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report of the RIBA visiting board to London South Bank University

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Royal Institute <strong>of</strong> British Architects<br />

<strong>report</strong> <strong>of</strong> <strong>the</strong> <strong>RIBA</strong> <strong>visiting</strong> <strong>board</strong><br />

<strong>to</strong> <strong>London</strong> <strong>South</strong> <strong>Bank</strong> <strong>University</strong><br />

School <strong>of</strong> Architecture<br />

Faculty <strong>of</strong> Engineering, Science and <strong>the</strong> Built Environment<br />

BA (Hons) Architecture, Part 1<br />

Postgraduate Diploma in Architecture, Part 2<br />

<strong>RIBA</strong> Pr<strong>of</strong>essional Practice Part 3<br />

date <strong>of</strong> <strong>visiting</strong> <strong>board</strong> 05/06 July 2012<br />

Confirmed by <strong>RIBA</strong> Education Committee 28 November 2012


1 Details <strong>of</strong> institution hosting courses<br />

<strong>London</strong> <strong>South</strong> <strong>Bank</strong> <strong>University</strong><br />

Faculty <strong>of</strong> Engineering, Science and <strong>the</strong> Built Environment<br />

<strong>London</strong> <strong>South</strong> <strong>Bank</strong> <strong>University</strong><br />

103 Borough Road<br />

<strong>London</strong> SE1 0AA<br />

Head <strong>of</strong> Department<br />

Martin Lake<br />

2 Direc<strong>to</strong>r <strong>of</strong> architecture<br />

Mary Jane Rooney<br />

3 Course leaders:<br />

Alex Graef, BA (Hons) Architecture, Part 1<br />

Lilly Kudic, Postgraduate Diploma in Architecture, Part 2<br />

John Howe, <strong>RIBA</strong> Pr<strong>of</strong>essional Practice Part 3<br />

4 Courses <strong>of</strong>fered for revalidation<br />

BA (Hons) Architecture, Part 1<br />

Postgraduate Diploma in Architecture, Part 2<br />

<strong>RIBA</strong> Pr<strong>of</strong>essional Practice Part 3<br />

5 Awarding body<br />

<strong>London</strong> <strong>South</strong> <strong>Bank</strong> <strong>University</strong><br />

6 The <strong>visiting</strong> <strong>board</strong><br />

Matt Gaskin , Chair Norman Wienand – co pr<strong>of</strong>essional member<br />

Caroline Gould, Vice-Chair Alex Bancr<strong>of</strong>t – student/graduate member<br />

Gill Lambert Andrew Houl<strong>to</strong>n – regional representative<br />

Andy Bourne<br />

Stephanie Beasley-Suffolk (<strong>RIBA</strong>) attended <strong>the</strong> <strong>visiting</strong> <strong>board</strong> as secretary<br />

Doug Withing<strong>to</strong>n (<strong>RIBA</strong> Projects Co-ordina<strong>to</strong>r) attended <strong>the</strong> <strong>visiting</strong> <strong>board</strong> as an observer<br />

7 Procedures and criteria for <strong>the</strong> visit<br />

The <strong>visiting</strong> <strong>board</strong> was carried out under <strong>the</strong> <strong>RIBA</strong> procedures for validation and validation criteria for<br />

UK and international courses and examinations in architecture (published July 2011, and effective from<br />

September 2011); this document is available at www.architecture.com.<br />

8 Proposals <strong>of</strong> <strong>the</strong> <strong>visiting</strong> <strong>board</strong><br />

At its meeting on 28 November 2012 <strong>the</strong> <strong>RIBA</strong> Education Committee confirmed continued<br />

validation <strong>of</strong>:<br />

BA (Hons) Architecture, Part 1<br />

Postgraduate Diploma in Architecture, Part 2<br />

<strong>RIBA</strong> Pr<strong>of</strong>essional Practice Part 3<br />

This proposal will be submitted <strong>to</strong> <strong>the</strong> <strong>RIBA</strong> Education Committee for ratification, and<br />

subsequent notification <strong>to</strong> <strong>RIBA</strong> Council.<br />

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9 Standard requirements for continued recognition<br />

Continued <strong>RIBA</strong> recognition <strong>of</strong> all courses and qualifications is dependent upon:<br />

i external examiners being appointed for <strong>the</strong> course<br />

ii any significant changes <strong>to</strong> <strong>the</strong> courses and qualifications being submitted <strong>to</strong> <strong>the</strong> <strong>RIBA</strong><br />

iii any change <strong>of</strong> award title, and <strong>the</strong> effective date <strong>of</strong> <strong>the</strong> change, being notified <strong>to</strong> <strong>the</strong> <strong>RIBA</strong> so that<br />

its recognition may formally be transferred <strong>to</strong> <strong>the</strong> new title<br />

iv submission <strong>to</strong> <strong>the</strong> <strong>RIBA</strong> <strong>of</strong> <strong>the</strong> names <strong>of</strong> students passing <strong>the</strong> courses and qualifications listed<br />

10 School’s academic position statement (written by <strong>the</strong> School)<br />

“The School <strong>of</strong> Architecture originates in <strong>the</strong> founding mission <strong>of</strong> <strong>the</strong> university and Brix<strong>to</strong>n<br />

School <strong>of</strong> Building (1906) both <strong>of</strong> which were part <strong>of</strong> a wider social project <strong>of</strong> emancipation,<br />

social inclusivity and recognition that <strong>the</strong> design and <strong>the</strong> craft <strong>of</strong> building (referring <strong>to</strong> Ruskin)<br />

were imbued with meaning for both <strong>the</strong> individual and society. The school has always enhanced<br />

both <strong>the</strong> educational and pr<strong>of</strong>essional skills <strong>of</strong> our local <strong>London</strong> population while remaining<br />

determinedly global: a cosmopolitan, inclusive multicultural hub for learning. Over time, <strong>the</strong><br />

school has built up a reputation for bringing radical, innovative and gritty ideas in<strong>to</strong><br />

contemporary architectural debate. Our best known alumni, from Ron Heron <strong>to</strong> David Adjaye<br />

are celebrated for <strong>the</strong>ir ability <strong>to</strong> overturn stereotypes and <strong>to</strong> propose architecture that can bring<br />

about positive change.<br />

“DISTINCTIVE ETHOS<br />

The school has a distinctive ethos and recognises <strong>the</strong> critical role that architecture has in giving<br />

meaning <strong>to</strong> society’s deepest and best values and <strong>the</strong> experiences <strong>of</strong> both <strong>the</strong> individual and<br />

society. We place design at <strong>the</strong> heart <strong>of</strong> our education and recognise <strong>the</strong> role that architecture has<br />

in addressing <strong>the</strong> key issues <strong>of</strong> <strong>the</strong> contemporary world and both global and local concerns <strong>to</strong><br />

create a relevant and meaningful architecture. We have a commitment <strong>to</strong> both <strong>the</strong> discipline and<br />

pr<strong>of</strong>ession <strong>of</strong> architecture and aim <strong>to</strong> provide a creative design focussed education that<br />

encourages speculation and debate. The course is enquiry based and <strong>the</strong> invitation <strong>to</strong> students is<br />

<strong>to</strong> engage with <strong>the</strong> material and social issues <strong>of</strong> <strong>the</strong> contemporary world and <strong>to</strong> draw inspiration<br />

from <strong>the</strong> world <strong>of</strong> ideas and imagination <strong>to</strong> make architecture.<br />

“Today our school is ranked fourth <strong>of</strong> <strong>the</strong> central <strong>London</strong> Schools listed in <strong>the</strong> Guardian’s<br />

<strong>University</strong> Guide 2012 and is recognised both for <strong>the</strong> diversity <strong>of</strong> our students and <strong>the</strong> excellent<br />

standards achieved by our students in <strong>the</strong>ir work. The range <strong>of</strong> backgrounds, cultures, capabilities<br />

and achievements represented by our student pr<strong>of</strong>ile are recognised by our peers, external<br />

examiners, <strong>the</strong> pr<strong>of</strong>ession and employers. Exemplary student diversity highlights a key attribute<br />

<strong>of</strong> <strong>the</strong> school which provides a gateway <strong>to</strong> <strong>the</strong> pr<strong>of</strong>ession. The school has a strong commitment<br />

<strong>to</strong> enable all our students <strong>to</strong> succeed and <strong>to</strong> create pr<strong>of</strong>essional opportunity for all who can<br />

benefit. We <strong>of</strong>fer a ladder <strong>of</strong> learning opportunity from our extended degree course <strong>to</strong> degree and<br />

postgraduate studies and all our courses are pr<strong>of</strong>essionally validated. We educate critical and<br />

effective graduates <strong>to</strong> face <strong>the</strong> challenges <strong>of</strong> <strong>the</strong> 21st century and <strong>to</strong> equip <strong>the</strong>m with <strong>the</strong> <strong>to</strong>ols,<br />

