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The Gentleman, the Virtuoso, the Inquirer - Cambridge Scholars ...

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TABLE OF CONTENTS<br />

Introduction ............................................................................................... vii<br />

Lastanosa, Art and Science in Baroque. A Historiographical Experiment<br />

Mar Rey-Bueno & Miguel López-Pérez<br />

Chapter One................................................................................................. 1<br />

Lastanosa as an Example of His Time: Natural History and Medicine<br />

Harold J. Cook<br />

Chapter Two .............................................................................................. 15<br />

<strong>The</strong> Seventeenth-Century Spanish Scientific Culture: Spain, America,<br />

and <strong>the</strong> study of Nature<br />

Antonio Barrera<br />

Chapter Three ............................................................................................ 30<br />

From Historia naturalis to Historia au naturale: Lastanosa<br />

and <strong>the</strong> Naked Truth<br />

John Slater<br />

Chapter Four.............................................................................................. 47<br />

Typological Readings of Nature: <strong>The</strong> Book of Nature in Lastanosa’s Age<br />

Jorge Cañizares-Esguerra<br />

Chapter Five .............................................................................................. 64<br />

Looking at Exotica in Baroque Collections: <strong>The</strong> Object, <strong>the</strong> Viewer,<br />

and <strong>the</strong> Collection as a Space<br />

Daniela Bleichmar<br />

Chapter Six................................................................................................ 82<br />

Friends, <strong>Scholars</strong>, Collectors: <strong>The</strong> Circle of Lastanosa<br />

Miguel López-Pérez<br />

Chapter Seven.......................................................................................... 101<br />

<strong>The</strong> Seventh Desk: Ma<strong>the</strong>matical Instruments, Philosophical Artifacts<br />

and <strong>the</strong> Secrets of Nature<br />

María M. Portuondo

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