Exciting Revelation in the Michaelis Collection - Iziko Museums
Exciting Revelation in the Michaelis Collection - Iziko Museums
Exciting Revelation in the Michaelis Collection - Iziko Museums
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FMC News<br />
Spr<strong>in</strong>g Summer Edition 2011<br />
VRIENDE VAN DIE MICHAELIS-VERSAMELING / ZIHLOBO YA-MICHAELIS COLLECTION<br />
The Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong>, was established <strong>in</strong> 1993.<br />
Its objective is to stimulate active <strong>in</strong>terest <strong>in</strong> <strong>the</strong> <strong>Collection</strong> and <strong>the</strong> <strong>Iziko</strong> Old Town House, <strong>the</strong> Museum dedicated to it.<br />
<strong>Excit<strong>in</strong>g</strong> <strong>Revelation</strong> <strong>in</strong><br />
<strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong><br />
The portrait of Theodorus Bas Jacobi, recently confirmed as<br />
be<strong>in</strong>g pa<strong>in</strong>ted by Jacob Adriaensz Backer.<br />
The pa<strong>in</strong>ter Jacob Adriaensz Backer (1608-1651), one<br />
of Rembrandt’s more illustrious competitors <strong>in</strong><br />
17th-century Amsterdam, was a sought-after and highly<br />
fashionable artist <strong>in</strong> his own day. However, history was<br />
not k<strong>in</strong>d to him. Eclipsed by <strong>the</strong> decl<strong>in</strong>e <strong>in</strong> <strong>in</strong>terest <strong>in</strong><br />
Dutch pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> <strong>the</strong> 18th century, and <strong>the</strong> stellar rise<br />
to fame of Rembrandt <strong>in</strong> <strong>the</strong> mid-19th century, Backer<br />
Draw<strong>in</strong>g after Jacob Backer’s portrait of Theodorus Bas<br />
Jacobi by Jan Thopas, c. 1630s. Black chalk on vellum, Jan<br />
Six F<strong>in</strong>e Art, Amsterdam.<br />
has only very recently re-entered <strong>the</strong> limelight. This after<br />
nearly 400 years of obscurity. His re-emergence<br />
is <strong>the</strong> result of <strong>the</strong> first-ever major exhibition of his<br />
works. Entitled Jacob Backer: Rembrandt’s Opposite, <strong>the</strong><br />
exhibition was mounted <strong>in</strong> 2008 - 2009 at Amsterdam’s<br />
Rembrandt House Museum and Aachen’s Suermondt-<br />
Ludwig-Museum. About 120 of Backer’s pa<strong>in</strong>t<strong>in</strong>gs are
Banner proclaim<strong>in</strong>g <strong>the</strong> Backer exhibition at Rembrandt House, (above, left); details of <strong>the</strong> face (above, right) and right hand<br />
hold<strong>in</strong>g gloves (below, left). Backer’s ref<strong>in</strong>ed and elegant style is much <strong>in</strong> evidence.<br />
known to have survived. After centuries shrouded<br />
<strong>in</strong> mystery, a male portrait <strong>in</strong> <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong><br />
has now been identified as a genu<strong>in</strong>e Backer.<br />
Our pa<strong>in</strong>t<strong>in</strong>g (left), identified for centuries as<br />
Portrait of Man by an “unknown artist”, was <strong>in</strong>cluded<br />
<strong>in</strong> <strong>the</strong> impressive gift of Dutch and Flemish pa<strong>in</strong>t<strong>in</strong>gs<br />
presented to South Africa by Sir Max <strong>Michaelis</strong> <strong>in</strong><br />
1914. Orig<strong>in</strong>ally oval <strong>in</strong> shape, <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g had<br />
been subjected to rel<strong>in</strong><strong>in</strong>g <strong>in</strong> <strong>the</strong> 19th century and<br />
reconfigured as a portrait-format rectangle. Until 2011<br />
<strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g’s authorship has been disputed and<br />
unresolved; some scholars attribut<strong>in</strong>g it to Johannes<br />
Verspronck and o<strong>the</strong>rs only tentatively to Backer,<br />
although <strong>the</strong> latter op<strong>in</strong>ion was at one time dismissed.<br />
It was also proposed, because of its ref<strong>in</strong>ed and elegant<br />
style, that <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g was by a Flemish pa<strong>in</strong>ter and not<br />
even Dutch at all.<br />
Peter van den Br<strong>in</strong>k, one of <strong>the</strong> four curators<br />
beh<strong>in</strong>d <strong>the</strong> recent Backer exhibition, has now f<strong>in</strong>ally<br />
attributed <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong> portrait to <strong>the</strong> artist.<br />
He has also identified its bearded sitter as Theodorus<br />
Bas Jacobi, a well-to-do resident of Amsterdam <strong>in</strong> <strong>the</strong><br />
mid-to-late 1630s. These revelations have been made<br />
possible by <strong>the</strong> discovery of a copy of <strong>the</strong> portrait made<br />
<strong>in</strong> black chalk made by <strong>the</strong> artist Jan Thopas (right).<br />
This draw<strong>in</strong>g surfaced on <strong>the</strong> Dutch art market <strong>in</strong> 1997,<br />
and is now owned by Jan Six F<strong>in</strong>e Art, a famous Old<br />
Master dealership <strong>in</strong> Amsterdam. Exam<strong>in</strong>ations of closeup<br />
photographs of <strong>the</strong> face and hand of our pa<strong>in</strong>t<strong>in</strong>g<br />
have now conv<strong>in</strong>ced Van den Br<strong>in</strong>k, now expertlyacqua<strong>in</strong>ted<br />
with many of Backer’s best works, that our<br />
pa<strong>in</strong>t<strong>in</strong>g is <strong>in</strong>deed by <strong>the</strong> artist himself. From <strong>the</strong> little<br />
that we know about Backer from <strong>the</strong> archives, he seems<br />
to have been a stylish gentleman who contrasted <strong>in</strong><br />
almost every respect with Rembrandt. He was respected<br />
by everyone; he never married, he never bought a house,<br />
and he never became embroiled <strong>in</strong> legal squabbles. The<br />
