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THREE PERFECT DAYS:<br />

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SUMMER’S<br />

BEST FESTIVALS<br />

FOREVER YOUNG:<br />

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SECRETS OF<br />

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REDISCOVERING<br />

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OF SOUTH<br />

AFRICAN MUSIC<br />

PLUS:<br />

DEEPAK CHOPRA,<br />

THE WORLD CUP<br />

AND CANCUN’S<br />

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A STAR ALLIANCE MEMBER


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PHOTOGRAPH BY NINA BUESING/GETTY IMAGES<br />

Jun.<br />

62<br />

THE REBIRTH OF COOL<br />

The Johannesburg<br />

neighborhood of Sophiatown gave<br />

birth to some of the greatest music<br />

ever recorded. Despite the apartheid<br />

government’s attempts to silence it,<br />

the beat goes on. BY STEVE KNOPPER<br />

70<br />

THE HEMI Q&A: BETTY WHITE<br />

The beloved star of The Mary<br />

Tyler Moore Show, The Golden Girls and<br />

the new sitcom Hot in Cleveland isn’t<br />

letting her age—88—stand in her<br />

way. BY DAVID CARR<br />

74<br />

BOOM TOWN<br />

Every year, the tiny city of<br />

Manchester, Tennessee, hosts about<br />

80,000 Bonnaroo festivalgoers—<br />

and local residents are grateful for<br />

each and every one of them.<br />

BY MYA FRAZIER<br />

80<br />

THREE PERFECT DAYS:<br />

LONG ISLAND The Hamptons,<br />

that well-known summer camp for<br />

the rich and famous, are bordered<br />

by windswept beaches, rustic fi shing<br />

piers and a plethora of artisanal<br />

eateries. Hard to believe they’re less<br />

than 100 miles from Manhattan.<br />

BY SARAH HORNE<br />

“Eastern Long Island has a regal,<br />

quiet beauty and a slant of light that can make even the<br />

most jaded world travelers stop in their tracks,<br />

awestruck.” 3PD | P. 80<br />

YOUR COMPLIMENTARY COPY<br />

UNITED.COM | HEMISPHERESMAGAZINE.COM<br />

contents<br />

Summer on a Hamptons beach


View from the Yeatman Hotel in Porto, Portugal<br />

8 Comments<br />

11 Voices Behind the scenes at United<br />

14 Connections United does its part to<br />

reduce and recycle.<br />

16 Wish You Were Here<br />

DISPATCHES<br />

19 Notes From All Over<br />

A Russian ballet goes 3-D in St.<br />

Petersburg; the oldest fi sh in Queens,<br />

New York, gets a birthday bash;<br />

Jerash, Jordan, has a Roman holiday;<br />

Chicago's Museum of Science and<br />

Industry whips up a 40-foot<br />

tornado; and divers in Cancun are<br />

treated to a special art exhibit.<br />

DIRECTIONS<br />

25 News Where to stay, what to see,<br />

when to go<br />

30 Whirlwind Five hours in<br />

Melbourne<br />

33 Goods<br />

36 Whereabouts Deepak Chopra<br />

unwinds in Goa, India.<br />

CULTURE<br />

38 Wheels Just in time for summer,<br />

BMW releases the M3 convertible.<br />

The open road never felt so good.<br />

BY MIKE GUY<br />

41 Style Not content just to have<br />

the fl uffi est pillows, hotels bring<br />

fashion to the forefront.<br />

BY SARAH HORNE<br />

43 The Big Ten Jimmy Cliff, The<br />

Twilight Saga and what else to<br />

watch, read and listen to this<br />

month.<br />

47 Hero Howard Schiffer helps make<br />

sure children around the world<br />

take their vitamins.<br />

BY JAYME OTTO<br />

49 Sports A soccer fanatic would give<br />

up anything to see the World Cup.<br />

Well, almost anything.<br />

BY JOSH DEAN<br />

52 Industry The Disney Institute takes<br />

clients behind the scenes to see<br />

how the magic happens.<br />

BY DOUGLAS RUSHKOFF<br />

57 Food & Drink Umami, the hard-todefi<br />

ne fi fth fl avor, has food-world<br />

tongues wagging.<br />

BY ADAM BAER<br />

61 Artifact A souvenir from the fi eld<br />

PLAY<br />

109 Movies, television and audio<br />

programming<br />

120 Route Maps and Terminal<br />

Diagrams<br />

132 Crossword and sudoku<br />

138 In Transit Who’s sitting next<br />

to you?<br />

139 Beverages & Food<br />

COVER IMAGE<br />

Mark Ulriksen // markulriksen.com<br />

WRITE TO US:<br />

Hemispheres.ed@ink-publishing.com<br />

HEMISPHERES MAGAZINE<br />

68 Jay St., Suite 315, Brooklyn, NY 11201<br />

SUBSCRIBE TO HEMISPHERES<br />

For a free subscription to our monthly<br />

eMag and to access recent issues, go to<br />

HEMISPHERESMAGAZINE.COM<br />

25<br />

40<br />

PHOTOGRAPH BY FABRICE DEMOULIN/COURTESY OF THE YEATMAN


View from the Yeatman Hotel in Porto, Portugal<br />

8 Comments<br />

11 Voices Behind the scenes at United<br />

14 Connections United does its part to<br />

reduce and recycle.<br />

16 Wish You Were Here<br />

DISPATCHES<br />

19 Notes From All Over<br />

A Russian ballet goes 3-D in St.<br />

Petersburg; the oldest fi sh in Queens,<br />

New York, gets a birthday bash;<br />

Jerash, Jordan, has a Roman holiday;<br />

Chicago's Museum of Science and<br />

Industry whips up a 40-foot<br />

tornado; and divers in Cancun are<br />

treated to a special art exhibit.<br />

DIRECTIONS<br />

25 News Where to stay, what to see,<br />

when to go<br />

30 Whirlwind Five hours in<br />

Melbourne<br />

33 Goods<br />

36 Whereabouts Deepak Chopra<br />

unwinds in Goa, India.<br />

CULTURE<br />

38 Wheels Just in time for summer,<br />

BMW releases the M3 convertible.<br />

The open road never felt so good.<br />

BY MIKE GUY<br />

41 Style Not content just to have<br />

the fl uffi est pillows, hotels bring<br />

fashion to the forefront.<br />

BY SARAH HORNE<br />

43 The Big Ten Jimmy Cliff, The<br />

Twilight Saga and what else to<br />

watch, read and listen to this<br />

month.<br />

47 Hero Howard Schiffer helps make<br />

sure children around the world<br />

take their vitamins.<br />

BY JAYME OTTO<br />

49 Sports A soccer fanatic would give<br />

up anything to see the World Cup.<br />

Well, almost anything.<br />

BY JOSH DEAN<br />

52 Industry The Disney Institute takes<br />

clients behind the scenes to see<br />

how the magic happens.<br />

BY DOUGLAS RUSHKOFF<br />

57 Food & Drink Umami, the hard-todefi<br />

ne fi fth fl avor, has food-world<br />

tongues wagging.<br />

BY ADAM BAER<br />

61 Artifact A souvenir from the fi eld<br />

PLAY<br />

109 Movies, television and audio<br />

programming<br />

120 Route Maps and Terminal<br />

Diagrams<br />

132 Crossword and sudoku<br />

138 In Transit Who’s sitting next<br />

to you?<br />

139 Beverages & Food<br />

COVER IMAGE<br />

Mark Ulriksen // markulriksen.com<br />

WRITE TO US:<br />

Hemispheres.ed@ink-publishing.com<br />

HEMISPHERES MAGAZINE<br />

68 Jay St., Suite 315, Brooklyn, NY 11201<br />

SUBSCRIBE TO HEMISPHERES<br />

For a free subscription to our monthly<br />

eMag and to access recent issues, go to<br />

HEMISPHERESMAGAZINE.COM<br />

25<br />

40<br />

PHOTOGRAPH BY FABRICE DEMOULIN/COURTESY OF THE YEATMAN


8<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

Time Flies<br />

comments<br />

Time really does fl y when you’re having fun. It’s hard to believe it’s<br />

been a year since we relaunched Hemispheres. Since then, we’ve scoured<br />

underwater caves for medical remedies (“The Treasure Hunter,” August<br />

’09), painted the town with enigmatic French street artist JR (“Street<br />

Fighter,” October ’09), gone a few rounds with<br />

HEMISPHERES<br />

THREE PERFECT DAYS: SAN DIEGO // LITTLE HAVANA’S WARMING TREND // JIMMY CARTER GOES NUTS<br />

RODRIGO CORRAL<br />

The School of Visual<br />

Arts graduate is<br />

currently working with<br />

Criterion Collection.<br />

“I’m really excited<br />

about AK 100: 25 Films<br />

of Akira Kurosawa.<br />

I designed it inside<br />

and out,” he says.<br />

His favorite place to<br />

sample umami (“Flavor<br />

of the Month,” page<br />

57) is Umami Burger<br />

in Los Angeles. “I love<br />

burgers in general,”<br />

he adds.<br />

Chicago’s female boxing phenoms (“Girls of<br />

Summer,” December ’09) and visited a fl oating<br />

hospital treating survivors of the Haitian<br />

earthquake (“To Aid and Comfort,” April ’10).<br />

We reinvented Three Perfect Days and traveled<br />

everywhere from New Orleans to Shanghai,<br />

earning kudos along the way from the North<br />

American Travel Journalists Association, which<br />

named 3PD the year’s Best Travel Series. If<br />

you missed those stories, go to our website,<br />

hemispheresmagazine.com. You can peruse all<br />

that and more, and add your own two cents.<br />

Maybe you have a favorite Long Island<br />

vineyard that didn’t make it into 3PD? Let<br />

fellow travelers know about it. Michael W. Cater, M.D., directed readers of<br />

“Three Perfect Days: Montreal” to the Sir William Osler Library, declaring it<br />

“a must-see for all those interested in medical history.” Meanwhile, “Three<br />

Perfect Days: Sonoma” drew recommendations from foodies like Lisa<br />

Villarini, who gushes about Dry Creek Kitchen, proclaiming, “The food is<br />

exceptional!” (With chef Charlie Palmer running the show, we don't doubt<br />

it.) We also welcome your ideas for stories and your rants and raves. And<br />

while you're at it, wish us a happy birthday.<br />

?<br />

A STAR ALLIANCE MEMBER<br />

HEM_0609_Cover.indd 1 7/5/09 15:54:00<br />

WHAT DO YOU THINK?<br />

WRITE TO US! Hemispheres.ed@ink-publishing.com<br />

HEMISPHERES MAGAZINE 68 Jay St. Suite 315, Brooklyn, NY 11201<br />

Contributors<br />

MYA FRAZIER<br />

The Columbus, Ohio–<br />

based writer has been<br />

on staff with Advertising<br />

Age and The Cleveland<br />

Plain Dealer. Her work<br />

has also appeared in<br />

The Economist and<br />

Columbus Monthly.<br />

This summer you can<br />

fi nd her at Bonnaroo<br />

(“Boom Town,” page<br />

74). “We plan on taking<br />

our two teenage sons,”<br />

she says. “We hope to<br />

win the Coolest Parents<br />

Ever award.”<br />

DOUGLAS RUSHKOFF<br />

The media and social<br />

theorist lectures about<br />

technology, society<br />

and commerce. In<br />

addition to exploring<br />

the magic of Disney<br />

(“The Keys to the<br />

Kingdom,” page 52),<br />

he’s got a big project<br />

underway: “I just<br />

started something<br />

called The Institute<br />

for Applied Memetics,<br />

where we look at why<br />

people believe what<br />

they believe.”<br />

HEMISPHERES<br />

EDITOR IN CHIEF Aaron Gell<br />

EXECUTIVE EDITOR Mike Guy<br />

SENIOR EDITORS Adam K. Raymond,<br />

Layla Schlack<br />

ART DIRECTOR Rob Hewitt<br />

DESIGNER Ellie Clayman<br />

PHOTO EDITOR Erin Giunta<br />

CONTRIBUTING WRITERS<br />

Jane Black, Jason Gay, Alyssa Giacobbe<br />

Sarah Horne, Edward Lewine,<br />

Grant Stoddard, Matthew Thompson<br />

CONTRIBUTING ARTISTS<br />

Claire Benoist, Spencer Heyfron,<br />

John Lawton, Graham Roumieu<br />

EDITORIAL INTERNS Carren Jao, Calvin Men<br />

PHOTO INTERN Winston Woo<br />

EXECUTIVE CREATIVE DIRECTOR<br />

Michael Keating<br />

U.S. EDITORIAL DIRECTOR Orion Ray-Jones<br />

INK PUBLISHING, 68 Jay Street,<br />

Suite 315, Brooklyn, NY 11201<br />

TEL: +1 347-294-1220 FAX: +1 917-591-6247<br />

Hemispheres.ed@ink-publishing.com<br />

hemispheresmagazine.com<br />

WEBMASTER Salah Lababidi<br />

ADVERTISING<br />

U.S. GROUP PUBLISHING DIRECTOR<br />

Steve Andrews<br />

SENIOR ACCOUNT MANAGERS<br />

Ari Kasimov, Catherine Hanson,<br />

Christa Abdou, Danny Litton, David Levy,<br />

David Low, Jorge Abadia<br />

REGIONAL REPRESENTATIVE<br />

HAWAII Robert Wiegand<br />

TEL: +1 808-587-8300<br />

INTERNATIONAL REPRESENTATIVES<br />

CHINA/JAPAN<br />

JOSEPHINE.HO@INK-PUBLISHING.COM<br />

TEL: +852 3541 9890<br />

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SHAZEEN.MOLEDINA@INK-PUBLISHING.COM<br />

TEL: +65 6302 2465<br />

EUROPE<br />

MARK.DUKE@INK-PUBLISHING.COM<br />

TEL: +44 20 7613 8796<br />

MIDDLE EAST<br />

ANTHONY.AZOURY@INK-PUBLISHING.COM<br />

TEL: +44 20 7613 8798<br />

LATIN AMERICA<br />

ALEJANDRO.SALAS@INK-PUBLISHING.COM<br />

TEL: +52 81 5030 7415<br />

PRODUCTION MANAGER Joe Massey<br />

TEL: +1 678-553-8091<br />

PRODUCTION CONTROLLERS Grace Rivera,<br />

Stacy Willis<br />

Ink Publishing (sales), Capital Building,<br />

255 East Paces Ferry Road, Suite 400,<br />

Atlanta, GA 30305<br />

TEL: +1 888-864-1733 FAX: +1 917-591-6247<br />

INK PUBLISHING<br />

CEO Jeffrey O’Rourke<br />

COO Hugh Godsal<br />

PUBLISHING DIRECTOR Simon Leslie<br />

HEMISPHERES is produced monthly by Ink Publishing.<br />

All material is strictly copyright and all rights are<br />

reserved. No part of this publication may be<br />

reproduced in whole or part without the prior written<br />

permission of the copyright holder. All prices and<br />

data are correct at the time of publication. Opinions<br />

expressed in Hemispheres are not necessarily those<br />

of the Publisher or United Airlines, and United<br />

Airlines does not accept any responsibility for<br />

advertising content. Neither United, its subsidiaries<br />

nor affi liates guarantees the accuracy, completeness<br />

or timeliness of, or otherwise endorses these facts,<br />

views, opinions or recommendations, gives investment<br />

advice, or advocates the purchase or sale of<br />

any security or investment. You should always seek<br />

the assistance of a professional for tax and investment<br />

advice. Any images are supplied at the owner’s<br />

risk. Any mention of United Airlines or the use of<br />

United Airlines logo by any advertiser in this publication<br />

does not imply endorsement of that company<br />

or its products or services by United Airlines.


PHOTOGRAPHS BY UNITED AIRLINES CREATIVE SERVICES<br />

Glenn Tilton,<br />

right, of United<br />

and Jeff Smisek,<br />

left, Chairman,<br />

President and<br />

CEO—Continental,<br />

at the press<br />

conference<br />

With the announcement of the<br />

agreement to merge United and<br />

Continental Airlines, United Airlines<br />

Chairman and Chief Executive Offi cer<br />

Glenn Tilton talks about the benefi ts for our<br />

customers around the globe.<br />

LAST MONTH, we announced our<br />

decision to merge with Continental<br />

Airlines, combining the best of two<br />

great organizations to create the<br />

world’s leading airline, with strengths<br />

that will benefi t our valued customers.<br />

With this merger, we are bringing<br />

together two world-class companies<br />

known for exceptional customer<br />

service and operational excellence.<br />

Together, the new airline will create<br />

a truly comprehensive global network,<br />

serving 370 destinations around the<br />

world, connecting our cities and smaller<br />

communities. When looking at how<br />

our routes fi t together, the logic that<br />

drives the merger is immediately clear.<br />

Continental’s network is a natural fi t<br />

with ours. They increase our presence<br />

in New York and Latin America, build<br />

on our extensive routes across the<br />

Pacifi c, the Midwest and West Coast,<br />

and help make our excellent coverage in<br />

Europe even better.<br />

The bottom line: Together, we will<br />

provide our passengers with greater<br />

ease accessing communities across the<br />

U.S. and around the world.<br />

We will have an industry-leading<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

voices<br />

A True Win-Win<br />

BY COMBINING UNITED AND CONTINENTAL, WE ARE BUILDING A<br />

STRONG AIRLINE THAT WILL BENEFIT CUSTOMERS, EMPLOYEES AND<br />

STOCKHOLDERS ALIKE. // BY GLENN TILTON<br />

frequent fl yer program as we plan<br />

to combine all your miles into one<br />

account, providing you with more<br />

opportunities to earn and redeem<br />

miles across an enhanced global<br />

network.<br />

The announcement builds on our<br />

strong relationship with our partner<br />

Continental, which we brought into the<br />

Star Alliance last year.<br />

Merging the two airlines is expected<br />

to take that partner relationship to the<br />

next level—a true merger of equals,<br />

as we combine two great brands. I<br />

will serve as non-executive chairman<br />

of the new company, and Jeff Smisek<br />

will serve as CEO. Our management<br />

team will draw equally from the<br />

11


12<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

voices<br />

talented leaders of each company.<br />

Our headquarters and operational<br />

center will be in Chicago. Our airline<br />

will have 10 hubs, including hubs in<br />

the four largest U.S. cities, and will<br />

continue to provide service to all of<br />

the communities that United and<br />

Continental currently serve.<br />

The company will be called United<br />

Airlines and will use the Continental<br />

colors, logo and livery. Houston will be<br />

our combined carrier’s largest hub.<br />

Our companies and our people know<br />

each other well. When Jeff and I were<br />

together last month in New York to<br />

announce the news, we were asked<br />

what our customers can expect from<br />

this merger. And the answer is simple:<br />

a world-class airline that brings<br />

together the best of our two companies.<br />

Our company will have the fi nancial<br />

strength to enhance customers’ travel<br />

experience by enabling us to invest in<br />

globally competitive products, upgrade<br />

technology, refurbish and replace older<br />

aircraft and implement the best-inclass<br />

practices of both airlines.<br />

There’s probably no one who knows<br />

the ups and downs of the airline<br />

industry better than frequent fl yers.<br />

We have discussed with you in the<br />

Voices column some of the work the<br />

United team is doing in order to deliver<br />

better service, invest in our products<br />

and improve our airline—all with<br />

The company will be<br />

called United and will<br />

use the Continental<br />

colors, logo and livery.<br />

“ We were asked what our customers<br />

can expect from the merger. And<br />

the answer is simple: a world-class<br />

airline that brings together the best<br />

of our two companies.”<br />

a commitment to getting you there<br />

safely. That work will be ongoing<br />

as we continue to measure the<br />

improvements in our operational and<br />

service delivery performance month<br />

by month.<br />

Our colleagues at Continental<br />

share our vision. This combination<br />

allows us to enhance our service<br />

to our communities and to deliver<br />

the best possible service to our<br />

customers. It will also provide<br />

long-term career opportunities for<br />

our employees and deliver increased<br />

value for shareholders. We know you<br />

will be paying close attention as we<br />

work toward implementing the merger<br />

after closing and smoothly integrating<br />

these two companies, and we fully<br />

expect to meet and exceed your<br />

expectations.<br />

As Jeff and I said when we were in<br />

New York, “Let’s Fly Together.”<br />

For more information, please go to<br />

Unitedcontinentalmerger.com.<br />

IMPORTANT INFORMATION FOR INVESTORS AND STOCKHOLDERS<br />

This communication does not constitute an offer to sell or the solicitation of an offer to buy any securities or a solicitation of any vote or approval. The proposed merger<br />

of equals transaction between UAL Corporation (“UAL”) and Continental Airlines, Inc. (“Continental”) will be submitted to the respective stockholders of UAL and Continental<br />

for their consideration. UAL will fi le with the Securities and Exchange Commission (“SEC”) a registration statement on Form S-4 that will include a joint proxy statement<br />

of Continental and UAL that also constitutes a prospectus of UAL. UAL and Continental also plan to fi le other documents with the SEC regarding the proposed transaction.<br />

INVESTORS AND SECURITY HOLDERS OF CONTINENTAL ARE URGED TO READ THE JOINT PROXY STATEMENT/PROSPECTUS AND OTHER RELEVANT DOCUMENTS THAT WILL BE<br />

FILED WITH THE SEC CAREFULLY AND IN THEIR ENTIRETY WHEN THEY BECOME AVAILABLE BECAUSE THEY WILL CONTAIN IMPORTANT INFORMATION ABOUT THE PROPOSED<br />

TRANSACTION. Investors and stockholders will be able to obtain free copies of the joint proxy statement/prospectus and other documents containing important information<br />

about UAL and Continental, once such documents are fi led with the SEC, through the website maintained by the SEC at http://www.sec.gov. Copies of the documents fi led with<br />

the SEC by UAL will be available free of charge on UAL’s website at www.united.com or by contacting UAL’s Investor Relations Department at (312) 997-8610. Copies of the<br />

documents fi led with the SEC by Continental will be available free of charge on Continental’s website at www.continental.com or by contacting Continental’s Investor Relations<br />

Department at (713) 324-5152.<br />

UAL, Continental and certain of their respective directors and executive offi cers may be deemed to be participants in the solicitation of proxies from the stockholders of<br />

Continental in connection with the proposed transaction. Information about the directors and executive offi cers of Continental is set forth in its proxy statement for its <strong>2010</strong><br />

annual meeting of stockholders, which was fi led with the SEC on April 23, <strong>2010</strong>. Information about the directors and executive offi cers of UAL is set forth in its proxy statement<br />

for its <strong>2010</strong> annual meeting of stockholders, which was fi led with the SEC on April 30, <strong>2010</strong>. These documents can be obtained free of charge from the sources indicated above.<br />

Other information regarding the participants in the proxy solicitation and a description of their direct and indirect interests, by security holdings or otherwise, will be contained in<br />

the joint proxy statement/prospectus and other relevant materials to be fi led with the SEC when they become available.<br />

CONTINUED ON PG. 14


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JUNE <strong>2010</strong> | UNITED.COM<br />

14 connections<br />

Reducing and Recycling in the Air<br />

UNITED’S ONBOARD PROGRAMS MAKE A DIFFERENCE.<br />

DID YOU KNOW that every three months Americans discard<br />

enough aluminum to rebuild all the commercial airplanes in<br />

the U.S. ? As you settle into your fl ight and sip your refreshing<br />

beverage, maybe you’ve thought, What happens to the cans and<br />

bottles on this fl ight when I’m done?<br />

Our fl ight attendants collect those cans and bottles and<br />

send them to be recycled. In fact, we’re now recycling up to<br />

25 million cans and six million plastic<br />

bottles across our domestic fl ights<br />

every year. That’s more than 590 tons<br />

of cans and bottles that we keep out<br />

of landfi lls.<br />

HERE IS HOW REDUCING AND RECYCLING<br />

MAKE A DIFFERENCE:<br />

• Producing a can from recycled<br />

aluminum uses 95 percent less<br />

energy than producing one from raw<br />

aluminum.<br />

CONTINUED FROM PG. 12<br />

• Producing a plastic bottle from recycled plastic uses only<br />

66 percent of the energy required to manufacture it from<br />

raw materials.<br />

• Recycling United’s 25 million cans and six million bottles<br />

each year saves enough energy to power a community of<br />

more than 3,700 homes for a full year.<br />

Our onboard recycling program is an important part<br />

of our commitment to protecting<br />

the environment—building on our<br />

actions in the air, on the ground and<br />

in our communities. We know that<br />

acting responsibly and protecting the<br />

environment are important to our<br />

customers and our employees.<br />

Using less onboard and recycling<br />

more are some of the actions we are<br />

taking to make a diff erence. Every<br />

action counts.<br />

CAUTIONARY STATEMENT REGARDING FORWARD-LOOKING STATEMENTS<br />

This communication contains “forward-looking statements” within the meaning of the safe harbor provisions of the Private Securities Litigation Reform Act of 1995 that<br />

are not limited to historical facts, but refl ect Continental’s and UAL’s current beliefs, expectations or intentions regarding future events. Words such as “may,” “will,” “could,”<br />

“should,” “expect,” “plan,” “project,” “intend,” “anticipate,” “believe,” “estimate,” “predict,” “potential,” “pursue,” “target,” “continue,” and similar expressions are intended to<br />

identify such forward-looking statements. These forward-looking statements include, without limitation, Continental’s and UAL’s expectations with respect to the synergies,<br />

costs and other anticipated fi nancial impacts of the proposed transaction; future fi nancial and operating results of the combined company; the combined company’s plans,<br />

objectives, expectations and intentions with respect to future operations and services; approval of the proposed transaction by stockholders and by governmental regulatory<br />

authorities; the satisfaction of the closing conditions to the proposed transaction; the timing of the completion of the proposed transaction; and other factors that are set forth<br />

in the “Risk Factors” section, the “Legal Proceedings” section, the “Management’s Discussion and Analysis of Financial Condition and Results of Operations” section and other<br />

sections of UAL’s and Continental’s Annual Reports on Form 10-K, subsequent Quarterly Reports on Form 10-Q, recent Current Reports on Form 8-K, and other SEC fi lings. All<br />

subsequent written and oral forward-looking statements concerning Continental, UAL, the proposed transaction or other matters and attributable to Continental or UAL or any<br />

person acting on their behalf are expressly qualifi ed in their entirety by the cautionary statements above. Neither Continental nor UAL undertakes any obligation to publicly<br />

update any of these forward-looking statements to refl ect events or circumstances that may arise after the date hereof.<br />

PHOTOGRAPHS BY UNITED AIRLINES CREATIVE SERVICES


16<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

wish you were here<br />

IN PLAIN SIGHT // The Church of Tiobamba perches on a plateau.


