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B_Cards, neu - german films

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MORDOGAN (photo © Jessica Krummacher)<br />

On the occasion of the TOTEM premiere at Venice in 2011, in<br />

conversation with Ed Meza, correspondent for Variety, Jessica<br />

Krummacher commented critically on the situation for newgeneration<br />

filmmakers, contradicting the image of the widelyspread<br />

German film support system with rare openness. She<br />

and Timo Müller had applied for support for TOTEM and<br />

MORSCHOLZ, but did not receive any. And so the two <strong>films</strong> were<br />

made without support budgets because, as the director emphasizes,<br />

the promotion of new-generation <strong>films</strong> is linked to television<br />

broadcasters and therefore restrictive, too interested in<br />

well-trodden paths to ensure viewing quotas.<br />

The young filmmaker, who describes herself as a fool for<br />

figures, is well aware of the reverse side to the no-budget concept:<br />

in the long term and “from a political standpoint” she<br />

thinks it is unacceptable to finance the achievements of her<br />

team through self-exploitative deferred fees. “New-generation<br />

support needs to be more open and courageous”: she is<br />

convinc ed of that. She registers with skepticism the mass of<br />

new-generation projects tending towards the mainstream because<br />

they are adapted and dressed down in the preparation<br />

phase. She also observes the situation of radical cultural<br />

change with concern, fearing that the audience for difficult<br />

cinema <strong>films</strong> may fall away completely.<br />

Her greatest dream is one of new production possibilities, new<br />

freedom for the cinema, a revolutionized world of television. In<br />

the meantime she is preparing her next feature film project,<br />

MORDOGAN, a story about a German who owns a holiday home<br />

in Turkey, and his friend, a re-migrant from Germany back to<br />

Turkey – at least this time it is with support for the screenplay<br />

from Bavaria. More important than this, she has received the<br />

Eurimages Co-Production Development Award for MORDOGAN,<br />

which corresponds to €30,000 for the development of a co-production<br />

with Turkey.<br />

In addition, she is working on the development and production<br />

of the documentary film DER ROTE BERG by Timo Müller. This<br />

project is about a hermit who has been living in a cliff-face<br />

above a major state highway for twenty years now. The 62-yearold<br />

man is convinced that he has found a city dating back 4,000<br />

years. Against all opposition, he is excavating the remains of<br />

this city.<br />

Jessica Krummacher is determined that one day she will be<br />

able to make a living from her unusual, stimulating <strong>films</strong>.<br />

Claudia Lenssen<br />

DIRECTOR PORTRAIT<br />

JESSICA KRUMMACHER grew up in Bochum. She studied<br />

Politics and Media Art in Bochum and Karlsruhe, as well as<br />

Documentary Film and TV-Journalism at the University of Tele -<br />

vision & Film (HFF) in Munich. She has been making short <strong>films</strong><br />

since 2000, when she also began working in various other areas<br />

of film, primarily as a producer. DIE KINDER VON AHAUS (2005),<br />

her documentary film portrait of two farming families in the<br />

shadow of a German atomic waste storage facility, was support -<br />

ed by Greenpeace and shown at national festivals. In their joint<br />

production company kLAPPbOXfILME, Jessica Krummacher<br />

produced the feature film debut of her partner Timo Müller,<br />

MORSCHOLZ, a surreal snapshot of a post-proletarian, pro -<br />

vincial family, which was awarded the New-Generation Award<br />

for Best Direction at the Munich Film Festival in 2008. TOTEM,<br />

Jessica Krummacher’s feature film debut – for which she also<br />

acted as author, editor and co-producer – was made as her<br />

graduation film at the HFF Munich. TOTEM, the subtle portrait<br />

of a young, suicidal home-help caught in the clutches of a compulsive<br />

family, was premiered as the only German con tribution<br />

to the Venice Film Festival 2011, in the 26th Settimana della<br />

critica. The film ran with considerable success and earned<br />

numerous positive press reviews at the Viennale in Vienna, the<br />

International Film Festival Rotterdam, the FIC Gijon in Spain,<br />

the BAFICI in Buenos Aires, and German film festivals in Saarbrücken<br />

(Max Ophüls Prize), Schwerin and Ludwigshafen.<br />

Distri buted by Filmgalerie 451, TOTEM was launch ed in German<br />

cinemas in 2012.<br />

Contact<br />

kLAPPbOXfILME<br />

info@klappboxfilme.de<br />

www.klappboxfilme.de<br />

GFQ 1-2013 5

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