firm attribution of a very f<strong>in</strong>e Old Master pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong><br />
<strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong> to him is truly someth<strong>in</strong>g<br />
to celebrate. Jacob Backer is a new and excit<strong>in</strong>g art<br />
historical discovery who was clearly one of <strong>the</strong> most<br />
accomplished pa<strong>in</strong>ters of <strong>the</strong> Dutch Golden Age.<br />
by Hayden Proud, Curator of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong>. n
<strong>Michaelis</strong> <strong>Collection</strong> Receives<br />
Em<strong>in</strong>ent Visitor<br />
(From left) Dr Mariët Westermann, curator Hayden Proud and conservator Angela Zehnder.<br />
Dr Mariët Westermann, former Director of <strong>the</strong><br />
Institute of F<strong>in</strong>e Arts <strong>in</strong> New York, a renowned<br />
scholar of 17th-century Dutch art and present Vice-<br />
President of <strong>the</strong> Andrew Mellon Foundation, was<br />
welcomed at <strong>the</strong> Old Town House and <strong>the</strong> <strong>Iziko</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong> this past March. It was her<br />
first-ever visit to South Africa, and <strong>the</strong> <strong>Michaelis</strong><br />
<strong>Collection</strong> was on <strong>the</strong> top of her list of places to<br />
visit <strong>in</strong> Cape Town. Her keen eye was especially<br />
taken by our f<strong>in</strong>e pa<strong>in</strong>t<strong>in</strong>g by Jan Steen (1626-1679)<br />
which she already knew well from reproductions.<br />
Jan Steen’s work was <strong>the</strong> focus of her PhD at New<br />
York University, which culm<strong>in</strong>ated <strong>in</strong> her publication<br />
entitled The Amusements of Jan Steen: Comic Pa<strong>in</strong>t<strong>in</strong>g<br />
<strong>in</strong> <strong>the</strong> Seventeenth Century. Dr Westermann is <strong>the</strong><br />
<strong>the</strong> author of one of <strong>the</strong> most widely-read books on<br />
Dutch pa<strong>in</strong>t<strong>in</strong>g: A Worldly Art: The Dutch Republic,<br />
1585-1718, which has been published <strong>in</strong> many<br />
editions. Her dist<strong>in</strong>ctions as a curator <strong>in</strong>clude Art and<br />
Home: Dutch Interiors <strong>in</strong> <strong>the</strong> Age of Rembrandt (Denver<br />
and Newark Art <strong>Museums</strong>) and she was also <strong>the</strong><br />
co-curator with Alejandro Vergara of <strong>the</strong> successful<br />
exhibition Vermeer and <strong>the</strong> Dutch Interior at <strong>the</strong> Prado<br />
<strong>in</strong> Madrid. Dr Westermann was keen to learn more<br />
about <strong>the</strong> Dutch and Flemish works <strong>in</strong> <strong>the</strong> collection<br />
of <strong>the</strong> <strong>Iziko</strong> South African National Gallery and<br />
also visited our conservation studio to see work <strong>in</strong><br />
progress be<strong>in</strong>g undertaken by Angela Zehnder.
OLD MASTER MEETS<br />
YOUNG MASTER<br />
A heartwarm<strong>in</strong>g film entitled Anathi Tyawa: A Pa<strong>in</strong>ter<br />
from Khayelitsha (2011), made by Lena Boda, can now<br />
be viewed free of charge <strong>in</strong> <strong>the</strong> Frans Hals Room at <strong>the</strong><br />
Old Town House/<strong>Iziko</strong> <strong>Michaelis</strong> <strong>Collection</strong>. Anathi has<br />
been a student at <strong>the</strong> Frank Joubert Art Centre <strong>in</strong> Rondebosch<br />
and has also been nurtured <strong>in</strong> his studies via <strong>the</strong><br />
Ibhabhathane (“Butterfly” <strong>in</strong> Xhosa) Project . Through<br />
<strong>the</strong>m he was <strong>in</strong>troduced to <strong>the</strong> complexities and unique<br />
possibilities of oil pa<strong>in</strong>t as a medium of pa<strong>in</strong>terly expression.<br />
The expense of imported oil colours has tended<br />
to render <strong>the</strong>m out of reach for many aspirant artists<br />
from disadvantaged communities. The film shows<br />
how Anathi has related to <strong>the</strong> oil pa<strong>in</strong>t<strong>in</strong>gs <strong>in</strong> <strong>the</strong> <strong>Iziko</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong>, how he feels about <strong>the</strong> <strong>Collection</strong>,<br />
as well as <strong>the</strong> reactions of his own community to his<br />
dream of becom<strong>in</strong>g an artist. The film can be viewed <strong>in</strong><br />
<strong>the</strong> context of <strong>the</strong> orig<strong>in</strong>al Portrait of a Woman by Frans<br />
Hals, dated 1644, which <strong>in</strong>spired Anathi’s own reworked<br />
version, which he has made <strong>in</strong>to an affectionate portrait<br />
of his mo<strong>the</strong>r. Our special thanks to Col<strong>in</strong> Stevens of <strong>the</strong><br />
Ibhabathane Project for present<strong>in</strong>g a copy of this film to<br />
<strong>the</strong> <strong>Iziko</strong> <strong>Michaelis</strong> <strong>Collection</strong>.<br />
The Friends of <strong>the</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong><br />
warmly welcome<br />
<strong>the</strong> follow<strong>in</strong>g new<br />
corporate members<br />
FURNITURE<br />
CONSERVATION<br />
PROJECT<br />
Much-needed conservation work on <strong>the</strong> furniture <strong>in</strong><br />
<strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong> is about to be be undertaken,<br />
thanks to a generous <strong>in</strong>jection of R10,000.00 to launch<br />
this process by <strong>the</strong> Friends. It is hoped that a small<br />
number of items can be treated each year. The Friends<br />
generously supported <strong>the</strong> restoration of a major item -<br />
a 17th-century cupboard some years ago. <strong>Iziko</strong> Social<br />
History will also be treat<strong>in</strong>g certa<strong>in</strong> items that <strong>the</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong> has on loan.
