in Toronto 2010 - german films
in Toronto 2010 - german films
in Toronto 2010 - german films
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GERMAN FILMS<br />
<strong>in</strong> <strong>Toronto</strong> <strong>2010</strong>
Special Presentations<br />
POLL<br />
THE WHISTLEBLOWER<br />
Contemporary World C<strong>in</strong>ema<br />
DREI<br />
GLÜCKLICHE FÜGUNG<br />
THE HUNTER<br />
LIFE, ABOVE ALL<br />
THE LIGHT THIEF<br />
MY JOY<br />
WOMB<br />
IM ALTER VON ELLEN<br />
L.A. ZOMBIE<br />
5<br />
7<br />
9<br />
11<br />
13<br />
15<br />
17<br />
19<br />
21<br />
Vanguard<br />
23<br />
25<br />
Wavelengths<br />
BLOW-UPS: PORTRAIT, TEETRINKEN, ROTER VORHANG<br />
RUHR<br />
Further German-International Participants at TIFF <strong>2010</strong><br />
European Film Promotion’s PRODUCERS lab <strong>Toronto</strong><br />
German World Sales Companies at TIFF <strong>2010</strong><br />
Impr<strong>in</strong>t<br />
27<br />
29<br />
30<br />
33<br />
34<br />
35<br />
3 •••
photo © Kordes & Kordes Film Produktion
THE POLL DIARIES<br />
Screen<strong>in</strong>gs<br />
Public:<br />
16 Sept. 18:00 Visa Screen<strong>in</strong>g Room (Elg<strong>in</strong>)<br />
17 Sept. 11:15 Varsity 8<br />
19 Sept. 09:00 Bell Lightbox 1<br />
Press & Industry:<br />
10 Sept. 11:30 Scotiabank 8<br />
15 Sept. 17:30 NFB<br />
Special Presentations<br />
POLL<br />
On the eve of World War I, a 14-year-old German girl returns to her home on the Baltic coast, a place<br />
uneasily shared by Germans, Russians and Estonians. While her morbid scientist father controls the family<br />
with a cruel hand, the passionate young girl secretly nurses a wounded Estonian anarchist back to health –<br />
at first an act of curiosity and then of defiance that could set off an uncontrollable cha<strong>in</strong> reaction...<br />
The Poll Diaries haunt<strong>in</strong>gly evokes the atmosphere of a doomed society at the crossroads of the German and<br />
Russian Empires <strong>in</strong> the early years of the 20th century.<br />
Genre Drama, History Year of Production <strong>2010</strong> Director Chris Kraus Screenplay Chris Kraus Director<br />
of Photography Daniela Knapp Producers Alexandra Kordes, Meike Kordes Co-Producers Danny Krausz,<br />
Kurt Stocker, Ri<strong>in</strong>a Sildos, Chris Kraus Production Company Kordes & Kordes Film/Berl<strong>in</strong>, <strong>in</strong> co-production<br />
with Dor Film/Vienna, Amrion/Tall<strong>in</strong>n, SWR/Baden-Baden, BR/Munich, ARTE/Strasbourg, Degeto<br />
Film/Frankfurt, ORF/Vienna Pr<strong>in</strong>cipal Cast Paula Beer, Edgar Selge, Tambet Tuisk, Jeanette Ha<strong>in</strong>,<br />
Richy Müller, Enno Trebs, Erw<strong>in</strong> Ste<strong>in</strong>hauer, Gudrun Ritter Length 129 m<strong>in</strong> Format 35 mm, color, cs<br />
Orig<strong>in</strong>al Version German/Russian/Estonian/French Subtitled Version English Sound Technology Dolby Digital<br />
Festivals <strong>Toronto</strong> <strong>2010</strong> World Sales Bavaria Film International · Dept. of Bavaria Media GmbH · Thorsten Ritter<br />
Bavariafilmplatz 7 · 82031 Geiselgasteig/Germany · phone +49-89-64 99 26 86 · fax +49-89-64 99 37 20<br />
email toronto10@bf<strong>in</strong>t.de · www.bavaria-film-<strong>in</strong>ternational.com<br />
Already a noted scriptwriter before mak<strong>in</strong>g his debut as a director, Chris Kraus scored a notable success<br />
with his first feature, Shattered Glass (2002), which was awarded two Bavarian Film Prizes, among other<br />
awards. His second film, Four M<strong>in</strong>utes (2006), was one of the most successful German <strong>films</strong> of the past years<br />
and won over 50 German and <strong>in</strong>ternational awards. Kraus is also a dist<strong>in</strong>guished opera director (Premio<br />
Abbiati for his Fidelio <strong>in</strong> Reggio Emilia). In The Poll Diaries, Kraus cont<strong>in</strong>ues his tradition of <strong>in</strong>troduc<strong>in</strong>g sensational<br />
young talents to the movie-go<strong>in</strong>g public: after Hannah Herzsprung <strong>in</strong> Four M<strong>in</strong>utes, it is now the turn<br />
of Paula Beer.<br />
5 •••
photo © Andrei Alexandru
THE WHISTLEBLOWER<br />
Kathy Bolkovac is a Nebraskan police officer and mother who, <strong>in</strong> 1999, goes out on a limb to work for the<br />
United Nations as a monitor <strong>in</strong> post-war Bosnia. But her expectations of help<strong>in</strong>g rebuild a devastated<br />
country are dashed when she unveils a reality <strong>in</strong>volv<strong>in</strong>g <strong>in</strong>ternational complicity <strong>in</strong> sex traffick<strong>in</strong>g, corruption,<br />
and cover-up. Kathy is a fish-out-of-water <strong>in</strong> the confus<strong>in</strong>g world of UN cont<strong>in</strong>gents, private contractors, and<br />
diplomatic doubletalk, but now she must choose whether to turn aga<strong>in</strong>st the <strong>in</strong>stitution she so passionately<br />
believed <strong>in</strong>, and risk all to protect the <strong>in</strong>nocent. Based on a true story.<br />
Genre Political Thriller Year of Production <strong>2010</strong> Director Larysa Kondracki Screenplay Larysa Kondracki<br />
Director of Photography Keiran McGuigan Producers Christ<strong>in</strong>a Piovesan, Benito Mueller, Wolfgang Mueller,<br />
Cel<strong>in</strong>e Rattray, Amy Kaufmann Production Companies First Generation Films/<strong>Toronto</strong>, Barry Films/Berl<strong>in</strong><br />
Pr<strong>in</strong>cipal Cast Rachel Weisz, Vanessa Redgrave, David Strathairn, Nicolaj Lie Kaas, Monica Bellucci Length<br />
95 m<strong>in</strong> Format 35 mm, color, 1:1.85 Orig<strong>in</strong>al Version English Sound Technology Dolby Festivals <strong>Toronto</strong> <strong>2010</strong><br />
World Sales Voltage Pictures · 6360 Deep Dell Place · Los Angeles, CA 90068/USA · phone +1-323-464 8351<br />
fax +1-323-464 8362 · email sales@voltagepictures.com · www.voltagepictures.com<br />
Larysa Kondracki is a Canadian-born Ukra<strong>in</strong>ian and studied Direct<strong>in</strong>g at Columbia University. She also<br />
directed the evocative short Viko and completed with her writ<strong>in</strong>g partner Eilis Kirwan the screenplay<br />
for Burn<strong>in</strong>g Ra<strong>in</strong>bow Farm and is currently adapt<strong>in</strong>g the graphic novel Supermarket for director Just<strong>in</strong> L<strong>in</strong>.<br />
For The Whistleblower she spent two years research<strong>in</strong>g the topic of sex-traffick<strong>in</strong>g.<br />
Screen<strong>in</strong>gs<br />
Public:<br />
13 Sept. 14:30 Visa Screen<strong>in</strong>g Room (Elg<strong>in</strong>)<br />