<strong>the</strong>ories and skills <strong>to</strong> adapt <strong>to</strong> <strong>the</strong> challenges <strong>of</strong> a changing future and a changing pr<strong>of</strong>ession.<br />

“CONTEMPORARY CITY<br />

An important part <strong>of</strong> our identity now comes from our location in <strong>London</strong> at Elephant and<br />

Castle which is at <strong>the</strong> heart <strong>of</strong> one <strong>of</strong> <strong>London</strong>’s most socially and economically diverse areas.<br />

As <strong>London</strong> has expanded and developed <strong>the</strong> location <strong>of</strong> <strong>the</strong> university has shifted dramatically in<br />

<strong>the</strong> last decade from <strong>the</strong> periphery <strong>to</strong> <strong>the</strong> centre. The school has responded <strong>to</strong> <strong>the</strong>se challenges by<br />

placing <strong>the</strong> creative practice <strong>of</strong> design and its relationship <strong>to</strong> contemporary culture and <strong>the</strong> city as<br />

<strong>the</strong> defining nexus <strong>of</strong> <strong>the</strong> school’s work. Increasingly we focus our identity and teaching around<br />

<strong>the</strong> diversity <strong>of</strong> our students and structuring our activities around <strong>the</strong> dynamic socio-spatial<br />

relations between local, <strong>London</strong> and global conditions.<br />

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“Currently staff research and teaching reflects <strong>the</strong> school’s character and context; studio design<br />

briefs, lecture courses and student dissertations respond and expand upon intersecting strands <strong>of</strong><br />

interest. The contemporary city, in its variety <strong>of</strong> imaginary and spatial manifestations across <strong>the</strong><br />

globe, is a strong <strong>the</strong>me; architecture’s capacity <strong>to</strong> speculate informs a concern both for <strong>the</strong><br />

contemporary and <strong>the</strong> future, with particular emphasis on emerging technologies and design<br />

methodologies. Concern for <strong>the</strong> future translates in<strong>to</strong> addressing <strong>the</strong> issue <strong>of</strong> resource scarcity<br />

and social, economic and environmental sustainability.<br />

“DIVERSITY AND PEDAGOGY<br />

The school attracts students with a broad cultural and academic pr<strong>of</strong>ile and enables <strong>the</strong>m <strong>to</strong><br />

succeed in architecture. The diversity <strong>of</strong> our students is a strength and generates a teaching<br />

methodology that recognises <strong>the</strong> value <strong>of</strong> <strong>the</strong> individual student experience, but with a shared<br />

conversation about architecture. Design work is informed by a broad range <strong>of</strong> processes and a<br />

creative ethos characterised by a spirit <strong>of</strong> enquiry and by a lack <strong>of</strong> dogma.<br />

“The design studio is critically important <strong>to</strong> <strong>the</strong> way we teach and <strong>to</strong> enhancing <strong>the</strong> culture <strong>of</strong> <strong>the</strong><br />

school – it is <strong>the</strong> place where exchange takes place and our students learn from staff and<br />

<strong>the</strong>ir peers. Design is developed within <strong>the</strong> school both as a mode <strong>of</strong> research, pedagogy and a<br />

form <strong>of</strong> practice and actively engages ‘designing’ ‘thinking’ and ‘making’ processes. Teaching is<br />

supported by taught lectures and excellent modelling and workshop provision, media labora<strong>to</strong>ries<br />

and a new BIM suite from which build digital and analogue skills, and support employability.<br />

“The school is recognised for <strong>the</strong> calibre <strong>of</strong> its teaching and <strong>the</strong> support given <strong>to</strong> students <strong>to</strong><br />

enable <strong>the</strong>m <strong>to</strong> succeed. (See QAA and student satisfaction surveys). The teaching <strong>of</strong> cultural<br />

context and design are in particular commended. Pr<strong>of</strong>essor Peter Blundell Jones, Pr<strong>of</strong>essor David<br />

Dunster, Pr<strong>of</strong>essor David Gloster, Rowan Moore, Pankaj Patel, Sunand Prasad, Alex de Rijke<br />

and <strong>the</strong> late Ka<strong>the</strong>rine Schonfield have all contributed in <strong>the</strong> past <strong>to</strong> developing <strong>the</strong> subject area.<br />

Current staff members engage beyond <strong>the</strong> academy, as practitioners, academics, journalists and<br />

researchers.<br />

“REPUTATION<br />

The standard <strong>of</strong> our student design work is recognised nationally and internationally. Both our<br />

full-time and our part-time courses are well supported by employers and we have excellent<br />

graduate employability and high graduate salaries due <strong>to</strong> confidence in our standards. In 2011,<br />

Daniel Schinagl was awarded a commendation for <strong>the</strong> <strong>RIBA</strong> President’s Medals competition at<br />

Part 1; Daniel was also awarded <strong>the</strong> Sergeant Drawing Prize and Skidmore Owings and Merrill<br />

travel scholarship. Oliver Andrews (Part 1 graduate 2010) won first prize in <strong>the</strong> Fentress<br />

Architects Global Challenge for his future airport design, published and exhibited and exhibited<br />

internationally. These achievements build on <strong>the</strong> 2009 President’s Medal commendation at Part 2<br />

awarded <strong>to</strong> Selvei Al-Assadi, and a his<strong>to</strong>ry <strong>of</strong> Bronze Medal winners, Bronze Medal<br />

commendations, and Silver Medal commendations extending over more than two decades.<br />

“STUDENT AND GRADUATE SUCCESS<br />

The success <strong>of</strong> any course in architecture and its pedagogy can be gauged by <strong>the</strong> contributions<br />

and impact our students, staff and alumni make <strong>to</strong> architecture and architectural knowledge;<br />

Graduates such as Ron Herron, David Adjaye, Patrik Schumacher, Andrew Houl<strong>to</strong>n, Stephen<br />

Taylor, Ron Yee, Mike Kane, Tom Teatum, Isabel Allen and Carl Turner have contributed <strong>to</strong> <strong>the</strong><br />

national and international standing <strong>of</strong> architecture. Currently graduates are well represented in <strong>the</strong><br />

<strong>to</strong>p 100 practices and well known design studios including Foster and Partners, Grimshaw<br />

Architects, Wilkinson Eyre, Alford Hall Monaghan, Hawkins Brown, David Adjaye Architects,<br />

Toh Shimizaki Architects, and Ushida Findlay. In recent years our graduates have set up<br />

successful practices in Africa and Asia testifying <strong>to</strong> <strong>the</strong>ir resilience.<br />

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“EVENTS<br />

Events and Collaborations such as <strong>the</strong> OS lecture Series, our Socrates Exchange scheme, <strong>the</strong><br />

teaching fellowship supported by Grimshaw Architects and our ongoing relationship with <strong>the</strong><br />

<strong>South</strong> <strong>London</strong> Society <strong>of</strong> Architects greatly expand our student experience. This year <strong>the</strong> school<br />

is inviting Herman Hertzberger <strong>to</strong> speak <strong>to</strong> <strong>the</strong> <strong>to</strong>pic <strong>of</strong> ‘The Future <strong>of</strong> Architecture’. The <strong>South</strong><br />

<strong>London</strong> Society <strong>of</strong> Architects runs an open lecture series and Architects for Health run an annual<br />

design ‘Charette’ <strong>to</strong> which students can participate. Students and staff have established <strong>the</strong><br />

Humanitarian Hub <strong>to</strong> engage with <strong>the</strong> architectural challenges <strong>of</strong> working with NGO’s and<br />

charities in <strong>the</strong> disaster-relief and international development sec<strong>to</strong>r.<br />

“TEACHING AND LEARNING OUTCOMES<br />

Our aim is <strong>to</strong> assist students <strong>to</strong> become well rounded, robust and confident people with inquiring<br />

minds who are equipped with <strong>the</strong> knowledge, skills, <strong>to</strong>ols and competencies eager <strong>to</strong> meet <strong>the</strong><br />

challenges <strong>of</strong> our changing times and pr<strong>of</strong>ession. The programme is designed <strong>to</strong> meet<br />

pr<strong>of</strong>essional validation criteria but also <strong>to</strong> provide fur<strong>the</strong>r opportunities for our students develop<br />

as creative, reflective, resilient and resourceful future pr<strong>of</strong>essionals.<br />