Visit<strong>in</strong>g Czech musician Edita Keglerova from Prague at <strong>the</strong> harpsichord.<br />
TWO “STARRY NIGHTS” AT THE<br />
IZIKO OLD TOWN HOUSE<br />
Two special even<strong>in</strong>gs of chamber music concerts arranged<br />
by <strong>the</strong> Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong> recently<br />
attracted capacity audiences at <strong>the</strong> Old Town House.<br />
For young and old alike, <strong>the</strong> venue is grow<strong>in</strong>g <strong>in</strong> popularity<br />
among music-lovers <strong>in</strong> Cape Town for <strong>the</strong> quality<br />
of <strong>the</strong> programmes and <strong>the</strong> calibre of <strong>the</strong> performers that<br />
are play<strong>in</strong>g <strong>the</strong>re, thanks to <strong>the</strong> <strong>in</strong>itiatives of members of<br />
<strong>the</strong> Friends’ Council.<br />
Two visit<strong>in</strong>g <strong>in</strong>ternational stars were ably supported<br />
by several local musicians <strong>in</strong> programmes of <strong>the</strong> highlycomplex<br />
yet delightful counterpo<strong>in</strong>t compositions<br />
from <strong>the</strong> very same period – <strong>the</strong> Baroque era of <strong>the</strong><br />
1600s - when <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs <strong>in</strong> <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong><br />
were made. The Czech harpsichordist Edita Keglerova<br />
from Prague was <strong>the</strong> star of <strong>the</strong> first concert, which was<br />
sponsored by <strong>the</strong> Czech Embassy <strong>in</strong> South Africa. She<br />
played on an elaborate harpsichord which was a literal<br />
work of art <strong>in</strong> itself, built here <strong>in</strong> Cape Town by a Dutchborn<br />
craftsman. The second concert featured Anto<strong>in</strong>ette<br />
Lohmann, <strong>the</strong> famous Dutch viol<strong>in</strong>ist from Amsterdam,<br />
whose visit was sponsored by <strong>the</strong> Van Ewijck Foundation.<br />
Lohmann played us<strong>in</strong>g an antique viol<strong>in</strong> and a<br />
viola that have both survived from <strong>the</strong> very same period.
NOTICE OF 18 th ANNUAL GENERAL MEETING<br />
TO BE HELD AT THE IZIKO OLD TOWN HOUSE<br />
ON SATURDAY 01 OCTOBER 2011 AT 14h30 (2:30 pm)<br />
1 Open<strong>in</strong>g<br />
2 Apologies<br />
AGENDA<br />
3 M<strong>in</strong>utes of Annual General Meet<strong>in</strong>g held on 01 September 2010.<br />
4 Presentation of Accounts for <strong>the</strong> F<strong>in</strong>ancial Year ended 31 March 2011<br />
5 Annual Report of <strong>the</strong> Chairperson for <strong>the</strong> year ended 31 March 2011<br />
6 Ratification of Council Members *<br />
7 Any o<strong>the</strong>r bus<strong>in</strong>ess<br />
8 Clos<strong>in</strong>g<br />
9<br />
AGM 2011<br />
10 Tea and refreshments will be served after <strong>the</strong> lecture<br />
n To assist with seat<strong>in</strong>g and cater<strong>in</strong>g, please RSVP by Wednesday 28 September 2011<br />
col<strong>in</strong>@worker.com. Office Tel (09:00 - 14:00) Fax 021 683 1297, Cell/SMS 083 713 5498<br />
* See proxy form on page 12<br />
Illustrated lecture<br />
The 17th-century<br />
Dutch Interior :<br />
fact or fantasy?<br />
by Hayden Proud<br />
Curator : <strong>Michaelis</strong> <strong>Collection</strong> at<br />
<strong>the</strong> <strong>Iziko</strong> Old Town House.
