B_Cards, neu - german films
B_Cards, neu - german films
B_Cards, neu - german films
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MORDOGAN (photo © Jessica Krummacher)<br />
On the occasion of the TOTEM premiere at Venice in 2011, in<br />
conversation with Ed Meza, correspondent for Variety, Jessica<br />
Krummacher commented critically on the situation for newgeneration<br />
filmmakers, contradicting the image of the widelyspread<br />
German film support system with rare openness. She<br />
and Timo Müller had applied for support for TOTEM and<br />
MORSCHOLZ, but did not receive any. And so the two <strong>films</strong> were<br />
made without support budgets because, as the director emphasizes,<br />
the promotion of new-generation <strong>films</strong> is linked to television<br />
broadcasters and therefore restrictive, too interested in<br />
well-trodden paths to ensure viewing quotas.<br />
The young filmmaker, who describes herself as a fool for<br />
figures, is well aware of the reverse side to the no-budget concept:<br />
in the long term and “from a political standpoint” she<br />
thinks it is unacceptable to finance the achievements of her<br />
team through self-exploitative deferred fees. “New-generation<br />
support needs to be more open and courageous”: she is<br />
convinc ed of that. She registers with skepticism the mass of<br />
new-generation projects tending towards the mainstream because<br />
they are adapted and dressed down in the preparation<br />
phase. She also observes the situation of radical cultural<br />
change with concern, fearing that the audience for difficult<br />
cinema <strong>films</strong> may fall away completely.<br />
Her greatest dream is one of new production possibilities, new<br />
freedom for the cinema, a revolutionized world of television. In<br />
the meantime she is preparing her next feature film project,<br />
MORDOGAN, a story about a German who owns a holiday home<br />
in Turkey, and his friend, a re-migrant from Germany back to<br />
Turkey – at least this time it is with support for the screenplay<br />
from Bavaria. More important than this, she has received the<br />
Eurimages Co-Production Development Award for MORDOGAN,<br />
which corresponds to €30,000 for the development of a co-production<br />
with Turkey.<br />
In addition, she is working on the development and production<br />
of the documentary film DER ROTE BERG by Timo Müller. This<br />
project is about a hermit who has been living in a cliff-face<br />
above a major state highway for twenty years now. The 62-yearold<br />
man is convinced that he has found a city dating back 4,000<br />
years. Against all opposition, he is excavating the remains of<br />
this city.<br />
Jessica Krummacher is determined that one day she will be<br />
able to make a living from her unusual, stimulating <strong>films</strong>.<br />
Claudia Lenssen<br />
DIRECTOR PORTRAIT<br />
JESSICA KRUMMACHER grew up in Bochum. She studied<br />
Politics and Media Art in Bochum and Karlsruhe, as well as<br />
Documentary Film and TV-Journalism at the University of Tele -<br />
vision & Film (HFF) in Munich. She has been making short <strong>films</strong><br />
since 2000, when she also began working in various other areas<br />
of film, primarily as a producer. DIE KINDER VON AHAUS (2005),<br />
her documentary film portrait of two farming families in the<br />
shadow of a German atomic waste storage facility, was support -<br />
ed by Greenpeace and shown at national festivals. In their joint<br />
production company kLAPPbOXfILME, Jessica Krummacher<br />
produced the feature film debut of her partner Timo Müller,<br />
MORSCHOLZ, a surreal snapshot of a post-proletarian, pro -<br />
vincial family, which was awarded the New-Generation Award<br />
for Best Direction at the Munich Film Festival in 2008. TOTEM,<br />
Jessica Krummacher’s feature film debut – for which she also<br />
acted as author, editor and co-producer – was made as her<br />
graduation film at the HFF Munich. TOTEM, the subtle portrait<br />
of a young, suicidal home-help caught in the clutches of a compulsive<br />
family, was premiered as the only German con tribution<br />
to the Venice Film Festival 2011, in the 26th Settimana della<br />
critica. The film ran with considerable success and earned<br />
numerous positive press reviews at the Viennale in Vienna, the<br />
International Film Festival Rotterdam, the FIC Gijon in Spain,<br />
the BAFICI in Buenos Aires, and German film festivals in Saarbrücken<br />
(Max Ophüls Prize), Schwerin and Ludwigshafen.<br />
Distri buted by Filmgalerie 451, TOTEM was launch ed in German<br />
cinemas in 2012.<br />
Contact<br />
kLAPPbOXfILME<br />
info@klappboxfilme.de<br />
www.klappboxfilme.de<br />
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