“We have a commitment <strong>to</strong> architectural design and project based learning both locally and<br />

globally and <strong>to</strong> studio culture as being <strong>the</strong> best medium for <strong>the</strong> exchange <strong>of</strong> ideas and peer<br />

learning. Studio based design teaching is <strong>the</strong> shared central thread that links <strong>the</strong> study <strong>of</strong><br />

architecture across <strong>the</strong> programme area and which integrates much <strong>of</strong> <strong>the</strong> knowledge acquired<br />

through taught studies.<br />

“At undergraduate level students are encouraged <strong>to</strong> develop research and design processes <strong>to</strong><br />

inform architectural design. Postgraduate studies <strong>of</strong>fer graduates <strong>the</strong> opportunity for <strong>the</strong><br />

increased specialisation appropriate at Masters level where <strong>the</strong>re is an increasing importance on<br />

research processes leading design.<br />

“BA (Hons) Architecture (Part 1)<br />

The undergraduate course is taught across a three year structure in recognition <strong>of</strong> <strong>the</strong> need <strong>to</strong><br />

deliver a coherent and consistent educational experience <strong>to</strong> all students where <strong>the</strong>re is an<br />

emphasis on sharing knowledge and peer learning. Part 1 learning outcomes prioritise design<br />

skills, a broad knowledge base, and <strong>the</strong> core competencies in <strong>the</strong> organisation and manipulation<br />

<strong>of</strong> concepts and techniques graduated in complexity. On completion <strong>of</strong> all three years <strong>of</strong> <strong>the</strong><br />

undergraduate course students will have acquired <strong>the</strong> key knowledge, core skills, competencies<br />

and intellectual skills <strong>to</strong> receive <strong>the</strong> Interim Award and meet <strong>the</strong> pr<strong>of</strong>essional validation criteria.<br />

Graduates will also have acquired a knowledge and passion for architecture that can sustain and<br />

inspire <strong>the</strong>m through <strong>the</strong>ir ‘year out’ future studies and career.<br />

“Postgraduate Diploma in Architecture Part 2<br />

The Postgraduate Diploma in Architecture provides students who have completed an<br />

undergraduate degree in architecture with <strong>the</strong> opportunities <strong>to</strong> define <strong>the</strong>ir own interests,<br />

speculating on and refining a personal response <strong>to</strong> <strong>the</strong> design and making <strong>of</strong> architecture. There<br />

is an emphasis on independent research and critical thinking leading <strong>the</strong> design process <strong>to</strong><br />

produce complex and diverse design proposals .The postgraduate course is taught in a vertical<br />

studio system and as being <strong>the</strong> best medium for <strong>the</strong> exchange <strong>of</strong> ideas. Students on <strong>the</strong> course<br />

choose from four design studios identified by subject and <strong>the</strong>me. The final year <strong>of</strong>fers students<br />

<strong>the</strong> opportunity <strong>to</strong> complete a research led dissertation and undertake a major design project as<br />

<strong>the</strong> culmination <strong>of</strong> <strong>the</strong>ir studies in architecture for Part 2 and a preparation for <strong>the</strong> challenges <strong>of</strong><br />

future pr<strong>of</strong>essional life.<br />

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“<strong>RIBA</strong> Pr<strong>of</strong>essional Practice Part 3<br />

The Part 3 Course is successful in attracting a varied cohort <strong>of</strong> experienced and mature students<br />

due <strong>to</strong> its central location and its reputation as a clearly structured course with a pr<strong>of</strong>essional<br />

focus. The short course <strong>of</strong> lectures is delivered by acknowledged experts and builds on <strong>the</strong><br />

students experience in practice and academia. The learning outcomes for Part Three are designed<br />

<strong>to</strong> meet <strong>the</strong> requirements <strong>of</strong> <strong>the</strong> Part 3 Validation Criteria and lead <strong>to</strong> pr<strong>of</strong>essional registration.<br />

“CONTINUITY CHANGE AND THE FUTURE<br />

‘The best thing architecture taught me was <strong>the</strong> ability <strong>to</strong> think critically and <strong>to</strong> equip me with <strong>the</strong><br />

design abilities and skills <strong>to</strong> engage with practice.’<br />

Chris Phillips, Year Out at Student Hawkins Brown.<br />

“The school is uniquely positioned within <strong>the</strong> Department <strong>of</strong> Built Environment <strong>to</strong> develop a<br />

body <strong>of</strong> design and research in areas where <strong>London</strong> is rapidly transforming while continuing <strong>to</strong><br />

advocate a progressive and socially inclusive tradition. For <strong>the</strong> future <strong>the</strong> school wishes <strong>to</strong><br />

continue <strong>to</strong> celebrate <strong>the</strong> achievements <strong>of</strong> our students and graduates, expand our reputation for<br />

design excellence and research informed design and expand <strong>the</strong> prospects <strong>of</strong> our graduates <strong>to</strong><br />

contribute <strong>to</strong> architecture both locally and globally.”<br />

11 Commendations<br />

The Board commends <strong>the</strong> following:<br />

The high standard <strong>of</strong> teaching that has enabled students from varied backgrounds <strong>to</strong> succeed<br />

The support for <strong>the</strong> programmes evidenced by an articulate student body<br />

The clarity and focus <strong>of</strong> <strong>the</strong> Part 3 course<br />

12 Conditions<br />

There were no conditions attached <strong>to</strong> <strong>the</strong> courses listed in item 8.<br />

13 Action points<br />

The <strong>visiting</strong> <strong>board</strong> proposes <strong>the</strong> following action points; <strong>the</strong> <strong>RIBA</strong> expects <strong>the</strong> university <strong>to</strong><br />

<strong>report</strong> on how it will address <strong>the</strong>se action points. The university is referred <strong>to</strong> <strong>the</strong> <strong>RIBA</strong>’s criteria<br />

and procedures for validation for details <strong>of</strong> mid term moni<strong>to</strong>ring visits. Failure by <strong>the</strong> university<br />

<strong>to</strong> satisfac<strong>to</strong>rily resolve action points may result in a course being conditioned by a future <strong>visiting</strong><br />

<strong>board</strong>.<br />

13.1 The Board recommends that <strong>the</strong> School must correct <strong>the</strong> mapping document <strong>to</strong> ensure<br />

consistency with <strong>the</strong> module descrip<strong>to</strong>rs.<br />

13.2 While <strong>the</strong> Board was satisfied that <strong>the</strong> marking was appropriate, <strong>the</strong> Board recommends that <strong>the</strong><br />

School must create a unified, robust, and consistent feedback and assessment policy.<br />

13.3 The Board strongly recommends that <strong>the</strong> Part 2 is reviewed <strong>to</strong> achieve <strong>the</strong> intellectual<br />

progression between years 4 and 5. The Board notes that level 8 standards are not required at<br />

Part 2 but supports <strong>the</strong> School’s ambition <strong>to</strong> achieve this.<br />

13.4 The Board recommends that <strong>the</strong> School adopt a system that enables a transparent balance<br />

between teaching, research and staff development <strong>to</strong> be achieved for all staff.<br />

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13.5 The Board recommends that <strong>the</strong> link between teaching and research is captured and informs <strong>the</strong><br />

individual and collective trajec<strong>to</strong>ry <strong>of</strong> <strong>the</strong> staff.<br />

13.6 The Board recommends that <strong>the</strong> management structure within <strong>the</strong> School be updated <strong>to</strong> align<br />

with <strong>the</strong> established management model from <strong>the</strong> <strong>University</strong>, in order <strong>to</strong> enable architecture <strong>to</strong> be<br />

championed within <strong>the</strong> Department. A new structure has been implemented at <strong>the</strong> Senior<br />

Management level <strong>of</strong> <strong>the</strong> <strong>University</strong> which promotes devolved responsibility. This should be<br />

applied with <strong>the</strong> Department <strong>to</strong> enable all constituent parts <strong>to</strong> have appropriate representation at<br />

all levels.<br />

13.7 The Board reiterates <strong>the</strong> recommendation <strong>of</strong> <strong>the</strong> 2008 <strong>visiting</strong> Board that in order for <strong>the</strong> School<br />

<strong>to</strong> run efficiently <strong>the</strong> Direc<strong>to</strong>r <strong>of</strong> Architecture ‘needs administrative support’ <strong>to</strong> enable this <strong>to</strong><br />

happen.<br />

13.8 The Board encourages <strong>the</strong> School <strong>to</strong> continue <strong>to</strong> reassess <strong>the</strong> use and <strong>the</strong> management <strong>of</strong> existing<br />

studio space and facilities.<br />

14 Advice<br />

The <strong>visiting</strong> <strong>board</strong> <strong>of</strong>fers <strong>the</strong> following advice <strong>to</strong> <strong>the</strong> school on desirable, but not essential<br />

improvements, which, it is felt, would assist course development and raise standards.<br />

14.1 The Board welcomed <strong>the</strong> staff initiative <strong>of</strong> <strong>the</strong> forum and encourages fur<strong>the</strong>r such activity.<br />

14.2 The Board suggests that <strong>the</strong> School explore <strong>the</strong> interdisciplinary synergies in <strong>the</strong> Department and<br />

across <strong>the</strong> wider <strong>University</strong>.<br />

14.3 The Board advises <strong>the</strong> School <strong>to</strong> resource and embrace a model for long-term research initiatives.<br />