Introduction<br />
The year 2010/11 has not <strong>in</strong> every<br />
respect been an entirely satisfactory<br />
one for <strong>the</strong> Friends of <strong>the</strong> <strong>Michaelis</strong><br />
<strong>Collection</strong>. By <strong>the</strong> same token,<br />
five months later, your Committee<br />
can report signs both of renewed<br />
activity by <strong>the</strong> Committee itself and<br />
of <strong>in</strong>terest and participation from<br />
<strong>the</strong> side of <strong>the</strong> public.<br />
The slump <strong>in</strong> activity by and for<br />
<strong>the</strong> Friends last year undoubtedly<br />
had to do with <strong>the</strong> fact that <strong>the</strong><br />
Permanent <strong>Collection</strong>, <strong>the</strong> oldmaster<br />
pa<strong>in</strong>t<strong>in</strong>gs that form <strong>the</strong><br />
raison-d’être of <strong>the</strong> museum <strong>in</strong> <strong>the</strong><br />
Old Town House, were not on<br />
its walls at all for most of <strong>the</strong> year.<br />
This was <strong>the</strong> result of <strong>the</strong> decision<br />
by <strong>Iziko</strong> – s<strong>in</strong>ce some ten years ago our over-arch<strong>in</strong>g<br />
mo<strong>the</strong>r <strong>in</strong>stitution – to use all its halls for two temporary<br />
exhibitions, The Lie of <strong>the</strong> Land (featur<strong>in</strong>g landscape art<br />
and curated by Prof. Michael Godby) and Home and<br />
Away (art of a political nature, curated by Carol Brown).<br />
Both exhibitions were of undoubted <strong>in</strong>terest. To <strong>the</strong><br />
fund<strong>in</strong>g of <strong>the</strong> first-mentioned <strong>the</strong> Friends <strong>in</strong> fact made<br />
a substantial contribution, and for <strong>the</strong> o<strong>the</strong>r one <strong>the</strong>y<br />
organized a walk-about by its curator. But <strong>the</strong> prolonged<br />
absence of <strong>the</strong> Permanent <strong>Collection</strong> caused much<br />
concern among our local support group – as well as<br />
dismay from <strong>the</strong> side of many visitors from elsewhere.<br />
In subsequent discussions with <strong>the</strong> <strong>Iziko</strong> management,<br />
it was agreed that such special, temporary exhibitions<br />
should rema<strong>in</strong> <strong>the</strong> exception, ra<strong>the</strong>r than <strong>the</strong> rule, and<br />
that such exhibitions should not necessitate <strong>the</strong> removal<br />
of <strong>the</strong> entire Permanent <strong>Collection</strong>.<br />
Activities<br />
FRIENDS OF THE MICHAELIS COLLECTION<br />
CHAIRMAN’S REPORT<br />
Despite this temporary set-back, activities cont<strong>in</strong>ued<br />
to be held <strong>in</strong> <strong>the</strong> Old Town House, altough a few had<br />
to cancelled because of a lack of <strong>in</strong>terest. Among those<br />
that were successful were three walk-abouts of <strong>the</strong><br />
two special exhibitions, two most <strong>in</strong>formative lectures<br />
(on artist/architect Friedensreich Hundertwasser by<br />
Truida Pekel, and on <strong>the</strong> Seasons <strong>in</strong> Medieval M<strong>in</strong>iature<br />
Pa<strong>in</strong>t<strong>in</strong>g by Tia Hugo), and a “Rehang<strong>in</strong>g Party” to<br />
celebrate <strong>the</strong> return of <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs of <strong>the</strong> Permanent<br />
<strong>Collection</strong>, as rehung most <strong>in</strong>ventively by curator<br />
Hayden Proud under <strong>the</strong> title “Baroque meets Modern”.<br />
1 APRIL 2010 – 31 MARCH 2011<br />
FMC Chairman Dr. Hans Fransen.<br />
Educational programmes<br />
are always on-go<strong>in</strong>g, and were<br />
especially <strong>in</strong>tensive dur<strong>in</strong>g <strong>the</strong><br />
Lie of <strong>the</strong> Land exhibition, when<br />
learners as well as teachers were<br />
targeted with <strong>the</strong> cooperation<br />
of <strong>the</strong> Ibhabhathane Project, <strong>the</strong><br />
Joan St. Leger L<strong>in</strong>dbergh Trust,<br />
<strong>the</strong> National Arts Council and <strong>the</strong><br />
West. Cape Department of Cultural<br />
Affairs and Sport.<br />
O<strong>the</strong>r supportive activities<br />
Although <strong>the</strong> Friends always try to<br />
keep a substantial f<strong>in</strong>ancial nestegg<br />
<strong>in</strong> order to be <strong>in</strong> a position to<br />
support larger projects, <strong>the</strong>y have<br />
been able to contribute to several<br />
mean<strong>in</strong>gful causes related to <strong>the</strong><br />
museum and its activities and<br />
<strong>in</strong>terests. They funded part of <strong>the</strong> cost of <strong>the</strong> catalogue<br />
of <strong>the</strong> exhibition The Lie of <strong>the</strong> Land by Prof. Michael<br />
Godby, <strong>the</strong>reby demonstrat<strong>in</strong>g that <strong>the</strong>y do support<br />
special, temporary exhibitions. They also f<strong>in</strong>anced <strong>the</strong><br />
restoration of <strong>the</strong> bust of Sir Max <strong>Michaelis</strong> by Moses<br />
Kottler over <strong>the</strong> founta<strong>in</strong> <strong>in</strong> <strong>the</strong> courtyard.<br />
The <strong>Iziko</strong> Old Town House<br />
After quite a protracted period of renovations, <strong>the</strong><br />
Old Town House is once aga<strong>in</strong> <strong>in</strong> prime condition.<br />
Damp problems <strong>in</strong> <strong>the</strong> left lower anteroom were<br />
dealt with, disabled access was improved by <strong>the</strong><br />
<strong>in</strong>stallation of a lift (no easy job <strong>in</strong> <strong>the</strong> heart of an old<br />
build<strong>in</strong>g!), by remov<strong>in</strong>g <strong>the</strong> steps <strong>in</strong> <strong>the</strong> Burg Street<br />
entrance to <strong>the</strong> Courtyard, and by a handrail on <strong>the</strong><br />
steps <strong>in</strong> front. Light<strong>in</strong>g and ultra-violet protection<br />
were much improved upstairs. Regrettably, we were<br />
<strong>in</strong>formed that fire regulations prevent <strong>the</strong> presence of<br />
more than twenty-five persons upstairs at any given<br />
time. This rules out <strong>the</strong> use of <strong>the</strong> spendid panelled<br />
Frans Hals Room, reputed to have <strong>the</strong> best chambermusic<br />
accoustics <strong>in</strong> <strong>the</strong> City. Still to be satisfactorily<br />
resolved is <strong>the</strong> problem with <strong>the</strong> stair-well dome, so<br />
that pa<strong>in</strong>t<strong>in</strong>gs can be hung <strong>the</strong>re. The Friends have<br />
also expressed <strong>the</strong>ir desire to see <strong>the</strong> Pr<strong>in</strong>t Room re<strong>in</strong>stalled<br />
where, until <strong>the</strong> <strong>in</strong>corporation of <strong>the</strong> Museum<br />
<strong>in</strong> <strong>the</strong> <strong>Iziko</strong> group, a permanent display could be seen,<br />
<strong>in</strong> specially designed cab<strong>in</strong>ets, of <strong>the</strong>matic selections<br />
from <strong>the</strong> superb hold<strong>in</strong>gs of works on paper, <strong>in</strong>clud<strong>in</strong>g<br />
dozens of Rembrandt etch<strong>in</strong>gs.