CUZCO, PERU // PHOTOGRAPH BY DAMM FRIDMAR


CHICAGO<br />

Blowin’ in<br />

the Wind<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

dispatches<br />

NOTES FROM ALL OVER<br />

ONE SPRING MORNING on Chicago’s Lake Shore Drive,<br />

a long line forms under an unseasonably warm sun.<br />

The Museum of Science and Industry (MSI) has just<br />

CHASING STORMS ALONG LAKE MICHIGAN<br />

opened a new exhibit, “Science Storms,” and it’s been<br />

ILLUSTRATIONS BY GRAHAM ROUMIEU<br />

drawing such crowds daily, rain or shine. At 9:30 a.m.<br />

on the nose, a guard unlocks the doors, and the group—a<br />

mixture of kids on fi eld trips and hard-core weather<br />

afi cionados (they like to call themselves “weather<br />

weenies”)—fi les into the 26,000-square-foot exhibit.<br />

Patrons gather at an angled 20-foot disk covered in snowlike granules and are invited to trigger an avalanche.<br />

A little farther along, visitors stand before a 30-foot wave tank and watch as a computerized control mechanism<br />

whips up a custom tsunami.<br />

Another line snakes to the entrance of a wind tunnel that generates an 80-mph breeze. “It’s basically simulating<br />

the sustained strength of a Category One hurricane,” explains senior project manager Chris Wilson. “Of course, we<br />

create a safe environment in which to experience it. There are no objects in the wind that are going to hit you.”<br />

The exhibit’s main draw is a 40-foot-tall “tornado,” a vortex of swirling vapors that rise out of the fl oor and spin with<br />

the velocity of an actual twister. The tornado is powered by four fans capable of moving over 100,000 cubic feet of air per<br />

minute—which is a lot—and visitors can manipulate the vortex from a console. Dorothy Gale would be impressed.<br />

“I’m not sure if it’s the largest manmade tornado,” says Dave Mosena, the president of MSI. “But it’s certainly the<br />

largest interactive one. We want people’s jaws to drop to the fl oor, sure, but I think with tornadoes, which can be<br />

very dangerous and destructive, the more people know, the safer they’ll be.”<br />

A group of seventh graders from nearby Lincoln Park are gathered around the tornado.<br />

“This is the coolest thing I’ve ever seen,” says one boy.<br />

“What’s that show where the people drive around like crazy?” a friend asks.<br />

“Storm Chasers.”<br />

“Oh yeah. It’s just like that.” —MIKE GUY<br />

19


20<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

CANCUN, MEXICO<br />

OCTOPUS’S GARDEN<br />

English artist Jason<br />

deCaires Taylor’s latest<br />

installation, while still a<br />

work in progress, already<br />

boasts more visitors<br />

than any other in Latin<br />

America—provided we’re<br />

counting fi sh. Located just<br />

off the coast of Cancun—and<br />

about 20 feet below the<br />

sea—the creation consists<br />

of more than 200 statues<br />

(at a weight of three to six<br />

tons each) bolted to a coral<br />

reef. The project resembles<br />

a sort of ready-made lost<br />

civilization, a fi eld of<br />

monuments to our time<br />

slowly being covered in<br />

coral. “Many people who see<br />

it think it’s a few hundred<br />

years old,” Taylor says.<br />

“When in fact the oldest<br />

pieces were put in less than<br />

two years ago.”<br />

This confusion is, of<br />

course, part of the point. The<br />

artist purposefully picks<br />

images and items that are<br />

representative of today. A<br />

scuba diver prowling off<br />

Grenada, where Taylor has<br />

60 sculptures, might come<br />

across a typist with hands<br />

permanently poised above<br />

a concrete keyboard, or a<br />

bicyclist frozen midpedal<br />

propped against the edge<br />

dispatches<br />

of a reef, or a table set for<br />

breakfast, complete with a<br />

bowl of stone oranges. “I’ve<br />

gone back to visit some of<br />

my older pieces and found<br />

long beards of sea sponges<br />

growing off of a fi gure’s<br />

cheek, or big fans of coral<br />

on the forehead,” says<br />

Taylor. The statues are built<br />

from a special kind of pHneutral<br />

concrete that’s more<br />

than 10 times stronger than<br />

the stuff used in parking<br />

garages, a perfect anchor for<br />

growing sea life.<br />

Taylor, who spent<br />

his childhood living in<br />

Malaysia, Spain and<br />

Portugal, seems perfectly<br />

suited to this project. The<br />

36-year-old has worked<br />

as a diving instructor and<br />

engineer as well as sculptor.<br />

But perhaps his biggest<br />

infl uence, he says, was<br />

the graffi ti he began doing<br />

after his family settled in<br />

southern England. “Graffi ti<br />

is so uncontrolled—it’s<br />

governed by chance and<br />

opportunity,” he says.<br />

“That’s what I love about<br />

underwater work. Now<br />

I’m just providing the walls.<br />

The sponges and coral<br />

decorate them.”<br />

—MATT THOMPSON<br />

JERASH, JORDAN<br />

Channeling<br />

History<br />

“Charlton Heston was wrong,”<br />

announces Stellan Lind, a tall<br />

Stockholm native wrapped in<br />

a toga, speaking to the 500<br />

spectators in a large hippodrome<br />

50 minutes outside Amman, in<br />

the Roman ruins of Jerash. “The<br />

chariot race was seven times around the Circus Maximus,<br />

not nine! And the spikes on the chariot wheels in Ben-Hur?<br />

Another Hollywood invention.”<br />

With that, a trumpeter sounds the signal and a Roman<br />

legionnaire clad in full regalia enters the arena. From under<br />

a steel helmet, the centurion barks a command in Latin.<br />

Rows of soldiers emerge from another door and march<br />

toward one another, raising their shields and clutching their<br />

gladii. The soldiers advance and begin the “fi ght.” Amid<br />

the loud clashing of metal, the unmistakable sound of an<br />

imam’s call to prayer drifts across the crowd.<br />

Lind sweats in his seat high above the action, surveying<br />

the scene like Emporer Titus. He’s the unlikely founder of<br />

the largest Roman historical reenactment in the world, the<br />

Roman Army and Chariot Experience, or RACE, and de facto<br />

general to the 45 actor-legionnaires who battle bloodlessly<br />

below (shows are twice daily, Saturday through Thursday).<br />

“I’m the crazy guy who moved to Jordan to make his<br />

boyhood dream come true,” he says, mopping sweat<br />

from his brow with the fringe of his toga. As boyhood<br />

dreams go, this is a pretty eccentric one, but the result<br />

is a meticulously researched blend of history lesson and<br />

Hollywood spectacle.<br />

The soldiers amass in formation and prepare to launch<br />

their javelins as the onlookers fl inch. Soon chariots appear,<br />

harnessed to Iberian-bred steeds, and begin racing around<br />

the ring—seven times. Eventually, the RACE reaches its<br />

climax: Two gladiators emerge, dressed in rags and animal<br />

skins. One wields a trident and a net, the other a ball<br />

and chain. After a heated match, the crowd signals its<br />

disapproval for the vanquished soldier.<br />

Lind pauses and thrusts out his hand: thumb down.<br />

With that, the defeated gladiator kneels, and the winner<br />

stands above him and fi nishes him off with a splash of red<br />

dye.—MARY WINSTON NICKLIN


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more countries, like Greece. att.com/global<br />

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22<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

ST. PETERSBURG, RUSSIA<br />

DANCING SCREEN<br />

Next time fans of 3-D<br />

technology see a willowy<br />

hero jump out of their<br />

screens, it won’t necessarily<br />

be a blue Na’vi warrior. On<br />

a cool night in downtown St.<br />

Petersburg, the Mariinsky<br />

Ballet, better known in<br />

the West as the legendary<br />

Kirov, is set to join the ranks<br />

of Vincent Price horror<br />

fl icks and the recent James<br />

Cameron blockbuster by<br />

becoming the world’s fi rst<br />

ballet to televise a live<br />

performance in 3-D.<br />

The Mariinsky Theater<br />

has been outfi tted with<br />

high-tech cameras for a gala<br />

concert, a medley of the<br />

company’s most acclaimed<br />

works, which is being<br />

broadcast for free across<br />

most of Europe. For viewers<br />

dispatches<br />

Hunkering in the shadow of the elevated J train, which rattles past the rooftops of Richmond<br />

Hill, Cameo Pet Shop isn’t your run-of-the-mill animal emporium.<br />

With its vintage fi sh food posters and century-old mechanical cash register, little has<br />

changed here since owner Steve Gruebel returned from the Vietnam War in 1970 and took<br />

over from his father. Thousands of cats, dogs, birds and fi sh have come and gone since then—<br />

all except one, a hulking, scarred, snaggletoothed black pacu fi sh named Buttkiss, who has<br />

resided in a tank at the front of the store since John Lindsey was mayor.<br />

Having just celebrated his 44th birthday—including a festive party that turned out dozens of longtime neighbors—<br />

QUEENS, NEW YORK<br />

Star Fish<br />

who have yet to buy a 3-D<br />

TV (just about everyone),<br />

the organizers have set up<br />

viewing salons in Paris,<br />

Moscow and here in St.<br />

Petersburg.<br />

The house lights dim,<br />

the curtain opens, and after<br />

the orchestra quietly plays<br />

the fi rst bars of Swan Lake,<br />

Mariinsky prima donna<br />

Ulyana Lopatkina takes<br />

the stage. For once, the<br />

best seat in the house isn’t<br />

the tsar’s box but the foyer<br />

outside the auditorium.<br />

That’s where Mariinsky’s<br />

superstar artistic director<br />

Valery Gergiev and assorted<br />

other theatrical VIPs don<br />

specially designed glasses<br />

and take in the show on<br />

a giant 3-D fl at-screen.<br />

Immediately after the<br />

exhibition concert ends, the<br />

theater kicks off the 10th<br />

Mariinsky International<br />

Ballet Festival with the<br />

premiere of Anna Karenina.<br />

Unfortunately for viewers<br />

in Moscow and Paris, that<br />

performance can only be<br />

seen the old-fashioned<br />

way—by ticket holders.<br />

Sports channels have<br />

already embraced 3-D,<br />

with ESPN, Discovery and<br />

Sky Sports all jumping<br />

on the bandwagon; now<br />

high culture is getting in<br />

on the act. New York's<br />

Metropolitan Opera<br />

has been simulcasting<br />

performances in HD since<br />

2006, but the Mariinsky<br />

appears to have taken<br />

the technological lead.<br />

“We need to continue to<br />

experiment,” Gergiev says<br />

with a smile, promising that<br />

this is only the beginning for<br />

the 150-year-old theater.<br />

— JAKE RUDNITSKY<br />

Buttkiss is probably the oldest pet fi sh in New York. How old is he? He’s so old that he has arthritis in his gills, and one<br />

regular customer swears he’s developed glaucoma in one eye. Gruebel isn’t convinced. “How can a fi sh get glaucoma?” he<br />

asks—adding with a wink that fi sh oil is often used to treat the disease in humans.<br />

The cloudy lens, he contends, is from Buttkiss rubbing up<br />

against the sides of his 75-gallon aquarium. After offering to<br />

demonstrate, Gruebel turns and peers into the tank. On the<br />

other side of the glass, Buttkiss approaches, “wags” his tailfi n<br />

playfully and darts back and forth, rubbing along the sides of<br />

the tank like a clumsy puppy.<br />

Gruebel bought the fi sh from a wholesaler in 1967 and sold<br />

him a year later. In 1970, after Buttkiss outgrew his owner’s<br />

tank, Gruebel welcomed him back to the pet store.<br />

Since then, the fi sh has become a neighborhood fi xture—not<br />

to mention Gruebel’s loyal sales partner, one who can reliably<br />

identify new customers. “If you walk in the door and say, ‘Holy<br />

cow, look at that fi sh!’ then I know you’ve never been here<br />

before. Because everybody knows Buttkiss.”—PETER KOCH


PHOTOGRAPH BY ALAN COPSON/PHOTOLIBRARY<br />

news<br />

Port Authority<br />

In the picturesque hills overlooking Porto, Portugal,<br />

surrounded by centuries-old houses where the city’s<br />

namesake port wine is aged, The Yeatman Hotel opens<br />

this month. The boutique property will bathe you in<br />

luxury (in the form of a Caudalíe Vinothérapie spa) and,<br />

of course, serve you plenty of wine. Saúde!<br />

the-yeatman-hotel.com<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

directions<br />

WHERE TO STAY / WHAT TO SEE / WHEN TO GO<br />

25


26<br />

GOLF<br />

SPOTLIGHT<br />

OPEN SEASON //”If I had one more round to play, I would choose to play it at Pebble<br />

Beach.” So says Jack Nicklaus, who knows from rounds of golf. The hallowed<br />

seaside links at Pebble Beach—which host this month’s <strong>2010</strong> U.S. Open—have<br />

witnessed more than a few historic golf moments: the 1982 Tom Watson and<br />

Nicklaus showdown, for instance, and the 2000 U.S. Open, when Tiger Woods<br />

crushed the fi eld by 15 strokes. The Open only comes here every 10 or so years,<br />

but the course is open to the public, so you can play it anytime. pebblebeach.com<br />

JEWEL OF THE NILE //<br />

Cleopatra may have<br />

been the very fi rst<br />

“It” girl—she inspired<br />

a Shakespeare play,<br />

an Oscar-winning<br />

fi lm and generations<br />

of women to wear<br />

heavy black eyeliner.<br />

Perhaps more<br />

important, she was<br />

the last pharoah, so<br />

learn a little about<br />

her at “Cleopatra:<br />

The Search for the<br />

Last Queen of Egypt,”<br />

opening this month at<br />

the Franklin Institute<br />

in Philadelphia.<br />

fi .edu<br />

AMERICAS THE BEAUTIFUL // Denver gets<br />

continental in July as the Biennial of the Americas<br />

celebration kicks off. Public art of all sorts is on<br />

the agenda all month, with musicians, dancers and<br />

artists from North and South America taking part.<br />

biennialoftheamericas.org<br />

SHANGHAI CHIC // Shanghai is a big city that can<br />

seem overwhelming. Make the most of your time<br />

by staying in the center of everything at the Grand<br />

Mercure Shanghai Zhongya, opening this month.<br />

The sleek hotel features an on-site Turkish bath to<br />

help with that stress. accorhotels.com<br />

news<br />

CALENDAR<br />

JUNE<br />

5-27<br />

SAN FRANCISCO // Ballet,<br />

bomba, bharatanatyam and<br />

a bevy of other bouncing<br />

beats will be performed at<br />

the Ethnic Dance Festival.<br />

worldartswest.org<br />

18-20<br />

PARIS // Ever wonder why<br />

people use their phones<br />

to videotape concerts,<br />

babies and everything<br />

else? They’re just hoping<br />

to make something worthy<br />

of the Pocket Film Festival.<br />

festivalpocketfi lms.fr<br />

20<br />

DÜSSELDORF // Apparently,<br />

Düsseldorfers are avid<br />

cartwheelers. Find out who’s<br />

the best at this citywide<br />

pastime during the annual<br />

Cartwheel Championship.<br />

visitduesseldorf.de<br />

CLOCKWISE FROM TOP: PHOTOGRAPHS COPYRIGHT USGA/JOHN MUMMERT, COURTESY OF RJ MUNA, BY ACHIM SCHEIDEMANN/NEWSCOM,<br />

COURTESY OF ACCOR HOTELS, COURTESY OF BIENNIAL OF THE AMERICAS, COURTESY OF FRANKLIN INSTITUTE


28 8<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

CLEVELAND ROCKS!<br />

The Rock and Roll Hall<br />

of Fame is celebrating<br />

summer the only way<br />

it knows how—by<br />

rocking out with the<br />

legends. Each weekend<br />

will bring a “Meet the<br />

Curator” event, during<br />

which museum staff<br />

will give behind-thescenes<br />

tours and offer<br />

insider knowledge<br />

about exhibits<br />

dedicated to Bruce<br />

Springsteen, Michael<br />

Jackson and Les Paul,<br />

among others.<br />

rockhall.com<br />

HOTEL<br />

SPOTLIGHT<br />

FARM LIVING // Never mind who moved your<br />

cheese. Instead, learn to make your own in<br />

a workshop at Shelburne Farms, a Vermont<br />

environmental education center known for its<br />

glorious cheddar. The former country estate<br />

of Gilded Age fi nancier William Seward and<br />

his wife, Lila Vanderbilt Webb, the dazzling<br />

spread on the shore of Lake Champlain (with<br />

landscape design by Frederick Law Olmsted)<br />

also boasts a well-appointed inn, a restaurant<br />

and a working farm. Youngsters especially seem<br />

to enjoy frolicking with the free-range chickens.<br />

shelburnefarms.org<br />

SPANISH FLY<br />

Party hotspot Mallorca, Spain, will add<br />

to its portfolio of places to cut loose this<br />

month when the Mallorca Rocks Hotel<br />

opens. True to its name, the hotel will<br />

host plenty of rock stars, such as Calvin<br />

Harris (below), by the sweeping lagoonstyle<br />

pool. Pack your dancing shoes.<br />

fi estahotelgroup.com<br />

news<br />

CALENDAR<br />

JUNE<br />

24-29<br />

LONDON // What if all the<br />

fi nest things in the world—<br />

vintage Bugattis, marblesize<br />

pink diamonds, Roman<br />

columns—were all in one<br />

place? Actually, they are,<br />

at the Masterpiece Fair<br />

London. Ready to splurge?<br />

masterpiecefair.com<br />

26-27<br />

WASHINGTON, D.C. // Bring a<br />

big appetite and plenty of<br />

paper towels to the National<br />

Capital Barbecue Battle.<br />

bbqdc.com<br />

JULY<br />

1-4<br />

ROSWELL, NEW MEXICO //<br />

Looking for an out-of-thisworld<br />

vacation? Beam over<br />

to the Roswell UFO Festival.<br />

roswellufofestival.com<br />

11-13<br />

CHICAGO // Sing the blues, or<br />

at least hum along, at the<br />

Chicago Blues Festival, the<br />

world’s largest free blues<br />

fest. chicagobluesfestival.us<br />

CLOCKWISE FROM TOP: PHOTOGRAPHS COURTESY OF MARSHALL WEBB, COURTESY OF MASTERPIECE LONDON, COURTESY OF ROSWELL UFO<br />

FESTIVAL, COURTESY OF LA SKIMAL/MALLORCA ROCKS, COURTESY OF ROCK AND ROLL HALL OF FAME AND MUSEUM


WHAT ARE<br />

YOU<br />

WAITING FOR?<br />

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airports. As a pre-approved Global Entry<br />

member, when you arrive home in the<br />

U.S. after a trip abroad you just use the<br />

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global entry<br />

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to apply online, go to www.globalentry.gov.<br />

It’s that simple. So if you’re a frequent<br />

international fl yer, what are you waiting<br />

for? Apply for Global Entry today!


30<br />

Begin with a quick dash through the Melbourne Zoo (Elliot Ave.; zoo.org.au/melbournezoo),<br />

smack in the middle of the spectacular Royal Park. Catch a glimpse of some native Australian<br />

marsupials, then make like a kangaroo and hop away. ( 0:45 )<br />

Stop at The Queen Victoria Market (Queen St. at Victoria St.; qvm.com.au), the largest open-air<br />

market in the Southern Hemisphere, to pick up a cork hat and sample the famous jam doughnuts<br />

at the American Doughnut Kitchen, a mobile carb factory that’s been churning out piping-hot<br />

jam-fi lled pastries for more than 50 years. ( 1:05 )<br />

Wipe your mouth and walk two blocks to La Trobe Street to catch the historic City Circle Tram.<br />

(There’s one every 12 minutes, and the ride is free.) Admire the 19th century architecture as you<br />

rattle past the handsome Princess Theatre, Parliament House and Old Treasury Building, three of<br />

the grandest structures in the land down under. ( 1:35 )<br />

Jump off the tram at Victoria Street and dash into Carlton Gardens (Victoria St. at Rathdowne St.),<br />

a beloved World Heritage Site known for countless European and Australian trees. Look closely<br />

and you may spot a tawny frogmouth, the best-loved and best-named bird in Melbourne. ( 1:50 )<br />

Hop back on the tram, head to Federation Square and pop into The Ian Potter Centre: NGV<br />

Australia (Russell St. at Flinders St.; ngv.vic.gov.au). Zip through the Indigenous Collection, which<br />

houses striking leather and textile works of Aboriginal art, some dating back as far as 20,000<br />

years. On your way out, check the time on the fl oral clock in the Queen Victoria Gardens across<br />

the street. It’s getting late. ( 2:30 )<br />

Curtin House (252 Swanston St.), once home to the Communist Party of Australia, is now a sixlevel<br />

vertical mall fi lled with bars, fashion boutiques and an open-air cinema. Steal a glance at<br />

the city below from the Rooftop Cinema before working your way down to specialist bookstore<br />

Metropolis, where you hunt for anything by Patrick White, the only Aussie ever to win a Nobel<br />

Prize for Literature. ( 3:30 )<br />

It’s time to eat, so you head down to the hot new underground restaurant Izakaya Den (114<br />

Russell St.; izakayaden.com.au) for the sensational tuna tataki. Japan might be 4,500 miles away,<br />

but at this popular sushi and Sapporo joint, it seems just around the corner. ( 4:30 )<br />

Sprint over to the National Sports Museum (Brunton Ave. in Yarra Park; nsm.org.au). After trying<br />

to wrap your head around cricket and Australian rules football, you swing by the “Game On”<br />

exhibit, the museum’s “hands-, feet- and bottoms-on” area, to try the games out yourself. As you<br />

emerge, you’re thankful for the long fl ight, and long nap, ahead of you. ( 5:00 )<br />

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Easy Rider<br />

ELECTRA’S TICINO 8D LOOKS LIKE THE PAST AND RIDES LIKE THE FUTURE.<br />

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JUNE <strong>2010</strong> | UNITED.COM<br />

whereabouts<br />

The Places I Go:<br />

Deepak Chopra<br />

THE SELF-HELP MASTER FINDS<br />

INNER PEACE IN GOA, INDIA.<br />

“Goa is one of my favorite places to<br />

visit. Part of it is still frozen in the<br />

sixties, so it’s the hippies and the<br />

clubs and the Beatles playing, which<br />

is what I grew up with. It’s also very<br />

historical. Vasco da Gama went there<br />

on a Portuguese expedition in 1498,<br />

and the body of St. Francis Xavier<br />

was entombed there. So it’s this very<br />

surreal mix of time periods, cultures<br />

and religions, accented by the<br />

fragrance of the atmosphere. It just<br />

feels very exotic.<br />

“Whenever I go, I stay at the Taj Fort<br />

Aguada Beach Resort. It’s a beautiful<br />

fi ve-star hotel that they update<br />

every few years. I love it for its<br />

majesty. It also serves the best Goa<br />

fi sh curry, which is the local delicacy.<br />

If you drive along the shore, you can<br />

fi nd all kinds of little stands serving<br />

the same dish, but I fi nd the Taj’s to<br />

be the best.”<br />

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PHOTOGRAPH BY DAVID MIDDLETON


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38<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

Sunny Side Up<br />

THIS YEAR’S BMW M3 CONVERTIBLE MAY BE THE MOST SEDUCTIVE<br />

RAGTOP EVER MADE. // BY MIKE GUY<br />

THERE ARE SUNNY DAYS, and then there<br />

are sunny days in L.A. The light here—<br />

golden and chock-full of good vibes—is<br />

best experienced in a convertible. A<br />

fast one. With a great sound system.<br />

Something like the <strong>2010</strong> BMW M3, a<br />

class leader with impeccable lines and a<br />

very rowdy inner life.<br />

The Bimmer is a car with movie<br />

star good looks, but its real talent lies<br />

under the hood, where it hides a highly<br />

immodest turbo-charged 4.0-liter V-8<br />

that churns out 414 horsepower and<br />

295 foot pounds of torque—enough<br />

to pin you to the expertly crafted seat<br />

and keep you there in a warm embrace.<br />

The setup includes a nav system that<br />

gives you several route options and<br />

integrates real-time traffi c reports—<br />

critical information in the stop-and-go<br />

world of L.A. driving. Could this be the<br />

ultimate SoCal ride? Over the course of<br />

a day spent darting from Beverly Hills<br />

to a backyard barbecue in Silverlake<br />

to a Fatburger in West Hollywood and<br />

along some of the most beloved canyon<br />

roads in the world, I aim to fi nd out.<br />

Alas, the M3 has the mileage of a<br />

bygone time (16 mpg combined), so I<br />

start off at dawn with an injection of<br />

karma at a power-yoga class on the<br />

beach in Santa Monica. Afterward I sip<br />

water from a coconut, open the hardtop<br />

roof, climb down into the low-slung<br />

cockpit and push the “engine start”<br />

button. The V-8 roars to life. I parade<br />

past a long line of parked Priuses on<br />

Main Street, and heads turn. The M3<br />

is a vision of beauty with the growl of a<br />

guard dog and the grace of a yogi.<br />

As I pick my way across town,<br />

through West Hollywood and<br />

Beverly Hills, the warm air dries the<br />

perspiration in my hair. Eventually I<br />

wheels<br />

guide the M3 onto the I-10 to Topanga<br />

Canyon and fi nd one of the sweetest<br />

strips of tarmac ever laid: Mulholland<br />

Drive. With the majestic sun setting<br />

over the Pacifi c, I rocket into winding<br />

I parade past a line of Priuses in Santa Monica,<br />

and heads turn. The M3 is a vision of beauty, with<br />

the growl of a guard dog and the grace of a yogi.<br />

blind curves and drops in elevation.<br />

The wide tires hoover the asphalt in the<br />

turns. The brakes are 14-inch dinner<br />

platters. The air is rich with eucalyptus<br />

and lavender blossoms—the whole<br />

canyon smells like an ayurvedic spa—<br />

and as I stop at the intersection of the<br />

Pacifi c Coast Highway, a Beach Boys<br />

song comes on the radio. Brian Wilson<br />

is singing about his little deuce coupe;<br />

TRANSTOCK<br />

BY<br />

he thinks that “if I had a set of wings<br />

man I know she could fl y.” I know<br />

exactly what he means. Los Angeles<br />

never felt so good. PHOTOGRAPH


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PHOTOGRAPH COURTESY OF DESIGN HOTELS<br />

style<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

culture<br />

ART & COMMERCE<br />

Staying in<br />

Style<br />

HOTELS ARE MOVING<br />

BEYOND THE BATHROBE<br />

AND UPPING THE FASHION<br />

QUOTIENT. BY SARAH HORNE<br />

IT HARDLY MATTERS if you’re in<br />

Hong Kong or Hollywood—you step<br />

into the dramatic light of a chic hotel<br />

lobby these days, and you can’t help<br />

but notice that everyone there,<br />

bellhops included, looks ready to<br />

walk the runway.<br />

That’s because for the last decade or<br />

so fashion houses have been getting<br />

in on the hotel trade and outfi tting<br />

hostelries down to the last doorknob.<br />

Book a swank room in, say, Milan,<br />

and there’s a good chance that every<br />

gummy worm in the minifridge has<br />

been “curated” by a fashion visionary.<br />

Maison Moschino opened in Milan in<br />

March, followed by the April debut<br />

of the Armani Hotel in Dubai. And<br />

this month, Diane von Fürstenberg–<br />

designed rooms become available at<br />

Claridge’s in London. The line between hospitality and high fashion is becoming decidedly blurred.<br />

This spring W Hotels, never the sort of company to shy away from the latest and greatest, hired stylist Amanda<br />

Ross, once an editor at Harper’s Bazaar, to deepen its relationships with fashion designers and bring her brand of<br />

grown-up cool to the hotels’ boutiques. It’s not the W’s virgin foray into fashion (Michael Kors and Gwen Stefani<br />

have both designed uniforms for staff at the properties), but Ross’ appointment as Global Fashion Director is an<br />

industry fi rst. “Hotels are this third space, not quite public and not quite private,” says Ross, who’s equally at home<br />

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looks a little better there. Or wants to.”<br />

41


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PHOTOGRAPHS BY ASTRID STAWIARZ/WIREIMAGE (CROSLEY), KEVIN KANE/WIREIMAGE (EDGE), KEVIN MAZUR (BONO), KEVIN WINTER/GETTY<br />

(CLAYTON), SONY (MCLACHLAN), DISNEY/PIXAR (TOY STORY), SOUDERS/CORBIS (FROG)<br />

The Big Ten<br />

WHAT TO WATCH, READ AND LISTEN TO THIS MONTH<br />

arts<br />

CULTURE | JUNE <strong>2010</strong><br />

1 SLOANE<br />

CROSLEY DOES<br />

IT AGAIN • The wry<br />

2 U2 HITS THE ROAD •<br />

U2 earned the title<br />

“world’s biggest band” in<br />

3 SARAH SINGS • Seven<br />

years after her last<br />

album, Sarah McLachlan and<br />

essayist behind I<br />

the mid-’80s. Nearly three<br />

her soft soprano are back<br />

Was Told There’d Be decades later, the label<br />

with The Laws of Illusion. The<br />

Cake is back with still fi ts. This month, the<br />

fi rst single, “One Dream,” is a<br />

How Did You Get This<br />

Number?. More good<br />

band continues its epic<br />

360˚ Tour. Grab a ticket<br />

2<br />

breathy, inspirational ballad<br />

that served as the theme for<br />

news for her fans: and maybe you’ll fi nally<br />

the <strong>2010</strong> Winter Olympics.<br />

HBO has optioned fi nd what you’re looking<br />

A British Columbia native,<br />

the rights to Cake, so for. JUNE 3<br />

McLachlan should have no<br />

maybe soon you can<br />

have your Crosley<br />

and watch it, too.<br />

JUNE 15<br />

problem going gold. JUNE 15<br />

4<br />

4 TICKET TO RIDE • A charming<br />

look at the so-called Golden Age<br />

of Travel as seen through hundreds<br />

of advertisements, Taschen’s massive<br />

compendium, 20th Century Travel: 100<br />

Years of Globe-Trotting Ads, is also sure<br />

to become the most popular thing on<br />

many a coffee table. JUNE 1<br />

ILLUSTRATIONS BY CHLOÉ FLEURY<br />

1<br />

5<br />

5 BEAR FACTS • The Rise and Fall of<br />

Bear Stearns is an inside look at the<br />

fi nance giant’s disintegration. Gruff,<br />

witty and outspoken, former CEO Alan<br />

“Ace” Greenberg, with the help of coauthor<br />

Mark Singer, tells a harrowing<br />

cautionary tale without letting his<br />

outsize persona get in the way. JUNE 1<br />

3<br />

6 CAN TOY STORY THREEPEAT? • The<br />

beloved franchise that started it all<br />

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Buzz and Co. fi nding themselves in a<br />

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6<br />

43


44<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

7 THE LEGEND<br />

CONTINUES •<br />

Jazz great Herbie<br />

Hancock turned<br />

70 this year, but<br />

he’s not even<br />

close to slowing<br />

down. For his<br />

new album, The<br />

Imagine Project,<br />

he trekked to<br />

Mumbai, São<br />

Paulo and Paris to<br />

collaborate with<br />

the likes of Seal,<br />

Chaka Khan and<br />

Malian crooner<br />

Oumou Sangare.<br />

JUNE 21<br />

7<br />

arts<br />

8 THERE WILL BE BLOOD • Watch your<br />

neck: Vampires are out in full force<br />

this month. With bloodsuckers once again<br />

invading the big screen (The Twilight Saga:<br />

Eclipse), the small screen (True Blood) and<br />

the bookshelf (The Short Second Life of<br />

Bree Tanner), it’s a good time to invest in<br />

some garlic.<br />

9<br />

9 IT’S A WILD WORLD • Filmed over 3,000 days on all seven<br />

continents, Life, out on DVD this month, is a riveting 11-part<br />

documentary from the BBC that takes viewers on a journey<br />

from the murky sea to the open African savannah to witness<br />

the natural world in stunning high-defi nition. Narrator Oprah<br />

Winfrey tags along for the ride. JUNE 1<br />

8<br />

Jimmy Cliff<br />

THE REGGAE MASTER RETURNS.<br />

BY ALAN LIGHT<br />

10<br />

BEFORE THERE WAS Bob<br />

Marley, there was Jimmy<br />

Cliff. While Marley would<br />

eventually become reggae’s<br />

best-known ambassador—<br />

and the world’s best-loved<br />

musician—Cliff paved the way in the<br />

mid-’60s with a string of hits, including the<br />

album and fi lm The Harder They Come, and<br />

steadily churned them out well into the<br />

’90s. Bob Dylan said that Cliff’s “Vietnam”<br />

was the best protest song he had ever<br />

heard, and artists from Bruce Springsteen<br />

to Cher to Willie Nelson recorded such Cliff<br />

compositions as “Many Rivers to Cross” and<br />

“Sittin’ in Limbo.”<br />

In March, Jimmy Cliff earned some<br />

overdue recognition when he was inducted<br />

into the Rock and Roll Hall of Fame.<br />

“Everything comes to fruition in its right<br />

time,” he says on the phone from Paris a<br />

few days before the ceremony. “I’ve done<br />

a body of work, and sometimes that gets<br />

noticed early, sometimes late, sometimes<br />

when you’re alive and sometimes after<br />

you’re gone.”<br />

Cliff is following this moment in the<br />

spotlight with the forthcoming Existence,<br />

his fi rst new album since 2004, and a<br />

series of concerts in the U.S. and Canada,<br />

including a stop at the Bonnaroo festival<br />

in June (see “Boom Town,” page 76).<br />

“I’m coming back to tour after fi ve years<br />

because I have something new I want to<br />

say,” he said. “Lots of people are hopeless<br />

and despondent, and I want to motivate,<br />

stimulate and encourage people in this age<br />

to appreciate their lives.”<br />

PHOTOGRAPHS BY MICHAEL OCHS ARCHIVE/GETTY (CLIFF), CORBIS (PENGUINS), ERIC CHARBONNEAU/WIREIMAGE (PATTINSON), JASON MERRITT/<br />

GETTY (HANCOCK), SUMMIT ENTERTAINMENT (TWILIGHT), HBO (TRUE BLOOD)


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HEMISPHERESMAGAZINE.COM | MONTH | JUNE <strong>2010</strong><br />

The Health Inspector<br />

VITAMIN ANGELS FOUNDER HOWARD SCHIFFER IS OUT TO MAKE SURE<br />

CHILDREN AROUND THE WORLD GET THE NUTRIENTS THEY NEED.<br />

BY JAYME OTTO // PHOTOGRAPH BY BRIGITTE SIRE<br />

NAME • HOWARD SCHIFFER, 60<br />

MISSION • Reduce child mortality<br />

worldwide by supplying infants and<br />

children under fi ve with vital nutrients,<br />

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products business in 1994 when an<br />

