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Eye of the Ocean Book 3 Ji'jin Station

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<strong>Eye</strong> <strong>of</strong> <strong>the</strong> <strong>Ocean</strong> – <strong>Book</strong> 3: Ji’Jin <strong>Station</strong><br />

design, part <strong>of</strong> <strong>the</strong> 'Wind in <strong>the</strong> Branches' set <strong>of</strong> patterns and <strong>the</strong> same basic<br />

shape as <strong>the</strong> keying crystals for <strong>the</strong> Altasimic warding. Buried here where we are<br />

now, where it is now, and without <strong>the</strong> flitter Net, we wouldn't have thought<br />

anything <strong>of</strong> it o<strong>the</strong>r than it was a copy, perhaps a gift to Camerat as <strong>the</strong> Temple<br />

here was involved with <strong>the</strong> original setting <strong>of</strong> <strong>the</strong> wards.”<br />

Speaking plain tongue but she changed for one more word: “Ce'ltahm.” The<br />

Net opened to allow translations but nei<strong>the</strong>r <strong>of</strong> <strong>the</strong> two Zimmer touched <strong>the</strong> lead.<br />

She did, but a different link, and <strong>the</strong> flute music stopped abruptly.<br />

And Poss a'ltic ended up speaking first again, finding <strong>the</strong> sudden quiet too<br />

pregnant. “Mouth <strong>of</strong> Winter,” she added, still staring at <strong>the</strong> thing. The glass<br />

shapes took color from <strong>the</strong> tea-dampened sand. “Mouth <strong>of</strong> Winter” was <strong>the</strong> most<br />

common translation, but only one <strong>of</strong> many possible depending on <strong>the</strong> context.<br />

Wind in <strong>the</strong> Branches. The words moved in a like dance <strong>of</strong> meanings. Lithm'celta,<br />

<strong>the</strong> fire-ice dance and a relative again <strong>of</strong> <strong>the</strong> Opening dance Ulanda had done on<br />

Alisim. The same word and <strong>the</strong> dance she had first seen as a child at <strong>the</strong> Turning<br />

Festival on Ri. Did Kascin know <strong>the</strong> tune, she wondered. She thought <strong>the</strong> music<br />

had begun to sound like a minor version <strong>of</strong> that just before she told him to stop.<br />

“One <strong>of</strong> six springs that make up <strong>the</strong> outer margin <strong>of</strong> <strong>the</strong> world-altar on<br />

Lillisim,” she said and looked up. “Have you seen it?”<br />

“Lady, <strong>the</strong> Lord Gennady walked with <strong>the</strong> High Priest Sarkalt into <strong>the</strong> spiral<br />

from that spring,” Oimit said. “There was a girdle <strong>of</strong> sunstones in <strong>the</strong> grass, green<br />

fire in <strong>the</strong> grass and in <strong>the</strong> Priest's eyes.”<br />

A narrow dark line had grown around <strong>the</strong> woman's own eyes. Poetry in plaintongue?<br />

Yuin sight? Poss a'ltic threw her head back and smiled widely at her.<br />

Ano<strong>the</strong>r challenge, and except for <strong>the</strong> growing black, was as ignored. “The Lady<br />

Ulanda danced <strong>the</strong> Opening in a robe woven in that pattern,” Oimit said. “Woven<br />

from Simic green silk.”<br />

A'in spoke into <strong>the</strong> silence that followed. “Silk?” he said. His voice cut like a<br />

razor. There was more to what he was going to say but Poss a'ltic motioned him<br />

to silence.<br />

The Zimmer sighed and shaped her narrow hands into a shape that <strong>of</strong>fered<br />

peace. Crippling scars showed across one palm. “Silk and lives both, and both<br />

burned. What does <strong>the</strong> Empress want <strong>of</strong> us?” She used <strong>the</strong> hand with <strong>the</strong> fea<strong>the</strong>r<br />

mark to pick <strong>the</strong> girdle up. The long ties with <strong>the</strong> sea-foam flowers on <strong>the</strong> ends<br />

drew twin paths in <strong>the</strong> sand.<br />

Held in <strong>the</strong> hand, Poss a'ltic knew, <strong>the</strong> glass showed a little more <strong>of</strong> <strong>the</strong> age <strong>of</strong><br />

<strong>the</strong> thing. Filmed from absolute clarity, frosted when inspected even closer.<br />

Minute scratches on <strong>the</strong> surface, <strong>the</strong>y would have left some <strong>of</strong> <strong>the</strong> girdle where<br />

<strong>the</strong>y found it, part <strong>of</strong> <strong>the</strong> sand it had been buried in. If she was surprised, it was<br />

that <strong>the</strong> sand around it hadn't become glass first.<br />

Laurel Hickey www.2morrow.bc.ca

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