14.4 The Board advises <strong>the</strong> School <strong>to</strong> explore <strong>the</strong> synergies between <strong>the</strong> Part 1, Part 2 and Part 3<br />

courses and student body, whilst identifying a long-term sustainable vision for staff.<br />

14.5 The Board advises <strong>the</strong> School <strong>to</strong> engage in <strong>the</strong> entrepreneurship initiatives promoted within <strong>the</strong><br />

<strong>University</strong>.<br />

14.6 The Board advises <strong>the</strong> School <strong>to</strong> communicate <strong>the</strong> work and best practice <strong>of</strong> <strong>the</strong> students and<br />

staff in <strong>the</strong> School <strong>to</strong> <strong>the</strong> Department, <strong>the</strong> wider <strong>University</strong> and externally.<br />

14.7 The Board advises <strong>the</strong> School <strong>to</strong> draw fully on <strong>the</strong> support organisation available in <strong>the</strong><br />

<strong>University</strong>, such as Quality Assurance, Strategic Planning and <strong>the</strong> International Office.<br />

14.8 The Board encourages <strong>the</strong> School <strong>to</strong> find an appropriate mechanism <strong>to</strong> engage in regular<br />

dialogue with students <strong>to</strong> identify <strong>the</strong> specific IT requirements for <strong>the</strong> School in <strong>the</strong> long term.<br />

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15 Meetings<br />

15.1 Meeting with budget holder<br />

The <strong>board</strong> met <strong>the</strong> head <strong>of</strong> <strong>the</strong> Department <strong>of</strong> <strong>the</strong> Built Environment, <strong>the</strong> Direc<strong>to</strong>r <strong>of</strong> Architecture and<br />

<strong>the</strong> course leaders for parts 1, 2 and 3. The following reflects <strong>the</strong> main points <strong>of</strong> <strong>the</strong> discussion.<br />

Since <strong>the</strong> last visit <strong>the</strong> school <strong>of</strong> architecture has undergone a great deal <strong>of</strong> change. The present<br />

faculty and departmental structure and devolved financial model were adopted as a result <strong>of</strong> a<br />

review in 2009. A university-wide curriculum modernisation project was also undertaken, with a<br />

view <strong>to</strong> facilitating integrated teaching.<br />

During <strong>the</strong> latter project, meetings were held <strong>to</strong> discuss <strong>the</strong> philosophy and direction <strong>of</strong> <strong>the</strong><br />

school. This informed <strong>the</strong> academic position statement as it was presented <strong>to</strong> <strong>the</strong> <strong>visiting</strong> <strong>board</strong>.<br />

The school <strong>of</strong> architecture <strong>to</strong>ok this opportunity <strong>to</strong> address <strong>the</strong> new criteria and <strong>to</strong> streng<strong>the</strong>n<br />

design components.<br />

In <strong>the</strong> new administrative structure architecture is not formally identified as an individual<br />

department or school, but is <strong>of</strong>ficially part <strong>of</strong> <strong>the</strong> Department <strong>of</strong> <strong>the</strong> Built Environment within<br />

<strong>the</strong> Faculty <strong>of</strong> Engineering, Science and <strong>the</strong> Built Environment. Never<strong>the</strong>less staff are keen <strong>to</strong><br />

retain a distinctive and separate identity for architecture and it is seen by staff as a school <strong>of</strong><br />

architecture functioning as a programme area.<br />

The department has a high level <strong>of</strong> au<strong>to</strong>nomy with regard <strong>to</strong> finances and resource allocation.<br />

This affords discretion and flexibility. Surpluses in <strong>the</strong> department can be re-invested in o<strong>the</strong>r<br />

areas. While <strong>the</strong> department is keen <strong>to</strong> retain <strong>the</strong> distinctiveness <strong>of</strong> its component disciplines,<br />

research and enterprise will operate across <strong>the</strong> whole department. Income from various activities<br />

can be invested across <strong>the</strong> department and used <strong>to</strong> support and develop research. One example<br />

<strong>of</strong> this is <strong>the</strong> new BIM labora<strong>to</strong>ry, opened in an adjacent building several weeks previously and in<br />

<strong>the</strong> establishment <strong>of</strong> which architecture was involved. Plans for its future use are embryonic.<br />

The programme matrix will allow <strong>the</strong> school <strong>to</strong> draw on expertise across <strong>the</strong> department and<br />

faculty <strong>to</strong> develop specialisms in its strongest areas, increase <strong>the</strong> postgraduate <strong>of</strong>fer and hence<br />

help <strong>the</strong> development <strong>of</strong> a research culture in architecture.<br />

Improvements <strong>to</strong> <strong>the</strong> quality <strong>of</strong> <strong>the</strong> present accommodation have been made since <strong>the</strong> 2008<br />

Visiting Board. However, space remains under pressure. Resources were placed under<br />

considerable pressure due <strong>to</strong> sudden growth at part 1 generated by <strong>the</strong> cap on fees. However,<br />

numbers have now stabilised.<br />

Architecture recognises <strong>the</strong> present building as its space and values <strong>the</strong> sense <strong>of</strong> a relationship<br />

with <strong>the</strong> city it affords <strong>the</strong>m. The holistic concept <strong>of</strong> a school with a strong studio culture<br />

underpins staff activity; however at present although different years have dedicated studio days<br />

<strong>the</strong>re is no dedicated space or studio culture. The school has placed a bid for more space but it<br />

will not be in <strong>the</strong> present building. Staff are exploring different models <strong>of</strong> studio teaching <strong>to</strong><br />

make best use <strong>of</strong> what is available.<br />

Staff <strong>of</strong>fices are no longer adjacent <strong>to</strong> <strong>the</strong> studios but in a separate building with o<strong>the</strong>r staff in a<br />

bid <strong>to</strong> encourage <strong>the</strong> establishment <strong>of</strong> links for research.<br />

Departmental income depends on student numbers. The impact <strong>of</strong> <strong>the</strong> new funding regime is<br />

unknown. The <strong>University</strong>’s location in central <strong>London</strong> attracts applicants from all regions <strong>of</strong> <strong>the</strong><br />

UK. Demand remains high. The school is in a strong financial position. Staffing follows student<br />

numbers; if recruitment remains healthy more staff posts will be created. If masters courses are<br />

established as anticipated, staff will be recruited accordingly. Following changes in <strong>the</strong> university’s<br />

recruitment strategy it is likely that more emphasis will be placed upon recruiting research active<br />

staff. Staff will also be supported <strong>to</strong> complete PhDs. A pr<strong>of</strong>essorial post was advertised but it was<br />

not possible <strong>to</strong> appoint.<br />

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The school is proud <strong>of</strong> providing opportunity <strong>to</strong> a diverse intake and this strongly informs <strong>the</strong><br />

culture. However, <strong>of</strong>fers are only made <strong>to</strong> those deemed capable <strong>of</strong> completing <strong>the</strong> course. The<br />

architecture programmes’ strong pr<strong>of</strong>essional focus ensures that <strong>the</strong>y are in a good position <strong>to</strong><br />

engage with <strong>the</strong> new VC’s emphasis on recognising pr<strong>of</strong>essional opportunity.<br />

15.2 Meeting with students<br />

The <strong>board</strong> met a group <strong>of</strong> students representing all years <strong>of</strong> <strong>the</strong> validated programmes and full-time and<br />

part-time modes. Students were positive about <strong>the</strong>ir experience at <strong>London</strong> <strong>South</strong> <strong>Bank</strong> and expressed<br />

support for <strong>the</strong> school. The following represents <strong>the</strong> main points <strong>of</strong> <strong>the</strong> discussion.<br />

<br />

Students were not aware <strong>of</strong> <strong>the</strong> school’s academic position statement although <strong>the</strong>y were all<br />

aware <strong>of</strong> <strong>the</strong> student appraisals prepared for individual years.<br />

Among reasons students chose <strong>London</strong> <strong>South</strong> <strong>Bank</strong> were <strong>the</strong> following:<br />

o Research led <strong>the</strong>m <strong>to</strong> decide that it was <strong>the</strong> best place for technology and practical<br />

elements.<br />

o The Foundation course in Built Environment, which was highly thought <strong>of</strong> and valued<br />

by those who had completed it.<br />

o The structure, content, self-directed nature and value for money <strong>of</strong> <strong>the</strong> Part 3<br />

programme.<br />

o The physical location <strong>of</strong> <strong>the</strong> school and <strong>the</strong> space within <strong>the</strong> building.<br />

Among <strong>the</strong> school’s strengths students mentioned <strong>the</strong> staff, <strong>the</strong> variety <strong>of</strong> teaching skills and <strong>the</strong><br />

diversity among staff and students.<br />

Students praised <strong>the</strong> teaching talent at degree and <strong>the</strong> diversity <strong>of</strong> teaching methods.<br />