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00<br />

47


Kicking and Screaming<br />

HAVING STEADILY FALLEN DEEPER IN LOVE WITH SOCCER, ONE<br />

AMERICAN FUTBOL FANATIC PROMISED HIMSELF HE’D GO TO SOUTH AFRICA<br />

FOR THE WORLD CUP. THEN SOMETHING CAME UP…<br />

BY JOSH DEAN // ILLUSTRATION BY BARRY BLITT<br />

I’D IMAGINED PLENTY of scenarios over<br />

the years in which I might fi nd myself<br />

on page one of The New York Times. As a<br />

kid, it seemed likely that I’d go pro in<br />

any number of sports, if not also join<br />

the CIA and overthrow dictators in the<br />

summer. As an adult, and a journalist,<br />

I’d have settled for a byline.<br />

But I certainly never imagined it<br />

like this.<br />

I was walking down the street<br />

in Cologne, Germany, one steamy<br />

morning in June 2006, when my<br />

cell phone rang. It was a friend, calling<br />

from the U.S. “Were you at the U.S.-<br />

Czech game yesterday?” he asked,<br />

meaning the opening match of the 2006<br />

World Cup for the national teams of the<br />

United States and the Czech Republic.<br />

Yes, I said.<br />

“Were you wearing an American<br />

fl ag?” he asked.<br />

Yes, I answered, sheepishly this time.<br />

Uh-oh.<br />

“I’m pretty sure you’re on the cover<br />

of The New York Times.”<br />

Indeed I was. I found the photo<br />

a few minutes later in an internet<br />

café full of sweaty backpackers.<br />

There, on the home page of the Times<br />

website, was what seemed to be an<br />

unnecessarily gigantic photo of a<br />

clutch of American soccer fans looking<br />

utterly demoralized in the seconds<br />

CULTURE | JUNE <strong>2010</strong><br />

sports 49<br />

after the Czech Republic scored a goal<br />

to go up 3-0 and dash America’s World<br />

Cup dream barely an hour after it had<br />

begun. And in that clutch, nearly in the<br />

center (not the focus of the photo—that<br />

would be a young girl with her face<br />

painted, standing up, mouth agape),<br />

prominently pictured, was me, in a<br />

U.S. jersey, wearing the stars and<br />

stripes as a cape.<br />

I called my girlfriend to confi rm that<br />

this photo wasn’t just on the website,<br />

that it had also appeared in full color,<br />

above the fold, on A1 of one of the<br />

world’s most famous newspapers. I<br />

believe her exact words were: “Oh my<br />

god.” And then: “Are you seriously


50<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

wearing the American fl ag as a cape?<br />

What a dork.”<br />

She had a point. But such is the<br />

magic of the World Cup that it elicits in<br />

rational humans (or, at least, usually<br />

rational humans) a passion they<br />

wouldn’t normally express in public.<br />

I am a devoted fan of many sports<br />

teams. I have gnawed sofa cushions<br />

and punched walls over the New York<br />

Mets and hugged strangers<br />

and sung “Take Me Home,<br />

Country Roads” in the<br />

streets after West Virginia<br />

University football games.<br />

But nothing brings out such<br />

irrational fervor as the World<br />

Cup—and my team isn’t even<br />

that good. It hardly matters.<br />

No sporting occasion comes<br />

close to this once-every-four-years<br />

bacchanal of athletic fanaticism and<br />

patriotic fervor. Equal parts sport and<br />

celebration, it unites nations and puts<br />

wars on hold.<br />

Volumes have been written about<br />

the geopolitical signifi cance of the<br />

cup, of the metaphors observed when<br />

countries face off on the pitch (that’s<br />

soccer for “fi eld”). Countries around<br />

the world quite literally stop in their<br />

tracks as nearly every citizen of the<br />

32 nations participating—plus a huge<br />

percentage of those that aren’t—stops<br />

to watch the game and share in a kind<br />

of global adoration for the world’s most<br />

popular sport (with the huge exception<br />

of the U.S., where it gets about as much<br />

respect as jai alai).<br />

Over the 10 days I spent in Germany,<br />

I rarely passed a home, restaurant or<br />

bar that didn’t have its TV tuned to<br />

soccer. Bakeries, cafés and clothing<br />

boutiques had fl at-screens wedged<br />

into their shop windows, and owners,<br />

employees and patrons could be found<br />

gathered in the streets out front as<br />

commerce ground to a halt.<br />

Watching the 2006 tournament<br />

in Europe might have been my most<br />

intense World Cup experience, but it<br />

was hardly my fi rst. When the Cup<br />

came to the U.S. in 1994, I was an<br />

intern working for a suburban paper<br />

in Washington, D.C. One afternoon,<br />

BOARDING PASS<br />

Sit back, relax<br />

and let United get<br />

you to Joburg, the<br />

cultural center of<br />

South Africa and<br />

host city of the<br />

<strong>2010</strong> World Cup.<br />

I went out to RFK Stadium and saw<br />

a Saudi player nicknamed the Desert<br />

Pelé score the Cup’s most fantastic<br />

goal in a stadium full of orange-clad<br />

Holland fans, who left happy when the<br />

Netherlands won anyway. I watched<br />

the U.S. shock the world and beat<br />

Colombia from an Irish pub on Capitol<br />

Hill and ducked out of a family reunion<br />

in North Carolina to see Brazil top Italy<br />

in penalty kicks.<br />

The 1998 edition was in<br />

France and was a debacle<br />

for the U.S. But I was up<br />

with the sun every morning,<br />

watching as our national<br />

team barely showed up,<br />

losing three times in<br />

three games, including a<br />

humiliating loss to Iran.<br />

In 2002, Korea and Japan cohosted,<br />

meaning that I had to rise at 4 a.m. to watch<br />

games before stumbling off to work. That<br />

was just fi ne, as the U.S. had its most<br />

impressive showing yet, advancing to<br />

the quarterfi nals. I caught the fi rst half<br />

of the team’s fi nal match on the radio on<br />

a bus in the Italian countryside during<br />

a business trip; I sprinted into a village<br />

5<br />

6<br />

JUST THE TICKET<br />

Soccer may not be huge in the U.S., but<br />

Americans are buying more tickets to this<br />

World Cup than people from any country<br />

except the host.<br />

4<br />

3<br />

TICKET SALES, BY NATION:<br />

1. South Africa<br />

2. United States<br />

3. United Kingdom<br />

1<br />

2<br />

4. Australia<br />

5. Mexico<br />

6. Germany<br />

sports<br />

bar for most of the second half, in time<br />

to see the U.S. outplay, and nearly beat,<br />

Germany, the eventual runner-up. I<br />

don’t speak Italian and had no idea<br />

what the announcers were saying<br />

during the postgame recap, but the<br />

back-pats from the Italians around me<br />

told me that everyone was impressed<br />

with America’s showing. Now that was<br />

something.<br />

But it was on the streets of Cologne<br />

that I really fell in love. It hardly<br />

mattered who was playing. We chugged<br />

beers with Swedes in a tent city outside<br />

the Sweden-England match, chanted<br />

alongside hundreds of Angolans in an<br />

open-air bar lit only by a large screen<br />

showing that country’s match with<br />

Portugal (its former colonizer, by the<br />

way) and climbed lightposts alongside<br />

lager-sodden locals in the early hours<br />

of the morning after Germany scored in<br />

the last minute to beat its neighbor and<br />

longtime rival Poland.<br />

Flying home, I promised myself that<br />

I’d never miss another Cup.<br />

AND I MEANT IT. I fully expected to be in<br />

South Africa for the World Cup this<br />

month until something slightly more<br />

important popped up: my fi rst child.<br />

At least the boy had the decency<br />

to schedule his arrival for late April,<br />

a good month before the U.S.’s fi rst<br />

game—a titanic opener versus<br />

England—meaning that I’ve got 40 or<br />

50 days to adapt to sleeplessness and<br />

accumulate enough diaper changing<br />

points to sneak out to pubs for midafternoon<br />

matches.<br />

The World Cup bounces on to<br />

Brazil in 2014, and this time I mean<br />

it: I’ll be there, maybe even with a<br />

new conscript in Sam’s Army, as the<br />

U.S. team supporters are known. My<br />

son will be four, which is plenty old<br />

enough to travel, plenty old enough to<br />

love the game, and plenty old enough<br />

to chant Ole! Ole! Ole! Ole! in tune.<br />

I mean, seriously, no one’s going to<br />

laugh at a four-year-old in a cape.<br />

Brooklyn-based writer JOSH DEAN is<br />

currently shopping for a fl ag large enough to<br />

wear as a sarong.


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The Keys<br />

to the Kingdom<br />

AT THE DISNEY INSTITUTE, CORPORATE EXECS STUDY<br />

THE HOUSE OF MOUSE’S PRACTICAL MAGIC.<br />

BY DOUGLAS RUSHKOFF // ILLUSTRATIONS BY ROSS MACDONALD<br />

“THESE TUNNELS only look like they’re<br />

underground,” Scott Milligan tells me<br />

with glee as we descend a wide concrete<br />

staircase. “They’re actually the fi rst<br />

story of a building that stretches<br />

underneath the entire park.” He stops<br />

and makes eye contact, as if he’s just<br />

revealed the secret of the mummy’s<br />

tomb. “What visitors see is really the<br />

second story of a two-story building.<br />

The grade around the park was raised<br />

to cover it up.”<br />

My bright-eyed, barrel-chested guide<br />

smiles as the staircase opens into a<br />

tremendous tunnel system bustling with<br />

janitors, food servers and fully costumed<br />

characters, all capable of popping up in<br />

almost any location in the park to restock<br />

a restaurant, handle a problem or step<br />

onstage. “This is a culture by design, not a<br />

culture by default.”<br />

Scott Milligan is not your typical<br />

Disney World tour guide. The<br />

impressively cordial fi ftysomething<br />

former human resources manager<br />

takes corporate clients on tours of the<br />

park’s “living laboratory” as a facilitator<br />

for the Disney Institute, an off shoot<br />

of the company’s in-house training<br />

program, Disney University, which<br />

was highlighted in Tom Peters’ 1982<br />

business classic In Search of Excellence.<br />

In the practical sense, Milligan’s role<br />

is to help outside businesses—ranging<br />

from restaurant chains and hospitals to<br />

banks and airlines, including United—<br />

introduce some of the company’s<br />

innovations to their own operational<br />

cultures. The Tourism Business<br />

Council of South Africa retained Disney<br />

to help prepare more than 250,000<br />

tourism workers, many of them new<br />

to the industry, for this month’s FIFA<br />

World Cup soccer tournament.<br />

Disney World likes to portray itself<br />

as a place where “magic happens.”<br />

But for most adult guests at the Magic<br />

Kingdom, Animal Kingdom and<br />

the rest of the 47-square-mile resort<br />

complex in Orlando, the real magic has<br />

less to do with the animatronic robots


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in Pirates of the Caribbean than the<br />

park’s staggeringly effi cient operations<br />

and dedicated staff . However one might<br />

feel about Disney’s cultural off erings—<br />

from Mickey to Miley—the company<br />

knows how to keep the monorails<br />

running on time.<br />

So while the institute off ers a range<br />

of business courses, lectures and<br />

consulting arrangements, the most<br />

compelling off ering is the chance<br />

to peer behind the Disney illusion.<br />

The experience is a bit like watching<br />

Penn and Teller reveal the secrets<br />

behind famous tricks and coming<br />

away amazed anyway. Somehow, the<br />

transparency only makes the feats look<br />

that much cleverer.<br />

“The attention to detail backstage is<br />

as important as the attention to detail<br />

onstage,” Milligan says as he walks me<br />

through the tunnels. Called “utilidors,”<br />

there are 1.5 miles of them—all with<br />

pipes, fi ber optic cables and God-knows-<br />

what snaking overhead. “A lot of our<br />

clients say, ‘Well, it’s easy for you guys—<br />

everything is magic at Disney!’ But it<br />

takes a lot of hard work. We keep our<br />

challenges backstage so you don’t have<br />

to see them.”<br />

It’s an eye-opening tour. From<br />

computerized “hubs” where employees<br />

can get their assignments to boxes in<br />

which leaders can place notes praising<br />

employees for moments of outstanding<br />

service, the whole place is bevy of ideas<br />

and effi ciencies.<br />

For instance, Disney’s frontline<br />

workers—cast members, as<br />

they’re called—all wear name tags<br />

identifying their hometowns. “Once<br />

we added that, guest perception of<br />

cast member friendliness went up<br />

appreciably,” Milligan says. And<br />

the bit of personal information<br />

creates an opening for conversation,<br />

which can be just the thing to help a<br />

line move faster—or seem to.<br />

And about those lines (one of the<br />

biggest challenges for any theme<br />

park): Disney’s key strategy has<br />

been to provide guests with accurate<br />

estimates of how long they might wait.<br />

The method for doing so is a model<br />

of simplicity. Every so often, a cast<br />

member hands a time-stamped tag<br />

to a guest entering the line; when he<br />

or she gets on, another cast member<br />

notes how much time has elapsed. The<br />

number goes on a sign at the entrance.<br />

Not only is it an eff ective means of<br />

calming frayed nerves and preventing<br />

logjams, but most guests, especially<br />

the younger ones, seem thrilled by the<br />

chance to help out.<br />

One of Disney’s great strengths is<br />

The experience of the Disney Institute is a bit like<br />

watching Penn and Teller reveal the secrets behind<br />

their tricks and still coming away amazed.<br />

the way it challenges and empowers<br />

employees to cook up such ideas.<br />

There’s even an in-house newsletter,<br />

Eyes and Ears, that documents ideas<br />

from employees that have been<br />

implemented successfully. For<br />

example, a few years ago guests began<br />

complaining that they couldn’t fi t their<br />

rented strollers onto the little train that<br />

goes around the park. So the company<br />

tasked its employees with fi nding a<br />

solution. Redesigns of the trains or the<br />

strollers were rejected as too expensive,<br />

but then one employee hit upon a<br />

brainstorm: Let guests turn their<br />

strollers in as they board the train and<br />

pick up new ones as they disembark<br />

at another station. Removable stroller<br />

name cards were created, and the<br />

problem was solved.<br />

Most of this practical, operational<br />

magic was developed long after the<br />

company’s famous founder left the<br />

scene in the 1960s. By the 1990s,<br />

Disney representatives admit, the<br />

parks were experiencing something<br />

of a crisis. The fruit of Walt’s original<br />

genius was going a bit stale, and a host<br />

of competitors had begun developing<br />

themed experiences of their own to<br />

rival Disney’s.<br />

The company hired a seasoned<br />

businessman, Judson Green, to<br />

reinvigorate the parks. Green fi gured<br />

the best way to do that was to employ<br />

some very basic, commonsense<br />

procedures to allow cast members to<br />

feel more personal responsibility for<br />

the guest experience.<br />

Another key to Disney’s success is<br />

the “quality service matrix,” which<br />

prioritizes customer service in the<br />

following order: safety, courtesy, show<br />

and effi ciency. Out of context, that<br />

may sound as ho-hum as most other<br />

management schemes. But Milligan,<br />

who experienced Disney’s frontline<br />

operations himself, serving as a safari<br />

driver at the Animal Kingdom for four<br />

years, sees it diff erently, and he invites<br />

me to try out the Kilimanjaro Safari as a<br />

way of bringing the point home.<br />

We watch our young driver navigate<br />

the acres of re-created African range<br />

and pass a few grazing beasts. “See the<br />

way she’s slowing down now?” Milligan<br />

explains as our driver turns a corner<br />

through a muddy puddle. “That keeps<br />

the rhino from charging the vehicle.”<br />

Charging?<br />

Milligan remembers a close call he<br />

had a decade or so ago, when the driver<br />

before him had accidentally irritated<br />

one of the massive animals and it was<br />

Milligan’s turn to ferry his passengers<br />

through the rhino’s area.<br />

“When the rhino started to come at<br />

us, I had to think fast about exactly<br />

what to do,” he explains as our van<br />

rounds the very same curve. “I mean,<br />

the van is made to withstand just such<br />

an impact, but someone could have<br />

thought it was a Disney illusion and<br />

hung their kid over the side to take a<br />

picture—‘Look at baby with the rhino<br />

at Animal Kingdom!’”


industry<br />

JUNE CROSSWORD ANSWERS<br />

55<br />

So Milligan sacrifi ced “effi ciency” and<br />

“show” for the top priority, “safety.” His<br />

voice speeds up as he reaches the critical<br />

moment of decision. “I said, ‘This is not<br />

part of the show. Please remain seated<br />

in the vehicle.’” For Milligan, breaking<br />

character was a very big deal, a decision<br />

he might not have made without the<br />

matrix fi rmly in his head.<br />

That such reminders are necessary<br />

is testament to the devotion to the<br />

“show”—the Disney experience—<br />

most cast members feel. Indeed, the<br />

company may be unmatched in the<br />

world for its ability to engender such<br />

dedication. In one of the hotel daycare<br />

centers, I saw two thirtysomething<br />

employees tearing up at the climax of<br />

a Jonas Brothers movie about a sleepaway<br />

camp talent show—a movie they<br />

had seen dozens of times before. I spoke<br />

with a young cast member playing<br />

Cinderella for a “character lunch,” and<br />

she told me she’d known since she was<br />

a toddler that being a cast member was<br />

her destiny. And a monorail attendant<br />

showed me the mouse ears she had<br />

tattooed to her ankle in an eff ort to<br />

prove her dedication to the boss.<br />

Of course, she keeps the tattoo<br />

covered when at work, in accordance<br />

with company policy.<br />

DOUGLAS RUSHKOFF, author of Life, Inc.:<br />

How the World Became a Corporation<br />

and How to Take It Back, says the magic of<br />

Disney lies in its hotel check-in process.


©<strong>2010</strong> KIKKOMAN SALES USA, INC.<br />

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There are sweet, salty, bitter, sour, and then there is Umami, the fifth taste. This unique taste is a natural flavor<br />

enhancer that brings depth and balance to everything you create. Rich with Umami, the Kikkoman<br />

family of products offers endless possibilities and inspiration to awaken and excite your taste buds. Visit<br />

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Flavor of the Month<br />

UMAMI, A DECIDEDLY ENIGMATIC QUALITY FOUND IN<br />

CERTAIN FOODS, IS THE HOTTEST THING IN COOKING. BUT IS<br />

THIS TRENDY TASTE SENSATION THE REAL DEAL?<br />

BY ADAM BAER // ILLUSTRATIONS BY RODRIGO CORRAL AND SABINE DOWEK<br />

LAST JANUARY, I LOST MY ABILITY TO TASTE. That would be bad<br />

news for anyone. It’s even worse if, like me, you make a<br />

living writing about food. I had just undergone endonasal<br />

surgery, which tweaked the nerves that helped me detect<br />

fl avors, and the doctors predicted that my oh-so-discerning<br />

palate would not return for a month.<br />

Ironically, friends kept showing up with edible get-well<br />

gifts. During my recovery, I found I couldn’t taste carby<br />

snacks—the donuts and cupcakes didn’t do much for me.<br />

But after a few weeks, more complicated fl avors did begin to<br />

register: pizza with parmesan cheese; shiitake mushroom<br />

and bacon quiche; soy-marinated cod. Gradually, I<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

food&drink<br />

developed a craving for this profoundly fl avorful stuff . There<br />

was a certain hard-to-defi ne quality linking these dishes—<br />

not quite saltiness but something more nuanced, a deep<br />

savoriness. It turns out this wasn’t a gustatory illusion. With<br />

my surgery dampening the stronger taste sensations (sweet,<br />

bitter), I had fi nally discovered the “fi fth taste”: umami.<br />

The trendy word, which roughly translates from Japanese<br />

as “deliciousness,” wasn’t altogether new to me. I regularly<br />

watched the Food Network and couldn’t escape its onslaught<br />

of Kikkoman soy sauce ads hard-selling the term. There<br />

was even a new restaurant in my neighborhood called<br />

Umami Burger, and—as it happened—its special contained<br />

57


58<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

food&drink<br />

shiitake, parmesan, tomato and fancy ketchup.<br />

Umami, which has arguably existed as long as humans<br />

and food, is having its media moment. Last year, food<br />

scientists at Philadelphia’s Monell Chemical Senses<br />

Center announced new research showing that humans are<br />

hardwired to detect this fi fth taste and probably to crave it.<br />

Indeed, many of the world’s cuisines highlight foods rich in<br />

umami—truffl es, soy sauce, tomatoes and aged cheese, for<br />

example—all of which just happen to show high levels of a<br />

naturally occurring chemical, glutamic acid.<br />

It turns out most everyone has functional receptors that<br />

recognize glutamate. What’s more, when combined with<br />

the acids (or, more specifi cally, ribonucleotides) isonine and<br />

guanosine—found in fermented foods, from yeast-based<br />

bread to wine—“umami synergism” occurs, fl ooding the<br />

mouth with an amped-up savoriness. “If I put free glutamate<br />

in water, you would taste it, and you wouldn’t say it’s salty,<br />

sweet, sour or bitter,” Monell researcher Paul Breslin explains.<br />

“What makes it subtle, however, is that it’s not particularly<br />

appealing alone, like sweetness in candy. People usually want<br />

umami in the context of foods that contain other qualities.”<br />

None of which would be news to the late Kikunae Ikeda,<br />

who invented the term umami a century ago and gave the<br />

world its chemical clone, monosodium glutamate (MSG),<br />

which in the days before “wholesome” and “organic” were<br />

culinary watchwords was a common ingredient in many<br />

takeout items, canned soups and other packaged foods.<br />

“China’s best chefs still swear by MSG,” says Ming Tsai,<br />

LEMON BROCCOLINI-SHIITAKE SAUTÉ<br />

WITH GARLIC CHIPS<br />

Makes four servings<br />

• 1 /4 cup plus 1 tbsp. Wanjashan<br />

organic soy sauce<br />

• 2 bunches broccolini, broken<br />

into 2-inch pieces<br />

• 1 /3 cup thinly sliced garlic<br />

• 1 /2 cup extra virgin olive oil<br />

• 2 cups sliced shiitake<br />

• 1 /2 teaspoon Korean chili fl ake<br />

(or red chili)<br />

• 1 /3 cup chopped<br />

preserved lemon<br />

In a stock pot, add the soy sauce to a quart of water and bring<br />

to a boil. Parboil the broccolini until tender-crisp, about three<br />

minutes, and shock in ice bath. Dry pot. Add extra virgin olive oil on<br />

medium-high heat. Add garlic and stir until golden brown. Remove<br />

garlic and drain, leaving a<br />

little oil in pot. Sauté the<br />

shiitake. Add back garlic with<br />

chili fl ake, preserved lemon<br />

and blanched broccolini.<br />

Heat through. Check<br />

seasoning and serve. For<br />

added umami, sprinkle with<br />

Parmigiano-Reggiano.<br />

Copyright 2009 Ming Tsai<br />

host of PBS’s Simply Ming, who prefers to create his deeply<br />

savory dishes naturally, with wheat-free soy sauce and sake<br />

lees, for example. “There are still three white powders in the<br />

Chinese kitchen: salt, sugar and MSG.”<br />

Though the additive has long been associated with<br />

adverse aff ects, including headaches, researchers have<br />

yet to prove a defi nitive link. “Most likely the majority of<br />

people who claim they have ‘Chinese food syndrome’ just<br />

ate a lot of heavy food high in sodium,” says Tsai,<br />

who nonetheless avoids the chemical. “That would give<br />

anyone a headache.”<br />

Eager to learn—and, well, taste—more, one Sunday<br />

morning I show up at Providence, a restaurant on Melrose<br />

Avenue in Los Angeles, along with 30 other enthusiastic<br />

foodies here for a 90-minute demonstration and tasting<br />

of umami-rich dishes conducted by chef-owner Michael<br />

Cimarusti. Walking into the contemporary space, we’re<br />

presented with our own red Providence notebooks,<br />

Providence recipes and umami research printouts from<br />

something called the Umami Information Center.<br />

Cimarusti, a bearded, easygoing New Jersey native with<br />

long curly hair, soon appears in a chef’s coat and black<br />

Japanese cook’s cap. He greets a number of the students,<br />

some of Providence’s most devoted regulars—including a<br />

well-to-do married couple in their forties, a conservatively<br />

dressed older couple and a hip thirtysomething winery<br />

owner who pulled up in a late-model Porsche—and explains<br />

that we’ll be focusing on dashi, a master broth made from<br />

kombu (edible kelp high in free glutamic acid) and dried,<br />

fermented bonito fl akes (high in ribonucleotides). Dashi, he<br />

explains, cooking on a high table with a mirror above the<br />

back of his head, is the basis of Japanese cuisine, the potion<br />

that prompted Ikeda to create the word “umami.”<br />

We’re ready to taste.<br />

“It’s really important to get the highest-quality soy sauce<br />

you can fi nd,” Cimarusti says, as we each pick up small<br />

plastic cups fi lled with light and dark soy and toss them<br />

back, sampling the compounds like wine. Cimarusti holds<br />

up a real piece of high-end petrifi ed bonito (or katsuobushi)


59<br />

and then a large piece of kombu. “Do you see how when the<br />

light hits it, it has that rich green color?” he asks. “That’s<br />

what you want.”<br />

Soon, we’re sampling bonito fl ake, fresh dashi and<br />

fantastically delicate sous-vide experiments with sea bass<br />

and mushrooms. The chef fi elds a few questions:<br />

What’s the point of using a light soy sauce? “It’s better for dishes<br />

that require salt.” How would you describe umami? “A ‘mouthfi<br />

lling’ deliciousness.” I brined cod at home last night and it tasted<br />

weird—why? “I’m not sure...”<br />

Cimarusti is just back from Japan, where he worked with<br />

Yoshihiro Murata, a three-Michelin-star superchef who<br />

owns Kyoto’s famous Kikunoi restaurant. Murata is highly<br />

admired for his dashi, which is made with soft spring water.<br />

“You need to steep your kombu for an hour at a hundred and<br />

forty degrees for the best dashi,” Cimarusti says. “After a lot<br />

of research, Murata found he could extract the maximum<br />

“The dishes that are most iconic in<br />

our culture are very rich in umami,”<br />

says chef Michael Cimarusti. “A BLT<br />

is like an umami bomb.”<br />

amount of glutamic acid by working at this slow pace.”<br />

We nod dutifully, taking careful notes, as Cimarusti, who<br />

grew up eating his share of red sauce, moves on to umami’s<br />

importance in other cuisines. “The dishes that are most<br />

iconic, even in our culture, are very rich in umami,” he says.<br />

“A great example is a BLT or spaghetti and meatballs—that’s<br />

like an umami bomb.”<br />

On the way home, inspired to experiment in the kitchen, I hit<br />

a Japanese grocery store. Unable to fi nd the precise ingredients<br />

I need to make a true high-end dashi, I pick up some MSG<br />

in a salt shaker. The next day I cook a homemade chicken<br />

mushroom soup with a little soy sauce for some friends. They<br />

lap it up—umami victory. Then we all add a touch of the MSG,<br />

and the fl avors really do seem to deepen.<br />

Tsai calls this cheating, of course, and he has a solution. “If I<br />

had to make a natural umami dust, I would take soy powder—<br />

maybe even some really fi ne-ground Parmigiano-Reggiano and<br />

bonito fl ake, which has a nice smokiness,” he says, adding that<br />

Chinese chefs have their own name for umami, one that means<br />

“lingering savoriness”: wei dao.<br />

I’m back to tasting 100 percent now, but I have new problem:<br />

I’m looking for umami everywhere. In everything. All the<br />

time. Note to anyone inclined to invite me to a barbecue: If I ask<br />

for shiitake mushrooms and parmesan on my burger, you’ll<br />

understand. Ketchup is no longer enough.<br />

L.A.-based writer and avid cook ADAM BAER vows never to use MSG<br />

again—unless, of course, he’s in a rush.<br />

WE LOVE HOW<br />

EASY IT IS


PHOTOGRAPH BY CLAIRE BENOIST<br />

artifact<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

FEATURES<br />

62<br />

THE REBIRTH OF COOL<br />

Sophiatown, South Africa,<br />

has a musical renaissance.<br />

By Steve Knopper<br />

70<br />

THE HEMI Q&A<br />

Betty White dishes on<br />

Hot topics.<br />

By David Carr<br />

74<br />

BOOM TOWN<br />

How Bonnaroo<br />

transformed a tiny<br />

Tennessee town<br />

By Mya Frazier<br />

80<br />

THREE PERFECT<br />

DAYS: LONG ISLAND<br />

Heading to the<br />

Hamptons—and beyond<br />

By Sarah Horne<br />

Long Island’s most well-to-do beach town,<br />

East Hampton, isn’t bashful about its ritziness.<br />

Go to its Main Street to outfi t yourself with an Hermès scarf.<br />

P.<br />

80<br />

61


THE HORNS OF AFRICA<br />

In 1954, Sophiatown native<br />

Hugh Masekela plays a<br />

trumpet he received as a<br />

gift from Louis Armstrong.<br />

THE<br />

REBIRTH<br />

OF<br />

COOL<br />

SOPHIATOWN, THE SWINGING BIRTHPLACE OF SOUTH AFRICA’S<br />

SIGNATURE TOWNSHIP SOUND, WAS SILENCED UNDER APARTHEID RULE.<br />

SIXTEEN YEARS AFTER NELSON MANDELA’S HISTORIC ELECTION,<br />

THE BEAT GOES ON.<br />

BY STEVE KNOPPER


HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

63


64<br />

DANIEL MELETSKE,<br />

A DAPPER 72-YEAR-OLD GENTLEMAN<br />

IN A PLAID SUIT COAT, has just handed me a gigantic palm frond, which I’m<br />

holding as we walk arm in arm. It’s Palm Sunday. He leads me down the street with<br />

a crowd of 40 or so other celebrants to an outdoor service in an empty lot.<br />