The ma<strong>in</strong> room upstairs <strong>in</strong> The Old Townhouse, with pa<strong>in</strong>t<strong>in</strong>gs and sculpture on display <strong>in</strong> <strong>the</strong> Frans Hals room dur<strong>in</strong>g Michael<br />
Godby’s The Lie of <strong>the</strong> Land exhibition <strong>in</strong> 2010.<br />
Acknowledgements<br />
This report would be <strong>in</strong>complete without acknowledg<strong>in</strong>g<br />
<strong>the</strong> assistance of a number of people. S<strong>in</strong>ce its <strong>in</strong>ception<br />
seventeen years ago, <strong>the</strong> Friends have been blessed with<br />
a sterl<strong>in</strong>g Committee. Without its <strong>in</strong>defatigable Secretary,<br />
Col<strong>in</strong> Stevens, <strong>the</strong> Friends would simply not have been<br />
able to function at all. Tony Fagrew has kept a close re<strong>in</strong><br />
on our f<strong>in</strong>ances. And Helen B<strong>in</strong>ckes, Shirley Kellner<br />
and Barnaba Golek helped <strong>in</strong> many different ways,<br />
as ‘”front-of-<strong>the</strong>-house”, refreshment manager or barkeeper.<br />
Dur<strong>in</strong>g <strong>the</strong> year Liesl Hartman, Pr<strong>in</strong>cipal of <strong>the</strong><br />
Frank Joubert Art Centre accepted our <strong>in</strong>vitation to jo<strong>in</strong><br />
<strong>the</strong> committee.<br />
From <strong>the</strong> side of <strong>Iziko</strong>, we have ma<strong>in</strong>ta<strong>in</strong>ed an<br />
excellent work<strong>in</strong>g relationship with <strong>the</strong> Curator of<br />
Historical Art, Hayden Proud, <strong>in</strong> whose concerns <strong>the</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong> occupies a very special place and<br />
whose attendance at our Committee meet<strong>in</strong>gs is much<br />
appreciated. We also value <strong>the</strong> <strong>in</strong>terest by <strong>Iziko</strong>’s new<br />
Chief Executive Officer, Rooksana Omar, and its Director<br />
of Art <strong>Collection</strong>s, Riason Naidoo.<br />
To <strong>the</strong> security staff of <strong>the</strong> Old Town House,<br />
especially Barbara Hendricks, we owe a vote of thanks<br />
for <strong>the</strong>ir will<strong>in</strong>g assistance after-hours dur<strong>in</strong>g our<br />
special events. Last but not least I must commend<br />
Beulah Lombard, owner/manager of <strong>the</strong> Scotch<br />
Coffee Shop garden restaurant, for <strong>the</strong> good cheer<br />
and excellent service she provides, and for <strong>the</strong> lov<strong>in</strong>g<br />
care she lavishes on <strong>the</strong> flower and herb beds <strong>in</strong> <strong>the</strong><br />
courtyard. Thank you all for contribut<strong>in</strong>g to mak<strong>in</strong>g <strong>the</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong> <strong>in</strong> <strong>the</strong> Old Town House not just an<br />
<strong>in</strong>terest<strong>in</strong>g museum, but also a very pleasant place to<br />
visit.<br />
Future<br />
After a fairly quiet period late last year <strong>the</strong> Friends,<br />
dur<strong>in</strong>g <strong>the</strong> months follow<strong>in</strong>g <strong>the</strong> year covered by this<br />
report, are show<strong>in</strong>g signs not only of renewed activity,<br />
but also of unprecedented support by <strong>the</strong> public. The<br />
concerts presented s<strong>in</strong>ce <strong>the</strong>n have been over-subscribed,<br />
and several educational activities are be<strong>in</strong>g planned. The<br />
Friends, <strong>in</strong> cooperation with <strong>Iziko</strong>, are also plann<strong>in</strong>g <strong>the</strong><br />
publication of a new brochure/catalogue to replace <strong>the</strong><br />
1995 book that has long been out of pr<strong>in</strong>t. To achieve all<br />
this, however, <strong>the</strong> Committee needs to expand its private<br />
and corporate membership – as well as streng<strong>the</strong>n its<br />
own ranks.<br />
Thank you.<br />
Dr. Hans Fransen<br />
Chairman
NEWS & ACTIVITIES<br />
FOR FRIENDS &<br />
THEIR FRIENDS<br />
Please note dates and events scheduled for<br />
Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong> and <strong>the</strong>ir<br />
friends too. Please notice that some events have<br />
limited numbers. It is <strong>the</strong>refore absolutely necessary<br />
that you respond and say you will be attend<strong>in</strong>g,<br />
so that we know when to close <strong>the</strong> book<strong>in</strong>gs.<br />
You may book your place by telephone, fax, email<br />
or SMS. Please make sure that you mention your<br />
name, & best telephone number.<br />
n SATURDAY 01 OCTOBER 2011<br />
ANNUAL GENERAL MEETING<br />
Saturday @ 14:30<br />
Admission : No charge – RSVP appreciated.<br />