Staff support in <strong>the</strong> final year <strong>of</strong> part 1 was infectious, engaging and inspiring.<br />

Part 1 second year students mentioned <strong>the</strong> availability <strong>of</strong> space and <strong>the</strong> workshops, which allow<br />

students <strong>to</strong> expand <strong>the</strong>ir own ideas.<br />

Part 1 students appreciated <strong>the</strong> breadth <strong>of</strong> <strong>the</strong> programme and <strong>the</strong> input from various specialists.<br />

Small groups in <strong>the</strong> final year at Part 2 afforded more individual attention which helps students<br />

achieve.<br />

Part 3 candidates commended <strong>the</strong> contracts game and would welcome guidance on forming a<br />

practice. It was also suggested that this could also be beneficial <strong>to</strong> part 1 and part 2.<br />

Students felt <strong>the</strong>ir views were represented and heeded through various formal and informal<br />

mechanisms. Students are aware that <strong>the</strong>re are funding constraints which may limit what can be<br />

done. Requests are acted upon, even if sometimes in an apparently haphazard fashion (one<br />

example was <strong>the</strong> request for model making skills, which <strong>report</strong>edly had been acted upon for first<br />

years but not second). There was some difference <strong>of</strong> opinion voiced regarding space and<br />

equipment. The present physical arrangements were seen as hampering architecture’s ability <strong>to</strong><br />

develop a sense <strong>of</strong> a school. Although it was felt <strong>to</strong> exist, it was fragmented.<br />

The studio space was considered pleasant if it was possible <strong>to</strong> work <strong>the</strong>re. However, <strong>the</strong> system<br />

<strong>of</strong> dedicated year studio days, space allocation and building opening hours led <strong>the</strong> majority <strong>to</strong><br />

work at home through choice. Students would have welcomed extended opening hours during<br />

hand-ins but this was not granted. Students considered that <strong>the</strong>re was no sense <strong>of</strong> place or studio<br />

culture and that <strong>the</strong>ir work developed in isolation. Students considered that <strong>the</strong> individual cohorts<br />

are disparate in <strong>the</strong> work <strong>the</strong>y produce and disparate in studio culture. Some more logical<br />

organisation <strong>of</strong> space would improve this and help <strong>the</strong>m achieve pride <strong>of</strong> place. An architecture<br />

society had been founded by a group <strong>of</strong> students in order <strong>to</strong> create a forum and a culture.<br />

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Because <strong>of</strong> <strong>the</strong> relocation <strong>of</strong> staff <strong>of</strong>fices <strong>to</strong> a separate and very distant building, tu<strong>to</strong>rs were now<br />

<strong>to</strong>o far physically removed from <strong>the</strong>ir studio spaces; this move had, apparently, been very<br />

unpopular with both staff and students. Co-location would help student/tu<strong>to</strong>r relationships.<br />

Students perceived a lack <strong>of</strong> communication between tu<strong>to</strong>rs and management; <strong>the</strong> relocation <strong>of</strong><br />

architecture staff <strong>of</strong>fices <strong>to</strong> ano<strong>the</strong>r building was seen as a result <strong>of</strong> this.<br />

The workshops were praised but <strong>the</strong>re was some disagreement about <strong>the</strong> priority given <strong>to</strong> various<br />

disciplines. Some felt that o<strong>the</strong>r subjects were given priority; <strong>the</strong>re was no dedicated technical<br />

support for architecture, unlike for engineering. O<strong>the</strong>rs praised <strong>the</strong> assistance received from<br />

technical staff and suggested that lack <strong>of</strong> communication from <strong>the</strong> architecture department may<br />

be <strong>the</strong> root <strong>of</strong> some problems. It was also suggested that online booking had created some<br />

issues. Students would also welcome more equipment.<br />

S<strong>of</strong>tware on <strong>the</strong> PCs in <strong>the</strong> studios is out <strong>of</strong> date and slow; however <strong>the</strong> majority <strong>of</strong> students have<br />

up-<strong>to</strong>-date s<strong>of</strong>tware on <strong>the</strong>ir own machines.<br />

The integration in<strong>to</strong> <strong>the</strong> Department <strong>of</strong> Built Environment was welcomed; Part 1 students<br />

considered that this had benefited <strong>the</strong> technology aspects <strong>of</strong> <strong>the</strong> course. In particular <strong>the</strong>y had<br />

enjoyed <strong>the</strong> engineering lectures. It also prepared <strong>the</strong>m <strong>to</strong> work with o<strong>the</strong>r pr<strong>of</strong>essionals in<br />

practice and understand how architecture and o<strong>the</strong>r areas relate <strong>to</strong> each o<strong>the</strong>r. Students would<br />

welcome more input from <strong>the</strong> Centre for Efficient and Renewable Energy in Buildings, housed<br />

in <strong>the</strong> adjacent building.<br />

O<strong>the</strong>rs suggested that it would be more helpful if architecture students became integrated as a<br />

student body; this was precluded by <strong>the</strong> current studio arrangements. It was also suggested that<br />

part 3 candidates could integrate in<strong>to</strong> parts 1 and 2 if time allowed.<br />

Students were largely content with feedback, particularly that received during crits and tu<strong>to</strong>rials.<br />

Multiple points <strong>of</strong> view from different tu<strong>to</strong>rs would be welcomed. Some would like more written<br />

feedback and suggested that feedback on work that was submitted, ra<strong>the</strong>r than discussed in crits<br />

and tu<strong>to</strong>rials, could be improved.<br />

15.3 Meeting with head <strong>of</strong> institution<br />

The <strong>board</strong> met <strong>the</strong> current Vice Chancellor who has been in post for three years. The following reflects<br />

<strong>the</strong> main points <strong>of</strong> <strong>the</strong> discussion.<br />

The <strong>board</strong> was impressed by <strong>the</strong> three <strong>the</strong>mes identified in <strong>the</strong> LSBU Corporate Plan document<br />

‘Students first: one year on.’<br />

The vision <strong>of</strong> <strong>the</strong> university since its foundation has been <strong>to</strong> prepare students for good<br />

pr<strong>of</strong>essional careers. Education and research should be relevant <strong>to</strong> pr<strong>of</strong>essions that students are<br />

likely <strong>to</strong> enter. Two-thirds <strong>of</strong> <strong>the</strong> courses are pr<strong>of</strong>essionally recognised. This informs <strong>the</strong><br />

curriculum, teaching practice, and research and is popular with employers. Initiatives have been<br />

established <strong>to</strong> encourage and support entrepreneurship among <strong>the</strong> student body.<br />

The present structure has been designed <strong>to</strong> increase integration between subject areas and <strong>the</strong><br />

relevance <strong>of</strong> each <strong>to</strong> <strong>the</strong> o<strong>the</strong>r without diluting <strong>the</strong>m, ensuring that graduates are able <strong>to</strong> work in<br />

practice.<br />

The identification <strong>of</strong> subject areas as distinct ‘schools’ was not seen as significant and it was<br />

suggested that architecture was free <strong>to</strong> style itself as it wished. The current structure was adopted<br />

with <strong>the</strong> intent <strong>of</strong> identifying academic groupings which made sense <strong>to</strong> students, and <strong>the</strong> routes<br />

<strong>the</strong>y <strong>to</strong>ok <strong>to</strong> academic success. The increasing integration <strong>of</strong> architecture with o<strong>the</strong>r subjects<br />

would add value. It was recognised that academics played a role in leading and championing <strong>the</strong>ir<br />

disciplines while departmental leaders encouraged integration.<br />

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Architecture is important. The <strong>University</strong> is identifying ways <strong>to</strong> invest in it; however, this must be<br />

integrated in<strong>to</strong> o<strong>the</strong>r disciplines without any subject being diluted. It is <strong>the</strong> VC’s belief that<br />

architecture will not be able <strong>to</strong> integrate with o<strong>the</strong>r disciplines until it makes <strong>the</strong> step <strong>to</strong>wards<br />

digital modelling. This is seen as one <strong>of</strong> <strong>the</strong> chief challenges for architectural education. The VC<br />

does not want <strong>to</strong> perpetuate a view <strong>of</strong> architecture that is not what it will be in <strong>the</strong> future.<br />

Architecture students need <strong>to</strong>ols and techniques <strong>to</strong> allow <strong>the</strong>m <strong>to</strong> address <strong>the</strong> realities <strong>of</strong> life. The<br />

university is keen <strong>to</strong> invest in <strong>the</strong> architecture <strong>of</strong> <strong>the</strong> future, not <strong>of</strong> <strong>the</strong> past.<br />