We’re a few blocks from the Christ the King Church in<br />

Sophiatown, a suburb northwest of Johannesburg. A<br />

minister says a few words about the glory of God and then,<br />

on this cloudless South African morning, the singing begins.<br />

I’m no hymn expert, but this is some of the most beautiful<br />

music I’ve ever heard. An elderly woman thumps out a slow<br />

beat on a hymnal. Meletske and the other men call out the<br />

deep verses; the women respond with high harmonies. It<br />

sounds like American gospel music, but there is an extra<br />

ingredient I can’t place, a rhythmic, distinctly African<br />

quality that frames the fl oating voices. Then the group,<br />

holding the tune, becomes a procession, walking slowly<br />

along the streets of Sophiatown to the church. Still carrying<br />

the frond, I fumble for the iPhone in my pocket and, trying<br />

not to distract Meletske, manage to record for 13 minutes.<br />

We arrive at Christ the King, a wide, short building of red<br />

bricks and shingles. Inside the sanctuary, the clergymen<br />

and choir stand in front of a mural depicting Sophiatown<br />

history—Zulu tribesmen in masks, 1950s gangsters in suits,<br />

a modern kid in a backward cap. The congregation has<br />

swelled to some 150 people.<br />

It’s hard for a visitor to tell today, but Sophiatown is the<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

historic epicenter of African jazz, the Soweto sound and<br />

the “township jive” that came to America in Paul Simon’s<br />

1986 album Graceland and the performances of Ladysmith<br />

Black Mambazo, and which continues to reverberate in the<br />

music of indie-pop darlings Vampire Weekend. It’s some of<br />

the most joyous and soulful music in the world. But nearly<br />

all evidence of its origins here have been erased. In 1955,<br />

during the early years of apartheid, the government began<br />

displacing the residents of Sophiatown, bulldozing their<br />

homes, and rebuilding the town as a whites-only enclave.<br />

Where music once spilled noisily into the streets from homes,<br />

churches, bars and schools, a suburban quiet settled in.<br />

Now Sophiatown is free again, and former residents have<br />

returned to live here, but it’s still strangely quiet. I came to<br />

fi nd out where the music went.<br />

PICTURE A SATURDAY<br />

EVENING IN SOPHIATOWN IN THE<br />

EARLY 1950S: Some kids are playing pennywhistles<br />

on street corners. Others are hiding tubs of umqombothi,<br />

IMAGES<br />

home-brewed beer made of sorghum and mystery<br />

ingredients, under grass and sticks, just in case the cops GETTY<br />

PHOTOGRAPHS BY MARC SHOUL


PREVIOUS SPREAD BY JURGEN SCHADEBERG/GETTY IMAGES<br />

show up. It’s a rough neighborhood, to be sure, known for its<br />

dandyish gangsters, dressed smartly in fedoras, pin-striped<br />

suits and two-tone Florsheim shoes imported from the U.S.<br />

Stompie Manana is waiting at the Odin Cinema to see the<br />

Kirk Douglas fl ick Young Man with a Horn about the American<br />

jazz cornetist Bix Beiderbecke—which will inspire Manana to<br />

pick up the trumpet himself and make it big. People are fi ling<br />

into the 39 Steps, a shebeen, or social house, on Good Street,<br />

where one of South Africa’s fi rst music stars, Dolly Rathebe,<br />

is belting out a few songs.<br />

Back then, music was all over Johannesburg, especially<br />

the townships. But Sophiatown was the place to be.<br />

African-infl ected jazz was everywhere, and clubs were<br />

crowded with soon-to-be-discovered African jazz and jive<br />

greats. A beloved singer named Ma Joel performed with a<br />

percussionist on the street for pennies. Jazz record collectors<br />

were everywhere, and a young Dorothy Masuka would<br />

sit for hours in her friend Kwembo’s house, listening to<br />

Ella Fitzgerald and Sophie Tucker records. Weddings and<br />

funerals took over the town for hours, with hired brass<br />

bands playing dirges as though it were Bourbon Street.<br />

By the late 1950s, young Johannesburg talents such as<br />

Manana, fellow trumpeter Hugh Masekela and trombonist<br />

Jonas Gwangwa were appearing at the Modern Jazz Club on<br />

Sundays before movies at the Odin.<br />

“It was a din,” recalls longtime resident Victor Ntechane,<br />

76, with a smile. “It was only when you went elsewhere that<br />

you realized how quiet it was compared to Sophiatown.”<br />

The way some describe Sophiatown in those days, it<br />

CHOIR SERVICE<br />

Opposite, inside<br />

Christ the King<br />

Church; above,<br />

clockwise from<br />

bottom left, a<br />

Newtown mural; the<br />

church exterior; the<br />

chorus singing; Jonas<br />

Gwangwa playing<br />

piano at home<br />

was like New Orleans in the ’30s,<br />

Harlem in the ’40s and Memphis<br />

in the ’50s, all rolled into one.<br />

Founded in 1897 when a property<br />

owner named Tobiansky created<br />

his own suburb and named it after<br />

his wife, Sophia, the town was<br />

home to both blacks and whites,<br />

all of them poor. By the 1940s,<br />

writes author Don Mattera in his<br />

1989 book Sophiatown: Coming of Age in South Africa, “it was<br />

inhabited by an estimated 200,000 people of diff erent<br />

ethnic backgrounds who lived tightly knit, mixing cultures,<br />

traditions and superstitions in a manner perhaps unique in<br />

Southern Africa. Every conceivable space was occupied by<br />

a living thing—man or animal.” To outsiders, Sophiatown<br />

wasn’t romantic at all, just a crowded town full of brick-andiron<br />

shacks. “Some of the best-dressed people lived there,<br />

and some of the most educated people lived there,” says<br />

trumpeter Masekela, now an international star. “But it was<br />

still run-down.”<br />

WE’RE LOST.<br />

EMMANUEL, A TAXI DRIVER,<br />

FLAGS DOWN a sunburned, white-haired man walking<br />

on the side of the road. Does he know how to get to the Trevor<br />

Huddleston Memorial Centre in Sophiatown? The man looks<br />

confused. “Oh!” he says suddenly. “You mean Triomf.”<br />

Triomf. In Afrikaans, it means “triumph.” It’s the name<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

65


THE JAZZ SINGER<br />

Simphiwe Dana with<br />

Marcus Wyatt’s band at<br />

Sophiatown Bar Lounge in<br />

Newtown; opposite, the wall<br />

of the Trevor Huddleston<br />

Memorial Centre 67<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong>


68<br />

the apartheid government gave to Sophiatown after the<br />

bulldozing ended in 1962. Promising safe, aff ordable<br />

housing, the government brought in whites to live literally<br />

atop the rubble of the old town. “It’s the worst name ever!”<br />

declares singer Abigail Kubeka, who spent much of her<br />

childhood in Sophiatown. “Triumph over people—the lives<br />

people had built here.”<br />

At 70 years old, Kubeka,<br />

with dangly earrings, a black<br />

fedora, a tiger-print dress and a<br />

commanding presence, is still a<br />

star in South Africa. She’s sitting<br />

at a table in the Huddleston<br />

Centre, a tidy brick bungalow<br />

named after a renowned white<br />

bishop who campaigned actively<br />

against apartheid. The center is<br />

part meeting place for artists and<br />

musicians and part museum,<br />

its walls covered with photos<br />

of the jazz singers, politicians<br />

(including Nelson Mandela) and<br />

journalists who once congregated<br />

here. In 2006, the post-apartheid<br />

government changed the suburb’s<br />

name from Triomf back to<br />

Sophiatown.<br />

The change was symbolic,<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

but hugely important for the musicians who hung around<br />

Sophiatown back in the day, including Kubeka, who as<br />

a teenager regularly confronted discrimination as she<br />

sang professionally throughout Johannesburg (and who<br />

eventually would become one of Miriam Makeba’s Skylarks).<br />

“During that time, there was the curfew law,” she recalls.<br />

“Blacks were not supposed to be in town after nine at night.<br />

AFRICAN BEATS<br />

A PRIMER ON THE SOPHIATOWN SOUND<br />

THE BEST OF MIRIAM MAKEBA: THE EARLY YEARS (2002) // Before the<br />

late Makeba became an international superstar, railing against<br />

apartheid everywhere she went, she sang with a variety of South<br />

African groups, from the Skylarks to the Manhattan Brothers. Her<br />

“Sophiatown Is Gone” is heartbreaking.<br />

VARIOUS ARTISTS, TOWNSHIP JAZZ N’ JIVE (1997) // This is a great<br />

sampling of early African jazz, including Andrew John Huddleston’s<br />

Jazz Band’s rock-solid, briskly melodic, American-infl uenced<br />

“Ndenzeni Na?” (featuring young horn players Hugh Masekela and<br />

Jonas Gwangwa).<br />

VARIOUS ARTISTS, NEXT STOP…SOWETO (<strong>2010</strong>) // Focusing on mbaqanga<br />

jams from the 1970s, “Next Stop” is a worthy successor to the<br />

20-year-old “Indestructible Beat of Soweto” series, some of which is<br />

out of print. Check out how African jazz from the 1950s morphed into<br />

the funk workouts of Zed Nkabinde and Mahlathini and the Queens.<br />

PHOTOGRAPH BY BETTMANN/CORBIS


So the police would wait for you outside. You’d leave the club,<br />

they’d take you to the police station, then you’d sleep over and<br />

go to court the following morning and pay the fi ne. You’d go<br />

back again to the club and do the same thing. It was a way<br />

of fi ghting the regime. We fought the system through our<br />

music—and through our persistence.”<br />

In the late ’50s and ’60s, as former Sophiatown residents<br />

dispersed into Meadowlands and other parts of Soweto,<br />

the African jazz of Masekela and Makeba drifted there too,<br />

evolving into a funkier, more rigidly rhythmic style known<br />

as mbaqanga, or township jive. Paul Simon tapped into<br />

this style on Graceland, collaborating with South African<br />

musicians such as Ladysmith Black Mambazo. From there,<br />

just as American funk morphed into hip-hop, township jive<br />

went electronic, fi rst as bubblegum, then as kwaito.<br />

One Saturday evening, Mduduzi Thusi, or Mdu, a 26-yearold<br />

Huddleston Centre tour guide who lives in Sophiatown,<br />

agrees to off er me a glimpse of how this music has evolved.<br />

We begin in Newtown, a rising Joburg neighborhood in<br />

which hip bars have opened in abandoned factories. An<br />

upscale restaurant here is actually called Sophiatown,<br />

and a wall mural inside depicts kids playing horns and<br />

pennywhistles. Outside, a plaque enshrines local jazz heroes<br />

such as Gwangwa and Masekela.<br />

As it happens, there’s no action in Newtown tonight—the<br />

Bassline club, which draws live rock and reggae bands, is<br />

closed till Monday, and the venerable Market Theatre is<br />

showing a play. So Mdu and his friend, Mpho, who drives<br />

HAVING A BALL<br />

Faces of the new<br />

Sophiatown<br />

a car with doors so rusted he describes it as a “moving<br />

sculpture,” take me to Soweto. This township is home to<br />

almost 900,000 residents, mostly black, who settled here<br />

during the apartheid era, when the government seized<br />

Johannesburg and the suburbs for themselves. We stop<br />

briefl y at Vilakazi Street, where Nelson Mandela lived in a<br />

tiny bungalow in the ’60s (it’s now a museum). Just down<br />

the street is Desmond Tutu’s former home.<br />

We pass shacks and shanties, house parties spilling into<br />

the streets and street-corner food joints, eventually arriving<br />

at News Café, a dance club in a strip mall on the edge of the<br />

township. Some 150 people are here, drinking and dancing<br />

to the thumping house music of regional acts like Durban’s<br />

Finest and Black Coff ee. I am the only white person here,<br />

and one of the few older than 25. Mdu and his friends grab a<br />

table, then haul me to the dance fl oor. Soon Mdu is clapping<br />

in my face, like a dance instructor, and a dozen clubgoers are<br />

demonstrating impossibly twisty steps and insisting I not<br />

deviate from “the beat! The beat!”<br />

This goes on until 2:30 a.m., by which point we are all<br />

drenched with sweat. Afterward, Mdu asks if I’ve found<br />

what I’m looking for. And while I’d actually pictured<br />

something more like a Hugh Masekela trumpet solo, the<br />

answer is defi nitely yes.<br />

Rolling Stone contributing editor STEVE KNOPPER has traveled everywhere<br />

from Nashville and Harlem to the Mississippi Delta, but he’s never<br />

come across a place like Sophiatown.<br />

5<br />

69


THE HEMI Q&A BY DAVID CARR<br />

Betty White, beloved star of The Mary<br />

Tyler Moore Show and The Golden Girls,<br />

follows up her hosting turn on<br />

Saturday Night Live with a new series,<br />

Hot in Cleveland. Not bad for 88.<br />

ILLUSTRATION BY JEFFREY DECOSTER<br />

JUNE<br />

<strong>2010</strong><br />

71


72<br />

TWO BETTYS, BORN A YEAR APART IN THE 1920S, became famous for their prowess as<br />

homemakers: Betty Crocker, a fi ctitious fi gure created by General Mills in 1921, put a face on bags of<br />

cake mix. Betty White, born in 1922, helped create Sue Ann Nivens, the happy, hormonally charged<br />

homemaker on the classic sitcom The Mary Tyler Moore Show.<br />

It’s hard to say which Betty is more famous at this point.<br />

Betty White actually has limited culinary skills. “Meatloaf and spaghetti, but that’s about it,”<br />

she admits. “I’m hopeless.” But she has cooked up several iconic television characters, including<br />

the clueless Rose Nylund on The Golden Girls. She’s won four Emmys, received a lifetime achievement<br />

award from the Screen Actors Guild this past year and done myriad guest appearances, including<br />

spots on Ally McBeal, Boston Legal, The<br />

Practice and, of course, The Simpsons.<br />

White turned 88 this year and doesn’t<br />

mind saying so. “Why kid? All these<br />

people have grown up with me on TV,<br />

so it doesn’t do any good to shave a few<br />

years off ,” she says. But she certainly<br />

hasn’t slowed down. When we talked,<br />

she was busy getting ready for a new gig,<br />

hosting Saturday Night Live.<br />

What’s a nice lady like this doing on<br />

one of the most savage comedy shows<br />

on television? The most popular ad<br />

aired during the latest Super Bowl was a<br />

Snickers spot in which she’s shown (via<br />

the glories of special eff ects) playing<br />

football and being tackled in a mud<br />

puddle. White—actually portraying a<br />

young man rendered geriatric without<br />

a Snickers—comes back to the huddle<br />

panting, and the quarterback suggests<br />

she’s playing like an old lady. Hands on<br />

her knees, she sighs, “C’mon, man, you’ve<br />

been riding me all day.”<br />

“You’ve been playing like Betty White out<br />

there,” he taunts, to which she fi res back,<br />

“That’s not what your girlfriend said.”<br />

The commercial inspired the formation<br />

of an ad hoc committee on Facebook,<br />

demanding that the It lady of the<br />

moment host SNL. After half a million<br />

folks joined the cause, White was booked.<br />

And this month she returns to the form<br />

that made her a legend on TV Land’s new<br />

sitcom, Hot in Cleveland. The girl works.<br />

White spoke to Hemispheres by phone<br />

from her Los Angeles home between gigs.<br />

MONTH <strong>2010</strong> | UNITED.COM<br />

HEMISPHERES: You have a new show premiering<br />

this month called Hot in Cleveland. Why not just call it<br />

The Betty White Show?<br />

WHITE: I actually did a couple of television shows called<br />

The Betty White Show. In fact, I was going to do another one<br />

a while back, and I wanted to call it Yet Another Betty White<br />

Show, but they wouldn’t let me. I guess we’ve all had enough<br />

“Betty White.”<br />

HEMISPHERES: There’s no such thing as too much Betty.<br />

WHITE: Bless you.<br />

HEMISPHERES: Are you all fi red up to say, “Live, from New York,<br />

it’s Saturday night!” ?<br />

WHITE: I’m panic stricken, if you must know.<br />

HEMISPHERES: After six decades in television, you<br />

still get nervous?<br />

WHITE: Saturday Night Live is just so New York, and I’m not<br />

really very New York.<br />

HEMISPHERES: Meaning you’re friendly and<br />

you smell nice?<br />

WHITE: [Laughs] It’s just a diff erent attitude. I watch<br />

Saturday Night Live and enjoy it, but I never thought I’d<br />

be hosting it. If I don’t do well, they’ll say, “Why did we<br />

do that?”<br />

HEMISPHERES: Half a million people on Facebook certainly<br />

seemed to like the idea.<br />

WHITE: I don’t know where this came from, because I am<br />

such a klutz when it comes to technology. I don’t even have<br />

email.<br />

HEMISPHERES: Maybe those six Emmys of yours had something<br />

to do with it.<br />

WHITE: Why, thank you. I’ll admit it’s a thrill, and I never<br />

take it for granted. I’ve been in this wonderful business for<br />

sixty-two years, and the fact that I’m still working at eightyeight<br />

years old boggles my mind.<br />

HEMISPHERES: Early in your career, you shared in the<br />

syndication rights to your shows. Shrewd move.<br />

WHITE: Remember, when I started in television, television<br />

was just starting itself. We were sort of making it up as we<br />

went along, and at that point we didn’t know any better. It<br />

worked out very well, but now it is so much harder because<br />

so many people are involved, and it all ends up being part of<br />

a big negotiation.<br />

HEMISPHERES: Desi Arnaz decided early on that he would pay for<br />

taping live shows if he got to keep the tapes. The networks reasoned<br />

that no one would ever want to watch the same show twice.<br />

WHITE: That turned out pretty well for him.<br />

1


PHOTOGRAPHS BY EVERETT COLLECTION<br />

WHITE HEAT // The actress in a<br />

headshot from the mid-’50s; The Mary<br />

Tyler Moore Show; The Golden Girls;<br />

and, opposite, Password.<br />

HEMISPHERES: You’ve been called the First Lady of Game Shows<br />

for your many appearances as a guest star on Password, What’s<br />

My Line? and Match Game. Got a favorite?<br />

WHITE: Of course, I have to be prejudiced in favor of<br />

Password, because I fell in love with the man in the middle.<br />

HEMISPHERES: You outlasted fi ve diff erent hosts on that show and<br />

married Allen Ludden, who died in 1981. You’ve never remarried.<br />

WHITE: He is the love of my life. When you’ve had the best,<br />

who needs the rest? He’s still around, trust me.<br />

HEMISPHERES: Well, somebody’s certainly watching out for you.<br />

How did you end up together?<br />

WHITE: We met when he was the host on Password, and then<br />

he moved to New York. I wasted a year I could have been<br />

with him, because he kept asking me to move and I refused.<br />

I fi nally relented, and we did a summer stock show together<br />

called Critic’s Choice. There was a scene at the end where he<br />

would put his arms around me and kiss me. Well, I must say<br />

that last scene sometimes would last a little longer…<br />

HEMISPHERES: Sounds like you were a bit harder to get than your<br />

Mary Tyler Moore character, Sue Ann Nivens.<br />

WHITE: Well, she did get around, but she was also the happy<br />

homemaker who could cook anything and clean anything.<br />

They used to ask Allen in interviews, “How close to Sue Ann<br />

is Betty?” He’d say, “They’re really the same person except<br />

Betty can’t cook!” On the show, Sue Ann had a little aff air<br />

with Cloris Leachman’s character’s husband, and she always<br />

wondered why he came home with his clothes cleaner than<br />

when he went to work.<br />

HEMISPHERES: My, that’s sort of spicy. And yet, you told Diane<br />

Sawyer that you laid down the law with SNL: “No nudity.”<br />

WHITE: I turned down nudity back when it was even<br />

a possibility. It’s like humor. I think it’s what you don’t<br />

show that makes it interesting.<br />

HEMI<br />

Q&A<br />

“If you don’t like something, then go in<br />

another direction, but cool the complaints.”<br />

HEMISPHERES: You clearly love what you do, but don’t you get a<br />

little tired of working all the time? At what point in your career are<br />

you going to have enough laurels to rest on?<br />

WHITE: I love working. Love it. I go in prepared to enjoy it<br />

instead of going in looking for the negatives. I always crack<br />

up at the people who start the conversation with, “You know<br />

what I hate?” If you don’t like something, then go in another<br />

direction, but cool the complaints.<br />

HEMISPHERES: What does bother you?<br />

WHITE: Unkindness or cruelty of any kind to anyone or any<br />

animal. The ones who mistreat animals mistreat each other<br />

as well. Right now, I’m sitting on the couch with Pontiac, a<br />

fi ve-year-old golden retriever. He has his head on my lap.<br />

HEMISPHERES: You’ve done a great deal of charitable work on<br />

behalf of animals.<br />

WHITE: Thanks for mentioning that. The Morris Animal<br />

Foundation is a health organization that helped develop the<br />

feline leukemia vaccine and the spiral virus vaccine for<br />

dogs, and we’re also involved in protecting the mountain<br />

gorillas. I’ve been working with them for forty-fi ve years.<br />

HEMISPHERES: What do you watch on TV?<br />

WHITE: I shouldn’t say this…<br />

HEMISPHERES: But now you must.<br />

WHITE: I don’t watch much television. I don’t have time. I<br />

haven’t had a day off in three years. I have a lovely weekend<br />

place in Carmel, and I haven’t been there in a long, long time.<br />

My friends go, but I never seem to fi nd the time.<br />

HEMISPHERES: Good lord, Betty, where are your priorities?<br />

WHITE: I never said I was good person.<br />

DAVID CARR writes about media and entertainment for<br />

The New York Times. Like Mary Richards, he got his start in<br />

journalism in Minneapolis. 73


EVERY YEAR SINCE 2002, 80,000 FUN SEEKERS HAVE DESCENDED<br />

ON TINY MANCHESTER, TENNESSEE, FOR THE BONNAROO MUSIC & ARTS FESTIVAL.<br />

FOR THE STRUGGLING TOWNSFOLK, THE FOUR-DAY EVENT IS<br />

MUCH MORE THAN A PARTY...IT’S A LIVING. BY MYA FRAZIER<br />

BOOM<br />

BOOM


HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

TOWN TOWN75


76<br />

NOT THAT HE EVER HOLDS BACK, but the Boss is<br />

in rare form. His energy is unconstrained, his give and take with the audience<br />

an endless loop of goodwill. Maybe that’s what happens when you’re Bruce<br />

Springsteen and you’re playing in the warm summer air under a darkening sky<br />

in front of a delirious oversunned crowd, many of whom slept side by side on the<br />

same grassy fi elds the night before.<br />

The Bonnaroo Music & Arts Festival isn’t Woodstock,<br />

though if you squint, it’s pretty close: an endless sea of<br />

people on 700 acres of fertile farmland where dairy cows<br />

once grazed and neat lines of soybean and corn grew tall<br />

in the peaty Tennessee soil. Here at Bonnaroo, on the<br />

outskirts of a town called Manchester, everything comes in<br />

abundance: tie-dyed T-shirts, sandals, feel-good vendors<br />

(Ben & Jerry’s, homemade vegetarian burritos), beach balls,<br />

tents and—most important—spectators, who number nearly<br />

80,000. Even the indefatigable Bruce Springsteen and the<br />

E Street Band take it to the next level. A Telecaster slung<br />

behind his back, the Boss pauses in the middle of “Working<br />

on a Dream” and clutches the mic.<br />

“We didn’t come down to the beautiful hills of Tennessee<br />

just to rock the house,” Springsteen says, waving his arms<br />

and pontifi cating like an old-time preacher. “We came down<br />

here tonight because we want to build a house, right here in<br />

this fi eld.”<br />

It’s moments like these—and there are always plenty of<br />

moments at Bonnaroo—that explain why Rolling Stone has<br />

WORLD PARTY<br />

A SELECTION OF<br />

THE PLANET’S MANY<br />

SUMMER FESTIVALS<br />

ILLUSTRATIONS BY<br />

PETER OUMANSKI<br />

COUNTRY THROWDOWN<br />

NATIONWIDE THROUGH JUNE<br />

20 A country music fest<br />

featuring Montgomery<br />

Gentry and Jamey Johnson.<br />

countrythrowdown.com<br />

named it the best festival in the country and why, year after<br />

year, Bonnaroo draws acts as eclectic as Willie Nelson,<br />

Phish, Snoop Dogg, Erykah Badu and a kaleidoscope of<br />

others. (This year’s headliners include the Dave Matthews<br />

Band, Stevie Wonder, Jay-Z and a stand-up performance by<br />

Conan O’Brien.)<br />

Springsteen was speaking metaphorically about building<br />

a house, but the fact is that the four-day Bonnaroo festival<br />

has built many a house in Manchester. Since it came into<br />

being just eight years ago, the festival has transformed<br />

the lives of the locals and infused new energy into a<br />

town struggling to rebuild a decimated manufacturing<br />

base. As the Boss says, “When it comes to luck, you make<br />

your own.”<br />

THE OFFSEASON IN MANCHESTER (POP. 9,442) is<br />

somewhat more subdued. The tie-dyed T-shirts are gone,<br />

mostly, though the occasional camper has been known to<br />

hop the fence and pitch a tent on the festival site. It falls<br />

to Dale Green, Bonnaroo groundskeeper and a lifelong<br />

THE DREAMING FESTIVAL,<br />

AUSTRALIA JUNE 11–14<br />

This nation’s largest<br />

indigenous arts festival<br />

offers everything from<br />

feasts to campfi re stories.<br />

thedreamingfestival.com<br />

GEORGIA PEACH FESTIVAL<br />

JUNE 11–19 Nowhere else<br />

will you fi nd fi reworks, jazz,<br />

the Miss Georgia Peach<br />

Pageant and the world’s<br />

largest peach cobbler.<br />

worldslargestpeachcobbler.com<br />

FESTIVAL DEL SOLE NAPA<br />

VALLEY, CALIFORNIA JULY 16–25<br />

Taste the world’s fi nest wine<br />

as some of the best chefs<br />

and classical musicians<br />

feed and entertain you.<br />

festivaldelsole.com<br />

STONEHENGE SUMMER<br />

SOLSTICE SALISBURY, ENGLAND<br />

JUNE 21 This free, one-nightonly<br />

event is a gathering<br />

of modern-day druids<br />

and Stonehenge lovers.<br />

It’s also the only time you<br />

can actually touch the<br />

monoliths. efestivals.co.uk<br />

PHOTOGRAPHS BY ERIN GIUNTA (PREVIOUS); THIS SPREAD: BY KATIE STRATTON/GETTY IMAGES (LEFT),<br />

BY JEFF KRAVITZ/FILMMAGIC; NEXT SPREAD, CLOCKWISE FROM TOP: COURTESY OF JEFF KRAVITZ AND<br />

C. TAYLOR CROTHERS, BY JOSH ANDERSON (2)


Manchester resident, to CATCHING PHISH The Boss<br />

shoo them away. One spring joins jam band Phish<br />

on the main stage for<br />

afternoon, Green eases into Bonnaroo’s closing night.<br />

the seat of his shiny new<br />

white Dodge pickup for a<br />

drive around the property. A<br />

steady drizzle falls on the windshield. As Bonnaroo’s<br />

only year-round groundskeeper, Green sees the site a<br />

way few others do: without the crowds. Today, hay<br />

fi elds stretch for what seems like miles, a budding green<br />

landscape broken only by the 20-foot-tall orange metal<br />

arch with “Bonnaroo” across the top and some white<br />

storage trailers parked haphazardly in lots. “I just love it out<br />

here right now,” says Green, who speaks in a low-pitched<br />

Tennessee drawl. “I come in, lock the gate, and I’m the only<br />

one here.”<br />

Green navigates gravel roads and concrete bridges that<br />

make up the infrastructure of the festival grounds. He helped<br />

install much of it himself, including 58 power transformers on<br />

concrete slabs that symbolize the evolution of the Bonnaroo<br />

FÊTE DE LA MUSIQUE PARIS<br />

JUNE 21 This citywide music<br />

fest features everything<br />

from classical quartets<br />

to reggae.<br />

fetedelamusique.culture.fr<br />

GLASTONBURY FESTIVAL<br />

PILTON, ENGLAND JUNE 23–27<br />

The granddaddy of European<br />

music festivals is celebrating<br />

its 40th anniversary with<br />

U2, Willie Nelson and more.<br />

glastonburyfestivals.co.uk<br />

CALCIO STORICO FLORENCE,<br />

ITALY JUNE 24–26 Soccer<br />

players take to the fi eld<br />

in 15th century garb.<br />

calciostorico.it<br />

GRANADA INTERNATIONAL<br />

FESTIVAL OF DANCE AND<br />

MUSIC JUNE 24–JULY 14<br />

Flamenco and more at<br />

churches, plazas and the<br />

Alhambra. granadafestival.org<br />

HEMISPHERESMAGAZINE.COM | MONTH <strong>2010</strong><br />

festival into something less temporary. When this year’s<br />

four-day party gets underway on June 10, the lights and<br />

food booths will hook right into the grid instead of gaspowered<br />

generators, which are noisy, disruptive and not<br />

exactly “green.”<br />

Until the fi rst Bonnaroo festival in 2002, few Americans—in<br />

fact, few Tennesseans—had ever heard of Manchester. You<br />

might say that the festival put the city on the map, just like<br />

Woodstock, New York; Glastonbury, England; Montreux,<br />

Switzerland, and countless small towns around the world. If<br />

it is defi ned by anything, Manchester is defi ned by Bonnaroo.<br />

And like the original Woodstock (actually held in Bethel<br />

due to a last-minute snafu), the sleepy burg never really<br />

saw it coming. After all, in the history of a struggling small<br />

town’s economic development dreams, the one about the<br />

endless caravans of cars as far as the eye can see—like<br />

some eerie, real-life Field of Dreams—tends to get fi led under<br />

“Keep Dreaming.”<br />

Yet Bonnaroo’s debut drew an estimated 70,000 people<br />

and, so it’s said, turned the entire state of Tennessee into a<br />

VANS WARPED TOUR<br />

NATIONWIDE JUNE 25–<br />

AUGUST 15 A sometimes<br />

unholy marriage of hard<br />

rock and extreme sports.<br />

vanswarpedtour.com<br />

00<br />

77


78<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

temporary parking lot. And it keeps happening, year after year.<br />

Bonnaroo is the brainchild of Ashley Capps, CEO of<br />

Knoxville-based company AC Entertainment, who was<br />

inspired by both the massive European summer music<br />

festivals and by the feel-good vibe he experienced at<br />

Phish concerts. “Capps went after that subculture of<br />

fans clamoring for good music not being played by the<br />

mainstream,” says Jeff Cuellar, AC’s director of marketing.<br />

So far, Bonnaroo feels inextricably linked to the bucolic hills<br />

around Manchester. However, showbiz is a tough industry.<br />

Anything could happen.<br />

“The festival will be in Manchester<br />

to stay as long as we keep pushing to<br />

develop the brand,” Cuellar says.<br />

“We’re in a society where people<br />

are always looking to move on to<br />

what’s next. But we’ve created<br />

something more intimate than any old<br />

stadium show.”<br />

That’s good news for local offi cials.<br />

Here’s why they’re so enthusiastic:<br />

In 2005, Bonnaroo fans spent $8.6<br />

million in Coff ee County, and festival<br />

organizers dropped another $1.9<br />

million. The total economic impact was estimated at<br />

$14 million, including $4.3 million in personal income<br />

created locally that year. Bonnaroo isn’t just fi lling up<br />

Manchester’s rainy-day fund, it’s funneling much-needed<br />

cash into government coff ers—$412,796 in one year<br />

alone—and creating an estimated 191 jobs. Green, the<br />

groundskeeper, never thought he would own a 105-acre<br />

farm before Bonnaroo. Last year, he bought one. Not to<br />

mention another bulldozer.<br />

“I guess I’m the luckiest guy around,” Green says.<br />

The Manchester Area Chamber of Commerce, a<br />

four-room offi ce in a two-story building, sits on a<br />

square in the center of town surrounded by law offi ces<br />

and the courthouse. Around the corner, there’s Baker<br />

LILITH FAIR NATIONWIDE JUNE<br />

27–AUGUST 16 This venerable<br />

celebration of women in<br />

music returns with a topnotch<br />

lineup: Cat Power,<br />

Emmylou Harris, the Go-Go’s<br />

and more. lilithfair.com<br />

TASTE OF CHICAGO JUNE<br />

30–JULY 4 The largest food<br />

festival in the Midwest feeds<br />

three million people in Grant<br />

Park. explorechicago.org<br />

RHINE IN FLAMES RHINE<br />

VALLEY, GERMANY SATURDAYS,<br />

JULY-SEPTEMBER A stunning<br />

fi ve-city fi reworks festival<br />

with medieval scenery as a<br />

backdrop. rhein-in-fl ammen.com<br />

ROSKILDE FESTIVAL ROSKILDE,<br />

DENMARK JULY 1–4 This rock<br />

fest includes Gorillaz, Alice<br />

in Chains and Patti Smith.<br />

roskilde-festival.dk<br />

ESSENCE MUSIC FESTIVAL<br />

NEW ORLEANS JULY 2–4 Janet<br />

Jackson, Gladys Knight,<br />

Alicia Keys and De La<br />

Soul are among dozens of<br />

soulful acts hitting NoLa.<br />

essencemusicfestival.com


CIRCUS MAXIMUS<br />

Brothers Drugs, a fi xture<br />

Clockwise from left, since the 1920s, and an H&R<br />

revelers in the camping<br />

area; the Which stage; Block. That’s about it. The<br />

and the main stage, retail heart of the city left<br />

above, called<br />

long before Bonnaroo<br />

the What stage<br />

arrived, spreading along busy<br />

thoroughfares closer to the<br />

four highway exits.<br />

Coff ee County Mayor David Pennington and City of<br />

Manchester Mayor Betty Superstein sit side by side at<br />

the chamber’s long conference table, heaping praise on the<br />

festival and ticking off the list of economic benefi ts the area<br />

gets each year from Bonnaroo booths alone. Almost every<br />

nonprofi t and local organization in Manchester runs one.<br />

The proceeds pay for everything from band uniforms to<br />

MONTREUX JAZZ FESTIVAL<br />

MONTREUX, SWITZERLAND<br />

JULY 2–17 For two weeks,<br />

the silky sounds of jazz<br />

waft over the shores of<br />

Lake Geneva.<br />

montreuxjazz.com<br />

THUNDER MOUNTAIN<br />

ROCKFEST NORTH DAKOTA<br />

JULY 8–10 Check out your<br />

favorite classic rock acts,<br />

such as Asia and Survivor.<br />

rockdakota.com<br />

operating expenses for the youth baseball league. The<br />

chamber runs two booths and a general store that sells<br />

local tchotchkes. The annual take: At least $20,000. The<br />

Rotary parked cars for 48 hours and this year earned<br />

enough to build an amphitheater at the local recreation<br />

center. Another group earned $30,000 to pay for a skate<br />

park. The list goes on.<br />

“If they get it to where it’s permanent, where there are fi ve<br />

shows a year, Bonnaroo is going to be our base to build an<br />

industry in this community,” Pennington says, “an industry<br />

based on music.”<br />

Ask around, and it’s hard to fi nd someone who<br />

doesn’t benefi t from the festival. Sam McAllister owns a<br />

two-story house with a wraparound porch, and from his<br />

front door he can look down his long gravel driveway, which<br />

curves down an incline, and see the main road leading<br />

to Bonnaroo. McAllister sold most of his 700 acres to<br />

Bonnaroo in 2007 for $8.6 million—a better price than the<br />

going rate.<br />

Green himself had been toiling at his dad’s used car lot<br />

when he took a job at the festival. At the time, he fi gured<br />

come next summer those out-of-town music folks might be<br />

looking for a local with a good bulldozer.<br />

“My father told me I lost my mind taking that job, that it<br />

won’t ever last,” Green recalls. “He said, ‘Bonnaroo will be<br />

out in two or three years and you won’t have nothing to do.’”<br />

Soon afterward, though, Green bought that farm of his.<br />

And he’s been busy ever since.<br />

Freelance writer MYA FRAZIER is hoping she can fi nd her<br />

Birkenstocks. 79<br />

OREGON BREWERS FESTIVAL<br />

PORTLAND, OREGON JULY 22-25<br />

The largest collection of<br />

craft beer purveyors gathers<br />

for a long, sudsy weekend.<br />

oregonbrewfest.com<br />

GILROY GARLIC FESTIVAL<br />

GILROY, CALIFORNIA JULY 23-25<br />

Remember to bring mints<br />

to this culinary celebration<br />

of all things garlic.<br />

gilroygarlicfestival.com<br />

FUJI ROCK FESTIVAL NAEBA,<br />

JAPAN JULY 30–AUGUST 1 Party<br />

in the shadow of Mount<br />

Fuji with Vampire Weekend<br />

and Massive Attack, among<br />

others. smash-uk.com/frf10<br />

MAINE LOBSTER FESTIVAL<br />

ROCKLAND, MAINE AUGUST 4–8<br />

The air crackles with the<br />

sound of snapping shells<br />

at this annual fête of the<br />

world’s tastiest crustacean.<br />

mainelobsterfestival.com<br />

PEBBLE BEACH CONCOURS<br />

D’ELEGANCE CARMEL,<br />

CALIFORNIA AUGUST 11-15<br />

Nowhere will you fi nd a<br />

more rarefi ed roundup<br />

of antique cars and the<br />

people who love them.<br />

pebblebeachconcours.com


80<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

ENTER SANDMAN A Hampton’s beach


LONG<br />

ISLAND<br />

Three Perfect Days<br />

From the tony South Fork to its rustic northerly counterpart, Long Island is both a playpen for<br />