17 Sept. 18:00 Bell Lightbox 1<br />
Press & Industry:<br />
14 Sept. 11:30 Scotiabank 1<br />
16 Sept. 16:30 Scotiabank 4<br />
Special Presentations<br />
7 •••
photo © X Verleih AG
THREE<br />
Berl<strong>in</strong>, today. The very urban couple Hanna and Simon have lived together for years. Love, work, sex and daily<br />
life have meshed <strong>in</strong>to combative harmony.<br />
Then Hanna meets Adam. And Adam meets Simon. Unexpectedly, all three fall <strong>in</strong> love.<br />
Contemporary World C<strong>in</strong>ema<br />
DREI<br />
Everyone rema<strong>in</strong>s oblivious to the other's affair. But the secret slowly beg<strong>in</strong>s to confuse all three lovers, and<br />
it threatens to rupture their fragile relationship.<br />
Three is an <strong>in</strong>vestigation <strong>in</strong>to the emotional life of a generation that is try<strong>in</strong>g to reconcile new possibilities and<br />
old long<strong>in</strong>gs.<br />
Genre Drama Year of Production <strong>2010</strong> Director Tom Tykwer Screenplay Tom Tykwer Director of Photography<br />
Frank Griebe Producer Stefan Arndt Production Company X Filme Creative Pool/Berl<strong>in</strong> Pr<strong>in</strong>cipal Cast Sophie<br />
Rois, Sebastian Schipper, Devid Striesow Length 119 m<strong>in</strong> Format 35 mm, color, cs Orig<strong>in</strong>al Version German<br />
Subtitled Version English Sound Technology Dolby SRD Festivals Venice <strong>2010</strong> (In Competition), <strong>Toronto</strong> <strong>2010</strong><br />
World Sales The Match Factory GmbH · Michael Weber · Balthasarstrasse 79-81 · phone +49-2 21-5 39 70 90<br />
fax +49-2 21-53 97 09 10 · email <strong>in</strong>fo@matchfactory.de · www.the-match-factory.com<br />
Born <strong>in</strong> Wuppertal <strong>in</strong> 1965, Tom Tykwer soon became <strong>in</strong>terested <strong>in</strong> film. He worked as a projectionist and<br />
booker <strong>in</strong> various <strong>in</strong>dependent arthouse c<strong>in</strong>emas for several years before he helmed his first feature film<br />
Deadly Maria <strong>in</strong> 1993, followed by W<strong>in</strong>ter Sleepers (1997), Run Lola Run (1998), The Pr<strong>in</strong>cess and the Warrior<br />
(2000), Heaven (2002), and Perfume – The Story of a Murderer (2006). In 2009, The International opened the<br />
Berl<strong>in</strong> International Film Festival. His recent film Three, featur<strong>in</strong>g Sophie Rois, Sebastian Schipper and Devid<br />
Striesow, will be released <strong>in</strong> German c<strong>in</strong>emas <strong>in</strong> December <strong>2010</strong>.<br />
Screen<strong>in</strong>gs<br />
Public:<br />
16 Sept. 18:00 Ryerson<br />
17 Sept. 19:45 Varsity 8<br />
19 Sept. 15:15 Scotiabank 1<br />
Press & Industry:<br />
13 Sept. 17:15 Scotiabank 3<br />
15 Sept. 13:30 Scotiabank 3<br />
9 •••
photo © Jörg Gönner/moneypenny
BLESSED EVENTS<br />
Contemporary World C<strong>in</strong>ema<br />
GLÜCKLICHE<br />
FÜGUNG<br />
37-year-old Simone decides to go out alone on New Year’s Eve. The next morn<strong>in</strong>g, she wakes up next to<br />
a stranger <strong>in</strong> his car, and a few weeks later she discovers that she’s pregnant. By co<strong>in</strong>cidence, she runs <strong>in</strong>to<br />
the stranger aga<strong>in</strong> – the handsome Hannes – and is surprised to f<strong>in</strong>d that contrary to her expectations,<br />
he’s actually happy about the pregnancy and wants to live with her. Could this be the face of happ<strong>in</strong>ess?<br />
While Hannes works <strong>in</strong> a hospital as a nurse <strong>in</strong> palliative care, tend<strong>in</strong>g to the dy<strong>in</strong>g with extraord<strong>in</strong>ary<br />
tenderness, Simone renovates their shared, little home. An attractive neighbor fuels Simone’s jealousy. The<br />
larger Simone’s belly grows, the more extensively Hannes’ <strong>in</strong>tegrity warms the nest, the more oppressive their<br />
little, homemade prison appears.<br />
Genre Drama Year of Production <strong>2010</strong> Director Isabelle Stever Screenplay Anke Stell<strong>in</strong>g, Isabelle Stever<br />
Director of Photography Bernhard Keller Producers Sigrid Hoerner, Anne Lepp<strong>in</strong> Production Company<br />
moneypenny filmproduktion/Berl<strong>in</strong> Pr<strong>in</strong>cipal Cast Annika Kuhl, Stefan Rudolf Length 91 m<strong>in</strong> Format<br />
35 mm, color, cs Orig<strong>in</strong>al Version German Subtitled Version English Sound Technology Dolby Digital<br />
Festivals <strong>Toronto</strong> <strong>2010</strong> World Sales Media Luna New Films UG · Ida Mart<strong>in</strong>s · Aachener Strasse 24 · 50674<br />
Cologne/Germany · phone +49-221-51 09 18 91 · fax +49-221-51 09 18 99 · email idamart<strong>in</strong>s@medialuna.biz<br />
www.medialuna.biz<br />
Isabelle Stever was born <strong>in</strong> 1963 <strong>in</strong> Munich. After study<strong>in</strong>g Mathematics <strong>in</strong> Berl<strong>in</strong> and New York,<br />
she studied Direct<strong>in</strong>g at the German Academy of Film & Television (dffb) <strong>in</strong> Berl<strong>in</strong>. Her <strong>films</strong> <strong>in</strong>clude: the<br />
award-w<strong>in</strong>n<strong>in</strong>g features Portrait of a Married Couple (2002), Gisela (2005), and Blessed Events (<strong>2010</strong>). She<br />
also contributed an episode to the omnibus film Germany ’09 (2009).<br />
Screen<strong>in</strong>gs<br />
Public:<br />
14 Sept. 21:45 Scotiabank 3<br />
15 Sept. 14:45 AMC 3<br />
19 Sept. 20:30 Scotiabank 11<br />
Press & Industry:<br />
11 Sept. 21:15 Scotiabank 11<br />
16 Sept. 16:45 Scotiabank 11<br />
11 •••
photo © Maryam Takhtkeshian / Twenty Twenty Vision Filmproduktion GmbH
Contemporary World C<strong>in</strong>ema<br />
THE HUNTER<br />
Recently released from prison, Ali makes the most of his return, amidst much talk of the upcom<strong>in</strong>g elections<br />
and promises of change. Despite work<strong>in</strong>g nights, he tries to spend the most time possible with his beautiful<br />
wife and young daughter. To escape the stress of urban liv<strong>in</strong>g, Ali retreats to his favorite pastime of hunt<strong>in</strong>g <strong>in</strong><br />
the secluded forest north of town. Tragedy strikes and Ali's wife Sara is accidentally killed <strong>in</strong> a police shootout<br />
with demonstrators. After a long and frustrat<strong>in</strong>g experience at the police station, Ali's own search for his<br />
miss<strong>in</strong>g six-year-old daughter ends <strong>in</strong> horror and pushes him over the edge. In broad daylight, overlook<strong>in</strong>g<br />