The university invests continuously and <strong>the</strong> impact <strong>of</strong> <strong>the</strong> fees as far as its finances are concerned<br />

is seen as neutral. At <strong>the</strong> time <strong>of</strong> <strong>the</strong> visit <strong>the</strong>re was no evidence that potential students were<br />

deterred by <strong>the</strong> rise in fees.<br />

The university is proud <strong>of</strong> its tradition <strong>of</strong> attracting a diverse student body and <strong>of</strong> <strong>the</strong><br />

achievements <strong>of</strong> its graduates. While it retains its commitment <strong>to</strong> create pr<strong>of</strong>essional opportunity<br />

<strong>to</strong> all who can benefit it will accept only those who are likely <strong>to</strong> succeed, seeing widening<br />

participation in terms <strong>of</strong> widening success.<br />

The university’s vision is clearly communicated through corporate plans and events involving<br />

staff. In addition <strong>to</strong> this, <strong>the</strong>re is a desire <strong>to</strong> improve <strong>the</strong> listening culture.<br />

15.4 Meeting with external examiners<br />

The Board met a group <strong>of</strong> external examiners attached <strong>to</strong> parts 1, 2 and 3. The <strong>board</strong> was particularly<br />

interested in discussing <strong>the</strong> evolution <strong>of</strong> <strong>the</strong> school, its identity and distinctiveness, <strong>the</strong> distinction<br />

between part 1 and part 2, assessment and external examining processes. The following reflects <strong>the</strong> main<br />

points <strong>of</strong> <strong>the</strong> discussion.<br />

External examiners are supportive <strong>of</strong> <strong>the</strong> school but frustrated by its apparent inability <strong>to</strong> manage<br />

its position or <strong>to</strong> improve organisational issues. They voiced concerns about leadership and<br />

empowerment, line management and communication between <strong>the</strong> school, its staff and externals<br />

examiners.<br />

External examiners have a sense that architecture is marginalised by <strong>the</strong> university and that <strong>the</strong>re<br />

is possibly a lack <strong>of</strong> comprehension about what architecture is and a lack <strong>of</strong> understanding <strong>of</strong><br />

studio culture. Examiners believe that <strong>the</strong> school has been in transition in recent years and that<br />

this probably remains <strong>the</strong> case.<br />

With regard <strong>to</strong> distinctiveness, across <strong>the</strong> diploma school this has been fairly evenly established<br />

across <strong>the</strong> three studios. However <strong>the</strong>re is an underlying feeling is that although <strong>the</strong>re may be a<br />

global position, fur<strong>the</strong>r diversity could usefully be built in. Broadly, <strong>the</strong> degree course is about<br />

building and <strong>the</strong> diploma about cities. Of <strong>the</strong> three Diploma studios, <strong>the</strong> most long serving studio<br />

is <strong>the</strong> strongest in terms <strong>of</strong> results. There is a general question about whe<strong>the</strong>r students should be<br />

encouraged <strong>to</strong> change studios from year <strong>to</strong> year and how academic level progression is achieved<br />

when levels 7 and 8 are run concurrently in <strong>the</strong> same studio.<br />

A technically-driven course, arising from <strong>the</strong> university’s strong technical background, and<br />

thinking through making might be identified as a specialism for <strong>the</strong> whole programme. It was<br />

also commented that ‘hands on’ had not been its focus for some years.<br />

The university’s tradition as an access university <strong>of</strong>fers huge potential in <strong>the</strong> area <strong>of</strong> urban design<br />

and <strong>the</strong> nature <strong>of</strong> cities, as it can take a genuinely inner-city view. This is already reflected <strong>to</strong> an<br />

extent in part 3.<br />

The student body is diverse in all senses but <strong>the</strong> school does not want <strong>to</strong> be pigeonholed. Its<br />

distinctiveness could be identified through a number <strong>of</strong> areas, for example technology as<br />

mentioned above.<br />

The curriculum modernisation project was seen by some externals chiefly as an administrative<br />

exercise with little impact on work or teaching. O<strong>the</strong>rs commented that <strong>the</strong> credit change seemed<br />

<strong>to</strong> provide much clarity for students and allowed more time <strong>to</strong> focus on design.<br />

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The evolution <strong>of</strong> <strong>the</strong> course at diploma level is related <strong>to</strong> identity; <strong>the</strong> <strong>board</strong> considered generally<br />

that <strong>the</strong>re is a significant lack <strong>of</strong> external identity for <strong>the</strong> school. The school needs a powerful<br />

presence such as an architecture website or yearbook <strong>to</strong> help <strong>to</strong> build up its culture and pr<strong>of</strong>ile.<br />

If <strong>the</strong>re is no funding for this, students could use blogs or build a student website. The<br />

establishment <strong>of</strong> his<strong>to</strong>ry and <strong>the</strong>ory blogs was seen as a strong, positive step. The school<br />

<strong>report</strong>edly agrees that <strong>the</strong>se issues are important, but this is apparently never acted upon.<br />

The intensive timetable <strong>of</strong> external examining does not allow sufficient time for reflection on<br />

ethos, identity or <strong>the</strong> criteria or <strong>to</strong> meet those students not being interviewed or o<strong>the</strong>r staff. This<br />

is counterproductive, and might be relieved by greater numbers <strong>of</strong> examiners. An informal visit<br />

by external examiners in <strong>the</strong> first semester, at which <strong>the</strong>se issues could be discussed, would be <strong>of</strong><br />

benefit. It is also not apparent that <strong>the</strong> staff meet in a body; <strong>the</strong>re seem <strong>to</strong> be demarcations<br />

between parts 1, 2, and 3.<br />

Externals have discussed <strong>the</strong> distinction between parts 1 and 2 with diploma staff. It is about<br />

ideas, complexity, and research. This has been discussed in particular with regard <strong>to</strong> <strong>the</strong> new<br />

studio at part 2; <strong>the</strong> turnover <strong>of</strong> studio staff and dissemination <strong>of</strong> information from one year <strong>to</strong><br />

<strong>the</strong> next may be affecting this. It is also difficult <strong>to</strong> assess marking across studios as <strong>the</strong> focus <strong>of</strong><br />

each studio is different.<br />

Quality <strong>of</strong> work and scale <strong>of</strong> ambition in process work is not universally evident across both<br />

levels or all studios on <strong>the</strong> part 2 course. The best established studio is very strong, and<br />

examiners would wish <strong>to</strong> instil <strong>the</strong> ambitions <strong>of</strong> this in <strong>the</strong> o<strong>the</strong>r design studios.<br />

Part 3 attracts a varied cohort who praise <strong>the</strong> management and content <strong>of</strong> <strong>the</strong> programme. The<br />

course demands engagement, personal motivation and self-management from <strong>the</strong> candidates. It is<br />

well up <strong>to</strong> <strong>the</strong> standard <strong>of</strong> o<strong>the</strong>r <strong>of</strong>fers.<br />

The physical structure <strong>of</strong> <strong>the</strong> campus is problematic for <strong>the</strong> school. The move <strong>to</strong> <strong>the</strong> present<br />

building should have been beneficial, but it is not suitable for architecture, being <strong>to</strong>o corporate<br />

and discouraging more flexible ways <strong>of</strong> working. The location <strong>of</strong> staff <strong>of</strong>fices is exceptionally<br />

frustrating for staff. However, both <strong>the</strong>y and <strong>the</strong> technical tu<strong>to</strong>rs are available in <strong>the</strong> studio. There<br />

is insufficient space and nowhere <strong>to</strong> s<strong>to</strong>re models, which has an impact on studio culture.<br />

Students had also <strong>report</strong>ed <strong>to</strong> external examiners difficulties in gaining access <strong>to</strong> <strong>the</strong> workshops.<br />

There is a burgeoning culture <strong>of</strong> research. Leadership through research is a way <strong>to</strong> drive studio<br />

culture forward and <strong>to</strong> inform students <strong>of</strong> <strong>the</strong> interests <strong>of</strong> <strong>the</strong> staff. The School benefits from<br />

very strong staff members and it is positive for students <strong>to</strong> see this. The diploma course should<br />

take <strong>the</strong> form <strong>of</strong> architecture as research, setting <strong>the</strong> standard and culture for <strong>the</strong> whole school<br />

and creating ambition.<br />

Part 3 comments are responded <strong>to</strong> fully. Part 1 and part 2 examiners receive a formal response,<br />

but <strong>the</strong>ir comments are not felt <strong>to</strong> be consistently acted upon. One example <strong>of</strong> this relates <strong>to</strong> <strong>the</strong><br />

school website.<br />

Some externals had attended an induction session, o<strong>the</strong>rs had not. Induction sessions were crossdepartmental<br />

and, although helpful, were not architecture specific. Course briefs and guidance are<br />

sent in advance. Advance copies <strong>of</strong> formative material would be helpful.<br />

15.5 Meeting with staff<br />

The Board met a group <strong>of</strong> staff currently attached <strong>to</strong> <strong>the</strong> architecture programme. The following<br />

represents <strong>the</strong> main points <strong>of</strong> <strong>the</strong> discussion.<br />