the well-to-do and a calming, cozy respite. // BY SARAH HORNE<br />

83 DAY ONE<br />

Traipsing on Cooper’s Beach<br />

84 DAY TWO<br />

Biking to Montauk<br />

88 DAY THREE<br />

Exploring the North Fork


PHOTOGRAPHS BY GORDON GRANT (PREVIOUS SPREAD); THIS PAGE, CLOCKWISE FROM LEFT: BY COTO ELIZONDO/GETTY IMAGES, BY GORDON GRANT, COURTESY OF 1708 HOUSE (2)<br />

THE TWIN FORKS OF LONG ISLAND ARE QUITE THE ODD COUPLE, jutting into the Atlantic Ocean<br />

like a crocodile about to swallow Shelter Island. The bottom jaw of the beast, the South<br />

Fork, is a playground for the international jet set, featuring swank resort villages such as<br />

East Hampton and Amagansett, and even the occasional polo fi eld. The North Fork, once<br />

a briny haven for shipbuilders and farmers, has recently come into its own as a winsome,<br />

off -the-beaten-path destination for foodies and oenophiles (with some good, salty dive bars<br />

thrown in).<br />

What they share are a regal, quiet beauty and a slant of light that can make even the most<br />

jaded world travelers stop in their tracks, awestruck. It’s no wonder, then, that hundreds<br />

upon hundreds of famous names have made the East End their summer home and that<br />

thousands still willingly brave the traffi c on Route 27 on humid weekends.<br />

DAY ONE Awake in a cloud of exuberantly preppy Ralph Lauren sheets in a graceful four-<br />

1 poster bed at the 1708 House (1), an old-fashioned B&B on Southampton’s Main Street.<br />

At breakfast, in the antiques-crammed formal dining room, you remember your posture and<br />

steel yourself for a day among the Social Register set.<br />

Stepping out into the sunshine on Main Street, you take in the trapped-in-time village. At<br />

a distance, with its church steeple peeking through the trees, genteel Southampton could<br />

be any well-preserved town in America. But the yellow Lamborghini careering around the<br />

corner gives you a hint that all is not quite as it seems.<br />

You pop into BookHampton (2), where the local<br />

gentry pick up their highbrow poolside reading, then<br />

check out Hildreth’s Department Store (3), a rambling<br />

relic that’s been in business here since 1842. Forget<br />

penny candy—this is where young wives have<br />

bought their scallop-edged throw pillows and rattan<br />

porch furnishings for generations.<br />

Next, stop in the Parrish Art Museum (4), a 19th<br />

century gallery with an impressive collection of<br />

paintings by the likes of Willem de Kooning, Roy<br />

Lichtenstein and Chuck Close, before perusing<br />

Jobs Lane’s (5) various shrines to resort wear. At<br />

Vilebrequin, you check out the baby blue swim<br />

trunks dotted with Adirondack chairs; at Harmont &<br />

Blaine, it’s corduroy pants in magenta or jade. Finally<br />

Stubbs & Wootton lures you in with a pair of velvet<br />

slippers. At the register you ponder yacht names.<br />

SIMON DOONAN // CREATIVE<br />

DIRECTOR, BARNEYS //<br />

“The best hangout is Sunset<br />

Beach on Shelter Island. We<br />

tend to avoid the bacchanalian<br />

evening scene. Lunch is fab<br />

and great for celeb spotting.”<br />

ILLUSTRATIONS BY<br />

ESRA CAROLINE RØISE<br />

What has come over you?<br />

In your new duds, you stand a bit taller as you<br />

swan into Silver’s (6) to lunch (it’s a verb here) and<br />

watch Manhattan’s business elite twitching under<br />

the handwritten “No cell phones” sign. You order<br />

the house specialty, a mammoth $17 BLT like none<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

INN STYLE Above, the 1708 House;<br />

top, Cooper’s Beach; opposite, an<br />

East Hampton beach<br />

83


GREY GARDENS //<br />

REMEMBERING A<br />

COUPLE OF CHARACTERS<br />

// In its glory days, Grey<br />

Gardens, a graceful<br />

14-room estate in East<br />

Hampton, was home to<br />

the pedigreed Bouvier<br />

Beale clan (cousins<br />

of Jackie Kennedy).<br />

When Jackie’s aunt<br />

Edie Beale divorced<br />

in 1946, the mansion<br />

began its descent into<br />

disrepair. Together,<br />

bohemian “Big Edie” and<br />

her eccentric daughter<br />

“Little Edie” lived a<br />

secluded life among 52<br />

cats and the remnants<br />

of their once-grand life.<br />

In 1975, the women<br />

became the subject of<br />

the Maysles brothers’<br />

haunting documentary<br />

Grey Gardens (later a<br />

Broadway show). Today,<br />

the estate is owned by<br />

Ben Bradlee and Sally<br />

Quinn. Wrangling an<br />

invite can be tough, but<br />

if you want to drive past<br />

for a peek, ask a local<br />

nicely where it is.<br />

3PD LONG ISLAND<br />

you’ve ever tasted: thick slabs of warm Eli’s<br />

Tuscan bread, rashers of smoky bacon and a<br />

generous slathering of mayo. Your cardiologist<br />

might be alarmed, but not to worry: You’re about<br />

to off set the meal with a hearty walk.<br />

Hop in your Jaguar XK convertible and drive<br />

through the village’s Estate Section (privet<br />

hedge–lined streets packed with nine-bedroom<br />

“cottages”) before you fi nd Gin Lane and the<br />

beach. Park near St. Andrew’s Dune Church (7),<br />

an old life-saving station turned seaside chapel,<br />

and doff your shoes before climbing up the<br />

slope to Cooper’s Beach (8). Walk east until the<br />

sunbathers thin out and it’s just you and the<br />

locals in their rolled-up khakis, letting their<br />

Labradors stretch their legs. Then fi nd a spot in<br />

the dunes to take in the gnashing Atlantic.<br />

After walking until your calves begin to protest, you drive around Lake<br />

Agawam to Meadow Lane, top down, listening to the fi rm pop of the tennis balls<br />

at the prestigious Meadow Club (9) and peeking at the slivers of vast houses down<br />

ominously long private driveways.<br />

Then it’s back to your lodgings for a quick snooze before you freshen up for dinner<br />

at Red/Bar Brasserie (10), a Mediterranean eatery in a sprawling farmhouse that<br />

served as a speakeasy during Prohibition. In honor of the repeal, sidle up to the bar<br />

before positioning yourself at a corner table to watch the jovial crowd while you dine<br />

on Malpeque oysters and black truffl e–stuff ed chicken breast. It’s good to be king.<br />

DAY TWO Stretch your limbs and begin packing your bag. Before checking out,<br />

2<br />

ask for a voucher for breakfast across the street at The Golden Pear Cafe (1), where<br />

you’ll order a bagel and coff ee and check your portfolio in the New York papers.<br />

Back in the Jag, you turn up Hampton Road to Route 27 and head farther out<br />

on the South Fork, wending your way through the villages of Water Mill and<br />

Bridgehampton, where you follow in the footsteps of Truman Capote and Jackie<br />

Kennedy and stop for a caff eine top-up at the Bridgehampton Candy Kitchen (2). This is<br />

the Hamptons institution where CEOs connect with their inner fi ve-year-olds, indulging<br />

in burgers and fries followed by double cones packed with mint chocolate chip ice cream.<br />

Arriving in East Hampton, you check into The Hedges Inn (3), a polished inn<br />

GRASS IS ALWAYS GREENER A croquet tournament in Southampton; above, Nick & Toni’s<br />

CLOCKWISE FROM TOP LEFT: PHOTOGRAPHS BY STUART CONWAY, AUGUSTUS BUTERA/MARGE CASEY + ASSOCIATES, BY ANDRE JENNY/ALAMY, BY GORDON GRANT (3), BY EVERETT COLLECTION


CHASING WINDMILLS<br />

Clockwise, a cyclist<br />

in Southampton;<br />

a Bridgehampton<br />

windmill; East<br />

Hampton Main<br />

Street; Job’s Lane<br />

in Southampton


00<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

GATSBY COUNTRY //<br />

THE NORTH SHORE’S<br />

GREAT ESTATES //<br />

Families of the Gilded<br />

Age chose to build their<br />

mammoth estates on<br />

Long Island’s North<br />

Shore. Several are now<br />

open to the public, giving<br />

a look into the curiously<br />

outsize lives of William<br />

K. Vanderbilt II, Teddy<br />

Roosevelt and the like.<br />

At Sagamore Hill, the<br />

Roosevelts’ retreat in<br />

Oyster Bay, walls are<br />

decked with buffalo<br />

heads and the great<br />

room is fl anked by two<br />

tusks of an elephant<br />

once owned by the<br />

emperor of Abyssinia. At<br />

the Vanderbilt Museum<br />

in Centerport, there are<br />

shrunken heads from<br />

the South Pacifi c and<br />

jellyfi sh preserved in<br />

formaldehyde. Look out<br />

across the water from<br />

the veranda, and you'll<br />

swear you see the light<br />

twinkling at the end of<br />

Jay Gatsby’s dock.<br />

IN THE ABSTRACT Above, the Pollock-Krasner House<br />

overlooking a pond where swans bask in the dappled light. Where Southampton<br />

looked quaint at fi rst glance, East Hampton is less coy about its ritziness. On its<br />

Main Street, there are ample opportunities to shop for diamonds, swathe yourself<br />

in Hermès scarves or drop thousands on alligator-skin bags.<br />

Yearning to see what the area was like before all the fuss, you head into Springs,<br />

the Hamptons’ more workaday, bohemian enclave north of Montauk Highway,<br />

and pull up at a simple farmhouse, the Pollock-Krasner House (4), where Jackson<br />

Pollack lived with his wife, Lee Krasner, from 1945 until he died in 1956. In the<br />

barn studio where he laid his canvases, trade your shoes for slippers and walk<br />

across the fl oorboards where his stray splatters have been lovingly preserved.<br />

Next, drive south to Amagansett for lunch at La Fondita (5), a surprisingly<br />

authentic roadside spot. Order the Baja-style fi sh tacos and grab a table outside,<br />

feeling lazy in the noontime sun. Yes, that is Gwyneth Paltrow in her yoga clothes<br />

at the next table. Act like a local—pretend you don’t notice.<br />

At the nearby Amagansett Beach & Bicycle Co. (6), you leave the Jag behind. Rent<br />

a bike for the afternoon and grab a map before setting off down the Old Stone<br />

Highway to check out Napeague Bay (7). Have a look at the refurbished fi shing<br />

shacks on stilts at the end of Gerard Drive,<br />

then make your way back to the beach at<br />

Louse Point to watch the windsurfers skim<br />

across the bay.<br />

Now on a quest for land’s end, you pedal<br />

east on Montauk Highway, coasting through<br />

miles of Russian olive trees and scrub pine and<br />

into Montauk’s Hither Hills State Park. It’s a<br />

challenge to bike the salty old hills of salty old<br />

Montauk, but when you spot the 1797 Montauk<br />

Point Lighthouse (8) ahead, it all seems worth<br />

the eff ort. At nearby Money Ponds, where<br />

Captain Kidd is said to have buried untold<br />

treasures, you scan the horizon for pirates.<br />

Seeing none, you ride back at a leisurely<br />

pace, return your bike and head to the Hedges<br />

for a hot shower. Once you’ve recovered from<br />

your exertions, it’s on to Nick & Toni’s (9),<br />

an unassuming but luxe nightspot where<br />

Hollywood royals gather for well-executed<br />

Italian fare. Order the rich goat cheese risotto<br />

and the day’s catch served with vegetables<br />

from the North Fork’s Satur Farms. Air-kiss<br />

Steven Spielberg on your way out.<br />

OLIVIA CHANTECAILLE<br />

// CREATIVE DIRECTOR,<br />

CHANTECAILLE COSMETICS // “I<br />

love to do a beach picnic from<br />

Round Swamp Farm. They sell<br />

delicious local produce and<br />

prepared foods. My favorites<br />

are the chicken salad and the<br />

freshly baked pies.”<br />

CLOCKWISE FROM BOTTOM LEFT: PHOTOGRAPHS COURTESY OF VANDERBILT MUSEUM,<br />

BY WHITNEY LAKE, BY GORDON GRANT


MAP ILLUTRATIONS BY STEVE STANKIEWICZ<br />

Great Plains Rd.<br />

8<br />

Hill St.<br />

9<br />

1<br />

1<br />

2<br />

4 3<br />

6<br />

5<br />

S. Main St.<br />

10<br />

7<br />

Long Island Sound<br />

7<br />

Southold<br />

6<br />

5<br />

inset area<br />

Greenport<br />

4<br />

Sag Harbor<br />

Southampton<br />

Shelter Island<br />

1<br />

3<br />

2<br />

2<br />

Gardiners Bay<br />

Bridgehampton<br />

THOSE THREE PERFECT DAYS<br />

Springs<br />

Amagansett<br />

East Hampton<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

Montauk<br />

0 4 Miles<br />

DAY ONE<br />

(1) 1708 House 126 Main St., Southampton; Tel: 631-287-1708 (2) BookHampton 91 Main St.,<br />

Southampton; Tel: 631-283-0270 (3) Hildreth’s Department Store 51-55 Main St., Southampton;<br />

Tel: 631-283-2300 (4) Parrish Art Museum 25 Jobs Ln., Shouthampton; Tel: 631-283-2118<br />

(5) Jobs Lane (6) Silver’s 15 Main St., Southampton, Tel: 631-283-6443 (7) St. Andrew’s Dune Church<br />

12 Gin Ln., Southampton; Tel: 631-283-3015 (8) Cooper’s Beach 268 Meadow Ln., Southampton;<br />

Tel: 631-283-0247 (9) Meadow Club 555 1st Neck Ln., Southampton; Tel: 631-283-0425<br />

(10) Red/Bar Brasserie 210 Hampton Rd., Southampton; Tel: 631-283-0704<br />

DAY TWO<br />

(1) The Golden Pear Cafe 99 Main St., Southampton; Tel: 631-283-8900<br />

(2) Bridgehampton Candy Kitchen Sag Harbor Turnpike & Main St., Sag Harbor; Tel: 631-537-9885<br />

(3) The Hedges Inn 74 James Ln., East Hampton; Tel: 631-324-7101 (4) Pollock-Krasner House<br />

830 Springs Fireplace Rd., East Hampton; Tel: 516-324-4929 (5) La Fondita 74 Montauk Hwy.,<br />

Amagansett; Tel: 631-267-8800 (6) Amagansett Beach & Bicycle 624 Montauk Hwy., Amagansett;<br />

Tel: 631-267-6325 (7) Napeague Bay (8) Montauk Point Lighthouse 2000 Montauk Hwy., Montauk;<br />

Tel: 631-668-2544 (9) Nick & Toni’s 136 North Main St., East Hampton; Tel: 631-324-3550<br />

DAY THREE<br />

(1) Sylvester & Co. 103 Main St., Sag Harbor; Tel: 631-725-5012<br />

(2) The Sag Harbor Whaling Museum 200 Main St., Sag Harbor; Tel: 631-725-0770<br />

(3) The American Hotel 25 Main St., Sag Harbor; Tel: 631-725-3535<br />

(4) Shelter Island (5) Greenport (6) Coronet 2 Front St., Greenport; Tel: 631-477-9834<br />

(7) North Fork Table & Inn 57225 Main Rd., Southold; Tel: 631-765-0177<br />

3<br />

9<br />

4<br />

5<br />

6<br />

7<br />

8<br />

87


88<br />

JUNE <strong>2010</strong> | UNITED.COM<br />

SEE FOOD Clockwise from<br />

above, hamachi with ginger,<br />

shallots and micro cilantro<br />

from the North Fork Table &<br />

Inn; owners Claudia Fleming<br />

and Gerry Hayden; and<br />

Greenport Harbor<br />

Boarding pass<br />

Whether you<br />

come to visit Fire<br />

Island National<br />

Seashore or the<br />

Hamptons, you can<br />

fl y United to La<br />

Guardia or JFK and<br />

experience all that<br />

Long Island has to<br />

offer<br />

DAY THREE Open your eyes in your serene, white-on-gray room, relishing the priceless<br />

3<br />

luxury of silence before you grudgingly pack your bags, take breakfast on the patio<br />

downstairs and hop in the car to make your way to Sag Harbor. Peek into Sylvester & Co. (1),<br />

the modern general store on Main Street, for a glimpse at decor that will look just as good<br />

in your pied-à-terre or suburban bungalow as it will in your beach house. Next stop is The<br />

Sag Harbor Whaling Museum (2), housed in a 19th century mansion that’s now part Masonic<br />

temple, part mariners’ time capsule. See whaling ship captains’ licenses signed by the likes<br />

of George Washington and Andrew Johnson juxtaposed with intricately carved bones and<br />

dastardly-looking spears. Portraits of prominent, long-dead townsfolk glare down at you<br />

indignantly as if to say, “Flip-fl ops? Really?”<br />

Walk down to the harbor, scanning for megayachts and pleasure craft disguised as lobster<br />

boats (codesigned by Billy Joel), before heading to The American Hotel (3) for lunch on the<br />

porch. If so inclined, toast your fi nal moments on the South Fork with a glass of chardonnay<br />

from the Wolff er Estate Vineyards in nearby Sagaponack and some Gardiners Bay oysters.<br />

Seeking a more rustic setting, you head to the Shelter Island (4) car ferry and buy a oneway<br />

ticket. After the short trip across the bay in the breezy summer heat, you wind your Jag<br />

through the backroads of Shelter Island, where battered Volvos rule the road. For a complete<br />

retreat make your way to Ram Island, across a narrow causeway, and do some beach<br />

combing. In this secluded spot, it’s almost impossible to believe that the glitzy madness of<br />

the Hamptons is just a stone’s throw away.<br />

Continue your adventure by taking the North Ferry to Greenport (5) on the North Fork.<br />

You sense that you’re discovering an unspoiled, lovely<br />

little town as you wander Front Street, peeking into the<br />

window of the Coronet (6), a throwback diner that’s little<br />

changed since the 1940s. Take a detour to the miniscule<br />

hamlet of Orient (population: 709) for a real sense of<br />

how unchanged life on the North Fork can be. Flags fl it<br />

langorously on the porches of whitewashed houses,<br />

while three old-timers sit about watching the game in<br />

the general store, impervious to your presence.<br />

As the afternoon light begins to deepen, you head to<br />

the North Fork Table & Inn (7), your home for the night,<br />

and settle in for an evening in locavore heaven, thanks<br />

to the fertile farmlands of the area.<br />

Around you, elegant city dwellers and locals alike<br />

gather around the white linen–covered tables. There’s<br />

a happy, casual din as you tuck into your succulent<br />

ROMAN ROTH // WINEMAKER,<br />

orange-glazed Berkshire pork loin. Like Goldilocks, you<br />

WOLFFER ESTATE VINEYARDS<br />

think, you’ve gorged on the glamour of the South Fork,<br />

// “I enjoy playing golf at<br />

tasted the solitude of Shelter Island and have fi nally<br />

Montauk Downs, having<br />

gotten it just right.<br />

lunch at the Beacon in Sag<br />

LAKE<br />

WHITNEY BY (2), DONNE TARA BY PHOTOGRAPHS BOTTOM: FROM<br />

Harbor and watching Elvis<br />

SARAH HORNE is never coy about her ritziness. CLOCKWISE<br />

movies at the Bay Street<br />

Theater.”


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by Bosa has kicked off the year with<br />

over 40 homes sold in <strong>2010</strong>. This<br />

translates to success with more than<br />

130 homes sold since its fall 2009<br />

grand opening.<br />

“Reaching this sales milestone in<br />

a relatively quick time period is an<br />

indicator that buyers understand a<br />

great home at a great price,” Bosa CEO<br />

and President Nat Bosa said.<br />

All Bayside residences are backed by<br />

Bosa’s long-standing reputation in the<br />

San Diego marketplace. In addition to<br />

an array of fi ve star amenities homes<br />

feature only the highest quality<br />

construction materials and fi nishes<br />

including gleaming marble stone<br />

and hardwood fl ooring, Italian-made<br />

Snaidero cabinetry, CaesarStone<br />

countertops, and Viking and<br />

Miele appliances.<br />

Bayside off ers a multitude of two<br />

bedroom fl oor plans including<br />

three level town homes and<br />

expansive penthouses starting<br />

from the $500,000s.<br />

1325 Paci c Highway<br />

San Diego, CA 92101<br />

(619) 239-2339<br />

866-939-2672 toll free<br />

www.baysidebybosa.com


CALIFORNIA SHOWCASE<br />

Welcome to Sonoma-Cutrer Vineyards<br />

NESTLED IN THE RUSSIAN RIVER VALLEY IN SONOMA<br />

COUNTY, California Sonoma-Cutrer has long been known for its<br />

commitment to crafting exceptional wines, vintage after vintage.<br />

We invite you to experience our uncompromising dedication to<br />

excellence and look forward to creating lasting relationships with<br />

those who are passionate about fi ne wine.<br />

Please stop by on your next trip to Sonoma County for a tour of<br />

our winery and tasting room. To make an appointment, please<br />

call 1.800.853.5311.<br />

If you cannot visit the winery, please visit us online at<br />

www.sonomacutrer.com or become an esteemed member<br />

of our Club Cutrer. Here you will have the opportunity to<br />

purchase wine directly from our winery and enjoy access to<br />

exclusive events and personal service from our Club Cutrer<br />

Concierge (www.clubcutrer.com)<br />

Do You Speak Sonoma?<br />

SONOMA WINE COUNTRY HAS<br />

ITS OWN LINGO. Here’s a guide to<br />

start speaking like a local.<br />

Spa (v.) Actively seeking relaxation<br />

in more than 40 spas that off er<br />

pampering and healing powers to<br />

enhance your wine country vacation.<br />

Taste (v.) Synonym of “sip.” Try wine<br />

from more than 300 wineries that<br />

are open to the public.<br />

Pair it with amazing food from<br />

hundreds of Zagat- and<br />

Michelin-rated restaurants.<br />

Coast (v.) (n.) N: Not just any wine<br />

region, more than 55 miles of<br />

dramatic Pacifi c coastline ensures<br />

perfect pinot pairs with delightful<br />

Dungeness crab. V: Meander through<br />

America’s premier wine, coast and<br />

spa destination.<br />

Sonoma-Cutrer<br />

4401 Slusser Rd.<br />

Windsor, CA 95492<br />

1-800-853-5311<br />

www.sonomacutrer.com<br />

Discover (v.) Free visitor guide and<br />

wine map at www.sonomacounty.com.<br />

Text (v.) Receive wine country<br />

specials, text “wine” to 95495.<br />

Sonoma County<br />

Tourism Bureau<br />

(800) 576-6662<br />

www.sonomacounty.com


CALIFORNIA SHOWCASE<br />

Re ned,<br />

Rustic Italian Fare<br />

RECENTLY GIVEN 3 STARS for food by Michael Bauer of<br />

The San Francisco Chronicle, Emporio Rulli’s fl agship<br />

RISTOBAR boasts beautifully prepared Italian food that you<br />

won’t fi nd elsewhere, such as pasta with yellow pepper puree,<br />

chicken crusted in almonds, and cardoon custard. Their calling<br />

card is an extensive delicious dessert menu with more than a<br />

dozen choices each night. If you think that’s impressive, wait<br />

until you see the wine list…<br />

Please also visit our Emporio Rulli coff ee bars locations inside<br />

San Francisco International Airport: Terminal 3, Gate 79, and<br />

International Terminal North and South Food Courts & Lower<br />

Level Arrivals.<br />

RISTOBAR<br />

2300 Chestnut Street<br />

San Francisco’s Marina District<br />

(415) 923-6464<br />

www.ristobarsf.com<br />

Ghirardelli<br />

Square<br />

GHIRARDELLI SQUARE, one of San<br />

Francisco’s most treasured icons, has<br />

been transformed into an urban enclave<br />

of specialty boutiques, fi ne dining<br />

restaurants, premium wine tasting<br />

shops, and private residence club homes<br />

at Fairmont Heritage Place.<br />

Enjoy a famous Ghirardelli Ice Cream<br />

Sundae anytime - or for a real treat<br />

attend the 15th Annual Ghirardelli<br />

Square Chocolate Festival on September<br />

11-12, <strong>2010</strong> to see the Earthquake Ice<br />

Cream Sundae Eating Contest and taste<br />

hundreds of chocolate creations.<br />

Ghirardelli Square<br />

900 North Point Street<br />

(at Beach & Larkin)<br />

(415) 775-5500<br />

www.GhirardelliSQ.com<br />

www.FairmontHeritagePlace.com/Ghirardelli


Michalopoulos Gallery<br />

THE MICHALOPOULOS OCTAVIA’S HAZE GALLERY The Michalopoulos<br />

Octavia’s Haze Gallery is located in the heart of Hayes Valley in San Francisco<br />

and showcases the artwork of internationally renowned artist James<br />

Michalopoulos. To step inside the gallery is to be inspired by vibrant abstraction<br />

of the fi gurative. Dimensions are pushed and pulled in the same way that people<br />

move and breathe and color abounds. His paintings are a celebration and can be<br />

found in the keynote collections of celebrities, museums, and notable art patrons<br />

internationally. The gallery is located at 498 Hayes Street, San Francisco, CA<br />

94102. www.michalopoulossf.com 415-255-6818.<br />

Family Classic Cars<br />

A UNIQUE SOUTHERN CALIFORNIA CLASSIC CAR<br />

SHOWROOM with clients around the globe. A friendly<br />

atmosphere, knowledgeable people, and informative website<br />

attract seasoned collectors and fi rst time buyers alike.<br />

We always stock a wide array of<br />

historically signifi cant collector cars<br />

and classics. We cover all time periods<br />

from turn of the century, pre-war<br />

classics, 50’s and 60’s, and late model<br />

exotic and collectibles.<br />

We have been on the scene for ten<br />

years and have sold some of the fi nest<br />

collector cars to our ever widening<br />

family of clients. This gives us the<br />

opportunity to pull from some great<br />

collections around the world to source<br />

the best and rarest of automobiles.<br />

The Michalopoulos Gallery<br />

498 Hayes Street<br />

San Francisco, CA 94102<br />

(415) 255-6818<br />

www.michalopoulos.com<br />

Our beautiful facility has an amazing gift shop, customer storage, and a large service area to maintain<br />

our clients’ wide variety of cars. Stop in or visit us at www.familyclassiccars.com<br />

