24.04.2013 Views

Annual Review 2011-12 - National Galleries of Scotland

Annual Review 2011-12 - National Galleries of Scotland

Annual Review 2011-12 - National Galleries of Scotland

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

The <strong>National</strong><br />

<strong>Galleries</strong> <strong>of</strong> <strong>Scotland</strong><br />

strives to enhance<br />

the nation’s collection<br />

<strong>of</strong> fine art through<br />

its acquisitions<br />

programme. It is<br />

funded by an annual<br />

grant from the<br />

Scottish Government<br />

which is supplemen ted<br />

from other sources<br />

including private<br />

benefactors, trust<br />

funds and the<br />

Art Fund.<br />

Building Great Collections<br />

A full list <strong>of</strong> acquisitions for<br />

<strong>2011</strong>-<strong>12</strong> is available on the <strong>National</strong><br />

<strong>Galleries</strong> <strong>of</strong> <strong>Scotland</strong> website<br />

www. nationalgalleries.org.<br />

Opposite Detail from Rome from Monte<br />

Mario by Joseph Mallord William Turner<br />

Diana and Callisto, 1556–9<br />

by Titian (c.1485/90–1576)<br />

Oil on canvas, 187 x 204.5cm<br />

Purchased jointly with the <strong>National</strong> Gallery,<br />

London, with generous support from the<br />

Heritage Lottery Fund, the Art Fund,<br />

The Monument Trust, the Patrons <strong>of</strong> the<br />

<strong>National</strong> <strong>Galleries</strong> <strong>of</strong> <strong>Scotland</strong> and through<br />

private appeals and bequests, 20<strong>12</strong><br />

Following the account in the ancient<br />

writer Ovid’s Metamorphoses, Titian here<br />

shows the exposure <strong>of</strong> the pregnancy <strong>of</strong><br />

the unfortunate nymph Callisto, who<br />

had been seduced by Jupiter against her<br />

will. With a commanding gesture, the<br />

goddess Diana expels Callisto from her<br />

chaste company, condemning her to a<br />

life <strong>of</strong> misery until Jupiter eventually<br />

took pity on her and immortalised her as<br />

the constellation <strong>of</strong> the Great Bear. The<br />

painting formed part <strong>of</strong> a highly important<br />

series supplied by Titian over a ten<br />

year period to the Spanish king Philip II,<br />

his most important patron during the<br />

latter part <strong>of</strong> his career. This is the<br />

outstanding acquisition <strong>of</strong> the year for<br />

NGS, successfully completing the twopart<br />

deal which saw the painting’s pair,<br />

Diana and Actaeon, acquired in 2009,<br />

again jointly with the <strong>National</strong> Gallery<br />

in London. The arrangement secures<br />

the continuation <strong>of</strong> the incomparable<br />

Bridgewater loan <strong>of</strong> old master paintings<br />

to NGS until at least 2030.<br />

27

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!