Annual Review 2011-12 - National Galleries of Scotland
Annual Review 2011-12 - National Galleries of Scotland
Annual Review 2011-12 - National Galleries of Scotland
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The <strong>National</strong><br />
<strong>Galleries</strong> <strong>of</strong> <strong>Scotland</strong><br />
strives to enhance<br />
the nation’s collection<br />
<strong>of</strong> fine art through<br />
its acquisitions<br />
programme. It is<br />
funded by an annual<br />
grant from the<br />
Scottish Government<br />
which is supplemen ted<br />
from other sources<br />
including private<br />
benefactors, trust<br />
funds and the<br />
Art Fund.<br />
Building Great Collections<br />
A full list <strong>of</strong> acquisitions for<br />
<strong>2011</strong>-<strong>12</strong> is available on the <strong>National</strong><br />
<strong>Galleries</strong> <strong>of</strong> <strong>Scotland</strong> website<br />
www. nationalgalleries.org.<br />
Opposite Detail from Rome from Monte<br />
Mario by Joseph Mallord William Turner<br />
Diana and Callisto, 1556–9<br />
by Titian (c.1485/90–1576)<br />
Oil on canvas, 187 x 204.5cm<br />
Purchased jointly with the <strong>National</strong> Gallery,<br />
London, with generous support from the<br />
Heritage Lottery Fund, the Art Fund,<br />
The Monument Trust, the Patrons <strong>of</strong> the<br />
<strong>National</strong> <strong>Galleries</strong> <strong>of</strong> <strong>Scotland</strong> and through<br />
private appeals and bequests, 20<strong>12</strong><br />
Following the account in the ancient<br />
writer Ovid’s Metamorphoses, Titian here<br />
shows the exposure <strong>of</strong> the pregnancy <strong>of</strong><br />
the unfortunate nymph Callisto, who<br />
had been seduced by Jupiter against her<br />
will. With a commanding gesture, the<br />
goddess Diana expels Callisto from her<br />
chaste company, condemning her to a<br />
life <strong>of</strong> misery until Jupiter eventually<br />
took pity on her and immortalised her as<br />
the constellation <strong>of</strong> the Great Bear. The<br />
painting formed part <strong>of</strong> a highly important<br />
series supplied by Titian over a ten<br />
year period to the Spanish king Philip II,<br />
his most important patron during the<br />
latter part <strong>of</strong> his career. This is the<br />
outstanding acquisition <strong>of</strong> the year for<br />
NGS, successfully completing the twopart<br />
deal which saw the painting’s pair,<br />
Diana and Actaeon, acquired in 2009,<br />
again jointly with the <strong>National</strong> Gallery<br />
in London. The arrangement secures<br />
the continuation <strong>of</strong> the incomparable<br />
Bridgewater loan <strong>of</strong> old master paintings<br />
to NGS until at least 2030.<br />
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