Family Classic Cars<br />

33033 Camino Capistrano<br />

San Juan Capistrano, CA<br />

(949) 496-3000<br />

www.familyclassiccars.com


CALIFORNIA SHOWCASE<br />

Xanadu Gallery<br />

WHEN IN SAN FRANCISCO Xanadu Gallery located in the Frank Lloyd<br />

Wright building near Union Square should not be missed. There you will<br />

experience not only the world renowned building but exceptional works of<br />

art from Asia and Oceania. Xanadu Gallery specializes in Buddhist sculpture<br />

dating from the 2nd to the 18th century as well as unique jewelry that range<br />

from excavated Roman beads to turquoise and coral from the Himalayas.<br />

Xanadu Gallery LLC<br />

140 Maiden Lane<br />

San Francisco, CA 94108<br />

(415) 392-9999<br />

The Ronald Reagan<br />

Presidential Library and Museum<br />

ONE OF CALIFORNIA’S “MUST-SEE” ATTRACTIONS–<br />

guests tour through an actual Air Force One that served<br />

seven U.S. presidents, view an exact replica of the Oval<br />

Offi ce, visit President Reagan’s Memorial Site and more. Two<br />

restaurants and breathtaking grounds round out your visit.<br />

Mention Hemispheres and receive 50% off through 11/1/10.<br />

The Ronald Reagan Presidential Library and Museum<br />

40 Presidential Drive<br />

Simi Valley, California 93065<br />

800-410-8354<br />

www.reaganlibrary.com<br />

How Fresh Is Your Olive Oil?<br />

WHEN IT COMES TO GREAT TASTE IN OLIVE OIL, FRESH IS BEST. You may be<br />

surprised to learn that some of the fi nest extra virgin olive oil is not imported, but made<br />

right here in the USA. Our authentic California Olive Ranchers use the most advanced<br />

methods to grow, harvest and press the fi nest, sustainably grown olives, at the peak of<br />

perfection. We press our olives within hours of harvest, to seal in our distinctive fresh<br />

taste. Discover delicious recipes at californiaoliveranch.com. Follow us on Facebook<br />

and Twitter. The New Taste of Fresh!<br />

California Olive Ranch<br />

2675 Lone Tree Road<br />

Oroville, CA 95965<br />

(916) 239-2999<br />

custserv@cal-olive.com.<br />

www.californiaoliveranch.com


Revolutionizing Global Leadership<br />

RANKED #1 BUSINESS SCHOOL IN THE UNITED STATES BY THE<br />

ECONOMIST MAGAZINE.<br />

At UC Berkeley, executives have abundant resources at their fi ngertips,<br />

from Nobel Laureate faculty and national laboratory research to the vibrant<br />

ecosystem of the Silicon Valley. These tools, engaged in one of the most dynamic<br />

learning environments in the world, combine to create a powerful experience<br />

for business executives seeking a competitive edge.<br />

UC Berkeley’s Center for Executive Education off ers a portfolio of programs<br />

developed by academia’s and industry’s most forward-thinking minds. For<br />

companies requiring a more specialized approach, we also off er customized<br />

programs that address specifi c organizational challenges and goals. We look<br />

forward to partnering with you.<br />

University of California, Berkeley Haas School of Business<br />

Center for Executive Education<br />

2220 Piedmont Avenue<br />

Berkeley, California 94720<br />

(510) 642-9167<br />

1-877-822-3932<br />

executive@berkeley.edu<br />

www.executive.berkeley.edu/united<br />

Fire Magic Premium Grills<br />

BE INSPIRED IN YOUR OWN BACKYARD,<br />

For over 70 years, Fire Magic Premium Grills<br />

have set the standard for backyard grilling.<br />

With brilliant construction and unparalleled<br />

performance, features include Heat Zone<br />

Separators for diverse temperature zones,<br />

electronic push-to-light hot surface ignition<br />

that ignites in any weather, cast stainless steel<br />

burners for exceptional heat distribution,<br />

built-in LCD digital meat/grill thermometer,<br />

heavy-duty rotisserie motor and spit rod,<br />

lifetime warranty and more. Savor your outdoor<br />

cooking events with Fire Magic.<br />

www.rhpeterson.com


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So Romantic OUR GUESTS SELDOM LEAVE THE ROOM.<br />

For more than 50 years, Tickle Pink Inn has graced this enchanting oceanside setting in<br />

Carmel Highlands, drawing travelers from around the world. From the moment you arrive,<br />

we give you every excuse to never leave the room, with a complimentary bottle of champagne,<br />

a host of amenities, and stunning ocean views from 35 luxuriously appointed rooms or suites.<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong> 101<br />

Tickle Pink Inn • 155 Highland Drive • Carmel, CA 93923 • Reservations: 888.373.6906 • www.ticklepinkinn.com<br />

Made In<br />

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Gourmet Foods & Gifts<br />

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Send gifts to family, friends or co-workers<br />

Gift Baskets & Boxes, Sauces,<br />

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and Much More...<br />

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Your Southern California adventure<br />

starts here. Redondo Beach is a<br />

family-friendly seaside playground<br />

that is packed with natural wonders<br />

and activities to explore along the<br />

water’s edge. More sunshine. More<br />

funtime. More treasures. In Redondo<br />

Beach, there’s always More To Sea SM<br />

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www.VisitRedondo.com/MoreSun<br />

FireCrystals® are beautiful<br />

tempered and recycled glass<br />

pieces used to permanently replace<br />

the burning of wood or use of fake<br />

logs in open vented, natural gas<br />

and propane gas fireplaces and<br />

fire pits. FireCrystals® last forever<br />

and they are heated by the natural<br />

gas or propane gas.<br />

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EDUCATION MARKETPLACE


THE AMERICAN<br />

UNIVERSITY OF ROME<br />

English Language Study Abroad Programs<br />

Transfer Students Welcome<br />

AMERICAN BACHELOR OF ARTS<br />

BACHELOR OF SCIENCE<br />

ASSOCIATE OF ART DEGREES<br />

Bachelor of Arts in:<br />

Archeology & Classical Heritage<br />

Communication<br />

Film & Digital Media<br />

International Relations<br />

Art History<br />

Interdisciplinary Studies<br />

Italian Studies<br />

Bachelor of Science in:<br />

Business Administration<br />

Associate of Arts in:<br />

Liberal Studies<br />

International Business<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong> 103<br />

Co-educational Boarding & Day College Preparatory 6th - 12th grade<br />

LOOK BEYOND MY UNIFORM | watch the video on our homepage www.farragut.org<br />

PERSONAL GROWTH<br />

Character & Leadership Development<br />

Multicultural | Dedicated & Caring Faculty<br />

UNIQUE OPPORTUNITIES<br />

Sailing | SCUBA | Numerous Sports<br />

Weekend Excursions | International Travel<br />

Beautiful Waterfront Campus<br />

Elementary School<br />

PreK - 5th Grade<br />

Day Program<br />

• Rome in a classroom<br />

• Multicultural experience<br />

in an international community<br />

• Top quality international<br />

faculty<br />

• International student body<br />

• Partnerships with af liate<br />

universities in every part of<br />

the US<br />

• Choice of semester, winter<br />

& summer sessions<br />

Via Pietro Roselli 4<br />

00153 Rome, Italy<br />

tel: +39 06.58330919<br />

info@aur.edu<br />

www.aur.edu<br />

The American University of Rome is regionally accredited by the Middle States<br />

Commission on Higher Education (MSCHE)<br />

CAMPUS TOURS AVAILABLE<br />

www.farragut.org<br />

Where Your Aviation Dreams<br />

Become Your Aviation Reality.<br />

Whether your dream is to fly a small aircraft for personal use,<br />

be the captain of an airliner, or anything else in between.<br />

San Diego Flight Training<br />

8745 Aero Dr. Ste. 103 San Diego, CA 92123<br />

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ADVANCED EDUCATION<br />

AP Classes | Dual Enrollment<br />

Aviation | NJROTC | Engineering Club<br />

Small, Structured Classes<br />

LEARN MORE<br />

Videos & Information: www.farragut.org<br />

Facebook: Admiral Farragut Academy<br />

Follow Us: www.twitter.com/AdmiralFarragut<br />

501 Park Street North St. Petersburg, FL 33710 (727) 384-5500 ext. 220


BUSINESS OPPORTUNITIES<br />

Entrepreneurs Launch Successful Businesses With<br />

Retirement Funds In Challenging Economy<br />

By investing in themselves, a growing number of savvy entrepreneurs are<br />

starting a business while expanding their 401(k)s.<br />

It’s not widely known, but you can<br />

invest up to 100% of your IRA/401(k) or<br />

other retirement funds tax- and<br />

penalty-free to purchase a small<br />

business or franchise.<br />

Not only can you buy a small business<br />

outright, but your retirement funds<br />

could provide the down payment on<br />

more traditional loans. As a new<br />

business owner, you could save<br />

thousands in interest and overhead,<br />

while growing your business and your<br />

retirement account.<br />

According to David Nilssen, cofounder<br />

of Guidant Financial Group, a 2008 Inc.<br />

500 company and leader in innovative<br />

small business financing, a 401(k) is<br />

allowed to hold both publicly traded<br />

and privately held stock. “We help an<br />

individual start their own business by<br />

creating a private corporation and<br />

rolling their existing retirement funds into<br />

a new 401(k), which then buys stock in<br />

the private corporation—making the<br />

401(k) a shareholder. As the business<br />

grows, so does the 401(k).”<br />

Despite today’s economy, Nilssen<br />

reports that this financing structure<br />

contributes significantly to U.S. job<br />

growth. “We’ve helped over 5,000<br />

clients launch businesses with<br />

retirement funds,” he says. “Our<br />

average client creates 8.3 jobs.”<br />

Nilssen adds, “You wouldn’t believe<br />

how many times I hear individuals<br />

complain, ‘If only I’d known this option<br />

existed before I borrowed so much<br />

money!’ Thankfully, this financing<br />

vehicle is gaining national acceptance<br />

and, in turn, is allowing entrepreneurs<br />

to pursue their dreams of small<br />

business ownership.”<br />

Contact Us To Learn More About 401(k) Small Business Financing<br />

And Receive A Free Info Packet<br />

888.472.4455 | www.Guidant401k.com<br />

Frank Czerwinski opened a<br />

fast food franchise using his<br />

401(k) with the help of<br />

Guidant Financial Group. “I<br />

felt it was more risky being in<br />

corporate America than<br />

putting my own money at risk<br />

and controlling my own<br />

destiny,” He says. “For me it<br />

was an easy decision to [invest]<br />

retirement funds to help<br />

purchase the business.”<br />

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Your future here is as big as<br />

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© <strong>2010</strong> Papa Murphy’s International, Inc. Offer made by prospectus only. FDD 2004–<strong>2010</strong>.<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong> 105


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Play<br />

A Little<br />

One-on-One<br />

Quality time on the court isn’t just about shooting free throws or<br />

hitting those layups. It’s about relationships and spending time<br />

together right in your own backyard.<br />

Sport Court high-performance game courts can be custom built<br />

to fit your backyard.<br />

www.SportCourt.com or 1-888-My-Court


ENTERTAINMENT<br />

110 Films & Television<br />

116 Audio Programming<br />

132 Crossword<br />

134 Sudoku<br />

INFORMATION<br />

122 United Destinations<br />

126 Terminal Diagrams<br />

129 Alliances & Partnerships<br />

130 Customs & Immigration<br />

139 Food & Beverages<br />

JUNE <strong>2010</strong><br />

PLAY<br />

Alice in Wonderland


NORTH<br />

AMERICA<br />

HAWAII<br />

FILM<br />

& TELEVISION<br />

FILMS ARE SHOWN ONLY on fl ights of three hours or longer. Movies available on most 747, 757, 767, 777, A319 and A320 aircraft fl ights.<br />

Schedules and selections are subject to change. International Language Tracks / (S) Películas están disponsibles en Español en todas las rutas<br />

domesticas en el canal 10.<br />

MEXICO<br />

& CARIBBEAN<br />

FILM TELEVISION FILM TELEVISION<br />

JUNE 1-15<br />

Alice in Wonderland [V]<br />

JUNE 16-30<br />

How to Train Your Dragon<br />

FILM TELEVISION FILM TELEVISION<br />

JUNE 1-15<br />

How to Train Your Dragon<br />

JUNE 16-30<br />

Alice in Wonderland [V]<br />

Both films available on flights<br />

between Denver/Chicago and Hawaii<br />

JUNE 1-15<br />

Valentine’s Day<br />

JUNE 16-30<br />

The Ghost Writer<br />

EASTBOUND<br />

JUNE 1-15<br />

The Offi ce [T]<br />

Anthony Bourdain:<br />

No Reservations [T]<br />

The Simpsons [T]<br />

JUNE 16-30<br />

The Big Bang Theory [T]<br />

Hubble Final Frontier<br />

The Middle [T]<br />

JUNE 1-15<br />

The Big Bang Theory [T]<br />

Hubble Final Frontier<br />

The Middle [T]<br />

JUNE 16-30<br />

The Offi ce [T]<br />

Anthony Bourdain: No Reservations [T]<br />

The Simpsons [T]<br />

JUNE 1-15<br />

30 Rock [T]<br />

Chuck [T][V]<br />

Man V. Food<br />

Friends (Flashback) [T]<br />

TELEVISION<br />

JUNE 16-30<br />

The Middle [T]<br />

Life Unexpected [T]<br />

Treasure Quest<br />

Everybody Loves Raymond<br />

(Flashback) [T]<br />

JUNE 1-15<br />

Valentine’s Day<br />

JUNE 16-30<br />

The Ghost Writer<br />

JUNE 1-15<br />

The Ghost Writer<br />

JUNE 16-30<br />

Valentine’s Day<br />

Both films available on flights<br />

between Denver/Chicago and Hawaii<br />

JUNE 1-15<br />

Alice in Wonderland [V]<br />

JUNE 16-30<br />

How to Train Your Dragon<br />

WESTBOUND<br />

JUNE 1-15<br />

Two and a Half Men [T]<br />

Raging Planet [T]<br />

Arrested Development (Flashback) [T]<br />

JUNE 16-30<br />

30 Rock [T]<br />

July 4th: Exploding Myths<br />

Friends (Flashback) [T]<br />

JUNE 1-15<br />

30 Rock [T]<br />

July 4th: Exploding Myths<br />

Friends (Flashback) [T]<br />

JUNE 16-30<br />

Two and a Half Men [T]<br />

Raging Planet [T]<br />

Arrested Development (Flashback) [T]<br />

FILM SOUTHBOUND TELEVISION FILM NORTHBOUND TELEVISION<br />

JUNE 1-15<br />

Two and a Half Men [T]<br />

The Good Wife [T]<br />

The Big Bang Theory<br />

Frasier (Flashback) [T]<br />

JUNE 16-30<br />

The Offi ce [T]<br />

Brothers and Sisters [T]<br />

Man V. Food<br />

Arrested Development (Flashback) [T]<br />

THROUGH THE LOOKING GLASS<br />

TIM BURTON’S WONDERLAND looks dreamy but exerts a physical<br />

hold on the actors. The monsters are fake, but the action is real,<br />

and that keeps things grounded. Seeing Alice trip and tumble—<br />

and suff er one nasty, Edward Scissorhands–worthy scratch from<br />

the animated Bandersnatch—gives a sense of peril. It’s easy for<br />

audiences to feel that they’re actually there in Wonderland with<br />

Alice, despite the surreal nature of the place. Ultimately, Burton,<br />

did what he set out to, which is to provide an environment in which<br />

it’s easy to suspend disbelief—or, in Alice’s words, believe at least<br />

six impossible things before breakfast.—Patrick Huguenin


MOST FILMS HAVE BEEN EDITED FOR AIRLINE USE.<br />

However, customer discretion is still advised.<br />

Content guidelines are provided as a courtesy to our<br />

customers in choosing whether to view a fi lm.<br />

ALICE IN WONDERLAND [V]<br />

“Tim Burton’s spectacular reimagining of Alice in Wonderland...takes Lewis<br />

Carroll’s famous Jabberwocky poem and makes it a[n] epic for the next<br />

generation.”—The Times<br />

Director Tim Burton brings his unique style to Lewis Carroll’s beloved classic<br />

about a young girl named Alice who follows a white rabbit down a dark hole<br />

and fi nds herself in a strange fantasy world fi lled with talking creatures and<br />

dangerous beings.<br />

FEATURING Anne Hathaway, Mia Wasikowska, Helena Bonham Carter<br />

DIRECTED BY Tim Burton<br />

HOW TO TRAIN YOUR DRAGON<br />

“DreamWorks’ most idiosyncratic and...charming fi lm in years. ”—Guardian<br />

1 hr.<br />

49 min.<br />

Teen spirit. Viking teenager Hiccup lives on the island of Berk, where fi ghting<br />

dragons is a way of life. He’s a bit of an outcast with his tribe and its chief, who<br />

happens to be Hiccup’s father. However, when Hiccup is included in Dragon<br />

Training, he sees his chance to prove he’s a fi ghter. But he encounters (and<br />

befriends) an injured dragon, and what started out as Hiccups one shot to prove<br />

himself turns into an opportunity to set a new course for the entire tribe.<br />

VOICES BY Gerard Butler, Kristen Wiig, Jonah Hill<br />

DIRECTED BY Dean DeBlois, Chris Sanders<br />

CUSTOMERS ARE WELCOME TO VIEW their own<br />

video entertainment aboard a United aircraft as long<br />

as they are able to show the programming has an<br />

MPAA rating of “R” or less.<br />

1 hr.<br />

38 min.<br />

VALENTINE’S DAY<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

(S) Spanish<br />

(G) German<br />

(C) Chinese<br />

(J) Japanese<br />

[V] Violence<br />

[S] Sexual Situations<br />

[T] Adult Themes<br />

1 hr.<br />

57 min.<br />

“Valentine’s Day accomplishes what it sets out to do. That is, it puts a smile on<br />

your face and leaves you reaching for the hand of your signifi cant other, which is<br />

as legitimate a goal as that of any action-thriller. ”—New Orleans Times-Picayune<br />

Valentine’s Day follows the lives of several couples on this special day. Their<br />

stories are told through the interconnections they have with each other. Some<br />

will fi nd romance in their relationship, and others will feel the heartbreak of<br />

ending a love affair.<br />

FEATURING Julia Roberts, Bradley Cooper, Jennifer Garner<br />

DIRECTED BY Garry Marshall<br />

THE GHOST WRITER<br />

111<br />

“Smooth, calm, confi dent, it builds suspense instead of depending on shock and<br />

action. The actors create characters who suggest [intrigue].”—Chicago Sun-Times<br />

2 hrs.<br />

8 min.<br />

When a successful ghostwriter agrees to fi nish the memoirs of a former British<br />

prime minister, his agent assures him it’s the opportunity of a lifetime. But the<br />

project seems doomed—not least because his predecessor on the project, Lang’s<br />

long-term aide, died in an unfortunate accident.<br />

FEATURING Ewan McGregor, Pierce Brosnan, Kim Cattrall<br />

DIRECTED BY Roman Polanski


FILM<br />

& TELEVISION<br />

TELEVISION DESCRIPTIONS<br />

The views contained in the video content are not necessarily those of United.<br />

LIVE LAUGH LEARN<br />

ANTHONY BOURDAIN:<br />

NO RESERVATIONS [T]<br />

The world-famous, sharp-tongued chef and food<br />

writer joins up with friends to visit New York’s<br />

defi ning restaurants. They must cope with how<br />

Manhattan culture is disappearing along with these<br />

famous eateries.<br />

DHANI TACKLES THE GLOBE [T]<br />

Join NFL linebacker Dhani Jones as he explores<br />

the world and learns new cultures. In Russia, Dhani<br />

attempts Sambo—the art of self-defense without<br />

weapons. Only showing on p.s. fl ights from Los<br />

Angeles and San Francisco to New York’s JFK airport.<br />

30 ROCK [T]<br />

Liz proposes an episode of the variety show she<br />

writes be done on location in Miami in the dead<br />

of winter to boost morale, but boss Jack changes<br />

the locale to Boston so that he can be close to his<br />

sweetheart, Nancy. Burrr!<br />

THE MIDDLE [T]<br />

When parents Frankie and Mike hear son Brick is<br />

“socially challenged,” they try to get him interested<br />

in basketball. That fails, but Mike discovers<br />

that Brick has a talent for souping up machines.<br />

Meanwhile Frankie tries to get new football jerseys.<br />

GET IN TOUCH<br />

Like to plan ahead and know what’s playing before your<br />

flight? Text “MOVIE” to 75309 and you’ll get a reply with<br />

the current movies that are playing. If you really like to<br />

plan ahead, text “NEXT MOVIE” for next month’s movies.<br />

What do you think of our programming? We’re open to<br />

suggestions. Please send them to play@united.com or visit<br />

united.com/play.<br />

HUBBLE: FINAL FRONTIER<br />

The Hubble Telescope and its accomplishments are<br />

highlighted in this documentary. The 20-year-old<br />

piece of equipment has helped scientists see into<br />

other galaxaies and predict what will happen in<br />

the future.<br />

RAGING PLANET [T]<br />

Lightning is the most powerful electrical force on<br />

earth, and it strikes our planet around 10 million<br />

times a day. In recent years, high-speed cameras<br />

have captured the phenomenon in unprecedented<br />

detail. See the stunning images for the fi rst time.<br />

YOUR COMPLETE GUIDE TO MOVIES, TV SHOWS, MUSIC AND PREMIUM SEAT COMFORT ABOARD UNITED<br />

CURIOUS THINGS<br />

Go down the rabbit hole to learn what<br />

Alice in Wonderland look so wondrous.<br />

JUNE <strong>2010</strong><br />

PLAY<br />

Play_0610_p01_Cover.indd 1 23/04/<strong>2010</strong> 12:43<br />

IF YOUR AIRCRAFT<br />

IS EQUIPPED<br />

with in-seat video,<br />

refer to the separate<br />

Play guide located in<br />

your seat pocket.


It takes more than practice,<br />

dedication and guts to be an Olympian.<br />

It takes YOU.<br />

America’s Olympic and Paralympic athletes rely on individual contributions to help them reach their dreams<br />

and represent their country. So join the Olympic Movement and support our team – Team USA.<br />

Every donation – no matter the size – can make a big difference in an athlete’s life.<br />

Together we win.<br />

To donate, log onto TeamUSA.org or call 888-222-2313<br />

You can also donate your United Mileage Plus ® miles to the Olympic and Paralympic athletes of Team USA by visiting TeamUSA.org.<br />

© <strong>2010</strong> The United States Olympic Committee<br />

Flying America’s Team for 30 Years


CRAZY HEART<br />

An alcoholic country music singer is able to get his<br />

life and career back on track through his relationship<br />

with a female reporter and becomes a mentor to<br />

contemporary country star at the peak of his career.<br />

FEATURING Jeff Bridges, Colin Farrell,<br />

Maggie Gyllenhaal<br />

DIRECTED BY Scott Cooper<br />

INVICTUS<br />

1 hr.<br />

52 min.<br />

2 hrs.<br />

8 min.<br />

The fi lm tells the story of how Nelson Mandela<br />

joined forces with the captain of South Africa’s<br />

rugby team, Francois Pienaar. Believing he can bring<br />

his people together through sports, Mandela rallies<br />

the underdog team as they make a run to the 1995<br />

World Cup Championship.<br />

FEATURING Morgan Freeman, Matt Damon,<br />

Scott Eastwood<br />

DIRECTED BY Clint Eastwood<br />

Digital media loading occurs between the 25th and 5th<br />

of each month. As a result, please understand if your<br />

fl ight features a different lineup before and after the<br />

start of each month.<br />

THE YOUNG VICTORIA<br />

1 hr.<br />

45 min.<br />

It’s 1837, and Victoria is the object of a royal<br />

power struggle. Her uncle, King William, is dying,<br />

and Victoria is in line for the throne. Everyone<br />

around Victoria—her mother, her adviser and her<br />

governess—smothers the queen-to-be and keeps her<br />

out of court. The fi lm follows her as she takes the<br />

throne, learns which advisers to trust and develops<br />

her famous romance with Prince Albert.<br />

FEATURING Emily Blunt, Rupert Friend, Paul Bettany<br />

DIRECTED BY Jean-Marc Vallée<br />

THE LAST STATION<br />

1 hr.<br />

52 min.<br />

After almost 50 years of marriage, Leo Tolstoy’s<br />

devoted wife fi nds her world turned upside down:<br />

In the name of his newfound religion, the novelist<br />

renounces his title and family in favor of poverty.<br />

A tale of two romances, one beginning, one near its<br />

end, The Last Station is about the diffi culty of living<br />

with love and the impossibility of living without it.<br />

FEATURING Helen Mirren, Christopher Plummer,<br />

James McAvoy<br />

DIRECTED BY Michael Hoffman<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

(S) Spanish<br />

(G) German<br />

(C) Chinese<br />

(J) Japanese<br />

EXTRAORDINARY<br />

MEASURES<br />

1 hr.<br />

45 min.<br />

John Crowley walks away from a successful career<br />

when his two youngest children are diagnosed with<br />

a fatal disease. With his wife, Aileen, by his side,<br />

Crowley teams up with a brilliant, unconventional<br />

scientist to form a company focused on developing a<br />

life-saving drug.<br />

FEATURING Brendan Fraser, Harrison Ford<br />

DIRECTED BY Tom Vaughan<br />

LEAP YEAR<br />

[V] Violence<br />

[S] Sexual Situations<br />

[T] Adult Themes<br />

1 hr.<br />

39 min.<br />

Amy Adams stars in this comedy about a woman<br />

scheming to propose to her boyfriend on February<br />

29, per Irish tradition. She faces a setback when<br />

she needs the help of an attractive innkeeper to<br />

get her to her boyfriend. After that, the surprises<br />

keep coming.<br />

FEATURING Amy Adams, Matthew Goode, Adam Scott<br />

DIRECTED BY Anand Tucker<br />

ELECTRONIC EQUIPMENT/PERSONAL DEVICES<br />

United Airlines strives to make its customer experience safe and comfortable and accordingly has issued the following in regard to the use of electronic equipment/personal devices onboard its<br />

aircraft. However, the following is not a contract and does not create any legal rights or obligations. Certain electronic devices may not be used on our planes for safety reasons. Such devices may cause<br />

electromagnetic interference with cockpit navigation or communications systems during ground operations and while the aircraft is fl ying below 10,000 feet. However, when an aircraft is traveling above<br />

10,000 feet (normally about 10 minutes after takeoff), passengers can use many of the devices listed. Hearing aids, heart pacemakers and watches are acceptable at all times.<br />

These electronic devices can be used in the cabin, but may not be used during takeoff and landing: Calculators; handheld computer games; shavers; portable CD and tape players; laptop computers/<br />

accessory printers/tape drives; portable VCRs/video players<br />

These electronic devices cannot be used on the airplane at any time: Cellular phones (cellular phones maybe used on the plane at the gate before the aircraft door is closed or at captain’s discretion when<br />

the plane is away from the gate and on the ground); televisions; AM/FM transmitters-receivers; remote-controlled toys<br />

In addition, United Airlines has an onboard photography and video policy. Customers who bring personal audio and video equipment onboard may only use these items with headsets. Noise-canceling<br />

headsets may be activated. The use of still and video cameras, fi lm or digital, including any cellular or other devices that have this capability, is permitted only for recording of personal events. However,<br />

photography, audio or video recording of other customers without their express prior consent is strictly prohibited. Also, unauthorized photography, audio or video recording of airline personnel, aircraft<br />

equipment or procedures is always prohibited. Any voice, audio, video or other photography (motion or still), recording or transmission while on any United Airlines aircraft is strictly prohibited, except to<br />

the extent specifi cally permitted by United Airlines. UAL Corporation October 2009.<br />

115


AUDIO<br />

PROGRAMMING<br />

The latest top selling<br />

songs from Zune.<br />

The latest in Indie<br />

and Modern Rock.<br />

The best from the world<br />

of chamber music.<br />

The latest and greatest<br />

in world music.<br />

The best of current<br />

adult pop.<br />

The best of pop music<br />

from around the world.<br />

The best in music<br />

performed on the piano.<br />

The latest and greatest<br />

in R&B and soul.<br />

The greatest classic<br />

rock hits.<br />

Black Eyed Peas<br />

Combining positive messages<br />

with high-energy music, Black<br />

Eyed Peas link Hip Hop and<br />

Pop music. Listen to “I Gotta<br />

Feeling” on the Contemporary<br />

Pop Channel.<br />

The best of<br />

contemporary jazz.<br />

The best from the<br />

world of opera.<br />

The latest and greatest<br />

alternative hits.<br />

The best from the world<br />

of classical music.<br />

The best of atmospheric<br />

and new age music.<br />

The latest and classics<br />

from movie soundtracks.<br />

Mary J Blige<br />

The best of current<br />

and classic country.<br />

The latest and top<br />

selling music for kids.<br />

The latest in electronic<br />

and dance music.<br />

The best in comedy.<br />

Redefi ning R&B, Mary J Blige<br />

has used music to touch lives,<br />

bringing soul and truth to<br />

audiences worldwide. Listen<br />

to “The One” on the R&B<br />

Soul Channel.


CHANNEL 777 (2-CABIN) SELECT A320 A319 & A320 747 757/767 (2-CABIN)<br />

1 movie (english) movie (english) movie (english) movie (english) movie (english)<br />

2 top songs in zune top songs in zune top songs in zune movie (dubbed) top songs in zune<br />

3 contemporary pop contemporary pop contemporary pop movie (dubbed) contemporary pop<br />

4 classical classical classical classical classical<br />

5 new wave new wave new wave new wave new wave<br />

6 country country unavailable country country<br />

7 classic rock classic rock unavailable classic rock classic rock<br />

8 kids kids unavailable contemporary pop kids<br />

9 fl ight deck fl ight deck fl ight deck contemporary<br />

jazz/fl ight deck<br />

contemporary<br />

jazz/fl ight deck<br />

10 indie/modern rock movie (dubbed) movie (dubbed) top songs in zune movie (dubbed)<br />

11 world pop indie/modern rock indie/modern rock kids<br />

12 new age new age new age new age<br />

13 r&b/soul contemporary jazz country chamber music<br />

14 electronic/dance electronic/dance classic rock world music<br />

15 chamber music chamber music kids<br />

16 piano jazz<br />

17 opera<br />

18 soundtracks<br />

19 comedy<br />

on<br />

Zune and United bring you a sample of the<br />

hundreds of channels available to Zune users across<br />

PCs, Media Players and Xbox 360 consoles. Learn<br />

more about Zune music and video entertainment<br />

on www.zune.net.<br />

Find your aircraft model on the grid below to fi nd the Zune channel that’s right for you.<br />

flight deck<br />

A feature unique to United, live radio communications<br />

between the flight deck and Air Traffi c Control is offered.<br />

As you listen, your flight will be identified by its fl ight<br />

number. May not be available on all fl ights. Available at your<br />

captain’s discretion.<br />

zune pass<br />

Like what you hear? Get all the music offered here today plus<br />

unlimited access to millions of other songs with a Zune ® Pass<br />

music subscription.*<br />

Visit zune.net/zunepass to try it free for 14-days.<br />

*Zune Pass is a monthly music subscription, available in the United States. Available content may vary over time.


the ultimate in-fl ight entertainment<br />

Zune ® HD is a premium portable entertainment experience in the palm<br />

of your hand. Listen to music, enjoy HD Radio broadcasts on the go,<br />

watch your favorite movies and TV shows, surf the web through a Wi-Fi<br />

connection, play games and more. You can even connect Zune HD to<br />

your HDTV* and watch your HD movies on the big screen. Not a bad<br />

way to pass time.<br />

Zune HD by Microsoft. Get yours today.<br />

Available at<br />

* Zune HD AV Dock and an HDTV (all sold separately) are required to view video at 720p HD resolution. Zune HD player screen is 480x272 – not HD. Zune HD is only<br />

available in the United States.