the busy city's surround<strong>in</strong>g highways, Ali randomly shoots and kills two policemen. After a high-speed car<br />
chase outside of town, Ali flees <strong>in</strong>to the northern forest where he is captured by two police officers. Ali is<br />
resigned to his fate and watches quietly as the argu<strong>in</strong>g policemen lose their way <strong>in</strong> the woods. Situations<br />
complicate and the l<strong>in</strong>e between hunter and hunted becomes difficult to def<strong>in</strong>e...<br />
Genre Drama Year of Production 2009 Director Rafi Pitts Screenplay Rafi Pitts Director of Photography<br />
Mohammad Davudikhaki Producers Thanassis Karathanos, Mohammad Reza Takhteshian Production<br />
Companies Twenty Twenty Vision Filmproduktion/Berl<strong>in</strong>, Aftab Negaran/Tehran, <strong>in</strong> co-production with<br />
ZDF/Ma<strong>in</strong>z, ARTE/Strasbourg Pr<strong>in</strong>cipal Cast Rafi Pitts, Mitra Hajjar, Ali Nicksaulat, Hassan Ghaleoni,<br />
Manoocher Rahimi Length 92 m<strong>in</strong> Format 35 mm, color, 1:1.85 Orig<strong>in</strong>al Version Farsi Subtitled Version<br />
English Sound Technology Dolby Digital SR-D Festivals Berl<strong>in</strong> <strong>2010</strong> (In Competition), Ed<strong>in</strong>burgh <strong>2010</strong>,<br />
Melbourne <strong>2010</strong>, <strong>Toronto</strong> <strong>2010</strong> World Sales The Match Factory GmbH · Michael Weber · Balthasarstrasse<br />
79-81 · 50670 Cologne/Germany · phone +49-2 21-5 39 70 90 · fax +49-2 21-5 39 70 910 · email<br />
<strong>in</strong>fo@matchfactory.de · www.the-match-factory.com<br />
Rafi Pitts was born <strong>in</strong> 1967 <strong>in</strong> Iran. In 1981, he fled the country and moved to Brita<strong>in</strong>. He graduated <strong>in</strong> 1991<br />
from Harrow College – Polytechnic of Central London with a degree <strong>in</strong> Film and Photography. His first short,<br />
In Exile (1991), was presented the same year at the London IFF. His feature, Season Five (1997), was the first<br />
Franco-Iranian co-production s<strong>in</strong>ce the Iranian Revolution <strong>in</strong> 1979, and premiered <strong>in</strong> Venice. Sanam (2000)<br />
was hailed by the French critics as “the Iranian 400 Blows”. His film It’s W<strong>in</strong>ter (2006) premiered <strong>in</strong> Berl<strong>in</strong>.<br />
Screen<strong>in</strong>gs<br />
Public:<br />
12 Sept. 18:45 AMC 7<br />
16 Sept. 18:15 AMC 7<br />
19 Sept. 09:30 Bell Lightbox 2<br />
Press & Industry:<br />
9 Sept. 14:30 Scotiabank 9<br />
13 •••
photo © Dreamer Jo<strong>in</strong>t Venture GmbH/Alsbrik, <strong>2010</strong>
Contemporary World C<strong>in</strong>ema<br />
LIFE, ABOVE ALL<br />
12-year-old Chanda is a promis<strong>in</strong>g young student, grow<strong>in</strong>g up <strong>in</strong> a small farm<strong>in</strong>g town <strong>in</strong> South Africa. When<br />
her baby sister suddenly dies, the neighbors become <strong>in</strong>creas<strong>in</strong>gly distant. Chanda's search for answers is met<br />
with stubborn silence. In the face of resistance and hostility, Chanda sets out to confront a deeply engra<strong>in</strong>ed,<br />
unspoken taboo.<br />
Life, Above All is an emotional and universal drama about a young girl (stunn<strong>in</strong>gly performed by first-timeactress<br />
Khomotso Manyaka) who fights the fear and shame that have poisoned her community. The film captures<br />
the endur<strong>in</strong>g strength of loyalty and a courage powered by the heart.<br />
Genre Drama Year of Production <strong>2010</strong> Director Oliver Schmitz Screenplay Dennis Foon Director of<br />
Photography Bernhard Jasper Producer Oliver Stoltz Co-Producers Greig Buckle, Thomas Reisser,<br />
Dan Schlanger Production Company Dreamer Jo<strong>in</strong>t Venture Filmproduktion/Berl<strong>in</strong>, <strong>in</strong> co-production with<br />
Senator Film Produktion/Berl<strong>in</strong>, Enigma Pictures/Cape Town, Niama Film/Stuttgart Pr<strong>in</strong>cipal Cast Khomotso<br />
Manyaka, Lerato Mvelase, Harriet Manamela, Keaobaka Makanyane, T<strong>in</strong>ah Mnumzana Length 105 m<strong>in</strong><br />
Format 35 mm, color, cs Orig<strong>in</strong>al Version Sepedi Subtitled Version English Sound Technology Dolby Digital<br />
Festivals Cannes <strong>2010</strong>, Giffoni <strong>2010</strong>, Durban <strong>2010</strong>, <strong>Toronto</strong> <strong>2010</strong> Awards Prix François Chalais Cannes <strong>2010</strong>,<br />
Best South African Feature Durban <strong>2010</strong> World Sales Bavaria Film International · Dept. of Bavaria Media<br />
GmbH · Thorsten Ritter · Bavariafilmplatz 7 · 82031 Geiselgasteig/Germany · phone +49-89-64 99 26 86<br />
fax +49-89-64 99 37 20 · email toronto10@bf<strong>in</strong>t.de · www.bavaria-film-<strong>in</strong>ternational.com<br />
Oliver Schmitz was born <strong>in</strong> 1960 <strong>in</strong> South Africa and studied F<strong>in</strong>e Arts <strong>in</strong> Cape Town. Active both <strong>in</strong><br />
writ<strong>in</strong>g and direct<strong>in</strong>g, he has repeatedly treated themes from his native country. Among his award-w<strong>in</strong>n<strong>in</strong>g<br />
<strong>films</strong> are Mapantsula, Jo’Burg Stories (documentary), and Hijack Stories. He was <strong>in</strong>vited to shoot a segment<br />
of the episodic film Paris, je t'aime. His recent projects <strong>in</strong>clude the award-w<strong>in</strong>n<strong>in</strong>g comedy series Türkisch<br />
für Anfänger (TV) and Doctor’s Diary (TV).<br />
Screen<strong>in</strong>gs<br />
Public:<br />
12 Sept. 15:00 Varsity 8<br />
14 Sept. 18:15 AMC 5<br />
Press & Industry:<br />
10 Sept. 21:15 Scotiabank 11<br />
15 •••
photo © Pallas Film/Artur Bolzhurov
Contemporary World C<strong>in</strong>ema<br />
THE LIGHT THIEF<br />
They call him “Svet-ake” (“Mr. Light”). The electrician is responsible for br<strong>in</strong>g<strong>in</strong>g more than just light to the<br />
people around him. Like moths, everybody is drawn to his k<strong>in</strong>dness: those with short circuits <strong>in</strong> their<br />
electricity, and those with short circuits <strong>in</strong> their marriage, those who have taken all the power <strong>in</strong> the city, and<br />
those who have given up the will to live. He helps everyone and is everywhere. He doesn’t even shy from<br />
break<strong>in</strong>g the law, rew<strong>in</strong>d<strong>in</strong>g an old and lonely pensioner’s electricity meter so that he doesn’t owe the State,<br />
but rather the State owes him. The economic devastation of the country has had an enormous impact on the<br />
