Light Modifiers

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RESOURCES Adobe Photoshop www.adobe.com/photoshop California Sunbounce www.sunbounce.com Canon USA www.canonusa.com Colorado Custom Metal www.coloradocustommetal.com Drop it Modern www.dropitmodern.com FourSquare www.lightwaredirect.com Hensel USA www.henselusa.com Honl www.honlphoto.com International Supplies (CBL) www.internationalsupplies.com Kubota Image Tools www.kubotaimagetools.com Lastolite www.lastolite.com Lensbaby www.lensbaby.com Lexar www.lexar.com LumiQuest www.lumiquest.com Nikon USA www.nikonusa.com Pocket Wizard www.pocketwizard.com ProFusion www.profusion-flash-diffuser.com Ray Flash www.ray-flash.com Sekonic www.sekonic.com Speedotron www.speedotron.com Sticky Filters www.stickyfilters.com Strobies www.interfitphotographics.com 120 THE DIGITAL PHOTOGRAPHER’S GUIDE TO LIGHT MODIFIERS
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THE DIGITAL PHOTOGRAPHER’S GUIDE
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TABLE OF CONTENTS Dedication . . .
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9. USING MULTIPLE FLASHES . . . . .
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PHOTO BY DON JONES PHOTOGRAPHY. ABO
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Photography is light and can easily
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1. THE PHYSICS OF LIGHT Have you ev
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ed magenta yellow blue cyan 14 THE
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cerning in your photographic lighti
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HIGH KEY vs. LOW KEY High-key image
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PHOTOGRAPH 1-9. SUBJECT: Gabriel Gr
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PHOTOGRAPH 1-12 (RIGHT). A selectio
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PHOTOGRAPH 1-14. This portrait illu
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We’ll look at hot-shoe flash modi
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There as many light-shaping modifie
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PHOTOGRAPH 2-10. Here, I used Hense
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PHOTOGRAPH 2-14. A 22-inch Hensel b
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PHOTOGRAPH 2-18. A small Hensel sof
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When using a light panel or translu
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PHOTOGRAPH 2-26. The shape and size
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Most people are not comfortable in
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A VARIETY OF LOOKS The next series
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DRAMATIC LIGHTING Staying updated w
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FROM PORTRAIT TO GLAMOUR This serie
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PHOTOGRAPH 3-12. Notice the design
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As our shoot progressed (see previo
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4. EXPERIMENTAL LIGHTING TECHNIQUES
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Set scene. Notice the gobo placed n
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STUDIO LIGHTS OUTDOORS Using your s
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PHOTOGRAPH 4-9. SUBJECT: Kameron. C
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AN IMAGINARY JOURNEY Suppose you we
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PHOTOGRAPH 5-5. SUBJECT: Scott Worm
Page 71 and 72: PHOTOGRAPH 5-8. These LumiQuest mod
Page 73 and 74: SAMPLE LIGHT-MODIFIER EFFECTS It wo
Page 75 and 76: PHOTOGRAPH 5-15. The Ray Flash is a
Page 77 and 78: PHOTOGRAPH 5-19. SUBJECT: Irena Mur
Page 79 and 80: PHOTOGRAPH 5-22. SUBJECT: Irena Mur
Page 81: CALIFORNIA SUNBOUNCE When photograp
Page 85: JUST ONE LIGHT Bob Ray, a dear frie
Page 88 and 89: his shutter speed to 1/ 30 second,
Page 91 and 92: trait, however, was created using t
Page 93 and 94: 7. REFLECTORS Now, let’s take a q
Page 95 and 96: PHOTOGRAPH 7-4. In this example, a
Page 97 and 98: 8. DRAMATIC PORTRAITS WITH SPECIALT
Page 99 and 100: THE RAY FLASH A Ray Flash was used
Page 101: Set scene for PHOTOGRAPH 8-6. 100 T
Page 105 and 106: 9. USING MULTIPLE FLASHES When phot
Page 107 and 108: THEMES Commissioned to create image
Page 109 and 110: CHANGING MODIFIERS The next series
Page 111 and 112: TELLING A STORY Photographer Bob Ra
Page 113: WHEN MOTHER NATURE DOESN’T COOPER
Page 116 and 117: PHOTOGRAPH 9-18 (ABOVE). SUBJECT: R
Page 118 and 119: PHOTOGRAPH 9-20. CAMERA: Nikon D3,
Page 122 and 123: A Accent light, 10, 41, 44-45, 46,
Page 124 and 125: Pocket Wizard, 29 Portfolio images,
Page 126 and 127: 50 LIGHTING SETUPS FOR PORTRAIT PHO
Page 128 and 129: MINIMALIST LIGHTING PROFESSIONAL TE
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