MCNICHOLS AT CIVIC CENTER PARK Art. Concerts. Talks. Kids-Patch. Dance. Film.<br />

A REVITALIZED 30,000 SQUARE-FOOT MONUMENT WILL FEATURE AN EXHIBITION TITLED "THE NATURE OF THINGS", SHOWCASING NEVER<br />

BEFORE SEEN CONTEMPORARY ARTISTS FROM THE AMERICAS.<br />

CITYWIDE EXHIBITIONS Butterflies. Symphonies. Theater. Art Walks.<br />

DENVER’S MOST NOTABLE ARTISTIC AND CULTURAL CENTERS WILL CELEBRATE THE RICHNESS OF THE AMERICAS ARTS AND CULTURE<br />

WITH SPECIAL BIENNIAL PROGRAMMING.<br />

AMERICAS ROUNDTABLES Global Issues. World Leaders. Call to Action.<br />

A SERIES OF SEVEN SYMPOSIA AND TRANSNATIONAL SUMMITS THAT WILL PROMOTE MORE COHESIVENESS AND COLLABORATION<br />

AMONG THE 35 NATIONS OF THE WESTERN HEMISPHERE WHILE BUILDING MANDATES FOR POLICY ACTION.<br />

BIENNIAL OF THE AMERICAS<br />

JULY 1ST – 31ST ,<strong>2010</strong><br />

THE BIENNIAL OF THE AMERICAS WILL BE A MONTH-LONG CELEBRATION OF THE PEOPLE,<br />

ART AND CULTURE OF THE WESTERN HEMISPHERE.<br />

TICKETS ON SALE NOW – WWW.BIENNIALOFTHEAMERICAS.ORG<br />

DENVER, COLORADO


ROUTE MAPS<br />

NORTH AMERICAN CITIES<br />

United/United Express Route Cities served by United and<br />

Time zone boundary<br />

United Express<br />

UNITED HUB<br />

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or partner Code Share<br />

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Brownsville


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(Reagan National)<br />

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Melbourne<br />

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Cairns<br />

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Recife<br />

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Sal<br />

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INFORMATION & TERMINAL DIAGRAMS<br />

DOMESTIC<br />

MAKING YOUR CONNECTING FLIGHT. Whether your next fl ight is on United or one of the Star<br />

Alliance partners around the world, use the terminal diagrams on pages 125–128 to plan<br />

your connection. In addition to gate locations, these maps show ticket counters, United<br />

Red Carpet Clubs and interterminal transportation.<br />

CONTACT INFORMATION<br />

Reservations<br />

united.com<br />

800-UNITED-1 (800-864-8331)<br />

Automated Flight Information<br />

800-UNITED-1 (800-864-8331)<br />

Mileage Plus<br />

24-Hour Account Information &<br />

Award Travel<br />

united.com/mileageplus<br />

800-UNITED-1 (800-864-8331)<br />

Mileage Plus Visa Customer<br />

Service<br />

united.com/chase<br />

800-537-7783<br />

Baggage Services<br />

united.com/baggage<br />

800-UNITED-1 (800-864-8331)<br />

Refunds<br />

united.com/refunds<br />

800-UNITED-1 (800-864-8331)<br />

Customer Relations<br />

united.com/customerrelations<br />

Email: customerrelations@<br />

united.com<br />

800-UNITED-1 (800-864-8331)<br />

Red Carpet Club<br />

united.com/redcarpetclub<br />

866-UA-CLUBS (toll-free)<br />

520-881-0500 (outside the U.S.)<br />

Hearing Impaired (TDD)<br />

800-323-0170<br />

Language Assistance (Asian)<br />

800-426-5560<br />

Reservaciones en Español<br />

800-426-5561<br />

United Cargo<br />

unitedcargo.com<br />

800-UA-CARGO (800-822-2746)<br />

United Services<br />

unitedsvcs.com<br />

TRAVEL ASSISTANCE FOR DELAYED OR CANCELED FLIGHTS<br />

At United Airlines, our priority is safety and keeping an on-time<br />

schedule. On occasion, canceling or delaying a fl ight is the only option<br />

to assure we maintain the highest safety standards.<br />

Flight canceled? We automatically confi rm you on the next United<br />

fl ight with available seats. EasyCheck-in® units located in the concourse<br />

will assist you with information and a boarding pass—it will also help<br />

you standby for an earlier United fl ight if one is scheduled. If you want<br />

to travel standby and aren’t boarded, we will transfer your name to the<br />

next United fl ight to your destination until you are onboard.<br />

What about my bag? Baggage is boarded on the next fl ight if space<br />

is available. This means your bags may arrive before you. United will<br />

secure the bag until you claim it. See a baggage claim representative.<br />

What if I have to stay overnight? If a fl ight is canceled to address a<br />

mechanical issue or another similar reason within our control, we<br />

Meetings Plus<br />

800-MEET-UAL (800-633-8825)<br />

Duty Free World<br />

6095 NW 167th St. Suite D-4<br />

Miami, FL 33015 USA<br />

800-668-6182<br />

United Vacations<br />

unitedvacations.com<br />

800-32-TOURS (800-328-6877)<br />

Charter an Airplane<br />

united.com/charter<br />

Small Package Same Day<br />

Shipping<br />

Small Package Dispatch (SPD)—<br />

Airport-to-airport service:<br />

800-722-5243<br />

Employment Opportunities<br />

united.com/jobs<br />

888-UAL-JOBS (888-825-5627)<br />

EasyCheck-in kiosks are located<br />

on the concourse to assist<br />

customers who have experienced<br />

a misconnection or canceled<br />

fl ight. Customers who have<br />

e-tickets and are traveling<br />

domestically may use the kiosk to:<br />

1. Rebook on another fl ight<br />

2. Obtain a boarding pass<br />

3. Standby for the next fl ight to<br />

their destination<br />

will provide you with a hotel and meal voucher. For uncontrollable<br />

events—such as weather—we may be able to help you locate a local<br />

hotel at a discounted rate; however United does not cover hotel or<br />

meal expenses in this event. If we can not retrieve your checked bag,<br />

overnight kits containing toiletries are available. Please see an agent.<br />

What if the reason for my travel no longer exists? If as a result of the<br />

delay or cancelation you decide not to travel, call United reservations<br />

(1-800 UNITED-1) to get information on your options.<br />

Help us help you keep informed. Sign up for EasyUpdate®, our messaging<br />

service. If your fl ight is canceled or delayed, EasyUpdate® will<br />

inform you. Enroll at united.com/easyupdate. At home? Go to united.<br />

com for information or to check-in and print your boarding pass.<br />

Your safety and satisfaction are important. We appreciate your business<br />

and apologize for any inconvenience you may have experienced.


ORD<br />

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CHICAGO / O’HARE INTERNATIONAL AIRPORT EasyCheck-in is available at this airport.<br />

United Gate Area<br />

United Red Carpet Club<br />

United First International Lounge<br />

United Arrivals Suite<br />

United Premier Check-In<br />

Power Charging Station<br />

Interterminal Shuttle Bus Stop / Train Stop<br />

United Easy Check-In /<br />

Customer Service Center<br />

Medical Center<br />

WASHINGTON / DULLES INTERNATIONAL AIRPORT EasyCheck-in is available at this airport.<br />

United Gate Area<br />

United Red Carpet Club<br />

United First International Lounge<br />

International Arrivals Suite<br />

United Premier Check-In<br />

United Easy Check-In /<br />

Customer Service Center<br />

TERMINAL<br />

FIVE<br />

International<br />

Arrivals<br />

Concourse C<br />

Air Canada<br />

Train<br />

C2 C12 C18<br />

C1<br />

TERMINAL<br />

THREE<br />

Concourse M<br />

A2 A4 A6<br />

A1 A3 A5<br />

Concourse F<br />

US Airways<br />

C Connector Tunnel<br />

A14<br />

F11<br />

C24<br />

C9 C17 C27<br />

Concourse A<br />

South African Airways<br />

Z GATES<br />

US Airways<br />

F14<br />

F10<br />

F4<br />

TERMINAL<br />

TWO<br />

F6<br />

F1<br />

Elevated Airport<br />

Transit System (ATS)<br />

D2<br />

D1 D3<br />

Shuttle Bus<br />

MAIN TERMINAL<br />

E3<br />

E1<br />

Concourse E<br />

Air Canada<br />

Shuttle Bus<br />

B1<br />

Concourse B<br />

Continental<br />

Lufthansa<br />

A32<br />

Shuttle Bus<br />

B6<br />

C1<br />

B9<br />

B22<br />

C9<br />

Pedestrian<br />

Tunnel<br />

TERMINAL<br />

ONE<br />

B14<br />

B18<br />

C8<br />

C17<br />

C19<br />

125<br />

Concourse C<br />

ANA<br />

C16<br />

C18<br />

Concourse D<br />

D8 D30<br />

B37 B79<br />

C24<br />

Concourse B<br />

ANA<br />

Austrian Airlines<br />

Continental<br />

Lufthansa<br />

SAS<br />

C32<br />

Shuttle runs between Gates C9 and E3.


LAX<br />

SFO<br />

DEN<br />

TERMINAL DIAGRAMS<br />

DOMESTIC & OVERSEAS<br />

MAKING YOUR CONNECTING FLIGHT. Whether your next fl ight is on United or one of the Star<br />

Alliance partners around the world, use the terminal diagrams on pages 125–128 to plan<br />

your connection. In addition to gate locations, these maps show ticket counters, United<br />

Red Carpet Clubs and interterminal transportation.<br />

LOS ANGELES INTERNATIONAL AIRPORT EasyCheck-in is available at this airport.<br />

United Gate Area<br />

United Red Carpet Club<br />

United First International Lounge<br />

United Premier Check-In<br />

Interterminal Shuttle Bus Stop<br />

United Easy Check-In /<br />

Customer Service Center<br />

SAN FRANCISCO INTERNATIONAL AIRPORT EasyCheck-in is available at this airport.<br />

United Gate Area<br />

United Red Carpet Club<br />

United First International Lounge<br />

United Arrivals Suite<br />

International Arrivals Suite<br />

United Premier Check-In<br />

Power Charging Station<br />

United Easy Check-In /<br />

Customer Service Center<br />

Medical Center<br />

DENVER INTERNATIONAL AIRPORT EasyCheck-in is available at this airport.<br />

United Gate Area<br />

International Arrivals Suite<br />

United Premier Check-In<br />

Interterminal Train Stop<br />

United Easy Check-In /<br />

Customer Service Center<br />

15<br />

16<br />

TOM BRADLEY<br />

INTERNATIONAL<br />

TERMINAL<br />

Lufthansa<br />

Thai Airways<br />

ANA<br />

Singapore<br />

Asiana<br />

Swiss<br />

Concourse C<br />

US Airways<br />

Concourse A<br />

Air Canada<br />

Continental<br />

Lufthansa<br />

25<br />

26<br />

28<br />

TERMINAL<br />

WEST<br />

TERMINAL 3 TERMINAL 2<br />

Air Canada<br />

Air New Zealand<br />

TERMINAL 3<br />

Concourse F<br />

88<br />

Concourse G<br />

United<br />

Air New Zealand<br />

ANA<br />

Lufthansa<br />

Singapore<br />

37<br />

36<br />

79<br />

80<br />

89 81<br />

International Terminal<br />

Secure Connector<br />

39<br />

38<br />

73<br />

35 41<br />

72<br />

78A<br />

76A<br />

Concourse A<br />

Asiana<br />

71<br />

TERMINAL<br />

EAST<br />

67A<br />

TERMINAL 4 TERMINAL 5 TERMINAL 6<br />

Continental<br />

Concourse E<br />

Air Canada<br />

TERMINAL 1<br />

49<br />

64<br />

69A 68B<br />

TERMINAL 1<br />

US Airways<br />

12<br />

76<br />

88<br />

TERMINAL 7 TERMINAL 8<br />

★<br />

71A<br />

75A<br />

57<br />

57<br />

50 60<br />

Concourse B<br />

Continental<br />

US Airways<br />

Rountrip Shuttle service between Terminal G and Terminal 1.<br />

4B<br />

Shuttle Bus<br />

70A<br />

72<br />

Concourse B<br />

81<br />

80<br />

77<br />

91<br />

80 92


LHR<br />

LONDON / HEATHROW INTERNATIONAL AIRPORT<br />

United Gate Area<br />

United Arrivals Suite<br />

United Premier Check-In<br />

Interterminal Shuttle Bus Stop<br />

FRA<br />

FRANKFURT INTERNATIONAL AIRPORT<br />

United Gate Area<br />

Interterminal Train Stop<br />

Medical Center<br />

NRT<br />

TOKYO / NARITA INTERNATIONAL AIRPORT<br />

United Gate Area<br />

United Red Carpet Club<br />

United First International Lounge<br />

United Premier Check-In<br />

Medical Center<br />

TERMINAL 5<br />

TERMINAL 3<br />

Shuttle Bus<br />

Pier A, Level 3<br />

Gates A51-A65<br />

Lufthansa Tower Lounge<br />

Level 5<br />

TERMINAL 4<br />

Satellite 4<br />

43<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

Pedestrian Transfer Tunnel<br />

47<br />

B26<br />

B24<br />

B20<br />

B28<br />

B300-B303<br />

Shuttle Bus<br />

TERMINAL ONE<br />

B332-B340<br />

Pier B<br />

TERMINAL 1<br />

36<br />

TERMINAL 2<br />

C1<br />

B48<br />

B44<br />

37<br />

C5<br />

B46<br />

Satellite 3 Satellite 2<br />

37<br />

38 32<br />

Pedestrian Tunnel<br />

Satellite 5<br />

South Wing<br />

31<br />

Fourth Floor<br />

Third Floor<br />

Zone D<br />

Zone A<br />

TERMINAL 1<br />

42<br />

39<br />

127<br />

43<br />

50<br />

Pier C<br />

C7<br />

C8<br />

56<br />

Train to Terminal 2<br />

North Wing<br />

Satellite 1


TERMINAL DIAGRAMS<br />

STAR ALLIANCE<br />

United Gate Area<br />

United Red Carpet Club<br />

United First International Lounge<br />

United Arrivals Suite<br />

International Arrivals Suite<br />

United Premier Check-In<br />

US AIRWAYS HUBS CONTINENTAL HUBS<br />

PHL<br />

CLT<br />

PHX<br />

PHILADELPHIA INTERNATIONAL AIRPORT<br />

Concourse A<br />

West<br />

CHARLOTTE DOUGLAS INTERNATIONAL AIRPORT<br />

Concourse E<br />

PHOENIX SKY HARBOR INTERNATIONAL AIRPORT<br />

TERMINAL 2<br />

United<br />

1<br />

7<br />

Concourse A<br />

East<br />

Concourses B-E<br />

US Airways<br />

Concourses A, B, C & F<br />

US Airways<br />

Concourse C<br />

Concourse D<br />

Concourse B Concourse C<br />

Concourse F<br />

Continuous shuttle bus pickup and drop-off between Gates F10 and C16.<br />

1<br />

7<br />

Concourse B<br />

TERMINAL 4<br />

US Airways<br />

Concourse A Concourse B<br />

13<br />

Concourse E<br />

Concourse D<br />

United<br />

2 4<br />

Concourse A<br />

United<br />

Concourse B<br />

International<br />

To transfer between terminals, catch the interterminal bus curbside.<br />

IAH<br />

CLE<br />

EWR<br />

Power Charging Station<br />

Interterminal Shuttle Bus Stop / Train Stop<br />

United Easy Check-In / Customer Service Center<br />

Medical Center<br />

HOUSTON GEORGE BUSH INTERCONTINENTAL AIRPORT<br />

A25-30<br />

A17-24<br />

TERMINAL A<br />

United<br />

TerminaLink connects B, C, D and E.<br />

It is above ground transportation between terminals while inside security.<br />

CLEVELAND HOPKINS INTERNATIONAL AIRPORT<br />

C22<br />

D14<br />

C19 C16<br />

C25<br />

D10<br />

D17<br />

C14<br />

Concourse C<br />

Continental<br />

D21<br />

D6<br />

C7<br />

C29 C10 C4<br />

Pedestrian Tunnel<br />

D25<br />

D2<br />

B3<br />

C2<br />

D28<br />

NEWARK LIBERTY INTERNATIONAL AIRPORT<br />

115<br />

98<br />

127<br />

Shuttle Bus<br />

136<br />

92<br />

80<br />

102<br />

72<br />

101<br />

130<br />

TERMINALS A-E<br />

Continental<br />

A3-15 B76-83 B84-91<br />

B68-75 B60-67<br />

TERMINAL B<br />

88<br />

75<br />

71<br />

B3<br />

TERMINAL C<br />

Continental<br />

TerminaLink<br />

AirTrain<br />

B2<br />

TERMINAL B<br />

Concourse B<br />

United<br />

Concourse D<br />

Continental<br />

Shuttle Bus<br />

TERMINAL C TERMINAL E<br />

B1<br />

C14-23<br />

TERMINAL A<br />

United<br />

Continental<br />

A3<br />

TERMINAL D<br />

E10-14<br />

C34-42 E1-9 E15-24<br />

Concourse A<br />

A2<br />

A1


ENJOY A WORLD OF STAR ALLIANCE CONNECTIONS AND PRIVILEGES. Earn or redeem Mileage Plus<br />

miles when you fl y on any Star Alliance member carrier. The fl ight miles you earn qualify<br />

toward elite status for next year. As a Mileage Plus elite member, your status is recognized on<br />

all the Star Alliance carriers. For more information, go to united.com/staralliance.<br />

ALLIANCES AND PARTNERSHIPS<br />

STAR ALLIANCE PARTNERS<br />

Effective JUNE 13, <strong>2010</strong>, TAM will become a Star Alliance member<br />

REGIONAL ALLIANCE PARTNERS<br />

You can earn and redeem miles on many of our Regional<br />

Alliance Partners. See united.com/airlinepartners for specifi c<br />

information about each of our Regional Alliance Partners.<br />

Aer Lingus<br />

Air Dolomiti<br />

Continental Connection<br />

Emirates<br />

Great Lakes<br />

Hawaiian Airlines<br />

Island Air<br />

Jet Airways<br />

Qatar Airways<br />

TACA Group<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

129<br />

STAR ALLIANCE Established in 1997 as the fi rst<br />

truly global airline alliance to offer customers a<br />

worldwide travel network that aims to provide<br />

customers a seamless travel experience across<br />

multiple airlines. Today the Star Alliance network<br />

offers more than 18,900 daily fl ights to 983<br />

destinations in 169 countries.<br />

EARN MILEAGE PLUS® MILES AND ELITE STATUS FASTER<br />

With the largest airline alliance, you can earn<br />

miles almost anywhere in the world you fl y. Miles<br />

can be earned on most fares on almost every Star<br />

Alliance fl ight and can be credited to your Mileage<br />

Plus account. Plus the fl ight miles you earn will<br />

count toward elite status in Mileage Plus. See<br />

united.com/airpartners for details.<br />

EARN RECOGNITION AROUND THE WORLD The more<br />

miles you fl y with United and the Star Alliance<br />

airlines, the higher your Mileage Plus elite status<br />

can be: Premier®, Premier Executive® or 1K®.<br />

Mileage Plus elite status is recognized across<br />

the alliance as either Star Alliance Silver or Star<br />

Alliance Gold, with travel benefi ts worldwide. See<br />

united.com/staralliance for the Star Silver and Star<br />

Gold benefi ts you can receive.<br />

AWARD TRAVEL IS NOW EASIER With Star Alliance<br />

Awards, you can use your Mileage Plus miles<br />

for award travel on any Star Alliance carrier<br />

worldwide. Or use them for Star Alliance Upgrade<br />

Awards—upgrade to a premium cabin and travel in<br />

comfort (available on most Star Alliance airlines).


CUSTOMS<br />

& IMMIGRATION<br />

ENTRY REGULATIONS<br />

CUSTOMS DECLARATION<br />

ENGLISH<br />

All passengers (or one per family) are<br />

required to complete the Customs<br />

Declaration forms prior to arrival in the U.S.<br />

The forms will be distributed infl ight and<br />

should include all personal data in English<br />

and in capital letters. Please ensure you sign<br />

your name.<br />

SPANISH/ESPAÑOL<br />

Todos los pasajeros (o uno por cada familia)<br />

tienen que llenar los formularios de<br />

Declaración de Aduanas antes de llegar a<br />

los EE.UU. Los formularios se distribuirán<br />

durante el veulo y deben incluir todos sus<br />

datos personales en inglés y con letras<br />

mayúsculas. No olvide fi rmar en el reverso<br />

del formulario.<br />

1. Apellido, Nombre, Segundo<br />

nombre<br />

2. Fecha de nacimiento (Día/Mes/Año)<br />

HAZARDOUS MATERIALS<br />

The following items are considered hazardous<br />

materials. Do not pack in checked or<br />

carry-on luggage.<br />

FLAMMABLE LIQUIDS OR SOLIDS<br />

Fuel, paints, solvents, lighter fl uid, matches<br />

WEAPONS<br />

Loaded fi rearms, ammunition, gunpowder,<br />

Mace, tear gas, pepper spray<br />

HOUSEHOLD ITEMS<br />

Drain cleaners and solvents<br />

COMPRESSED GASES<br />

Spray can, butane fuel, oxygen bottles<br />

FIREWORKS<br />

Firecrackers, sparklers or explosives<br />

OTHER HAZARDOUS MATERIALS<br />

Dry ice, gasoline-powered tools, camping<br />

equipment with fuel, wet cell batteries,<br />

oxidizers, corrosives, radioactive materials,<br />

3. Cuántos familiares viajan con usted<br />

4. (a) Dirección en los EE.UU.<br />

(nombre del hotel/lugar)<br />

(b) Ciudad, (c) Estado<br />

5. Pasaporte expedido en (páis)<br />

6. Número del pasaporte<br />

7. País de residencia<br />

8. Países que visitó durante este viaje<br />

antes de su llegada a los EE.UU.<br />

9. Línea aérea/número de vuelo o nombre<br />

del barco<br />

10. El propósito principal de este viaje es de<br />

negocios: Sí / No<br />

11. Traigo (Traemos)<br />

(a) frutas, plantas, alimentos, insectos:<br />

Sí / No<br />

(b) carnes, animales, productos de<br />

animales o silvestres: Sí / No<br />

(c) agentes de enfermedades, cultivos<br />

celulares, caracoles:Sí / No<br />

(d) tierra o he (hemos) estado en fi nca/<br />

granja/pastizales: Sí / No<br />

12. He (Hemos) estado en cercanías de<br />

ganado (tocando o manipulándolo):<br />

Sí / No<br />

13. Llevo (Llevamos) divisas o<br />

instrumentos monetarios por valor<br />

superior a $10,000 o su equivalente en<br />

moneda extranjera (Véase la defi nición<br />

de instrumentos monetarios al dorso):<br />

Sí / No<br />

14. Tengo (Tenemos) mercancías<br />

comerciales (artículos para la venta,<br />

muestras para solicitar pedidos o bienes<br />

que no constituyen efectos personales):<br />

Sí / No<br />

15. Residentes—el valor total de todos<br />

los bienes, incluidas las mercancías<br />

comerciales que he (hemos) comprado<br />

en el extranjero, (incluyendo regalos<br />

para otras personas, pero sin incluir<br />

los artículos enviados por correo a<br />

los EE.UU.) y que estoy (estamos)<br />

introduciendo en los EE.UU. es de:<br />

$___<br />

Visitantes—el valor total de todos<br />

los artículos que permanecerán en<br />

los EE.UU., incluidas las mercancías<br />

comerciales, es de: $___<br />

I-94 ARRIVAL / DEPARTURE RECORD<br />

DEPARTMENT OF HOMELAND SECURITY OMB No. 1651-0111<br />

U.S. Customs and Border Protection<br />

Welcome to the United States<br />

I-94 Arrival/Departure Record<br />

Instructions<br />

This form must be completed by all persons except U.S. Citizens, returning resident aliens,<br />

aliens with immigrant visas, and Canadian Citizens visiting or in transit.<br />

Type or print legibly with pen in ALL CAPITAL LETTERS. Use English. Do not write on the<br />

back of this form.<br />

This form is in two parts. Please complete both the Arrival Record (Items 1 through 17) and<br />

the Departure Record (Items 18 through 21).<br />

When all items are completed, present this form to the CBP Officer.<br />

Item 9 - If you are entering the United States by land, enter LAND in this space. If you are<br />

entering the United States by ship, enter SEA in this space.<br />

5 U.S.C. § 552a(e)(3) Privacy Act Notice: Information collected on this form is required by Title 8 of the U.S. Code,<br />

including the INA (8 U.S.C. 1103, 1187), and 8 CFR 235.1, 264, and 1235.1. The purposes for this collection are to<br />

give the terms of admission and document the arrival and departure of nonimmigrant aliens to the U.S. The<br />

information solicited on this form may be made available to other government agencies for law enforcement purposes<br />

or to assist DHS in determining your admissibility. All nonimmigrant aliens seeking admission to the U.S., unless<br />

otherwise exempted, must provide this information. Failure to provide this information may deny you entry to the<br />

United States and result in your removal.<br />

CBP Form I-94 (05/08)<br />

OMB No. 1651-0111<br />

Arrival Record<br />

Admission Number<br />

See Other Side<br />

ENGLISH<br />

Prior to arrival in the U.S., all foreign<br />

nationals (except Canadian citizens and<br />

U.S. permanent residents or nationals<br />

of countries entitled to the Visa Waiver<br />

Program—see I-94W on next page) are<br />

required to complete an I-94 form. One<br />

form is required for each family member.<br />

Customers should complete all personal and<br />

travel-related information included on the<br />

front side of the form. Please do not write on<br />

ENGLISH<br />

000000000 00<br />

1. Family Name<br />

2. First (Given) Name 3. Birth Date (DD/MM/YY)<br />

4. Country of Citizenship 5. Sex (Male or Female)<br />

6. Passport Issue Date (DD/MM/YY) 7. Passport Expiration Date (DD/MM/YY)<br />

8. Passport Number 9. Airline and Flight Number<br />

10. Country Where You Live 11. Country Where You Boarded<br />

12. City Where Visa Was Issued 13. Date Issued (DD/MM/YY)<br />

14. Address While in the United States (Number and Street)<br />

15. City and State<br />

16. Telephone Number in the U.S. Where You Can be Reached<br />

17. Email Address<br />

DEPARTMENT OF HOMELAND SECURITY<br />

U.S. Customs and Border Protection<br />

Departure Record<br />

Admission Number<br />

000000000 00<br />

18. Family Name<br />

CBP Form I-94 (05/08)<br />

OMB No. 1651-0111<br />

19. First (Given) Name 20. Birth Date (DD/MM/YY)<br />

21. Country of Citizenship<br />

CBP Form I-94 (05/08)<br />

STAPLE HERE<br />

Effective January 12, 2009, all passengers<br />

who intend to travel to the United States<br />

without a U.S. Visa under the terms of<br />

the Visa Waiver Program must obtain<br />

an electronic preauthorization or ESTA<br />

in advance of travel. When planning<br />

international travel, please be sure that<br />

you are in possession of all required<br />

documents. Remember to allow ample time<br />

for acquiring offi cial travel documents. For<br />

complete information on the requirements,<br />

and to apply for ESTA, please visit www.<br />

cbp.gov/esta.<br />

the back side of the form. All information<br />

should be written in capital letters and in<br />

English. You are required to keep this form<br />

until your departure from the U.S.<br />

SPANISH / ESPAÑOL<br />

Antes de su llegada a los Estados Unidos,<br />

todos los ciudadanos extranjeros (excepto<br />

los ciudadanos de Canadá y los residentes<br />

permanentes en los Estados Unidos o<br />

ciudadanos de los países que tienen el<br />

Programa “Visa Waiver”—Ver formulario<br />

I-94W en hoja adjunta) tienen que llenar<br />

un formulario I-94. Hay que rellenar un<br />

formulario por cada miembro de la familia.<br />

Los pasajeros llenarán toda la información<br />

personal y relativa al viaje que se incluye en<br />

el anverso del formulario. Le rogamos que<br />

no escriba en el reverso del formulario. Toda<br />

la información debe estar escrita con letras<br />

mayúsculas y en inglés. Le rogamos que<br />

guarde este formulario hasta que salga de<br />

los Estados Unidos.<br />

1. Apellido<br />

2. Nombre<br />

3. Fecha de nacimiento<br />

(Día/Mes/Año)<br />

4. País de ciudadanía<br />

5. Sexo (masculino o femenino)<br />

6. Fecha de emisión del pasaporte<br />

7. Fecha de vencimiento del pasaporte<br />

8. Número de pasaporte<br />

9. Aerolínea y número de vuelo<br />

10. País donde vives<br />

11. País en el que abordaron<br />

12. Ciudad donde obtuvo el visado<br />

13. Fecha del visado (Día/Mes/Año)<br />

14. Direccion donde se quedará en los<br />

EE.UU (Número, calle)<br />

15. Ciudad y Estado<br />

16. Teléfono de contacto en EE.UU.<br />

17. Dirección de correo electrónico<br />

18. Apellido<br />

19. Nombre<br />

20. Fecha de nacimiento (Día/Mes/Año)<br />

21. Pais de ciudadanía<br />

HAZARDOUS MATERIALS NOTICE & IMPORT RESTRICTIONS ELECTRONIC SYSTEM FOR TRAVEL AUTHORIZATION<br />

poisons, infectious substances<br />

NOTE<br />

There are special exceptions for small<br />

quantities of up to 70 oz. (2 kg or 2 liters) of<br />

medicinal and toilet articles carried in your<br />

luggage. For further information, check with<br />

any airline representative.<br />

IMPORT RESTRICTIONS<br />

Please note new controls on the import of<br />

meat, fi sh, plants and their products into the<br />

United Kingdom and European Union. Check<br />

the advisory notices displayed in the baggage<br />

hall for a detailed explanation of these<br />

restrictions. If you possess any of these items,<br />

please declare them to customs in the red<br />

channel to avoid legal consequences.<br />

SPANISH / ESPAÑOL<br />

A partir del 12 de enero de 2009, todos los<br />

pasajeros que quieran viajar a los EE.UU.<br />

(entre los terminos del programa de no tener<br />

que usar la Visa) tendran que obtener una<br />

preautorización electronica o ESTA antes<br />

de viajar. Cuando estés coordinando viajes<br />

internacionales, este seguro que tenga todos<br />

los documentos requerídos. No se olvide<br />

de dejar tiempo sufi ciente para adquirir los<br />

documentos ofi ciales de viaje.<br />

Para información completa sobre todos los<br />

requisitos, y para aplicar para ESTA, por<br />

favor visite www.cbp.gov/esta.