work<strong>in</strong>g people and yet despite the upheaval they have not lost the ability to love, to suffer, to share their lives<br />
with friends, and enjoy what they have… <strong>in</strong> particular our resilient electrician who possesses a wonderful and<br />
open heart. He not only br<strong>in</strong>gs electric light (which is often out) to the lives of the <strong>in</strong>habitants of this village,<br />
but he also spreads the light of love, loyalty, life, and most of all, lots of laughter.<br />
Genre Drama Year of Production <strong>2010</strong> Director Aktan Arym Kubat Screenplay Aktan Arym Kubat,<br />
Talip Ibraimov Director of Photography Hassan Kydyraliyev Producers Altynai Koichumanova, Cedomir Kolar,<br />
Thanassis Karathanos, Marc Baschet, Karl Baumgartner, Denis Vasl<strong>in</strong> Production Companies Pallas Film/<br />
Halle, Oy Art/Beshkek, A.S.A.P. Films/Paris, Volya Films/Rotterdam, <strong>in</strong> co-production with ZDF/Ma<strong>in</strong>z, ARTE/<br />
Strasbourg Pr<strong>in</strong>cipal Cast Aktan Arym Kubat, Taalaikan Abazova, Askat Sulaimanov, Asan Amanov, Stanbek<br />
Toichubaev Length 80 m<strong>in</strong> Format 35 mm, color, 1:1.85 Orig<strong>in</strong>al Version Kyrgyz Subtitled Version English<br />
Sound Technology Dolby Digital Festivals Cannes <strong>2010</strong>, Locarno <strong>2010</strong>, <strong>Toronto</strong> <strong>2010</strong> World Sales The Match<br />
Factory GmbH · Michael Weber · Balthasarstrasse 79-81 · 50670 Cologne/Germany · phone +49-2 21-5 39 70 90<br />
fax +49-2 21-5 39 70 910 · email <strong>in</strong>fo@matchfactory.de · www.the-match-factory.com<br />
Aktan Arym Kubat was born <strong>in</strong> 1957 <strong>in</strong> Kyrgyzstan and started work<strong>in</strong>g as a production designer <strong>in</strong><br />
the 1980s. He wrote his first screenplay <strong>in</strong> 1995 and began direct<strong>in</strong>g <strong>in</strong> 1990. His <strong>films</strong> <strong>in</strong>clude: Where's<br />
Your Home, Snail? (1992), Bus Stop (short, 1995), Hassan Hussen (short, 1997), The Adopted Son (1998),<br />
The Chimp (2001), The Mother's Heaven (<strong>2010</strong>), and The Light Thief (<strong>2010</strong>).<br />
Screen<strong>in</strong>gs<br />
Public:<br />
10 Sept. 18:00 AMC 4<br />
11 Sept. 09:30 AMC 3<br />
Press & Industry:<br />
9 Sept. 09:30 NFB<br />
17 •••
photo © ma.ja.de fiction
Contemporary World C<strong>in</strong>ema<br />
MY JOY<br />
My Joy is a tale of a truck driver Georgy. He leaves his home town with a load of goods, but he is forced to take<br />
a wrong turn on the motorway, and f<strong>in</strong>ds himself <strong>in</strong> the middle of nowhere. Georgy tries to f<strong>in</strong>d his way,<br />
but gradually, aga<strong>in</strong>st his will, he becomes drawn <strong>in</strong>to the daily life of a Russian village. In a place where<br />
brutal force and survival <strong>in</strong>st<strong>in</strong>cts overcome humanity and common sense, the truck driver’s story heads for<br />
a dead end...<br />
Genre Drama Year of Production <strong>2010</strong> Director Sergei Loznitsa Screenplay Sergei Loznitsa Director of<br />
Photography Oleg Mutu Producers He<strong>in</strong>o Deckert, Oleg Kokhan Co-Producers Leont<strong>in</strong>e Petit, Marleen Slot,<br />
Joost de Vries Production Company ma.ja.de fiction/Leipzig, <strong>in</strong> co-production with SOTA C<strong>in</strong>ema Group/Kiev,<br />
Lemm<strong>in</strong>g Film/Amsterdam Pr<strong>in</strong>cipal Cast Viktor Nemets, Alisa Slepyan, Vladimir Golov<strong>in</strong>, Olga Shuvalova,<br />
Maria Varsami, Boris Kamorz<strong>in</strong>, Vlad Ivanov, Pavel Vorozhtsov, Dmitriy Bykovskiy Length 127 m<strong>in</strong> Format 35<br />
mm, color, cs Orig<strong>in</strong>al Version Russian Subtitled Version English Sound Technology Dolby Digital Festivals<br />
Cannes <strong>2010</strong> (In Competition), Karlovy Vary <strong>2010</strong>, K<strong>in</strong>otavr Open Sochi <strong>2010</strong>, Sarajevo <strong>2010</strong>, <strong>Toronto</strong> <strong>2010</strong><br />
Awards Best Direction & Russian Film Scholars & Critics' “White Elephant” Award Sochi <strong>2010</strong><br />
World Sales Fortissimo Film Sales · Van Diemenstraat 100 · 1013 CN Amsterdam/The Netherlands · phone<br />
+31-20-6 27 32 15 · fax +31-20-6 26 11 55 · email <strong>in</strong>fo@fortissimo.nl · www.fortissimo.nl<br />
Sergei Loznitsa was born <strong>in</strong> 1964 <strong>in</strong> Baranovichi <strong>in</strong> the former USSR. He grew up <strong>in</strong> Kiev, and <strong>in</strong> 1987<br />
graduated from the Kiev Polytechnic with a degree <strong>in</strong> Applied Mathematics. From 1987-1991, he was<br />
employed at the Kiev Institute of Cybernetics, work<strong>in</strong>g on artificial <strong>in</strong>telligence research. He also worked<br />
as a translator for Japanese. In 1997 Sergei Loznitsa graduated from the Russian State Institute of<br />
C<strong>in</strong>ematography (VGIK). He studied feature film mak<strong>in</strong>g <strong>in</strong> the class of Nana Dzhordzhadze. From 2000 - 2008<br />
he worked at the St. Petersburg Documentary Film Studio. In 2001, he and his family moved to Germany.<br />
A selection of his award-w<strong>in</strong>n<strong>in</strong>g <strong>films</strong> <strong>in</strong>cludes: the documentaries Today We Are Go<strong>in</strong>g to Build a House<br />
(1996), Life, Autumn (1998), The Tra<strong>in</strong> Stop (2000), Settlement (2001), Portrait (2002), Landscape (2003),<br />
Factory (2004), Blockade (2005), Artel (2006), Revue (2008), and the feature My Joy (<strong>2010</strong>).<br />
Screen<strong>in</strong>gs<br />
Public:<br />
11 Sept. 18:15 Varsity 7<br />
13 Sept. 14:15 AMC 4<br />
19 Sept. 20:00 Jackman Hall – AGO<br />
Press & Industry:<br />
9 Sept. 12:00 NFB<br />
19 •••
photo © Wolfgang Borrs
Contemporary World C<strong>in</strong>ema<br />
WOMB<br />
When Rebecca returns to her grandfather’s house, she meets her childhood sweetheart Thomas aga<strong>in</strong>.<br />
Thomas leaves his girlfriend Rose and their love picks up where it left off, until Thomas dies <strong>in</strong> a car accident.<br />
Devastated, the young woman contemplates suicide until she f<strong>in</strong>ds consolation <strong>in</strong> the idea of clon<strong>in</strong>g.<br />
Although society does not fully accept it yet, she plans to give birth to Thomas, br<strong>in</strong>g<strong>in</strong>g her lost love to<br />
life (aga<strong>in</strong>). Liv<strong>in</strong>g <strong>in</strong> Rebecca’s grandfather’s remote old house, Thomas grows up believ<strong>in</strong>g his father died <strong>in</strong><br />
an accident. Rebecca never mentions clon<strong>in</strong>g. In spite of their secret, Rebecca and Thomas lead an almost<br />