The academic position statement was written by <strong>the</strong> direc<strong>to</strong>r <strong>of</strong> architecture and circulated <strong>to</strong><br />

staff for comment. It is seen as a position statement that is in progress and is supported by <strong>the</strong><br />

staff. The number <strong>of</strong> new staff appointments over <strong>the</strong> last two years means that <strong>the</strong> School is<br />

assimilating new points <strong>of</strong> view. This is seen as positive.<br />

There is no desire <strong>to</strong> identify closely with one point <strong>of</strong> view as this would be seen as restrictive.<br />

The school can be seen <strong>to</strong> stand for a variety <strong>of</strong> things.<br />

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The three <strong>the</strong>mes <strong>of</strong> <strong>the</strong> Students First initiative have been presented at university fora; how<br />

<strong>the</strong>se will be embraced by <strong>the</strong> school will be <strong>the</strong> subject <strong>of</strong> discussion.<br />

The school’s external pr<strong>of</strong>ile and <strong>the</strong> visibility <strong>of</strong> architecture is a key issue. Some progress has<br />

been made on <strong>the</strong> development <strong>of</strong> <strong>the</strong> website. The school has made explicit its need for a<br />

website and an external identity, but <strong>the</strong>re is a question <strong>of</strong> how that fits with university policy. As<br />

a general point architecture as a discipline and its requirements (position, space, modus operandi,<br />

internal and external visibility) seem <strong>to</strong> come in<strong>to</strong> conflict with <strong>the</strong> university. This position<br />

changes with changes in senior management. In <strong>the</strong> meantime staff and students engage via<br />

blogging and a website set up by a student.<br />

Staff meet monthly for forward planning but as yet not <strong>to</strong> discuss ethos and direction.<br />

There have been a number <strong>of</strong> meeting <strong>to</strong> discuss philosophy and identity<br />

Staff are aware <strong>of</strong> some fragmentation between part 1 and part 2. Staff attend each o<strong>the</strong>r’s crits<br />

and are aware <strong>of</strong> current discussions regarding architectural education in general. The staff body<br />

comprises long-standing and newer members <strong>of</strong> staff, all <strong>of</strong> whom bring different views <strong>to</strong> <strong>the</strong><br />

discussion. At present <strong>the</strong>re is no forum which <strong>the</strong>se discussions can take place, as <strong>the</strong> curriculum<br />

modernisation project and <strong>of</strong>fice moves having taken priority over <strong>the</strong> last year. Staff are<br />

enthusiastic about <strong>the</strong> opportunity <strong>to</strong> develop this process in line with <strong>the</strong> institution’s mission<br />

statement.<br />

Staff continuously reflect on <strong>the</strong> strengths and weaknesses <strong>of</strong> assessment and feedback. All<br />

diploma staff review all work <strong>to</strong> ensure parity. Course and module guides are intended <strong>to</strong><br />

communicate learning outcomes <strong>to</strong> students. Staff believe that by <strong>the</strong> third year students do<br />

understand <strong>the</strong> system and that by fifth year <strong>the</strong>y are capable <strong>of</strong> marking each o<strong>the</strong>r.<br />

The student intake is diverse in all senses and students arrive with very different expectations.<br />

Staff welcome <strong>the</strong> richness and challenges <strong>of</strong> <strong>the</strong> teaching experience, which <strong>the</strong>y believe are not<br />

unders<strong>to</strong>od elsewhere. Students are admitted via portfolio submission and interview. Students<br />

entering from <strong>the</strong> built environment foundation programme are ultimately very successful and<br />

achieve parity with those entering via o<strong>the</strong>r routes. Students are taught as individuals and staff<br />

attempt <strong>to</strong> draw out <strong>the</strong>ir own interests and instil confidence. At first year this necessitates<br />

generating a conversation that is available <strong>to</strong> all. Descrip<strong>to</strong>rs, briefs and clarity <strong>of</strong> aims and<br />

academic intention are crucial <strong>to</strong> this. Student numbers need <strong>to</strong> be maintained at an appropriate<br />

level for this <strong>to</strong> remain a successful approach.<br />

Staff meet on an annual basis <strong>to</strong> discuss parity between studios.<br />

Staff appraisals allow staff <strong>to</strong> calculate <strong>the</strong>ir workload. However <strong>the</strong>y believe that <strong>the</strong>re is and<br />

underestimation <strong>of</strong> <strong>the</strong> expectation <strong>of</strong> incoming cohorts paying much greater fees. The<br />

development <strong>of</strong> masters programmes will be incremental. Staffing implications will be better<br />

known at a later stage <strong>of</strong> <strong>the</strong> development process.<br />

Architecture’s future within <strong>the</strong> new structure is not yet known. Architecture staff need <strong>to</strong> be<br />

energetic <strong>to</strong> build <strong>the</strong>ir position. Architecture does not have adequate representation or strength<br />

in <strong>the</strong> consultative hierarchy, and senior management changes rapidly as do policies. Architecture<br />

needs a strong leader who can respond <strong>to</strong> <strong>the</strong> school and university management.<br />

The developing research culture is seen as an exciting opportunity; staff engage with this through<br />

attendance at <strong>the</strong> twice-termly fora featuring presentations from different departments.<br />

Administrative support is an issue both for <strong>the</strong> direc<strong>to</strong>r <strong>of</strong> architecture and <strong>the</strong> school in general.<br />

16 Delivery <strong>of</strong> academic position<br />

The Board noted that distinctive qualities <strong>of</strong> <strong>the</strong> academic position included:<br />

Diversity <strong>of</strong> student body<br />

Accessibility<br />

Part time provision<br />

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The Board noted that within physical and organizational constraints delivery <strong>of</strong> <strong>the</strong> academic<br />

position as stated was being achieved but felt that <strong>the</strong> position statement as articulated required a<br />

more rigorous focus on what truly makes <strong>the</strong> School distinctive<br />

17.1 The Graduate Attributes for part 1<br />

The <strong>board</strong> was content that all Graduate Attributes for part 1 were met.<br />

17.2 The Graduate Attributes for part 2<br />

The <strong>board</strong> was content that all graduate attributes and all criteria for part 2 were met. However,<br />

as an overall observation <strong>the</strong> <strong>board</strong> questioned whe<strong>the</strong>r it is always desirable for individuals <strong>to</strong><br />

remain in <strong>the</strong> same studio for both years. The <strong>board</strong> applauds <strong>the</strong> school’s ambition <strong>to</strong> set <strong>the</strong><br />

standard at masters level (level 8) but considered that at present, both years more closely reflect<br />

level 7.<br />

18 Review <strong>of</strong> work against criteria<br />

It should be noted that where <strong>the</strong> <strong>visiting</strong> <strong>board</strong> considered a criterion <strong>to</strong> have been met, no<br />

commentary is <strong>of</strong>fered. Where concerns were noted (or a criterion clearly not met), commentary<br />

is supplied. Finally, where academic outcomes suggested a criterion was particularly positively<br />

demonstrated, commentary is supplied.<br />

18.1 BA (Hons) Architecture <strong>RIBA</strong> part 1<br />

GC1 Ability <strong>to</strong> create architectural designs that satisfy both aes<strong>the</strong>tic and technical<br />

requirements<br />

At <strong>the</strong> high end, this was very good.<br />

GC2 Adequate knowledge <strong>of</strong> <strong>the</strong> his<strong>to</strong>ries and <strong>the</strong>ories <strong>of</strong> architecture and <strong>the</strong> related<br />

arts, technologies and human sciences<br />

His<strong>to</strong>ry and <strong>the</strong>ory linked <strong>to</strong> design studio is a strength. This is sequential through all three years.<br />

This should be taken as a model for o<strong>the</strong>r parts <strong>of</strong> <strong>the</strong> course.<br />

GC3 Knowledge <strong>of</strong> <strong>the</strong> fine arts as an influence on <strong>the</strong> quality <strong>of</strong> architectural design<br />

Within <strong>the</strong> second year and <strong>the</strong> students incorporate <strong>the</strong>ir knowledge <strong>of</strong> <strong>the</strong> fine arts within<br />

architectural representation as well as varied 3D artefacts. This ignited a series <strong>of</strong> projects<br />

throughout <strong>the</strong> year. The second year students demonstrated a wide range <strong>of</strong> influences.<br />

GC4 Adequate knowledge <strong>of</strong> urban design, planning and <strong>the</strong> skills involved in <strong>the</strong><br />

planning process<br />

The <strong>board</strong> noted <strong>the</strong> external examiners’ comments that this could be a strength <strong>of</strong> <strong>the</strong> school.<br />

The <strong>board</strong> suggests that <strong>the</strong> school refines <strong>the</strong> goals <strong>of</strong> this unit.<br />

