Light Modifiers
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We’ll look at hot-shoe flash modifiers and their use in<br />
the second half of the book. First, though, let’s concentrate<br />
on modifiers for studio. We already looked at some<br />
common modifiers used in a studio setting, but photographs<br />
PHOTOGRAPH 2-1. Softboxes come in many different shapes and<br />
sizes to fit your photographic needs. Some, like the large Hensel<br />
softbox (left), come with gobo attachments to create more direction<br />
in your light (gobo not pictured).<br />
PHOTOGRAPH 2-2. The Don Jones Photography modifier wall<br />
shows a vast array of hard and soft modifiers—grids, parabolic<br />
reflectors in varied sizes, gobos, flags, and more. Photograph<br />
courtesy of Don Jones Photography.<br />
2. STUDIO LIGHT MODIFIERS<br />
2-1 through 2-5 show additional modifying tools that you<br />
can easily use to create different looks in your photographs.<br />
Though not pictured, gels (both color and neutral density)<br />
are also considered modifiers. Keep in mind that the modifiers<br />
shown are my personal modifiers of choice; many different<br />
manufacturers offer similar products that may suit your<br />
needs.<br />
PHOTOGRAPH 2-3. Grids direct and concentrate your light source.<br />
Here we see a variety of 7-inch Hensel grids: 20-degree (bottom<br />
left), 30-degree (top), and 40-degree (bottom right).<br />
STUDIO LIGHT MODIFIERS 27