normal life until Rose f<strong>in</strong>ds out about them...<br />
Genre Drama Year of Production <strong>2010</strong> Director Benedek Fliegauf Screenplay Benedek Fliegauf Director<br />
of Photography Peter Szatmári Producers Gerhard Meixner, Roman Paul, Andràs Muhi Production<br />
Companies Razor Film Produktion/Berl<strong>in</strong>, Inforg Stúdió/Budapest, <strong>in</strong> co-production with A.S.A.P. Films/Paris,<br />
Boje Buck Produktion/Berl<strong>in</strong>, ARTE France C<strong>in</strong>éma/Paris, ZDF/Ma<strong>in</strong>z Pr<strong>in</strong>cipal Cast Eva Green, Matt Smith,<br />
Peter Wight, István Lénárt, Hannah Murray Length 107 m<strong>in</strong> Format 35 mm, color, 1:1.85 Orig<strong>in</strong>al Version<br />
English Sound Technology Dolby Digital Festivals Locarno <strong>2010</strong> (International Competition), <strong>Toronto</strong><br />
<strong>2010</strong> Awards “Environment is Quality of Life” Prize Locarno <strong>2010</strong> World Sales The Match Factory GmbH<br />
Michael Weber · Balthasarstrasse 79-81 · 50670 Cologne/Germany · phone +49-2 21-5 39 70 90<br />
fax +49-2 21-5 39 70 910 · email <strong>in</strong>fo@matchfactory.de · www.the-match-factory.com<br />
Born <strong>in</strong> 1974 <strong>in</strong> Budapest, Benedek Fliegauf never attended film school. He worked as an assistant<br />
director for television and cont<strong>in</strong>ued on the path toward direct<strong>in</strong>g, screenwrit<strong>in</strong>g, set design and sound<br />
eng<strong>in</strong>eer<strong>in</strong>g. Womb is his fourth feature film. With his three previous features, he became one of Hungary's<br />
most <strong>in</strong>ternationally-recognized young directors. His 2007 feature Milky Way won Locarno's Golden Leopard<br />
for Filmmakers of the Present and Barcelona (L'Alternativa) Independent Film Festival's Feature Film Prize.<br />
Dealer won the Berl<strong>in</strong>er Zeitung Audience Award at the 2004 Berl<strong>in</strong> Film Festival, as well as several Best<br />
Director prizes (Mar Del Plata, Wiesbaden, Lecce). His debut feature Forest won the Wolfgang Staudte Prize<br />
and the Gene Moskowitz Critics Prize at the 2003 Berl<strong>in</strong> Film Festival.<br />
Screen<strong>in</strong>gs<br />
Public:<br />
14 Sept. 19:00 Scotiabank 3<br />
15 Sept. 18:00 AMC 6<br />
18 Sept. 09:45 Scotiabank 2<br />
Press & Industry:<br />
13 Sept. 09:30 Scotiabank 13<br />
16 Sept. 12:30 Scotiabank 8<br />
21 •••
photo © Pandora Film Produktion
AT ELLEN’S AGE<br />
Vanguard<br />
IM ALTER VON ELLEN<br />
Ellen must face some new turns <strong>in</strong> life. Although her job as a flight attendant keeps her rotat<strong>in</strong>g around the<br />
globe, she f<strong>in</strong>ds her private life has become a placebo, lend<strong>in</strong>g the sensation of security she needs so badly.<br />
She even suffers a panic attack whilst on duty, caus<strong>in</strong>g her to disembark and abandon an airplane that is<br />
prepar<strong>in</strong>g to start. As she crosses the airfield, she knows <strong>in</strong>st<strong>in</strong>ctively that she is leav<strong>in</strong>g her old life beh<strong>in</strong>d.<br />
Driven by a sense of alienation, Ellen seeks a place to belong and <strong>in</strong> do<strong>in</strong>g so, becomes a tourist <strong>in</strong> the lives<br />
of the people and groups she encounters. Ellen becomes acqua<strong>in</strong>ted with a group of young activists. Amongst<br />
them is Karl. The two are <strong>in</strong>stantly drawn to one another. They set out on a crusade to destroy the <strong>in</strong>dustry<br />
of animal torture and liberate as many of its victims as they can. Yet however unbalanced this situation has<br />
become, Ellen f<strong>in</strong>ds she’s grow<strong>in</strong>g stronger. Inwardly matured and conv<strong>in</strong>ced that there must be a specific<br />
place <strong>in</strong> the world where she is needed, Ellen is ready to venture a new beg<strong>in</strong>n<strong>in</strong>g...<br />
Genre Drama Year of Production <strong>2010</strong> Director Pia Marais Screenplay Horst Markgraf, Pia Marais Director of<br />
Photography Hélene Louvart Producers Claudia Steffen, Christoph Friedel Production Company Pandora Film<br />
Produktion/Cologne, <strong>in</strong> co-production with WDR/Cologne, ARTE/Strasbourg Pr<strong>in</strong>cipal Cast Jeanne Balibar,<br />
Stefan Stern, Georg Friedrich, Julia Hummer, Alexander Scheer, Eva Löbau, Clare Mortimer, Ian Roberts,<br />
Jasna Bauer, Patrick Bartsch Length 95 m<strong>in</strong> Format 35 mm, color, 1:1.66 Orig<strong>in</strong>al Version German Subtitled<br />
Version English Sound Technology Dolby Digital Festivals Locarno <strong>2010</strong> (International Competition), <strong>Toronto</strong><br />
<strong>2010</strong> World Sales The Match Factory GmbH · Michael Weber · Balthasarstrasse 79-81 50670 Cologne/Germany<br />
phone +49-2 21-5 39 70 90 · fax +49-2 21-5 39 70 910 · email <strong>in</strong>fo@matchfactory.de · www.the-match-factory.com<br />
Pia Marais grew up <strong>in</strong> South Africa, Sweden and Spa<strong>in</strong>. She studied Sculpture and Photography <strong>in</strong> London,<br />
Amsterdam and Düsseldorf before go<strong>in</strong>g on to study Film at the German Film & Television Academy (dffb) <strong>in</strong><br />
Berl<strong>in</strong>. She made several shorts, <strong>in</strong>clud<strong>in</strong>g Loop (1996), Deranged (1998), Tricky People (1999), and 17 (2003).<br />
After several engagements <strong>in</strong> the film bus<strong>in</strong>ess as a cast<strong>in</strong>g director and assistant director, she made her<br />
feature debut with The Unpolished (2007), which screened at many film festivals and won various prizes,<br />
<strong>in</strong>clud<strong>in</strong>g the Tiger Award <strong>in</strong> 2007 <strong>in</strong> Rotterdam. Her second feature film At Ellen's Age (<strong>2010</strong>) was developed<br />
<strong>in</strong> the Résidence du Festival de Cannes.<br />
Screen<strong>in</strong>gs<br />
Public:<br />
17 Sept. 22:00 Bell Lightbox 3<br />
18 Sept. 21:15 Scotiabank 3<br />
19 Sept. 15:00 Jackman Hall – AGO<br />
Press & Industry:<br />
10 Sept. 19:00 Scotiabank 11<br />
23 •••
photo © Arno Roca
It came from the sea… to fuck the dead back to life.<br />
L.A. ZOMBIE<br />
Emerged from the Pacific Ocean, an alien zombie gets picked up by a surfer <strong>in</strong> a truck. On the way to<br />
Los Angeles, a severe accident occurs and the surfer gets killed. The alien zombie fucks the dead man back<br />