I-94 NONIMMIGRANT VISA WAIVER / FRONT<br />

DEPARTMENT OF HOMELAND SECURITY<br />

OMB No. 1651-0111<br />

U.S. Customs and Border Protection<br />

Welcome to the United States<br />

I-94W Nonimmigrant Visa Waiver Arrival/Departure Record<br />

Instructions<br />

This form must be completed by every nonimmigrant visitor not in possession of a visitor’s<br />

visa, who is a national of one of the countries enumerated in 8 CFR 217. The airline can<br />

provide you with the current list of eligible countries.<br />

Type or print legibly with pen in ALL CAPITAL LETTERS. USE ENGLISH<br />

This form is in two parts. Please complete both the Arrival Record (Items 1 through 15) and<br />

the Departure Record (Items 18 through 21). The reverse side of this form must be signed<br />

and dated. Children under the age of fourteen must have their form signed by a parent or<br />

guardian.<br />

Item 9 - If you are entering the United States by land, enter LAND in this space.<br />

If you are entering the United States by ship, enter SEA in this space.<br />

5 U.S.C. § 552a(e)(3) Privacy Act Notice: Information collected on this form is required by Title 8 of the U.S. Code,<br />

including the INA (8 U.S.C. 1103, 1187), and 8 CFR 235.1, 264, and 1235.1. The purposes for this collection are to<br />

give the terms of admission and document the arrival and departure of nonimmigrant aliens to the U.S. The<br />

information solicited on this form may be made available to other government agencies for law enforcement purposes<br />

or to assist DHS in determining your admissibility. All nonimmigrant aliens seeking admission to the U.S., unless<br />

otherwise exempted, must provide this information. Failure to provide this information may deny you entry to the<br />

United States and result in your removal.<br />

Admission Number<br />

00000000000<br />

Arrival Record<br />

VISA WAIVER<br />

1. Family Name<br />

2. First (Given) Name 3. Birth Date (DD/MM/YY)<br />

4. Country of Citizenship 5. Sex (Male or Female)<br />

6. Passport Issue Date (DD/MM/YY) 7. Passport Expiration Date (DD/MM/YY)<br />

8. Passport Number 9. Airline and Flight Number<br />

10. Country Where You Live 11. City Where You Boarded<br />

12. Address While in the United States (Number and Street)<br />

13. City and State<br />

14. Telephone Number in the U.S. Where You Can be Reached<br />

15. Email Address<br />

16. 17.<br />

Admission Number<br />

00000000000<br />

Departure Record<br />

VISA WAIVER<br />

18. Family Name<br />

See Other Side<br />

CBP Form I-94W (05/08)<br />

OMB No. 1651-0111<br />

19. First (Given) Name 20. Birth Date (DD/MM/YY)<br />

21. Country of Citizenship<br />

Government Use Only<br />

CBP Form I-94W (05/08)<br />

STAPLE HERE<br />

ENGLISH<br />

Prior to arrival in the United States, foreign<br />

nationals (except Canadian citizens and<br />

U.S. permanent residents) who are not<br />

in possession of a visitors visa and are<br />

entitled to the Visa Waiver Program are<br />

required to complete the I-94W form. One<br />

form is required for each family member.<br />

Customers should complete all personal<br />

and travel-related information included<br />

on the front side of the card. Please ensure<br />

that you answer all questions and sign and<br />

date where indicated on the back side of this<br />

form. All customers must provide a U.S.<br />

address for entry.<br />

Countries that are participants of<br />

the Visa Waiver Program are as follows:<br />

Andorra, Australia, Austria, Belgium,<br />

Brunei, *Czech Republic, Denmark,<br />

*Estonia, Finland, France, Germany,<br />

*Greece, *Hungary, Iceland, Ireland,<br />

Italy, Japan, *Latvia, Liechtenstein,<br />

STAYING FIT: INFLIGHT FLEXIBILITY<br />

Knee Flexion: Lift knee toward<br />

chest, decreasing the amount of<br />

joint space at back of the knee.<br />

Repeat with other leg.<br />

Knee Extension: Straighten knee,<br />

increasing the amount of joint<br />

space at the back of the knee<br />

to its full range. Repeat with<br />

other leg.<br />

*Lithuania, Luxembourg, *Malta, Monaco,<br />

the Netherlands, New Zealand, Norway,<br />

Portugal, San Marino, Singapore, *Slovakia,<br />

Slovenia, *South Korea, Spain, Sweden,<br />

Switzerland, the United Kingdom.<br />

*Nationals of these countries must present<br />

an electronic (e-ppt) passport to be eligible<br />

for the U.S. Visa Waiver Program.<br />

Nationals of all Visa Waiver countries<br />

must present a machine-readable passport<br />

for the U.S. Visa Waiver Program.<br />

SPANISH / ESPAÑOL<br />

Antes de su llegada en los Estados Unidos,<br />

los ciudadanos extranjeros (excepto<br />

ciudadanos Canadienses y residentes<br />

permanentes de los Estados Unidos) que<br />

no tengan un visado de visita y se acojan<br />

al programa “Visa Waiver”, tienen que<br />

completar el formulario I-94W. Se requiere<br />

un formulario por cado miembro de<br />

familia. Los pasajeros deberán rellenar toda<br />

información tanto personal como relacionada<br />

con viajes en el anverso de la tarjeta. Por<br />

favor, asegúrese de contestar todas las<br />

preguntas , fi rmen y pongan la fecha en el<br />

lugar indicado en el formulario. Todos los<br />

pasajeros deben proporcionar una dirección<br />

en Estados Unidos para entrar al país.<br />

Los países que participan del Programa<br />

de exención de visas son los siguientes:<br />

Alemania. Andorra, Australia, Austria,<br />

Bélgica, Brunei, *Corea del Sur, Dinamarca,<br />

*Eslovaquia, Eslovenia, Espána, *Estonia,<br />

Finlandia, Francia, *Grecia, *Hungría,<br />

Irlanda, Islandia, Italia, Japón, *Letonia,<br />

Liechtenstein, * Lituania, Luxemburgo,<br />

*Malta, Mónaco, Noruega, Nueva Zelandia,<br />

Países Bajos, Portugal,*República Checa,<br />

San Marino, Singapur, Suecia, Suiza y el<br />

Reino Unido.<br />

*Los ciudadanos de estos países deben<br />

presentar un electrónicos (e-ppt) pasaporte<br />

para ser elegible para del Programa de<br />

exención de visas de Estados Unidos.<br />

Los ciudadanos de los demás países<br />

exentos de visas deben presentar un<br />

pasaporte de lectura electrónica en el marco<br />

del Programa de exención de visas de<br />

Estados Unidos a partir del 26 de octubre<br />

de 2004.<br />

1. Apellido<br />

2. Nombre<br />

3. Fecha de nacimiento<br />

(Día/Mes/Año)<br />

Do any of the following apply to you? (Answer Yes or No)<br />

A. Do you have a communicable disease; physical or mental disorder, or are<br />

Yes No<br />

you a drug abuser or addict?<br />

B. Have you ever been arrested or convicted for an offense or crime involving<br />

Yes No<br />

moral turpitude or a violation related to a controlled substance; or been<br />

arrested or convicted for two or more offenses for which the aggregate<br />

sentence to confinement was five years or more; or been a controlled<br />

substance trafficker, or are you seeking entry to engage in criminal or<br />

immoral activities?<br />

C. Have you ever been or are you now involved in espionage or sabotage; or in<br />

Yes No<br />

terrorist activities; or genocide; or between 1933 and 1945 were involved, in<br />

any way, in persecutions associated with Nazi Germany or its allies?<br />

D. Are you seeking to work in the U.S.; or have ever been excluded and<br />

Yes No<br />

deported; or been previously removed from the United States; or procured<br />

or attempted to procure a visa or entry into the U.S. by fraud or<br />

misrepresentation?<br />

E. Have you ever detained, retained or withheld custody of a child from a U.S.<br />

Yes No<br />

citizen granted custody of the child?<br />

F. Have you ever been denied a U.S. visa or entry into the U.S. or had a U.S.<br />

Yes No<br />

visa cancelled? If yes,<br />

when? ______________________ where? _________________________<br />

G. Have you ever asserted immunity from prosecution?<br />

Yes No<br />

IMPORTANT: If you answered “Yes” to any of the above, please contact the American Embassy<br />

BEFORE you travel to the U.S. since you may be refused admission into the United States.<br />

Family Name (Please print) First Name<br />

Country of Citizenship Date of Birth<br />

WAIVER OF RIGHTS: I hereby waive any rights to review or appeal of a U.S. Customs and Border<br />

Protection officer’s determination as to my admissibility, or to contest, other than on the basis of an<br />

application for asylum, any action in deportation.<br />

CERTIFICATION: I certify that I have read and understand all the questions and statements on this<br />

form. The answers I have furnished are true and correct to the best of my knowledge and belief.<br />

Signature Date<br />

Paperwork Reduction Act Statement: An agency may not conduct or sponsor an information<br />

collection and a person is not required to respond to this information unless it displays a current valid<br />

OMB control number. The control number for this collection is 1651-0111. The estimated average<br />

time to complete this application is 8 minutes per respondent. If you have any comments regarding the<br />

burden estimate you can write to U.S. Customs and Border Protection, Asset Management, 1300<br />

Pennsylvania Avenue, NW, Washington DC 20229<br />

Departure Record<br />

Important – Retain this permit in your possession; you must surrender it when you leave the U.S.<br />

Failure to do so may delay your entry into the U.S. in the future.<br />

You are authorized to stay in the U.S. only until the date written on this form. To remain past this date,<br />

without permission from Department of Homeland Security authorities, is a violation of the law.<br />

Surrender this permit when you leave the U.S.:<br />

- By sea or air, to the transportation line;<br />

- Across the Canadian border, to a Canadian Official;<br />

- Across the Mexican border, to a U.S. Official.<br />

Warning: You may not accept unauthorized employment; or attend school; or represent the foreign<br />

information media during your visit under this program. You are authorized to stay in the U.S. for 90<br />

days or less. You may not apply for: 1) a change of nonimmigrant status; 2) adjustment of status to<br />

temporary or permanent resident, unless eligible under section 201(b) of the INA; or 3) an extension of<br />

stay. Violation of these terms will subject you to deportation. Any previous violation of this program,<br />

including having previously overstayed on this program without a proper DHS authorization, will<br />

result in a finding of inadmissibility as outlined in Section 217 of the Immigration and Nationality Act.<br />

Port:<br />

Date:<br />

Carrier:<br />

Flight No./Ship Name:<br />

4. Nacionalidad<br />

5. Sexo (varón/hembra)<br />

6. Fecha de emisión del pasaporte<br />

7. Fecha de vencimiento del pasaporte<br />

8. Número de pasaporte<br />

9. Aerolínea y número de vuelo<br />

10. País de residencia<br />

11. País en el que abordó<br />

12. Direccion donde se quedará en los<br />

EE.UU (Número, calle)<br />

13. Ciudad y Estado<br />

14. Teléfono de contacto en EE.UU.<br />

15. Dirección de correo electrónico<br />

SPANISH / ESPAÑOL<br />

¿Le afecta alguna de estas restricciones a<br />

usted? (Conteste Si o No)<br />

A. ¿Padece usted de alguna enfermedad<br />

contagiosa, defi ciencia física o<br />

mental, o es adicto a las drogas?<br />

Sí / No<br />

Dorsifl exion: With heel on fl oor, point<br />

toes upward, decreasing the angle<br />

between the foot and front of the leg.<br />

Repeat with other foot.<br />

Plantar Flexion: Lift the heel and<br />

keep toes pointed toward the fl oor,<br />

increasing the angle between the top<br />

of the foot and front of the leg. Repeat<br />

with other foot.<br />

HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong><br />

I-94 NONIMMIGRANT VISA WAIVER / BACK<br />

131<br />

B. ¿Ha sido usted arrestado o condenado<br />

por alguna infracción o delito de<br />

depravación moral; o por una violación<br />

relacionada con estupefacientes;<br />

arrestado o condenado por dos o más<br />

infracciones cuya sentencia total de<br />

reclusión fuera igual o superior a cinco<br />

años; ha sido trafi cante de estupefacientes,<br />

o pretende entrar en los Estados Unidos<br />

para realizar actividades criminales o<br />

inmorales? Sí / No<br />

C. ¿Ha estado o está implicado en actos<br />

de espionaje o sabotaje, actividades<br />

terroristas o genocidios; o participó<br />

de algún modo entre 1933 y 1945<br />

en persecuciones relacionadas con la<br />

Alemania nazi o sus aliados? Sí / No<br />

D. ¿Tiene intención de trabajar en los<br />

Estados Unidos; ha sido excluido o<br />

deportado; o ha sido expulsado de los<br />

Estados Unidos, o ha obtenido<br />

o intentado obtener un visado o la<br />

entrada a los Estados Unidos por<br />

medios fraudulentos o dando<br />

información falsa? Sí / No<br />

E. ¿Ha detenido, retenido, o impedido<br />

la custodia de un niño que corresponda<br />

legalmente a un ciudadano de los<br />

Estados Unidos? Sí / No<br />

F. ¿Se le ha cancelado o denegado<br />

alguna vez el visado o la entrada en los<br />

Estados Unidos? En caso afi rmitavo,<br />

especifi que? Sí / No<br />

¿Cúando? ¿Dónde?<br />

G. ¿Ha hecho valer alguna vez su<br />

inmunidad frente a un<br />

procesamiento? Sí / No<br />

IMPORTANTE: Si ha contestado<br />

afi rmativamente alguna de las preguntas,<br />

comuníquese con la Embajada de los Estados<br />

Unidos ANTES de su viaje, ya que se le puede<br />

denegar la entrada en los Estados Unidos.<br />

RENUNCIA DE DERECHOS: Por la presente<br />

renuncio el derecho a solicitar la revisión del<br />

Ofi cial de Inmigración acerca de mi admisión<br />

en los Estados Unidos, o a apelarla, o a<br />

impugnar cualquier acto de deportación que<br />

no sea por razón de una solicitud de asilo.<br />

DECLARACIÓN: Declaro que he leído y<br />

entendido todas las preguntas y enunciados<br />

enumerados en esta solicitud, y que las<br />

respuestas que he propocionado en este<br />

formulario son verdaderas y<br />

correctas a mi mejor saber y entender.<br />

Eversion: With foot on fl oor,<br />

gently roll the sole of the foot<br />

inward. Repeat with other foot.<br />

Inversion: With foot on fl oor,<br />

gently roll the sole of the foot<br />

outward. Repeat with other foot.


132 JUNE <strong>2010</strong> | UNITED.COM<br />

ACROSS<br />

1. Run off<br />

6. American<br />

10. Frighten away<br />

15. Recess<br />

19. Long<br />

20. Loyal<br />

21. It may get you<br />

to fi rst base<br />

22. “High” time<br />

23. Plume source<br />

24. Name<br />

25. Deadly snake<br />

26. Castaway’s place<br />

27. Encode<br />

29. City in Arizona<br />

30. Throughout<br />

32. Hang on<br />

35. ABC’s<br />

38. Down and out<br />

39. Not a through<br />

street<br />

41. Deaden<br />

42. Sole supporter?<br />

44. Small fi eld<br />

45. “We Family”<br />

47. Popular jeans<br />

49. Lean white fl esh fi sh<br />

53. Soda<br />

54. Not fast<br />

56. Stop working<br />

58. “My boy”<br />

59. Check for fi t<br />

61. green<br />

62. Slender gull<br />

63. Ready for picking<br />

64. Sonny boy<br />

66. MasterCard rival<br />

70. Absorbed, as a loss<br />

71. At this point<br />

72. Arctic transport<br />

75. Indy entry<br />

77. Screw shaped<br />

79. Michelin product<br />

80. To boot<br />

82. Elusive creature<br />

83. Lighter?<br />

84. Presently<br />

85. Cheer<br />

87. “i” lid<br />

90. Traditional Sunday<br />

fare<br />

94. Cincy player<br />

95. Golf club carrier<br />

97. Certain shark<br />

99. Low card<br />

100. Clover like<br />

102. Blue hue<br />

104. Great deal<br />

ALL THEME CLUES ARE IN BOLD<br />

105. Popular side<br />

106. Pool division<br />

107. Support<br />

109. Dissipation<br />

111. Train stop<br />

114. Very skinny<br />

118. Carpentry tool<br />

119. Strikingly unusual<br />

121. During<br />

122. Very old Greek<br />

money<br />

124. Smooch<br />

125. Silklike fabric<br />

127. Surfi ng need<br />

128. Tsar’s decree<br />

132. Matter for the<br />

gray matter<br />

133. Fall off<br />

134. Emphatic agreement<br />

135. Carpenter’s tool<br />

136. Duration<br />

137. Manufacturer<br />

138. Losing proposition?<br />

139. Fantasize<br />

DOWN<br />

1. Watch closely<br />

2. Trouser part<br />

3. Boat paddle<br />

4. To lead<br />

5. Complete<br />

6. Hunger<br />

7. Desiccant<br />

8. Beat to the tape<br />

9. Wranglers alternative<br />

10. Winter beginnings<br />

11. Stopped lying<br />

12. Citifi ed<br />

13. Swe. neighbor<br />

14. Duffer’s challenge<br />

15. Liqueur fl avoring<br />

16. Sheriff’s helpers<br />

17. Firm<br />

18. Other side<br />

28. Prison-related<br />

29. Charades, essentially<br />

31. Battery terminal<br />

32. Adjust<br />

33. Interior fi nishing’s<br />

34. A malicious woman with<br />

a fi erce temper<br />

36. At the proper time<br />

37. Casual top<br />

40. Plummet<br />

43. Horse gear<br />

46. Lamb’s mother<br />

48. Tennis match part<br />

50. Willow tree twig<br />

CROSSWORD<br />

BACK AND FORTH<br />

IF YOU FILL IN THE CROSSWORD PLEASE TAKE THE MAGAZINE WITH<br />

YOU SO IT’S REPLACED. // ANSWERS FOUND ON P. 55<br />

51. Dried coconut meat<br />

52. Prepare to be<br />

knighted<br />

54. Catch<br />

55. Hot rock<br />

57. Get misty-eyed<br />

60. Bygone<br />

63. African horned<br />

mammal<br />

65. Disembark a rail car<br />

67. Frosty<br />

68. Perceive by sight<br />

69. Make a move<br />

72. Kick off<br />

73. Passenger ship<br />

74. Wear away<br />

75. Crucifi x<br />

76. Assists<br />

105. An offensive odor<br />

78. Engine sound<br />

108. Sandwich fi ller<br />

BRUCE<br />

81. Lots<br />

110. “They be<br />

86. Idiosyncrasy<br />

fi nished by now”<br />

GREG<br />

88. Not at home<br />

111. Ledger entry<br />

BY<br />

89. Think or believe<br />

112. Give off<br />

91. Rand McNally product 113. A model<br />

92. Metalworkers tool<br />

115. Eskimo hunting boat<br />

93. Dry (off)<br />

116. Ham it up<br />

95. Mammal of South and 117. Flood embankment<br />

CROSSWORD<br />

Central America<br />

120. Study for fi nals<br />

96. Makeup<br />

123. Confi ned<br />

97. Troop group<br />

126. Attorneys’ org.<br />

PUZZLES<br />

98. Put into law<br />

127. Roll<br />

101. Floating wreckage 129. Road map abbr.<br />

of a ship<br />

130. Yellow, for one<br />

PUZPUZ<br />

103. Middle- 131. Nightmarish street<br />

©


McKendrick’s Steak House<br />

ATLANTA, GA........................770.512.8888<br />

Proprietors: Claudia & Doug McKendrick,<br />

Rick Crowe<br />

www.mckendricks.com<br />

Malone’s<br />

LEXINGTON, KY....................859.335.6500<br />

Proprietors: Brian McCarty & Bruce Drake<br />

www.malonesrestaurant.com<br />

Metropolitan Grill<br />

SEATTLE, WA.........................206.624.3287<br />

Proprietor: Ron Cohn<br />

www.themetropolitangrill.com<br />

Gene & Georgetti<br />

CHICAGO, IL.........................312.527.3718<br />

Proprietors: Tony & Marion Durpetti<br />

www.geneandgeorgetti.com<br />

St. Elmo Steak House<br />

INDIANAPOLIS, IN.................317.635.0636<br />

Proprietors: Steve Huse & Craig Huse<br />

www.stelmos.com<br />

III Forks<br />

DALLAS, TX............................972.267.1776<br />

Proprietor: Chris Vogeli<br />

HALLANDALE BEACH, FL......954.457.3920<br />

Proprietor: Tommy Nevill<br />

www.iiiforks.com<br />

Manny’s<br />

MINNEAPOLIS, MN.................612.339.9900<br />

Proprietors: Phil Roberts, Peter Mihajlov<br />

& Kevin Kuester<br />

www.mannyssteakhouse.com<br />

Grill 225<br />

CHARLESTON, SC.................843.266.4222<br />

Proprietor: Nick Palassis<br />

Executive Chef: Demetre Castanas<br />

www.grill225.com<br />

Benjamin Steak House<br />

NEW YORK, NY ...................212.297.9177<br />

Proprietor: Benjamin Prelvukaj<br />

Chef: Arturo McLeod<br />

www.benjaminsteakhouse.com<br />

The last of<br />

the great<br />

independents.<br />

The owner/<br />

operators who<br />

give not only<br />

fine beef but<br />

their hearts as<br />

well.<br />

The Independent Retail<br />

Cattleman’s Association<br />

557 Mt. Pleasant Road<br />

Kingston Springs,<br />

TN 37082<br />

info@greatsteakofna.com<br />

Visit: www.greatsteakofna.com<br />

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<br />

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©<strong>2010</strong> Bose Corporation. Patent rights issued and/or pending.<br />

The distinctive design of the headphone oval ring is a trademark<br />

of Bose Corporation.


EASY<br />

MEDIUM<br />

ANSWERS<br />

134 JUNE <strong>2010</strong> | UNITED.COM<br />

SUDOKU<br />

THE NUMBERS GAME // BY REIKO MCLAUGHLIN<br />

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Established 24 years ago,<br />

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Amber Kelleher-Andews<br />

CEO and Co-founder<br />

KELLEHER INTERNATIONAL<br />

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(800) 401-MATCH (6282)<br />

www.Kelleher-International.com<br />

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ABCNews 20/20, CNBC, E!<br />

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MARKETPLACE<br />

Snorkel ® Hot Tubs<br />

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• Still water & crackling fire - a<br />

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• Enjoy wood-fired hot tubbing anywhere -<br />

no electricity required<br />

• Therapy Jets available with wood heat<br />

systems (electricity required)<br />

• Finger tip, digital control Gas or<br />

Electric heated tubs also available<br />

• Classic design is easy to assemble,<br />

available in many sizes<br />

Call Toll Free<br />

1-800-962-6208<br />

Dept. HE106<br />

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Now On<br />

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HEMISPHERESMAGAZINE.COM | JUNE <strong>2010</strong> 137<br />

ADVENTURE<br />

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Visit SeaEagle.com for more details<br />

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or Call 1-800-748-8066 Mon-Fri, 9-5 EST 19 N. Columbia St., Port Jefferson, NY 11777


JUNE <strong>2010</strong> | UNITED.COM<br />

138<br />

GETTING TO KNOW YOU<br />

WENDY THOMPSON / 43 /<br />

Civil engineer<br />

WHY I’M TRAVELING / I’m going<br />

home to Washington, D.C. I<br />

just fi nished attending a big<br />

furniture conference here in<br />

Chicago. I’m trying to fi gure<br />

out what to put in a new<br />

building I’m designing.<br />

NEVER LEAVE HOME WITHOUT IT<br />

I always have my Kindle. I<br />

held off on getting one, but<br />

I gave in a few months ago.<br />

Now it’s indispensable. I<br />

read a lot when I travel, or I<br />

do sudoku.<br />

I’D RATHER BE FLYING… / With<br />

my daughter. She’s sixteen<br />

and plays soccer, so we<br />

travel all over the country<br />

for tournaments. It’s fun and<br />

I like soccer, but I’m really a<br />

baseball fan.<br />

BY ADAM K. RAYMOND<br />

“ I always have my<br />

Kindle when I fl y. It’s<br />

indispensable.”<br />

PHOTOGRAPH BY SPENCER HEYFRON<br />

in transit<br />


FRUIT AND YOGURT PARFAIT<br />

THAI CHICKEN WRAP<br />

United does not serve peanuts as snacks or use peanuts or peanut oils in foods<br />

served on our flights. However, we do serve vendor products manufactured in<br />

facilities that also produce items containing peanuts or peanut oils, and we do<br />

have snack mixes that contain other tree nuts, such as almonds and pistachios.<br />

NEW<br />

NEW<br />

WELCOME<br />

ABOARD!<br />

We are pleased to enhance your in-flight experience with Choice Menu<br />

options available for purchase on most North American flights, excluding<br />

United Express. ® This month, we’ve introduced Chocolove. ® ce with Choice Menu<br />

Made in<br />

Boulder, CO of fine Belgian Chocolate, each milk or dark bar is produced<br />

in small batches for taste rivaling that of the finest European chocolatiers.<br />

So, savor a cocktail, indulge in a snack or save time by having your meal<br />

onboard. Whatever your choice, thank you for flying United and please<br />

enjoy the service.<br />

BREAKFAST<br />

ON FLIGHTS OVER 3.5 HOURS DEPARTING BEFORE 10AM<br />

FRUIT AND BERRY SMOOTHIE $3<br />

Delicious preservative free blend of 100% mixed fruits and berries.<br />

FRUIT AND YOGURT PARFAIT $5<br />

Low fat vanilla yogurt served with fruit and a side of granola.<br />

HAM AND SWISS CROISSANT $5<br />

Flavorful ham and swiss cheese on a croissant with dijonnaise sauce<br />

(served cold).<br />

LUNCH/DINNER<br />

ON FLIGHTS OVER 3.5 HOURS DEPARTING BETWEEN 10AM-8PM<br />

ASSORTED CHEESE TRAY $6<br />

Specially selected cheeses including monterey jack, havarti dill and cheddar,<br />

dried cranberries, almonds and assorted Pepperidge Farm crackers.<br />

TURKEY SANDWICH $9<br />

Tender smoked turkey topped with crisp romaine lettuce and sundried<br />

tomato aioli sauce on multigrain bread, accompanied by Kettle Classics<br />

potato chips.<br />

THAI CHICKEN WRAP $9<br />

Grilled chicken breast, romaine lettuce, julienned carrots, red and yellow<br />

bell pepper strips and Thai aioli sauce wrapped in a tortilla, accompanied<br />

by Kettle Classics potato chips.<br />

CHICKEN CAESAR SALAD $9<br />

Grilled chicken, red and yellow bell pepper strips, shredded parmesan<br />

cheese on a bed of crisp romaine lettuce, served with classic caesar<br />

dressing and croutons on the side.<br />

CHOCOLOVE ® CHOCOLATE BAR $3<br />

Gourmet chocolate available in either creamy Milk or intense Dark.<br />

Your feedback is welcomed via ualsurvey.com within seven days of your<br />

flight. United, Choice Menu, and EasyPurchase are trademarks of United. All<br />

other trademarks are the property of their respective owners.<br />

We apologize if your selection is not available on today’s flight.


PAYMENT<br />

EasyPurchase<br />

Only credit/debit cards are accepted.<br />

SNACKBOXES<br />

AVAILABLE ALL DAY ON FLIGHTS OVER 2 HOURS<br />

Actual contents may vary slightly.<br />

CLASSIC $6<br />

Kettle Backyard BBQ Chips Oreo Cookies <br />

Pepperidge Farm Goldfish Crackers Sparrer<br />

Beef Salami Gourmet Cheddar Cheese Spread Pepperidge<br />

Farm Crackers<br />

EAT FOR GOOD $<br />

$ ®<br />

Bumble Bee Chicken Salad Pepperidge Farm Crackers Kettle<br />

Classics Plain Chips High Energy Trail Mix <br />

Drink Mix Immaculate Baking Chocolate Chip Cookies<br />

LUXE $<br />

Rondelé Peppercorn Parmesan Cheese Spread Pepperidge<br />

Farm Crackers Food Should Taste Good Multigrain Tortilla<br />

Chips Wild Garden Hummus Dip Oloves Mediterranean or<br />

Real Torino Sesame Breadsticks Asher’s<br />

Dark Chocolate Pretzel<br />

BEVERAGES<br />

RELAX WITH YOUR FAVORITE DRINK<br />

Beverage Service is available on most United flights. While we<br />

try to ensure that you always receive your first choice, actual<br />

selections may vary according to availability, class of service<br />

or destination.<br />

NON-ALCOHOLIC<br />

COMPLIMENTARY<br />

Soft Drinks<br />

<br />

<br />

<br />

<br />

<br />

<br />

PREMIUM<br />

<br />

ALCOHOLIC BEVERAGES<br />

Complimentary in United Business ® and United First. ®<br />

Priced as shown in United Economy. ®<br />

WINES<br />

<br />

<br />

Domestic flights only:<br />

<br />

<br />

Domestic United Business and United First<br />

may also choose:<br />

<br />

<br />

<br />

Refer to printed menus for additional selections where applicable.<br />

BEER, COCKTAILS, SPIRITS, LIQUEURS<br />

BEER<br />

<br />

<br />

<br />

PREMIUM COCKTAIL<br />

<br />

SPIRITS<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

LIQUEURS<br />

<br />

<br />

<br />

<br />

<br />

rule, we may not serve alcohol to customers who appear<br />

intoxicated. Customers are limited to one alcoholic beverage<br />

at a time during service. Only alcohol provided by United and<br />

served by flight attendants may be consumed onboard.


Eat for Good<br />

www.feedingamerica.org<br />

Turn « Turn the page the page to enjoy to enjoy<br />

www.afterschoolmatters.org<br />

Give back while you enjoy<br />

a great new Snackbox option<br />

Now you can enjoy an exciting new snackbox from United’s Choice<br />

Menu. The Eat For Good SM<br />

snackbox is a brand new addition to the<br />

great snack selections we offer, and it has one added benefit. With<br />

every purchase of an Eat For Good snackbox, United will donate<br />

$1.00 to support a critical cause-related organization. Funds from<br />

our first Eat For Good snackbox will help Feeding America ® — the<br />

nation’s leading hunger relief organization — support its “Nourish Our<br />

Kids” program.<br />

FEEDING AMERICA Through a network of over 200 food banks, Feeding America<br />

provides food to over 25 million Americans each year.<br />

“NOURISH OUR KIDS” More than 14 million children in America — nearly 1 in 4 do not<br />

know where their next meal is coming from. Nourish Our Kids is a program designed<br />

by Feeding America, in partnership with United, to ensure that no child goes hungry.<br />

EAT FOR GOOD SNACKBOXES Each Eat For Good snackbox will be specially designed<br />

by a student artist and will be their creative expression of the cause the<br />

snackbox will support. This inaugural box envisions “a bountiful harvest” and was<br />

designed by Melissa Don, an 18 year old participant in Chicago’s After School Matters<br />

program — one of the nation’s largest teen initiatives focused on innovative, meaningful<br />

out-of-school activities for youth.<br />

At United, we do more than connect people and communities. We support causes<br />

that address critical community needs. Thank you again for joining United in the fight<br />

against hunger. Every Action Counts. SM

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