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The Interpretation Of Dreams Sigmund Freud (1900) PREFACE

The Interpretation Of Dreams Sigmund Freud (1900) PREFACE

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holiday. I am driving in a cab, and I tell the driver to drive to a railway station. "<strong>Of</strong> course, I can't drive with you on the railway track itself," I say,<br />

after the driver had reproached me, as though I had worn him out; at the same time, it seems as though I had already made with him a journey that<br />

one usually makes by train. <strong>Of</strong> this confused and senseless story analysis gives the following explanation: During the day I had hired a cab to take<br />

me to a remote street in Dornbach. <strong>The</strong> driver, however, did not know the way, and simply kept on driving, in the manner of such worthy people,<br />

until I became aware of the fact and showed him the way, indulging in a few derisive remarks. From this driver a train of thought led to the<br />

aristocratic personage whom I was to meet later on. For the present, I will only remark that one thing that strikes us middle-class plebeians about<br />

the aristocracy is that they like to put themselves in the driver's seat. Does not Count Thun guide the Austrian car of State? <strong>The</strong> next sentence in<br />

the dream, however, refers to my brother, whom I thus also identify with the cab-driver. I had refused to go to Italy with him this year (<strong>Of</strong> course,<br />

I can't drive with you on the railway track itself), and this refusal was a sort of punishment for his accustomed complaint that I usually wear him<br />

out on this tour (this finds its way into the dream unchanged) by rushing him too quickly from place to place, and making him see too many<br />

beautiful things in a single day. That evening my brother had accompanied me to the railway station, but shortly before the carriage had reached<br />

the Western station of the Metropolitan Railway he had jumped out in order to take the train to Purkersdorf. I suggested to him that he might<br />

remain with me a little longer, as he did not travel to Purkersdorf by the Metropolitan but by the Western Railway. This is why, in my dream, I<br />

made in the cab a journey which one usually makes by train. In reality, however, it was the other way about: what I told my brother was: "<strong>The</strong><br />

distance which you travel on the Metropolitan Railway you could travel in my company on the Western Railway" <strong>The</strong> whole confusion of the<br />

dream is therefore due to the fact that in my dream I replace "Metropolitan Railway" by cab, which, to be sure, does good service in bringing the<br />

driver and my brother into conjunction. I then elicit from the dream some nonsense which is hardly disentangled by elucidation, and which almost<br />

constitutes a contradiction of my earlier speech (of course, I cannot drive with you on the railway track itself). But as I have no excuse whatever<br />

for confronting the Metropolitan Railway with the cab, I must intentionally have given the whole enigmatical story this peculiar form in my<br />

dream.<br />

But with what intention? We shall now learn what the absurdity in the dream signifies, and the motives which admitted it or created it. In this case<br />

the solution of the mystery is as follows: In the dream I need an absurdity, and something incomprehensible, in connection with driving (Fahren =<br />

riding, driving) because in the dream-thoughts I have a certain opinion that demands representation. One evening, at the house of the witty and<br />

hospitable lady who appears, in another scene of the same dream, as the housekeeper, I heard two riddles which I could not solve: As they were<br />

known to the other members of the party, I presented a somewhat ludicrous figure in my unsuccessful attempts to find the solutions. <strong>The</strong>y were<br />

two puns turning on the words Nachkommen (to obey orders - offspring) and Vorfahren (to drive - forefathers, ancestry). <strong>The</strong>y ran, I believe, as<br />

follows:<br />

<strong>The</strong> coachman does it<br />

At the master's behests;<br />

Everyone has it;<br />

In the grave it rests.<br />

(Vorfahren)<br />

A confusing detail was that the first halves of the two riddles were identical:<br />

<strong>The</strong> coachman does it<br />

At the master's behests;<br />

Not everyone has it,<br />

In the cradle it rests.<br />

(Nachkommen)<br />

When I saw Count Thun drive up (vorfahren) in state, and fell into the Figaro-like mood, in which one finds that the sole merit of such aristocratic<br />

gentlemen is that they have taken the trouble to be born (to become Nachkommen), these two riddles became intermediary thoughts for the dreamwork.<br />

As aristocrats may readily be replaced by coachmen, and since it was once the custom to call a coachman Herr Schwager (brother-in-law),<br />

the work of condensation could involve my brother in the same representation. But the dream-thought at work in the background is as follows: It<br />

is nonsense to be proud of one's ancestors (Vorfahren). I would rather be an ancestor (Vorfahr) myself. On account of this opinion, it is nonsense,<br />

we have the nonsense in the dream. And now the last riddle in this obscure passage of the dream is solved - namely that I have driven before<br />

(vorher gefahren, vorgefaltren) with this driver.<br />

Thus, a dream is made absurd if there occurs in the dream-thoughts, as one of the elements of the contents, the opinion: "That is nonsense"; and,<br />

in general, if criticism and derision are the motives of one of the dreamer's unconscious trains of thought. Hence, absurdity is one of the means by<br />

which the dream-work represents contradiction; another means is the inversion of material relation between the dream-thoughts and the dreamcontent;<br />

another is the employment of the feeling of motor inhibition. But the absurdity of a dream is not to be translated by a simple no; it is<br />

intended to reproduce the tendency of the dream-thoughts to express laughter or derision simultaneously with the contradiction. Only with this<br />

intention does the dream-work produce anything ridiculous. Here again it transforms a part of the latent content into a manifest form.[84]<br />

Herr Ludwig ist ein grosser Poet<br />

Und singt er, so sturzt Apollo

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