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June / July <strong>2010</strong> 18 WIZZ magazine<br />

However, if you have a serious craving<br />

for some truly offbeat music, says Kasia, turn<br />

to another Wrocław institution, Firlej (ul.<br />

Grabiszyńska 56). Always one step ahead of<br />

the mainstream, Firlej invites avant-garde<br />

musicians to perform for non-conformist<br />

audiences seeking out fresh independent<br />

music. “You will not know any of the songs<br />

played there and that is priceless in times of<br />

mass commercialisation,” says one regular.<br />

Despite her long fascination with<br />

Denmark, where she recently exhibited her<br />

poetry-inspired Light Years collection, she<br />

declares to be a great fan of her hometown.<br />

Wrocław born and bred, she is moved by the<br />

city, its creative atmosphere and its cultural<br />

flux, but what really inspires her is nature.<br />

No surprise, then, that she recommends<br />

Studio na Grobli (ul. Na Grobli 30-32),<br />

the city’s vigorous art centre responsible<br />

for festivals, workshops and theatre<br />

performance, as it seems a peculiar synthesis<br />

of Kasia’s two sources of inspiration –<br />

offering both an electrifying culture and a<br />

tranquil riverbank setting.<br />

For an artist, the heart lies where<br />

inspiration is. For Kasia that place is also<br />

her home. “Pawłowice – it is one of the<br />

undiscovered treasures of Wrocław,” she<br />

enthuses. “It is lovely – full of old trees,<br />

with a beautiful broad horizon and eerie<br />

misty light.” The special light and colour<br />

found in Pawłowice, dubbed the garden<br />

town and made part of the city district since<br />

1970, became the theme of a series of<br />

Kasia’s paintings. Its soothing climate<br />

is just what you might need after a night<br />

of artistic revelry.<br />

“Paintings are both private and public.<br />

They are available for everyone to look at,<br />

but at the same time they become private,<br />

unique in the eye of the beholder,” explains<br />

Kasia. And in a way, it’s the same with<br />

Wrocław. Like Kasia’s work, the city is<br />

what you make of it. It is the ultimate<br />

public space, but at the same time, a space<br />

for interpretation and, thus, a space of<br />

private experience.<br />

If hometowns define people, they define<br />

artists doubly. From what I saw, any artist<br />

would be lucky to be defined by Wrocław.<br />

Catch Kasia’s exhibition in Galeria<br />

Miejska (ul. Kiełbaśnicza 28) this October,<br />

or earlier in Warsaw at the Danish Cultural<br />

Institute until 15 June. www.banas.art.pl<br />

Above: US<br />

hip-hop artists<br />

Dälek (pronounced<br />

“Die-a-leck”)<br />

perform at Firlej<br />

(see bottom right),<br />

one of Kasia’s<br />

favourite venues on<br />

the avant-garde<br />

music scene<br />

Right: Kasia’s<br />

painting is inspired<br />

by Lysår, a<br />

poem by Henrik<br />

Norbrandt<br />

“I am amazed<br />

at the city’s<br />

ability to wow.<br />

Wroc³aw<br />

affects both<br />

the legions<br />

of stag-do<br />

revellers<br />

and the<br />

arty crowd.”<br />

WIZZ<br />

writer Ewa<br />

Tomankiewicz

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