to life. When the creature enters the city, it becomes <strong>in</strong>creas<strong>in</strong>gly unclear whether he really is a zombie or<br />
a schizophrenic person who is suffer<strong>in</strong>g from delusions. Like some k<strong>in</strong>d of dark savior, the alien zombie<br />
proceeds to f<strong>in</strong>d various dead men and fuck them back to life...<br />
Genre Erotic, Fantasy/Science Fiction, Horror Year of Production <strong>2010</strong> Director Bruce LaBruce Screenplay<br />
Bruce LaBruce Director of Photography James Carman Producers Bruce LaBruce, Arno Rok, Robert Felt,<br />
Maciek Dziekiewicz, Damian Todaro, Jürgen Brün<strong>in</strong>g, Jörn Hartmann Production Companies PPV Networks/<br />
New York, Wurstfilm/Berl<strong>in</strong>, Dark Alley Media/New York Pr<strong>in</strong>cipal Cast François Sagat, Rocco Giovanni,<br />
Wolf Hudson, Eddie Diaz Length 63 m<strong>in</strong> Format HDCAM, color, 16:9 Orig<strong>in</strong>al Version English Sound<br />
Technology Stereo Festivals Locarno <strong>2010</strong>, <strong>Toronto</strong> <strong>2010</strong> World Sales Raspberry & Cream · Nadja Jumah<br />
Pr<strong>in</strong>zess<strong>in</strong>nenstrasse 16 · 10969 Berl<strong>in</strong>/Germany · phone/fax +49-30-61 50 75 05 · email nadja@raspberryand<br />
cream.com · www.raspberryandcream.com<br />
Bruce LaBruce is a writer, filmmaker, and photographer based <strong>in</strong> <strong>Toronto</strong>. In 1991, he released his first<br />
feature film, No Sk<strong>in</strong> Off My Ass – an exploration of the sordid relationship between a hairdresser and a mute,<br />
handsome young sk<strong>in</strong>head. His follow-up feature Super 8 1/2 is a cautionary biopic about LaBruce’s rocky rise<br />
to cult stardom. Hustler White, made <strong>in</strong> collaboration with photographer Rick Castro, was released <strong>in</strong> 1996<br />
and premiered at Sundance. In 1998, LaBruce shot his first porn movie <strong>in</strong> London, Sk<strong>in</strong> Flick, follow<strong>in</strong>g a gang<br />
of neo-Nazi which breaks <strong>in</strong>to the home of a bourgeois gay couple. In 2004, he made another film about<br />
Germans adopt<strong>in</strong>g the culture and politics of the left w<strong>in</strong>g movements of the 1970s, The Raspberry Reich,<br />
followed by Otto; or, Up with Dead People, among others.<br />
Screen<strong>in</strong>gs<br />
Public:<br />
16 Sept. 21:45 Bell Lightbox 2<br />
18 Sept. 16:00 AMC 9<br />
19 Sept. 20:30 AMC 10<br />
Press & Industry:<br />
14 Sept. 13:15 Scotiabank 9<br />
Vanguard<br />
25 •••
photo © Helga Fanderl
BLOW-UPS:<br />
PORTRAIT,<br />
TEA TIME,<br />
RED CURTAIN<br />
Wavelengths<br />
BLOW-UPS:<br />
PORTRAIT,<br />
TEETRINKEN,<br />
ROTER VORHANG<br />
In this triptych, the filmmaker evokes the portrait of a man, captur<strong>in</strong>g his gazes and gestures at different<br />
moments and sites. The orig<strong>in</strong>al silent Super 8 <strong>films</strong> are <strong>in</strong>-camera-edited and have been blown-up to 16 mm.<br />
Genre Experimental Short Year of Production <strong>2010</strong> Director Helga Fanderl Length 7 m<strong>in</strong> Format 16 mm,<br />
b&w, 1:1.33 Orig<strong>in</strong>al Version silent Festivals <strong>Toronto</strong> <strong>2010</strong> World Sales Helga Fanderl · Sonnenweg 84<br />
60529 Frankfurt/Germany · email h.fanderl@gmail.com · www.helgafanderl.com<br />
Helga Fanderl was born <strong>in</strong> 1947 <strong>in</strong> Ingolstadt. She studied German and Romance Languages and<br />
Literature <strong>in</strong> Munich, Paris and Frankfurt, followed by art school studies <strong>in</strong> Frankfurt and New York.<br />
Her work is represented <strong>in</strong> museums, galleries and c<strong>in</strong>emas around the world. Today, she lives and works<br />
<strong>in</strong> Frankfurt and Paris.<br />
Screen<strong>in</strong>g<br />
11 Sept. 16:30 Jackman Hall - AGO<br />
27 •••
photo © James Benn<strong>in</strong>g/schaf oder scharf film
RUHR<br />
Ruhr is James Benn<strong>in</strong>g's first film shot outside the US and presents the American artist's perspective on the<br />
Ruhr district <strong>in</strong> Germany, a region formed by coal m<strong>in</strong><strong>in</strong>g, <strong>in</strong>dustrialization and its work<strong>in</strong>g class <strong>in</strong>habitants.<br />
Us<strong>in</strong>g Duisburg as his start<strong>in</strong>g po<strong>in</strong>t, Benn<strong>in</strong>g sets out on small trips to explore the area and the relationship<br />
of labor, culture and art – culture emanat<strong>in</strong>g from labor, labor generat<strong>in</strong>g culture, and art complet<strong>in</strong>g the<br />
societal def<strong>in</strong>ition of culture. Film<strong>in</strong>g took place at a steel plant <strong>in</strong> Duisburg as well as at the “Bramme für<br />
das Ruhrgebiet”, a monolithic sculpture by Richard Serra positioned on a former m<strong>in</strong><strong>in</strong>g dump <strong>in</strong> Essen.<br />
Benn<strong>in</strong>g also visited the Friday prayer at the Duisburg mosque <strong>in</strong> Marxloh and took a look at everyday life <strong>in</strong><br />
a small back road <strong>in</strong> Essen. Every scene adheres to a rigid framework, a matrix of processes whose specific<br />
rhythms compartmentalize time and thus help <strong>in</strong>terweav<strong>in</strong>g history and change with the narrative structure<br />
of the film. Ruhr is more than a portrait of a region subject to structural change and an example of the<br />
paradigm shift <strong>in</strong> the cultural history of labor. It is also an hommage to the Ruhr district and its people,<br />
to those who work to form their region's culture.<br />
Genre Documentary Year of Production 2009 Director James Benn<strong>in</strong>g Screenplay James Benn<strong>in</strong>g Director<br />
of Photography James Benn<strong>in</strong>g Producer Zorana Musikic Production Company schaf oder scharf film/Berl<strong>in</strong><br />
Length 120 m<strong>in</strong> Format HDCAM, color, 1:1.78 Orig<strong>in</strong>al Version no dialogue Sound Technology Dolby SR<br />
Festivals Duisburg 2009, Rotterdam <strong>2010</strong>, CCCB Barcelona <strong>2010</strong>, Buenos Aires <strong>2010</strong>, It’s All True Sao<br />
Paulo/Rio de Janeiro <strong>2010</strong>, Indielisboa <strong>2010</strong>, Era New Horizons Warsaw <strong>2010</strong>, <strong>Toronto</strong> <strong>2010</strong>, New York Film<br />
Festival <strong>2010</strong>, Vancouver <strong>2010</strong> World Sales schaf oder scharf film · Zorana Musikic · Gleimstrasse 27 · 10437<br />
Berl<strong>in</strong>/Germany · phone +49-30-41 99 66 13 · email zorana@schafoderscharf.de · www.schafoderscharf.de<br />
