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Eye of the Ocean Book 3 Ji'jin Station

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<strong>Eye</strong> <strong>of</strong> <strong>the</strong> <strong>Ocean</strong> – <strong>Book</strong> 3: Ji’Jin <strong>Station</strong><br />

Yellowed nails almost but not quite touched her arm. The fish stink was<br />

worse... and strangely familiar. “You should go in now, <strong>the</strong> drums will take you<br />

in. Listen to <strong>the</strong>m.”<br />

Ulanda took a single step forward but stopped again to look back. A wide<br />

corridor, with people at <strong>the</strong> far end watching, most <strong>of</strong> <strong>the</strong>m Camerat. No water,<br />

no reeds. Low tables, cushions and mats on <strong>the</strong> floor. Statues like those in <strong>the</strong><br />

frame <strong>of</strong> <strong>the</strong> door, but not stone or wood, <strong>the</strong>se were clipped bristle brushes <strong>of</strong><br />

dried reed, masses <strong>of</strong> hair-fine reeds. The corridor was a meeting place. There<br />

were still torches, she thought, although <strong>the</strong> more usual lighting would be glow<br />

globes, darkened ones were set on <strong>the</strong> walls at regular intervals. At least <strong>the</strong>re<br />

were still torches. And guards and drummers.<br />

One way or <strong>the</strong> o<strong>the</strong>r, she couldn't stay here. And was inside <strong>the</strong> door before<br />

she realized she had moved, <strong>the</strong> Salin walking beside her as <strong>the</strong> drumming grew<br />

stronger. The Net died in a whisper as she crossed <strong>the</strong> threshold. How did I get<br />

here, she wondered, fighting <strong>the</strong> panic that threatened to overwhelm her, and<br />

taking short rapid breaths now that <strong>the</strong> s<strong>of</strong>t drumming had changed to something<br />

slower again. Am I always one step away from matching what I'm supposed to?<br />

Granite pillars, gray and black, but with red in <strong>the</strong> stone. A reflection from <strong>the</strong><br />

last <strong>of</strong> <strong>the</strong> light coming through <strong>the</strong> open dome. The sky flamed with <strong>the</strong><br />

Grandfa<strong>the</strong>r's slow sunset. They were all familiar to her, she had seen <strong>the</strong>m over<br />

and over, felt <strong>the</strong> smooth soapy flecks in <strong>the</strong> stone, watched <strong>the</strong> light drag across<br />

<strong>the</strong> wall. Listened to <strong>the</strong> drums, even <strong>the</strong> sound <strong>of</strong> her feet on <strong>the</strong> marble. Always<br />

to <strong>the</strong> point where she was now and <strong>the</strong>n <strong>the</strong> vision would stop.<br />

Now. She stood near <strong>the</strong> central mound, an aide to ei<strong>the</strong>r side <strong>of</strong> her. A deep<br />

cut in <strong>the</strong> spiral was directly under her feet and she moved back a step. People<br />

milled about in <strong>the</strong> promenade, more Camerat, and she recognized a Poultat and<br />

a Piltsimic. A couple <strong>of</strong> ti'Linn, <strong>the</strong>y were common on <strong>the</strong> trade ships. A Wa'tic, or<br />

was that two, <strong>the</strong> o<strong>the</strong>r almost on top? Zimmer. Some humans or at least from a<br />

close line to hers. A few o<strong>the</strong>rs she couldn't begin to name.<br />

Now. She wet dry lips and even with <strong>the</strong> stink <strong>of</strong> Camerat in her nose, she<br />

tasted <strong>the</strong> scent <strong>of</strong> <strong>the</strong> soil on <strong>the</strong> mound. Home? Like <strong>the</strong> soil after a dry<br />

summer, when <strong>the</strong> heavy rains <strong>of</strong> winter start but <strong>the</strong> soil is warm enough for <strong>the</strong><br />

bacteria and molds to rot a summer's worth <strong>of</strong> death. Altasimic mark crossed <strong>the</strong><br />

mound: six and three.<br />

The small dark haired Priest walked around <strong>the</strong> double spiral, singing <strong>the</strong><br />

Opening in High formal. Poultat, her braids were cobalt blue, and cords <strong>of</strong> <strong>the</strong><br />

girdle as well, dividing <strong>the</strong> stiff white robe she wore into sections. The woman's<br />

eyes brushed over her and Ulanda looked away, disturbed. One at a time, <strong>the</strong><br />

drummers responded to her song. Stronger, wilder. Ulanda found her body<br />

moving to <strong>the</strong> new rhythm and willed herself to let go to <strong>the</strong> sound.<br />

Laurel Hickey www.2morrow.bc.ca

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