PDF-Beispiel - Advance Music

TABLE OF CONTENTS
Foreword by Anthony Weller 7
Acknowledgments 8
Preface 9
How to Get the Most out of These Etudes 10
How to Get the Most out of Applying Contrast to Diatonic Phrases 10
Overview of Phrase Applications 11
Scale Syllabus 12
Chapter I
Section 1 – Dorian, Mixolydian and Major Scale Etudes
Dorian Di 14
Dante & Dorian 16
Mixolydian Mix 18
Mission Major! 20
My Major 5⁄4 Mission 22
Section 2 Group One Phrases – Dorian, Mixolydian, and Major Scale Applications
A Dorian, Mixolydian and Major Scale Applications of Diatonic Four-Bar Phrases 24
B Contrast: Dorian and Mixolydian Phrases 27
C Rhythmic Contrast and Expansion of Group One Phrases 29
Chapter II
Section 1 – Lydian and Lydian Dominant Scale Etudes
Lucky Lydian 30
Larry Lydian 7⁄4 32
Lydian Dominant Dom 34
Dance the Lydian Dominant 36
Section 2 Group One Phrases – Lydian and Lydian Dominant Scale Applications
A Lydian Four-Measure Phrases 38
B Lydian Dominant Four-Measure Phrases 39
C Contrast: Lydian Dominant Four-Measure Phrases 40
Chapter III
Section 1 – Melodic and Harmonic Minor Scale Etudes
Miss Minor 42
Minor 3⁄4 Steps 44
Hairy Harmonic 46
Section 2 Group Two Phrases – Melodic Minor and Harmonic Scale Applications
A Group Two Diatonic Phrases 49
B Contrast: Group Two Phrases 51
C Melodic Minor Phrases 53
D Harmonic Minor Phrases 54
E Rhythmic Contrast and Expansion of Group Two Phrases 55
Chapter IV
Section 1 – Diminished, Diminished Whole-Tone, Whole-Tone and Lydian
Augmented Scale Etudes
That Diminished Thing 56
5

Table of Contents
6
Uncommon Etudes …
The Whole Thing 58
C Micu’s Magic! 60
D Love For Lieb 62
Section 2 Groups One & Two Phrases – Diminished, Diminished Whole-Tone,
Whole-Tone and Lydian Augmented Scale Applications
A Diminished Scale Phrases (Mode 1) – Groups One & Two 65
B Diminished Scale Phrases (Mode 2) – Groups One & Two 66
C Diminished Whole-Tone Scale Four-Measure Phrases – Group One 67
D Whole-Tone Phrases (#11, #5) – Groups One & Two 68
E Lydian Augmented Four-Measure Phrases (#11, #5) – Groups One & Two 69
Chapter V
Contrasting Earlier Material and Additional Applications of Common Concepts
A Contrasting Groups One and Two Phrases 71
B II–7 V7 I Phrases with Three Resolutions 73
C Applying Contrast to Common Bebop Scales 75
D Additional Rhythmic Contrast Examples 77
Appendix
Chord Changes for Comping Bb and Eb Instruments 80
About the Author 112