James Benn<strong>in</strong>g was born <strong>in</strong> 1942 <strong>in</strong> Milwaukee, Wiscons<strong>in</strong>. He is the son of German immigrants and<br />
studied Film at the University of Wiscons<strong>in</strong> <strong>in</strong> Madison. Work<strong>in</strong>g as an <strong>in</strong>dependent filmmaker, Benn<strong>in</strong>g’s<br />
<strong>films</strong> focus on a sense of place, and are often built from long, unedited takes. His <strong>films</strong> <strong>in</strong>clude: California<br />
Trilogy - El Valley Centro (2000), Sogobi (2001), Los (2001), 13 Lakes (2004), Ten Skies (2004), One Way Boogie<br />
Woogie/27 Years Later (2005), Cast<strong>in</strong>g a Glance (2007), and RR (2007). In addition to his film work, Benn<strong>in</strong>g<br />
has held professorships at Bard College and Northwestern University. S<strong>in</strong>ce 1987, he has taught filmmak<strong>in</strong>g<br />
and experimental sound at the California Institute of the Arts.<br />
Screen<strong>in</strong>g<br />
11 Sept. 21:15 Jackman Hall - AGO<br />
Wavelengths<br />
29 •••
••• 30<br />
Further German-International Participants at TIFF <strong>2010</strong><br />
Special Presentations<br />
CIRKUS COLUMBIA by Danis Tanovic<br />
(BA/FR/GB/DE/SI/BE)<br />
German Producer: Razor Film/Berl<strong>in</strong><br />
World Sales: The Match Factory/Cologne<br />
DEEP IN THE WOODS by Benoît Jacquot (FR/DE)<br />
German Producer: Egoli Tossell Film/Berl<strong>in</strong><br />
World Sales: Films Distribution/Paris<br />
Contemporary World C<strong>in</strong>ema<br />
22ND OF MAY by Koen Mortier (BE/DE/NL)<br />
German Producer: The Post Republic/Berl<strong>in</strong><br />
World Sales: CCCP Epidemic/Brussels<br />
BLACK OCEAN by Marion Hänsel (BE/FR/DE)<br />
German Producer: Neue Pegasos<br />
Filmproduktion/Frankfurt<br />
World Sales: Doc & Film International/Paris<br />
HOME FOR CHRISTMAS<br />
by Bent Hamer (NO/DE/SE)<br />
German Producer: Pandora Film Produktion/Cologne<br />
World Sales: The Match Factory/Cologne<br />
THE HUMAN RESOURCES MANAGER<br />
by Eran Riklis (IL/DE/FR/RO)<br />
German Producer: Pallas Film/Halle<br />
World Sales: Pyramide International/Paris<br />
THE SOLITUDE OF PRIME NUMBERS<br />
by Saverio Costanzo (IT/FR/DE)<br />
German Producer: Bavaria Pictures/Munich<br />
World Sales: Le Pacte/Paris<br />
TENDER SON – THE FRANKENSTEIN PROJECT<br />
by Kornél Mundruczó (HU/DE/AT)<br />
German Producer: Essential Filmproduktion/Berl<strong>in</strong><br />
World Sales: Coproduction Office/Paris<br />
City to City<br />
10 TO 11 by Pel<strong>in</strong> Esmer (TR/FR/DE)<br />
German Producer: Bredok Film Production/Berl<strong>in</strong><br />
World Sales: S<strong>in</strong>efilm/Istanbul<br />
SEPTEMBER 12 by Özlem Sulak (TR/DE)<br />
German Producer: Galerie Antje Wachs/Berl<strong>in</strong><br />
World Sales: Özlem Sulak/Hanover<br />
Visions<br />
THE AUTOBIOGRAPHY OF<br />
NICOLAE CEAUSESCU by Andrei Ujica (RO/DE)<br />
German Producer: Neue Mira<br />
Filmproduktion/Bremen<br />
World Sales: Mandragora International/Paris<br />
BROWNIAN MOVEMENT<br />
by Nanouk Leopold (NL/DE/BE)<br />
German Producer: Co<strong>in</strong> Film/Cologne<br />
World Sales: Films Distribution/Paris
THE FOUR TIMES<br />
by Michelangelo Frammart<strong>in</strong>o (IT/DE/CH)<br />
German Producer: Essential Filmproduktion/Berl<strong>in</strong><br />
World Sales: Coproduction Office/Paris<br />
K.364 A JOURNEY BY TRAIN<br />
by Douglas Gordon (GB/DE/FR)<br />
German Producer: Lost But Found Film/Berl<strong>in</strong><br />
World Sales: Lost But Found Film/Ed<strong>in</strong>burgh<br />
Discovery<br />
AS IF I AM NOT THERE<br />
by Juanita Wilson (IE/MK/SE/DE)<br />
German Producer: WMG Film/Berl<strong>in</strong><br />
World Sales: Octagon Films/Bray<br />
Masters<br />
NOSTALGIA FOR THE LIGHT<br />
by Patricio Guzmán (FR/DE/CL)<br />
German Producer: Bl<strong>in</strong>ker Filmproduktion/Cologne<br />
World Sales: Pyramide International/Paris<br />
UNCLE BOONMEE WHO CAN<br />
RECALL HIS PAST LIVES<br />
by Apichatpong Weerasethakul (TH/GB/FR/DE/ES)<br />
German Producers: Geißendörfer Film- und<br />
Fernsehproduktion & The Match Factory/Cologne<br />
World Sales: The Match Factory/Cologne<br />
Further German-International Participants at TIFF <strong>2010</strong><br />
Real to Reel<br />
CAVE OF FORGOTTEN DREAMS<br />
by Werner Herzog (US)<br />
Producer: Creative Differences Productions/<br />
Los Angeles<br />
World Sales: Submar<strong>in</strong>e Enterta<strong>in</strong>ment/New York<br />
Wavelengths<br />
LEONA ALONE by Oliver Husa<strong>in</strong> (CA)<br />
Producer: Oliver Husa<strong>in</strong>/<strong>Toronto</strong><br />
World Sales: Oliver Husa<strong>in</strong>/<strong>Toronto</strong><br />
Future Projections<br />
WORKERS LEAVING THE FACTORY<br />
IN ELEVEN DECADES by Harun Farocki<br />
Producer: Harun Farocki Filmproduktion/Berl<strong>in</strong><br />
World Sales: Harun Farocki Filmproduktion/Berl<strong>in</strong><br />
31 •••
CANADA<br />
MARTIN<br />
PAUL-HUS<br />
SPAIN<br />
LUIS ANGEL<br />
RAMÍREZ<br />
PAUL<br />
BARKIN<br />
CANADA<br />
IRELAND<br />
MARTINA<br />
N I L A N D<br />
Ankica Jurić Tilić Croatia<br />
Robert Budreau Canada<br />
Jan<strong>in</strong>e Jackowski<br />
Germany<br />
Matti Halonen<br />
F<strong>in</strong>land<br />
Canada<br />
Andrzej Jakimowski Poland<br />
www.efp-onl<strong>in</strong>e.com<br />
MARC-ANTOINE<br />
ROBERT<br />
FRANCE<br />
JENNIFER<br />
JONAS<br />
CANADA<br />
NEW CO-PRODUCTION EVENT<br />
24 producers from Europe and Canada<br />
at the <strong>Toronto</strong> International Film Festival®<br />
PRODUCERS LAB<br />
TORONTO<br />
E U ROP E<br />
Dolman<br />
–<br />
T r i s h<br />
CANADA<br />
10 – 12 September <strong>2010</strong><br />
Re<strong>in</strong>ier Selen<br />
The Netherlands<br />
www.omdc.on.ca<br />
Canada<br />
Corey<br />
Marr<br />
Bernard<br />
Michaux<br />
BRANDI-ANN<br />
MILBRADT<br />
CANADA<br />
Andrew<br />
Boutilier<br />
Canada<br />
Luxembourg<br />
MONIKA KRISTL<br />
Czech Republic<br />
DAMON D'OLIVEIRA<br />
Canada<br />
HUNGARY<br />
IVÁN<br />
ANGELUSZ<br />
JENNIFER<br />
KAWAJA<br />
Canada<br />
Silje<br />
Hopland Eik<br />
Norway<br />
Paul<br />
Scherzer<br />
CANADA<br />
LIZ JARVIS CANADA<br />
With the support of MEDIA International ® <strong>Toronto</strong> International Film Festival is<br />
a registered trademark of the <strong>Toronto</strong><br />
International Film Festival Inc.<br />
Sponsored by<br />
EFP is supported by<br />
www.tiff .net<br />
Associated EFP members: Croatian Audiovisual Centre, Czech Film Center, EYE Film Institute Netherlands, Film Fund Luxembourg, F<strong>in</strong>nish Film<br />