See page 6 for agenda and lecture details.<br />
n WEDNESDAY 19 OCTOBER 2011<br />
VISIT TO RUTH PROWSE<br />
SCHOOL OF ART, Woodstock<br />
Wednesday @ 10h30. Admission : R30.00<br />
Book<strong>in</strong>g essential only 20 places available.<br />
Our members are <strong>in</strong>vited to a visit to <strong>the</strong> well-known<br />
art centre started some forty years ago as a result of<br />
<strong>the</strong> munificence of <strong>the</strong> pa<strong>in</strong>ter Ruth Prowse (one-time<br />
Curator of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong>!). She bequea<strong>the</strong>d her<br />
picturesque thatched and gabled cottage <strong>in</strong> Woodstock<br />
– once <strong>the</strong> old farm Roodebloem – for <strong>the</strong> purpose of<br />
establish<strong>in</strong>g an art centre. For over twenty years it was<br />
run by our former committee member Erik Laubscher.<br />
The pr<strong>in</strong>cipal, Eunice Geustyn, will accompany us<br />
through <strong>the</strong> various studios, and Dr Hans Fransen will<br />
tell us about <strong>the</strong> highly <strong>in</strong>terest<strong>in</strong>g architecture of <strong>the</strong> old<br />
farmhouse. The complex can be reached from Ma<strong>in</strong> Road,<br />
Woodstock, on <strong>the</strong> mounta<strong>in</strong> side right opposite oblique<br />
Salt River Road, up short Birkdale Road straight <strong>in</strong>to its<br />
ma<strong>in</strong> gate.<br />
n As visitors’ numbers are limited to 20, book<strong>in</strong>g is<br />
essential. Tea and coffee will be served at 10h30. Park<strong>in</strong>g<br />
should be available <strong>in</strong> <strong>the</strong> grounds or <strong>the</strong> streets nearby.<br />
n FRIDAY 28 OCTOBER 2011<br />
MUSIC FROM THE GOLDEN<br />
AGE III<br />
Friday @ 17h30 at The <strong>Iziko</strong> Old Town House,<br />
Greenmarket Square<br />
Admission : R75.00 (friends); R90 non-members; R45<br />
students. Book<strong>in</strong>g essential only 60 seats available.<br />
Andrew Cruickshank (harpsichord) and Hans Huyssen<br />
(cello), toge<strong>the</strong>r with Charles A<strong>in</strong>slie (bass-baritone) and<br />
Nick de Jager (tenor) <strong>in</strong> works by Storace, Frescobaldi,<br />
Bach, Couper<strong>in</strong>, and Royer. The third <strong>in</strong> our series of<br />
concerts of chamber music from <strong>the</strong> Golden Age – <strong>the</strong><br />
Baroque Age of <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs of our collection and of The<br />
<strong>Iziko</strong> Old Town House itself. This time we are happy to<br />
present two of <strong>the</strong> splendid musicians whom we heard<br />
<strong>in</strong> <strong>the</strong> previous concert – this time accompany<strong>in</strong>g two<br />
welcome guest artists.<br />
n Telephone Liz Ellenbogen on 021 683 2720 between<br />
09h00 and 14h00 Monday to Friday, except<strong>in</strong>g school<br />
holidays. Email teachart@frankjoubertartcentre.co.za;<br />
col<strong>in</strong>@worker.com; SMS 083 713 5498; or write to PO Box<br />
15 194, Vlaeberg 8018, Fax 021 683 1297.
Chanesse with blue dress<strong>in</strong>g gown (1999) by Clare Menck, and Gallant Conversation<br />
(c 1654) Gerard ter Borch, Louvre, Paris.<br />
CLARE MENCK: INVITED ARTIST AT<br />
IZIKO OLD TOWN HOUSE<br />
An artist’s residency programme is about to be <strong>in</strong>augurated at <strong>the</strong> <strong>Michaelis</strong><br />
<strong>Collection</strong>. Over <strong>the</strong> month of November <strong>the</strong> pa<strong>in</strong>ter Clare Menck will be sett<strong>in</strong>g<br />
up studio at <strong>the</strong> <strong>Iziko</strong> Old Town House. Menck’s devotion to <strong>the</strong> Dutch masters<br />
is evident <strong>in</strong> much of her work, and she has sought out <strong>the</strong> work of Gerard ter<br />
Borch, Johannes Vermeer, Carel Fabritius and Pieter de Hooch <strong>in</strong> her sojourns<br />
of study abroad. Dur<strong>in</strong>g her residency, Menck will <strong>in</strong>itiate fur<strong>the</strong>r “pa<strong>in</strong>terly”<br />
conversations with <strong>the</strong> Old Masters <strong>in</strong> <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong> and with <strong>the</strong><br />
wonderful build<strong>in</strong>g that conta<strong>in</strong>s it. Members of <strong>the</strong> Friends are encouraged<br />
to pay <strong>the</strong> artist a visit while she is at work. Parallel to Menck’s residency will<br />
be a major mid-career retrospective of her work entitled Hidden Life / Verborge<br />
Lewe at <strong>the</strong> Sanlam Art Gallery <strong>in</strong> Bellville. The exhibition is accompanied by a<br />
substantial catalogue. The Friends will be arrang<strong>in</strong>g events around her residency<br />
