The Gentleman, the Virtuoso, the Inquirer - Cambridge Scholars ...
The Gentleman, the Virtuoso, the Inquirer - Cambridge Scholars ...
The Gentleman, the Virtuoso, the Inquirer - Cambridge Scholars ...
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Introduction<br />
Coster article "Une description inédite de la demeure de Don Vincencio<br />
Juan de Lastanosa" (Revue Hispanique, 1912, XXVI, pp. 566-610), where<br />
is reproduced a seventeenth century description of Lastanosa palace,<br />
gardens and collections, entitled Las tres cosas más singulares que tiene la<br />
casa de Lastanosa en este año de 1639 9 . On <strong>the</strong> o<strong>the</strong>r hand, Ricardo del<br />
Arco book La erudición aragonesa del siglo XVII en torno a Lastanosa<br />
(Madrid, 1934), where is reproduced <strong>the</strong> totality of primary sources<br />
preserved in <strong>the</strong> Spanish libraries. <strong>The</strong> Organizing Committe don't use<br />
<strong>the</strong>se works and <strong>the</strong> reason was simply: we selected only <strong>the</strong> reports and<br />
chronicles made by Lastanosa or his contemporaries. Del Arco selection<br />
included copies realized in eighteenth and nineteenth centuries, defectives<br />
and incompletes and Las tres cosas mas singulares… is a falsification, as<br />
some historians have discovered recently 10 .<br />
***<br />
<strong>The</strong>re is a last novel aspect of Lastanosa: Art and Science in <strong>the</strong> Baroque.<br />
<strong>The</strong> approaches made in last twenty years saw Lastanosa as an artistic and<br />
literary patron 11 . Our approximation has been done from <strong>the</strong> scientific<br />
perspective or, as would say Lastanosa contemporaries, considering him as<br />
a natural philosopher.<br />
***<br />
Lastanosa: Art and Science in <strong>the</strong> Baroque was an experiment. In <strong>The</strong><br />
<strong>Gentleman</strong>, <strong>the</strong> <strong>Virtuoso</strong>, <strong>the</strong> <strong>Inquirer</strong>. Vincencio Juan de Lastanosa and<br />
<strong>the</strong> Art of Collecting in Early Modern Spain we can see <strong>the</strong> results.<br />
Amazing results, we can conclude. We wish to acknowledge <strong>the</strong><br />
professional assistance of all IEA members, especially Fernando Alvira,<br />
Pilar Alcalde, Carlos Garcés and José María Esparza. Our sincere gratitude<br />
is due to Harold J. Cook, Antonio Barrera, John Slater, Jorge Cañizares-<br />
9 Biblioteca Nacional de Madrid, Ms. 18727 45 .<br />
10 FERMÍN GIL ENCABO (1999), "La ficción telamoniana de Pellicer en torno a<br />
Lastanosa", en: Actas del V Congreso de la Asociación Internacional Siglo de Oro,<br />
Madrid, pp. 623-634 y FERMIN GIL ENCABO (2003), "Lastanosa y Gracián: en<br />
torno a Salastano", en: Actas del I Congreso Internacional Baltasar Gracián:<br />
pensamiento y erudición, Huesca, I, pp. 19-60.<br />
11 Signos. Arte y Cultura en Huesca: De Forment a Lastanosa. Siglos XVI-XVII,<br />
Huesca, Diputación Provincial, 1994 y JOSÉ ENRIQUE GIL LAPLANA (ed.), La<br />
cultura del Barroco. Los jardines: arquitectura, simbolismo y literatura (Actas del<br />
I y II Curso en torno a Lastanosa), Huesca, IEA, 2000.