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Greek Cinema - Hellenic University Club of Southern California

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Tou Polemou (The Refugees <strong>of</strong> The War) in<br />

1922, and since Demetris Gaziadis and Giorgos<br />

Prokopiou filmed the Battle <strong>of</strong> Sagarios<br />

River in 1919-1922. 8 It is the first historical<br />

and political documentary.<br />

For the best short documentary in 1961,<br />

the first prize went to the movie To Krifo<br />

Palati Tis Manis (The Secret Palace <strong>of</strong> Mani),<br />

produced by Despina Skalotheou, directed<br />

by Despina Skalotheou and Athanasios<br />

Spiliotios who also won another award for<br />

“Best Director <strong>of</strong> Photography.” He was also<br />

a cameraman.<br />

The director Takis Kanelopoulos who<br />

had successfully directedthe documentary<br />

Makedonikos Gamos (Macedonian Wedding)<br />

in 1960, in 1961 directed the short documentary<br />

Thasos. It was like an emotional<br />

song, colorfully depicting the characteristics<br />

<strong>of</strong> the people <strong>of</strong> the island <strong>of</strong> Thasos and is<br />

full <strong>of</strong> nostalgia, love and beauty.<br />

The year 1962 shows the production <strong>of</strong><br />

twenty one short documentaries and short<br />

movies with nine <strong>of</strong> those selected to be presented<br />

in the Thessaloniki film festival that<br />

took place from 17th through 23 <strong>of</strong> September,<br />

1962. Two films one short movie and<br />

one short documentary that attracted most <strong>of</strong><br />

the attention in the festival were Athens Chi-<br />

Psi-Ksi produced by Lia Kariotou and directed<br />

by Demetris Kollatos. His short movie<br />

was an original in strong satiric tone, but a<br />

charming work in many aspects. Its original<br />

plot was based on a young tourist girl who,<br />

after loosing her glasses, started looking at<br />

people very closely. What she saw was very<br />

different than what is seeing from the distance.<br />

Lia Kariotou and Demetris Kollatos<br />

rightly won the “First Prize” award for “Best<br />

Short Movie.”<br />

The second one was the short documentary<br />

Ta Egenia (The Opening) produced and<br />

directed by Kostas Sfikas which represented<br />

Greece at the Festival <strong>of</strong> People in Florence<br />

in 1962. Its plot was based in the activities <strong>of</strong><br />

16<br />

a young boy as a lottery seller and gives in a<br />

very sentimental way the efforts <strong>of</strong> a small<br />

“business” boy trying to survive financially.<br />

The year 1962 shows the appearance <strong>of</strong> some<br />

new directors in short documentaries and<br />

short movies. Nikos Nikolaedis with his<br />

short movie Lacrimae Rerum presents a<br />

nostalgic, romantic and lyric presentation <strong>of</strong><br />

Lanbros Porfiras poem in a cinematography<br />

language. Kostas Sfikas with his movie Ta<br />

Egenia mentioned above, Athonis Kiros with<br />

his movie Irene Ke Zoe (Peace And Life),<br />

Athanasios Meritzis with his movie Hora<br />

Ton Kentavron (The Land Of Centaurs),<br />

Mycenae directed by Nikos Sabatakos, and E<br />

Parastasis Teliose (The Performance Is<br />

Over) directed by Minas Christidis. The same<br />

year two short documentaries were produced<br />

by Filopoimin Finos <strong>of</strong> Finos Film, Jannena<br />

and Nauplion directed by Errikos Thalassinos.<br />

The year 1963 shows a slight decrease in<br />

the production <strong>of</strong> short documentaries and<br />

short movies. They were produced a total <strong>of</strong><br />

nineteen movies. That year also marks the<br />

appearance <strong>of</strong> the newcomer Francis<br />

Karabot, a devoted person to this kind <strong>of</strong><br />

movies. Since 1963 he is credited with a total<br />

<strong>of</strong> forty- one short movies and documentaries<br />

as a director and some <strong>of</strong> them as a producer<br />

too. From the nineteen movies that were produced<br />

this year, three <strong>of</strong> those their subject<br />

was for Cyprus. The director Kostas Sfikas<br />

returned that year in the Thessaloniki film<br />

festival with his short movie Anamoni<br />

(Waiting). Kostas Sfikas again with his subject<br />

the working class, touches on nostalgia<br />

and sentimentality <strong>of</strong> that period. Its title<br />

“Waiting” indicates how the construction<br />

workers wait for decades daily outside <strong>of</strong> the<br />

Athens City Hall Square for someone to hire<br />

them for a day’s work. Their agony and hope<br />

that “I may be the lucky one today and get a<br />

job” is painted in their face and their everyday<br />

drama is given in a very simple way and<br />

tone by the director.

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