at <strong>the</strong> <strong>Iziko</strong> Old Town House and a special tour of her exhibition <strong>in</strong> Bellville.<br />
Dates of residency:<br />
Monday 31 October – Saturday 5 November 2011<br />
Monday 14 November – Saturday 19 November 2011<br />
n Dates and book<strong>in</strong>g details of events and a special guided tour of Hidden Life /<br />
Verborge Lewe at <strong>the</strong> Sanlam Art Gallery will be announced <strong>in</strong> due course.<br />
THE ESSENTIAL VERMEER<br />
NEWSLETTER<br />
Jonathan Janson is a man who has been obsessed with <strong>the</strong><br />
work of Johannes Vermeer to such an extent that he has<br />
created a special website dedicated to <strong>the</strong> study of <strong>the</strong> artist’s<br />
work and pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> <strong>the</strong> Dutch Golden Age. Give yourself<br />
a treat and explore his unique website on http://www.<br />
essentialvermeer.com/<strong>in</strong>terviews_newsletter/newsletter_30.<br />
html. It is packed with all k<strong>in</strong>ds of enlighten<strong>in</strong>g <strong>in</strong>formation<br />
and wonderful images. You can register for regular email<br />
updates which will be sent to you as Janson follows <strong>the</strong> trail<br />
of exhibitions and relates f<strong>in</strong>d<strong>in</strong>gs and new research on one of<br />
<strong>the</strong> world’s most admired pa<strong>in</strong>ters.<br />
The Girl with a Pearl Earr<strong>in</strong>g (c1665) by Johannes Vermeer, Mauritshuis,<br />
The Hague.<br />
CELEBRATING<br />
PETER CLARKE<br />
The Friends extend warmest<br />
congratulations to former FMC<br />
Council member Peter Clarke<br />
on <strong>the</strong> occasion of his major<br />
retrospective at <strong>the</strong> <strong>Iziko</strong> South<br />
African National Gallery from<br />
October 20. The exhibition,<br />
entitled Listen<strong>in</strong>g to Distant<br />
Thunder: The Art of Peter Clarke, is<br />
curated by Elizabeth Rank<strong>in</strong> and<br />
Philippa Hobbs. Is is <strong>the</strong> result<br />
of seven years of research on <strong>the</strong><br />
artist and is accompanied by a<br />
lavish and beautiful book. It will<br />
run until mid-February 2012 and<br />
promises to be <strong>the</strong> exhibition<br />
highlight of <strong>the</strong> summer season.<br />
Photo : Russell Scott, 2011.
Clare Menck: Hidden Life<br />
Twenty years of pa<strong>in</strong>t<strong>in</strong>g (1990 - 2010)<br />
Sanlam Art Gallery<br />
26 October 2011 - 9 December 2011<br />
Gallery Hours: Monday - Friday: 09:00 - 16:30<br />
Sanlam, 2 Strand Road, Bellville<br />
Inquiries: 021 947 3359<br />
BROUGHT TO YOU BY
AGM & EXECUTIVE<br />
COMMITTEE<br />
MEMBERS<br />
Thank you to loyal committee members who have<br />
given up a lot of time and gone to a lot of trouble<br />
to promote our society and <strong>the</strong> wonderful Gallery<br />
and <strong>Collection</strong>. Now is <strong>the</strong> time to <strong>in</strong>troduce new<br />
committee members – younger and with wider and<br />
more contemporary <strong>in</strong>terests. Please mention this<br />
to lively, young people that you know.<br />
Present committee: Dr Hans Fransen (Chairman),<br />
Col<strong>in</strong> Stevens (Secretary), Tony Fagrew (Treasurer),<br />
Helen B<strong>in</strong>ckes, Barnaba Golek, Liesl Hartman,<br />
Shirley Kellner.<br />
HOUSE NOTES:<br />
n There is wheelchair access to <strong>the</strong> garden,<br />
build<strong>in</strong>g & lift via Burg Street.<br />
n A handrail has been provided for people us<strong>in</strong>g<br />
<strong>the</strong> front entrance steps.<br />
n The <strong>Iziko</strong> Old Town House Museum is open<br />
from 10:00 – 17:00, Monday – Saturday.<br />
n Entrance to <strong>the</strong> <strong>Iziko</strong> Old Town House Museum<br />
is free for people of 18 years and younger, R10 for<br />
people over <strong>the</strong> age of 18 years. There is no charge<br />
for Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong>.<br />
n <strong>Iziko</strong> <strong>Museums</strong>: Telephone 021 481 3933<br />
n Beulah’s Scotch Coffee House <strong>in</strong> <strong>the</strong> Garden:<br />
Telephone 021 423 0322<br />
FORM OF PROXY: (Please email, fax, post or deliver to reach <strong>the</strong> secretary before <strong>the</strong> meet<strong>in</strong>g.)<br />
I, …………………………………………….. a paid up member of <strong>the</strong> Friends of <strong>the</strong><br />
<strong>Michaelis</strong> <strong>Collection</strong>, do hereby appo<strong>in</strong>t <strong>the</strong> Chairman or<br />
……………………………………………….<br />
who is a paid up member of <strong>the</strong> FMC, as proxy to vote and speak on my behalf at <strong>the</strong> Annual<br />
General Meet<strong>in</strong>g to be held on 01 October 2011<br />
Signed at: ……………………………………on …………………. Signature ………………...............
