Civic_Honours_2011 book SMALL.pdf - City of Cape Town
Civic_Honours_2011 book SMALL.pdf - City of Cape Town
Civic_Honours_2011 book SMALL.pdf - City of Cape Town
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Phyllis Bernice Sp<br />
Throughout her career, Phyllis Bernice Spira was hailed for her beauty, wealth <strong>of</strong> expression, elegance <strong>of</strong><br />
line, and the kind <strong>of</strong> magic that captures an audience’s attention and gives them joy.<br />
Phyllis was born in 1943 and began her ballet training at age four. She attended Waverley Girls High<br />
School in Johannesburg and was accepted into the Royal Ballet School at age 16.<br />
She later joining the Royal Ballet Touring Company and danced as a soloist in Europe, the Middle East<br />
and the Far East. However, she turned down an international career and an invitation to dance with the<br />
legendary Rudolf Nureyev to return to South Africa in 1964.<br />
Phyllis joined the former Performing Arts Council <strong>of</strong> the Transvaal (PACT) Ballet Company and a year<br />
later joined the <strong>Cape</strong> Performing Arts Board (CAPAB) where, over almost three decades, her artistic<br />
standards helped raise the company to an international level. She toured with the National Ballet <strong>of</strong><br />
Canada from 1967 to 1968.<br />
Being a great ballerina goes far beyond technique and encompasses more than personal magnetism,<br />
range <strong>of</strong> expression and musicality (yet Phyllis had a knack <strong>of</strong> really sinking into the music and floating<br />
through her movements). She was the ideal frail Giselle, a powerful Odile in Swan Lake, an extraordinary<br />
Juliet, and the epitome <strong>of</strong> innocence and grace in The Sleeping Beauty. Her superb role in La Sylphide<br />
displayed the true sense <strong>of</strong> the Romantic ballerina.<br />
Her talent was embraced with her ability to work hard; her sure technique and unmistakable<br />
classical line standing her in good stead through times <strong>of</strong> triumph as well as injury and recovery, the<br />
occupational hazards facing a pr<strong>of</strong>essional dancer.<br />
Phyllis was granted the status <strong>of</strong> prima ballerina assoluta, a title held by only a few dancers worldwide,<br />
in 1984.