Foundation, German Films, ICAA/Spa<strong>in</strong>, Irish Film Board, Magyar Filmunió/Hungary, Norwegian Film Institute, Polish Film Institute, Unifrance
With the aim of exchang<strong>in</strong>g creative energy, experience and<br />
talents and promot<strong>in</strong>g the co-production of <strong>in</strong>ternational<br />
film projects, 12 European and 12 Canadian producers will<br />
be meet<strong>in</strong>g for the new <strong>in</strong>itiative entitled PRODUCERS LAB<br />
TORONTO. Created by the European Film Promotion (EFP)<br />
<strong>in</strong> collaboration with the Ontario Media Development<br />
Corporation (OMDC) and the <strong>Toronto</strong> International Film Festival (TIFF), the program will be launched this year<br />
dur<strong>in</strong>g the <strong>Toronto</strong> International Film Festival. Regarded as the key gateway to the North American market,<br />
TIFF has always been important for European <strong>films</strong>. The MEDIA International program of the European Union<br />
is support<strong>in</strong>g the <strong>in</strong>itiative f<strong>in</strong>ancially.<br />
The program is designed for <strong>in</strong>dependent producers with a track record of successful project development<br />
and production. Besides demonstrat<strong>in</strong>g a strong motivation <strong>in</strong> co-produc<strong>in</strong>g with Canada or Europe, they<br />
all have experience <strong>in</strong> <strong>in</strong>ternational co-productions and have a project ready to pitch. The EFP network<br />
selected the European participants from the group of EFP’s PRODUCERS ON THE MOVE between 2006-2009.<br />
The participants from Canada were chosen by OMDC and TIFF. Jan<strong>in</strong>e Jackowski is this year’s participat<strong>in</strong>g<br />
producer from Germany.<br />
Besides various network<strong>in</strong>g opportunities, the three-day event <strong>in</strong>cludes pitch<strong>in</strong>g sessions, one-to-onemeet<strong>in</strong>gs<br />
and case studies of completed European/Canadian co-productions, analyses and presentations<br />
of f<strong>in</strong>anc<strong>in</strong>g sources and co-production structures.<br />
Jan<strong>in</strong>e Jackowski studied Production and Media Studies at Munich's University<br />
of Television and Film from 1998-2002, produc<strong>in</strong>g a number of shorts dur<strong>in</strong>g her studies.<br />
In 2000, she founded Komplizen Film with director Maren Ade and produced The Forest for<br />
the Trees <strong>in</strong> 2003. Ade's graduation film was nom<strong>in</strong>ated for the German Film Award, won<br />
a Special Jury Award at Sundance and was successful at numerous festivals. Jan<strong>in</strong>e has<br />
also produced two <strong>films</strong> by Sonja Heiss: the Short Tiger-w<strong>in</strong>ner Christ<strong>in</strong>a Without and her<br />
feature debut Hotel Very Welcome. In 2008, she produced Du bruit dans la tete by V<strong>in</strong>cent<br />
Pluss and Maren Ade's second feature Everyone Else, which won two Silver Bears at the 2009 Berl<strong>in</strong>ale<br />
(Best Actress and Grand Jury Prize) as well as the FIPRESCI Award and Best Director at the Buenos Aires<br />
International Film Festival. This year saw Jan<strong>in</strong>e produc<strong>in</strong>g Ulrich Köhler's latest feature The Sleep<strong>in</strong>g<br />
Sickness <strong>in</strong> Cameroon.<br />
33 •••
••• 34<br />
German World Sales Companies at TIFF <strong>2010</strong><br />
Bavaria Film International<br />
email <strong>in</strong> <strong>Toronto</strong>: toronto10@bf<strong>in</strong>t.de<br />
Thorsten Ritter · 14-19 September<br />
mobile +49-172-8 58 70 14<br />
email thorsten.ritter@bavaria-film.de<br />
Stefanie Zeitler · 8-15 September<br />
mobile +49-172-8 58 70 43<br />
email stefanie.zeitler@bavaria-film.de<br />
Sebastian Kiesmüller · 8-15 September<br />
mobile +49-172-4 63 09 30<br />
email sebastian.kiesmueller@bavaria-film.de<br />
Beta C<strong>in</strong>ema<br />
Dirk Schürhoff · 9-14 September<br />
mobile +49-170-6 38 48 06<br />
email dirk.schuerhoff@betafilm.com<br />
Andreas Rothbauer · 9-16 September<br />
mobile +49-151-54 45 89 21<br />
email andreas.rothbauer@betac<strong>in</strong>ema.com<br />
EEAP Eastern European Acquisition Pool<br />
Alexander van Dülmen · 10-14 September<br />
mobile +49-163-8 87 75 00<br />
email avd@eeap.eu<br />
Films Boutique<br />
Jean-Christophe Simon · 9-15 September<br />
mobile +49-173-5 91 57 67<br />
email simon@<strong>films</strong>boutique.com<br />
Laura Inoka · 9-15 September<br />
mobile +49-177-7 99 99 07<br />
email laura@<strong>films</strong>boutique.com<br />
K5 International<br />
Daniel Baur · 9-15 September<br />
Oliver Simon · 9-15 September<br />
email <strong>in</strong>fo@k5<strong>in</strong>ternational.com<br />
M-Appeal / Raspberry & Cream<br />
Nadja Jumah<br />
Anne Wiedlack<br />
The Match Factory<br />
Michael Weber · 11-17 September<br />
Brigitte Suárez · 9-16 September<br />
mobile +49-172-8 55 61 95<br />
Philipp Hoffmann · 9-18 September<br />
mobile +49-172-1 78 81 53<br />
Anne Götze · 9-17 September<br />
mobile +49-172-8 51 21 09<br />
Media Luna New Films<br />
Ida Mart<strong>in</strong>s · 10-17 September<br />
mobile +1-310-8 71 05 79<br />
mobile +49-170-9 66 79 00<br />
email idamart<strong>in</strong>s@medialuna.biz
Impr<strong>in</strong>t<br />
Credits are not contractual for any of the <strong>films</strong> mentioned <strong>in</strong> this publication.<br />
Screen<strong>in</strong>g schedules are subject to change.<br />
Unfortunately we could not <strong>in</strong>clude film titles and screen<strong>in</strong>g times which<br />
were announced after this publication went to press.<br />
This brochure is published by:<br />
German Films Service + Market<strong>in</strong>g GmbH<br />
Herzog-Wilhelm-Strasse 16<br />
80331 Munich/Germany<br />
phone +49-89-59 97 87 0<br />
fax +49-89-59 97 87 30<br />
email <strong>in</strong>fo@<strong>german</strong>-<strong>films</strong>.de<br />
www.<strong>german</strong>-<strong>films</strong>.de<br />
German Films <strong>in</strong> <strong>Toronto</strong><br />
Hyatt Regency Hotel<br />
Sales & Industry Area<br />
K<strong>in</strong>g Ballroom<br />
Christian Dorsch, mobile +49-171-834 6663<br />
Oliver Mahrdt, mobile +1-917-495 5887<br />
Mart<strong>in</strong> Scheur<strong>in</strong>g, mobile +49-160-93 11 96 57<br />
Editors: Angela Hawk<strong>in</strong>s, Mart<strong>in</strong> Scheur<strong>in</strong>g<br />
Design: PUBLITAS, www.publitas.de<br />
Pr<strong>in</strong>t<strong>in</strong>g Office: ESTA Druck GmbH, www.esta-druck.de<br />
35 •••
www.<strong>german</strong>-<strong>films</strong>.de