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June / July <strong>2010</strong> 18 WIZZ magazine<br />
However, if you have a serious craving<br />
for some truly offbeat music, says Kasia, turn<br />
to another Wrocław institution, Firlej (ul.<br />
Grabiszyńska 56). Always one step ahead of<br />
the mainstream, Firlej invites avant-garde<br />
musicians to perform for non-conformist<br />
audiences seeking out fresh independent<br />
music. “You will not know any of the songs<br />
played there and that is priceless in times of<br />
mass commercialisation,” says one regular.<br />
Despite her long fascination with<br />
Denmark, where she recently exhibited her<br />
poetry-inspired Light Years collection, she<br />
declares to be a great fan of her hometown.<br />
Wrocław born and bred, she is moved by the<br />
city, its creative atmosphere and its cultural<br />
flux, but what really inspires her is nature.<br />
No surprise, then, that she recommends<br />
Studio na Grobli (ul. Na Grobli 30-32),<br />
the city’s vigorous art centre responsible<br />
for festivals, workshops and theatre<br />
performance, as it seems a peculiar synthesis<br />
of Kasia’s two sources of inspiration –<br />
offering both an electrifying culture and a<br />
tranquil riverbank setting.<br />
For an artist, the heart lies where<br />
inspiration is. For Kasia that place is also<br />
her home. “Pawłowice – it is one of the<br />
undiscovered treasures of Wrocław,” she<br />
enthuses. “It is lovely – full of old trees,<br />
with a beautiful broad horizon and eerie<br />
misty light.” The special light and colour<br />
found in Pawłowice, dubbed the garden<br />
town and made part of the city district since<br />
1970, became the theme of a series of<br />
Kasia’s paintings. Its soothing climate<br />
is just what you might need after a night<br />
of artistic revelry.<br />
“Paintings are both private and public.<br />
They are available for everyone to look at,<br />
but at the same time they become private,<br />
unique in the eye of the beholder,” explains<br />
Kasia. And in a way, it’s the same with<br />
Wrocław. Like Kasia’s work, the city is<br />
what you make of it. It is the ultimate<br />
public space, but at the same time, a space<br />
for interpretation and, thus, a space of<br />
private experience.<br />
If hometowns define people, they define<br />
artists doubly. From what I saw, any artist<br />
would be lucky to be defined by Wrocław.<br />
Catch Kasia’s exhibition in Galeria<br />
Miejska (ul. Kiełbaśnicza 28) this October,<br />
or earlier in Warsaw at the Danish Cultural<br />
Institute until 15 June. www.banas.art.pl<br />
Above: US<br />
hip-hop artists<br />
Dälek (pronounced<br />
“Die-a-leck”)<br />
perform at Firlej<br />
(see bottom right),<br />
one of Kasia’s<br />
favourite venues on<br />
the avant-garde<br />
music scene<br />
Right: Kasia’s<br />
painting is inspired<br />
by Lysår, a<br />
poem by Henrik<br />
Norbrandt<br />
“I am amazed<br />
at the city’s<br />
ability to wow.<br />
Wroc³aw<br />
affects both<br />
the legions<br />
of stag-do<br />
revellers<br />
and the<br />
arty crowd.”<br />
WIZZ<br />
writer Ewa<br />
Tomankiewicz