This fasc<strong>in</strong>at<strong>in</strong>g postcard image of <strong>the</strong> <strong>Iziko</strong> Old Town<br />
House was taken by <strong>the</strong> well-known American photgrapher<br />
Arthur Elliot, now famous for his images of life at<br />
<strong>the</strong> Cape <strong>in</strong> <strong>the</strong> late 1800s and early 1900s. It is stamped<br />
“Union of South Africa” which possibly suggests that<br />
<strong>the</strong> image dates from 1910 or immediately <strong>the</strong>reafter.<br />
Judg<strong>in</strong>g from <strong>the</strong> configuration of <strong>the</strong> central archway<br />
on <strong>the</strong> portico, it is certa<strong>in</strong>ly an image of our build<strong>in</strong>g<br />
taken just before <strong>the</strong> massive renovations and alterations<br />
carried out between 1913 and 1916 to transform it<br />
<strong>in</strong>to Cape Town’s equivalent of <strong>the</strong> Mauritshuis <strong>in</strong> The<br />
Hague. The build<strong>in</strong>g as we know, was formally handed<br />
over to <strong>the</strong> Union Government by <strong>the</strong> City of Cape<br />
Town <strong>in</strong> 1913 to be transformed <strong>in</strong>to a suitable home for<br />
<strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong>. Of fur<strong>the</strong>r <strong>in</strong>terest to note is <strong>the</strong><br />
colour of <strong>the</strong> build<strong>in</strong>g, which is slightly darker than <strong>the</strong><br />
o<strong>the</strong>rs adjo<strong>in</strong><strong>in</strong>g it.<br />
Official reports written by <strong>the</strong> Public Works Department<br />
on <strong>the</strong> condition of <strong>the</strong> build<strong>in</strong>g at this time, which are<br />
THE WAY WE WERE<br />
to be found <strong>in</strong> <strong>the</strong> Cape Archives, rem<strong>in</strong>d us that <strong>the</strong><br />
build<strong>in</strong>g had a wooden roof and wooden floors throughout,<br />
and that all of <strong>the</strong>se fixtures were ei<strong>the</strong>r rott<strong>in</strong>g or <strong>in</strong><br />
a poor state of repair. The build<strong>in</strong>g was <strong>in</strong> fact a t<strong>in</strong>derbox<br />
that was a major fire-risk and entirely unsuitable<br />
as a repository for a major collection of valuable Old<br />
Masters. The conversion of <strong>the</strong> build<strong>in</strong>g thus <strong>in</strong>volved<br />
some major eng<strong>in</strong>eer<strong>in</strong>g; <strong>the</strong> roof and first floor be<strong>in</strong>g<br />
replaced with fire-resistant concrete, while <strong>the</strong> ground<br />
floor was covered with marble. Huge logs of teak were<br />
also imported to be used to build a new stairwell and<br />
l<strong>in</strong>e <strong>the</strong> former Council chamber upstairs - what was to<br />
become known as <strong>the</strong> Frans Hals Room. The <strong>Iziko</strong> Old<br />
Town House as we know it today was last subjected to<br />
a major restoration <strong>in</strong> 2003, and hopes are that a renovation<br />
of stairwell - a work of art <strong>in</strong> itself - will soon be underway.<br />
We hope to publish fur<strong>the</strong>r images of <strong>the</strong> <strong>Iziko</strong><br />
Old Town House <strong>in</strong> future. If you know of any o<strong>the</strong>r<br />
early photographs of <strong>the</strong> build<strong>in</strong>g, we would be pleased<br />
to hear from you.<br />
Visit Beulah’s Scotch Coffee House<br />
at <strong>the</strong> <strong>Iziko</strong> Old Town House<br />
Breakfast, lunches, tea coffee and confectionery<br />
Open dur<strong>in</strong>g Museum hours Entrance from Burg Street.<br />
Telephone Beulah on 021 423 0322
INVITATION : 2011<br />
REGISTER YOUR FRIENDSHIP<br />
Dear New Friends and All Friends who pay annual subscriptions.<br />
Please renew your annual membership of <strong>the</strong> Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong>.<br />
You are also welcome to update your subscription to that of LIFE MEMBER!<br />
Life Members are <strong>in</strong>vited to fill <strong>in</strong> a form so that we can be sure to have <strong>the</strong> correct contact details.<br />
MEMBERSHIP SUBSCRIPTIONS FOR 2011<br />
• Annual S<strong>in</strong>gle.....................R 75.00<br />
• Annual Double ................R 100.00<br />
• Life .....................................R 500.00<br />
• Corporate ........................R 2000.00<br />
MEMBERSHIP DETAILS & PAYMENT OF SUBSCRIPTIONS<br />
PLEASE COMPLETE THE FORM BELOW SO THAT WE CAN RECORD YOUR CORRECT CONTACT DETAILS:<br />
Present Membership Category: S<strong>in</strong>gle / Double / Life / Corporate (Please <strong>in</strong>dicate)<br />
New Membership Category: S<strong>in</strong>gle / Double / Life / Corporate (Please <strong>in</strong>dicate)<br />
Membership fee paid via: n *Bank deposit n Cheque <strong>in</strong> post / o<strong>the</strong>r …………………...............................<br />
Date of payment .....................................<br />
Dr / Mr / Mrs / Ms<br />
Special donations towards our<br />
Bursary and Education programmes<br />
are always appreciated.<br />
Surname ………………………………… First Name …..…………………………….<br />
Corporate ………………………………………………………………………………………<br />
Postal Address ………………………………………………………. Code:……………<br />
Email ……………………………………………………… Fax ……………………………<br />
Cell Phone ……………………………………… Telephone………………………………<br />
Please email / post / fax your completed membership form to <strong>the</strong> addresses given below.<br />
Cheques can be posted to <strong>the</strong> post office box number.<br />
Direct deposit <strong>in</strong>to our bank account is encouraged – *please be sure to fill <strong>in</strong> your surname as a reference on <strong>the</strong> bank<br />
deposit slip.<br />
BANK DETAILS<br />
Bank: Standard Bank<br />
a/c no: 07 002 9946<br />
Branch: 020009<br />
a/c Name: The Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong><br />
Postal Address: The Secretary, The Friends of <strong>the</strong> <strong>Michaelis</strong> <strong>Collection</strong><br />
PO Box 15194, VLAEBERG 8018<br />
Friends email address: col<strong>in</strong>@worker.com<br />
Office Tel: 021 683 2720 Cell: 083 713 5498