GC7 Understanding <strong>of</strong> <strong>the</strong> methods <strong>of</strong> investigation and preparation <strong>of</strong> <strong>the</strong> brief for a<br />

design project<br />

The <strong>board</strong> suggests that <strong>the</strong> school fur<strong>the</strong>r invests in <strong>the</strong> recording <strong>of</strong> process for example<br />

sketching, drawing and physical models.<br />

GC9 Adequate knowledge <strong>of</strong> physical problems and technologies and <strong>the</strong> function <strong>of</strong><br />

buildings so as <strong>to</strong> provide <strong>the</strong>m with internal conditions <strong>of</strong> comfort and protection<br />

against <strong>the</strong> climate<br />

With regard <strong>to</strong> sustainability and environment, <strong>the</strong>re was evidence <strong>of</strong> strategies in <strong>the</strong> technology<br />

<strong>report</strong>. However, this could inform <strong>the</strong> design in a more integrated way.<br />

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GC10 The necessary design skills <strong>to</strong> meet building users’ requirements within <strong>the</strong><br />

constraints imposed by cost fac<strong>to</strong>rs and building regulations<br />

Whilst covered in <strong>the</strong> curriculum, this area could benefit from reference <strong>to</strong> <strong>the</strong> school’s part 3<br />

programme.<br />

GC11 Adequate knowledge <strong>of</strong> <strong>the</strong> industries, organisations, regulations and procedures<br />

involved in translating design concepts in<strong>to</strong> buildings and integrating plans in<strong>to</strong> overall<br />

planning<br />

As with GC10, this area <strong>of</strong> <strong>the</strong> programme could benefit from closer reference <strong>to</strong> <strong>the</strong> part 3<br />

programme.<br />

18.2 Postgraduate Diploma in Architecture Part 2<br />

GC1 Ability <strong>to</strong> create architectural designs that satisfy both aes<strong>the</strong>tic and technical<br />

requirements<br />

“GC1.3 develop a conceptual and critical approach <strong>to</strong> architectural design that integrates and<br />

satisfies <strong>the</strong> aes<strong>the</strong>tic aspects <strong>of</strong> a building and <strong>the</strong> technical requirements <strong>of</strong> its construction and<br />

<strong>the</strong> needs <strong>of</strong> <strong>the</strong> user.”<br />

The <strong>board</strong> considered that GC1.3 needs improving by more evidence <strong>of</strong> process, feedback and<br />

assessment.<br />

GC2 Adequate knowledge <strong>of</strong> <strong>the</strong> his<strong>to</strong>ries and <strong>the</strong>ories <strong>of</strong> architecture and <strong>the</strong> related<br />

arts, technologies and human sciences<br />

The Board would wish <strong>to</strong> see a more pronounced progression from part 1 <strong>to</strong> part 2. The<br />

programme at part 1 might serve as a useful model for his<strong>to</strong>ry and <strong>the</strong>ory delivery at part 2.<br />

GC3 Knowledge <strong>of</strong> <strong>the</strong> fine arts as an influence on <strong>the</strong> quality <strong>of</strong> architectural design<br />

Whilst <strong>the</strong> <strong>board</strong> was content with <strong>the</strong> level it considered that <strong>the</strong>re was room for improvement.<br />

The <strong>board</strong> encourages <strong>the</strong> potential development <strong>of</strong> a new masters programme but considers that<br />

<strong>the</strong> school needs <strong>to</strong> follow through <strong>the</strong> initiative in terms <strong>of</strong> resourcing, structure, and<br />

progression points. Because two <strong>of</strong> <strong>the</strong> three studios use <strong>the</strong> same project as a vehicle for both<br />

incoming and final year study, <strong>the</strong> <strong>board</strong> considered <strong>the</strong> repeat <strong>of</strong> structure at both levels does<br />

not <strong>of</strong>fer students any apparent benefits.<br />

GC5 Understanding <strong>of</strong> <strong>the</strong> relationship between people and buildings, and between<br />

buildings and <strong>the</strong>ir environment, and <strong>the</strong> need <strong>to</strong> relate buildings and <strong>the</strong> spaces between<br />

<strong>the</strong>m <strong>to</strong> human needs and scale<br />

The <strong>board</strong> considered that while <strong>the</strong> work meets <strong>the</strong> required standard, this represents a missed<br />

opportunity in <strong>the</strong> exploration <strong>of</strong> ideas. There is scope for improvement here.<br />

GC6 Understanding <strong>of</strong> <strong>the</strong> pr<strong>of</strong>ession <strong>of</strong> architecture and <strong>the</strong> role <strong>of</strong> <strong>the</strong> architect in<br />

society, in particular in preparing briefs that take account <strong>of</strong> social fac<strong>to</strong>rs<br />

Considering <strong>the</strong> school’s location in <strong>London</strong>, this could be stronger. The <strong>board</strong> recognises <strong>the</strong><br />

rich cultural context surrounding <strong>the</strong> projects. The school should explore this in greater depth.<br />

The <strong>board</strong> notes <strong>the</strong> reference <strong>to</strong> ‘urban grittiness’ in <strong>the</strong> school’s academic position statement.<br />

The school should make use <strong>of</strong> opportunities in <strong>the</strong> wider department <strong>to</strong> contribute <strong>to</strong> projects.<br />

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GC7 Understanding <strong>of</strong> <strong>the</strong> methods <strong>of</strong> investigation and preparation <strong>of</strong> <strong>the</strong> brief for a<br />

design project<br />

With regard <strong>to</strong> criterion GC7.3, <strong>the</strong> Board refers <strong>the</strong> School <strong>to</strong> <strong>the</strong> advice given in paragraph<br />

14.5.<br />

GC10 The necessary design skills <strong>to</strong> meet building users’ requirements within <strong>the</strong><br />

constraints imposed by cost fac<strong>to</strong>rs and building regulations<br />

The school should investigate opportunities <strong>to</strong> integrate management, practice and law across all<br />

three validated programmes (Parts 1, 2 and 3).<br />

GC11 Adequate knowledge <strong>of</strong> <strong>the</strong> industries, organisations, regulations and procedures<br />

involved in translating design concepts in<strong>to</strong> buildings and integrating plans in<strong>to</strong> overall<br />

planning<br />

As at GC10, <strong>the</strong> school should investigate opportunities <strong>to</strong> integrate management, practice and<br />

law across all three validated programmes (Parts 1, 2 and 3).<br />

18.3 <strong>RIBA</strong> Pr<strong>of</strong>essional Practice Part 3<br />

As an overall observation, considering <strong>the</strong> speed and trajec<strong>to</strong>ry <strong>of</strong> <strong>the</strong> part 3 course, <strong>the</strong> content<br />

and self-directed learning is impressive. The <strong>board</strong> encourages <strong>the</strong> part 3 programme leader <strong>to</strong><br />

engage in dialogue with his counterparts at part 1 and part 2 <strong>to</strong> enable <strong>the</strong>m <strong>to</strong> learn from good<br />

practice demonstrated at part 3. Particularly, <strong>the</strong> students praised <strong>the</strong> contract game highly.<br />

PC1 Pr<strong>of</strong>essionalism<br />

This is very good and well-delivered.<br />

PC2 Clients, users, and delivery <strong>of</strong> services<br />

This is good.<br />

PC3 Legal framework and processes<br />

The <strong>board</strong> noted that when <strong>the</strong> level <strong>of</strong> planning law teaching was identified as insufficient this<br />

was rectified immediately. This is an example <strong>of</strong> when <strong>the</strong> course showed itself <strong>to</strong> be flexible <strong>to</strong><br />

contemporary practice. The <strong>board</strong> infers that this happens elsewhere <strong>to</strong> keep <strong>the</strong> programme<br />

current. This dynamic model may be useful for part 1 and part 2. The <strong>board</strong> compliments <strong>the</strong><br />

course leader for listening and reacting in a positive way.<br />

PC4 Practice and management<br />

The programme has a strong market identity.<br />

19 O<strong>the</strong>r information<br />

19.1.i Student numbers at part 1<br />

At <strong>the</strong> time <strong>of</strong> <strong>the</strong> visit 257 students were enrolled at part 1 in full-time and part-time modes.<br />

19.1.ii Student numbers at part 2<br />

At <strong>the</strong> time <strong>of</strong> <strong>the</strong> visit 106 students were enrolled at part 2 in full-time and part-time modes.<br />

19.1.iii Student numbers at part 3<br />

At <strong>the</strong> time <strong>of</strong> <strong>the</strong> visit 36 candidates enrolled in <strong>the</strong> spring session and 30 in <strong>the</strong> autumn session<br />

at part 3.<br />

19.2 Documentation provided<br />

The school provided documentation appropriate <strong>to</strong> preparing <strong>the</strong> members <strong>of</strong> <strong>the</strong> <strong>visiting</strong> <strong>board</strong><br />

for <strong>the</strong> visit.<br />

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