's Poetical Decameron,<br />
ii. 79-85).<br />
p. 386 1. 8 for William Watson read Thomas Watson.<br />
p. 477 1. 19 a black sheepe is a perilous beast: this expression, repeated<br />
Endim. ii. 2. 154, forms, with the added line ' Cuius contrarium falsum<br />
est' (' which nobody can deny'), the refrain of an old ballad, of pre-<br />
Reformation days, directed against the rapacity of the Mendicant friars.<br />
It is printed, with five others, in Early Eng. Poetry, vol. 13, 1844<br />
(Percy Society), from a MS. in Corpus Christi College, Cambridge.<br />
pp. 522-3 (note on Elvetham Entertainment). Collier (Poet. Decameron,<br />
i. 131 sqq.) introduces a mention of it into a discussion of eaily blank<br />
verse. He considers that' all the poetry in the piece is much above<br />
an ordinary scribbler,' and quotes with approval Aureola's lines<br />
(pp. 449-50), and the first sixteen of the English version of the<br />
opening address of the Poet, identifying him (as do I) with the author,<br />
whom he thinks may possibly be Chapman, 'though at present we<br />
have nothing before us to lead to such a conclusion.'<br />
. ii. p. 230 for 1599 (twice) read 1600 in accord with vol. iii. p. 336, footnote,<br />
p. 265 11. 17 sqq. In regard to my suggestion that the songs in Lyly's<br />
plays were handed to the boys separately along with the music, and<br />
so not given in the prompt-copy, I find some confirmation in Lansdowne<br />
MS. 807, where in the play The Buggbears—zn early translation<br />
or adaptation, Herr Schiicking tells us, of Grazzini's La Spiritata,<br />
Florence 1561—of five songs I find only the first, a comic duet (i. 3),
ERRATA ET ADDENDA 543<br />
embodied in the text, the rest (which are unrepresented, says Herr<br />
Schucking, in the Italian) being copied out all together at the end of<br />
the piece (fol. 75 v.), and the fourth, that of Iphigenia, which alone is<br />
heralded in the text at all (iii. 5), being repeated on f. 76 r. with the<br />
air to which it was to be sung.<br />
p. 311. As possibly indebted for suggestion to Lyly's Canipaspe may be<br />
just worth mention William Goddard's ' A Satyricall Dialogue, or<br />
a sharplye inuective conference, betweene Alexander the great and that<br />
trulye woman-hater Diogynes. Imprinted in the Lowe countryes for<br />
all such gentlewomen as are not altogether Idle nor yet well occupyed.'<br />
The satire is written in the couplet; and the line<br />
' They burne all books wherein their faults they find'<br />
alludes, says Collier (Poet, Decameron, i. 305-7), to the sentence passed<br />
and executed upon Marston, and fixes the date of the production c. 1600,<br />
when the order would be recent.<br />
p. 542 add to note on p. 321 1. 63 'liued by sauours'the following title—<br />
A True and admirable Ilistorie of a May den of Confolens, in the<br />
Prouince of Poictiers; that for the space of three yeeres and more hath<br />
liued and yet doth, without receiuing either meate or drink, &c. . . .<br />
1603, 8° (translated by A. M. i.e. Anth. Munday from the French of<br />
Nicholas Coeffeteau).<br />
Vol. iii. p. 13 in last two lines of footnote, for 1595 and 1585 read 1598 and 1588<br />
respectively, in accord with the corrected dates of vol, i. p. 394.<br />
p. 261 1. 54 for necte . . . sui (the en or of Q) read nocte . . . sinu.<br />
p. 272 1. 66 for these . . . interlaced . . . floodes (the reading of Q and<br />
Fairholt) we should probably read the . . . interlace . . . woodes.<br />
p. 296 (penultimate line of text) for 1529 read 1599.<br />
pp. 448-502. Of my collection of Poems probably assignable to Lyly I find<br />
that Nos. 21, 24, 27, 30, 35, 37, 41 1 , 59 were also printed, from the<br />
various Music-Books, by Collier in his Lyrical Poems (Percy Society—<br />
Early English Poetry, vol. 13, 1844). For No. 21 he suggested<br />
Michael Drayton as author; while he seems to think that No. 24 was<br />
written by Dowland himself to ' the Countess of Denmark,' to whom,<br />
as then Lutenist to the King of Denmark, he dedicates his volume of<br />
1600. He takes No. 35 from William Bailey's New Book of Tabliture<br />
for the Lute, &c, 1596. Lyly's possible authorship of anything he<br />
admiied would not be likely to occur to Collier.<br />
END OF VOL. I
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